SUPPORTING SPONSORS
The 2025-2026 season is sponsored in part by: William T. Kemper Foundation - Commerce Bank, Trustee
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The most delicious days of the year are back in January, offering endless ways to sample and savor Kansas City’s culinary landscape. Plus, a portion of all proceeds benefit reStart.
January 9-18 KCRestaurantWeek.com #KCRW2026
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TA B L E OF CONTENTS THE NUTCRACKER Nov. 29-Dec. 24, 2025 7 I II III IV 26 27 28 37 38 46 47 50 51 53 54 55 V 76 77
LETTER FROM THE ARTISTIC DIRECTOR KANSAS CITY BALLET LEADERSHIP KANSAS CITY BALLET BOARD & AUXILIARIES EMERGENCY EXIT PROCEDURES THEATRE INFORMATION & PATRON SERVICES KANSAS CITY BALLET SUPPORTER BENEFITS COMPANY BIOS SECOND COMPANY CASTING SYNOPSIS NOTEWORTHY ARTIST BIOS PRODUCTION STAFF NUCRACKER DESIGN & BUILD TEAM BALLET BUSINESS COUNCIL THE TATIANA DOKOUDOVSKA LEGACY SOCIETY KANSAS CITY BALLET CONTRIBUTORS KANSAS CITY SYMPHONY KANSAS CITY BALLET SCHOOL KANSAS CITY BALLET STAFF
Kansas City Ballet is an American Guild of Musical Artists company. Dancer Kelsey Ivana Hellebuyck. Cover Artwork | Dancer Aidan Duffy. Photography by Kenny Johnson.
WELCOME TO KANSAS CITY BALLET Dear Guests, Welcome to the 10th anniversary of my production of The Nutcracker! It’s hard to believe a decade has passed since we first brought this version to life. What began as a massive undertaking has grown into one of Kansas City’s most cherished holiday traditions — and I’m honored to continue shaping it year after year. This year, we welcome new Sugar Plums, Snow Queens, and Snow Kings, alongside seasoned dancers. I love how Nutcracker blends fresh talent with experience — it’s a living tradition that grows with each performance. I’m especially proud of the return of our children’s choir. These young artists sing and dance with heart, learning to perform under pressure and finding their courage on stage. It’s a meaningful part of their arts education that adds a beautiful live element to the show. Seeing families dressed up — little suits, patent leather shoes, bow ties — reminds me why we do this. Nutcracker is more than a ballet. It’s a celebration of joy, family, and the magic of the holidays. It’s a chance to dream, to connect, and to be reminded that there’s no place like home. We’ve even added booster seats to help our youngest audience members see the stage clearly — because every person deserves to experience the wonder of live performance. Thank you for making The Nutcracker part of your holiday tradition. Whether this is your first time or your 100th, we’re honored to share this experience with you. We hope it brings you joy, inspiration, and a renewed sense of wonder this season. Warmly,
Devon Carney, Artistic Director
SUPPORT KANSAS CITY BALLET
Kansas City Ballet is a 501(c)(3) not-for-profit organization. Contributions are tax deductible to the extent allowed by law. Your contribution is important to our mission. Contribute today at kcballet.org, 816.931.2232, or make checks payable to Kansas City Ballet, Todd Bolender Center for Dance & Creativity, 500 W. Pershing Rd., Kansas City, MO 64108-2430.
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KANSAS CITY BALLET LEADERSHIP DEVON CARNEY
ARTISTIC DIRECTOR
Devon Carney joined Kansas City Ballet for the 2013-2014 season after spending the previous 10 years with Cincinnati Ballet as associate artistic director. His early training was with Harvey Hysell of New Orleans. He moved to Boston and was a Principal dancer with Boston Ballet for 12 of his 20 professional performing years. Carney has performed many leading roles in well-known classical ballets and in 20th century classical works, and in roles by cutting-edge choreographers such as Mark Morris, Maurice Bejart and Merce Cunningham. In addition, he performed a diverse Balanchine repertoire and toured extensively with greats such as Rudolf Nureyev, Fernando Bujones and Cynthia Gregory. With Boston Ballet, he was ballet master and artistic director of their Summer Dance Program for eight years. Carney’s teaching credits include Alvin Ailey American Dance Theatre, Pittsburgh Ballet, School of American Ballet, Jacqueline Kennedy Onassis School, San Francisco Ballet School, Houston Ballet School and many others. He has choreographed for Boston Ballet, Ballet Met, Cincinnati Ballet, Grand Rapids Ballet, Cincinnati Opera, Lyric Opera of Kansas City, Kansas City Symphony, Jacob’s Pillow Dance Festival and Kansas City Ballet. He has served many years as a judge for the premier dance competition Youth America Grand Prix. In the summer of 2011, Carney choreographed for the Cincinnati Opera for the opera A Flowering Tree by John Adams with a review in Opera News, “Devon Carney’s choreography was both athletic and exquisite.” With Cincinnati Ballet he created over 20 original works including Blue Rondo and World Citizen in March of 2009 with a review stating, “Carney’s work is not only well crafted but moody and intense with a palpable sense of loneliness. His work grows more confident and more skillful with every piece he creates” (David Lyman, Cincinnati Enquirer). He also created Boot It Up!. This was performed with the live musical accompaniment of rock and roll legend Peter Frampton and his entire band. Additionally, he created a full-length world premiere of Dracula and has created his versions of the great classics of Giselle, Sleeping Beauty, and the one-act ballet The Steadfast Tin Solder. He choreographed Die Fledermaus and La Traviata for the Lyric Opera of Kansas City. With Kansas City Ballet, he created Opus I in 2013, Giselle in 2014, a brand new world premiere production of The Nutcracker in 2015, his full length Swan Lake, The Sleeping Beauty and his world premiere choreography of Romeo & Juliet in 2017, and his world premiere choreography of Peter Pan in 2018. Additionally his Nutcracker has been performed at the Kennedy Center for the Performing Arts in 2017 and 2022. Most recently, he created his world premiere choreography of the full-length Cinderella in 2023.
KEVIN AMEY
CHIEF OPERATIONS OFFICER Kevin Amey’s service to Kansas City Ballet exceeds 40 years. He has served as the company and tour booking manager of Kansas City Ballet since 1983. He was promoted to general manager in 1998. Amey has had the pleasure of working extensively with each of the company’s three Artistic Directors — Todd Bolender, William Whitener, and Devon Carney — as well as Executive Directors Michael Kaiser, Martin Cohen, Jeffrey Bentley, and David Gray — in producing more than 300 works. Additionally, he was instrumental in booking and executing the many tours the company embarked upon in the 80s and 90s, as well as the 11-year second-city residency in St. Louis. He counts the opportunity to play a significant role as the company’s project manager in the creation of the Todd Bolender Center for Dance & Creativity as his most rewarding achievement. Amey’s background in the arts began as a young performer, actor, singer, and dancer. He is a graduate of Avila College, where he received a Bachelor of Fine Arts in acting and directing, and in design. He took his design skills into the professional ranks as lighting and sound designer for the Creede Repertory Theatre in Creede, CO, as well as production manager, for three seasons. While attending graduate school at the University of Missouri-Kansas City in Theatre Arts, Amey split his time between the design and scenic shops and as a special graduate assistant to the director, Dr. Patricia McIlrath. He then followed his interest in arts management by acting as company manager for three seasons of touring with the then Missouri Repertory Theatre. He also has served on a variety of local, state and regional panels, including the Missouri Arts Council Tour Advisory Panel and Touring Task Force, as well as the Steering Committee and Grant Awards Panel for the Kansas City Chapter of Young Audiences. He and his wife Mig Lillig have raised five children. I | KC BA L L E T.O R G
DAVID GRAY
EXECUTIVE DIRECTOR David Gray was raised in Princeton, NJ, and attended Johns Hopkins University. Following graduation, he moved to New York. He worked in the publicity department of Doubleday Publishing before joining the Press Office of New York City Ballet, where he soon became press director. He also met and married New York City Ballet Principal Dancer Kyra Nichols. Upon the birth of their first child, Gray became a full-time parent so that his wife could return to her performing career. He also pursued his passion for writing and published Escape From Verona: Romeo and Juliet Part Two, a novel that required years of research, including visits to Italy. After they moved to the town where he grew up, Gray became the executive director of American Repertory Ballet and their Princeton Ballet School. Gray then opened a consulting firm, Finance Arts LLC, where he combined his interests in finance and nonprofit management. He served as an itinerant interim executive director for several nonprofits, including the New Jersey Coalition Against Sexual Assault, The New Brunswick Cultural Center (where he was landlord for three theaters), and the Princeton Symphony Orchestra. In addition to teaching nonprofit management and finance classes, he wrote the Finance Arts Guide to Nonprofit Cash Flow, published in 2010. What began as an interim position with the Pennsylvania Ballet (now Philadelphia Ballet) became permanent until his wife was offered a tenured faculty position at Indiana University’s Jacobs School of Music. Gray returned to full-time parenting as a trailing spouse when they moved to Indiana in 2017. He and his youngest son built a batting cage, and Gray spent many hours throwing baseballs for batting practice (sometimes even hitting the strike zone). One of his screenplays, a romantic comedy, Love Across Time, has been produced, and is available on Amazon Prime and Hulu. Now empty nesters, Gray has embraced the renewed energy and excitement of the ballet world and is thrilled to be part of the Kansas City Ballet.
RAMONA PANSEGRAU
MUSIC DIRECTOR & CONDUCTOR
Ramona Pansegrau has been music director for Kansas City Ballet for 18 years. She came to Kansas City via the Boston and Tulsa ballet companies. She has been called one of the best ballet pianists in the world. Robert Joffrey said of her ballet class, “The perfect music for every combination.” She was principal pianist/solo pianist for 10 years at Boston Ballet and tenured keyboard for the Boston Ballet Orchestra for 15 years. Pansegrau was on the faculty at Aspen/Snowmass Dance Festival for 11 years and was music director for the ballet school at Jacob’s Pillow for 16 years. She was music director for Tulsa Ballet for nine years, and conductor of the Tulsa Symphony orchestra for ballet performances before coming to Kansas City Ballet. Pansegrau conducted the premiere of the Tulsa Symphony Orchestra with a full-length Sleeping Beauty, starring Italian ballerina Viviana Durante. Her performances were hailed as “giving life to the music and energizing the dancers.” Conducting for the Ballet Across America Festival, The Washington Post stated, “There is a delicious tension between the outpouring of the strings conducted by Pansegrau and the hushed anxiety of the dancing.” The Kansas City Star said Pansegrau’s Symphony No. 5 by Gustav Mahler was conducted with “heartrending sensitivity.” The Orlando Sentinel commented regarding Swan Lake, “…Pansegrau, music director for the Kansas City Ballet, helps Tchaikovsky’s music breathe with emotion reflecting what’s onstage….That gorgeous sound is something I’ll remember.” Regarding Don Quixote, they said, “As conducted by Ramona Pansegrau, the Philharmonic captured each bit of Spanish flair in Ludwig Minkus’ score, as well as the longing in the characters’ hearts. The Phil’s contribution to the electricity in the air can’t be overstated.” As a piano soloist for ballet, she has performed the piano concertos of Tchaikovsky, Brahms, Gottschalk, Hindemith, and Chopin, performing with many symphony orchestras, including the Kennedy Center Opera Orchestra. Of her performances, the Boston Phoenix stated, “the music...brought to sublime heights by pianist Ramona Pansegrau, allow[ing] you to experience the music anew each time.” Her arrangements of ballets are in the repertory of Ballet West, Colorado Ballet, Royal Winnipeg Ballet, Tulsa Ballet, Louisville Ballet, Washington Ballet, the San Carlo Opera House in Italy, NBA Ballet in Japan, and the Finnish National Ballet. Her edited and compiled score of Penderecki, Gorecki, and others for Jekyll & Hyde, a ballet by Val Caniparoli, premiered in Finland in 2020 to great acclaim, and she conducted the American premiere in Kansas City in October 2023. In 2025, she conducted her own arrangement of the full-length Don Quixote for Kansas City Ballet. Pansegrau’s other ongoing engagements include collaborating with Val Caniparoli for a new world premiere ballet for National Ballet of Canada in 2027 and returning for the 30th year as music director and conductor for the USA International Ballet Competition in 2027.
KANSAS CITY BALLET BOARD & AUXILIARIES BOARD OF DIRECTORS OFFICERS Julia Irene Dennie - Kauffman, Chairman Muriel McBrien Kauffman Family Foundation
Carolyn W. Parkerson, President Community Leader
Kathleen Nemechek, Esq., Vice President, Governance
David Harris, Treasurer
David Gray, Executive Director
Stephen Doyal, Vice President
Patricia Macdonald, Secretary
Devon Carney, Artistic Director
CiCi Rojas
Alexis Strauss
Berkowitz Oliver LLP
Hallmark Cards, Retired
US Bank
HI-IQ – Healthcare Institute for Innovations in Quality
Kansas City Ballet
Kansas City Ballet
Barbara Storm, Immediate Past President Community Leader
BOARD OF DIRECTORS MEMBERS Charlotte Kemper Black
Austin Massoth
Lucy Wells Coulson
Steve McDowell
Commerce Trust Company Community Leader
Kyle Danner
EOS Worldwide LLC
Ron Fredman
Kansas City Ballet Guild President
John D. Hunkeler, M.D. Community Leader
Linda Lenza
Bank of America
BBN Architects BNIM
Rachel Merlo
Tico Productions LLC / Tico Sports
Sarah Romine Lockton
Google Fiber Kansas City
G. Mark Sappington, Esq.
Tracy Musolf Lockton
Suzanne Shank, Esq.
Sarah Pedraza SS&C
Scott Ramon NBKC Bank
BARRE KC President
Angela Walker
Community Leader
Lorie B. Whitaker, Esq. Bank of America
Community Leader Community Leader
Mindy Sosland
Community Leader
Kent V. Stallard, Esq. Stinson LLP
KANSAS CITY BALLET GUILD BOARD • KC BGUILD.ORG Ron Fredman
Carrie Kruse
Cyndi James
Edie Downing
Jody Stephen
Peggy Younger
President
President-Elect
Cindy Wurm
Vice President
John Walker Treasurer
Jo Anne Dondlinger Recording Secretary
Corresponding Secretary Membership Vice President
Eileen Green
Membership Data Vice President
Amanda Wagner Special Projects Vice President
Julia Kim Malter
Marketing/PR Vice President Social Activities Vice President
Lisa Hickok
Archives Vice President
Karen Yungmeyer
Immediate Past President
Peggy Beal Governance Chairman
Nan Lippencott Guild Boutique Vice President Michele Hamlett-Weith
Gala Vice President 2025
Juliette Singer & Cyndi James
Gala Vice Presidents 2026
Crystal O’Dea
Gala Vice President 2027
Engagement & Education Vice President
BARRE KC BOARD • BARREKC.ORG Alexis Strauss
Katie Abbott
Zakry Akagi-Bustin
Quinn Harrold
President
Vice President
Secretary Treasurer
Audrey Allen
Madison Moore
Morgan Holecek
Jessica Ritter
Allissa Gehring
Michael Schuckman
David Leehy
Jessica Whalen
Kansas City Ballet thanks our board of directors and leadership teams whose time, energy and generosity enhance our organization and make our performances and community programs possible.
KCB A L L ET.ORG | II
Made possible by the John N. and Marilyn P. McConnell Foundation
GIVE THE GIFT OF A KAUFFMAN CENTER EXPERIENCE EXPERIENCE A WHOLE NEW BEAT
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Emergency Evacuation Procedures The Kauffman Center is equipped with advanced life-safety early alert systems. Each performance hall is designed with emergency exits in case of an evacuation. In the event of severe weather, shelter in place inside the hall, not in a lobby area, and await further instructions.
In the event of an emergency, the performance will be interrupted. Horns and strobes will sound. Emergency instructions will be delivered from the stage.
Please remain seated as staff use an appropriate amount of investigational time to verify the source of the alarm.* Should an evacuation be necessary, lighted red (Muriel Kauffman Theatre) and green (Helzberg Hall) exit signs will lead patrons to one of eight emergency exit paths.
Patrons with mobility limitations and/or those who are not able to navigate stairs should remain in the venue near one of the marked “Emergency Evacuation Assistance” areas. First responders will evacuate those requiring assistance immediately upon their arrival. Elevators, primary entrances and the Brandmeyer Great Hall staircase are NOT used in the case of an emergency evacuation.
For more information on emergency evacuation procedures, visit kauffmancenter.org/policies
III | KC B A L L E T.O R G
*Kauffman Center’s emergency egress plan, which includes an appropriate amount of investigational time to verify the source of an alarm, was developed with the assistance of the Kansas City, MO Fire Marshall’s Office.
THEATRE INFORMATION & PATRON SERVICES CAMERA POLICY Due to contractual obligations and for the safety of the artists, the use of cameras and recording devices are strictly prohibited. Attendance at a Kansas City Ballet event gives the patron’s consent to be photographed or recorded.
PARKING There are 1,000 parking spaces available at a $16 charge in advance or $20 the day of per car. Valet services are also available at $25 in advance or $27 the day of per car. There are three charging stations for electric cars.
CELL PHONES AND DEVICES As a courtesy to the artists and audience members, please silence cell phones and other devices and refrain from texting for the duration of the performance.
RESTROOMS Kauffman Center restrooms fully comply with disability requirements of both the city of Kansas City, MO, and the ADA. All family restrooms feature infant changing tables. The Mezzanine family restroom features a changing table suitable for children or adults. Patrons needing a universal changing table or an additional private space to tend to medical needs should contact a staff member or volunteer for directions to the First Aid Office.
