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Fatoumata Diawara (guitar & vocals)
Sam Dickey (guitar)
Shea Pierre (keyboards)
Joshua Brozosky (bass)
ayne Matthews (drums)
Jorge Glem (cuatro)
THE TOWN HALL 123 W 43rd st nyc
director
irector
irector
, Associate Artistic director & Archivist
irector
CINDY BYRAM PR , Publicity
CARL ACAMPORA , Production Manager
ALEX KOVEOS , digital Media Manager
LEIA-LEE DORAN , Principal designer

Malian singer, songwriter, guitarist, and actor
Fatoumata Diawara brings her mesmerizing blend of traditional african music and elements of Western pop, rock, afrobeat, funk and r&b to the town Hall.

One of the most remarkable voices to emerge in world pop in recent years, Fatoumata Diawara’s music boldly blurs the lines between tradition and innovation. i n the arc of a song, she can move from delicate textures and hypnotic grooves to hard-edged rock and back. Not surprisingly, her work has attracted the attention of musicians working on a broad range of styles, leading to collaborations with artists as diverse as Flea ( r ed Hot Chili Peppers), Cuban jazz pianist r oberto Fonseca; singer b obby Womack; singer and songwriter Damon a lbarn (of b lur and Gorillaz fame); jazz master Herbie Hancock, and e thiopian composer and arranger Mulatu a statke, among others.
Living now in i taly after many years based in Paris, France, Diawara sings mostly in b ambara, the national language of Mali, and builds on the tradition of “songs of advice” from the culture of her ancestral Wassoulou region. i n her songs, Diawara has addressed issues such as the pain of emigration; a need for mutual respect; the struggles of a frican women; life under the rule of religious fundamentalists, and the practice of female circumcision.
at her town Hall appearance, fronting a quintet featuring electric guitar, keyboards, bass, and drums, Diawara will be featuring songs from her most recent album, fittingly titled Fenfo , which translates as “ s omething to s ay.” Fenfo was nominated for a G ra MM y in the b est World Music a lbum.
i ndeed, her music has a punch — and a conscience.
“ i didn’t want to sing in e nglish or French because i wanted to respect my a frican heritage,” she once explained. “ b ut i wanted a modern sound because that’s the world i live in. i ’m a traditionalist, but i need to experiment, too. you can keep your roots and influences but communicate them in a different style.”
Her main message is hope, she said in a recent interview. i t’s all “about the world, peace, how a frica can be a better place, especially for women, because i am one, and i am a survivor,” she elaborated. “ i want to encourage those who have lost hope.”
i t’s a blend of artistry and social engagement that embodies the spirit of the town Hall’s Global i cons series, part of the programs leading up to the venue’s 100th anniversary celebration next year, and resonates with the history of the hall itself. t he town Hall opened in 1921 as a meeting space to debate the important issues of the day. i t has been the home and birthplace to landmark social, cultural and musical events in a merican life.


