pitchpipemagazine.com | July 2026 | Volume 80 — No .1
The Voice of SingUnited International
WE ARE
HAPPY BARBERSHOP MUSIC APPRECIATION DAY • JULY 13
3 | APRIL 2026
July 2026 | Volume 80 — No.1
In Every Issue
3
From Our President
5
From Our CEO
16
Harmony Roundup
55
In Memory
55
Advancements
International Updates
Philanthropy
12
Region 35 Thrives
8
14
Embracing A Culture of Belonging: Song of Atlanta Chorus Builds Culture with Intention
A Thank You and a Promise SingUnited Donor Cherie Letts
20
Giving Is Easy With A Recurring Donation
Events and Competition
24
2026 International Convention and Competition
26
2026 International Convention and Competition: Order of Appearance
28
2026 Regional Results
54
B+ Chorus Results
Education
6
Service Animals in Barbershop: Etiquette for Singers and Fans
10
Improving Chorus Scores: Ascending Into A Third in a Three Part Series
22
Choosing Inclusive Holiday Music: Happy Holidays... for Everyone!
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July 2026 | Volume 80 — No.1 | www.pitchpipemagazine.org SingUnited International Elevating women singers worldwide through education, performance, and competition in barbershop harmony and a cappella music.
_____________________________________ INTERNATIONAL HEADQUARTERS Tammy Talbot Chief Executive Officer Kim Berrey Editor-in-Chief Stacy Pratt Staff Writer Leslie Umfleet Graphic Designer Joey Bertsch Staff Photographer Lauren Stark Staff Photographer INTERNATIONAL BOARD OF DIRECTORS May 1, 2026 - April 30, 2027 JD Crowe, International President Mary Rhea, Immediate Past President Sharon Cartwright, President-elect Elaine Hamilton, Secretary Annika Dellås, Treasurer Thérèse Antonini Jenny Harris Lori Britt Horvath Janice McKenna
Jean Schoenlank Valerie Taylor Ros Vanhecke
EDUCATION DIRECTION COMMITTEE Valerie Taylor, Chair Anne Downton Mary Rhea Leslie Galbreath Kim Wonders EDITORIAL REVIEW BOARD Sharon Cartwright Becky DeCook Mari Pettersson
Mary Rhea Leigh Whitelaw
______________________________________ The Pitch Pipe 9110 S. Toledo Ave., Tulsa, OK 74137 U.S.A. Telephone 1.918.622.1444 • Toll-free 1.800.992.7464 Fax 1.918.665.0894 • www.singunited.org Office hours: M-F 8:00 a.m. to 4:30 p.m. (CT) ______________________________________ Advertising 1.918.622.1444 • communications@singunited.org Direct all correspondence, editorial copy and photographs to communications@singunited.org Deadlines are 60 days prior to publication. Not all submissions will be published. ______________________________________
HARMONIZE THE CYBER WORLD HARMONIZE THE CYBER WORLD
Circular Keys 2025 Columbus International Competition 2 | JULY 2026
@SweetAdelinesIntl @SingUnitedInternational
@SweetAdelineIntl @SingUnitedInternational
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here’s something pretty special about standing shoulder to shoulder next to three other voice parts – be it in a chorus or a quartet – taking a breath together and creating a chord or overtone that raises the hair on the back of your neck. Four-part harmony is more than just singing the right notes; it’s listening, trusting, blending, and sharing a moment that none of us could create alone. That’s what keeps so many of us coming back year after year. People are sometimes surprised to hear that we compete. They imagine rivals sizing each other up or hoping someone else has an off day. The reality couldn't be more different. One of the best parts of our organization is that we cheer just as loudly for the chorus or quartet walking off the stage as we do for the one we came with. We celebrate personal bests, breakthrough performances, and dreams realized, whether they belong to us or to our friends. There’s room for everyone’s success, and somehow another group's great performance inspires us to work even harder. Competition here isn't about defeating someone else. It's about becoming the best version of ourselves. We spend countless hours rehearsing, refining every vowel, every breath, every emotional moment. Like athletes preparing for a championship, we train with purpose, discipline, and determination. We know that excellence doesn't happen by accident; it’s earned one rehearsal, one coaching session, and one performance at a time. One of the greatest gifts of this journey is the education we receive. Our judging community doesn't simply hand out scores; they provide thoughtful, constructive feedback that helps us grow. Every evaluation becomes another lesson, another opportunity to improve, and another reminder that learning never stops. That culture of encouragement creates respect, not only for the judges but for one another. We trust our teammates, our directors, our coaches, and even our competitors because we're all chasing the same thing: making beautiful music.
Along the way, we build something even more valuable than medals or trophies. We build a community. Lifelong friendships are formed in rehearsal halls, on contest trips, over late-night tag singing, and during shared moments of triumph and disappointment. We celebrate together, laugh together, and pick each other up when things don't go as planned. Of course, everyone enjoys seeing a good score. But if you ask most singers what they remember years later, it isn't the number on the sheet. It's the audience member with tears in their eyes. It's the standing ovation. It's hearing someone say, "Your performance reminded me of someone I love," or "I really needed that today." That's the real prize. We aim high every time we step onto the stage. We reach for the moon, knowing that even if we don't quite get there, we'll land among the stars. And in the process, we discover that the greatest victory isn't found in placing first; it's found in making music together, lifting one another up, and touching hearts in ways that last long after the final chord fades away. Congratulations to all competitors who crossed the stage during this past regional contest season. We are thrilled to feature the winners in this edition of The Pitch Pipe. As one of my favorite lines in The Winner’s Song goes “…You have got a piece of the pie; you’re a winner as long as you try!” I am excited for SingUnited International’s competition in Columbus, Ohio (USA) in October of this year where I will be competing with my chorus. My family, my chorus, and I will be cheering loud and proud for all competitors all week long!
En harmonie / In harmony,
JD
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On May 19, we announced our new name! Sweet Adelines International is now SingUnited International!
Watch the live announcement made by International President JD Crowe and Immediate Past President Mary Rhea Visit the members-only resource page on the SingUnited International website to find material to support you through the transition. FAQS
ELEVATOR PITCH
REBRAND CHECKLIST
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CREATIVE GUIDELINES
LOGOS & LOGO INSIGNIA USE CREATE YOUR WEBSITE
In the next issue, I will get back to some of the frequently asked questions that headquarters departments receive, but for this issue, I want to pay special tribute to two amazing women! According to the US Bureau of Labor Statistics, the median length of time an American worker stays with their current employer is 3.9 years. In this letter, I want to honor two amazing women who have worked for Sweet Adelines International/SingUnited International for decades.
Janell Mason
On July 29, Janell Mason, will celebrate her 50th work anniversary. Janell has worked in multiple departments during her tenure: education, membership, and, for the past 14 years, the executive department as corporate secretary. In addition to these jobs, she helps handle stage production at convention each year, and she is that lovely voice that you hear announce our emcees and guests at convention. I asked the headquarters team to share words that describe Janell. They report that Janell is extraordinary, unflappable, funny, reliable, graceful, sharp, professional, whistling queen, compassionate, and caring. One staff member stated that Janell reminds them of the North Star, in that fellow staff have all looked to her to help guide us, and she has never led us astray.
Deb Debolt
Deb has served in the Finance Department since 1982. On June 14, she celebrated her 44th work anniversary. Each year when our audit is completed, the auditors sing (pun intended) her praises on the stellar books that she keeps. At convention each year, you will see Deb helping attendees purchase registrations. I asked our headquarters team to share a few words about Deb. They say Deb is genuine, kind, green-thumb gardener, generous, exacting, kind-hearted, the sweetest, sweetheart, excellence, and prudent. One team member said the Deb reminds them of an anchor. She is always grounded, confident, and holds steady to who she is.
Janell and Deb, in my 14 years working for this amazing organization, you have been a treasure of history and encouragement. Your dedication is inspirational. I honor and appreciate your care of this organization for decades and for your integrity. With appreciation,
Tammy
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Service Animals in Barbershop ETIQUETTE FOR SINGERS AND FANS
Mobility scooters. Hearing aids. Riser chairs. Those are just a few of the medical devices that allow singers to perform with their choruses and quartets. Service animals are also included in that list. Alice Rewolinski, tenor of Cincinnati Sound Chorus, works with two service dogs, Gidget and Paladin, and trains service dogs as well. Both of Alice’s dogs are trained to alert her when her condition is about to flare. Gidget is a rat terrier who works at her home when Paladin is off duty. Paladin is a golden retriever who is trained for guidework, balance assistance, medication reminders, and other duties. Paladin accompanies Alice to chorus rehearsal and even appeared on the risers (in costume!) when Cincinnati Sound Chorus competed in Columbus in 2025. Alice has been in her chorus for three years and competed twice at the regional level. Columbus was her first experience at international competition. As an advocate for people who use service dogs, she graciously shares advice for chorus members and barbershop fans who encounter them in rehearsal, performance, and other spaces. Harmony on the Sound Chorus member and retired Visual Communications Judge Gina Kaiser, #1 CPDT-KSA (Certified Professional Dog Trainer, Knowledge and Skills, assessed), has been a dog trainer for almost thirty years. She is also a Field representative for a U.S. national service dog agency, Paws With a Cause. Gina has taught obedience classes at all levels, specialty classes in Freestyle, tricks, games, and acting for advertising, and she provides private lessons for clients and their dogs. She and her performing dogs have received numerous awards in Freestyle competition. They spoke with The Pitch Pipe to share insight on service animals for singers and barbershop fans who encounter them.
Service animals are trained to perform specific tasks related to a person’s disability. In most countries, service animals are allowed in all public spaces, such as restaurants and performing venues. Dogs are most common, but you might also encounter other animals. GUIDE DOGS Guide dogs are a specific type of service animal trained to assist people who are blind or visually impaired. While all guide dogs are service animals, not all service animals are guide dogs. THERAPY ANIMALS Trained therapy animals visit places like hospitals, nursing homes, and libraries—but only when invited. In most countries, they are not allowed in most public spaces. Dogs and cats are common, but you might encounter a wide variety of therapy animals. EMOTIONAL SUPPORT ANIMALS Emotional support animals provide comfort by their presence. They do not require training, though many are trained. In some countries, they are legally protected in housing situations, but they are generally not allowed in most public spaces.
“...Medical devices make it possible for great singers to bring their talents Gina with Suri, a dog she trained to assist people with hearing loss.
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to our organization. Without them, we could miss out on wonderful friends and musicians.”
Encountering Service Animals: More than Manners Service animals are chosen and trained with great care and often at great expense. They are trained for the specific needs of their owners, and the owners are also trained to work with the animal. Learning the best behavior practices is more than a matter of etiquette. Once again, think about the animal as a medical device. Nobody would think it was a good idea to turn off someone’s oxygen tank or grab their crutches. Distracting a service animal can be as much of a problem as those examples. But, Alice says, we’re all human, and many of us have to train ourselves to ignore dogs who are working. After all, they are still dogs! “I get it. They're cute. It’s novel,” says Alice. “But the dog is there for a reason. You wouldn't make a big deal about a wheelchair or a walker. Try not to make a big deal out of the dog.” “Not making a big deal” includes several behaviors you might not consider as a person who does not use a service animal. Alice and Gina listed several things we should know. When you encounter a person working with a service animal… Avoid talking to, calling to, or otherwise distracting the animal. Of course, it’s natural to glance at an unexpected dog, but do not maintain eye contact or make faces at the dog. Alice and Gina both add that it is especially important not to call the dog’s name. Give people with service animals their privacy. While it is normal to be curious, wait for the person to bring up the service animal if they want. They often field questions and comments from strangers just by being out in public. Give them a break from educating, which is not their duty. There are many sites, videos, and other means of learning about service animals. Remember that you are not the service animal police. Unless you are the owner of the venue, it is not your job to make sure a service animal is allowed there. It should go without saying, but don’t ask people to explain their private medical condition to you under any circumstances, including when they are using a service animal. Do not take photos or videos of the service animal without permission. It’s not just good etiquette. A service dog is part of their owner’s private medical information. Taking their photo, and especially posting or publishing it without permission, is a grave violation of their privacy. Know what to do when a service dog alerts. If the owner is handling it, give them their privacy. However, some service animals are trained to go for help if their owner is in need. If a service animal approaches you and the owner is nearby, ask the owner what they need. If you cannot find the owner or the person is unable to speak, find help. Teach your children well. As part of teaching your children to interact with all animals, teach them how to be respectful of working animals.
Alice and Paladin on the international stage in Columbus.
Dogs on the Risers As people who love animals, Alice and Gina understand that it can be hard to train yourself to ignore your impulse to exclaim or pet or ask about a dog who arrives at your chorus rehearsal, show, or convention. But barbershop singers know how to learn, and we can learn this too! And we can learn it before we meet singers who work with service animals so that we are ready to make them feel welcome.
