SGN Nov 27, 2015 - Section 2

Seattle Gay News

Issue 48, Volume 43, November 27, 2015

Arts & Entertainment

Come From Away will Mark Morris Dance make you want to kiss a Group a delightful cod! Go SEE it! evening at The Moore

Company of Come From Away – Photo by Chris Bennion

by Miryam Gordon SGN A&E Writer COME FROM AWAY SEATTLE REPERTORY THEATRE Through December 13

Here is the best holiday tip I can give you: Before you read this review, go to the computer or phone and arrange tickets for this musical immediately. The Seattle Repertory Theatre is already reporting that tickets for Come From Away, the feel-good see come from away page 4

“Cargo” – Photo by Stephanie Berger

by Sharon Cumberland SGN A&E Writer MARK MORRIS DANCE GROUP THE MOORE THEATRE November 20 Program: “Cargo” – Music: Darius Milhaud La creation du monde, Op 58. (2005)

“A Wooden Tree” – Music and words: Ivor Cutler (2012) “Whelm” – Music: Claude Debussy “Des pas sur la neige,” “Étude pour le notes répétées” “La cathedral engloutie” (2015) see mark morris page 6

Coogler’s Creed has the “Stripper Circus” eye of the tiger at Neighbours

Sylvester Stallone and Michael B. Jordan in Creed – www.awardsdaily.com

by Sara Michelle Fetters SGN A&E Writer CREED Now playing High on the list of words I never thought I would write in 2015? How about something along the lines of proclaiming a sequel/spinoff to 1976 Academy Awardwinner Rocky, a movie that’s already had five proper sequels, one of the year’s best motion pictures? Yeah. Can’t say I saw that one coming, either. But that’s exactly what writer/director Ryan Coogler’s Creed is,

a movie that both embraces the ideas and themes from Sylvester Stallone’s enduring series while also bravely and dynamically forges its own unique path. It’s darn near perfect, the film an entertainment knockout for every single one of its 132 breathlessly paced minutes. Adonis Johnson (Michael B. Jordan) has come to Philadelphia looking for someone from a past he does not know. He is the illegitimate son of former heavyweight champion Apollo Creed, a boxing legend who died before he was born. Plucked out of foster care by Apollo’s widow Mary Anne see creed page 7

by Shaun Knittel SGN Associate Editor Neighbours Nightclub has turned Thursday night into a must-attend event with “Stripper Circus” inside Seattle’s largest Gay dance club! “Stripper Circus: The Dirtiest Show on Earth” is every bit of what it promises. There is a sea of strippers (male adult porn industry dancers from LA), drag queens that are far left of pageantry and center stage of camp fun and new drag glamour, and weekly special guests such as Andrew Christian Underwear model Pablo Hernandez who sang his Youtube hit “Bitch I’m a Bottom” (to the tune of Madonna’s “Bitch I’m Madonna”) at the Opening Night party

on November 12. Last week’s special guest entertainer was the one and only Cake Moss. Did I mention strippers? On November 12, “Stripper Circus” owner and promoter Paul Nichols brought Fleshjack model and porn superstar Trenton Ducati, “Stripper Circus” all stars Michael, Dan Bevan, David Rest and Eddie, plus Falcon Pornstar Scott Riley. On November 19, “Stripper Circus” brought a whole new stable of dancers that included Kris Martin, Montana Volby, Scotty Marx and Geoff. In addition to dancers, “Stripper Circus,” which throws weekly parties all across the U.S., in cities like San Diego and LA to South Beach and Austin, also brings see “stripper circus” page 6

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November 27, 2015

Celebrating 41 Years!

Theater to keep you warm: Openings December 2015

returned to earth and is moving into his not so new studio apartment. Not even the Son of God can move a couch on his own, so his friend Santa Claus comes over to help him. In a fast paced, funny night we get a private peek into a friendship that is fighting to survive their battling backstories. http://www.playinginprogress.com/

The Colonel and Shenille (l to r) Lisa Koch, Bruce Hall, and Peggy Platt in Ham for the Holidays – Photo by Sage Alixander

by Miryam Gordon SGN A&E Writer It’s chilly outside, but there is plenty to warm up with inside Seattle theaters. There’s holiday viewing but also a lot of laughs to be had. Several theaters are reprising productions that bring people back again and again. There are shorts fests and new plays and comedy sketches. A month stuffed with something for everyone! A Christmas Carol, ACT Theatre, 11/27-12/30 This is the 40th year of this 90-minute holiday tradition by Charles Dickens, adapted by Gregory A. Falls. This year, Kurt Beattie plays Ebenezer Scrooge in alternating performances with Charles Leggett. http://www.acttheatre.org/ A Christmas Twist, Burien Actors Theatre, 11/27-12/20 Toss Dickens’ A Christmas Carol and Oliver Twist into a high-spirited blender with plenty of pop culture and an absurd cast of characters that includes Little Orphan Annie. The result is a humorous parody of Christmas stories about the poor versus the rich that spreads the spirit of the season. http://www.burienactorstheatre.org/ Emma, Book-It Repertory, 12/2-1/3 (Based on the book by Jane Austen) Emma Woodhouse lives with her father and doesn’t think she will ever need to marry. She thinks she’s a very good matchmaker, but finds herself both failing at matchmaking and falling in love, surprisingly, with family friend, George Knightly. First presented by Book-It Repertory in 2009, Rachel Atkins’ adaptation shows us that we need to question our assumptions, sometimes. http://book-it.org/ Ham for the Holidays: Who’s Afraid of Virginia Ham?, Tongueinchic Productions (at ACT Theatre), 12/3-20 Merry. Mirthful. Mad. Seattle comedians Lisa Koch and Peggy Platt (aka Dos Fallopia) return to ACT with their wackadoodle, gender-bending holiday sketch series. Platt and Koch take you on a holiday outing including: The Colonel and Shenille, Three’s Custody, a ‘70s sitcom set in prison, Presidential Family Feud, featuring relatives of political candidates, the tiny Sequim Gay

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Men’s Chorus, and The Spudds merging Dr. Seuss with “Dynasty,” for “How the Bitch Stole Christmas!” Guaranteed to knock your socks off the fireplace! http://www.acttheatre.org/ Wonderful Life, ArtsWest, 12/3-27 Andrew Lee Creech stars in a solo show encapsulating the entire town of Bedford Falls! http://www.artswest.org/ Expressing Willie, Phoenix Theatre, 12/4-20 Rachel Crothers wrote this play in 1924 about a man who becomes obscenely wealthy in Long Island, NY. With newfound money and an increased ego, Willie Smith finds himself involved with free thinkers and all that accompanies sordid wealth – until his former unsophisticated girlfriend arrives and pits Midwestern values against the idle rich. By the time Willie realizes he has been a self-centered fool, it may be too late. http://www.phoenixtheatreedmonds. com/ She Loves Me, Seattle Musical Theatre, 12/4-20 From the Pulitzer and Tony Awardwinning composer and lyricist of Fiddler on the Roof comes the perfect holiday confection, She Loves Me. As a parfumerie in Budapest readies for the Christmas rush, a store clerk and a salesgirl argue, but are unaware that they are anonymous penpals! http://seattlemusicaltheatre.org/ Sherlock Holmes and the Case of the Christmas Carol, Renton Civic Theatre, 12/4-19 http://rentoncivictheatre.org/ SnowGlobed, Playing in Progress (at West of Lenin), 12/4-19 Writers are invited to create short pieces that are “holiday inspired.” This year, playwrights span centuries and styles, visiting a Christmas tree forest, a holiday-infused divorce court, a depraved orphanage, a puppet show blood bath, and a very [very] White Kwanzaa. Also: For Christmas, Playing in Progress (at West of Lenin), 12/4-20 A new play by Nick Edwards will transform West of Lenin into Jesus’ studio apartment. 15 audience members (per performance) will bear witness. Jesus Christ has

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Holiday of Errors, Sound Theatre Company (at 12th Avenue Arts), 12/4-20 In the sly spirit of Black Adder and Shakespeare in Love, Holiday of Errors is a jolly, irreverent send-up that mashes Twelfth Night, Richard III, and A Christmas Carol with historical inaccuracies and slanderous fabrications into an Elizabethan pudding that serves everyone! Things look grim for Will Shakespeare on Christmas Eve, 1593. An urgent invitation from Queen Elizabeth to perform at Whitehall Palace for Twelfth Night is a golden ticket to solvency and royal patronage but Will’s quill has been limp! Christopher Marlowe’s ghost inspires him to begin a new play featuring ghostly visitors who attempt to save the soul of their murderer, Richard III... with song and dance. (A 2013 Gypsy Rose Lee Award-nominee) http://www.brownpapertickets.com/ event/2412806 Ruth and the Sea, Pacific Play Company (at Annex), 12/3-19 Ruth, a feisty mid-western grandmother, has her Christmas party plans interrupted with news that she probably won’t live to see the coming spring. Preferring madcap adventure over chemo, she grabs all the hard liquor, drains her bank account and convinces her re-hab skipping dope fiend grandson to embark on a cross country trek to find the shore-side contentment of her youth, one last time. Also: Tall Tales of the Unnatural Frontier, Pacific Play Company (at Annex), 12/4-18 Shorts fest with the theme of a shadowy slice of dark Americana, exploring a time when the country’s founding ideals were still waiting for their time to truly flower. Here are a few of the extremely tall tales that seared their way into our nation’s collective subconscious memory, whispered around the dying campfire of an elusive moment in history. http://www.pacificplaycompany.com/ Hung By the Chimney, The Pulp Vixens (at Theatre Off Jackson), 12/3-19 For the first time in ten years, The Pulp Vixens return with a film noir classic in the tradition of Bogey & Bacall – if Bogey wore a skirt and Bacall was a monkey. Can lonely but loveable private eye Molly O’Malley unmask the Big Lady before she puts the finishing touches on her evil plot or will the wild monkey chase end with Molly dead and her good name forever tarnished? http://www.brownpapertickets.com/ event/2391701 Christmastown: A Holiday Noir, Seattle Public Theater, 12/4-24 Nick Holiday, a washed-up detective in Christmastown, works to track down “Big Red” for a client who will stop at nothing to uncover unsavory secrets. Imitating detective hits of the 1940s, the Wayne Rawley play is packed with film-noir slang, stereotypes, and plot twists. http://www.seattlepublictheater.org/

