undergraduate work
tiaré marin raa cockcroft
P R oct. 2026
email: tiarecockcroft@gmail.com
tiaré marin raa cockcroft
B. Interior Architecture
!
hi there
I am an interior architecture graduate from the University of Oregon who graduated Summa Cum Laude. I accelerated my degree and also gained double minors in Architecture and Sustainable Business. As I enter my professional career, everything I have learnt these past four years has aided in creating the designer I am today. As a global person myself, being Tahitian-British-American and growing up in Germany (Bremen + Kiel), Spain (Jávea + Mallorca), and the Netherlands (Eindhoven), I am always seeking new ways to incorporate the local culture within my designs. I like to use my international knowledge to help me create the spaces I design. I was a professional show jumper (horse rider) for Team USA throughout all of high school and middle school. I competed internationally and learnt how to work in a team. It also made me very disciplined and taught me how to manage my time. I am a highly passionate designer who seeks to shape the lives of people through spatial design. Designing not only the interior, but all aspects of the design, because design does not only start with the interior, it starts when one first steps foot onto the property. As Jan Gehl best said, the most important scale is the human scale.
humans.
I am just a human who designs for other humans.
education
Bachelor of Interior Architecture University of Oregon 2022 - June 2026 Minors: Architecture and Sustainable Business Barcelona Study Abroad Spring 2025 Copenhagen Study Abroad Summer 2025 Danish Institute for Study Abroad | DIS
academic achievements
Graduated Summa Cum Laude 2026 Design Excellence Award 2026 Awarded to Final Project School of Architecture and Environment 2024 Recognition Award for Design Studio Awarded for Studio project presented at the Undergraduate Research Symposium The Arthur and Flora Erfeldt Fund Recipient 2023
experience
Lead Architectural Advisor Aided the University of Oregon Real Estate Investment Group with the NAIOP Competition Teaching Assistant Department of Architecture UO Lead Videographer and Editor RCR 1-week workshop at La Vila
2024 - 2026
Winter 2025
March 2025
CAD Rendering
Rhino | Revit Enscape
Adobe CC
Illustrator | Photoshop | InDesign
skills
Microsoft Office
languages
Word | PowerPoint | Excel
English Spanish
Native Language
Catalan French
B1 B1
Dutch
A2
German
Native Language
A2
¡hola!
!
bonjour
contents 1 son fortuny
2 alchemy
3 svæve
Mallorca, Spain | 2026
Eugene, OR, USA | 2024
comprehensive interior architecture studio | Individual
IARC | Individual
let’s eat!
Copenhag 2025
furniture s Individua
gen, Denmark |
studio | al
4 cascadia
5 nasa
Barcelona, Spain | 2025
Houston, TX, USA | 2024
IARC | collaboration
ARCH | Individual
bon dia!
son fortuny year: 2026 professor: Solmaz Mohammadzadeh Kive & Esther Hagenlocher & Kelsey Buzzell location: Estellencs, Mallorca, Spain winner of the design excellence award for the interior architecture department
Building Section Parti
Circulation
This project restores a historic Mallorcan farmhouse as a regenerative wellness retreat that offers an alternative to the technology-driven nature of contemporary life. Rooted in the principles of simplicity, craftsmanship, and intentional living through
Geometry Divide
Courtyard Interaction
farming, cooking, and wellness practices. The design transforms the site into a sanctuary where architecture, agriculture, and hospitality work together to support physical restoration, mental clarity, and a deeper connection to place.
Done as my final capstone project.
1
Respectful Restoration
Weaving in Tradition
Nature as Healer
Finding beauty in the rustic, the imperfect, and the patina. Looking to the site for material choice, color selection, and landscape.
The importance of culture and heritage and the seamless fluidity of a hybrid culture between the old and new.
Native landscapes and outdoor rooms are woven throughout the site to provide a deeper connection to nature.
