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TorontoHye Newspaper Volume 7, #1-72 - October 2011

Page 1

¾. î³ñÇ ÂÇõ 1 (72), ÐáÏï»Ùµ»ñ 2011 Øß³ÏáõóÛÇÝ, ÀÝÏ»ñ³ÛÇÝ, ²Ûɳ½³Ý ä³ñµ»ñ³Ã»ñÃ

²½ñå¿Û׳ÝÇ àñ»õ¿ ²ñϳͳËݹñáõÃÇõÝ äÇïÇ ²ñ³·³óÝ¿ г۳ëï³ÝÇ ÎáÕÙ¿ È»éݳÛÇÝ Ô³ñ³µ³ÕÇ Ö³Ý³ãáõÙÁ

г۳ëï³ÝÇ Ý³Ë³·³Ñ ê»ñÅ ê³ñ·ë»³Ý ê»åï»Ùµ»ñÇ í»ñçÇÝ ß³µ³Ã³í»ñçÇÝ ÜÇõ ºáñùÇ ³Ûó»Éáõû³Ý Å³Ù³Ý³Ï Û³Ûï³ñ³ñ»ó, áñ ²½ñå¿Û׳ÝÇ ÏáÕÙ¿ áñ»õ¿ ³ñϳͳËݹñáõÃÇõÝ Ï³Ù º²ÐÎ-Ç ØÇÝëùÇ ËÙµ³ÏÇ ÍÇñ¿Ý ¹áõñë ·áñÍáÕáõÃÇõÝ åÇïÇ ³ñ³·³óÝ¿ г۳ëï³ÝÇ ÏáÕÙ¿ È»éݳÛÇÝ Ô³ñ³µ³ÕÇ ×³Ý³ãáõÙÁ: §²ÛÝ ÷³ëïÁ, áñ ï³ñÇÝ»ñáõ ÁÝóóùÇÝ Ð³Û³ëï³Ý ï³Ï³õÇÝ ã¿ ×³Ýãó³Í È»éݳÛÇÝ Ô³ñ³µ³ÕÇ Ð³Ýñ³å»ïáõÃÇõÝÁ, ÏÁ µ³ó³ïñáõÇ ³Ýáí, áñ г۳ëï³Ý ÷áñÓ³Í ¿ ³ñ¹ÇõÝù Ó»éù Ó·»É µ³Ý³ÏóáõÃÇõÝÝ»ñáõ ÙÇçáóáí¦, Çñ »ÉáÛÃÇÝ ÁÝóóùÇÝ Áë³õ ݳ˳·³ÑÁ: ê³ñ·ë»³Ý Áݹ·Í»ó, áñ ²ñó³ËÁ ³ñ¹¿Ý 20 ï³ñÇ¿ Ç í»ñ ÏÁ í³Û»É¿ Çñ ³ÝϳËáõÃÇõÝÁ »õ ãÇ Ïñݳñ ÉáõÍÙ³Ý Çµñ»õ ³ñ¹ÇõÝù ³õ»ÉÇ ó³Í ϳñ·³íÇ×³Ï áõݻݳÉ, ù³Ý ³ÛÝ, ÇÝã áñ áõÝÇ ³ñ¹¿Ý »õ ÇÝã áñ í³ëïÏ³Í ¿ Çñ ½³õ³ÏÝ»ñáõÝ ³ñÇõÝáí: Ô³ñ³µ³ÕÇ ³ÝϳËáõÃÇõÝÁ, ³Ýáñ ÅáÕáíáõñ¹Ç ÇÝùÝáñáßÙ³Ý Çñ³õáõÝùÇ Çñ³·áñÍáõÙÁ áñ»õ¿ å³ñ³·³ÛÇ ã»Ý Ïñݳñ ѳñó³Ï³ÝÇ ï³Ï ¹ñáõÇÉ: ܳ˳·³ÑÁ íëï³Ñ»óáõó, áñ г۳ëï³ÝÇ Ýå³ï³ÏÁ »Õ³Í ¿ »õ ÏÁ ÙÝ³Û Ñ³ëÝÇÉ Ô³ñ³µ³ÕÇ ÙÇç³½·³ÛÇÝ ×³Ý³ãÙ³Ý, Ý»ñ³é»³É` ²½ñå¿Û׳ÝÇ ÏáÕÙ¿ ׳ݳãÙ³Ý: Àëï ³Ýáñ, ÏÁ µ³ó³éáõÇÝ ÙdzÏáÕÙ³ÝÇ ½ÇçáõÙÝ»ñÁ: §ÎÁ ÙݳÝù ѳÙá½áõ³Íª ÉáõÍÙ³Ý ÁÝóóùÇÝ Çñ³Ï³Ý ³ñ¹ÇõÝù ³ñӳݳ·ñ»Éáõ ѳٳñ ³ÝÑñ³Å»ßï »Ý ù³ÛÉ»ñ »õ ·áñÍáÕáõÃÇõÝÝ»ñ, áñáÝù åÇïÇ Ýå³ëï»Ý ﳷݳåÇ ÏáÕÙ»ñáõÝ ÙÇç»õ íëï³Ñáõû³Ý ÙÃÝáÉáñïÇ ³Ùñ³åݹٳÝ: ø³ÝÇ ï³Ï³õÇÝ ²½ñå¿Û×³Ý ã¿ ¹³¹ñ»óáõó³Í áõÅÇ ëå³éݳÉÇùÇ ÏÇñ³ñÏáõÙÁ, ù³ÝÇ ï³Ï³õÇÝ ²½ñå¿Û׳ÝÇ Ù¿ç ³éÏ³Û ¿ ѳ۳ﻳóáõû³Ý ÙÃÝáÉáñïÁ, ½áñ ³Ûëûñ áõÝÇÝù, ß³ï µ³ñ¹ åÇïÇ ÁÉÉ³Û Çñ³Ï³Ý Û³é³çÁÝóóÇ Ù³ëÇÝ ËûëÇÉÁ¦, Û³Ûï³ñ³ñ»ó ³Ý: Êûë»Éáí ÂáõñùÇáÛ Ñ»ï Û³ñ³µ»ñáõÃÇõÝÝ»ñáõ ϳñ·³õáñÙ³Ý ÑáÉáíáÛÃÇÝ Ù³ëÇÝ` ê³ñ·ë»³Ý Ù³ëݳõáñ³µ³ñ ß»ßï»ó, áñ ³ñӳݳ·ñáõÃÇõÝÝ»ñÁ ³Ýí³õ»ñ ÏÁ ÙݳÝ, г۳ëï³Ý-Âáõñùdz ë³ÑÙ³ÝÁ ÷³Ï ÏÁ ÙݳÛ, ÂáõñùÇáÛ ÃßÝ³Ù³Ï³Ý ·áñÍáÕáõÃÇõÝÝ»ñÁ г۳ëï³ÝÇ Ýϳïٳٵ ÏÁ ß³ñáõݳÏáõÇÝ, ë³Ï³ÛÝ, »Ã¿ ÂáõñùÇáÛ ÇëÏ³Ï³Ý ¹¿ÙùÁ Û³ÛïÝÇ ¿ñ ѳÛáõÝ , ³ß˳ñÑÇ áñ ͳÛñÁ áñ ³Ý ·ïÝáõ¿ñ, ³ÛÅÙ, Ýß»³É ÑáÉáíáÛÃÇÝ Çµñ»õ ³ñ¹ÇõÝù, ÂáõñùÇáÛ ¹¿ÙùÁ µ³ó³Û³Ûïáõ»ó³õ ݳ»õ ³ß˳ñÑÇÝ Ñ³Ù³ñ: г۳ëï³ÝÇ Ý³Ë³·³Ñ ê»ñÅ ê³ñ·ë»³Ý 24 ê»åï»Ùµ»ñÇÝ ³ß˳ï³Ýù³ÛÇÝ ³Ûó»Éáõû³Ùµ Èáë ²Ý×»Éáë Ù»ÏÝ»ó³õ:

ÂáñáÝÃáѳÛáõÃÇõÝÁ Æ ØÇ ºÏ³õª îûݳϳï³ñ»Éáõ г۳ëï³ÝÇ ºõ ²ñó³ËÇ ¼áÛ· ²ÝϳËáõÃÇõÝÁ

Èáõë³ÝϳñÝ»ñÁª ijù ì³ñå»ï»³ÝÇ

ܳ˳·³Ñ ê. ê³ñ·ë»³Ý.

Volume 7, No. 1 (72), úctober 2011 Toronto Armenian Community Newspaper

ê»åï»Ùµ»ñ 25-ÇÝ, Ð³Û ºñÇï³ë³ñ¹³Ï³Ý λ¹ñáÝÇ ëñ³ÑÇÝ Ù¿ç ï»ÕÇ áõÝ»ó³Í ïûݳϳï³ñáõû³Ý Ý»ñϳݻñ: ÂáñáÝÃáѳÛáõÃÇõÝÁ ù³ç³É»ñ»ÉÇ Ñ³Ù³·áñͳÏóáõû³Ùµ ÙÁ ïûݳϳï³ñ»ó ²ñó³ËÇ »õ г۳ëï³ÝÇ Ñ³Ýñ³å»ïáõû³Ýó ³ÝϳËáõû³Ý 20-³Ù»³ÏÁª ѳٳ·³ÕáõóÛÇÝ Ó»éݳñÏáí ÙÁ, áñ Ç ÙÇ µ»ñ³õ ·³ÕáõÃ³Ñ³Û µáÉáñ ѳïáõ³ÍÝ»ñÝ áõ »Ï»Õ»óÇÝ»ñÁ: Ò»éݳñÏÁ ï»ÕÇ áõÝ»ó³õ 25 ê»åï»Ùµ»ñÇÝ, Ð³Û ºñÇï³ë³ñ¹³Ï³Ý λ¹ñáÝÇ §Ð³Ù³½·³ÛÇݦ ëñ³ÑÇÝ Ù¿çª Ù³ëݳÏóáõû³Ùµ ÂáñáÝÃáÛÇ Ù¿ç ·áñÍáÕ µáÉáñ Ï»¹ñáÝÝ»ñáõÝ, ϳ½Ù³Ï»ñåáõÃÇõÝÝ»ñáõÝ, »Ï»Õ»óÇÝ»ñáõÝ »õ ßáõñç 600 ѳÛáñ¹ÇÝ»ñáõ: Ü»ñÏ³Û ¿ÇÝ ¶³Ý³ï³Ñ³Ûáó ²é³çÝáñ¹ ´³·ñ³ï ºåë. ¶³Éëï³Ý»³Ý, ÂáñáÝÃáÛÇ Ñ³Û »Ï»Õ»óÇÝ»ñáõ Ñá·»õáñ ÑáíÇõÝ»ñ, ÙÇáõÃÇõÝÝ»ñáõ, ϳ½Ù³Ï»ñåáõÃÇõÝÝ»ñáõ Ý»ñϳ۳óáõóÇãÝ»ñ »õ ßáõñç 600 ѳÛáñ¹ÇÝ»ñ: Ò»éݳñÏÁ µ³óáõ»ó³õ ÐØÀØ-Ç ëϳáõïÝ»ñáõ ÏáÕÙ¿ ¹ñûß³ÏÇ ³ñ³ñáÕáõû³Ùµ, ³å³ ¹³ßݳÏÇ íñ³Û ³ÉÇÝ ¶ÁÉÁåá½»³ÝÇ, ϳï³ñáõ»ó³õ ¶³Ý³ï³ÛÇ, г۳ëï³ÝÇ »õ ²ñó³ËÇ »é»³Ï ù³ÛÉ»ñ·Ý»ñÁª ѳݹÇë³õáñ ÙÃÝáÉáñïÇ Ù¿ç: гݹÇë³í³ñ ¼áÑñ³å ê³ñ·Çë»³Ý Ï³ï³ñ»ó µ³óÙ³Ý ËûëùÁ »õ ³Ý¹ñ³¹³ñÓ³õ ½áÛ· ³ÝϳËáõû³Ýó Ó»éùµ»ñÙ³Ý »õ ½³ÝáÝù å³Ñå³Ý»Éáõ ϳñ»õáñáõû³Ý: ²å³ ¼³ñáõÏ»³Ý í³ñųñ³ÝÇ »õ гٳ½·³ÛÇÝÇ Ø³Ýϳå³ï³Ý»Ï³Ý Ùdzó»³É »ñ·ã³ËáõÙµÁ »ñ·»ó ѳÛñ»Ý³ëÇñ³Ï³Ý ÷áõÝç ÙÁ »ñ·»ñ: ²ÛÝáõÑ»ï»õ, гٳ½·³ÛÇÝÇ ä³ñ³ñáõ»ëïÇ ÐÇÙݳñÏÇ å³ï³ÝÇ å³ñáÕÝ»ñÁ Ý»ñϳ۳óáõóÇÝ ÅáÕáíñ¹³ÛÇÝ å³ñ ÙÁ: ¶³ÕáõÃÇ ÍÝáñѳÉÇ »ñ·ãáõÑÇ ²Ý³ÑÇï Îáõïëáõ½»³Ý, ¹³ßݳÏÇ ÁÝÏ»ñ³Ïóáõû³Ùµ ÞÇñ³Ï ³¹á뻳-

ÝÇ, »ñ·»óª §ÆÙ ºñ»õ³Ý¦ »õ §²½· ö³é³å³Ýͦ »ñ·»ñÁ: ²å³ Ý»ñϳݻñÁ å³ëï³éÇ íñ³Û Ñ»ï»õ»ó³Ý г۳ëï³ÝÇ »õ ²ñó³ËÇ í»ñ³ÍÝáõݹÁ å³ïÏ»ñáÕ í³õ»ñ³·ñ³Ï³Ý ýÇÉÙÇ ÙÁ: ¶»Õ³ñáõ»ëï³Ï³Ý Íñ³·ÇñÁ ß³ñáõݳÏáõ»ó³õ гٳ½·³ÛÇÝÇ ä³ñ³ñáõ»ëïÇ ÐÇÙݳñÏÇ å³ñáÕÝ»ñáõ ËáõÙµáí, áñ Ý»ñϳ۳óáõó å³ñ³ÛÇÝ å³ïÏ»ñ ÙÁª §10 ØÇÉÇáݦ, áñ ÏÁ Ý»ñϳ۳óÝ¿ñ Ñ³Û ÅáÕáíáõñ¹Ç ³ÙµáÕç³Ï³Ý å³ïÏ»ñÁª ѳÛñ»ÝÇùÇÝ Ù¿ç Ç ÙÇ »ÏáÕ: ²å³ ûñáõ³Ý Çñ ËûëùÁ ÷á˳Ýó»ó È»éݳÛÇÝ Ð³Ýñ³å»ïáõû³Ý ÐÇõëÇë³ÛÇÝ ²Ù»ñÇϳÛÇ Ý»ñϳ۳óáõóÇã èáµ»ñï ²õ»ïÇ뻳Ý, áñ ³Ý¹ñ³¹³ñÓ³õ ²ñó³ËÇ 20 ï³ñÇÝ»ñáõ ³åñ³Í í»ñÇí³ÛñáõÙÝ»ñáõÝ, µ³½áõÙ ½áÑ»ñáí Ó»éù µ»ñáõ³Í ³½³ïáõû³Ý, í»ñ³Ï³Ý·ÝáÕ ïÝï»ëáõû³Ý »õ ѽûñ µ³Ý³ÏÇÝ: ²õ»ïÇë»³Ý Áë³õ, ÿ È»éݳÛÇÝ Ô³ñ³µ³ÕÇ Ð³Ýñ³å»ïáõÃÇõÝÁ ³Ýóáõó ݳ»õ ÅáÕáíñ¹³í³ñáõû³Ý Çñ ùÝÝáõÃÇõÝÁ »õ ³Ûëûñ Çñ ³ñųÝÇ ï»ÕÁ áõÝÇ ÙÇç³½·³ÛÇÝ Ï»³ÝùÇÝ Ù¿ç: ²Ý ß»ßï»ó г۳ëï³ÝÇ Ï³ñ»õáñáõÃÇõÝÁ ²ñó³ËÇ ³Ýíï³Ý·áõû³Ý »õ å³ßïå³Ýáõû³Ý »ñ³ß˳õáñÙ³Ý Ù¿ç: ²å³ Ȼݳ ä¿ÛÉ¿ñ»³Ý, ¹³ßݳÏÇ ÁÝÏ»ñ³Ïóáõû³Ùµ ÐÇÉï³ ¶³Ýï³Ñ³ñ»³ÝÇ, ٻݻñ·»ó §Ô³ñ³µ³ÕÇ ºÕÝÇϦ »õ §àëï³Ý гÛñ»ÝǦ »ñ·»ñÁ: úñáõ³Ý ·É˳õáñ µ³Ý³Ëûëª ¶³Ý³ï³ÛÇ Ùûï г۳ëï³ÝÇ Ýáñ³Ýß³Ý³Ï ¹»ëå³Ý ²ñÙ¿Ý º·³Ý»³Ý Ëûë»ó³õ ³ÝϳËáõû³Ý ³é³çÇÝ ï³ñÇÝ»ñáõ ¹Åáõ³ñÇÝ Ï³óáõû³Ý »õ Ñ»ï½Ñ»ï¿ Ù³ñÙÇÝ ëï³ó³Í ³ÝÏ³Ë ß³ñ. ï»ë ¿ç 3


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ºñ·Ç, »ñ³Åßïáõû³Ý »õ å³ñ³ñáõ»ëïÇ ³ëå³ñ¿½ÇÝ Ù¿ç ÂáñáÝáÃáÛÇ Ñ³Û »ñÇï³ë³ñ¹ ³ñáõ»ëï³·¿ïÝ»ñáõ

enefit

oncert

Æ Ýå³ëï ²ñó³ËÇ ÞáõßÇ ù³Õ³ùÇ ÏñÃ³Ï³Ý »õ Ùß³ÏáõóÛÇÝ Ï»¹ñáÝÇ í»ñ³ßÇÝáõû³Ý

A multitude of Canadian-Armenian young artists under the artistic direction of Maestro Nurhan Arman Ð³Û ºñÇï³ë³ñ¹³Ï³Ý λ¹ñáÝÇ §Ð³Ù³½·³ÛÇݦ ³ï»ñ³ëñ³ÑÇÝ Ù¿ç 50 Hallcrown Place.