SEATING POLICY We know our patrons make every effort to be on time for events; however, traffic or weather problems can cause late arrivals. Latecomers may watch the performance on monitors in our lobby until the theater has re-opened to allow guests into the auditorium. Seating or reseating once a performance has begun will be allowed at the discretion of the house manager as a courtesy to our audience and in consideration of everyone’s safety. TICKETING POLICY/CHILDREN At Kansas City Ballet, we encourage young audiences to attend our shows assuming the program content is appropriate. However, it is strongly suggested that no babies or toddlers be in attendance. Many children over the age of 5 can remain happily and quietly seated for a two-hour performance, but you know your child best. Parents will be expected to immediately remove children creating a disturbance during the performance. Patrons may return to their seats during intermission. Please note that all patrons, regardless of age, must have a ticket. No refunds will be available. WEATHER POLICY Kansas City Ballet seldom cancels performances due to inclement weather. An exception to this is an official citywide emergency that requires citizens not be on the streets. In the unlikely chance that Kansas City Ballet cancels a performance, such cancellation will be announced no later than two hours prior to the scheduled start of the show. REFRESHMENTS Refreshments are available at bars located throughout Brandmeyer Great Hall. For select events, bar service is also available on levels 5 and 6. Please note, food and beverages are to be enjoyed outside Helzberg Hall and Muriel Kauffman Theatre (with the exception of box seating). COAT CHECK Complimentary coat check is available for guests year around. Coat check is located near the restrooms on Level 2 just east of the ticket office. BOOSTER SEATS Booster seats are reserved for those who require the use of a four-inch cushion to view the stage and are offered on a first-come, first-served basis. Patrons may request a booster seat at coat check on the plaza lobby level or connect with a Kauffman Center staff member or volunteer. ELEVATORS All levels of the building can be reached by elevator with the exception of Upper Grand Tier (Level 7) in Helzberg Hall. However, elevator access does not guarantee the absence of stairs to a seat. Please contact the Kansas City Ballet Ticket Office for more information.
SPECIAL SERVICES & ACCESSIBILITY Kansas City Ballet is dedicated to providing an accessible and enjoyable experience to all patrons. The Kauffman Center for the Performing Arts is an accessible facility. All performances of Kansas City Ballet are accessible to people with special needs. Adjacent companion seats also are available in the same area. Please consult with Kansas City Ballet Ticket Office at 816.931.8993 to determine your best and most accessible seating options. SERENITY ROOMS Patrons who would benefit from the use of a private, relaxing environment are invited to step into one of two serenity rooms. These spaces offer comfortable seating and a monitor to view the live performance, plus sensory items, dimmable lights, and an electrical wall outlet. Patrons may contact a staff member or volunteer to access these spaces. SENSORY KITS Patrons who would benefit from comforting sensory resources are invited to exchange an ID card for a complimentary use of a sensory kit from coat check on the Plaza Lobby Level. These kits contain resources such as noise-reducing headphones, weighted lap pads, and handheld sensory items. LOST AND FOUND Found items are immediately taken to the Security Console located at the Stage and Performers Entrance near the north entry. Kauffman Center Security will make every effort to identify and contact the owners of lost items. Items unclaimed after 90 days will be donated to a local charity. Cash and items of significant value left over 90 days will be treated as a donation to the Kauffman Center. To inquire about a lost item, contact Kauffman Center Security at 816.994.7222. KANSAS CITY BALLET HOURS Kansas City Ballet Ticket Office and administrative hours ware Monday through Friday 10 a.m. to 5 p.m. Ticket Office hours are extended during performance weeks. To contact us, please call 816.931.8993, fax 816.471.1314, or email patronservices@kcballet.org. For more information, visit kcballet.org. KAUFFMAN CENTER HOURS The Kauffman Center Ticket Office opens 90 minutes prior to performances and remains open 30 minutes after Kansas City Ballet performances start. KCB A L L ET.ORG | IV
“...One of the country’s most ambitious and successful smaller companies.” THE NEW YORK TIMES
2026 FESTIVAL SEASON JUNE 26 - JULY 19
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Connecting Experiences For families on the cancer journey Offering two Summer Camp opportunities for children with cancer and their siblings. Learn more today!
Visit kymel.org to register for a camp and donate or scan the QR code to sign-up for news and events.
sept. 5 dec. 28 kansascityzoo.org/glowild
Presented by
ON STAGE
Dec 12 - Dec 21
LyceumTheatre.org |
660-837-3311
T
he Arrow Rock Lyceum Theatre has been entertaining audiences since 1961, and 2025 marks their 11th season of presenting Charles Dickens’ classic holiday tale, A Christmas Carol, replete with dazzling scenery and costumes and delightful holiday music. Explore the culture, shopping, dining, B&Bs, and natural beauty of the historic Village of Arrow Rock before entering The Lyceum lobby (that began as a 19th century church), grab a hot chocolate at the beverage bar, then relax into the new theatre seats in their intimate 416-seat auditorium. Tickets for A Christmas Carol are available now at LyceumTheatre.org or 660-837-3311. Senior, student/child, and public safety discounts are available, as well as special pricing for groups of 10 or more.
KANSAS CITY BALLET Devon Carney Artistic Director
Kristi Capps Rehearsal Director
Laura Krus Production Stage Manager
Becci Jo Kelbaugh Costume Shop Assistant
David Gray Executive Director
Parrish Maynard Rehearsal Director
Scott Parks Technical Director
Madeline Brasgalla Assistant Stage Manager
Kevin Amey Chief Operations Officer
Christopher Ruud Second Company Manager & Rehearsal Director
Jennifer Carroll Costume Director
Jordan Voth Company Pianist
Ramona Pansegrau Music Director & Conductor
Amy Taylor Director of Production
Betti Jo Diem Costume Shop Manager
COMPANY ARTISTS Gavin Abercrombie ◊
Sidney Haefs ‡
Mei McArtor *
Andrew Vecseri
Isaac Allen
Kelsey Ivana Hellebuyck
Amelia Meissner
Landen Walker *
Alladson Barreto
Amira Hogan
Maura Moody
Marisa DeEtte Whiteman
Joseph Boswell
Whitney Huell
Taryn Pachciarz
Derek Wippel *
Kaleena Burks §
Olivia Jacobus
Elliott Rogers
Gillian Yoder
Angelin Carrant
Joshua Kiesel
Noura Sander
Paul Zusi ∞
Liam Colclough *
Keaton Linzau
Naomi Tanioka
Aidan Duffy
Celeste Lopez-Keranen
Cameron Thomas
Zander Johnson
Troy Monger-Levin
Olivia Pearsall
Audrey Lynn
Brooke Noska
Owen Watson
Julia Bellantoni
Sage Guillot
Corabelle Kennedy
Joseph Moore
Payton Boddy
Jack Hindocha-Daniels
Reagan Kinney
Ena Nomoto
Alessia Braggiato
Hiroaki Ikeda
Madeleine Lee
Zoey Uhlman
Maggie De Groote
Addison Jankauskas
Isabella Martino
Luke Eller
Gracie Jean Joiner
Maya McDaniels
Michelangelo Fante
Camille Jordan
Blair Mendes
KCB II Ben Workman
TRAINEES
Kansas City Ballet Dancers in George Balanchine’s Serenade. Photo by Brett Pruitt & East Market Studios.
◊ Sally and Thomas J. Wood Senior Dancer ∞ John Hunkeler Senior Dancer § Norman E. Gaar, Esq. Dancer
26 | KC B A L L E T.O R G
‡ Greg and Barbara Storm Emerging Dancer * Company Apprentice, supported in part by the Estelle S. and Robert A. Long Ellis Foundation
$10,000-$24,999
BOLENDER SOCIETY GOLD
$2,500-$4,999
$5,000-$9,999
BOLENDER SOCIETY SILVER
BOLENDER SOCIETY BRONZE
OVATION
$1,000-$2,499
SUPPORTER BENEFITS
BRAVO
2025-2026
$500-$999
FRIEND
$1-$499
YOUR SUPPORT ENSURES THAT DANCE IS FOR EVERYONE
Website Recognition Listing Behind-the-scenes eNews Program Recognition Listing Invitation to Rehearsal Watch Pre-sale Ticket Access Ballet Season Welcome Packet Insider Access and Special Events Priority Access to upgrade Subscription Tickets Reception Suite Access for subscription performances Annual State of the Ballet Luncheon Insights - Rehearsal Watch and Dinner with Guest Artist Complimentary Garage Parking at Kauffman Center Dinner with Devon - Dinner with the Artistic Director and Dress Rehearsal
WAYS TO G I V E TO KA N SAS C I T Y B AL L E T There are many meaningful ways to support Kansas City Ballet, tailored to your goals, passions, and financial plans. Options include: Monthly Giving Make a lasting impact through manageable, recurring contributions.
The Tatiana Dokoudovska Legacy Society Leave a lasting legacy that inspires future generations.
Annual Gifts Offer a one-time or annual contribution, ideal for larger gifts or itemized deductions.
Corporate Partnerships Enhance your company’s social impact while strengthening community ties.
Endowment Gifts Help ensure the Ballet’s long-term sustainability.
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To explore the giving option that’s most meaningful to you, please contact Kristin Castle, Chief Philanthropy Officer, at 816.216.5585 or kcastle@kcballet.org. KCB A L L ET.ORG | 27
THE COMPANY
All photography by Tom Styrkowicz/53TOM LLC
GAVIN ABERCROMBIE | JOINED KCB IN 2018, +2 YEARS SECOND COMPANY Sally & Thomas J. Wood Senior Dancer Gavin Abercrombie is from Acton, California and began his ballet training at the age of 8 with the Antelope Valley Ballet. He continued his training at the Pittsburgh Ballet Theater School and the San Francisco Ballet School where he was taught by individuals such as Marjorie Grundvig, Andre Reyes, Patrick Armand, and Parrish Maynard. Since joining Kansas City Ballet in 2016, Abercrombie has had the opportunity to perform leading roles such as Albrecht in Devon Carney’s Giselle, Dr. Jekyll in the North American premiere of Val Caniparoli’s Jekyll & Hyde, Jonathan Harker in Michael Pink’s Dracula, Principal in George Balanchine’s Rubies, and Cavalier in Devon Carney’s The Nutcracker. Abercrombie has also had the opportunity to perform in ballets by choreographers such as Jiří Kylián, Alexander Ekman, Anabelle Lopez Ochoa, Septime Webre, Twyla Tharp, George Balanchine, and Devon Carney.
ISAAC ALLEN | JOINED KCB IN 2022 Isaac Allen began his ballet training at the age of 8 at Stillpointe Dance Studio in southern Oregon. He spent many of his summers attending intensive training programs across the country including San Francisco Ballet, Pacific Northwest Ballet and Oregon Ballet Theatre. In 2015, Allen joined Oregon Ballet Theatre’s pre-professional program. The next year he was accepted into the HARID Conservatory in Florida where he trained for two years under Meelis Pakri before joining Milwaukee Ballet’s Second Company, performing in ballets such as Michael Pink’s Dracula, Val Caniparoli’s Lambarena, Bruce Wells’ A Midsummer Night’s Dream and many more. Allen spent three years in the Second Company before being promoted to Milwaukee Ballet as an apprentice where he danced for two years.
ALLADSON BARRETO | JOINED KCB IN 2022 Alladson Barreto, born in Rio Grande do Norte, Brazil, began his ballet training in 2015 at the Alberto Maranhão Theater Dance School (EDTAM) in Natal. He trained at the Rock School on full scholarship and danced with Ballet West II from 2019 to 2022, performing in The Nutcracker, Giselle, Chant du Rosignol, Dracula, Romeo and Juliet, Diamonds, Glass Pieces, Raymonda, Don Quixote, Divertimento, and Sleeping Beauty. In 2021, he collaborated with Kathryn Morgan, performing lead roles together in The Nutcracker for three years. Barreto has performed featured roles in The Sandpaper Ballet, Petite Mort, Jewels (Emeralds), Celts, Peter Pan, Cinderella, and The Nutcracker. Since joining Kansas City Ballet in 2022, he has danced in Jekyll and Hyde, Cacti, Giselle, ALICE (in wonderland), among others. He has served as a So Danca Ambassador from 2018-20 and 2022-25.
KALEENA BURKS | JOINED KCB IN 2010 • Norman E. Gaar, Esq. Dancer Kaleena Burks is from Coral Springs, Florida, where she trained with Magda Auñon and Magaly Suarez. In 2005, she won first place in the pre-professional division of the American Ballet Competition. Burks has danced with Cincinnati Ballet, Columbia Classical Ballet, and Cuban Classical Ballet of Miami. In Kansas City, she has been featured as the title role in Giselle, Odette/Odile in Swan Lake, Juliet in Romeo & Juliet, Kitri in Don Quixote, Marguerite in Lady of the Camellias, Chosen One in Rite of Spring, Sugar Plum in The Nutcracker, along with principal roles in Diamonds, Dracula, Interplay, Petal, and Serenade. In addition to her performing career, Burks has recently been appointed artistic director of Moving Arts, a local summer dance company.
JOSEPH BOSWELL | JOINED KCB IN 2024 Joseph Boswell was born in Spokane, Washington. He started his ballet training at the age of 7 and after five years of training he moved to Houston, Texas to study at the Houston Ballet Academy. He continued his dance training at Boston Ballet School for another three years before being offered a contract for Boston Ballet’s second company. Throughout his career, performed numerous principal roles such as Franz from Coppelia, Conrad from Le Corsaire, La Vivandiere, the Harlequinade pas de deux, and Jorma Elo’s Slice to Sharp. Mr. Boswell also danced alongside Boston Ballet’s main company in works such as Mikko Nissinen’s Swan Lake, Sleeping Beauty, and Nutcracker as well as Rudolph Nureyev’s Don Quixote. 28 | KC B A L L E T.O R G
All photography by Tom Styrkowicz/53TOM LLC. Additional photography by Jeff Evrard.
THE COMPANY
ANGELIN CARRANT | JOINED KCB IN 2018, +1 YEAR SECOND COMPANY Angelin Carrant, originally from Paris, France, began his training at the age of 6. As a child he was chosen to perform in Le Songe de Médée by Angelin Preljocaj, with the Paris Opera Ballet. In 2013, Carrant was offered a full scholarship with the San Francisco Ballet School, under the leadership of Patrick Armand. He trained there for four years where he danced in productions such as Helgi Tomasson’s The Nutcracker, Christopher Wheeldon’s Cinderella and John Neumeier’s Yondering. He joined Kansas City Ballet‘s Second Company in 2017 and was promoted to the main company the following year. As a dancer with Kansas City Ballet, Carrant has performed leading roles in William Forsythe’s In the Middle, Somewhat Elevated, George Balanchine’s Serenade, Alexander Ekman’s Cacti and Val Caniparoli’s Jekyll & Hyde. He has also danced in productions such as Jiří Kylián’s Petite Mort, Edwaard Liang’s Wunderland, Michael Pink’s Dracula and George Balanchine’s Jewels among many others.
AIDAN DUFFY | JOINED KCB IN 2023 Originally from Philadelphia, Aidan Duffy began his training with the School of Pennsylvania Ballet and the Rock School for Dance Education. He then joined Boston Ballet School’s Professional Division as a Pao Scholarship recipient, before being invited into Boston Ballet’s Graduate Program. His training was supplemented by coaching with Chérie Noble and summers at the School of American Ballet, San Francisco Ballet School, Miami City Ballet School, and Ellison Ballet. His repertoire with Kansas City Ballet includes Val Caniparoli’s Jekyll & Hyde, Devon Carney’s The Nutcracker (Snow King), George Balanchine’s Jewels (Emeralds pas de trois), Anna-Marie Holme’s Don Quixote (Espada), William Forsythe’s In the Middle, Somewhat Elevated, and Lila York’s Celts (Red Man). Duffy has also had the privilege of performing alongside the Philadelphia and Cleveland Orchestras.
SIDNEY HAEFS | JOINED KCB IN 2019, +1 YEAR SECOND COMPANY Greg and Barbara Storm Emerging Dancer Sidney Haefs was born in Los Angeles, California. She began her training at the Santa Clarita Ballet Academy under the direction of Corinne Glover. Haefs continued her education at the University of Utah where she graduated magna cum laude with a BFA in Ballet and a Minor in Human Development and Family Studies. In 2018, She was offered a traineeship with Kansas City Ballet before joining the company as an apprentice in 2019. With Kansas City Ballet, she has performed roles including the Diamonds Principal in Balanchine’s Jewels, Queen of the Dryads in Don Quixote, Peasant Pas de deux in Giselle, Emerald Ballerina in Septime Webre’s The Wizard of Oz, and Isabel in In the Middle, Somewhat Elevated, as well as roles in Val Caniparoli’s Lady of the Camellias, Balanchine’s Serenade, Jirí Kylián’s Petite Mort, and Alexander Ekman’s Cacti.
KELSEY IVANA HELLEBUYCK | JOINED KCB IN 2016 Kelsey Ivana Hellebuyck trained at San Francisco Ballet School for 11 years before joining Boston Ballet at 16, where she performed globally on tour with the company. She later joined Philadelphia Ballet, dancing in works by Forsythe, Kylián, Ratmansky, Robbins, Balanchine and Corella. In 2016, she joined KCB, with favorite roles including Dark Angel in Balanchine’s Serenade, Solo Woman in Balanchine‘s Rubies, and Yoomi in Helen Pickett’s Petal. Other favorites include Petite Mort by Jiří Kylián, Brown Couple in York‘s Celts, and Arabian and Snow Queen in Devon Carney’s The Nutcracker. Ms. Hellebuyck has been featured in Pointe Magazine and The Ballerina Project. Follow her on Instagram (@ IvanaDance) for a behind-the-scenes look at her life.
