








“FROM THE BEGINNING, I WANTED
REVERENCE TO ARTICULATE THE VISUAL LANGUAGE OF NATURE AND TO CONVEY A SENSE OF WONDER AND RESPECT FOR OUR PHYSICAL WORLD - ALL WHILE CELEBRATING THE ENDURANCE OF FORM AND COLOR”
![]()









“FROM THE BEGINNING, I WANTED
REVERENCE TO ARTICULATE THE VISUAL LANGUAGE OF NATURE AND TO CONVEY A SENSE OF WONDER AND RESPECT FOR OUR PHYSICAL WORLD - ALL WHILE CELEBRATING THE ENDURANCE OF FORM AND COLOR”
Reverence is about a record of our times. The landscape inspired pieces crack, break, and flow to evoke a kind of realism that floats between abstraction and photography, watercolor and pastels. The palette of neutrals blends seamlessly into ombre colorations. Each fiber is meticulously planned and hand-sculpted by artisans at Edward Fields - from blended silk and wool yarns, to high and low-pile contrasts, to surprising edging that - like nature - defies right angles. The collection brings the same spirit of consideration seen in each grain of material in Mastrangelo’s sculptural works.
The following twelve designs have been tailored specifically for your aircraft interior, offering optimal compositions, and full compliance with aviation industry specifications.






Referencing sliced canyons and the natural layers created by subtle movement over thousands of years, this rug creates a blend of colors and high/ low piles that combine abstraction with graphic composition.






Sand has become one of the quintessential materials in Mastrangelo’s work. For this rug, he has transformed the movement and gesture of his sand paintings into a landscape of texture and pattern.






“Rupture” translates topographical views of smouldering lava pouring out into the sea.







When casting cement, Mastrangelo creates beautiful “pour lines” to transform the cement into what looks like natural stone often with color gradients. “Línea” translates this layered language into fiber.
Wool






One of Mastrangelo’s first pieces of furniture was entitled “Salt Drum.” The piece was inspired by an aerial view of sea meeting land. “Crash” pays homage to what now feels like an iconic symbol of his early works.







Salt has been a material in Mastrangelo’s work for over a decade. Many years ago, he started making salt paintings. “Sal y Mar” describes the interplay of the sea and the salt.




Inspired by the Salt Flats in Utah, Mastrangelo combines high cut in stark contrast with lower flatter areas. This pattern allows him to play with this unique landscape and create a pattern that seems familiar yet new.








Mastrangelo is always searching for language in nature that translates into visual vocabulary. “Silent Waters” looks to travertine terraces in Yellowstone National Park for inspiration.






As part of Mastrangelo’s fascination with all things glacial, the rounds of pollution that infiltrate the ice over decades create a natural layering reminiscent of Mastrangelo’s earlier works.








“Break” is inspired by cracked ice plates drifting asea. The rug transforms this language into a graphic icon with subtle shifts and textures that invite touch and investigation.




Glaciers and icy mountains have been in the vernacular of Mastrangelo’s work for some time. This pattern evokes in texture the slow but inevitable degradation of glacial forms.







Mastrangelo used the language of aerial views of landscapes to create a lava-like pour of cement in his studio, the basis for this rug.
Content Wool
Dull Silk



AV Fracture I p. 6


AV Linea I p. 16


AV Flats I p. 24


AV Break I p. 37


AV Arena I p. 9


AV Crash I p. 19


AV Silent Waters I p. 29


AV Melt I p. 38


AV Rupture I p. 13


AV Sal y Mar I p. 22


AV Swell I p. 32


AV Ten Thousand Years I p. 42






A
Tai Ping Brand