ÎÇñ³ÏÇ 30 ÐáÏï»Ùµ»ñ 2011 Ã. ºñ»ÏáÛ»³Ý ųÙÁ 7:00-ÇÝ ØáõïùÇ Ýáõ¿ñ $25.00

Sunday, October 30th, 2011

Ara Graphics 416-560-6315

featuring

Join Us for an Evening of Uplifting Entertainment and Help Us Build a Cultural Bridge from Toronto to Shushi ØÇÝã»õ 18 ï³ñ»Ï³Ý ³ß³Ï»ñïÝ»ñáõ ѳٳñ ÜáÛÝ ûñÁ Ï.». ųÙÁ 2:30 ÇÝ. ØáõïùÇ Ýáõ¿ñ $5.00

For tickets and information please call Toronto Himnatram Concert Committee Members

Arsho Arabatian 647-880-7076 Aram Isnar 416-512-7593 Houri Najarian 416-498-6941 Alvart Siraki 416-499-6019 Isabelle (Isa) Basmajian 416-444-1061


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presents

ºð²ÄÞî²Î²Ü ´²ò²èÆÎ îúÜ²ÊØ´àôÂÆôÜ ÜáõÇñáõ³Í г۳ëï³ÝÇ Ð³Ýñ³å»ïáõû³Ý ²ÝϳËáõû³Ý 20-³Ù»³ÏÇÝ ºõ Ð³Û ¶ñùÇ îå³·ñáõû³Ý 500-³Ù»³ÏÇÝ

With the Internationally Acclaimed

»ñÏñÇÝ »õ ³½·»ñáõ Ùǽ³½·³ÛÇÝ Ñ³Ù³ÛÝùÇÝ Ù¿ç áõÝ»ó³Í ³ñųݳí³Û»É ¹»ñÇÝ: Êûë»Éáí г۳ëï³ÝÇ Ð³Ýñ³å»ïáõû³Ý Ý»ñÏ³Û Ï³óáõû³Ý Ù³ëÇÝ, ¹»ëå³ÝÁ Áë³õ, ÿ ³Ûëûñ Ù»ñ Ýáñ³ÝÏ³Ë »ñÏÇñÁ ÏÁ ¹ÇÙ³·ñ³õ¿ µ³½Ù³ÃÇõ ¹Åáõ³ñáõÃÇõÝÝ»ñ. ³Ýáñ ïÝï»ëáõÃÇõÝÁ ÏÁ ï³é³åÇ Û³ïϳå¿ë ²½ñå¿Û׳ÝÇ »õ ÂáõñùÇáÛ å³ñï³¹ñ³Í ßñç³÷³ÏÙ³Ý Ñ»ï»õ³Ýùáí: Êûë»Éáí г۳ëï³ÝÇ ½ÇÝáõáñ³Ï³Ý ϳñáÕáõû³Ý Ù³ëÇÝ ³Ý Áë³õ, ÿ ³Ûëûñ áõÝÇÝù ѽûñ µ³Ý³Ï, µ³Ûó ݳ»õ ݳ˳ÝÓ³ËݹÇñ »Ýù ˳ճÕáõû³Ý ѳëï³ïÙ³Ý: ¸»ëå³ÝÁ ß»ßï»ó, ÿ Ù»ñ »ñÏñÇÝ Çõñ³ù³ÝãÇõñ Û³ÕóݳÏÇ »õ å³ñïáõû³Ý å³ï³ë˳ݳïáõÝ Ù»Ýù, »Ýù, µáÉáñë: ²Ý¹ñ³¹³éݳÉáí гÛÏ³Ï³Ý ò»Õ³ëå³Ýáõû³Ý Ùûï³Éáõï 100-³Ù»³ÏÇÝ, º·³Ý»³Ý Áݹ·Í»ó, áñ ò»Õ³ëå³Ýáõû³Ý ÙÇç³½·³ÛÇÝ ×³Ý³ãáõÙÁ »õ ÅËïáճϳÝáõû³Ý ϳë»óáõÙÁ г۳ëï³ÝÇ ³ñï³ùÇÝ ù³Õ³ù³Ï³Ýáõû³Ý ·É˳õáñ µ³Õ³¹ñÇãÝ»ñ¿Ý Ù¿ÏÝ ¿: ºõ í»ñç³å¿ë, ¹»ëå³ÝÁ Ýß»ó, ÿ г-

Ȼݳ ä¿ÛÉ¿ñ»³Ý Û³ëï³Ý »õ ¶³Ý³ï³ ³Ûëûñ áõÝÇÝ ³Ùáõñ Û³ñ³µ»ñáõÃÇõÝÝ»ñ »õ Ñ»ï³Ùáõï »Ý ½³ñ·³óÝ»Éáõ ½³ÝáÝù: Ò»éݳñÏÇÝ ÁÝóóùÇÝ ÁÝûñóáõ»ó³õ í³ñã³å»ï êÃÇíÁÝ Ð³ñ÷ÁñÇ ßÝáñѳõáñ³Ï³Ý ݳٳÏÁ, áõñ ³Ý ÏÁ Ýß¿, áñ ¶³Ý³ï³ ÙÇßï ½ûñ³íÇ· Ï³Ý·Ý³Í ¿ г۳ëï³ÝÇ »õ å³ïñ³ëï ¿ Û³é³çÇÏ³Û ï³ñÇÝ»ñáõÝ »ñÏáõ »ñÏÇñÝ»ñáõÝ ÙÇç»õ ·áÛáõÃÇõÝ áõÝ»óáÕ Ñ³Ù³·áñͳÏóáõû³Ý ϳå»ñÁ ½³ñ·³óÝ»Éáõ£ Ú³Ûï³·ñÇ í»ñçÇÝ µ³ÅÝáí, ê. ºññáñ¹áõÃÇõÝ »Ï»Õ»óõáÛ §ê³ëáõݦ å³ñ³ËáõÙµÁ Ý»ñϳ۳óáõó Ñ³Û ÅáÕáíáõñ¹Ç å³Ûù³ñÁ »õ Û³ÕóݳÏÁ Ý»ñϳ۳óÝáÕ å³ñ³ÛÇÝ å³ïÏ»ñÝ»ñ: ä³ñ³ËáõÙµÇ ³ñÑ»ëï³í³ñÅ »ÉáÛÃÁ ³ÝÙÇç³å¿ë Ý»ñ·ñ³õ»ó Ý»ñϳݻñÁ, áñáÝù Ñdzó³Í ÏÁ Ñ»ï»õ¿ÇÝ å³ñáÕÝ»ñáõÝ Ï³ï³ñáÕ³Ï³Ý ÑÙïáõû³Ý »õ ëï»ÕÍ³Í Ñ³Ûñ»Ý³Ï³Ý ÙÃÝáÉáñïÇÝ: Ò»éݳñÏ¿Ý »ïù, ï»ÕÇ áõÝ»ó³õ 20-³Ù»³ÏÇ Ï³ñϳݹ³ÏÇ Ñ³ïáõÙª Ù³ëݳÏóáõû³Ùµ å³ßïûÝ³Ï³Ý »õ ٻͳñ·áÛ ÑÇõñ»ñáõÝ:

Robert Mlkeyan Artistic Director & Conductor In their Debut Concert Tour in Canada

Under the direction of

Saturday, October 15, 2011 at 8:00 p.m. Global Kingdom Ministry

1250 Markham Road, Scarborough

Reserved seats $50

General $35

18 & under $20

Ara Graphics

²Ý³ÑÇï Îáõïëáõ½»³Ý

NATIONAL CHAMBER CHOIR OF ARMENIA

For tickets please call: HTAC 416-431-3001 France Kandaharian 416-733-0232 Kathy Sakarya 905-889-8522 Antranig Tchilingirian 416-789-9951


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È»éݳÛÇÝ Ô³ñ³µ³ÕÇ Ð³Ýñ³å»ïáõÃÇõÝÁ Üß»ó Æñ ²ÝϳËáõû³Ý 20-³Ù»³ÏÁ ê»åï»Ùµ»ñ 2-ÇÝ È»éݳÛÇÝ Ô³ñ³µ³ÕÇ Ð³Ýñ³å»ïáõÃÇõÝÁ Ýß»ó Çñ ³ÝϳËáõû³Ý 20-³Ù»³ÏÁ: Úáµ»É»Ý³Ï³Ý Ñ³Ý¹Çëáõû³Ýó Ù³ëݳÏó»Éáõ ѳٳñ êï»÷³Ý³Ï»ñï Ù»ÏÝ³Í ¿ñ г۳ëï³ÝÇ Ý³Ë³·³Ñ ê»ñÅ ê³ñ·ë»³Ý: Ô³ñ³µ³Õ ¿ÇÝ Ý³»õ ß³ñù ÙÁ ·áñÍáÕ »õ ݳËÏÇÝ µ³ñÓñ³ëïÇ×³Ý å³ßïûݳï³ñÝ»ñ, áñáÝó ß³ñùÇÝ` È»éݳÛÇÝ Ô³ñ³µ³ÕÇ »õ г۳ëï³ÝÇ Ý³ËÏÇÝ Ý³Ë³·³ÑÝ»ñ: È»éݳÛÇÝ Ô³ñ³µ³ÕÇ Ð³Ýñ³å»ïáõû³Ý ݳËÏÇÝ Ý³Ë³·³Ñ ²ñϳ¹Ç Ôáõϳ뻳Ý, ßÝáñѳõáñ»Éáí Õ³ñ³µ³ÕóÇÝ»ñÁ ïûÝÇÝ ³éÇÃáí, ÛáÛë Û³ÛïÝ»ó, áñ 20 ï³ñÇ »ïù È»éݳÛÇÝ Ô³ñ³µ³ÕÁ ÁÉÉ³Û ï¿ ÅÇõñ¿ ³ÝÏ³Ë å»ïáõÃÇõÝ` ½³ñ·³ó³Í »õ µ³ñ·³õ³×: Ôáõϳ뻳ÝÇ Ï³ñÍÇùáí, »Ã¿ ³ß˳ñÑ å¿ïù ¿ ׳ÝãÝ³Û ³Ûë ϳ٠³ÛÝ »ñÏñÇÝ ³ÝϳËáõÃÇõÝÁ, ³Û¹ ß³ñùÇÝ Ý³Ë »õ ³é³ç å¿ïù ¿ ÁÉÉ³Û È»éݳÛÇÝ Ô³ñ³µ³ÕÁ:

§àñáíÑ»ï»õ Ô³ñ³µ³ÕÁ áõÝÇ »¯õ µ³ñá۳ϳÝ, »¯õ å³ïٳϳÝ, »¯õ Çñ³õ³Ï³Ý ÑÇÙù»ñ, áñ ³ß˳ñÑÁ ׳ÝãÝ³Û ³Û¹ ³ÝϳËáõÃÇõÝÁ¦, Áë³õ ². Ôáõϳ뻳Ý: г۳ëï³ÝÇ å³ßïå³Ýáõû³Ý ݳ˳ñ³ñ ê¿Ûñ³Ý úѳݻ³Ý` Ãáõ³ñÏ»Éáí È»éݳÛÇÝ Ô³ñ³µ³ÕÇ í»ñçÇÝ 20 ï³ñÇÝ»ñáõ Ó»éùµ»ñáõÙÝ»ñÁ, Ýß»ó. §²ñó³ËÇ Ù¿ç ·ñ»Ã¿ ÏÁ µ³ó³Ï³ÛÇ ï³ñµ»ñáõÃÇõÝÁ, ³Ýçñå»ïÁ Çß˳ݳõáñÝ»ñáõÝ »õ ÅáÕáíáõñ¹ÇÝ ÙÇç»õ, »õ ³ïÇϳ ǵñ»õ ûñÇݳϻÉÇ Ñ³ë³ñ³Ïáõû³Ý Ï»ñå³ñ, ϳñ»ÉÇ ¿ ÁݹáõÝÇÉ »õ ݳ»õ г۳ëï³ÝÇ Ð³Ýñ³å»ïáõû³Ý. ÙÇõë ï³ñ³ÍùÝ»ñáõÝ Ù¿ç ½³ñ·³óÝ»Éáõ¦:

г۳ëï³ÝÇ Ý³Ë³·³Ñ ê»ñÅ ê³ñ·ë»³Ý, ²Ù»Ý³ÛÝ Ñ³Ûáó ¶³ñ»·ÇÝ ´. ϳÃáÕÇÏáë ܳËÏÇÝ Ý³Ë³·³ÑÝ»ñ ². Ôáõϳ뻳Ý, è. øáã³ñ»³Ý »õ ³ÛÉ µ³ñÓñ³ëïÇ×³Ý å³ßïûݳï³ñÝ»ñ ²ñó³ËÇ ³ÝϳËáõû³Ý 20-³Ù»³ÏÇ ïûݳϳï³ñáõû³Ý ÁÝóóùÇÝ:

ܳ˳·³Ñ ê³ñ·ë»³Ý زÎ-Ç ²ÙåÇáÝ¿Ý øÝݳ¹³ï»ó ²½ñå¿Û׳ÝÇ Ú³ñÓ³ÏáÕ³Ï³Ý Î»óáõ³ÍùÁ г۳ëï³ÝÇ Ý³Ë³·³Ñ ê»ñÅ ê³ñ·ë»³Ý »ÉáÛà áõÝ»ó³õ زÎ-Ç ÀݹѳÝáõñ ÅáÕáíÇ 66-ñ¹ Ýëï³ßñç³ÝÇÝ ÁÝóóùÇÝ: Æñ »ÉáÛÃÇÝ Ù¿ç ³Ý ³Ý¹ñ³¹³ñÓ³õ Õ³ñ³µ³Õ»³Ý ﳷݳåÇ ÉáõÍÙ³Ý ÑáÉáíáÛÃÇÝ Ù¿ç ²½ñå¿Û׳ÝÇ ³å³Ï³éáõóáÕ³Ï³Ý Ï»óáõ³ÍùÇÝ: ²Ý Ýß»ó, áñ ѳϳé³Ï ﳷݳåÇ ÉáõÍÙ³Ý áõÕÕáõû³Ùµ ÙÇç³½·³ÛÇÝ Ñ³Ýñáõû³Ý ç³Ýù»ñáõÝ »õ ëïáñ³·ñáõ³Í ß³ñù ÙÁ ÷³ëï³ÃáõÕûñáõ, ²½ñå¿Û×³Ý ÏÁ ß³ñáõݳϿ ˳Ëï»É áõÅ ãÏÇñ³ñÏ»Éáõ »õ áõÅÇ ëå³éݳÉÇù¿ ½»ñÍ ÙݳÉáõ ëϽµáõÝùÁ` Ññ³Ññ»Éáí ëå³é³-

½ÇÝáõû³Ý Ùñó³í³½ù: ܳ˳·³ÑÁ ÛÇß»óáõó, áñ ÂáõñùÇáÛ Ñ»ï Û³ñ³µ»ñáõû³Ýó ϳñ·³õáñÙ³Ý, ÷á˳¹³ñÓ íëï³Ñáõû³Ý í»ñ³Ï³Ý·ÝÙ³Ý áõÕÕáõ³Í г۳ëï³ÝÇ Ý³Ë³Ó»éÝáõÃÇõÝÁ, áñ ۳ݷ»ó³õ г۳ëï³Ý - Âáõñùdz ³ñӳݳ·ñáõÃÇõÝÝ»ñáõ ëïáñ³·ñáõû³Ý, ³é³ÛÅÙ áñ»õ¿ ³ñ¹ÇõÝù ãÇ ï³ñ ÂáõñùÇáÛ ÏáÕÙ¿ ³ñӳݳ·ñáõû³Ýó í³õ»ñ³óÙ³Ý ë³é»óÙ³Ý å³ï׳éáí: ØÇ³ó»³É ܳѳݷݻñ ·ïÝáõ³Í ³ï»Ý ê»ñÅ ê³ñ·ë»³Ý Ù»ÏÝ»ó³õ ¾ÉÉÇë ÏÕ½Ç, áõñ ³Ûó»É»ó Ü»ñ·³ÕÃÇ Ã³Ý-

·³ñ³Ý, ¹Çï»ó 1915-Ç Ð³Ûáó ò»Õ³ëå³Ýáõû³Ý »õ ¾ÉÉÇë ÏÕ½Ç¿Ý ØÇ³ó»³É ܳѳݷݻñ Ý»ñ·³ÕÃ³Í ò»Õ³ëå³ÝáõÃ»Ý¿Ý ÷ñÏáõ³Í ѳۻñáõ ÛÇß³ï³ÏÇÝ ÝáõÇñáõ³Í óáõó³¹ñáõÃÇõÝÁ: ²ÛÝï»Õ ³Ù»ñÇÏ»³Ý §Î³½Ù³Ï»ñåáõÃÇõÝÝ»ñáõ ³½·³ÛÇÝ ó»Õ³ÛÇÝ ¹³ßÇÝù¦Ç ݳ˳·³Ñ ܳë»ñ ø³½»ÙÇ ê³ñ·ë»³ÝÇÝ ßÝáñÑ»ó §¾ÉÉÇë ÏսǦ å³ïáõáÛ Ù»ï³ÉÁ` ØÇ³ó»³É ܳѳݷݻñáõ »õ г۳ëï³ÝÇ ÙÇç»õ Û³ñ³µ»ñáõÃÇõÝÝ»ñáõ ½³ñ·³óÙ³Ý Ù¿ç ³Ýáñ Ý»ñ¹ñáõÙÇÝ »õ гñ³õ³ÛÇÝ ÎáíϳëÇ Ù¿ç ˳ճÕáõû³Ý å³Ñå³ÝÙ³Ý

ѳٳñ: Üßáõ»ó³õ, áñ å³ïáõáÛ Ù»ï³ÉÇ ßÝáñÑÙ³Ý 25-³Ù»³Û å³ïÙáõû³Ý ÁÝóóùÇÝ Ý³Ë³·³Ñ ê»ñÅ ê³ñ·ë»³Ý ³é³çÇÝ ûï³ñ»ñÏñ»³Û ջϳí³ñÝ ¿, áñ ³ñųݳó³Í ¿ ³Û¹ å³ïÇõÇÝ: ò³ñ¹ §¾ÉÉÇë ÏսǦ å³ïáõáÛ Ù»ï³Éáí å³ñ·»õ³ïñáõ³Í ѳ½³ñ¿Ý ³õ»ÉÇ ³ÝÓ»ñáõ ß³ñùÇÝ »Õ³Í »Ý ØÇ³ó»³É ܳѳݷݻñáõ 6 ݳ˳·³ÑÝ»ñ, ï³ëÝ»³Ï ÙÁ ³ñï³ùÇÝ ·áñÍáó ݳ˳ñ³ñÝ»ñ, ùáÝÏñ»ë³Ï³ÝÝ»ñ, Ýáå»É»³Ý Ùñó³Ý³Ï³ÏÇñÝ»ñ, ³ñáõ»ëï³·¿ïÝ»ñ:


