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THE GROUNDSKEEPER Foreman/Laborer. Contact Todd Lewis at ponddoctor. todd@yahoo.com. Go to OmahaJobs.com for more information. OMAHA STEAKS Copy Writer. Go to OmahaJobs.com for more information. KANSAS WORKS All industries. Go to OmahaJobs.com for information. METROPOLITAN COMMUNITY COLLEGE Digital Instructional Designer. Go to OmahaJobs.com for more information.

CORESLAB STRUCTURES General Laborers, Carpenter, QA Inspector and a Mechanic. Contact Amanda Becker at abecker@coreslab.com. Go to OmahaJobs.com for information. JENSEN GARDENS Landscape Foreman and Horticulturalist. Contact Sue at sue@jensengardens.com. Go to OmahaJobs.com for info. ALEGENT CREIGHON HEALTH Supervisor-RN Maternal Services IMC FT. Contact Teri Prochaska @ teri.prochaska@alegent.org. Go to OmahaJobs.com more info.

BATH FITTER Sales Consultant. Contact Jerry Worth at jworth@ omahabf.com. Go to OmahaJobs.com for more information.

HY-VEE Floral Designer, Certiﬁed Pharmacy Technician, Pharmacy Intern. Contact Todd Lewis at ponddoctor.todd@ yahoo.com Go to OmahaJobs.com for information.

J.A. KING Account Manager. Contact Marjie Troutman at marjie. troutman@jaking.com. Go to OmahaJobs.com for more information.

CATHOLIC CHARITIES Therapist & U/A Program Asst./Data Specialist. Bonnie Pulte at bonniep@ ccomaha.org. Go to OmahaJobs.com for information.

ALPINE ACADEMY Family Teachers.Contact Michele at mboguslofski@ alpineacademy.org. Go to OmahaJobs.com for info. SNELLING STAFFING SERVICES See all listings at OmahaJobs.com for information. OMAHA STEAKS Customer Acquisition Marketing Manager. Go to OmahaJobs.com for information. BETTER LIVING, INC. Direct Support Professional. Contact Human Resources at onlineapp@bliconnect. com. Go to OmahaJobs.com for more information. GRINDSTONE HARDSCAPES Foreman. Contact Josh Graczyk at metzbr@gmail. com or 308-440-9854.Go to OmahaJobs.com for info. THE GOOD FEET STORE Assistant Manager for Sales. Contact Lisa at lisa@goodfeetmidwest.com. Go to OmahaJobs.com Job Fair for more information.

PREMIUM RETAIL SERVICES Temporary, Daytime Reset. Contact Brittany Cotner at Brittany.cotner@premiumretail.com. Go to OmahaJobs. com for more information. TRADE WELL PALLET CDL A Driver-Sawmill. Contact Doug Cheney at dcheney@tradewellpallet. com. Go to OmahaJobs.com for more information. PROFESSIONAL HEALTHCARE SRVCS Licensed Practical Nurse. Contact Laura Jensen at ljensen@phcsonline.com. Go to OmahaJobs.com. OMAHA STEAKS Electrical Maintenance, Mechanic & Night Sanitation. Contact Maricela Garcia at maricelag@omahasteaks. com. Go to OmahaJobs.com for more information. KINGHORN GARDENS Gardners Wanted. Contact Dan at dan@kinghorngardens.com. Go to OmahaJobs.com for information.

AUTO 1 TOWING Tow Truck Driver. Contact Kim at auto1safety.com. Go to OmahaJobs.com for info. CORESLAB STRUCTURES General Laborers, Carpenter, QA Inspector & Mechanic. Contact Amanda Becker at abecker@coreslab.com. Go to OmahaJobs.com for more information. CONVERGYS Inbound Customer Service Sales Agents. Go to OmahaJobs.com for information. ALEGENT CREIGHON HEALTH Cook Lakeside Hospital OnCall. Contact Todd Molstad at todd.molstad@alegent. com. Go to OmahaJobs.com for more information. HY-VEE Now Hiring Multiple Positions. Go to OmahaJobs. com for more information. WEST CORPORATION Now Hiring Multiple Positions. Go to OmahaJobs. com for more information.

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WEIGAN-OMEGA Brandies Residential Concierge. Contact Stephen Tipton at s_lor@hotmail.com. Go to OmahaJobs.com for more information. CRETE CARRIER SQL Developer. Contact Elizabeth Coker at ecoker@ cretecarrier.com. Go to OmahaJobs.com for info. METROPOLITAN COMMUNITY COLLEGE Faculty, Administrator, Staff Positions. Go to OmahaJobs.com for information KINGHORN GARDENS Nursery Yard Supervisor. Contact Dan at dan@kinghorngardens.com. Go to OmahaJobs.com for info. AAA LIFE INSURANCE Customer Service Representative. Go to OmahaJobs.com for nformation. FIRST DATA Now Hiring Multiple Positions. Go to OmahaJobs. com for more information.

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•

EVENT TIME

5:30-8 PM

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TO PURCHASE TICKETS, CONTACT NFFCEVENT@GMAIL.COM

TICKETS FOR $35

More information at ne-friends.org

OFFICE IN THE HEART OF

Pioneer Publishing, the parent company of El Perico and The Reader, has co-working space available near the heart of South Omaha for creative professionals looking for a great work atmosphere for as little as $75/ month, including internet service. Perfect studio space available for the right person.

Small, public-facing ofﬁce available in the heart of South Omaha with shared reception area and conference room. Includes street signage opportunity and internet. Great Value!

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MARCH 27 - APRIL 2, 2014

| THE READER |

omaha jobs

Please contact Clay Seaman, clays@thereader.com or 402-341-7323 x108 if you are interested.

heartlandhealing N E W A G E H E A LT H A N D W E L L N E S S B Y M I C H A E L B R AU N S T E I N

Wash Away Sinus Troubles

t’s Spring again and time to revisit the use of one of the most practical ways to address seasonal allergies and sinus issues. Nothing bugs me more than watching Western culture take something that has been successful for thousands of years, misunderstanding how it works and then trying to adapt it to our ignorance of the body. Such is the case with the venerable neti pot, used since the early days of ayurvedic medicine, up to 5000 years ago. Now big drugstore chains sell squeeze bottles with premixed solution for nasal irrigation and instructions on how to do it the wrong way. I’ll stick to the time-tested neti pot. Thousands of years ago, the wise men on the subcontinent of India realized that a regular nose douche with a saline solution would improve the health of the nasal membranes. It keeps the nose and sinuses clean, removes pollutants and allows the nasopharyngeal cavity to function at peak ability. As described in the ancient medical practice known as Ayurveda, the rishis, or Ayurvedic wise men, used a device known as a neti pot. The practice of using the pot is known as jala neti. Though a common part of daily hygiene in other parts of the world, jala neti is only recently catching on with Western culture. Our nose is a front line of defense. It warms and filters the air we breathe. It traps dirt and diseasecarrying pathogens, leaving behind boogers as it does. Directly connected to our brain, with millions of sensors to identify malodorous molecules, our nose is an early warning system beyond compare, telling us when something is bad. A bad smell it can tell. The nose knows. And, a flu virus is usually first detected in its mucous membranes. Our nasal passages and sinuses protect our body. Like a furnace filter, those nasal passages must be clean and in good shape to do the job. Year round and especially in spring, the nose is assaulted by mold spores, pollen, dry air and debris, challenging the healthy state of our natural filter system. Tip the snot pot. One way to help the nasal passages stay healthy is to keep them clean. When there’s a gush of mucous, a Kleenex might do. But what about the subtler level; the microscopic particles that pollute our snoot? Like other internal skin surfaces, the nasal cavity is comprised of moist, soft and warm mucous membrane. It traps intrusive dust particles, bacteria and

other invaders. The membrane is kept moist by the normal secretions of our body. That secretion is slightly salty and the equivalent of what is called a “normal saline solution.” The fact that the fluid inside our body is slightly salty gives a clue to what is appropriate to cleanse our internal membranes. Combining the proper solution with the correct use of the neti pot is an age-old success story. The Doc Knows For years, our family chiropractor has been telling us about neti. “It’s absolutely a beneficial regimen,” said Dr. Shawn Schmidt of Omaha’s Natural Health Center, PC. “Especially with the climate we have in the Midwest, there is a tremendous strain on the breathing cavity in general. Many times irrigating with a neti pot and a mild saline solution can get rid of an infection without the patient resorting to some nasty antibiotic. “Using a neti is relatively easy,” Schmidt noted. “It’s gentle, has little or no side effects and is really easy once you get the hang of it. I have a formula that I recommend that uses simple sea salt and a couple of other things and is very mild but effective.” Neti is easy. Most of us are initially uncomfortable with the idea of water going up our nose, usually because in the past it’s happened when we haven’t been in control of it (see waterboarding). With jala neti, one tilts the head to the side and gently pours the saline solution in one nostril. The head is tilted forward slightly so that the solution can flow through and out the other nostril. Taking less than three minutes, it’s easily incorporated into daily hygiene. I prefer the traditional, low, flat neti pot over the bulbous type. Mine is easier to use. Avoid the Squeeze Using a kit from a drugstore is the last thing I would do. Doing something the wrong way is worse than doing nothing at all. Those squeeze bottles force the liquid under pressure into the nasal passage and it can enter the sinus. Neti experts advise never to force the solution into the sinus. Let it gently flow past and draw mucous and debris from the cavities. Use only purified water (not tap). One option is to learn the proper method from an experienced practitioner. Keeping the nose, sinuses and associated mucous membranes clean and clear makes breathing easier and helps keep life stress-free. The first line of defense against disease deserves a little attention. Many who use neti find a lower incidence of colds, flu, allergies and sinus problems Be well. ,

HEARTLAND HEALING is a New Age polemic describing alternatives to conventional methods

of healing the body, mind and planet. It is provided as information and entertainment, certainly not medical advice. It is not an endorsement of any particular therapy, either by the writer or The Reader. Visit HeartlandHealing.com for more information.