This project also included designing with Spanish building code and fire codes in mind.
main hotel | ground floor
S1
Cross Section Main Hotel cross section | main hotel 0’
2’
4’
8’
1/8” = 1’-0”
S1
Cross Section Main Hotel Ceramics
0’
2’
4’
8’
1/8” = 1’-0”
Basket Weaving Private Dining
Exhibition Restaurant
S2
Break Room Bar + Lounge Concierge Lobby
LAUNDRY
F1 S1
Offices
Staff Housing
Originalfloor Floor Plan original plan 0’
4’
8’
Demolition and Addition demolition and addition plan
16’
1/16” = 1’-0”
You follow a winding path to the main hotel. Once entering you are welcomed by the welcome lobby with a wide opening to the courtyard. This is the gathering hearth where you will take a pause before moving to your next activity. From here you can choose to go to the
welcome bar, pottery classes, restaurant, your room or explore the surrounding landscapes. The structure utilizes the natural historic style with found rocks and sandstone from the surrounding landscape along with river rock for the flooring in the courtyard.
main hotel | ground floor
The lobby serves as a threshold between the landscape and the retreat, creating a moment of pause, orientation, and calm. Filtered light and framed views establish a welcoming first impression.
Layered lighting combines indirect illumination, filtered daylight, and warm accents to enhance materiality and guide movement naturally through the lobby.
The material palette draws from Mallorca’s heritage through natural stone, handcrafted ceramics, and corten steel accents. These materials connect guests to local craftsmanship and the surrounding landscape.
Acoustic treatments soften ambient noise and create a calm environment. Subtle sounds and controlled reverberation help establish the restorative character of the retreat.
olive tree burl
corten steel
dry stone
travertine
sisal rug
natural terracotta tile
LED Back Lighting
Desk Detail Fastener
main hotel
S2
cross sectionSection | main hotel Cross Main Hotel 0’
4’
8’
16’
1/8” = 1’-0”
The central courtyard serves as a gathering point for social interaction but also as a source of climate control. Son Fortuny follows the Spanish culture of leaving windows open to allow air to circulate. This helps mitigate the temperature of the space throughout all seasons.
Gather in a Central Hearth
diagram of Diagram of moving Movinginstallation Installati
nion
Third Floor
terracotta tile
Second Floor
oak beams
dry stone construction
First Floor
Ground Floor
Courtyard Perspective
original structural axon
N 0’
4’
8’
16’
1/8” = 1’-0”
Basement
Courtyard Perspective
main hotel | suites
SERVICE
F2 12” 10” 1.5” 10” 1.5”
8’-0”
7’-0” 32” 1.5” 28”
12” 5” 20”
3’-9”
20”
Tadelakt
Travertine
Stonewashed Natural Linen
Travertine Pendant Lights
main hotel | guest circulation There is a single circulation path surrounding the courtyard, with large openings to create connections to the lower floors and allow for inhabitable walls through integrated seating and a snack bar. There is a breezeway addition that promotes air ventilation throughout the space.
SERVICE
Respectful Restoration is finding beauty in the rustic, the imperfect, and the patina. Looking to the site for material choice, color selection, and landscape.
Perforated Corten Steel
Natural Terracotta Tile Automatic Window Sequence
B Plate Girder Truss Wall Connection
ed eel
Natural Terracotta Tile
matic ow Sequence
breezeway addition detail *not to specific scale
Breezeway Addition Detail *not to specific scale
F3
F3
Inhabitable Walls is the ability to live in the thick walls and make use of the “lost” space that they occupy i n a respectful and carefully cut-out way.
main hotel | top floor bar
Corten Steel
Travertine
Backlit Onyx
main hotel | spa
Tea Room
S4
S3 Storage
Staff Housing
locker M
N 0’
2’
4’
8’
1/8” = 1’-0”
locker F
Laundry
B
S3
Longitudinal Section through longitudinal section through spa Spa 0’
4’
8’
16’
1/8” = 1’-0”
S4
Spa and Pools spa Hammam hammam and pools detailDetail sectionSection 0’
4’
8’
16’
1/8” = 1’-0”
teaching kitchen & dining pavilion
N 0’
2’
4’
8’
1/8” = 1’-0”
S6
S5
F 1-T
Located beside the farm and embedded within restored stone ruins, the teaching kitchen and dining pavilion celebrate the connection between food, landscape, and community. The space supports handson learning, shared meals, and seasonal gathering.
