“But I can tell you this: there was one thing I did know, one thing I always knew right from the beginning - I always knew, drunk or sober, I always knew when nothing was going to happen.”
Frank Hardy. Faith Healer
Travelling through remote and lonely villages in Scotland and Wales, Frank works his magic, curing the sick and giving strength to the weak Frank has a gift A gift of healing His powers are real, aren’t they?
Faith Healer is a haunting and spellbinding piece of theatre that tells the story of Frank, his wife Grace and manager Teddy who each take turns to recall their lives together, unveiling a pool of fractured and contradictory memories.
Acclaimed Hong Kong company Theatre du Pif brings its signature physical and emotional intensity to Brian Friel’s celebrated masterpiece – a profound meditation on art, faith and the stories we cling to for survival.
了⼗⼈，格蕾絲在蘇格蘭⾦洛克
伯威產下兒⼦，法蘭克在愛爾蘭巴利⽐格發⽣的種種事情； 記憶
SCENES LIST 分場表
Frank
Grace
Teddy
Frank
Part 1
Part 2
Intermission 中場休息
Part 3
Part 4
法蘭克
格蕾絲
泰迪 法蘭克
Brian Friel 布萊恩・費爾 (1929-2015)
Born in County Tyrone, NothernIreland, in 1929, Frielwasan Irish dramatist and short story writer. He studied in seminary but did not become a priest. Instead, he became a math teacher and began writing plays in his spare time Eventually, he decided to leave his teaching job and pursue playwriting full-time.
Brian Friel’s international status was founded on the profoundly local: the universal resonance of ‘Ballybeg’, which projected him as “the Irish Chekhov”, emphasising his extraordinary affinity with the Russian playwright Friel addressed themes such as language and meaning, faith and authority, through the medium of the family and its search for the elusive quality of “home”. With Philadelphia, Here I Come! and Dancing at Lughnasa earned him accolades including the Laurence Olivier Award for Best New Play, the New York Drama Critics Circle Award for Best Play, and the Tony Award for Best Play.
布萊恩・費爾於 九二九年出生在北愛爾蘭 個小鎮，是著名的戲劇家和 短篇小說家。曾在神學院就讀，但沒有成為神父。後來轉而擔任數學老 師，同時開展了編劇創作。最終辭去教職，全職寫作。
其作品描寫的巴里貝鎮（來自愛爾蘭語「貝萊貝格」，意為「小城鎮」）具 濃厚本土氣息，同時富深刻的宇宙性，因此被譽為「愛爾蘭的契訶夫」。費 爾擅長描寫家庭生活中千絲萬縷的關係，從而探討語言與意義、信仰與權 威等主題。《費城，我來了！》、《盧格納薩之舞》等作品，先後獲得了奧利 維爾年度戲劇獎、紐約圈內劇評人獎最佳劇本、東尼獎最佳劇本。
DIRECTOR’S NOTE 導演的話
When I was asked to direct the Faith Healer in 2023 by Theatre du Pif, I leaped at the chance, and now in 2026, I have had the opportunity to direct it again. Obviously, a lot has happened in the last three years, especially around what is real and what is created? Or even a straightforward lie. That change in our world has reshaped and refocused the way we approached this great play. I have, with a mostly new cast discovered even more depth within this production. This cast have brought different insights, energy, and artistic choices. It is extraordinary to me, as a professional director, how the same text morphs with a different actors’ choices. And together we have rediscovered the play like a new land, hidden at first with a mist, but as we re-explored this fascinating text, the mist is blown away by the actor’s insights and talent, revealing an exciting new landscape. I believe these actors are at the top of their game and have created a truly definitive production of this remarkable play.
First staged in the 1970s, Faith Healer faced early criticism but gained acclaim after a successful revival. Through four monologues, it explores memory, truth, and perspective as Frank, Grace, and Teddy recount their chaotic lives. This poetic masterpiece challenges audiences to question reality, belief, and the nature of personal truth.