“I didn’t want to be the chick with the dog.” When Alice started bringing Paladin to rehearsal, her chorus began to learn how to behave around service animals – and Paladin learned the specifics of his job while with the chorus. For example, he learned to lie on the risers and to ignore choreography moves that are similar to commands. The chorus learned how to ignore him while he is working. As an experienced Visual Communications judge, Gina explains that no medical device, including a service animal, impacts a chorus or quartet’s score. SingUnited International is made up of a diverse community of singers, many of whom use medical aids. She explains that judges recognize that medical devices make it possible for great singers to bring their talents to our organization. Without them, we could miss out on wonderful friends and musicians. “Service animals are highly trained, and they provide vital independence for people,” said Gina. “They should be accepted and respected just like any other assistive aid. Even if a service animal is noticeable onstage, judges treat him or her the same as other medical devices.” Alice and Gina both emphasize that treating the singer as you do other singers is key to making people who work with service animals feel welcome. “I actually didn't take Paladin with me to rehearsal for the first few months because I didn't want to be the chick with the dog,” Alice explained. “I wanted to be another singer. I wanted to be part of the community, not someone on the outside. Please don't let a service dog prevent you from being a friend to the person. Don't make it about the dog. Make it about the person.”
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A Thank You and a Promise Donor Cherie Letts on her Memorial Gift Honoring Nancy Kurth
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n July 2025, Coeur ‘d Alene Chorus (#13) called Cherie Letts “a mover and a shaker, a trendsetter” in their Member Spotlight on social media. It’s true. She is in three choruses: Coeur d’Alene is her primary; Spirit of Spokane was her first (and she is still a member), and she is a singing member of Song of Seattle, (#13). She is also the new Team Coordinator for Region #13, after serving as the Regional Marketing Coordinator for the past five years, and she created the region’s Culture of Belonging Committee. She is on the international Chorus Toolkit Subcommittee and is one of the founders of the Fantastic SAMs (Sweet Adelines Marketers) group, which began for Regional Marketing Coordinators and now includes chorus marketers as well. How did Cherie gain the confidence to take on leadership roles within the organization she loves? Mentorship. That is why she has chosen to make an estate gift to SingUnited International in memory of Nancy Kurth. For 55 years, Nancy joyfully sang with seven choruses around the United States, finishing her career with Pride of Portland Chorus (#13). “I know what music can do for a young person’s life and how important it can be, so I want to support that,” she said in an interview for the January 2020 issue of The Pitch Pipe. That interview focused on Nancy’s gifts to young singers. When Nancy passed in September 2024, loving tributes came from all around the barbershop world.
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Cherie has this to say about why she wanted to honor Nancy with her gift: Sweet Adelines, now SingUnited, didn’t just give me a place to sing—it gave me a place to grow. As a leader. As a communicator. As a human being who believes deeply in connection, belonging, and lifting others up. The experiences I’ve had, the stages I’ve stood on, the incredible people I’ve learned from and with… they’ve shaped who I am in ways I never could have imagined. And at the center of that journey is someone incredibly special to me—my mentor and dear friend, Nancy Kurth. Honoring her through this gift just feels right. Nancy didn’t just teach me about music; she showed me what it looks like to lead with passion, to invest in people, and to believe in something bigger than yourself. Her influence is woven into everything I do. So this legacy gift is really two things—it’s a thank you, and it’s a promise. A thank you to an organization that changed my life. And a promise that future generations of singers will have the same opportunity to find their voice, their confidence, and their community…just like I did. If even one person finds what I found here because of this gift, then it will have been worth it. At the end of the day, Sweet Adelines, SingUnited, is about more than harmony on stage—it’s about harmony in life. And that’s something worth investing in even beyond our lifetime.
Read the latest edition of The Pitch Pipe online now! pitchpipemagazine.com | July 2026 | Volume 80 — No .1
The Voice of SingUnited International
WE ARE
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JULY 2026 | 9
g n i v o r Imp Chorus Scores: ascending Into a
This is the third in a series of three articles on the topic of improving chorus scores. The first, “Getting to C+” was published in The January 2026 issue of the Pitch Pipe,and the second “Breaking into B”, was published in the 2026 april issue of The Pitch Pipe.
You’ve broken into B. You have worked hard to get scores that begin with a 6 or a 7, and now you are excited for the challenge: ascending into A! Many of us are striving to find the key to unlock the door to A and earn a score beginning with the number 8 or 9! What is the mindset, the exercises, the activities or the formula for scoring at the A level? Three highly achieving members of our organization, Becki Hine, Lynne Smith and Kim Vaughn, have experienced the joy and the challenges of taking their chorus into that special ‘land of A level singing’ and share their thoughts on this journey.
Vocal Freedom When it comes to the voice and vocal production, vocal freedom is a must, says voice teacher Kim Vaughn: When there’s more natural freedom in the voice, overtones become expected. Voice teachers tend to use 5-note descending scales a lot at the C and B levels. At the A level, we talk about vocal flexibility and managing eight notes or more, or scale work with lots of work on all the dynamics. In order to develop vocal freedom, Kim recommends a vocal exercise spanning the range of an octave and a third, using Italian vowels which tend to have more natural openness.
From Technique to Artistry Similarly, Becki Hine shares that her chorus, Song of Atlanta (#14) had high energy and character but sang with some muscle and press in the sound when they were singing at the B+ level: We also had not developed the ears for perfect intervals, and with that muscle in the sound, were flatting a bit and sometimes a bunch throughout our songs. Dale Syverson, (former Master 700 Director of the Rich Tone Chorus, # 25), called it ‘the long, slow slide.’ The fix for that was to sing with more freedom and ease, and also to train our ears 10 | JULY 2026
for the correct intervals. We marked our music during this time period and highlighted Pythagorean tuning notes in each voice part. Even if each singer didn’t understand how high each of those intervals needed to be, she could be aware that those intervals needed attention and lift. I do believe it helped our awareness, and working to sing with more freedom allowed us to sing those intervals higher. Continued exploration of vocal freedom allowed Becki’s singers to have an opportunity to add more authentic character in vocal delivery. “For instance, at B+, we would try to do a character affectation and it sounded like a gimmick or a thing that was put on to the voice, instead of the voice just doing it and having that character be just part of the sound. The difference in the level is ‘being’ that thing and not ‘trying to do’ that thing.” Kim stresses that artistry and lyrics are the overall goals of the A levels. In order to sing at the A levels, Kim says to specifically concentrate on “color words, authentic emotion, artistic diphthongs.” This encourages a “lyric driven performance” which is needed to achieve and ascend within A.
the importance of detail work Working on smaller segments of a song is also a part of the journey into A. This kind of detailed work is described by Lynne Smith in the following way: They (A level singers) understand that ‘A’ is in the details and artistry, and that the basics of all categories are expected.” The Song of Atlanta Chorus experienced a coaching session with Britt-Heléne Bonnedahl (former Master 700 Director of Rönninge Show Chorus, # 32) in which she took the singers through a drill session focusing on about four measures at a time, asking for more specific characteristics during each repetition. “Now we drill smaller pieces of the music,and sometimes drill one voice part or duets of two voice parts, and use different inspirations, like adding more character or beauty or lift or fun or dynamics,” says Becki. Kim’s advice is similar. “You have to be willing to work on details, then return to the whole sound, then back again to details, and then back to the whole performance. Then it’s details again, followed by a return to A level commitment to the performance from every singer. All the ‘singing your part smart’ stuff has to become as habitual as does lyric driven performing.
Contributors Becki Hine: Master 700 Director of Song of Atlanta Chorus (#14), Certified Visual Communication Judge Lynne Smith: Visual Communication coach, Retired International Faculty member, Region #21 faculty, former director of Golden Sands Chorus, former choreographer and member of International Champion Harborlites Chorus (2004, 2007), past coach of USA Olympic Synchronized Swimming Team
training the voice Vocal training is fundamental at all levels, including the A levels. In her observations of what practices are common among A level choruses, Lynne notices that skill building is a high priority. They recognize that the first activity of rehearsal is vocal and visual skill building education, not just warmups.” When working on building vocal freedom, Becki highly recommends beginning your vocal warmup session with a Semi-Occluded Vocal Tract (SOVT) exercise, a vocal training technique where the mouth is partially blocked or narrowed. Common SOVT exercises are lip trills (also referred to as bubbling), singing on an N, M or V, or humming/singing through a small straw, often into water. Becki says to do “anything that puts something in the way of the sound. And if all singers do it daily, you will have not only more efficient vocal cord closure and a better unit sound, but also a culture that has decided to all buy into a helpful exercise.
training the mind Mental preparation is part of the routine of a chorus ascending into A. Becki has worked with Jan Carley as a mental preparation coach for international competition. Jan’s books and coaching have transformed the language I use at chorus rehearsals and in my civilian life as well.” Becki also recommends the book With Winning in Mind by Lanny Bassham. “The concept of giving a ‘winning performance’ each time you perform (even at rehearsals) is how we prepare and how we deal with any expectations in a contest. The concept of ‘that’s just like us’ is how we conduct ourselves in rehearsals. For instance, when we end a long difficult song in key, instead of being surprised by it, we train our brains to believe that it’s ‘just like us’ to sing that song in key. Lynne says it’s necessary to have the right attitude: A level choruses consciously work at having a “can do” and “team player” attitude.” She has also observed that A Level performers are willing and excited to consistently practice taking personal and collective risks, giving them confidence in their skills. "They have a chorus culture of knowing how to produce their own best voice, being more confident, and powering through the challenging times of the competition journey.
Kim Vaughn: Master 700 Director, retired Musical Director and current Associate Director of twotime International Champion San Diego Chorus (#21), Certified Sound Judge Emeritus, Master International Faculty member, three-time International Quartet Champion (High Society, 1976; Savvy, 1988; and A Cappella Gold, 2001).
Becki agrees with this characteristic of A Level choruses: We have developed wonderful team alignment and a great positive culture. Chorus members value and believe in our mission and vision, and when that happens, our jobs shift from ‘I have to do this task’ to ‘I get to do this task.’ Then our other singers don't want to miss out on the fun of creating a brilliant environment, which encourages them to step up. When we have a safe, trusting community, people genuinely want to contribute. Lynne stresses the need for a steadfast and supportive partnership between chorus leaders and members: A level choruses have leaders who freely offer extra help and members who enthusiastically take advantage of it.” She goes on to say, “Performers at this level care more about how they touch and entertain the audience than their score or placement. The big picture goal is to Touch Every Audience Member (TEAM). Each of us has room to grow, no matter how successful we've been in the past. A-level singing is the result of a shift in culture, ownership, and mindset, as well as a multitude of small habits, repeated consistently by the chorus as a whole. Regardless of the level your chorus is striving to reach, there is one frequently mentioned bit of advice from those who’ve reached a new level of scoring. Three words.Very simple. Enjoy the journey. Joan Boutilier is Master Director of River City Sound Chorus (#3), a Certified Judge in Expression and Sound Categories, an International Faculty member, and tenor of 2008 International Champion Quartet, Four Bettys.
building an a-level culture In the previous articles on improving your chorus scores, the importance of a positive chorus culture was emphasized. The same is true for a chorus striving to sing at the A level. Kim says that there is a definite shift in culture between B+ and A- and higher: I believe the chorus becomes more singer-driven than director-driven. People start coming up with ways to become better on their own, without the help of the director. Things like small group rehearsals just spring up without anyone asking. It’s very cool. And there’s got to be a strong management and musical team alliance.
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Region 35 I
n Region 35 (Sweet Adelines New Zealand), THRIVE has been less about large-scale programmes and more about using the targeted funding in fun and accessible ways that support our choruses. The key of course is our twelve choruses have embraced and brought the initiatives to life. At its core, THRIVE is about strengthening the non-musical side of what we do – chorus culture, recruitment, retention, leadership, marketing, and connection. With that in mind, our focus has been on two key areas: visibility and member experience. People need to be able to find us, and once they do, there needs to be a reason to stay. National Open Month One of the most effective initiatives has been our National Open Month in February 2026. Every chorus across the country committed to running open nights within the same month, supported by a coordinated and regionally resourced national campaign. Social media advertising, shared branding, and a central website (singwithus.co.nz) created a simple, consistent entry point for potential members. This approach supported several THRIVE goals: recruitment, marketing, and community connection, while also reducing the burden on individual choruses. It created a sense of shared activity across the region and made participation straightforward.