AMIRA HOGAN | JOINED KCB IN 2023 Texan Amira Hogan began ballet at age 6 at the YMCA and continued training at Robert Underwood’s School for Dance, TKB Center for Ballet & Dance, and Vitacca Vocational School for Dance. She has received awards from Youth America Grand Prix, including the Hope Award, the World Ballet Competition Promise Award, ADC/IBC awards, and the Vitacca Emerging Artist Award. Hogan has performed works by George Balanchine, Devon Carney, Val Caniparoli, Anna-Marie Holmes, Lila York, Caroline Dahm, Haley Kostas, Natasha Adorlee, and Gina Patterson. Her choreographic credits include you can’t control the wind, but you can adjust your sails and Tied In Nots. She is honored and thrilled to return for her third season with Kansas City Ballet.
KCB A L L ET.ORG | 29
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All photography by Tom Styrkowicz/53TOM LLC. Additional photography by Jeff Evrard.
THE COMPANY
WHITNEY HUELL | JOINED KCB IN 2014 Whitney Huell trained at the South Carolina Governor’s School for the Arts and Humanities and earned a B.S. in Ballet and Psychology from Indiana University before joining Ballet West, where she performed in Paquita, Sleeping Beauty, Cinderella, Petite Mort, and Jewels. She was named one of Dance Magazine’s Top 25 to Watch in 2011 and featured in Pointe Magazine in 2012. With Kansas City Ballet, Huell has performed works by Amy Seiwert, Adam Hougland, Annabelle Lopez Ochoa, Monique Meunier, Stanton Welch, Edwaard Liang, Val Caniparoli, Helen Pickett, Septime Webre, Mark Morris, Jirí Kylián, and Jerome Robbins. She has been featured in The Man in Black, Giselle, Peter Pan, Don Quixote, Rubies, Serenade, In the Middle, Somewhat Elevated, and Sugar Plum Fairy in The Nutcracker, the first African American to perform the role at KCB. In 2024, she participated in Pathways to Performance: Exercises in Reframing the Narrative at the Kennedy Center and Jacob’s Pillow and was honored on the Monument to Freedom, Justice & Courage in Jackson County, MO.
OLIVIA JACOBUS | JOINED KCB IN 2022 Born and raised in Los Angeles, Olivia Jacobus discovered her love for ballet at age 9. She trained with Romy and Zippora Karz of New York City Ballet and continues to work with them today, professionally. At age 15, Jacobus was accepted into Colburn Dance Academy’s pre-professional program where she performed works from George Balanchine and Jerome Robbins. In 2020, she joined Pacific Northwest Ballet’s Professional Division, and soon after joined Kansas City Ballet. Some of her favorite moments from past seasons with Kansas City Ballet are Emeralds Pas de Trois from Jewels, and Tea in The Nutcracker. Jacobus is working towards a degree in business, and in her spare time, enjoys creating ballet-themed social media content that resonates.
JOSHUA KIESEL | JOINED KCB IN 2021, +2 YEARS SECOND COMPANY Joshua Kiesel is from Hanover Park, Illinois, where he began his training at The Faubourg School of Ballet before continuing on full scholarship at The Washington School of Ballet under Rinat Imaev and Xiomara Reyes. A prizewinner at the 2022 Helsinki International Ballet Competition, he has been a company member of Kansas City Ballet since 2021. His notable roles include Basilio in Anna-Marie Holmes’ Don Quixote, Peasant Pas in Devon Carney’s Giselle, Cavalier in The Nutcracker, Green Man in Lila York’s Celts, and Third Solo Man in William Forsythe’s In the Middle, Somewhat Elevated. Kiesel has also appeared as a guest artist nationally and internationally.
KEATON LINZAU | JOINED KCB IN 2024 Keaton Linzau is from Washington, D.C. and began his ballet training in 2012 at Maryland Youth Ballet. He joined Houston Ballet Academy in 2021, and was invited to Houston Ballet II in 2023 where he performed corps de ballet roles with Houston Ballet as well as principal roles with the Academy in excerpts from Raymonda, Sleeping Beauty, Don Quixote, The Nutcracker, Le Corsaire, Stanton Welch’s Paquita, and leading contemporary roles in Stanton Welch’s Clear, Bruiser, Play, and many more. During his time in Houston Ballet II, he established the first Student Council for a ballet academy in North America. Linzau is excited to be entering into his second year at Kansas CIty Ballet after an enjoyable first year.
CELESTE LOPEZ-KERANEN | JOINED KCB IN 2025 Celeste Lopez-Keranen began her training at Grand Rapids Ballet School under Patricia Barker. She attended summer programs including Jacob’s Pillow, Orsolina28, BalletX, and San Francisco Ballet. At 16, she began her career as an apprentice and trainee with Grand Rapids Ballet, later joining Louisville Ballet Studio Company. There, she performed in Robbins’ In G Major and Balanchine’s Emeralds. In 2022, she performed in Jacob’s Pillow’s 90th Anniversary Gala. Lopez-Keranen danced with Ballet Arkansas for three seasons, performing Carmen and Mina in Michael Fothergill’s Carmen and Dracula, and repertoire such as Arpino’s Reflections, Bintley’s Galanteries, Tsai Hsi Hung’s BRUSHSTROKES 2024, and Le Sylphides. She has also worked with choreographers including FLOCK, Jennifer Archibald, Annabelle Lopez Ochoa, Penny Saunders, and Val Caniparoli.
KCB A L L ET.ORG | 33
THE COMPANY
All photography by Tom Styrkowicz/53TOM LLC. Additional photography by Jeff Evrard.
AMELIA MEISSNER | JOINED KCB IN 2023 Amelia Meissner, born in San Antonio, Texas, began her ballet training with the Ballet Conservatory of South Texas. She attended summer intensives at Houston Ballet Academy and joined its professional training division in 2017 at age 15. She joined Houston Ballet II in 2020 under Claudio Muñoz. During her time there, Meissner performed featured roles, including lead roles in Don Quixote and Raymonda. She was promoted to apprentice with Houston Ballet in 2022 and performed in Stanton Welch’s The Nutcracker, Swan Lake and Romeo and Juliet. This is her third season with Kansas City Ballet, where she has danced featured roles in The Nutcracker and Emeralds. Outside the studio, Meissner is an avid reader, enjoys traveling, the outdoors and following the PGA Tour. She is also pursuing her bachelor’s degree.
MAURA MOODY | JOINED KCB IN 2025 Originally from Des Moines, Iowa, Maura Moody began her formal ballet training at the School of Classical Ballet and Dance under Serkan Usta and Lori Grooters. She furthered her training in summer programs at San Francisco Ballet, Houston Ballet, Boston Ballet, and Tulsa Ballet. In 2019, she joined Richmond Ballet as a trainee for two seasons before moving to Oklahoma City Ballet in 2021, where she danced with the second company and was promoted to apprentice in 2023. Moody’s favorite repertoire includes Balanchine’s Divertimento No. 15 and Western Symphony, Gerald Arpino’s Birthday Variations, Alexander Ekman’s Cacti, and roles in Oklahoma City Ballet’s Swan Lake and Giselle. Moody has also performed in Ma Cong’s Information and Luscious. Moody is very excited and honored to be joining Kansas City Ballet this season!
TARYN PACHCIARZ | JOINED KCB IN 2012 Taryn Pachciarz was born in Kansas City, Missouri and received her training on full scholarship at the Kansas City Ballet School and the School of American Ballet. Pachciarz was given her corps de ballet contract with New York City Ballet and performed numerous Balanchine and Robbins ballets including, Jewels, Symphony in Three Movements, West Side Story Suite, and The Cage. Pachciarz is in her 14th season with the company and has been featured in numerous roles including Wendy in Peter Pan, Titania in A Midsummer Night’s Dream, Sylvie Pas in William Forsythe’s In The Middle, Somewhat Elevated, Myrtha in Giselle, Russian Girl in Serenade and the Principal Girl in Balanchine’s Theme and Variations, Rubies and Diamonds, as well as roles in The Nutcracker, The Four Temperaments, Petite Mort, In the Upper Room, and The Man in Black.
ELLIOTT ROGERS | JOINED KCB IN 2023 Elliott Rogers, a Chicago native, began dancing at the age of 2. He trained with Chicago Ballet Arts before continuing at the Ruth Page Center for the Arts under the leadership of Victor Alexander and Dolores Long. At 14, he was accepted into Houston Ballet Academy’s Professional Division, where he trained for four years before joining Houston Ballet II under Claudio Muñoz and Kelly Myernick for two seasons. In 2023, Rogers joined Kansas City Ballet as an apprentice, performing the title role in Peter Pan. He has also performed in ALICE (in wonderland), In the Middle, Somewhat Elevated, and Celts, among others. Rogers was honored as the 2024 Greg and Barbara Storm Emerging Dancer.
NOURA SANDER | JOINED KCB IN 2025 Noura Sander, a Northern California native, began serious ballet training at age eight at Franklin School for the Performing Arts in Massachusetts. At 15, she began training at ABT’s Jacqueline Kennedy Onassis School and joined The Washington School of Ballet at 16, where she was promoted to trainee and then The Washington Ballet’s Studio Company. In 2022, she joined the main company. Her repertoire includes The Nutcracker, Romeo and Juliet, Swan Lake, Giselle, Sleeping Beauty, and Balanchine works like Serenade, Concerto Barocco, and Theme and Variations. She has performed works by Ulysses Dove, Choo San Goh, and Edwaard Liang, among others, and has collaborated with choreographers including Jessica Lang, Silas Farley, Gustavo Ramirez Sansano, Brett Ishida, Mthuthuzeli November, Andile Ndlovu, Dana Genshaft and Chanel DaSilva. 34 | KC B A L L E T.O R G
All photography by Tom Styrkowicz/53TOM LLC. Additional photography by Jeff Evrard.
THE COMPANY
NAOMI TANIOKA | JOINED KCB IN 2019 Naomi Tanioka, originally from Sapporo, Japan, started her training with Chida Toshiko Ballet Studio. Tanioka was accepted to the Royal Winnipeg Ballet School in Canada, where she concluded her six years of professional ballet training, and one year of the Aspirant Program. In 2014, Tanioka joined Ballet Arizona, where she performed ballets by Balanchine and Bournonville. She joined Cincinnati Ballet in 2016, where she was pushed out of her box with a variety of repertoire performed there. With Kansas City Ballet, she has been featured as Cinderella in Devon Carney’s Cinderella, Kitri in Anna-Marie Holmes’ Don Quixote, Alice in Septime Webre’s ALICE (in wonderland), Nellie in Val Caniparoli’s Jekyll & Hyde, Lucy in Michael Pink’s Dracula, Wendy in Devon Carney’s Peter Pan, the pas couple in George Balanchine’s Rubies, and works by Adam Hougland, Alexander Ekman, Annabelle Lopez Ochoa, Edwaard Liang, Helen Pickett, Jiří Kylián, Lila York, Mark Morris, and William Forsythe.
CAMERON THOMAS | JOINED KCB IN 2017, +1 YEAR SECOND COMPANY Cameron Thomas began his dance training in his hometown of Rochester, NY. In 2013, he began performing with the Rochester City Ballet. In 2015, Thomas received a full scholarship to attend the Jacqueline Kennedy Onassis School at American Ballet Theatre. He then joined KCB II for the 2016-2017 season and was promoted to the company the following season. Thomas has performed major roles in his ten years at Kansas City Ballet including Mr. Hyde in the North American premiere of Val Caniparoli’s Jekyll and Hyde. Thomas has also choreographed for Kansas City Ballet and Creative Intersections. He also performs as a pianist. He has also helped Dr. Greg Sabin teach finance at Harvard since 2022.
ANDREW VECSERI | JOINED KCB IN 2022 Andrew Vecseri was born and raised in Houston, Texas and began his training in 2010 at Houston Repertoire Ballet under the direction of Victoria Vittum before joining the Houston Ballet Academy in 2013. In 2015 he was promoted to Houston Ballet’s Second Company performing ballets such as Yondering, Flower Festival, and Sleeping Beauty. In 2017 he competed in the Prix De Lausanne, where he was offered a contract with the Houston Ballet. While there, he was promoted to Demi Soloist, and performed roles in La Bayadere, Swan Lake, Marie, Sleeping Beauty, and The Nutcracker before joining Kansas City Ballet in 2022, performing roles in Giselle, Cinderella, Jekyll & Hyde, In the Middle, Somewhat Elevated, and Don Quixote among other ballets.
MARISA DEETTE WHITEMAN | JOINED KCB IN 2018, +4 YEARS SECOND COMPANY Originally from St. James, New York, Marisa DeEtte Whiteman began classical training at Seiskaya Ballet, until joining Next Generation Ballet in 2010, and Pittsburgh Ballet Theatre Pre-Professional Program in 2012. Whiteman spent a year training privately before joining Kansas City Ballet in 2014. She has moved through the ranks of Trainee, KCB II, and Apprentice, to the Main Company. Some of her favorite roles have included Twyla Tharp’s In the Upper Room, George Balanchine’s Emeralds, William Forsythe’s In the Middle, Somewhat Elevated, and Alexander Ekman’s Cacti. She has spent summers performing at the Hermitage Theatre in St. Petersburg, Russia, and was featured in the Gala Performance at Jacob’s Pillow. She is thrilled to be celebrating her 12th season with Kansas City Ballet.
GILLIAN YODER | JOINED KCB IN 2024, +3 YEARS SECOND COMPANY Gillian Yoder was born in San Diego, California, and raised in Jupiter, Florida. Early training began at Paris Ballet and Dance before completing her pre-professional training at Next Generation Ballet under Philip Neal and at The Colburn School under Jenifer Ringer and James Fayette. She also attended the Pacific Northwest Ballet School for five summers. In 2021, Yoder joined Kansas City Ballet as a trainee. She advanced to KCB II in 2022, performing in works by George Balanchine, Lila York, Devon Carney, Alexander Ekman, and Val Caniparoli. She became an apprentice in 2024, dancing featured roles in Webre’s ALICE (in wonderland), Anna-Marie Holmes‘ Don Quixote, and William Forsythe’s In the Middle, Somewhat Elevated. In 2025, she was promoted to the main company. KCB A L L ET.ORG | 35
THE COMPANY
All photography by Tom Styrkowicz/53TOM LLC. Additional photography by Jeff Evrard.
PAUL ZUSI | JOINED KCB IN 2021 • John Hunkeler Senior Dancer Paul Zusi began his training at Southold Dance Theater at age 6. In 2019, he joined Boston Ballet’s second company, working with many renowned choreographers and teachers, including Peter Stark, Kathleen Mitchell, Jorma Elo, and Mikko Nissinen. He joined Kansas City Ballet in 2021, where has had the privilege to perform numerous featured roles. Some of his favorites include Dr. Jekyll in Val Caniparoli’s Jekyll & Hyde, Red Man in Lila York’s Celts, Basilio and Espada in Anne-Marie Holmes’ Don Quixote, Prince Albrecht in Devon Carney’s Giselle, Peter Pan in Devon Carney’s Peter Pan, and leading roles in George Balanchine’s Emeralds and Diamonds. Zusi would like to thank his loved ones profusely for their support.
LIAM COLCLOUGH | APPRENTICE, JOINED KCB IN 2025 Liam Colclough, originally from Duluth, Minnesota, began his ballet training at age four with Minnesota Ballet School. He attended summer intensives at Milwaukee Ballet, Ballet Austin, Joffrey Ballet of Chicago, and Ellison Ballet NYC. In 2020, he earned first place at Youth America Grand Prix regionals and a full scholarship to the Joffrey Academy of Dance, where he trained from 2020 to 2022 and earned additional top placements before advancing to the finals in Tampa. Colclough danced with Rochester City Ballet in 2022 and Charlotte Ballet II from 2023 to 2025. Notable roles include Soldier Doll and Candy Cane in The Nutcracker, Alejandro Cerrudo’s Lickity Split and the male lead in Balanchine’s Who Cares?. He is honored to join Kansas City Ballet as an apprentice.
MEI MCARTOR | APPRENTICE, JOINED KCB IN 2025, +2 YEARS SECOND COMPANY Mei McArtor grew up in Columbia, South Carolina, where she began her training at the Southeastern School of Ballet. She joined Kansas City Ballet as a trainee for the 2023-24 season. During her time as a trainee, McArtor performed numerous roles in Val Caniparoli’s Jekyll & Hyde, Devon Carney’s The Nutcracker and Peter Pan, and George Balanchine’s Jewels. She also danced in Gabriel Lorena’s Under My Skin and Emily Mistretta’s This version of you looking at you you looking back as part of Kansas City Ballet’s New Moves 2024. In her second season, she was promoted to KCB II, performing in Septime Webre‘s ALICE (in wonderland), Anna-Marie Holmes‘ Don Quixote, and Lila York’s Celts. McArtor is entering her third season with Kansas City Ballet as an apprentice for the 2025-26 season.
LANDEN WALKER | APPRENTICE, JOINED KCB IN 2025 Landen Walker began his ballet training at age 15 with his home studio in New York. In 2022, he joined CPYB’s professional division on full scholarship. In 2023, he was invited to train at Cary Ballet Conservatory, where he first competed in Youth American Grand Prix. At YAGP Finals 2024, he received an invitation from Peter Stark to train with The Rock School. Walker has been fortunate to work closely with many excellent teachers and mentors, including Peter Stark, Natalya Zeiger, Etienne Diaz and Christina Johnson. He has had the opportunity to dance in George Balanchine’s Nutcracker and Who Cares? and perform featured roles such as Snow King and Cavalier in The Nutcracker and Oberon in A Midsummer Night’s Dream.
