Torontohye newspaper volume 8 #8 93 July 2013

À. î³ñÇ ÂÇõ 8 (93), ÚàôÈÆê 2013 Øß³ÏáõóÛÇÝ, ÀÝÏ»ñ³ÛÇÝ, ²Ûɳ½³Ý ä³ñµ»ñ³Ã»ñÃ

Volume 8, No. 8 (93), JULY 2013 Toronto Armenian Community Newspaper

§î³Ã»õÇ Â»õ»ñ¦Á ÎÁ êå³ë¿ ²Ùñ³Ý ¼µûë³ßñçÇÏÝ»ñáõÝ ²Ûë ³Ùñ³Ý µ³óáõÙÁ åÇïÇ Ï³ï³ñáõÇ §î³Ã»õÇ Â»õ»ñ¦ ×áå³ÝáõÕÇÇÝ Ýáñ Íñ³·ñÇÝ£ î³Ã»õÇ ½µûë³ßñçáõû³Ý ·ñ³ë»Ý»³ÏÁ åÇïÇ µ³½Ù³óÝ¿ Çñ ͳé³ÛáõÃÇõÝÝ»ñÁ. Û»ï³Ûëáõ ½µûë³ßñçÇÏÝ»ñÁ åÇïÇ Ï³ñ»Ý³Ý í³ñÓ»É É»éݳÛÇÝ Ñ»ÍÇÏ, ϳ½³ÛÇÝ ÷áõãÇÏÝ»ñ, ÉëáÕ³Ï³Ý áõÕ»óáÛóÝ»ñ, ï»ëÝ»É Íñ³·ñÇ Ù³ëÇÝ óáõó³¹ñáõÃÇõÝ »õ ³Ûó»É»É Ûáõß³Ýáõ¿ñÝ»ñáõ ˳Ýáõã ¼µûë³ßñçÇÏÝ»ñÁ åÇïÇ Ï³ñ»Ý³Ý ݳ»õ û·ï³·áñÍ»É ÑÇÝ· É»½áõÝ»ñí Video áõÕ»óáÛóÝ»ñ, áñáÝù Çñ»Ýó åÇïÇ û·Ý»Ý ׳ÝãݳÉáõ ÙÇç³í³ÛñÁ »õ ³ñ³Ñ»ïÝ»ñÁ ÙÇÝã»õ àñáï³Ý ·»ïÁ »õ ÑÇÝ ·ÇõÕÁ: γñ»ÉÇ åÇïÇ ÁÉÉ³Û Ý³»õ Û»ï³Ûëáõ ÙáõïùÇ ïáÙë»ñÁ ·Ý»É áõÕÕ³ÏÇ Ñ³Ù³ó³Ýó¿Ý£ Üáñ Íñ³·ÇñÁ ÏÁ Ýå³ï³Ï³¹ñ¿ ½µûë³ßñçáõÃÇõÝÁ ½³ñ·³óÝ»É ³Ùñ³Ý »Õ³Ý³ÏÇÝ£ ²Ýó»³É ï³ñÇ ×áå³ÝáõÕÇÝ ³Ûó»É»ó³Í »Ý 100,000 ³Ûó»ÉáÕ, ÇëÏ ³Ûë ï³ñÇ ÏÁ ëå³ëáõÇ, áñ ³Û¹ ÃÇõÁ ѳëÝÇ 150,000 ½µûë³ßñçÇÏÇ, áñáÝù åÇïÇ ·áñͳͻݧî³Ã»õÇ Â»õ»ñ¦Á£ î³Ã»õÇ 5.7 ùÙ. û¹³ÛÇÝ ×áå³ÝáõÕÇÝ, áñ гÉÇÓáñ¿Ý î³Ã»õÇ ì³ÝùÁ Ï°»ñϳñÇ, ³ß˳ñÑÇ ³Ù»Ý¿Ý »ñϳñÝ ¿£ ÐáÏï»Ùµ»ñ 2010-ÇÝ, ³ÝÇϳ ǵñ»õ ³Û¹åÇëÇÝ å³ßïûݳå¿ë ·ñ³Ýóáõ»ó³õ ³ß˳ñÑÇ Ùñó³ÝÇßÝ»ñáõ Guinness ·ÇñùÇÝ Ù¿ç£

λ½Ç ²Û·ÇÇÝ Ñ³ÛÏ³Ï³Ý ³Ýó»³ÉÁ ¿çª 9

ì»ñÁ° î³Ã»õÇ Â»õ»ñ ×áå³ÝáõÕÇÝ: ì³ñÁª гÉÇÓáñÇ ï»ë³ñ³ÝÁ ×áå³ÝáõÕÇ¿Ý ¹Çïáõ³Í:

Nancy Kricorian Presents Latest Book, All The Light There Was, in Toronto by Karin Saghdejian What type of work and effort goes into constructing a novel set in a specific historical period? Armenian American novelist Nancy Kricorian spent over a decade researching her latest novel released this spring. Kricorian, who was visiting Toronto upon invitation from the local AGBU Chapter, took us with her on a journey into Belleville, a working class neighborhood of Paris under Nazi occupation. The result of her efforts is her latest novel, All The Light There Was, about an Armenian family struggling to survive the dark days of Paris. Her audience at AGBU Toronto s Alec Manoukian Centre included among community representatives and book lovers, director Atom Egoyan and his wife actress Arsinee Khanjian. Lara Sroujian presented the novelist as a writer and activist. New York City-based Kricorian is a Columbia University graduate and has taught at Rutgers and Yale. Her poetry has been widely published in literary journals and she has published two novels Zabelle, and Dreams of Bread and Fire. All the Light There Was was published by

Houghton Mifflin Harcourt this March. Kricorian s novels deal with the Armenians in diaspora as Genocide survivors, their identity crisis and resilience as they try to forge new lives in new environments. Kricorian said she conceived the novel after reading about a French Communist resistance network whose leader was a French Armenian poet Missak Manouchian. The novel grew out of questions like how did the Armenians in Paris, who were genocide survivors, live through the Nazi occupation? The question took her into a prolonged research, visits to Paris and especially to the neighbourhood of Belleville where her protagonist Maral Pegorian s family lives. She interviewed elderly Armenians who had lived through the occupation and others who were active with French resistance groups. And she found out their hidden stories, such as how blue eyed and blonde-haired historian Anahid Minassian was walked around by her father to the offices of the German officials to prove that Armenians were an Aryan people. Or how singer Charles Aznavour as a teenager had the task of dumping the uniforms

Novelist Nancy Krikorian signs her books after the presentation at the Alec Manoukian Centre, June 26.

of deserting German soldiers into the sewers of Paris. Kricorian portrayed vividly how her

characters lived with her throughout the stages of writing the book. She would transport herself into their lives in Belleville Paris and go with see page 29

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êáõñdzѳÛáõû³Ý ¼ûñ³ÏóáõÃÇõÝÁ гٳ½·³ÛÇÝ ²é³çݳѻñÃáõÃÇõÝ ¿ ²ÝÃÇÉdzëÇ Ø³Ûñ³í³ÝùÇÝ Ù¿ç ²ñ³Ù ². γÃáÕÇÏáëÇÝ Ý³Ë³·³Ñáõû³Ùµ ·áõÙ³ñáõáÕ ²½·³ÛÇÝ ÀݹѳÝáõñ ÄáÕáíÁ, Çñ ùÝݳñÏáõÙÝ»ñáõÝ áõ áñáßáõÙÝ»ñáõÝ Ù¿ç ϳñ»õáñ ï»Õ Û³ïϳóáõó ëáõñdz-ѳÛáõû³Ý: ²ñ¹³ñ»õ, ì»Ñ³÷³é гÛñ³å»ïÇÝ áõ ²½·³ÑÇÝ Î»¹ñáÝ³Ï³Ý ì³ñãáõû³Ý ÏáÕÙ¿ ïñáõ³Í ½»ÏáÛóÝ»ñáõ, ÇÝãå¿ë ݳ»õ ëáõñdzѳÛáõÃÇõÝÁ Ý»ñϳ۳óÝáÕ å³ïáõÇñ³ÏÝ»ñáõ ÷á˳Ýó³Í ï»Õ»ÏáõÃÇõÝÝ»ñáõÝ áõ Ùï³Ñá·áõÃÇõÝÝ»ñáõÝ ÉáÛëÇÝ ï³Ï, ²½·. ÀݹѳÝáõñ ÄáÕáíÁ Ù»ñ ÅáÕáíáõñ¹Ç áõß³¹ñáõû³Ý Û³ÝÓÝ»ó Ñ»ï»õ»³É Ï¿ï»ñÁ. 1.²½·. ÀݹѳÝáõñ ÄáÕáíÁ µ³ñÓñ ·Ý³Ñ³ï³Ýùáí Ï áÕçáõÝ¿ êáõñdzѳÛáõû³Ý óáõó³µ»ñ³Í ÙdzëÝ³Ï³Ý á·ÇÝ, êáõñÇ³Ï³Ý Ñ³Ûñ»ÝÇùÇÝ ³Ùñûñ¿Ý ϳåáõ³Í ÙݳÉáõ áõ Çñ ѳٳÛÝù³ÛÇÝ Çñ³õáõÝùÝ»ñáõÝ ï¿ñ ϳݷݻÉáõ ѳõ³ù³Ï³Ý í×é³Ï³ÙáõÃÇõÝÁ: ÄáÕáíÁ Çñ Ëáñ ·Ý³Ñ³ï³ÝùÁ ÏÁ Û³ÛïÝ¿ êáõñÇáÛ Ñ³Ûáõû³Ý ͳé³Ûáõû³Ý ÉÍáõ³Í Ù»ñ Ñá·»õáñ áõ ѳٳÛÝù³ÛÇÝ å³ï³ë˳ݳïáõÝ»ñáõÝ áõ ·³ÕáõÃÇ Ï»³Ýù¿Ý Ý»ñë ·áñÍáÕ µáÉáñ ϳéáÛóÝ»ñáõÝ, áñáÝù ѳϳé³Ï êáõñÇ³Û¿Ý Ý»ñë ëï»ÕÍáõ³Í ¹Åáõ³ñ å³ÛÙ³ÝÝ»ñáõÝ, ÝáõÇñáõÙáí Çñ»Ýó ϳñ»ÉÇÝ Ï ÁÝ»Ý Ù»ñ ÅáÕáíáõñ¹Ç ½³õ³ÏÝ»ñáõÝ Ï³ñÇùÝ»ñáõÝ Áݹ³é³ç»Éáõ: 2. ²½·. ÀݹѳÝáõñ ÄáÕáíÁ »ñ³Ëï³·Çïáõû³Ùµ ³Ý¹ñ³¹³ñÓ³õ ³ÝóÝáÕ ßáõñç »ñÏáõ ï³ñÇÝ»ñáõÝ êáõñdzѳÛáõû³Ý ½ûñ³Ïóáõû³Ý áõ ûųݹ³Ïáõû³Ý ·Íáí ì»Ñ³÷³é гÛñ³å»ïÇÝ áõ ²½·. λ¹ñáÝ³Ï³Ý ì³ñãáõû³Ý ï³ñ³Í Ñ»ï»õáÕ³Ï³Ý ³ß˳ï³ÝùÝ»ñáõÝ: ²Ý ݳ»õ Çñ ßÝáñѳϳÉáõÃÇõÝÁ Û³ÛïÝ»ó г۳ëï³ÝÇ å»ïáõû³Ý, ²Ù»Ý³ÛÝ Ð³Ûáó γÃáÕÇÏáëáõû³Ý, ÇÝãå¿ë ݳ»õ Ù»ñ ûٻñáõÝ, ·³ÕáõÃÝ»ñáõÝ, ϳ½Ù³Ï»ñåáõÃÇõÝÝ»ñáõÝ áõ ³ÝÑ³ï ³½·³ÛÇÝÝ»ñáõÝ êáõñdzѳÛáõû³Ý Çñ»Ýó óáõó³µ»ñ³Í ³ç³Ïóáõû³Ý ѳٳñ: 3. êáõñdzѳÛáõÃÇõÝÁ á°ã ÙdzÛÝ å³ïÙ³Ï³Ý áõ ϳ½Ù³Ï»ñåáõ³Í ѳٳÛÝù ¿, ³ÛÉ Ý³»õ Çñ ϳñ»õáñ ï»ÕÁ áõ ¹»ñÁ áõÝÇ ê÷ÇõéùÇ Ð³Û Ï»³ÝùÇ Ùß³ÏáõóÛÇÝ, ÏñóϳÝ, Ù³ñ½³Ï³Ý, ïÝï»ë³Ï³Ý áõ å³Ñ³Ýç³ïÇñ³Ï³Ý Ù³ñ½»ñ¿Ý Ý»ñë: лï»õ³µ³ñ, êáõñÇ³Ñ³Û ·³ÕáõÃÇ í»ñ³Ï³Ý·ÝáõÙÁ ÏÁ Ýϳï»Ýù ѳٳ½·³ÛÇÝ ³é³çݳѻñÃáõÃÇõÝ: ²Ûë ѳÙá½áõÙáí ѳñÏ ¿ Ù»ñ ³ÙµáÕç³Ï³Ý áõ ³Ýí»ñ³å³Ñ ½ûñ³ÏóáõÃÇõÝÁ ·áñÍݳå¿ë ³ñï³Û³Ûï»É êáõñdzѳÛáõû³Ý Ýϳïٳٵ: 4. Ø»ÍÇ î³ÝÝ ÎÇÉÇÏÇáÛ Î³ÃáÕÇÏáëáõÃÇõÝÁ ëáõñdzѳÛáõû³Ý ûųݹ³Ïáõû³Ý ѳݷ³Ý³Ïáõû³Ý Ïáã áõÕÕ»ó: Ø»ñ ÅáÕáíáõñ¹Ç ½³õ³ÏÝ»ñÁ ëÇñáí Áݹ³é³ç»óÇÝ ì»Ñ³÷³é гÛñ³å»ïÇ ÏáãÇÝ: гõ³ùáõ³Í ·áõÙ³ñÝ»ñÁ γÃáÕÇÏáë³ñ³ÝÇ ×³Ùµáí ѳݷñáõ³Ý³ÛÇÝ Ï»ñåáí ÷á˳Ýóáõ»ó³Ý êáõñdzѳÛáõû³Ý Þï³å ú·Ýáõû³Ý سñÙÇÝÇÝ: ػͳå¿ë Ññ³Ù³Û³Ï³Ý ¿ áñ ³Ûë ·áñÍÁÝóóÁ ß³ñáõݳÏáõÇ »õ Ù»ñ ÅáÕáíáõñ¹Ç ½³õ³ÏÝ»ñÁ ß³ñáõÝ³Ï»Ý Ý»óáõÏ Ï³Ý·ÝÇÉ êáõñdzѳÛáõû³Ý û·Ýáõû³Ý ³ß˳ï³ÝùÝ»ñáõÝ: 5. êáõñÇáÛ Ù»ñ ѳٳÛÝùÁ ÙÇßï ÏÁ ÙÝ³Û »ñ³Ëï³å³ñï ëáõñÇ³Ï³Ý Ñ³Ûñ»ÝÇùÇÝ áõ Çñ ÅáÕáíáõñ¹ÇÝ: Ø»ñ ÅáÕáíáõñ¹Á »ñµ»ù ãÇ Ùáéݳñ áñ Ð³Û ÅáÕáíáõñ¹ÇÝ ¹¿Ù ÂáõñùÇáÛ ·áñͳ¹ñ³Í ò»Õ³ëå³ÝáõÃ»Ý¿Ý »ïù êáõñÇáÛ ÅáÕáíáõñ¹Á ÁݹáõÝ»ó Ù»ñ µ³½Ù³Ñ³½³ñ ½³õ³ÏÝ»ñÁ: êáõñdzѳÛáõÃÇõÝÁ ÙÇßï ÏÁ ÙÝ³Û ëáõñdzóÇ ÅáÕáíáõñ¹Ç ÏáÕùÇÝ, ç³ï³·áíª ³ñ¹³ñáõû³Ý, ˳ճÕáõû³Ý áõ ùñÇëïáÝ»³Û Çëɳ٠ѳٳϻóáõû³Ý áõ ÙÇßï å³ïñ³ëï` Çñ ·áñÍûÝ áõ ³ÙµáÕç³Ï³Ý Ù³ëݳÏóáõÃÇõÝÁ µ»ñ»Éáõ êáõñÇáÛ µ³ñ·³õ³×Ù³Ý áõ Û³é³ç¹ÇÙáõû³Ý Ó·ïáÕ ³ß˳ï³ÝùÝ»ñáõÝ: 6. ì»Ñ³÷³é гÛñ³å»ïÇÝ ·É˳õáñáõû³Ùµ Ø»ÍÇ î³ÝÝ ÎÇÉÇÏÇáÛ Î³ÃáÕÇÏáëáõû³Ý ²½·. ÀݹѳÝáõñ ÄáÕáíÁ ÏÁ íëï³Ñ»óÝ¿ êáõñÇáÛ Ù»ñ ëÇñ»ÉÇ ÅáÕáíáõñ¹ÇÝ, áñ ³Ûë êáõñµ ²ÃáéÁ Çñ ûٻñáí áõ ϳ½Ù³Ï»ñåáõÃÇõÝÝ»ñáí ÏÁ ÙÝ³Û ½ûñ³ÏÇó áõ ³ç³ÏÇó: ìëï³Ñ »Ýù, áñ êáõñÇáÛ Ù»ñ ëÇñ»ÉÇ ùáÛñ»ñÝ áõ »Õµ³ÛñÝ»ñÁ åÇïÇ ³Ùñ³åݹ»Ý Çñ»Ýó Ý»ñùÇÝ ÙdzëݳϳÙáõÃÇõÝÁ, åÇïÇ Ëáñ³óÝ»Ý Çñ»Ýó ѳõ³ù³Ï³Ý ѳõ³ïùÁ áõ Ïé³Ý»Ý Çñ»Ýó ϳÙùÁ` Ç ËݹÇñ êáõñdzѳÛáõû³Ý í»ñ³Ï³Ý·ÝáõÙÇÝ áõ í»ñ³Í³ÕÏáõÙÇÝ:

