Seattle Gay News
Issue 37, Volume 44, September 9, 2016
Arts & Entertainment
Macklemore & Ryan Lewis The biggest (and most give hometown fans diverse) SketchFest yet a show to remember takes place Sept. 15-24
Macklemore and Ryan Lewis, Bumbershoot 2016 – Photo by David Conger
by Albert Rodriguez SGN A&E Writer MACKLEMORE & RYAN LEWIS BUMBERSHOOT MEMORIAL STADIUM September 3 “Seattle, this is our night. This is our
homecoming!” Macklemore yelled to thousands of fans standing on the field of Memorial Stadium and hundreds more sitting in the stands on either side. Yes, it sure was. It wasn’t just a concert – it was a celebration. The atmosphere was very festive with people of all ages, from little children to grandparents – including entire families – coming out to the middle
Villains Fund Fight – Photo courtesy SketchFest Seattle
Seattle’s most underrated art form will take over the city for six nights of hilarity later this month when the most exciting acts in sketch comedy converge on Seattle for the 18th annual SketchFest Seattle, the world’s original sketch comedy festival! SketchFest Seattle takes place September 23 & 24 at Annex Theatre (1100 E. Pike St.), with several events leading up
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to the main event beginning on September 15. This year’s comedy festival is not only the largest, but the most diverse yet, and it also boasts the highest-ever number of home-grown acts. Tickets are on sale now at http://bit.ly/SketchFest16. This year’s event will bring talent from around the country plus a special showing see SKETCHFEST page 8
It was all about the legendary Fascinating Nile Rodgers at the Chic/Duran Complete Unknown Duran concert in Everett! finds truth in imitation
Duran Duran at Xfinity Arena – Photo by MK Scott
by MK Scott SGN Contributing Writer CHIC/ DURAN DURAN XFINITY ARENA – EVERETT September 1 The number one concert on my bucket list was finally realized when Duran Duran played the Xfinity Arena in Everett on
Thursday, September 1st. Ever since I was 14 years old, I wanted to be Simon Le Bon. Some would say the same about bass guitarist, John Taylor (the cutest), or keyboardist, Nick Rhodes (super-androgynous). But with Simon, he had great hair, clothes and voice. Even today, Le Bon, 57, is gorgeous, and a little rugged with facial hair. Taylor, 56, is looking kind of burned out, in a Keith see DURAN DURAN page 8
Tom’s birthday dinner – Photo courtesy of extranet.ifcfilms.com
by Sara Michelle Fetters SGN A&E Writer COMPLETE UNKNOWN Now playing Tom’s (Michael Shannon) wife Ramina (Azita Ghanizada) is giving him a birthday dinner party, a group of their closest friends, including co-worker Clyde (Michael Chernus), all scheduled to attend.
He’s actually brought a guest, a beautiful amphibian research biologist named Alice (Rachel Weisz), her myriad of crazy stories fascinating everyone sitting at the table. But as astonishing as these worldly tales of wonder might be, Tom is intrigued for reasons entirely his own. You see, he’s pretty sure he knows Alice, he’s almost positive she was the woman he loved before Ramina, and whether she likes it or not he’s gosee UNKNOWN page 6 see TERRA page 4
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September 9, 2016
Celebrating 41 Years!
Stevie Nicks coming to Key Arena by Albert Rodriguez SGN A&E Writer
com, all Ticketmaster outlets, or charge by phone 1-800-745-3000.
Get your shawls ready, here comes Stevie Nicks! The rock goddess is bestowing Seattle fans with her presence at Key Arena this winter (thank you, Santa!). Nicks hasn’t given a solo performance here since 2011 when she and Rod Stewart brought their collaborative “Heart and Soul Tour” to the Emerald City, although she has appeared with Fleetwood Mac in the area more recently. This calls for a holiday celebration all its own. The “24 Karat Gold Tour,” promoting the adored singer-songwriter’s 2014 album 24 Karat Gold: Songs from the Vault, includes another iconic act, The Pretenders, and will touch down in 27 cities throughout North America. It kicks off September 25 in Nicks’ hometown of Phoenix and wraps up December 18 in Inglewood, California. Interestingly, there are no concert dates planned for the month of October; it jumps from September 30 to November 2, signaling the possibility of the tour going to Europe, or perhaps a month-long break due to scheduling conflicts. Either way, Nicks is set to perform in Seattle on December 11 and you need to be there. We all need to be there. This is your opportunity to hear “Edge of Seventeen,” “Stand Back,” “Landslide,” and if we’re lucky, “Has Anyone Ever Written Anything for You?” Tickets go on sale September 12 (10am) at LiveNation.com, all Ticketmaster outlets, or charge by phone 1-800-745-3000.
The lineup for this year’s FreakNight Festival is pretty much insane. The event, which has grown from a one- night show at a small concert venue in Seattle to a twonight affair (October 28-29) at the Tacoma Dome, now features some of the biggest names in the EDM scene. Appearing for the 2016 festival are Martin Garrix, Zedd, Armin Van Buuren, Galantis, Paul van Dyk, Jamie Jones and Flux Pavilion. That’s for starters because more acts will be added to the roster in the coming weeks. General admission tickets, priced at $304 (for both nights), are on sale now at ticketmaster. com. For more information and updates on FreakNight, go to freaknightfestival.com.
Another music icon, that of the jazz and traditional pop world, is coming to Seattle as well this winter. Tony Bennett, one of the best vocalists on the planet, even at the
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night of Bumbershoot to see these local music icons in person. The party got started with the duo jumping right into its first number, “Light Tunnels,” a track from their newest release, 2016’s The Unruly Mess I’ve Made. While Macklemore zipped back and forth between both sides of the stage, Lewis worked the DJ booth and helped with percussion on an elevated platform behind him. A full band, brass section and string ensemble assisted with the musical background. “Ten Thousand Hours,” from the Grammy-winning album The Heist, and “Brad Pitt’s Cousin” were performed next, just before Macklemore told the crowd that the first concert he’d ever been to was at Bumbershoot (referring to seeing George Clinton when he was younger). “This is my favorite festival in the entire world,” he proclaimed to everyone, dressed in dark blue jeans, white tank top underneath a silky unbuttoned shirt and sneakers. He’d later remove the shirt, then trade it in for one that was plaid with long sleeves. A bit of a surprise was how early “Thrift Shop” was rolled out in the show, performing it within the first 15 minutes of the two hour concert. Everybody in the bleachers stood up to sing along, or dance, or both, as those crammed onto the field waved their hands above their heads. Though the performance was fun and upbeat, it did take a few serious turns. Midway through, Macklemore addressed the police brutality issue with the song “White Privilege II” and told everyone that “Black is Beautiful” and “Black Lives Matter.” GEasy, who appeared at the festival the following day, joined him on stage for “Fuck Donald Trump Part 2,” which, as expected,
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Stevie Nicks – Photo courtesy of rollingstone.com
ripe old age of 90, will perform at the Paramount Theatre on November 1. The native New Yorker is known for the classics “I Left My Heart in San Francisco,” “The Good Life,” “Because of You,” “Who Can I Turn To (When Nobody Needs Me),” and “Rags to Riches,” to name just a few, in addition to acclaimed renditions of American standards, like Hank Williams’ “Cold, Cold Heart.” My personal favorite is “When Do the Bells Ring for Me?” from his 1990 album Astoria: Portrait of the Artist, which he performed brilliantly at Bumbershoot back in 2012. Two years ago he recorded and released the Grammywinning album Cheek to Cheek with Lady GaGa. Tickets for Tony Bennett go on sale September 12 (10am) at LiveNation.
The other new show of interest to announce is Ryan Caraveo on December 10 at The Showbox Market. The Seattlebased artist performed at Bumbershoot last weekend and is gaining national attention with his full-length album Swings and EP Happy Now. Visit showboxpresents. com for ticket information. Finally, and certainly not least important, Sia has released a new music video for “The Greatest,” the leadoff single from her forthcoming album We Are the Children. The video, featuring young dancer Maddie Ziegler, is a powerful tribute to the Orlando massacre victims with imagery of people lying still on the floor, then brought to life, only to be suddenly put down again with a bullethole-pocked wall in the background. The video is available to view on YouTube. Sia will perform at Key Arena on September 29.
was well received by the audience. But even more powerful, and certainly inspirational, was his intro for the pro-LGBT ballad “Same Love.” “I don’t want to be afraid of diversity, I want to be inspired by diversity,” he said boldly to the audience. “I don’t care about the color of your skin, I don’t care about your sexual orientation, I don’t care which bathroom you choose to use.” Fans around the stadium responded loudly with cheers and by clapping their hands, while many of them sang all the words to the song, including the closing lyrics “Love is patient/love is kind/I’m not crying on Sundays.” During “Buckshot,” Macklemore invited four students from his summer rap camp at EMP to join him onstage to show off their skills, much to the delight of the crowd that supported them with firm applause and whistles. Meanwhile, “Growing Up (Sloane’s Song)” was dedicated to his daughter, who was attending her first Bumbershoot backstage, and during a quick break he tossed a tray of Dick’s Drive-In cheeseburgers into the audience, not to mention launching one of them at a fan far away wearing a banana suit. When the Seattle pair landed on “Can’t Hold Us,” the audience was so raucous that Macklemore couldn’t hear himself or the band and missed the chorus, thus forcing a restart of the song. “You guys were so turnt up, I couldn’t hear shit,” he said smiling and laughing. Though “Can’t Hold Us” gets a wild, highly enthusiastic reception everywhere it’s played, there’s nothing like experiencing it in front of a massive hometown audience. Every single person on the field, front to back, was bouncing up and down with their hands raised in the air. The main set concluded with “Irish Celebration,” as Macklemore in a glit-
tery cape, white mullet wig and sunglasses ran around the stage waving an Irish flag. Called back for an encore, the duo performed two dance-themed numbers, “And We Danced” and “Dance Off.” Returning for a second encore, they delivered a cool rendition of “Downtown” with Eric Nally and then capped the night with a cover of James Brown’s “I Got You (I Feel Good)” complete with fireworks. As Macklemore himself said, this was a special night. After touring North America, Europe, Australia and a festival in Indonesia, the Bumbershoot set was the last concert before a two-week rest for he and Lewis, although they’ll soon head out again for five performances in Asia and another festival appearance in Atlanta. But even though they’ll only be in town for a few days, Seattle is always home to this beloved hip hop pair.
September 9, 2016
Seattle Gay News 3
Macklemore – Photo by Erika Schultz
Death Cab for Cutie in peak form at Bumbershoot by Albert Rodriguez SGN A&E Writer DEATH CAB FOR CUTIE BUMBERSHOOT MEMORIAL STADIUM September 4 “This band is called Death Cab for Cutie. This band is from Seattle, Washington.” Those words came directly out of the mouth of Ben Gibbard, lead singer and guitarist for the popular rock band at the start of their performance at Bumbershoot last weekend. The group headlined the closing night of the festival, in front of a large crowd that ranged from teenagers to middle-aged parents. Because of its size and open seating area, Memorial Stadium was an easier spot for fans to catch Death Cab for Cutie, who sold out three shows last October at the Paramount Theatre. “Marching Bands of Manhattan” was the first song played, and the first of five tracks performed from 2005’s Plans album. DCFC is now billed as a trio, consisting of Gibbard, bassist Nick Harmer and drummer Jason McGerr, but includes two to three touring musicians for their live shows. Longtime followers were satisfied with the group’s inclusion of older favorites, from “The New Year” to “Title and Registration,” but they reached even further back in their catalog with songs from the first two albums, “President of What?” from
Death Cab for Cutie performed live at Bumbershoot, September 4th – Photo courtesy of youtube.com
1998’s debut album Something About Airplanes and “Company Calls” off 2000’s We Have the Facts and We’re Voting Yes. A highlight of the performance was Gibbard’s subtle, acoustic solo rendition of “I Will Follow You Into the Dark,” in which he invited the audience to sing an entire verse on their own. Another great moment during the show was an extended version of “I Will Possess Your Heart,” showcasing
fine guitar work from Gibbard and Harmer. From its latest album, last year’s Kintsugi, the band pulled out four songs, including flawless versions of “Black Sun,” “El Dorado” and “The Ghosts of Beverly Drive.” “Cath...” and “Soul Meets Body” completed the main set, but DCFC returned to the stage for a three-song encore that featured two singles from their earlier days, “A Movie Script Ending” and the title track
from 2003’s Transatlanticism album. It was a fitting end to both a marvelous performance and a three-day festival. This was my eleventh time seeing Death Cab for Cutie in concert and they’ve never disappointed; they always put on a great show. Bring on number twelve.
Frantic Traviata at Salzburg termission between Acts II and III! That’s right; Act III begins immediately after Act II! Setting the last act in essentially the same space as the raucous gambling scene in which the tenor shoves money into her mouth, her breast, and under her dress into her crotch – well, here’s where some appropriate scenery would have helped to set the mood for the death scene! No wonder it falls flat. Tenor Rolando Villazón is in his vocal prime and more easily accommodates the athletics of the direction without letting musical matters suffer. The only thing wrong with this level of passionate delivery is that there are almost no moments of repose that might offer contrast. Passion loses its effect when that’s all you get. (One gets a larger dose of his very funny antics in the 44-minute behind-the-scenes extra of rehearsals.) Baritone Thomas Hampson delivers a powerful elder Germont, both vocally and dramatically, and he does his best to sound like a “Verdi baritone.” But his is a more lyrical instrument than I prefer in this role. (Trouble is, I grew up on Leonard Warren and Robert Merrill!) An interesting contrast to this Blu-ray is the vastly superior show from Los Angeles Opera, which I hope to review soon. In it, Renée Fleming shows far greater respect for Verdi’s music and delivers a powerful dramatic performance opposite, again, Rolando Villazón, who comes off better because the show is not so frenetic. Best of all, baritone Renato Bruson, very late in his career, sings the heart and soul of this music to tremendous effect. The Act II scene between him and Fleming is especially powerful. I ordered this Salzburg Festival Blu-ray by mistake and will correct that error with the LA Opera disc ASAP.
by Rod Parke SGN A&E Writer LA TRAVIATA 2005 SALZBURG FESTIVAL DEUTSCHE GRAMMOPHON Blu-ray DVD If you saw the Met Live in HD presentation of La Traviata with Natalie Dessay, then you’ve seen this production. I disliked it then, and I dislike it even more on this Blu-ray from the 2005 Salzburg Festival, with Anna Netrebko, Rolando Villazón, and Thomas Hampson. I have nothing against minimalist sets when the drama and/or singing is so good that you don’t miss architecture, furniture, props, etc. Sadly, this nervous, over-active show is just annoying, despite the charm of the principals. La Traviata is a great opera, both for its music and skill with which the drama is written. Unfortunately, there is nothing great about any part of this presentation. From the start, the hyper energy of the young lovers is allowed to dictate the frantic pace and rather careless musicality of the opening party scenes. Stage director Willy Decker could be excused for wanting to capture that energy, but goes too far and loses some of the musical precision that Verdi made so rewarding. Conductor Carlo Rizzi lets it get sloppy at time – not terrible, but just “off” enough to make me uncomfortable. Such an athletic show could not accommodate any older or larger singers. Anna Netrebko in 2005 is not the singer she is today. The voice is much thinner and less beautiful. She is quite limited in coloratura skills, but generally gets the notes, while falling a bit short of the pitch on some of her softer high notes. Dramatically, she has some good moments, especially in Act II with the elder Germont. But her third act is surprisingly bland and lacks impact. There’s no bed, by the way, with the singer lying on the floor, exactly where she fell at the end of Act II, with no curtain or in-
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La Traviata – Image courtesy of Deutsche Grammophon
September 9, 2016
Reviewer Rod Parke can be reached at rmp62@columbia.edu.