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Targeted Chorus Marketing Grants To complement this approach, each chorus received a marketing grant to support local initiatives. This gave each chorus the flexibility to respond to their own communities while still aligning with a national strategy. It also enabled financial accessibility and local decision-making, both key aspects of building sustainable chorus operations. Joint Region 34 & 35 Leadership Series (online) We have also prioritised leadership and education, recognising their direct link to retention. An online Leadership Series, delivered and resourced in partnership with Region 34 Australia, provided a wonderful opportunity for members aspiring to be or in leadership roles. Recordings ensured access for those unable to attend live sessions, contributing to a more inclusive approach to learning. We valued the opportunity for this partnership with Australia and have plans to look at other shared opportunities. Alongside these more structured initiatives, we’ve made space for creativity and engagement. Hooked on Harmony Regional Tag Competition This region-wide competition was designed as a low-barrier way to encourage participation and teamwork. Choruses were asked to perform a tag that encouraged people to join their chorus. They could write and arrange an original tag or change the words in a tag that they already knew. We shared these fun clips on social media and members (and the public) voted for their favourite. It contributed to chorus culture, member engagement, and creative development, while also generating huge visibility through social media. Importantly, it gave emerging arrangers an opportunity to contribute and be seen, strengthening a sense of belonging within the region.
Check out Region 35
Chorus visits Members of the Regional Management Team have visited choruses to listen, support, and better understand local needs. These in-person visits contribute to stronger relationships, more informed planning, and ongoing support in areas such as administration, membership, and leadership. Outcomes From a data perspective, we’ve seen strong growth in social media reach and engagement, showing that our marketing and community outreach efforts are gaining momentum. While we’ve seen a slight increase in overall membership numbers, we are mindful that meaningful progress in recruitment and retention will take time and consistent effort. It’s been most rewarding to receive a lot of positive feedback from our members who are clearly enjoying and valuing our regional initiatives. THRIVE is working well for our region because the approach has been practical, accessible, creative and fun, making it easier for choruses to engage and participate.
We’ll continue to build on what is working, while exploring new ways to support recruitment, marketing, education and connection across the region. THRIVE provides the framework but the real impact comes when our choruses embrace the opportunities. Thank you to every chorus for helping to bring it to life. Contributed by the Regional Management Team of Sweet Adelines Region 35 New Zealand.
JULY 2026 | 13
Embracing a Culture of Belonging Song of Atlanta Chorus builds culture with intention.
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n barbershop harmony, the most powerful chords are not created by identical voices, but by different voices, each bringing its own color, texture and strength to the sound. The true magic of barbershop harmony happens when these varied voices merge, forming a blend that is greater than the sum of its parts. That same principle extends beyond the music. A chorus becomes stronger, more resilient, and more vibrant when it embraces a culture of belonging—when every singer feels they have a place. At Song of Atlanta Chorus, (14) that understanding has been shaped not only by success but by reflection and, at times, through criticism. At every rehearsal, we recite our chorus affirmation statement together as one voice. These words remind us that while our paths into the chorus may differ, our goal is the same: to create something meaningful together.
The music team has worked to ensure more inclusive language in repertoire, thoughtfully adapting lyrics when needed so singers can perform authentically. Costume and makeup expectations have also evolved, allowing more flexibility so members can feel confident and comfortable on stage. These efforts align with the international organization’s Guiding Principles of Diversity & Inclusion and Culture of Belonging, encouraging choruses to consider how language, presentation, and policies affect belonging. The chorus has become more intentional about valuing the perspectives of newer and younger members and incorporating their ideas into chorus-wide decisions. One member reflected that while advocating for change could feel difficult, it ultimately led to meaningful progress: “The process wasn’t always easy, but the culture in the chorus is the best it’s ever been.”
Belong from the First Visit Guests are welcomed by the membership committee and invited onto the risers alongside experienced singers. From the first rehearsal, they have the opportunity to participate if they choose to. New members are paired with a more seasoned member mentor. This mentorship reflects the importance of building strong relationships, which are central to creating a culture of belonging. That intentional welcome is reflected in the chorus’s growth. Over the past year, Song of Atlanta has expanded from approximately 90 to more than 110 members. Many discover us through online searches due to our exhaustive efforts to optimize search results. Others are invited by a friend. One member shared, “From the time of my first visit, I had so many people reach out to answer my questions…It gave me joy and belief in something positive in my life.”
Stronger Because of Our Differences Different backgrounds bring different ideas, experiences, and ways of thinking. When those perspectives are welcomed, they enhance creativity, strengthen collaboration, and deepen connection. Research consistently supports this. Organizations that prioritize diversity and inclusion are more innovative and more successful over time. Just as importantly, individuals are more likely to contribute fully when they feel they belong. One member reflected, “Everything starts with the love of music and an open heart…sharing common goals helps to make that bond stronger.” The sense of belonging with a chorus is an important respite for many. “Song of Atlanta is my happy place,” another member reflected. “It is where I get to show up fully as myself.”
When Growth Feels Uncomfortable In 2023, following a regional competition performance, members of the broader Sweet Adelines community critiqued Song of Atlanta’s performance of a song with deep cultural significance to the African American community because we lacked representation of racial diversity within our membership. The moment was very challenging and difficult to process. Yet, it eventually ushered in a new space for learning through intentional listening and deep conversation. A new path forward began to emerge with deeper awareness of how representation and artistry intersect. Conversations around diversity can be complex and uncomfortable. Yet research repeatedly demonstrates that when organizations engage with those moments thoughtfully, they become stronger, more innovative, and more connected.
United in Song Song of Atlanta’s journey is ongoing. There is a growing commitment to expand access, strengthen connections, and continue to learn. We have come to understand that belonging is built from an aggregate of small, meaningful moments. Our foundational belonging has always been and always will be built on the thrill of ringing chords together. Barbershop is a physical manifestation of the idea that a sum can be greater than its individual parts. In the end our director said it best: “We all love the same thing: each other and barbershop harmony. That is why we are all here.” Josalyn McAllister is a board member of Song of Atlanta Chorus (#14) in collaboration with many members of the Song of Atlanta Chorus.
Song of Atlanta Chorus Affirmation: We are Song of Atlanta, a chorus of confident A+ level singers bound in purpose and musical excellence producing masterful barbershop artistry through authentic character filled performance.
3 | APRIL 2026
SUI CONVENTION GREATER COLUMBUS CONVENTION CENTER COLUMBUS, OH
JULY 2026 | 15
WHERE, WHY, and HOW WE SANG
A place to share your adventures and achievements!
White Spruce City Chorus (#26) sang the Canadian national anthem at a Prince George Spruce Kings hockey match.
Vocal Standard Chorus (#5) sang the U.S. national anthem at the annual dinner of the Kansas City Chamber of Commerce.
Vocal Matrix Chorus (#14) performed the U.S. national anthem at the opening of the Southeastern Conference (SEC) Women’s Basketball tournament.
Four Seasons Quartet (#25) performed at the Japan America Society of Oklahoma Speech Contest.
Gainesville Harmony Show Chorus (#9) performed at the Santa Fe College Spring Arts Festival.
16 | JULY 2026
High Hopes Quartet (#13) sang the U.S. and Canadian national anthems at Superhero Night for Spokane Zephyr FC.
Blue Sky Harmony (#34) sang at Bands in Parks: Music on the Green, at Grange Bowls Club.
Talk of Tulsa Show Chorus (#25) performed at the Tulsa Women's Expo.
Toast of Champaign Chorus (#3) sang the U.S. national anthem at the Christie Clinic Illinois Marathon.
Headliners Chorus (#34) performed at an International Women’s Day event hosted by the Ballina Chamber of Commerce.
Vocal Vibes Chorus and Geelong Harmony Chorus (both #34) performed at the Australian National Choral Association’s Choralfest in Geelong.
Perth Harmony Chorus (#34) performed at the Boorloo Heritage Festival.
Hunter Women of Note Chorus (#34) performed at the Newcastle Fringe Festival. JULY 2026 | 17
On Saturday, April 11, One Voice Chorus (#4) did a combined collaboration fundraising concert with the Purduettes from Purdue University. Admission was free, and all donations went to support YWCA Greater Lafayette. A representative from the YWCA also spoke on domestic violence awareness during the show. This show touched all generations, and our final number was a combined one, singing How We Sang Today (pictured)! This is our fourth year doing a combined concert to support a nonprofit. – Eleanor Hamilton is a member of One Voice Chorus.
At their annual Christmas pub-crawl and sing-out, members of Aberdeen Chorus (#31) raised £1,657.42 for Charlie House HQ, an organization that serves children with life-limiting or life-threatening conditions, and their families.
Waikato Rivertones Chorus (#35) performed at Relay for Life in Hamilton, North Island (NZ). Photo courtesy of Nga Mihi A Gifted View Photography.
Rönninge Show Chorus (#32) opened the Olle Nyman memorial show at Uppsala konsert och kongress.
Singcerely Quartet (#14) sang the U.S. national anthem at a Gastonia (North Carolina) Ghost Peppers baseball game.
18 | JULY 2026
Let us know what yo has been doing in Email your submiss communications
Shades of Harmony Chorus (#19) sang for veterans and their guardians with Honor Flight of Southern New Jersey as they returned from their trip to Washington, D.C.
Headliners Chorus (#34) performed at two services of Ballina RSL Club Ltd cenotaph with the Ballina RSL sub-Branch for ANZAC Day.
Greater Kingston Chorus (#16) Sang the Canadian national anthem at Kingston Frontenacs hockey match.
Chinook Winds Show Chorus (#26) Performed at the Harmony Multicultural Music Festival in Calgary, Canada.
Evergreen Chorus (#15) sang the U.S. national anthem at a Hudson Valley Renegades baseball game.
Verdugo Hills Chorus (#11) took part in the PanCan Purple Stride to support pancreatic cancer research.
our chorus or quartet n your community. sions and photos to s@singunited.org
Wollongong Harmony Chorus (#34) performed at their local Mother's Day Classic walk/run, which raises money to combat breast and ovarian cancer. JULY 2026 | 19
Giving Is Easy with a Recurring Donation! Make a difference for as little as $10/mo USD
When you set up a recurring donation to SingUnited International, singers around the world benefit from your generosity. And it’s easy!
Visit the Giving page on the SingUnited International website, and choose what works for you. Fill out the form, and we’ll do the rest.
RECURRING GIFT OPTIONS LYRIC CIRCLE
PATRON CIRCLE
CHAMPION CIRCLE
$10/mo
$25/mo
$50/mo
PRESIDENT’S BENEFACTOR CIRCLE CIRCLE $100/mo
$250/mo
VISIONARY CIRCLE $500/mo
A recurring donation offers you convenience and puts you in control of your giving. Set it up once, at the frequency and amount that works for you, and your gift is automatically transferred. You can increase, decrease, or stop your recurring gift at any time.
Hear from donors about why they set up recurring gifts Julie Starr is a former director, top ten international quartet singer, international board member, and judge trainee. She is a current Regional Management Team (RMT) member in Region #12, Arranger Certification Program participant, and, as she says, “happy singer” in Bay Area Showcase Chorus. Julie’s gift supports the Education Fund, an area that is very important to her. As a 37-year member, I have experienced firsthand so many of the benefits that this organization offers: support and education for quartets, directors, arrangers, judges, chorus and regional leaders, and chorus members in all areas. I never want it to end! Giving what I can in time, energy, and money is the least I can do to help the organization stay strong.
20 |22 JULY| 2026 APRIL 2026
Gina Baker joined Sweet Adelines International (now SingUnited
International) in 1993. Since 2022, Gina has been a member of Spirit of the Gulf Chorus and, in 2025, joined Deanna Kasler as co-director. Gina sang lead in International Champion Quartets Touché (2013) and Viva! (2020). She currently sings tenor for 2026 international third-place medalist Sirens quartet. She serves in Region #9 on the education steering committee, as educational faculty, and as youth coordinator. Gina is an approved candidate judge in the Sound category. Her gift is to the Education Fund. Gina’s monthly giving places her in the President’s Circle.
This organization has given me a place to grow, connect, and belong. Making a recurring gift is my way of ensuring that same opportunity continues to inspire others for years to come.
Ann McAlexander has been a member of Sweet Adelines International (now SingUnited International) since 1981. For many years, she has been a member of Melodeers Chorus (#3). Her husband, son, and daughter are all barbershop singers, and she is active in many barbershop singing organizations and activities. Her gift supports the Greatest Need Fund. Her monthly gift is allows her to be part of the Benefactor’s Circle and enjoy the giving level benefits of that level such as the Donor Suite and VIP seating at Convention. I've been a member of Sweet Adelines/SingUnited since 1981. My husband and children are also barbershoppers. My daughter and I are life members of SUI. We've actively donated to the Barbershop Harmony Society for many years, and prefer to do it on a monthly basis because it makes it easier to plan for and budget. A few years ago I asked myself why I wasn't also donating to Sweet Adelines in the same way. I reached out to the Philanthropy department, and I think I was one of the first to donate on a monthly basis toward an annual goal. Then coming out of the pandemic, knowing the hardships all of our barbershop organizations were going through to recover from the impact, I decided to increase my monthly gift. To me, it just made sense to give what I could to help ensure the future of our organization and all that it provides to our members, and doing it monthly makes it so easy to fit in our budget.