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γñë¿Ý ¹¿åÇ ì³Ý Ù»ñ ׳ٵáñ¹áõû³Ý ÁÝóóùÇÝ Û³×³Ë Ï³ñ× ¹³¹³ñÇ ÙÁ ѳٳñ ϳݷ Ï'³éÝ»Ýù ÷áùñ áõ ³Ýßáõù ëñ׳ñ³ÝÇ ÙÁ ³éç»õ, áõñÏ¿ ÓÙ»ñáõÏ, §ã³Û¦ »õ çáõñ Ï'³éÝ»Ýù, áñå¿ë½Ç ½áí³Ý³Ýù: ²õáÝ ÙÇßï áõñ³Ëáõû³Ùµ ÏÁ ¹ÇÙ³õáñ¿ Ù»½. Éñçáõû³Ùµ, ë³Ï³ÛÝ ÅåÇïÁ »ñ»ëÇÝ: Æñ »ñ»Ë³Ý»ñÝ ³É ÙÇßï ÏÁ ßñç³å³ï»Ý Ù»½ »õ Ï'áõñ³Ë³Ý³Ý ϳ٠ٻñ Ý»ñϳÛáõû³Ùµ »õ ϳ٠߳ù³ñ ßáùáɳݻñÁ ï»ëÝ»Éáí: ¶ÇõÕÁ ²ñ³ñ³ïÇ ëïáñáï¿Ý 5 ùÇÉáÙ»Ãñ Ñ»éáõ ¿. Ø»Í Ø³ëÇëÇ í»ÑáõÃÇõÝÁ ³é³õ»É »õë ÏÁ ½·³ë ³Ûë ·ÇõÕÇÝ Ù¿ç: ²õáÝ ³ñ¹¿Ý Ù»ñ ÙÇ ù³ÝÇ ³Ûó»ÉáõÃÇõÝÝ»ñáõÝ Ñ»ï»õ³Ýùáí Ïñó³Í ¿ñ Ïáí ÙÁ ·Ý»É »õ ·áÝ¿ Çñ»Ýó ï³Ý ³éûñ»³Û ëÝáõݹ ѳÛóÛÃ»É ³Ûë Ó»õáí: Ø»ñ »ññáñ¹ ³Ûó»Éáõû³Ý ÁÝóóùÇÝ, ²õáÝ ½Çë ³ÝÏÇõÝ ÙÁ ù³ß»ó »õ Áë³õ ù»½Ç ·³ÕïÝÇù ÙÁ áõÝÇÙ Áë»ÉÇù: §ØdzÛÝ Ù»Í ïÕ³ë ·Ç￦£ ²Ýáñ Ù»Í ïճݪ 17 ï³ñ»Ï³Ý ¿: Ø»Ññ³ÝÇÝ Ù»Í Ñ³ÛñÁ Ñ³Û ¿ñ, ³ÝáõÝÁª ²õû, §µ³Ûó ÷áùñÇÏÝ»ñÁ ËݹÇñÝ»ñ Ï'áõÝ»Ý³Ý ¹åñáóÇÝ Ù¿ç »Ã¿ Çٳݳݦ, Áë³õ: Úáõ½ÙáõÝùáí »õ áõñ³Ëáõû³Ùµ É»óáõ³Í Çñ³ñáõ ÷³ÃÃáõ»ó³Ýù: ÆÝÍÇ ½·áõß³óáõó áñ ·³ÕïÝÇùÁ å³Ñ¿Ç. µ³ó³ïñ»ó áñ Çñ»Ýó ßáõñçÁ á'ã ùñÇëïáÝ»³Ý»ñ ϳÛÇÝ á'ã ³É Ñ³Û»ñáõ Ùݳóáñ¹³óÝ»ñ... Áë³õ áñ ³Ûë ·³ÕïÝÇùÁ å³Ñ»Ýù, áñáíÑ»ï»õ ùÇõñï»ñÁ »ñµ ÇÙ³Ý³Ý ³ÝÙÇç³å¿ë §Ï»³õáõñ¦ Áë»Éáí ¹Åáõ³ñáõÃÇõÝ Ïáõ ï³Ý Çñ»Ýó, áñ ·ÇõÕ¿Ý ÉñÇõ ÁÝï³Ý»ûù Ñ»é³Ý³Ý:

²õáݪ ²ñ³ñ³ï É»ñ³Ý ɳÝçÇÝ

ºñµ ²ñ»õÙï»³Ý Ð³Û³ëï³ÝÇ ÏáÕÙ¿Ý ÏÁ ¹Çï»Ýù, Ù»Í áõ ÷áùñ سëÇëÝ»ñÁ ϳñ»ÉÇ ã¿ Ùdzï»Õ ï»ëÝ»É ÇÝãå¿ë ¿ г۳ëï³Ý¿Ý: Ø»Í Ø³ëÇëÁ Çñ í»Ñáõû³Ùµ ÏÁ ·»ñ³¹³ë¿ ÷áùñ سëÇëÁ »õ Ù»Í Ø³ëÇëÁ ÂáõñùdzÛÇ ÏáÕÙ¿Ý »ñϳñ ÷¿ßáí ÙÁ ÏÁ ˳÷³Ý¿ ÷áùñ سëÇëÇ ëïáñáïÁ: ØdzÛÝ ÷áùñ سëÇëÇ ·³·³ÃÝ ¿, áñ ϳñ»ÉÇ ¿ ³é³ÝÓÇÝ ï»ëÝ»É Ù»ñ »ñÃáõÕÇÝ»ñáõ »ñϳÛÝùÇÝ: àõñ»ÙÝ, Ø»Í Ø³ëÇëÇÝ ²ñ»õÙï»³Ý ÏáÕÙÁ ͳÍÏáõ³Í ¿ ѳ½³ñ³õáñ ï³ñÇÝ»ñáõ Ññ³µáõËÝ»ñáõ ɳõ³Ûáí: ºñµ ÇÝùݳ߳ñÅáí ÏÁ µ³ñÓݳñ³Ýù í»ñ, ³ñ¹¿Ý ÏÁ ½·³Ýù ɳõ³Ý»ñáõÝ ï·»Õ áõ ·áñß Å³Ûé»ñÁ, Ù³ñ·³·»ïÇÝÝ»ñáõÝ íñ³Û ÇÝϳÍ, áõñ ÑáíÇõÝ»ñÁ Ï'³ñ³Í»Ý Çñ»Ýó Ñûï»ñÁ- ÁÉÉ³Ý ³ÝáÝù áã˳ñÝ»ñ, Ïáí»ñ ϳ٠³ÛÍ»ñ- »õ Û³×³Ë ·³Ùµñ ßáõ-

Ý»ñáõ Ñ»ï, áñáÝù ÏÁ å³Ñå³Ý»Ý ³Û¹ µáÉáñ ï³ñ³ÍùÁ: Ø»Ýù Ani Tour-áí ÇÝãå¿ë ÙÇßï ÏÁ µ³ñÓñ³Ý³ÛÇÝù ¹¿åÇ 3000 Ù»Ãñ µ³ñÓñáõû³Ý íñ³Û ·ïÝáõáÕ Ñ³Ý·ÇëïÇ í³ÛñÁ. ²õáÝ »õ Çñ 4 ½³õ³ÏÝ»ñÝ ³É Çñ»Ýó Van-áí ÏÁ Ñ»ï»õ¿ÇÝ Ù»½Ç: Ø»ñ ë³ÝïáõÇãÝ»ñ»Á áõï»É¿ »ïù, ëáíáñáõÃÇõÝ ¹³ñÓ³Í ¿ñ áñ Ù»ñ ËáõÙµÁ ѳÛÏ³Ï³Ý ßáõñç å³ñ ÙÁ µéÝ»ñ »õ ²ñ³ñ³ïÇ Ï»Ý³óÁ ËÙ»ñ` µ³Å³ÏÝ»ñÁ µ³ñÓñ³óÝ»Éáí: Üϳï»óÇ, áñ ²õáÛÇÝ 15 ï³ñ»Ï³Ý ³ÕçÇÏÁ, áñ ·ÉáõËÁ §»³½Ù³¦áí ͳÍÏ³Í Ñ»éáõÝ Ï»ó³Í Ù»½ ÏÁ ¹Çï¿ñ: Øûï»ó³Û, ù³ç³É»ñ»óÇ áñ ³é³Ýó ³ÙãݳÉáõ Ùdzݳñ Ù»ñ ËáõÙµÇÝ: ì»ñç³å¿ë Ùûï»ó³õ áõ Ùdzó³õ Ù»½Ç: ØÇ³Ï ·ÉáõËÁ ͳÍÏáõ³ÍÝ ¿ñ å³ñ³ËáõÙµÇÝ Ù¿ç: Ú³ÝϳñÍ ²õáÝ Ùûï»ó³õ ³ÕçÏ³Ý áõ §»³½Ù³¦Ý ·ÉáõË¿Ý í³ñ ù³ß»ó áõ Áë³õª §ßÇÙïÇÏ ë¿ñå¿ëï ûÛݳ¦ (ÑÇÙ³ ³½³ï å³ñ¿): ²ÕçÇÏÁ ½³ñÙ³ó³õ. ê³Ï³ÛÝ ²õáÝ áã Ù¿Ï µ³ó³ïñáõÃÇõÝ ïáõ³õ ³Ýáñ Ñ³Û ÁÉɳÉáõÝ Ù³ëÇÝ: ²õáÛÇÝ ³Û¹ §Û»Õ³÷á˳ϳݦ ³ñ³ñùÁ ÙÇïù¿ë µÝ³õ ã°»ñóñ: г۳ݳÉáõ ó³ÝÏáõÃÇõÝÁ ß³ï Ù»Í ¿, ë³Ï³ÛÝ ³éÇÃÝ»ñ ãÏ³Ý Ù»ñ ùñï³ó³Í áõ Ãñù³ó³Í ѳÛñ»Ý³ÏÇóÝ»ñáõÝ Çñ»Ýó ÇëÏ³Ï³Ý ÇÝùÝáõÃÇõÝÁ Û»ï ëï³ÝÓÝ»Éáõ, Çõñ³óÝ»Éáõ ѳٳñ:

²õáÝ ²ÕóٳñÇ êáõñµ ʳ㠻ϻջóÇÇÝ Ù¿ç

²Ûë ËáõÙµáí, ²õáÝ Ù»½Ç Ñ»ï ²ÕóٳñÇ êáõñµ ʳ㠻ϻջóõáÛ »ñÏñáñ¹ å³ï³ñ³·ÇÝ ï³ñÇÝù: ²ïÏ¿ ³é³ç, ²õáÝ »Ï»Õ»óÇ ã¿ñ Ùï³Í. ùñÇëïáÝ¿áõû³Ý Ñ»ï áã Ù¿Ï ß÷áõÙ áõÝ»ó³Í ¿ñ: ²é³çÇÝÝ»ñ¿Ý ¿ÇÝù, êáõñµ ʳãÇ ÷áùñ Ù³ïáõéÇÝ Ù¿ç ËéÝáõ³Íª »ñµ å³ï³ñ³·Á ëÏë³õ: Þ³ï ÙÁ ѳۻñ ÏÁ Ù³ëݳÏó¿ÇÝ å³ï³ñ³·Ç ß³ñ³Ï³ÝÝ»ñáõ »ñ·»óáÕáõû³Ý: ºñµ Ñ»ñÃÁ §î¿ñ àÕáñÙ»³¦ÇÝ »Ï³õ, ß³ï»ñ ÏÁ Ó³ÛݳÏó¿ÇÝ...²õáÛÇÝ ¹¿Ùù¿Ý Û³ÛïÝÇ ¿ñ, áñ »ñ³Åßïáõû³Ý ͳÝûà ¿ñ... ³ãù»ñÁ ³ñóáõÝùáí É»óáõݪ Ó»éùë µéÝ»ó áõ Áë³õ. §î¿ï¿Ù åáõ ß³ñùÇ ãáË ë¿ûÛÉ»ñïÁ¦ (Ù»Í Ñ³Ûñë ³Ûë »ñ·Á ß³ï Ï°»ñ·¿ñ) Ø»ñ Ñ»ñÃÝ ¿ñ ¹áõñë »ÉÉ»Éáõ, áñå¿ë½Ç Û³çáñ¹ ËáõÙµÇÝ ï»Õ µ³óáõÇ: ¸áõñëÁ, ²õáÝ å³ïÙ»ó, áñ ¹ñ³óÇÝ»ñÁ ųٳݳÏÇÝ Çñ Ù»Í ÑûñÁ ÏÁ ͳÕñ¿ÇÝ §Ï»³õáõñ¦ ϳÝã»Éáí. Çñ»Ýù ³Éª ÷áùñ ÁÉɳÉÝáõÝ, ³Ý·Çï³Ïó³µ³ñ ÝáÛÝ Í³Õñ³ÝùÁ Ï'ÁÝ¿ÇÝ Çñ»Ýó Ù»Í Ñûñ. Ø»Í Ñ³ÛñÁ Ï'Áë¿ñ. §åÇñ ÏáõÝ ë¿Ý ï¿ ³ÕݳñëÁÝ í¿ ³ÕɳñëÁÝ. ûÏÇõÝÁ å¿Ý Ï¿ûñٿ٦ (ûñ ÙÁ ¹áõÝ ³É ÏÁ ѳëÏÝ³ë »õ Ïáõ ɳë.

Dr. Raffi Aynaciyan

D.D.S., M.Cl.D., F.R.C.D.(C)

Orthodontist Richmond Hill (Hillcrest Mall): 9350 Yonge Street, Suite 216 905-884-4161 North York: 3333 Bayview Avenue, Suite 203 416-221-0660 Downtown Toronto: 11 King Street West, Suite C115 416-363-3018

Ara Graphics

braces for children and adults

ê. ʳ㠻ϻջóÇÝ ²Õóٳñ ÏÕ½ÇÇÝ íñ³Û: (Èáõë³ÝϳñÁ° Öáñ× ²Õ׳ۻ³ÝÇ)

³Û¹ ûñÁ »ë ã»Ù ï»ëÝ»ñ)£ ²õáÝ ß³ñáõݳϻó. §ÇÝãå¿ë áñ »ë ÏÁ ͳÍϻ٠ÑÇÙ³ ÇÙ ½³õ³ÏÝ»ñ¿ë, Ù»Í Ñ³Ûñë ³É ÝáÛÝå¿ë Ù»ñ ³å³Ñáíáõû³Ý ѳٳñ ÏÁ ͳÍÏ¿ñ Ù»ñ ÇÝùÝáõÃÇõÝÁ, áñáíÑ»ï»õ ç³ñ¹Ç Å³Ù³Ý³Ï Ù»Í Ñ³Ûñë, Çñ ÙûñÁ Ñ»ï ÙdzëÇÝ, ÑûñÁ ëå³Ýáõû³Ý ³Ï³Ý³ï»ë »Õ³Í ¿ñ. ÷áñÓ³Í ¿ñ ÷³ËãÇÉ ¹¿åÇ Ð³Û³ëï³Ý, ë³Ï³ÛÝ ï»ëÝ»Éáí, áñ ëå³ÝáõÃÇõÝÝ»ñÁ ÏÁ ß³ñáõݳÏáõÇÝ »õ ¹Ç³ÏÝ»ñÁ ï»ëÝ»Éáí í»ñ³¹³ñÓ³Í »Ý Çñ»Ýó ·ÇõÕÁ »õ ¹ñ³óÇÇ ÙÁ ï³Ý Ù¿ç å³ÑáõÁï³Í »Ý ·ñ»Ã¿ »ñÏáõ ï³ñÇ: Ú»ïáÛ, í»ñ³¹³ñÓ³Í »Ý Çñ»Ýó ïáõÝÁ, áñ ÙÇÝã ³Û¹ Çñ»Ýó ѳٳñ å³ßïå³Ý³Í ¿ñ Çñ»Ýó ¹ñ³óÇÝ. ²õáÝ ÑáÝ ÏÁ µÝ³ÏÇ ÙÇÝã»õ ûñë:

²õáÝ ºñ»õ³ÝÇ ëÇÙýáÝdzÛÇ Ñ³Ù»ñ·ÇÝ

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ѳõ³ï³ÉÇ »ñ³½ ÙÁÝ ¿, áñ ÙÇïùÇë Ù¿ç ã»Ù ϳñáÕ ï»Õ³¹ñ»É. Ù»Ýù Ù»ñ ·ÇõÕÇÝ Ù¿ç µ³ó³ñÓ³Ï ·³Õ³÷³ñ ãáõÝÇÝù, áñ ³Ûëå¿ë ï»Õ ÙÁ ·áÛáõÃÇõÝ áõÝÇ Çµñ»õ ¿ñÙ¿ÝÇëï³Ý (г۳ëï³Ý), áñ Ù»ñ ·ÇõÕ¿Ý Ù¿Ï Å³Ù Ñ»éáõ ÏÁ ·ïÝáõÇ: ÆÝ㠳ݵ³Ëï »Õ³Í »Ýù¦: ²ãù¿Ý ³ñóáõÝùÁ ³é³ïûñ¿Ý ÏÁ Ñáë¿ñ. лϻϳÉáí Áë³õ áñ Çñ ½³õ³ÏÝ»ñÁ ³Û¹ ùñï³Ï³Ý ·ÇõÕ¿Ý ³Ý¹ÇÝ ã»Ý ·Çï»ñ »õ ³Ý»ñ»õ³Ï³Û»ÉÇ »õ ³Ýµ³ó³ïñ»ÉÇ ¿ Çñ»Ýó ѳٳñ ÝÙ³Ý ÇñáÕáõÃÇõÝ: §²Ûë ѳÛÏ³Ï³Ý ×áËáõû³ÝÁ ³Ï³Ý³ï»ë ÁÉÉ³É¿ë »ïù ÇÝã忱ë ϳñáճݳ٠ѳݷÇëï ѳÛáõ å¿ë í»ñ³¹³éÝ³É áõñ³Ë ½áõ³ñæ£

²õáݪ ÌÇÍ»éݳϳµ»ñ¹Ç óݷ³ñ³ÝÇÝ Ù¿ç

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Ý»ñùÇÝ ù³ñï¿ë ÙÁ, áñ Ï°áõñáõ³·Í¿ Û³ñ³µ»ñáõÃÇõÝÁ ·áÛÝÇ »õ ÇÙ³ó³Ï³Ý ÁÝϳÉáõÙÇ ï³ñµ»ñ Û³ïÏáõÃÇõÝÝ»ñáõ ÙÇç»õ, ÇÝãå¿ë` Ó³ÛÝÇ »õ ï»ëáÕ³Ï³Ý å³ïÏ»ñÇ: ê³Ï³ÛÝ ÝÙ³Ý Û³ñ³µ»ñáõÃÇõÝÝ»ñ ·áÛáõÃÇõÝ ãáõÝÇÝ µÝáõû³Ý Ù¿ç: ²ÛÉ ÷áñÓ³ñÏáõÃÇõÝ ÙÁ, áñ Ï»¹ñáݳó³Í ¿ñ ·áÛÝ»ñ ï»ëÝ»Éáõ ÑÇÙÝ³Ï³Ý ·áñÍûÝÝ»ñáõÝ íñ³Û, ÏÁ ÙÇï¿ñ Ç Û³Ûï µ»ñ»É, ÿ ³ñ¹»ûù ·áÛÝ»ñáõ ÁÝϳÉáõÙÁ ÏÁ ï³ñµ»ñ¿±ñ å³ñ½³å¿ë ÉáÛëÇ Ý»ñ·áñÍáõÃÇõÝÁ ½·³Éáí: Æ Û³Ûï »Ï³Í ¿, ÿ ÏÇÝ»ñÁ áã ÙdzÛÝ ³õ»ÉÇ ½·³ÛáõÝ »Ý, ù³Ý` ïÕ³Ù³ñ¹ÇÏÁ, ³ÛÉ Ý³»õ ³ÛÝ ÏÇÝ»ñÁ, áñáÝù ÏÁ ½·³Ý, ÿ ѳϳÏßé»Éáõ Çñ»Ýó ½·³óáõÙÁ ³õ»ÉÇ ½ûñ³õáñ ¿, ß³ï ³õ»ÉÇ É³õ ÏÁ ½·³Ý, ù³Ý ³ÝáÝù, áñáÝù ³Ý½ûñ »Ý: àõëáõÙݳëÇñáÕÝ»ñÁ ݳ»õ ÷áñÓ³Í »Ý ·ÇïݳÉ, ÿ ³ñ¹»ûù ·áÛÝÁ Çñ³Ï³Ýáõû³Ý Ù¿ç Ïñݳ±Û ßñç»É í³ÛñÏ»³ÝÇ Ù»ñ ½·³óáÕáõÃÇõÝÁ: êÏǽµÁ Ç Û³Ûï »Ï³Í ¿, ÿ Ù¿Ï í³ÛñÏ»³ÝÁ ÙÇçÇÝ Ñ³ßáõáí 11 »ñÏí³ÛñÏ»³Ý ³õ»ÉÇ »ñϳñ ¿ñ ïÕ³Ù³ñ¹áó ѳٳñ, ù³Ý` ÏÇÝ»ñáõÝ: ê³Ï³ÛÝ Ù¿Ï í³ÛñÏ»³ÝÁ »ñÏáõùÇÝ Ñ³Ù³ñ ³õ»ÉÇ »ñϳñ ¿ñ, »ñµ ³ÝáÝù ßñç³å³ïáõ³Í ¿ÇÝ Ï³ñÙÇñ ÉáÛëáí, µ³Õ¹³ïٳٵ` ϳåáÛïÇÝ: ʳµáõ³Í »±Ýù лï»õ³µ³ñ µáÉáñë ï³ñµ»ñ Ó»õáí ÏÁ ï»ëÝ»Ýù ³ß˳ñÑÁ: Æñûù, ³ëÇϳ Ù»ñ ϳÙù¿Ý ³ÝÏ³Ë ¿, áñáíÑ»ï»õ ³ß˳ñÑÇ Ù¿ç Ù»ñ ÷áñÓ³éáõÃÇõÝÝ»ñÁ ï³ñµ»ñ »Ý: àã Ù¿Ïë ³ß˳ñÑÁ ÏÁ ï»ëÝ¿ ³ÛÝå¿ë, ÇÝãå¿ë áñ ¿: ²Ûë ³éáõÙáí` µáÉáñë ˳µÏ³Ýù ÙÁ Ï°³åñÇÝù: ÆÝã áñ ÏÁ ï»ëÝ¿ Ù»½Ù¿ Çõñ³ù³ÝãÇõñÁ` ÇÙ³ëï ÙÁÝ ¿, áñ ë»ñ³Í ¿ Ù»ñ ë»÷³Ï³Ý »õ ѳë³ñ³Ï³ó å³ïÙáõÃÇõÝÝ»ñ¿Ý: ²ëÇϳ Ï°³½³ï³·ñ¿ Ù»½, áñáíÑ»ï»õ Ù»½Ç Ïáõ ï³Û ³½³ïáõÃÇõÝÁ »õ å³ï³ë˳ݳïáõáõÃÇõÝÁ` ï¿ñ ϳݷݻÉáõ Ù»ñ ÇÝùÝáõû³Ý »õ ³ÛÉáó ³å³·³Û Ù»ñ å³ïÏ»ñ³óáõÙÝ»ñáõÝ:

2013 î²ðÆ, ÂÆô 93 14 À.ÚàôÈÆê

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TORONTO ARMENIANS by Anoush Frankian

ÚàôÈÆê 2013 À. î²ðÆ, ÂÆô 93

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Portraits of Canadian Women Who Inspire

On June 11 Armenian Relief Society s Roubina Chapter with Hamazkayin Klatsor Chapter presented artist Gerda Neubacher s book, Portraits of Canadian Women Who Inspire at the main hall of the Armenian Community Centre in Toronto. The book, a collection of Neubacher s work, includes portraits accompanied with personal stories of 100 successful Canadian women from across the country. With each meeting and story, Neubacher s portraits capture the true essence of the women, not how the artist sees and interprets them, rather how the subject sees herself, Neubacher explained to an audience of 150 people: It was my big What if? moment as an artist. At a party, a woman told me she had her portrait painted several times and she didn t like any of them. No artist had captured the way she saw herself. I asked myself: What would happen if I made my subjects equal partners and painted them according to their own vision? Answering that question has been the most challenging and rewarding project of my 35 year career as an artist. A decade and hundreds of canvases later, Portraits of Canadian Women Who Inspire tells their stories in paintings and words

their own words. The event was a first of its kind for the Armenian Community Centre, which welcomed seven inspirational women featured in the book, who are established businesswomen in their fields. Each guest was introduced by one young professional woman from the community. The opening remarks on behalf of the organizing committee were made by Anoush Frankian, who introduced the co-sponsoring organizations to the guests. The evening proceeded with journalist and former CTV News anchor, event Emcee Christine Bentley, also featured in the book. She introduced Gerda Neubacher, who thanked the community and the two organizations for hosting the event and spoke about her experience of working on the portraits and the women who are featured in this one of a kind Canadian Art book. Following the introduction, Tanya Kololian, Melina Ovanessian, Selena Lucien, Hoori Chitilian, Rosaline Papissian, Pauline Mardirossian and Christine Maydossian introduced themselves and each one read the personal story of one of the seven guests: Dianne Schwalm, Maureen Shaughnessy Kitts, Donna Harris, Agnes Di Leonardi, Ani Hotoyan-Joly, Dr. Trudy Eagan, and Christine Bentley. After each story, the guests were asked two questions by Christine Bentley. One question about the experience of having

Bottom row (from left): Christine Bentley, Agnes Di Leonardi, Dr. Trudy Eagan, Donna Harris. Middle row: Hoori Chitilian, Pauline Mardirossian, Christine Maydossian, Rosaline Papissian, Melina Ovanessian, Selena Lucien Top row: Anoush Frankian, Gerda Neubacher, Dianne Schwalm, Ani Hotoyan-Joly, Maureen Shaughnessy Kitts, Tanya Kololian

her portrait painted and the second, a more personal question in reference to the story read. The evening ended with a book signing and reception arranged by the Organizing

Committee. Artist Gerda Neubacher donated 15% of the proceeds from the sale of the books from that evening to the two host organizations.

Sassoun Dance Ensemble 9th Annual Performance and More

Photo: Ara Barseghian Siroos Gspasem with Mezzo Soprano Sona

by Daron Mardirossian On June 15, the Holy Trinity Armenian Church s Sassoun Dance Ensemble held its 9th Annual Performances at the Hamazkayin Theatre in Toronto. The concerts received the praise of Armenians and the broader community, with record attendance during both performances. The sold-out theatre enjoyed a program featuring an exciting new repertoire of dances and vibrant costumes. In keeping with its reputation for innovation, Sassoun collaborated closely with the Academy of Serbian Folk Dancing under the joint direction of Artistic Directors Joe Avakian and Miroslav Bata Mar eti . Members of both ensembles performed traditional Armenian and Serbian dances together, bringing the audience to its feet. The dancers were also accompanied by the vocal talent of Soprano Sona Hovsepyan. The Sassoun Dance Ensemble was founded in 2004 by Archpriest Fr. Zareh Zargarian, and by a talented Toronto family. Under the leadership of Joe Avakian, the Artistic Director and Choreographer, Sossy Avakian, Assistant Director and Costume Co-ordinator, Sevag Avakian, Dance Instructor and Music Co-ordinator, and Sareen Avakian, Junior Instructor, Sassoun has grown from only a handful of participants to over 80 members. The Ensemble is split into three age groups: 8-10, 11-13,

Dance Ensemble & Academy of Serbian Folk Dancing

and 14 and up. For almost a decade, the Sassoun Dance Ensemble has been promoting and developing Armenian artistic tradition in Toronto. Through the medium of dance, it has brought the Armenian culture to audiences throughout Ontario and Quebec, as well as Armenia and the United States. This commitment to Canadian multicultural values was commended by Jim Karygiannis, M.P. ScarboroughAgincourt, in a message presented to Joe Avakian. The Ensemble has also caught the attention of the government of the Republic of Armenia. This year, Armenia s Minister of Diaspora Hranush Hagopian honoured Artistic Director Joe Avakian with the prestigious Ministry of Diaspora Komitas Medal. The medal was presented by Khoren Mardoyan, Advisor to the Minister of Diaspora, in recognition of Avakian s accomplishments in showcasing Armenian dance, music, and culture in the Diaspora. Having performed their annual concerts, the Sassoun Dance Ensemble continues to bring its artistry to the community. This summer, the Ensemble was featured at the Bulgarian Folklore Festival, and has upcoming performances on Canada Day at Yonge-Dundas Square in downtown Toronto, as well as the Ottawa Armenian Festival in August. In October, the Ensemble will be travelling to perform in Argentina and Uruguay, as the first Sassoun Dance Ensemble performing "Sopske" with the Academy of Armenian dance ensemble to be invited from Canada. Serbian Folk Dancing

2013 î²ðÆ, ÂÆô 93 20À.ÚàôÈÆê

TORONTO ARMENIANS

COC Production of Dialogue des Carmélites Wins Doras

Isabel Bayrakdarian as Blanche de la Force in the Canadian Opera Company s production of Dialogues des Carmélites, 2013. (Photo: Chris Hutcheson).

A scene from the Canadian Opera Company s production of Dialogues des Carmélites, 2013. (Photo: Chris Hutcheson).

Opera singer Isabel Bayrakdarian as part of the musical ensemble of the Canadian Opera Company s production of Dialogue des

Making Documentaries That Explore Beauty of Our Folk Music

by Hagop Goudsouzian It wasn t as though I did not have a choice, I did, but there was nothing more stimulating for me than making films. I never thought much about making feature films. My father made documentaries and that was the way it was and now my son continues. To me making films was the most honorable route. Well maybe not THE most honorable because I first thought writing poetry was the summit of selfexpression. Then I no longer found words to express what I felt because I had found a new way to voice my inner vision: photography, but that, too, was temporary. The independence of Armenia was also the start of my own independence, but at the time I didn t know it. I was just doing what I had to do. I knew I had to go to Armenia and explore with a camera and that stayed with me for the next twenty years. I knew the time had come to go to Armenia. This was my calling, but I was afraid. It was spring 1993. While I was getting ready to go, I was looking for people who had just come back to give me an idea of what it was like on the ground. Finally a friend of a friend of a friend returned and, coincidentally, he was a cameraman. Excited, I called him to get his impressions. The call lasted almost thirty minutes and when I hung up I was depressed. I was ready to abandon not only my journey but Armenia as well. In my mind I was selling all the equipment I had already purchased. Fruit of my disastrous phone call: I cancelled my trip in my mind. A little later, during my afternoon nap, as if it was a message from a higher power, my life was playing in my dream. I was filming in the

home of a Brazilian painter in Mexico then the film jumped to a scene of a car driving through Central America as I reached Panama. There I was photographing the Kuna Indians on remote islands near Panama. It just went on and on from one country to the other. It was a surreal and hazy movie. I could not make sense of it. I woke up filled with energy because I knew these were scenes from films I had made and I also knew Armenia could not be a hostile land for me even though it was going through extreme difficulties. They were part of my extended family. After all, I had been welcomed wherever I had travelled in the past and why would the lost son returning home be rejected? I knew I was on the right path. A few weeks later I landed in Armenia. I immediately felt connected to the people and to the land but, when I heard the music, I felt the mountains and the rivers in every song, I heard old bards and minstrels roaming this ancient land. I no longer had doubts in my mind. I knew what I had to do but it took almost 18 years for the dream to become a film. I returned to Armenia countless times to make 7 films. In 2010, hours after I arrived in Armenia, I visited the Minister of Culture but unfortunately I did not have an appointment. While I was describing why I wanted to see the Minister, it was made clear to me that no one could give me advice without prior arrangement. Serendipitously, one of the secretaries overheard my conversation and invited me to her desk. Little did I know that she was about to give me a list of the most important people in Armenian Folk Music. A few days later, I visited

Carmélites has won a Dora award for Outstanding Performance. Johannes Debus has won the Dora for Outstanding Musical

Direction. The production itself has won the Dora for Outstanding Production of the year.

A Triumphant Canadian Tour

Professor Alina Pahlivanian at the Komitas Conservatory and with her was Marqarit Sargsyan. I was telling them of my passion for music and what I was looking for. Suddenly, she interrupted the conversation, picked up the phone and said, Tovmas, I need two tickets for your concert tomorrow. and hung up. She looked at me and said, Tomorrow you are going to the concert of the Sayat-Nova Minstrel Song Ensemble and went on to give me directions. She was right! I sat for three hours watching and listening in awe! While Marqarit and I were talking at a nearby café after the concert, Professor Tovmas Poghosyan, the artistic director of the ensemble, came to our table to greet Marqarit. My love for world music pre-dates my discovery of Armenian music. For me it was a way to explore new cultures through music. I felt that it was through their music that I was getting to the very essence of a people. My interest and love became deeper as I realized that folk music - passed down through generations - was telling the story of their past through music, songs and dance. I became convinced that folk and spiritual music were the bridge to a culture s past and the way to feel the beauty of its legacy. Folk Music (joghovurtagan) by Araxie Altounian changed how I saw the world and I felt it was very important Faithful to its mission to promote to share this with the world the Armenian artists and the Fine Arts, the only way I knew how: by making Canadian Armenian Association for the entertaining documentaries that explore the beauty of ancient Performing Arts (CAAPA) hosted a series of c u l t u r e s t h r o u g h m u s i c concerts featuring three young professional (www.ArmenianEchoes.com). musicians, Miho Saegusa (violin), Karen I have personally financed Ouzounian (cello) and Tanya Gabrielian 5 of my Armenian content films, (piano). All three young women have four featuring Armenian music. completed their postgraduate studies at the Armenian filmmakers need the financial support of the very prestigious Julliard School of Music in Diasporan communities. I have New York, where they reside, and lead very chosen the crowd-funding active lives as performing musicians. Their Canadian tour took them to the method of financing my new projects as it allows the Armenian Embassy in Ottawa (June 5) opportunity to contribute with a followed by Montreal (St Gregory Armenian wide range of funding options. Cathedral, June 6) downtown Toronto (at the Itªs worth noting that while a community performance might Heliconian Hall, June 7) and finally at the get an audience of 800, a film Holy Trinity Armenian Church in Scarborough aired on mainstream television (June 9). The program consisted of classical reaches a minimum of 30,000 works that had roots in folklore, and opened viewers and each one of my with three short works by the Armenian films have aired at least 4 times. composer Aram Khatchaturian (1903-1978) To help fund new documentaries for violin and piano, Nuneh s Variation from by Hagop Goudsouzian or for more the ballet Gayane, Song-Poem, and Saber information, please visit: Dance, also from the ballet Gayane. Next www.igg.me/at/worldmusic came the music of the Czech composer Leo To contact Hagop Goudsouzian Janá ek (1854-1928), Pohádka (Fairy Tale) directly or for questions: for cello and piano, and that of Hungarian info@HagopGoudsouzian.com

composer Zoltán Kodály (1882-1967), Duo for Violin and Cello, Op. 7. The second part of the concert was dedicated to a major work by another prominent Czech composer, Antonín Dvo ák (1841-1904), namely his Piano Trio in F minor, Op. 65. The choice of the music was refreshing and colorful. Classical music derived from folklore, especially that of Eastern Europe and Armenia, is intense, rhythmic and highly expressive. The three performers took turns to introduce the various selections which helped the audience gain an insight into the background of this original music. But what created the great enthusiasm among the listeners was the engaging performance of the three young musicians: a solid technique, beautiful tone, intense expressivity, and a genuine dedication to the music they played. In response to the fervent applause, the performers concluded the evening with an exquisite version of Father Komitas Akh, Maral Jan¸ arranged for violin, cello and piano by the American composer, Lembit Beecher. Once again CAAPA offered us an opportunity to enjoy an inspiring musical concert.

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Zoryan Institute Receives President of the Republic of Armenia Prize The Zoryan Institute has received the President s Prize for 2012 for significant contribution to the cause of recognition of the Armenian Genocide. The awards were handed out by President Serzh Sargsyan and Albert Boghossian, one of the founders of the Boghossian Foundation which sponsors the annual Prize. Describing the Zoryan Institute as one of the key institutions in the Diaspora, President Sargsyan declared, The Armenian Diaspora s crystallized spirit was reflected in the activities of the Zoryan Institute, allowing our people not only to survive the disaster, but also to reaffirm their determination to live on. The official citation recognizes Zoryan for research on the Armenian Genocide, publishing activities, and notable contribution to the preparation of young scholars. A second award was given to scholar and human rights activist Dr. Tessa Hoffman, cited as an, outstanding German expert in Armenian studies and genocides. The acceptance speech of K.M. Greg Sarkissian, president and one of the founders of the Zoryan

L to R: Albert Boghossian, Tessa Hoffman and president Serzh Sargsyan.