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Come From Away – and see this show! by Eric Andrews-Katz SGN A&E Writer COME FROM AWAY SEATTLE REPERTORY THEATRE Through December 13 Come From Away is a new musical being presented at the Seattle Repertory Theatre. Based on their true stories, the musical tells the tale of the close to 6,700 passengers and crew, from the thirty-eight flights, which were grounded in Gander, Newfoundland the morning of September 11, 2001. The musical isn’t about the American tragedy as much as it is about the extreme humanity, generosity, and friendship extended to the international passengers by the residents of a small, sleepy, almost forgotten village in Canada. It is no secret that the morning of September 11, 2001 changed most Americans, if not the world, and how we view those foreign to us. Once the attacks occurred, all flights were immediately denied permission to fly through American airspace. All flights coming into and out of the United States were grounded, a good number of them in Gander, Newfoundland. The morning was ordinary for the residents of the Canadian village until 38 planes were diverted to their airport. The residents of Gander immediately rose to the challenge and gathered food, shelter, water, toiletries, and all other forms of necessities (including animal care for the pets in cargo) all within the space of a few hours. Public housing was immediately designated in schools, churches, auditoriums, and people’s private homes. Passengers were from all over the globe with some not speaking any language other than their native tongue. But the people of Gander rallied with their support. With the unexpected “guest list” almost doubling the town’s population (which was close to 10,000), the passengers and residents overcame their own prejudices and insecurities at a time of world crisis, and discover that humanity can indeed break down barriers and overcome fear. The subject seems like an odd choice for a musical. But in times when Phantom of the Opera or Les Miserables, (or even Carrie) can be made into singing sensations, then why not a musical on 9-11? The

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musical phenomenon about a small Canadian town taking care of dozens of strangers forced to land on 9/11, are flying out the door! Part of the reason is that it’s a short run from opening night. That is very “normal” when a musical is new and in development. Part of the process is to have preview performances where the writers continue to work on refinements up until opening night. In fact, the production opened November 18, and allows for four full weeks of performance. Sometimes new musicals only have two or three weeks after opening! But by far the biggest reason tickets are flying out the door is that this is undoubtedly the best musical to hit Seattle in…. a long time. It has a kick-ass major cast (all 12 are Broadway vets or Broadway-ready, some with extensive Canadian credits). That’s good because there is every expectation that the show will get to Broadway and soon! The book, sharp and refined, and music, and lyrics by Canadians Irene Sankoff and David Hein are catchy!

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Company of Come From Away – Photo by Chris Bennion

thing that makes this work is that the plot does NOT focus on the tragic event itself, but definitely more on the humanity that brought the rest of the world together. The actual terrorist attack is the “elephant in the room,” so to speak, that we, the audience, know is there, we know what is happening, we can see the actors’ reactions, but we are not subjected to the blatant bombardment of images, grief and actions from the direct attack. Instead we are given the uplifting stories of how a community rose to the occasion, went above and beyond their necessities, and how the lives of the passengers and crew on those planes (and of those living in Gander) were forever changed afterwards. The authors chose to focus on a few

lives, of common passengers, that allow audience members to identify and relate to their actions. One couple is so extremely changed by the incident, that they break up after their return to the States; while another two people meet by circumstances and fall in love. An African-American man experiences for what seems to be the first time in his life, what it is like to be treated as a person instead of a person-of-color; a powerful yet subtle realization for the audience as well. Even a passenger from Egypt feels the pressures of being Middle Eastern on that fateful day, and how the other passengers react to him. There isn’t any one particular role in this musical but rather several leading players

that double up on parts. Jenn Colella plays Beverley, one of the pilots of the grounded plane. Beverley gets to sing “Me and the Sky,” a love ballad about being a young girl wanting to pilot her own plane, in a time when that wasn’t allowed, and how she managed to find her dreams. Rodney Hicks plays Bob, an African-American man flying home to Manhattan. Mr. Hicks does an excellent job showing how a person-ofcolor reacts to the way they are treated in both positive and negative ways. His role could be considered “comic relief” if the points he made weren’t so poignantly real. Broadway veterans (although not the only ones in this show) Kendra Kassebaum, Eric Ankrim, and Chad Kimball (Tony Award Nomination for Memphis) all do excellent work in their individual roles of Newfoundlanders, and passengers on the plane. Each person, including the orchestra, in this show gets to shine at one point or another, and they all work together to put on a fantastic production. There needs to be a Cast Recording of this musical. If there is not one in the works yet, there needs to be! The songs and lyrics are beautiful. The book, music, and lyrics are by the team of Irene Sankoff and David Hein and they do a fantastic job. The songs are a mixture of traditional Broadway songs; large group numbers without the “jazz hands” exploitation, and beautiful, haunting numbers that are truly elegant. While there are only a few solo songs, they promote the characters that sing them, exploring their worlds and emotions, as only songs in a musical can do. Come From Away is a wonderful evening at the theater. It is one of the best “PreBroadway” shows to come through Seattle. Having its premier at La Jolla Playhouse earlier this year, Come From Away reminds us that humanity comes from the heart, and that even at times of crisis, human beings can still surprise one another. At a time when the world is again in turmoil facing terrorist attacks, Come From Away is a perfect reminder that at one time WE were the strangers in a strange land, and we were the ones dependent on the kindness of strangers. For more information and tickets to Come From Away, visit www.seattlerep.org or call: 206-443-2222; 877-900-9285.

Company of Come From Away – Photo by Chris Bennion

Director Christopher Ashley (from the La Jolla Playhouse co-producers) and choreographer Kelly Devine work the rhythms of this show to a fare-the-well [***change to fare-thee-well]. Every movement and every moment count. The on-stage band, supervised by Ian Eisendrath, is ready, willing, and able. The acoustic instrumentation and the simple use of odd instruments (the “ugly” stick) adds to the authentic Newfoundland sound. The beat is compelling, making it hard for the audience to sit still. The staging is deceptively simple, on a rotating platform (designed by Beowulf Boritt). Dialect coach Joel Goldes had to have been extremely busy with the multitudes of accents called for by the international passengers. So, what’s it all about? We all know so much about September 11th… and we may even have realized that there was a no-fly zone established by the FAA over the entire United States that day. But maybe you, like I, did not think about where all the flights in the air were going to end up! A whole passel of ‘em ended up being diverted to a tiny Canadian town: Gander,

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Newfoundland. The whole town wasn’t more than 7,000 people, yet all of a sudden they had to play host to more than 3-dozen planes full of strangers and even animals (there were pregnant monkeys on one plane!). The musical focuses on real people’s stories of landing there that day and also on townsfolk who describe scrambling for beds, food, diapers, everything you can think of that people suddenly need. Gander and surrounding small communities rose to the occasion and poured as much hospitality as they could around. It’s not a secret what happened, but it’s a great story of human kindness and pulling together in the face of emergency. Relationships born from that unique experience survive to this day. Multitudes of characters speak to the audience about their experiences, but that device doesn’t pale over the brisk 100 minute (no intermission) musical. The book is evenly balanced between the townsfolk and the passengers, though those that changed the most over the several days were passengers who experienced the hospitality of Newfoundlanders and found camaraderie with each other.

Though there are over 24 different characters played by the 12 cast members, you never feel confused about who’s doing the talking/narrating. If there is anyone said to be a lead character, it would be Jenn Colella as the captain of one flight, Beverley. Colella even looks like Beverley (who was present opening night)! In addition, locals Eric Ankrim and Kendra Kassebaum, ex-local Chad Kimball, and Patrina Bromley, Joel Hatch, Rodney Hicks, Lee MacDougall, Caesar Samayoa, Q. Smith, Astrid Van Wieren and Sharon Wheatley star. So, now that you’ve gotten your tickets, prepare to be entertained by one of the hands down best productions our area has seen in quite a while. It may make you wanna kiss a cod! For more information, go to www.seattlerep.org or call 206-443-2222. Discuss your opinions with sgncritic@ gmail.com or go to www.facebook.com/SeattleTheaterWriters. More articles can be found at miryamstheatermusings.blogspot. com.

Celebrating 41 Years!

UW World Dance brings astonishing work of Akram Khan Company to Seattle by Sharon Cumberland SGN A&E Writer

UW WORLD DANCE AKRAM KHAN COMPANY “KAASH” (2002) GEORGE MEANY HALL UNIVERSITY OF WASHINGTON November 12 A man –­ bare-chested, bare-footed, wearing a long dark skirt over long trousers, stands on the unlit stage with his back to the audience. The house lights are up. He stands there a long time. Is this intentional? Or is there a glitch in the music, the light cues? Could we be engaged in some kind of contest? Who will break their silence first, the dancer or the viewer? The audience begins to whisper and titter – we don’t know what to do with this statue-like man standing for minutes on a bare stage. The stage itself is interesting – a blurry field of maroon on a white scrim, a white floor. We begin to wonder if this is another butoh dance of stillness, as we saw last month with Sankai Juku. Suddenly the lights go out, the stage flashes red, and the auditorium erupts into frenzied drumming – loud, arrhythmic, heart-stopping. It all happens at once and we jump in our seats – and now four more dancers materialize on the right, in long skirts and pants – a bare-chested man, three women with sleeveless tops exposing powerful arms. They stand in a vertical line with right feet anchored, left feet repeatedly lunging forward and back – sideways to the audience – arms pin-wheeling in time to the drumming. At first they do this together, then in staggered patterns, never breaking their line, while the motionless man remains motionless. This first section of Akram Khan’s “Kaash” is surprising, dramatic – even thrilling. The skirts fling themselves out with every lunge, making these gestures seem like temple dances to a massive god. The dancer’s fingers form patterns that look like fans, then duck beaks, always punctuating the stop-motion pose before they lunge again. We don’t know what we’re in awe of, but we are in awe. For me, the opening of this fifty-five minute dance was the highlight of the evening. The surprise, the unfamiliar gestures, the intensity of the dancers, the contrast between stillness and fervid movement, the mysterious simplicity of the costumes, and the dramatic change of light, all came together in an unforgettable scenario. Akram Khan’s chorography is based upon a style of Indian classical dance called kathak – and if you go online to read about it you see photos of young women dressed in just these trousers and skirts, swirling and forming their fingers into mudras – hand and finger gestures with assigned meanings from Hindu religious practice. It may be that the dance presented at Meany Hall followed the ancient forms, and it would be interesting to know how these forms have been adapted to modern audiences. But the Akram Khan Company did not feel even remotely like an anthropological or documentary demonstration of an Eastern dance for Western audiences. Instead it seemed like a thoroughly modern dance with a vocabulary that clearly referenced something or someplace, but remained mysterious and self-contained. Without prior knowledge of kathak the average viewer would still revel in the excitement and commitment of the dancers and their very challenging dance.