DEREK WIPPEL | APPRENTICE, JOINED KCB IN 2025 Derek Wippel is a native of Pickerington, Ohio, and began his formal ballet training at the BalletMet Academy. In 2022, he moved to Houston to join the Houston Ballet professional training division, under the direction of Claudio Muñoz. In 2023, Wippel relocated to Chicago to join the Joffrey Ballet Studio Company for two years, working under the guidance of Ogulcan Borova and Raul Casasola. Wippel has had the opportunity to perform in various ballets, including Stanton Welch’s Bruiser, Liam Scarlett’s Frankenstein, Gerald Arpino’s Kettantanz and Reflections, and was a part of the American premiere of Christopher Wheeldon’s Alice’s Adventures in Wonderland. Wippel is incredibly excited for his first season with Kansas City Ballet. Kansas City Ballet Company Apprentices are supported in part by the Estelle S. and Robert A. Long Ellis Foundation. 36 | KC B A L L E T.O R G
KANSAS CITY BALLET SECOND COMPANY
ZANDER JOHNSON JOINED KCB II IN 2025
BROOKE NOSKA JOINED KCB II IN 2024
TROY MONGER-LEVIN JOINED KCB II IN 2023
AUDREY LYNN JOINED KCB II IN 2024
OLIVIA PEARSALL JOINED KCB II IN 2025
OWEN WATSON JOINED KCB II IN 2024
BEN WORKMAN JOINED KCB II IN 2024
TRAINEES Ena Nomoto
Addison Jankauskas
Reagan Kinney
Corabelle Kennedy
Hiroaki Ikeda
Michelangelo Fante
Isabella Martino
Maya McDaniels
Blair Mendes
Zoey Uhlman
Maggie De Groote
Luke Eller
Julia Bellantoni
Alessia Braggiato
Jack Hindocha-Daniels
Madeleine Lee
Payton Boddy
Joseph Moore
Gracie Jean Joiner
Sage Guillot
Camille Jordan
KCB’s Second Company includes KCB II and the Trainee Program, both products of Kansas City Ballet School. These programs are for emerging professionals to give extraordinarily talented young dancers a professional company experience as prelude to their joining a professional company. The Second Company performs throughout the region at public performances, informances, residencies and workshops, enabling the community to experience live dance in a public setting. Those interested in learning more and/or booking them for a performance, email KCBII@kcballet.org. All photography by Tom Styrkowicz/53TOM LLC
KCB A L L ET.ORG | 37
CASTING
Choreography by DEVON CARNEY Music by PETER I. TCHAIKOVSKY Scenery and Properties Design by ALAIN VAËS Costume Design by HOLLY HYNES Lighting Design by TRAD A BURNS Mother Ginger Puppet Design by NICHOLAS MAHON Conducted by RAMONA PANSEGRAU Guest Conductor PETER STAFFORD WILSON Music performed by KANSAS CITY SYMPHONY Repetiteurs KRISTI CAPPS, PARRISH MAYNARD, CHRISTOPHER RUUD Children’s Ballet Coaches KIMBERLY COWEN, JENNIFER WELCH CUDNIK Children’s Cast Rehearsal Assistants PENELOPE GUEZURAGA, CORY ZOELLER Aerial Illusions provided by ZFX FLYING EFFECTS All children appearing are students of Kansas City Ballet School
Scan the QR code for casting by performance dates.
The City of Kansas City, Missouri’s Neighborhood Tourist Development Fund (NTDF) program, established in 1989, helps promote Kansas City’s distinct and diverse neighborhoods. Through cultural, social, ethnic, historic, educational, and recreational activities, NTDF promotes the city as a premier convention, visitor and tourist center. Kansas City Ballet is grateful for NTDF’s support of this production. 38 | KC B A L L E T.O R G
CASTING ACT I Drosselmeier’s Workshop Dr. Drosselmeier
Andrew Vecseri Isaac Allen Cameron Thomas Gavin Abercrombie Angelin Carrant
The Party Frau Silberhaus
Whitney Huell Taryn Pachciarz Kelsey Ivana Hellebuyck Kaleena Burks
Herr Silberhaus
Angelin Carrant Paul Zusi Liam Colclough Andrew Vecseri Alladson Barreto
Clara
MacKenzie Mejia (1) Rose Vinson (2) Amelia Stallbaumer (3)
Fritz
Geo Malter (A) Maxwell Sady (B)
Grandmother
Kelsey Ivana Hellebuyck Gillian Yoder Audrey Lynn Amira Hogan Mei McArtor
Grandfather
Keaton Linzau Angelin Carrant Elliott Rogers Joseph Boswell Gavin Abercrombie
Maid
Olivia Jacobus Marisa DeEtte Whiteman Amelia Meissner Brooke Noska Naomi Tanioka
Butler
Cameron Thomas Luke Eller Owen Watson Landen Walker KCB A L L ET.ORG | 39
CASTING Harlequinade
Harlequin
Dancing Bear
The Parents
Gillian Yoder Amelia Meissner Olivia Jacobus Maura Moody Marisa DeEtte Whiteman Elliott Rogers Joshua Kiesel Aidan Duffy Keaton Linzau Isaac Allen Hiroaki Ikeda Luke Eller Michelangelo Fante Zander Johnson Joseph Moore Julia Bellantoni, Payton Boddy, Alessia Braggiato, Maggie De Groote, Sage Guillot, Sidney Haefs, Madalyn Hesterlee, Amira Hogan, Olivia Jacobus, Addison Jankauskas, Camille Jordan, Corabelle Kennedy, Celeste Lopez-Keranen, Audrey Lynn, Isabella Martino, Mei McArtor, Maya McDaniels, Amelia Meissner, Blair Mendes, Maura Moody, Brooke Noska, Olivia Pearsall, Noura Sander, Zoey Uhlman Isaac Allen, Alladson Barreto, Joseph Boswell, Angelin Carrant, Liam Colclough, Aidan Duffy, Luke Eller, Michelangelo Fante, Jack Hindocha-Daniels, Hiroaki Ikeda, Zander Johnson, Keaton Linzau, Troy Monger-Levin, Joseph Moore, Landen Walker, Owen Watson, Derek Wippel, Ben Workman, Paul Zusi
The Children
Cast A:
Sophia Bethea, Lance DeMoss-Black, Inés Nin, Clara Pierzchalski, Cohen Stallbaumer, Mary Clare Stanislav, Ellie Sturgeon, Emerson Williams
Cast B:
Hadley Bakkedahl, Aliyah Becerra, Hannah Carr, Aidan Katz, Beatrice Patterson, Amelie Rivillo, Jameson Sauser, Anna Sawafuji
The Battle The Nutcracker Prince
The Mouse King 40 | KC B A L L E T.O R G
Joshua Kiesel Elliott Rogers Isaac Allen Aidan Duffy Joseph Boswell Paul Zusi Troy Monger-Levin Aidan Duffy
CASTING Alladson Barreto Andrew Vecseri
Baby Mice
Soldiers
Dolls
Mice
Isaac Allen, Alladson Barreto, Joseph Boswell, Collin Brooks, Henry Bryan, Liam Colclough, Luke Eller, Michelangelo Fante, Lorenzo Guezuraga, Jack Hindocha-Daniels, Hiroaki Ikeda, Zander Johnson, Dahir Klawonn, Keaton Linzau, Joseph Moore, Troy Monger-Levin, Landen Walker, Owen Watson, Derek Wippel, Ben Workman
Cast A:
Aria Faltico, Emi Kawano-Sanchez, Elizabeth Kimbrough, Genevieve Lassiter, Emmie le Roux, Lola Lickey, Adele Osbern, Ryan Tarpening
Cast B:
Raegan Bell, Adelyn Gummig, Esmé Guthrie, Lilly Hoover, Mabel Phillips, Isabella Robbins, Elizabeth Romine, Eden Stetson
Bunny
Willa Scheidegger (A) Taelynn Ferguson (B)
Cast A:
Grace Brooks, Elizabeth Cameron, Reagan Cheshier, Fiona Gertken, Elaine Giroux, Cecilia Guezuraga, Eva Hudgens, Vivian Hudgens, Mariia Kovalenko, Charlotte Miller, Georgia Spears, Amelia Wagner, Eleanor Winslow, Elsie Winter, Kris Zheng, Tina Zheng
Cast B:
Madeleine Gilberto, Tina Hammoud, Abigail Huff, Evelyn Jackson, Mildred Jackson, Evelyn Kelly, Claire Pansing, Juliet Parigo, Olivia Rogers, Ingrid Stevens, Iris Straight, Cecily Stroh, Lily Trum, Edith Wenzel, Evelyn Wieners, Claire Zenk
Cast A:
Joseph Hudgens, Millie Leamen, Lottie Linn, Penelope Lumetta, Lola Pinkston
Cast B:
Lena Cecil, Cameron Elder, Brooke Goldberg, Owen Rogers, Victoria Vician
Kingdom of the Snow Snow Queen and Snow King
Ice Crystals
Marisa DeEtte Whiteman & Gavin Abercrombie Kelsey Ivana Hellebuyck & Alladson Barreto Noura Sander & Angelin Carrant Celeste Lopez-Keranen & Isaac Allen Amelia Meissner & Keaton Linzau Taryn Pachciarz & Naomi Tanioka Amira Hogan & Olivia Jacobus Maura Moody & Marisa DeEtte Whiteman Mei McArtor & Gillian Yoder Kaleena Burks & Kelsey Ivana Hellebuyck
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CASTING Snowflakes
Female Reindeer
Male Reindeer
Julia Bellantoni, Payton Boddy, Alessia Braggiato, Maggie De Groote, Sage Guillot, Amira Hogan, Olivia Jacobus, Addison Jankauskas, Gracie Jean Joiner, Camille Jordan, Corabelle Kennedy, Reagan Kinney, Madeleine Lee, Celeste Lopez-Keranen, Audrey Lynn, Isabella Martino, Mei McArtor, Maya McDaniels, Amelia Meissner, Blair Mendes, Maura Moody, Ena Nomoto, Brooke Noska, Olivia Pearsall, Noura Sander, Zoey Uhlman, Gillian Yoder Meila Ashman, Amelia Dowell, Charlotte Munce, Soana Pahulu (1) Ema Akright, Adley Couch, Rebecca Hiles, Evangeline Juraschek (2) Cecelia Binaggio, Ella Gampper Catalina Gutierrez, Caroline Kruse (3) Collin Brooks, Henry Bryan, Lorenzo Guezuraga, Dahir Klawonn, Samuel Stein
20 MIN. INTERMISSION
ACT II Land of the Sweets The Sugar Plum Fairy and Her Cavalier
Angels*
Cherubs
Cast A:
Eleanor Golda, Anya Hudson, Sarah Grace McKinney, McKinley Stallbaumer, Prisca Wiersma, Victoria Zaborny
Cast B:
Kaelyn Bell, Payton Ann Casey, Elsa Rosemary Cudnik, Samantha Lopez-Duarte, Simone Parigo, Anna Young
Cast A:
Jamila Abad Bonifacio, Anna Broers, Lola Falcon, Inna Isaac, Levi Middleton, Emma Persson, Kensington Price, Elizabeth Valenti
Cast B:
Magdalen Baxter, Millie Davis, Frances Charles Grant, Cora Hendricks, Eloise Krampe, Lola James Lyons, Amelia Rossman, Clara Trum
Land of the Sweets Attendants
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Sidney Haefs & Aidan Duffy Kaleena Burks & Andrew Vecseri Taryn Pachciarz & Paul Zusi Naomi Tanioka & Joshua Kiesel Gillian Yoder & Cameron Thomas
Collin Brooks, Henry Bryan, Lorenzo Guezuraga, Dahir Klawonn, Samuel Stein
CASTING Spanish (Chocolate)
Kelsey Ivana Hellebucyk, Amelia Meissner Alladson Barreto, Derek Wippel Mei McArtor, Maura Moody Aidan Duffy, Keaton Linzau Kaleena Burks, Amira Hogan Liam Colclough, Ben Workman Audrey Lynn, Olivia Pearsall Joseph Boswell, Paul Zusi Olivia Jacobus or Brooke Noska, Naomi Tanioka Andrew Vecseri, Landen Walker
Arabian (Coffee)
Taryn Pachciarz & Cameron Thomas, Paul Zusi Amira Hogan & Alladson Barreto, Troy Monger-Levin Sidney Haefs & Aidan Duffy, Keaton Linzau Kelsey Ivana Hellebuyck & Angelin Carrant, Andrew Vecseri Noura Sander & Gavin Abercromie, Isaac Allen with Luke Eller, Jack Hindocha-Daniels, Hiroaki Ikeda, Zander Johnson, Joseph Moore, Troy Monger-Levin, Landen Walker, Owen Watson, Ben Workman
Chinese (Tea)
Olivia Jacobus & Joseph Boswell Marisa DeEtte Whiteman & Joshua Kiesel Maura Moody & Gavin Abercrombie Gillian Yoder & Isaac Allen Amelia Meissner & Elliott Rogers with Fu Lion: Collin Brooks, Henry Bryan, Luke Eller, Michelangelo Fante, Lorenzo Guezuraga, Jack Hindocha-Daniels, Hiroaki Ikeda, Dahir Klawonn, Joseph Moore
Umbrella Tea Children*
Cast A:
Illiana Dyer-Beale, Tinsley Guzman, Katherine Jacobson, Estella Newth, Anna Schilling, Anna Vande Krol
Cast B:
Cecilia Bondon, Kerrigan Cunningham, Zoe Katz, Laurel Niang-Trost, Selah Overton, Audrey Pfeiffer KCB A L L ET.ORG | 43
CASTING French Shepherds (Marzipan
Shepherdesses
Lambs
Naomi Tanioka & Angelin Carrant Celeste Lopez-Keranen & Gavin Abercrombie Olivia Jacobus & Andrew Vecseri Marisa DeEtte Whiteman & Cameron Thomas Kaleena Burks & Aidan Duffy Julia Bellantoni, Payton Boddy, Alessia Braggiato, Maggie De Groote, Sage Guillot, Addison Jankauskas, Gracie Jean Joiner, Camille Jordan, Corabelle Kennedy, Reagan Kinney, Madeleine Lee, Audrey Lynn, Isabella Martino, Maya McDaniels, Blair Mendes, Ena Nomoto, Brooke Noska, Olivia Pearsall, Zoey Uhlman
Cast A:
Bibi King, Hattie Kruse, Piper Lumetta, Alice Sagdeev
Cast B:
Genevieve Clymer, Rose Fox, Daphne Funk, Eleanor Knoll
Russian (Trepak)
Elliott Rogers Derek Wippel Josepn Boswell Keaton Linzau with Liam Colclough, Luke Eller, Michelangelo Fante, Jack Hindocha-Daniels, Hiroaki Ikeda, Zander Johnson, Joseph Moore, Landen Walker, Owen Watson, Ben Workman
Matryoshka Children*
Cast A:
Kinley Buxton, Lindsey Kim, Isabella Puckett, Scarlett Spaulding, Cecilia Stanislav, Agnes Tunkūnaitė
Cast B:
Lilli Curtin, Delila Gardner, Sophia Harris, Greta Pilgreen, Araceli Shaw, Lillian Torres
Mother Ginger
Polichinelles
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Troy Monger-Levin Jack Hindocha-Daniels Luke Eller Michelangelo Fante Hiroaki Ikeda Joseph Moore
Cast A:
Sofia Castagno, Genevieve Guevel, Grace Hand, Molly Houck, Julissa Kennedy, Caroline Kimbrough, Natalia Powers, Henley Spaulding
Cast B:
Becca Fields, Cora Foy, Pemberley Groesbeck, Paige Gurley, Karsyn Hutchinson-Ramirez, Montserrat Llauger, Elizabeth McCain, Catherine Streb
CASTING The Rose
Flowers
Kaleena Burks Taryn Pachciarz Naomi Tanioka Noura Sander Sidney Haefs Amelia Meissner Olivia Jacobus Julia Bellantoni, Payton Boddy, Alessia Braggiato, Maggie De Groote, Sage Guillot, Madalyn Hesterlee, Amira Hogan, Olivia Jacobus, Addison Jankauskas, Gracie Jean Joiner, Camille Jordan, Corabelle Kennedy, Reagan Kinney, Madeleine Lee, Celeste Lopez-Keranen, Audrey Lynn, Isabella Martino, Mei McArtor, Maya McDaniels, Amelia Meissner, Blair Mendes, Maura Moody, Ena Nomoto, Brooke Noska, Olivia Pearsall, Noura Sander, Zoey Uhlman
* Members of the Snow Choir
Charlie Hustle is proud to partner with the Kansas City Ballet for this limited-edition collaboration. A portion of the proceeds from these Communi-TEES™ will be donated to the Kansas City Ballet.