Celebrating 41 Years!
Bumbershoot 2016: Melanie Martinez draws hordes of fans, Tame Impala impresses, Run the Jewels underwhelms by Albert Rodriguez SGN A&E Writer BUMBERSHOOT 2016 SEATTLE CENTER September 2-4 Besides the Macklemore & Ryan Lewis and Death Cab for Cutie shows, there were a few others I was able to catch in their entirety at Bumbershoot. Melanie Martinez drew a surprisingly big audience to her Sunday afternoon appearance at Memorial Stadium. The eclectic singer-songwriter, and former contestant on “The Voice,” sported a flowery patterned skirt and pink lacy see-through blouse with pink bra underneath, while her hair was dyed half black and half blonde; she also wore a nose ring. Martinez opened the hourlong set with her two biggest singles, “Cry Baby” and “Dollhouse,” but also pleased fans with other favorites from her debut album, including “Sippy Cup,” “Alphabet Boy,” “Pacify Her” and “Mrs. Potato Head,” which caused some young girls around me to burst into tears. Most of the artist’s songs deal with neglect, loneliness, abusive relationships and growing up in a dysfunctional family. Her stage props included a baby crib with a stuffed doll slumped inside of it and two sets of large baby blocks. Tame Impala exceeded all my expectations with a whopper of a performance just before Death Cab for Cutie on Sunday evening. The Australian five-piece band began the show with the short instrumental
Melanie Martinez at Bumbershoot – Photo courtesy of twitter.com
“Nangs,” then beelined to what’s become their signature hit, “Let It Happen,” as barefooted frontman Kevin Parker’s glorious vocals intertwined dreamily with the psychedelic fusion of guitars and keyboards. They
played a combination of songs from all three of their albums, but mostly from its two most recent, 2012’s Lonerism and 2015’s Currents, both Grammy nominees for Best Alternative Rock Album. During “Feels Like
We Only Go Backwards,” someone from the crowd spiked a beach ball that landed on the stage, and interestingly the group added a cover of Mark Ronson’s “Daffodils” onto their set list, which also included “Elephantm” “The Moment,” “Eventually” and “Why Won’t You Make Up Your Mind.” I was really looking forward to seeing Run the Jewels at Bumbershoot, who attracted a reasonable-sized audience on Saturday afternoon, but unfortunately they were disappointing. Their short set felt amateurish and unrehearsed, not to mention their songs and interaction with the crowd were loaded with profanity, like “We came to Seattle to fuck up shit” and “I feel like Ken Griffey Jr. up in this bitch here.” It was unnecessary, and too early in the day, to hear the f-bomb and b-word mentioned repeatedly for the sole purpose of trying to sound cool, or hardcore. “Banana Clipper” was the only song I liked in their show, but they also performed “Blockbuster Night, Part 1,” “Sea Legs” and “Crown.” Headlining shows this year took place outdoors at Memorial Stadium and indoors at Key Arena with very long lines to get into the Porter Robinson, Pretty Lights and Marshmello performances inside the arena, which all drew huge crowds. The legendary Billy Idol and rap sensation G-Eazy also attracted big audiences, as did Explosions in the Sky. A new feature at Bumbershoot this year was having images of the artists projected in the International Fountain as the performers appeared on stage.
Tame Impala during their Bumbershoot performance – Photo courtesy of vanguardseattle.com
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September 9, 2016
Seattle Gay News 5
UNKNOWN
continued from cover ing to find out the truth before this night comes to an end. First things first, acclaimed writer/director Joshua Marston needs to work more often. His first feature, 2004’s Maria, Full of Grace is a bonafide masterwork that earned star Catalina Sandino Moreno a well-deserved Academy Award nomination for Best Actress. His second, the powerfully austere, if unnervingly bleak, Albanian melodrama The Forgiveness of Blood didn’t hit domestic theatres until 2012, but earned all kinds of critical praise once it did. Both are dynamic, fearlessly toughminded features that refused to shy away from darker aspects of the human condition, attempting to find universal truths as their respective characters attempted to extricate themselves from unimaginably dire circumstances. I’m not certain Marston’s latest, the puzzle box drama Complete Unknown belongs in the same conversation as the director’s previous efforts. It’s a little too on-the-nose, a little too neat in its chamber piece theatricality. At the same time, there are a number of themes working inside this piece that have me swirling in emotionally intrigued circles. This is the kind of movie that sits inside the viewer, marinating there as its various bits and pieces continue to resonate. Its central two characters are cleverly complex, each searching for different things as both try to connect to portions of
their personalities that may no longer existence but for very different reasons. A central mystery is resolved right around 30 minutes into the barely 90-minute movie. But it isn’t the only one Marston has on his mind, isn’t the only question he’s asking his characters to seek the answer to. Together, Tom and Alice must communicate all that is happening in their lives, must find a way to connect dots that haven’t been a part of the coloring book of their lives for over a decade. In doing so, each will try to find answers to some fairly tough questions; whether there ends up being comfort in the doing so, however, might be a different thing entirely. Weisz, after a year where she’s been spellbinding in motion pictures as diverse as The Lobster and The Light Between Oceans, is as superb as ever, playing a character where the pieces of her makeup are more substantial than the sum of them. The reason for this? Alice is a purposeful enigma, a woman who reinvents herself at the drop of the hat, growing tired of who she is and what she is doing and, instead of trying to do something about that, decides to become someone else entirely instead. What Weisz discovers is the power of this person, the intriguing majesty of her mystery. Additionally, she also mines the missteps that haunt her, the ever-gnawing realization that she’s given up more than she can possibly ever know in order to be whomever she wants wherever she wants whenever she wants. It’s a tricky balancing act, one the Oscar-winner pulls off with majestic, transfixing grace, allowing her final scenes
to sparkle with a form of euphoric tragedy that should be contradictory yet somehow make perfect sense here. Even though Tom’s a lot more straightforward, in many ways Shannon has the more difficult task. He must make this workingman’s life feel rock solid, yet at the same time with just a hint enough of doubt to allow his infatuation and curiosity as it pertains to Alice to remain naturally unforced. Shannon is in quiet observation mode the majority of the time, allowing Weisz to initiate the majority of the action, his responses to what she does fueling the emotional transformations both characters will eventually undergo. He’s a rock steady presence who is still not immune from temptation, how he reacts to it and whether or not he ends up giving in the catalyst that will drive the climactic moments towards their conclusion. There is a beautiful scene where, entirely by chance, Tom and Alice make the acquaintance of Nina (Kathy Bates) and Roger (Danny Glover), and it is here Shannon’s gifts are in full display. Deftly coerced into impersonating a doctor out for a quiet evening stroll, Tom instantly begins to understand the addictive allure of recreating one’s life and persona at the drop of the hat. He sees what it is that has allowed Alice to become consumed with doing just that, the person she used to be forgotten as instead she puts all her energies into fully embracing the one she has given herself over to now. Shannon runs an emotional marathon during this sequence and does it in a manner of seconds, all of it made vital
and authentic to devastating effect. Complete Unknown is far more dialogue-driven than anything Marston has crafted before, and it’s safe to say this story could be transferred to the stage with fairly little in the way of effort. This isn’t so much a complaint as it is an observation, and for my part I was perfectly fine with his story’s theatricality. His screenplay, co-written with Julian Sheppard, is smart in all the ways that matter, moving to the idiosyncratic beat of its own drum as it brings Tom and Alice’s night learning about one another to its absorbing conclusion. Offering up plenty of food for thought, I find the director’s latest to be one I’m eager to sink my teeth into again, the line between fantasy and reality an ever-blurring wonderland where truth can be an illusion, and impersonation is often anything other than a lie.
Michael Shannon – Photo courtesy of extranet.ifcfilms.com
Thrilling Sully a heroic celebration of selfless courage by Sara Michelle Fetters SGN A&E Writer SULLY Now playing On January 15, 2009, Captain Chesley “Sully” Sullenberger accomplished the impossible. With both engines of his Airbus A320 damaged due to a freak bird strike, quickly determining there was no possible way to return to New York’s LaGuardia Airport without crashing, he decides on the only course of action available: he will land his plane in the Hudson River. In what was immediately dubbed “The Miracle on the Hudson,” all 155 passengers and crew aboard the plane survived, New York first responders, ferry boats and commuters pulling each and every one out to safety within minutes of the aircraft hitting the water. Clint Eastwood’s latest outing is easily the most streamlined and economical motion picture of the acclaimed actor-turneddirector’s Oscar-winning career. With a deft, viscerally charged script by Todd Komarnicki (Perfect Stranger), itself born from Sullenberger’s memoir Highest Duty co-written with Jeffrey Zaslow, the movie is a confidently self-contained procedural that concerns itself with the incident, its aftermath, and how it affected the two men in the A320’s cockpit and little else. The director rarely allows his attentions to be maneuvered away from Sully and the emotions he finds himself dealing with immediately after his so-called heroics, and as such the movie ends up being one of the more thrillingly absorbing in all of Eastwood’s long and distinguished career. Tom Hanks commands the screen as Sullenberger, while veteran character actor Aaron Eckhart is equally strong as his veteran co-pilot and friend Jeff Skiles. Also along for the ride is Laura Linney as Sully’s devoted wife Lorraine, while Mike O’Malley, Jamey Sheridan and Ana Gunn are three of the more vocal mem-
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Tom Hanks as Captain Chesley “Sully” Sullenberger – Photo courtesy of movies.uk.com
bers of the National Transportation Safety Board (NTSB) who are suspicious events needed to play themselves out as they did. Other side characters filter in and out, little asides focusing on a few of the passengers aboard the plane, the crew members trying to maintain order, or those up in the flight tower attempting to come up with a solution to the plane’s miseries. But, by and large, this is a story about Sully, Skiles and what it took by all involved to accomplish what they dubbed a “forced water landing,” everything else incidental asides that have little bearing on the central emotional components being analyzed. At barely 90 minutes, the movie plays as if it were shot out of a cannon. It zeroes in on Sullenberger’s mental state immediately, a terrifying nightmare of what could have happened in the skies above New York playing out within the first few minutes. The landing of the A320 on the Hudson is depicted three times, each from a different
September 9, 2016
angle, the details coming to light with every replay startlingly intimate in its emotive strength. The second iteration, the one showcasing how the city of New York itself played a vital role in this January miracle is arguably the most effective, the way everyone from the Coast Guard, to Port Authority workers, to ferry boats filled with commuters jumped into action seconds after the plane hit the water simply extraordinary. But even for a movie so gosh-darn efficient in its storytelling Eastwood still can’t help himself at times. Linney’s role is little more than a throwaway; Lorraine stranded, speaking to her husband over the telephone, yelping out melodramatic platitudes in order to ease his worried state of mind. It’s easy to understand why these scenes are here; they help showcase Sully’s insecurity over whether or not he made the right decision in landing the plane in the Hudson; they just aren’t particularly effective, the final confrontation between the
two a particularly risible groaner that feels annoyingly out of place. Other hiccups include a series of subplots involving a trio of passengers heading out on a golfing holiday, while an appearance by Michael Rapaport as a boisterously talkative New York barkeep is so stereotypically on-thenose it’s close to laughable. Even so, the rest of the movie is so goshdarn terrific these missteps feel relatively minor. When sticking to its procedural elements, Komarnicki’s script is smart, crisp and dynamic, while depictions of the A320’s water landing, as well as Sullenberger and Skiles’ interactions with the NTSB, are absolutely superb. While no Unforgiven or Bird, or really even a White Hunter, Black Heart or Bridges of Madison County, Sully still shows that, when fully engaged, Eastwood is as great a director as any still working today, his rousing depiction of selfless heroism and unimaginable courage making my day and then some.
Celebrating 41 Years!