APRIL 2026 JULY|2026 23 | 21
o H y p p Ha Choosing Inclusive Holiday Music Why “Inclusive Music”? Most choruses and quartets want all of their singers to feel invested in the music they sing – and they want that music to connect with their audience in positive ways as well. That’s the goal of “inclusive music.” Many end-of-year holidays have religious origins, and repertoires often include songs from those traditions. Christmas, Hanukkah, Yule, and, in Sweden, Lucia Day, are examples of holidays with well-known traditional music. Choruses and quartets know their members and their audiences, so many of them perform songs from religious traditions regularly or upon request. Those songs can certainly be part of an inclusive music selection when they are chosen mindfully. “Choosing inclusive holiday music goes beyond religious inclusivity to encompass cultural, age-related, and secular inclusivity,” said Beth. “It also includes people who have no religious affiliation. Inclusivity should make everyone — performers and audience members — feel seen and included. Understanding who your singers are and who your audience is forms a strong foundation for choosing holiday music.”
22 | JULY 2026
It’s the middle of the year. Your chorus has finished
regional competition, and now it’s time to start planning your end-of-year holiday performances. Whether that’s a show your community looks forward to, caroling in the neighborhood, or delivering singing holiday cards, it’s time to start thinking about what music will bring the most joy to the most people at this special time. We spoke with Beth and Madeline Anderson Balmer of Buffalo Gateway Chorus to get advice on how choruses and quartets can choose music inclusive of their singers as well as audience members. Madeline sings lead and is a lead vocal coach in the chorus. She is also the quartet coordinator for the chorus and the marketing coordinator for Region #17. Beth sings bass. She is the convention coordinator for Region #17 and a member of the SingUnited International Diversity, Equity, & Inclusion Council (DEIC).
Tips for Choosing Holiday Music • Consider “old favorites” that are not religious-based. Holiday music can be about the season (Let It Snow, I’ll Be Home for Christmas), the atmosphere (Silver Bells, Carol of the Bells), pop culture characters (Rudolph the Red-Nosed Reindeer), or other holiday stories and humor (I Want a Hippopotamus for Christmas). Songs from films or musicals are often associated with holidays as well. • Change lyrics. As you have probably noticed when looking up songs in the Song Evaluation Database, some songs can be made more inclusive by changing pronouns or other lyrics to make them more inclusive of your singers and audience. Arrangers sometimes offer alternate lyrics for religious-based holiday songs, or you can write your own. Of course, when making substantial changes to the original lyrics, make sure to review using the Song Assessment Tool. • Learn songs from your singers’ and audiences’ cultures – but be mindful of cultural appropriation and tokenism. “Inclusive song choices should stem from a chorus's authentic commitment to inclusivity, not from a desire to check a box,” said Beth. “Tokenism — such as adding a single song from
! e n o y r e v E r o F . . . olidays a specific culture with no context or asking the only chorus member from that culture to explain it — is counterproductive and potentially harmful. True inclusivity means caring about every person in the chorus and the community.” Learning and sharing information about the songs we sing supports the SingUnited International Guiding Principles of Culture of Belonging, and Diversity and Inclusion. • Learn from musicians and singers from different cultures, musical genres, etc. Working with and learning from other musicians can be a great way to learn new music. Of course, ask a trusted person, such as a local cultural leader, if your chorus/quartet may perform a song from their culture to make sure that is appropriate. “Learning about different cultural traditions can yield unique and meaningful song choices,” says Beth. “However, choruses should be mindful of cultural appropriation and provide educational context before performing songs from traditions outside their own community.” Also, Madeline adds,“it is never a good idea to try to mimic accents when singing songs from specific cultures.” • Remember all types of inclusivity at the holidays. Religious/ secular inclusivity is first in most singers’ minds when choosing holiday music, but remember other types of inclusion as well. That might mean choosing gender-neutral nouns in a romantic song or incorporating a sign language interpreter to connect with more people. Buffalo Gateway has three members who use sign language professionally, but if your chorus would like to work with an interpreter for a performance, you can hire one. Expect to give them plenty of time ahead of the performance to learn your music. • Sing a song without words. Madeline explains that some times, holiday melodies sung as vocalizations can be a beautiful way to connect with audiences as well as highlight the wonderful overtones of barbershop chords. Keep in mind that melodies can also have associations that need to be addressed. As always, check the Song Evaluation Database/Song Assessment Tool to help determine if your choice is one that accomplishes your goal of inclusion. • Have a holiday songlist. When appropriate, provide your holiday song list to facilities or individuals who hire you to perform. That way, they can let you know if there are songs they would especially like to hear or would prefer to avoid.
Finding Inclusive Music Beth and Madeline agree that choruses should strive for a genuine mix of holiday songs. “Old favorites” along with new or less-familiar holiday songs • Research old and new songs. When searching for holiday music, Madeline suggests refining your search terms using the holiday itself plus terms such as, “inclusive” “diverse” “non-religious,” etc. In addition to finding new songs, it can be fun to find old songs that might work. Make sure to use the Song Assessment Tool to research any song you are considering. • Commission a new arrangement. If a song you love hasn’t been arranged for barbershop, commission an arranger. You can find a list of SingUnited International arrangers by logging into the SingUnited International website and visiting Arranging, Music Copyright & Performance Licensing or BarbershopConnections under the Member Resources tab. • Write or commission a new song! If you just can’t find what you’re looking for, write or commission a new song. Beth says that her previous chorus would set aside an annual budget to commission original songs from local composers. The process involved providing a poem, lyric, or theme and giving the composer a year to complete the work. “It supports local artists, introduces new audiences to a cappella music, and can result in entirely original repertoire,” she said. Madeline noted that university students who are studying music composition might be able to complete the work as part of their coursework, such as through directed study. Need Advice? Choosing inclusive music, like singing barbershop, is not a solo activity. Singers need to know who to talk to if they have concerns or questions. Directors and music teams may want a new perspective or idea about choosing or adapting songs. “Singers can approach their music team, assistant director, or a musical mentor privately rather than raising concerns in front of the full chorus,” says Beth. “Choruses should ideally designate a dedicated "musical inclusivity point person" — someone other than the director — who members can approach comfortably. This is especially important for newer or less visible members who may not feel safe speaking up. Also, proactive conversations within the music committee about song choices can prevent discomfort before it arises.”
Regional leaders can be a great resource, and Beth also emphasizes that the SingUnited International DEIC welcomes questions from choruses and quartets. Log in to the SingUnited International website and visit the DEIC section to find resources and contact information, or email DEICouncil@SingUnited.org. JULY 2026 | 23
October 26-31, 2026 | C
78th Internationa
Whether you’re stepping onto the stage, cheering f Find full schedules, OAP
ALL EYES ON R!SE
SING ON THE INTERNATIONAL STAGE!
EXPERIENCE an EXCITING SHOPPING EXPERIENCE in the
Attending the international convention? New this year, the R!SE Chorus is open to all past Rising Star participants (regardless of age) and any singer 25 and younger. • Directed by Kim Newcomb • Performance on Saturday, October 31, during the International Chorus Finals. • An all-events pass or a single-event pass for Saturday is required to participate. Find full details, including songs, on the SingUnited International website.
Previously known as Harmony Bazaar, AcaShop features a newly designed layout along with vendors you’ve come to know – and, of course, the International Sales booth, where you’ll find Sweet Adelines International classics and brand-new SingUnited International merchandise!
NEW this year... Sip & Shop Events! Monday | 4:00 PM Following the Coronet Club Crown Reveal Thursday During afternoon intermission Saturday | 8:30–10:30 AM Early access with coffee & mimosas
AcaShop Hours of Operation Monday, October 26 | 2:00–7:00 PM Tuesday, October 27 | 9:00 AM–7:00 PM Wednesday, October 28 | 9:00 AM–7:00 PM Thursday, October 29 | 9:00 AM–7:00 PM Friday, October 30 | 9:00 AM–4:00 PM Saturday, October 31 | 8:30 AM–2:00 PM 24 | APRIL 2026
SWEET ADELINES/SINGUNITED POPUP MUSEUM items
n of Once again, we are bringing a curated selectio tional from the Sweet Adelines/SingUnited Interna archives to Columbus!
organization through Learn about the history of our luding dolls from the objects and documents – inc ip Showcase. Reminisce Hughes-Gehrke Championsh m long-time members, with friends, hear stories fro t us together in song. and reflect on what brough near the registration Look for the popup museum desk in AcaShop.
Columbus, Ohio, USA Greater Columbus Convention Center
al Convention & Competition
from the audience, or diving into educational opportunities, there’s something for everyone! Ps, and information on the new SingUnited International website.
CATCH ALL COMPETITIONS on OUR LIVE WEBCAST! Presented by your fabulous anchors and co-hosts… Harmony Classic
Jenny Harris and Jean Schoenlank
Quartet Semi-Finals - First Session Karen Breidert & Melynnie Williams
Quartet Semi-Finals - Second Session Karen Breidert & Jeannie Froelich
Chorus Semi-Finals - First Session
Sharon Cartwright & Cammi MacKinlay
Chorus Semi-Finals - Second Session Sharon Cartwright & Kim Wonders
Quartet Finals
Karen Breidert & Neyla Pekarek
Chorus Finals
Sharon Cartwright & Molly Huffman
Only $30 USD for the full weekend of competitions, including replay options and live chat rooms!
APRIL 2026 | 25
Order of Appearance
2026 INTERNATIONAL HARMONY CLASSIC COMPETITION Division A 1. Sound Harmony Chorus • Region #13 2. River Rhapsody Chorus • Region #6 3. Diamond Jubilee Chorus • Region #4 4. Hickory Tree Chorus • Region #15 5. Carolina Harmony Chorus • Region #14
Division AA 1. Vienna-Falls Chorus • Region #14 2. The Woodlands Show Chorus • Region #10 3. Metro Nashville Chorus • Region #4 4. Perth Harmony Chorus • Region #34 5. Enchanted Mesa Show Chorus • Region #21
2026 INTERNATIONAL QUARTET COMPETITION 1. 2. 3. 4. 5. 6. 7. 8. 9.
Alouette Plot Twist Last Call Lucille 942 Yellow Brick Road Essence Daybreak Firefly
10. Presto! 11. Uproar 12. Mile High Mix 13. Wicked Blend 14. Skylark 15. Meadowlark 16. MINT 17. Serenade 18. Sirens
19. Venture 20. Spice 21. Nothin' But Treble 22. ~Outside the Lines 23. Three Sixty 24. VanQ 25. Wildfire! 26. Last Minute 27. Smile
28. Firestorm 29. Voxy *WD 30. Game Time 31. The Valkyries 32. Radiant 33. All Fired Up! *WD 34. Dreamland 35. Maine Squeeze 36. Gusto!
37. VOCE 38. Alchemy 39. Spellbound 40. Obsession 41. Cool Name Pending 42. Cantiamo 43. PRISM 44. Duly Noted
45. Avoid the Frogs 46. Stiletto 47. Based On A True Story 48. Lumos
2026 INTERNATIONAL CHORUS COMPETITION 1. Spirit of the Gulf Chorus • Region #9 2. Greater Harmony Chorus • Region #17 3. Melodeers Chorus • Region #3 4. Harborlites Chorus • Region #21 5. York Harmony Chorus • Region #16 6. San Diego Chorus • Region #21 7. Canadian Showtime Chorus • Region #16 8. Mission Valley Chorus • Region #12 9. Greater Cleveland Chorus • Region #17 10. Westcoast Harmony Chorus • Region #26 11. Greater Harrisburg Chorus • Region #19 12. Sirens of Gotham Chorus • Region #15 13. Scioto Valley Chorus • Region #4 14. A Cappella Joy Chorus • Region #13 15. Song of Atlanta Chorus • Region #14 16. Midwest Crossroad Chorus • Region #3 17. Faultline Chorus • Region #35 *WD
26 | JULY 2026
18. River Blenders Chorus • Region #5 19. Dundalk Chorus • Region #19 20. Pacific Empire Chorus • Region #12 21. Rönninge Show Chorus • Region #32 *WD 22. Texas Harmony Chorus • Region #10 23. Skyline Chorus • Region #8 24. Talk of Tulsa Show Chorus • Region #25 25. Sound of Sunshine Chorus • Region #9 26. Viva Acappella Chorus • Region #31 27. Santa Monica Chorus • Region #11 28. Farmington Valley Chorus • Region #1 29. Spirit of Syracuse Chorus • Region #15 30. Merrimack Valley Chorus • Region #1 31. Rhythm of the Rockies Chorus • Region #26 *WD 32. City of Lakes Chorus • Region #6 33. Motor City Blend Chorus • Region #2
Register Here!