It is up to you, the audience, to decide who is telling the truth. Or are they all telling their own truth? The play is an examination and poetic exploration of the eternal struggle to discover the truth of our experiences and how we rationalise them in our mind. In this post truth world, I think the time is right to present a play that examines the very nature of what is truth. What is reality? What is belief? Or does belief create our reality?
當我在2023年被進劇場邀請執導《神醫》時，我毫不猶豫地接受了這個機會。而 到了2026年，我再次有幸執導這部作品。在過去的三年裡，世界發生了許多變 化，特別是圍繞著「什麼是真實，什麼是創造出來的，甚至是徹頭徹尾的謊言」這 樣的話題。這些變化重塑並重新聚焦了我們對這部偉大戲劇的詮釋方式。這次，我 與 個幾乎全新的演員陣容合作，發掘出了這部作品更深層次的內涵。令我這位專 業導演感到驚奇的是，同樣的劇本，因為不同演員的詮釋，竟然能有如此不同的面 貌。在我們的合作中，這部戲劇猶如
片隱藏在迷霧中的新大陸，隨著演員們的洞 察力與才華，迷霧逐漸散去，展現出了 片令人興奮的新景象。我相信，這些演員 正處於他們的巔峰狀態，他們共同創作了 個堪稱這部傑出戲劇的終極版本。
《神醫》最早於20世紀70年代首演，起初曾遭遇批評，但在 次成功的復排後贏 得了極大的讚譽。通過四段獨白，這部戲劇探索了記憶、真相與視角的主題，講述 了弗蘭克、格蕾絲和泰迪三人充滿混亂的生命故事。這部充滿詩意的大師之作，挑 戰觀眾去質疑現實、信仰以及個人真相的本質。
究竟誰在說真話，還是他們都在說屬於自己的真相？這部戲劇是 場對我們經歷的 真實性進行探索與詩意審視的旅程，並探討我們如何在心中合理化這些經歷。在這 個後真相的時代，我認為此刻正是重新演繹這部戲劇的最佳時機，它深入探討了真 相的本質、現實的定義以及信仰是否構成我們現實的問題。
THE TEAM 團隊
Director
導演 Michael Bray Cast
演出
Stage Designer
舞台設計
Lighting Adviser
燈光顧問
Lighting Designer
燈光設計
Stage Manager
舞台監督
Deputy Stage Manager
執行舞台監督
Stage Assistants
舞台助理
Chinese Surtitle Translation
中文字幕翻譯
Producers
監製
Marketing & Promotion
宣傳策劃
Sean Curran 紀⽂舜
Barry O’Rorke
Davina Carrete
Lawrence Lee 李浩賢
Lau Ming Hang 劉銘鏗
Hui Wing Yan 許穎恩
Fan Man Yan 范⽂恩
Wong Ho Tung ⿈可童
Ho Cheuk Kei 何焯旗
Wong Hong Kiu ⿈康喬
Chong Ka Ho Terence 莊家灝
KiKi Ng 伍綺琪
Melissa Leung 梁曉端
Jamie Wu 胡家欣
Muscle Green ⾺素綠
THEATRE DU PIF
Theatre du Pif was formed in Scotland in 1992 by Bonni Chan and Sean Curran and for three years, they conducted daily classes, taught professional and community groups and devised productions that toured around the UK and Europe.
In 1995, Theatre du Pif relocated to Hong Kong and became known fo its cross-cultural heritage and bilingual productions performing in Cantonese, English or both. Often using a workshop and devising process as well as collaborations with dramaturges and artists from other disciplines, the company orchestrates movement, text and visual images to create new productions acclaimed for their power and their poetry.
The company has staged plays by a variety of world dramatists including Jean Anouilh, Samuel Beckett, David Harrower, Henrik Ibsen, Sarah Kane, Federico Garcia Lorca, Harold Pinter, Yasmina Reza and Cao Yu. They have collaborated with a number of international theatre directors and artists including Michael Bray (UK), Robert Draffin (Australia), Mikel Murfi (Ireland), Adrian Noble (UK), Yang Jun-gung (Korea), Jovanni Sy (Canada) and more.