SGN EXCLUSIVE: Complete Unknown – An interview with writer/director Joshua Marston by Sara Michelle Fetters SGN A&E Writer Writer/director Joshua Marston burst onto the scene in 2004 with the drug mule melodrama Maria Full of Grace, newcomer Catalina Sandino Moreno earning an Academy Award nomination for Best Actress for her emotionally bludgeoning portrayal of a young woman stranded in the most wretched of circumstances. He followed that film up in 2011 with the Albanian drama The Forgiveness of Blood, centering things on two talented youngsters, their respective characters forced to deal with the repercussions of a family blood feud tragically spiraling out of control. With Complete Unknown, Marston changes directions once again, delivering a drama about a thirty-something woman named Alice (Rachel Weisz) who attends the birthday party of family man Tom (Michael Shannon) as the guest of one of his most trusted co-workers, Clyde (Michael Chernus). What follows is an emotionally dense, dialogue-driven tale where fact and fiction constantly wage war one against the other, Alice and Tom sharing a connection that goes way beyond this supposedly chance meeting. I had the pleasure to sit down for a few brief moments with the talented filmmaker. Here’s some of what he had to say: Sara Michelle Fetters: Before we really dig into Complete Unknown, I’ve got to ask, you’ve made three movies, Maria Full of Grace, The Forgiveness of Blood and now this one, over the course of a dozen or so years. Why is that? Your films are just too good for us to have you working so infrequently. Joshua Marston: I know, right? [laughs] Too bad you’re not the head of a movie studio. Putting it simply? Filmmaking is a bitch. That’s all I can really say. I do have my next film ready; we’re scheduled to start shooting in January. So, I guess if I can keep halving the time it takes between each project, maybe we’ll finally get to a place where I’m making a movie every year or two. Wouldn’t that be nice? Sara Michelle Fetters: In regards to Complete Unknown, where did the idea for this story come from? Joshua Marston: I had another movie fall apart; it was sort of the straw that broke the camel’s back. I was like, screw this, I can’t keep having this happen, and I knew I needed to write something that was small enough that once I got the building blocks in place it was a certainty I’d be able to make it. I then ran into Julian [Sheppard], and we’d been talking about making something together for some time, and we both were fascinated by the basic idea of a main character who was not who she appeared to be. That she was nothing but a bunch of false fronts and not the person she was claiming she was. This got us thinking. What would this feel like? What sort of experiences would you have? What is the cost of living like this? And what would happen if you ran across somebody you used to know in the past? Would they recognize you? How would they react when they discover that she had, not just changed her identity, but had done it more than once? These seemed like very interesting questions to us, and we set out to compose a script where these transitions wouldn’t all happen at once, but over the course of the entire story. Originally, the idea was to take this concept and make it self-contained, that it would all take place in one location over the course of a handful of hours. But, once we started working more with the premise, we discovered it was juicy enough that I didn’t need to contain myself to one location. The movie was able to move around. Sara Michelle Fetters: It is interesting that, while you do get out of the one room of the birthday party, that while you do open things up, at the same time the scenario is still so character and dialogue driven that it would be easy to imagine this script translated to the theatrical stage. That isn’t meant to come across as criticism, mind
Joshua Marston with Rachel Weisz at Complete Unknown NY premiere – Photo courtesy of gettyimages.co.uk
you, just an observation, and one I’m sure you and Julian were cognizant of. Joshua Marston: We were aware of that, certainly. And, to a certain extent, it was intentional. But that’s also why we worked so hard to push the story out of the nest, if you will. I think Julian and I just enjoyed imagining what would happen between Alice and Tom. One of the main ideas that we started with, once you’ve revealed what’s going on with this character, what happens next? She’s kind of like a bomb that has gone off in Tom’s life. She polarizes people. Understanding how that played out, I think that’s one of the things that kept us intrigued while we were writing the script. It was always a mystery where things were going to end up. Sara Michelle Fetters: Speaking on that, I find it interesting that you provide AN answer to the central mystery fairly early one, maybe 30 minutes into the movie, but that doesn’t mean it is THE answer; you have to stay through all the way until the end for that. Did you worry, though, that people would potentially check out? That they would think you were solving your central mystery a little too fast? Joshua Marston: We were worried that not all viewers would be as smart as you. [laughs] In all seriousness, yes, you are likely my ideal viewer. Your reaction is exactly what I think it was we were hoping for. At the same time, is that a concern? Is it a concern that viewers would not go with the movie? Yes. Certainly. I wanted people to go with the movie. To understand that, just because one question has an answer, that doesn’t mean all of the ones being posed are going to be given solutions immediately as well. What that means, I think, is that you have to let go of your own expectations of what [the story] should be or where it should go. That can be a tough thing for an audience to do. It’s also something I’m actively trying to guide them towards being able to do. But, the reality is some people will be able to go on this ride and some people will not. It’s just the nature of storytelling. [Complete Unknown] changes gears very significantly and more than once, which isn’t something movies typically do. When someone settles in for the evening, when they decide what they are going to watch, they don’t always want it to suddenly become something else, something unexpected. But, in the way that Rachel Weisz’s character polarizes the room, I wonder if there isn’t something of a parallel with people watching the movie itself. Some people will be able to ride with a movie that keeps changing. Others, not so much, they’re going to want it to be one thing. But the movie isn’t that. More, I never wanted it to be. Sara Michelle Fetters: But isn’t that the thing with you as a filmmaker? You look at Maria Full of Grace, you look at The Forgiveness of Blood, on the surface both seem like pretty simple, straightforward stories. But as they progress, each becomes anything but, changing gears multiple times before proceeding to their
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respective conclusions. Joshua Marston: That’s true. You know, there is a desire, and sometimes it is useful and sometimes it’s frustratingly challenging, to tell stories that have not come out before but to masquerade them as ones the audience might be familiar with. With Forgiveness of Blood, in a blood feud story the central question typically is whether or not someone is going to pick up a gun, that you’re following a main character who you’re waiting to see pick up a gun and then commit revenge. But that’s not what I wanted to do. I’m telling a story, that’s actually a side story, in a way, that’s actually about collateral damage. With, Maria Full of Grace, that’s the kind of story that would normally focus on the drug kingpin. But I don’t care about that. I wanted to tell the story from the other side, from the perspective of the mule. That just felt like a more interesting story to me. With Complete Unknown, we didn’t sit down with the premise all worked out. We started with something, an idea, and then it evolved from there, and there came a point where I realized what we were conceiving as Alice’s character, there was just so much more we could do, so much other story to take advantage of. That allowed us to go in unforeseen directions that, I think, got us all really excited. But, what I kept coming back to, what is most interesting to me is that fundamental emotional story, and with her, it wasn’t just about the benefits of living this life, but what the costs were, psychologically and emotionally, and how that was going to be juxtaposed with the life Tom, Michael Shannon’s character, was currently living. That fascinated me. While you can imagine so many different stories for her, for Alice, this night, this story, is the most important one of her life in terms of what is genuinely at stake. That ends up being the story I’m interested in. Sara Michelle Fetters: With Maria Full of Grace and The Forgiveness of Blood, you worked primarily with unknowns, even leading Catalina Sandino Moreno to an Oscar nomination for the former. Here, you’ve got bona fide movie stars working with you as far as Weisz and Shannon are concerned. What was that like? Joshua Marston: It’s exciting, working with actors who are so talented, so skilled. With those other two movies, there was a little bit of a period where you had to establish a rapport, where you had to teach them about movie acting, in a way. And, while that might be overstating things a little bit, because they were all so new there was a learning curve. Here, it was like playing in a sandbox. These actors are so incredible, so versatile, and they’re ready to go right from the first day. At the same time, there’s also all sorts of new challenges when you’re working with movie stars. They have expectations and rules about what they will and won’t do and about how they will or won’t work, and you have to learn how to navigate that
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as this can be really constraining at times. Sara Michelle Fetters: Still, especially as it pertained to the inherent nature of the character you had created, it had to be nice to be able to rely on someone as talented as Weisz to bring Alice and all her various emotional components to life. This character so easily could have become nothing short of a melodramatic cartoon, and in lesser hands likely would have. Joshua Marston: She is incredible. There is something about Rachel’s qualities on-screen that are absolutely devastating. And, you’re right, she grounds this character, finds her innate humanity, and those are exactly the conversations she and I had before shooting. We had long conversations about why this character does what she does. She asked if it was a fantasy and I was like, no, this is real, we’re treating this realistically. I didn’t want to say it was a fantasy, because what I actually felt like Rachel was asking me was what was the tone of the movie going to be and thus what the tone of the performance she was going to go for was going to be like. The truth is, yeah, to a certain extent, it is a movie, it is a fantasy, and it’s not like I’ve ever met someone who has done this. There is a certain amount of fantasy involved in thinking this up. But I didn’t want to treat the character or the story like that. I wanted to treat it all as reality. And Rachel, once she understood that, never wavered once. Her performance walks a really fine line. She’s extraordinary. Sara Michelle Fetters: Then there is Michael Shannon. What can you say about him that hasn’t probably been said before? I mean, what an astonishing talent. It’s like he can take any character, any at all, and instantly make them someone you just can’t take your eyes off of. Joshua Marston: That’s a quality he has as a human being. What I experienced, that was impressive to me, was that he is able as an actor to portray a character who is clocking multiple things all at once keeping a number of balls in the air all at the same time. He’s in a situation where, with his character, there are seven other people in the room, and Tom has a relationship with each and every one of them. Michael is able to keep track of all of that. He’s clocking what’s going on with his wife, what going on with his friends and what is going with Rachel Weisz’s character at any given moment. It’s like he’s got eyes in the back of his head. Michael is able to keep an awareness about what is going on, what is happening, that’s amazing. That’s got be very difficult, and he has the ability to make it look very, very easy. Sara Michelle Fetters: What do you hope to keep exploring as a filmmaker? Where do you want to go next? Joshua Marston: Everywhere. [laughs] I’m drawn to continuing to do movies like my first few, which are small, characterdriven and journalistic in fashion. But I’d also love to make a big budget sci-fi movie. I’d love to do a thriller. But, the thing that connects them all, is that I’m interested in continuing to tell stories that are complicated, and that whether emotionally or psychologically, that these movies I make will leave the viewer with something to think about after they’re over. I’ve been lucky. The response to my films has been gratifying, but it’s also been more than a little bit nerve-wracking. You spend so much time making these films, and then when you put them out there into the world it’s always surprising to hear the reactions because you never allow yourself to presuppose how people are going to respond. With this one, I hope that people are both talking about the characters, thinking through what they saw and what was taking place off-screen, but then, beyond that, I want them to project their own selves into who these people are and how they’ve dealt with the choices they have made. Does it remain true that, wherever you go there you are? Or is that just an excuse that we tell ourselves in order to not come up with the courage to go out there and do something different? I hope that’s the sort of question that resonates with people.
Seattle Gay News 7
DURAN DURAN continued from cover
Richards (the Rolling Stone’s lead-guitarist) kind-of-way. Rhodes, 54, announced in June that he was taking time off toward the end of the summer tour; and during the concert said who else would fill Rhodes’ makeup and high-heels but Amanda Warner – yes, a woman. Duran Duran’s most recent album, Paper Gods, which was released last fall, has been their strongest best-selling album on the charts in 22 years. But first the night truly belonged to writer, producer and musician, Nile Rodgers. His band, Chic, performed for nearly an hour with their disco hits, “Good Times,” and “Le Freak” as well as songs (written by Rodgers) that have become Gay anthems, such as Diana Ross’ “I’m Coming Out” and “Upside Down” and Sister Sledge’s “We are Family,” plus David Bowie’s “Let’s Dance.” Most recently Rodgers’ collaboration with Daft Punk garnered a 2014 Grammy for “Get Lucky.” It was moving when Rodgers mentioned he had been diagnosed with cancer five and a half years ago and is now cancer-free. The Xfinity Arena was 75% filled by the time Duran Duran started at 9:30pm with their new song, “Paper Gods,” and the crowd really went wild for “Wild Boys,” “Hungry Like the Wolf,” and “A View to a Kill.” Followed by the sensuous, “Come Undone,” new material from Paper Gods continued with “Last Night in the City” and “What Are the Chances?” Simon then welcomed Rodgers back to
Nile Rodgers and his band Chic – Photo by MK Scott
the stage to be acknowledged for creating “Notorious” and “The Reflex” and the newer “Pressure Off.” Then the confetti canon exploded with purple confetti just in time for a fantastic mash up of “Planet Earth” and David Bowie’s “Space Oddity” with a photo of Bowie projected on the big screen. “Ordinary World” came next along with a song from 1988’s Big Thing album and
I always forget the name of “I Don’t Want Your Love.” I guess when I wasn’t paying attention Duran Duran recorded the super hard “White Lines (Don’t Do It)” in 1995 and the sunny “(Reach Up for the) Sunrise” in 2004 with a little “New Moon on Monday” added. The regular show ended with the classic “Girls on Film.” Then the encore started
SKETCHFEST
have a lot of fun together onstage, and they want their audience to have so much fun that they leave the patriarchy behind forever! Or at least for 20 hilarious minutes. Deep Lez will perform Thursday, Sept. 22 @ 7pm at The Pocket Theatre (8312 Greenwood Ave. N). Tickets: $10 online & $14 at the door. http://www.sketchfest.org/.
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of acts from Canada. Audiences can look forward to the wit of Ladies & Gentleman, recently seen at the Just for Laughs festival in Montreal and at the Montreal Fringe Fest, as well as Winnipeg’s H.U.N.K.S., who have been tearing up the fringe circuit, garnering tons of acclaim (including a fourstar review from the CBC, who called them “among Winnipeg’s finest sketch brands”), in addition to over 25 other groups. SketchFest has continued to make it a priority to attract diverse acts – and this year boasts the widest variety of performers yet. Los Angeles-based Blade Brown (which includes former Seattleite Myrone Sumner) recently won the 2016 L.A. Scripted Festival Sketch Cage Match Tournament and includes members who are writers and performers from the CBS Diversity Showcase. Blade Brown calls themselves “a diverse group of performers that bring that urban slice of life theme to any sketch stage.” Deep Lez is an all queer-identifying group who have performed at Bumbershoot, Seattle SketchFest, and Lesbian living rooms all over the Pacific Northwest. (See details below.) “We want to give everyone a chance to show off how hilarious they are,” says SketchFest Managing Director Beth Peterson. Think you need to watch Amy Schumer or Key & Peele for great sketch comedy? Think again! This year was the first year SketchFest had a “great-but-terrible problem,” according to Artistic Director Randall Cleveland. More awesome local groups applied than the festival had slots for, thanks to the exploding local scene. And much of that growing interest can be attributed to the support provided by events like SketchFest.
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with Simon encouraging unity as we fight against war and bigotry as the audience filled the auditorium with cell phone lights for “Save a Prayer.” Then for “Rio” six gigantic beach balls were thrown out into the audience on the main floor who kept tossing them back and forth throughout the song. After more than 30 years, Duran Duran is still here, as is the great artist, Nile Rodgers!
DrtBar Fund Fight – Photo courtesy of SketchFest Seattle
Says Cleveland, “When I moved to Seattle six years ago, there were maybe 10 groups performing regularly. Now there are over 50, with all kinds of cross-pollination and permutations evolving, and there are talented people performing comedy for every kind of taste.” SketchFest will also present showcases for local talent leading up to the main event: Sept. 15 @ 7pm at The Pocket Theater (8312 Greenwood Ave. N.); Sept. 16-17 @ 7, 8:30 & 10pm at The Pocket Theater; Sept. 17 (The SketchFest Film Challenge) @ 7pm at Central Cinema (1411 21st Ave.); Sept. 18 @ 5:30pm at The Pocket Theater; and Sept. 22 @ 7pm at The Pocket Theater. The main shows are on Sept. 23 & 24 at the Annex Theater (1100 E. Pike St.) with shows @ 7 & 9:30pm nightly. Tickets and more information about SketchFest Seattle 2016 are at http://www. sketchfest.org/.
