REFERENCES 1. Fry, Tony (2008). Design Futuring: Sustainability, Ethics and New Practice (Oxford: Berg), pp. 2 11. Nushmia Khan, Quartz Media, An algorithm designed a Hamburg concert hall’s interior, creating the “ideal acoustic experience”, [14 March 2018] 2. Dunne, Anthony & Raby, Fiona (2013) Speculative Everything: Design Fiction, and Social Dreaming (MIT Press) pp. 4-6 3. Tristram Carfrae, ‘ArchitectureAU’ Engineering the water cube [11 March 2018] 4. Han Bingchen, ‘People’s Daily’ Beijing to set new example for sustainable Olympics (2 March 2018) [11 March 2018] 5. Rory Stott, ‘ArchDaily’, Gramazio Kohler and Skylar Tibbits’ “Rock Print” Is a Gravity-Defying Pile of Stones (15 October 2015) [15 March 2018] 6. Gramazio Kohler, ‘Research’ Rock Print http:// gramaziokohler.arch.ethz.ch/web/e/forschung/297.html> [15 March 2018] 7. Kalay, Yehuda E. (2004). Architecture’s New Media:Principles, Theories, and Methods of Computer-Aided Design (Cambridge, MA: MIT Press), pp. 7-10 12. Nagata Acoustics, Facts Sheet Elbphilharmonie, [14 March 2018] 13. Wikipedia, Elbphilharmonie, [14 March 2018 14. Peters, Brady. (2013) ‘Computation Works: The Building of Algorithmic Thought’, Architectural Design, 83, 2 15. Robert A. and Frank C. Keil, eds (1999). Definition of ‘Algorithm’ in Wilson, The MIT Encyclopedia of the Cognitive Sciences (London: MIT Press), pp. 11 16. Jeff Kowalsku, ‘Redshift Autodesk’, It’s Alive! How Generative Design Marries Nature With Technology to Bring Objects to Life (February 2015) [15 March 2018] 17. Autodesk, Generative Design at Airbus: Reimagining the Future of Air Travel [15 March 2018] 18. MOHX, Research: Carapace [15 March 2018] 8. Kolarevic, Branko, Architecture in the Digital Age: Design and Manufacturing (New York; London: Spon Press, 2003) Suggested start with pp. 3-62 9. Archimmenges, ICD/ITKE Research Pavilion 2016-17, [12 March 2018] 10. Osman Bari, ArchDaily, The Parametric Process Behind the Hamburg Elbphilharmonie’s Auditorium (February 2017) [12 march 2018] 32