VISIONS FROM FIVE MINUTES INTO THE FUTURE • MARCH 27, 2014 • Over the next few decades, we will have a few years known as "The Endless Winter," during which, do to catastrophic climate change, it will snow year-round and the temperature will rarely rise above a winter's chill. This will have a devastating effect on

American agriculture, and we will be forced to import much of our food at great cost. Cities will begin to connect their downtown buildings via tunnel or skyway systems, businesses that rely on outdoorAD patrons will go bankrupt, 3: WEEK OF MAR and cabin fever will be endemic.

10, MAR

A R T E X H I B I T • M A R C H 7 - 2 9, 2 0 1 4

Embrace Creativity! April 5

10 a.m.

$35

April 10

6 p.m.

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April 15

6 p.m.

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Song Writing with Beth Heimann Omaha Creative Institute Spring Fling Artist INC Info Session

Information and Registration OmahaCreativeInstitute.org Rebecca@OmahaCreativeInstitute.org 785-218-3061

heartland healing

Macafee Paintings Originals and prints available

Artists' Cooperative Gallery 405 S. 11th St. Omaha, NE 68102

www.macafeefineart.com | THE READER |

MARCH 27 - APRIL 2, 2014

PHOTOS BY MICHAEL HENNINGS

BY JESSICA CLEM MCCLAREN

C R A F T, COMFORT AND ROOM TO GROW: REVIEW OF WILSON AND WASHBURN

MARCH 27 - APRIL 2, 2014

n a town saturated with bars, bar and restaurant Wilson and Washburn is brimming with potential. The decor of the bar is dark and warm with a hint of sexy, as images of burlesque dancers are framed on the brick walls. A large wooden apothecary holds shelves of spirits, 24 taps of local and international beers, and two large flat screen televisions. A staircase angles up the back of bar near the kitchen, leading to a lounge area upstairs with a capacity for 50 people, perfect for parties or work functions. Located a block from the Orpheum Theater, Wilson and Washburn is barely on the outskirts of the Old Market, with better bets for parking and avoiding the overspill from the core of downtown. Owner Jeff Luby and former partner Eric Hochstein opened Wilson and Washburn in late July of 2013. Prior to this venture, Luby tended bar in New York for 15

tense that she be buried under 9 feet of concrete next to her husband, Dan Allen, so that her corpse could rest in peace without the threat of being...resurfaced. I was more than ready for a drink after that story. I asked the bartender to make me a drink of his choice with whisky as the main act. Artfully, he measured Bulleit, simple syrup, bitters, chilled coffee and ice together, with the pleasant sound of ice chipping in the shaker as the alcohol forced its way through the cracks. Garnished with an orange peel, the Dirty Wicked ($8.50) is a signature drink of the bar, and a tasty one at that. The chilled coffee marries nicely with the bourbon, though it did get a bit watery towards the end. Curious about the menu, I asked Ruesch to bring me two items of note, one vegetarian, and one meat. In no time, he brought out two sandwiches; the House

years. Currently, he is the sole owner. “(Hochstein) is still a founding partner and a great friend,” he said. “We’ve had a few changes and are still evolving. No matter what, we are still a neighborhood bar serving excellent drinks.” There have been some recent changes in the kitchen as well. Former Chef Hiomara Van Den Boogaart moved on to open a new establishment in 2013, and has been replaced with Bradley Ruesch, the former sous chef with a polite demeanor and plenty of enthusiasm. “I’ve been here since January of this year,” he said. “I was the former chef at Omaha Tap House, and decided to expand my knowledge of the industry, and I was intrigued by the potential of this menu.” Omaha history is rich in this place. Wilson and Washburn is named after Anna Wilson, an influential madam, and Josie Washburn, a member of her staff. Luby dubbed this bar “a serious comfort station,” a term formerly used to sugarcoat the word “brothel.” Luby, wellread and eager to share his knowledge on the subject, was glad to give us an overview of Omaha’s outlaw history. Back alley sewer entrances to brothels hid some of Omaha’s most prominent businessmen from prying eyes through the 1800s. In the 19th century, Wilson donated her fortune to the City of Omaha (her 25 room brother was turned into a hospital), under the pre-

Smoked Pulled Pork ($8), and the Beet Burger ($8). “I am so proud of this burger,” said Ruesch. “People who may not like beets get this burger and love it. We also feature beet chips, which are very popular. It’s one of the ways we stay original with a fantastic menu.” I was surprised to not receive any of the beet chips. Instead, we had regular potato chips served alongside our sandwiches. The beet burger was tasty. It held together very nicely, thick and chewy just like an actual burger, the red inside reminiscent of a rare patty. This hefty sphere sat atop a pool of house made smoked peanut butter, topped with pickled jalapenos. The flavors blended beautifully, however, the burger itself was a bit dry. Regardless, this dish is an excellent option for vegans who want to enjoy some top notch bar food. The pulled pork was quite spicy. Smothered in a house made barbecue sauce, the meat was tender and flaky, a delicious combination. This pork was complemented by a layer of fresh coleslaw, giving it an extra crunch. My only complaint was the potato chips. Stale and anticlimactic, they were the homely companion to otherwise beautiful dishes. The beet chips would have been a much better compliment. One thing for sure is the staff of Wilson and Washburn are aiming for stellar service, and they are delivering. The brand story is fantastic, and the atmosphere appropriate for fans of craft beer and cocktails. The kitchen is an eclectic mix of past staples and new dishes, a pairing that will take a bit of time to develop. With the enthusiasm from both owner and chef, this place is sure to continue its growth in the Omaha bar scene. ,

Wilson and Washburn: A Serious Comfort Station 1407 Harney St. 402-991-6950 wilsonandwashburn.com

| THE READER |

dish

Tequila Corner

’d like to think that you and I have grown a little closer over the past few months. I’ve shared my tequila adventures with you and I’m confident in saying that I’ve never steered you wrong when it comes to tequila and food. So trust me when I say that you need to make your reservation now to attend the upcoming tequila tasting dinner on Thursday, April 17. This one takes place at the La Mesa on 110th and Maple from 6:00-8:00 in the evening. The La Mesa tequila tasting I attended last year was a lot of fun. We sampled a bunch of different tequila choices alongside a variety of food and had a blast. Now that there’s another tequila tasting scheduled, I’m trying to let everyone know that this is an evening they don’t want to miss. It’s a complete dinner with appetizers, salad, your choice of entrée from a special menu and a dessert. As far as the tequila goes, expect to taste both types of Tequila Cabrito 100% Agave Silver and Reposado along with other Tequila Centinela varieties. Joining you at the tequila tasting will be Tequila Brand Ambassador Diana Jimenez. This is a lady who probably knows more about tequila than you and me combined, and that’s even if you studied Tequila Science in grad school. This isn’t her first visit to Omaha from Mexico, and she’s looking forward to the trip. “I’ve been in Omaha before and what I like the most is how kind the people are,” she says. “Everyone is super nice. I feel at home, and I know this will be a fun time and a great experience.” I asked Diana to tell me what makes Casa Centinela Tequila so special, beyond the obvious fact that it’s really great tequila. “It’s a tequila that’s real,” she says. “It’s still family owned. It’s not owned

by sports people or celebrities. The Hernandez family are tequila producers, doing what they do best. They really care about the products they produce. The passion, tradition and art of making tequila is their way of life.” Diana will be at the tasting to help us all to appreciate tequila even more. After speaking with her, I quickly realized I haven’t been drinking tequila in a way to best appreciate it. “Tequila is best when it is served neat, in a champagne flute,” she told me. “Give it a sip and let it sit in your mouth. After you swallow, breath out and it will be a great experience. It will let you appreciate all the great characteristics tequila has.” I’d have to say that’s much more sophisticated than my typical “down the hatch” technique. “I’m excited to bring my knowledge to people,” she adds. “The best thing about tequila –besides the amazing taste and great moments it gives you – is the history.” You can follow Diana on Twitter (@dianakarimen) if you’d like to learn more about the myths, news and fun facts surrounding tequila. After you do that, go visit La Mesa and ask your server about making your reservation for the tasting on April 17th. You can also call the Maple location to reserve your spot: 402-496-1101. Seating is limited so don’t wait. —Tamsen Butler

| THE READER |

MARCH 27 - APRIL 2, 2014

State Legislature Does the Math, Unveils Health Plan for Poor:

‘Don’t Get Sick’ A

fter falling 6-votes short to end a filibuster against expanding health care to help 66,000 uninsured Nebraskans through a mix of private payments, private health insurance and an expansion of Medicaid similar to Iowa’s plan, Republican state senators said the math just didn’t add up for them. “Why would we spend $62 million over the next 6 years – barely 1% of the state budget – to get $2 billion in federal money owed to us to help keep health insurance rates low and health care affordable for everyone?” said State Senator Alec Lemming. “That’s a 322% return on our investment on money coming back to Nebraska. I can’t even imagine keeping more money from the federal government!” Not to be obstructionists, the senators unveiled a new proposal. “My colleagues and I are advising families of four making less than $25,000 a year to simply stop getting sick,” said Lemming. With cloned senators nodding emphatically behind him, he explained that it is irresponsible for those without enough money to become ill. “All we’re asking them to do is take personal accountability and not contract any debilitating chronic conditions or fatal diseases,” he argued. In the same vein as his colleagues’ proposal to end homelessness, titled “Have You Tried Not Being Poor?” and their anti-hunger initiative called “Oh, You’ll Be Fine,” this new health care proposal uses rhetoric in place of any actual plan. “Honestly, I don’t