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Deep Lez showcase Sept. 22 Deep Lez is an all queer-identifying group who have performed at Bumbershoot, Seattle SketchFest, and Lesbian living rooms all over the Pacific Northwest. Deep Lez is Seattle’s premier – and, quite possibly, only – dyke comedy collective! They aim to entertain through a queer, feminist lens. They offer a unique voice in Seattle’s burgeoning queer comedy movement. And they’re not just for lezzies – they have performed in front of all kinds of audiences, and their subversive brand of humor offers something for everyone to appreciate. Their sketches find the humor in the everyday, the obscure, and sometimes the absurd – all while weaving in bits of dyke culture past and present. They create memorable, quotable characters – like the beloved Flame of “The Let’s-Be-in-Love Podcast.” And no Deep Lez show is complete without a few props for the ages. They
About SketchFest Seattle For real! Founded in 1999, SketchFest Seattle is the world’s first sketch comedy festival – they even have a trademark on the name! Every year SketchFest brings together the most talented and hilarious comedians they can find across the globe, pairs them with the best and brightest local acts already making a name in town, and curates the most magical laugh-a-minute fest in the Northwest. The nonprofit organization SketchFest Seattle was formed in 1999 when performer Mike Daisey looked around at his friends and saw something special: an emerging community of sketch comedians eight or ten groups strong, more than fifty people deep. What would happen, he thought, if they combined forces? The event has grown with each passing year. Last year’s headliners included local groups Princess, Drop the Root Beer and Run, Day Job, and Tomato Tomato alongside traveling sketch groups and stand-up comedians like Christan Leonard, Mona Concepcion, Caitlin Weierhauser, and Emmett Montgomery. Courtesy of SketchFest Seattle
Celebrating 41 Years!
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Celebrating 41 Years!
EDUCATE. INSPIRE. TAKE ACTION.
Nazi Persecution of Homosexuals: 1933 - 1945 This important exhibit
reveals the ruthless Nazi united states holocaust memorial museum
campaign against gay men, who were among those deemed “enemies of the state.” A touring exhibit of the USHMM WITH CONTEMPORARY PHOTO ESSAY
robin hammond
WHERE LOVE IS ILLEGAL
Presented alongside a contemporary photo essay, Where Love is Illegal, these exceptional exhibits explore an ongoing narrative of persecution and bold resistance. Where Love is Illegal is the work of acclaimed photojournalist Robin Hammond. Open Sundays and Wednesdays 10am - 4pm | September 11 - October 31 Plan your visit at HolocaustCenterSeattle.org call to schedule community and student groups: 206-582-3000
Community Tours : Richard
School Tours: Julia
THANK YOU TO OUR SPONSORS GILMAN FAMILY FOUNDATION Carter Subaru | Congregation Tikvah Chadashah | First Security Bank GSBA | Lifelong Aids Alliance | Pride Foundation| Seattle Gay News Henry and Sandra Friedman HOLOCAUST CENTER FOR HUMANITY
2045 Second AVE, Seattle | Second & Lenora Learn more about the Center’s important work at HolocaustCenterSeattle.org Visit us online www.sgn.org
September 9, 2016
Seattle Gay News 11
12 Seattle Gay News
September 9, 2016
Celebrating 41 Years!
Life and death inseparable in the story of Louis Drax by Sara Michelle Fetters SGN A&E Writer THE 9TH LIFE OF LOUIS DRAX Now playing In his short life, Louis Drax (Aiden Longworth) has managed to live through eight near-death accidents. On his ninth birthday, his latest one might actually end up doing him in. Currently in a coma, under the care of the caring Dr. Allan Pascal (Jamie Dornan), with his mother Natalie (Sarah Gadon) in a constant state of worry and his father Peter (Aaron Paul) being hunted by the police, the boy is stuck in limbo, searching for answers that could be the key to his survival. With a nameless underwater creature as his guide, Louis heads deep within his own psyche looking for the truth. Back in the corporeal world, Dr. Pascal is driven to do the same, his latest patient’s plight one he feels oddly connected to in ways he hasn’t before. At the same time, he’s also drawn to the grieving Natalie, finding something about her that makes him willing to do things that put his livelihood, and his marriage, in jeopardy. Together, he and Louis are both out to solve the same mystery, and with the help of psychologist Dr. Michael Perez (Oliver Platt) they might even be able to do it together. Having never read Liz Jensen’s The 9th Life of Louis Drax, I had no idea what to expect as it pertained to horror master Alexandre Aja’s (The Hills Have Eyes, High Tension) latest flight of fancy. While I had guesses aplenty, not once did I surmise he’d be making some sort of strange, psychologically dense supernatural drama that felt like something ripped from cinematic pages composed by Tim Burton, Guillermo del Toro and Douglas Sirk. Make no mistake; this is one fantastical journey inside the psyche that most decidedly will not be
Louis (Longworth) and his father Peter (Paul) – Photo courtesy of rogerebert.com
everyone’s proverbial cup of tea. But it was mine. With a fascinating, multilayered script by actor-turned-writer Max Minghella, I found this to be a stirring adaptation built on a story I was continually intrigued by. Told in part by Louis himself, in other ways seen through the eyes of Dr. Pascal, the back-and-forth nature of this journey was one I happily responded to. I was fascinated at the way the screenplay juxtaposed the fantastical with the terrifying, the mystical with the mournful, and while the answer to the central mystery wasn’t hard to figure out somehow that didn’t make it any less powerful. Aja, while not at the height of his powers, still does a marvelous job, managing to keep the melodramatic nature of the scenario from overwhelming things. If anything, he’s almost too measured at times, too reserved. The performances rarely, if ever, go to anything approaching an ex-
treme, and across the board the entire cast is asked to underplay things to a dizzying degree. While this grounds things in an innate form of humanity that is laudable, it also makes differentiating between emotional variances sometimes difficult, thus diluting the veracity of Dr. Pascal and Natalie’s flirtation noticeably. Still, I’ve always loved the director’s visual chops, and he’s certainly on point here. Working once again with frequent cinematographer Maxime Alexandre (this is their fourth collaboration), the pair manufacture a hypnotic spell that is sweeping in scope yet delicately personal in execution. The same goes for Rachel O’Toole’s (The Possession) creative production design and Nigel Evans’ (Deadpool) art direction, the overall effect manufacturing an almost childlike psychedelic quality that traverses the minefield between adolescence and adulthood nicely.
Admittedly, I’m not entirely sure how I feel about Dornan. Maybe it’s the residual bad taste left in my mouth after Fifty Shades of Grey, maybe he should be forced to only portray characters that allow him to use his natural Irish accent, but there was something about his performance that just felt a little bit off to me. I was never sold on Dr. Pascal, never cared as much about him as I kept feeling like I should have. Other than a few of his scenes with Platt and a rather nice, if far too brief, moment with Barbara Hershey (playing Peter’s understandably perplexed mother Violet), he was just too stiff, too rigid, to fully engage me, the remainder of the cast thus forced to do the majority of emotional heavy lifting. Thankfully, they’re all more than up to the task, Gadon especially, who is downright superb. Her character is easily the film’s most complex creation, Natalie’s motivations coming from a place of personal distrust that border on terrifying. Paul is also wonderful, as is young Longworth, the two sharing a number of effective scenes together, one late in the picture drawing from me a couple of quiet tears I honestly did not see coming. I can’t see anyone shrugging their shoulders in aloof indifference after watching The 9th Life of Louis Drax. Some will love it, others will hate it with a poisonous passion that will defy belief, but few, if any, will walk out of the theatre thinking it was only okay. Even if all the pieces didn’t fit together as nicely as I wanted them to, even with my not being won over by Dornan’s performance as I am certain I was supposed to be, I’m still drawn to Aja’s latest in ways I can hardly describe let alone fathom. This story touched something inside of me that was primal, that was pure, its magical point-of-view more grounded in concrete everyday reality than some will initially allow themselves to believe.
Impressively cast Morgan still a sci-fi snooze
star-making turn in this year’s horror sensation The Witch with her titular performance here, and both are more than up to the challenge. Their give-and-take is the fuel driving this thriller’s engine, and without them little to anything of value could ever have been accomplished. There is an uneasy understanding that passes between the two I was uncomfortably captivated by, and I was curious as to how one would end up reacting to the other when push finally came to shove and action was unavoidably going to be called for. Yet, even with Mark Patten’s suitably austere cinematography, Tom McCullagh’s (Starred Up) frigidly impressive production design and Max Richter’s (Testament of Youth) effectively unsettling score, even with the majority of the cast working at a relatively high level, the movie is never able to overcome its more obnoxious shortcom-
ings. Owen’s script, while aiming high, doesn’t offer up much in the way of new ideas. More than that, it telegraphs way too many of its more intriguing twists, spelling things out with obnoxious exactitude. The final confrontations are silly, things devolving into a never-ending game of huntescape-chase-fight! I couldn’t wait to see come to an end. Case in point, there is a marvelously staged and acted sequence between Taylor-Joy and Paul Giamatti (portraying a clinical psychologist brought in to analyze Morgan’s mental state), the two of them engaged in a furiously passionate tête-àtête that builds in naturally authentic intensity as it goes along. Thing is, as terrific as the two actors are in the scene, and they are close to perfect, the dialogue is a bunch of hogwash, Giamatti’s character acting in a way that is so undeniably stupid one begins to wonder if this supposedly genius scientist is secretly insane. It’s like the performances and the script are working at cross purposes, and what should have been one of the movie’s high points instead becomes nothing short of a headscratching disappointment. And that’s the rub. As amazing as the cast is, as visually creative as the younger Scott proves to be, even for a pop science fiction throwback this story ends up being far too stupid to maintain interest in for its entire 92-minute running time. It runs out of steam far too quickly, while the climax is a jumble of idiotic lunacies that grow in eye-rolling magnitude as things roll along. Morgan has its moments, just not enough of them to make up for its ample shortcomings, all of which results in a thriller that doesn’t thrill and a mystery few are going to care to learn the resolution of.
