Artsource
DANCE ÂŽ
The Music Centerâs Study Guide to the Performing Arts
TRANSFORMATION
ENDURING VALUES
ARTISTIC PROCESSES
TRADITIONAL CLASSICAL
1. CREATING (Cr)
CONTEMPORARY
2. PERFORMING, PRESENTING, PRODUCING (Pr)
EXPERIMENTAL
3. RESPONDING (Re)
MULTI-MEDIA
4. CONNECTING (Cn)
FREEDOM & OPPRESSION
THE HUMAN FAMILY
THE POWER OF NATURE
Title of Work:
About the Artwork:
Scientific Rhythm (Tap Improvisation)
Bill Robinson, the legendary âbuckâ dancer, fascinated and inspired Eddie Brown. One day Robinson held an audition and Eddie, a young teenager at the time, prepared himself for it by learning an original Robinson routine. He did this by purchasing a record of Ainât Misbehavinâ which had a special arrangement
Creator: Producer: Rhapsody In Taps Dance artist: Eddie Brown (1918-1995)
Background Information: Eddie Brown didnât set routines, he improvised. He did his dancing in the moment - for that one instant when the idea came to him. He stated, âInspiration is what itâs all about.â Creating, performing and teaching tap dancing for more than 60 years, he achieved the highest level of excellence through perseverance, self-discipline and drive. Raised in Omaha, Nebraska, he was the seventh son in a family of nine boys and two girls. Although most of his brothers were musicians and dancers, he was the only one who became professional. Starting at the age of five with his uncle Sam, dancing became his passion. He toured with his uncle during the summers, but most of his learning took place on the street corners of his neighborhood, dancing with 20 to 30 other hoofers. In these daily sessions, each person would jump in and perform, working off each otherâs ideas. Brown began with âbuckâ dancing, progressed to ârhythmâ dancing and finally developed his own style, called âscientific rhythm.â He gave it that name because you could hear the rhythm, but couldnât see the movement which created it. His career began with the Bill Robinson Revue at New Yorkâs Apollo Theatre during the 1930s and he appeared with Billie Holiday and Joe Turner at the Savoy, as well as with jazz greats Dizzy Gillespie, Count Basie and Duke Ellington. He taught and performed internationally and was featured with Rhapsody In Taps, a Los Angeles-based dance company under the artistic direction of Linda Sohl-Ellison.
featuring Robinsonâs tapping. Brown played the recording over and over on an old gramophone slowing it down so he could hear every tap. He attended many performances of his idol to observe the structure of the steps in order to duplicate them. When he auditioned the piece, Robinson was absolutely amazed and Eddie Brown got the job, but his parents felt he wasnât old enough to leave home.
Creative Process of the Artist or Culture: Forms of tap and clogging were introduced by the Irish and the English. âBuckâ dancing was a flatfooted form of tap done by early African Americans. Bill (Bojangles) Robinson took âBuckâ to the balls of the feet and John Bubbles, another tap dance pioneer, introduced ârhythmâ dancing by dropping the heel and cutting the tempo in half so that more taps could be done within each bar. Every tap dancer develops his own style, performing similar steps in different ways.
Photo: Philip Channing
Audiences found Mr. Brownâs style mysterious because they couldnât determine how he made his sounds.
âThe mistakes turn into new and better ideas.â Eddie Brown
N. Y.
California Nebraska