Institute, acknowledged that the Institute's achievements, honours, and awards are the result of the hard work of hundreds of Armenian and non-Armenian individuals. In describing the goals and objectives of the Institute, Sarkissian emphasized Zoryan s belief that the strongest defense of the causes

of universal human rights and the prevention of genocide is constant education. He stressed that, through the education of the Turkish people with irrefutable information, we will be able to win their hearts and minds and eventually help achieve reconciliation and coexistence

President Sargsyan hands the Medal to Zoryan president Greg Sarkissian

between our two peoples in peace and security. Towards this end Zoryan has sponsored fifteen Armenian and fifteen Turkish students, respectively, to attend the Institute s annual Genocide and Human Rights University Program, held in partnership with the University of

Toronto. Some of those students have gone on to earn their PhD s, teach, and write books and articles that add to the Institute's effort in establishing a factual history in this area, so crucial to the mutual understanding and dialogue between Turks and Armenians.

ATN - The Global Armenian Chamber ûf Commerce Holds its 3rd General Assembly in Marseille The historic city of Marseille was the location of the third general assembly of the ATN Armenian Global Chamber of Commerce that coincided with La Sémaine de l éxcellence Franco-Arménienne organized by the French-Armenian Chamber of Commerce (CCIFA). Close to 40 delegates and observers from 17 countries representing member organizations and new business communities took part in the deliberations. The Network expanded by the admission of two new members, the Argentinian Armenian Chamber of Commerce and the Romanian Armenian Chamber of Commerce. The first is among the oldest business organizations of the diaspora counting more than 30 years of operation, while the second is one of the youngest ones. Partnership and cooperation with several associations such as the Armenian Business Network founded in the East Coast of USA was also discussed and approved. Invited observes from Italy, Spain, Russia, Czech Republic, Austria, Denmark and Poland presented their business communities possibilities for establishing communication with the ATN community. The Executive Board also presented its efforts in establishing contacts with several new communities. Among other issues deliberated, the existing Executive Board of ATN was given another 2-year mandate. On June 22, the first ATN Business Forum was held at the Marseille Chamber of Commerce and Industry. Opening the forum were Armenia s Minister of Diaspora Hranush Hakobyan, ATN President Vahram Pirjanian, CCIFA President Bernard Holassian and ATN VP Jacques Avdoyan. The first session of the forum entitled Promoting Armenian Global Entrepreneurship through Innovation & Networking featured as keynote speaker Romania s Minister of Economy Varujan Vosganian whose talk on Opportunities in the Shifting Global Economic Landscape ended with a panel discussion on the significance of developing new ties and the role Armenians

can play through the ATN. The second session called Promoting Business & Investment in Armenia featured a number of speakers including the Director of External Relations of the City of Yerevan David Gevorkyan, the Governor of Gegharquniq Rafik Grigoryan, Governor of Lori Artur Nalbandyan, Beer of Yerevan President Ashot Baghdassaryan, Synopsys CEO Hovik Musayelyan. Panelists included Didier Parakian of the Didier Parakian brand, Vartan Sirmakes of Franck Muller and Armenia s Honourary Council to Marseille and HE Ambassador Vigen Chitetchyan. The forum was moderated by ATN board member H. Gaspar. On June 22, 2013, during the closing Gala event held by the CCIFA on this occasion with the presence of close to 500 business people and supporters, the first edition of the ATN awards were presented. Romanian Minister of Economy Varujan Vosganian received the highest ATN award given to a distinguished personality of Armenian origin for excellence in shaping the global economic landscape and promoting trade and investments. Presenting the Honoree Mr. H. Gaspar deliberated: "Mr. Vosganian, whose many qualifications include a Ph.D. in economics, is an ardent supporter of economic liberalism and open exchange. One can say that he is the most illustrious Diasporan Armenian occupying high government office, as well as an influential author whose philosophy and ideas resonate internationally in the political and socioeconomic spheres. The self-described "incurable unionist" in his country may also be considered an advocate of the spiritual and cultural union of Armenians worldwide and the continued tradition of contributions made by this small people to world civilization and trade." In his acceptance speech addressing, Mr. Vosganian said: "I dedicate this award to my grand-parents who not only insisted that I learn Armenian, but also taught me to excel in whatever I chose to pursue, I, therefore, stand here today in their honour." The first ATN Supporter Award was given

Vahram Pirjanian presents ATN highest award to Hon Varoujan Vosganian Minister of Economy of Romania. Hratch Kaspar on the left.

to Honourable Hranush Hakobyan for her valuable support and collaboration since the establishment of the organization in 2011. Instead, accepting the Member Award on behalf of his Board for significant efforts made towards strengthening the ATN were Mr. Bernard Holassian, president of the CCIFA and Mr. Jacques Avodyan General Secretary and ATN`s VP for Europe. ATN s Central Board also honoured, for the first time, an entrepreneur from Armenia. Mr. Ashot Baghdasaryan, President of Beer of Yerevan/Kilikia Brand products, received the Armenia Business Excellence Award for business excellence and exemplary conduct and contribution to the investment environment in Armenia. The Armenia Investor Award honouring a Diasporan for significant investments made in Armenia was instead

given to Mr. Vartan Sirmakes of Franck Muller (Switzerland) for his active engagement in several investment areas of Armenia s economy. World renowned local businessman and designer Didier Parakian was also a recipient of the Global Achievement Award for his innovations in design and branding, as well as remarkable success in international markets. Recognizing the role of ATN-GACC, Diaspora Minister Hranush Hakobyan honoured with the ministry`s gold medal Mr. V. Pirjanian and special mentions Mr. J. Avdoyan and Mr. H. Gaspar. The ATN -- Global Armenian Chamber of Commerce is an umbrella organization of Armenian business organizations operating in 14 countries including Armenia.

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2013 î²ðÆ, ÂÆô 93 22 À.ÚàôÈÆê

ARMENIANS

The Armenians of China will soon have a community center On June 15, the Armenian community of China, known as ChinaHay , gathered in Guangzhou to enjoy Arthur Apkarian s music and greet the news on opening of a dedicated Armenian community center in Hong Kong. The musician and his band flew to China from Canada to perform in front of the Armenian community following the personal invitation of Jack (Hagop) Maxian and Yercho Samuelian, long term residents of China. I would have never imagined that the Armenian community of China had such passionate young Armenians who despite being so far from Armenia or their respective countries are full of the Armenian spirit. I mean it with all my heart when I see that I have fallen in love with this community, Arthur Apkarian said after the concert. Mr Maxian and Mr Samuelian generously welcomed over 90 people, including China-born Armenian children, who came from different cities of the country, to listen to the Armenian musicians and dance all night. The hosts received the guests in a Middle Eastern restaurant, where they enjoyed numerous delicious dishes, including some Armenian favorites. I have been living in Hong Kong and China for 35 years and this is the most touching Armenian

event I have ever attended. I am confident that the community will organize more similar events in the future, confessed Maxian. Sebouh Kazarian, a resident of China for the past 8 years and representative of the Armenian Chamber of Commerce and Industry in China, added: "It is very important to have such Armenian events to bring together the Armenian community of China. This is the type of event we need to have to show to our kids what the Armenian spirit is all about." During the event, an announcement was made that the Armenian community of China would soon have a dedicated community center in Hong Kong. The center will

be the first Armenian community center in China s recent history and is made possible through the generous support of Maxian. It will serve the Armenians living in both Hong Kong and all around China and act as a meeting place for Armenian from all around the world traveling to the region. The community center will also provide a space for Chinese students as well as kids of Armenian origin living in China to learn more about the Armenian history, culture and language. The Armenian community of China frequently gets together in various cities in China, including Hong Kong, Beijing, Shanghai, Guangzhou and Shenzhen.

Music and Poetry Event Held at Sourp Giragos Church in Diyarbakir

In Vatican, Pope Francis Recognizes Armenian Genocide

Pope Francis, during a meeting on June 3 with a delegation led by Nerses Bedros XIX, Catholicos Patriarch of Cilicia of the Armenian Catholics at the Vatican, reiterated his earlier recognition of the Armenian Genocide. During the visit, the pope met with members of the delegation, when one of them said that she was a descendant of genocide victims, to which the pontiff responded, The first genocide of the 20th Century was that of the Armenians, thus reiterating his earlier recognition of the Armenian Genocide while he headed the Catholic Church in Buenos Aires as Cardinal Jorge Bergoglio. Seven years ago, during e v e n ts m a r k i n g t h e 9 1 s t anniversary of the Armenian Genocide in Buenos Aires, he had urged Turkey to recognize the genocide as the gravest crime of Ottoman Turkey against the

Armenian people and the entire humanity. The director of the Armenian National Committee of South America, Dr. Alfonso Tabakian, explained that this was the first such statement from the pontiff since being elevated to pope and leader of the Roman Catholic Church. Ta b a k i a n c a l l e d t h e statement very important since his words transcend any state or religion. This recognition of the Armenian Genocide as the first genocide of the 20th century reaffirms the statements of John Paul II, [which were made] upon his arrival in Armenia on Sept. 25, 2001, demonstrating that more and more states, parliaments, and international organizations are adopting this position against the denial of history perpetrated by the Turkish state, added Tabakian.

of the Armenian and other minorities as a child, from her father. She deepened her knowledge of the Armenian genocide after escaping from Saddam Hussein s Iraq and settling in England, she added. Jaff noted that the purpose of holding the concert at Sourp Giragos is to keep the Armenian issue in the forefront in Turkey. She said that returning churches and an apology is not enough, and that realistic and meaningful efforts should be undertaken to secure the return of the Armenians to these lands. In that, she argued, the Kurds have a huge role to

play. In turn, Pervin Çakar, who performed Armenian folk songs, noted how proud and honored she feels to be performing in the renovated Sourp Giragos Church. Poet Azad Ziya Eren said, Tonight, we sang lamentation both for Der Zor and Dersim. He noted that Sourp Giragos was, therefore, an appropriate venue for the event, and the huge crowd that attended the event is a testament to that. Eren told the Armenian Weekly that both his parents are half-Kurdish, half-Armenian.

by Gulisor Akkum

A scene from the event (Photo: Arif Temel)

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(A.W.) An evening of music and poetry was held at Sourp Giragos Church in Diyarbakir/Dikranagerd on June 11, 2013. The event, attended by more than a thousand people, featured Kurdish musicians Tara Jaff and Pervin Çakar who performed Kurdish and Armenian songs, and poet Azad Ziya Eren. In conversation with the Armenian Weekly correspondent, Harpist and singer Tara Jaff, who is from Iraqi Kurdistan, said she first learned about the genocide

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Armenia to Sell Largest Power Generating Facility (RFE/RL) A U.S. energy company announced recently that it is close to buying three big hydroelectric stations generating a considerable part of Armenia s electricity. The New York-based ContourGlobal said it is engaged in advanced negotiations with the Armenian government over the takeover of the plants built along the fast-flowing Vorotan river in the southeastern Syunik province. While commercial terms are still being finalized the purchase price will be very significant and all of the funds will be sourced from outside of Armenia using a combination of ContourGlobal s own resources and those of prestigious international financial institutions, it said in a statement. They include the U.S. Overseas Private Investment Corporation (OPIC) and the International Finance Corporation, a World Bank Group division, according to the statement. In addition to the full purchase price, ContourGlobal will be committing to invest further in a major overhaul of the main generating equipment at the power plants, added the company. This investment is

urgently needed given the age of the plants and the under investment in recent years. Constructed in the 1970s and 1980s, the Vorotan Complex cascade is the largest power-generating facility still owned by the Armenian state. With an operational capacity of over 400 megawatts, it is nearly as powerful as the Metsamor nuclear plant that accounts for roughly 40 percent of Armenian electricity production. The Soviet-era hydroelectric plants were supposed to be refurbished with 51 million euros ($66 million) in loans that were provided by a German development bank to Armenia in 2010. Officials said at the time that the modernization will be complete by 2015. The Armenian Ministry of Energy declined to comment on their possible takeover by ContourGlobal. The Vorotan Complex management also declined a comment. Energy Minister Armen Movsisian did not deny the plants impending privatization when he was confronted by opposition lawmakers in the Armenian parliament later on. ContourGlobal operates 33 power plants in 17 countries around the world. Its

Armenia to Sell Shares to Russian Gas Giant

operational revenues exceeded $1 billion in 2011. In recent weeks the Vorotan cascade has been at the center of media speculation resulting from ongoing Russian-Armenian negotiations over the price of Russian natural

delivered to Armenia. There have been suggestions that Yerevan is ready to grant Russia s Gazprom giant control over the facility in return for a 30 percent price discount. Energy Minister Movsisian has dismissed this speculation.

Armenian Military Academies Open Doors to Women Armenia s military academies will open their doors to female students for the first time this year as part of the country s education reform program, the Defense Ministry s press office said in June. Females who have reached the age of 18 and have no health problems may enroll. Applicants must submit a state maths and physics exam certificate, the Defense Ministry said. Female applicants will be allowed to enroll at the Vazgen Sargsyan Defense Institute and the Marshal Khanferyants Aviation Institute. The reforms will contribute to strengthening the fighting efficiency of the Armed Forces and public trust, Defense Ministry spokesman Artsrun Ovanisyan wrote on his Facebook page.

Vasgen Sargsyan military academy in Yerevan.