September 9, 2016
Seattle Gay News 13
by Sara Michelle Fetters SGN A&E Writer MORGAN Now playing Corporate risk analyst Lee Weathers (Kate Mara) has been called to a secluded research facility to investigate an incident involving behavioral scientist Dr. Kathy Grieff (Jennifer Jason Leigh). While there, she will interview all of the facilities residents, including team leader Dr. Lui Cheng (Michelle Yeoh), chief scientist Dr. Simon Ziegler (Toby Jones), psychoanalyst Dr. Amy Menser (Rose Leslie), physician Dr. Brenda Finch (Vinette Robinson), her husband lab technician Dr. Darren Finch (Chris Sullivan), project manager Ted Brenner (Michael Yare) and nutritionist Skip Vronsky (Boyd Holbrook). Most of all, though, she is there to meet Morgan (Anya Taylor-Joy), the one entity everyone at the facility is there to fuss over. Scientists playing with genetics is the key element lurking inside science fictionthriller Morgan, an exceedingly well-cast B-movie that also marks the featurelength narrative debut for producer Ridley Scott’s son Luke Scott. Working from Seth W. Owen’s dense, if obvious, script, the filmmaker is great at setting the stage, the feeling of anticipatory paranoia permeating through the facility with Lee’s arrival palpable the moment she steps through the door. But it’s in the home stretch where he falters, and as the film begins to reveal its myriad of secrets it’s almost as if all involved began to lose interest, and as such caring about the scientists, Morgan or their collective plight becomes increasingly difficult as things wind down towards
Anya Taylor-Joy as Morgan – Photo courtesy of ft.com
their inevitable conclusion. On the positive side, this movie features a killer group of actresses, all of whom get to play smart individuals who are honored more for their respective intellects than they are for their sex appeal. Almost all of them are allowed to make their mark, even when their screen time ends up being relatively brief, Yeoh and Leslie making the most notable impressions as far as the scientists are concerned. In fact, the only one given noticeably short shrift is Leigh, the recent The Hateful Eight Oscar nominee apparently only around so she can make an early, and prescient, observation as it pertains to Lee; so other than picking up an easy paycheck, it’s difficult to understand what it was that drew her to the project in the first place. The key elements, though, are Mara and Taylor-Joy, the latter following up a killer,
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BATHS
CLUB Z - (men) 1117 Pike near Boren - 622-9958 HOT HOUSE SPA & SAUNA - (women) SW corner of Pike & 11th (stairs behind Wildrose) - 568-3240 STEAM WORKS - (men) 1520 Summit - 388-4818
RESTAURANTS & BARS
88 KEYS - 315 2nd Ave. S. - 839-1300 BALTIC ROOM - 1207 Pine St. - 625-4444 THE BOTTLENECK LOUNGE 2328 E. Madison St. - 323-1098 C.C. ATTLE’S BAR & GRILLE 1701 E. Olive Way - 726-0565
THE CANTERBURY - 534 15th Ave. E. - 322-3130 CHANGES IN WALLINGFORD 2103 N. 45th - 545-8363 THE CRESCENT - 1413 E. Olive Way - 720-8188 THE CUFF COMPLEX 1533 13th Ave. - 323-1525 DIESEL BAR - 1413 14th Ave. - 322-1080 GLO’S - 1621 E. Olive Way - 324-2577 GNOCCHI BAR - 1542 12th Ave - 328-4285 HOT MAMA’S PIZZA - 700 E. Pine St. - 322-6444 JAZZ ALLEY - 2033 6th Ave. E. - 441-9729 JULIA’S - 300 Broadway Ave. E. - 860-1818 KREMWERK - 1809 Minor Ave. #10 - 682-2935 MAE’S CAFE 6412 Phinney Ave. N. - 782-1222 MADISON PUB - 1315 E. Madison - 325-6537 NEIGHBOURS - 1509 Broadway - 324-5358 OUT WEST - 5401California Ave. SW THE PINE BOX - 1600 Melrose Ave - 588-0375 POCO WINE ROOM 1408 E. Pine St. - 322-9463
RETAIL SHOPS
CASTLE SUPERSTORE #17 1017 E. Pike St - 204-0126 DOGHOUSE LEATHERS 1312 E. Pike St. - 257-0231 EMERSON SALON - 909 E. Pike St. - 323-7437 NEW YORK EXCHANGE 231 Broadway Ave E - 726-7978 ONYX LEATHER - 1605 12th Ave. #8 - 328-1965 PANACHE - 225 Broadway E. - 726-3300 RUCKUS 1465 E Republican St. - 257-4805 STAN’S ADULT SUPERSTORE 9630 16th Ave. SW - 762-3299 TOYS IN BABELAND - 707 E. Pike St. - 328-2914 UNDER U 4 MEN 709 Broadway Ave. E. - 324-6446 WILD AT HEART 1111 NW Leary Way - 782-5538 YOUR CHOICE VIDEO 9811 16TH AVE SW - 768-0711
BELLINGHAM
LOVER’S 193 Telegraph Road - (360) 752-1862 RUMORS CABARET 1119 Railroad - (306) 671-1849
BAR MYX - 1212 California St. - 425-610-4071 LOVER’S - 112 SE Everett - (425) 353-3607 LOVER’S - 3402 Broadway - (425) 252-8754
KENT
LOVER’S 25801 104th Ave. S.E. - (253) 852-1720 THE FANTASY SHOP 604 Central Ave. S. - (253) 850-8428 NASHVILLE’S SPORTS BAR (Drag Shows) 114 - Railroad Ave. N. - (253) 852 - 0909
14 Seattle Gay News
September 9, 2016
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PONY - 1221 E. Madison St. - 324-2854 PURR - 1518 11th Ave. - 325-3112 R PLACE - 619 E. Pine - 322-8828 RE-BAR - 1114 Howell at Boren - 233-9873 SEATTLE EAGLE - 314 E. Pike - 621-7591 SHORTY’S 2222 2nd Ave - 441-5449 SPINNAKER BAY BREWING 5718 Rainier Ave S - 725-BEER(2337) STOUT -1530 11th Ave - 397-3825 TOULOUSE PETIT 601 Queen Anne Ave N - 432-9069 UNICORN - 1118 E Pike - 325-6492 WILDROSE - 1021 E. Pike - 324-9210 ZIPPY’S GIANT BURGERS 5633 Airport Way S - 466-5954 9614 14th Ave SW - 763-1347
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THE HERON INN & WATERGRASS DAY SPA 117 Maple Ave. - (877) 883-8899 info@theheron.com
OLYMPIA
DARBY’S CAFE 211 5th Ave. S.E. - (360) 357-6229 LOVER’S 3959 Martin Way E. Suite D - (360) 456-7300 JAKES - 311 4th Ave. E. - (360) 956-3247 URBAN ONION 116 Legion Way - (360) 943-9242
PORT ANGELES MAPLE ROSE INN 112 Reservoir Rd - (800) 570-2007
SPOKANE
ANDY’S 1401 W. 1st Ave. - (509) 747 - 0304 IRV’S (Drag Shows) 415 W. Sprague Ave. - (509) 624 - 4450 NYNE BAR AND BISTRO 232 W. Sprague Ave. - (509) 474 -1621 SPOTLIGHT LOUNGE 321 W. Sprague Ave. - (509) 624 - 0722
TACOMA
CASTLE SUPERSTORE 6015 Tacoma Mall Blvd. - (253) 471-0391 CLUB SILVERSTONE 739½ St. Helens Ave. - (253) 404-0273 THE FANTASY SHOP 2301 6th Ave. - (253) 272-6640 LOVER’S 7002 Tacoma Mall Blvd., #F - (253) 475-2271 THE MIX - 635 St. Helens Ave. - (253) 383-4327 RAINBOW CENTER 2215 Pacific Ave. - (253) 383-2318 SHAKABRAH JAVA CAFE 2618 6th Ave. - (253) 572-2787 TANDEM FOR GEAR, CLOTHING AND ACCESSORIES 3019 6th Ave, Ste. B - (253) 301-3026
TUKWILA
LOVER’S 530 Southcenter Blvd. - (206) 248-5085
WENATCHEE
THE CELLAR CAFE 240 N. Mission St. - (509) 662-1722
Celebrating 41 Years!
community calendar
Meetings Events Activities
FOR A CALENDAR LISTING: Send details to: SGN, Attn: Community Calendar, 1707 23rd Ave., Seattle, WA 98122. SGN phone: 324-4297. E-mail: sgn2@sgn. org. INCLUDE: Date, time, location, contact phone # for publication (if possible), brief description of event & sponsoring organization. DEADLINE: Tuesday 5pm. ACCESSIBILITY: Is your event accessible to LGBTQ people with disabilities? See Jean’s List webpage www. scn.org/activism/calendar/disabilities.html for Marla Nonken’s disabilities accommodations lists. NOTE: Phone numbers accompanying listings are within area code (206) & locations of meetings/ events are in Seattle unless otherwise noted.
SATURDAY - September 10
A Gathering of Men in Edmonds. 8:15-11:30am. Edmonds UUC, 8109 224th St SW, Edmonds. Meets 2nd Saturday each month. Men gather monthly for drumming, singing, storytelling & sharing of life experience. www.agatheringofmen.org Seattle Frontrunners Fun Run. 9am. Greenlake (outside Evans Pool). Every Saturday. GLBT running & walking club sponsors weekly runs, monthly potlucks, track & field activity, annual Run With Pride. 448-8518. www.seattlefrontrunners.org. Yoga With Andrew Conner. 9:30-11am. Amor Spiritual Center, 2528 Beacon Ave, Suite B. Meets every Saturday. A love offering is suggested but no one will be turned away. Sisters of Perpetual Indulgence Craptacular 2016 Rummage Sale. 10am-7pm. All Pilgrims Church, 500 Broadway E. Washington Park Arboretum’s Fall Abundance Plant Sale. 10am-2pm. Graham Visitors Center, 2300 Arboretum Drive E. The Fall Abundance Plant Sale is one of the best venues in our region for finding high-quality plants at great prices. Free admission and free parking. www.arboretumfoundation.org. Crystal Meth Anonymous. 10:30am. Capitol Hill Presbyterian Church, 1729 Harvard Ave. Also meets Mon @ 6:30pm, Thurs @ 6:30pm, Sun @ 6:30pm. More info: crystalmeth.org. Cider Summit Seattle (9/9 & 9/10). Fri: 3-8pm; Sat: Noon-5pm. South Lake Union Discover Center Lawn. Over 150 artisinal ciders from around the world. 21 & over. www.cidersummit.com. “Medicare Made Clear” Workshop. 2-4pm. Greenwood Branch library, 8016 Greenwood Ave N. Medicare specialist Jean Cormier of Cormier Insurance will provide an overview of the different parts of Medicare (Parts A, B, C, D and supplements), what they cover and how they work. Discussion topics include: how to receive benefits, the pros and cons of each part, approximate costs, enrollment and eligibility guidelines to help attendees make informed decisions on Medicare coverage. FREE. (Also, Sunday 9/18, 2-3:30pm at Ballard Branch and Sunday 9/25, 2-3:30pm at Magnolia Branch.) Sparkle in the Park: A Queer Youth Show. 3pm. Cal Anderson Park. An afternoon on glitter, glamour & drag. Family-friendly. Bring your own lawn chair. FREE. randy. wiger@saettle.gov, 684-0775. Oasis Youth Center in Tacoma - For Gay, Lesbian, Bisexual, Transgender & Questioning Youth, Ages 14-25. 6pm-12 midnight. Call for location & details. Every Saturday. (253) 671-2838. www.oasisyouth center.org. (Also meets Thursdays & Fridays 4-10pm.) Rainbow Duplicate Bridge. 6pm. Bus-accessible Central Area location. Every Saturday. Games also on Tuesdays & Thursdays. $4 fee includes coffee & snacks. For more information visit www.rainbowbridgeclub.org or email rainbowbridgeclub@gmail.com Gay City Arts Presents: Glory in Ruin (9/8-9/11). 7pm. Calamus Auditorium at Gay City, 517 E Pike St. A burlesque journey thru trauma & triumph from the renowned burlesque performer Ms Briq House. When is the last time you were utterly torn apart, completely undone, set asunder, destroyed? If you are reading this description it means you are somehow still surviving, and so are we! The artists in this show are tired of playing “pretty” & are ready to give you a rare chance to see them in all their gritty, dirty, ugly, ruined & put back otgether again glory. Tickets: General Admission: $15-$20; Students/ Seniors: $12. www.gaycity.org/arts
SUNDAY - September 11
Gay Men’s Bowling in Lynnwood. 9:30am. Brunswick Majestics Lane, Lynnwood. 9:30am Every Sunday. Spectators welcome. Join us for lunch afterwards! Sponsored by the Snohomish County Gay Men’s Task Force. For info email John at johndmarsh@mac.com; www.gaysnohomish.org Seattle Sunday Bowling. 10:30am. West Seattle Bowl, 4505 39th Ave SW (at SW Oregon St). Open bowl every Sunday for the GLBT community & friends. You don’t have to worry about how you bowl! $6.50 + $3 shoe rental. (425) 785-4729. Lotus Sisters Guided Meditation. 11am-1:30pm. SASG, 115 15th Ave E, Suite 201. Meets 2nd Sunday each month. Senior students lead the meditation, provide dharma talks or reflections & lead discussion. 3295908; www.LotusSisters.org; www.sasgcc.org (Meets in 2nd floor meeting room; no elevator.) Meditation for GBT Men. 11am-1pm. Cal Anderson House, 400 Broadway. Suitable for beginning & experienced meditators. Sponsored by Dharma Buddies. Contact Forrest Rode, 920-6117, Mike Chin (509)
September 10 thru September 18 ing Homelessness. 7-8pm. University Branch Library, 5009 Roosevelt Way NE. Women who are experiencing homelessness & who found shelter at Mary’s Place, a day center in Seattle, will read from their published writings. FREE. www.spl.org Orca Swim Team Workout. Evening. Seattle University, Connolly Athletic Center, 14th Ave & E Cherry St. (See Sunday listing.) “Our Enemies: Lively Scenes of Love & Combat” by Yussef El Guindi. 7pm. Seattle Repertory Theatre, 155 Mercer St. Struggling writer Gamal hates the way his fellow Arab Americans represent their culture on American media. When his own girlfriend Noor gets an offer from a major publisher backed with a national media campaign, how will Gamal manage his frustration? FREE, donations accepted. northwestplaywrights.org PFLAG/Seattle Monthly Meeting. 7-9pm. Seattle First Baptist Church, 1111 Harvard Ave. Meets 2nd Monday each month. 206-325-7724 or info@pflagseattle.org; www.pflagseattle.org. PFLAG is the national organization for parents, families, allies, and LGBTQ people united for equality. PFLAG/Skagit County Monthly Meeting. 7pm. Skagit Valley Food Co-op Bldg, Room 309, 202 South 1st St., Mt. Vernon. Meets 2nd Monday each month. PFLAG/ Puget Sound: 325-7724. Trans Youth Group. 7-8:30pm. Lambert House, 1818 15th Ave. Every Monday. A chance for youth to talk with others about their experiences & concerns related to identifying as Transgender. www.lamberthouse.org Lambert House Art Night. 7:30-9:30pm. 1818 15th Ave. Every Monday. Bring your ideas & let’s have some fun. 322-2515, www.lamberthouse.org Washington Gender Alliance Support Group Meeting in Shoreline. 7:30pm. Center for Human Services, 17018 15th Ave NE, Shoreline. Meets every Monday. For information email info@washingtongender alliance.com Queers, Crackpots & Fallen Women AA. 8-9pm. SASG, 115 15th Ave E, Suite 201. Every Monday. Open women only AA group. 322-2437; www.sasgcc.org.
TUESDAY - September 13
990-0007, or Doug Allison, doug.l.allison@gmail.com. www.dharmabuddies.org. (Women may wish to contact our sister meditation group at www.LotusSisters.org.) Just for Today. 12-1:30pm. SASG, 115 15th Ave E, Suite 201. Every Sunday. Drop-in 12-step (Narcotics Anonymous) group open to anyone in recovery. 3222437; www.sasgcc.org Paths to Recovery Al-Anon Family Group. 12-1:30pm. Seattle University Student Center, 901 12th Ave, Room 122. Every Sunday. LGBTQ supported. The Al-Anon Family Groups are a fellowship of relatives & friends of alcoholics who share their experience, strength & hope in order to solve their common problems. We believe alcoholism is a family illness & that changed attitudes can aid recovery. Greater Seattle AIS 24-hour number 625-0000; www.seattle-al-anon.org Rain City Soccer Club - Ripple Effect. Sunday afternoon. Location varies. Ripple Effect soccer team plays an almost weekly recreational scrimmage game for LGBTQ players in Seattle. Perfect for individuals looking for more relaxed play, who are just getting back into soccer, just learning the game and/or want to supplement their competitive play with a recreational team. To sign up visit www.raincitysoccer.org Gay City Arts Presents: Glory in Ruin (9/8-9/11). 2pm. Calamus Auditorium at Gay City, 517 E Pike St. A burlesque journey thru trauma & triumph from the renowned burlesque performer Ms Briq House. www. gaycity.org/arts (See Saturday listing for details.) (NOTE: Please confirm Sunday showtime as it may be at 7pm instead of 2pm matinee.) Orca Swim Team Workout. Sun: Afternoon; Mon/Weds/ Fri: Evenings. Seattle University, Connolly Athletic Center, 14th Ave & E Cherry St. Every Sun, Mon, Wed & Fri. Pre-registration required. Orca Swim Team workouts are for both competitive & recreational swimmers. www. orcaswimteam.org Shame to Grace Sunday SAA. 6-7:30pm. SASG, 115 15th Ave E, Suite 201. Every Sunday. SAA is a fellowship of men & women who share their experience, strength & hope with each other so they may overcome their sexual addiction & help others recover from sexual addiction or dependency. Seattle SAA helpline 237-8828, SAA International Service Organization 1-800-477-8191. SASG 322-2437; www.sasgcc.org Crystal Meth Anonymous. 6:30pm. Capitol Hill Presbyterian Church, 1729 Harvard Ave. Also meets Mon @ 6:30pm, Thurs @ 6:30pm, Sat @ 10:30am. More info: crystalmeth.org. Pride League Bowling. 6:30pm. West Seattle Bowl,
Visit us online www.sgn.org
4505 39th Ave SW. Every Sunday (except during the summer). Regular league bowling. Jeff, 932-3731. Gay City Arts Presents: Glory in Ruin (9/8-9/11). 7pm. Calamus Auditorium at Gay City, 517 E Pike St. A burlesque journey thru trauma & triumph from the renowned burlesque performer Ms Briq House. When is the last time you were utterly torn apart, completely undone, set asunder, destroyed? If you are reading this description it means you are somehow still surviving, and so are we! The artists in this show are tired of playing “pretty” & are ready to give you a rare chance to see them in all their gritty, dirty, ugly, ruined & put back otgether again glory. www.gaycity.org/arts Three Dollar Bill Cinema’s Cineoke! 6:30pm doors; 7pm show. Re-bar, 1114 Howell St. Meets 2nd Sunday each month. It’s like Karaoke - only better! You’re the star of your favorite movie musical. Pick any scene to sing along to, while the film and lyrics are projected onto the screen. There are hundreds of songs to choose from, or you can bring your own special request (on DVD). $8 cover ($5 for Three Dollar Bill Cinema members). www. threedollarbillcinema.org. Noche Latina - Latino Night. 10pm. Neighbours, 1509 Broadway. Every Sunday.
