SEP 1 - 20, 2026 SPENCER THEATRE
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Kansas City Repertory Theatre program guides are a publication of the Performing Arts Division of the Independent Magazine. Information in this publication was carefully compiled to ensure accuracy. However, the publisher does not assume responsibility for accuracy. Editorial program content was provided by the Kansas City Repertory Theatre. Copyright by the Independent Magazine. No part of this publication may be reproduced in any form without written permission of the publisher.
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ARTISTIC DIRECTOR'S NOTE From the beginning, I have thought about this production not only as a performance, but as an opportunity to practice community. Theatre is one of the few places where hundreds of strangers still gather in the same room, breathe the same air, listen to the same story, and experience something together. For a few hours, we become a temporary community — artists and audiences meeting one another in real time.
Dear Friends of KCRep, Twenty-five years after the attacks of September 11, 2001, the images of destruction remain fixed in our collective memory. But alongside that devastation, another story was unfolding — one of extraordinary generosity, courage, humor, and human connection. When the United States closed its airspace, 38 planes carrying nearly 7,000 passengers were diverted to the small town of Gander, Newfoundland. In an instant, the population nearly doubled. The people of Gander and the surrounding communities opened their schools, churches, kitchens, closets, and homes to thousands of strangers. They offered food, clothing, shelter, medicine, and care. Again and again, they simply asked: “What do you need, and how can we help?”
Our production invites you into a shared space inspired by an airport hangar — a place of arrival and departure, waiting, and uncertainty. The actors, musicians, and audience occupy that world together. The band is woven into the life of the room, and the storytelling asks us to use our collective imagination to transform a handful of chairs, a piece of music, or a simple gesture into an airplane, a bus, a bar, or an entire town. At the heart of this story are ordinary people doing extraordinary things — not because they believe themselves to be heroes, but because someone standing in front of them needs help.
Come From Away tells that remarkable story. But it is not really a play about a place in the past. It is a play about the choices we make when the world suddenly changes around us. Do we retreat into fear and protect only what is ours? Or do we move toward one another, trusting that our shared humanity is stronger than the forces that divide us?
Thank you for joining us. Tonight, we invite you not only to witness this community, but to become part of it,
Stuart Carden
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2026/27 SEASON
INSIDE 12 KCRep Values
Welcome to Spencer Theatre
13 General Info
for KCRep's 2026 production of
20 KCRep History
COME FROM AWAY
26 KCRep Board of Directors
27 KCRep Leadership
PHOTOGRAPHY You may take photographs inside the theatre before and after performances only. If you post a photo of the set on social media, please add the following credits to your post: Scenic Design: COURTNEY O'NEILL Lighting Design: ERICA LAUREN MAHOLMES
Note: Videotaping, photography or other video or audio recording of and during this production is strictly prohibited. Please remember to turn off all cell phones or any other devices that could make noise and distract audience members around you.
thank you to our hospitality partners! beer provided by
28 2027 KCRep Gala Save The Date!
29 2026/27 Super Season Ticket Holders
33 Title Page 34 Cast 35 The Music of
Come From Away
36 The Orchestra of Come From Away
37 Next at KCRep 38 Costume Designer Spotlight: Jenny Green
42 Come From Away Company
55 KCRep Staff 68 KCRep Education Programs
70 Make the Next
wine & spirits provided by
Story Possible
73 Contributor Listings
816.235.2700
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KCRep.org
OCT. 2–4
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Rising stars. Creative voices. Stories that feel like home.
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MISSION, VISION, and VALUES territory we reside on, and a way to show awareness of Indigenous land rights in our daily lives.
MISSION To inspire, entertain, and open minds by creating transformative theatre experiences for all.
VISION KCRep will be a catalyst for a culturally vibrant, equitable, and thriving Kansas City by connecting artists and audiences in a welcoming environment that fosters wonder, curiosity, and understanding.
VALUES EMPATHY INCLUSION OPENNESS COLLABORATION INNOVATION
OUR LAND ACKNOWLEDGEMENT One of the ways we practice our values is through Land Acknowledgement — a formal statement that recognizes and respects Indigenous peoples as the traditional stewards of the land. Acknowledging the land is an expression of gratitude and appreciation to those whose
Scan the QR code to read KCRep’s ever-evolving Land Acknowledgement which we began developing after producing the world premiere of Native American playwright Larissa FastHorse’s What Would Crazy Horse Do? in 2017 on our Copaken Stage. KCRep is also proud to be part of the Four Directions Native Playwright Residency Program. This collaborative initiative includes four arts organizations: the Great Plains Theatre Commons (GPTC), Tofte Lake Center, Tulsa Artists Fellowship, and Kansas City Repertory Theatre (KCRep). Each organization hosts a weeklong residency for a selected Native playwright and their work over the course of a year. Each residency takes place in a different region of the country, offering a unique focus and environment to support the development of the playwright’s work.
GET INVOLVED To learn more about these programs, scan this QR code and visit kcrep.org/inclusion.
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2026/27 SEASON
GENERAL INFO CONTACT US | QUESTIONS
Association, the use of all cameras and recording devices in the theatre during the performance is strictly prohibited.
Ticketing Services: 816.235.2700 Email: tickets@kcrep.org
SINGLE & SEASON TICKETS
VOLUNTEER AT KCREP
Visit KCRep.org Call 816.235.2700 Ask about Season Ticket Holder benefits!
Volunteers are the backbone of KCRep, providing valuable services such as ushering and helping with special events. Call 816.235.6399, email volunteers@kcrep.org, or visit kcrep. org/volunteer to submit an application online.
TICKETING HOURS
KCRep’s Ticketing Services Office is open Monday thru Friday, 10:00am4:00pm, and until curtain time on performance days.
THE MORE THE MERRIER!
Discounts are available for groups of ten or more, and many additional perks are offered, including private party spaces, assistance planning your special group event, and prime seating in the theatre. To schedule an event or for more information, please call Group Sales at 816.235.5771 or email us at tickets@ kcrep.org.
ACCESS
Both of KCRep’s theatres — Spencer Theatre and Copaken Stage — are ADA accessible and parking spaces are readily available. Infrared hearing systems and large-print and Braille programs are available free of charge at the lobby coat check counter in both of our theatres. One performance of each show is interpreted in American Sign Language. Please visit our website at KCRep.org for dates. Live Audio Description may be requested in advance of a production. Please contact the Box Office to learn more.
EDUCATORS
Are you a teacher interested in bringing your class to a student matinee performance or participating in a custom-designed classroom workshop created around your curriculum? Call Melinda McCrary at 816.235.2707 or email her at mccrarym@kcrep.org for more info.
LATE SEATING
When possible, latecomers will be seated toward the back of the house, at the discretion of KCRep’s House Management staff.
MAKE A GIFT TODAY!
KCRep is a non-profit 501(c)(3) organization, which means we rely on the generosity of our fans and friends. If you are inspired by what you see on stage today, please consider making a donation by calling 816.235.6106 or by visiting KCRep.org/support.
CELL PHONES & CAMERAS
Please turn off all cell phones/electronic devices during the performance. For the safety of the actors and in accordance with the rules of Actors’ Equity 816.235.2700
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KCRep.org
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KCREP HISTORY
K
CRep enters it’s 63rd season as source of inspiration to thousands of our nation’s best artists and to millions of Americans in Kansas City and beyond. Dr. Mac
James D. Costin (left) & George Keathley
Peter Altman
Eric Rosen
Missouri Repertory Theatre (MRT) was founded in 1964 by Dr. Patricia A. McIlrath, who is among a select few pioneers of the regional theater movement who believed that theater could change the world and could change our town. Kansas City’s citizens continue to benefit from Dr. Mac’s passionate commitment to artistic excellence, innovation, education, and community transformation. Under her direction, KC’s theatre fans enjoyed many memorable shows, including an unforgettable 1983 production of The Life and Adventures of Nicholas Nickleby. Dr. Mac’s vision for providing professional experience to early career artists continues today through our partnership with UMKC. Following Dr. Mac’s retirement in 1985,
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George Keathley was appointed as Artistic Director. During his tenure, and through his partnership with Executive Director James D. Costin, MRT was established as the pinnacle of artistic achievement for local theatre artists, creating a legacy of excellence through work in the civic community and with legendary MRT productions such as Dracula and Richard III. In 2000, Peter Altman joined MRT as Artistic Director for a seven-year tenure. His vision included laying the groundwork to promote the city more aggressively as a center for nationally recognized theatre artists, and he spearheaded changing the theatre’s name to Kansas City Repertory Theatre in 2006 to help achieve this goal. He also helped create KCRep’s second permanent performance venue, Copaken Stage, in Kansas City’s downtown Power & Light District. Eric Rosen was hired as Producing Artistic Director in 2007. During his tenure, he was 2026/27 SEASON
instrumental in cultivating a national reputation and brand for KCRep and the city as a destination for reimagined classics such as Into the Woods and Evita, and critically acclaimed new works, including Clay, Venice, and Between the Lines. In 2013, KCRep returned to the co-CEO structure when Rosen was partnered with Executive Director Angela Lee Gieras. Together, they led the company through a successful campaign for, and renovation of Spencer Theatre, crafted a five-year, $5 million campaign that increased investment in audiences, new works, and education, and rebranded the organization. In 2019, director, producer, and educator Stuart Carden joined KCRep as its fifth Artistic Director. Deeply committed to centering KCRep in this region, Stuart believes the arts play a crucial role in strengthening communities. With an eye towards creating transformative theater experiences for all, 816.235.2700
Stuart brought KCRep productions to the grounds of the World War I Museum and Memorial, the NelsonAtkins Museum of Art, and Roanoke Park. Further expanding our reach, in 2022 Stuart launched KCRep for All, our expansive community tour that takes KCRep to community centers, libraries, and other public spaces all over the region. He strives to provide greater access to our art form and to reflect the passions, curiosities, and stories of the diverse communities that make KC such a vibrant city. In 2024, Angela Gieras departed KCRep after 12 years, and in 2025, Jeremy Dewey joined KCRep as Executive Director. In this role, Jeremy oversees strategic management, operational oversight and external relations to ensure KCRep’s success and sustainability. He also works collaboratively with Artistic Director Stuart Carden to support all artistic programming and initiatives.
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Angela Gieras
Stuart Carden
Jeremy Dewey
KCRep.org
2027 FESTIVAL SEASON JULY 2 - 25
THE TALES OF HOFFMANN OFFENBACH ORPHÉE GLASS BILLY BUDD BRITTEN Photo: Ian Rucker as Billy Budd
For tickets, visit dmmo.org or call (515) 209-3257
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Saint Luke’s Bishop Spencer Place, located near the Country Club Plaza, provides easy access to nearby arts and culture. Our residents enjoy monthly programming full of musicians, artists, and more. Our vibrant community offers an independent lifestyle backed by a full spectrum of health care services as part of Saint Luke’s. Our on-site care options include:
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BOARD of DIRECTORS (Listing as of August 6, 2026)
CHAIR
Melea McRae-Hall** VICE-CHAIR Mary Cook Jorgenson** TREASURER
ASSISTANT TREASURER David R. Morris**
SECRETARY Chris Hernandez**
COMMITTEE CHAIRS Development Ashlei Holznecht**
DIRECTORS Ivan R. Batlle** Becky Blades Dr. Jennifer Collier Bunni Copaken** Courtney Crappell* Stephanie Fox David W. Frantze ** Brett Gray Laura Hall** John H. (Topper) Johntz, Jr.**
Ann King Dickinson ~
Lauren E. Tucker McCubbin**
Endowment Tim Marchesi** Finance chair Lauren E. Tucker McCubbin** vice-chair David R. Morris** Governance co-chairs Stewart S. Myers** Sara E. Welch** Human Resources & Compensation Kerri S. Reisdorff**
ADVISORY DIRECTORS Donald J. Hall ~ (1928-2024)
Irvine O. Hockaday, Jr. John B. Francis ~ (1917-2004)
William C. Nelson ~ (1937-2014)
*Ex-officio, UMKC
Honorary Vice Chair
Kim Jones Maria Maffry Kevin Martinez Melanie Miller Robyn Murphy Hillary Nicholas Patricia O’Connor Kelly Postlewait Lynn E. Schweig Angie Snow Hillary Stamper Julie Towner**
DISTINGUISHED DIRECTORS Debby Ballard Irvin V. Belzer Bill Blessing Scott Boswell Rob Bratcher **Executive Committee
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(1944-2024)
Douglas N. Ghertner (Doug) Courtney Goddard Deanna Graves Greg Graves Nancy P. Hatch Mike Lochmann George Shadid Myra Siegel Jo Ann Sullivan Bert Trucksess Abigail Wendel
DIRECTOR EMERITI Emily Ballentine Thomas R. Brous ~ (1943-2023) William L. Bruning Linda Cozad Barbara Fay Robert Firnhaber ~ (1935-2024)
Mark S. Gilman J. Gordon Kingsley Jeannette Nichols ~ (1925-2024)
Marvin W. Ozley Sally Rheinfrank Sally West
~ In Memoriam
2026/27 SEASON
LEADERSHIP STUART CARDEN • Artistic Director Stuart Carden is the Artistic Director of Kansas City Repertory Theatre, where, alongside Executive Director Jeremy Dewey and KCRep’s leadership team, he is leading the organization into a new chapter of artistic innovation, community engagement, and institutional growth. Now in his seventh season at KCRep, he has expanded the theatre’s civic impact through signature initiatives including KCRep for All, a free community tour across the Kansas City metro, and American Crossroads, a program dedicated to
stories reflecting the region’s complexity and vitality. His leadership is grounded in the belief that theatre is a cultural and civic commons — creating transformative experiences for all. Prior to KCRep, Stuart held leadership positions at City Theatre Company and Writers Theatre in Chicago. As a director, his work has been seen at leading theatres nationwide, including The Old Globe, Goodman Theatre, Writers Theatre, Chicago Children’s Theatre, People’s Light, Repertory Theatre of St. Louis, Williamstown Theatre Festival, and New Victory Theater. His productions are known for
muscular storytelling, inventive staging, and emotional depth. At KCRep, his directing credits include The Wizard of Oz, Once, Little Shop of Horrors, Peter Pan and Wendy, The Old Man and The Old Moon, and Mary’s Wedding, which was performed on the lawn of the WWI Museum, as well as the music and storytelling festival, Ghost Light. Stuart champions ambitious, artistdriven work grounded in community, which Come From Away exemplifies. He will also direct The Play that Goes Wrong in the Spring of 2027. Most importantly, Stuart is director and dad to 14-year-old twins, Dashiell and Griffin.