Theatre du Pif has been financially supported by the Hong Kong Arts Development Council.
“Theatre du Pif operates at the cutting edge of modern theatre.” – South China Morning Post
“The most Innovative and cross-culturally aware theatre company in Hong Kong.” – Time Out Hong Kong
“Theatre du Pif is one of the Hong Kong’s most innovative performing arts companies.” – Monocle Magazine
Recent productions
2026 The Lab Presents, created and led by The Actors’ Lab participants
2025 11 Voyagresses, after two decades, a group of women from Tuen Mun reunite on stage, bringing their memories and new insights to share their life journeys
Must I Cry, Inspired by the works of celebrated Hong Kong author XiXi and the poignant story of the last northern white rhinoceros
2024 Faith Healer by Brain Friel
2023 The Three Sisters by Chekhov
Love in the Time of, inspired by the novel Love in the Time of Cholera by Gabriel García Márquez
進劇場於1992年由陳麗珠及紀文舜在蘇格蘭成立，其後 3 年為不同 的專業表演團體及社區團體擔任教學工作，並以編作排練方式發展 舞台創作，於英國及歐洲作巡迴演出。
1995年，進劇場移師香港作為基地，本著跨文化的傳統、創作英 語、粵語及英粵雙語的原創劇場作品，成為香港重要劇團之 。劇 團經常邀請戲劇工作者及不同範疇的藝術家合作，透過工作坊及編 作排練的形式，使創作能糅合形體、文本和視象等各種元素，作品 獲讚譽為深具舞台力量亦同時充滿詩意。
進劇場曾演繹多位著名劇作家的作品，包括讓 · 阿努伊、塞繆爾 · 貝克特、大衛 ·哈羅爾、亨利克 · 約翰 ·易卜生、薩拉 · 凱 恩、費德里科 · 加西亞 · 洛爾卡、哈羅德 · 品特、雅絲米娜 · 雷沙和曹禺等。劇團亦曾與Michael Bray (英國）、羅伯特 · 德拉
夫恩 Robert Draffin（澳洲）、Mikel Mur（愛爾蘭）、艾德里安 · 諾布爾 Adrian Noble（英國）、梁正雄 Yang Jungung（韓國）及 施崇梵 Jovanni Sy（加拿大）等不同的海外戲劇導演合作。
進劇場為香港藝術發展局「兩年資助」藝團。
「進劇場打磨着當代劇場的尖鋒」香港南華早報
「⾹港最創新、最具⽂化意識的劇團」Time Out Hong Kong
「⾹港最創新的劇團之 」Monocle Magazine
近年製作
演員運動呈現 由參與「演員運動」的劇場工作者參作、 帶領的現場演出 2025
11旅程之女
回憶吾愛
三姊妹 契訶夫作品，由陳麗珠執導 2026
20年前相遇的11位婦女，再次踏上舞台， 分享她們的故事
靈感源自香港作家西西的作品，以及世上 最後 隻北非白犀牛的故事 2024 神醫 布萊恩 · 費爾作品 2023
愛在蔓延時
靈感來自馬奎斯經典小說《愛在瘟疫蔓延 時》，由陳麗珠執導
Director 導演
Michael Bray
Michael trained as an actor at the Royal Academy of Dramatic Art in London, where he won the Emile Littler Award for the Most Promising Actor. He then worked in repertory theatre all around Britain including six years at of Great Britain. He played leading Brother and Sisters, Postcards, The er, American Clock, Measure for nd Juliet, Macbeth, Whilst at the hael also wrote and directed his first hm of Love and The Back of the Bus Asia with the Royal Shakespeare award winning production of A Dream.