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г۳ëï³Ý гݹÇë³õáñ λñåáí Üß»ó ²ÝϳËáõû³Ý ì»ñ³Ï³Ý·Ù³Ý 20-³Ù»³ÏÁ г۳ëï³Ý »õ ²ñó³Ë Ù»Í ßáõùáí Ýß»óÇÝ áõ ïûݳϳï³ñ»óÇÝ ³ÝϳËáõû³Ý 20-³Ù»³ÏÁ: ²ñ¹³ñ»õ, ê»åï»Ùµ»ñ 21-ÇÝ ºñ»õ³ÝÇ Ð³Ýñ³å»ïáõû³Ý Ññ³å³ñ³ÏÇÝ íñ³Û ï»ÕÇ áõÝ»ó³õ г۳ëï³ÝÇ ³ÝϳËáõû³Ý í»ñ³Ï³Ý·ÝÙ³Ý 20-³Ù»³ÏÇÝ ÝáõÇñáõ³Í ½ûñ³Ñ³Ý¹¿ë: ¼ûñ³Ñ³Ý¹¿ëÇÝ Ù³ëݳÏóáÕ Ññ»ï³ÝÇÝ »õ ½ûñ³Ù³ë»ñÁ Ï»¹ñáݳó³Í ¿ÇÝ Ð³Ýñ³å»ïáõû³Ý Ññ³å³ñ³ÏÇÝ Û³ñáÕ Ü³Éµ³Ý¹»³Ý, ²µáí»³Ý, ²ÙÇñ»³Ý »õ ì³½·¿Ý ê³ñ·ë»³Ý ÷áÕáóÝ»ñáõÝ Ù¿ç: г½³ñ³õáñ ù³Õ³ù³óÇÝ»ñ ³é³õûï¿Ý ï»Õ»ñ ·ñ³õ³Í ¿ÇÝ ÷áÕáóÝ»ñáõÝ »õ Ññ³å³ñ³ÏÇÝ »ñϳÛÝùáí` ³ÝϳËáõû³Ý ½ûñ³Ñ³Ý¹¿ëÁ »õ ßù»ñÃÁ ¹Çï»Éáõ ѳٳñ: ¸ÇÙ»Éáí ³ÝϳËáõû³Ý 20-³Ù»³ÏÇÝ ÝáõÇñáõ³Í ½ûñ³Ñ³Ý¹¿ëÇ Ù³ëݳÏÇóÝ»ñáõÝ` г۳ëï³ÝÇ Ý³Ë³·³Ñ ê»ñÅ ê³ñ·ë»³Ý Ýß»ó, áñ ³Ûëûñ г۳ëï³Ý Çñ µáÉáñ ËݹÇñÝ»ñáí ѳݹ»ñÓ Ï³Û³ó³Í »ñÏÇñ ¿, ÇëÏ ³Ýáñ íÏ³Ý ¿ ³Ûëûñáõ³Ý ½ûñ³Ñ³Ý¹¿ëÁ, ÇëÏ ³Ù¿Ý¿Ý ëáõÕÁ ³ÝϳËáõû³Ý ë»ñáõÝ¹Ý ¿, áñ ³½³ï »ñÏñÇ ù³Õ³ù³óÇ ¿, »õ ÇÝù½ÇÝù ãÇ å³ïÏ»ñ³óÝ»ñ ³ÛÉ Ï³ñ·³íÇ׳ÏÇ Ù¿ç áõ ß³ï µ³Ý áõÝÇ ï³ÉÇù Çñ »ñÏñÇÝ »õ ÅáÕáíáõñ¹ÇÝ: §Â¿° Ó»éùµ»ñáõÙÝ»ñÁ, ÿ° µ³óÃáÕáõÙÝ»ñÁ Ù»ñÝ »Ý: ²Û¹ ·Çï³Ïóáõû³Ùµ Û³çáñ¹ 20 ï³ñÇÝ»ñáõÝ Ç ½ûñáõ »Ýù ϳéáõó»Éáõ »ñÏÇñ ÙÁ, áñ Ùûï åÇïÇ ÁÉÉ³Û Ù»ñ Ç￳ÉÝ»ñáõÝ, ù³ÝÇ áñ »ë ÏÁ ѳõ³ï³Ù Ù»ñ ѳõ³ù³Ï³Ý áõÅÇݦ, Áë³õ ê³ñ·ë»³Ý: ²Ý Û³ÛïÝ»ó, áñ ³ëÇϳ Ýáñ г۳ëï³ÝÝ ¿, ½áñ ³ÛÉ»õë ³Ýϳñ»ÉÇ ¿ ˳µ»É, å³ñï³¹ñ»É ϳ٠߳ÝóÅÇ »ÝóñÏ»É, ³Ýáñ Ñ»ï ϳñ»ÉÇ ¿ µ³ñ»Ï³Ù³Ý³É »õ ѳٳ·áñͳÏóÇÉ, ûñÇÝ³Ï Í³é³Û»É »õ í»ñóÝ»É. ³ëÇϳ Ýáñ г۳ëï³ÝÝ ¿, áñ ÏÁ ÛÇß¿ ß³ï µ³Ý, µ³Ûó ÛÇß³ã³ñ ã¿, ï»ë³Í ¿ ß³ï µ³Ý, µ³Ûó ѳۻ³óùÁ áõÕÕ³Í ¿ ³å³·³ÛÇÝ: ²ÛÝáõÑ»ï»õ ÑÝã»ó г۳ëï³ÝÇ ûñÑÝ»ñ·Á, áñÙ¿ »ïù ½ÇÝ»³É áõÅ»ñáõ ëå³Û³ÏáÛïÇ å»ï ½ûñ. ºáõñÇ Ê³ã³ïáõñáí ½ÇÝáõÅÁ Ññ³õÇñ»ó ѳݹÇë³õáñ »ñÃÇ: ¼ûñ³Ñ³Ý¹¿ëÇ ³õ³ñï¿Ý »ïù ëÏë³õ û¹³ÛÇÝ ßù»ñÃÁ: ºñ»õ³ÝÇ »ñÏÇÝùÇÝ íñ³Û ßñç»ó³Ý û¹³ÛÇÝ ßù»ñÃÇ Ù³ëݳÏÇó §êáõ-25¦ å³ï»ñ³½Ù³Ï³Ý û¹³Ý³õÝ»ñ, áñ å³ïÏ»ñ»óÇÝ ºé³·áÛÝÁ: îáÕ³Ýó»óÇÝ Ý³»õ §È-39¦ û¹³Ý³õÝ»ñáõ ËáõÙµÁ, §ØÇ-24¦ Ù³ñï³Ï³Ý áõÕÕ³ÃÇéÝ»ñáõ ËáõÙµÁ »õ §ØÇ-8¦ 鳽ٳϳÝ-÷á˳¹ñ³ÙÇçáó³ÛÇÝ Ù³ñï³Ï³Ý

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êáõñµ ê³Ñ³Ï - êáõñµ Ø»ëñáå Þ³µ³Ãûñ»³Û ì³ñųñ³Ý

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êáõñµ ê³Ñ³Ï - êáõñµ Ø»ëñáå Þ³µ³Ãûñ»³Û ì³ñųñ³ÝÇ ³ß³Ï»ñïÝ»ñÁ ÏÁ ïûÝ»Ý Ð³Û³ëï³ÝÇ »õ Ô³ñ³µ³ÕÇ ³ÝϳËáõÃÇõÝÁ:

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2011 10¾.ÐáÏï»Ùµ»ñ î²ðÆ, ÂÆô 72

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2011 14 ¾.ÐáÏï»Ùµ»ñ î²ðÆ, ÂÆô 72

ARMENIAN EVANGELICAL CHURCH OF TORONTO

ö³é³µ³Ý³Ï³Ý Ö³ßÏ»ñáÛà Annual Church Banquet úñáõ³Ý ä³ï·³Ù³µ»ñª

ì»ñ. Ü»ñë¿ë ä³É³å³Ý»³Ý Keynote speaker:

Rev. Nerses Balabanian ÎÇñ³ÏÇ 30 ÐáÏï»Ùµ»ñ, 2011 Î.». ųÙÁ 6-ÇÝ Sunday October 30, 2011 at 6 pm ì³Ûñ - Location Le Parc, 8432 Leslie St.

(Southwest corner of Hwy 7 and Leslie)

For banquet tickets ($50/person) please contact the church office at 905-305-8144

ö³é³µ³Ý³Ï³Ý ºñ»ÏáÛ

ì»ñ. Ü»ñë¿ë ä³É³å³Ý»³ÝÇ Ñ»ï

Praise Night

with Rev. Nerses Balabanian àõñµ³Ã 28 ÐáÏï»Ùµ»ñ, 2011 Ï.». ųÙÁ 8-ÇÝ Friday October 28, 2011 at 8 pm ÂáñáÝÃáÛÇ Ð³Û ²õ»ï³ñ³Ý³Ï³Ý ºÏ»Õ»óÇÇÝ Ù¿ç at Armenian Evangelical Church of Toronto 2600 - 14th Avenue

гٳ½·³ÛÇÝ Ð³Û ÎñÃ³Ï³Ý »õ Øß³ÏáõóÛÇÝ ØÇáõû³Ý §¶É³Óáñ¦ Ù³ëݳ×ÇõÕÁ ÏÁ Ý»ñϳ۳óÝ¿ª

¶ºÔ²ðàôºêîÆ ºðºÎàÚ

Î'³ëÙáõÝù¿ª

³ٳñ îûݳå»ï»³Ý سëݳÏóáõû³Ùµª

êáݳ ¶³Éóϻ³ÝÇ æáõÃ³Ï Â³ÉÇÝ ¶ÁÉÁåá½»³ÝÇ ¸³ßÝ³Ï ²ÛÉÇÝ Ð»ñá뻳ÝÇ êá÷ñ³Ýû ÈáéÇ Ü³×³ñ»³ÝÇ å³ñ гٳ½·³ÛÇÝÇ §¾ñ»µáõÝǦ å³ñ³ËáõÙµÇ

ÎÇñ³ÏÇ, 13 ÜáÛ»Ùµ»ñ 2011 »ñ»ÏáÛ»³Ý ųÙÁ 6-ÇÝ §Ð³Ù³½·³ÛÇݦ ³ï»ñ³ëñ³Ñ 50 Hallcrown Place, Toronto.

ØáõïùÇ Üáõ¿ñª 20$

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19


2011 20¾.ÐáÏï»Ùµ»ñ î²ðÆ, ÂÆô 72

TORONTO ARMENIANS

Hamazkayin to Present the 6th Annual Pomegranate Film Festival

by Katya Der Hovagimian

As the last quarter of the year approaches, it brings with it a series of annual events. One event that is the youngest of the traditions but probably stands out more than any other is the Pomegranate Film Festival. With its unique virtue and incomparable characteristics, it surpasses the generic demand for cultural celebration. By showcasing carefully selected films by Armenians and even about Armenians, POM promotes our cultural values and shares it with the community at large. Branching from the Hamazkayin Armenian Educational and Cultural Society, the seeds of POM were planted through a group of young Armenian professionals who saw the need for cultural unity through film. With 5 successful years behind it, POM presents its 6th annual Film Festival (POM VI) the first weekend of December 1, 2, 3, and 4. Now with an added 4th day, 14 Canadian premieres, over 15 North American premieres, and 6 world premieres, POM is sure to have feature films, shorts, and documentaries that appeal to everyone. Sevag Yeghoyan, director of the POM committee, calls this year s festival, the deepest film program we ve ever had . With 3 distinct themes, one revolving around the city of Istanbul with its deeply rooted past through the Armenian community and as the capital of Roman, Byzantine, Latin, and Ottoman Empire; another about the question of identity for those living across the Diaspora; and the long journey, or rather the quest to achieve that lost identity, POM VI is sure to have a profound effect on movie-lovers as they themselves explore the ambivalent and personal definition of what it means to be Armenian.

Armenia Now

In celebration of the 20th anniversary of the independence of Armenia, POM VI will present a special series called Armenia Now on Thursday, December 1st at the Armenian Youth Centre. One of the films to be showcased is directed by French-Armenian screenwriter and producer, Levon Minasian. His short film, Le Piano tells the story of an orphaned, young, and talented pianist named Lusine, under the backdrop of 1988 Gyumri and the devastating earthquake. Some of the other films we expect

to see include Revival, a poignant film about the revitalization of Armenia commencing in 1965 with the construction of Dzidzernagapert, as well as a short film about Artsakh. All proceeds of this series will be donated to the All- Armenian Fund [Himnadram] in their effort to re-build the Educational and Cultural Centre of Shushi in Artsakh.

Walking the Red Carpet

The red carpet soirée will take place on Friday, December 2nd with two feature films making their Canadian debuts at the historic Regent Theatre at 555 Mount Pleasant Ave. The first is a comedy called My Uncle Rafael starring Iranian-Armenian comedian Vahik Pirhamzei. With a star-studded cast that includes John Michael Higgins from Bad Teacher, Missi Pyle most famous for her role in Charlie and the Chocolate Factory, star of the Clueless series Rachel Blanchard and director Mark Fusco, a long time assistant to Steven Spielberg, My Uncle Rafael is a hilarious comedy that tells the story of 71-year old, embarrassingly blunt Uncle Rafael thrown into a dysfunctional American household for the sake of reality television. The movie is based on Pirhmazei s famous Armenian stage comedy Rafael Keri Gandzere. Uncle Rafael himself [aka Vahik Pirhamzei] will be here to present his feature film. The second is the critically-acclaimed drama Here starring Ben Foster[3:10 to Yuma]. The story follows a cartographer who travels to Armenia to create a more accurate survey of the land and an Armenian art photographer searching for her lost Armenian identity. The 2 partake in a brief romance as they travel through the different terrains of Armenia. With its premiere at the Sundance Film Festival, Here with director Bradon King was awarded the Sundance/NHK International Filmmakers Award as well as other prestigious fellowships and accomplishments. Bradon King will also be present to introduce his film.

The Gala

Saturday, December 3rd will be the annual gala event at AYC with the North American premiere of the feature film Sunrise over Lake Van by Artak Igityan and Vahan Stepanyan. It

Opera Belcanto to Stage Two Operas After the great success of our inaugural performances of Verdi s La Traviata in 2010, Opera Belcanto is delighted to invite you once again to an unforgettable evening at the opera. Belcanto will be presenting a double-bill, two fully staged one-act operas, Mascagni s Cavalleria Rusticana and Leoncavallo s I Pagliacci. Cavalleria Rusticana (Rustic Chivalry) takes place on Easter day in a Sicilian village. Turiddu, a soldier who has recently returned from war, is played by tenor Hovhannes Ayvazyan, principal soloist of the Yerevan Opera Theatre. Turiddu is abandoning Santuzza, the leading role performed by rising talent, soprano Gayané Mangassarian, to go back to his former sweetheart, Lola. However, Lola is now married to Alfio. There is no shortage of love, betrayal, deceit and vengeance. The orchestra will also enchant the audience with the famous intermezzo

featured most notably in The Godfather Part . In I Pagliacci (The Clowns), a troupe of Comedia dell arte players prepare for a performance in a Calabrian village. Mr. Ayvazyan returns as Canio, leader of the troupe, known as Pagliaccio in the play. Canio s wife, Nedda, plans to run off with Silvio, a villager played by renowned baritone David Varjabed, the president and artistic director of Opera Belcanto. Canio finds out about the escape, but Silvio manages to escape before he is identified by Canio. Real-life tragedy and the play become one as Canio is overcome by jealousy. Later in December, Opera Belcanto will present a concert at the Richmond Hill Centre for the Performing Arts. The program will include seasonal favourites, opera excerpts and Neapolitan songs. In addition, we will be presenting a fully-staged production of Tosca, one of the best known operas, in April 2012.

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§ÂáñáÝÃáѳۦ Çñ ÁÝûñóáÕÝ»ñ¿Ý ³ÝÓÝ³Ï³Ý ·ñáõÃÇõÝÝ»ñ, ÇÝãå¿ë ݳ»õ ËÙµ³·ñáõû³Ý áõÕÕáõ³Í ϳñÍÇùÝ»ñ ÏÁ ëï³Ý³Û Ù»ù»Ý³·ñáõ³Í »õ áõÕÕáõ³Í Ñ»ï»õ»³É »É»ÏïñáÝÇù ѳëó¿Çݪ Email: torontohye@gmail.com

Rachel Blanchard and Vahik Pirhamzei in My Uncle Rafael.

is the quintessential drama about 3 generations of Armenians trying to preserve and maintain their culture in a modernized life while battling the typical obstacles we all face such as marriage and how to live a dual life as a product of Armenia and a citizen of the Diaspora. Vahan Stepanyan will be present at the premiere and will be mingling with the crowd thereafter.

The Finale

Sunday December 4th will feature a travelogue documentary making its North American premiere by French director Mathieu Zeitindjioglou called The Son of the Olive Merchant. This film follows Zeitindjioglou s travel to Turkey for his honeymoon as he tries to rediscover his roots, while interweaving the French debate regarding the crime of genocide denial. Another film we expect to see on Sunday, No Darkness shall make us Forget, is a touching short film about Hrant Dink in the words of his wife Rakel Dink.

A Feminine Touch

A new series this year introduces two films about the haunting stories of Armenian women of the past. The first, Finding Zabel Yesayan, is a documentary by Lara Aharonian and Talin Suciyan that explores the life of the real first modern Armenian feminist who was one of the 300 intellectuals captured on April 24th, 1915. Another film that makes its world premiere at

Ben Foster in Here POM VI is called My Grandma s Tattoos by Susan Khardalian. It is a fascinating film that analyzes the tattoos ascribed by Turks and Kurds on Armenian women after abduction.

Tales from the Diaspora

Following last year's success, this series of shorter films explores POM VI s theme of identity revolving around the Diaspora. Yeghoyan calls the series, A journey without a passport . The journey takes us first to Bolis by Eric Nazaryan who will present the film himself he won the Golden Apricot award in 2008 for his feature film The Blue Hour. Next we travel to Greece with the film Roots that traces an Armenian presence that dates back to the 1400s. Later, we ll travel to Tabriz, Iran where there continues to exist an Armenian community. Finally, we end in the historic city of Kars, with the short film Moto Guzzi by Oscan Alper, director of the feature film AUTUMN which was awarded Best Feature Film at POM IV. POM VI will not compare to any of its predecessors as it promises to take you on a personal pilgrimage beyond the limits of space and time, through history and back to the present, confronting the issues we all face as Armenians through film, leaving us in our personal thoughts while hoping to pave the way for a harmonious future.

Homenetmen Toronto Soccer Boys Win Championship

The Homenetmen Toronto U-10 Boys Soccer team, consisting of 22 players & 4 coaches, participated as two teams in the Hillcrest Village Soccer Club house league. Among the 8 teams in their division, one team finished 1st in the Regular Season and the other finished 4th; both being impressive accomplishments! The Homenetmen team that finished in 1st place followed that up in

the playoffs by capturing the Championship. The on-field talent as well as the dedication of both the coaches and players were key factors in the team s success this season. The future looks bright for this team and they have certainly represented Homenetmen Toronto well and given the community something to be proud of.