MARCH 27 - APRIL 2, 2014

know why no one suggested ‘not getting sick’ to poor people earlier,” revealed Lemming. He then sneezed and coughed several times before winking and concluding “Don’t worry! I can afford it!” — Ryan Syrek

Westboro’s Phelps from the Afterlife: ‘This Did Not Go As Planned’

ey everybody! Your old pal, Fred Phelps here and boy is my face red! And not just because I currently sit in the fiery bowels of Hell where I am receiving indescribable torment administered by the Dark Lord Satan. Nah, my face is red mostly because I’m, like, super embarrassed. I was absolutely positive that espousing a doctrine of pure hatred was what Jesus, the prince of peace and love, would want me to do. Nope! Turns out, he really did not care for that. Actually, he told me so himself. He and the angelic spirit of Harvey Milk escorted me from the dark void of nothingness after death into the flaming dungeon of torture where I will spend the

| THE READER |

dish

rest of eternity in unholy agony. Harvey didn’t say too much; he mostly just laughed a lot. But Jesus described in great detail just where I went wrong. Dagnabbit, I thought for sure that Christ would be a big fan of how we emotionally battered the loved ones of soldiers who died defending the country. Wrong again! Before he left, I heard Jesus tell Satan to “really think outside of the box and get inventive,” which doesn’t sound good. If you somehow get this message, you may not want to continue my legacy of vile hate speech targeting the innocent. But hey, that’s your call! If you’ll excuse me, Satan just finished gassing up the chainsaw. — Ryan Syrek

Springsteen Disappointed in Alexander Payne’s Interpretation of Classic Album

espite critical acclaim and six Oscar nominations, not everyone is pleased with Alexander Payne’s Nebraska – namely the man whose music inspired the film itself, Bruce Springsteen. The Boss, who originally released his record of the same name in 1982, recently took to Twitter to criticize the director for turning “one of the darkest-themed albums ever released on a major label” into what he could only describe as a “whimsical father-and-son journey.” When asked if he liked anything about the film, Springsteen responded, “Don’t get me wrong, Alex is a great director, but the only thing he got right here was doing it in black and white.” He later added, “Unless I missed a killing spree or two during one of my concession refills, I’m not sure Mr. Payne even made it past the cover art.” A fan of Payne’s then reminded Springsteen of a lyric from Used Cars: “Mister, the day the lottery I win/I ain’t ever gonna ride in no used car again.” Springsteen chalked that up to coincidence. “I just see this as a missed opportunity,” The Boss said in closing, “So many great films have been inspired by music. Nebraska could have been this generation’s Sgt. Pepper’s.” — Ryan de la Garza OK Party Comedy Network

HEADLIES

Local Entrepreneur Can’t Decide Between Opening New Craft Brewery or Vape Shop Omaha Police Promise Not to Enter Homes Unlawfully While Being Videotaped Terrified West Omaha couple bravely crosses 90th street to meet with friends in Dundee. Nebraska Thanks Colorado for the Contact High Nobody Believes You Clicked That Link “On Accident.” “Gotcha Again!” says Nebraska Weather “Crimea River” Pulls Ahead of “Lost” Plane Jokes in Unfunny Contest MUD’s Mario Kart Plan Improvisational Approach To Street Repairs Based on Game Theory Heinemann Needs to Know Litmus Test Questionnaire Gets Personal “‘Do You Think I’m Straight”added as a question Omaha.com Unveils Whack-A-Mole Feature Website Now Offering Even More Bewildering Pop-Ups Justin Bieber Receives MuchNeeded Spanking, Told To Go To His Room

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MIKE BIRBIGLIA THANK GOD FOR JOKES TOUR 2014

The life and music of Ella Fitzgerald

Holland Performing Arts Center THURSDAY, MAY 15 7:30PM SHOW

Starring Kathy Tyree

FEB. 28 – MARCH 30

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Tickets: Ticket Omaha Box Office 1-402-345-0606 • Ticketomaha.com STEVE LITMAN PRESENTS

| THE READER |

MARCH 27 - APRIL 2, 2014

Presented by

Fun for the whole family! April 30 – May 4

Family fun-filled day of live entertainment, carnival rides, food, games, parade, booths & much more!

Parade

Saturday, May 3 10:00 AM

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Saturday, May 3 – Sunday, May 4 12:00 - 8:00 PM Register at www.CincodeMayoOmaha.com | info@cincodemayoomaha.com

We’re giving away a stylish, new 2013 Mini Cooper® – and you could win it by ENJOYING Midtown Crossing! Visit midtowncrossing.com for ENTRY & SWEEPSTAKEs DETAILS Giveway not affiliated with BMW North America and its products. For a complete list of giveaway rules and entry details visit midtowncrossing.com/cargiveaway.

MARCH 27 - APRIL 2, 2014

| THE READER |

T H E R E A D E R ’ S E N T E RTA I N M E N T P I C K S M A RC H 2 7 - A P R I L 2 , 2 014

8 DAYS TOPTV FRIENDS WITH BETTER LIVES Mondays, 8 p.m. (CBS)

In this new sitcom, six attractive young friends (à la “Friends”) deal with marriage, divorce and dating, jealous of each other’s lives. Andi (Majandra Delfino) and Bobby (Kevin Connolly) worry that the excitement has gone out of their relationship; Jules (Brooklyn Decker) falls in love with New Age nut Lowell (Rick Donald); Will (James Van Der Beek) splits from his wife; and Kate (Zoe Lister-Jones) can’t find a man because of her impossibly high standards. The ensemble has chemistry galore. You’d expect great work from TV veterans Connolly and Van Der Beek, but even the less familiar faces know their way around a punch line. Lister-Jones could be the breakout star with her original take on the heartless-businesswoman role. My only reservation is the writing. The sniggering sex jokes make “Friends with Better Lives” feel desperate, as if the producers worried it wouldn’t be hip enough without constant references to boobs and balls. Calm down, guys — with a cast like this, your worries are over. — Dean Robbins

FRIDAY 28

SATURDAY 29 TUESDAY 1

WATIE WHITE COLLABORATIVE PUBLIC ART PROJECT FUNDRAISER PARTY

COMEDY DINNER THEATER W/ KAREN RONTOWSKI AND AUSTIN ANDERSON

DURHAM LECTURE CIVIL RIGHTS FILM SCREENINGS

Comedian Karen Rontowski is know for her appearaences on David Letterman and her interesting side job and a, no kidding, ghost hunter. Austin Anderson is peformaning with her. Andseron was featured on “Ameirca’s Got Talent” and is a regular at Omha’s Funnybone. We asked Austin a few questions about the show: The Reader: You are currently on tour with “paranormal investigator/comic” Karen Rontowski. Is she really that bat!$@* crazy? Anderson: She talks to Ghosts. Picture Ghost Dad but Bill Cosby is deformed and trying to peal your skin off. What won’t you make fun of in your act? I won’t make fun of Jesus. Douche Bags like Bill Maher and Ricky Gervais already have that covered. Tell us your joke that usually gets the biggest laughs. All of them Where’s your favorite place to hangout after a show in Omaha? (Your stalkers want to know.) I always stick around at the funny bone and hang with the staff and audience. It truly is a second home to me. —Eric Stoakes

There is no better way to celebrate the 50th Anniversary of Martin Luther King Jr.’s March on Washington than by attending Created Equal: America’s Civil Rights Struggle with a special screening of four films chronicling the history of the civil rights movement. The Durham Museum was one of 473 institutions across the country that was awarded a set of these four films. This event will feature clips from each film and discussions led by area scholars. In order to gather and encourage a community discussion the Durham Museum has chosen two of the documentary films to center the event around, “The Loving Story” and “Freedom Riders.” Dr. Danielle Battista from the University of Nebraska at Omaha will discuss “Freedom Riders” in the Stanley and Dorothy Truhlsen Lecture Hall at the Durham Museum. Attend the event and share in the history that is part of America and you might even learn something new. Contact the Durham Museum for a reservation. —Mara Wilson

House of Loom 1012 South 10th St., 6 p.m.; Tickets $5 minimum donation www.watiewhite.com

Friday night’s fundraiser party hosted by Watie White is centered around his collaborative public art project: All that ever was, always is. In collaboration with Habitat for Humanity, White says this is a night to learn more about his project and meet the contributors, but it’s also a night for entertainment. The night will begin with a cocktail hour and discussion with White. Other talented artists will be performing from 8-10 p.m., which includes musicians Aly Peeler and Jocelyn Muhammad. They will be performing along with a live painting by Stephen Kavanaugh and spoken word by slam poet Katie F-S. After 10 p.m. a dance celebration will begin with the DJ’s of House of Loom. White has launched his fundraising campaign with Hatchfund which he states will finance the creation, installation and programming for the project. His goal is to raise $30,000 with a minimum goal of $10,000. A $5 minimum donation at the door will help him reach his goal. Come to this event not only for the entertainment, but to find out more about All that ever was, always is and the creator Watie White. —Mara Wilson

Bel Air Banquet Room 12100 West Center Road, suite 520 402-890-0313, www.belaibanquet.com

picks

The Durham Museum 801 South 10th St., 6:30 p.m.; Tickets Require a Reservation www.durhammuseum.org

| THE READER |

MARCH 27 - APRIL 2, 2014

overtheedge LIFESTYLE COLUMN BY TIM MCMAHAN

T H E V E RY B E S T O N B I G S C R E E N O R S M A L L S C R E E N

eresa and I like to go to the cinema at least once a week, specifically on weekends. But lately, the act has become nearly impossible due to the lack of quality films being released. Last Friday rolled around, and we clicked through our Flixster app and (other than the already soldout Wes Anderson film at Film Streams), the choices were Divergent, Muppets Most Wanted, Mr. Peabody & Sherman, The Lego Movie, 300: Rise of an Empire, Need for Speed. Seriously.