78th International Convention & Competition Registration Type
Registration Rate
International Competitor
$320
Volunteer (served previous year)
$215
Member
$320
Non-Member
$340
Youth (25 and under)
$225
October 26-31, 2026 | Columbus, Ohio, USA Greater Columbus Convention Center
SAVE THE DATE! SATURDAY, OCTOBER 31, 2026
Let's Go Ghouls! 7 to 9 P.M.
SingUnited International BOO-GIE OOGIE OOGIE Costume Dance Party
DETAILS TO COME! JULY 2026 | 27
Region #1 North Atlantic
Quartets
First Place Maine Squeeze
Score: 583 Laura Carey (t) Millennium Magic Kirsten Alfano (l) Millennium Magic Andrea Hernandez (bt) Chapter-at-Large Region 1 Laura Fassett (bs) Millennium Magic Songs: It's a Good Day (L. Steinkamp); Once Upon a Time (J. Dale)
First Place Maine Squeeze
Second Place Honey Bunches of Notes Score: 572
Third Place Past Curfew Score: 571
Competing Quartets: 15
Choruses
First Place Millennium Magic Chorus Director: Under their own direction Score: 685 | 28 on stage Songs: He Touched Me (L. Wright); Gimme Gimme (M. Hine)
Second Place Harmony on the Sound Director: Karen Sweeters Score: 626 | 57 on stage
First Place Millennium Magic Chorus
Third Place Northern Voices A Cappella Director: Terry Neill Score: 574 | 18 on stage
Division A Northern Voices A Cappella Director: Terry Neill Score: 574 | 18 on stage Songs: How Many Hearts Have You Broken (J. Arns); If You Love Me Really Love Me (N. Bergman)
Division AA Millennium Magic
Division A Northern Voices A Cappella
Director: Under their own direction Score: 685 | 28 on stage Songs: He Touched Me (L. Wright); Gimme Gimme (M. Hine)
Most Improved Chorus Northern Voices A Cappella Chorus Director: Terry Neill Score: 574 | 18 on stage Points Improved: 31
Choruses Competing: 12 Photo Attribution: Chris Marion Photography
Division AA Millennium Magic Chorus 28 | JULY 2026
Region #2 Border Lakes
Quartets First Place Lumos
Score: 645 Andrea Petzold (t) Motor City Blend Chapter Shayna Stubblefield (l) Motor City Blend Chapter Debra Densmore (bt) Grand Traverse Show Chapter Tamela Moore (bs) Chapter-at-Large Region 2 Songs: Paralyzed (B. Mastrull); Not While I'm Around (B. Beck)
First Place Lumos
Second Place Solstice Score: 597
Third Place Hidden Gems
Score: 584
Competing Quartets: 10
Choruses
First Place Shoreline Sound Chorus
Director: Diane Catellane Score: 644 | 47 on stage Songs: It Was Almost Like a Song (H. Houtz); Wonderful Day Like Today (J. Minshall)
Second Place Grand Rapids Chorus Director: Holli Houtz Score: 629 | 49 on stage
First Place Shoreline Sound Chorus
Third Place London Chorus Director: Julia Beadle Score: 579 | 36 on stage
Division A Grand Traverse Show Chorus Director: Carleen McCall Score: 543 | 20 on stage Songs: Moment I Saw Your Eyes (J. Liles); Yesterday I Heard the Rain (B. Graham)
Division AA Shoreline Sound Chorus
Division A Grand Traverse Show Chorus
Director: Diane Catellane Score: 644 | 47 on stage Songs: It Was Almost Like a Song (H. Houtz); Wonderful Day Like Today (J. Minshall)
Most Improved Chorus A Cappella Bella Chorus Director: Marilee Wexstaff Songs: 381 | 14 on stage Points Improved: 28
Choruses Competing: 11 Photo Attribution: Bob Newmann Big Events Studio
Division AA Shoreline Sound Chorus JULY 2026 | 29
Region #3 Midwest Harmony
Quartets First Place Stiletto
Score: 604 Lindsey Bondi (t) Choral-Aires Chapter Kimberly Blair (l) Choral-Aires Chapter Missy Roberts (bt) Choral-Aires Chapter Linda Herza (bs) Choral-Aires Chapter Songs: How Many Hearts Have You Broken? (J. Arns); Sweet Adeline (J. Giallombardo)
First Place Stiletto
Second Place Sneakers Score: 599
Third Place Mixed Bag
Score: 554
Competing Quartets: 10
Choruses
First Place Choral-Aires Chorus
Directors: Amy Brinkman, Bonnie Fedyski Score: 644 | 58 on stage Songs: I've Grown Accustomed to Her Face, (J. Arns); Smile Medley (J. Arns)
Second Place River City Sound Chorus Director: Joan Boutilier Score: 609 | 34 on stage
First Place Choral-Aires Chorus
Third Place Great Lake Sound Chorus Director: Carol Thompson Score: 585 | 33 on stage
Division A Vermillion Valley Show Chorus
Director: Kathryn Filipiak Score: 539 | 24 on stage Songs: Zing! Went the Strings of My Heart, (R. Craig); Bandstand in Central Park (N. Bergman)
Division AA River City Sound Chorus
Division A Vermillion Valley Show Chorus
Director: Joan Boutilier Score: 609 | 34 on stage Songs: Time After Time (J. Arns); I Never Knew/I'm Getting Married (R. Craig and F. King)
Most Improved Chorus River City Sound Chorus Director: Joan Boutilier Score: 609 | 34 on stage Points Improved: 10
Choruses Competing: 12 Photo Attribution: Read Photography
Division AA River City Sound Chorus 30 | JULY 2026
Region #4 Harmony Heartland
Quartets
First Place Cool Name Pending
Score: 601 Amanda Kaufmann (t) Scioto Valley Chapter Mindy Krueger (l) Motor City Blend Chapter Tracy Marcarello (bt) Scioto Valley Chapter Karen Johns (bs) Gem City Chapter Songs: This Can't Be Love (D. Wright); Secondhand White Baby Grand (L. Wright)
First Place Cool Name Pending
Second Place Don't Call Me Shirley Score: 588
Third Place Intrepid Score: 572
Competing Quartets: 14
Choruses
First Place Metro Nashville Chorus
Director: Kim Wonders Score: 665 | 48 on stage Songs: Time After Time (J. Arns); Blue Skies (C. Hine/M. Hine)
Second Place Cincinnati Sound Chorus Director: Jack Johnson Score: 621 | 59 on stage
First Place Metro Nashville Chorus
Third Place Pride of Kentucky Chorus Director: Debbie Hite Score: 595 | 37 on stage
Division A Diamond Jubilee Chorus
Director: Jean Barford, Score: 585 | 21 on stage Songs: He Touched Me (L. Wright); I Never Knew Medley (R. K. Marsh / D. Wright)
Division AA Metro Nashville Chorus
Division A Diamond Jubilee Chorus
Director: Kim Wonders Score: 665 | 48 on stage Songs: Time After Time (J. Arns); Blue Skies (C. Hine/M. Hine)
Most Improved Chorus River Magic Chorus Director: Beverly Miller Score: 439 | 15 on stage Points Improved: 34
Choruses Competing: 12 Photo Attribution: Read Photography
Division AA Metro Nashville Chorus JULY 2026 | 31
Region #5 Spirit of the Midwest
Quartets First Place Venture
Score: 645 Melissa VanHousen (t) Vocal Standard Chapter Eva Marie Vargo (l) Vocal Standard Chapter Melissa Gillespie (bt) Vocal Standard Chapter Janet Velazquez (bs) Vocal Standard Chapter Songs: Paralyzed (B. Mastrull); The Nearness of You (J. Brockman)
First Place Venture
Second Place Stardust Score: 608
Third Place Fly Girls Score: 598
Competing Quartets: 15
Choruses
First Place Vocal Standard Chorus Director: Rob Mance Score: 709 | 43 on stage Songs: I'll Forget You (M. Hine); Take It Up A Step (S. Tramack)
Second Place Metro Mix Chorus Director: John Hayden Score: 587 | 30 on stage
First Place Vocal Standard Chorus
Third Place Sound Celebration Chorus Director: Terry Ludwig Score: 582 | 36 on stage
Division A Lincolnaire Chorus
Director: Karen Randall Score: 519 | 21 on stage Songs: A Wonderful Day Like Today (J. Minshall); If I Can Dream (S. Armstrong)
Division AA Vocal Standard Chorus
Division A Lincolnaire Chorus
Director: Rob Mance Score: 709 | 43 on stage Songs: I'll Forget You (M. Hine); Take It Up A Step (S. Tramack)
Most Improved Chorus Acappella Omaha Chorus Director: Annette Wallace Score: 558 | 27 on stage Points Improved: 26
Choruses Competing: 12 Photo Attribution: Read Photography
Division AA Vocal Standard Chorus 32 | JULY 2026
Region #6 Northern Lights
Quartets First Place Spice
Score: 623 Angela Blackwood (t) City of Lakes Chapter Heidi Dick (l) City of Lakes Chapter Liz Miller (bt) City of Lakes Chapter Jan Rick (bs) City of Lakes Chapter Songs: It's You (R. Rund); That's Life (BHS)
First Place Spice
Second Place Upbeat Score: 561
Third Place Affinity Score: 536
Competing Quartets: 11
Choruses
First Place Spirit of Harmony Chorus Director: Judy Weipert Score: 563 | 20 on stage Songs: Once Upon a Time (J. Dale); A Wonderful Day Like Today (J. Minshall)
Second Place Twin Cities Show Chorus Director: Derek Glenna Score: 552 | 30 on stage
First Place Spirit of Harmony Chorus
Third Place Fox Valley Chorus Director: Heather Johnston Score: 545 | 28 on stage
Division A Spirit of Harmony Chorus Director: Judy Weipert Score: 563 | 20 on stage Songs: Once Upon a Time (J. Dale); A Wonderful Day Like Today (J. Minshall)
Division AA Twin Cities Show Chorus
Division A Spirit of Harmony Chorus
Director: Derek Glenna Score: 552 | 30 on stage Songs: Once Upon a Time (J. Dale); I Got the Sun in the Morning (K. Bromert)
Most Improved Chorus Spirit of Harmony Chorus Director: Judy Weipert Score: 563 | 20 on stage Points Improved: 23
Choruses Competing: 8 Photo Attribution: Read Photography
Division AA Twin Cities Show Chorus JULY 2026 | 33
Region #8 Rocky Mountain
Quartets
First Place Nothin' But Treble
Score: 652 Heleena Herrington (t) Chapter-at-Large Region 8 Mindy Butler (l) Chapter-at-Large Region 8 Ashlee Olson (bt) Chapter-at-Large Region 8 Stephanie Osmond (bs) Chapter-at-Large Region 8 Songs: Can't Help Falling in Love (J. Arns); My Honey's Lovin' Arms (D. Wright)
First Place Nothin' But Treble
Second Place Mile High Mix Score: 642
Third Place Firestorm Score: 640
Competing Quartets: 23
Choruses
First Place Velvet Hills Chorus
Directors: Christian Diaz and Jadyn Johnson Score: 638 | 57 on stage Songs: Their Hearts Were Full of Spring, (A. Dale); Somebody Loves Me (C. Hine)
Second Place Bella Voce Chorus
Directors: Anna-Lisa Glad and Jeana Womble Score: 574 | 39 on stage
First Place Velvet Hills Chorus
Third Place High Country Chorus Director: Rebecca Richards Score: 565 | 52 on stage
Division A Grand Mesa A Cappella Chorus
Directors: Collette Mayer and Susanna Sorenson Score: 550 | 25 on stage Songs: Somewhere Over the Rainbow (J. Bescos); Between You and the Birds and the Bees and Cupid (A. Dale)
Division AA Bella Voce Chorus
Division A Grand Mesa A Cappella Chorus
Directors: Anna-Lisa Glad and Jeana Womble Score: 574 | 39 on stage Songs: At Last (N. Bergman); Joint is Jumpin' (N. Bergman)
Most Improved Chorus Greeley Harmonix Chorus
Directors: Julie Ann Palagi and Annette Lambrecht Score: 415 | 17 on stage Points Improved: 24
Choruses Competing: 12 Photo Attribution: Gracefully Etched Photography
Division AA Bella Voce Chorus 34 | JULY 2026
Region #9 Coastal Harmony
Quartets First Place Cantiamo
Score: 608 Maddie Higdon (t) Bridges of Harmony Chapter Kim Higdon (l) Bridges of Harmony Chapter Helen Giallombardo (bt) Bridges of Harmony Chapter Shelly Traficante (bs) Bridges of Harmony Chapter Songs: I'm Through with Love (L. Diamond); Someone Like You (L. Wright)