US Geological Survey Completes Armenia Shale Gas Resources Study (RFE/RL) The Armenian government seems ready to sell its remaining 20 percent share in the domestic gas distribution network to Gazprom in order to subsidize the recently increased price of Russian natural gas delivered to Armenia. The Russian energy giant revealed recently that its chief executive, Alexey Miller, discussed the matter in Moscow with Armenian Energy and Natural Resources Minister Armen Movsisian. In the course of negotiations the aspects of Russian gas pricing for Armenian consumers were discussed, Gazprom said in a statement. The meeting also looked into the possibility of increasing Gazprom s stake in ArmRosGazprom (ARG) to 100 per cent. The announcement came amid Armenian government efforts to secure funding for subsidizing the Russian gas price, which officially rose by 50 percent to $270 million per thousand cubic meters in April. A 30 percent subsidy promised by the government has meant that the price hike will be much less drastic for Armenian households. Armenian officials have said that Yerevan is seeking a Russian grant to finance the subsidy. But they have given no details of that

arrangement so far. The Armenian Ministry of Energy and Natural Resources refused to comment on the Gazprom report. A ministry spokesperson said that only Movsisian can give relevant explanations. The government was already rumored last year to have ceded its 20 percent stake in ARG to conceal a secret rise in Russian gas price and make sure Armenian voters are unaffected by it until the February 2013 presidential election. Government officials dismissed this speculation, saying that the gas price remains unchanged. However, Armenian customs data showed that ARG paid considerably more for Russian gas than was officially reported in 2012. Opposition lawmakers were quick to criticize the government s apparent readiness to place ARG under full Russian control. Gazprom currently owns 80 percent of the gas network. This once again shows that our authorities are not capable of doing anything, said Artsvik Minasian of the Armenian Revolutionary Federation. They can declare that we will get a grant but we won t get it or will cede more state assets in return.

U.S. Geological Survey representatives have completed study of Armenia s shale gas resources, U.S. Ambassador to Armenia John Heffern said in response to a question from the ArmInfo new agency. He said that the U.S. specialists launched their work last year. Now, they are in Washington to process the data received. Thematic survey results will be presented to the Government of Armenia later, the ambassador said. On August 3 2012, a memorandum of understanding was signed between the Armenian Ministry of Energy and Natural Resources and the Isle of Man-registered International Minerals & Mines Ltd. It is paving the way for the exploration of Armenia s shale reserves. Should large-scale commercial

extraction proceed, Armenia s energy find could grant the country a measure of energy independence and, with it, newfound geopolitical freedom. The Aug. 3 deal comes on the heels of another agreement between the Energy Ministry and the U.S. State Department in June to cooperate in energy exploration, commercialization and investment. This agreement plans cooperative assessment and technical studies of Armenia s energy resources, including any potential shale gas resources. According to the Armenian energy ministry, the August agreement is the result of an international shale gas conference sponsored by the U.S. government, which has offered exploration grants to Armenia and other countries. Previous assessments suggest Armenia s hydrocarbon reserves are small. The US Geological Survey, which is identified in the June memorandum as a technical partner in the joint effort, identified 44 million tons of in-place shale oil reserves in the Aramus region based on a 1994 study. The Armenian government, however, raised the figure in a 2005 report (.pdf), listing 17 million to 18 million tons of shale oil reserves in Ijevan, Shamut and Jermanis and 128 million tons in Dilijan, reported the World Politics Review.

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Armenian Astrophysicists Detect a Bright Star Astrophysicists at the University of Santiago de Compostela (Spain) and the Byurakan Observatory (Armenia) have detected a star of low luminosity which within a matter of moments gave off a flare so strong that it became almost 15 times brighter. The star in question is the flare star WX UMa, phys.org reported. We recorded a strong flare of the star WX UMa, which became almost 15 times brighter in a matter of 160 seconds, explains astrophysicist Vakhtang Tamazian, professor at the University of Santiago de Compostela. The finding has been published in the Astrophysics journal. This star is in the Ursa Major constellation, around 15.6 light years from the Earth, and it forms part of a binary system. Its companion shines almost 100 times brighter, except at times such as that observed, in which the WX UMa gives off its flares. This can happen

several times a year, but not as strongly as that which was recorded in this instance. Dr Tamazian and other researchers detected this exceptional brightness from the Byurakan Observatory in Armenia. Furthermore, during this period of less than three minutes the star underwent an abrupt change from spectral type M to B; in other words, it went from a temperature of 2,800 kelvin (K) to six or seven times more than that. Based on their spectral absorption lines, stars are classified using letters. Type M stars have a surface temperature of between 2,000 and 3,700 K; Type B between 10,000 and 33,000 K. WX UMa belongs to the limited group of flare stars , a class of variable stars which exhibit increases in brightness of up to 100 factors or more within a matter of seconds or minutes. These increases are sudden and irregular

Joseph Dagdigian

practically random, in fact. They then return to their normal state within tens of minutes. Scientists do not know how this flaring arises, but they know how it develops: For some reason a small focus of instability arises within the plasma of the star, which causes turbulence in its magnetic field, explains Tamazian. A magnetic reconnection then occurs, a conversion of energy from the magnetic field into kinetic energy, in order to recover the stability of the flow, much like what happens in an electric discharge. Next, kinetic energy in the plasma transforms into thermal energy in the upper layers of the atmosphere and the star s corona. This significant rise in the temperature and brightness of the star enables astronomers to detect changes in the radiation spectrum. Photometric and spectroscopic monitoring of this kind of flare stars is very relevant because it provides

us with information about the changing states and physical processes, which are in turn key to studying the formation and evolution of stars, Tamazian explains. To carry out this study, in which flares in other binary systems (HU Del, CM Dra and VW Com) have also been analysed, the SCORPIO camera of the Byurakan Astrophysical Observatory was

Unknown Heroines of Mush

In Venice, in 1512, manuscript lover Hagop Meghapart printed the first Armenian book, the Urbatagirk prayer book, giving birth to the art of Armenian printing. Prior to this Armenian manuscripts were laboriously hand written, copied, and illustrated by scribes. Last year, in 2012, Armenians celebrated the 500th anniversary of Armenian printing with a number of events. One of these events was the establishment of a monument commemorating the heroic rescue of the Msho Jarntir manuscript, Homilies of Mush, in Armenia s capital of Yerevan. During the 1915 Genocide of the Armenians, Turkey not only was intent on destroying the Armenian population in Western Armenia, it also attempted to erase from the Turkish occupied Armenian homeland any remnants of Armenian civilization - including cultural monuments, libraries, monasteries, Statue honoring heroines who rescued the and manuscripts. Two women, both from Homilies of Mush Mush, whose names as far as I know are unknown, determined that a priceless day. It is not even known if these women were Armenian manuscript which they found in the literate. The book was and is a part of Armenia s ruins of Mush s Surb Arakelots Monastery must be rescued. The manuscript was huge, cultural heritage. One woman succeeded in 22 inches wide and 27 inches long, weighing delivering her half of the book to Holy 61 pounds. The women divided the manuscript Echmiadzin. The other woman did not survive into two parts, each endeavoring to transport her journey. Reaching Erzurum, she buried their half to the relative safety of Eastern her half of the manuscript in a monastery (Caucasian) Armenia. Probably not knowing there, and subsequently died. Later a Russian if they, their families, Mush, or even Armenia soldier found this half of the book and would survive the horrors of the Genocide, ultimately both halves of the book were they determined that this religious, cultural, reunited in Armenia s manuscript repository, and literary treasure must live to see another the Matenadaran, in Yerevan.

Homilies of Mush on display at the Matenadaran in Yerevan.

In the Matenadaran s display room the Msho Jarntir - Homilies of Mush, the largest manuscript in the Matenadaran s collection, is on display next to the smallest manuscript. These and numerous other ancient manuscripts can be viewed by visitors, and photographed (without flash) for a small fee. The monument commemorating the rescue of the Homilies of Mush may be seen on the greenway near the intersection of Teryan and Moskovyan streets in Yerevan. The monument depicts the Msho Jarntir and two women rescuers.

Naregatsi Art Festival Concludes in Yerevan Naregatsi Art Institute organized the first Naregatsi Festival of the Arts from June 15-22 at the Komitas Chamber Music Hall in Yerevan. For eight consecutive days, spiritual, classical, academic, folk and jazz concerts were performed by renowned Armenian singers and musicians. The festival was also accompanied by the exhibition of paintings of famous Armenian artists -Hagop Hagopian, Vartan Tovmasian, Shota Voskanian, Armen Khojoyan, Tigran Asatrian, Ashot Avagian, Sevan Naccashian, Hovnan Sarkisian, Yevgine Martirosyan. The Institute s founder Nareg Hartounian also presented his Photaura style of photography. The Naregatsi Art Festival kicked off with a concert by the international award-winning Gurdjieff Folk Instruments Ensemble, which was followed with a joint concert by the Luys Quintet and Oshakan Trio performing Armenian

used. This camera enables both the spectrum and the brightness of these objects to be detected. Flare stars are intrinsically weak, and can therefore only be observed at relatively short distances in astronomic terms, specifically in the vicinity of the Sun, up to a distance of a few tens of light years, according to phys.org.

medieval and folk songs, works by contemporary composers and songs arranged by Komitas. On June 18th, the State Chamber Choir of Armenia conducted by Artistic Director, Robert Mlkeyan presented the works of modern Armenian composers, Tigran Mansurian, David Haladjian, and Edward Hairapetian. On June 19th, composer, pianist Artur Avanesov, Astghik Vardanyan (violin), Mary Dolmazyan (alt), and Levon Araqelyan (cello) performed chamber compositions written by A. Khachatryan, Gh. Saryan, T. Mansurian, A. Avanesov, D. Balasanyan, and H. Sardaryan. On June 20th, the concert of jazz musicians composer, pianist Vahagn Hayrapetyan and saxophonist, flutist, composer Armen Hyusnunts was held featuring jazz improvisations. On June 21, composer, songwriter Vahan

Artsruni recalled his last performance at the Komitas Chamber Music Hall a decade ago and thanked the festival that had given him the opportunity to perform there once again. He presented "Komitas: 10 Revelations , a vocalinstrumental cycle based on poetry of Komitas Vardapet and Razmik Davoyan. The festival ended on June 22 with performances by the Naregatsi Folk Instruments Ensemble and the Karin Song & Dance Ensemble, who brought the audience to their feet and danced various Armenian folk dances. Symbolic Naregatsi Art institute crossstones were handed to all the participants of the festival. Our intention is to make the Naregatsi Art Festival an annual event and include not only Armenia but also tie in the Diaspora , concluded Naregatsi Art Institute founder, Nareg Hartounian.

A homily is a story or sermon intended to set a moral example without delving into detailed religious or theological issues. The Homilies of Mush was written in the Avag Monastery in Yerzinga, Western Armenia, around 1200-1202. It was commissioned by a man named Astavatsadur, perhaps a wealthy merchant, who was killed during the Mongol Tatar invasion of Armenia. Through a series of events the manuscript ended up in Mush. It miraculously survived the Genocide, and was rescued by two women cultural heroes of Armenia.

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ARMENIA by Houry Mayissian My friend, what is your name? my husband asks the stranger sitting next to him on the bar. Dikran, the stranger responds, sipping his beer. And what do you do my friend? I m a criminal lawyer. I work as a bartender at another pub. A pause. Where are you from? he asks us. Australia, my husband says. Australia That s where I want to go. It is an awkward moment. Our visit is coming to an end and we have rarely been able to spend time alone, so we decide to have a few drinks after a family dinner. Instead, we find ourselves befriending complete strangers as you do in Armenia bonding and arguing with them, listening to their problems and hopes. Dikran has never been to Australia. I m not even sure he seriously wants to move there. He is simply looking for a way out, just like the two bartenders we meet, a young man from Beirut and a woman from Javakhk. He tells us he pays half his wages for rent and is looking for opportunities in Dubai. She says she is a teacher by profession but is unable to find employment because she can t afford to pay someone to hire her. Yes, pay someone to hire her. We learn it is common practice with some professions in Armenia, a residue of Soviet times. Not everyone can afford it but if you manage to pay a sum, you are guaranteed a job and a source of income. The only reason she is still in Armenia, she says, is because she has not had an opportunity to leave. The destination? It does not matter. A little further into the conversation, I discover she is also a mother. I look at my watch. It is 3 a.m. There are five or six of us remaining. I get up and announce it is time for our bartender to get home to her baby. We disperse. How can you sleep in peace as president when you go to bed every night knowing another 20-30 families left the country that by Maria Titizian Armenia has become a meeting point, an intersection where old friends and acquaintances meet up, sometimes through careful planning, sometimes even unexpectedly on a busy street corner in Yerevan or at an ancient church or in a forgotten, remote border village. It is not uncommon in the summer months to see groups of Diaspora Armenians enjoying a coffee at a cafe, or coming out of the Opera House where they ve just seen a performance, sightseeing or simply absorbing the sights and sounds of Yerevan. I look at them with envy sometimes because I wish I could see and experience Armenia as a tourist again. Although one can be in a process of constant discovery while living here, the exhilaration of coming to the homeland for the first time has obviously faded. While the excitement of discovery has waned, Armenia continues to be and probably always will be a hub for connections both old and new. We have met Armenians from practically every continent in the world and forged friendships with many of them. We have had the opportunity to reconnect with old friends from different countries as well, something that would have been pretty impossible if we hadn t come here. Armenia has indeed become the meeting point for all of us, whether we live here, or whether we come to visit, volunteer, or for a stopover to another destination. While my reconnections have been limited, those repatriates like my husband who grew up in the strong, vibrant Armenian communities of the Middle East, from Alexandria to Beirut, will often receive an e-