SHOP AT CHARLIEHUSTLE.COM
Marisa Whiteman Kansas City Ballet Dancer
KCB A L L ET.ORG | 45
SYNOPSIS ACT I Dr. Drosselmeier, a mysterious magician and creator of mechanical toys and clocks, puts the finishing touches on some magical dolls and a very special Nutcracker in his workshop on Christmas Eve. He has made them as gifts to entertain his relatives and friends at the Silberhaus home later that night. In the parlor, the Silberhaus family, their children Clara and Fritz, and their staff are anxiously finishing preparations for their annual Christmas Eve party. Friends and relatives arrive from near and far. The tree is trimmed, the children receive special gifts from the Silberhauses and there is much celebratory dancing. Suddenly, almost from nowhere, Dr. Drosselmeier makes his appearance with his arms full of gift boxes. He is full of surprises to entertain everyone, like his presentation of a miniature toy theatre. He presents Clara with the special Nutcracker he has made just for her, and she immediately becomes enchanted. Then he brings out his mechanical dolls who, to the amazement of all, come to life at his command and dance. Dinner is served and all depart except Clara, who dances a special dance with her Nutcracker, imagining someday he could be her Prince. She is rudely interrupted by her brother Fritz who, in a jealous fit, steals her Nutcracker and breaks him. The commotion draws the guests back to the parlor to see Dr. Drosselmeier repairing Clara’s Nutcracker. The girls join together to soothe the Nutcracker by dancing a lullaby with their dolls, but they are suddenly interrupted by the mischievous Fritz and the boys who create a cacophony with their noise makers. Then Clara’s Grandfather invites all the parents to one last dance led by him and her Grandmother before it gets late and the party guests depart. Clara and Fritz are sent to bed to dream of all their presents under the tree. As the lights dim, Clara returns to search for her Nutcracker until she becomes tired and falls asleep on the couch. Dr. Drosselmeier appears in the parlor to cast his magical spell. Maniacal mice begin to emerge
as midnight falls and Clara is awakened. She is terrified but then sees her Nutcracker has been transformed to human size by Dr. Drosselemeier. The mice scatter and Dr. Drosselmeier alters the room, making everything larger than life. A battle ensues between the mice, led by the Mouse King, and the Nutcracker, with his regiments of tiny soldiers, culminating in a sword fight between the two leaders. Just when hope seems lost, Clara throws her slipper at the Mouse King, distracting him long enough for the Nutcracker to vanquish him. Clara receives a crown for her efforts and the Nutcracker is transformed into a handsome prince. The two are magically transported to the Kingdom of the Snow where the Snow King and Queen greet them and send them on a beautiful sleigh ride. A whirlwind of snowflakes dance at their command. At the culmination of this dreamlike scene, Clara and her Nutcracker Prince board a magical vessel to journey to the Land of the Sweets, guided by Dr. Drosselmeier.
ACT II As the scene opens, we find ourselves in the clouds with dancing angels who watch over the Land of the Sweets. Clara and her Nutcracker Prince arrive in the enchanted Candy Palace. They are welcomed by the Sugar Plum Fairy and her Cavalier who are preparing a spectacular confection-filled festival in their honor. Those who have gathered begin to dance representing various lands and treats including chocolate, a Spanish Dance; coffee, an Arabian Dance; and tea, a Chinese Dance. French Shepherds, a band of Russian dancers, and the always gregarious, larger-than-life Mother Ginger also have a few surprises for Clara. Following that, Clara enjoys a lush Waltz of the Flowers led by the most beautiful Rose in the entire Land of the Sweets. Then the Sugar Plum Fairy and her Cavalier dance a grand pas de deux in honor of their guests. A magnificent grand finale brings the festival to its thrilling conclusion as Clara and her Nutcracker Prince begin their journey home. Was it all a dream or did it really happen?
NOTEWORTHY RAMONA PANSEGRAU
MUSIC DIRECTOR/CONDUCTOR Peter I. Tchaikovsky’s beautiful score for The Nutcracker was written in 1892. Even today, it is an indispensable part of the holidays – the music of the Sugar Plum Fairy and the Trepak covering the airwaves even as we speak. We are so fortunate to have the music performed live as audiences would have first heard it 133 years ago. Utilizing the full forces of the Kansas City Symphony in our performances, nearly every section of the orchestra has a solo somewhere in the score. Of special note is the music written for the celesta – an instrument Tchaikovsky first heard at the Paris Exposition in 1890, and was determined to have Russian audiences first hear in his composition. Our live children’s choir, appearing
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in the Snow Scene at the end of Act I, returns this year, completing the score as Tchaikovsky wanted. The angelic sound of young sopranos adds extra magic as the snow falls on stage. We are using students from Kansas City Ballet School as our chorus, who are doing double duty during the performances! The ladies dance in various roles in Act II and join us as a choir in Act I. Our student dancers gain a deeper understanding of rhythm, tempo and harmony by singing, and experience the joy of performing with a live orchestra as well. It’s a win-win for all of us! Please enjoy the complete score of Tchaikovsky’s iconic Nutcracker ballet as well as a stage full of artists dancing to ring in the season. The holidays would be incomplete without it.
MEET THE ARTISTS ALAIN VAËS
SCENIC & PROPERTIES DESIGNER
Born in the South of France, Alain Vaës studied at the Ecole des BeauxArts in Montpellier and the Ecole des Arts Decoratifs in Nice while playing volleyball for the French national team. Since moving to the United States in 1981, he has worked as an artist, a set and costume designer, and as an author and illustrator of children’s books. He has designed sets and costumes for 25 productions, including Romeo and Juliet, Swan Lake, The Nutcracker, La Sonnambula, Songs of the Auvergne, Don Quixote and Cinderella, principally for New York City Ballet, but also for Boston Ballet, Fort Worth Ballet, the National Ballet of Flanders, North Carolina Dance Theater, Cincinnati Ballet, Pennsylvania Ballet, Sacramento Ballet, and the Royal Danish Theater. His children’s books, published by Little Brown, are The Porcelain Pepper Pot, The Wild Hamster, The Steadfast Tin Soldier, The Princess and the Pea, and Puss in Boots, a collaboration with Lincoln Kirstein, plus Reynard the Fox and 29 Bump Street, published by Turner. His paintings have been exhibited in galleries in Paris and Honfleur, and most recently at the George Adams gallery in NYC. His work is in the collection of the French government. He has had exhibitions at the Pierpont Morgan Library, the Art Institute of Chicago, the Norman Rockwell Museum, the Fort Worth Art Museum, the Hudson River Museum, the DeCordova Museum and the McNay Art Museum.
HOLLY HYNES
COSTUME DESIGNER
Holly Hynes is an accomplished costume designer with over 200 ballets to her credit, including more than 70 at the New York City Ballet. A graduate of Coe College in Cedar Rapids, Iowa, she headed to New York City with a suitcase and fifty dollars after college and has been there ever since. Her designs have been acclaimed worldwide by the audiences of American Ballet Theatre, National Ballet of Canada, San Francisco Ballet, Paris Opera Ballet, Kirov Ballet in Saint Petersburg, Russia, Bolshoi in Moscow, Royal Ballet in London, Royal Danish Ballet in Copenhagen, Houston Ballet, Pacific Northwest Ballet, Joffrey Ballet in Chicago, and La Scala in Milan. Hynes has collaborated with such famous choreographers as Alexei Ratmansky, Christopher Wheeldon, Helgi Tomasson, Jorma Elo, Benjamin Millepied and Stanton Welch. Her artistry has been seen on Broadway and at the Metropolitan Opera but ballet is where her heart is. She has been the resident designer for The Susanne Farrell Ballet based at The Kennedy Center for over 15 years. For 21 years, she was director of costumes for The New York City Ballet. She is also the leading costume consultant for the George Balanchine Trust and the Jerome Robbins Estate. She is thrilled to have worked with Devon, Alain and Trad on Kansas City Ballet’s The Nutcracker, joining her other designs in the rep for Lynne TaylorCorbett’s Mercury and William Whitener’s full-length Tom Sawyer (A Ballet in 3 Acts).
TRAD A BURNS
LIGHTING DESIGNER Trad A Burns has been designing scenery and lighting professionally since 1989 for theatre, dance, and amusement parks. Recent dance credits include the world premiere of What’s Going On, choreographed by Val Caniparoli for Richmond Ballet, Soar!, choreographed by Jennifer Archibald, Hearts, choreographed by Julia Feldman for Sacramento Ballet, Romeo & Juliet, choreographed by Malcom Burn for Richmond Ballet, Tulsa Ballet’s world premiere Nutcracker, choreographed by Val Caniparoli and Ma Cong, and the world premiere of Sacramento Ballet’s new Nutcracker, choreographed by Colby Damon, Julia Feldman, and Nicole Haskins. Recent theatre designs include Gloria, directed by Jess Fiene at Texas State University, Assasins, directed by Dr. Martin Friedman at Lakeland Theatre, and The Ballad of Georgia McBride, directed by Eric Schmiedl at the Beck Center for the Arts. Burns has had the privilege of designing world premiere ballets for such notable choreographers as Trey McIntyre, Val Caniparoli, James Kudelka, Edwaard Liang, Matthew Neenan, Adam Hougland, Garrett Smith, Jessica Lang, Alejandro Cerrudo, Kirk Peterson, Donald Byrd, Jodie Gates, Gina Patterson, Amy Seiwert, Ma Cong, Andrea Schermoly, Jennifer Archibald, Penny Saunders, Septime Webre, Devon Carney, Victoria Morgan, Robert Curran, and Sarah Slipper. Over the years his dance lighting has been seen at American Ballet Theatre, National Ballet of Canada, Pacific Northwest Ballet, Atlanta Ballet, The Joffrey Ballet, Kansas City Ballet, Colorado Ballet, Royal Winnipeg Ballet, Alberta Ballet, Ballet X, BalletMet, Louisville Ballet, Tulsa Ballet, Pittsburgh Ballet Theatre, Grand Rapids Ballet, Sacramento Ballet, Hubbard Street, and 21 seasons with Cincinnati Ballet. As a theatre designer, Burns’ designs have been seen at New York Theatre Workshop (NYC), The Public Theatre (NYC), La Mama ETC (NYC), HERE (NYC), Classic Stage Company (NYC), North Shore Music Theatre, Cleveland Play House, Cleveland Public Theatre, Great Lakes Theatre Festival, Cain Park, Beck Center for the Arts, Dobama, Indiana Repertory Theatre, Cedar Point, Valleyfair, Knott’s Berry Farm, Kings Island, Walt Disney World, Disneyland, Disneyland Japan, Disney Sea, Disney Cruise Lines, Carnival Cruise Lines, Universal Studios Florida and Japan, Woodstock Ice Productions and The Family of Charles M. Schulz.
NICHOLAS MAHON
MOTHER GINGER PUPPET DESIGNER
Nicholas Mahon is an Emmynominated puppet and theatrical designer known for creating performer-interactive pieces and memorable characters. Since 2004, he has contributed to productions for Cirque du Soleil, Michael Curry Design, Walt Disney Entertainment, Broadway, The Jim Henson Company, Blue Man Group, and many others. His recent work includes Little Shop KCB A L L ET.ORG | 47
MEET THE ARTISTS NICHOLAS MAHON cont. of Horrors (Off-Broadway, 2019), Sesame Street (2013– present), and the Opening Ceremonies of the 2018 Winter Olympics in Pyeongchang and the 2017 Islamic Solidarity Games in Baku. As Scenic Designer for the 2015 European Games Opening Ceremony in Baku, his work earned a Daytime Emmy nomination.
KRISTI CAPPS
REHEARSAL DIRECTOR Kristi Capps accepted the position of rehearsal director for the 2014-2015 season after serving as a rehearsal director in residence for the 20132014 season during the company’s production of Dracula as well as a repetiteur for its spring production of Cinderella. Capps began her professional career with the Atlanta Ballet and then joined Cincinnati Ballet. Rising quickly through the ranks to principal, Capps delighted audiences in leading roles in many major classical and contemporary ballets both within the company and abroad as a guest artist. With Kansas City Ballet, Capps has been given the opportunity to be the répétiteur for many of the company’s productions, including Devon Carney’s Sleeping Beauty for Ballet Hawaii, Cincinnati Ballet and Grand Rapids Ballet, Victoria Morgan’s Cinderella, Edwaard Liang’s Wunderland and Helen Pickett’s Petal. Additionally, she has staged Septime Webre’s The Wizard of Oz for Kansas City Ballet, Colorado Ballet, Royal Winnipeg Ballet, Cincinnati Ballet, Nevada Ballet, and most recently Hong Kong Ballet.
PARRISH MAYNARD
REHEARSAL DIRECTOR Parrish Maynard danced with American Ballet Theatre, where he was invited to join by Mikhail Baryshnikov, and as a principal dancer at The Joffrey Ballet and San Francisco Ballet. In addition to being a recipient of the Princess Grace Award and the Presidential Scholar Award, he was a silver medalist in the International Ballet Competition. Maynard has performed in Dance in America’s American Ballet Theatre Now, danced Nacho Duato’s Romanso, and danced in Lar Lubovich’s Othello at San Francisco Ballet in the role of Iago which was created on him. In 2005 Maynard joined the faculty of San Francisco Ballet School. In his 10 years at San Francisco Ballet, Maynard choreographed more than 20 ballets for the San Francisco Ballet School, some of which have been danced by companies around the world including Royal Ballet School, Royal New Zealand Ballet and National Ballet of Canada.
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CHRISTOPHER RUUD
SECOND COMPANY MANAGER & REHEARSAL DIRECTOR Growing up backstage at the San Francisco Ballet, Ruud was immersed in the art of professional dance, performance and stagecraft from the start. Receiving the majority of his dance training at San Francisco Ballet School, Ruud was hired into Ballet West in 1998. Quickly moving through the ranks, he was named Principal Dancer in 2004. He spent 21 years as a leading artist for Ballet West performing a huge range of classical and contemporary repertoire. Ruud is grateful to have performed all over the United States, and internationally most notably in China, Cuba, Scottland, Canada, New York and at the Kennedy Center. In his time with the company, he danced major roles in the great works of Balanchine, Kylián, Tharp, Forsythe, Ashton, Tudor and Cranko to name a few. He has been personally coached by some of the great names in the ballet world such as Sir Anthony Dowell, Cynthia Gregory, Hans Van Mannen, Bruce Marks, and Anna-Marie Holmes. Ruud has seen success as a choreographer having his ballets performed in the Ballet West Innovations program and at their annual gala performance garnering such awards as a New York Choreographic Institute Fellowship as well as several NEA grants. Ruud directed his own small company RUUDDANCES, which was a regular attraction at the annual Utah Arts Festival, and has toured to Jacobs Pillow. Retiring from being a professional dancer in 2019, Ruud joined the artistic team at Kansas City Ballet that same year. Since taking the position of KCB Second Company Manager and Rehearsal Director for the company he has created and ballet-mastered many new and existing works such as George Balanchine’s Rubies, Lila York’s Celts, and Alexander Ekman’s Cacti, while also spending time in the Kansas City community educating children and adults about ballet and live performance.
KIMBERLY COWEN
PRINCIPAL, KCYB DIRECTOR & CHILDREN’S COACH Kimberly Cowen, a native of St. Louis, Missouri, received most of her ballet training from Nathalie LeVine. She also has studied at St. Louis Ballet under Ludmila Dokoudovsky and Antoni Zalewski, at Pacific Northwest Ballet with Fleming Halby and Nina Danilova and at The Joffrey Ballet with Francesca Corkle and Winthrop Corey. She studied at the Kansas City Ballet School with Todd Bolender, Una Kai, and Lisa Dillinger before joining the Kansas City Ballet in 1991, where she danced for 20 years. Cowen has danced as Swanilda in Coppélia, Odette in Swan Lake, Titania in A Midsummer Night’s Dream, Aurora in The Sleeping Beauty, the title role in Giselle, Carmen and Romeo & Juliet. She has had the pleasure of dancing a wide variety of styles by famous choreographers such as George Balanchine, Jerome Robbins, Anthony Tudor, Todd Bolender, David Parsons, Paul Taylor, Merce
MEET THE ARTISTS KIMBERLY COWEN cont. Cunningham, Twyla Tharp, Vincente Nebrada, Nacho Duato, Margo Sappington, Trey McIntyre, Jessica Lang, Val Caniparoli, Mary Wigman and William Whitener. Cowen began teaching at the Somerset Ballet in 1998 and joined the Kansas City Ballet School staff in 2002. Cowen is responsible for the students of the Upper School and is the director of the Kansas City Youth Ballet. She is dedicated to teaching the next generation of dancers and passing on all she has learned in her time as a student and a professional.
JENNIFER WELCH CUDNIK
PRINCIPAL, DAYTIME PROGRAM & CHILDREN’S COACH Originally from St. Louis, Welch Cudnik studied with Berkeley Evans, Nathalie LeVine and Alexandra Zaharias in St. Louis and Todd Bolender and Una Kai at the State Ballet of Missouri (now Kansas City Ballet). At age 15, she moved to NYC to study on full scholarship at the School of American Ballet; training under master teachers Stanley Williams, Hèléne Dudin, Elise Reiman, Antonina Tumkovsky, Suki Schorer, Kay Mazzo and Suzy Pilarre, among others. While there she performed Balanchine’s The Four Temperaments, Rubies, La Source and Concerto Barocco, Bournonville’s Napoli and originated roles in new works by Christopher Wheeldon and Damian Woetzel. She also trained with Pacific Northwest Ballet School, Wilhelm Burmann, David Howard and Nancy Bielski. Welch Cudnik danced professionally with Pennsylvania Ballet and Saint Louis Ballet for a decade. She had the honor of performing multiple roles in works by George Balanchine such as the Waltz Girl and Russian in Serenade, principal in Allegro Brillante, principal in Divertimento No. 15, principal in Valse Fantasie, Who Cares?, and Balanchine’s The Nutcracker, as well as roles in classical ballets such as Cinderella, Coppelia, Swan Lake, Aurora in The Sleeping Beauty, and the title role of Giselle. A dance educator for twenty-five years, Welch Cudnik was most recently the Principal of the Sarasota Ballet School. She has been an adjunct professor at Webster University, on faculty at the Center of Creative Arts (COCA) and Saint Louis Ballet and has taught in public schools and community centers. Welch Cudnik directed and co-founded the nonprofit, Ballet Initiative, which presented summer intensives and free performances in collaboration with the Saint Louis Symphony and the Missouri History Museum. Welch Cudnik is a commissioned choreographer, a career consultant for dancers, an adjudicator for dance and choreography competitions, and a curator for dance festivals and productions. She is certified in the American Ballet Theatre® National Training Curriculum and holds an MFA in Dance from Hollins University. As an educator who teaches future generations of dance advocates, Welch Cudnik cultivates with compassion and empathy, ensuring technique and artistry are instilled and achieved with pride and prowess. Her entire teaching career and MFA education is focused on equity, diversity and inclusivity being of paramount importance.