JEREMY DEWEY • Executive Director Jeremy Dewey (He/Him) is honored to serve as KCRep’s Executive Director. In this role, Jeremy oversees business strategy, revenue generation, finance and administration to ensure KCRep’s success and sustainability. He also works collaboratively with Artistic Director Stuart Carden to support all artistic programming and initiatives. Prior to joining KCRep in 2025, Dewey was Chief of Staff at the renowned Brooklyn Academy of Music (BAM), where he guided senior executives in the implementation of BAM’s strategic five-year institutional vision of impact, growth, and sustainability, including capital
projects. He is also Founder and and operational management. Senior Impact Advisor of Dewey A passionate theatermaker at Impact Group (DIG), a consulting heart, Dewey co-founded Trusty group dedicated to empowering Sidekick Theater Company, a celebrated New York Citycultural and educational based ensemble specializing in organizations, to dream ambitiously, design strategically, original theatrical experiences and deliver meaningful change. for young audiences and families. He holds a Bachelor of Science in Select clients have included Journalism from the University Jazz at Lincoln Center, The of Kansas, and earned dual Metropolitan Opera, National Dance Institute, National Blues master’s degrees in Business Museum, and the 92nd Street Y. Administration and Arts Administration from Southern Dewey’s extensive experience Methodist University. in nonprofit leadership also includes previous roles the Raised on a farm in Kansas, Center of Creative Arts (COCA) Dewey has a lifelong love of in St. Louis, New York City gardening and the outdoors, Ballet, DHR International, which shaped his appreciation and Kansas Audio-Reader for patience, care, and growth. He, his husband Dr. Gary Parker, Network, providing him with a holistic perspective across arts and their dog Benton are proud to call Kansas City home. administration, fundraising,
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SAVE THE DATE!
SATURDAY APRIL 17, 2027 THE MIDLAND THEATRE HONORARY CHAIRS
Ivan & Karla Batlle Judge Jon Gray & Dr. Valerie Chow FOR SPONSORSHIPS OR ADDITIONAL INFO:
GALA@KCREP.ORG 816.236.6106
Amari Lewis in KCRep’s 2024 production of LITTLE SHOP OF HORRORS. Photo: Don Ipock
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CELEBRATING our 2026/27 SUPER season ticket holders! SPECIAL THANKS to the season ticket holders listed below who included a donation of $100 or more with their subscription to our 2026/27 Season. We appreciate your additional support of KCRep and our ongoing mission to inspire, entertain, and open minds with transformative theatre experiences for all! Listing as of July 22, 2026 Benjamin & Kimberly Randell Kim & Ted Higgins Ute Ahrens Valerie & Mark Andruss Paget & Tom Higgins Mary L. Redmon, DO Anonymous George & Kay Hoech Todd F. Schellhase Laura Begley Steven Irwin Barbara Schepers & Garry Hanna Gregory & Heather Boege Theresa James James & Kathy Sear Robin & Scott Boswell Douglas Jansson William & Vicki Siebs Robert Boydston Chris & Carol Jones Thomas & Mitzi Slover Tom & Cherie Brown Brad & Jane Kleindl Ann Smith & Ron Einbender Matthew Brumleve John & Patricia Kurtz Karlie Speicher Patricia Burkhead Rev. Susan Langhauser Ron & Sarah Spencer Robert Butcher & Madelyn Rudd Marilyn & Bruce Lowrey Hillary Stamper & Katie Dunn Stephen Butland Meg Winslow Maffitt Dr. Darin Stephens Stanley & Peggy Chappell Abby Magariel David Stewart & Nancy Bosche Charitable Fund Richard & Lydia Marien Mark & Dolores Suenram Mary Chitwood Pat Martin Chris & Brooke Sweeney Susan & Dennis Clevenger Carol & Dale McCaslin Starr Terrell Robert Cook Mr. & Mrs. Bob Merrigan Kurtis L. Thiel Connie Didonna Julia & Dennis Meyer Russ & Maralee Thompson Rick & Barbie Dierks Alan & Judy Michelson Angela Tims Dennis L. Dobson Pamela Miller & Michael Cummings Cliff & Leslie Van Blarcom Dustin Ebaugh & Kirissa Shipp William Moran Marsha & Joel Voran Douglas & Chris Fain Heather & Tom Morrow Christine Walton Barbara Fay Judy & Carl Mullins Kathryn Welch & John Wright Daniel Feiler Ronald Newton Molly & Steve Wendland Mr. & Mrs. James Fitzpatrick Patricia O’Connor Stephen & Martha Williamson John Flaherty & Marnie Hammer John & Kendal Orlowski John R. Wise Mick & Denise Fletcher Bonnie & Douglas Pearson Teddi Wolff Randy Fowler John Pearson Charlotte & John Wood Max & Harriet Gordon Scott Pittack Jennifer Greene Michael & Maggie Wood Paul Post & Kay Kelly Don Grodecki & Cheryl Ricke Michael Wright & Joe & Linda Potter Christa Cavanaugh Steven & Patricia Hargrave Maggie Presson Michael & Kathryn Harvel Joy Zimmerman & Linda Dill
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HEARTLAND MEN’S CHORUS KANSAS CITY SEASON 41
AMPLIFY DON WE NOW!
UR S NG!
ALL OF US!
December 4-6, 2026
March 19-21, 2027
June 26-27, 2027
The Folly Theater
Yardley Hall in the Midwest Trust Center at JCCC
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THE MUSIC OF
ELT N J HN
V I S I T H M C KC O R F O R D E TA I L S L I K E , F O L LO W & S U B S C R I B E :
Playful Splashes Sun-Soaked Laughter
Heartfelt Moments
Cherish More Memories
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Stuart Carden, Artistic Director Jeremy Dewey, Executive Director presents
COME FROM AWAY book, music & lyrics by
IRENE SANKOFF and DAVID HEIN scenic design COURTNEY O’NEILL sound design CONNOR WANG music director ANDRA VELIS SIMON
costume design JENNY GREEN
lighting design ERICA LAUREN MAHOLMES casting DARRINGTON CLARK dialect coach KATE MYRE
intimacy coach JENISE COOK
dramaturg CHRISTINE SINGLETON
cultural consultant MARIELENA MARROQUIN
associate music director AHAFIA JURKIEWICZ-MILES
associate student sound designer MICHELLE NELSON
production stage manager RACHEL M. DYER*
assistant stage manager ALEX MURPHY*
assistant stage manager HOLLYANNA PARKER*
choreography by
MARC WAYNE directed by
STUART CARDEN SUPPORT PROVIDED BY
HERB & BONNIE BUCHBINDER COME FROM AWAY is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. wwwmtishows.com. Original Broadway Production Produced by Junkyard Dog Productions Orchestrations by August Eriksmoen Arrangements by Ian Eisendrath COME FROM AWAY was originally co-produced in 2015 by La Jolla Playhouse and Seattle Repertory Theatre, and presented in 2016 by Ford’s Theatre COME FROM AWAY (NAMT Festival 2013) was originally developed at the Canadian Music Theatre Project, Michael Rubinoff Producer, Sheridan College in Oakville, Ontario, Canada, and was futher developed at Goodspeed Musicals’ Festival of New Artists, in East Haddam, Connecticut. The Canada Council for the Arts, The Ontario Arts Council, and The Fifth Avenue Theatre, Seattle, Washington, also provided Development Support. Production elements from the Broadway production utilized for this production of COME FROM AWAY were provided by Christopher Ashley (Direction), Kelly Devine (Musical Staging and Choreography), Beowulf Boritt (Scenic Design), Toni-Leslie James (Costume Design), Howell Binkley (Lighting Design) and Gareth Owen (Sound Design.) *Denotes Members of Actors’ Equity Association, the Union of Professional Actors & Stage Managers in the United States.
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CAST
In Alphabetical Order
Beverly & Others ..................................................................... LAUREN BRATON* Beulah & Others ..................................................................................... VAL FAGAN* Bob & Others ..................................................................... SINCLAIR FREEMAN* Oz & Others ......................................................................... ROBERT J. HINGULA Claude & Others ............................................................ RUSSELL KONSTANS* Kevin T & Others/Dance Captain ................................. NOAH LINDQUIST* Bonnie & Others ................................................... TINA MADDIGAN MAYER* Nick & Others .............................................................................. CODY PROCTOR* Kevin J & Others .................................................................... ADAM QUTAISHAT Diane & Others ....................................................................................... JULIE SHAW Hannah & Others ............................................................... BETHANY THOMAS* Janice & Others ..................................................................................... BRI WOODS* Ensemble ................................... lauren braton*• val fagan* • sinclair freeman* • robert j. hingula • russell konstans* •noah lindquist*• tina maddigan mayer* • cody proctor* • adam qutaishat*• julie shaw • bethany thomas* • bri woods*
k UNDERSTUDIES Understudies never substitute for the listed performers unless a specific announcement is made at the time of the appearance
For Claude , Nick & Others ....................................................................... TIM AHLENIUS For Hannah, Diane & Others .............................................. VALERIE CHAMBERLAIN For Bonnie, Janice & Others ......................................................... KIMBERLY HORNER For Beverly, Beulah & Others ........................................................................... JEN MAYS* For Bob & Others ................................................................................. HEWLEEK McKOY For Kevin J & Others ......................................................................................... SHERIDAN* For Kevin, T, Oz & Others ...................................................................... AUSTIN SKIBBIE
ADDITIONAL SUPPORT PROVIDED BY
Financial assistance for this project has been provided by the Missouri Arts Council, a state agency. This project is supported in part by an award from the National Endowment for the Arts. This theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. The Director is a member of the STAGE DIRECTORS AND CHOREOGRAPHERS SOCIETY, a national theatrical labor union.
The Scenic, Costume, Lighting and Sound Designers in LORT Theatres are represented by United Scenic Artists Local USA-829 IATSE.
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THE MUSIC OF
COME FROM AWAY “welcome to the rock” ............................................. Claude & Company "38 Planes" .......................................................................................... Company “Blankets & Bedding” ................................................................. Company "28 Hours/Wherever We Are" ............................................. Company "Darkness and Trees" ..................................................................... Company “Lead Us Out of the Darkness” ................................................. Company “Phoning Home” ................................................................................. Company
"Costume Party" ............ Diane, Kevin T., Kevin J., Hannah, & Company “I Am Here” ............................................................................................ Hannah "Prayer" ............................................................................................... Company "On The Edge" .................................................................................... Company "Screech In" ..................................................................... Claude & Company "Me & the Sky" ............................................... Beverley & Flight Attendants "Stop the World" ................................................. Nick, Diane & Company “Somewhere in the middle of Nowhere” ..................... Company “Something’s Missing” ............................................................... Company “Finale” ................................................................................ Claude & Company
My Heart Will Go On Words and Music by WillJennings and James Horner. ©IRVING MUSIC, INC. on behalf of BLUE SKY RIDER SONGS (BMI) Used by permission of Sony/ATV Music Publishing. All Rights Reserved. Prayer of St. Francis dedicated to Mrs. Frances Tracy. ©1967, OCP, 5536 NE Hassalo, Portland, OR 97213. All Rights reserved.