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Two Weeks Ago in Armenia day? a good friend asks us one morning over breakfast in his humble home on the outskirts of Yerevan. Sadly, people in Yerevan these days are talking about emigration in mass numbers. It is meant to be a chat over morning coffee but we are greeted with a feast of a breakfast delicious homemade pizza and pastries and the freshest fruits. The inviting, irresistible taste of Armenia in our mouths. No, I won t leave. However bad it gets, I won t, he adds, stroking his two-year-old s chestnut hair. We leave his house, our bellies full, and our hearts full, too. We meet others like him people, who are determined to stay regardless of the hardships they face. It is not just unemployment that is driving people away. A few days into our visit, we heard of the fatal shooting outside the Goris home of the notorious governor of Syunik, Suren Khachatryan, otherwise known as Litska. It has barely been a year since the beating to death of Army Doctor Vahe Avetian by the bodyguards of then-MP Ruben Hayrapetyan, Nemets Rubo. He is still the chairman of the Armenian Football Federation. And it s only been a few months since the assassination of Artsakh war hero and Proshyan village Mayor Hrach Muradyan. There has been no serious investigation into or accountability for these crimes, at least not to the extent that pre-empts their re-occurrence. Oligarchic impunity seems to be reaching new levels in Armenia. In the midst of all these stories and experiences, I feel heart-breakingly sad one moment, illogically euphoric the next. There is inexplicable warmth in my heart. It s the warmth of the land, the unshakeable truth that it exists, it is here, I am standing on it, I need it, it needs me, it s mine, it s ours. It s the unrelenting determination and commitment of people who are staying to fight the good fight, of diasporans who have left comfortable foreign shores to build new lives in Armenia. It s the best thing we did for our family, one

Mashdots Ave.Yerevan, Armenia. Photo: Alexanyan

of them tells us. And it s the warmth in the sincere embrace of complete strangers. They take me into their arms and lives, and thank me for listening to their problems. I feel humbled beyond words; I should be thanking them. The least I can do is promise to tell some of their stories in this column. Back in the days when I used to visit Armenia, I would go looking for the positive. The flourishing Yerevan city center with its charming cafés and parks, the vibrant city life, the traditional Armenian artifacts at the Vernisage, the breathtaking beauty of the rugged mountains. These were the things I went looking for. These days when I go to Armenia, I go looking for the truth. I ve visited seven times since I first set foot in the country in 2001, and the old charms are not enough anymore. I am no longer interested in floating in and out like a tourist. I want the real with all its positives and negatives. I want to thrive on everything that is good and expose myself to everything that is bad. I want the real, because

before we understand the real, we will not be able to grasp all of the potential and opportunity the country has to offer. We will not be able to build the dream. This is also why I started writing this column six months ago. It is time to leave. As we drive to the airport, I want to forget everything and immerse myself in the majestic view of Ararat standing tall and confident, a cleansing white so clearly visible that morning. However, I can t escape the signs on what seems to be an endless row of shops and houses we pass by: For Sale, For Rent. It is a solemn reminder of that night in the pub and the many stories we heard during our 12-day visit. I can still feel that warmth in my heart, stronger than before. At this stage I know nothing will change how connected I feel to this country. It takes us 30 hours to get back to Australia and another 10 days to really get back and, needless to say, we are already planning our next trip.

Meeting Point Armenia mail from a long ago childhood friend informing them that they are finally making the voyage to Armenia, or they will receive a random phone call there will be a pause and then, Varouj?? Is that you? Where are you? And Varouj will say, I m in Yerevan! Let s meet up tonight. And then the stories, the memories tumble out over khorovadz and endless shots of vodka. I watch them reminiscing about childhood adventures and games, shared memories and bonds that can never be broken or relived and once again, I am envious. We grew up in the relatively new and very small Armenian community in Toronto in the 70s; we went to Canadian schools and had Canadian friends. Today, I can t say that I have deep connections with an Armenian community or many Armenian friends from my childhood; later on, certainly but even then not on the same level or with the depth of belonging that my contemporaries who grew up in the Middle East did. Although I was born in Beirut, I have no memories but I did grow up on the stories my parents, uncles and aunts relayed from their own youth that were accompanied by black and white photos. Beirut therefore was always a mysterious, exotic and even romantic city for me. Every few months, my sisters and I would drag out the beat up cookie tins used to store old pictures and we would go through them one by one, asking our exasperated mother who the people in the photos were, how come she had a cigarette in her hand, how she walked in those high heels The fashion, the hairstyles and carefree feeling those images evoked made me wonder why my father had brought us to the excruciatingly boring shores

The city of Yerevan as seen from Cascade. Photo: Alexanyan

of Canada. Later on, as the civil war in Lebanon brought many Lebanese-Armenians to Canada, making new friends and hearing their stories of camaraderie, adventures and their intrinsic understanding of community, which we certainly didn t have in Toronto at the time made me want to go and see Beirut with my own eyes. I got that chance only after moving to Armenia. What I felt, saw and experienced didn t come close to those early romantic notions but I finally understood what community and belonging in odarutyan could mean. These connections that go way back, which gave our lives shape, texture and depth

and that made up the fabric of our existence in the Diaspora have come to life, once again in the homeland. Our dispersion from Western Armenia to the Middle East and then to farther destinations like North and South America, Europe and Australia means that connections and reconnections amidst or despite our nomadic inclinations are possible here on our native soil. So whether you happen to bump into a long ago childhood friend at a cafe or at an ancient church, whether you organize a family reunion, or whether you decide to make it your home, there is no doubt that Mother Armenia continues to provide endless treasures and opportunities.

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COMMENTARY

A Frank Discussion About the ARF

by Suzanne Khardalian In analyzing a key organizational challenge for political parties in general and particularly social democracy in Armenia it is a well established fact by now that social democratic parties, including the Armenian Revolutionary Federation, are for the most part unable to engage the citizens. During the last 20 years, the ARF has been perceived as a campaign vehicle and administrator of certain stigmatized ideas rather than a core institution standing unyielding and firm with the support of an extended ideological community. I have written about this before, as to why membership in Armenian political parties is in catastrophic decline (incidentally, it is a global phenomenon). A few months ago I read about a group of young Armenians joining the ranks of the ARF. The article, true to its more than centenary tradition, was written in the familiar vernacular, so if one were to change the date of the article it would sound exactly the same whether it was written in the 60 s, 90 s or today 2013. It would read something like this: The future generation, the proud bearers of our national identity, the guardians of a national dream/vision Despite the lengthy sentences highlighting devotion and fidelity and some words of wisdom, the article conveys nothing but anonymity, shrouded in a certain mystery. I happen to know that indoctrination and membership in the party takes place through special ceremonies. Yet for some reason the new members become and stay anonymous, much to the dismay of the many newcomers. I cannot but empathize with the disappointment that the youth might feel about the long-awaited moment of becoming a member of a desired party, yet it is all so very solemn and equally unceremonious in many ways. Pride a feeling of belonging and the right to extend your new acquired identity to the public remains very anonymous. While I think celebrating ARF membership is very appropriate, and a legitimate expectation after years of loyal anticipation, the local organizational bodies should be especially mindful since such a romantic desire to become a member of an organized social democracy is certainly very rare among young people today. We all know that the majority of the youth are not keen on party membership in general and, seems to me, not very interested in social democracy.

For young people, interest in politics is already seen to be nerdy, but wanting to become a member of a party sounds worse. And of a party that is seen to be on the way to being passé? Remember, for today s youth, the 1980s are considered to be a several hundred years ago. Today, becoming a member of a party is deemed the oddest thing a teen could do, as weird as wearing school uniforms. That is perhaps one of the biggest changes that the party the ARF and its organizational institutions must respond to. Party membership or belonging to a formal or an informal social network that are ideologically committed to a party, such as the ARS, Homenetmen, the student associations (in ways similar to other popular parties) used to convey a natural sense of belonging and identity a way of engaging in and understanding the community. Even with all the individualized and mixed and opposing interpretations of its ideology (a topic that needs public discussion by itself), for generations being a member of the ARF with its ideology was a natural manifestation of who you were and what you thought about the world. But times have changed. Far fewer people today believe that membership in a political organization or even a much less formal commitment to its sister organizations, is a necessary expression of who they are. There are a several reasons for this reality, and even the ones that I do know would fill pages that I don t have here. In any case, the gambit is that less and less people will stick to their party even when they find its momentary policies displeasing. What I have in mind is of course the elections (presidential, parliamentary or municipal) in Armenia with its bizarre ways and consequences. But the interpretation has always been the same in the aftermath of the elections in Armenia. We all complained about the existence of adequate citizens. There is of course something attractive about the notion of lack of enlightened citizens and holding them accountable for their performance. But there is also something to be said for our political parties and I am more concerned about the ARF, and its social democracy which are supposed to serve as the nexus of both physical and imagined communities that command loyalty even when one is in disagreement or even mad at the

ARF. This does not imply a non-critical loyalty to one s party, but what I suggest is an enhanced commitment to it, that allows for using one s voice and seeks to institute changes from within the party before considering the transfer one s loyalty to another party. Yet those who belong to this category are largely people for whom their relationship with the party is an identity-related feature those who are on some level emotionally involved with their party those who are increasingly disappearing from politics. This is very unfortunate yet a reality that cannot be pushed aside. Today s ARF with its social democracy is clearly failing at the basic function of conquering its voters hearts in addition to their minds, of making them feel at home, emotionally as well as intellectually. There has been some useful and absolutely necessary debates within progressive circles and beyond about the right policies. We have spoken at lenght about the role of the party, its language, modernizing its image and strengthening its organizational structures and its campaign strategies. Several of these issues, however, only touch upon the issue I discuss here. Yes, it is true that language and policies impact one s sense of identity, but neither of these addresses the major issue directly or as a distinct problem of its own. A successful political organization such as the ARF should offer more to the citizens. They should try to construct communities where (especially young) people feel at home and where they find is an important expression of who they are. Identities today are more complex and multi-layered than they were 30 years ago. As you might expect, binding individuals as closely to any one single layer, as was once routinely possible, is not only traditional but almost impossible at the political fringes. Through our reductionist worldview and the primitive insider/outsider dichotomy we have often created very cohesive communities, though for the most part small ones. Clearly, the aforementioned means and strategies, if continued to be adopted today, would end in catastrophe. The goal must be one, even if the emotional involvement achieved would become weaker. However, there must be some debate about how we should weave ARF and its

social democracy with our increasingly complex patterns of identity the new Armenian identity. It should be about how to better intertwine ARF s ideology, its social democracy with other, more popular, layers of identity to which it retains an affinity with modern issues, such as civic organizations focused on human rights, environmental issues and social justice, to name a few. Unfortunately I am far better at raising the issue than at offering possible solutions, but I do believe that the answer must start with building or reinforcing community spaces, both physical and virtual. I also know that such activities require enormous investment, money and time, both of which the ARF, and its shrinking staff are increasingly are in need of. So it is no surprise that this aspect of the ARF and its social democratic organizational and ideological decline receives little attention. The challenge is enormous and even if we direct more resources to tackle the problem the returns may be very slim. One thing is certain: there is no way to recapture the golden age when the ARF was an organic part of every Armenian community life around the world. But a political organization that accepts its gradual degeneration to become a mere campaign machine is beyond doubt doomed in the long run. Suzanne Khardalian is a documentary filmmaker based in Stockholm, Sweden. Her films include Back to Ararat, I Hate Dogs, and Grandma s Tattoos. She contributes regularly to Asbarez.

Where Does My Armenia Stop and My Diaspora Begin?

by Gegham Mughnetsyan

I was born in Armenia (in Gyumri to be exact) when the Soviet Empire was taking its last breaths and Armenian independence was only months away. I belonged to a generation that had to grow up in a period of political, economic, and cultural change, which only brought confusion about who or what was to blame for that gloomy, endless transition. Fifteen years later, I found myself a world away in Glendale, Calif., in pursuit of a life that promised better opportunities for my parents, my two brothers, and me. Aside from having to learn the language and the customs of this strange land, we found ourselves conflicted about our Armenianness in the land of the diaspora; many of our peers did not speak Armenian nor had ever been to Armenia, yet they considered themselves equally Armenian. Unlike them, my childhood was not

spent at Homenetmen or youth camps, my mother did not make choreg, I did not go to Sunday School, May 28th was not that special, my grandparents were not genocide survivors, and April 24th was not a day of protest but rather a day off when we d gather around the television and watch Mayrig. For our peers who were born in the diaspora, Armenia was the promised land where everyone spoke Armenian and one could see Mount Ararat from their window. For us, Armenia was and is a collection of memories from a childhood spent in cold winters, with a shortage of everything from drinking water to textbooks to electricity 'always in a state of constant need and of less and less hope ' I have been grateful to this country for all that it has given to me and my family. I have found little Armenias in church groups and student organizations, and have

kept those Armenias close to my heart. I have walked in Little Armenia (Glendale) and chanted '931915 never again, '94 I have donated to the Armenia Fund, attended banquets, danced while Harout Pamboukjian sang. Yet, I still constantly find myself outside of the diasporan structure. I have looked at the diaspora s efforts and been critical of how it is not a unified force. I ve been equally critical of how Armenia treats the diaspora as an ATM machine that exists solely to provide monetary resources with as little involvement in Armenian affairs as possible. Today, after having graduated from Berkeley, where in my capacity as the president of the Armenian Students Association I got to meet with Armenians from different stages of the diaspora, I am at crossroads. As a member of the first generation of so-called Stantsis, who were born in independent

Armenia and left to pursue opportunities thousands of miles away, I find myself equally distant from both directions. And I m trying to figure out where my Armenia stops and my diaspora begins. Gegham Mughnetsyan was born in Gyumri, Armenia, in 1991.

He moved to the United States in 2006 and settled in Glendale, Calif., with his family. In May 2013, he graduated from the University of California, Berkeley with a B.A. in peace and conflict studies. His honors thesis was titled, 'The United States Foreign Policy toward Nagorno-Karabagh.