ÊÙµ³·ñáõû³Ý ÏáÕÙ¿ §ÂáñáÝÃáѳۦ å³ï³ë˳ݳïáõ ã¿ Çñ ¿ç»ñáõÝ Ù¿ç ÉáÛë ï»ë³Í ͳÝáõóáõÙÝ»ñáõ µáí³Ý¹³Ïáõû³Ý: Ø»½Ç ÛÕáõ³Í µáÉáñ ÃÕóÏóáõÃÇõÝÝ»ñÝ áõ ·ñáõÃÇõÝÝ»ñÁ »ÝÃ³Ï³Û »Ý áñáß ËÙµ³·ñáõÙÇ:


TORONTO ARMENIANS

ÐáÏï»Ùµ»ñ 2011 ¾. î²ðÆ, ÂÆô 72

21

ACMAO s 7th Annual Gala in support of healthcare projects in Canada, Armenia and Artsakh On September 11, the Armenian Canadian Medical Association of Ontario (ACMAO) held its 7th Annual Gala at the Eglinton Grand event venue in Toronto, with a well-rounded program that started the evening with a reception with live music, an extensive silent auction, special guest and keynote speaker, Ms. Irene Elliott from Sick Kids Hospital, and a lot of dancing. The guests were greeted upon entry with a live performance by Gayane Sahakyan (Cello) and Ivetta Melkumyan (Piano). They played duets from Armenian and international composers, including Aram Khatchaturyan, Edgar Baghdassaryan, Alexander Haroutiunyan, Shostakovic, Biazzolla, Handel and others. The emcee of the evening Marie Injeian, a genetic counselor practicing with the Prenatal Diagnosis Program at Mount Sinai Hospital in Toronto, invited Dr. Jack Sakarya, the President of ACMAO, to make the evening s opening remarks. Dr. Sakarya, a dentist in private practice in Toronto, has been a Clinical Instructor at the University of Toronto for the past 34 years, and is a recipient of the University of Toronto s prestigious Arbor Award. He has been actively involved with ACMAO since its inception, and has served as the chair of its Dental Division for the past 13 years. Providing a warm welcome, Dr. Sakarya thanked the guests and emphasized Toronto s prominence as a premier city of the Diaspora in providing health care in Armenia and Artsakh. Dr. Arsen Keleshian, an ACMAO Board member spoke about the association s ongoing projects in Artsakh which comprise five dental clinics, the women s health clinic and two mobile dental clinics. The clinics provide over twenty four thousand patient care visits annually, completely free of charge. Dr. Keleshian was among the pioneering team of dentists, when ACMAO opened their first dental clinic in Shushi in 1997.

Keynote speaker, Irene Elliott

ACMAO s 7th Annual Gala organizing committee and board members.

Dr. Berge Minassian, past ACMAO President and currently a staff neurologist at the Hospital for Sick Children, as well as a senior scientist in Genetics & Genome Biology at The Sickkids Research Institute, introduced his colleague, the keynote speaker Irene Elliott, who as head of patient care at Sick Kids for children with Epilepsy, focused her speech on the impact of epilepsy in the lives of children. Ms. Elliott s presentation was timely, given the efforts of ACMAO to acquire an MRI machine for Armenia. Ms. Elliott spoke through the testimonial of children and youth on how e p i l e p s y a f f e c t s t h e m p h y s i c a l l y, psychologically, emotionally and socially. In her message, Ms. Elliott emphasized that with adequate diagnostics and medical treatments,

epileptic seizures could be controlled and in some cases reversed. With further testimonials from patients Ms. Elliott made her point that the right treatments are crucial to improve the quality of life of young people. On this note, Dr. Minassian provided an update on the purchase of an MRI for Armenia. Last month ACMAO published a press release to update the general public that purchasing a used MRI had not been viable so far. Hence, Dr. Minassian announced ACMAO s renewed determination to pursue the project with the purchase of a newer MRI. He said that Mr. Richard Muir, the President of Jericho Foundation, has pledged to double his support to $300,000 if the Armenian community could raise the remaining $600,000 to purchase the

newer machine. He ended his speech with an open invitation to the Armenian community to help make this dream become a reality. We hope the Armenian community will once again rise to the challenge, and help us get this crucial diagnostic equipment for our children in Armenia, he said. The evening s lottery and silent auction presented unique pieces of jewelry, rugs, event tickets, fine dining, and many other valuable items for the guests to bid on. The DJ Darryl Palmer started the kef by singing, followed by a guest who sang a beautiful rendition of some of Sinatra s work. The dance floor remained active all night as dances and shourtchbars gave the real flavour of an Armenian Gala.

Congress Marks Karabakh Independence 20th Anniversary Members of Congress joined with Nagorno Karabakh Republic (Artsakh) Parliament Speaker Ashot Ghulian and Parliament Mem­ ber Zoya Lazaryan at the Capitol Hill commem­ oration of the 20th anniversary of the Republic s independence. The September 13 event, co-hosted by the Congressional Caucus on Armenian Issues, the Embassy of the Republic of Armenia, the Nagorno-Karabakh Republic office in Wash­ ington, and Armenian American groups was held at the historic Rayburn House Office Building s Gold Room, with the participation of a broad cross-section of the Armenian Amer­ ican community and Congressional staff. Members of Congress, including Congres­ sional Caucus CoChairs Frank Pallone (D-NJ)

and Ed Royce (R-CA), as well as Representa­ tives David Cicilline (D-RI), Jim Costa (D-CA), Robert Dold (R-IL), Brad Sherman (D-CA), Adam Schiff (D-CA) and Jackie Speier (D-CA) spoke forcefully and eloquently about Karaba­ kh s democracy and commitment to a lasting peace which respects the right to selfdetermination of its people. Representatives Pallone and Cicilline envisioned a future where Karabakh s independence would be interna­ tionally recognized or reunited with neighboring Armenia. Eastern Prelate Archbishop Oshagan Choloyan offered a moving invocation during the program. He was joined at the observance by Rev. Father Sarkis Aktavoukian, pastor of the Holy Cross Armenian Church of Bethesda,

Maryland and Rev. Fr. Hovsep Karapetyan of St. Mary s Armenian Church in Washington. In his remarks, Speaker Ghulian stressed that clear security guarantees must be included in any peace settlement, given Azerbaijan s ongoing aggression against the people of Karabakh. We realize that the status quo is not what we had hoped for when we embarked on our struggle. Yet, particularly considering Azerbaijan s openly and repeatedly stated threat of military action, the current situation with all its components represents the system of our security. Any changes to this arrange­ ment without real guarantees and real definition of what peace and our sovereignty will look like are unacceptable for us. Chairwoman Lazaryan thanked Members

of Congress for their ongoing commitment to sending U.S. aid to Nagorno Karabakh. U.S. Ambassador to Armenia Tatoul Markarian offered a moving defenseof liberty for the people of Nagorno Karabakh. Speaker Ghoulian and Parliament Member Lazaryan met with ANCA Executive Director Aram Hamparian and former ANCA Chairman Garo Armenian, where they were awarded medals for their ongoing to commitment to the cause of Karabakh s freedom. Hamparian and Armenian accepted the awards on behalf of generations of Armenian Americans who have served and sacrificed in the name of liberty and justice. During the program, Speaker Ghoulian gave a special award to Congressional Arme­ nian Caucus CoChair Frank Pallone.


2011 22 ¾.ÐáÏï»Ùµ»ñ î²ðÆ, ÂÆô 72

ARMENIAN GENOCIDE

Genocide is not genocide in the Canadian Museum for Human Rights An article titled, Memory becomes a minefield at Canada s Museum for Human Rights, by Ira Basen in the August 20, 2011 issue of the Globe and Mail, provides an exposé of the controversy surrounding the Canadian Museum for Human Rights. The appearance of this article calls for reflection on two critical factors regarding the museum, which have not been adequately discussed: the important relationship between human rights and genocide, and the requirement of federal institutions to adhere to Canada s official policy of multiculturalism. The CMHR s website displays a letter to the Globe & Mail, dated March 23, 2011, in which CMHR officials state that The Canadian Museum for Human Rights is not a museum of genocide, it never was. It is a catalyst for change. The Museum is not a memorial to the past. The sentiment is echoed by the museum s CEO during his interview in the article. This adds a whole new set of issues to the existing controversy over the absence of an inclusive and comparative approach to cases of genocide. The Holocaust, to which the CMHR is devoting an entire gallery, is most definitely a genocide. Indeed, it is a prime example of genocide and should be a central part of the museum. Genocide is not a matter of the past: even those genocides that occurred many years ago continue to have major effects. Just as one can not teach about human rights without taking genocide into account, so one can not teach about genocide without taking the Holocaust into account, but through a comparative approach with other cases of genocide. To say the CMHR is not a museum of genocide ignores the inseparable relationship between human rights and genocide. The importance of this relationship is signalled by the fact that a) the UN Genocide Convention was the first human rights treaty adopted by the General Assembly of the United Nations; b) it is administered by the Office of the UN High Commissioner of Human Rights; c) it focuses attention on the protection of national, racial, ethnic and religious minorities from

threats to their very existence and therefore sits directly within the priorities of both the United Nations and the modern human rights movement, aimed at eradicating racism and xenophobia; and d) it stresses the role of criminal justice and accountability in the protection and promotion of human rights. Genocide is the most extreme source of human rights violation; it must be in the forefront at the museum. The claim that it never was about genocide is surprising, given that the CMHR has issued press releases and promotional material in which genocide figures prominently. One press release, for example, titled, 20th Century Genocides, has on its first page the heading, Stories of the 20th Century Genocides The Vision, where one reads: Prejudice, racism, grievance, intolerance, aggression, injustice, oppression they all start small, and we need to spot and stop them in our own local orbits before they grow and get out of control. This means looking at the often long prehistory of genocide, as well as its symptoms in the present. Understanding these will help avert future horrors. As the visitors to the Museum arrive on the third floor of the Museum, they enter a transition zone where an unfolding series of images, questions and quotes takes them onto a global stage and the dark side of the rights story the denial of human rights that can result in genocide. The names of 20th century genocides Armenia, the Ukrainian Famine, Nanking appear with those of other crimes against humanity. The Armenian Genocide was the first genocide of the 20th century. This genocide, unpunished and denied, illustrated how crimes against humanity can escalate into genocide as seen in future genocides such as the Holocaust, Cambodia, Rwanda and Sudan. We agree. Only in this comparative way can one find general truths about the nature and mechanics of genocide as a general problem of humanity, which can help finding solutions to how genocide can be prevented. The museum does not have to be a memorial to the past, but it must certainly take account of, represent and explain the history,

ongoing development of, and challenges to human rights, if it hopes to inspire learning and become a place of change. To do this, the Holocaust should be employed as a prime model of how to teach genocide. The Holocaust has been recognized by the world; its perpetrators have been tried and punished; the crime has been acknowledged by the perpetrator country; an apology has been extended, and reparations made. But it is critical to realize that other cases are necessary, as each provides its own particular lessons to be learned. In the case of the Armenian Genocide, for example, the perpetrators mostly escaped punishment; the perpetrator country continues to deny that genocide took place and aggressively pressures others to participate in this denial. This is despite the fact that on May 24, 1915, the Allied Powers France, Great Britain and Russia declared that the Ottoman leaders would be called to account for their crimes against humanity, for the slaughter they were committing against their own Armenian citizens, whereby the term entered international jurisprudence. The Rwandan Genocide is yet another model. In this case, UN peacekeepers were in the country, and the head of the mission, Canadian General Roméo Dallaire, made every effort to warn the UN of the impending genocide, and the world via the news media, once it had started. Yet, the world powers made every effort to avoid calling it genocide, so as to evade the responsibilities of intervention. Each case has an important contribution to the understanding of genocide. Taking these and the other cases of genocide into equal account would make all the various communities in Canada feel they are treated equitably, and that they are an important and integral part of the Canadian mosaic. It would help overcome the kind of thinking in cultural or ethnic silos that contradicts the objectives of Canada s official policy of multiculturalism. In 1971, Canada was the first country to adopt multiculturalism as an official policy. The Act s objectives are, in part, 1) to affirm the value, dignity and equality

of all Canadian citizens regardless of ethnic origin, language, or religious affiliation; 2) to ensure that all citizens can preserve, enhance and share their cultural heritage, take pride in their ancestry, and still have a sense of being Canadian; 3) to encourage the accepting of diverse cultures and promote racial and ethnic harmony and cross-cultural understanding. One of the ways to foster these noble objectives, in the words of the Act, is to encourage and assist the social, cultural, economic and political institutions of Canada to be both respectful and inclusive of Canada s multicultural character. The CMHR is a national cultural institution, whose stated mission is, in part, to establish a national and international destination a centre of learning where Canadians and people from around the world can engage in discussion and commit to taking action against hate and oppression . inspiring research, learning, contributing to the collective memory and sense of identity of all Canadians to explore the subject of human rights, with special but not exclusive reference to Canada, in order to enhance the public s understanding of human rights, to promote respect for others and to encourage reflection and dialogue. Taking a comprehensive and comparative approach to genocide as the ultimate violation of human rights would complement perfectly the objectives of Canada s official policy of multiculturalism. It would avoid differentiating and dividing communities. It especially would make those communities who feel their histories have been neglected or denied feel more welcome. One can not overestimate the psychological trauma of those who are part of a nation that has experienced genocide. Therefore, CMHR officials must recognize that genocide must be an integral part of the museum, as was envisioned and presented to Canadian society. This would facilitate the CMHR s adhering to Canada s policy of Multiculturalism, as well as its own mission statement, and make the museum a destination for everyone. (Zoryan Institute)

Upholding Justice: Catholicos Aram I Sends Letter to Erdogan Catholicos of Cilicia Aram I sent the following letter to Turkish Prime Minister Recep Tayyip Erdogan: Mr. Prime Minister, By way of the press we were made aware of your government s decision to return properties confiscated after 1936 from Turkey s religious minorities. This decision is undoubtedly an effort to get ahead of the recent developments in the European Court of Human Rights, as well as the U.S. Congress s inquiries into and proceedings on Turkey s oppression of its Christian minorities. As the spiritual and lawful leader of the Armenian Catholicosate of Cilicia, which was uprooted from its centuries-old Seat, and as a representative of the similarly uprooted children of the Armenian Church, who were exiled from Turkey and dispersed throughout the world, we consider your government s Aug. 27, 2011 decision incomplete and unjust. The Holy See of Cilicia remains the lawful proprietor of numerous churches, hospitals, nursing homes, orphanages, cemeteries, and other properties that belong to the nation and the church, and which were seized by the Turkish state in the days of the 1915 Armenian Genocide. The Armenian people continue to be the lawful owners of the houses, businesses, and estates passed down from their ancestors that became a victim to the genocide that was planned and executed by the Ottoman Turkish government.

Your government s resolution may satisfy the requirements of the European Union. However, it may never be considered a decision based on principles of justice. Mr. Prime Minister, although taken in the name of justice, your decision is biased and selective, and furthermore, it certainly denies history and rejects democratic principles and values. International institutions for instance, the European Court of Human Rights, parliament, and parliamentary bodies protect and implement democratic values and principles. Their conscience is the people. As League of Nations representative and Nobel Peace Prize laureate Fridtjof Nansen observed in his well-known 1928 book Armenia and the Near East, the Armenian people have never lost hope, bravely working and waiting. They continue to wait, he wrote. And we would like to add that the Armenian people will never cease to demand justice from Turkey for the Armenian Genocide. The Armenian people will never cease to demand the reinstatement of their human rights. Mr. Prime Minister, your declaration that your government upholds justice and human rights will be validated only when you recognize the Armenian Genocide. Catholicos Aram I Holy See of Cilicia Aug. 31, 2011 Antelias, Lebanon

The Armenian Community Centre of Toronto (ACC) has been an established facility serving the GTA since 1979. Recently, it has undergone a major multi-million dollar renovation of its facilities, including the café, restaurant and banquet hall. We have the following opening: Server(s) The candidate would be responsible for serving customers in the restaurant and/or the café. Responsabilities will include (but not limited to) the following: order taking,order processing,cash register responsabilities. Qualications: Some experience in restaurant serving preferable Experience in Mediterranean and Middle Eastern cuisines (knowledge of Armenian language a must) Candidates for this position may email their resume or interest to the ACC Manager at: accmanager@armenian.ca by October 21, 2011. Only those that will be given consideration will be responded to.