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THE COME FROM AWAY ORCHESTRA AHAFIA JURKIEWICZ-MILES Conductor/Piano
MARK COHICK
GRANT KLINKSICK
Acoustic & Electric Guitar/ Acoustic & Electric Drop D Guita
Flutes/Whistles
COREY DAVIS
Bodhran/Cajon /Djembe/Ugly Stick/ Udu/Spoons/Shakers
MIKE MacFARLAND
RYAN DUGAN
Acoustic & Electric Guitar/ Acoustic & Electric Drop D Guitar [Select Performances]
(Sep 10 thru Sep 20)
JONATHAN LLOYD SCHRIOCK
Mandolin/Octave Mandolin
Fiddle
JULIAN GOFF
BEN TERVOT
Drums/Trap Set
BRUCE GRAYBILL
Electric Bass/Acoustic Bass/ Steward
Mandolin/Octave Mandolin (Aug 22 thru Sep 9)
ANTHONY T. EDWARDS/ AE MUSIC SERVICES Orchestra Contractor
k COME FROM AWAY Original Broadway Producers Junkyard Dog Productions Jerry Frankel Latitude Link Smith & Brant Theatricals Steve & Paula Reynolds David Mirvish Michael Rubinoff Alhadeff Productions Michael Alden & Nancy Nagel Gibbs Sam Levy Rodney Rigby Spencer Ross Richard Winkler Sheri & Les Biller Richard & Sherry Belkin Gary & Marlene Cohen Allan Detsky & Rena Mendelson Lauren Doll Barbara H. Freitag Wendy Gillespie Laura Little Theatricals Carl & Jennifer Pasbjerg Radio Mouse Entertainment The Shubert Organization Cynthia Stroumv Tulchin Bartner Productions Gwen Arment/Molly Morris & Terry McNicholas Maureen & Joel Benoliel/Marjorie & Ron Danz Just for Laughs Theatricals/Judith Ann Abrams Productions Bill & Linda Potter/Rosemary & Kenneth Wilman and La Jolla Playhouse and Seattle Repertory Theatre
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NEXT AT
After taking Broadway by storm in 2025, KCRep is proud to be one of the first regional theatres to produce this provocative, timely, and empowering play. Five young women fueled by pop music, optimism, and fury, find their voices to shed light on some of the darkest secrets in their one-stoplight town. Sharp, witty, and thoughtprovoking, this bold new play challenges what we think we know about truth, morality, and the consequences of our choices — inviting audiences to question who the real villains are. written by KIMBERLY BELFLOWER directed by LAURA ACALÁ BAKER
TICKETS: KCREP.ORG or 816.235.270O
OCT 6 - 25 copaken stage
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Q & A with
JENNY GREEN Interview by JANA LILES Director of Marketing & Communications
Q: How do you approach designing costumes for a production? Where do you start? What is your process? A: For me, the process starts with reading the script and seeing if any themes stand out. I’m also looking at time period, number of characters, and timeline of the show. I’ll then look for some inspiration in art and photos to take to the first meeting with the director to see what their vision looks like and we see how we
would like to move forward. For Come From Away, I spent quite a bit of time looking up the real people in photos and videos so I could get a sense of how they are portrayed in the characters on stage. This show has no stops, and the flow of storytelling is a constant transition from character to character. With this in mind, I then spent time and thinking through how I can support the storytelling in a clear, but simplified, way.
Q: Costume design touches nearly every department. How closely did you collaborate with the director, scenic designer, lighting designer, and actors throughout the process?
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A: I was in several meetings with the entire Design Team and Director. We all wanted to make sure the show could flow easily through the transitions. The Scenic Designer helped with making sure we had places built into the set to stash costumes and props. She also designed pass-throughs on the walls so there can be seamless hand-offs to the crew backstage. The Lighting Designer guided my color choices
for costumes by providing the vision for the color and temperature of the stage. The Sound Designer and I talked through logistics of mic placement because hats, wigs, and anything going over an actor’s head can all affect the placement. As casting comes in, I touch base with the actors about measurements and asking them questions that can help me figure out the best fit and comfort for their clothing.
Q: This musical is
based on real people and true events. How do you balance historical authenticity with the practical needs of live theater?
A: I grew up in a very small
stumes, Jenny Green, AY. KCRep Director of Co for COME FROM AW works on a costume cKenzie Turner Ma to: Pho
town here in Missouri and the familiarity and warmth the citizens of Gander and surrounding areas showed the visitors is something I could really connect with from my own upbringing.
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I could see the folks in my head and looked at what clothing we could provide for easy on and off that represent the many characters, while still being true and authentic to the setting of the show. We spent time distressing clothing to look lived in and real, not fresh off the store rack. For the simplicity needed for changes, I focused on hats, vests, and jackets; things that go on easily, but are in the style and feel of a small town.
Q: This is an ensembledriven show. How do costumes help support that sense of shared storytelling rather than drawing attention to individual pieces?
A: For me, it’s about simplicity and trust. You trust your actors to fill in the gaps with their work, and you trust your audience to use their willing suspension of disbelief that even a simple jacket change can tell which character is now in the scene. Q: In addition
r/Tailor Cutter/Drape and KCRep’s ok while working on a (l) en re G y bo Jenn nsult a swatch ay. Jana Jessee co ume for Come From Aw cost ie Turner nz Ke ac M o: Phot
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to designing this production, you’re KCRep’s Director of Costumes and oversee the costume shop. How does wearing both hats influence your creative process?
character before they’ve even said a word. They can subconsciously know social status,
A: Being the Director
of Costumes and the Designer can be a real help to my process. I usually start out with my bigger ideas and “dreams”. Then I take into consideration our staffing, schedule with other shows, budget, and what resources I know that we have in stock or in Kansas City. From there, I can pare things down to what is the most feasible as well as practical in the storytelling while keeping the overall vision of the show.
Q: Audiences
often remember the performances more than the costumes — and that’s usually a sign the costumes are doing their job. What do you hope audiences feel, even if they don’t consciously notice the costume design?
Chioma An yanwu as Th e Ghost of Ch KCRep’s 20 ristmas Past 25 productio in n of A CHRI Costume de STMAS CA sign by Jenn RO y Green. Ph oto: Don Ip L. ock
occupation, age, etc. They aren’t distracted by the costume, and it enhances the experience whether they realize it or not. Though the occasional, audible “wow” for big costumes and seamless quick changes are always fun to hear!
A: I hope they look at an actor and right away they know something about the
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COME FROM AWAY CAST
LAUREN BRATON*
VAL FAGAN*
RUSSELL KONSTANS*
NOAH LINDQUIST*
Claude & Others
Kevin T & Others/ Dance Captain
ADAM QUTAISHAT
JULIE SHAW
Beverly & Others
Kevin J & Others
SINCLAIR FREEMAN* ROBERT J. HINGULA
Beulah & Others
Bob & Others
Oz & Others
TINA MADDIGAN MAYER*
CODY PROCTOR*
BETHANY THOMAS*
BRI WOODS*
Nick & Others
Bonnie & Others
Diane & Others
Hannah & Others
Janice & Others
UNDERSTUDIES
TIM AHLENIUS u/s Claude, Nick, & Others
VALERIE CHAMBERLIAN u/s Hannah, Diane, & Others
KIMBERLY HORNER
JEN MAYS*
u/s Bonnie, Janice, & Others
u/s Beverley, Beulah, & Others
HEWLEEK McKOY
SHERIDAN*
AUSTIN SKIBBIE
u/s Bob & Others
u/s Kevin J & Others
u/s Kevin T, Oz , & Others
* Denotes Members of Actors’ Equity Association, the Union of Professional Actors & Stage Managers in the United States.
company published MTI). Since returning home to KC, Val was honored to create a drama program for special needs adults for Matthew’s Ministry. A resident of NYC on 9/11, Val dedicates this performance to the brave first responders who kept us safe during that challenging time.
LAUREN BRATON (Beverly & Others/Ensemble) KCRep: Fun Home, Last Days of Summer, Sweeney Todd: The Demon Barber of Fleet Street, A Christmas Carol, Sunday in the Park with George, Into the Woods. Local: Brigadoon, CATS, The Secret Garden, R&H Unplugged, Ragtime, Guys and Dolls, The Music Man, She Loves Me (Music Theater Heritage); School of Rock, First Date, Cinderella, Sound of Music (Starlight Theatre); America Meets Paris (Soloist, Lee’s Summit Symphony at Kauffman Center); Nine, Violet, A Little Night Music (Spinning Tree Theatre); Where the Wild Things Are, Shrek (The Coterie); Grey Gardens (Unicorn Theatre); Life Could Be A Dream, 25th Annual Putnam County Spelling Bee, No Way to Treat a Lady, It’s A Wonderful Life: A Radio Play (American Heartland Theatre); Judy Barbra Liza and Blues in the Night (Quality Hill Playhouse). Regional: Arrow Rock Lyceum Upcoming: The Light in the Piazza (Music Theater Heritage). AEA Member. laurenbraton.com
SINCLAIR FREEMAN (Bob & Others/Ensemble) Sinclair Freeman is delighted to return to the Rep. Past credits include: The Color Purple (KC Rep); Sister Act (Lyric Theater of Oklahoma); Ragtime (Dallas Theater Center); All is Calm (Stage West); Natasha, Pierre…(Theatre Three); The African Company Presents… (Soul Rep Theatre); A Chorus Line (Theatre Arlington), A Christmas Carol (Dallas Theater Center). Upcoming: All is Calm (Stage West). Awards: Best Actor in a Musical- Irma P. Hall Black Theater Awards. Education: Opera, Southern Methodist University. AEA Member. IG:sinclairtheefreeman. For my incredibly supportive wife; for my first voice teacher- Mom.
VAL FAGAN
ROBERT J. HINGULA
(Beulah & Others/Ensemble) Val is thrilled to return to KC Rep after many decades in New York and beyond. She was in the original cast of Broadway’s Addams Family (original cast recording) and originated the long-running Off-Broadway hit Forbidden Broadway: Rude Awakening (Drama Desk Award). National Tours include Les Misérables (First National Tour); Man Of La Mancha; and most recently, Menopause the Musical 2 (original cast). Locally, Val has appeared at KCAT in Deathtrap (Helga); MTH in Into the Woods (The Witch); The Unicorn in Heathers (Paula); Chestnut Fine Arts in Always Patsy Cline (Patsy); New Theatre in Menopause the Musical (Earth Mother); QHP in Back to Broadway; and Starlight Theatre in Forbidden Broadway. Val also co-wrote the hit musical Six Women with Brain Death (Edinburgh Fringe, New York Musical Theatre Festival, 816.235.2700
(Oz & Others/Ensemble) KCRep: The Invisible Hand, Sticky Traps. Select Local: Wizard of Oz, School of Rock, West Side Story (Starlight Theatre); Wizard of Oz (Theatre League); Assassins, Billy Elliott, Caroline or Change (Spinning Tree Theatre); Into the Woods, Next to Normal, Jesus Christ Superstar, Hello Dolly (Music Theater Heritage); A Grand Night for Singing (Quality Hill). All love to Melissa and Darcie.
RUSSELL KONSTANS (Claude & Others) KC Rep: debut. Chicago area: Come From Away (Paramount Theatre), Of Thee I Sing, Fiddler on the Roof, A Christmas Carol, Annie (Drury Lane Oakbrook), Ben Butler, The Outsider, The Tin Woman, Alabama Story, The Murder of Roger Ackroyd (Artist’s Ensemble Theatre). Minneapolis area: Assassins (History Theatre), Tony and Tina’s Wedding (Hey City
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COME FROM AWAY Stage), How to Talk Minnesotan, Black Patent Leather Shoes (Troupe America), Oklahoma!, My Fair Lady (Chanhassen DT), The Tempest (Actor’s Theare of MN), Journey’s End, The Swan (Jungle Theatre), A Perfect Wedding, Cash on Delivery, Axel and His Dog (Old Log Theater), Kismet, The Desert Song (North Star Opera). National Tours: Big River, On Golden Pond, Babes in Toyland, Mr. Pickwick’s Stories for a Christmas Evening. Regional: Every Christmas Story Ever Told, A Closer Walk with Patsy Cline, Big River, Elvis has Left the Building (Maples Repertory Theater). Film: Feeling Minnesota. Upcoming: A Christmas Carol, Joseph and the Amazing Technicolor Dreamcoat (Paramount Theatre). Affiliations: Actors’ Equity Association. Education: BFA Acting Performance, Illinois Wesleyan University; MAT, Rockford University.