Film Streams at the Ruth Sokolof Theater 14th & Mike Fahey Street (formerly Webster Street) More info & showtimes 402.933.0259 · filmstreams.org

If the choice is between seeing any of those or getting some Indian take-out and staying home to catch up on the DVR or Netflix, well, it’s pretty simple. I know it’s become popular these days to call this the “Golden Age of Television,” but the fact is most of the stuff on the major networks is as shitty as anything I remember watching on the tube growing up in the ’80s; maybe more so when you consider “reality television” and garbage like The Real Housewives of… or whatever shitpool the Kardashians are wading through this week (Let me add my voice to the countless that came before me and ask how any of the Kardashians became “stars.” What talent, skill or wisdom made them anything other than shining examples of how to be human garbage?). And yet, there’s all these TV shows that are hands-down better than anything in the theaters: “House of Cards,” “Game of Thrones,” “Girls,” “The Newsroom,” “Downton Abbey” and the show I’m currently re-watching on HBO On Demand: “True Detective.” “True Detective” is the best television show I’ve seen in years, and an example of the kind of thing that could only be seen on television. Over the course of eight onehour episodes, we not only see the evolution of an investigation of grisly, ritualistic serial killings that span two decades, but the emotional rise and fall of two central characters, played by the irascible Woody Harrelson and the ever-changing Matthew McConaughey, who’s currently enjoying the best “second act” of any Hollywood star. “True Detective” combines the eeriness of Silence of the Lambs with the long-form character development

of “The Sopranos.” You simply cannot tell this kind of story in a movie theater. The choice would be to either cut the series down to two hours and remove all the elements that make it special, or break it into three parts and release it over three years (which would never work since the show contains no elves or laser beams) or force audiences to sit in the dark for eight straight hours (which, in this case, isn’t a bad option). Or air it on HBO or Netflix or whatever cable and/ or Internet-based service you prefer. I say all this and then you counter with American Hustle or 12 Years a Slave or Dallas Buyers Club. But those films, which clearly target an adult audience, are becoming rare amidst the plethora of adolescent bullshit that clogs today’s marquees. Hollywood’s answer to that criticism is that kids go to the movies, kids are where the money is, and that the grown-ups are more apt to do what grown-ups do: Stay home with their Indian take-out and watch Netflix. I can’t argue with that. Still, on a Friday or Saturday night I’d rather be sitting in the dark with a few hundred people taking it all in with a picture that’s bigger than life, and without the option of pressing the pause button when I have to go to the bathroom.

First-Run Films

Tim’s Vermeer First-Run (PG-13)

The Grand Budapest Hotel First-Run Dir. Wes Anderson.

With Ralph Fiennes, F. Murray Abraham, Mathieu Amalric, Adrien Brody, Willem Dafoe, Jeff Goldblum, Jude Law, Harvey Keitel, Bill Murray, Edward Norton, Saoirse Ronan, Léa Seydoux, Jason Schwartzman, Tilda Swinton, Tom Wilkinson & Owen Wilson

Facebook | Twitter | Instagram: @filmstreams

MARCH 27 - APRIL 2, 2014

| THE READER |

over the edge

*** My editor (not John Heaston, but Teresa, who reads everything before I submit it to The Reader) pointed out that Film Streams is the exception to the Hollywood rule, and she’s right (as per usual). Since Film Streams’ Ruth Sokolof Theater opened in 2007, it has consistently shown quality adult-oriented films and continues to be the obvious alternative to the usual superhero/zombie/coming-of-age bullshit

shown at the multiplexes. We would have seen The Grand Budapest Hotel (now showing exclusively at Film Streams) last weekend except screenings were sold out by the time we made up our minds. Film Streams also might be evidence of the cinemaviewing age gap. When it first opened as part of The Slowdown complex, I expected the average audience at screenings to be dominated by young midtown and downtown hipsters, the kind of folks I typically run into at indie rock shows. Instead, it’s not uncommon for Teresa and I to be the youngest people in the audience. I wonder if that’s what Film Streams’ visionary founder, Rachel Jacobson, expected when the theater’s curtains first parted.

*** An update on my DuoLingo column from a few weeks ago: I’ve finally given up on the iPhone app that approaches learning to speak a foreign language as if it were just another game like Words with Friends or Candy Crush. After four months, I made it as far as Level 8 and “Object Pronouns” before I began to fall further and further behind, unable to make it through lessons without “running out of hearts,” the app’s wise old owl teacher ever in tears at my failures, all the while forgetting what little I’d learned in earlier lessons. The game went from being a fun diversion to being a constant reminder of how stupid I am, how I’m doomed never to speak Spanish. The idea behind DuoLingo was too good to be true. Still, the experience left me with that much more respect for those I meet from another land stumbling through our own foreign language. ,

OVER THE EDGE is a weekly column by Reader senior contributing writer Tim McMahan focused on culture, society, music, the media and the arts. Email Tim at tim.mcmahan@gmail.com. And be sure to check out his blog at Lazy-i.com

Dir. Teller. Starts Friday, March 28

“It will have you, long after the credits fade, puzzling out questions of invention, creativity, science, talent, painstaking craft, and the magic that comes of putting all that together.” -- Bob Mondelo, NPR

Coming Soon Elaine Stritch: Shoot Me Under the Skin (R) Finding Vivian Maier New York Film Critics Series: Locke (R) Jodorowsky’s Dune (PG-13)

The Hitchcock 9 Generously supported by Sam Walker. The Manxman 1929

Thursday, April 3, 7 pm Live score by Ted Stevens Unknown Project Tickets: $12 general, $10 for students, seniors, teachers and military, and $8 for Film Streams Members.

Forever Young Admission just $2.50 for kids 12 and under! Big 1988 (PG)

Dir. Penny Marshall. March 29, 30 & April 3

rowing up in a large Catholic family, it makes sense Annie Clark ended up with a stage name like St. Vincent. But there’s more to it than that. The name was taken from a Nick Cave song in which he references “St. Vincent,” the hospital where Welsh poet Dylan Thomas died in 1953. It’s also in honor of her great-grandmother whose middle name was St. Vincent. Whatever the case may be, Clark’s persona has captivated a vast audience and catapulted her to international recognition. Clark was born in Tulsa, Oklahoma, but spent her formative years in Dallas, Texas. After attending the Berklee School of Music for three years, she dropped out to pursue her own musical path. A self-described “musician’s musician,” Clark began performing with The Polyphonic Spree in 2003. She stumbled into a deal with Beggars Banquet Records where she released her debut solo album, 2007’s Marry Me. The immediate and most obvious comparison is Kate Bush, but oddly enough she sometimes seems to channel Alanis Morrisette, especially on her new self-titled album. Half-pop, half-out there, her soaring vocals and complex musical arrangements make for an intriguing listen. Her new level of “fame,” however doesn’t seem to make a difference to her. “There have been great perks,” Clark says. “Sometimes a stranger will buy me a drink at an airport bar. Little stuff like that. Generally my dayto-day is pretty much the same. Just busy and working and on tour. And trying to put on the best show possible every night. The level of excitement from fans is a new thing. The people seem to be more excited than ever. And there are more of them. The show is a bit harder hitting than anything I’ve done before. I’ve got a great band. A pretty heavy band at times. It’s sounding really great. It’s me plus three, four, people total.” As her career has blossomed, Clark packed up her guitar and made the move from Texas to New York City. “I think one of the things I love about New York is that I don’t feel like a freak in New York,” she says. “There are so many people. You can’t afford to be so myopic in New York. I feel like there are a lot of wonderful, likeminded people, artists and musicians. I don’t feel like a freak. Like I kind of did in Texas.” Clark’s move led to a serendipitous encounter at a 2009 AIDS/HIV charity event at Radio City Music Hall in New York City with Talking Heads’ David Byrne, which led to their second meeting in a thrift shop. After a concert promoter suggested a collaboration, the two got to work and ended up writing an entire album’s worth of material. Subsequently, Clark and Byrne released Love This Giant in 2012, an album well received by fans and critics alike. “I try to live at the intersection of accessible and lunatic,” she explains. “As far out as David Byrne and I go, we counterbalance that with a memorable melody or something for people to latch on to. I try not to put songs into ill-fitting clothes.” After touring with Byrne for several months, Clark got busy writing songs for her next solo album within 36-hours of returning home. Simply titled St. Vincent, the album was released on February 25, 2014 and the 11-track effort show-

cases her penchant for writing beautifully honest, heartfelt songs. “I think I write both prose and lyrics in just the way I think,” she says. “The truth is I haven’t had time in a lot of years, nor made time, to write something outside of the context of music. But thinking about this in terms of lyrics — there are a lot of ways to think about lyrics. I used to be more on the prose side of it. For example, I wrote this down and it means something to me in this written form and I’ll just sing it, because obviously if it looks good on paper it is going to sound good. But in the new realm of artistry that I’m exploring now, the trick is not for some words just to mean something but for the words to sound good too. So that’s another whole dimension. It has to feel good coming out my mouth. That’s a weird challenge, because it also has to say what I want it to say. It’s like a Rubik’s Cube.”