Natural daylight, open-air dining, and views to the surrounding fields immerse guests in the rhythms of the farm. The sensory experience is enriched through cooking, harvesting, and communal dining.
The sounds, scents, and activity of food The existing ruins are preserved and preparation create a lively yet intimate complemented with natural materials that atmosphere, reinforcing the relationship reflect Mallorca’s agricultural heritage. between nourishment, culture, and the land.
S5
Cross Section Dining Pavilion 0’
4’
8’
16’
1/8” = 1’-0”
S5
S6
cross section dining pavilion Cross Section Dining Pavilion 0’
4’
8’
Longitudinal Sectionteaching Teaching Kitchen longitudinal section kitchen 0’
4’
8’
16’
1/8” = 1’-0”
16’
1/8” = 1’-0”
S6
Longitudinal Section Teaching Kitchen 0’
4’
8’
16’
1/8” = 1’-0”
guest villas
N 0’
2’
4’
8’
1/8” = 1’-0”
F 1-V
floor plan - villa
S7
S7
roof plan
R
S7
S7
longitudinal section villa Longitudinal Section Villa 0’
4’
8’
16’
1/8” = 1’-0”
alchemy year: 2024 professor: Kyuho Ahn location: Eugene, OR, USA
This project is a refurbishment of a historical 1960s site. In this design, an addition was added to return it back to the former structures that have been removed. Alchemy is a restaurant that is a destination not just for your tastebuds, but all your
other senses. It creates the feeling of being grounded in a tree and being within a field of winding trees. The added structure was created to resemble a tree, and all fixtures, materials, and details were also selected to follow this tree motif design.
where you find you
ALCHEMY
RCP & LIGHTING STRATEGY The beams are meant to emulate tree branches. The skylights emphasize this tree-like atmosphere as they cast leaf-like shadows. The pendant lights that come from the ceiling, are meant to appear like birds nests floating in the trees. Overall, this RCP is meant to create an ambient tree experience.
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Daltile | Cream Limestone Tile Selected for the flooring as it is glazed and will be easy to clean opposed to wood or carpet.
Ziatile | Buff Honed Limestone Tile Selected for the flooring in the back of the house. It is brighter in color making it more reflective to light.
where you find your universal elixir
Stained and Natural Douglas-Fir Selected for the beams and columns. Native to Oregon, it will be possible to sustainably source the wood locally.
Original Floor Plan
Scale | 1/16” = 1’ - 0” where you find your universal elixir Maintained Elements
original floor plan
Demolished Elements
3 Form | Marrakesh Aura Glass Selected for the skylights to resemble leaves so that when light penetrates them, the space will have shadows much like a forest.