NOAH LINDQUIST (Kevin T & Others/Ensemble/Dance Captain) Noah Lindquist returns to KCRep after previously playing various roles in Fun Home. Other Kansas City credits include: Newsies, The Spongebob Musical, Pete the Cat (Coterie); Joseph…Dreamcoat, Freaky Friday (New Theatre); Godspell (Starlight); Pippin (MTKC Pro); Ragtime (Music Theatre Heritage); Billy Elliot (Spinning Tree Theatre). After living in Kansas City, Noah spent nearly three years performing at sea with Royal Caribbean Cruise Lines, where he played “Danny Zuko” in Grease, and “Rum Tum Tugger” in Cats. Noah currently lives in NYC, and recently made his Carnegie Hall debut in the Liza! at 80 concert. He holds a Bachelor of Music from Kansas State University.
The Wedding Singer on Broadway. Tina was born and raised on “Da Rock” and is a proud Newfoundlander. Now based in Kansas City, she runs Stubid Face Studios, using comedy and storytelling to build confidence in the next generation of Broadway performers. Check out StuBidFace.com and be sure to follow on insta @TinaMaddiganMayer. Some past credits Mama Rose in Gypsy (MTH), Donna in Mamma Mia! (TSJ), Cathy in The Last Five Years (TSJ), Rona Lisa Peretti in The 25th Annual Putnam County Spelling Bee (New Theatre), and Jo March in Little Women (TSJ).
CODY PROCTOR (Nick & Others/Ensemble) (He/Him) KCRep: The Wizard of Oz, Once, The Old Man and the Old Moon, Noises Off!, A Christmas Carol. Local: Jersey Boys (New Theatre); Moby Dick, Ragtime, Funny Girl, Titanic (Music Theater Heritage); Shakespeare in Love (Heart of America Shakespeare Festival); All is Calm (Music Theatre KC Pro); The Orphans’ Home Cycle (Metropolitan Ensemble Theatre). Regional: Amadeus (ICTRep); The Iceman Cometh (Goodman Theatre); Othello, Henry V (Chicago Shakespeare Theater); Hatfield & McCoy (House Theater of Chicago); Stupid F***ing Bird, Idomeneus (Sideshow Theater); Machinal (Greenhouse Theater); Great Expectations (Strawdog Theater); The Mother (Oracle Theater); The Source (Route 66 Theater); three seasons at the Illinois Shakespeare Festival. Education: BFA Theatre Performance, Wichita State University. AEA Member codyproctor.com
TINA MADDIGAN MAYER
ADAM QUTAISHAT
(Bonnie & Others/Ensemble) KCRep: debut. Tina originated the role of Sophie in the original Broadway cast of Mamma Mia; first national tour and the first Canadian company. She also played Julia Gulia in
(Kevin J & Others/Ensemble) (Any/All pronouns, shuffled) Adam Qutaishat is a non-binary, multiracial theatre artist and activist based in Chicago. This is Adam’s third trip to The Rock, previously having
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company performed this role with Paramount Theatre and TheatreWorks Silicon Valley. Other acting highlights include work with Chicago Shakespeare Theatre, The Milwaukee Repertory Theatre, TheatreSquared, Writers Theatre, Music Theatre of Madison, and Milwaukee Opera Theatre. Adam’s audio ficition credits include Vigil, Psychopompos, Waiting for October, Our Wars Have Ended, The Wanderer, and The Mechadova Engine. Adam hopes that this performance uplifts the voices of Arab and SWANA people around the world and that we will continue to see Arab and SWANA stories— of our struggles and also our joys— told on our stages; and they encourage you to use your voices to advocate for that future. adamqutaishat.com.
Maria Callas in the one-woman show Songs For Nobodies (Northlight Theater, Milwaukee Rep, People’s Light Theater, PCPA). Other credits include work with Rep of St. Louis (Moby Dick); Court Theater (Out Here, Porgy and Bess); Goodman Theater (A Christmas Carol); Writers Theater (Into The Woods, Once, Natasha, Pierre…); Chicago Shakespeare; Second City; Lyric Opera; Steppenwolf, the Getty Villa, and Teatro ZinZanni Chicago. BT is the proud recipient of a Black Theater Alliance Award and two Joseph Jefferson Awards for acting, a 3Arts Award in music, and a recently selected Lunt-Fontanne Fellow for excellence in regional theater. Find her original music on Apple Music, Bandcamp, Spotify, and everywhere else. @bethanyt80
JULIE SHAW
BRI WOODS
(Diane & Others/Ensemble) (She/Her) KCRep: Noises Off, Between the Lines. Local: Chicago, Sister Act, Squabbles (The New Theatre and Restaurant); Everybody (KCAT); La Cage Aux Folles, Hands on a Hardbody, The Jon Benet Game (The Unicorn Theatre); The Pajama Game, Big River, 1776, Sweeney Todd, Urinetown, Little Women (Music Theatre Heritage); Once Upon a Mattress, Chitty Chitty Bang Bang, Lucky Duck, Doctor Doolittle (The Coterie Theatre); Fiddler on The Roof, Assassins, Motherhood Out Loud, Violet, Hello Again, The Fantasticks (Spinning Tree Theatre); The Musical of Musicals, Look To The Rainbow, Come Fly With Me (Quality Hill Playhouse). Regional: Lucky Duck (New Victory Theatre). Education: BA in Theatre from Trinity University.
(Janice & Others/Ensemble) (She/Her) KCRep: The Color Purple, Mary’s Wedding, A Christmas Carol, A Raisin in the Sun, School Girls; Or, the African Mean Girls Play, Welcome to Fear City, Between the Lines. Regional: Little Women (Portland Center Stage/Cincinnati Playhouse in the Park); Godspell (Starlight Theatre). Kansas City: Who’s Your Baghdaddy (Unicorn); Lefty & Crabbe (The Living Room); Garfield: A Musical with Cattitude (The Coterie); Harvey, Angel Street (Kansas City Actors). Dallas: Ragtime, A Christmas Carol, Waitress (Dallas Theater Center); Spring Awakening (The Watering Hole). New York: Floyd Collins (Lenfest Center). Education: KU/ SMU MFA. IG: @bri_woods21 | TikTok: @h_bri_o.
BETHANY THOMAS (Hannah & Others/Ensemble) Bethany Thomas is ecstatic to make her KCRep debut! A longtime Midwest darling, she’s garnered recent acclaim for portraying guitar icon Sister Rosetta Tharpe in the play Marie and Rosetta, and Judy Garland, Patsy Cline, Edith Piaf, Billie Holiday and 816.235.2700
TIM AHLENIUS (u/s Claude, Nick & Others) (He/Him) KCRep: Carousel (Co-Pro with The Living Room). Local: The Crucible (Phoenix
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COME FROM AWAY Theatre); Novel (Arts Asylum); Judgement at Nuremberg (MET); Eurydice (The Living Room). Regional: Prejudice and Pride (Off Broadway, 59E59). International: Up with People. TV/Film: James A Reed, Nelly Don, The Movie Musical; Einstein/Dr. Sebagh, TechN9Ne. Education: University of Louisville, Kentucky. @timahlenius (IG/FB)
VALERIE CHAMBERLAIN (Hannah, Diane & Others) KCRep: debut. Valerie Chamberlain is an actor, singer, playwright, emerging screenwriter, and Kansas City native with over 15 years of stage experience. Moving to New York in 2016, she earned Off-Broadway credits in Kevin Davis’s One in a Million, Reg Flowers’s Ready Set, Go Race and A Black Conference, and performed at Birdland Jazz Club. Her local credits include Celie in The Color Purple (MET), Felicia Farrell in Memphis, Ruth in A Raisin in the Sun, and The Lady in Blues in the Night with Black Repertory Theatre. In 2023, she was named KC Magazine’s Best Actress with additional nominations from BroadwayWorld and The Pitch. Valerie is pursuing her Screenwriting Master’s and developing her third original play, Prayers of a Forgotten Mourner, which she will direct as an October 2026 dinner playhouse production. She also manages regional theater marketing campaigns. She credits her ambition to her late father Brian, mother Sharon, brother Allen, two-yearold son Mario, and her cherished family and friends. To all, let nothing stop you! FB and IG @thelovelyvalc
KIMBERLY HORNER (u/s Bonnie, Janice & Others) (She/Her/ AVS) KCRep: A Christmas Carol (Belle, Laundress), The Philadelphia Story (Dinah); Local: Clue, Old Fashioned Family Murder, Hank Williams Lost Highway, Freaky Friday, Don’t Dress for Dinner, Johnny & June, The King in Concert (New Theatre
& Restaurant); Magic Valley Community Theatre’s Little Women (Unicorn Theatre); Company, Funny Girl (Music Theatre Heritage); Maxine’s Christmas Carol, Steel Magnolias (Padgett Productions); Puffs, Elephant & Piggie, The Presidents On Tour, Naked Mole Rat Gets Dressed, The Little Princess (The Coterie); Parade, Antigone (Metropolitan Ensemble Theatre). Special thank you to her husband, daughters & family for their unending love and support. kimberlyhorner.com
JEN MAYS (u/s Beverly, Beulah & Others) KCRep: August: Osage County, A Christmas Carol, The Last Night of Ballyhoo, Les Liaisons Dangereurses, Laughter on the 23rd Floor. Local: Dial M for Murder, About Alice, Picnic (Kansas City Actors Theatre); Caroline, or Change (Spinning Tree Theatre); Designing Women, Application Pending, Clybourne Park (Unicorn Theatre); The Drum Closet, Miracle Worker, Seussical (Coterie Theatre); Mamma Mia, The Dixie Swim Club, Rumors, Condomonium, Play That Goes Wrong (New Theatre). TV/FILM: Rise & Shine Film (starring Rachel Bay Jones & Danny Burstein) releasing this winter. Education: BA, UMKC Theatre and Conservatory. JenMays.com AEA Member
HEWLEEK McKOY (u/s Bob & Others) (They/Them) KCRep: debut. Local: The Wiz (MTH); A Year with Frog and Toad (The Coterie); Reefer Madness (The Arts Asylum); Don’t let the Pigeon drive the Bus (The Coterie); Footloose (TIP). Regional: Smokey Joe’s Café (Paul Bunyan’s Playhouse). Education: BFA, Emporia State University.
AUSTIN SKIBBIE (u/s Kevin T, Oz & Others) KCRep: debut Regional: H.O.T. The Musical (Unicorn Theatre) RENT, The Little Mermaid (White Theatre) Catch Me if You Can, James and the
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company Giant Peach, Footloose, Cinderella (Theatre in the Park) The Rocky Horror Show, Evil Dead (Padgett Productions) Haunted Homecoming (Worlds of Fun). Upcoming: A Christmas Carol (KCRep). Education: BS, University of Missouri – Kansas City.
He began performing at a young age in productions including Fences and Little Shop of Horrors before studying West African music with the Nubian Theatre Company and Muntu Dance Theater in Chicago. An internationally published fashion photographer and educator, his work has been featured in more than 25 magazines worldwide. Corey is thrilled to return to Kansas City Repertory Theatre for his second production after previously performing as a musician in The Color Purple.
SHERIDAN (u/s Kevin J & Others) (He/Him) KCRep: The Color Purple, A Christmas Carol, Peter Pan & Wendy. Local: Oliver (Variety KC), The Wiz (MTH), Newsies (New Theatre), Newsies, Mamma Mia (Theatre in the Park); Spring Awakening, Big Fish, Gleesical (Faust Theatre); 13 The Musical, Finian’s Rainbow (Spinning Tree Theatre); Les Misérables, Grease, Urinetown (Stage Right Performing Arts); Wizard of Oz (Theatre League). Educational: Working, Ordinary Days, Brigadoon, A Chorus Line (Missouri State). National Tour: Emojiland. Film: Sunsets at Noon, Efflorescence, Get Real Upcoming: Emojiland (streaming).
RYAN DUGAN (Mandolin/Octave Mandolin/Acoustic Guitars) KCRep: debut. Local: Back to the 80s (Folly Theater); Broadway on the Plains with Betsy Wolfe (Fiorella’s). Regional: The Prince of Egypt (University of Northwestern); The Lightning Thief (Burnsville Theatre); West Side Story (Inver Grove Heights Theatre).Education: BFA, Macalester College and Conservatorium van Amsterdam ryanduganmusic.com / @ryanduganmusic
JULIAN GOFF
MARK COHICK
(Drums/Trap Set) KCRep: debut. Julian is celebrating over 20 years of professional music, marking a journey from Paseo Academy to becoming a staple in the music community. He has performed onboard Holland America Line, at the Unicorn Theatre, Spinning Tree Theatre, musical directed with The Black Repertory Theater of Kansas City, recently earning his first producer’s credit at Quality Hill Playhouse. Julian also holds a residency at the 1909 Club with Soul Fundamentals, performing every second and fourth Thursday with his band, EleFunk. Beyond the stage, he spent 12 years teaching Elementary Music and serves on the board for Music Across Borders. He is grateful to remain a pivotal part of the scene.