S T. V I N C E N T GETS UP CLOSE AND PERSONAL

The cover art for St. Vincent is getting attention, too. It’s a photo of Clark’s reinvented self with shockingly grey-lavender colored hair elegantly posing on a pink, polycarbonate throne with a striking glare slapped across her face. “I just wanted to play with my visual identity more than I had before, because when I look at the artists who I think are really fascinating, and often there’s been a different archetype per record,” she says.” Like Bowie or someone like Grace Jones who is very like classically beautiful but makes herself look like a freak. What an awesome subversion. And how powerful that can be, and so, very much on a whim, I dyed my hair blond. I intended for it to be blond, but then it was orange, and then it was yellow and it was a lot of really bad colors, but I finally got it to this Daphne Guinness grey.” The album aesthetic was partly influenced by the ‘80s pop-art-influenced Memphis design movement. “For the cover, I was inspired by the Memphis design movement,” she confirms. “I just love how the most simple shapes can be turned on their ear slightly and recontextualized. And I was thinking kind of analogous to what I’m trying to do musically. I worked with

BY KYLE EUSTICE

continued on page 6 y

music

| THE READER |

MARCH 27 - APRIL 2, 2014

y continued from page 5 this guy Willo Perron on the conceiving on the cover and he helped me execute the idea. An archetype of, like, a near-future cult leader started to emerge. I just kept thinking this phrase, ‘The power’s in the pose.’ I knew I wanted to self-title the record, and I thought, ‘Okay, it should appear bold.’ So what does bold mean? And so we built this crazy Memphis chair and we took a lot of photos in it. And it was interesting to look at the little micro-movements and how they translated to powerful or not powerful. I had my legs to the side in the throne and it looked like, a demented Hollywood Omaha Performing Arts Presents

starlet from the ’40s like, golden age of Hollywood, I guess. And then various micro-movements translated so much energetically. Eventually, we ended on what just looked the most powerful and intentional. There was nothing unconsidered about this photograph. There was nothing sloppy or just a blown out. It was clean and symmetrical and very, very considered. And I’m taking that kind of aesthetic into the live show with the stage design and the set design.” Clark takes her stage show to the Midwest next week on her extensive tour in support of St. Vincent. According to Ryan Leas of the Village Voice, “This is how St. Vincent’s new live show begins: in lieu of walkout music, there’s just darkness and reverberating sound boiling in the air above the crowds’ heads, and then there’s one of those ancient computerized voices that already sound like the aged sci-fi markers of a bygone era. ‘Greetings fellow analogue creatures,’ it begins. ‘Please refrain from capturing your experience tonight digitally. Thank you, St. Vincent.’ The allure of this introduction alone is enough to send people running to the door for a live St. Vincent show. Touring is something just as special for Clark. “You meet a lot of characters on the road,” she says. “And in a really great way. I think that’s one of the great things about being on the road. You’re able to have very brief but very meaningful interactions with strangers. Some bartender you meet in Pendleton, Oregon tells you and your band the crazy stories of her existence. You would not get that sitting at home.” , St. Vincent with Noveller, April 1, at Sokol Auditorium, 2234 S. 13th St., 8 p.m. Tickets are $20. Visit www. onepercentproductions.com for more information.

MARCH 27 - APRIL 2, 2014

| THE READER |

music

BY B.J. HUCHTEMANN

Hadden Sayers CD Release

he soulful, rockin’ blues of the Hadden Sayers Band is back for a rare Omaha appearance, hitting the stage at The 21st Saloon Thursday, March 27, 6-9 p.m. Sayers’ most recent disc, Rolling Soul (Blue Corn), is a top-flight mix of blues, soul and Americana. Sayers’ skills as a singer, songwriter and guitarist continue to evolve. Rolling Soul is his best and most accomplished work yet with some lush, introspective ballads mixed in with the danceable, up-tempo, guitar-driven tunes. Sayers is a 2012 Blues Music Awards nominee for Song of the Year for his evocative composition “Back to the Blues” from his 2011 release Hard Dollar (Blue Corn). Sayers also gigs Wednesday, March 26, 6-9 p.m. at Lincoln’s Zoo Bar. SHADOWBOXERS’ OMAHA CD RELEASE: In slightly over a year’s time, Lincoln’s Josh Hoyer has made a big splash with his current band Josh Hoyer & The Shadowboxers. They have an Omaha CD release party for their new disc Rise Up Friday, March 28, 9 p.m., at The Hive. Hoyer’s band of accomplished musicians complete with horns, and often with backup singers, makes a rich and joyous sound built for dancing. They were selected to represent the Blues Society of Omaha in the International Blues

hoodoo

Challenge in Memphis and play regionally. SUNDAY ROADHOUSE: Dean Dobmeier and Gary Grobeck’s Sunday Roadhouse concert series presents the Western Swing and jump sounds of California’s Big Sandy & His Fly-Rite Boys Sunday, March 30, 5 p.m., at The Waiting Room. Opening the show are Austin’s Will Sexton and Amy LaVere. See sundayroadhouse.com for details. STUDEBAKER JOHN: Chicago’s Studebaker John is back at McKenna’s for a special show Tuesday, April 1, 8 p.m. John carries on the great Chicago blues traditions that he learned from the first generation of Chicago bluesmen like Hound Dog Taylor, J.B. Hutto and the raw blues artists of historic Maxwell Street. His gear-grinding guitar sound is distinctive. He also delivers great vocals, harmonica and fine original blues songs. See studebakerjohn.com. Hot Notes: Earl & Them featuring Earl Cate and Baby Jason Davis are at Lincoln’s Zoo Bar Friday and Saturday, March 28 and 29. Big Sandy plays Lincoln’s Zoo Monday, March 31, 6-9 p.m. Damon Fowler plays there Tuesday, April 1, 6-9 p.m. Sister Sparrow & The Dirty Birds are set for Wednesday, April 2, 9 p.m. at the Zoo. Blue House gigs at McKenna’s Saturday, March 29, 8 p.m. Guitarist Damon Fowler also plays The 21st Saloon Thursday, April 3, 5 p.m.

HOODOO is a weekly column focusing on blues, roots, Americana and occasional other music styles with an emphasis on live music performances. Hoodoo columnist B.J. Huchtemann is a Reader senior contributing writer and veteran music journalist who has covered the local music scene for nearly 20 years. Follow her blog at hoodoorootsblues.blogspot.com.

62nd & Maple jakescigars.com hoodoo

| THE READER |

MARCH 27 - APRIL 2, 2014

livemusiccalendar

SEND CALENDAR INFORMATION — including addresses, dates, times, costs and phone numbers — to The Reader’s calendar editor. Mail to or drop off information at P.O. Box 7360 Omaha, NE 68107; email to listings@thereader.com; fax to (402) 341.6967. Deadline is 5 p.m. the Thursday prior to issue date.

THURSDAY 27

THE HADDEN SAYERS BAND, (Blues) 6 pm, 21st Saloon, Contact venue for charge. DURTY THURSDAY W/E BROWN, (DJ/Electronic) 9 pm, Bar 415, FREE. BLUE BIRD W/BUFFALO RODEO AND TOWNSHIP & RANGE, 9 pm, Barley Street Tavern, $5. WE BE LIONS CD RELEASE W/MIKE CLARK, (Rock/HipHop/Rap) 8 pm, Bourbon Theater, 21+ $5 | 18-20 $7. SOLID GOLDBERG W/BURIAL TEENS (KC) & KILLERBLOW, (Rock) 9 pm, Brothers Lounge, $5. LADY ANTEBELLUM W/SPECIAL GUESTS KIP MOORE AND KACEY MUSGRAVES, (Country) 7 pm, CenturyLink Center Omaha, Tickets $39.50-$96.50. NEW MOON SONGWRITERS NIGHT, (Folk/Singer-Songwriter) 7 pm, Crescent Moon Coffee, FREE. SOWETO GOSPEL CHOIR, 7:30 pm, Holland Performing Arts Center, Contact venue for charge. A STEVE LOVETT SOLO, 6 pm, Jazz, A Louisiana Kitchen, Contact venue for charge. ALESANA, GET SCARED, FAREWELL MY LOVE, HEARTS AND HANDS, AND ME GOSH, 9 pm, Knickerbockers, $15 ADV | $18 DOS. MANIC PIXIE DREAM GIRLS W/ROMAN POLANSKI’S BABY AND MEGAJOOS, (Rock) 9:30 pm, O’Leaver’s Pub, $5. BRIAN HOLLAND, 7 pm, OzoNE Lounge at Anthony’s Steakhouse, Contact venue for charge. SMOOTH JAZZ THURSDAYS AT THE OZONE LOUNGE W/THE JAZZY TRUTH, (Jazz) 6:30 pm, OzoNE Lounge at Anthony’s Steakhouse, FREE. THE SWAMP BLUES JAM NIGHT, (Blues) 7:30 pm, Rusty Nail Pub, Contact venue for charge. CLEAR THE DAY W/SLOW STOICS AND ONE EYE WHITE, (Rock) 8 pm, Slowdown, $7. ACOUSTIC NIGHT, 8 pm, The Tavern, FREE. ACOUSTIC MUSIC THURSDAYS!, 8 pm, Two Fine Irishmen, Contact venue for charge. THE RIVER MONKS W/ BONEHART FLANNIGAN AND SCOTT SEVERIN, 9 pm, Vega, 18+ $5. LAST LOVE TOUR: ZZ WARD W/GRIZFOLK & THE O’MY’S, 7:30 pm, Waiting Room, $18 ADV | $20 DOS. ACOUSTIC JAM, 1 pm, Western Historic Trails Center, FREE. RIVERFRONT BOYS AND THE SLICK NICK SCHNEBELEN SOLO SHOW, (Country) 5 pm, Zoo Bar, $8. LUKE POLIPNICK, MITCH TOWNE AND DANA MURRAY, (Jazz) 9 pm, Zoo Bar, $6.