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ARMENIAN DIASPORA

Interview by Esra Elmas

23

Agos Interview with K.M. Greg Sarkissian, President of the Zoryan Institute

Q. Let me start with the assassination of Hrant Dink. What do you think about the process in which, at the end, Hrant Dink was killed in 2007? A. The murder of Hrant Dink came as a shock to all of us at Zoryan. During his visit to the institute nine years ago, he shared with us his vision to bring the Armenian and Turkish peoples together through dialogue and reconciliation. We were both aware that Turkish history was highly politicized by the events of 1915 issue, but we both also understood that it was critical that the parties should not see each other through the lens of that era. As to your question about the process which led to the killing of Hrant, I would suggest we review what took place in Turkey during the five years preceding his killing, or following AKP s coming to power in 2002. Under the leadership of Mr. Erdogan and Mr. Gul, the AKP implemented numerous reforms, entered into negotiations to bring Turkey into the EU, launched successful economic development programs, and reduced penalties for surrendered Kurds. But, most importantly, they gave the European courts of Human Rights supremacy over Turkish courts. These reforms gave real hope to the intellectuals, scholars, human rights activists, media personalities and civil society that there was real change coming to Turkey, including freedom of speech and thought. It is ironic that just a month before Hrant was killed, Prime Minister Erdogan spoke in New York about good relations between citizens of Turkey who came from different backgrounds. Unfortunately, the promise of democracy and freedom of speech contrasted with the government s actions during this same period. Numerous people, including some 75 journalists, intellectuals and writers were indicted under the notorious Article 301 of the Turkish Penal Code. Hrant and others who were part of the Istanbul Conference in 2005 were called traitors by the AKP-appointed Justice Minister, who accused them of stabbing the nation in the back. The irony here is that most of the people indicted under Article 301 were acquitted. Hrant felt that he was being singled out, as a Turkish citizen of Armenian heritage, for rougher treatment for the same alleged offense and the appeal court gave him a 6-month suspended sentence. He was particularly shaken when he was beaten by an angry mob when leaving the courthouse. As a Turkish citizen all Hrant wanted was to see his country move forward dealing with the events of 1915 in order to make it a more inclusive place. After all it was his homeland as an Armenian and as a Turk, albeit with his dual identity. In situations of this nature there are many forces involved, one of which is the government s actions and statements. These may have incited hatred against Hrant, so that certain individuals felt justified in killing him, in order to prevent him from exposing a larger historical truth that was being covered up. The same government did everything it could to silence anyone who threatened to expose this historical taboo. Well known examples are the trials and the silencing of Elif Shafak, Orhan Pamuk, and many others. In the end, this process led to Hrant s killing and silencing him once and for all. Q. What does the murder of Hrant mean for the Armenians? A. My view of how Armenians see Hrant s killing is as a victim of the state s policy on the Genocide. In order to understand why Armenians think that way, I will ask you to recall Prime Minister Erdogan s statements in reaction to his assassination. Hrant s murder was directly related to his opening up questions in Turkish society about the events of 1915 or the Armenian Genocide, as mentioned earlier. Second, Prime Minister Erdogan s speech on Hrant s killing was telling, when he said: It is extremely thought-provoking

that Dink is chosen as a target. When there are new activities regarding the alleged Armenian Genocide in some foreign states . Here the Turkish prime minister is linking the death of Hrant directly to the alleged Armenian Genocide. That linkage is also made in the mind of every Armenian, in Turkey or elsewhere. The culmination of Hrant s articulation of what really happened in 1915 and Prime Minister Erdogan s reference to the alleged Armenian genocide, led to Hrant being labelled as the the 1,500,001st victim of the Genocide. Q. The murderer Samast recently was sentenced to 22 years and 10 months imprisonment. He will become eligible for parole in 2021, after serving 2/3rds of his sentence. What do you think about the judicial process in Turkey? A. Ogun Samast s sentence is not the key issue. Rather, it is the mindset that is behind this killing, which is, in my opinion, the same mentality as that of the Young Turks in 1915. The true judicial process should deal with the root causes that were behind Hrant s murder. If one is to bring justice to Hrant s murder, then it must deal with the act of suppressing the history of 1915, for which some people seem willing to do anything, including killing people who dare to ask questions. If the root cause is not dealt with one wonders if there will be similar future victims. Q. Concerning the genocide issue, is there any difference between the position/perception of an Armenian who lives in Turkey, in Armenia, and in the Diaspora? Like what? Whether it be Diasporan Armenians, Armenians in Turkey, or in Armenia, there is no difference in their understanding of the historical truth, and therefore in their collective memory. There is enough historical evidence, documentation and physical evidence to show what happened to the 2 million Armenians in Turkey. Every Armenian at some point faces the questions, where did I come from, how did I get here, what happened to my grandparents, or my great grandparents. The majority of Armenians around the world all confront the same answer: they were deported from their ancestral cultural homeland and most were killed. No doubt collectively in Armenian minds it is known that the Ottoman Turks annihilated the Armenian presence from their homeland. This is true for Armenians in Turkey, in the Diaspora and in Armenia. What may be different in their position is how to go about reconciliation with today's Turkish government. Q. What is your aim with the program of Human Rights and Genocide Studies that runs every year by the participation of people who come from different parts of the world? A. The program has a number of objectives. It is designed to help prepare university students to become the next generation of genocide scholars. It takes a comparative and interdisciplinary approach to cases of genocide such as the Holocaust, the Armenian Genocide, Cambodia and Rwanda, among others. The comparative study of genocide, a gross violation of human rights, can help us identify and understand the conditions under which genocide and other acts of mass violence are likely to take place; it can help illuminate the warning signs of impending violence; and it can suggest ways in which genocide may be prevented. Also, we strive to show through a comparative approach that genocide is a shared human experience and, as such, must be the concern of all individuals and institutions. Genocide has taken place in many countries, and it is possible that it can take place in any country. We make the effort to bring in students from around the world to become experts in genocide, so that they can return to their home countries empowered with the knowledge to become like the proverbial thousand points of light and work towards its prevention everywhere. Q. So, students from two sides of the massacres meet with each other during the two-week

program. How is this possible? Have you ever had any troubles with this? A. If with this question you mean to ask whether we have had the descendants of a perpetrator nation and victim nation attend the same class, then indeed, we have. We have had Tutsis and Hutus, Armenians and Turks, Jews and Palestinians, and others. All students come to the class with certain prejudices, but one by one, over the duration of the course, the program dismantles these prejudices and ten to twelve professors help elevate the students' understanding of the facts and complexities of genocide studies. It is through this academic process and their new understanding of humanity that students from all walks of life can begin to speak the same language. That is the success of this course. The aim of the program is to convert our emotional perspective to an intellectual one, using academic tools, where, through education, your understanding of a situation is elevated to a universal perspective. After this, you can t help but speak as a representative of all humanity, and not as a representative of one camp or another. Q. Do students hesitate to participate in debates, or do they feel pressure? A. No, I don t think so. You ve been there. You ve seen that the professors encourage the students to participate in discussion. There may be hesitation at first, but as the sessions progress the participants evolve and develop the perspective and the language to discuss sensitive topics in an open, mutually respectful environment, in keeping with the standards of an academic institution. Q. What is the impact of opposite sides on the content of the program? A. I m not sure what you mean by opposite sides. When you re dealing with the truth, based on reliable evidence, there can be only one side. Q. Turkish government does not recognize the Armenian Genocide. On the other hand, for the last two years, there are some people in Turkey who come together on April 24 in order to memorialize the pain of Armenians. Again three years ago some of the Turks apologized for Armenian Massacres. What do you think about these events? A. It is immensely heart-warming to see that some people in Turkish civil society have accepted the truth of 1915 and are sympathetic to the painful experience of the Armenians. The apology campaign is very much appreciated, and I hope that someday, the whole of Turkish society may be sensitized to come together on April 24 to commemorate the pain of the Armenians. However, the official reconciliation will come only when the Turkish Government itself comes to terms with the historical truth of 1915 and liberates its citizens from this burden. I remember that Prof. Fatma Muge Gocek once said, I, as an ethnically Turkish citizen, am not guilty, but am responsible for what happened to the Armenians in 1915. This is a crucial separation that has to be done for transformation. You know, history, if not approached truthfully, will always be a stumbling block on the road to peace between our two peoples. Peace can only be achieved if people can talk openly about this subject, and through the Common Body of Knowledge and education, arrive at a mutual understanding of the truth. Without truth, it is doubtful that reconciliation can be achieved. Q. What does apology mean for the Armenians? Is the official recognition by the states indispensably crucial concerning the solution of the problem between Armenians and Turks? A. Studies on the reconciliation process in such countries as Rwanda and South Africa have shown that in order for an apology to be meaningful, it has to be part of a series of steps, in order to lead to reconciliation. These steps are 1) acknowledgement of guilt and taking

K.M. Greg Sarkissian responsibility, 2) a genuine expression of remorse, 3) asking for forgiveness, and finally, 4) making amends commensurate with the crime and acceptable to the victim group, so that the healing process can start. Turkish and Armenian people can definitely learn and implement this process. To your question about recognition by the states being indispensable, if you mean Turkey, the answer is yes. As you will remember from the course, genocide is a political act perpetrated by a state. The conductor of the Armenian Genocide was the Ottoman State, usurped by the Ittihad ve Terakki party, as was the case of the Nazis taking over Germany. The crime committed was with the intent to destroy in whole or in part a national, ethnical, racial or religious group, in this case its Armenian citizens. The Turkish State is the inheritor of the Ottoman State, and therefore is responsible for that crime, even though modern Turkey did not commit it. You may also recall learning about the eight stages of genocide described by Dr. Gregory H. Stanton of Genocide Watch. These are 1) Classification, 2) Symbolization, 3) Dehumanization, 4) Organization, 5) Polarization, 6) Preparation, 7) Extermination, 8) Denial. Turkey s denial today of what the Ottoman government did to its Armenian citizens in 1915 is itself a continuation of the act and therefore the eighth stage of genocide. Q. Apart from the state reaction, ordinary people both in Turkey and Armenia still have a nationalistic point of view and otherize each other. What are the reasons of it? Is it the education system or the way of official historytelling in both of the countries? A. First of all, I believe that education is very important, for both countries to have a new perspective about each other. But there is a complete absence of confidence building measures. For some years, Armenia has called for diplomatic relations with Turkey with no preconditions. However, Turkey has not taken advantage of this opportunity, and is keeping the border between the two countries closed, even though the Armenian side is open. Turkey should consider its relationship with Armenia on its own merits and not tie it to its relations with Azerbaijan. There are good precedents for this policy in Egypt s relations with Israel, at a time the latter was at war with Syria. Also there have been relations between Turkey and Greece, in spite of the complications over the situation in Cyprus. Interaction between the two peoples on social and economic levels can only develop goodwill and erase the negative stereotyping of each other. Finally, removing all restrictions about freedom of expression in Turkey and Armenia would definitely help eliminate the otherizing of each other. Our destiny is dictated by our geography. We must approach our history truthfully and find a way to live together peacefully. (Abridged from Agos, August 10-15, 2011)


2011 24 ¾.ÐáÏï»Ùµ»ñ î²ðÆ, ÂÆô 72

by Emil Danielyan

ARMENIA

Government Plans Fresh Changes In Armenian Child Adoption Rules

The Armenian government is planning to make fresh and potentially far-reaching changes in its rules and procedures for international adoptions of children from Armenia following an RFE/RL report suggesting that they may still be riddled with corruption. (RFE/RL)- Relevant proposals drawn up by Prime Minister Tigran Sarkisian s office aim to increase the transparency of the process and reduce the role of obscure local middlemen working for Western adoption agencies. They are also meant to make it easier for Armenian families to adopt or bring up orphans. An April 2011 report by RFE/RL s Armenian service (Azatutyun.am) said that U.S. adoption agencies seem to continue to make thousands of dollars in informal payments to Armenian officials dealing with foreign adoptions. In particular, it cited a sample contract signed by one such agency, Hopscotch Adoptions, with Americans wishing to adopt Armenian and Georgian children. The contract, offered to a potential client in the United States in 2007, explained that almost $5,000 of more than $30,000 charged by Hopscotch for every adoption would be spent on gifts to foreign service providers and government functionaries performing ministerial tasks as an offer of thanks for prompt service. It claimed that such gifts are customary in Armenia and Georgia and do not violate U.S. law. Gifts and gratuities were also a separate spending category in a sample agreement that was offered by another U.S. agency, Adopt Abroad, at least until last April. Officials at the Armenian Ministry of Justice as well as anti-corruption campaigners in Yerevan agreed at the time that such payments amount to bribes and are therefore illegal in Armenia. Government sources say Prime Minister Sarkisian took the report very seriously, instructing his senior staff to initiate a major revision of existing adoption rules. They were quick to come up with relevant proposals. Those were submitted in June, along with copies of the Hopscotch contract obtained by RFE/RL, to an inter-agency government

commission on adoptions headed by Justice Minister Hrayr Tovmasian. The root cause of this problem is a lack of transparency, and we must do something about it, one senior government official told RFE/RL s Armenian service (Azatutyun.am). Under the existing rules, the Armenian Ministry of Labor and Social Issues draws up and keeps a national registry of children available for domestic and foreign adoption. The list is supposed to be accessible to prospective adoptive parents. But according to a department on social affairs at the prime minister s office, this has not been the case in reality as even government bodies have trouble accessing information about all children listed on the registry, officially called Manuk (Child) Database. In a written statement to the government, the Ministry of Labor said that the database comprised a total of 171 children (135 them kept in orphanages) as of May 1, 2011. However, the head of a ministry division handling adoptions, Lala Ghazarian, spoke of only about 90 such orphans when she was interviewed by RFE/RL s Armenian service in April. In its written proposals discussed by Tovmasian s commission this summer, the government department said that in some cases children s inclusion in the database has been a mere formality that legalized prearranged adoptions fraught with corruption risks. It said this is especially true for healthy babies, the most in-demand category of orphans. The department suggested that the entire database be posted on the ministry website and made available to anyone considering an adoption from Armenia. Tovmasian is said to have personally backed the idea, which also envisages the creation of a separate electronic database of adoption applicants. The latter would thus be put in direct online contact with relevant Armenian authorities in the initial stages of the adoption process. Officials say this would narrow down the scope of shady activities of Armenian facilitators receiving lump sums from U.S. and other foreign agencies. Hopscotch paid them $10,500 per child at least until 2007, while Adopt Abroad currently charges a facilitators fee of as much as $19,000. Whether a part of this money is also spent on

gifts is anybody s guess. None of the Yerevan-based adoption brokers is known to be registered with tax authorities. Another major proposal from Prime Minister Sarkisian s staff would increase from three to six months the minimum period of time, after an orphan s inclusion on the database, during which he or she cannot be eligible for international adoption. This requirement, meant to facilitate domestic adoptions, appears to have been violated in at least two cases in 2007. In one such example, an American couple living near Washington, DC adopted a little Armenian girl through Hopscotch in May 2008. Sonia Vigilante, the adoptive mother, revealed on her blog that the girl was less than one month old when she and her husband were first shown her pictures and offered to adopt her in October 2007. Vigilante reacted to the RFE/RL report with a litany of abusive e-mails sent to Ara Manoogian, an Armenian-American activist and blogger who privately interviewed her and several other U.S. adoptive parents and shared their experiences in Armenia with an RFE/RL correspondent. Using a fictitious identity, Manoogian posed as a childless man from Texas interested in adopting an Armenian child. The girl is mine mine, mine!!! Vigilante wrote on May 31. I win, Armenia loses I

don't give a what the Armenian crooks think of me anymore, she said in a subsequent note. Sarkisian aides want to curb foreign adoptions also by reinvigorating a 2004 government program that pays local families to host and raise the orphans until they come of age. The program has had only a limited success, with only 24 children currently placed with foster care providers. The government launched the child fostering scheme as part of a broader toughening of adoption rules that followed another, June 2003 RFE/RL report that likewise exposed possible corrupt practices. The number of annual foreign adoptions has not changed significantly since then. According to the Ministry of Labor and Social Affairs, 61 Armenian children were adopted by foreigners in 2010. The ministry informed Justice Minister Tovmasian s commission in July that it has started drafting amendments to Armenia s adoption-related laws and regulations. Those amendments have not been submitted to the commission yet. Whether ministry officials, who have long played a key role in the controversial adoptions, will propose the kind of radical changes that are sought by Sarkisian aides remains to be seen.

New Madenataran Annex Inaugurated (RFE/RL) President Serzh Sarkisian and the top leaders of the Armenian Apostolic Church inaugurated on a new, more sprawling building of Armenia s world-famous Madenataran repository of ancient manuscripts. The Madenataran, officially called the Mesrop Mashtots Institute of Ancient Manuscripts, was founded in 1959 to house and maintain one of the world s richest collections of handwritten books spanning a broad range of subjects, including history, philosophy, medicine and literature. It currently has 17,000 mainly Armenian-language manuscripts and 30,000 other documents of interest to scholars. A fraction of those manuscripts dating back to medieval times is put on display at a museum operating within the old Madenataran building which is perched on a hillside overlooking downtown Yerevan. The Armenian government initiated in early 2008 the $14 million construction of a new building adjacent to the existing one. It will now house the manuscript repository itself as well as other facilities of the institute employing hundreds of people. The project was financed by RussianArmenian businessman Sergei Hambardzumian and Maxim Hakobian, a major

shareholder in Armenia s largest mining company. They donated $10 million and $4 million respectively. Sarkisian paid tribute to both businessmen as well as Artur Meschian, a prominent Armenian musician and architect who designed the building, in a speech at the inauguration ceremony. Catholicos of All Armenians Karekin II and Catholicos of the Great House of Cilicia, Aram I then consecrated the building in a joint prayer service. The new structure is equipped with a high-tech laboratory to preserve, restore and digitize manuscripts. This is one of the most important events taking place within the framework of the celebrations of the republic s 20th anniversary, Hrachya Tamrazian, the Madenataran director, told RFE/RL s Armenian service. He said it is opening up huge possibilities for internationalizing Madenataran s scientific activities. Tamrazian also emphasized the fact that the reconstruction will lead to a major expansion of the manuscript museum. The Madenataran s entire old building, constructed in 1957, will be used for permanent exhibitions, he said. It will become one of the world s unique museums, added Tamrazian.

Newly inaugurated building of Armenia s world-famous Madenataran repository of ancient manuscripts.


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ARMENIA

25

Armenia Introduces Chess as Mandatory School Subject (RFE/RL)- Chess has become a mandatory school subject across Armenia for every child over the age of 6. School officials in Armenia say the move is aimed at fostering independent strategic thinking among future generations at school, at work, and in society. The plan took effect beginning with the current academic year. More than 40,000 children in about 1,500 Armenian schools already have received chess textbooks and chess pieces. They are now receiving formal lessons twice a week from 1,200 specially trained and selected teachers. Vachik Khachaturian, who has been teaching mathematics at school for years, decided to teach chess, too. He says the game is interesting and useful for his young students at Yerevan's Secondary School No. 125. "First of all, chess is a game and it is fun. At the same time, it is an intellectual game," Khachaturian says. "Along with mastering the game the children learn to think independently. This [independence] makes the game interesting for them, especially at their young age." Armenia already is one of the world's leading chess nations. The country boasts more than 30 grandmasters and gold-medal winners at the International Chess Olympiads in 2006 and 2008. President Serzh Sarkisian presides over Armenia's Chess Academy and the national Chess Federation. He also has been involved during the past three years in developing the plan to teach chess in the nation's schools.

The director of Armenia's Chess Academy, grandmaster Smbat Lputian, initiated the project to introduce chess as a mandatory school subject. He says he strongly believes in the positive impact that playing chess can have upon children of a young age. "Chess is an amazing game, amazing as I see only positive things in it," Lputian says. "It is a very fair game and this is the most important thing." Sitting amid chessboards in the academy's tournament room, Lputian explains that he sees chess as a way to develop the ability of children to think independently. "It makes you think and map out a strategy and while working on it, you need to assess your every move in advance and find the right one," Lputian says. "And with every move you need to make a decision, the whole game is about making decisions and these decisions should be primarily correct. The game makes you more accustomed to making serious decisions in difficult situations." Chess also is regarded by most Armenians as an inclusive and universal activity, capable of uniting people of different ages and physical abilities. Nevertheless, the project has encountered some opposition in the former Soviet republic. Psychologist Ruzanna Gharibian is a supporter. She says playing chess helps the children not only to improve intellectual abilities, but also to develop essential personality characteristics that high-tech computer games are unable to provide. "You know it is much better to create an

Armenian chess master Levon Aronian (2007) atmosphere of real moral victory [for a child] by giving them these chessmen rather than giving them a computer and letting them experience victory through different aggressive [computer] games," Gharibian says. Gharibian says playing the game of chess helps children develop responsibility and accountability for their actions. Armenian chess players are greeted by thousands of people in Yerevan's Liberty Square to celebrate their victory in the 2011 World Chess Team Championship in July.