(Flutes/Whistles) KCRep: Company, Guys and Dolls, Pirates of Penzance, Into the Woods, Between the Lines, Sweeney Todd, Fun Home. Mark Cohick is a freelance musician who plays all members of the woodwind family, and has performed with Kansas City Symphony, Ballet and Lyric Opera, toured Europe with Broadway shows, and recorded for radio, television and film, and is currently a member of the Kansas City Jazz Orchestra.
COREY DAVIS (Bodhran/Cajon /Djembe/Ugly Stick/Udu/ Spoons/Shakers) KCRep: The Color Purple. Corey Davis is a multidisciplinary artist from Memphis, Tennessee, whose work bridges theater, music, and photography.
816.235.2700
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COME FROM AWAY BRUCE GRAYBILL (Mandolin/Octave Mandolin/Acoustic Guitars) KCRep: debut. Born in England and raised in America, award winning multi- instrumentalist, composer, and songwriter Bruce Graybill got his start in professional music in 1975 as lead Guitarist for The Ebony Blue Show Band. In 1982 he was introduced to Mandolin and Winfield, later marrying into the family that introduced him to both. Awards include two first place, two third place, and nine top five placements in Mandolin at the National Flat-pick Championships (Winfield), in addition to six Kansas State Champion titles in Mandolin, and Flatpick Guitar. Bruce is an endorsing artist for Montana Lutherie and is a former President of The Classical Mandolin Society of America. Bruce performs solo, with Hot Strings, and Cordas Eclética in the Kansas City area, and conducts workshops as a nationally recognized clinician. Notable performances include The Grand Ole Opry, debut of original works at The Kennedy Center for the Performing Arts (Washington DC), The Kauffman Center for the Performing Arts / Helzberg Hall, with the Kansas City Symphony, and Classical Mandolin Society conventions across North America. BruceGraybill.com
GRANT KLINKSICK (Acoustic & Electric Guitar/Acoustic & Electric Drop D Guitar) KCRep: debut. Local: Bare, Reefer Madness (Arts Asylum). Education: Jazz Commercial Performance, University of Central Missouri; Master’s in Music, University of Central Missouri. Upcoming: The Last Five Years (Arts Asylum).
JONATHAN LLOYD SCHRIOCK (Violin) KCRep: Wizard of Oz, Last Days of Summer, A Christmas Carol (20122025), Evita, Sunday in the Park with George, Cabaret. Local: Violinist with
Stevie Wonder (Sprint Center); Hank Williams: Lost Highway (New Theatre and Restaurant); Natasha, Pierre and the Great Comet of 1812 (Fishtank Theatre); Tuck Everlasting (The Coterie); Hands on a Hardbody, Everyday Rapture (Unicorn Theatre); Carousel, The Producers, Oklahoma (Music Theatre Heritage); Icarus Flew, 21 Chump Street, Fiddler on the Roof, West Side Story, Hello Again (Spinning Tree Theatre); Frozen, West Side Story, Les Misérables, Company, Chicago, The Producers, Peter Pan (Jewish Community Center, Shirley White Theatre); Oliver! (VarietyKC); Legend of Zelda Symphony (KC Music Hall). Regional: Fiddler on the Roof (Fireside Theatre Company); A Catered Affair (Porchlight Theatre); Come From Away, Fiddler on the Roof, Hank Williams: Lost Highway, Always, Patsy Cline (Lyceum Theatre); Bus Stop (Sapulpa Theatre); I Love You, You’re Perfect, Now Change, Fiddler on the Roof (Crown Uptown Dinner Theatre); The Importance of Being Ernest (Kechi Playhouse); Killer Joe (Theatre on Consignment); Ohio Lite Opera, Light Opera of Oklahoma, Wichita Symphony. International: Recitals in Austria, Germany, and France. AFM/AEA Member
MIKE MacFARLAND (Acoustic & Electric Guitar/Acoustic & Electric Drop D Guitar) [Select Performances] KCRep: debut. Mike MacFarland is thrilled to make his debut at KCRep! Past regional credits include Godspell (Starlight Theater- guitar and keyboards), and School of Rock (Starlight Theater- guitar, recorder). Mike has a Bachelor’s Degree in Music Composition from the University of Kansas, and has written music used in movie trailers, TV commercials, and several major motion pictures. He is an active local musician, playing both guitar and keyboards (and occasionally also the trumpet) in several local bands, some of which have toured internationally.
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company BEN TERVORT (Electric Bass/Acoustic Bass/Steward) KCRep: debut. Ben Tervort is a musician and recording/mixing engineer currently based in Kansas City that can be heard in a wide variety of musical situations. With an emphasis on improvised music, he has performed as a bassist all around the midwest. Having performed with jazz artists such as Adam Larson, Matt Otto, and Eddie Moore, as well as national touring acts like the Four Freshman, Ben is in high demand for his musical taste, consistency, and desire to always bring a fresh perspective to any performance. In addition to Jazz, he has an extensive background performing classically, attended the Eastern Music Festival as a student, and has performed with large ensembles at both the University of Kansas and University of Missouri Kansas City. Ben also loves performing original works and songs inspired by multiple genres, and regularly performs with the groups Barnaby Bright and Joel vs Joel.
ANTHONY T. EDWARDS/ AE MUSIC SERVICES (Orchestra Contractor) KCRep: A Christmas Carol, Little Shop of Horrors, Fun Home, Sweeney Todd: The Demon Barber of Fleet Street, Side by Side by Sondheim, Evita, The Fantasticks, Sunday in the Park with George, Hair: Retrospection, Cabaret (Music Director, Conductor/Keyboards & Contractor), A Little More Alive (Keyboard/ Orchestra Contractor),The Tallest Tree in the Forest (Orchestra Contractor), Into the Woods (Assistant Music Director/ Conductor, Orchestra Contractor). Local: Resident Musical Director for Starlight Theatre, The Coterie, Unicorn Theatre, All Souls Unitarian Universalist Church, Eventology. Additional Local: New Theatre, Quality Hill Playhouse, Theatre in the Park, Late Night Theatre, Music
816.235.2700
Theatre Heritage. Red Barn Theatre, Waterfront Playhouse (Key West). New York: New Victory Theatre. Mr. Edwards has served as musical director & contractor for theatres across the country including the Denver Center for the Performing Arts and is Adjunct Faculty for UMKC. Mr. Edwards is a Kurzweil-endorsed artist.
IRENE SANKOFF & DAVID HEIN (Authors) Irene Sankoff & David Hein are the Olivier-award winning, Tony and Grammy nominated, Canadian writing team behind the worldwide award-winning hit Musical Come From Away, currently playing to over 100 countries on Apple TV+, and around the world. Their first show, My Mother’s Lesbian Jewish Wiccan Wedding, based on David’s mother’s true story, has won Best Musical awards across North America, with Sankoff and Hein performing in many productions. Together, they have written for Disney, Netflix, Warner Bros., HBO and the CW, as well as Marvel Comics and the Canadian government. They are the recipients of the FourFreedoms Good Neighbor Award and the Meritorious Service Cross of Canada which recognizes Canadians’ exceptional accomplishments.
STUART CARDEN (Director) (He/Him) Stuart Carden is the Artistic Director of Kansas City Repertory Theatre. His bio appears on Page 27 of this program.
COURTNEY O’NEILL (Set Design) Courtney O’Neill is thrilled to return to KCRep, having previously designed The Wizard of Oz, Little Shop of Horrors, Peter Pan & Wendy, and When I Come to Die. She grew up in Kansas City, currently lives in France, and has
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COME FROM AWAY designed at theatres across the United States, including: Lookingglass Theatre, McCarter Theatre, Apollo Theatre, Guthrie Theatre, Huntington Theatre, Goodman Theatre, Steppenwolf Theatre, Arena Stage, Great Lakes Theatre, Idaho Shakespeare Theatre, Lake Tahoe Shakespeare Theatre, Repertory Theatre of St. Louis, South Coast Repertory, Alliance Theatre, Baltimore Center Stage, Denver Center for the Performing Arts, Writers Theatre Court Theatre, and locally here at the Coterie Theatre. Courtney has received multiple awards including the Joseph Jefferson Award, Michael Maggio Emerging Designer Award, and USITT Scene Design Award. She is a proud member of United Scenic Artists, Local USA289, and a Graduate of Northwestern University (MFA) and DePaul University (BFA). courtneyoneill.com
JENNY GREEN (Costume Design) (She/Her) KCRep: Director of Costumes (2020-present); Assistant Costume Shop Manager (2016-2020); Costume Design for A Christmas Carol (2020, 2023-2025); Associate Costume Design for Wizard of Oz. Local Costume Design: The Adventures of Tom Sawyer, The Wiz, Grease (Shawnee Mission Theatre in the Park). TV/Film Costume Design: Amigo Undead (Gravitas Ventures); Rock Jocks (Intelligent Life Media); Video Game Reunion, The Legend of Neil (Atom.com); FCU: Fact Checkers Unit (NBC.com); Game Over (Machinima). Education: BFA in Technical Theatre, University of Central Missouri, Warrensburg.
ERICA LAUREN MAHOLMES (Lighting Design) (She/Her) Erica Lauren Maholmes is a Kansas City-based USA829 lighting designer. KCRep: What The Constitution Means To Me. One of The Good Ones, Come From Away. Broadway: Assistant Lighting Designer on Just In Time,
The Notebook, The Notebook 1st NATIONAL TOUR; Associate Lighting Designer on Mary Jane, The Rocky Horror Show and Little Bear Ridge Road. Selected Design Credits: In The Heights, Once On This Island, The Wedding Singer (Winnipesaukee Playhouse) Revolution (A Red Orchid Theatre) The Inferior Sex, La Cage Aux Folles, Blues For An Alabama Sky (Trinity Repertory Co.), Sense and Sensibility (Idaho Shakespeare Festival & Great Lakes Theater), Jelly’s Last Jam, Once On This Island (Cape Fear Regional Theatre), Matt & Ben (Penobscot Theatre Company), Amerikin (Alley Theatre). Erica is an alumna of Stagecraft Institute of Las Vegas (2016 & 2021), West Chester University (BA), and Illinois State University (MFA). She is a proud member of Black Theatre Network, Design Action, and is an Artistic Board member of Cat’s Cradle Theatre. Insta: @ericalaurenmaholmes ericalaurenmaholmes.com
CONNOR WANG (Sound Design) KCRep: The Wizard of Oz; Once; the ripple, the wave that carried me home. Broadway: Proof (2026 Revival); How to Dance in Ohio Selected Off-Broadway: Romy & Michele (Stage 42); Nobody Cares: An Evening with Laura Benanti (Minetta Lane); Sorry For Your Loss (Minetta Lane); Where You’ll Find Me: Jason Gotay (Minetta Lane) Regional: Noises Off! (Barrington Stage & The Old Globe); Dontrell Who Kissed The Sea (APT); Iceboy! (The Goodman); Primary Trust (Rep STL); Mirror Crack’d (Asolo Rep); Amadeus (Steppenwolf); Huzzah! (The Old Globe); Gun & Powder (PaperMill Playhouse); Evita (ART & S.T.C.); The Hot Wing King (Alliance Theatre); Kim’s Convenience (Theatre Squared). Other credits: Disney Princess The Concert (US Tour, Sound Engineer); DCappella (Dubai Opera, Sound Engineer). Assistant Designer: Hadestown (Broadway, Korea, US Tour), Hamilton (US Touring companies),
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company The Cher Show (Broadway), TINA (US Tour). Upcoming: GRIM (La Jolla Playhouse). Affiliations: United Scenic Artists USA829. Education: The Theatre School at DePaul University.
MARC WAYNE (Choreographer) KCRep: The Wizard of Oz, One of the Good Ones (Fight Choreographer), A Christmas Carol, The Color Purple (Fight Choreographer), Nina Simone. Four Women (Fight Choreographer); KCRep for All Tour: the ripple, the wave that carried me home (Fight Choreographer). Local: The Wiz (Co-Director/Choreographer), Sweeney Todd, Godspell, Porgy and Bess, Ain’tMisbehavin’ (Director/Choreographer), Titanic: The Musical; Hair, Ragtime, Carousel, Showboat (Music Theater Heritage); Lilly and the Pirates, Lightning Thief. The Percy Jackson Musical, Shrek: The Musical, Rudolph the Red-Nosed Reindeer, Charlie Brown Christmas, Alice’s Wonderland, Don’t Let the Pigeon Drive the Bus, BeatBugs, Pete the Cat, The SpongeBob Musical (The Coterie); Wylliams/Henry Contemporary Dance Theater, Kansas City Chiefs Cheerleaders, Storling Dance Theater, Maxxas Dance Theater. Regional: Nina Simone. Four Women (Milwaukee Rep), Belhaven University Dance Department (Jackson, MS), Dance Revolution (National Convention Tour), Saint Louis Dance Theater (St. Louis, MO), CARMAN Ministries (National Concert Tour), The Bibleman Adventure (Video series and National Tour). International: Continental Singers (World Tours). Education: The Ohio State University: Dance.