d extensively in television, including Soldier Soldier, Casualty, The World in Action, as well as leading ng For Queen and Country, Home, ning film, Battered He also directed es, including UK Central Television’s hannel Four’s Family Pride He then Films and wrote and directed his first hange, starring Ray Winstone and film was chosen for the Sundance ent on to be screened around the written and directed many more films, wder, Maggie, A Matter of Life and Gotta Do, Rewind, and Emily Most ecutive producer on Where the Skin 21 it has won many awards including tfest Festival
戲劇藝術學院接受演員訓練，並獲得了 最有前途演員獎」。之後在英國多個城 包括在英國國家劇院工作六年。他在 other and Sisters》、《Postcards》、 The Mother》、《American Clock》、 密歐與茱麗葉》、《馬克白》中擔任主 間 ， Michael 亦 編 導 兩 部 劇 作 《 The 《The Back of the Bus Girls》。他亦 劇團的獲獎作品《仲夏夜之夢》之亞 與 電 視 製 作 ， 包 括 ：《 Children's 兵》、《急診室》、《異能行者》、《World 電影包括《女王與叛徒》、《Home》和 影獎《Battered》擔任主角。他也為 括英國中央電視台《Let's Pretend》 Pride》。其後成立了溫徹斯特電影公 電影《The Sea Change》，由雷·溫 主演。該片入選辛丹斯電影節，並在 其 他 編 導 電 影 作 品 ， 包 括 《 Black 》、《A Matter of Life and Death》、 a Do》、《Rewind》和《Emily》。近 the Skin Lies》擔任執行製片人，於 多獎項，包括Frightfest藝術節「最佳
Cast 演出 Frank 法蘭克
Sean Curran 紀文舜
Sean Curran is an award winning actor and the Co-Artistic Director of Theatre du Pif A certified Feldenkrais Practitioner, Sean brings his deep understanding of movement and awareness to both artistic and corporate environments
He has conducted workshops and masterclasses in Asia, Europe, Canada and Central America helping individuals and teams to unlock their expressive potential At the Hong Kong Academy for Performing Arts, Sean teaches voice and movement, and the Feldenkrais Method, guiding emerging artists to connect body, mind, and emotion for more truthful performance
Beyond the theatre, Sean applies his expertise to the corporate sector, working with CEOs, executives, and professionals from multinational companies and the hospitality industry His training in voice, communication, and presence helps leaders enhance confidence, clarity, and impact in every situation
Sean also offers specialised workshops for educators, social workers, and individuals recovering from illness, using the Feldenkrais Method to improve posture, flexibility, overall well-being
紀文舜是
位屢獲殊榮的演員，現任香港進劇場聯合藝術總監。他同時是 名認證的費登奎斯（Feldenkrais）方法導師，將其對身體動作與覺察 的深刻理解，應用於藝術及企業環境中。
紀文舜曾在亞洲、歐洲、加拿大及中美洲舉辦多場工作坊及大師班，幫助 個人與團隊釋放表達潛能。在香港演藝學院，他教授聲音與形體課程以及 費登奎斯方法，指導新 代藝術家通過連結身體、心靈與情感，實現更真 實的表演。
在劇場之外，紀文舜亦將其專業知識應用於企業領域，與跨國企業的首席 執行官、高管及專業人士合作，幫助他們提升自信、表達清晰度及影響 力，從而在各種場合中游刃有餘。
此外，他還為教育工作者、社工以及正在康復中的病患提供專門的工作 坊，通過費登奎斯方法改善姿勢、靈活性和整體健康，為不同領域的人士 帶來積極的改變與成長。
“Frank Hardy is a man of impossible contradictions: magnetic and broken, arrogant and deeply vulnerable, a healer who can’t heal himself And like a performer Some nights, everything works for Frank, and on other nights, they don’t. And you never know why.“ 「法蘭克是 個充滿矛盾的人。他既有吸引力又破碎不堪，既傲慢又極度脆弱，能治癒他人卻 無法治癒自己。他又像是 個表演者。某些晚上， 切都對法蘭克有利，而另 些夜晚，卻又 不如人意。而你，永遠無法知道原因。」
Cast演出
Grace蕾絲
Davina Carrete
Davina is an actor originally from London, England Living in Hong Kong for the last 10 years working as a voice actor, actor, director. She runs her own theatre company Treasure Chest Theatre specialising in puppetry.