MONDAY - September 12
SOBER - On Meds. 1-2pm. SASG, 115 15th Ave E, Suite 201. Every Monday. 12-step group open to anyone in recovery & living on a medicine regimen. 322-2437; www.sasgcc.org Strength Over Speed. 2-3:30pm. SASG, 115 15th Ave E, Suite 201. FREE drop-in support group (not a 12 step) for Gay & Bi men who desire recovery from meth. For information visit www.strengthoverspeed.org. SASG 322-2437; www.sasgcc.org LCS Foster Care Monthly Information Meeting. 6-8pm. 433 Minor Ave N. Meets 2nd Monday each month. LCS is a non-profit foster care program in King & Snohomish counties. LCS does not discriminate on the basis of race, religion or sexual orientation. Couples & singles encouraged to apply. RSVP to April at 694-5713. Crystal Meth Anonymous. 6:30pm. Capitol Hill Presbyterian Church, 1729 Harvard Ave. Also meets Thurs @ 6:30pm, Sat @ 10:30am, Sun @ 6:30pm. More info: crystalmeth.org. Freely Speaking Toastmasters. 7pm. FredLind Manor, 1802 17th Ave. Every Monday (except holidays & the last Mondays in August & December). Seattle’s only LGBT speaking club. www.FreelySpeaking.org Mary’s Place Writing Program for Women Experienc-
September 9, 2016
Amor Open Meditation. 5-6pm. Amor Spiritual Center, 2528 Beacon Ave, Suite B. Meets every Tuesday. LGBTQ Questioning & Allied Youth Drop-in Group in Renton. 6-8pm. Renton Area Youth Services (RAYS), 1025 S 3rd St, Renton. Meets every Tuesday. Confidential. Snacks provided. Bring friends or come alone - anyone 12-18 is welcome. Questions? Call Sarah Hardin, 425-271-5600 ext 155, or email sarahh@rays.org Strength Over Speed. 6-7:30pm. SASG, 115 15th Ave E, Suite 201. FREE drop-in support group (not a 12 step) for Gay & Bi men who desire recovery from meth. For information visit www.strengthoverspeed.org. SASG 322-2437; www.sasgcc.org Alzheimer’s Association’s LGBT Caregivers’ Support Group. 6:30-8pm. Elderhealth Northwest, 6555 Ravenna Ave NE (entrance on NE 68th St). Meets 2nd Tuesday each month. A free information and support group for care partners, family members and friends of individuals with dementia. For more information, contact group facilitator Caila Nickerson, 781-248-3524 (cell) or email: cailanickerson@gmail.com Diverse Harmony. 6:30-9pm. Seattle First Baptist Church, 1111 Harvard Ave. Every Tuesday. Diverse Harmony is the nation’s first Gay/Straight Alliance Youth Chorus. Youths ages 13-22 are welcome regardless of sexual orientation. www.diverseharmony.org LGBTQ MS Connection/National MS Society. 6:308pm. Swedish Conference Center, Cherry Hill Campus, James Tower, 550 17th Avenue, Room E, 1st Floor. Meets the 2nd & 4th Tuesday each month. MS Connection is a support group with the goal of providing a safe environment for the LGBT community to express their experiences and the impact of MS on their lives and the lives of their loved ones, as well as provide support for one another. Contact Shelly at 206-250-5002 or LGBTMSConnection@gmail.com. Queer Young Females Group - For Female-Identified Youth, Ages 22 & Under. 6:30-7:30pm. Lambert House, 1818 15th Ave. Every Tuesday. Topics range from family issues to school happenings to like/lust/love relationships. All Queer females welcome. Come discuss how smart. strong Queer women live their lives. 322-2515, www. lamberthouse.org “Taking on the Ultra-Right Bigots in Australia.” 7pm. New Freeway Hall, 5018 Rainier Ave S. Special guest speaker Alison Thorne is a founding member of the Melbourne Indigenous Social Justice Association which mobilizes to stop aboriginal deaths in custody. She is also immersed in the Campaign Against Racism & Fascism, a united front which galvanizes thousands to ‑confront the far right. Door donation $3, dessert & snack plates available at 6:30pm for a $2.50-$7 donation. fspseattle@mindspring.com, www.socialism.com Tuesday Night Sex Addicts Anonymous (GLBTQI). 7-8:30pm. All Pilgrims Christian Church, 500 Broadway E (enter at 509 10th Ave E; buzz in, Dickson room). Every Tuesday. SAA is a fellowship of men & women whose primary purpose is to stop addictive sexual behavior & help others recover from sexual addiction. Seattle SAA helpline 237-8828. SAA International Service Organization 1-800-477-8191. No Safeword Writers Group. 7pm. Meets 2nd Tuesday each month. NSWG exists to provide mutual support
Seattle Gay News 15
for members’ efforts. For info & location, NSWG@ sexpositiveculture.org; www.nosafewordwritersgroup. org. (Also meets 4th Sunday, 1pm.) Over 40’s Group - For Lesbian Women 40 & Older. 7-8:30pm. University Congregational Church, 4515 16th Ave NE, Pilgrim Room. Every Tuesday. Open group for Lesbian women, 40 & older, in every stage of coming out or being out. Lots of social activities in addition to Tuesday meetings. 545-3521. Rainbow Duplicate Bridge. 7pm. Bus-accessible Central Area location. Every Tuesday. (See Saturday listing at 6pm.) Different Drummers. 7:15-8:30pm. Every Tuesday. Hand drumming classes for Gay men. Learn traditional African & Afro-Caribbean rhythms & basic hand drumming techniques. Drums are provided. For info & location call Dennis at 363-4500 or www.outdrum.com What About Me? 7:30-9pm. SASG, 115 15th Ave E, Suite 201. Every Tuesday. Drop-in social, support & discussion group for Gay & Bi men of all ages. 322-2437; www.sasgcc.org Spiritual Empowerment. 7:30-9pm. SASG, 115 15th Ave E, Suite 201. A group for all LGBT & friends of any spiritual belief to explore how spiritual practice can enrich their life. 322-2437; www.sasgcc.org Seattle Otters Water Polo Team. 8-9:30pm. Medgar Evers Pool, 500 23rd Ave E (at E Cherry St). Every Tuesday & Thursday. GLBT & GLBT-friendly co-ed water polo team is open to all who want to play. Check our website for up to the minute details, or call the Otter Hotline 414-8797. www.otterpolo.com. Seattle Poetry Slam. Doors 8pm, Show 8:30pm. Rebar, 1114 Howell St. Every Tuesday. A spoken word poetry event that features a weekly open mic, feature poet, and slam (poetry competition). Come out and express yourself. LGBTQ- & QTPOC-friendly; all genders welcome. $5. 21+. seattlepoetryslam.org
community calendar
FRIDAY - September 16
WEDNESDAY - September 14
Mature Friends Morning Exercise/Health & Fitness Get-Together. 10am. Ballard Odd Fellows Hall Bldg, 1706 NW Market St. Every Wednesday. An hour of health-related activities, followed by a walk around Greenlake & lunch at a local restaurant. www.mature ‑friends.org True Colors: Connecting LGBTQ Teens in Shoreline. 4-5pm. Every Wednesday. Discussing your important issues, building a supportive community. For information, location & to REGISTER call Lindsay Bagley 362-7282 x 8018 or email lbagley@chs-nw.org GSBA Cocktail Competition. 6pm. The Foundry by Herban Feast, 4130 1st Ave S. Join us for a night of sampling fantastic craft cocktails created by some of our favorite mixologists battling it out for Best Drink, Best Decor & the coveted Best Bartender. Cost: $45. Walk-ins $5 extra. 363-9188; www.thegsba.org GLOBE (GLBTQ Loving Ourselves, Becoming Empowered): A Support Group & HIV/STD Prevention for Youth (14-20) in Everett. 6-8pm. CCA Building, 3331 Broadway - Bottom Floor, Everett. Every Wednesday. Sponsored by PFLAG Everett chapter. David/Brenda, (425) 263-2908. globeleaders@hotmail.com POZ Seattle Monthly Social. 6-8pm. The Cuff Complex, 1533 13th Ave. Food, music, 50/50 raffle. $5 suggested donation; no one turned away for lack of funds. www. pozseattle.org. The Rowing Team Peer Recovery Group. 6-7:30pm. All Pilgrims Church, 500 Broadway E. Meets every Wednesday. This peer recovery group provides a safe & supportive faith community to share your recovery journey with, God answers our prayers & sends us a boat. Sometimes rowing furiously for yourself & sometimes for others. All are welcome. Seattle Gay & Lesbian Book Club. 6-7:30pm. SASG, 115 15th Ave E, Suite 201. Every Wednesday. Discuss the best LGBT novels with other book-lovers in a safe, comfortable conversation. Come once or come every week. Check our website for this month’s book. http:// faculty.washington.edu/swittet/SGLBookClub/ SASG 322-2437; www.sasgcc.org Lotus Sisters Meditation & Dharma Discussion North. 6:15-8pm. Ravenna Bryant neighborhood. Meets every Wednesday. Call 525-7295 for location. www. LotusSisters.org. Seattle Frontrunners Fun Run. 6:30pm. Volunteer Park (in front of Black Sun across for museum). Every Wednesday. (See Saturday at 9am.) Entre Hermanos Trans Latino & Foreign-Born Support Group. 7pm. Entre Hermanos, 1105 23rd Ave. Bilingual (Spanish/English) Transsexual support group meets 2nd & 4th Wednesday each month to provide information, counseling, healthcare, sisterhood & social activities for Latino & foreign-born people in their transition. For more information contact Abby 322-7700, www. entrehermanos.org Ingersoll All-Trans Drop-In Support Group. 7-9pm. Seattle Counseling Services, 1216 Pine St, Suite 300. All Transgender, Gender Variant, Gender Queer, Gender Questioning, allies, family & friends are welcome. This is a drop in group to get & give support, social interaction & information for the whole Gender community. www. ingersollcenter.org Seattle Movie Bears Movie Night. Check website for details. Every Wednesday night. Gay & Bi men enjoy a movie at a local theater. More info: http://groups.yahoo. com/group/seattlemoviebears; or e-mail: seattlemoviebears-subscribe@yahoogroups.com Mature Friends Weekly Bridge Group. 7:30pm. Call for location. Every Wednesday. All levels welcome. MF is a social organization for Gay men & women, 40 years & over. www.maturefriends.org Orca Swim Team Workout. Evening. Seattle University, Connolly Athletic Center, 14th Ave & E Cherry St. (See Sunday listing.)
16 Seattle Gay News
Spiritual Center currently has openings for singers in its Chorale group. Debauchery. Doors 7:30pm, Show 8pm. Neighbours Nightclub, 1509 Broadway. Queers stripping for Queers in a hot, anti-oppressive space, raising money for organizations that serve the Queer community. Tickets: $10 in advance; $15 at the door. www.lilydivine.com Seattle Otters Water Polo Team. 8-9:30pm. Medgar Evers Pool, 500 23rd Ave E (at E Cherry St). Every Tuesday & Thursday. (See Tuesday listing at 8pm.)