DARRINGTON CLARK (Casting)(He/Him) KC Rep Casting Credits: Come From Away, Wizard of Oz, One Of The Good Ones. Darrington is a native
816.235.2700
Kansas Citian, arts administrator, casting director, youth educator and theater artist. With over ten years of professional theater experience including performance, direction and education, Darrington now works to uphold and exceed KC Rep values, especially Empathy, Openness and Inclusion. Darrington is also the Assistant Creative Director of Stage Right Performing Arts, having directed or music directed over 10 summer youth productions since joining the staff in 2013. Darrington’s acting work has been seen in nearly every playing house in Kansas City, and he is grateful for the community building that now allows him to serve as KC Rep’s casting lead. Upcoming: Director, A Christmas Carol 2026. AEA Member.
ANDRA VELIS SIMON (Music Director) (She/Her/AVS) KCRep debut. Regional: Waitress (The MUNY), Vietgone (Cincinnati Playhouse), The Band’s Visit (TheatreSquared), London Road U.S. premiere (Shattered Globe Theatre), Songs for Nobodies (Northlight Theatre), Next to Normal (Writers Theatre), La Ruta world premiere (Steppenwolf), Pirates of Penzance (Berkeley Rep and Pasadena Playhouse), Yeomen of the Guard (Oregon Shakespeare Festival), Mr. Burns: a post-electric play (Theater Wit), multiple productions with Actors Theatre of Louisville, A.R.T. in Cambridge, Chicago Children’s Theatre, Firebrand Theatre, The Goodman, The Hypocrites, Olney Theatre, and Porchlight, among others. Academic: musical theatre faculty or guest artist at Columbia College Chicago, Grinnell College, Northwestern University, DePaul University, Roosevelt University, and Rose Bruford College in the UK. Upcoming: Guys and Dolls (Indiana Repertory Theatre and Geva Theatre). AndraVelisSimon.com
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COME FROM AWAY JENISE COOK
MARIELENA MARROQUIN
(Intimacy Coach) KCRep: One of the Good Ones, A Christmas Carol, Dracula, The Color Purple, Emma, Broke-ology, Twelfth Night. Local: West Side Story, Legally Blonde (Starlight Theatre); Romeo et Juliet (Lyric Opera of Kansas City); Intimate Apparel, Smart People (KCAT); fire work, Refuge, Toni Stone (Unicorn Theatre); Natasha, Pierre, & the Great Comet of 1812, Collective Rage, Spilled Milk (Fishtank Theatre); Jaja’s African Hair Braiding (Black Repertory Theatre of Kansas City); Cabaret, She Kills Monsters, Romeo & Juliet, Stop Kiss (UCM); The Devil’s Between Us (KU). Regional: One Shot (Cleveland Playhouse: New Ground Festival); The Handmaid’s Tale Opera, Aida (Glow Lyric Theatre). Education: MFA Acting & Directing UMKC Conservatory. Jenisec.com AEA Member
(Cultural Consultant) KCRep: debut. Marielena Marroquin is the Founder and CEO of Cultura Consultants KC, where she helps organizations strengthen communities through cultural strategy, storytelling, and community engagement. A TEDx speaker, facilitator, and founder of the KC Latina Book Club, Marielena is passionate about creating spaces for authentic conversation and belonging. She is honored to serve as the Cultural Consultant for KCRep’s Come From Away, supporting the cast and creative team throughout the production process.
KATE MYRE (Dialect Coach) KCRep: debut. Kate Myre is a professor at Cornish College of the Arts at Seattle University and works internationally as a voice-over artist and dialect coach. She has worked extensively with Pulitzer and Tony Award-winning playwright and director Brian Yorkey, dialect and text coaching many theater productions as well as the Netflix series 13 Reasons Why, Echoes, and The Outer Banks. In Oslo, Norway, she worked with the acclaimed production of The Hamlet Complex at the Oslo Royal Opera House, directed by Alan Lucien Øyen. She has coached for The Seattle Rep, The Seattle Children’s Theatre, ACT, The Village Theater, Seattle Public Theater, The Immediate Theatre, Theater Schmeater, Seattle Shakespeare Company, Jack Straw Foundation, The Boston Repertory Theatre, among other notable companies.
CHRISTINE SINGLETON (Dramaturg) KCRep: debut. Christine L. Singleton is a collage of every Black woman she has ever come into beloved contact with. She is a long-forgotten myth. A paradox of personhood. A rumor. She is a whisper seen on the lips of gossiping aunties. Christine is a writer who wants to learn everything she can about her craft. This is Christine’s debut show with KCRep and she is very excited. Previously Christine was the Dramaturg/Associate Director for Shades of Theatre’s production of A Raisin in the Sun. As Dramaturg, it is Christine’s role to advocate for the playwright’s vision. She assists the cast, crew, and audience in deepening their connection to the material. Christine is a graduate student in the English Department at the University of Kansas. She holds a B.A. in English from Virginia Commonwealth University. In her free time, you can find Christine making craft cocktails and solving jigsaw puzzles.
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company AHAFIA JURKIEWICZ-MILES (Associate Music Director) (They/Them) KCRep: debut. Ahafia Jurkiewicz-Miles is honored to make their KCRep debut. Their ongoing mission: to create and participate in art that welcomes and includes all trans creators, technicians, and performers. Music Director: bare: a pop opera; Reefer Madness; Bat Boy: the Musical; Hedwig and the Angry Inch; The Last Five Years (The Arts Asylum); the1994project; American Idiot (BlackBoxKC); The Spongebob Musical (Shawnee Mission TIP); H.O.T. the Musical (Unicorn Theatre); Matilda (The White Theater at the J). Playwright/actor/pianist: Tipton (Kansas City Public Theatre). Actor: Hir (Unicorn Theatre). Upcoming: Queertauqua (traveling production). Education: BM in Piano Performance, University of Central Missouri.
MICHELLE NELSON (Associate Sound Designer) KCRep: debut. Michelle Nelson is excited to be joining the creative team as Associate Sound Designer for this production. She is pursuing an MFA in Sound Design, and her previous credits include The Arsonists, Silent Sky, Pippin (UMKC). Michelle would like to thank her husband and her parents for always supporting her theatrical pursuits.
RACHEL M. DYER (Production Stage Manager) (She/Her) KCRep: Production Stage Manager: Emma, A Christmas Carol (2024-2025), Once, Cyrano de Bergerac, Flood, Twelfth Night, Brother Toad, Man In Love, Lot’s Wife. Assistant Stage Manager: The Color Purple, Nina Simone- Four Women, The Old Man and the Old Moon, Ms. Holmes & Ms. Watson Apt. 2B, A Christmas Carol (2021-2023 and 2014-2019). Mary’s Wedding, Fun Home,
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Cat On A Hot Tin Roof, Pride & Prejudice, Last Days of Summer, The Curious Incident of the Dog in the Night-Time, Between the Lines, Side by Side by Sondheim, Evita, The Diary of Anne Frank, Sunday in the Park with George, Hair: Retrospective, An Iliad. Local: Romeo & Juliet (Heart of America Shakespeare Festival); Morning’s at Seven (Kansas City Actors Theatre) Education: BS in Theatre Design and Technology, Northwest Missouri State University. AEA Member
ALEX MURPHY (Assistant Stage Manager) (He/They) KCRep: Emma, Broke-ology, A Christmas Carol, Lady Day at Emerson’s Bar & Grill, A Christmas Carol, The Adventures of Tom Sawyer, Death of a Salesman, The Tallest Tree in the Forest, The Who and the What, The Santaland Diaries, Angels in America, Sticky Traps. Local: School of Rock (Starlight); Rudolph the Red-Nosed Reindeer: The Musical, Justice at War (Coterie Theatre); Death and the Maiden, A Moon for the Misbegotten, Blithe Spirit, Skylight, Sea Marks, A Lie of the Mind, And Then There Were None, The Realistic Joneses, My Old Lady, I’m Not Rappaort, At Home at the Zoo, The Gin Game (Kansas City Actors Theatre). Touring: The Prom (First National Tour). Off-Broadway: The Harder They Come, Romeo and Bernadette, Two’s a Crowd. Regional: Hair (Tantrum Theatre); Gem of the Ocean, The Scarlet Letter, Two Sisters and a Piano, Wine in the Wilderness (Two River Theater); American Prophet (Arena Stage); Wave After Wave, A Christmas Carol: A Ghost Story, Still Ready (Actors Theatre of Louisville); How I Learned What I Learned, An Iliad (Pennsylvania Shakespeare Festival). Education: MFA, University of MissouriKansas City. AEA Member.
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COME FROM AWAY HOLLYANNA PARKER (Assistant Stage Manager) (She/Her) Hollyanna received her bachelor’s degree in Theatre Performance from The University of Kansas. This is her debut as an Assistant Stage Manager with KCRep. Previously, she has worked in New York City as a stage manager in theatre, such as Chesapeake Chicks at Theatre for the New City, Powerline Road with Theatre Now New York, Uzume as well as The Weak and The Strong at LaMama Theatre, A Winter’s Tale and Two Noble Kinsmen with The Drilling Company, Women’s Project Theatre’s 2022 Gala at the Edison Ballroom, IES Lumen Awards at Pier 60, and many more. As a production assistant, she worked with the New Dramatist’s Luncheon, the International Emmy’s, the CFDA Fashion Awards, Jimmy Kimmel Live!, and the Off-Broadway Alliance Gala. In 2021, she worked with Swiftest for the reopening of Broadway productions such as Phantom of the Opera, Waitress, To Kill a Mockingbird, and with 101 Productions for For Colored Girls Who Have Considered Suicide/ When the Rainbow is Enuf and Plaza Suite. She has also worked as a house manager for National Asian American Theatre Company.
MUSIC THEATRE INTERNATIONAL (Licensor) Music Theatre International (MTI) is one of the world’s leading theatrical licensing agencies, granting theatres from around the world the rights to perform the greatest selection of musicals from Broadway and beyond. Founded in 1952 by composer Frank Loesser and orchestrator Don Walker, MTI is a driving force in advancing musical theatre as a vibrant and engaging art form. MTI works directly with the composers, lyricists and book writers of these musicals to provide official scripts, musical materials and dynamic theatrical resources to over 100,000 professional, community and school theatres in the US and in over 150 countries worldwide. MTI is particularly dedicated to educational theatre, and has created special collections to meet the needs of various types of performers and audiences. MTI’s Broadway Junior® shows are 30and 60-minute musicals for performance by elementary and middle school-aged performers, while MTI’s School Editions are musicals annotated for performance by high school students. Launched in May 2025, MTI’s Broadway Senior™ musicals are geared and adapted for adult performers 55 and over. MTI maintains its global headquarters in New York City with additional offices in London (MTI Europe) and Melbourne (MTI Australasia).
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STAFF ADMINISTRATION/ FINANCE Director of Finance & Administration Jared Freemon Associate Director of Finance Safiyah Grant Manager of Information Services Michelle Blaine Finance Manager Caycee Garlow General Manager Amy M. Abels Owen
ARTISTIC
Associate Artistic Director Morgana Wilborn Director of Arts Engagement Dionna Ndlovu Artistic Manager Dylan W. Blackwood Artistic Associate/Casting Darrington Clark
DEVELOPMENT & ADVANCEMENT
Director of Development Lindsay Bauer Director of Strategic Advancement Carrie Lenahan Development Database Manager Marie Kocher Grant Writer Diana Silver
Corporate Sponsorship Consultant Michael Baxley Development Associate – Events/Executive Operations Addison Rutherford
EDUCATION/ COMMUNITY PROGRAMS
Social Media Manager & Content Creator MacKenzie Turner Public Relations (Press Contact) Ellen McDonald Publications Assistant Tehreem Chaudhry
PRODUCTION
Director of Production Grace Hudson Production Manager John Henningsen Technical Director FRONT OF HOUSE W.R. Shinoski House Manager Assistant Technical Kelly Cooper Director/Automation Assistant House Managers Tom Gault Warren Deckert Scene Shop Foreman LaVera Fleeks Snipes John H. Owen II Front of House Staff Materials Coordinator Patricia Abts Jessica Balling Cameron Smith Dylan Cooper Head Carpenter Francis Cooper Andrea Awad Linda Fleeks Stage Carpenter/ Luigi Muscadin Automation Operator Mark Noble Seth Ferrin Lainey Obenshain Scenic Carpenter Arkisha Weston Griffin Rodgers Properties Director MARKETING & COMMUNICATIONS Jamie Lindemann Properties Artisans Director of Marketing & Taylor Adams Communications Amaka Maduabuchi Jana Liles Creative Director & Digital Paint Charge Shiloah Frederick Marketing Specialist Assistant Paint Charge Dayna Meyer Delia Timbreza Design/Publications Director of Costumes Specialist Thaylia Smith Jenny Green Director of Education & Community Programs Melinda McCrary
Assistant Director of Costumes Mary Williams Wardrobe Supervisor Marianne S. Rowse Costume Craftsperson Joey Gee Cutter/Draper/Tailor Jana Jessee Director of Lighting Shayna Phillips Head Electrician Kai Goff Production Electricians Reina Makimura August Rowse Director of Sound & Technology Anakin Garner Head Audio Engineer Gianna Agostino Production Audio Engineer Samy Toskin
TICKETING SERVICES
Manager, Ticketing Services Rhiannon Minster Associate Manager, Ticketing & Group Sales Gabriel Adams Ticketing Services Representatives Tehreem Chaudhry Jacob Allen Farmer Andrew Fogel Ginger Harris Amanda Schuster Cedar Valdez Jaylon Verser
PRODUCTION CREW: COME FROM AWAY Run Crew Addie Price Kaitlyn White Stage Carpenter Seth Ferrin Follow Spot Operators Elijah Anderson August Rowse
Light Board Operator/ Programmer Reina Makimura Audio Board Operator (A1) Gianna Agostino Swing Crew Ta’Ja Snipes Audio Technician (A2)/ Swing Audio Technician (A1) Samy Toskin
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Swing Audio Technician (A2) Daisy Melton Wardrobe Supervisor Marianne S. Rowse Dressers Sadie Carlson Pam West
2026/27 SEASON
is MORE than just a stage.