b orn in the i vory Coast in 1982 to Malian parents, Diawara grew up in b amako, Mali’s capital. s he went to live with an aunt who was an actress, which eventually led to her appearing on film and becoming a celebrated child star. i n what sounds like an old Hollywood script, defying the wishes of her parents who wanted her to marry, Diawara, then 19, joined a French street theatre company and fled b amako a step ahead of the police who had been told she had been kidnapped. i t was during her time with the theater company that her music-making grew from pasttime to passion and a new career.
Diawara’s singing became a feature of the company’s performances and soon she began appearing in the clubs and cafes of Paris. t hat led to her working with jazz singer Dee Dee b ridgewater and Malian superstar Oumou s angaré and, eventually, to her debut album, Fatou , in 2011, which she produced and for which she wrote all the songs in addition to playing guitar and percussion.
“ i started writing songs first—it wasn’t my idea to play an instrument, because, in Mali, that’s not common,” she told sheshredsmag.com last year. “Women normally don’t play instruments. you don’t grow up to be something like this. b ut i was too dependent on other people when i began performing, and i don’t like that. i like to be independent if i can. i t was becoming necessary to play and perform without a band. s o i went to the market, bought a book, and began learning.”
i n parallel, she also continued her career as an actor, including a role in the 2014 film Timbuktu , which received both ba F ta and a cademy award nominations and won b est Film at the 11th a frica Movie a cademy awards. Film work continues — but she leaves no doubts about where her creative heart is.
“ i ’m still making movies, every two years or so. i do like acting. b ut music is more ‘me’. i t’s my hope, my love for my continent. i t’s my communication with my generation. i t’s my conversation with the next generation.”
a s part of her evolution as songwriter and performer, Diawara has turned to the electric guitar (she called it “my soul mate” in a recent interview), which she also taught herself. “ t here aren’t many a frican women that play the electric guitar so i wanted to be the one.”
t he look and sound — Diawara holding center stage in a frican garb with an electric guitar, before what looks and often sounds like a rock band — instantly sums up her approach.
“Musically, you will realize that i don’t have a traditional instrument in my band,” she said recently. “ t he only traditional instrument in my band is my voice. i t is the voice that brings the tradition.” Her work, she said, has “one foot in traditional music and one foot in modern music.”