ALCHEMY
Entrance Façade Scale | 1/2” = 1’ - 0”
ALCHEMY
Entrance Façade
PARTI
Scale | 1/2” = 1’ - 0”
FIGURE GROUND
CIRCULATION
ZONING Back of House
SL1
Private
Lounge
Public
S B 2
SL1
SL2 S
PLAN floorFLOOR plan
B 2
Scale | 1/2” = 1’ - 0”
SL2
FLOOR PLAN Scale | 1/2” = 1’ - 0”
SL1
S
ur universal elixir B
2
ALCHEMY
SL1
SL2
Smooth GYP Ceiling Back of house 11’
Glulam Beam along ceiling plane
Frosted Skylights
Track light
Pendant
Glulam Beam along ceiling plane
Frosted Skylights
Track light
Pendant
Recessed Lighting
Bafflers with incorporated track lighting 11’
Recessed Lighting
Bafflers with incorporated track lighting 11’
2
Exit Sign 2.5’
2 x 2 GYP Drop Ceiling 9’
B
Smooth GYP Ceiling Back of house 11’
S
Exit Sign
Reflected Ceiling Plan Scale | 1/2” = 1’ - 0”
SL2 2 x 2 GYP Drop Ceiling 9’
12’
9” 4’ 8.2’
26”
24”
2.5’ 6.6’
26”
ALCHEMY
2’
ALCHEMY
Scale | 1/8” = 1’ - 0”
Scale | 1/2” = 1’ - 0”
Scale | 1/2” = 1’ - 0”
2.5’
9’
East Section
Bar Elevation
S B 2 | Bar Section 12’
Scale | 1/2” = 1’ - 0”
reflected ceiling plan
3.5’
3’
26”
Reflected Ceiling Plan
ALCHEMY
2’
ALCHEMY
9’
3.5’
3’ 9” 26”
4’ 8.2’
26”
24”
2.5’ 6.6’
26”
S B 2 | Bar Section
Bar Elevation
Scale | 1/2” = 1’ - 0”
Scale | 1/2” = 1’ - 0”
East Section Scale | 1/8” = 1’ - 0”
BATHROOMS
ALCHEMY
ALCHEMY
Longitudinal Section
Scale | 1/2” = 1’ - 0”
BATHROOMS
ALCHEMY
ALCHEMY
Longitudinal Tiaré Marin Section Cockcroft
Scale |Ahn 1/2” = 1’ - 0” ‘24 IARC 484 | Kyu-Ho | Spring Social Kitchen | Fusion
Entrance Façade Tiaré Marin Cockcroft
IARC 484 | Kyu-Ho Ahn | Spring ‘24 Social Kitchen | Fusion
entrance façade
Scale | 1/2” = 1’ - 0”
ALCHEMY
ot need much there is2.5’a sign
Selected as they are seemless and subtle and will not overstimulate the space leaving one to focus on the food and the historic structure.
kitchen). It creates a calming effect and has warm tones within the veins.
12’
2’
ALCHEMY
9’
size this 3’ s that come ees. Overall,
Daltile | Cream Limestone Tile Selected for the flooring as it is glazed and will be easy to clean opposed to wood or carpet.
Nordic LED Bamboo Pendant Lamp Selected as them appear almost like nests in a tree and create a warm ambient atmosphere.
3.5’
The bar in the main restaurant has “branches” that extend out to mark out the area and to provide additional light. The greyish blue tile is found behind the bar to encourage drinking and reserve food consumption for warm colored areas.
9” 26”
4’ 8.2’
26”
24”
26”
2.5’ 6.6’
Ziatile | Buff Honed Limestone Tile Selected for the flooring in the back of the house. It is brighter in color making it more reflective to light.
Mimosa Bamboo Bar Table Selected as it is almost the same design as the Fenway Oak tables ALCHEMY which will maintain consistency in the overall design.
S B 2 | Bar Section
S L |11/2” = 1’ - 0” Scale
Stained and Natural Douglas-Fir Selected for the beams and columns. Native to Oregon, it will be possible to sustainably source the wood locally.
Fenway 47” (4 people) & Oval (6 people) Oak Top Dining Table Selected due to its sleek design and seemless lines that appear almost to be like tree branches.
loor Plan
1/16” = 1’ - 0”
Maxim 11” and 4” Wide LED Canned Recessed Light Selected due to its subtlety.
3 Form | Marrakesh Aura Glass Selected for the skylights to resemble leaves so that when light penetrates them, the space will have shadows much like a forest.
CIRCULATION
ZONING Back of House
Private
Lounge
Structure | Tree Motif
Public
BATHROOMS
ALCHEMY
ALCHEMY
Reflected Ceiling Plan
Bafflers with incorporated track lighting 11’
Scale | 1/2” = 1’ - 0”
ALCHEMY
This center piece, the main “trunk” of the tree, is the meeting point and the central kitchen bar dining experience. The warm copper encourages eating and will patina overtime demonstrating the natural erosion, like a trees bark.