I was fascinated with the rhythm of these patterns, in which dancers made very rapid movements followed by a complete stop in a pose, then some small, tiny gesture with the hands, followed by rapid movements again, then the stop, pose, tiny gesture, etc. The art of the choreographer could be seen in the evolving patterns of dancers in relationship to one another – simultaneous movements, sometimes extremely complex – or sequential movements that demonstrated a single idea in an unfolding of forms and directions. The stop-start nature of the dance was, for me, very original, though I can sense the irony of this observation knowing that it comes from a dance tradition that is hundreds of years old – it’s just original to me. In the middle section of the work, which was very slow and performed by single dancers, the fascination retreated and my mind was engaged intellectually as individuals seemed to dance through the catalogue of movements that had been introduced so dramatically in the opening sequences. I found this section less compelling, though the tremendous skill and commitment of the dancers was apparent. When the complexities resumed with the full company of five dancers I was drawn back again into the explosive drama of the work, which ended as it began, with frenzied drumming and the contrast of huge arm movements and tiny finger gestures while the dancers moved through swirling patterns. The final sequence, performed by a lone male dancer – very tall and slender – consisted of mudras shaped with the arms on the whole body. The bird-like ending – back to the audience, arms crossed diagonally across the torso and fingers forming waist-high wings – was akin to a blessing, an “amen,” or a “namaste” – a most beautiful farewell. We can thank Michelle Witt and the UW World Dance programmers for constantly introducing us to forms of dance that truly reveal the world in all its oldness and newness. The Akram Khan Company, based in London but traveling the world, is an example of how our understanding of dance and culture is expanded ever-out-

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Akram Khan Company – Photo by Jean Louis Fernandez

wards. We are challenged and educated as well as delighted by what we see. For my money it’s the best deal in town – six dance concerts for as little as a $243 subscription. You get to see the greats: The Martha Graham Dance Company, the final tour of Trisha Brown, last year we saw Mark Morris, as well as favorites like Grupo Corpo and truly foreign groups like Sankai Juku

and Akram Khan. It’s appropriate that a great research university should be serving its city in this way – and we dance lovers should respond by supporting it. Christmas is coming – surprise someone you love with a year’s worth of great dance concerts. Coming up next in February – Trisha Brown Dance Company.

Akram Khan Company – Photo by Jean Louis Fernandez

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Seattle Gay News 5

mark morris continued from cover

“The” – Music: J.S. Bach Brandenburg Concerto No. 1 in F Major arranged for four-hands piano by Max Reger (2015) Mark Morris and the idiosyncratic songster Ivor Cutler are a marriage made in heaven. “A Wooden Tree” – the title of a sequence of dances to fourteen Cutler songs – is simultaneously risqué, pastoral, and very funny. My favorite was “Deedle, Deedle, I Pass,” a skipping tune played on a wheezing harmonium as Cutler’s quavering tenor sings: “Here is an old country game, it is called Deedle Deedle I Pass. You take a fair maid through the flowers and lay her down flat in the grass.” Anyone familiar with Morris’s sense of humor can picture the jolly couples in a country dance suddenly flinging their partners to the ground and pouncing on them. In the opening sequence we hear Cutler announce that his songs “are in the good old English style” and you can, indeed, hear strains of Handel, Purcell, and the British music hall in his songs – a style that has attracted Morris throughout his career and inspired some of his greatest work. In “A Wooden Tree” we see echoes of “many a youth and many a maid/dancing in the checquer’d shade” from “L’Allegro, Il Penseroso ed Il Moderato,” and we recall the drinking song “Your hay it is mow’d, and your corn is reap’d” from “King Arthur” as the guys strut to “Stick Out Your Chest.” Four couples move from pantomime to reels to square dances in these fourteen sequences, dressed in argyles, vests, knees socks and pleated skirts. They look like whimsical, slightly ironic manifestations of country lads and lasses, just as Cutler’s songs are whimsical, slightly ironic manifestations of old English songs. An early version of “A Wooden Tree” premiered at On the Boards in 2012 (with an unannounced appearance by Mikhail Baryshnikov!), which was much more cockney in its character and costuming. I must admit I liked that cockney presentation a bit more than the less literal setting of the current dance. There was something about the men in their corduroys and flat caps that resonated with Cutler’s mood – far more cheery and old fashioned than winking and ironic, as the fair maiden flung to the turf would agree:

“A Wooden Tree” – Photo by Elaine Mayson

justly renowned for his embodiment and expansion of music – particularly baroque music. He has a special understanding of its fugues, its ornamented repetitions and its spinning out of themes, and he knows how to make these variations visible without being predictable. When he causes your eyes and your ears to register the same idea in through two ranges of the sensorium, your brain (or your spirit) goes “Oh!” or “Wow!” or even “Hallelujah!” I have always found

Morris’ baroque dances – “L’Allegro,” “King Arthur,” “Mozart Dances,” “Acis and Galetea,” “Dido and Aeneas” – to be sublime, in the sense that they make another world tangible. Catching a glimpse of that other world, where things are complex, beautiful, and orderly, makes those qualities seem possible in this world. “The” was one of that genre of dances – the embodiment of the baroque idea of beauty, charm, and patterns of order – but

If the maiden can’t stand what you’re doing and thinks your behavior is crass you put back her shoe and her stocking and cry Deedle Deedle I pass! My other favorite dance of the evening of the four on offer was “The” to Max Reger’s four-hand piano reduction of Bach’s Brandenburg Concerto No. 1. Morris is

“Whelm” – Photo by Ani Collier

of course) are the carnival games “stripper circus” candy, and popcorn machine. That’s right – you continued from cover

the dance hits. So far Nichols has brought DJs Casey Alva (LA) and Blacklow (also from LA) to spin top 40, dance, and house music. On Opening Night Neighbours dance floor looked like a Saturday night with nearly 500 people attending the party throughout the evening. The best part of it all (besides the eye

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because it was so short and so light, it did not lift the veil for me as the longer works do. Nevertheless, it had the virtue of reminding me of those works and wishing to see them again. And while Mark Morris is wonderfully successful, has built a dance company, studio, school, and ever so many wonderful dances, I still wish he had the resources that Balanchine had at the New York City Ballet, where he could make full-length dances every year for decades. Morris is at his most brilliant making fulllength works. Yes, dances like “The” and “V” and “Going Away Party,” though short, are unforgettable – but this stage of Morris’ career should be moving him beyond an array of shorter works and towards the big works that come from big challenges. My point is somewhat confirmed from the other two works of the evening. “Cargo,” used nine of MMDG’s best dancers in an interesting progression of movements around bamboo poles, couched in a narrative of first encounters with strange objects (as in “cargo cults”). The wit of showing us more things to do with a pole than any of us could possibly imagine is well worth seeing, and in any other choreographer it would be a significant accomplishment. But in a dance-maker like Morris, who has the rare power to show us the Mystery, it makes you wonder how this idea would have developed with three times the dancers and an orchestra. Likewise “Whelm,” a strange narrative of mourning and death, is an interesting idea – black-veiled widow, three black-clad figures who seemed to move in and out of various dimensions of reality – often creating fascinating compositions as mysterious as the Debussy piano sonatas that swirl around them. I enjoyed watching the acting and performing skills of the dancers (Dallas McMurray is particularly compelling) and I enjoyed the imaginative narrative as it unfolded – even though it was impossible to understand fully. I also enjoyed engaging in Morris’s ideas. But I wanted the whole story – the before, the after, the underneath. Because we know what Morris can do with a big stage, a big company, and a big orchestra, I wish he could move beyond working in miniatures. I know it’s all about the money – and in this regard Morris has pulled off a hat trick: a fully-employed company, live musical accompaniments, and a school/studio for everyone from kids, to aspiring professionals, to those suffering from Parkinson’s disease. What more could we want? We could want more full-length works. Where are the Seattle billionaires when we need them? Hey, Bill Gates, Paul Allen, Jeff Bezos, Howard Schultz, Craig McCaw, Gabe Newell, James Jannard, Steve Ballmer – why not devote the interest on one day of your billions – heck, one hour of your billions – to MMDG? Chump change to you would mean, for the rest of us, deathless works of sublime genius forever.

read that correctly. “Stripper Circus” brings an old-fashioned popcorn machine with them (everybody knows that salty, buttery popcorn is delicious, especially if you’ve had a few beers or cocktails) and they set up the stage as a carnival. Drag queens are stationed at each booth to hand out prizes to winners and encourage people to play games such as “Whack a Ho” (a bean bag

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game where you knock over Barbie Dolls to win!), classic “Spin the Wheel” and “Cock Ring” (toss the ring around a wall of dildos). With games like that there are no shortage of players. Another great thing about the new Thursday night weekly party at Neighbours (1509 Broadway) is that the whole place is transformed into a circus tent setting. Literally, from the entrance to the dance floor you’ll swear you are at a circuit party inside

of a circus tent! Each week the party starts at 10 p.m. and goes until 2 a.m. The first two weeks there were well over 100 people in the nightclub before 11 p.m., so you can come as early as you’d like and not feel like you are the first one through the door. The best part? No cover all night! Stripper Circus is a 21+ party.

Celebrating 41 Years!

Kid-friendly Dinosaur a beautifully animated fable by Sara Michelle Fetters SGN A&E Writer

THE GOOD DINOSAUR Now playing Roughly 65 million years ago, an asteroid flung out of the deepest reaches of space barely missed striking the planet Earth by the slimmest of margins, burning through the night sky like a shooting star hurtling towards oblivion. A few million more years later, a loving pair of long-necked dinosaurs (voiced by Jeffery Wright and Frances McDormand) prepare for the three eggs they’ve proudly guarded to hatch, waiting with bated breath for their children to arrive. The kids, Buck (Marcus Scribner), Libby (Maleah Nipay-Padilla) and Arlo (Raymond Ochoa), are happy to help their parents work their farm, each hoping to one day follow in Poppa and Momma’s giant footsteps, eager to make a lasting mark worthy of remembrance. The erstwhile runt of the trio, Arlo has trouble combating his fear of the great big world and all the inherent dangers that mysteriously lie within it. After an unspeakable tragedy, he finds himself stranded an unknown distance away from home with no one to help him. Forced by circumstance and curiosity, he slowly begins to make friends with a strange, manic creature of pinkish skin, two legs, two gangly arms and relatively little hair anywhere on his body save atop his head. Nicknaming him Spot (Jack Bright), the two begin the long journey back to the farm, learning to work together as a team as they encounter a number of unforeseen obstacles, not to mention a flock of high-flying predators, all intent on stopping them from reaching their destination. There’s not a lot to Pixar’s latest animated endeavor The Good Dinosaur. This is basically your average boy-and-his-dog coming of age tale, only in this case the

creed

continued from cover (Phylicia Rashad), raised to be a thinker, not a stinker, Adonis nonetheless finds himself compelled to follow in the footsteps of a father he never met. Now he’s in Philly to meet the one man he thinks can help him realize his dreams of boxing stardom, help him find that proverbial eye of the tiger; former heavyweight champion of the world Rocky Balboa (Stallone). There’s not a ton more to say plot-wise as far as Creed is concerned. Similarities to Rocky are obvious, and as such figuring out where Adonis is going to go, uncovering the fights he is going to find himself a part of, none of this is particularly surprising. It’s how Coogler gets there, how he crafts the central relationships that is most interesting, using the same grounded, down to earth philosophy that he utilized so effectively with Fruitvale Station for all of the goings on here. Simply put, Adonis is just a terrific character. His pain is real. His longing to know who he is, how he belongs, what it means to have a father who was a superstar to millions yet at the same time left him and his birth mother with nothing, all of these aspects to his persona feel genuine. This is