Davina是 位來自英國倫敦的演員，過去十年 直居住在香港，從 事配音、表演和導演工作。她創立了自己的劇團 TreasureChest Theatre，專注於木偶戲的創作與演出。
“Grace for me speaks for many people who find themselves lost, unsure of who they are when they haven’t been shown enough love She’s fiery, loving and resisted what was expected of her I’m honoured to take on such a complex role alongside wonderful colleagues ”
「對我而言，格蕾絲代表了許多在生活中迷失方向、缺乏愛與認同的人。她熱情、充滿愛 意，並且勇於抗拒世俗對她的種種期望。能夠飾演這樣 個複雜的角色，並與這麼多出色的 同事合作，我感到無比榮幸。」
Barry began acting while living in the US in the 1980s, appearing in a number of theatre productions in Washington D.C. After returning to the UK he got theatre roles, commercials and TV work both there and in Germany, appearing in productions of works by Harold Pinter, Tennessee Williams, Larry Kramer and Sam Shepard, among others Since living in Hong Kong for the past two decades he has worked in a number of different fields while as an actor also appearing on television, in commercials, in feature films, in voice overs and on stage in many different productions and many different guises.
曾在英國和德國出演哈羅德・品特、⽥納西・威廉斯、拉⾥・
萊 默和森・舒柏等劇作家的作品。過去⼆⼗年來，他定居⾹港，從事多 個領域的⼯作，同
“Teddy is a very genuine individual, someone with a lot of heart and optimism, but these qualities are pushed to their very limits by what he endures in his chosen profession He reminds me of more than one character from the past so in my mind he is an amalgam of several, but at the time of writing this I'm still trying to work out exactly how to combine them ”
「泰迪是 個非常真誠的人，充滿熱忱和樂觀，但這些特質在他所選擇的職業中受到了極大 的考驗。他讓我想起了過去的多個人物，因此在我看來，他像是幾個角色的融合。然而，當 我寫下這段文字時，我仍在努力思考如何將這些特質完美地結合在 起。」
Stage Designer 舞台設計 Lawrence Lee
李浩賢
Lawrence Lee graduated from The Chinese University of Hong Kong, Master of Arts in Cultural Management, and Hong Kong Academy for Performing Arts with BFA (Hons) Degree in Stage Management Lee was awarded a scholarship by the Jackie Chan Charitable Foundation Scholarship for three consecutive years from 1995 to 1997, and in 1997 also awarded Jackie Chan Charitable Foundation Scholarship (Overseas), leading to an internship in New York as Stage Manager for American Opera Projects Inc He also won Best Youth Stage Management Award at the Hong Kong Drama Awards in 2001. Lee has worked for numerous local and overseas performing groups as Production Manager, Stage Manager and Deputy Stage Manager, including as Production Manager of various Yam Kim Fai and Pak Suet Sin Charitable Foundation productions - Dream of the West Chamber, Princess Cheung Ping, The Reincarnation of Red Plum and The Butterfly and the Red Pear Blossoms He was Artist-in-residence in the Hong Kong Academy for Performing Arts. Lee has also designed various exhibitions for the Hong Kong Film Archive, Concept Arranger for Eason Chan’s The Easy Ride Concert, and Assistant Director, Set and Costume Designer for Utopia, Momentarily. Lee is currently a freelancer, and chairman of The Hong Kong Association of Theatre Technicians & Scenographers (HKATTS)