First Place Cantiamo
Second Place Heartland Score: 607
Third Place Rumor Has It Score: 578
Competing Quartets: 14
Choruses
First Place Women of Note Chorus
Director: Alex Rubin Score: 634 | 73 on stage Songs: Love Letters (Straight From Your Heart) (J. Arns); Hooray For Love (L. Wright)
Second Place Bridges of Harmony Chorus Director: Kim Higdon Score: 603 | 48 on stage
First Place Women of Note Chorus
Third Place Charleston Sound Chorus Director: David Templeton Score: 587 | 31 on stage
Division A South Florida Jubilee Chorus Director: Kimberly Heilbrun Score: 537 | 21 on stage Songs: It's You I Like (C. Outerbridge); I Wish You Love (L. Triplet)
Division AA Bridges of Harmony Chorus
Division A South Florida Jubilee Chorus
Director: Kim Higdon Score: 603 | 48 on stage Songs: Can't Help Falling in Love (J. Arns); When the Red, Red Robin Comes Bob, Bob, Bobbin' Along (G. Volk)
Most Improved Chorus Gainesville Harmony Show Chorus
Directors: Chanda Morris, Jennifer Winsor Score: 533 | 22 on stage Points Improved: 84
Choruses Competing: 10 Photo Attribution: Andrew Borts Photography
Division AA Bridges of Harmony Chorus JULY 2026 | 35
Region #10 Great Gulf Coast
Quartets First Place Essence
Score: 635 Janet Burnett (t) Houston Horizon Chapter Candice Griffith (l) Alamo Metro Chapter Kerry Parker (bt) Alamo Metro Chapter Tianna Coffey (bs) Chapter-at-Large Region 14 Songs: Someone Like You (L. Wright); It's You (R. Rund)
First Place Essence
Second Place Hot Note Score: 604
Third Place KLiMB Score: 587
Competing Quartets: 8
Choruses
First Place Alamo Metro Chorus
Director: Holly Janda Score: 646 | 38 on stage Songs: Tomorrow is Promised to No One (F. King); World Here I Am (P. McAlexander)
Second Place Houston Horizon Chorus Director: Janet Burnett Score: 599 | 34 on stage
First Place Alamo Metro Chorus
Third Place Chisholm Trail Chorus Director: Carol Scherer Score: 552 | 17 on stage
Division A Chisholm Trail Chorus
Director: Carol Scherer Score: 552 | 17 on stage Songs: Moment I Saw Your Eyes (J. Liles); May I Never Love Again (R. Craig)
Division AA Alamo Metro Chorus
Division A Chisholm Trail Chorus
Director: Holly Janda Score: 646 | 38 on stage Songs: Tomorrow is Promised to No One (F. King); World Here I Am (P. McAlexander)
Most Improved Chorus Chisholm Trail Chorus
Director: Carol Scherer Score: 552 | 17 on stage Points Improved: 17
Choruses Competing: 10 Photo Attribution: Precision Photography
Division AA Alamo Metro Chorus 36 | JULY 2026
Region #11 Sequoia Pacifica
Quartets First Place The Valkyries
Score: 632 Grace Lueck (t) Chapter-at-Large Region 11 Emma Castillo (l) Chapter-at-Large Region 11 Kayla Quilantang (bt) Chapter-at-Large Region 11 Sarah Saavedra (bs) Chapter-at-Large Region 11 Songs: Someone Like You (D. Wright); Do I Love You? (B. Graham)
First Place Valkyries
Second Place By Special Request Score: 619
Third Place Troubadour
Score: 596
Competing Quartets: 16
Choruses
First Place Verdugo Hills Chorus
Director: Tammy Ragsdale Score: 592 | 42 on stage Songs: Something Good (C. Hine); A Wonderful Day Like Today (J. Minshall)
Second Place Agoura Hills Harmony Chorus Director: Monica Tautkus Score: 554 | 34 on stage
First Place Verdugo Hills Chorus
Third Place Voices United Chorus Director: Elizabeth Orr Score: 543 | 22 on stage
Division A Voices United Chorus Director: Elizabeth Orr Score: 543 | 22 on stage Songs: Now Is the Hour (J. Adler); Almost There (J. Minshall)
Division AA Verdugo Hills Chorus
Division A Voices United Chorus
Director: Tammy Ragsdale Score: 592 | 42 on stage Songs: Something Good (C. Hine); A Wonderful Day Like Today (J. Minshall)
Most Improved Chorus Golden Sands Chorus Director: Karen Laderman Score: 504 | 21 on stage Points Improved: 43
Choruses Competing: 10 Photo Attribution: Kim Skvarla Photography
Division AA Verdugo Hills Chorus JULY 2026 | 37
Region #12 Pacific Shores
Quartets First Place Game Time
Score: 626 Kimberly Blackwell (t) Chapter-at-Large Region 12 Klysta Schoof (l) High Desert Harmony Chapter Katrina Kmak (bt) Chapter-at-Large Region 12 Julie Cameron (bs) Chapter-at-Large Region 12 Songs: This Can't be Love (D. Wright); In Your Eyes (L. Wright)
First Place Game Time
Second Place Twilight Score: 605
Third Place Seismic Sound Score: 573
Competing Quartets: 18
Choruses
First Place Diablo Vista Chorus
Director: Caitlin Castelino Score: 701 | 69 on stage Songs: I See The Light (T. Hicks); Something's Gotta Give (P. McAlexander)
Second Place Oregon Spirit Chorus Director: Kathy Scheel Score: 598 | 56 on stage
First Place Diablo Vista Chorus
Third Place Bay Area Showcase Chorus Director: Elaine Abigail Score: 590 | 39 on stage
Division A Harmony Fusion Chorus
Director: Barbara Vander Putten Score: 508 | 20 on stage Songs: Taking A Chance On Love (E. Waesche); Love Letters (Straight From Your Heart) (J. Arns)
Division AA Bay Area Showcase Chorus
Division A Harmony Fusion Chorus
Director: Elaine Abigail Score: 590 | 39 on stage Songs: You Don't Know Me (J. Clancy); Who Will Buy? (D. Briner)
Most Improved Chorus Emerald Valley Chorus Director: Lauren Kahn Score: 556 | 29 on stage Points Improved: 14
Choruses Competing: 11 Photo Attribution: Read Photography
Division AA Bay Area Showcase Chorus 38 | JULY 2026
Region #13 North by Northwest
Quartets First Place Meadowlark
Score: 597 Katharine Francis (t) A Cappella Joy Chapter Sarah Robinson (l) Jet Cities Chapter Mindy Engelberg (bt) A Cappella Joy Chapter Kate Brouns (bs) Chapter-at-Large Region 13 Songs: That's Life (BHS); Someone Like You (L. Wright)
First Place Meadowlark
Second Place Touchstone Score: 592
Third Place Perfect Fourth Score: 578
Competing Quartets: 19
Choruses
First Place Jet Cities Chorus
Director: Rachel Pack Score: 604 | 48 on stage Songs: Next Time I Love (L. Wright); Moonlight Saving Time (G. Lloyd)
Second Place Alaska Sound Celebration Chorus First Place Jet Cities Chorus
Director: Melodee Risi Score: 592 | 28 on stage
Third Place Spirit of Spokane Chorus Director: Mike Elliott Score: 587 | 22 on stage
Division A Spirit of Spokane Chorus
Director: Mike Elliott Score: 587 | 22 on stage Songs: If Ever I Would Leave You (C. Hine); Hey, Look Me Over! (N. Bergman)
Division AA Jet Cities Chorus
Division A Spirit of Spokane Chorus
Director: Rachel Pack Score: 604 | 48 on stage Songs: Next Time I Love (L. Wright); Moonlight Saving Time (G. Lloyd)
Most Improved Chorus Capital City Sound Chorus Director: Malauna Gibby Score: 535 | 33 on stage Points Improved: 33
Choruses Competing: 21 Photo Attribution: InSpirit Studioz Photography
Division AA Jet Cities Chorus JULY 2026 | 39
Region #14 Heart of the Blue Ridge
Quartets
First Place Avoid the Frogs
Score: 662 Maryna Pinder (t) Song of Atlanta Chapter Madeleine Cox (l) Song of Atlanta Chapter Virginia Corradino (bt) Song of Atlanta Chapter Ashlynn Blaha (bs) Song of Atlanta Chapter Songs: The Masquerade is Over (E. Waesche); Steppin’ Out with a Star (J. Pinder)
First Place Avoid the Frogs
Second Place Wicked Blend Score: 641
Third Place Spellbound Score: 638
Competing Quartets: 20
Choruses
First Place Queen Charlotte Chorus
Director: Debora Lovelady Score: 639 | 51 on stage Songs: Two Tickets to Georgia (C. Pernert, G. Volk); Time After Time (J. Arns)
Second Place Carolina Harmony Chorus Director: Susie Smith, Director Score: 605 | 30 on stage
First Place Queen Charlotte Chorus
Third Place Vocal Matrix Chorus Director: Dr. Kimberly Graham Score: 590 | 37 on stage
Division A Virginia Coast Chorus
Director: Cheri Danner Score: 529 | 22 on stage Songs: It's You I Like (C. Outerbridge); Before The Parade Passes By (C. Schmidt)
Division AA Carolina Harmony Chorus
Division A Virginia Coast Chorus
Director: Susie Smith Score: 605 | 30 on stage Songs: This Can't Be Love (D. Wright); Next Time I Love (L. Wright)
Most Improved Chorus Carolina Harmony Chorus Director: Susie Smith Score: 605 | 30 on stage Points Improved: 29
Choruses Competing: 13 Photo Attribution: Freeze Frame Photography
Division AA Carolina Harmony Chorus 40 | JULY 2026
Region #15 Greater NY/NJ
Quartets First Place 942
Score: 660 Macenzie Bigness (t) Spirit of Syracuse Chapter Kristina Valentino (l) Spirit of Syracuse Chapter Catrina Tulowiecki (bt) Spirit of Syracuse Chapter Katie Sheerin (bs) Spirit of Syracuse Chapter Songs: You Are My Sunshine (V. Uhr); Hit Me With a Hot Note (P. Alexander)
First Place 942
Second Place Yellow Brick Road Score: 657
Third Place Illuminate Score: 611
Competing Quartets: 18
Choruses
First Place Greater Nassau Chorus
Director: Harriett Walters Score: 682 | 40 on stage Songs: All the Things You Are (J. Minshall); Hit Me with a Hot Note (P. Alexander)
Second Place Liberty Oak Chorus First Place Greater Nassau Chorus
Director: Katie Blackwood Score: 664 | 70 on stage
Third Place Harmony Celebration Chorus Director: Jack Pinto Songs: 648 | 52 on stage
Division A Saratoga Soundtrack Chorus
Director: Jennifer Hunter Score: 562 | 25 on stage Songs: This Could Be the Start of Something Big (L. Wright); From the First Hello to the Last Goodbye (J. Arns)
Division AA Greater Nassau Chorus
Division A Saratoga Soundtrack Chorus
Director: Harriett Walters Score: 682 | 40 on stage Songs: All the Things You Are (J. Minshall); Hit Me with a Hot Note (P. Alexander)
Most Improved Chorus Capitaland Chorus Director: Susan Kopenhaver Score: 589 | 31 on stage Points Improved: 74
Choruses Competing: 17 Photo Attribution: Super Source Medio STUDIOS
Division AA Greater Nassau Chorus JULY 2026 | 41
Region #16 Lake Ontario
Quartets First Place Firefly
Score: 674 Rachel Beach (t) North Metro Chapter Susann McKinley (l) North Metro Chapter Laura Norris (bt) North Metro Chapter Sharon Demy (bs) North Metro Chapter Songs: Do I Love You? (B. Graham); I Can't Give You Anything But Love/I've Got a Feeling I'm Fallin' (N. Bergman)
First Place Firefly
Second Place One Track Mind Score: 621
Third Place No Compromise Score: 593
Competing Quartets: 13
Choruses
First Place North Metro Chorus
Director: Erin Howden Score: 757 | 97 on stage Songs: Hooray For Love (A. Dale); Rainbow Medley (C. Hine)
Second Place Circle of Harmony Chorus Director: Barbara Hodge Score: 618 | 51 on stage
First Place North Metro Chorus
Third Place Greater Kingston Chorus Directors: Andria Coward, Susan Marriott Score: 604 | 40 on stage