The Good Dinosaur – io9.com

“boy” is a dinosaur and the “dog” is the boy who befriends him like a loving pet. While the idea that the asteroid that caused the dinosaurs to go extinct actually missed its target is a fun one, honestly I can’t say the film’s five credited writers do anything novel with it, Meg LeFauve’s (Inside Out) finished script far more rudimentary and straightforward than I initially anticipated it would be. Yet that simplicity is what ends up making the movie kind of wonderful. It focuses intently on Arlo and Spot’s relationship, allows them to learn to communicate without words while developing their budding friendship with intimately grounded grace. It’s sort of a prehistoric The Black Stallion, allowing silence and movement to speak volumes, rarely over-explaining what is going on, understanding the children sitting

in wide-eyed, rapt attention can put the majority of the pieces together for themselves. I also loved how the story beautifully looks at the relationship between fear and courage, doing so in a way even the youngest viewers can understand, everything building to a superb coda of acceptance and sacrifice that had me happily reaching for the Kleenex. The best bits are when the film becomes a full-on Western, Arlo and Spot teaming up with a trio of Tyrannosaurs (the patriarch of which is voiced by a marvelous Sam Elliott) on an erstwhile cattle drive where they’re all forced to stave off an attack from some feathered raptor-like creatures determined to steal the herd. Not only is the sequence spectacularly animated – no shock there – but it is also lovingly introspective, the filmmakers delivering bits of

insight that are wryly profound. I loved this subplot, enjoyed each and every second of it, the payoff featuring this oddball quintet sitting around a roaring campfire talking about their lives just about perfect. For Pixar, this is pretty simple stuff, never making the attempt to rise to the same sort of heights Inside Out, Wall•E, Toy Story 3 and a small handful of other favorites have so magnificently risen to in the not-so-distant past. But that’s okay. The Good Dinosaur is a children’s fable that is more than content to be exactly what it is and little more. None of which means adults won’t find plenty to cherish, they just won’t latch onto it as strongly as younger viewers undoubtedly will, and for my part I have no problem with that whatsoever.

an underdog story that hits all the requisite beats yet also knows it can’t take place in the same world as the original did. But, at the same time, it still respects it, finding the commonalities between then and now, playing things close to the vest in ways that are honest, heartfelt and true. The performances are tremendous. Stallone will arguably get the most press, and I’ll go out on a limb and state he’s likely going to get a Best Supporting Actor Oscar nomination for his seventh turn as Rocky, and by golly if he doesn’t deserve the great majority of it. His best performance since Cop Land, maybe since First Blood, potentially since the original Rocky, the veteran action superstar throws himself into this body and soul, tackling the trickier sides of Coogler and fellow writer Aaron Covington’s script with invigorating gusto. He finds depths to the character we’ve never seen before, and I was honestly moved to tears during one pivotal moment where Rocky talks about all he’s lost along the way to becoming a living legend and sports icon. Thing is, as superb as Stallone is, and he is amazing, I worry that what’s going to be lost in all the sound and fury is just how fantastic Jordan is. For all who thought he was robbed an Oscar nod for Fruitvale Sta-

tion, get ready to get your dander up once again, because he’s even better here, and likely, once again, to have almost no shot to be considered for a Best Actor nomination. His work as Adonis is stunning. The way he interacts with Stallone. The delicate, naturalistic way he falls into love with the lovely up-and-coming singer living in his apartment complex (memorably portrayed by a dazzling Tessa Thompson). The emotional complexities oozing out of his early conversations with Rashad. How he internalizes his psychological misgiving around embracing his father’s name while still forging his own, individualistic way forward. Jordan encapsulates all of this and more magnificently, not only physically transforming into Adonis, but inhabiting him spiritually as well. The technical facets are equally glorious. About halfway through Coogler and cinematographer Maryse Alberti (The Visit) stage the first major bout with Adonis, the first full two rounds of which, including the corner break, are showcased in one glorious take, the camera bobbing and gliding through the punches effortlessly. The pair’s staging of the climactic bout, one I should not have to explain the stakes of to anyone who has ever seen a single minute of any of the six previous Rocky movies, is brilliantly

realized, achieving a you-are-there verisimilitude that’s wonderful. There are delicate grace notes recalling all the previous adventures, most noticeably in how Ludwig Göransson’s (Top Five) rousing, energetic score subtly evokes many of Bill Conti’s more recognizable themes, yet never does so in ways that could be considered heavy-handed or intrusive. I also love the gentle nod to 2006’s Rocky Balboa as it pertains to the cemetery where Adrian was laid to rest, now joined by her brother Paulie, while other little snippets toying with both Rocky and Rocky II training montages are an absolute treat. But the core of things remains the characters themselves. Coogler never loses sight of this, does not allow affinity for the previous sequels or an inherent knowledge of sports film clichés get in the way. Adonis and Rocky make one of the year’s best cinematic pairings, their transition from strangers to acquaintances to partners to friends to something so much more absolutely exquisite. The final scenes atop some familiar Philadelphia Museum of Art steps are the ideal coda to a new underdog story that by all rights shouldn’t be this magnificent, Coogler’s Creed a thunderous success that doesn’t just fly, it positively soars.

November 27, 2015

Seattle Gay News 7

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Spellbinding Brooklyn a romantically charming treat

Domhnall Gleeson and Saoirse Ronan in Brooklyn – Fox Searchlight Pictures

by Sara Michelle Fetters SGN A&E Writer BROOKLYN Now playing Eilis Lacey (Saoirse Ronan) is coming to America. The Irish lass is sad to leave her devoted older sister Rose (Fiona Glascott) and her beloved mother Mary (Jane Brennan), but with opportunity so scarce at home heading across the Atlantic to start a new life seems like the best option available to the young woman. But as kind as landlady Mrs. Kehoe (Julie Walters) might be, as understanding a sponsoring priest Father Flood (Jim Broadbent) is, the lass is so heartsick for her homeland she can barely make it through the day without devolving into a blubbery mess. Things change when Father Flood enrolls her in night school to learn about

bookkeeping, Eilis discovering she has a gift for numbers that she’s electrified by. On top of that, she’s met Tony Fiorello (Emory Cohen), a talkative New Yorker, whose Italian blood is immediately set ablaze by the fiery redhead. The sparks flying between the two are apparent to everyone, the two of them walking the sidewalks of their Brooklyn neighborhood hand-in-hand dreaming of all they’re going to do with their lives in the very near future. Based on the best-selling book by Colm Tóibín, director John Crowley (Closed Circuit) and screenwriter Nick Hornby (An Education, Wild) team up to bring to life one of the best Irish coming to America tales this side of Jim Sheridan’s 2003 modern masterwork In America. Delivering what could be misconstrued as nothing more than a fluffy romantic comedy with dramatic undertones, sneakily and subtly the movie is actually about so much more.

This is the saga of a youngster becoming her own, confident women ready to take on the world at large, learning who she is and who she was aren’t as far apart as those wanting to keep Eilis standing still would like her to believe. It’s dazzling stuff, brilliantly brought to life by the breathlessly talented Ronan. Already an Academy Award nominee for her performance in Atonement when she was still a teenager, she’s followed that up with remarkable turns in films as diverse as Byzantium, Hanna, The Grand Budapest Hotel and How I Live Now. She’s fantastic here, channeling her inner Audrey Hepburn meets Vivien Leigh with spectacular aplomb. There is a lithe, delicately beauteous intensity to her portrait, a human spectacle of transformation and perseverance that’s universal no matter what the age, what the nationality. Ronan leaps off the screen, delivering the kind of undeniably stratospheric performance that instantly lands her in the conversations as being one of the great young actors of today, the way Crowley’s direction and Hornby’s script helps facilitate all of this positively stunning. I can’t help but wish the two men who come into Eilis’ life weren’t such one-dimensional fantasy figures of post-WWII masculinity (the gently endearing Cohen in the U.S., the soulfully captivating Domhnall Gleeson back in Ireland), neither of them complex enough for my taste. As good as both are, and they are wonderful, it was difficult to take either of them as seriously as I wanted to, and thus my preference as to who our heroine would choose to spend her life with never weighed on me

near as much as I kept hoping it would. But days after my initial viewing I slowly realized, as pleasing as Eilis’ romantic moments with Tony might be, as meaningful as her return to Ireland and flirtations with Gleeson’s rugby playing golden boy Jim Farrell become, none of that mattered. What did was how this bright-eyed, whipsmart woman dealt with it all, how she learned to deal with life’s obstacles in order to forge a path uniquely her own. This is a movie of worlds colliding, a child of two nations discovering how to imbed a piece of her motherland inside her heart while at the same time learning to call a new nation thousands of miles across the sea home. Eilis’ coming of age is breathlessly realized and done so with a wink and smile, everything building to two hands intertwining together as one almost as if they were meant to do so from the first second time itself began. As a director, Crowley makes a giant leap from showing promise in his previous efforts to realizing it with this. He establishes a strong visual esthetic alongside cinematographer Yves Bélanger (Dallas Buyers Club) that’s superb, allowing composer Michael Brook’s (The Perks of Being a Wallflower) music to amplify the underlying emotions that permeate throughout beautifully. Crowley leads Eilis on her journey with consummate skill, utilizing Hornby’s dexterous, emotion-filled script with naturalistic delicacy. Brooklyn is marvelous, watching it as close to pure bliss as any cinematic confectionary treat I could possibly have imagined myself.

Jolie Pitt’s By the Sea a picturesque enigma by Sara Michelle Fetters SGN A&E Writer BY THE SEA Now playing Into an unnamed picturesque French seaside resort drives writer Roland (Brad Pitt) and his wife of 13 years, ex-dancer Vanessa (Angelina Jolie Pitt). They walk into the local hotel, taking the premier suite with a large terrace overlooking the rocky inlet that leads out into the ocean. Once inside, as if they’ve done it a million times, they reorganize the living room, moving everything around to maximize the chance Roland will be inspired, potentially crafting a new masterpiece during their stay. But something is amiss. The passions that once connected the two appears to be missing, Vanessa stares off into the distance as if a piece of her soul has been amputated, looks at Roland as if he personally chopped it off. While he retreats into the bottle, liberally poured by the local restaurateur, Michel (Niels Arestrup), his wife stews in the hotel room, drowning in sorrow while sunning herself on the terrace, a glass of wine her only constant companion. Then a newlywed couple (Mélanie Laurent, Melvil Poupaud) arrives next door, and suddenly By the Sea takes a turn into the emotionally – and manipulatively – bizarre, writer/director Jolie Pitt embracing the esoteric, psychologically bleak stylings of European filmmakers like Michelangelo Antonioni, Bernardo Bertolucci and Alain Resnais. Following up the hollow theatrics of Unbroken, the Hollywood

