Goodnight Noises Everywhere-SAMPLE

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Goodnight Noises Everywhere by John Herndon © 2025 Tapspace Publications, LLC (ASCAP). All rights reserved.

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Notice of Liability: Any duplication, adaptation, or arrangement of this composition requires the written consent of the copyright owner. No part of this composition may be photocopied or reproduced in any way without permission. Unauthorized uses are an infringement of the U.S. Copyright Act and are punishable by law. TSPCE25-030

PROGRAM NOTES

Goodnight Noises Everywhere was inspired by and takes its title from the final lines of of Margaret Wise Brown’s classic children’s book Goodnight Moon:

Goodnight stars

Goodnight air

Goodnight noises everywhere

After having read that line many times to my children, I began to wonder if noises that are going to bed might like a song. This collection of taps, plunks, swirls, zings, tings, and booms is my attempt to write a lullaby for noises.

NOTATION KEY

PLAYERS AND INSTRUMENTATION

Goodnight Noises Everywhere requires 5-12+ players with the following instrumentation:

1. Chimes

2. Glockenspiel

3. Vibraphone 1

4. Vibraphone 2

5. Marimba 1 (4-octave or may share w/ M2)

6. Marimba 2 (low A)

7. 4 Timpani (32”, 29”, 26”, 23”)

8. Snare drum + ride cymbal

9. 4 Concert toms

10. Percussion 1 — tam-tam, 2 temple blocks, concert bass drum

11. Percussion 2 — mark tree, hi-hat, hand cymbals

12. Percussion 3 — suspended cymbal, sizzle cymbal, triangle

In addition to being performed with complete instrumentation, Goodnight Noises Everywhere may be performed using two smaller ensemble configurations:

1. Septet of mallets and timpani (left column above)

2. Quintet of non-pitched percussion (right column above)

Additionally, if you have a larger ensemble, feel free to double (or more!) the vibraphone, marimba, and/ or snare drum parts to get everyone in your group playing.

SUGGESTED SETUP (full ensemble)

C h i m e s

GOODNIGHT NOISES EVERYWHERE

G l o c k e n s p i e l

V i b r a p h o n e 1

V i b r a p h o n e 2

M a r i m b a 1

4 - o c t a v e ( o r s h a r e w / M 2 )

M a r i m b a 2 l o w A

4 T i m p a n i

S n a r e d r u m + r d e c y m b a

4 C o n c e r t t o m s

P e r c u s s i o n 1

t a m - t a m ,

2 t e m p e b o c k s c o n c e r t b a s s d r u m

P e r c u s s i o n 2

m a r k t r e e h i - h a t h a n d c y m b a s

P e r c u s s i o n 3

s u s p e n d e d c y m b a l , s z z e c y m b a t r a n g e

° ¢ ° ¢ ° ¢

4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4

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