Interior Perspectives
ALCHEMY
LCHEMY
ALCHEMY
The main dining area makes E one feel like they are eating amongst the trees in a warmly lit space with warm grounding colors that encourage a healthy appetite and create a | 1/8” = 1’ - 0” Scale calming environment. Skylights above have leaf patterns contributing “tree” Wood in Kanji to the overall Wood in Alchemy Symbols motif. AL
East Section
Bar Elevation Scale | 1/2” = 1’ - 0”
your tastebuds, but also for all of your senses. Alchemy f motion, wind winding between the trees. This means that s around a tree motif. The back of the house is the tree est of the space.
fine dining meets affordability and where Japanese and create a one of a kind experience. Each plate will be or mocktail to be the elixir that balances all the tastes. Walk mongst the leaves and take in all that Alchemy has to offer.
Interior Perspectives
AKDO | 3” x 6” Lunar Grey Glass Selected for the backsplash in the bars as it is easy to clean and adds a slight contrast to the space to make them easily identifiable.
S
furniture are chosen to create a natural environment. tures, nature is an important aspect of life. Paying butes to Eugenes’ culture as well. This with a combination as, the bafflers and beams creating a tree-like effect in B
2
me erall,
Emperio Pink Quartz Emperio Pink Quartz Selected as the countertop finishes Selected as the countertop finishes in in visible planes (bar, display It creates a calming effect visible planeskitchen). (bar, display kitchen). and has warm tones within the veins. It creates a calming effect and has warm tones within the veins.
2
ts
B
. The much s a sign
S
Alchemy ans that he tree the lines created through The Woodwalls in Kanji and transparencies. Wood in Alchemy Symbols he space is quiet comprehensive and does not need much d, there are exit signs making each exit and there is a sign ese and will be es. Walk | 3” x 6” Lunar Grey Glass ALCHAKDO EMY Y AKDO | 3” x 6” Lunar Grey Glass to offer. Selected for the backsplash in the Selected for the backsplash in the bars as it is easy to clean and adds a slight bars as it is easy to clean and adds contrast to the space to make mulate tree branches. The skylightsthem emphasize this easily identifiable. a slight contrast to theThe space to make lights that come ey cast leaf-like shadows. pendant themlike easily identifiable. t to appear birds nests floating in the trees. Overall, ent. e an ambient tree experience. Copper Stretcher Copper Stretcher nation Selected for the backsplash in the Selected for the backsplash in the display kitchen. It appears almost like ct in display kitchen. It appears almost like bark on a tree and with age it will bark on a treechange andcolor. with age it will change color.
Original Floor Plan
Ceiling Tile Daltile |Smooth CreamGYP Limestone Back house 11’ as it is Selected for of the flooring glazed and will be easy to clean opposed to wood or carpet.
2 x 2 GYP Drop Ceiling 9’
2.5’
SL2 Emperio Pink Quartz Selected as the countertop finishes in visible planes (bar, display kitchen). It creates a calming effect and has warm tones within the veins.
ALCHEMY
ALCHEMY
Daltile | Cream Limestone Tile Limestone Tile Selected forDaltile the| Cream flooring asasit itisis Selected for the flooring and will be easy to clean glazed andglazed will be easy to clean opposed to wood or carpet. opposed to wood or carpet.
Longitudinal Section Lenny Kravitz Rake Brown Leather Counter Stool Selected as they are seemless and subtle and will not overstimulate the space leaving one to focus on the food and the historic structure.
Scale | 1/2” = 1’ - 0”
Ziatile | Buff Honed Limestone Ziatile | Buff Honed Limestone Tile Tile Selected for the flooring in the back It is brighter in color Selected forof the thehouse. flooring in the back making it more reflective to light. of the house. It is brighter in color making it more reflective to light. Stained and Natural Douglas-Fir Natural Douglas-Fir Selected forStained the and beams and columns. Selected for the beams and columns. Native to Oregon, it will Native to Oregon, it will be possible be possible to sustainably source the wood locally. to sustainably source the wood locally.
