Rhythm of Par[a]dise
Name — Sepideh Sahebsara Course — Thesis Code — ARCN 5909
This thesis reflects the deep connection between the material and the spiritual, shaped by the belief that space can embody cosmic order. Isfahan, Iran, known as Nesf-e Jahan (Half the World), exemplifies this philosophy through its architecture, where houses, mosques, gardens, and urban spaces foster contemplation and connection beyond the physical world. This thesis explores the architectural elements that define spiritual spaces in Isfahan and examines their relevance in contemporary design. At a time when urban environments increasingly prioritize function over meaning, reviving these principles can help restore harmony and presence.
Through mapping, collaging, and narrative exploration, this research identifies how light, geometry, ornamentation, and spatial sequences contribute to the experience of spiritual spaces. The study concludes with a design proposal that reinterprets these principles, offering ways to integrate spirituality into modern architecture and re-establish a meaningful relationship between people, space, and the unseen.
[Top to Bottom]
01: The Light
02: The Pardis
03: Tile & Pattern Map of Isfahan
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