Division A Barrie Soundwaves Chorus
Director: Leila BrownScore: 540 | 24 on stage Songs: If You Love Me Really Love Me, (N. Bergman); A Wonderful Day Like Today (J. Minshall)
Division AA Greater Kingston Chorus
Division A Barrie Soundwaves Chorus
Directors: Andria Coward, Susan Marriott Score: 604 | 40 on stage Songs: A Wonderful Day Like Today (J. Minshall); How Deep Is The Ocean? (R. Hopkins)
Most Improved Chorus Northumberland Chorus Director: Sharon Pelton Score: 449 |13 on stage Points Improved: 42
Choruses Competing: 16 Photo Attribution: Wayne Photography
Division AA Greater Kingston Chorus 42 | JULY 2026
Region #17 Great Lakes Harmony
Quartets First Place Daybreak
Score: 675 Joan Boutilier (t) River City Sound Chapter Sara Clevenger (l) Greater Harmony Chapter Margie Manuel (bt) Greater Harmony Chapter Allison Hengelsberg (bs) Greater Harmony Chapter Songs: Young and Foolish (B. Graham); Jazzman's Hot Note Medley (M. Hengelsberg)
First Place Daybreak
Second Place ~Outside the Lines Score: 638
Third Place Dreamland Score: 624
Competing Quartets: 16
Choruses
First Place Buffalo Gateway Chorus
Director: Diane Porsch Score: 692 | 73 on stage Songs: Do I Love You?, (B. Graham); A Wonderful Day Like Today (J. Minshall)
Second Place Voices in Harmony Chorus Director: Jennifer Jones Score: 602 | 37 on stage
First Place Buffalo Gateway Chorus
Third Place Pride of Toledo Chorus
Director: Dawn Seigneur Score: 588 | 17 on stage
Division A Pride of Toledo Chorus
Director: Dawn Seigneur Score: 588 | 17 on stage Songs: The Moment I Saw Your Eyes (J. Liles); How Deep is the Ocean? (R. Hopkins)
Division AA Voices in Harmony Chorus
Division A Pride of Toledo Chorus
Director: Jennifer Jones Score: 602 | 37 on stage Songs: Won't You Be My Neighbor? (M. Hine); It's You I Like (C. Outerbridge)
Most Improved Chorus Battle Creek Chorus Director: Mary Su Score: 565 | 17 on stage Points Improved: 81
Choruses Competing: 14 Photo Attribution: Wyeth Lilley Photography
Division AA Voices In Harmony Chorus JULY 2026 | 43
Region #19 Atlantic Bay-Mountain
Quartets First Place Obsession
Score: 639 Susan Irwin (t) Harbor City Music Company Chapter Lori Crouter (l) Harbor City Music Company Chapter Marianna Gellert (bt) Harbor City Music Company Chapter Peggy Jones (bs) Chapter-at-Large Region 19 Songs: The Touch of Your Lips (B. Graham); Paralyzed (B. Mastrull)
First Place Obsession
Second Place Midnight Society Score: 619
Third Place Overdrive Score: 605
Competing Quartets: 20
Choruses
First Place Harbor City Music Company Chorus Director: Michael Gellert Score: 723 | 93 on stage Songs: Get Me to the Church on Time (A. Dale); The Curtain Falls (M. Gellert)
Second Place Vocal Harmonix Chorus Director: Lori Jo Whitehaus Score: 570 | 31 on stage
First Place Harbor City Music Company Chorus
Third Place The Annapolis Blend Chorus Director: Jennifer Harris Score: 567 | 38 on stage
Division A Philadelphia Freedom Chorus Director: Deborah Dahlen-Kirsch Score: 507 | 17 on stage Songs: If I Give My Heart to You (J. Clancy); After You've Gone (R. Craig)
Division AA Vocal Harmonix Chorus
Division A Philadelphia Freedom Chorus
Director: Lori Jo Whitehaus Score: 570 | 31 on stage Songs: Smile Medley (C. Hine); Will it be Me This Time? (L. Diamond)
Most Improved Chorus Capital Accord Chorus Director: Sherry Stanton Score: 447 | 22 on stage Points Improved: 47
Choruses Competing: 19 Photo Attribution: JB Photography
Division AA Vocal Harmonix Chorus 44 | JULY 2026
Region #21 Golden West
Quartets First Place Uproar
Score: 625 Rebecca Smith (t) Harborlites Chapter Amber Carroll (l) Harborlites Chapter Pamela Pieson (bt) Harborlites Chapter Catherine Berriz (bs) Harborlites Chapter Songs: Don't Break the Heart That Loves You (G. Volk); When I Fall In Love (D. Wright)
First Place Uproar
Second Place Solo Voce Score: 598
Third Place Reverb Score: 589
Competing Quartets: 18
Choruses
First Place Scottsdale Chorus
Director: Lori Lyford Score: 717 | 90 on stage Songs: Softly As I Leave You (B. Graham); Before the Parade Passes By (A. Dale)
Second Place Enchanted Mesa Show Chorus Director: Audrianna Aragon Score: 625 | 38 on stage
First Place Scottsdale Chorus
Third Place OC Sound Chorus Director: Bonnie McKibben Score: 607 | 46 on stage Division A Simply A Cappella Chorus
Director: Wendi Young Score: 508 | 17 on stage Songs: Between You & the Birds & the Bees and Cupid (A. Dale); When Day is Done (E. Waesche)
Division AA Enchanted Mesa Show Chorus
Division A Simiply A Cappella Chorus
Director: Audrianna Aragon Score: 625 | 38 on stage Songs: What I Did For Love (D. Wright); Don't Rain On My Parade (L. Wright)
Most Improved Chorus Inland Empire Chorus Director: Jane Krall Score: 526 | 27 on stage Points Improved: 15
Choruses Competing: 11 Photo Attribution: Freeze Frame Photography
Division AA Enchanted Mesa Show Chorus JULY 2026 | 45
Region #25 Heart of America
Quartets First Place Wildfire!
Score: 647 Rachel Radcliff (t) OK City Chapter Erin Goeke (l) Rich-Tone Chapter Jennifer Foster (bt) OK City Chapter Jen Le Claire (bs) Rich-Tone Chapter Songs: Fly Me To The Moon (K. Kitzmiller); Love Letters (Straight from Your Heart) (J. Arns)
First Place Wildfire!
Second Place After Party Score: 614
Third Place Reminisce Score: 602
Competing Quartets: 13
Choruses
First Place Rich-Tone Chorus
Director: Valerie Clark Score: 692 | 75 on stage Songs: Climb Ev'ry Mountain (C. Hine); Kickin' the Clouds Away (C. Hine)
Second Place OK City Chorus Director: Mary Rhea Score: 658 | 78 on stage
First Place Rich-Tone Chorus
Third Place Sooner Sensations Show Chorus Directors: Dawn Krones, Joe Krones Score: 581 | 16 on stage
Division A Sooner Sensations Show Chorus Directors: Dawn Krones, Joe Krones Score: 581 | 16 on stage Songs: Sweet Adeline (You're the Flower of My Heart) (J. Giallombardo); Blue Skies (R. Craig)
Division AA Top of the Rock Chorus
Division A Sooner Sensations Show Chorus
Directors: Kelly Causey, Tamara Boggs Score: 543 | 42 on stage Songs: In Your Eyes (L. Wright); This Could Be the Start of Something Big (L. Wright)
Most Improved Chorus Dazzling Diamonds Chorus Director: Cindy Cunningham Score: 448 | 15 on stage Points Improved: 61
Choruses Competing: 14 Photo Attribution: Jon Petersen Photography
Division AA Top of the Rock Chorus 46 | JULY 2026
Region #26 Canadian Maple Leaf
Quartets First Place VanQ
Score: 698 Sandy Marron (t) Lions Gate Chapter Alana Hibbert (l) Lions Gate Chapter Emma Gibson (bt) Chapter-at-Large Region 26 Shannon Harris (bs) Lions Gate Chapter Songs: At Last (C. Hine); Cruella De Vil (D. Wright)
First Place VanQ
Second Place MINT Score: 649
Third Place Thumbs Up! Score: 620
Competing Quartets: 21
Choruses
First Place Lions Gate Chorus
Director: Sandy Marron Score: 705 | 90 on stage Songs: The Impossible Dream (C. Hine); Take it Up a Step (M. Hine)
Second Place Gateway Chorus Director: Lisa Greenough Score: 659 | 64 on stage
First Place Lions Gate Chorus
Third Place Alberta Northern Lights Chorus Director: Branden Olsen Score: 603 | 25 on stage
Division A Alberta Northern Lights Chorus
Director: Branden Olsen Score: 603 | 25 on stage Songs: On a Wonderful Day Like Today/ It's a Good Day Medley (J. Minshall); Everybody Loves Somebody (J. Minshall)
Division AA Pacific Edge Chorus Division A Alberta Northern Lights Chorus
Director: Julie Smith Score: 601 | 42 on stage Songs: My Foolish Heart (J. Bescos); Hooray For Love/Let's Do It (L. Wright)
Most Improved Chorus Chinook Winds Show Chorus Director: Maja Weibe Score: 519 | 24 on stage Points Improved: 81
Choruses Competing: 14 Photo Attribution: Erik Visser Photography
Division AA Pacific Edge Chorus JULY 2026 | 47
Region #31 Quartet of Nations
Quartets First Place Three Sixty
Score: 669 Veryan Zimber (t) Chapter-at-Large Region 31 Gemma Fox (l) Lace City Chapter Sarah Netherton (bt) Viva Acappella Chapter Nicky Salt (bs) Viva Acappella Chapter Songs: This Time Around (J. Minshall); At Last (N. Bergman)
First Place Three Sixty
Second Place Muddy Stilettos Score: 666
Third Place Vida Loca Score: 641
Competing Quartets: 28
Choruses
First Place Forth Valley Chorus
Director: David Sangster Score: 700 | 94 on stage Songs: The Shadow of Your Smile (D. Sangster); Ain't Misbehavin' (D. Sangster)
Second Place Aberdeen Chorus Director: Sophie Radcliffe Score: 637 | 75 on stage
First Place Forth Valley Chorus
Third Place Lace City Chorus Director: Eleanor Blackeby Score: 635 | 74 on stage
Division A Milltown Sound Chorus Director: Kim Nuttall Score: 607 | 25 on stage Songs: Next Time I Love (L. Wright); I Got Rhythm (D. Wright)
Division AA Vocal Dimension Chorus
Division A Milltown Sound Chorus
Director: Valerie Taylor Score: 630 | 41 on stage Songs: The Way You Look Tonight (M. Hale); Come Fly With Me (K. Keller)
Most Improved Chorus Aberdeen Chorus Director: Sophie Radcliffe Score: 637 | 75 on stage Points Improved: 57
Choruses Competing: 11 Photo Attribution: Eric Ideler Photography
Division AA Vocal Dimension Chorus 48 | JULY 2026
Region #32 Nordic Light
Quartets First Place Maverick
Score: 678 Jean Ellis (t) Pearls of The Sound Chapter Anna Rosenberg Adlerstam (l) Pearls of The Sound Chapter Sofia Hagman (bt) Pearls of The Sound Chapter Susanna Balsvik (bs) Pearls of The Sound Chapter Songs: What I Did For Love (D. Wright); Almost There (A. Dale)
First Place Maverick
Second Place Smile Score: 581
Third Place Of Chords Score: 577
Competing Quartets: 18
Choruses
First Place Alba Show Chorus
Director: Åsa Bergh Fagerström Score: 643 | 67 on stage Songs: Cruella DeVille, (M. Hine); If I Give My Heart to You Parody, (J. Clancy)
Second Place Stockholm Starlight Chorus Director: Charlotte Pettersson Score: 639 | 56 on stage
First Place Aba Show Chorus
Third Place Harmony Heights Chorus Director: Mari Pettersson Score: 638 | 57 on stage
Division A Sunlight Chorus
Director: Veronica Johansson Score: 510 | 21 on stage Songs: Bare Necessities (T. Gentry); What a Wonderful World (J. Giallombardo)
Division AA Key Town Eskilstuna Chorus
Division A Sunlight Chorus
Directors: Annika Christensen, Sara Johanssen Selander Score: 558 | 40 on stage Songs: Almost There (A. Dale); What I Did For Love (D. Wright)
Most Improved Chorus Stockholm Starlight Chorus Director: Charlotte Pettersson Score: 639 | 56 on stage Points Improved: 27
Choruses Competing: 12 Photo Attribution: Eric Ideler Photography
Division AA Key Town Eskilstuna Chorus JULY 2026 | 49