"You make a move and you bear a certain responsibility for the move you made," Gharibian says. "While playing computer games, children do not feel responsibility for their actions." Studies conducted by Western scientists and chess masters in primary schools have confirmed that learning chess at an early age improves the reading performance of children, strengthens their problem solving skills, and has a positive effect on concentration, memory and calculation.

New Armenian Silver Coin Commemorates Noah s Ark

by Levon A. Saryan A new one-ounce silver coin commemo­ rating Noah s Ark and Mt. Ararat, issued by the Republic of Armenia, was announced on July 4 by the London coin marketing firm CoinInvestDirect. The attractively designed coin depicts Noah s Ark floating upon the waters with the twin peaks of Ararat in the background, and a dove bearing an olive branch. The reference is to the great deluge that engulfed the world as described in the book of Genesis (Chapters7-8). The coat-of-arms of Armenia is depicted on the obverse. The coin has a nominal value of 500 dram (equivalent to about $1.40 US or 1 euro) and is dated 2011. Each coin contains 1 troy ounce (31.1 grams) of 999 fine (essentially pure) silver, and is about 38.6 mm. in diameter. According to a press release from coinin­ vestdirect.com, the Noah s Ark coin is produced by a private mint in Germany. The coin obverse carries the hallmark LEV of the Leipziger Edel­ metall Verarbeitung (Leipzig Precious Metals Factory). LEV and CoinInvestDirect certify that the metal used to mint the coin has met the standards established by the London Bullion

Market Association. The new coin is available in wholesale quantities of 20 and 500 coins. Orders for the latter quantity are supplied with a sturdy and convenient wooden storage box. According to CoinInvestDirect, other sizes of the new bullion coin are planned to be released in the near future. Coins in ¼ and ½ ounce sizes will be available at the end of 2011, and large coins (5 oz., 10 oz., 1 kg., and 5 kg.) will be available in 2012. Unlike other limited-issue commemorative coins that have been issued by Armenia since declaring independence in 1991, the Noah s Ark coin is being produced and marketed as a bullion investment. Thus, it is intended to compete with the United States Silver Eagle, the Canadian Maple Leaf, the Austrian Phil­ harmonic, and other popular silver bullion coins marketed worldwide. The Central Bank of Armenia has the sole authority to authorize coinage on behalf of the Armenian government. Modern Armenian coins are struck mostly by mints affiliated with various European governments, under contract with the Central Bank. Within Armenia, new com­

The new Armenian coins memorative releases are typically available for sale at the Numismatist salon of the Central Bank headquarters in Yerevan. In a departure from the usual arrangement, the Noah s Ark coin will apparently be available only from distributors in Europe. The Noah s Ark coin will not be sold in Armenia. These coins are not available in Armenia, he told me, because they are just investment coins, and there is no mechanism to sell and purchase these coins from the Central Bank. Unlike the great majority of coins issued by Armenia to date, the Noah s Ark coin carries the hallmark of the manufacturing mint. Also,

unlike most others new issues, this coin does not appear to be accompanied by a certificate of authenticity. If this coin is in fact officially sanctioned by the Central Bank of Armenia, its image and technical specifications should eventually be registered on the bank s website. As of mid-August, this had not occurred. Examples of the Noah s Ark coin are pres­ ently available from internet dealers in Germany and other European countries. The cost for individual examples varies between $50 and $65 each, plus shipping. * Dr. Saryan has been researching Armenian coins for more than 30 years.

Osana Mksy-Artinian AMP Mortgage Specialist

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2011 ARTS/CULTURE 26 ¾.ÐáÏï»Ùµ»ñ î²ðÆ, ÂÆô 72 Atom Egoyan to Shoot A Feature Film on The West Memphis Three: Devil s Knot

Canadian-Armenian acclaimed film maker Atom Egoyan is at work on a feature film about the West Memphis Three case based on Mara Leveritt's non-fiction book Devil s Knot: The True Story of the West Memphis Three. The project had originally been developed at Dimension Films, and when it was put into turnaround, producer Richard Saperstein, former Dimension president, took it over. Scott Derrickson and Paul Boardman, who wrote The Exorcism of Emily Rose, have written a screenplay, which Boardman has been reworking with Egoyan, who boarded the project, about two months ago. The plan is to begin shooting a $20 million independent production in the spring, with

Elizabeth Fowler and Clark Peterson producing along with Saperstein and Boardman. Egoyan best known for 1997 s The Sweet Hereafter, for which he earned writing and directing Oscar nominations is a big admirer of Joe Berlinger and Bruce Sinofsky s Paradise Lost documentaries, which exposed how three teens, accused of taking part in Satanic rituals, were unjustly convicted for the murders of three eight-year old boys in West Memphis, Ark., in 1993. But Egoyan is also convinced there s another story the human drama behind it waiting to be told.

Director Atom Egoyan

John Balian s Novel Approach Brings the Armenian Saga to the Masses

An interview by Lucine Kasbarian

Armenians often wish for a tale about the Armenian Genocide and its aftermath that would make a blockbuster film and draw attention to their cause. John Balian s new book, Gray Wolves and White Doves (CreateSpace/Amazon.com), may be that tale. Largely autobiographical, this atmospheric novel is presented through the eyes of an innocent young boy trying to make sense of the world as he grows up amid repressive conditions in Western Armenia/Eastern Turkey during the 1960s and 70s. This fast-paced, multi-layered narrative takes readers from Hanna Ibelin s (a.k.a. Jonah Ibelinian s) close-knit family life in the perilous Asia Minor region of Palu to terror and tragedy while en route to Syria s Kamishli, to a bleak existence on the mean streets of Istanbul. Facing the disintegration of his family, Hanna is promised salvation abroad. Guardians enroll him in the Armenian seminary of Jerusalem, where he takes his Armenian name Jonah Ibelinian, and practices Armenian customs in comfort and safety. But as Jonah begins to adjust to this new life, he encounters inter-ethnic strife, clerical corruption, deception, and banishment for alleged insurrection against the Turkish state. While on the lam in Europe, Jonah searches for lost kin as he stays just one step ahead of his pursuers. As he hides from the Turkish secret police, fugitive Jonah is coaxed by a former rival to conduct a secret mission in exchange for acceptance. Jonah also searches the depths of his own conscience as he is told that his mission is to be carried out at the Turkish Airlines counter at Orly Airport on the outskirts of Paris. As the story crescendos into a dynamic climax, buried secrets, and hidden identities and motives are revealed leading the gripping saga to a fulfilling conclusion. Gray Wolves and White Doves storyline is laced with intrigues and betrayals, ancient traditions, comic relief and accurate historical depictions fused together by the protagonist s indomitable will to live in freedom and dignity. This literary achievement is already being put on par with Billy Hayes autobiographical thriller and award-winning film, Midnight Express. While Gray Wolves and White Doves stands on its own merits as a spellbinding story, author John Benjamin Sciarra aptly points out that Balian s treatment further elevates it because by setting [the novel] in the shadow of the attempted annihilation of Armenians by Turks, the historical background becomes as meaningful as the story itself. Protagonist Ibelinian possesses many fine qualities often attributed to the Armenian people: Christian values, love of family, drive, talent, and a strong work ethic. The grace and humility with which Jonah faces down impossible odds offers readers a model to emulate and an opportunity to place their own personal challenges into perspective. And by presenting his story as a cross between Raffi s epic Khentè and a John Grisham novel, Balian

captures the interest of general readers while introducing them to the Armenians a people whose history has been hijacked, culture appropriated, and appeals for justice disregarded. Following is an interview conducted with the author. Lucine Kasbarian: How have your life experiences and literary interests equipped you to write Gray Wolves and White Doves, and what do you hope this book will accomplish? John Balian: It is said that the best fiction usually involves strong elements of true-life experiences, and this book is no different. The premise of the book is based on my life experiences. It is also said that everyone has a book hidden inside. Gray Wolves and White Doves is clearly the one I needed to release from within me. While Gray Wolves and White Doves is an suspenseful thriller, it is based on a reallife story that weaves a timeless tale of a man s perseverance, the endurance of hope, and the winning ways of the human spirit no matter how bleak the circumstances. My hope for the book is to leave a legacy to generations to come and to shed light on an often-ignored and definitely under-explored topic of great importance the issue of genocide, an event that has contributed so dramatically to the factional rivalries and the current quagmire of the Middle East. My intent here was to bring attention to this matter while entertaining and rousing a non-Armenian audience without preaching to them. The readership is looking for a motion picture based on this story. Also, to translate the book, first into Armenian and Turkish and then into other languages would be a very desired outcome. L.K.: You are to be congratulated for selfpublishing this work. Because of the subject matter and your treatment of it, I wonder if a mainstream book publisher would have produced it. Tell us how this book came to be. J.B.: There is no stigma anymore in the selfpublishing realm. I understand that established authors are choosing this route more often. I did attempt to get an agent for representation by sending a query to about a dozen of them, but it became apparent that to succeed in the traditional publishing approach, it would take a very long time with no apparent benefits while running the risk of losing the literary and educational value of this book. I chose the Amazon publishing services called BookSurge Publishing and CreateSpace. They offered easy access to the Amazon distribution channels as well as editing services that were quite impressive and very helpful. L.K.: A disclaimer in the book states that while the story is based on actual events, any similarity to real persons is coincidental. How much of your book is historical and how much is autobiographical? Where does fact end and fiction begin? J.B.: The events and historical aspects of the

book are all factual. The fictional aspects come from taking poetic license with the creation and portrayal of characters and plots, and the timing of events and scenes. L . K . : T h i s s t o r y, w h i c h h a s b e e n enthusiastically reviewed by scores of nonArmenian readers, appeals to more than one demographic. You add special touches to the story that will resonate with Armenian readers in particular, such as your decision to name the villains Sevantz and Aghvesian, or to create characters with evocative Turkish names such as Soluk Kurt, Inonu, Turgut and Erdogan. Please talk about this. J.B.: To date, more than 95 percent of the readership has been non-Armenian. There is unanimity on the quality of work and an overwhelmingly positive reaction to the writing, the story and its literary value. Some samples of the feedback and sentiments can be seen in the reviews placed on Amazon, with a total of 50 reviews thus far with a top rating of five stars. In addition to the pace of the book, I want the readers (on a second or third reading) to delve into the meaning and intricacies of scenes, names and references to religious, historical, and biblical issues, and to personalities past and present that continue to influence peoples and nations lives. L.K.: While telling your tale, life in Jerusalem comes alive, as does the issue with which many lay communities struggle: corrupt authority figures and clergy. What purpose do you think your treatment of this taboo topic could serve? J.B.: My hope is that it leads to awareness and more importantly to the protection of our national treasures and heritage. L.K.: Two powerful aspects of this book were your ability to communicate how goodness and humility can inspire hostility and envy in others, and the resulting trauma that persists within the Armenians. The central character is scapegoated by transgressors who project sins onto him. Please talk about the importance these concepts hold for you, for the Armenian nation and for humanity. J.B.: Unfortunately this mindset is not limited to one period of time, one region of the world, one country, or one people. Humanity grapples with these issues daily and never seems to have the collective courage to overcome these destructive attitudes. Armenians have been victims of inhumane treatment with devastating results for far too long. How to break this cycle is the real challenge. L.K.: Do you think the Republic of Turkey has the same mindset today that it did during the years the action in this book takes place? Is your story just an artifact, or could it also be a cautionary tale? J.B.: I believe my story is not an artifact. The mindset today is no different than during the years the action in this book takes place. However, I think we are at a watershed time. A segment of the Turkish public is clamoring for the truth while the radicals are

Writer John Balian struggling to maintain the denialist policies of their government and forefathers. I believe this book will help our cause and the struggles of all victims of persecution, genocide, and those whose human spirits are under constant threat of being obliterated. So far, I know one person of Turkish heritage has read Gray Wolves and White Doves. He recently sent me a note as follows: I just finished it, and I am still shaking. He acknowledged that while the book is very, very good, I do have very mixed emotions. L.K.: What void do you think exists in literature on Armenian subjects? J.B.: I would hope that we as a community add to our armamentarium books such as Gray Wolves and White Doves and other tools of entertainment/education and place these books on the required reading lists for students and transform the books into feature films to ensure they become yet another piece of the fabric and tapestry that we need to weave to tell the world the full story and tell it in a manner that is not offensive or overbearing. You can see from the reviews, and many other readers have told me in person, that this book has taught them about the Middle East, Armenia, the Armenians, and the Genocide. In fact, reading the novel has inspired many to research these issues on their own. L.K.: How do you keep up with current Armenian events? J.B.: I am an avid reader of all Armenian newspapers and journals. I currently serve on the Board of Directors of the Armenian Center at Columbia University. Lucine Kasbarian is a book publicist on leave, and the author of The Greedy Sparrow: An Armenian Tale.


ÐáÏï»Ùµ»ñ 2011 ¾. î²ðÆ, ÂÆô 72

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27

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Ýå³ëï¿ »ñ»Ë³Ý»ñáõÝ Ù³ñÙÝÇÝ µÝ³Ï³Ý å³ßïå³Ýáõû³Ý ѳٳϳñ·ÇÝ (immunity system) ½³ñ·³óÙ³Ý, ÇÝãå¿ë ݳ»õ ÏÁ Ýáõ³½»óÝ¿ ѻﳷ³ÛÇÝ ³ÝáÝó Ùûï ·Çñáõû³Ý íï³Ý·Á: Üáñ³·áÛÝ áõëáõÙݳëÇñáõû³Ý Ù¿ç Ù³ëݳ·¿ïÝ»ñÁ Ù³Ýñ³Ù³ëÝûñ¿Ý ³ñӳݳ·ñ³Í »Ý ï³ëÁ ѳ½³ñ Ù³Ûñ»ñáõÝ Ï³Ã ïáõ³Í ï»õáÕáõÃÇõÝÁ: سëݳ·¿ïÝ»ñÁ Ëݹñ³Í »Ý ³ÝáÝóÙ¿, áñ ÑÇÝ· ï³ñÇ Ñ»ï»õÇÝ Çñ»Ýó ½³õ³ÏÝ»ñáõÝ áõÝ»ó³Í í³ñáõ»É³Ï»ñåÇÝ »õ ³ñӳݳ·ñáõÃÇõÝ å³Ñ»Ý ³ÝáÝó Ùûï Û³é³ç³ó³Í í³ñáõ»É³Ï»ñå³ÛÇÝ Ñ³ñó»ñáõÝ (ûñÇݳÏ` ·áÕáõû³Ý, ëï³Ëûëáõû³Ý áõ ³Ýѳݹ³ñïáõÃÇõÝ) Ù³ëÇÝ:

Üß»³É ³ñӳݳ·ñáõÃÇõÝÝ»ñ¿Ý Ó»éù Ó·áõ³Í ïáõ»³ÉÝ»ñÁ óáÛó ïáõ³Í »Ý, ÿ Çñ»Ýó Ùûñ ϳÃáí ëÝ³Ý³Í Ù³ÝáõÏÝ»ñáõÝ í»ó ³é ѳñÇõñÇÝ Ùûï ÙdzÛÝ ³ñӳݳ·ñáõ³Í »Ý í³ñáõ»É³Ï»ñå³ÛÇÝ Ñ³ñó»ñ, ÇëÏ Çñ»Ýó Ùûñ ϳÃáí »ñµ»ù ãëÝ³Ý³Í Ù³ÝáõÏÝ»ñáõÝ Ùûï í³ñáõ»É³Ï»ñåÇ ³éÝãáõ³Í ѳñó»ñ áõÝ»óáÕÝ»ñÁ ϳ½Ù³Í »Ý 16 ³é ѳñÇõñÁ: سëݳ·¿ïÝ»ñÁ Ýϳï³Í »Ý ݳ»õ, ÿ Ùûñ ϳÃáí »ñµ»ù ãëÝ³Ý³Í Ù³ÝáõÏÝ»ñÁ 30 ³é ѳñÇõñáí ³õ»ÉÇ Ñ³Ï³Ù¿ï »Õ³Í »Ý í³ñáõ»É³Ï»ñåÇ Ñ³ñó»ñ áõݻݳÉáõ, ù³Ý` Ùûñ ϳÃáí ëÝ³Ý³Í Ù³ÝáõÏÝ»ñÁ: ´ñÇï³Ý³óÇ Ù³ëݳ·¿ï سñdz øáõÇÏÉÇ Áë³Í ¿, ÿ Ùûñ ϳÃÁ ÏÁ å³ñáõݳϿ Ù»Í ï³ñáÕáõû³Ùµ Û³ïáõÏ

ï»ë³ÏÇ ×³ñå³ÛÇÝ ÃÃáõ (fatty acid) ÙÁ, ÇÝãå¿ë ݳ»õ` Ù³ÝáõÏÝ»ñáõÝ ³×ÇÝ Ýå³ëïáÕ ÑáñÙáÝÝ»ñ, áñáÝù ³ÝÑñ³Å»ßï »Ý ³ÝáÝó áõÕ»ÕÇÝ áõ çÕ³ÛÇÝ Ñ³Ù³Ï³ñ·ÇÝ ½³ñ·³óÙ³Ý Ñ³Ù³ñ: ²Ý Ýß³Í ¿ ݳ»õ, ÿ ³°ÛÝ Ù³Ûñ»ñÁ, áñáÝù Çñ»Ýó ϳÃáí ÏÁ ëÝáõó³Ý»Ý Çñ»Ýó »ñ»Ë³Ý»ñÁ, ß³ï ³õ»ÉÇ ß÷Ù³Ý Ù¿ç ϰÁÉÉ³Ý ³Ûë í»ñçÇÝÝ»ñáõÝ Ñ»ï, ÇÝã áñ ÏÁ Ý߳ݳϿ, ÿ »ñ»Ë³Ý»ñÁ, ³Û¹åÇëáí, µ³õ³Ï³Ý µ³Ý»ñ ÏÁ ëáñíÇÝ í³ñáõ»É³Ï»ñåÇ ÁݹáõÝ»ÉÇ Ó»õ»ñáõÝ Ù³ëÇÝ` Çñ»Ýó Ï»³ÝùÇÝ ëϽµÝ³Ï³Ý ѳݷñáõ³ÝÝ»ñáõÝ: ä¿ïù ¿ Ýß»É Ý³»õ, ÿ Ùûñ ϳÃáí ëݳÝáÕ Ù³ÝáõÏÝ»ñÁ Ýáõ³½ Ñ³Ï³Ù¿ï »Ý ÑÇõ³Ý¹³Ý³Éáõ` ÝϳïÇ áõݻݳÉáí, áñ ß³ñ ï»ë ¿ç 29