Washington Gender Alliance Open Support Meeting in Everett. 7:30-9pm. Everett United Church of Christ, 2624 Rockefeller Ave, Everett. Every Wednesday. A structured support meeting helping people deal with issues of gender identity & expression. All adults are welcomed: questioning, allies, FTM, MTF, Transgender, Queer, or Intersex. (360) 445-2411; www.washingtongenderalliance.com. Border Riders Motorcycle Club Meet & Greet. 8-9pm. The Cuff Complex, 1533 13th Ave (at E Pine St). Meets the Wednesday before the 3rd Saturday each month. BRMC provides a social & educational fraternity for individuals interested in recreational motorcycle touring. www.borderriders.com
THURSDAY - September 15
SketchFest (9/15-9/24). Seattle’s most underrated art form will take over the city for six nights of hilarity. For a list of performances & venues visit www.sketchfest.org “Tiny: Streetwise Revisited” Photo Exhibit (9/1511/3). Central Library, 1000 4th Ave. 30 years worth of images bring the viewer along with Erin “Tiny” Blackwell on her journey from a homeless teenager on the streets of Seattle to a mother of 10 children. Tiny grows up in difficult circumstances & uses her intelligence & stamina to create a life for herself & her family. www.spl.org Alcoholics Anonymous “Safe & Sober Group.” 12noon-1pm. SASG, 115 15th Ave E, Suite 201. Open meeting of AA. 322-2437; www.sasgcc.org. BABES Women’s Support Group/Lunch Meeting. 12 noon-2pm. Call for location. Every Thursday. The BABES Network is a peer led agency; a sisterhood of women facing HIV together. 720-5566 or 888-292-1912; www.babesnetwork.org. Seattle LGBTQ Employees for Equality (SEqual). 12noon. Seattle Municipal Tower, 700 5th Ave, Room 4070. Meets the 3rd Thursday of every month. Open to the public. Oasis Youth Center in Tacoma - For Gay, Lesbian, Bisexual, Transgender & Questioning Youth, Ages 14-25. 4-10pm. Call for location & details. Every Thursday. (253) 671-2838, www.oasisyouthcenter.org (Also Fridays 4-10pm & Saturdays 6pm-12 midnight.) Q Hour. 4:30-5:30pm. Orion Center, 1828 Yale Ave. 1st & 3rd Thursday each month. A group for LGBTQ youth 13-21 & their allies. Sponsored by Youthcare. FREE. 622-5555 x 212. Shifting Gears. 6-7:30pm. SASG, 115 15th Ave E, Suite 201. Every Thursday. Drop-in support group (non 12-step) for anyone of any orientation or gender
September 9, 2016
SketchFest (9/15-9/24). Seattle’s most underrated art form will take over the city for six nights of hilarity. For a list of performances & venues visit www.sketchfest.org “Tiny: Streetwise Revisited” Photo Exhibit (9/1511/3). Centeral Library, 1000 4th Ave. 30 years worth of images bring the viewer along with Erin “Tiny” Blackwell on her journey from a homeless teenager on the streets of Seattle to a mother of 10 children. Tiny grows up in difficult circumstances & uses her intelligence & stamina to create a life for herself & her family. www.spl.org AA Ageless in Recovery. 12noon-1pm. SASG, 115 15th Ave E, Suite 201. Meets every Friday. A drop in AA group for older & wiser people 55+. www.sasgcc.org Re-Parenting Ourselves. 12noon-1pm. SASG, 115 15th Ave E, Suite 201. Meets every Friday. A peer support group for adult children of any addiction. www. sasgcc.org SLAA Road to Recovery. 12noon-1:30pm. SASG, 115 15th Ave E, Suite 201. Meets every Friday. Ongoing 12 step group for sex & love addicts. www.sasgcc.org Oasis Youth Center in Tacoma - For Gay, Lesbian, Bisexual, Transgender & Questioning Youth, Ages 14-25. 4-10pm. Call for location & details. Every Friday. (253) 671-2838, www.oasisyouthcenter.org (Also Thursdays 4-10pm & Saturdays 6pm-12 midnight.) Strength Over Speed. 6-7:30pm. SASG, 115 15th Ave E, Suite 201. FREE drop-in support group (not a 12-step) for Gay & Bi men who desire recovery from meth. www.strengthoverspeed.org. SASG 322-2437; www.sasgcc.org All-Star Women Jam. 7pm. Spinnaker Bay Brewing, 5718 Rainier Ave S (at S Orcas St). Featuring All-Star women artists - 1st Friday feature; 3rd Friday jam. Great food trucks & great beer. spinnakerbaybrewing.com, bluestodo.com Lambert House Queer Movie Night. 7-9:30pm. Lambert House, 1818 15th Ave. Every Friday. Lambert House is a nationally-recognized activities & resource center for GLBT & questioning youth, ages 14-22. 322-2515, www.lamberthouse.org Rain Country Dance Night. 7-11pm, lessons at 7:15pm. The Cuff, 1533 13th Ave. An evening of country-western dancing for the LGBTQ community. FREE. www.raincountrydance.org. Orca Swim Team Workout. Evening. Seattle University, Connolly Athletic Center, 14th Ave & E Cherry St. (See Sunday listing.) LGBT Friday Night Al-Anon Family Group. 7:45pm. Seattle Counseling Service, Rainbow Room, 1216 Pine St at Melrose Ave. Every Friday. (See Sunday listing at noon for details.) Greater Seattle AIS 24-hour number who desires recovery from drugs or alcohol. 322-2437; 625-0000; www.seattle-al-anon.org www.sasgcc.org GaYme Night 4 the LGBT Community. 8pm-1am. B-GLAD (Bisexual, Gay, Lesbian, Trans & Question- SASG, 115 15th Ave E, Suite 201. Meets the 3rd & ing Adolescent Drop-In Group). 6:30-8pm. Call for 4th Friday of every month. Board games, cards & fun. location. Every Thursday. Sponsored by Youth Eastside www.sasgcc.org Services, which offers many programs for GLBT youth. SATURDAY - September 17 (425) 747-4937. (See previous Saturday for ongoing activities.) Crystal Meth Anonymous. 6:30pm. Capitol Hill Presbyterian Church, 1729 Harvard Ave. Also meets Mon SketchFest (9/15-9/24). Seattle’s most underrated art @ 6:30pm, Sat @ 10:30am, Sun @ 6:30pm. More info: form will take over the city for six nights of hilarity. For a crystalmeth.org. list of performances & venues visit www.sketchfest.org Boys’ Group - For Male-Identified Youth, Ages 14- “Tiny: Streetwise Revisited” Photo Exhibit (9/1522. 7-8:30pm. Lambert House, 1818 15th Ave. Every 11/3). Centeral Library, 1000 4th Ave. 30 years worth of Thursday. Youth take the opportunity to talk about issues images bring the viewer along with Erin “Tiny” Blackwell that relate to their everyday lives, with the facilitation of a on her journey from a homeless teenager on the streets male volunteer. 322-2515 ext 16. www.lamberthouse.org of Seattle to a mother of 10 children. Tiny grows up in GLBT Legal Clinic. 7-9pm. Meets the 3rd Thursday difficult circumstances & uses her intelligence & stamina each month. QLaw Foundation holds a monthly legal to create a life for herself & her family. www.spl.org clinic addressing the legal needs of LGBT individuals & Lambert House Queer Rec. 1pm. 1818 15th Ave. 3rd couples. Volunteer attorneys provide FREE 30-minute Saturday each month. Outdoor & indoor adventures for consultations. For information and to schedule an ap- youth ages 22 & under. www.lamberthouse.org pointment, call 235-7235. Clinic volunteers return calls Captain Smartypants in “Girl Crazy” (9/17, 9/23 on Tuesdays between 12noon-3pm. For information, & 9/24). 8pm. Triple Door, 216 Union St. Featuring visit www.q-law.org/legalclinic Sensible Shoes. Tickets: $25-$35. 838-4333, seatPFLAG Bellevue/Eastside Monthly Meeting. 7-9pm. tlechoruses.org First United Methodist Church, 1934 108th Ave NE, Judy Gold. 8pm. Stroum Jewish Community Center, Bellevue. Meets 3rd Thursday each month. See http:// 3801 E Mercer Way, Mercer Island. Emmy-winning community.pflag.org/PFLAGBellevue. Contact us at comedy star Judy Gold brings her edgy wit and sharp info@bellevue-pflag.org or 425-483-6642. observational commentary to the Greater Seattle area. Rainbow Duplicate Bridge. 7pm. Bus-accessible Ti ckets: $35, $30 for seniors, students, youth and SJCC Central Area location. Every Thursday. (See Saturday members. http://sjcc.org/cultural-arts/comedy/. listing at 6pm.) SUNDAY - September 18 Buddhism & Recovery. 7:30-9pm. SASG, 115 15th Ave E, Suite 201. Every Thursday. A meditation/recovery (See previous Sunday for ongoing activities.) group. 322-2437; www.sasgcc.org SketchFest (9/15-9/24). Seattle’s most underrated art Gay Fathers Association of Seattle. 7:30-9pm. Group form will take over the city for six nights of hilarity. For a Health, 201 16th Ave E, Central Bldg, Lower Atrium. list of performances & venues visit www.sketchfest.org Every Thursday. Support meetings for Gay fathers & “Tiny: Streetwise Revisited” Photo Exhibit (9/15Gay men who are currently or previously married. For 11/3). Centeral Library, 1000 4th Ave. (See Saturday information, community events & “questioning” visit listing for details.) www.spl.org www.gfas.org or our message board at http://groups. Ethyl Forever Car Club, Pacific NW Region Lambda yahoo.com/groups/gayfathersseattle Car Club Monthly Tire Kick/Social. 10:30am. Randy’s Gay Male Sexuality & Relationships. 7:30-9pm. Restaurant, 10016 E Marginal Way S (south of the SASG, 115 15th Ave E, Suite 201. Every Thursday. A Museum of Flight). Meets the 3rd Sunday each month. discussion group that is strictly focused on sexual top- Open to all LGBTQ persons & friends who have an interics and relationship issues related to being a Gay male. est in the automobile, not just collector or performance 322-2437; www.sasgcc.org vehicles. ethylforever@hotmail.com Amor Chorale Rehearsal. 8-9pm. Amor Spiritual Cen- “Medicare Made Clear” Workshop. 2-3:30pm. Ballard ter, 2528 Beacon Ave, Suite B. Meets every Thursday. Branch Library, 5614 22nd Ave NW. Medicare specialist Calling all sopranos, altos, tenors & basses. The Amor
Celebrating 41 Years!
Jean Cormier of Cormier Insurance will provide an overview of the different parts of Medicare (Parts A, B, C, D and supplements), what they cover and how they work. Discussion topics include: how to receive benefits, the pros and cons of each part, approximate costs, enrollment and eligibility guidelines to help attendees make informed decisions on Medicare coverage. FREE. (Also, Sunday 9/25, 2-3:30pm at Magnolia Branch.) Seattle Poly Potluck & Discussion Group. 5-8pm. Center for Sex Positive Culture (Main Space), 602 15th Ave W. Meets 3rd Sunday each month. For people interested in polyamorous, open, and ethically nonmonogamous relationships. $5 donation; please bring a potluck dish. This event is open to the public. Look for us on Facebook or Meetup.
community calendar
COMMUNITY RESOURCES
Allyship - an organization of LGBTQ individuals fighting for economic and social justice. www.LGBTQ Allyship. org, allyship@yahoo.com, 279-8169. American Veterans for Equal Rights - www.aver.us BiNet Seattle is a mixed gender, social group for Bisexuals, their partners & other Bi-friendly folks - www. binetseattle.org. Capitol Hill Alano Club - www.chacseattle.org Central Washington University GALA Hotline: (509) 963-1994. DIFFA/Seattle (Design Industries Foundation Fighting AIDS). 763-8885; www.diffaseattle.org DOMESTIC VIOLENCE & SEXUAL ASSAULT: Crisis Clinic, 461-3222 (24 hour line); King County Sexual Assault Resource Center (KCSARC) - 24-hour crisis line for information, support, & medical & legal assistance: 1-888-99-VOICE; Northwest Network - support & advocacy for Bisexual, Trans, Lesbian & Gay Survivors of Abuse & Dating Violence, 568-7777 (voice), 517-9670 (tty), www.nwnetwork.org; Pierce County Domestic Violence Helpline: Teresa, (253) 798-4166; Seattle Counseling Service for Sexual Minorities - offers on-going support groups for men: 323-1768; Seattle Police Dept Domestic Violence Unit, 684-0330; State Wide Domestic Violence Hot Line, 1-800-562-6025. In an emergency call 911. Report domestic violence and sexual assault. Equal Rights Washington - 324-2570; www.equal rightswashington.org Everett/Snohomish Cty - www.gaysnohomish.org Freely Speaking Toastmasters - www.freely speaking.org Gay City promotes wellness in LGBTQ communities by providing health services, connecting people to resources, fostering arts, and building community. Gay City Health Project’s Wellness Center provides anonymous & confidential HIV/STD testing. 517 E Pike St. More info or to schedule an appointment, 860-6969. www.gaycity.org Gay & Lesbian National Hotline (GLNH): 1-888-THEGLNH (1-888-843-4564). Non-profit, peer-counseling, information & local resources telephone hotline for GLBT people across the country. GLSEN/WA - Gay, Lesbian, Straight Education Network - 330-2099; www.glsenwa.org Greater Seattle Business Association (GSBA) - 3639188; www.thegsba.org HIV/AIDS Program, Seattle/King County Dept of Public Health, provides confidential/anonymous information about & testing for HIV/AIDS. 205-7837. For a comprehensive list of HIV/AIDS service organizations see the GSBA Guide or visit www.thegsba.org or call Lifelong AIDS Alliance, 328-8979. Imperial Sovereign Court of Seattle & the Olympic & Rainier Empire - www.facebook.com/ISCSORE; www. imperialcourtofseattle.com Lambert House - 322-2515; www.lamberthouse.org LGBT Library - 517 E Pike St. Open Mon-Fri 2-8pm; Sat 2-5pm. LGBT MS Connection - 250-5002; LGBTMSConnection@gmail.com. Support group for LGBT persons with MS and their partners and their caregivers. Lifelong AIDS Alliance - 328-8979, www.lifelongaids alliance.org MEN: Gay City: 860-6969, www.gaycity.org; Knights of Mantra: 329-0886, www.jetchapterkofm.com; Mature Friends: Gay men & women 40 & over, www.mature friends.org; Northwest Bears: www.nwbears.com; The Olympians: www.TheOlympians.net; POZSeattle: www.pozseattle.org; Q-Squared: www.qsquared.org; Rain City Jacks: 888-809-5035, www.raincityjacks. org; Seattle Gay Couples: www. seattlegaycouples. org; Seattle Men in Leather: www.seattlemeninleather. org; Seattle Prime Timers: Gay & Bi men 40 & over, www.seattle primetimers.org. MUSIC: Diverse Harmony: www.diverseharmony.org; Rainbow City Band: 1-866-841-9139 ext 2126; rainbowcityband@onebox.com; www.rainbowcity band.com; Seattle Men’s Chorus and Seattle Women’s Chorus: 388-1408, 323-0750. www.flyinghouse. org. Northwest Lesbian & Gay History Museum Project - gayhistnw@aol.com Northwest Rainbow Alliance for the Deaf - www. nwrad.org Out & Equal Workplace Advocates/Seattle Regional Affiliate supports the work of LGBT employees and the growing number of ERGs (Employee Resource Groups) making a difference within local companies. www.outandequal.org/affiliates/seattle PARENTHOOD: Families Like Ours provides a gateway for LGBT families interested in adoption : 441-7602, www.familieslikeours. org; Family Works offers support, information & activities for LGBT families: 694-6727, www.familyworksseattle. org; Gay Fathers’ Association of Seattle offers support groups & social activities:
www.gfas. org; Proud & Loud Families - Northwest, www.meetup.com/proud-and-loud-families-northwest, plfnorthwest@aol.com; Queer Parent Networking Dinners: 568-7777, info@nwnetwork.org; Rainbow Families of Puget Sound: www.rainbowfamiliesps.org PFLAG is the national organization for parents, families, allies, and LGBTQ people united for equality with chapters in Seattle, Bellevue/Eastside, the Puget Sound region and across Washington state. PFLAG Seattle: 206-325-7724, info@pflagseattle.org, and www.pflag seattle.org; PFLAG Bellevue/Eastside: 425-4836642, info@bellevue-pflag.org, http://community.pflag. org/PFLAGBellevue; PFLAG Pacific Northwest: www.pnwpflag.org; PFLAG Washington state: www. pflagwsc.org. PEOPLE OF COLOR: AARTH (African American Reach & Teach Health Ministry), 850-2070, www. aarth.org; Asian/Pacific Islander Queer Network Program at API Chaya, 467-9976; Center for MultiCultural Health, 461-6910, www.multi-culturalhealth.org; Entre Hermanos, GLBT Latinos/as, 322-7700, www. entrehermanos.org; Ile LaiLai, 781-3565, iya@ilelailai. org; Men of All Colors & Cultures Together (MACCT), 923-8313, macctseattle@yahoo. com, www.macctsea.org; Nubian Pride Productions, nubianpride@ gmail.com; People of Color Against AIDS Network (POCAAN) offers rapid HIV testing, M-F, 10am-5pm, 322-7061, www.pocaan.org and on Facebook; Seattle Two Spirit, SeattleTwoSpirit@ hotmail.com; Sistah 2 Sistah, LBT women of African descent, 322-7061, 2558951; Sistah Sinema, www.sistahsinema.com, info@ sistahsinema.com; Trikone-Northwest, GLBT South Asians, (425) 985-4376, www.trikonenw.org; Two-Spirit Honor Project, 1-866-685-0164; U.T.O.P.I.A. Seattle. Pride Foundation - 323-3318; www.pridefoundation. org Project NEON is a program of Seattle Counseling Service providing FREE information & services to Gay & Bi men to reduce health risks associated with methamphetamine use. 323-1768. www.crystalneon.org Public Health-Seattle & King County Online Comprehensive Health Information for Sexual Minorities: www.kingcounty.gov/healthservices/health/personal/ glbt.aspx Q Law: The GLBT Bar Association of WA - 682-6711; www.q-law.org; Q Law GLBT Legal Clinic - 235-7235. Resource & Referral Line can connect you to LGBTfriendly resources throughout Puget Sound and beyond. Call 323-LGBT Mon-Fri 2-8pm; Sat 2-5pm. At other times leave voice mail and your call will be returned.