JORDAN VOTH
COMPANY PIANIST/PRINCIPAL ACADEMY PIANIST Kansas native Jordan Voth joined the accompanist staff of the Kansas City Ballet in the summer of 2015. Before arriving in Kansas City for graduate studies at the University of Missouri-Kansas City in 2013, Voth won the piano division of the 2010 Yamaha Young Performing Artists Competition and studied at the International Keyboard Institute and Festival at Mannes College in New York City. As a class accompanist, Voth has played for masterclasses taught by Wendy Whelan, Victoria Simon, Robert Garland, Peter Stark, and Daniel Ulbricht. After graduating from UMKC with a Doctorate of Musical Arts in 2020, Voth joined the full-time staff of Kansas City Ballet in 2022, where he accompanies classes, rehearsals, and performances as Company Pianist / Principal Academy Pianist.
PETER STAFFORD WILSON GUEST CONDUCTOR
Peter Stafford Wilson is now in his 23rd season as Music Director of Ohio’s Springfield Symphony Orchestra, where he recently was awarded a League of American Orchestras/ASCAP Award for Adventuresome Programming. He also continues a multi-season commitment to the Westerville Symphony at Otterbein University as Music Director. Wilson recently completed an eleven-season tenure as Principal Conductor of the Tulsa Ballet where aside from the classical repertoire, he collaborated with such noted choreographers as Val Caniparoli, Edwaard Liang, and Ma Cong on the creation of new work. Wilson has also served BalletMet/Columbus, where he has led over 150 performances for the Company in Columbus and at the Michigan Opera Theater. Wilson has also guest conducted for the Philadelphia Ballet, the Dayton Contemporary Dance Company, the Oklahoma City Ballet and Kansas City Ballet. He has appeared with the orchestras of Dallas, Cincinnati, Detroit, Charlotte, Indianapolis Phoenix, North Carolina, Shenzhen (China), Hong Kong, Montevideo, and the Chautauqua Institute just to name a few. He also enjoyed a long-time relationship with the Cleveland Orchestra often covering for then Music Director Christoph von Dohnanyi. Wilson enjoyed a 28-year tenure with the Columbus Symphony and lead its world renowned youth orchestra on several European and Asian tours as well as two appearances at New York’s iconic Carnegie Hall. His dedication to young musicians and audiences resulted in the Greater Columbus Arts Council bestowing its Educator of the Year award in 2018. A native of North Carolina, Wilson studied at the University of Cincinnati’s College-Conservatory of Music, where his primary mentor was Thomas Schippers. His studies also took him to the Aspen Music School, Eastern Music Festival (on whose faculty he subsequently served), Pierre Monteux School, Boris Goldovsky Summer Opera Institute and Rome’s Accademia Nazionale di Santa Cecilia, where he was associated with Franco Ferrara.
KCB A LL ET.ORG | 49
PRODUCTION STAFF AMY TAYLOR
DIRECTOR OF PRODUCTION Amy Taylor’s design credits for Kansas City Ballet include Giselle, Suite Kander, The Scarlatti Dances, Carmina Burana, Coppélia and On the Boulevard. Locally, she has also worked with Wylliams/Henry Contemporary Dance Company and the Kansas City Symphony. Before joining Kansas City Ballet, Taylor received her M.F.A. from the University of Missouri – Kansas City.
LAURA KRUS
PRODUCTION STAGE MANAGER Laura Krus is a graduate of Oklahoma City University’s Dance Management Program. Krus worked with Adams Davy Media as a Production Intern for productions like Batman Live and Arts for Autism. She also has worked with various professional dance companies as a Production Stage Manager for the American Dance Festival. Krus began working with Kansas City Ballet in 2021. Krus wants to thank her family and friends for always believing in her and helping get her to where she is now.
SCOTT PARKS
TECHNICAL DIRECTOR A native of Northwest Arkansas, Scott Parks comes to Kansas City Ballet after many years on the road. Working with companies such as MOMIX and the Joffrey Ballet led to positions with the Broadway tours of Miss Saigon and the first National tour of Oklahoma! the musical. From there, Parks spent several years with Cirque du Soleil working on the big top tours of Dralion and Varekai as well as the resident show Zarkana at Radio City Music Hall. Most recently he has worked as a Carpentry Project Manager and Logistics Coordinator for A7 Productions building some of the largest music festivals in north America such as Hangout fest, Outsidelands, and Bottlerock.
50 | KC B A L L E T.O R G
JENNIFER CARROLL
COSTUME DIRECTOR Jennifer Carroll came to Kansas City Ballet in 2008 after touring with Broadway Shows for eight years. She toured with shows such as Victor, Victoria, Jekyll & Hyde, Cabaret, Oklahoma!, and Twyla Tharp and Billy Joel’s Movin’ Out. Her design credits for Kansas City Ballet include Concerto Grosso, Mercy of the Elements, Energy Made Visible, Vesna, and Klein Perspectives. Ms. Carroll received her M.F.A. in Costume Design and Technology from the University of Arkansas. She is a member of Kansas City’s IATSE Theatrical Wardrobe Union, Local #810.
BETTI JO DIEM
COSTUME SHOP MANAGER Betti Jo Diem came to Kansas City Ballet in 2013 after touring with the Radio City Christmas Spectacular Arena Tour and the First National Tour of Rock of Ages. She is a member of the IATSE Theatrical Wardrobe Union, Local #810 here in Kansas City. She began her theatrical wardrobe career in Branson, Missouri while working for Silver Dollar City’s Opera House theater and the Radio City Rockettes at the Grand Palace Theater. She feels extremely lucky to have a career she is passionate about and that allows her to learn something new every day!
MADELINE BRASGALLA
ASSISTANT STAGE MANAGER Madeline Brasgalla was born and raised in El Paso, Texas. She has an M.F.A. in Theatre: Design and Technology from the University of Missouri-Kansas City and has a B.A. in Dance from Agnes Scott College in Atlanta, Georgia. Brasgalla has experience stage managing concert dance, ballet, opera, and theatre. She has previously worked with EPIC Arts and the Heart of America Shakespeare Festival. Brasgalla began working with the Kansas City Ballet in 2021 and is grateful to be back for her third season with the company!
NUTCRACKER DESIGN & BUILD TEAM SCENERY & PROPERTIES
Alain Vaës, Designer Jeff Ridenour, Design Assistant Amy Taylor, Coordinator Brett Engle, Properties Artisan Trevor Frederiksen, Artisan Assistant
COBALT STUDIOS WHITE LAKE, NEW YORK
Rachel Keebler, Sarah Keller, Alison Fox, Cydny Rodgers, Sophie Horsley, Ivan PotterSmith, Stephanie Wheaton, Lillie Wheaton, Kim Williamson, Jannetta Carney, Kristin Kifer, Misty Pelas, Alexa Busnot, Rochelle Voyles
RAVENSWOOD CHICAGO, ILLINOIS Nate Combs, Project Manager
MICHAEL HAGAN STUDIOS SOUTH GLEN FALLS, NEW YORK
SCENIC SOLUTIONS DAYTON, OHIO
Dan McLaughlin, Brian Altiere, Doug Zinn, Josh McEwen, Lydia Watson, Thomas Clinch, Britney Accrocco, Mary Beth McLaughlin, Hannah Blosser, Charis Weible, Doug Chaney, Peter Johnson, Jon Lamm, Wally Lugo, Eric McNutt, Eli McLaughlin, Andrew Persson
KANSAS CITY BUILDERS Eli Yaffe, James Hare, Steve Cochran IATSE Local #31
Gen Goering, Scenic Artist
LIGHTING
Trad A Burns, Designer Ben Gantose, Assistant to the Designer
COSTUMES
Holly Hynes, Designer Ricky Lurie, Assistant to the Designer
BUILDERS BY SHOP
Arnold S. Levine – NYC Caryn Wells Design – NYC Cygnet Studios – NYC Halsey Onstage – Chicago Jan Parron LLC – NYC Jennifer Chapman Studios LLC – NYC John Kristiansen Studios – NYC Joni Johns LLC – Redding, CT JRenee Designs – Athens, OH KC Ballet Costume Shop – KCMO Kansas City Costume – KCMO Lisa Waering Sacaris – Houston, TX Lynn Baccus – NYC M&S Schmalberg Inc – NYC Monica Guerra – Houston, TX Pat Sullivan – Savannah, GA Prima Donna – Newport Beach, CA Redthreaded – Denver, CO Satellite Costumes – NYC SEW Good It Hurts – Houston, TX Timberlake Studios – NYC Vogue Pleating II – NYC
KANSAS CITY BALLET COSTUME SHOP
Jennifer Carroll, Shop Supervisor Betti Jo Diem, Johanna Gee, Mary West, Heather Allan, Jana Jessee, Nancy Robinson, Mandy McCarty, Colleen May, Joshua Bodden IATSE Local #810
MOTHER GINGER PUPPET Nicholas Mahon - Design Build Costume Construction – Gayla Voss
SPECIAL THANKS & ACKNOWLEDGEMENTS Lyric Opera of Kansas City, Don Hovis, Steven Lurie, Victoria Baylor, Katina Zulakis, Aaron Keppel, Ohio University Costume and Lighting Departments, Chris Zulakis, Katherine O’Neil, Johanna Gee, Matt Pedersen
Michael Hagan
Delve into the intricate world behind a Kansas City Ballet performance.
Stream Now at kansascitypbs.org/dreaming
KCB A L L ET.ORG | 51
She’s here! The new Mother Ginger has made her grand debut in Devon Carney’s The Nutcracker – lighter, more graceful, and more dazzling than ever. After more than a decade of wear, our beloved icon has been beautifully reimagined to delight audiences for years to come.
Your gift today helps cover the costs of bringing this spectacular new Mother Ginger to life and keeps the magic of The Nutcracker shining bright for future generations. Double your impact! All gifts made by Dec. 31 will be matched dollar for dollar up to $15,000! MAKE YOUR YEAR-END, TAX-DEDUCTIBLE GIFT AT
GIVE.KCBALLET.ORG/SUPPORT
PARTNER PROFILE: YMCA The YMCA of Greater Kansas City has served as a leading nonprofit committed to strengthening community since 1860. The Y empowers everyone, no matter who they are or where they’re from, by ensuring access to resources, relationships and opportunities for all to learn, grow and thrive. The Y’s goal is to improve overall health and well-being through our three core areas of: Youth Development | Healthy Living | Social Responsibility and demonstrate the importance of connections in and across communities. The Y has the long-standing relationships and physical presence to deliver lasting personal and social change. YMCA of Greater Kansas City is thrilled to be the official healthy living partner of Kansas City Ballet and supporting sponsor of The Nutcracker! 52 | KC B A L L E T.O R G
BALLET BUSINESS COUNCIL Kansas City Ballet thanks the following business and corporate foundations for their support. DIAMOND
SILVER
Bank of America Hallmark Corporate Foundation
Burns & McDonnell Cboe Global Markets Commerce Bank Craig Sole Designs Dance Shoppe Inc., R.O.A.D. Uniform Partner East Market Studios Brett Pruitt The Hise Lowry Group Merrill Private Wealth Lockton MetLife Parisi Coffee, Official Coffee Provider for Kansas City Ballet Riley ABA & Autism Center UnitedHealthcare
($50,000-$99,999)
PLATINUM
($25,000-$49,999)
Encore Performance Rehab KCOI, the Official Performance Rehabilitation Provider of Kansas City Ballet The Westin Kansas City at Crown Center, Partner Hotel of Kansas City Ballet YMCA of Greater Kansas City, Healthy Living Partner of Kansas City Ballet
GOLD
($10,000-$24,999)
Belger Cartage Service, Inc. Elevé Dancewear, Kansas City Ballet’s School Uniform Partner H & R Block Foundation JE Dunn Construction Lifted Logic SS&C Technologies, Inc. Stepp & Rothwell, Inc VanBrock
($5,000-$9,999)
BRONZE
($2,500-$4,999)
Blue Cross Blue Shield of Kansas City BlueScope Steel BNIM Delta Dental of Kansas Evergy Garmin Global Prairie Foundation Henderson Engineers Kansas City Foot & Ankle, The Official Podiatry Treatment Provider to Kansas City Ballet
Lathrop GPM LLP Maquette Advisors LLC Mineral Lounge/Tannin Wine Bar & Kitchen Panache Chocolatier Soli Printing State Street
OVATION
($1,000-$2,499)
Anderson & Associates Chevron Cigna Healthcare Kansas City Life Insurance Company Knapstein Design Life Unlimited Julie Edlund, CEO Northern Trust John Rufenacht Associates, Inc. Sanofi Strauss Peyton Photography Tito’s Handmade Vodka Fifth Generation, Inc. US Bank Foundation
BRAVO
($500-$999) Back On Track Chiropractic + Acupuncture Federated Rural Five Elms Capital Google Fiber HCA Midwest Health System
Kendra Scott Park University Laure Christensen Structurflex Uhl Engineering, Inc. Mr. Terry Uhl
Partner with Kansas City Ballet to inspire our community through the power of dance. As a partner, you help make dance accessible through our School and community programs while strengthening local culture. You’ll also enjoy benefits such as: • enhanced marketing visibility • exposure to loyal Ballet patrons • meaningful employee engagement opportunities Let’s talk about how we can customize a partnership that meets your business goals. Contact Kristin Castle, Chief Philanthropy Officer, at 816.216.5585 or kcastle@kcballet.org to get started.
PARTNER PROFILE: BANK OF AMERICA A VALUED PARTNERSHIP Bank of America has been the Presenting Sponsor of The Nutcracker since 2010, and has contributed to the annual Ballet Ball and the Sugar Plum Fairy Children’s Ball. Additional support has included capital investment in the Todd Bolender Center for Dance & Creativity, funding for the search that brought Artistic Director Devon Carney to Kansas City, and general operating support for the company. Bank of America’s continued investment has helped Kansas City Ballet’s The Nutcracker have a more than $3 million economic impact on our community each year and attract more than 27,000 people from outside the area to Kansas City. Thank you, Bank of America, for making this possible for Kansas City Ballet and our community.
KCB A LL ET.ORG | 53
LEGACY SOCIETY
You can impact future generations through a legacy gift to Kansas City Ballet. Legacy giving does not require a large income or vast estate. Legacy giving only requires a thoughtful intention to make a difference by remembering Kansas City Ballet in your will or estate plans. Thank you to the following Legacy Society members: Brad Allen and Gene Cooper Mary Ann and Bill Allen The Amelia Fund/ Nancy L. Murdock, Ph.D. Leslie G. Anderson Anonymous (4) Peggy and Andy Beal Jeffrey J. Bentley Joe and Claire Brand Mike and Vicki Bray Jerry and Meghan Carpenter Family Trust Melissa Kelly Cavanaugh Robert J. Cody Don and Pat Dagenais Kyle Danner Dickerson Family Trust Vicki Erickson J. Scott Francis Dr. Michael Frost
54 | KC B A L L E T.O R G
Marilyn A.W. Gaar and Norman E. Gaar, Esq. Marilu Goodyear David Gray Cynthia Hampton David and Beth Harris John and Mary Hunkeler Dr. Richard Jensen and Gay Dannelly Estate of Lothar P. Krause Art Lafex Estate of Billie Mahoney Julia Malter Estate of Hazel Dean McClure P. Alan McDermott Lindsay Meyer Dr. Linda E. Mitchell Marcy Nelson Kathy and Justin Nemechek
Bill Pallucca and Kevin Deen Estate of Marilyn Pierson Patterson Wendy and George Powell, III Jean and Jack Rosenfield Trust Jack and Paula Rowe G. Mark Sappington Dr. Richard Schupp Suzanne Shank Estate of James E. Taylor Angela and John Walker Jacquie and Kyle Ward Estate of Shirley Weaver Thomas F. and Loren Whittaker Estate of Dr. Sonya Cornell Yarmat Rebecca Zandarski
Please let us know if you’ve included Kansas City Ballet in your estate plans or if you’re actively considering ways in which to leave your legacy.