8 Seattle Gay News

superstar throws herself and real life husband Pitt into a maelstrom of tears, booze, cigarettes, soaring musical cues and scenic visuals, emulating the masters of the genre yet never finding a way to make any of what transpires feel like nothing more than facile imitation. Or is it? It took time for Last Year at Marienbad to be considered a masterpiece, same with films like L’Avventura, A Special Day and Marriage Italian Style. Even Last Tango in Paris ruffled more than a few feathers when it made its debut, some looking at Bertolucci’s sexual imbroglio as too perverse, too uncomforting to be an instant classic. Granted, it didn’t take a lot of time, and those movies weren’t exactly dismissed out-of-hand, almost all earning an Academy Award nomination or two while also appearing on quite a few major critics’ “Best of Year” lists. But Jolie Pitt’s movie is too imperfect, too beholden to emulating the 1960s and ‘70s motion pictures it is indebted to for that to be the case. It takes too much time and effort for the reasons fueling Roland and Vanessa’s malaise to show their ugly, hurtfully visage. The discussions they do have, at least early on, reek of artifice, and as such becoming involved in what is going on between the pair is tough to do. The movie can feel like nothing more than a picturesque enigma, a perplexing hodgepodge of themes and ideas that can frustrate just as often as they enthrall. Same time, the introduction of Laurent and Poupaud’s newlyweds, while metaphorically obvious, works exceedingly well, especially considering the way Ro-

November 27, 2015

land and Vanessa clandestinely keep them under surveillance. There is something fascinating about these sequences, about how the longtime marrieds communicate without words by sitting on the floor, sharing a bottle of wine and peering at what potentially could be mirror images of their former selves a decade past through a peephole suspiciously drilled into the wall separating their rooms. It gives the movie energy, ungainly and uncomfortable, but energy all the same, adding purpose and meaning to Roland and Vanessa’s travails that was not there beforehand. Then there are the author’s conversations with the widower Michel. Pitt and Arestrup have superlative chemistry, the way they build their friendship filled with rhythms easy to slip into and luxuriate within. Same goes with Christian Berger’s (The White Ribbon) intoxicating camerawork, Ellen Mirojnick’s (Need for Speed) gorgeous costumes and especially Jon Hutman’s (Rock of Ages) marvelous production design. I was also equally floored by composer Gabriel Yared’s (The English Patient) score, his themes echoing throughout with poignant intimacy. Pitt is in fine form, adding layers to Roland that ebb and flow like the coming of the tide. His enchanting charm after he discovers the peephole and ascertains the value it has for Vanessa is just plain wonderful, while a drunken row with a calm, understanding Arestrup is startling in its primitive intensity. The actor refuses to phone any part of his performance in, losing himself inside the wounded writer with irresistible skill.

The same cannot be said in regards to his Oscar-winning co-star. Once the icy veneer cracks, Jolie Pitt starts to lose her way as Vanessa, relying more upon the false eyelashes, deep black eyeliner and cakedon mascara than on her own emotive talents. While she looks the part, the actress crafting a carnal feminine elegance that recalls the likes of Catherine Deneuve, Sophia Loren and Gina Lollobrigida all rolled into one, her histrionic ticks grow increasingly tiresome, making the climactic revelation not nearly as affecting as it should have been. Thankfully, Jolie Pitt the director is in much better form; and as ponderous, maybe even pretentious, as some of this might be, there was never a moment where I wanted to look away from the screen. The kinetic cruelty of this matrimonial dysfunction is intriguing, and other than a few oddly placed jump cuts to tragic memories and feelings Vanessa can’t allow herself to let go of, as far as the visual journey is concerned there’s rarely a misstep to speak of. Ultimately, only time will reveal how I really feel about By the Sea, whether or not it becomes something meaningful and thought-provoking or if it just remains a facetious facsimile emulating a style of European cinema it reveres yet fails to understand. Either way, I’m tempted to still give Jolie Pitt props, and I have this sneaking suspicion I’ll be giving the film a second chance to win me over sooner rather than later.

Celebrating 41 Years!

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November 27, 2015

Seattle Gay News 9

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November 27, 2015

Celebrating 41 Years!

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November 27, 2015

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November 27, 2015

Celebrating 41 Years!

Misty Copeland’s ballet Tale worthy of a look

Misty Copeland in A Ballerina’s Tale – Oskar Land/Urban Romances, Sundance Selects via nytimes.com

by Sara Michelle Fetters SGN A&E Writer A BALLERINA’S TALE Now playing In 2007 Misty Copeland became only the second female African American soloist at New York’s prestigious American Ballet Theatre (ABT) in its long and storied history, the first in over two decades. Turning heads and on the rise, internationally

renowned choreographer Alexei Ratmansky spotlighted her as the principal in a new staging of Igor Stravinsky’s “Firebird” in 2012, cementing Copeland’s status as one of the best ballet dancers in the world. What no one knew was that the gifted dancer was dealing with a leg injury that would end up requiring surgery that, if not successful, would put her career in jeopardy. Nelson George’s documentary A Ballerina’s Tale spends the majority of its running time chronicling Copeland’s two-

plus year recovery while also attempting to dig a little deeper into the ballet world’s reticence to put minority dancers, no matter how talented they might be, center stage. It follows her into the doctor’s office for the initial consultation and to long painful hours of rehab where she questions whether or not she’ll be able to fully recover, all of it culminating with her triumphant return to ABT becoming the first woman of color to portray Odette/Odile in Pyotr Ilyich Tchaikovsky’s “Swan Lake.” Running less than 90 minutes, the first half of the film is exhilarating. It introduces Copeland, shows her in all her magnetic and charming glory. It celebrates her talents, while also mixing in interesting and informative interviews with those who know most about the ballet world, all of it combining to produce a portrait of an amazing artist worth knowing about. I found myself falling in love both with the dancer as well as the documentary itself, George doing an excellent job of mixing in a variety of voices and elements that are all flat-out wonderful. But a little into Copeland’s recovery from bone surgery the film oddly becomes less and less thought-provoking as it continues along. The movie is never bad, mind you, the whole thing an enjoyable experience all the way through. But it’s hard not to imagine what could have been, so many moments during the second half where a

few more minutes here, an extra ounce of footage there, all could have easily transformed this into something special. Copeland’s 2014/2015 return to excellence is given particularly short shrift, and it strikes me as odd that the most triumphant portion of the dancer’s story is for some reason glossed over so conspicuously. Thankfully, George’s ace in the hole is his subject herself. Copeland is captivating, oozing talent and charisma in equal parts. I couldn’t take my eyes off of her, not during our initial introduction to the ABT dynamo as a teenager, to her putting in the work preparing for her star-making turn in “Firebird,” to her painstaking rehab, to her glorious return taking part in a small New York showcase where she blissfully regains lost confidence. Through it all Copeland manages to become larger than life, yet also distinctly human, making her easy to be amazed by, yet equally effortless to relate to, and those type of reactions are certainly nothing to scoff at. A Ballerina’s Tale might not be a great documentary, never achieving the same level of perfection as its subject so often does dancing across the staged, but that doesn’t make it any less enjoyable. Still, I can’t stop wondering what might have been had George dug just a tiny bit deeper, Copeland’s amazing story deserving of a fuller, more complex telling, one I can’t help but hope happens sooner rather than later.

Star-studded Secret a captivating remake by Sara Michelle Fetters SGN A&E Writer THE SECRET IN THEIR EYES Now playing For 13 years retired FBI counterterrorism agent Ray Kasten (Chiwetel Ejiofor) has been obsessing over the case that got away from him, and it had nothing to do with national security. When he was stationed in Los Angeles, he was partnered with local DA investigator Jess Cobb (Julia Roberts), the pair striking up a close friendship that even extended to his taking an interest in her outgoing teenage daughter, Caroline (Zoe Graham). But when Caroline’s body is found in a dumpster next door to a mosque they had under surveillance, the veteran agent becomes obsessed with solving the crime, Deputy District Attorney Claire Sloan (Nicole Kidman) worried Kasten will burn himself out if he can’t find justice for his emotionally devastated partner. Her fears are well-founded, Kasten’s evidence falling on deaf ears. Turns out, the man likely to have been responsible for the crime was someone then L.A. District Attorney Martin Morales (Alfred Molina) wasn’t interested in prosecuting; and Morales couldn’t understand why those working for him in 2002 didn’t feel the same given the state of world events then. Now, over a decade late, with Sloan the new D.A. and Kasten certain he’s got new information that will finally bring Caroline’s killer to justice, the seeds appear to be planted for success to sprout. But not ev-

erything is as it seems, and while Jess is apparently onboard with her former partner’s desire to reopen this long discarded cold case, the secrets she’s keeping might be too gigantic for any amount of fanatical sleuthing to be able to overcome. For those familiar with the Academy Award-winning 2009 Argentinian mystery-thriller The Secret in Their Eyes, what is actually taking place and where the truth ultimately lies in writer/director Billy Ray’s star-studded remake will not catch anyone by surprise. Nonetheless, the movie manages to hold up as its own distinct animal, anchored by a trio of strong performances from the leads that are never less that magnetic, sometimes even bordering on magnificent (especially as it pertains to Roberts). While never rising into the realm of excellence, this is still a solid, intelligently constructed policier that gets the job done, and for those unfamiliar with the original motion picture I’m fairly certain the central twists and turns will likely catch most somewhat off-guard. Ray does spell things out far too clearly at times, especially near the end, something the original film never does. The overlapping flashbacks play themselves out during this section, an audio montage of one character’s statements made throughout the picture unnecessary, lessening the emotional impact of the discovery the former FBI star has spent over a decade being preoccupied with uncovering. There is still awe, the horror very much felt, just not nearly as fully and as intimately I thought was theoretically possible, the director apparently too un-

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Julia Roberts in The Secret in Their Eyes – www.bebotic.com

sure the audience would have been able to put together the final puzzle pieces without a little extra over-the-top input on his part. If Ray does not show the same steady hand he showcased on his first two directorial outings (Shattered Glass and Breach) that isn’t to say he doesn’t still put forth a notable effort. For the majority of the film, he handles the dual timelines and past/present aspects of the narrative with dexterous skill. He weaves back and forth between 2002 and 2015 confidently, and not once did I feel like I was lost trying to gauge what was happening when. He also does a nice job of making it an honest-to-goodness guessing game as to whether or not the new man Kasten has put into the spotlight as Caroline’s murderer is the one we actually know did the crime 13 years prior. Secret in Their Eyes will not electrify

viewers who’ve seen the Argentinian original with near the same magnitude. Ray doesn’t shake things up, doesn’t choose to go in a new direction, more or less doing nothing more than attempt to tell the same story but with an Americanized bent. But thanks to the efforts of the cast, especially the central trio, an unbelievably good Roberts most of all, and a smart, intelligentlyconstructed script that treats its audience with a great deal of respect, I found that this remake worthwhile. While not a classic, there’s no law that says it had to be, and as cryptic, labyrinthine thrillers revolving around family, obsession and justice are concerned, this remake was a welcome punch to the gut I couldn’t help but be moderately impressed by.