Visit us online www.sgn.org
Safe Schools Coalition - www.safeschoolscoalition. org; 451-SAFE (451-7233). SEAMEC interviews, researches & rates candidates for public office on issues of concern to the LGBT community. 905-9941, www.seamec.org Seattle Area Support Groups & Community Center (SASG) builds community and cultivates powerful, healthy lives by providing emotional support and personal development services to those affected by HIV/ AIDS, the Queer communities, and those who love them. 322-2437; www.sasgcc.org Seattle Commission for Sexual Minorities - 684-4503. Seattle Counseling Service for Sexual Minorities is a community mental health service for GLBT persons & their families. 323-1768. Seattle Out & Proud - 206-322-9561; www.seattle pride.org Seattle PrideFest - www.seattlepridefest.org Servicemembers Legal Defense Network - (202) 328-3244; www.sldn.org SHIFT: A Peer Recovery Network - www.shift recovery.org Sisters of Perpetual Indulgence, The Abbey of St. Joan - 860-3666; www.theabbey.org Snohomish Health District HIV/AIDS Program provides free confidential/anonymous HIV counseling & testing 9am-5pm Monday-Friday, until 7pm Tuesdays. (425) 339-5298. Social Outreach Seattle (SOSea) - www.facebook. com/socialoutreachseattle SPORTS & RECREATION: Bent Car Guys: www. bentcarguys.org; Border Riders Motorcycle Club: www.borderriders.com; Bottom Dwellers Scuba Club: www.bottomdwellers.org; Capitol Hill Cyclers: join their Facebook group or email capitolhillcycling@ groups.facebook.com or jordan.l.simonson@gmail.com; Cascade Flyers: www.cascadeflyers.org; Different Spokes Bicycling Club: www.differentspokes.org; Emerald City Mudhen Rugby: www.mudhenrugby. com; Emerald City Softball Association: www.emeraldcitysoftball.org, www.eteamz.com/womensecsa; Ethyl Forever Car Club: ethylforever@ hotmail.com; Olympic Yacht Club: www.oycnw.org; OutVentures: outdoor education & recreation activities, www.outventures.org; Pacific Northwest Gay Rodeo Association: www.pacificnwgra.org; Puddletown Squares: www. puddletownsquares.org; Rain City Soccer: www.raincitysoccer.org; Rain Country Dance Association: a country-western dance organization catering to the LG-
September 9, 2016
BTQ community but open to all, www.raincountrydance. org; Sea Dawgs: LGBT ice hockey - SkateSeaDawgs@ gmail.com and on Facebook; Seattle Frontrunners: www.seattlefront runners.org; Seattle Gay Basketball Association: www.seattlegaybasketballassociation. com; Seattle Orca Swim Team: www.orcaswimteam. org; Seattle Otters Water Polo: www.otterpolo.com; Seattle Quake Rugby: www.quakerugby.com; Seattle Tennis Alliance: www.seattletennisalliance.org; Seattle Unified Bowling Association (SUBA): magee98106@ aol.com, www.teamseattle.org/bowling.htm, www. theprideleague. com, Century 21 League; Seattle Volleyball Club: www.seattlevolleyballclub.com; Ski Buddies: www. skibuddies.org; Team Seattle Gay Sports Network is an umbrella organization for a wide range of local GLBT sports activities, 367-4064, www. teamseattle.org (see website for comprehensive list of sports clubs); Triangle Recreation Camp at Bender Creek: recreational camping for GLBT folks. Must be 21; ID required. trc@camptrc.org, www.camptrc.org, 1122 E Pike St #1069, Seattle 98122-3934. Strength Over Speed - www.strengthoverspeed.org TRANSGENDER: Emerald City Social Club: (425) 827-9494; Gender Alliance of the South Sound: www. SouthSoundGender.com; Gender Diversity: www. genderdiversity.org; Gender Justice League: www. genderjusticeleague.org; Gender Odyssey: www.genderodyssey.com; Hermanos Trans Latino & ForeignBorn Support Group: 322-7700; Ingersoll Gender Center: 329-6651, www.ingersollcenter.org; The New BoyZ Club: www.olympiaftmgroup.webs.com; Olympia Trans Discussion Group: www.facebook.com/pages/ Olympia-Trans-Discussion-Group/262449878114; Washington Gender Alliance: (360) 445-2411, www. washington genderalliance.com WOMEN: Aging Lesbians in South Seattle (ALISS): Fai, 722-0729, alissquestions@gmail.com; BABES: support groups for HIV+ women. 720-5566, 1-888-2921912; Festival of the Babes: www.festivalofthebabes. com; Lesbians Over 40: 722-0729; Mature Friends: Gay men & women 40 & over, www.maturefriends.org; Older Lesbians Organizing for Change/WA State Chapter: gloria@oloc.org, mary@oloc.org, www.oloc. org; Pacific Northwest Lesbian Archives: www. pnwlesbianarchives.org; RainshadowWomen: RainshadowWomen@aol.com; Seattle Girls of Leather: www.sgol.org; Tacoma Lesbian Concern (TLC): www. tacomalesbianconcern.org; Women of West Seattle (WOWS): a fun, member-driven social group for Lesbians, http://groups.yahoo.com/group/womenofwestseattle; YWCA Women’s Health Outreach: providing low or no-cost mammograms for income eligible 40+ LBTQ individuals. Follow us at http://lbtqhealth-ywca.blogspot. com, twitter.com/ingridWHO or email lbthealth@ywcaworks.org, 461-4493. YOUTH: B-GLAD (Bisexual, Gay, Lesbian, Trans & Questioning Adolescent Drop-In Group): Youth Eastside Services offers many programs for GLBT youth, including B-GLAD, (425) 747-4937; Diverse Harmony: www.diverseharmony. org; GLSEN/Washington State (Gay, Lesbian, Straight Education Network) & Washington State GSA (Gay-Straight Alliance) Network: GLSEN works to create safe schools for LGBT students. WA GSA Network supports youth-led GSA’s to fight harassment & homophobia in Washington state schools. 330-2099; www.glsenwa. org; www.wagsa. org. GLOBE (GLBTQ Loving Ourselves, Becoming Empowered): a support group & HIV/STD prevention program for GLBTQ youth, 14-20, in Everett, (425) 263-2908, www.globeyouth.org; It Gets Better Project: www.itgetsbetter.org; Lambert House: an activities & resource center for LGBT youth, 14-22, in Seattle, 3222515, www.lamberthouse.org; Lifelong HEYO (Health Education Youth Outreach): for LGBTQ youth, ages 16-24: 957-1665; www.llaa.org/HEYO; www.Matthews Place.com; The Mockingbird Society: 323-KIDS (5437), www.mockingbirdsociety.org; Oasis Youth Center: for GLBTQ youth, ages 14-25, in Tacoma, (253) 671-2838, www.oasisyouthcen ter.org; Parents, Family & Friends of Lesbians & Gays (PFLAG)/Puget Sound: 325-7724, www.seattle-pflag.org; Peace for the Streets by Kids from the Streets (PSKS): 7268500; www.psks.org; Pizza Klatch: weekly lunchtime support groups for LGBTQ youth in Thurston County, www.pizzaklatch.org; Prism: for LGBTQ youth, 14-21, in Puyallup - Cherise.Alexander@ multicare.org; www. facebook.com/PuyallupPrism; Proud Out Wonderful (POW!): for LGBTQ youth, 13-21, in South King County, 206-326-9112, www.facebook.com/proudoutwonderful; Q Youth Resources: in Kitsap County - 360-698-3335; www.kchaf.org; Renton Area Youth Services (RAYS): LGBTQ, questioning and allied youth drop-in group, ages 12-18 - Sarah Hardin, 425-271-5600, ext 155; sarahh@rays.org; Safe Schools Coalition: www. safeschoolscoalition.org; 451-SAFE (451-7233) (nonemergency), 1-877-SAFE-SAFE (1-877-723-3723) (crisis line); Seattle Young People’s Project (Queer Youth Resource Board): 860-9606, www.sypp.org; Street Youth Ministries (SYM): 524-7301 ext 111; www.streetyouthministries.org; Teen Link: 461-4922, 1-888-431-TEEN; The Trevor Project: 866-4-U-Trevor; www.thetrevorproject.org; True Colors - Connecting LGBTQ Teens: in Shoreline, 362-7282 x 8018, lbagley@chs-nw.org; Vista Youth Center: for LGBTQ, questioning and allied youth, ages 14-21, in Kennewick, 509-396-5198, www.vistayouthcenter.org; YouthCare/ Isis Program (Transitional Living Home for LGBTQ Young Adults, 18-22): 522-8412; YouthCare/Orion Center: 622-5555; Youth in Focus: 723-1479; www. youthinfocus.org; Youth Suicide Prevention Program (OUTLoud-GLBTQ): 297-5922, ext 116, 1-800-273TALK, www.yspp.org
Seattle Gay News 17
DADDY BEAR
Magic touch bodywork. 12noon-8pm. 206-328-5828. 16/6
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10 HOUSEMATES 11 FOR RENT 12 HOUSING WANTED 13 HOUSING FOR SALE 14 HELP WANTED 19 HOME SERVICES TIDY’S LANDSCAPING, LAWN CARE, HAULING, HANDYMAN, & TRASH REMOVAL SERVICES
We are just a couple of guys with a good back along with some tools. We do not believe in charging through the roof prices. Free estimates. Serving Seattle and surrounding areas. 206-354-8949. 37/3
20 HEALTH & WELL-BEING
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GREAT MASSAGE given by highly-trained, clean-cut, handsome guy. I have two private studios, one on CapHill, and one just north of the UW. Call/text Matt, 206-235-7766. In/out calls. 33/12
ENERGY/BODYWORK
Therapeutic massage. 29 years experience. Relaxation, major/minor injuries, chronic muscle pain. Small Queen Anne home office/studio. Massage table or massage chair. Convenient parking. (I’m a Gay-friendly straight male graphic artist, web author.) First session 50% off = $45/1.5 hours (travel extra). By appointment only. References available. Chris Pringer, Reiki Master, 206-286-0899. If you get a voice message mentioning “extension #,” please hang up and call back again. Brochure, testimonials, etc. via chalicebridge.com/ BMI-Brochure.html. 44/21
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21 LICENSED MASSAGE - NON-SEXUAL
EXCEPTIONAL BODYWORK
Given by highly trained LMP. I specialize in injury treatment, acute, chronic, and repetitive stress motion. I have a studio on CapHill, and one just north of the UW. Insurance accepted. Matt Shafer, LMP, 206-2357766. 33/12
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18 Seattle Gay News
EROTICALLY CHARGED nude full body rubdown from playful top, stimulating the senses. Get seduced. Incalls in Renton area. Scott, 206-355-4469. 12/3
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RELAXATION and DEEP TISSUE massage on Capitol Hill. Last minute appointments welcome until 9pm. Jeff, LMP, 206-650-0542. www.broadwaymassage. com. 23/3
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22 FOR SALE 36 ESCORTS 37 BODYWORK
AMAZING BODYWORK! Deep tissue, erotic bodywork by handsome, hairy-chested, hung therapist. Reasonable rates. PhYotos, phone number and reviews at website: www.amazingbodywork.com. Robert. 27/6
38 MEN
RAIN CITY JACKS
RCJ is Seattle’s private club hosting hundreds of group jack-off events since 2005. Hot, friendly, and genuine male bonding for men 18+ only. Email or visit our web site for information. info@raincityjacks.org; www. raincityjacks.org. 27/12
–––––––––––––––––––––––––––––––––– FREE & ANONYMOUS HIV & STD COUNSELING/TESTING Walk-In or by Appt GAY CITY HEALTH PROJECT 517 E. Pike St. MON-FRI: 3pm-8pm SAT: 12:30pm-5pm More Info & to Schedule Appt 206-860-6969 ––––––––––––––––––––––––––––––––––
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September 9, 2016
Celebrating 41 Years!
Visit us online www.sgn.org
September 9, 2016
Seattle Gay News 19
20 Seattle Gay News
September 9, 2016
Celebrating 41 Years!