WESTERN ARMENIA

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27

In a Turkish town that had 10,000 Armenians, now there is only one

by Chris Bohjalian

A woman I met last month in southwestern Turkey is going to die, probably sometime soon. Asiya s death will not be covered by any news service, and for all but a few people in her small village of Chunkush, she will not be missed. Even the relatives who love her will probably think to themselves, well, she was 98 years old. Or 99. Or, if she survives until 2015, somewhere in the neighborhood of a century. She will have lived a long life. When I met Asiya in May, her daughter brought me strong Kurdish tea and fresh strawberries from their yard, and when I return to her village someday and find that she has indeed passed away, I suspect I m going to weep. Why cry for a woman I met but once, who lived a long life and who couldn t understand a word I said? Who spoke only Turkish, a language in which I know how to say only please and thank you ? Because Asiya is what some people call a hidden Armenian, and she is the last surviving Armenian in Chunkush. I met her when I was traveling with six Armenian American friends through a part of Turkey that many Armenians (including me) refer to as Historic Armenia. We were in a region that today is largely Kurdish but as recently as 98 years ago was a mixture of Kurds, Turks, Assyrians and Armenians. We were making a pilgrimage to view the ruins of Armenian churches and monasteries, the remnants of a culture obliterated from this corner of the Earth in the Armenian genocide. During the First World War, 1.5 million Armenians were systematically annihilated three out of every four living in the Ottoman Empire. On our fifth day, we visited Chunkush, where until 1915 there was a thriving community of 10,000 Armenians. The ruins of the church loom over you. The town was almost entirely Armenian. Over a few nightmarish days that summer, Turkish gendarmes and Kurdish chetes killing parties descended on the village and marched almost every Armenian two hours

away to a ravine called Dudan, where they shot, bayoneted or simply threw them into a chasm of several hundred feet. One of the gendarmes pulled Asiya s mother from the line at the edge of the ravine, however, because he thought she was pretty. He decided he d marry her. And so she was spared one of the very few Armenians who were saved that summer day in 1915. My companions and I hadn t expected to find Asiya when we journeyed to Chunkush. We simply wanted to see the ruins of the church. Most of the villagers acknowledged that once upon a time Armenians had lived in Chunkush, but they were quick to add whenever we asked what had happened to them that at some point they had all moved away. The truth was, they were still there, whatever remained of their bones deteriorating at the bottom of the Dudan chasm. We didn t think there were any living Armenians in the town. But as we were leaving, a thin fellow in his 60s, with a deeply weathered face and a ball cap, raced up to our van and banged on the door. We had been there an hour, and word had spread that Americans were in town. We had to meet his mother-in-law, he said. Our Kurdish driver worried that this was the beginning of a nasty international incident: Seven Americans kidnapped or killed. But the fellow was desperate, so we agreed to come meet Asiya. My friend Khatchig Mouradian, editor of the Armenian Weekly in the United States, speaks Turkish and translated. I have met survivors of the Armenian genocide before, including my grandparents. But meeting Asiya was different. She wasn t in Washington or Paris or Beirut. She wasn t a part of the Armenian diaspora, where we usually find the few remaining survivors of the genocide. Here was someone whose mother had been at the edge of the gorge and who was still living where, more than likely, her grandparents and her father had been executed. Where her ancestral culture had been exterminated.

Asiya is what some people call a hidden Armenian, thought to be the last surviving Armenian in Chunkush, a small village in southeastern Turkey (photo: George Aghjayan).

After the massacre, the town of 10,000 Armenians was reinvented as a town of 10,000 Kurds. Here was someone whose mother had heard the endless gunshots. The crash of the bodies on the rocks. The wails of the children. She and her mother had grown up and grown old, aware of who and what they were Armenian but forced to conform and remain silent. That was the price of survival in the days after the genocide, and it s a custom that, in small villages such as Chunkush, endures today. That is, perhaps, the very definition of a hidden Armenian. Whenever we asked Asiya about being Armenian, she would shake her head ruefully and grow silent. One time her daughter chimed in: No. We can t talk about that. Whenever we asked what her mother had told her of the chasm, she would look down and murmur: I was too young. I don t remember. Sometimes she would begin a sentence, My mother said .'3f.'3f. but then her voice would trail off.

At one of those moments when she paused, I took her hand. It was a reflex, and I had no idea if this was a cultural faux pas. But she wrapped my fingers in hers; her grip was powerful. She looked at me from beneath her headdress with eyes that were at once among the saddest and the strongest I ve ever seen. I understood instantly why her son-in-law, a very good man, wanted us to meet her: It was because she wanted to meet us. She wanted to meet other Armenians. Today there are but a handful of living survivors of the Armenian genocide. When the centennial arrives in 2015, there will be fewer still. I hope that Asiya will be with us, because I plan to return to Chunkush that year. No one from the village is going to commemorate the 10,000 who died in that chasm, so it will be up to people like me to make that effort and, yes, to embrace the Asiyas of the world who were there. (The Washington Post, June 6, 2013)

Of Ruins and Renovations: Documenting Cultural Destruction in Turkey (RW)- I recently returned from my fourth trip to Western Armenia in the last 18 months. These journeys are emotionally draining. I am not sure I could make these trips alone; it is critical to have good people, good friends, with you. Fortunately, that was the case for me again this time. There are several reasons for subjecting myself to the difficult experience. Some are easier to put in words than others like visiting my grandparents villages and doing field research for my demographic studies. In this article, I attempt to convey some of my experiences from the trip as it helped me better understand my motivations. Our first full day in Van jolted me emotionally in an unexpected way. After visiting the Van fortress, Varagavank, and Garmravank, we were returning to the hotel when I requested making a detour to a place I had visited once before, 17 years ago, on my very first trip to Western Armenia. The village of Artemid was at one time a thriving village of Armenians dating back to the pre-Christian era. When I visited the village in 1996, the ruined church was being used as a barn, and a cemetery with some Armenian inscriptions remained. On that day in 1996, I saw two recently dug up graves, and could clearly see the jaw bone of one of the deceased. Turkish soldiers who had taken a keen interest in why I was photographing such things made my experience even more unpleasant. This time, there was no cemetery. In

the 17 years since I was last there, a road had been built right through the middle of it leading to new apartment buildings on the hillside. None of the gravestones with Armenian inscriptions remained. It was raining now and my friends and I slogged through thick mud in search of any evidence: a faint cross here squared stones there that may mark graves. As the rain came down, I took off my hat and let it wash over me. My friend asked, Are you ok brother? Truthfully, I was not. We went back to the church and found that it had been renovated in 2007. It now looked more like a military bunker than a church. Again, I was not ok. Why? It is not like the church had previously been extraordinary or the cemetery had been in pristine condition. Yet, something that I had not fully understood was starting to percolate in my mind. Earlier that day, when visiting Garmravank, my friend had noted that a new hole had appeared at the entrance since he had been there only six months prior likely by treasure seekers still searching. Two days later, we were in Chunkush and my companion from all four trips, Khatchig Mouradian, was struck the same way I had been struck in Artemid. The wall of the Catholic church there, already in ruins, had collapsed almost entirely since last May when we saw it last. For months, Khatchig had a photograph of himself at this scenic location on his Facebook page, and now what had already been in ruins

was more so and it was jarring. Two days later still, we once again visited my grandfather s village of Sakrat. In this village remains one lone wall from the church, the archway where the altar once stood. This was my third time in Sakrat, and as I stand before the altar my first thoughts are always that on that spot my grandfather was baptized 100 years ago. This year, after Garmravank after Artemid after Chunkush, I thanked the man who now owns the property for preserving that archway and told him I will be back. When we had been in Varagavank, the caretaker had indicated that there had been significant damage from the earthquake. I had not understood just how much until I returned home and compared my photographs to those on the internet taken by others. So yes, little by little, with the passing of time, our heritage is being destroyed, either purposely or by nature. It would be simplistic to say that I go to document these precious monuments to our existence on our lands before they are all gone. It is more than that. I do think there is a message there for the people currently living in these areas. It is important for them to know that we still are attached to the land and the culture. We will return again and again. We are grateful when our heritage is preserved and held in proper reverence, like The Armenian Catholic Church in Chunkush Varagavank, and we will take note when (Cungus) near Diyarbakir in May 2012 and May they are not, like Garmravank and Artemid. 2013 (photo by Khatchig Mouradian).

2013 î²ðÆ, ÂÆô 93 28 À.ÚàôÈÆê

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ֳ߻ñáõÝ Ñ³×»ÉÇ µáÛñ ï³Éáõ ѳٳñ ݳËÁÝïñ»ó¿ù ·Ý¹ÇÏ ë»õ åÕå»ÕÁ (Û³ïáõÏ ç³Õ³óùÇ û·ï³·áñÍáõÙáí) ÷áßÇ Ñ³Ù»Ù¿Ý. í»ñçÇÝë ųٳݳÏÇ ÁÝóóùÇÝ ÏÁ ÏáñëÝóÝ¿ Çñ µáÉáñ Û³ïÏáõÃÇõÝÝ»ñÁ` å³Ñ»Éáõ ÙÇ ÙdzÛÝ ÏÍáõ ѳ٠ÙÁ: ê»õ åÕå»ÕÁ Ï°³ßËáõųóÝ¿ çÕ³ÛÇÝ ¹ñáõÃÇõÝÁ: ÜáÛÝ ³Ûë åÕå»ÕÁ Ï°Çç»óÝ¿ ·¿ß ùáÉ»ëûñáÉÇÝ ïáÏáëÁ: ì»ñç³å¿ë, ë»õ åÕå»ÕÁ Ï°û·Ý¿ Ù³ñÙÝ¿Ý ¹áõñë ùß»Éáõ Ãáõݳõáñ ÝÇõûñÁ:

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øÇÙÇáÝÁ Çñ ß»ßïáõ³Í ѳÙáí »õ µáÛñáí ³é³õ»É³µ³ñ Ï°û·ï³·áñÍáõÇ ³ñ»õ»É»³Ý Ëáѳ·ÇñÝ»ñáõÝ Ù¿ç: øÇÙÇáÝÁ Ï°û·Ý¿, áñ ³ÕÇùÝ»ñáõÝ Ï³½»ñÁ ù³ÏáõÇÝ: سñëáÕáõÃÇõÝÁ ¹Çõñ³óÝáÕ ³Ûë ѳٻÙÁ ËÇëï Û³ÝÓݳñ³ñ»ÉÇ ¿ ͳÝñ Ï»ñ³ÏáõñÝ»ñ¿ »ïù, ³Ýßáõßï` ï³ù ËÙÇãùÇ Ó»õáí:

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ÚàôÈÆê 2013 À. î²ðÆ, ÂÆô 93

29

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Nancy Kricorian Presents...

questions from the audience about her meticulous research and about why she chose this story to tell. She said she is fascinated by the Diasporan experience: how genocide survivors, their children and grandchildren cope with the environment, rebuild and resurrect from the ashes of their past. She also revealed the topic of her next novel -the Armenian community living though Lebanon s civil war. AGBU Canada Board member Knar Basmadjian thanked the author for coming and for giving us the opportunity to know more about the workings of her novels and its characters. At the end, Kricorian signed copies of her book.

äáÉë³Ñ³Û ²ß˳ñѳÑéã³Ï...

Ï°»Ýó¹ñ»Ý: §Èáõë³ÝϳñãáõÃÇõÝÁ ³ñáõ»ëï ã¿, ³ÛÉ Çñ³Ï³ÝáõÃÇõÝÝ ¿, ÏÁ Ý»ñϳ۳óÝ¿ ³Ù¿Ý µ³Ý ³ÛÝå¿ë, ÇÝãå¿ë áñ ¿¦, Ýß»ó Éáõë³ÝϳñÇãÁ: §äáÉëáÛ ³ãù¦ ³ÝáõÝÁ ëï³ó³Í 85³Ù»³Û ÎÇõÉ»ñ Ñ»ÕÇÝ³Ï ¿ ³õ»ÉÇ ù³Ý 800 ѳ½³ñ Éáõë³ÝϳñÝ»ñáõ: ²Ý г۳ëï³ÝÇÝ áõ ÂáõñùÇáÛ µ³ñ»Ï³ÙáõÃÇõÝ ÏÁ Ù³Õÿ: ¸³ñáõë ɳõ³·áÛÝ Éáõë³ÝϳñÇãÁ ѳ۳ëï³Ý»³Ý óáõó³Ñ³Ý¹¿ë¿Ý »ïù Çñ ³ß˳ï³ÝùÝ»ñÁ åÇïÇ ÝáõÇñ¿ г۳ëï³ÝÇ Ð³Ýñ³å»ïáõû³Ý:

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Torontohye Newspaper Publisher Torontohye communications Inc. 45 Hallcrown Place Willowdale, ON M2J 4Y4 Email:torontohye@gmail.com Phone: (416) 491- 2900 ext. 3215 Fax: (416) 491- 2211

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them through all the hardship and horrors of the occupation. It was a dark time for Paris in both physical and moral terms: repression, violence accompanied by food shortages and blackouts loomed over the city. The German army siphoned off all agricultural products leaving the French hungry most of the time. Describing her agony by proxy Kricorian said she would crowd the pantry of her Manhattan home with food items that her characters lacked and would feel the cold of Paris on her skin. Listening to her was a learning experience both as to how a novel is constructed in the imagination of the author and how involved the Armenian community in Paris was in French resistance movement. Following her presentation, Kricorian took

ß³ñ. ¿ç 12¿Ý Ï»ñÝ»ñ, ë³Ï³ÛÝ óáõó³Ñ³Ý¹¿ëÇÝ Ý»ñϳ۳óáõ³Í »Ý ÙdzÛÝ 100 ѳïÁ, áñáíÑ»ï»õ Ùݳó»³ÉÇÝ ï»Õ ãÙݳó óáõó³ëñ³ÑÇÝ Ù¿ç¦: ²Ý ¹Çï»É ïáõ³õ, áñ í»ñçÇÝ ßñç³ÝÇÝ ß³ï»ñ ÏÁ ß÷áÃ»Ý Éáõë³ÝϳñÇãÇ áõ Éñ³·ñáÕ¬Éáõë³ÝϳñÇãÇ Ù³ëݳ·ÇïáõÃÇõÝÝ»ñÁ, ÿ»õ ³ÝáÝù ³ÙµáÕçáíÇÝ ï³ñµ»ñ »Ý »õ ï³ñµ»ñ ³ß˳ï³Ýù

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Design & Graphics: Ara Ter Haroutunian

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