November 27, 2015

Seattle Gay News 13

Meetings Events Activities

FOR A CALENDAR LISTING: Send details to: SGN, Attn: Community Calendar, 1605 12th Ave, Ste 31, Seattle, WA 98122. SGN phone: 324-4297. Fax: 3227188. E-mail: sgn2@sgn.org. INCLUDE: Date, time, location, contact phone # for publication (if possible), brief description of event & sponsoring organization. DEADLINE: Tuesday 5pm. ACCESSIBILITY: Is your event accessible to LGBTQ people with visible or hidden disabilities? See Jean’s List webpage www.scn.org/activism/calendar/disabilities. html for Marla Nonken’s disabilities accommodations lists. NOTE: Phone numbers accompanying listings are within area code (206) & locations of meetings/ events are in Seattle unless otherwise noted.

community calendar

SATURDAY - November 28

Seattle Frontrunners Fun Run. 9am. Greenlake (outside Evans Pool). Every Saturday. GLBT running & walking club sponsors weekly runs, monthly potlucks, track & field activity, annual Run With Pride. 448-8518. www.seattlefrontrunners.org. Black Saturday Gear Auction & Social. 5-8pm. The Cuff Complex, 1533 13th Ave. Black Saturday - the day after Black Friday & a day to get great deals on leather, gear & kinky art. Join Washington State Mr Leather ‑ with Seattle Men in Leather and WSMLO - for a leather, gear & art silent auction plus a Saturday afternoon Leather Social, raising funds for the Leather Archives & Museum. Donations in good condition welcome. www. seattlemeninleather.org Oasis Youth Center in Tacoma - For Gay, Lesbian, Bisexual, Transgender & Questioning Youth, Ages 14-25. 6pm-12 midnight. Call for location & details. Every Saturday. (253) 671-2838. www.oasisyouth center.org. Rainbow Duplicate Bridge. 6pm. Bus-accessible Central Area location. Every Saturday. Games also on Tuesdays & Thursdays. $4 fee includes coffee & snacks. For more information visit www.rainbowbridgeclub.org or email rainbowbridgeclub@gmail.com

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Freely Speaking Toastmasters. 7pm. FredLind Manor, 1802 17th Ave. Every Monday (except holidays & the last Mondays in August & December). Seattle’s only LGBT speaking club. www.FreelySpeaking.org Orca Swim Team Workout. 7-8:15pm. Seattle University, Connolly Athletic Center, 14th Ave & E Cherry St. (See Sunday listing at 5pm.) Trans Youth Group. 7-8:30pm. Lambert House, 1818 15th Ave. Every Monday. A chance for youth to talk with others about their experiences & concerns related to identifying as Transgender. www.lamberthouse.org Lambert House Art Night. 7:30-9:30pm. 1818 15th Ave. Every Monday. Bring your ideas & let’s have some fun. 322-2515, www.lamberthouse.org Unity Gay Men’s AA Group in Tacoma. 7:30pm. New Heart MCC, 759 S 45th St. Tacoma. Every Monday. (253) 474-8897. Washington Gender Alliance Support Group Meeting in Shoreline. 7:30pm. Center for Human Services, 17018 15th Ave NE, Shoreline. Meets every Monday. For information email info@washingtongender alliance.com Queers, Crackpots & Fallen Women AA. 8-9pm. SASG, 303 17th Ave E. Every Monday. Open women only AA group. 322-2437; www.sasgcc.org.

TUESDAY - December 1

SUNDAY - November 29

Center for Spiritual Living. Services 8:25, 9:45, 11:30am. 5801 Sand Point Way NE. Blessings & we hope to see you soon! Info 527-8801 ext 203, www. cslseattle.org Ravenna United Methodist Church. 5751 33rd Ave NE. 8:30am “Seattle’s most dangerous Sunday school;” 9:45am worship. A reconciling congregation, fully inclusive and affirming of LGBTQ persons. 525-7988. Seattle Unity Church. 9am & 11am-Sunday Services. 200 8th Ave N. “Come join our Gay & Lesbian-friendly, spiritual family at Seattle Unity Church. Our mission is to bring love, miracles & spiritual awakening into everyday life!” 622-8475; www.seattleunity.org. Seattle Soto Zen. 9:15am-Zazen Instruction, 9:30amZazen. 101 Nickerson St, Lower Level. Follow the traditional forms of the Soto school of Zen in a spirit of warmth & inclusion. Anyone interested in meditation, whether new or experienced in Zen practice or other traditions, is welcome. 323-1659, www.seattlesotozen.org Gay Men’s Bowling in Lynnwood. 9:30am. Brunswick Majestics Lane, Lynnwood. 9:30am Every Sunday. Spectators welcome. Join us for lunch afterwards! Sponsored by the Snohomish County Gay Men’s Task Force. For info email John at johndmarsh@mac.com; www.gaysnohomish.org Tacoma First United Methodist Church. 9:30amWorship, 11am-Adult Education. 423 Martin Luther King Way, Tacoma. (253) 627-0129, www.fumctacoma.org Central Lutheran Church. 10am-Worship. 1710 11th Ave (just north of E Pine St). 322-7500. East Shore Unitarian Church. 10am-Sunday Service. 12700 SE 32nd St, Bellevue. An open & affirming congregation. (425) 747-3780. Gethsemane Lutheran Church. 10am-Worship. 911 Stewart St. A downtown faith community centered in justice. An open & affirming congregation. 682-3620. Unity Church of Kent. 10am. 218 State Ave S, Kent. 253-854-9747. University Congregational United Church of Christ. All ages education 9am, Worship 10am. 4515 16th Ave NE. UCUCC is an open & affirming congregation. 5242322; www.universityucc.org. Wallingford United Methodist Church. 10am-Worship. 2115 N 42nd St. A progressive congregation. In 1984 Wallingford UMC became the 9th reconciling Methodist church in the U.S. 547-6945 (office); 285-5077 (George). All Pilgrims Christian Church. 10:30am-Worship. 500 Broadway E. Come as you are. All are welcome. A congregation of the Disciples of Christ & the United Church of Christ. 322-0487, www.allpilgrims.org Living Water Fellowship. 10:30am-Worship. 7204 NE 175th St, Kenmore. All GLBT welcome. Pastor Susan George. 963-0807. www.livingwaterwa. com Seattle Sunday Bowling. 10:30am. West Seattle Bowl, 4505 39th Ave SW (at SW Oregon St). Open bowl every Sunday for the GLBT community & friends. You don’t have to worry about how you bowl! $6.50 + $2 shoe rental. (425) 785-4725. Westside Unitarian Universalist Congregation. 10:30am. 7141 California Ave SW. 935-0418, office@ wsuu.org, www.wsuu.org Emerald City Metropolitan Community Church Seattle. 11am-Worship. Chapel at University Temple

November 28 thru December 6

United Methodist Church, 1415 NE 43rd St. 325-2421, www.mccseattle.org. Meditation for GBT Men. 11am-1pm. Cal Anderson House, 400 Broadway. Suitable for beginning & experienced meditators. Sponsored by Dharma Buddies. Contact Forrest Rode, 920-6117, Mike Chin (509) 990-0007, or Doug Allison, doug.l.allison@gmail.com. www.dharmabuddies.org. (Women may wish to contact our sister meditation group at www.LotusSisters.org.) St Paul’s United Church of Christ. 11am-Worship. 6512 12th Ave NW. An “open & affirming” congregation. “We celebrate our diversity in religious background, sexual orientation, race, age & abilities.” 783-6733; www. stpauluccseattle.com. Holy Covenant International Christian Community Church. 12pm. 4525 19th Ave NE. Outreach to the LGBT community. holycovenantccc@gmail.com Just for Today. 12-1:30pm. SASG, 303 17th Ave E. Every Sunday. Drop-in 12-step (Narcotics Anonymous) group open to anyone in recovery. 322-2437; www. sasgcc.org Paths to Recovery Al-Anon Family Group. 12-1:30pm. Seattle University Student Center, 901 12th Ave, Room 122. Every Sunday. LGBTQ supported. The Al-Anon Family Groups are a fellowship of relatives & friends of alcoholics who share their experience, strength & hope in order to solve their common problems. We believe alcoholism is a family illness & that changed attitudes can aid recovery. Greater Seattle AIS 24-hour number 625-0000; www.seattle-al-anon.org Rain City Soccer Club - Sunday Kickabout. Sunday afternoon. Location varies. Rain City Soccer Club sponsors an almost weekly recreational scrimmage game for LGBTQ players in Seattle. For more information visit www.raincitysoccer.org Seattle Tennis Alliance Social Doubles. 1:15pm. Tennis Center Sand Point, Magnuson Park, 7135 Sports Field Dr NE. Cost: STA members $12, non-members $15. To REGISTER visit seattletennisalliance.org Grace Gospel Chapel. 2pm-Worship. Gift of Grace Lutheran Church, 2102 N 40th St. Oldest independent church ministering primarily to the Gay & Lesbian community. An exciting fellowship ... a place to believe, a place to belong. 784-8495. Orca Swim Team Workout. Sun: 5-6:15pm; Mon/Weds/ Fri: 7:30-8:45pm. Seattle University, Connolly Athletic Center, 14th Ave & E Cherry St. Every Sun, Mon, Wed & Fri. Pre-registration required. Orca Swim Team workouts are for both competitive & recreational swimmers. www.orcaswimteam.org

November 27, 2015

Shame to Grace Sunday SAA. 6-7:30pm. SASG, 303 17th Ave E. Every Sunday. SAA is a fellowship of men & women who share their experience, strength & hope with each other so they may overcome their sexual addiction & help others recover from sexual addiction or dependency. Seattle SAA helpline 237-8828, SAA International Service Organization 1-800-477-8191. SASG 322-2437; www.sasgcc.org Pride League Bowling. 6:30pm. West Seattle Bowl, 4505 39th Ave SW. Every Sunday (except during the summer). Regular league bowling. Jeff, 932-3731. Integrity/Puget Sound. 7pm-Worship & Fellowship. St. Mark’s Cathedral, Thomson Chapel, 1245 10th Ave E. Noche Latina - Latino Night. 10pm. Neighbours, 1509 Broadway. Every Sunday.

MONDAY - November 30

SOBER - On Meds. 1-2pm. SASG, 303 17th Ave E. Every Monday. 12-step group open to anyone in recovery & living on a medicine regimen. 322-2437; www.sasgcc.org Strength Over Speed. 2-3:30pm. SASG, 303 17th Ave E. FREE drop-in support group (not a 12 step) for Gay & Bi men who desire recovery from meth. For information visit www.strengthoverspeed.org. SASG 322-2437; www.sasgcc.org Cal Anderson Memorial Lecture Series: Jonathan Katz, Ph.D. on “How AIDS Changed American Art” ‑ in Olympia. 5:30pm. The Evergreen State College, Communications Building Recital Hall, 2700 Evergreen Pkwy NW, Olympia. In this lecture, Katz argues that AIDS has been the great, albeit repressed, motor behind the development of American art over the last several decades. Instead of seeing AIDS as a tragic tangent in the formation of our common culture, Katz argues that strategies born of AIDS continue to guide American art even up to the present day. Katz is co-curator of the exhibit currently at the Tacoma Art Museum, “Art AIDS America.” Bearing Witness: Performing Arts Program for Queer Youth of Color & Allies. 6:30-8:30pm. Langston Hughes Performing Arts Institute, 104 17th Ave S. Meets Mondays thru 12/14 with performing arts professionals. For youth up to age 22. No experience necessary. Snacks provided. FREE. For more information randy. wiger@seattle.gov, 883-6110. Pozitively Me! 6:30-8pm. Gay City Health Project, 517 E. Pike St. Every Monday. A group and conversation about HIV for Gay & Bi men newly diagnosed and for Gay & Bi men facing the challenges of living with HIV longterm. www.gaycity.org.