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àõñý³ÛÇ Êáñáí³Í ´³Õ³¹ñáõÃÇõÝ 1 ùÇÉû Ù³Ýñ ëÙµáõÏ 1 ùÇÉû ³Õ³ó³Í ÙÇë 2 ëáË 4 ÉáÉÇÏ 100 Ïñ³Ù ϳñ³· 7 ѳٻÙáõÝù (all spices) ³Õ ä³ïñ³ëïáõÃÇõÝ ØÇëÁ Ñ³Ù»Ù»É »õ ß³Õ»É: êÙµáõÏÁ ß»ñï»É 3ë٠ɳÛÝáõû³Ùµ: Þ³Ù÷áõñÇÝ íñ³Û ß³ñ»É Ù¿Ï Ïïáñ ëÙµáõÏ, Ù¿Ï Ïïáñ ÏÉáñóáõ³Í ÙÇë: Êáñáí»É ëÙµáõÏ »õ ÙÇë ß³Ù÷áõñÁ: Êáñáí»É ݳ»õ ÉáÉÇÏÁ, Ù³ùñ»É áõ Ù³Ýñ³óÝ»É: Ø»ï³Õ¿ ³÷ë¿ÇÝ Ù¿ç ï³å³Ï»É ß»ñïáõ³Í ëáËÁ, ³å³ ï³ñ³Í»É:

´áÉáñë ³É áõÝÇÝù µáÛñ»ñáõ ݳ˳ëÇñáõÃÇõÝ. ï³ñûñÇÝ³Ï ¿, áñ »ñµ»ÙÝ Ù»½Ç ѳٳñ ïÑ³× ÃáõáÕ µáÛñ ÙÁ ß³ï ëÇñ»ÉÇ ¿ áõñÇßÇ ÙÁ ѳٳñ: гñó³Ëá۽ݻñ óáÛó ïáõ³Í »Ý, ÿ ³Ûë ϳ٠³ÛÝ µáÛñÇ Ý³Ë³ëÇñáõÃÇõÝÁ ß³ï µ³Ý ϰÁë¿ Ù³ñ¹áõ µÝ³õáñáõû³Ý »õ ׳߳ÏÇÝ Ù³ëÇÝ: гëÏݳÉáí §µáÛñ»ñáõ É»½áõݦ ϳñ»ÉÇ ¿ ׳ÝãÝ³É ë»÷³Ï³Ý ³ÝÓÁ »õ Ù»ñ ßñç³å³ïÁ: î»ëÝ»Ýù, ÿ ǰÝã ϯÁë»Ý Ñá·»µ³ÝÝ»ñÁ µáÛñ»ñáõ Ýϳïٳٵ Ù»ñ ݳ˳ëÇñáõÃÇõÝÝ»ñáõÝ »õ ³ÝáÝóÙ¿ µËáÕ Ù»ñ µÝ³õáñáõû³Ý Ù³ëÇÝ:

̳ÕÇÏÝ»ñáõ ´áÛñ»ñ Ú³ëÙÇÏÇÝ, ϳñï»ÝdzÛÇÝ, í³ñ¹ÇÝ, ݳñÏǽÇÝ µáÛñ»ñÁ ÏÁ ݳËÁÝïñ»Ý ûûõ »õ ß÷Ù³Ý Ù¿ç ѳ׻ÉÇ Ù³ñ¹ÇÏ: ÜÙ³Ý µáÛñ»ñ ÁÝïñáÕ ³ÝÓÁ íëï³Ñ»ÉÇ áõ ѳõ³ï³ñÇÙ ÁÝÏ»ñ ¿ »õ ÑÇõñÁÝÏ³É ï³Ýï¿ñ£ ̳ÕÇÏÝ»ñáõ µáÛñ»ñáõ ëÇñ³Ñ³ñÝ»ñÁ ÏÁ ëÇñ»Ý Çñ»Ýó ïáõÝÁ »õ ³ÕÙÏáï »ñ»ÏáÛÃÝ»ñáõ ÷á˳ñ¿Ý` ÏÁ ݳËÁÝïñ»Ý ѳݷÇëï áõ Û³ñÙ³ñ³õ¿ï ïݳÛÇÝ ÙÇç³í³ÛñÁ: ²ÝáÝù Û³ïáõÏ ïϳñáõÃÇõÝ áõÝÇÝ ·»Õ»óÇÏ Çñ»ñáõ »õ Û³ñ¹³ñ³ÝùÝ»ñáõ Ýϳïٳٵ »õ Û³×³Ë Ñ³õ³ù³ÍáÝ»ñ ÏÁ å³ïñ³ëï»Ý: ö³Ûï³ÛÇÝ ´áÛñ»ñ Þá×ÇÇ, Ù³ÛñÇÇ, »Õ»õÇÝÇ µáÛñ»ñÁ ÏÁ ݳËÁÝïñ»Ý Ýñµ³ÝÏ³ï »õ ½áõëå Ù³ñ¹ÇÏ, áñáÝù ÏÁ ëÇñ»Ý ½ëåáõ³ÍáõÃÇõÝÁ »õ ³Ù¿Ý ÇÝãÇ Ù¿ç ѳõ³ï³ñÇÙ ÏÁ ÙÝ³Ý ¹³ë³Ï³ÝÇÝ: ²ÛëåÇëÇÝ»ñÁ Ùï³õáñ³Ï³ÝÝ»ñ »Ý, ÁݹѳÝáõñ ½³ñ·³óÙ³Ý ï¿ñ »õ ÏñÝ³Ý Ï³ñÍÇù ï³É ï³ñµ»ñ ÝÇõûñáõ Ù³ëÇÝ: ²éѳë³ñ³Ï ³ÝáÝù ½·áõß³õáñ »Ý, ˻ɳÙÇï, ã»Ý ÏáñëÝóÝ»ñ Çñ»Ýó ÇÝùݳïÇñ³å»ïáõÙÁ ÝáÛÝÇëÏ ³Ù»Ý³¹Åáõ³ñÇÝ Çñ³íÇ׳ÏÝ»ñáõ å³ñ³·³ÛÇÝ: ²ëáÝù ÏÁ ѳٳñáõÇÝ ·ÇïáõÝ »õ ëÇñï»ñ ·ñ³õáÕ, Ýñµ³×³ß³Ï »õ ½·³ÛáõÝ Ù³ñ¹ÇÏ: γݳ㠻õ ²Ýï³é³ÛÇÝ ´áÛñ»ñ ÊáïÇ, ÍÕûïÇ, Ù³ÙáõéÇ, ³é³õûï»³Ý óûÕÇ µáÛñ»ñÁ ݳËÁÝïñáÕÝ»ñÁ ³éáÕç ³åñ»É³Ï»ñåÇ ëÇñ³Ñ³ñÝ»ñ »Ý: ²ÝáÝù ÏÁ ëÇñ»Ý Ù³ñ½³ÝùÁ »õ µÝáõû³Ý ·ÇñÏÇÝ Ù¿ç ѳݷÇëïÁ: ²Ýï³é³ÛÇÝ µáÛñ»ñáõ ëÇñ³Ñ³ñÝ»ñ »Ý µáõë³Ï»ñÝ»ñÁ: ²Ûë ËáõÙµÇ Ù³ñ¹ÇÏÁ É»óáõÝ »Ý »é³Ý¹áí, ëñ³ÙÇï »Ý »õ ×Ç· ã»Ý Ëݳۻñ Çñ»Ýó Ýå³ï³ÏÇÝ Ñ³ëÝ»Éáõ ѳٳñ: ²ñ»õ»É»³Ý ´áÛñ»ñ ²Ûë ËáõÙµÇÝ ÏÁ å³ïϳÝÇÝ Ñ³Ù»ÙÝ»ñáõ µáÛñ»ñáõ ëÇñ³Ñ³ñÝ»ñÁ, áñáÝù ëï»Õͳ·áñÍ »õ ³ñáõ»ëï³ë¿ñ Ù³ñ¹ÇÏ »Ý: ²ÝáÝù ³õ³Ý¹³å³Ñ »Ý, ùÇã ÙÁ »-

ë³Ï»¹ñáÝ »õ Çñ»Ýó ѳݷëïáõÃÇõÝÁ ÷ÝïéáÕ: ²ñ»õ»É»³Ý µáÛñÇ ëÇñ³Ñ³ñÝ»ñáõÝ Ùûï ϳñ»ÉÇ ¿ ·ïÝ»É Ñݳá× Çñ»ñáõ ѳõ³ù³ÍáÝ»ñ, ³ÝáÝù Çñ»Ýó ßñç³å³ï¿Ý ÏÁ ½³Ý³½³ÝáõÇÝ ÇÝùݳïÇå ѳ·áõ³Íùáí »õ ³ùë»ëáõ³ñÝ»ñáí: ÎÇïñáݳÛÇÝ ´áÛñ»ñ سÝï³ñÇÝÇ, ÏÇïñáÝÇ, ÏñÇýáÝÇ »õ ÝÙ³ÝûñÇÝ³Ï µáÛñ»ñáõ ëÇñ³Ñ³ñÝ»ñÁ ϳ½Ù³Ï»ñåáõ³Í Ù³ñ¹ÇÏ »Ý, Ï»³ÝùÇ µáÉáñ ѳݷñáõ³ÝÝ»ñáõ Û³çáÕáõû³Ý ·ñ³õ³Ï³Ý ÏÁ ѳٳñ»Ý ËÇëï ϳñ·³å³ÑáõÃÇõÝÁ, Û³ïáõÏ é³½Ù³í³ñáõÃÇõÝÝ áõ ݳ˳å¿ë ×ß¹áõ³Í Ù³ñï³í³ñáõÃÇõÝÁ: ÆëÏ³Ï³Ý Ç￳ɳå³ßïÝ»ñ »Ý, ÏÁ ëÇñ»Ý Íñ³·ñ»É ³Ù¿Ý µ³Ý` Û»ïÇÝ Ù³Ýñ³Ù³ëÝáõÃÇõÝÝ»ñáí: êÇñáÛ Ù¿ç ϰáõ½»Ý ·»ñ³Ï³Û ¹ÇñùÇ íñ³Û ·ïÝáõÇÉ: ¸Åáõ³ñ ÿ Ý»ñ»Ý ³Ýѳõ³ï³ñÙáõÃÇõÝÝ áõ ¹³õ³×³ÝáõÃÇõÝÁ: Øñ·³ÛÇÝ ´áÛñ»ñ ÂáõÃÇ, ë»ËÇ, ¹»ÕÓÇ µáÛñÁ ÏÁ ݳËÁÝïñ»Ý íÇå³å³ßï Ù³ñ¹ÇÏ: ²ÝáÝù µ³õ³Ï³Ý Ù³ñ¹³Ùûï »Ý »õ Ùï»ñÇÙÝ»ñáõÝ Ñ³Ù³ñ` ³Ù¿Ý ï»ë³Ï ½áѳµ»ñáõû³Ý å³ïñ³ëï: ²Ûë ËáõÙµÇÝ å³ïϳÝáÕÝ»ñÁ ß³ï ɳõ ϰ³ß˳ïÇÝ Ñ³õ³ù³Ï³Ýáõû³Ý Ù¿ç »õ ëñ³ÙÇï ³ÝÓ»ñ »Ý: Ìáí³ÛÇÝ ´áÛñ»ñ ²õ³½Ç, ³ÉÇùÇ, ³é³÷Ý»³Û ½»÷ÇõéÇ, ÉáéÇ µáÛñ»ñÁ ݳËÁÝïñáÕÝ»ñÁ ã»Ý ëÇñ»ñ ÷³Ï ï³ñ³ÍáõÃÇõÝÝ»ñ, ϳÑáÛùÇ Ù»Í ÏïáñÝ»ñ »õ ³õ»Éáñ¹ Çñ»ñ: ²ÝáÝó ѳٳñ Íáí³ÛÇÝ µáÛñ»ñÁ ѳݷëï³óÝáÕ ³½¹»óáõÃÇõÝ áõÝÇÝ: ²Ûë ËáõÙµÇÝ å³ïϳÝáÕÝ»ñÁ ÝÇõóå³ßï ã»Ý, áã ³É` ËݳÛáÕ³ë¿ñ: ²ÝáÝù Çñ»Ýó ßñç³å³ïÇÝ Ï³åáõ³Í ã»Ý, áã ³É ÏÁ Ùï³Ñá·áõÇÝ ½Çñ»Ýù ßñç³å³ïáÕÝ»ñáõ ½·³óáõÙÝ»ñáí, ÇÝã áñ ѳ׻ÉÇ ã¿ í»ñçÇÝÝ»ñáõÝ: ³ñÙ ´áÛñ»ñ ú¹Ç, çáõñÇ, ù³ÙÇÇ µáÛñÇ ëÇñ³Ñ³ñÝ»ñÁ ã»Ý å³ïÏ»ñ³óÝ»ñ Çñ»Ýó Ï»³ÝùÁ ù³Õ³ù¿Ý ¹áõñë »õ ã»Ý ëÇñ»ñ ѳݷëï³Ý³É µÝáõû³Ý ·ÇñÏÁ: ÎÁ ·»ñ³¹³ë»Ý Ýáñ³ñ³ñáõÃÇõÝÝ áõ Ýáñ³Ó»õáõÃÇõÝÁ: ÀÝÏ»ñÝ»ñáõ Ñ»ï ß÷áõÙÝ áõ ³ÕÙÏáï ѳõ³ùÝ»ñÁ ѳë³ñ³Ï³Ï³Ý í³Ûñ»ñáõ Ù¿ç ÏÁ ·»ñ³¹³ë»Ý ÁÝï³Ý»Ï³Ý ѳõ³ùÝ»ñ¿Ý »õ Ùï»ñÙÇÏ áõ ç»ñÙ ÙÇç³í³Ûñ¿Ý: ³ñÙ µáÛñ»ñáõ ëÇñ³Ñ³ñÝ»ñÁ ѳ½áõ³¹¿åûñ¿Ý Ùï»ñÇÙ ÁÝÏ»ñÝ»ñ ϰáõݻݳÝ, ѳϳé³Ï áñ ͳÝûÃÝ»ñáõ Ù»Í ßñç³Ý³Ï áõÝÇÝ:

Dr. Raffi Aynaciyan braces for children and adults

D.D.S., M.Cl.D., F.R.C.D.(C)

Orthodontist Richmond Hill (Hillcrest Mall): 9350 Yonge Street, Suite 216 905-884-4161 North York: 3333 Bayview Avenue, Suite 203 416-221-0660

ìñ³Ý ù³ß»É Ëáñáí³ÍÁ, ³å³ ÉóÝ»É ÉáÉÇÏÁ: ö³Ï»É ϳ÷³ñÇãÁ, Ëáñáí³ÍÇ ÙáËÇñÇÝ Ù¿ç »÷»É 20 í³ÛñÏ»³Ý, ÙÇÝã»õ áñ ÉáÉÇÏÇ çáõñÁ Ý»ñÍÍáõÇ:

Downtown Toronto: 11 King Street West, Suite C115 416-363-3018

Ara Graphics

ÀݹѳÝñ³å¿ë Ëáñáí³Í ѳëϳóáÕáõÃÇõÝÁ å¿ïù ¿ ÁݹáõÝÇÉ áñå¿ë ݳ˳ٳñ¹áõ ÏáÕÙ¿Ý Çñ³·áñÍáõ³Í Ï»ñ³ÏáõñÇ ³é³çÇÝ ç»ñÙ³ÛÇÝ Ùß³ÏÙ³Ý Ó»õ: àõÕÇÕ Ïñ³ÏÇ íñ³Û Ëáñáí»Éáí ëÝݹ³ÙûñùÁ (ÙÇë, µ³Ýç³ñ»Õ¿Ý, åïáõÕ), áã ÙdzÛÝ ³ÛÝ ³õ»ÉÇ ¹ÇõñÇÝ ÏÁ ͳÙáõÇ »õ ÏÁ Ù³ñëáõÇ, ³ÛÉ»õ ÏÁ Ù³ùñáõÇ ï³ñµ»ñ Ù³Ýñ¿Ý»ñ¿: ¸³ñ»ñáõ ÁÝóóùÇÝ Ñ³ÛÏ³Ï³Ý ËáѳÝáóÇÝ Ù¿ç ÏÇñ³éáõ³Í »Ý ï³ñµ»ñ ï»ë³ÏÇ Ëáñáí³ÍÝ»ñ, áñáÝóÙ¿ áÙ³Ýù ÙÇÝã»õ ³Ûëûñ ÏÁ Û³ñ³ï»õ»Ý, áÙ³Ýù Ùáéóáõ³Í »Ý, áÙ³Ýù ³É ÷á˳éÝáõ³Í »Ý ³ÛÉ ËáѳÝáóÝ»ñ¿ »õ Ó»õ³÷áËáõ»Éáí ¹³ñÓ³Í Ñ³ÛϳϳÝ. ùÇã ã»Ý ݳ»õ ³ÛÉ ³ÝáõÝÝ»ñáí ѳÛÏ³Ï³Ý ëï»Õͳ·áñÍáõÃÇõÝÝ»ñ, áñáÝó ³Ýáõ³ÝáõÙÇ å³ï׳éáí ëË³É Ï³ñÍÇù Ó»õ³õáñáõ³Í ¿, áñ ³ÝáÝù ³ñ³µ³Ï³Ý ϳ٠Ãáõñù³Ï³Ý Ï»ñ³Ïñ³ï»ë³ÏÝ»ñ »Ý: §Ð³ÛÏ³Ï³Ý ²õ³Ý¹³Ï³Ý ÊáѳÝáóÇ ä³Ñå³ÝÙ³Ý »õ ¼³ñ·³óÙ³Ý Ð³ë³ñ³Ï³Ï³Ý ϳ½Ù³Ï»ñåáõÃÇõÝÁ¦ »ññáñ¹ ï³ñÇÝ ¿, áñ г۳ëï³ÝÇ Ù¿ç ÏÁ ϳ½Ù³Ï»ñå¿ Ëáñáí³ÍÇ ÷³é³ïûÝ, Ýå³ï³Ï áõݻݳÉáí »õ í»ñ³Ï³Ý·Ý»É Ùáéóáõ³Í µ³Õ³¹ñ³ïáÙë»ñÁ »õ óáõó³¹ñ»É Ýáñ ï»ë³Ï³ÝÇÝ»ñ, áñáÝù ëï»Õͳ·áñÍáõ³Í »Ý ųٳݳϳÏÇó Ñ³Û Ëáѳñ³ñÝ»ñáõ ÏáÕÙ¿: ²Ûë ï³ñÇ ¹³ñÓ»³É Ëáñáí³ÍÇ ÷³é³ïûÝÁ ϳ۳ó³õ ê»åï»Ùµ»ñÇ 18-ÇÝ ë³ÑٳݳÏÇó ²Ëóɳ ù³Õ³ùÇ 10-ñ¹ ¹³ñáõÝ Ï³éáõóáõ³Í ³ÙñáóÇ ÙÇçݳµ»ñ¹ÇÝ Ù¿ç, áõñ Ï³Û Ý³»õ 12-ñ¹ ¹³ñáõ êáõñµ سñdz٠²ëïáõ³Í³ÍÝÇ í³ÝùÁ, áñÁ ÏÁ Û³ïϳÝßáõÇ »Ï»Õ»óõáÛ å³ï»ñáõ áñÙݳÝϳñÝ»ñáõ Ù»Í ï³ñ³Íùáí: Êáñáí³ÍÇ ÷³é³ïûÝÇÝ Ý»ñÏ³Û ¿ÇÝ ³õ»ÉÇ ù³Ý 5000 ³Ûó»ÉáõÝ»ñ, ½µûë³ßñçÇÏÝ»ñ, å»ï³Ï³Ý ÑÇõñ»ñ, ³ñáõ»ëï³·¿ïÝ»ñ: ØñóáÛà - ÷³é³ïûÝÇÝ Ù³ëݳÏó»ó³Ý 14 Û³ÛïÝÇ ×³ß³ñ³ÝÝ»ñáõ ³õ³· Ëáѳñ³ñÝ»ñÁ ³é³ç³ñÏ»Éáí Çñ»Ýó Ëáñáí³ÍÝ»ñáõ Ñ»ï³ùñùÇñ »õ Çõñ³Û³ïáõÏ ï»ë³Ï³ÝÇÝ»ñÁ: Êáñáí³ÍÝ»ñ` ѳíáõ, áã˳ñÇ, Ïáíáõ, ÓϳÝ, ÓÇáõ, ݳå³ëï³ÏÇ Ùë»ñáí å³ïñ³ëïáõ³Í . ï³ñµ»ñ µ³Ýç³ñ»Õ»ÝÝ»ñáõ (ÉáÉÇÏ, ëÙµáõÏ, ëáË, ëËïáñ, åÕå»Õ, å³Ùdz, »õ³ÛÉÝ...) »õ åïáõÕÝ»ñáõ (ËÝÓáñ, ¹»ÕÓ, Ãáõ½, »õ³ÛÉÝ...) µ³½Ù³åÇëÇ ï»ë³Ï³ÝÇ` ·»Õ»óÇÏ Ó»õ³õáñáõÙáí: ØñóáÛÃÇ Ùñó³Ý³ÏÝ»ñÁ Ý߳ݳÏáõ³Í