Region #34 Southern Cross
Quartets First Place Alouette
Score: 613 Diane Jenkins (t) Circular Keys Chapter Vicki Dwyer (l) Circular Keys Chapter Jane Masters (bt) Circular Keys Chapter Crystal Forbes (bs) Circular Keys Chapter Songs: If I Had My Way (D. Harrington); Oh! Look at Me Now Parody (A. Dale)
First Place Alouette
Second Place Pocket Dimension Score: 606
Third Place Treble Makers Score: 602
Competing Quartets: 23
Choruses
First Place Brindabella Chorus
Director: Glenda Lloyd Score: 654 | 47 on stage Songs: An Earful of Music (G. Lloyd); Maybe This Time (C. Hine)
Second Place A Cappella West Chorus Director: Joanne Oosterhoff Score: 618 | 65 on stage
First Place Brindabella Chorus
Third Place Endeavour Harmony Chorus Director: Karen Ramirez, Lea Baker Score: 612 | 58 on stage
Division A Geelong Harmony Chorus
Director: Michelle Roy Score: 531 | 21 on stage Songs: All The Things You Are (J. Minshall); Zing! Went the Strings of My Heart (J. Minshall)
Division AA Brindabella Chorus
Division A Geelong Harmony Chorus
Director: Glenda Lloyd Score: 654 | 47 on stage Songs: An Earful of Music (G. Lloyd); Maybe This Time (C. Hine)
Most Improved Chorus Brindabella Chorus Director: Glenda Lloyd Score: 654 | 47 on stage Points Improved: 25
Choruses Competing: 14 Photo Attribution: Paul Redding Photography
Division AA Brindabella Chorus 50 | JULY 2026
Region #35 New Zealand
Quartets
First Place Based On A True Story
Score: 650 Kristina Roper (t) Greater Auckland Chapter Kathy Lopez (l) Greater Auckland Chapter Steph Panzic (bt) Greater Auckland Chapter Kate Gregory (bs) Greater Auckland Chapter Songs: Ain't Nobody's Business (M. Hine); There Are Worse Things I Could Do (P. McAlexander)
First Place Based On A True Story
Second Place Renew! Score: 602
Third Place Chordiality Score: 595
Competing Quartets: 11
Choruses
First Place Greater Auckland Chorus Director: Jocosa Bruce Score: 633 | 34 on stage Songs: Let Yourself Go (D. Wright); What Kind Of Fool Am I? (D. Harrington)
Second Place Wellington City Chorus Directors: Jo Hodgson, David Brooks Score: 628 | 42 on stage
First Place Greater Auckland Chorus
Third Place Nelson Bays Harmony Chorus Director: Alexandra Charlton Score: 582 | 37 on stage
Division A Dunedin Harmony Chorus
Director: Robyn Abernethy Score: 539 | 24 on stage Songs: The Way You Look Tonight (D. Clark); Nice Work If You Can Get It (M. Zwicker)
Division AA Greater Auckland Chorus
Division A DunedIn Harmony Chorus
Director: Jocosa Bruce Score: 633 | 34 on stage Songs: Let Yourself Go (D. Wright); What Kind Of Fool Am I? (D. Harrington)
Most Improved Chorus Greater Auckland Chorus Director: Jocosa Bruce Score: 633 | 34 on stage Points Improved: 26
Choruses Competing: 10 Photo Attribution: Neil MacKenzie Photography
Division AA Greater Auckland Chorus JULY 2026 | 51
R
Sc M B Ja Lo So O
Wild Card Quartets Wicked Blend
Region # 15 Yellow Brick Road
R
Score: 657 Diane Duff (t) Liberty Oak Chapter Heidi Wilson (l) Liberty Oak Chapter Patricia Danner (bt) Chapter at Large Region #15 Shayna Atkinson (bs) Liberty Oak Chapter Songs: If Only I Had a Brain (C.Hine); Ding Dong the Witch is Dead (C. Hine)
Sc M K Te M So D
Yellow Brick Roac
Firestorm
Region # 26 MINT
R
Score: 649 India Neville (t) Lions Gate Chapter Marissa Ho (l) Lions Gate Chapter Natalie Cotton (bt) Lions Gate Chapter Christina Fai (bs) Lions Gate Chapter Songs: Someone Like You (Jekkyl and Hyde) (S. Tramack); Gimme Gimme, (A. Bock)
Sc Sh C C C So H
MINT
Mile High Mix 52 | JULY 2026
~Outside the Lines
Region # 8 Mile High Mix
R
Score: 642 Mary Selano (t) Skyline Chapter Robin Mickle (l) Skyline Chapter Laura Schafer (bt) Velvet Hills Chapter Kim Andrews (bs) Skyline Chapter Songs: Oh! Look at Me Now, (A. Dale); Time after Time (J. Arns and D. Wright)
Sc M M A K So A
Spellbound
Region # 14 Wicked Blend
Region #31 Last Minute
core: 641 Michaela Medford (t) Song of Atlanta Chapter Bettina McDougal (l) Virginia Coast Chapter amee Billings (bt) Queen Charlotte Chapter orrie Mauney (bs) Queen Charlotte Chapter ongs: What'll I Do? (E. Waesche, R. Craig); Oh! Look At Me Now (A. Dale)
Score: 632 Martina Gierse (t) Chapter at Large Region #31 Krista Moller (l) Forth Valley Chapter Katy Taylor (bt) Chapter at Large Region #31 Anne-Miek De Nijs (bs) Chapter at Large Region #31 Songs: There's a Fine, Fine Line (T.Hicks); They Just Keep Moving the Line (S. Tramack)
Last Minute
Region # 8 Firestorm
Region #17 Dreamland
core: 640 Morgan Pawl (t) Chapter at Large Region #8 Kelli Lind (l) Velvet Hills eresa Newman (bt) Chapter at Large Region #8 Michelle Barnes (bs) Velvet Hills Chapter ongs: Next Time I Love (L. Wright); Deed I Do (A. Dale)
Score: 624 Staci Slamka (t) Motor City Blend Chapter Holli Houtz (l) Grand Rapids Chapter Hannah Barton (bt) The Heartland Singers Chapter Leigh Anne Dorman (bs) Chapter at Large Region #15 Songs: Once Upon a Time (J. Dale); Love-Eyes Medley (D. Wright) Dreamland
Region #17 ~Outside the Lines
Region #14 Plot Twist
core: 638 hannon Lange (t) Greater Cleveland Chapter Chelsea Selvaggio (l) Greater Cleveland Chapter Christy Dillon (bt) Sound of Sunshine Chapter Carter Maysilles (bs) Sound of Sunshine Chapter ongs: Fly Me to the Moon (K. Kitzmiller); How Deep is the Ocean? (R.Hopkins)
Score: 624 Jessie Palmer (t) Chapter at Large Region #14 Betsy Summers (l) Chapter at Large Region #14 Holly Hartman (bt) Virginia Coast Chapter Karen Stauss (bs) Chapter at Large Region #14 Songs: A Wink and a Smile (K. Brittain); If Ever I Would Leave You (C. Hine)
Plot Twist
Region #14 Spellbound
core: 638 Mary Lauren Keeny (t) Song of Atlanta Chapter Meredith Stentiford (l) Song of Atlanta Chapter Alexis Nicoletta (bt) Song of Atlanta Chapter Kristen Thomas (bs) CAL Region #14 ongs: I Wish You Love (D. Wright); Ain't Nobody's Business If I Do (M. Hine)
JULY 2026 | 53
First Place Scottsd
ale Chorus
rus First Place Diablo Vista Cho
First Place Harbor
City Music Comp
any Chorus
First Place Lions Gate Chorus First Place North Me
tro Chorus
B+ AND ABOVE CHORUSES SingUnited International congratulates and recognizes the accomplishments of all competing choruses. During the 2026 regional competition season, these choruses earned B+ scores (592) and above. Choruses receiving a score of 700 or higher are marked by an asterisk. North Metro Chorus*, #16
OK City Chorus, #25
Greater Auckland Chorus, #35
OC Sound Chorus, #21
Harbor City Music Company Chorus*, #19
Brindabella Chorus, #34
Vocal Dimension Chorus, #31
Hobart Harmony Chorus, #34
Scottsdale Chorus*, #21
Harmony Celebration Chorus, #15
Grand Rapids Chorus, #2
Carolina Harmony Chorus, #14
Vocal Standard Chorus*, #5
Alamo Metro Chorus, #10
Wellington City Chorus, #35
Greater Kingston Chorus, #16
Lions Gate Chorus*, #26
Shoreline Sound Chorus, #2
Harmony on the Sound Chorus, #1
Jet Cities Chorus, #13
Diablo Vista Chorus*, #12
Choral-Aires Chorus, #3
Enchanted Mesa Show Chorus, #21
Alberta Northern Lights Chorus, #26
Forth Valley Chorus*, #31
Alba Show Chorus, #32
Snowflake Singers Chorus, #32
Bridges of Harmony Chorus, #9
Buffalo Gateway Chorus, #17
Stockholm Starlight Chorus, #32
Cincinnati Sound Chorus, #4
Voices in Harmony Chorus, #17
Rich-Tone Chorus, #25
Queen Charlotte Chorus, #14
Singing Unlimited Chorus, #31
Pacific Edge Chorus, #26
Millennium Magic Chorus, #1
Velvet Hills Chorus, #8
Circle of Harmony Chorus, #16
Houston Horizon Chorus, #10
Greater Nassau Chorus, #15
Harmony Heights Chorus, #32
A Cappella West Chorus, #34
Oregon Spirit Chorus, #12
Metro Nashville Chorus, #4
Aberdeen Chorus, #31
Endeavour Harmony Chorus, #34
Pride of Kentucky Chorus, #4
Liberty Oak Chorus, #15
Lace City Chorus, #31
River City Sound Chorus, #3
Alaska Sound Celebration Chorus, #13
Gateway Chorus, #26
Women of Note Chorus, #9
Milltown Sound Chorus, #31
Verdugo Hills Chorus, #11
54 | JULY 2026
First Place Vocal Standard
Chorus
First Place Forth Valley Cho
rus
SingUnited International Virtual Memorial Wall Honor the memory of a Sweet Adeline by having their name added to the new SingUnited International Virtual Memorial Wall. Memorial donations help continue the legacy of our beloved members by providing funds for the events, education, and other programs that keep our organization thriving.
In Memory • April to July 2026 Susan Yinger, Harmony Central #5
Hannah Harris, Charleston #9
Annette Rouleau, Kansas City #5
Diana Francesch, CAL #12
Pat Kies, Kansas City #5
Jean Croak, Coastline #1
Rachel Klein, Emerald City #25
Carolyn Benkowitz, CAL #14
Cheryl Pyle, CAL #10
Sharen Hart, Enchanted Mesa #21
Barbara Rado, Great Lake Sound #3
Helen Sherman, Virginia Coast #14
Judith Bach, Pride of Toledo #17
Susan Carrison, Unknown
Joan Trawick, Unknown
Memorial Gifts • Honoring these former members through a memorial gift. To find out how to give a gift in the memory of one of our members, visit www.SingUnited.org/give or email Becky Duncan, Assistant Director of Philanthropy at becky@singunited.org
Advancements
Advanced to Approved Director
Adeline Teo, Christchurch Chapter, #35
Advanced to Certified Director
as of April 2026
Jeana Womble, Bella Voce Chapter, #8 Maja-Lena Weibe, Chinook Winds Show Chapter, #26 Cathy Gordon, Headliners Chapter, #34 Glen Windle, Brisbane City Sounds Chapter, #34
Charles Roegiers, Acapella Soundsations Chapter, #13
Jennifer Winsor, Gainesville Harmony Show Chapter, #9
Joanna Milan, A Cappella West Chapter, #34
Mary Su, Battle Creek Chapter, #17
Debra Griffiths, Bathurst Panorama Chapter, #34
Advanced to Master Director
Tanya Kavanagh, Brindabella Chapter, #34 Rachel Cadwallader, Sounds of Hawkes Bay Chapter, #35 Alexis Hauf, Black Hills Showcase Chapter, #8 Jeana Womble, Bella Voce Chapter, #8 Jo Bird, Lace City Chapter, #31
Advanced to Harmony 500 Karen Phillips, Tulsa Metro Sound Chapter, #25 Ashley Hazen, Valley Forge Chapter, #19 Malauna Gibby, Capital City Sound Chapter, #13
Valerie Clark, Rich-Tone Chapter, #25 Rachel Pack, Jet Cities Chapter, #13 Holli Houtz, Grand Rapids Chapters, #2 Jennifer Jones, Voices in Harmony Chapter, #17
Advanced to Master 700 Rob Mance, Vocal Standard Chapter, #5 David Sangster, Forth Valley Chapter, #31 Caitlin Castelino, Diablo Vista Chapter, #12
Alexis Hauf, Black Hills Showcase Chapter, #8 JULY 2026 | 55
SAVE the DATE for the 79TH ANNUAL INTERNATIONAL CONVENTION & COMPETITION
I t ’ll be the hottest m
ic in town!
2027 CONVENTION & COMPETITION October 25-30, 2027 • Seattle, Washington, USA