李氏先後於香港中文大學取得文化管理文學碩士，以及香港演藝學院 科藝學院榮譽學位，主修舞台管理。1995 至 97 年連續三屆獲得校內 成龍慈善基金獎學金。1997 年獲成龍慈善基金獎學金（海外訓練）， 前往美國紐約實習，於 American Opera Projects, Inc 任舞台監督， 2001 榮獲第十屆香港舞台劇之「優秀青年舞台管理獎」。過去參與多 個本地及海外表演團體之製作經理、舞台監督及執行舞台監督，包括 任白慈善基金之西樓錯夢、帝女花、再世紅梅記及蝶影紅梨記等作品 的製作經理。並曾任香港演藝學院科藝學院駐院藝術家。曾為香港電 影資料館擔任多個展覽設計，陳奕迅《The Easy Ride》演唱會擔任意 念編排，《剎那的烏托邦》擔任助理導演、佈景及服裝設計。李氏現為 自由工作者及香港舞台技術及設計人員協會主席。
Lighting Adviser
燈光顧問
Lau
Ming Hang 劉銘鏗
Lau Ming Hang is a creator of pop-up book story theaters, paper art artist, and seasoned theater lighting designer For over two decades, Lau has created numerous “pop-up book story theaters,” seamlessly blending pop-up paper art, light and shadow, and the aesthetics of theater performance Some notable works include Ordinary Living, The Good Old Days and Ashy is Everywhere Lau has been nominated multiple times for Best Lighting Design at the Hong Kong Drama Awards In 2024, Lau won the Best Lighting Design award at the 32nd Hong Kong Drama Awards for their work in the Hong Kong Repertory Theatre’s production of Moscow Express. His design works include productions such as Three Sisters by Theatre du Pif, Lumination of the Forgotten by the Hong Kong Repertory Theatre, Rebecca Wong dance piece Bird Watching (performed in Hong Kong and Taiwan), and We are for real by No Discipline Limited He curated the Prague Quadrennial of Performance Design and Space (Hong Kong Pavillion) in 2019 and 2023, organizing exhibition events in Prague. His paper-cutting artworks have been showcased in exhibitions such as Nian Nian (Solo Exhibition) at the Hsinchu Railway Art Village in Taiwan, TST Story at YMCA The Dooor, Paper Cut Art Exhibition at Artspace K, The Village School Anthem Project: Exhibition Art x Heritage by CACHe, and “JCCAC 15th Anniversary Exhibition 2023 ‘Here I Am!’” at Jockey Club Creative Arts Centre
立體書故事劇場創作人、紙藝藝術家及資深劇場燈光設計師。二十年 來創作多個「立體書故事劇場」作品，揉合立體藝紙、光影及劇場表 演美學，包括《日常生活》、《回味舊時佮佮冚》及《大家都係 粒塵》 等。多次提名香港舞台劇獎最佳燈光設計，2024年憑香港話劇團《從 金鐘到莫斯科》獲第三十二屆香港舞台劇獎最佳燈光設計。設計作品 包括進劇場《三姊妹》、香港話劇團《白湖映像》、黃碧琪舞蹈作品 《睇·女》（香港及台灣巡演）及 No Discipline Limited《我們來真 的》等。曾為香港舞台技術及設計人員協會HKATTS董事會成員，先 後於2019及2023年擔任《布拉格劇場設計四年展》策展人，遠赴布拉 格策劃展覽活動。剪紙作品曾參與台灣新竹鐵道藝術村剪紙個展《捏 念》、YMCA The Dooor《此地是朵泥》、Artspace K《剪紙·特展》、 長春社文化古蹟資源中心《香·校變奏：時光藝術展》及《JCCAC十 五週年展覽2023「我在！」》等。
Lighting Designer
燈光設計 Hui
Wing Yan 許穎恩