s ince moving to Los a ngeles from her native Guatemala, singer-songwriter Gaby Moreno has released five albums, earned a Latin G ra MM y for “ b est New a rtist” (2013) and a G ra MM y nomination for her album Illusion (2017). s he was nominated for an e mmy award with cowriter Vincent Jones for their theme song to the t V series Parks and Recreation . Moreno also sings the theme song to – and voices the character of Marlena in -- the e mmywinning Disney t V series Elena of Avalor , which features Disney’s first Latina princess. s he has toured with tracy Chapman, Hugh Laurie and a ni DiFranco and is a regular guest on public radio’s Live From Here with Chris Thile . Her latest album ¡Spangled! is a collaboration with musician, songwriter and producer Van Dyke Parks. t he 10-song set, released on Nonesuch r ecords in 2019, celebrates the migration of song across the a mericas and features guest appearances by r y Cooder and Jackson b rowne.
gaby-moreno.com
New york City-based Venezuelan musician Jorge Glem is a G ra MM y and Latin G ra MM y nominee who has shared the stage with a who’s-who of Latin stars, including Paquito D’ r ivera, Carlos Vives, Calle 13, and Nella. a master of the cuatro, he is committed is to presenting Venezuela’s iconic stringed instrument to audiences around the world.
The Town Hall’s mission is to provide affordable world-class entertainment by new and established artists to a diverse audience; to inspire the youth of our community to appreciate and participate in the arts at The Town Hall and in schools through our education Outreach Program; and to preserve and enhance The Town Hall as a historic landmark venue for the enjoyment and cultural enrichment of generations to come.
B oa RD o F TRUST ee S
P RESIDENT
tom Wirtshafter
P RESIDENT E MERITUS
Marvin Leffler
E XECUTIVE V ICE P RESIDENT
susan Zohn
T RUSTEES
Jacobo almuiña
Phyllis Putter barasch robert e evanson
anne Frank-shapiro
alfred H. Horowitz
Henry Johansson
bruce s. Leffler
Marvin Leffler
David F. McCarthy
ellen Miller-Wachtel
andrew t. Miltenberg
rita robbins
Madhu southworth
Nevin steinberg
tom Wirtshafter
susan Zohn
LIFE TRUSTEES
Leona Chanin
Mary Dettling-Wright
T he Town hall STa FF
E XECUTIVE D IRECTOR
Lawrence C. Zucker
A RTISTIC D IRECTOR
M.a. Papper
D IRECTOR OF A DMINISTRATION ,
S UBSCRIPTIONS & M EMBERSHIP
Helen Morris
D IRECTOR OF D EVELOPMENT
Jacqueline Maddox
D IRECTOR OF E DUCATION
Lauren Noble
D IRECTOR O F M ARKETIN g
Jeff Mann
ASSOCIATE A RTISTIC
D IRECTOR & A RCHIVIST
Melay araya
D I g ITAL M EDIA M ANAg ER
alex Koveos
P RINCIPAL D ESI g NER
Leia-lee Doran
V ICE P RESIDENT
alfred H. Horowitz
V ICE P RESIDENT
bruce s. Leffler
T REASURER
andrew t. Miltenberg
S ECRETARY
Phyllis Putter barasch
A DVISORY COUNCIL
Kathleen rosenberg, Chair
Nancy berman
shauna Denkensohn
sandy Horowitz elizabeth iannizzi
Zita rosenthal
rhoda rothkopf
A RTS IN E DUCATION
A DVISORY COUNCIL
Dr. Charlotte K. Frank, Chair
Michael Fram
Dr. sharon Dunn
Gary Hecht
ernest Logan
Dr. Lisa Mars
Dr. eloise Messineo
Dr. Pola rosen
Leona shapiro
George young
T ECHNICAL D IRECTOR
bill Dehling
B OX O FFICE M ANAg ER angel rodriguez
C HIEF E N g INEER steve Franqui
H OUSE M ANAg ER richard Looney
I NSTITUTIONAL gIVIN g ASSOCIATE
b arbara Matovu
D EVELOPMENT ASSISTANT P. H. Lawson
A DMINISTRATIVE ASSISTANT britni Montalbano
E DUCATION ASSISTANT
s ophie s iegel-Warren
E DUCATION A DMINISTRATION
ASSISTANT
Kylee brinkman
the photographing or sound recording of any performance or the possession of any device for such photographing or sound recording inside the theatre without the written permission of the management is prohibited by law. Violators may be punished by ejection and violations may render the offender liable for monetary damages.
the exit indicated by a red light and sign nearest to the seat you occupy is the shortest route to the street. in the event of fire or other emergency please do not run, WaLK tO tHat eXit thoughtless persons annoy patrons and endanger the safety of others by lighting matches or smoking in prohibited areas during the performances and intermissions. this violates a city ordinance and is punishable by law.
-FIRE COMMISSIONER
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Cell phones should be silenced prior to the performance as a courtesy to the performers and audience.
LOBBY R EFRESHMENT BY theatre refreshment Company of Ny
This program is supported, in part, by public funds from The New York City Department of Cultural Affairs in partnership with the City Council. Town Hall’s education Outreach Program and Global Icons Series are made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. We would like to thank the following foundations, corporations, and government institutions for their support:
the achelis and bodman Foundation
affiliated advisors apple inc. bank of america the blakeley Foundation
Consolidated edison Company of New york
Cravath, swaine & Moore
robert evanson
Dr. Charlotte K. Frank
Garber atlas Fries & associates the Hearst Foundations, inc. the Hyde & Watson Foundation
JP Morgan Chase
Jujamcyn theaters
edythe Kenner Foundation
the Kinder Morgan Foundation the Jacob & Valeria Langeloth Foundation
Lewis QVC trust
Local One
the Mansfield Family Foundation
Morgan stanley
Nederlander Organization
Nesenoff & Miltenberg, LLP
New york City Department of Cultural affairs
New york state Council on the arts

New york university
stavros Niarchos Foundation
Henry Nias Foundation
Office of the President, borough of Manhattan, Gale a brewer
Pamela and richard rubinstein Foundation
Pricewaterhouse Cooper the reed Foundation
s&P Global the shubert Foundation the shubert Organization, inc.
theatre refreshments
ticketmaster
Wenner Foundation

as of Jan. 16, 2020
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Bank of America applauds The Town Hall for its success in bringing the arts to audiences throughout the community. We commend you on creating an opportunity for all to enjoy and share a cultural experience. Here's to another season of Broadway by the Year! Visit us at bankofamerica.com/arts.