Scale | 1/16” = 1’ - 0”
S L Social 2 Kitchen | Fusion
3 Form | MarrakeshTrack Aura Glass Bafflers with Frosted Skylights light Pendant Recessed Lighting Nordic LED Bamboo Pendant incorporated track lighting 11’ Selected for3 Form the skylights to resemble | Marrakesh Aura Glass Lamp Selected for the skylights to Selected as them appear almost leaves so that when light penetrates resemble leaves so that when light like nests in a tree and create a penetrates them, the space will warm ambient atmosphere. them, the space will have shadows have shadows much like a forest. much like a forest.
ALCHEMY
2’
ALCHEMY
Lenny Kravitz Rake Brown Leather Dining Chair Selected as they are seemless and subtle and will not overstimulate the space leaving one to focus on the food and the historic structure.
IARC 484 | Kyu-Ho Ahn | Spring ‘24
Ziatile | Buff Honed Limestone Tile Selected for the flooring in the back of the house. It is brighter in color making it more reflective to light.
9’
Alicia Banquette Custom by Jamie Stern Selected due to its elegant appearance and resemblance to the other chairs in he space.
Glulam Beam along ceiling plane
Demolished Elements
12’
Wood is an important aspect of this design not only for the tree motif but as a natural element. Both cultures have a history a fine craftsmanship with this material. Thus paying homage to it not only through the structure but also the branding, will further emphasize the importance of this material. This material is also important for Oregon as it too is one of its specialities.
Tiaré Marin Cockcroft
Exterior Perspective
Exit Sign
Copper Stretcher Selected for the backsplash in the display kitchen. It appears almost like bark on a tree and with age it will change color.
Mimosa Bamboo Bar Table Selected as it is almost the same design as the Fenway Oak tables which will maintain consistency in the overall design.
3.5’
3’ 9” 26”
26”
24”
FIGURE GROUND Stained and Natural Douglas-Fir 4’ 8.2’
2.5’ 6.6’
Selected for the beams and columns. Native to Oregon, it will be possible to sustainably source the wood locally.
26”
CIRCULATION
S B 2 | Bar Section Scale | 1/2” = 1’ - 0”
ZONING Fenway 47” (4 people) & Oval (6 Back of House
Private
people) Oak Top Dining Table Selected due to its sleek design and seemless lines that appear almost to be like tree branches.
Bar Elevation Lounge
Public
Scale | 1/2” = 1’ - 0”
svæve year: 2025 professor: Erling Christoffersen & Dögg Guðmundsdóttir location: Copenhagen, DK
“Svæve” means to float. This chair defies gravity by “floating” both in its structure and also in its seat. The stretchers curve and are inset into the seat, creating the illusion that both the seat and back a floating away from the main structure.
This was constructed with ash wood and the plywood for the seat and back were made by hand by layering 3 ply to make 9 ply. The curve was also done by placing the ply on a mold and securing it with a ratchet crank.
3
All drawings were done by hand and at 1 to 1 scale. The construction of this piece was done through joinery and dominos. No hardware was used during construction.
back view
side view
front view
construction drawing
The chair tapers from the bottom to the top getting thinner the higher it goes. This makes it feel solid on the ground, and lighter as you rise up. It also is done this way because it follows not only the appearance but the structural needs.
All lines run parallel to each other. The seat and back follow the exact line of the chair structure, one inch apart to reinforce the floating idea and create a balance. The width and taper of the back and seat panels also run parallel to the taper of the structure below and follow each other’s lines to create continuity between seat and back.
cascadia year: 2025 professor: Philip Speranza location: Marina del Prat Vermell, Barcelona, ESP
Cascadia is a ground up housing project in We worked as a team of three with a developing neighbourhood in Barcelona, someone working on the urban space and Spain. another on the structure. This project focuses on fostering connections across generations to satisfy people’s feelings of belonging, family and sense of purpose within the community.