WORLD AIDS DAY Stronger Together: World AIDS Day Breakfast. 7:309am. Washington State Convention Center, 8th Ave & Pike St. Hosted by Molly Shen of KOMO TV & featuring Phill Wilson of the Black AIDS Institute. strongertogetherseattle.com Gay City Presents A Conversation With Phill Wilson. 6-7:30pm. Seattle Public Library, 1000 4th Ave. Join us for a conversation this World AIDS Day with Phill Wilson, President and CEO of the Black AIDS Institute, hosted by Rep. Brady Walkinshaw. Rep. Walkinshaw will lead a discussion with Wilson about his experience navigating the intersections between the Black community. the LGBTQ community, and HIV. This event is FREE and open to the public. Gay Men’s Task Force of Snohomish County in Everett. 6-8pm. Snohomish Health District, 3020 Rucker Ave Ste 309A, Everett. Meets 1st Tuesday each month. Open to all Gay & Bisexual men in Snohomish County. “We will be discussing issues concerning the local Gay community & value your opinion, voice, comments, suggestions & attendance. Come join us as we build community in Snohomish County.” David, (425) 339-5238. KEXP Presents World AIDS Day Concert. 6-10pm. Showbox Market, 1426 1st Ave. Features Ivan & Alyosha, Fly Moon Royalty & special guests. All ages welcome. FREE. kexp.org LGBTQ Questioning & Allied Youth Drop-in Group in Renton. 6-8pm. Renton Area Youth Services (RAYS), 1025 S 3rd St, Renton. Meets every Tuesday. Confidential. Snacks provided. Bring friends or come alone - anyone 12-18 is welcome. Questions? Call Sarah Hardin, 425-271-5600 ext 155, or email sarahh@rays.org Strength Over Speed. 6-7:30pm. SASG, 303 17th Ave E. FREE drop-in support group (not a 12 step) for Gay & Bi men who desire recovery from meth. For information visit www.strengthoverspeed.org. SASG 322-2437; www.sasgcc.org Diverse Harmony. 6:30-9pm. Seattle First Baptist Church, 1111 Harvard Ave. Every Tuesday. Diverse Harmony is the nation’s first Gay/Straight Alliance Youth Chorus. Youths ages 13-22 are welcome regardless of sexual orientation. www.diverseharmony.org Queer Young Females Group - For Female-Identified Youth, Ages 22 & Under. 6:30-7:30pm. Lambert House, 1818 15th Ave. Every Tuesday. Topics range from family issues to school happenings to like/lust/love relationships. All Queer females welcome. Come discuss how smart. strong Queer women live their lives. 322-2515, www. lamberthouse.org Tuesday Night Sex Addicts Anonymous (GLBTQI). 7-8:30pm. All Pilgrims Christian Church, 500 Broadway E (enter at 509 10th Ave E; buzz in, Dickson room). Every Tuesday. SAA is a fellowship of men & women whose primary purpose is to stop addictive sexual behavior & help others recover from sexual addiction. Seattle SAA helpline 237-8828. SAA International Service Organization 1-800-477-8191. Over 40’s Group - For Lesbian Women 40 & Older. 7-8:30pm. University Congregational Church, 4515 16th Ave NE, Pilgrim Room. Every Tuesday. Open group for Lesbian women, 40 & older, in every stage of coming out or being out. Lots of social activities in addition to Tuesday meetings. 545-3521. Rain City Jacks. 1st & 3rd Tuesday each month at 7pm; 4th Sunday each month at1pm. West Queen Anne/ Interbay. Location & membership details provided upon request. RCJ is a traditional jack-off club. Friendly, sexpositive, non-profit and private. Membership required. Adult men only. Enroll at the door. www.raincityjacks. org, email info@raincityjacks.org or call 1-888-809-5035. Rainbow Duplicate Bridge. 7pm. Bus-accessible Central Area location. Every Tuesday. (See Saturday at 6pm.) Different Drummers. 7:15-8:30pm. Every Tuesday. Hand drumming classes for Gay men. It’s easy, it’s fun & anyone can do it! For info & location call Dennis at 363-4500 or www.outdrum.com What About Me? 7:30-9pm. SASG, 303 17th Ave E. Every Tuesday. Drop-in social, support & discussion group for Gay & Bi men of all ages. 322-2437; www.sasgcc.org

Celebrating 41 Years!

Here & Now Gay & Lesbian AA Meeting in Tacoma. 7:30pm. Christ Episcopal Church, 310 N “K” St, Tacoma. Every Tuesday. Spiritual Empowerment. 7:30-9pm. SASG, 303 17th Ave E. A group for all LGBT & friends of any spiritual belief to explore how spiritual practice can enrich their life. 322-2437; www.sasgcc.org Seattle Otters Water Polo Team. 8-9:30pm. Medgar Evers Pool, 500 23rd Ave E (at E Cherry St). Every Tuesday & Thursday. GLBT & GLBT-friendly co-ed water polo team is open to all who want to play. Beginners & experienced players welcome. Check our website for up to the minute details, or call the Otter Hotline 414-8797. www.otterpolo.com. Seattle Poetry Slam. Doors 8pm, Show 8:30pm. Rebar, 1114 Howell St. Every Tuesday. A spoken word poetry event that features a weekly open mic, feature poet, and slam (poetry competition). Come out and express yourself. LGBTQ- & QTPOC-friendly; all genders welcome. $5. 21+. seattlepoetryslam.org

community calendar

WEDNESDAY - December 2

Mature Friends Morning Exercise/Health & Fitness Get-Together. 10am. Ballard Odd Fellows Hall Bldg, 1706 NW Market St. Every Wednesday. An hour of health-related activities, followed by a walk around Greenlake & lunch at a local restaurant. MF is a social group for Gay men & women, 40 years & over. www. maturefriends.org True Colors: Connecting LGBTQ Teens in Shoreline. 4-5pm. Every Wednesday. Discussing your important issues, building a supportive community. For information, location & to REGISTER call Lindsay Bagley 362-7282 x 8018 or email lbagley@chs-nw.org GLOBE (GLBTQ Loving Ourselves, Becoming Empowered): A Support Group & HIV/STD Prevention for Youth (14-20) in Everett. 6-8pm. CCA Building, 3331 Broadway - Bottom Floor, Everett. Every Wednesday. Sponsored by PFLAG Everett chapter. David/Brenda, (425) 263-2908. globeleaders@hotmail.com The Rowing Team Peer Recovery Group. 6-7:30pm. All Pilgrims Church, 500 Broadway E. Meets every Wednesday. This peer recovery group provides a safe & supportive faith community to share your recovery journey with, God answers our prayers & sends us a boat. Sometimes rowing furiously for yourself & sometimes for others. All are welcome. Seattle Gay & Lesbian Book Club. 6-7:30pm. SASG, 303 17th Ave E. Every Wednesday. Discuss the best LGBT novels with other book-lovers in a safe, comfortable conversation. Come once or come every week. Check our website for this month’s book. http://faculty. washington.edu/swittet/SGLBookClub/ SASG 322-2437; www.sasgcc.org Southeast Seattle Lesbian Evening Group. 6pm. Southeast Seattle Senior Center, 4655 S Holly St. Meets the 1st Wednesday of every month. RSVP to Kate Hawkins 722-0317. www.sessc.org. FREE. Lotus Sisters Meditation & Dharma Discussion North. 6:15-8pm. Ravenna Bryant neighborhood. Meets every Wednesday. Call 525-7295 for location. www. LotusSisters.org. Center for Spiritual Living. 6:30pm-Meditation, 7pmService. 5801 Sand Point Way NE. Blessings & we hope to see you soon! Info 527-8801 ext 203, www. cslseattle.org Seattle Frontrunners Fun Run. 6:30pm. Volunteer Park (in front of Black Sun across for museum). Every Wednesday. (See Saturday at 9am.) “The Gay Uncle Time - Marlene.” 6:30pm-doors; 7pm-show. The Jewel Box Theatre/Rendezvous, 2322 2nd Ave. Seattle’s monthly Celebration of Pop, Camp, Gay, Underground and Trash Culture of the ‘60s & ‘70s and Beyond! returns to a new home on a new day - the FIRST Wednesday of each month. This month we will be celebrating legendary actress and singer Marlene Dietrich. From the Drag Balls of Berlin in the ‘20s, to saying “No” to the Nazi Party and “Yes” to Hollywood, to her concerts and cabaret performances and her prolific love life and classic personification of glamour, there has never been another one like Marlene. With special guests: Areola Borealis, Mc S. McGregor, Lynn Rosskamp, and Maggie Bloodstone. Tickets: $6 cash at the door. 21+. HIV/AIDS Support Group. 7-8:30pm. SASG, 303 17th Ave E. Every Wednesday. Please arrive by 7:00pm. FREE peer-facilitated emotional support group for HIV+ men who are newly diagnosed or newly dealing. 3222437; www.sasgcc.org Ingersoll All-Trans Drop-In Support Group. 7-9pm. Seattle Counseling Services, 1216 Pine St, Suite 300. All Transgender, Gender Variant, Gender Queer, Gender Questioning, allies, family & friends are welcome. This is a drop in group to get & give support, social interaction & information for the whole Gender community. www. ingersollcenter.org PFLAG/Renton Monthly Meeting. 7pm. St Luke’s Episcopal Church, 99 Wells Ave S, Renton. Meets 1st Wednesday each month. Parents & Friends of Lesbians & Gays is a national support organization for parents, spouses & families of GLBT persons, as well as those minorities. PFLAG/Renton: 425-235-4139. PFLAG/ Puget Sound: 325-7724. www.seattle-pflag.org. Seattle Movie Bears Movie Night. Check website for details. Every Wednesday night. Gay & Bi men enjoy a movie at a local theater with opportunity to socialize before & after movies. More info: http://groups.yahoo.com/ group/seattlemoviebears; or e-mail: seattlemoviebearssubscribe@yahoogroups.com Mature Friends Weekly Bridge Group. 7:30pm. Call for location. Every Wednesday. All levels welcome. MF is a social organization for Gay men & women, 40 years & over. www.maturefriends.org

Emerald City Social Club. 7:30pm. Call for details & location - phone staffed most Tuesday evenings or leave message. Meets 1st Thursday each month. ECSC is a confidential crossdressing social & support organization for Transvestite & Transsexual individuals, primarily MTF, which offers confidential membership, private monthly meetings, frequent events on the town, & help in coming out. (425) 827-9494. Gay Fathers Association of Seattle. 7:30-9pm. Group Health, 201 16th Ave E, Central Bldg, Lower Atrium. Every Thursday. Support meetings for Gay fathers & Gay men who are currently or previously married. Safe, anonymous, non-judgmental environment of caring fathers & friends. You are not alone. For information, community events & “questioning” visit www.gfas.org or our message board at http://groups.yahoo.com/groups/ gayfathersseattle Gay Male Sexuality & Relationships. 7:30-9pm. SASG, 303 17th Ave. E. Every Thursday. A discussion group that is strictly focused on sexual topics and relationship issues related to being a Gay male. 322-2437; www.sasgcc.org Seattle Otters Water Polo Team. 8-9:30pm. Medgar Evers Pool, 500 23rd Ave E (at E Cherry St). Every Tuesday & Thursday. (See Tuesday listing at 8pm.)