FRIDAY 28

3D IN YOUR FACE, (Rock) 9 pm, 21st Saloon, $5. THE LABELS, (Rock) 8:30 pm, Ameristar Casino, FREE. HIDDEN AGENDA, (Cover Band) 9:30 pm, Arena Bar & Grill, FREE. ALEXSED & HUTSADY, 9 pm, Bar 415, $5. FINO W/MATT BANTA BAND AND JOHN WORSHAM, 9 pm, Barley Street Tavern, $5. APPLIED PHYSICS 1 YEAR ANNIVERSARY W/BUZZ JUNIOR, BOB.B.TRAX, RYGOL, MISCT, CRAIGOMANIAC AND BENTONE, 8 pm, Bourbon Theater, 21+ FREE | 18-20 $5. THE PACKAGES, (Rock) 9 pm, Firewater Grille, FREE. KARAOKE THEATRE, 9 pm, House Of Loom, FREE. LAST FRIDAY OF THE MONTH W/KAJAM, 6 pm, Jazz, A Louisiana Kitchen, Contact venue for charge. FINER, FOR EDWARD, SUNDAY LETTER AND BURNING DOWN THE VILLAGER, 9 pm, Knickerbockers, Contact venue for charge. THE RIVER MONKS WITH KALOKO AND BRAD HOSHAW, (Indie) 9:30 pm, O’Leaver’s Pub, $5. PEACE, LOVE, ETC., (Rock/Pop) 7 pm, OzoNE Lounge at Anthony’s Steakhouse, Contact venue for charge. THE 9’S, (Blues) 8 pm, Parliament Pub Downtown, Contact venue for charge.

MARCH 27 - APRIL 2, 2014

| THE READER |

music listings

THRIFT SHOP RADIO, (Blues) 7 pm, Pizza Shoppe Collective, Contact venue for charge. KARAOKE, 9:30 pm, Rusty Nail Pub, Contact venue for charge. TWO DRAG CLUB, FALLEN REIGN, GRACIOUS MELODIES & JULIANNE FUREY, 8 pm, Shamrock’s Pub & Grill, Contact venue for charge. SEE THROUGH DRESSES W/DAN MARISKA AND THE BOYS CHOIR, THE BOY & HIS WOLVES, (Rock) 8 pm, Slowdown, $7. NEW COMMON GROUND (KC) AND THE BISHOPS, (Reggae/ Island) 9:30 pm, Stiles Pub, FREE. BLU SIMON, 8 pm, Two Fine Irishmen, Contact venue for charge. BLUE BIRD W/TIE THESE HANDS AND ELI MARDOCK, (Indie) 9 pm, Vega, 21+ $6 | 18-20 $8. FACCS: LIL JOE SOLO (JOE MCCARTHY), (Blues) 5 pm, Venue 51, FREE. STRING THEORY W/ HOUSE KATS, (Pop) 9 pm, Venue 51, $5. BEAR’S DEN W/LANDON HEDGES, 9 pm, Waiting Room, $10 ADV | $12 DOS. GREAT WHITE & SLAUGHTER, (Rock) 8 pm, Whiskey Roadhouse (Horseshoe Casino), $33. TOASTED PONIES, 5 pm, Zoo Bar, Contact venue for charge. EARL AND THEM, (Blues) 9 pm, Zoo Bar, Contact venue for charge.

SATURDAY 29

SINNERS & SAINTS, (Rock) 9:30 pm, Arena Bar & Grill, FREE. LEO SILVA & STEVE WADE, 9 pm, Bar 415, $5. THE PRAIRIE GATORS BAND W/DIRTY RIVER RAMBLERS, (Folk/Singer-Songwriter) 9 pm, Barley Street Tavern, $5. SHENANIGANS, 9 pm, Dubliner Pub, $3. KARAOKE, 8 pm, Firewater Grille, Contact venue for cover charge. JOHNNY REEF AND THE SHIPWRECKS, (Blues) 9 pm, Havana Garage, FREE. ALL AGE: DOWN IN CIRCLES, THESE FRIENDS OF MINE AND EVERYTHING GOES, 6 pm, Knickerbockers, Contact venue for charge. THE CONFIDENTIALS, (Jazz) 8 pm, Loose Moose, FREE. OK PARTY PRESENTS: RYAN SINGER W/OK PARTY COMEDY AND FRIENDS, 9:30 pm, O’Leaver’s Pub, $5. CHARM SCHOOL DROPOUTS, 7 pm, OzoNE Lounge at Anthony’s Steakhouse, Contact venue for charge. FEVER AND THE FUNKHOUSE, (Cover Band) 8 pm, Parliament Pub Downtown, Contact venue for charge. VALHALLA SUPPORT PARTY W/ PUNCHING PUPPETS, 8 pm, Shamrock’s Pub & Grill, Contact venue for charge. THE BISHOPS CD RELEASE SHOW W/RHYTHM COLLECTIVE, STONEBELLY, 23RD VIBRATION AND FADED, (Reggae/Island) 8 pm, Slowdown, $8. NEUTRAL MILK HOTEL W/ ELF POWER, (Indie) 8 pm, Sokol Hall & Auditorium, $33. SECRET WEAPON!, (Cover Band) 9 pm, Two Fine Irishmen, Contact venue for charge. J.WAIL (FULL BAND) W/ TBA, (DJ/Electronic) 9 pm, Venue 51, $6. MOUNTAIN SPROUT W/DIRTY RIVER RAMBLERS, (Folk/Singer-Songwriter) 9 pm, Waiting Room, $10. HI-FI HANGOVER, (Rock) 9 pm, Whiskey Roadhouse (Horseshoe Casino), Contact venue for charge. EARL AND THEM, (Blues) 6 pm, Zoo Bar, Contact venue for charge. 2 HEADED DOG AND HALLZ AND OATE, 9 pm, Zoo Bar, $5.

SUNDAY 30

NEVER SOBER TOUR FEAT. JUICY J, (Hip-Hop/Rap) 7 pm, Bourbon Theater, Sold Out.

CLOUD BECOMES YOUR HAND W/BLET, MEGAHERBS AND NIGHT MOVES, 8 pm, Duffy’s Tavern, $5. SALSA SUNDAY W/ LATIN MADNESS, 7 pm, House Of Loom, $5. O’LEAVER’S OPEN MIC NIGHT, 9 pm, O’Leaver’s Pub, Free. THE BLAGGARDS (TX), 8 pm, Shamrock’s Pub & Grill, Contact venue for charge. 1% PRODUCTIONS PRESENTS WAKEY! WAKEY! W/JILLETTE JOHNSON, 8 pm, Slowdown, $10 ADV | $12 DOS. SOARING WINGS VINEYARD SUNDAY MUSIC WITH SUE MURRAY, 2 pm, Soaring Wings Vineyard, FREE. OPEN MIC NIGHT W/HECTOR ANCHANDO, 7 pm, Tracks Lounge, Contact venue for charge. 1% PRODUCTIONS PRESENTS ASTRONAUTALIS W/ PLAYDOUGH AND TRANSIT, 9 pm, Vega, $12. BIG SANDY AND HIS FLY-RITE BOYS, 5 pm, Waiting Room, $15 ADV | $20 DOS.

MONDAY 31

OPEN MIC NIGHT, 6 pm, 402 Arts Collective/ Aromas Coffeehouse, FREE. OPEN MIC & SONGWRITER SHOWCASE, (Folk/Singer-Songwriter) 9 pm, Barley Street Tavern, FREE. SCOTT H. BIRAM, LARRY AND HIS FLASK & WHISKEY SHIVERS, (Rock) 7 pm, Bourbon Theater, $10 ADV | $12 DOS. FIRST CUT INDUSTRY NIGHT W/ DJ DRDRIGGS, (DJ/Electronic) 9 pm, House Of Loom, FREE. GOOCH & HIS LASVEGAS BIG BAND, 8 pm, OzoNE Lounge at Anthony’s Steakhouse, FREE. MIKE GURCIULLO AND HIS LAS VEGAS BAND, (Cover Band) 7 pm, OzoNE Lounge at Anthony’s Steakhouse, Contact venue for charge. WORRIED MOTHERS, HEATWARMER AND THE PULLOUTS, 8 pm, The Sydney, Contact venue for charge. SMOOTH JAZZ W/ED ARCHIBALD, (Jazz) 7 pm, Tracks Lounge, Contact venue for charge. EAST OF THE WALL W/DIAMOND PLATE AND NIGHT PUSH, 9 pm, Vega, 21+ $6 | 18-20 $8. WAITING ROOM MUSIC QUIZ, 8 pm, Waiting Room, FREE. BIG SANDY AND HIS FLY-RITE BOYS, 6 pm, Zoo Bar, Contact venue for charge.