As this was a group project, I was in charge of designing all the interior spaces: the units, the kindergarten, the podium level, and the community spaces.
4
The structure of the building was done in a way to maximize the amount of housing we would be able to provide, whilst still complying with boundry laws. This is how the cascade structure came to be. It ensures every unit and surrounding buildings receive at least 1 hour of sunlight and also connects the street to the building encouraging connection. There are 177 units with the majority being 3 bedroom units. Others have 2 bedrooms and others have 1 bedroom units being provided in the corner intercept. All units have balconies to encourage interaction with neighbours, the podium level, and/or the street. It also allows for people to have access to their own personal green spaces.
podium level plan
The podium level is home to a kindergarten with 4 classrooms, a playground, an outdoor space, one apartment lobby, a school lobby, a teachers’ lounge, and a café.
people to enter the building and start their way up the cascade.
The podium level also provides a gathering point for people. There is seating around two trees with skylights providing daylight There is a large stair that is the main access to the ground level. It also provides direct point to the school, podium level, and access to the café and apartment lobby. apartments. This corner stair encourages
podium section to ground floor
This plan reflects a typical plan with units, but as reflected in the diagrams on the right, the units diminish with each step up as the building rises. There is a mixture of single-loaded and double-loaded corridors. All hallways are open air with a large open atrium which acts as the main staircase for the first couple floors.
typical unit floor plan
community space
llway Hallway Hallway Typologies Typologies Typologies
al Corridors Social Corridors Social Corridors
library hallway Storage Hallway Storage Hallway Storage Hallway
green hallway artistic hallway Green Hallway Green Hallway Green Hallway
Share and store Share and store Share and store
Walk throughWalk the park through Walk thethrough park the park
W/D
W/D
W/D
circulation
The community spaces on each floor follow the same plan as shown on the right. They have large outdoor spaces for outdoor connection, and an indoor community kitchen and seating areas. The community spaces are not limited to just these spaces, the hallways
Artistic Hallway Artistic Hallwa Artis
Paint your own Paint space your own Paintspac you
themselves serve as gathering points that foster community. Each floor has a typology, either a library hall with reading nooks or a green hallway to encourage gardening and lastly an artistic hallway to encourage connection through creativity.
typical community space section
typical community space floor plan
typical 6m x 12m unit plan W/D
Each unit follows a 3m x 3m grid. Within this grid is a modular wall unit. As an intergenerational housing complex needs change, people also need change. Children will move out, grandparents will move in. This modular wall adapts the space to the needs of the family throughout generations, accomodating to their lifetime needs.
A1
6 x 12 Unit Section
2 1
Kitchen Axon
1
Kitchen Elevation
2
Kitchen Elevation
1 2 3
1
Bathroom Elevation
2
Bathroom Elevation
3
Bathroom Elevation
Bathroom Axon
typical 9m x 9m unit plan
W/D
There are 9m x 9m units located on the southside of the building to allow for a single loaded corridor and to open space towards the end of the corridor for larger units. These units also have a modular wall system that utilizes folding acoridan walls to allow for space change.
This adaptability of spaces allows for a multitude of spatial configurations that can be seen in the plans to the right. The use of a green room surrounded by folding walls allows for the outdoors to expand the interior space when need be.
nasa year: 2024 professor: Mark Gillem location: Houston, TX, USA offered internship by heads of planning at NASA
This NASA project is an individual ground architectural project of a 100 000 sq. ft. building that features a training facility, research labs, admin, and astronaut housing. This was done in 9 weeks hence why there is a lot of empty space as it was not necessary to fill the spaces, only create the extensive plan and programming for all elements of the space.
It is located on the JSC NASA facility in Houston, Texas. This site has strict requirements to not outshine the other historic buildings such as Mission Control. In order to do that, patterns were used to not only meet aesthetic requirements, but also sustainability requirements.