Graduated from the University of Hong Kong (Art History), Hui is currently a freelance lighting designer, apprentice to Mr Lau Ming Hang. Recent works include: The Beheaded Smile by On & On Theatre Workshop; The Actor's Lab Presents by Theatre du Pif; Yat Po Two Shows 2024, islandSing, islandSing Again by Yat Po Singers; Strolling in Tuen Mun by Theatre de la Feuille; The Mad Ones by Musical Trio; In Hollywood We Trust by Dramoxic; The Dumb Waiter by Chui Long Hin
In addition, Hui worked as an assistant lighting designer for productions such as The Tamed and the Tempted, Lumination of the Forgotten, Moscow Express by Hong Kong Repertory Theatre; Musical Yat-sen by Hong Kong Arts Festival 2023; Must I Cry, Three Sisters by Theatre du Pif, My Moon, Your Return by Actor's Family; Project Poon Choi and Yat Po Two Shows! by Yat Po Singers
畢業於香港大學藝術歷史系，現為自由身舞台工作者，師從「神父」 劉銘鏗先生。
主要專注於燈光設計工作，近期作品包括：前進進戲劇工作坊《骨留 香》；進劇場《演員運動呈現》； 舖清唱《 舖兩劇2024》、十八有 藝演出《離島嗰度》《離島呢度》；綠葉劇團十八有藝演出《彳亍屯》； 音樂劇作《狂花駕駛課程》；崔朗軒《等待阿Dumb》；徐曉雯《亂》 《巨人》；Amy
Sze《查無此人》；劇毒《荷里活有單大生意》、演讀劇 場《蘇拉超人與索奇星怪的第794回》；日出前劇場《我們都 樣》、 《接近日出前 刻》。
助理燈光設計作品包括︰香港話劇團《塘西馴悍記》、《白湖映像》、 《從金鐘到莫斯科》；香港藝術節音樂劇《日新》；進劇場《回憶吾 愛》、《三姊妹》；演戲家族30周年誌慶音樂劇《何年明月歸》；No Discipline Limited《點石成液》、《我們來真的》； 舖清唱《盆菜四 重奏》、《一舖兩劇》。
Stage Manager
舞台監督 Fan
Man Yan 范⽂恩
Yan Fan graduated from the Hong Kong Academy for Performing Arts with a major in Arts, Events, and Stage Management. She has extensive experience in stage production and has participated in a diverse range of performances. Recent productions include 4.48
PSYCHOSIS (premiere and Beijing performance) and The Three Sisters by Theatre du Pif, Carmen and Tosca by Opera Hong Kong, Joey Yung's concert ANOTHER SIDE......JOEY ． MY SECRET ．
LIVE, The Butterfly and the Red Pear Blossom by Lung Kim-Sang, and The Reincarnation of the Red Plum Blossom – a collaboration between the Yam Kim Fai and Pak Suet Sin Charitable Foundation and the Xiqu Centre of the West Kowloon Cultural District
She is currently a freelance stage professional
范文恩畢業於香港演藝學院，主修藝術、項目及舞台管理，擁有豐富 的舞台製作經驗，參與過多類型的演出製作。近期參與的作品包括進 劇場的《4.48
PSYCHOSIS》（首演及北京演出）及《三姊妹》，香港 歌 劇 院 的 《 卡 門 》 及 《 托 斯 卡 》， 容 祖 兒 演 唱 會 《 ANOTHER SIDE......JOEY．MY SECRET．LIVE》，龍劍笙的《蝶影紅梨記》，以及 由任白慈善基金與西九戲曲中心聯合製作的《再世紅梅記》。
現為自由身舞台工作者。
Deputy Stage Manager
執行舞台監督 Wong
Ho Tung
⿈可童
A Theatre Freelancer Graduated from The Hong Kong Academy for Performing Arts, with a Bachelor of Fine Arts (Honours) Degree in Theatre and Entertainment Arts, majoring in Stage & Event Management
現為自由身舞台工作者。畢業於香港演藝學院，獲得舞台及製作藝術 學士（榮譽）學位，專修舞台及項目管理。
ACKNOWLEDEGEMENT
Ainsley So 蘇善誼
Leung Sze Wah 梁思樺
Fringe Club 藝穗會
On & On Theatre Workshop 前進進戲劇⼯作坊 Hong Kong Repertory Theatre ⾹港話劇團
Littlebreath Creative Workshop ⼩息跨媒介⼯作室
The Culturist ⽂化者
Minizine 微象誌
Andthen hk
Ho Dim 好掂 p-articles 虛詞
Little Reading 遊誌
Sunshine On Stage 共融化妝隊
Supported by 資助
Led by Gare