KANSAS CITY BALLET CONTRIBUTORS Thank you to the 2025-2026 Bolender Society members for their dedication and transformational support. BOLENDER SOCIETY LEADERSHIP
($100,000+) Anonymous Julia Irene Dennie - Kauffman Marilyn A.W. Gaar and Norman E. Gaar, Esq. John and Mary Hunkeler Kansas City Ballet Guild Estate of Deana McClure Missouri Arts Council Muriel McBrien Kauffman Family Foundation Richard J. Stern Foundation for the Arts - Commerce Bank, Trustee The Seeley Foundation Dana Seeley William T. Kemper Foundation - Commerce Bank, Trustee
BOLENDER SOCIETY DIAMOND
($50,000-$99,999) Evelyn R. Craft Belger and C. Richard Belger Mike and Vicki Bray City of Kansas City, Missouri Neighborhood Tourist Development Fund Estelle S. and Robert A. Long Ellis Foundation Hall Family Foundation Dennis and Susan Lordi Marker R and C Charitable Foundation The Shubert Foundation
BOLENDER SOCIETY PLATINUM
($25,000-$49,999) Brad Allen and Gene Cooper Mr. and Mrs. A. Joseph Brandmeyer Francis Family Foundation J. Scott Francis Michele Hamlett-Weith and Brian Weith Richard Jensen and Melanie Jones Linda and Topper Johntz Timothy Liebert National Endowment for the Arts Oppenstein Brothers Foundation - Commerce Bank, Trustee Zack and Christina Shafran Suzanne Shank and John Lohmeyer SkillBuilders Fund Greg and Barbara Storm Lynne and Carl Weilert
BOLENDER SOCIETY GOLD ($10,000-$24,999) Bruce and Vicki Baxter Mr. Blair Bieser
Carol Blum and Steven Wilson Joe and Claire Brand Janis E. Brewster Stanley J. Bushman and Ann Canfield Ms. Lisa Choules Karen and Stephen Clegg Fred and Lucy Coulson Cathy and Steve Doyal Elsberry Family Foundation Anne and Howard Elsberry Richard and Sue Ann Fagerberg Arvin Gottlieb Charitable Foundation - UMB Bank, Trustee Mr. and Mrs. Barnett C. Helzberg, Jr. Ms. Joan Horan Bonne and Clifford Illig Ingram Family Foundation Beth Ingram Jill Ingram Reynolds J.B. Reynolds Foundation Dr. Roger and Mrs. Sandy Jackson Jerome Robbins Foundation Kao Family Foundation Kirk Foundation Julie and Mike Kirk Ms. Victoria Lamkey The Lighton Fund Linda Lighton and Lynn Adkins Louis & Elizabeth Nave Flarsheim Charitable Foundation - Bank of America, Trustee Patricia Martin and Brian Woolley P. Alan McDermott Edward P. Milbank Miller Nichols Charitable Foundation Dr. Linda E. Mitchell Carolyn and Bill Parkerson Ms. Margot Patterson Leslie A. Pfriem Ms. Julie Phillips George and Wendy Powell Fund of The Kuehn Foundation R.C. Kemper Charitable Trust UMB Bank, Trustee Paula and Jack Rowe Myron Sildon and Doris Hamilton Dr. Christopher and Lisa Sirridge Craig Sole Sosland Foundation Mr. Ian Spinks and Ms. Juliette Singer Ms. Kathy Stepp and Mr. Howard Rothwell Mr. and Mrs. William D. Sullivan Deb and Tom Swenson Thomas and Sally Wood Family Foundation Angela and John Walker Mr. Bill Weaver and Ms. Crystal O’Dea Dr. Loren and Thomas Whittaker Sarah Ye Dr. John and Karen Yungmeyer
BOLENDER SOCIETY SILVER
($5,000-$9,999) Andy and Kathy Anderson Anonymous Andy and Peggy Beal Family Fund Dr. Stephen and Susan Bubb Dennis and Marilyn Christopher Vicki and Mark Dickerson Jo Anne and Bill Dondlinger Edie and Randy Downing Joseph and Diana Eisenach Ewing Marion Kauffman Foundation Carol and Tony Feiock Mr. Michael D. Fields Ron and Tricia Fredman Drs. Nicholas and Stephanie Golda Innes and John Hale Susan and Zack Hangauer Haverty Family Foundation Michael and Marlys Haverty Rudy and Deb Herrmann Harold and Vicki James Bill Lindsay and Jan Foletta Colette and James Majerle Austin and Kristin Massoth Bobbie Mathes Mr. Robert H. Maynard, in memory of Heather Maynard Mary Anne and Steve McDowell Teresa and Bruce McKinney Mike Breedlove Memorial Fund Kamal and Mary Lynn Mikhail Tracy and Jeff Musolf Barbara Clarke Nash George and Suzy Pagels Sarah and Jesse Pedraza Fred and Jami Pryor Gigi and Gary Rose Susan and Glen Sands Lisa and Charles Schellhorn Jody Shelton Stephen Jennifer and Bryan Wampler Raelee Wright Dr. Michael J and Cindy S. Wurm
BOLENDER SOCIETY BRONZE
($2,500-$4,999) Aviva Ajmera and Wayne Strickland John and Anna Allen Anonymous Dr. Lillard and DeVette Ashley Marina and Matthew Bell Sarah Bent and Craig Thompson Angelo and Joan Brisimitzakis Lynne and Peter Brown Devon Carney and Pamela Royal Carney Dr. Akin and Ms. Ayca Cil City of Kansas City, MO Dr. Robert Claassen Vince and Julie Clark Robert J. Cody Copaken Family Foundation Gene and Joy Cota
Don and Patricia Dagenais Kyle Danner Drs. Charles and Donna Davis Peggy and Terry Dunn Julia Kirk and John Duty Vicki Erickson and Ron Keel Melanie and Mike Fenske Ms. Melissa Ford and Dr. Eric Molloy A Friend of Kansas City Ballet Mark and Nancy Gilman Susan Gilmore and Barry Loughrige David Gray and Kyra Nichols Charles and Eileen Green Ms. Cynthia L. Hampton David and Beth Harris Hank and Mary Beth Hershey Lisa Merrill Hickok Kim and Ted Higgins Robert and Cindy Hisle Cyndi James Dr. William and Sheila Jewell Dr. Karen Jordan Mr. Steve Joss Kansas Arts Commission Donna Kelly Charlotte Kemper Black Dr. and Mrs. Howard Kilbride Dana M. Koehn Dr. and Mrs. William Kruse William T. Laaser Kim and Mike Lorenz Julia and Greg Malter Donna and Rex Martin Carol and Dan McCartney Siobhan McLaughlin Lesley Rachel and Matt Merlo Julia and Dennis Meyer Miller-Mellor Association Mr. JoZach Miller and Mr. Peter Bali Dr. Dan and Rev. Jeanie Murphy Kathy and Justin Nemechek Barbara Nicely Drs. Charles and Susan Porter Melissa and Rob Price Joe and Kelly Privitera R.A. Long Foundation Kathy and Michael Rainen Mr. Mark Sappington and Dr. David S. McGee Mark and Janice Schonwetter Dr. Richard Schupp and Dr. Marilu Goodyear Sherman Family Foundation Marny and John Sherman Mrs. Sunday Siragusa Meyer and Mindy Sosland Marya and Kent Stallard Michele and Jim Stowers Stratus Group - Courtney and Peggy Jones Bradley and Cynthia Strecker Suhor Family Foundation Joe and Carol Suhor, Trustees Fr. Paul Turner Myron and Nicole Wang James and Michaela Waters Keith and Margie Weber Foundation Linda Weber Darlus M. Wolff Andy Zaborny and Karyn Clewes Zaborny KCB A LL ET.ORG | 5 5
KANSAS CITY BALLET CONTRIBUTORS Many thanks to the following individuals and charitable foundations for their support. OVATION
($1,000-$2,499)
Anne Allen Mary Cade Allen Ms. Leslie G. Anderson Anthony Iiams Memorial Foundation Thomas and Karen Badgett Baseley Law Office Ivan and Karla Batlle Peter D. Beckett for Beckett Ministries International Ms. Kaylee Bergman Ms. Nell M. Blatherwick Cynthia J. Bleck Tessa Bodnar Cindy and Glenn Bowers Diana M. Brady Cynthia Bray Dr. Robert and Pamela Bruce Mr. Ken Bush, in memory of Mrs. Victoria Bush Jerry and Meghan Carpenter Kirk and Tamara Carson Marcelle Cooper and Roger Arwood Dale and Loire Cowen Dr. Susie Cox Dr. Suzanne C. Crandall Chuck Cuda William and Amanda Dugan Dr. Rachel Engelbarts Jenny and Warren Erdman Keelyn and Becky Ericson Michelle and William Fasel Bonnie Frederick John and Sue Furla Charles and Evelene Gallardo Fran and George Gerritz Ann and Douglas Ghertner Lisa E. and Steven B. Glassman Ellen R. and John R. Goheen Bruce and Kathy Gordon Gayle Gotcher Ms. Anita Toby Grow and Dr. Jon Scheinman Mr. Chris Lee Hafner Ms. Pamela Hancock Mr. Kelvin and Dr. Victoria Haynes - Haynes Health & Wellness George Helmkamp Pamela T. Henderson Henry E. Wurst Family Foundation Gary and Liddell Hobin Sharon and John Hoffman Lesley and Peter Holt Richard and Kathleen Honan Adriana Albors and Jarrod Huntley Jessica Joseph and Vivek Dubey
Mr. Kurt A. Knapstein Knapstein Design Carol and John Kornitzer Regina and Bill Kort Thomas Kusnetzky Art Lafex Kathy and James Laursen Benny and Edith Lee Nanette and Ken Lippincott Louis and Frances Swinken Supporting Foundation Mr. and Mrs. Michael Lyon Patricia Macdonald Phillip and Connie Mangiaracina Martha Lee Cain Tranby Music Enrichment Fund Andrew P. McDonald Martina and Patrick McLarney Jacqueline and John Middelkamp Denise Minet Samantha Mockaitis Troy and Angela Moore Ms. Kelly L. Muehlberger Marcy Nelson Ron and Jane Nesemeyer Brad and Deirdre Newcomer Kismet Oettinger and Susan Neumann Mr. Joab Ortiz Bill Pallucca and Kevin Deen Michael and Jillian Pence John Pepper Laura Ponce Powell Family Foundation Nancy E. Powell Patty and Jerry Reece Mallory Robins Connie and David Ross Chad and Latrica Schnepf Mrs. Patricia Ann Scott Ms. Carol Nelson Shifflett Pam and Gary Smedile Rebecca and Phil Smith Thomas and Sharon Soetaert Ms. Colette Sorell Sara Stipkovits Ms. Alexis Strauss Pamela and Terrence Sullivan Justin Turner and Wenfei Xie Ms. Kristi Weaver Rowe Sandy and Byron Whitaker Lorie Whitaker Jeff and Danielle Whitman Mr. Ronald Wilson, in memory of Barbara Baer, PhD Thomas and Patty Wood Mrs. Margaret Wurst Sophia C. Zetmeir
BRAVO
($500-$999)
Chris Ahrens Andrew and Jeanne Alingh Jacob and Catherine Ambrose Joseph Appelt Jennifer Artman Pamela Bachman Mrs. Tom E. Beal Cathy Bennett and Mike McGuire William and Terry Biggins Marilyn and Robert Bowser Tom and Judy Bowser Angelo and Holly Brisimitzakis Dr. Joan and Mr. David Brunfeldt Matt Burns Ms. Norma Butler Craig Coen and Jeffrey Bellamy Craig and Jill Connell Steven S. Conway Dr. Patricia Cox Nicole and Bernard Craig Norman and Rachelle Craig Kim Crane Mr. and Mrs. James C. Cusser Jack and Nida Dillon Derek Dummermuth and Allison Rank Dummermuth Laurie Eck Darci Emerson Dan Flanigan Dr. John and Julia Fritzlen Kent Galley Mr. and Mrs. Timothy Gill Mr. Ervin Gina Scott and Lisa Hallier Phyllis Hart Andy and Melissa Haskins Teresa Hayes Julie and Ward Holmquist Arthur Hoyt Humboldt Sax William and Margo Humenczuk Diana Ice Jackson County Venessa Huskey, 2nd District Denise and Mark Jacobson Christina and Chris Johnson Abby and Tyler Krampe Tara LaCoe and Matt Schwartz Ingrid Larson Jana LeBaron Mary Leonida Margaret L. Lesher Thomas and Joyce Lohmeyer Jon and Stephanie Lumpkin Megan Marshall Jill McCarthy Courtney and Tim McFadden Wendy and Patrick Melland Wendy Mendes Ms. Patricia Miles
Named for beloved former Artistic Director Todd Bolender, who transformed Kansas City Ballet with his artistry and vision, The Bolender Society is our premiere philanthropic group. As a member, you’ll get exclusive access to guest artist talks, fun outings around ballet performances, and special social gatherings with the dancers. Want to learn more or join? Contact Kristin Castle, Chief Philanthropy Officer, at 816.216.5585 or kcastle@kcballet.org. 56 | KC B A L L E T.O R G
Charles Morffi Phyllis Naragon Jacque Nordhus Dr. Robin Onikul Jennifer Owen and Brad Cox Jo Beth Paradis Nisha Patel Dr. Ron and Donna Patton Eastin Pecota Mr. and Mrs. Joel Pinkston Ms. Lisa Pinsker Carolyn Price and Lou Ferro Ms. Joan Priolo Ms. Rebecca Pycior Nicholas and Natalie Riegg Richard and Sharyl Roady Gary and Anita Robb Marsha Schieber Anastasia and Max Schlesinger Mr. Alvin J. Schneider Mrs. Shirley Schoenlaub Veronica and Jere Sellers Mal Shafran Ms. Penny Shand and Marissa Lyons Steve and Joan Sherman Debbie and Tom Sherrer Steve Short and Carl Welander Jason and Bethany Sloderbeck Lora Smith Barbara Spilker Melissa Stanfield Nadia Mikhova and Ronald Stanke Mr. Chris Stanley Linda L. Stevens Will Stroman Sven and Julie Sykes Ms. Alarie Tennille and Mr. Christopher Purcell Robert and Sandra Thompson Marcia and Dennis Tighe Geoff and Krista Tolsdorf Dan and Karen Toughey Michele Warnecke Mrs. Barbara Weary Lisa Weidmaier Paul Wickens and Lisa Weixelman Mary Ruud Wood and Lance Wood Gregory Woodhams and Julia Gargallo William Yeo Mrs. Peggy Jean Younger
Christmas Christmas at at resurrection resurrection Dec. 11 - 14
This must-see musical presentation features more than 300 actors, singers, dancers, and instrumentalists in a celebration of Christmas and the depiction of the traditional Christmas story.
LEARN LEARN MORE MORE and and Get Get Tickets Tickets
re s u r re c t i o n . c h u rc h /c a r resurrection.church/car
UNICORN THEATRE GET YOUR 2025-2026 SEASON MEMBERSHIP TODAY Box Office 816.531.7529 unicorntheatre.org
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Visit KCRep.org or call 816.235.2700 for tickets and information. KCRep is the professional theatre in residence at UMKC
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27
Meeting you where you are on your spiritual journey to a more meaningful life.
6101 Ward Parkway | Kansas City, MO
Sunday Worship Times 9:01am | Sanctuary Casual, family-friendly with a jazz trio 10am | Chapel Traditional and intimate 11am | Sanctuary Traditional with organ & choir All are welcome at God’s table every Sunday. cccckc.org
@cccckc
@countryclubchristianchurch
Discover nature with us.
This institution is an equal opportunity provider.
Conservation Nature Centers Open SaturdayS
Burr Oak Woods Nature Center
1401 NW Park Road, Blue Springs 816-228-3766 www.mdc.mo.gov/burroakwoods
Anita B. Gorman Discovery Center
4750 Troost Aveue, Kansas City 816-759-7300 www.mdc.mo.gov/discoverycenter
M i s s o u r i D e p a r t M e n t o f C o n s e r v at i o n
TWO POWERFUL PORTRAITS OF HEARTBREAK AND HOPE IN AMERICA
FEB 28–MAR 8, 2026
MAY 1–3, 2026
Kauffman Center for the Performing Arts kcopera.org | (816) 471-7344 Sponsored by: Porgy and Bess is supported, in part, by the City of Kansas City, Missouri Neighborhood Tourist Development Fund. Of Mice and Men is made possible, in part, by generous support from the Sunderland Foundation.
JCPRD.com/Ripples
2025 - 2026 SEASON
& SO MUCH MORE... Visit TheWhiteTheatre.org to see the entire season and buy your tickets today!
GrandmasCatering.com
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Brookside Toy & Science where Kansas City shops for toys 330 W. 63rd Street KCMO since 1964
448 W 47th St Located in Country Club Plaza mccormickandschmicks.com *Redeemable when showing ticket from the show, valid up to 30 days after the show. Restrictions apply.
Diplomacy Hub in the Heartland
Meet the world—without leaving Kansas City. Become a Global Citizen Host an International Dinner Empower the Next Generation
Learn more at www.globaltieskc.org
Soulis Fine Art Auctions and Appraisals
SoulisAuctions.com 8 1 6 . 6 9 7. 3 8 3 0 Dirk@SoulisAuctions.com
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KANSAS CITY SYMPHONY FIRST VIOLINS
CELLOS
E-FLAT CLARINET
PERCUSSION
Jun Iwasaki, Concertmaster
Mark Gibbs, Principal
Trevor Stewart∆
David Yoon, Acting Principal
Susie Yang, Associate Principal
BASS CLARINET
Sunho Kim, Assistant Concertmaster
Alexander East, Assistant Principal
BASSOONS
Justin Ochoa∆, Acting Associate Principal Adrian and Nancy Kay Hertog Family Chair
Anne-Marie Brown
Maria Crosby
Michael Brown
John Eadie
Betty Chen
Lawrence Figg
Anthony DeMarco
Sally Kim
Thomas DeWitt, Associate Principal
LIBRARIANS
Susan Goldenberg*
Meredith McCook
Maxwell Pipinich
Tomoko Iguchi
Allen Probus
Elena Lence Talley, Principal
CONTRABASSOON
Fabrice Curtis, Associate Principal
Miller Nichols Chair
Stirling Trent, Associate Concertmaster
Dorris Dai Janssen Filip Lazovski∆ Chiafei Lin Vladimir Rykov Alex Shum*
SECOND VIOLINS Tamamo Someya Gibbs, Principal Carter Coleman, Associate Principal
Robert A. Kipp Chair
Richard Hill Chair
John Klinghammer
Ann Bilderback, Principal
Barton P. and Mary D. Cohen Chair
DOUBLE BASSES
Thomas DeWitt
Evan Halloin, Acting Principal
HORNS
Richard Ryan, Acting Associate Principal
David Sullivan, Acting Principal
Nils Aardahl Lena Goodson∆ Joseph Nuñez Keith Wymer∆
Elizabeth Gray, Acting Associate Principal
__________________
David Gamble Stephen Multer, Associate Principal Emeritus
Michael Gordon, Principal
Minhye Helena Choi
Marylou and John Dodds Turner Chair
Benjamin Bacni∆
Rena Ishii Paul Kim Stephanie Larsen Jinyou Lee Sodam Lim Ayrton Pisco
VIOLAS MingYu Hsu, Principal Duncan Steele, Associate Principal Jessica Nance, Assistant Principal Kent Brauninger Sean Brumble Marvin Gruenbaum Jenifer Houck Duke Lee Jesse Yukimura
Shannon Finney, Associate Principal
Julian Kaplan, Principal James B. and Annabel Nutter Chair
PICCOLO
Omri Barak^, Associate Principal
Liz Teplitsky∆
Shea Kelsay∆
OBOES
TROMBONES
Shirley Bush Helzberg Chair
Alison Chung, Associate Principal Matthew Lengas
ENGLISH HORN Matthew Lengas
CLARINETS Javier Morales-Martinez∆, Principal
Bill and Peggy Lyons Chair
Raymond Santos‡ Trevor Stewart∆, Acting Associate Principal John Klinghammer
V | KC B A L L E T.O R G
TRUMPETS
Liz Teplitsky∆
Kristina Fulton, Principal
DAVID T. BEALS III ASSISTANT CONDUCTORS Luke Poeppel
FLUTES
Kazato Inouye
Chai Lee^, Principal
Landon and Sarah Rowland Chair
Kristin Velicer, Assistant Principal Mary Garcia Grant
HARP
Evelyn Carlson, Principal
Daniel Wiley
Justin White, Director of Orchestra Personnel Elena Collins, Assistant Personnel Manager Tyler Miller, Stage Manager Mark Watson, Asst. Stage Manager Kristina Banton, Lighting Designer
Porter Wyatt Henderson, Associate Principal Joseph Maiocco^
BASS TROMBONE Joseph Maiocco^
TUBA Joe LeFevre, Principal Frank Byrne Chair
TIMPANI Timothy Jepson, Principal Michael and Susan Newburger Chair
* Non-Rotating Musician ^ New Member ‡ On Leave of Absence ∆ One-Year Member
Photography by Beeh Moynagh.