Natural air cooling is important as Houston has a hot climate and thus having the ability to self-cool through underfloor air distributions, cross ventilation, and passive cooling through the atrium space, minimizes the need for electrical resources.
5
entrance lobby
guided tour catwalk circulation
Janitor 80 SF
W/C 64 SF
Mother's Room 80 SF
Classroom Workstation Servers 300 SF
Maintenance Supervisor 150 SF Government Director 120 SF Telecommunications Closets 120 SF
1/2” GWB Fiberglass insulation blanket with semi-permeable perforated facing
Soil with plantings
Classroom Workstation Servers 300 SF W/C 64 SF
Polyisocyanurate rigid foam insulation
Filter fabric
3’-0”
Common Kitchen 500 SF
Uninterrupted Power Supply 160 SF Break Room 309 SF Social Room Gym 600 SF 1000 SF
Drainage layer
Vapour barrier
Moisture retention layer
Pre-cast concrete
Lead Instructor Manage 120 SF
Waterproof/root barrier 2’-0”
Large Conference 990 SF
Thermal insulation Vapour control layer 18”
Protection course 0’
3’
0”
1”
Separation layer Structural deck
second floor
Astronaut Studios 400 SF
Laundry 300 SF
Communications Equipment Room 500 SF
Scheduling Office 200 SF
Telecommunications Closets 120 SF
A
Uninterrupted Power Supply 160 SF
B C D E F G
0”
1”
0’
30’
General Lab 1500 SF
General Lab 1500 SF
Mechanical 1000 SF
Fume/Chemical Storage 440 SF
Material Testing 330 SF
Prep Room 1626 SF
Shipping/Receiving 90 SF
A
Training Support Manager
B
Admin Assistant 90 SF
C
Quality
90 SF
Registrar
90 SF
D
120 SF
E
Facility Manager 90 SF
F G
Support Manager 120 SF Training Operations Manager 120 SF
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0’
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ground floor
General Lab 1500 SF
Disposal Ar Area
Clean Room 1058 SF
Break Room 150 SF
Janitor 80 SF
Instructor Workstations 1080 SF
General Conference 690 SF
er
Praire Green Roof
typical astronaut studios | 400 SF
Astronaut Laptop Room 600 SF
Mission Briefing 1200 SF
Space X Simulator 2000 SF
Break Room 150 SF Office/General Supply 200 SF
Training Room 1200 SF
Lobby Astronaut Housing Administrative
Training Room 1200 SF
Janitor 80 SF W/C 64 SF COMM Room 120 SF
General Simulator 3000 SF
Training Room 1200 SF
Reproduction Area 115 SF
Training Room 1200 SF
Mission Briefing 1200 SF
Lobby
Learning Resource Center 865 SF
Green Space Locker Room 280 SF
Gathering Space Tour Crculation
Indoor Pool 4800 SF
Mechanical 1000 SF
Lobby Laboratories Training Administrative
floor plan layout diagrams
The grand courtyard on the ground floor has an ephemeral lake. This lake will be filled according to the rainfall. This acts as a water capturing system that also creates a beautiful landscape for the employees to enjoy.
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38’
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1”
5’ 15’
0’
38’
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1”
5’ 65’
15’ 5’ 15’ 5’
0’
38’
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1”
This building utilizes triple-pane windows on all façades and has deep overhangs as shading devices, especially on the south façades. The exterior walls are R-40 providing excellent thermal and moisture management, good for Texas weather. 0’ 38’
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1”
The majority of the roof is a green roof, whether that be an extensive praire system above the training wing, or the intensive courtyard gardens found in the housing area. This reduces the water runoff, reduces the temperature, reduces energy consumption, and creates a nice space for users to interact with.
5’ 15’ 10’ 15’ 5’ 15’ 5’
The use of narrow wings to gain light from two sides minimizes the neccesity for electrical lighting. Although the building is highly glazed, the use of deep overhangs minimizes the heat exposure and solar glare for the interior spaces.
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tiarecockcroft +1 (541) 6 +31 6 11
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