WE’RE YOUR NEIGHBORS! KCRep is a team of local artisans, administrative professionals, technicians, and creatives working together to bring you stories rooted in our community; theatre created by and for Kansas Citians. We connect artists and audiences in a welcoming environment that fosters wonder, curiosity, and understanding. You’re invited to come take a seat, lean forward, and experience the magic of theatre at KCRep! Then, go behind-the-scenes and discover how the magic was made by following us on social media.
Kansas City Repertory Theatre
Kansas City Repertory Theatre
@kcreptheatre
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@kcreptheatre
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Discover nature with us. Burr Oak Woods Nature Center
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1401 NW Park Road, Blue Springs 816–228–3766 mdc.mo.gov/burroakwoods
Anita B. Gorman Discovery Center
4750 Troost Ave, Kansas City 816–759–7300 mdc.mo.gov/discoverycenter
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Fantastic dry-aged steaks, classic cocktails and live Jazz nightly in KC’s historic Downtown saloon. 931 Broadway Kansas City, MO 64105 816-221-1888 www.majestickc.com
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COOK. EAT. BOND.
ADULT CLASSES PRIVATE EVENTS
KIDS CLASSES TEAM BUILDING 4161 N. Mulberry Drive 7920 Santa Fe Drive
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STUDENT :A oto Ph a on ury b
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“Camp KCRep was the best. I felt like an artist. I am creative and strong. The teaching team was extra-wonderful.” — Summer Theatre Camper
“All around the play was a beautiful tale, and I think I truly am a better person because of you. I cannot begin to describe how happy I am that I got to experience this brilliant production.” — High School Student
How is the magic of theatre conjured up? A long discussion — but it means that the elements of the art form — the script, actors, lights, sounds, costumes, scenery and props, projections, music and more all come together in a beautiful blend that expresses an exceptional story. But it isn’t really artistic sorcery until the audience arrives and that connection can ignite the theatre with the true magic of the experience. The most special moments of that unique enchantment took place in our 2025/26 Student Matinee Series — morning performances that deeply impacted over 8,400 young people, from third grade through university. Close to 50% of the field trip patrons benefited from our STARS ticket fund. The theatres almost literally rocked during enthusiastic curtain calls as each production reached into the parts of life that most affect individuals and offered up the story — in a way that only theatre can do —to our brightest and most expressive audiences, and it was truly magic.
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“My granddaughter has a new brightness and confidence this fall, and KCRep Summer Camp was a large part of her uplifted energy.” — Summer Theatre Camper’s Grandparent
“I was so taken by the response of students. The energy in the theatre; the rooting for characters; laughter and tears... were a tremendous reward for everyone involved. The talk back was also so engaging.” — High School Teacher
Our Summer Theatre Camps welcomed young people from all over the city to explore acting and improvisation techniques, storytelling, movement, mask-making, and so much more. The middle schoolers used The Wizard of Oz, The Wiz and Wicked in their exploration process, and the high schoolers examined The Crucible in conversation with John Proctor Is the Villain. The Teaching Artists were remarkable, and the campers met them with top-notch openness and energy to fuel the magic of the artistic summer styling going on at KCRep. The true magic of theatre takes root in young people. We never know when a song, a character, a sentence or a scene will inspire a young heart and mind to understand themselves and the world in a new way. We are here for it. Always. To learn more about a workshop or matinee, please reach out to Melinda, Director of Education, at mccrarym@kcrep.org.
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COMMUNITIES ARE BUILT WH Every performance invites us to laugh, wonder, and connect through a shared story. But the experience
doesn’t end at the final curtain. It
sparks conversations, new perspectives, and connections that continue across dinner tables, classrooms, workplaces, and neighborhoods throughout Kansas City.
That’s why your support matters. Strong communities are built one shared experience at a time.
Isabella Campos, Natascia Diaz,, & Gene Gabriel in KCRep’s 2026 KCRep For All Tour production of ONE OF THE GOOD ONES. Photo: Kenney Ellison
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HEN PEOPLE COME TOGETHER MAKE THE NEXT STORY POSSIBLE • Bring extraordinary stories to life • Inspire the next generation of theatre lovers • Build connections across Kansas City
WAYS TO GIVE CLICK KCRep.org/support-us CALL 816.235.6106 MAIL
KCRep 1201 Walnut Street Suite 500 KCMO 64106-2175
Photo: Gene Gabriel, Isabella Campos, Natascia Diaz, & Tyler Lindquist, & in KCRep’s 2026 production of ONE OF THE GOOD ONES. Photo: Don Ipock
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PRAIRIE STYLE locally made
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2026 / 27 SEASON UNDERWRITERS
CONTRIBUTORS KCRep is grateful for the charitable contributions of the many donors who help make our productions, community outreach programs, and youth education programs possible. The following list represents annual and event support as of July 22, 2026. Herb & Bonnie Buchbinder Donor Advisory Fund * Louetta M. Cowden Foundation Copaken Family Foundation Bank of America, Trustee Jackson County, MO The DeBruce Foundation Linda & Topper Johntz * Brad & Linda Finkle R & C Charitable Foundation Francis Family Foundation, Richard J. Stern Foundation for the discretionary of Arts - Commerce Bank, Trustee * David and Janis Francis * H&R Block * PRODUCER Chris Hernandez & Paul Monteil $25,000 - $49,999 Ellen & Irv Hockaday * Kearney Wornall Foundation Anonymous * R.C. Kemper, Jr. Charitable Trust Anonymous And Foundation Burns & McDonnell * Judy O. Kirk Charitable Fund * Arvin Gottlieb Charitable Kissick Construction Company Foundation, Peter W. Brown, Barton J. Cohen, UMB Bank, n.a. Linda & Bill Kornitzer Robb Krumlauf & Trustees * Leanne Wiedemann Laura & David Hall * Mike Lochmann * Nancy P. & Robert W. Hatch * William J. & Frances Lynn * William T. Kemper Charitable Trust, UMB Bank, N.A., Trustee Frank & Margaret G. McGee Fund David R. Morris Neighborhood Tourist Nichols Company Charitable Trust Development Fund Jessica & Matt Ralston * Miller Nichols Charitable J. B. Reynolds Foundation * Foundation * Victor E. and Caroline E. Schutte Pemberton Family Charitable Foundation 1959, Foundation John Aisenbrey, John Davis, and Jo Ann & William D. Sullivan * David W. Frantze Trustees * Show Sage LLC DIRECTOR The Sosland Foundation * $10,000 - $24,999 Hillary Stamper & Katie Dunn Anonymous * Bert & Sue Trucksess * Lynn Badaracco & Dwight Quiring * UMB Financial Corporation Ivan & Karla Batlle * US Bank * Becky Blades Veracity Consulting, Inc Abe and Anna Bograd Sara E. Welch Memorial Trust The Jack and Glenna Wylie Pete B. Browne & Foundation / Midwest Trust & Julie Walker Browne Thomas A. McDonnel, Trustees
FOUNDER $50,000+
SHOW-STOPPER $5,000 - $9,999
Anonymous Jeff Anthony & Susann Ogg Cathy Baier Marcia Bailey * Terry & Bill Biggins Blue Cross & Blue Shield of Kansas City The Breidenthal-Snyder Foundation * Wendy & Grant Burcham Cafe Trio (in-kind) Kay & John Callison * Jessica & Jason Chanos Chappelow Events (in-kind) City of Kansas City,Missouri Office of the City Manager Virginia & Charles Clark * Commerce Bank Crux KC LLC Culinary Creations (in-kind) Rick & Barbie Dierks * DRAW Architecture + Urban Design 20+ years of service to our community
Kim Jones Marcie & Ron Jones Mary & Mark Jorgenson * R. C. Kemper Charitable Trust, UMB Bank, n.a., Trustee KPMG, LLP * Lever1 Carol & Fred Logan * Timothy J. Marchesi & John D. Lawrence / DeMarche * Mariner McCownGordon Construction Co. Lauren E. Tucker McCubbin & Gabe McCubbin Midwest Trust & Advisors Barbara and Bill Nelson Foundation * Debra & Allen Parmet Polsinelli PC Rick & Tanya Ratliff Marny & John Sherman and Sherman Family Foundation * Stark Wolkoff Foundation Stinson LLP * Sunlighten Ratana & Oscar Tshibanda University of Central Missouri Alumni Foundation/ Courtney Goddard VanTrust Real Estate * Nancy J. Viets * Hailee Bland-Walsh / City Gym George & Beverley Wilson * Thomas & Sally Wood Family Foundation*
Leslie and Travis Duke Dunn Family Foundation Kevin A. Dunn Charitable Foundation Evergy * First Business Bank Deanna & Greg Graves Judge Jon R. Gray (Ret.) & Dr. Valerie E. Chow SCENE-STEALER Scott & Suzy Hall * $2,500 - $4,999 Hayley E. Hanson & Todd McGuire Health Forward Foundation Matthew Allen Ashlei & Charles Holznecht Anonymous Hunt Family Foundation Dick & Emily Ballentine * Husch Blackwell LLP Adriana Bates & Tabitha Davis
* Shooting Stars — Donors of 10 or more consecutive years
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CONTRIBUTORS SCENE-STEALER $2,500 - $4,999
Continued G. Kenneth and Ann Baum Philanthropic Fund Ann Kaufmann Baum * Anne & Bill Blessing * BlueScope * Harper Rebecca Coulson Margaret Cummings * Dominique Davison Joel & Ellen Deboer Amy and Bob Dunn Family Giving Fund Enterprise Mobility Foundation Kenneth & Vanessa Ferguson Dave & Geri Frantze * Tom & Molly Freeman Douglas & Ann Ghertner * John Gravley & Martha Salinas Courtney Harrison Robin Hawkins Shirley & Barnett C. Helzberg, Jr. * Marc & Nina Hollabaugh * Edward & Camille Honesty Joan Horan Paul & Linda Hustad Steven Irwin * Laurie & Chuck Jarrett Doug & Lori Jones Nancy L. Kain * Mr. & Mrs. William S. Kanter * Andrew & Sheryl Kaplan Andrew Kneessy Beth & Gregg Lombardi R. A. Long Foundation * Kate Marshall Melea McRae-Hall Mark & Janette Morgan * Patricia O’Connor Bob & Ann Regnier The Rothhaas Family Stacy Stotts Julie Stotlar-Towner Abby & Alex Wendel Michael E. Whitsitt Jon & Katie Wright Aaron & Connie Zach Bill & Beth Zollars *
SCENE-MAKER $1,500 - $2,499
Anonymous * Anonymous (2) Kate & Jeffrey Chaney James & Linda Cole
Copaken Brooks David Douglass Iman Fennell Stephen & Patricia Gound Family Foundation Carol & Dennis Hudson Patrick Hughes, MD The Ingram Family Foundation* Joy & Jerry Kaplan * Jason & Bridgette Kling * Jana & Curtis Liles McClure Engineering Brandon & Melissa McManamy Marshall Miller & Kathleen Miller Pamela Miller & Michael Cummings * Scott A. Moore Shalena Prude Lisa & Charles Schellhorn * George & Lisa Shadid * Lester Siegel Trust Fund *