TUESDAY 1

VIC NASTY, 8 pm, Bar 415, Contact venue for charge. OPEN MIC NIGHT, 9:30 pm, Dubliner Pub, FREE. OPEN MIC HOSTED BY DAVE YOBLE, 8 pm, Venue 51, FREE. DJ RELIC SOUL PARTY, 8 pm, Zoo Bar, FREE. PHANTOM AIRSHIPS W/RED CITIES AND THUNDERSANDWICH, (Rock) 8:30 pm, Bourbon Theater, 21+ $5 | 1820 $7. RETOX W/PLACK BLAGUE & BOX BLONDE, (Rock/Punk) 9 pm, Brothers Lounge, $5. 1ST TUESDAY FUNDRAISER WITH BUCKY MCCANN, (Rock/ Blues) 6 pm, Shucks 119th St., Contact venue for charge. MILAGRES, (Rock) 9 pm, Vega, Contact venue for charge. PAPADOSIO W/MAIN SQUEEZE, (Rock) 9 pm, Waiting Room, $13 ADV | $15 DOS. DAMON FOWLER, 6 pm, Zoo Bar, $8.

WEDNESDAY 2

DICEY RILEYS, 7 pm, Brazen Head Irish Pub, FREE. COLLEGE OF SAINT MARY HOST CONCERT BY THE FLUTE SECTION OF THE OMAHA SYMPHONY, (Classical) 6:30 pm, College of Saint Mary, FREE. GUTTERMOUTH W/THE SHIDIOTS AND HAGGARD MESS, (Rock) 8 pm, Duffy’s Tavern, $10 ADV | $15 DOS. WAYNE SHORTER QUARTET, (Jazz) 7:30 pm, Holland Performing Arts Center, Contact venue for charge. GOOD MORNING BEDLAM, 9 pm, Knickerbockers, Contact venue for charge. THE BRITS, (Cover Band) 7 pm, OzoNE Lounge at Anthony’s Steakhouse, Contact venue for charge. 1% PRODUCTIONS PRESENTS AND YOU WILL KNOW US BY THE TRAIL OF DEAD PLAY SOURCE TAGS AND CODES, 8 pm, Slowdown, $18 ADV | $20 DOS. THE GIVING TREE BAND W/WELDON KEYS, (Rock) 9 pm, Vega, Contact venue for charge. WARPAINT W/DIGITAL LEATHER, (Rock/Punk) 9 pm, Waiting Room, $15 ADV | $17 DOS.

mixedmedia

n “What? Drive some 180 miles just to see art? I can’t even get to Lincoln on a regular basis…unless I want to catch a game, of course…and I hear the Sheldon Museum of Art has a fine American collection.” It does, but someone who considers 50 miles a lot to ask in the name of fine art may find a one-way, two and half hour road trip somewhat formidable. Yet, next April 4-6, many arts patrons from all over the state will converge in Kearney to attend the biennial benefit on behalf of the Museum of Nebraska Art. And, yes, that includes many from the Metro area. Among them will be Omaha Co-Chairs for the MONA fundraiser, Patrick and Karen Drickey and Chris and Betsy Murphy who, along with up to 47, will travel in a rented motor coach, Saturday, April 5th to attend the dinner and auction and then return same day. For more details on reservations and more for the weekend, contact the museum at mona.unk. edu or call Drickey at 402-305-1510. He has a special interest in MONA’s mission as he has devoted his Gallery 1510 on Leavenworth St., at that address, to creating exhibition space in Omaha that focuses exclusively on Nebraska artists. It’s a collaboration that has already experienced two successful shows by invitation including the work of Nebraska artists Milton Wolsky, and Leonard and Jean Thiessen. “We’re interested in giving MONA a footprint in Omaha to attract attention to its mission and museum in Kearney, “ Drickey says. “More importantly, we want to provide first class gallery space where local and regional artists with limited exhibition options can gain recognition.” That “footprint” will soon expand from its now 1000 square feet to a planned 10,000 square feet, hopefully this summer. Currently gaining recognition in the former space, and on view by appointment only are two of the 55 artists featured in MONA’s auction, Joe Broghammer and Larry Sosso, both from Omaha. Broghammer offers new paintings that feature primarily an edgier take on his signature “Flock of Joe” bird collection. Sosso’s work here is more of a retrospective, and if you have forgotten what a fine mark maker he is, call the gallery and come see the fine collection of drawings and prints on view as well as his more familiar and graceful wire sculpture. Other Omaha artists in MONA’s auction include Justin Bellar, Gary Day, Jun Kaneko, Jess Benjamin, Susan Knight and Corey Broman, among others. You don’t need to travel to Kearney to see these artists, but it’s seldom that you get the opportunity to see them all under the same roof among their peers, which has always been an extra, added attraction of any major arts auction such as those experienced at the Bemis Center for Contemporary Arts. And by attending the auction and any of the other events planned at MONA’s 3-day Spirit: A Celebration of Art in the Heartland weekend, you can join Drickey and company, as well as local museum board members President Elect Jeanne Salerno, Karen Linder and Charles Gifford in supporting what MONA does best: recognizing Nebraska artists’ huge contribution to the Good Life. — Michael J. Krainak Mixed Media looks at art in the metro area. Email information to mixedmedia@thereader.com

| THE READER |

MARCH 27 - APRIL 2, 2014

newsoftheweird

T H E WO R L D G O N E F R E A K Y B Y C H U C K S H E P H E R D W I T H I L LU S T R AT I O N S B Y T O M B R I S C O E

San Francisco’s No. 1 Problem

he ecology-conscious city (having recently encouraged routine composting of dinner leftovers) is now considering environment-friendly public urinals such as the PPlanter created by engineer Brent Bucknum. Users urinate into a ceramic basin and flush the waste with run-off hand-washing water into a bed of bamboo plants. Bucknum claims minimal maintenance and an odorfree experience, but on the other hand, only a user’s midsection area is blocked from public view -- a concession necessitated by San Francisco’s sour experience with lockable public toilets, which shielded sex acts and crime. (A less-elaborate structure -- the open-air, similarly privacy-challenging “pPod” -- is currently being readied for deployment in the city’s Dolores Park.)) The Entrepreneurial Spirit --- Branko Bogdanov, 58, his wife, Lela, 52, and daughter Julia, 34, were arrested in March and charged in a 10-year shoplifting enterprise run out of their upscale Northbrook, Ill., home, which they allegedly used as a base while prowling stores in states as far away as Florida, stealing high-end toys and jewelry, which they resold on eBay and to their fences. Police estimate the Bogdanovs swiped as much as $7 million worth on their forays -- many items being stashed in Lela’s customized flowing skirts with hidden pockets. -- A trauma victim arriving at a hospital emergency room but requiring specialized intensive care would usually be transferred promptly to a qualified “trauma center,” whose success rate with such patients is believed to be 25 percent better than that of ordinary hospitals. However, a recent study from Stan-

MARCH 27 - APRIL 6 2014

| THE READER |

weird news

ford University researchers found that, among 636 hospitals observed, there was a greater reluctance to make the transfer -- if the patient was fully insured. (That is, the authors suggest, there is a tendency for hospitals to hang onto insured patients, even though their outcomes might be worse, but not to similarly hang onto the uninsured -- who are more likely to be properly transferred.) Science Fair -- Technological Know-How at Work: Hard-core pornography fans are split (according to a January report on Salon.com) on whether they want male actors to use condoms, but California’s Falcon Studios has the technology to serve both audiences. Falcon’s actors wear them, but in some movies those condoms might be digitally “removed” during post-production. The major downside, said one renowned director, is the prohibitive cost -- about $100,000 to re-digitize the estimated 90,000 frames in a typical “low-budget” porno film. The Falcon president said he is trying an alternative -- using clever lighting during filming to de-emphasize the condom’s presence. -- Security and law enforcement agencies are looking beyond traditional biometric identification techniques (such as the accurate but obtrusive fingerprint and iris scans and unobtrusive yet questionably accurate facial-recognition) and, based on recent laboratory research, are now considering earwax and underarm odors. Work by Philadelphia’s Monell Chemical Senses Center shows that ear secretions may reveal personal identity, ethnicity, health status and sexual orientation, among other information, and researchers at the Polytechnic University of Madrid (Spain) said their work demonstrates that recognizable patterns in body odor remain stable even through disease and diet change (although admitting that even the best odor technology is far inferior to a dog’s nose).

COPYRIGHT 2014 CHUCK SHEPHERD. Visit Chuck Shepherd daily at NewsoftheWeird. blogspot.com or NewsoftheWeird.com. Send Weird News to WeirdNewsTips@yahoo.com or P.O. Box 18737, Tampa, FL 33679. Illustrations by Tom Briscoe (smallworldcomics.com).