TICKET SALES START THE SHOW – MONTHLY GIVING MAKES IT COMPLETE Only 40% of Kansas City Ballet’s costs are covered by ticket sales. Your monthly gift makes the rest possible. Your support keeps: • Live music playing • Rehearsals running • Costumes shining
• Dancers in pointe shoes • Doors open for students … and more!
Enjoy benefits based on your giving level plus a special gift when you enroll! Any amount makes a BIG difference.
GIVE.KCBALLET.ORG/MONTHLY
Photography by Mark McDonald & Kenny Johnson.
Kansas City Ballet Guild The primary volunteer and fundraising organization supporting the Kansas City Ballet Impacting all facets of Kansas City Ballet: The Company, School, Archives, Campaigns and Community Programs • Annual Guild Nutcracker Ball • Nutcracker Gift Boutique • Special engagement & education events
• Luncheons & social events • Open rehearsals, meet the dancers & staff • Book club & movie nights
J O I N TO DAY AT
KCBGUILD.ORG
@KCBGUILD @KCBGUILD
THE Y. WHERE KC COMES TOGETHER.
PA R T N E R S H I P S Providing joyful and meaningful dance experiences that inspire, inform, and engage the broader community.
Start your healthy living journey at one of the Y’s 10 locations across the KC Metro. YMCA of Greater Kansas City is the official healthy living partner of the KC Ballet.
W AY S T O E N GAG E Kansas City Ballet is committed to making dance accessible to everyone of all ages, abilities, and experiences. REHEARSAL WATCHES • MATINEES FOR SCHOOLS EDUCATION • SENSORY-FRIENDLY PERFORMANCES DISCOUNTS & GROUP TICKETS
KansasCityYMCA.org/Membership
KCBALLET.ORG/COMMUNITY partnerships@kcballet.org
KCB A LL ET.ORG | VI
Photos by Mark McDonald.
Photography by Brett Pruitt & East Market Studios.
DA N C E F O R F I T N E SS & F U N
Dance is for everyone—even teens and adults with little or no experience. That’s why Kansas City Ballet School offers drop-in dance classes led by expert instructors. It’s a fun, low-pressure way to build cardio, strength, and flexibility.
ALL ABILITY LEVELS START ANYTIME! CLASSES START AT $15 Todd Bolender Center for Dance & Creativity 500 W. Pershing Rd., Kansas City, MO 64108
South Campus at Meadowbrook 9415 Nall Ave Ste 101 Prairie Village, KS 66207
SIGN UP TODAY AT KCBALLET.ORG
Join Kansas City Ballet’s premiere philanthropic group with a $200 monthly or $2,500 annual gift. Benefits include:
• Exclusive special events • Engagement with dancers and choreographers • Behind-the-scenes access Become a part of something truly special where your passion for dance meets powerful impact! Named for Todd Bolender (1914-2006), Artistic Director from 1981-1995.
KCBALLET.ORG/BOLENDER-SOCIETY
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and wellness provider for Kansas City Ballet.
As the #1 rated physical therapy provider in Johnson County, Performance Rehab offers 11 convenient locations to serve you. Scan the QR code to request an appointment or free consultation today! Dancers: KaleenaBurksand Humberto RiveraBlanco. Photography: Kenny Johnson.
performancerehabkc.com Dancers: Sidney Haefs and Gavin Abercrombie. Photography: Kenny Johnson.
VII | KC B A L L E T.O R G
Photos by Mark McDonald.
BARRE KC is the premiere networking group for young professionals interested in supporting Kansas City Ballet. Share your love of ballet with other like-minded individuals at a variety of social, educational, and networking events year-round.
INDIVIDUAL MEMBERSHIP – $75/ANNUALLY or $6/MONTH • • • • •
Up to 50% off performances Invitation to all BARRE KC events BARRE KC Night performance post-parties Discounted pricing for BARRE KC’s Soirée fundraising event 5 free KC Ballet Open Division classes … and more!
SIGN UP TODAY AT
BARREKC.ORG
@BARRE.KC @BARREKC
KCB A LL ET.ORG | VIII
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MET - SEASON TWENTY ONE
MOTHER’S DAUGHTER SEP 19-28
A MAN FOR ALL SEASONS
PLUS: American A Christmas Memory Truman Capote and Holiday Stories The Long Christmas DEC 5-14
Dinner - Thornton Wilder
JAN 16-25
SILENT SKY
FEB 27-MAR 8
THE SHAWSHANK REDEMPTION APR 17-MAY 3
SEASO INDIVID N AND UAL TICKET SHOW S NO ON SAL W E!
METROPOLITAN ENSEMBLE THEATRE | 3927 MAIN STREET, KCMO 64111 | 816-569-3226 | METKC.ORG
Kansas City Ballet — We’re proud to support you Bank of America is honored to partner with art institutions that make a difference in our community. We’re excited to enjoy this year’s production of The Nutcracker with you! Visit us at bankofamerica.com/KansasCity
©2023 Bank of America Corporation | ENT-297-AD
KCB A LL ET.ORG | 73
1526 Walnut St, Kansas City, MO 64108 tanninwinebar.com 816-842-2660 |@tanninkc
1700 Broadway Blvd Kansas City, MO 64108 mineralkc.com 816-997-9321 @mineralkc
10% OFF FOR KC BALLET TICKET HOLDERS on all performance nights (with ticket)
Step into the wonder of The Nutcracker Toast to the holidays with our featured cocktails
YOUR NEIGHBORHOOD
MEDITERRANEAN LOUNGE & WINE BAR before and after the performance
74 | KC B A L L E T.O R G
Kansas City’s Premier Web & Digital Marketing Agency
816.298.7018 liftedlogic.com KCB A L L ET.ORG | 75
KANSAS CITY BALLET SCHOOL OLIVER TILL
SCHOOL DIRECTOR Oliver Till trained at The Royal Ballet School, and danced as a Soloist with Birmingham Royal Ballet under Sir David Bintley’s directorship. Through his career, he performed diverse roles from repertoires by renowned choreographers such as Peter Wright, David Bintley, Jessica Lang, Stanton Welch, Kenneth MacMillan, Michael Corder, Frederick Ashton, and Ninette de Valois. His performances took him on tours across the UK, Europe, USA, Japan, and China. Parallel to his ballet career, Till pursued a BA in Business with Environment and gained valuable experience interning at an investment bank in New York City. He later founded a video and distance coaching platform based in the US and gained his ABT-NTC Pre-Primary to Level 7 and Partnering certification. Till then transitioned to the role of ballet teacher at the Swedish National Ballet School, where he led the implementation of the ABT National Training Curriculum. As Mentor Team Leader for students aged 8 to 11, he focused on student wellbeing and transition to vocational training as well as supporting fellow teachers in their roles. As manager of the school’s outreach programs, he developed support for young dancers and the school’s teachers. Returning to the US, Oliver joined the Joffrey Ballet as Head of Children’s, Adult, and Adaptive Programs. There, he focused on curriculum development, program structure, and creating performance opportunities, aiming to enhance the student experience and
support teacher development. Operationally he has driven efforts to streamline processes and effectively communicate to new and existing audiences. Till believes in making dance accessible to everyone, regardless of age or ability, ensuring high-quality support and expertise are available to all. In the pre-professional sphere, he champions a holistic approach to nurturing young students, integrating mental and physical methods to support their development. Till’s commitment to innovation, inclusivity, and excellence defines his vision for the future of dance education.
KANSAS CITY BALLET SCHOOL Kansas City Ballet School is the Official School of Kansas City Ballet and offers two tracks of study: the Academy for the career-minded student who aspires to be a professional dancer; and the Open Division for youth and adults who wish to study for recreation. Classes are offered in ballet, pointe, men’s technique, tap, flamenco, modern, jazz and more. All classes are taught by highly-qualified professionals with the experience and dedication to guide, inspire and nurture all students in their dance training. The School uniform partner is Elevé Dancewear. Kansas City Ballet School was named “Outstanding School” by Youth America Grand Prix 2017-2022. There are two convenient locations: the Todd Bolender Center for Dance & Creativity in downtown Kansas City and the South Campus at Meadowbrook at 95th and Nall. For more information: call 816.931.2299, email school@kcballet.org or visit our website at kcballet.org/school.
KANSAS CITY BALLET SCHOOL | STAFF ARTISTIC
Devon Carney Artistic Director Oliver Till School Director Kimberly Cowen Principal & KCYB Director Taryn Ouellette, Principal, South Campus at Meadowbrook
Jennifer Welch Cudnik, Principal, Daytime Program Dmitry Trubchanov Men’s Program Coordinator & KCYB Associate Director Jordan Voth Company Pianist/Principal Academy Pianist Jacob Thomas Academy and R.O.A.D. Pianist
ADMINISTRATIVE
Sherry Urton School Operations Manager Miyesha McGriff R.O.A.D. Program Administrator Rachel Grisi Dugan Summer Intensive Coordinator Nora Burkitt-Davis Children’s Program & Adaptive Dance Coordinator
Sarah Wilczewski South Campus Administrator Adrienne Anderson Data & Process Analyst Kira Dimarco Administrative Assistant Allay Freeman Administrative Assistant Maddie Keller Administrative Assistant
KANSAS CITY BALLET SCHOOL | FACULTY Iyonna Barris Brigitte Benyei Chelsea Brown Villamayor Winston Brown Tara Burgat Nora Burkitt-Davis Christina Burton Alexis Byerly Pamela Carney Tamara Carson Christine Colby-Jacques Kimberly Cowen Jennifer Welch Cudnik Caroline Dahm
Rachel Grisi Dugan Olivia Emert Stephanie Eppler Melissa Ford Tess Gadwood Kendra Gage Sidney Haefs Maureen Hall Michele Hamlett-Weith Jeremy Hanson Jaime Hickey Lauren Holmes Anna Hughlett Debbie Jacobs-Huffaker
Tobin James Alyssa Jones Olivia Kalamboukas Joshua Kiesel Elaine Kimble Kramer Kreiling Hannah Lareau Susan Lewis Skyler Linn Audrey Lynn Miyesha McGriff Sam McReynolds Robert Mills Linda Mitchell
Erin Muenks Tempe Ostergren Taryn Ouellette Monika Overend Jennifer Owen Taryn Pachciarz Andrew Parker Nadine Price-Rojas Tina Ray Megan Robinson Elliott Rogers Suzanne Ryanstrati Jenny Schmidt Emily Simpson
Lisa Sirridge Toinette Tamayo Cameron Thomas Dmitry Trubchanov Kim Trudell Laura Vernaci Lynley Von Engeln Paula Weber Marisa Whiteman Latra Wilson Susan Williams Molly Yuelkenbeck Paul Zusi
Cameron Thomas Jacob Thomas Jordan Voth Yee-Sik Wong
Hyerin Yang Xiangyu Zhao
KANSAS CITY BALLET SCHOOL | ACCOMPANISTS Brian Bates Samuel Beckett Nina Cherry Catherine Clark 76 | KC B A L L E T.O R G
Inna Daniels Alyssa Murray Rosie O’Brien Andrew Ouellette
William Puckett Angie Roustio Jaclyn Rylee RJ Schultze
KANSAS CITY BALLET STAFF ARTISTIC Devon Carney Artistic Director Kristi Capps Rehearsal Director
Natalie Sextro Manager, Philanthropic Operations
Jennifer Carroll Costume Director
Megan Robinson Philanthropy Assistant
Betti Jo Diem Costume Shop Manager
Parrish Maynard Rehearsal Director
MARKETING & PATRON SERVICES
Christopher Ruud Second Company Manager & Rehearsal Director
Karen Badgett Chief Sales & Marketing Officer
Oliver Till School Director
Savanna Daniels Design & Digital Marketing Manager
Ramona Pansegrau Music Director & Conductor Jordan Voth Company Pianist
ADMINISTRATIVE David Gray Executive Director Kevin Amey Chief Operations Officer George Hans Chief Financial Officer Gregg Markowski Finance Director
Beeh Moynagh Creative Content Producer Nicole Dolan Social Media Specialist Ellen McDonald Publicist Mark Volk Patron Services Manager Kim Toigo Assistant Patron Services Manager Alix England Patron Services Associate
Mary Allen Office Manager/Executive Assistant
PARTNERSHIP
Glenn Lewis Facilities Manager
Kim Trudell Manager, Strategic Partnerships
PHILANTHROPY
PRODUCTION
Kristin Castle Chief Philanthropy Officer
Amy Taylor Director of Production
Grace Ingham Manager, Events & Philanthropy
Laura Krus Production Stage Manager
Kelly Leahy Manager, Philanthropic Communications
Scott Parks Technical Director
Becci Jo Kelbaugh Costume Shop Assistant Madeline Brasgalla Assistant Stage Manager Caroline Jackson Assistant Stage Manager II Connor Maloney Assistant Stage Manager II Maya Welde Assistant Stage Manager II IATSE LOCAL #31, STAGE CREW
Josh Beasley Head Carpenter Dale Klamm Head Properties Rick Knapp Programmer Ryan Lewis Steward & Head Flyman Phil Rebel Audio Engineer Margaret Spare Head Electrician Greg Brown Head Electrician Emeritus IATSE LOCAL #810, WARDROBE ATTENDANTS
Desiree Story Head of Wardrobe
Kansas City Ballet acknowledges the following professional service providers: Lathrop GPM, Legal Forvis Mazars, Auditors Commerce Trust Company Investment Advisors AssuredPartners – A Gallagher Company Insurance Kansas City Foot & Ankle Lead Podiatrist – Dr. John Riley
Kansas City Orthopedic Alliance Dr. Nancy Murdock Lead Physicians – Dr. J.P. Halloran, Psychological Consultant Dr. Michael Khadavi, Dr. Kirk McCullough, Lois Kauffman, Kansas City Ballet Archivist Dr. Fermin Santos KEVRA: The Culture Company Performance Rehab Dr. Kevin Sansberry, Lead Physical Therapist – Human Resources Consultant Kendra Gage, DPT, OCS Extraordinary Machine Massage Stephen Jacoby, LMT KCB A L L ET.ORG | 77
PARK UNIVERSITY INTERNATIONAL CENTER FOR MUSIC
2025-26 CONCERT SEASON September 5, 2025, 1900 Building
Molly Carr, Viola and Anna Petrova, Piano
October 3, 2025, Graham Tyler Memorial Chapel
Park ICM Orchestra Fall Concert Guest Conductor Timothy Hankewich
October 23, 2025, 1900 Building
Shmuel Ashkenasi, Violin, with ICM Faculty
November 13, 2025, 1900 Building
1900 BUILDING Mission Woods, KS
Stanislav Ioudenitch Piano Studio
December 5, 2025, Graham Tyler Memorial Chapel
An Intimate Christmas with the ICM Orchestra Conductor Steven McDonald
January 23, 2026, 1900 Building Ben Sayevich, Violin and Lolita Lisovskaya-Sayevich, Piano
February 6, 2026, Graham Tyler Memorial Chapel
KAUFFMAN CENTER FOR THE PERFORMING ARTS Kansas City, MO
Park ICM Orchestra Valentine Concert Guest Conductor Filippo Ciabatti
March 13, 2026, 1900 Building ICM String Studios
March 21, 2026, Kauffman Center Stanislav & Friends Gala
April 17, 2026, Graham Tyler Memorial Chapel
Park ICM Orchestra Season Finale Guest Conductor Jason Seber
May 1, 2026, 1900 Building Behzod Abduraimov, Piano
GRAHAM TYLER MEMORIAL CHAPEL Parkville, MO
All concerts begin at 7:30 p.m. except for Stanislav & Friends which begins at 7 p.m.
ICM.PARK.EDU
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