PARTNER
$1,000 - $1,499 American Century Investments (matching gift) Anonymous (2) Rey Arellano Riki Barr Irv Belzer & Sue McCord-Belzer * Robert H. & Kathleen M. Bender * Nathan & Margaret Benjamin Robin & Scott Boswell Michael & Karmel Carothers Jerry & Meghan Carpenter James & Ellen Copaken Dave & Dee Dillon Mike & Elizabeth Disilvestro Brian & Lynn Dunn Peggy & Terry Dunn Howard & Lisa Feingold Brooke Fulton Holly Grothues Trevor Hoiland Matthew Hufft Charles Ismert Doug Kallenberger & Lynn Blixrud Brian Kaufman Melanie & Skip Miller William Moran Stewart & Debbie Myers Ken & Tammy Peterman Janet & Jack Podoll Joe & Lainey Puglisi
Benjamin & Kimberly Randell Andre Smith Rebecca & Phillip Smith Sterneck Capital Foundation Deb & Paul Turpin Marsha & Joel Voran Susan & Jason Waldron Lynne & Carl Weilert Molly & Steve Wendland Debra S. Wood Christine Yannitelli & Dennis Manske *
PATRON
$500 - $999 Gabe Adams Agrawal Family Fund Jane & David Albright Joel & Elizabeth Allen Anonymous (2) Meg Belew Sherrie Bell Lillian Berry BNIM Architects Nancy Bramley Amanda & Richard Brewington Robert Butcher & Madelyn Rudd Cassandra Castaneda Craig Coen & Jeffrey Bellamy Melanie Coleman & Todd Gafney Kristopher Dabner Steve & Cathy Doyal Amanda and Pat Dunn EPR Properties Omar Farias & Paul Miranda Sandi & Ed Fried * Patty Gee Nicholson & Nick Nicholson Brett & Beth Gerstenberger Dr. James & Christine Morgan Glenski Chris & Chelsea Glissman * Brett Gray Denis & Jennifer Greene Anita Toby Grow Hageman Family Chris & Kelli Harren Michael Henry & Terry Anderson Lisa Merrill Hickok Jennifer Higginbotham Kim & Ted Higgins * John & Sharon Hoffman Blair & Lyn Hosford * Keegan & Beth Jackson Arlen & Patricia Johnson
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Buddy & Carolyn Jones Michael & Mary Jane Judy Kelly & James Kaplan Kauffman Foundation Matching Gifts Program Meredith Keay Bryce Kuhlman & Jennifer Pauls Carrie & Patrick Lenahan * Troy Lillebo & Brian Ellison * Kelly Magee Debra & John Mahoney Pat Martin Howard & Vicky Mayer Patricia Ann Miles Patricia E. Cleary Miller, Ph.D. Meggan Newland, M.D. & Jon Henry Anita Newton Ronald Newton * Lynne O’Connell Mark & Lynne O’Connell * Sara & David O’Connell * Patrick O’Rourke Scott & Robin Page * Paul Post & Kay Kelly George & Wendy Powell * Sean Richardson Steve & Ann Robertson Cameron Rostron Gloria Rudd Michael & Jan Schall Mark & Janice Schonwetter Lynn Schweig James & Kathy Sear * Stan & Linda Shipman * Richard Singleton III Kristin Smithson Pasquale Trozzolo Barbara McMahon & Dennis Varble Diane & Roy Whitley * Teddi Wolff
SUPPORTER $250 - $499
Ann Abercrombie Dana Abraham & Chuck McCann Ellen & John Aisenbrey * Javier Alfonso Anonymous Barbara & Richard Atlas * Debby & Gary Ballard Kyle Barclay Ken & Jill Biesma Dan & Jobeth Bradbury
2026/27 SEASON
CONTRIBUTORS SUPPORTER $250 - $499
Continued Sue & George Brandt Amanda & Jay Breeden Nicole Browne Allison & Brian Bustos Lynn & Lance Carlton Devon Carney Arden & Mary Ann Carr * Sarah & Clayton Cook * Gary & Melissa Corley Katherine Corogenes Christopher Crenner & Katherine Levy David Cruz Kymberli Cutler Hannah Fenley Randy Fowler Beth & Brian Freeman Sydney Fuger Scott & Colleen Giffen
Ronald & Susan Goldsmith Philanthropic Fund * Robert Grant Charles & Eileen Green Katie Grimes Stephanie Guinness Christina Hager John & Bernice Hamra Foundation Leslie & Martin Herst Dan Hinrichs Mary & Eric Honour Sylvia Jeffress Mary Jordahl Katherine Jorgenson & Marc Harman Ward Katz Jay & Ann Kinnamon * Marli Klumb Robert Knop Patricia Konopka Jane & Bruce Kunz
Rev. Susan Langhauser * Shelly Legler Elizabeth R. Lesan & Katsuyoshi Nishimoto Marilyn & Bruce Lowrey Maria Maffry Melissa Manda Laurie McCormack Joel & Helen Miller Josue Montes Alexander Ong Christian Pantaenius Jim & Helen Parrott Carolyn Phelps PNC Bank Maggie Presson * Stacie Prosser Steve & Janice Roeder Mary & Rick Schindler Peggy Schmitt Valerie Schroer Glynn Spencer
Linda S. Stevens David Stewart & Nancy Bosche Chris & Brooke Sweeney Kurtis L. Thiel William & Elizabeth Thomas, Jr. Robert & Cindy Thompson Russ & Maralee Thompson Mark Thornhill & Maria Donigan Marcia Tighe T-Mobile Matching Gifts Bill & Nancy Topper * Janann & Gregory Vardakis Christine Walton Hailee Bland-Walsh/City Gym Dr. Audrey V Wegst Charles & Linda Wells Melissa & Cyril Welter Michele & John Wilinski * Geri Wise Michael Wright & Christa Cavanaugh *
Thank you to those who support KCRep with charitable donations via funds at Greater Kansas City Community Foundation, Jewish Community Foundation of Greater Kansas City, as well as other donor advised fund entities and programs. For a complete list of Friends of KCRep ($100+), visit our website at KCRep.org/contributors or scan this QR code.
THANK YOU TO OUR LEGACY SOCIETY MEMBERS Their generosity ensures that KCRep will continue to inspire, entertain, and open minds for generations to come. ~ Anonymous Anonymous ~ Dr. & Mrs. Keith W. Ashcraft ~ William W. Baker Trust Anne & Bill Blessing ~ Mrs. W. Coleman Branton Mary Lou & ~ Tom Brous Cindie Buchanan Jerry & Meghan Carpenter ~ Nathan Schechter MD Trust in memory of ~ Vicki S. Catlin ~ Richard R. Cawthorn
~ Ann King Dickinson ~ Estate of Joseph F. Finch Pam & Dr. Fred Geer Courtney Goddard ~ Elizabeth Irwin Gordon Nancy P. & ~ Robert W. Hatch Ellen & Irv Hockaday Linda & Topper Johntz Mary & Mark Jorgenson ~ Helen Louise Kassebaum Trust Dr. & Mrs. J. Gordon Kingsley ~ Lothar P. Krause
Rev. Susan Langhauser Lindsay Meyer & ~ Corey Brunk Pamela Miller & Michael Cummings ~ Dr. Mary Jo Rahatz George & Lisa Shadid ~ Dr. Nathan & Ruth G. Shechter ~ Marilyn T. Tromans Brad Voelker Hal vonBohnhoff ~ Betty Widmier
Your love of theatre can become part of KCRep’s future. We would be honored to welcome you into the Legacy Society. To learn more, contact Carrie Lenahan at 816.235.5420. ~ In Memoriam
816.235.2700
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KCRep.org
SUPPORT THE STAGE. CREATE LASTING IMPACT! At Kansas City Repertory Theatre, we believe in the power of performance — and in the power of giving. Join our Legacy Society and ensure that future generations experience transformative theatre at Kansas City Repertory Theatre. Make a planned gift by including us in your will, revocable living trust, or name KCRep as a beneficiary on an IRA, 401(k), life insurance policy, or donor advised fund! As a member, you will receive invitations to special events and inclusion in our Legacy Society listing. Create a lasting impact for future theatre lovers!
READY FOR THE NEXT ACT? If you’ve already included the theatre in your plans – THANK YOU! Contact Carrie Lenahan at lenahanc@kcrep.org or call 816.235.5420 to be recognized. See a listing of current Legacy Society members on page 75 of this program.
Amari Lewis in KCRep’s 2024 production of LITTLE SHOP OF HORRORS. Photo: Don Ipock
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TRIBUTES & REMEMBRANCES The following gifts honor the lives and legacies of cherished members of the KCRep community. These tributes sustain KCRep and support the future of our Tribute giftseducation can be programs, made atand kcrep.org/support. artistry, Theatre for All.
For a complete list of KCRep Legacy Society members,
In Memory of In Honor of Honor of Lauren E. Tucker McCubbin seeIn page program. DR. PATRICIA McILRATH DRS. KARLA & IVAN TOM FRYE 75 of this & Gabe McCubbin BATLLE’S Venne-Richard & from Brad & Amy Hogan as of Melanie Miller Listings are current July 22, 2026.fromFelicia 40th Anniversary Londré Brian Motl & Sara Sullivan In Honor of from Lynn Schweig and the Motivan Fund In Honor of CHRIS HERNANDEZ Stewart & Debbie Myers In Honor of RITA MORAN from Consuelo Cruz Barbara & Bill Nelson MARJ BURKHOLDER from Anola Pickettt Foundation in honor of In Memory of from Matthew Hensen Bill Nelson In Memory of BRUCE R. HOPKINS Patricia O’Connor In Honor of DAVID OLIVER from Bonnie J. Buchele, Ph.D. Jessica & Matt Ralston STUART CARDEN from Mollie Alexander & In Honor of The Rothhaas Family from Virginia Lieberman Frank Hogan DOROTHEA & NATHAN George & Lisa Shadid In Honor of In Honor of JAGODA Lester Siegel Trust Fund A CHRISTMAS CAROL AMY ABELS OWEN’S from The Jagoda Family Hillary Stamper CAST & CREW leadership Foundation Deb & Paul Turpin from Barr Charitable from Robin Sterneck Jon & Katie Wright In Honor of Giving Fund Bill & Beth Zollars In Memory of GARY NEAL JOHNSON In Honor of my Dear Friends ALEX PETROVIC II from In Memory of PAUL & BUNNI COPAKEN from Elizabeth Harding Anonymous LEE JONES from G. Kenneth & Ivan & Karla Battle from Buddy & Carolyn Jones In Memory of Ann Baum Philanthropic Fund Irv Belzer & DON L. RANUM In Honor of – Ann Kauffman Baum Sue McCord-Belzer from the Family of MARK JORGENSON Jessica & Jason Chanos In Memory of Phyllis Ranum from Hunt Family Foundation Bunni & Paul Copaken PATRICIA CROWE & Joel & Ellen DeBoer In Honor of In Honor of John A Morgan Dave & Dee Dillon CYNTHIA RIDER CARRIE LENAHAN’S from James & Christine Leslie & Travis Duke commitment to the theatre from Michael & Jan Schall Glenski Pamela King Erbes from Robin Sterneck In Memory of Mike Fischer In Memory of AUGISTINA RODRIGUEZ Molly & Tom Freeman In Memory of THOMAS P. CUMMINGS from Tina Rodriguez & Ann & Doug Ghertner LISA JANE LOEWEN from Margaret Cummings Robin Smith Stephen & Patricia Gound from Rex Loewen In Memory of Deanna & Greg Graves In Honor of In Honor of JANIE A. DENZEL Judge Jon R. Gray (Ret.) & JUDY RUSH FRED LOGAN from Robert Denzel Dr. Valerie E. Chow from Shelly Doucet from Holly Grothues & In Honor of Bill & Anne Blessing In Honor of Jeff Riesenmy JEREMY DEWEY, Debe Bramley XAVIER G. SCHAEFER Laura & David Hall STUART CARDEN, & Mark & Pam Brandsted from Alan Schaefer Nancy P. & Robert W. Hatch MORGANA WILBORN Doug & Sally Burton Family Fund from Carla Williams-Evans In Honor of Tom & Kathy Busch Alexander Higginbotham & BRAD SPRONG John & Nancy McCarthy In Memory of Hanh Pham from Pamela Miller & Tom & Molly Pitney ROBERT FIRNHABER Paul & Linda Hustad Michael Cummings Linda Tharp from Buddy & Carolyn Jones Andrew & Sheryl Kaplan Lisa Tuchtan In Honor of Maureen Kennedy In Honor of HILLARY STAMPER & Carrie & Patrick Lenahan In Memory of DOUG FARCHMIN KATIE DUNN Mike Lochmann JOHN MccORKLE from Peter Van Auken from Ann Abercrombie Carol & Fred Logan from Keil Thompkins
Tribute gifts can be made at kcrep.org/support. Listings are current as of July 22, 2026.
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TAKE CENTER
STAGE Connect with Your Audience this Season and Advertise in Kansas City’s Top Theater and Performance Venues. Contact Christin Painter at: christin@kcindependent.com • 816-471-2800 x218 • kcindependent.com
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