Leading Economic Indicators -- Farming continues to be a noble but grueling existence for rural residents of China, who work for the equivalent of only about $1,300 a year, but in one village (Jianshe, in southwest Sichuan province), farmers have established a co-operative capitalist model, and in January officials delivered residents their annual dividend in cold cash -- the equivalent of about $2.1 million to split among 438 households. Authorities unloaded banknotes in stacks that constituted a 7-foot-high wall of money, requiring villagers to pull 24-hour shifts to guard it. -- Costs of Spain’s Economic Collapse: (1) London’s Daily Mail reported in March that Spain might have as many as 2,900 recently abandoned “villages” (swaths of land with clusters of houses) deserted by owners forced into cities to find work during the current recession -- and that speculators were buying entire villages at single-house prices and turning them into vacation retreats. (2) A formal association of sex workers in Barcelona has introduced a four-hour “introduction to prostitution” class for women transitioning from other occupations due to layoffs. Course topics include tax-return help (prostitution is not illegal in Spain) and marketing, as well as sex tricks. -- News of the Weird has reported recently on the staggeringly large amounts of money to be made by financial trading firms that can execute buys and sells even a split-second before another firm. The Wall Street Journal reported in January that the “race to zero” (“zero” being trades executed at the speed of light) now involves sophisticated lasers beamed between trading hubs (initially, East Coast data centers, but eventually linking nearly all U.S. stock exchanges) so that a firm’s automatically enacted trades (by self-actuating computer programs) can be further reduced from the current 0.004-second “lag” time. People With Issues A more ornate, dedicated subset of cross-dressers -the “living dolls” or “maskers” -- was captured for a

British TV documentary in January (and likely to appear on U.S. television soon). “Secrets of the Living Dolls” follows ordinary men (one, a forklift operator by day; another, divorced and 70, whose daughter knows he’s a “doll” but otherwise maintains a “don’t ask, don’t tell” relationship) who come alive several nights a month when they don expensive ($800 to $1,800), tailored, head-to-toe silicone bodysuits that feature breasts and genitalia, to party as young, glamorously dressed women. Two of the men lamented the dolls’ lack of full acceptance into the transvestite or transgender communities -- though much of that distrust may stem from dolls’ use of masks (perhaps similar to the backlash faced by clowns).

The Place To Be On Fry Day! come in for a fishbowl before or after your fish fry.

Least Competent Criminals Christopher Fulton turned himself in in Midwest City, Okla., in March after seeing a surveillance photo of the robbery of an IBC Bank. He told police he indeed must be the robber, that he saw his body in the bank photo -- although he insisted that his mind had no recollection of it. Police were about to arrest Fulton, anyway, because the robber’s holdup note was written on a blank check with the account holder’s name and address (Fulton’s mom’s) scratched out, except that police-lab technology easily read through the scratch-outs.

drink specials all lenten season long. It’s Your Neighborhood Bar. 4721 NW Radial Hwy Omaha • (402) 933-9300

The New Normal (1) A plaintiff in an auto-accident lawsuit, who is claiming an injury that has impaired her inclination for “social activities,” was ordered by a judge in Nova Scotia to prove her loss by showing a reduction in the time she spent on Facebook. Justice Glen McDougall ruled that Joanne Conrod must disclose her log-in and log-out information but need not reveal her complete Facebook profile. (2) Arizona-based Christian “exorcist” Bob Larson, who claims to have performed more than 20,000 demon-expulsions, recently branched out by allegedly (in front of CNN’s Anderson Cooper) cleansing a client in Norway -- via the Internet-enabled phone application Skype. (Given the fragility of computer operating systems, critics -- including “mainstream” exorcists -- find it puzzling that a demon could not disable Larson’s.). ,

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weird news

| THE READER |

MARCH 27 - APRIL 6 2014

Someone has finally found out about my obsession with Cooter from “Dukes of Hazzard.” That was my first thought when I heard that Film Streams (filmstreams.org) is screening Best Kept Secret on Tuesday April 22 at 7 pm.. Turns out that it’s not about my well hidden fetish but, instead, it’s a gripping documentary about a special needs teacher trying to prepare her students for life after high school. Together with the Meyer Foundation for Disabilities and Ollie Webb Center, Inc., the theater is holding a panel discussion after the movie to consider the implications for our community. Look, that’s incredibly important, but even more important is that nobody knows about my Cooter obsession. Wait… Director David Fincher, who did the impossible when he made social media sophisticated when he filmed The Social Network, wants to tempt fate by re-teaming with writer Aaron Sorkin for a biopic on Steve Jobs. But he has a catch: He’ll only do it if Christian Bale plays Jobs. Now, I know what you’re thinking: “Won’t Bale be too intimidated by the brilliant and nuanced portrayal of Jobs by Ashton Kutcher?” Nah, in order for that to happen, someone would have to tell Bale what an Ashton Kutcher is. For real though, they’re making a movie version of Jem and the Holograms. Obviously, the guy who directed the last GI Joe movie, Jon M. Chu, will spearhead this important, life-changing adaptation of the 1980s cartoon that sort of defies easy description. Oh, and there’s an open invitation to provide input and audition for the film at jemthemovie.com. Just now I’m realizing how many people I know are going to go there and do that. Not that I will or anything…but Jem is excitement…

QUIRKING ONSOMETHING DIFFERENT

TH E G RAN D BU DAPEST H OT E L IS NE ARLY NE W

BY RYAN S YRE K

o alter a phrase from Twain, who won’t mind because he’s dead, writer/director Wes Anderson repeated history until he figured out how to rhyme. Barring a brief foray into stop-motion animation, Anderson’s oeuvre for the last decade redundantly hit the same notes with the same instruments, producing repetitive, quirky music that hipsters totally liked before you did. Until now. To alter a phrase from Batman, who won’t mind because he’s not real, The Grand Budapest Hotel is the movie audiences deserve and the one Anderson needed. The film fuses his signature style, his familiar players and his impeccably symmetrical cinematography with something new. Okay, “new-ish” but that’s still an improvement. Because the events are set in the past and are technically a retelling of a retelling of crazy happenings, the chasm that typically exists between how Anderson sees reality and how reality really is becomes irrelevant. Essentially, The Grand Budapest Hotel is a wild caper, littered with macabre humor, more murder

than one would anticipate (including severed heads and fingers) and one hell of a lead performance. The performer who hella delivered is Ralph Fiennes, who carves out a divinely unique character, named Gustave. He is a charming rakish fop with a bizarre moral code and foul mouth. Set in the 1930s, things begin to unravel for Gustave, a legendary concierge, when an elderly, wealthy, blonde female hotel guest he routinely beds dies under suspicious circumstances. Because of this, Gustave and his side kick/lobby boy, Zero (Tony Revolori), are thrust in increasingly madcap situations. The catalyst for the ongoing shenanigans is technically the will of the deceased Madame D (Tilda Swinton). She leaves a priceless painting to her lover Gustave, much to the rage of her vile son Dmitri (Adrien Brody) and his murderous henchman, Jopling (Willem Dafoe). Gustave is whisked in and out of prison and is on the run from a pseudo-gestapo officer, Henckels (Edward Norton). All the while, Zero pines for his lady love and rad pastry chef, Agatha (Saorise Ronan), and tries

to help his fugitive mentor while keeping order at the hotel they both love. The Grand Budapest Hotel takes place in the “Republic of Zubrowka,” which some of you know doesn’t exist. This leads to the theory that all of Anderson’s films take place in an alternate universe where Zubrowka is on the map and everyone dresses like an Arcade Fire album cover. Not only does this setting free Anderson from the shackles of known reality, but it allows him to offer a fresh thematic thesis (for him anyway): the art of storytelling is insanity and lies littered with truths stolen from others. The Grand Budapest Hotel is easily Anderson’s best (live-action) film since The Royal Tenenbaums. It proves he can leverage his signature style to tell new stories, to make fresh content that resembles his previous work without ripping himself off. Anderson has always had a loyal cadre of vocal, animated supporters singing his praises. For once, it feels nice to join them. GRADE = A

REPORTCARD

—Ryan Syrek Cutting Room provides breaking local and national movie news … complete with added sarcasm. Send any relevant information to film@thereader.com. Check out Ryan on Movieha!, a weekly half-hour movie podcast (movieha.libsyn.com/rss), catch him on radio on CD 105.9 (cd1059.com) on Fridays around 7:30 a.m. and on KVNO 90.7 (kvno.org) at 8:30 a.m. on Fridays and follow him on Twitter (twitter.com/thereaderfilm).

MARCH 27 - APRIL6, 2014

| THE READER |

film

READER RECOMMENDS

300: Rise of an Empire

A prequel, side-quel and sequel with the same style and carnage. The Lego Movie B+Turns out you can make an awesome movie about inanimate plastic blocks. Need for Speed F If you’re the “dumber” version of Fast and Furious, you lose.

12 Years a Slave

ON DVD

Brutal, horrifying and difficult to watch. As it should be.

A+-

The Wolf of Wall Street B DiCaprio crackles but the movie fizzles without taking a clear stance on Wall Street excess.. Frozen A Either a throwback to the modern-classic Disney period or the start of a new one.! Saving Mr. Banks Corporate propaganda justifying emotional theft.

BATH FITTER Sales Consultant. Contact Jerry Worth at jworth@ omahabf.com. Go to OmahaJobs.com for more information.

HY-VEE Floral Designer, Certiﬁed Pharmacy Technician, Pharmacy Intern. Contact Todd Lewis at ponddoctor.todd@ yahoo.com Go to OmahaJobs.com for information.

J.A. KING Account Manager. Contact Marjie Troutman at marjie. troutman@jaking.com. Go to OmahaJobs.com for more information.

CATHOLIC CHARITIES Therapist & U/A Program Asst./Data Specialist. Bonnie Pulte at bonniep@ ccomaha.org. Go to OmahaJobs.com for information.

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MARCH 27 - APRIL 2, 2014

| THE READER |

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Please contact Clay Seaman, clays@thereader.com or 402-341-7323 x108 if you are interested.

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