Ò»ñ ܳ˳ëÇñ³Í ´áÛñÁ Þ³ï ´³Ý ΰÁë¿ Ò»ñ سëÇÝ


ÐáÏï»Ùµ»ñ 2011 ¾. î²ðÆ, ÂÆô 72

29

ANNOUNCEMENT

ACC-SAH

The Armenian Community Centre signed a sponsorship agreement with the Ministry of Citizenship and Immigration to help sponsor refugees to Immigrate to Canada. For additional information please contact Lorig Katerjian at (647) 857-8972 or e-mail info-acc-sah@armenian.ca

Ú²Úî²ð²ðàôÂÆôÜ Ð³Û Î»¹ñáÝÁ ÏÝù³Í ¿ ѳٳӳÛݳ·Çñ ÙÁ ¶³Ý³ï³ÛÇ ø³Õ³ù³óÇáõû³Ý »õ Ü»ñ·³ÕÃÇ Ý³Ë³ñ³ñáõû³Ý Ñ»ï: ²ÝáÝù« áñáÝù Ï áõ½»Ý û·Ý»É Çñ»Ýó ѳñ³½³ïÝ»ñáõÝ« áñáÝù Æñ³ù¿Ý ¹áõñë »Ý »õ ·³Õóϳݫ ÏñÝ³Ý ¹ÇÙ»É ÈáñÇÏ ¶³ÃÁñ×»³ÝÇݪ Ñ»é³Ó³ÛÝ»Éáí 647-857-8972 »õ ϳ٠e-mail-áí info-acc-sah@armenian.ca

(See answers reversed on this page)

Æñ»Ýó Øûñ

APARTMENT

IN YEREVAN

84 sq. m. apartment on the 14th floor, conveniently located in the heart of the city @ Mashdots & Saryan - Completely renovated - spacious 2 bedrooms - Large living room - Easily accessible with 2 elevators - Corner lot - Air conditioned & heated Asking $93,000 US. Call (416)-944-0273 or e-mail vkaljian@rogers.com Rental: US $450/week

for Sale (or rent)

ingat k a t r ath f Araevan e r B w o Yer vie ll of &a

ß³ñ. ¿ç 27¿Ý

Ùûñ ϳÃÁ ÏÁ å³ñáõݳϿ Ù³ñÙÝÇ µÝ³Ï³Ý å³ßïå³Ýáõû³Ý ѳٳϳñ·Á ³ßËáõųóÝáÕ µ³ÕϳóáõóÇãÝ»ñ: Üáõ³½ ۳׳˳ϳÝáõû³Ùµ ÑÇõ³Ý¹³Ý³ÉÁ »õë áñáß ã³÷áí ÏÁ Ýáõ³½»óÝ¿ ³ÝáÝó í³ñáõ»É³Ï»ñåÇ Ñ³ñó»ñ áõݻݳÉáõ íï³Ý·Á: ØÇõë ÏáÕÙ¿, ë³Ï³ÛÝ, Ù³ëݳ·¿ïÝ»ñÁ Áë³Í »Ý, ÿ ³°ÛÝ Ù³Ûñ»ñÁ, áñáÝù ï³ñµ»ñ å³ï׳éÝ»ñáí ã»Ý Ïñó³Í Çñ»Ýó ϳÃáí ëÝáõó³Ý»É Çñ»Ýó »ñ»Ë³Ý»ñÁ, ³ïÇϳ ãÇ Ý߳ݳϻñ, ÿ ³Ûë í»ñçÇÝÝ»ñáõÝ Ùûï

³Ýå³ÛÙ³Ý í³ñáõ»É³Ï»ñåÇ Ñ³ñó»ñ ÏÁ Û³é³ç³Ý³Ý ѻﳷ³ÛÇÝ:

Hamaz Tashjian

Sales Representative

416-490-1177

HOMELIFE NEW WORLD REALTY INC.

PIANO Lessons

EXCEPTIONAL REAL ESTATE SERVICE, BROKERAGE*

( all grades )

Give your child the gift of music * Master degree in music * RCM and ORMTA member * 30 years of experience * RCM exams/competitions/ auditions

Narine Abrelian

Tel: 416-497-9738

Math Tutoring (Gr.5 Gr.12)

Math Contests Preparations

(Gauss, Pascal etc.)

Arto Hacherian

ahacherian@hotmail.com

416-495-1513

HOME IMPROVEMENT

RENOVATE IMPROVE CHANGE

Publisher Torontohye communications Inc. 45 Hallcrown Place Willowdale, ON M2J 4Y4 Email:torontohye@gmail.com Phone: (416) 491- 2900 ext. 3 Fax: (416) 491- 2211

Bus: 416-497-9794 Direct: 416-268-7766 Fax: 416-497-5949

www.bedrosianhomes.com rbedrosian@trebnet.com

3107 Sheppard Ave. E. Toronto ON M1T 3

Parseh Margarosyan

60 Deerbrook Trl., Toronto Direct: 647-224-6668 Res.: 416-491-6668 parma@sympatico.ca *Each office is independently owned & operated

Free Estimate ÊÙµ³·Çñ

Torontohye Newspaper

Sales Representative

γñÇÝ ê³ÕïÁ×»³Ý

²ß˳ï³ÏÇóÝ»ñ ²ñßû ¼³ù³ñ»³Ý êáõñ¿Ý â¿ùÇ×»³Ý ³ٳñ îûݳå»ï»³Ý ø³Ãdz î¿ñ Úáí³ÏÇÙ»³Ý

¾ç³¹ñáõÙ ²ñ³ î¿ñ Ú³ñáõÃÇõÝ»³Ý

ì³ñã³Ï³Ý ä³ï³ë˳ݳïáõ ¼³ñ»Ñ î¿ñíÇß»³Ý лé.ª 416-434-3437

̳ÝáõóáõÙÝ»ñ ê»õ³Ï Ú³ñáõÃÇõÝ»³Ý лé.ª 416-878-0746

sales.torontohye@gmail.com

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Karin Saghdejian

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Zareh Dervichian (416-434-3437)

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Design & Graphics: Ara Ter Haroutunian


2011 30¾.ÐáÏï»Ùµ»ñ î²ðÆ, ÂÆô 72


ÐáÏï»Ùµ»ñ 2011 ¾. î²ðÆ, ÂÆô 72

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& Charters Ltd.

Þñç³åïáÛï

ü²ÂÆØ² »õ ¾É ê³Éí³ïáñ ׳߳ñ³Ý

ÜáÛ»Ùµ»ñ 20 سÝñ³Ù³ëÝáõû³Ýó ѳٳñ ¹Çٻɪ ´»Ýݳ ³ñ½ÇÇÝ 416-496-0606 ϳ٠416-494-4067

¶Ç￱Çù ÿ ³ÕÙ³Ý »õ ¹Ç³Ï³½ÝÙ³Ý Í³Ëë»ñÁ ·ñ»Ã¿ ÝáÛÝÝ »Ý »õ ϳ˻³Éª ÁÝï³ÝÇùÇ Ï³ï³ñ³Í ÁÝïñáõûݿÝ

ÐÇõëÇë³ÛÇÝ ²Ù»ñÇϳÛÇ Úáõß³ñÓ³ÝÝ»ñáõ »õ ÞÇñÙ³ù³ñ»ñáõ ßÇÝáõÃÇõÝÝ»ñáõ ٻͳ·áÛÝ Ñ³ëï³ïáõÃÇõÝÝ»ñ¿Ý Ù¿ÏÝ ¿ Stone Craft ÁÝÏ»ñáõÃÇõÝÁ, áõñ ÏÁ ·ïÝ¿ù Ïñ³ÝÇû³Û »õ ³ÛÉ ù³ñ»ñ ½³Ý³½³Ý ã³÷»ñáí: Ø»ñ ïñ³Ù³¹ñáõû³Ý ï³Ï áõÝÇÝù ɳõ³·áÛÝ áñ³ÏÇ ù³ñ»ñª Û³ñÙ³ñ³·áÛÝ ·ÇÝ»ñáí, áñáÝó íñ³Û ÏñݳÝù µ³ñÓñáñ³Ï ³ñáõ»ëïÇ ×³ß³Ïáí Ó»ñ ëÇñ»ÉÇÝ»ñáõ ÝϳñÝ»ñÁ, ³ÝáõÝÝ»ñÁ »õ ÛÇß³ï³ÏÇ, ëñïÇ Ëûëù»ñÁ ù³Ý¹³Ï»É ѳۻñ¿Ý, ³Ý·É»ñ¿Ý »õ ³ÛÉ É»½áõÝ»ñáí:

As one of North Americaþs largest monument dealers, our volume buy­ ing assures you of quality and satis­ faction at the lowest possible price. We have a wide range of granite and designs from which you can select the memorial that best suits your needs.

Ò»ñ ³åëåñ³ÝùÝ»ñáõ ѳٳñ ¹ÇÙ»ó¿ù Ú³Ïáµ Ö³Ýå³½»³ÝÇÝ, áñ å³ïñ³ëï ¿ ɳõ³·áÛÝ ëå³ë³ñÏáõû³Ùµ ·áѳóÝ»Éáõ Ó»½, ³ñ³· »õ Ù³ïã»ÉÇ ·ÇÝ»ñáí: Ñ»é³Ó³Ûݪ Ú. Ö³Ýå³½»³Ý 416-885-1430 Ask for Hagop ¶ñ³ë»Ý»³Ï 416-667-1474 80 Martin Ross Ave.

´³ñ»õ« »ë ×áÝ ø¿ÛÝÝ »Ùª R.S.Kane Funeral Home-Ç Ý³Ë³·³ÑÁ: ºÃ¿ Û³õ»É»³É û·Ýáõû³Ý å¿ïù áõÝÇù« Ëݹñ»Ù ϳåáõ»ó¿ù Ù»½Ç Ñ»ï Ð»é© 416-221-1159 γ٠e-mail: info@rskane.ca

Design of Monuments Engraving Cemetery Lettering Portriats on Stone Factory Retail to the Public


2011 32 ¾.ÐáÏï»Ùµ»ñ î²ðÆ, ÂÆô 72

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Ø»½Ç íëï³Ñ»ó¿ù Ó»ñ Ý»ñ·³ÕÃÇ »õ ù³Õ³ù³óÇáõû³Ý í»ñ³µ»ñáÕ ËݹÇñÝ»ñÁ ¶³Ý³ï³ÛÇ í»ñ³µ»ñõáÕ ëå³ë³ñÏáõÃÇõÝÝ»ñ - Øßï³Ï³Ý µÝ³Ïáõû³Ý ù³ñï»ñáõ í»ñ³Ýáñá·áõÙ - ø³Õ³ù³óÇáõû³Ý ¹ÇÙáõÙݳ·ñ»ñ - ÀÝï³Ý»Ï³Ý Ñáí³Ý³õáñáõû³Ý Ìñ³·ñ»ñ - ÐÙáõï ³ß˳ïáÕÝ»ñ »õ Ù³ëݳ·¿ïÝ»ñ - ¶³Ý³ï³Ï³Ý ÷áñÓ³éáõû³Ý ¹³ë - سñ½³ÛÇÝ Ã»ÏݳÍáõÝ»ñ - Ü»ñ¹ñáÕÝ»ñ »õ ·áñͳñ³ñÝ»ñ - ²ñáõ»ëï³·¿ïÝ»ñ, Ù³ñ½ÇÏÝ»ñ »õ ·ÇõÕ³ïÝï»ëÝ»ñ - ö³Ëëï³Ï³ÝÝ»ñ »õ Ù³ñ¹Ï³ÛÇÝ Çñ³õ³Ýó - ²ß˳ï³Ýù³ÛÇÝ ÃáÛÉïáõáõÃÇõÝ »õ ÷á˳ݳÏáõÙ - àõëáõÙݳëÇ³Ï³Ý »õ ³Ûó»ÉáõÝ»ñáõ íǽ³Ý»ñ - Ü»ñ·³Õà ¹¿åÇ ø¿å¿ù

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ÂàðàÜÂO 416-366-1300 Fax: 416-366-1301 40 King St. West Suite 3607, Toronto, Ontario, M5H 4A9

¶³Ý³ï³Ï³Ý »õ ²ØÜ-Ç ³ß˳ï³Ýù³ÛÇÝ íǽ³ ëï³Ý³Éáõ ѳٳñ Ïþûųݹ³Ï»Ýù Ó»½ ·ïÝ»Éáí ³ß˳ï³Ýù³ÛÇÝ ³ÕµÇõñÝ»ñ: àõë³ÝáÕ³Ï³Ý íǽ³Ý»ñ ëï³Ý³Éáõ ѳٳñ Ï ³ç³Ïó»Ýù Ó»½ ·ïÝ»Éáí áõëáõÙÝ³Ï³Ý Ñ³ëï³ïáõÃÇõÝÝ»ñ:

3 ²Øêàô²Ú ÀܲòøàôØ ²ß˳ï³Ýù³ÛÇÝ ÃáÛɳïáõáõÃÇõÝ áõë³ÝáÕ³Ï³Ý íǽ³

²ØÜ-Ç í»ñ³µ»ñáÕ ëå³ë³ñÏáõÃÇõÝÝ»ñ - ÎñÇÝ ø³ñï - TN íǽ³ - ²ß˳ï³Ýù³ÛÇÝ Ý»ñ·³Õà - H-1B ųٳݳϳõáñ Ù³ëݳ·¿ï ³ß˳ïáÕÇ íǽ³ - ÀÝï³Ý»³Ï³Ý Ñáí³Ý³õáñáõû³Ý »õ Ùßï³Ï³Ý µÝ³Ïáõû³Ý íǽ³ - ²ØÜ ù³Õ³ù³óÇÝ»ñáõ Ñ»ï Ýß³Ýáõ³ÍÝ»ñáõ K1/Visa - Ü»ñ¹ñáÕÝ»ñáõ E-1 / 2-E-Visa - ²ñáõ»ëï³·»ïÝ»ñáõ O »õ P íǽ³ - J Waivers - National Interest Waivers - î»Õ³Ñ³Ýáõû³Ý (Deportation) µ»Ï³ÝáõÙ - ê³ÑٳݳÛÇÝ ³ÝûñÇÝ³Ï³Ý ÙáõïùÇ µ»Ï³ÝáõÙ

8-12 ²Øêàô²Ú ÀܲòøàôØ ´³ÅÝ»ï¿ñ»ñ »õ Ý»ñ¹ñáÕÝ»ñ

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¶ÇõÕ³ïÝï»ë³Ï³Ý ²ñáõ»ëï³·¿ïÝ»ñ سñ½ÇÏÝ»ñ öáñÓ³é³Ï³Ý

²õ»ÉÇ ù³Ý 50 ï³ñÇÝ»ñáõ ÷áñÓ³éáõÃÇõÝ áõÝÇ ²ØÜ-Ç Ü»ñ·³ÕÃÇ Ï³½Ù³Ï»ñåáõÃÇõÝÝ»ñáõÙ: ìϳÛáõ³Í ¿ µ³½Ù³ÃÇõ ݳѳݷݻñáõÙ Ç ß³ñë ÜÇõ ºûñù, ÜÇõ ÖÁñ½, ÆÉÇÝáÛ½ »õ ¶³ÉÇýáñÝdz ݳѳݷݻñáõÙ: ²Ýó»³ÉÇÝ Ü³Ë³·³Ñ»É ¿ Ü»ñ·³ÕÃÇ Çñ³õ³µ³ÝÝ»ñáõ γ½Ù³Ï»ñåáõÃÇõÝÁ: ¸³÷Ý»ÏÇñ ¿ µ³½Ù³ÃÇõ ϳé³í³ñ³Ï³Ý »õ ³ÛÉ Ùñó³Ý³ÏÝ»ñáõ:

ØàÜÂð¾²È 514-596-5959

($ 150,000 CDN)

Fax: 514-934-4640 1250 Rena-Levesque Blvd. West Suite 2200, Montreal, Quebec, H3B 4W8

www.codinainternational.com

O²àô² 613-233-1300 Fax: 613-233-1301 1450 O'Connor St. Suite 1150, Ottawa, Ontario, K1P 1A4

èºÖ²Úܲ 306-775-3331

Fax: 306-775-3338 1914 Hamilton St. Suite 300 Regina, Saskachewan, S4P 3N6

cic@codinainternational.com


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TorontoHye Newspaper Volume 7, #1-72 - October 2011 by Torontohye/Թորոնթոհայ - Issuu