FRIDAY - December 4

Orca Swim Team Workout. 7:30-8:45pm. Seattle University, Connolly Athletic Center, 14th Ave & E Cherry St. (See Sunday listing at 5pm.) Washington Gender Alliance Open Support Meeting in Everett. 7:30-9pm. Everett United Church of Christ, 2624 Rockefeller Ave, Everett. Every Wednesday. Trained peer facilitators lead a structured support meeting helping people deal with issues of gender identity & expression. All adults are welcomed, including those who are questioning, allies, or identify as FTM, MTF, Transgender, Queer, or Intersex, among others. (360) 445-2411; www.washingtongenderalliance.com. Pride Skate Seattle. 9-11pm. Southgate Roller Rink, 9646 17th Ave SW. First Wednesday of every month. $7 admission includes skate rental. Must be 18+. After-party at Company, 9608 16th Ave SW, with drink specials & karaoke. www.southgaterollerrink.com

THURSDAY - December 3

Alcoholics Anonymous “Safe & Sober Group.” 12noon-1pm. SASG, 303 17th Ave E. Open meeting of AA. 322-2437; www.sasgcc.org. BABES Women’s Support Group/Lunch Meeting. 12 noon-2pm. Call for location. Every Thursday. The BABES Network is a peer led agency; a sisterhood of women facing HIV together. 720-5566 or 888-292-1912; www.babesnetwork.org. Aging Lesbians in South Seattle (ALISS). 12:302:30pm. South East Seattle Senior Center, 4655 S Holly St. A discussion, support & political group for all Lesbians. In addition we often have social activities. We have lunch at the center at 11:30am ($3 for 60+, $6 under 60). Facilitator: Fai, 722-0729, faiscranes@yahoo.com. Metro route 7. Wheelchair accessible. Madison Clinic 30th Anniversary Open House Celebration. 4-6pm. Harborview Medical Center, 2nd Floor West Clinic, 325 9th Ave. To commemorate all of the hard work over the years that the staff, volunteers, and patients have put in towards improving the health and well-being of all people living with HIV. Special recognition at this celebration as always for the role that Madison Clinic’s long-time co-located partner, the UW AIDS Clinical Trials Unit, has played in this. Enjoy some cake & coffee, check out exhibits looking at local HIV history, including changes over the years, help us consider our goals for continuing to improve HIV care and collaboration with our patients, and take time to commemorate our loved ones who died due to HIV over the years.

Visit us online www.sgn.org

Oasis Youth Center in Tacoma - For Gay, Lesbian, Bisexual, Transgender & Questioning Youth, Ages 14-25. 4-10pm. Call for location & details. Every Thursday. (253) 671-2838, www.oasisyouthcenter.org Q Hour. 4:30-5:30pm. Orion Center, 1828 Yale Ave. 1st & 3rd Thursday of every month. A group for LGBTQ youth 13-21 & their allies. Sponsored by Youthcare. FREE. 622-5555 x 212. First Thursday Art Walk in Downtown Seattle/Pioneer Square. 5-9pm. Art galleries in Downtown Seattle/Pioneer Square host opening night receptions. Seattle Art Museum is free today. “Online Dating Tales of Old Japan” - A Staged Reading. 6pm. Wing Luke Museum, 719 S King St. Combines traditional Japanese folk tales with modern dating anxiety. As Akira tells the folktales he learned as a child, we see them blending with his own experiences of finding love, losing love & being stuck in the limbo between finding & losing love. Akira’s journey takes him thru 10 fairytales & 80 years of Japanese American history as he attempts to make sense of the life he wants to lead. Presented by Pork Filled Productions. Seattle Human Rights Commission. 6-8pm. Seattle City Hall, 600 4th Ave. Meets 1st Thursday each month. Meetings open to the public. 684-4540. Shifting Gears. 6-7:30pm. SASG, 303 17th Ave E. Every Thursday. Drop-in support group (non 12-step) for anyone of any orientation or gender who desires recovery from drugs or alcohol. 322-2437; www.sasgcc.org B-GLAD (Bisexual, Gay, Lesbian, Trans & Questioning Adolescent Drop-In Group). 6:30-8pm. Call for location. Every Thursday. Sponsored by Youth Eastside Services, which offers many programs for GLBT youth. (425) 747-4937. Westside Unitarian Universalist Congregation - Contemplative Service. 6:30pm. 7141 California Ave SW. 935-0418, office@wsuu.org, www.wsuu.org Boys’ Group - For Male-Identified Youth, Ages 1422. 7-8:30pm. Lambert House, 1818 15th Ave. Every Thursday. Youth take the opportunity to talk about issues that relate to their everyday lives, with the facilitation of a male volunteer. 322-2515 ext 16. www.lamberthouse.org Rainbow Duplicate Bridge. 7pm. Central Area location. Every Thursday. (See Saturday listing at 6pm.) Seattle Prime Timers Coffee Reunion. 7pm. Starbucks, 1600 E. Olive Way. Meets 1st Thursday each month. www.seattleprimetimers.org Buddhism & Recovery. 7:30-9pm. SASG, 303 17th Ave E. Every Thursday. A meditation/recovery group. 322-2437; www.sasgcc.org

November 27, 2015

AA Ageless in Recovery. 12noon-1pm. SASG, 303 17th Ave E. Meets every Friday. A drop in AA group for older & wiser people 55+. www.sasgcc.org Re-Parenting Ourselves. 12noon-1pm. SASG, 303 17th Ave E. Meets every Friday. A peer support group for adult children of any addiction. www.sasgcc.org SLAA Road to Recovery. 12noon-1:30pm. SASG, 303 17th Ave E. Meets every Friday. Ongoing 12 step group for sex & love addicts. www.sasgcc.org Oasis Youth Center in Tacoma - For Gay, Lesbian, Bisexual, Transgender & Questioning Youth, Ages 14-25. 4-10pm. Call for location & details. Every Friday. (253) 671-2838, www.oasisyouthcenter.org Strength Over Speed. 6-7:30pm. SASG, 303 17th Ave E. FREE drop-in support group (not a 12-step) for Gay & Bi men who desire recovery from meth. www.strengthoverspeed.org. SASG 322-2437; www.sasgcc.org First Fridays in Yakima. 7-9pm. 223 N 1st St, Yakima. Meets 1st & 3rd Fridays. Social, support, education & advocacy group for the Yakima area GLBTQ community & their allies. All are welcomed & invited. (509) 576-0276. www.gayakima.com/1stfridays.html Gay City Arts Presents Spoken Word for “Art AIDS America.” 7pm. Calamus Auditorium at Gay City, 517 E Pike St. Gay City Arts, in partnership with GSBA and Tacoma Art Museum, presents a special evening with 8 Queer poets who have seen and responded with new poetic works to “Art AIDS America,” a powerful exhibition now on display at Tacoma Art Museum. Come and experience the powerful words of some of Seattle’s finest Queer spoken word performers: Mattilda Bernstein Sycamore, Greg Brisendine, Smitty Buckler, Tara Hardy, Garfield Hillson, Dorothy Frances Kent, Joshua Koets, Cale Arden Peake, Kyon Saucier. A representative from Tacoma Art Museum will be on hand to discuss the exhibit. FREE. Learn more about the exhibit at www. tacomaartmuseum.org. Lambert House Queer Movie Night. 7-9:30pm. Lambert House, 1818 15th Ave. Every Friday. Lambert House is a nationally-recognized activities & resource center for GLBT & questioning youth, ages 14-22. 322-2515, www.lamberthouse.org Rain Country Dance Night. 7-11pm, lessons at 7:15pm. The Cuff, 1533 13th Ave. An evening of country-western dancing for the LGBTQ community. FREE. www.raincountrydance.org. Destiny Gay AA Group in Tacoma. 7:30pm. New Heart MCC, 759 S 45th St, Tacoma. Every Friday. (253) 474-8897. Orca Swim Team Workout. 7:30-8:45pm. Seattle University, Connolly Athletic Center, 14th Ave & E Cherry St. (See Sunday listing at 5pm.) LGBT Friday Night Al-Anon Family Group. 7:45pm. Seattle Counseling Service, Rainbow Room, 1216 Pine St at Melrose Ave. Every Friday. (See related listing Sunday at noon for details.) Greater Seattle AIS 24-hour number 625-0000; www.seattle-al-anon.org

SATURDAY - December 5

(See previous Saturday for ongoing activities.) We Are One: A FREE Concert for World AIDS Day to LIft Your Spirit. 2pm-gathering & food; 3-5pm-music & raffle. Langston Hughes Performing Arts Institute, 104 17th Ave S (at Yesler Way). Features Message From Guinea, Zambuko Marimba Ensemble, Kaze Daiko, Temple Beth Am Choir & Minister Sam L Townsend & the Imani Fellowship Choir. Produced by the Multicultural HIV/Hepatitis Action Network (MHHAN) in partnership with Langston Hughes Performing Arts Institute. defeathiv.org Northwest Bears Potluck and Meet & Greet Beer Bust. 6pm. The Cuff, 1533 13th Ave at E. Pine St. Meets 1st Saturday each month. Northwest Bears is a Gay men’s social and service organization providing a focal point within the Gay community for Bears and Bear admirers. www.nwbears.com.

SUNDAY - December 6

(See previous Sunday for ongoing activities.) Border Riders Motorcycle Club First Sunday Ride. Contact Border Riders for details and rendezvous point. Meets 1st Sunday most months. BRMC provides a social & educational fraternity for individuals interested in recreational motorcycle touring. www.borderriders.com PFLAG/Kittitas County. 4-5:30pm. First United Methodist Church, 3rd & Ruby Sts, Ellensburg. Meets the first Sunday of every month. For information, (509) 925-7937.

Seattle Gay News 15

Ski Buddies Monthly Potluck. 6-8:30pm. Meets 1st or 2nd Sunday each month (Oct-Feb). Come & hear about all the great ski trips & winter activities Ski Buddies has planned. Bring a potluck dish to share. Ski Buddies is a non-profit GLBT & GLBT-friendly club which meets regularly thruout the fall & winter, offering camaraderie & deeply discounted skiing adventures for all levels of skiers & snowboarders. www.skibuddies.org

COMMUNITY RESOURCES

Allyship - an organization of LGBTQ individuals fighting for economic and social justice. www.LGBTQ Allyship. org, allyship@yahoo.com, 279-8169. American Veterans for Equal Rights - www.aver.us Another Gay Social Club! - www.meetup.com/AnotherGay-Social-Club/ Bellingham/Whatcom County - www.theslowlane. com/guide.html BiNet Seattle is a mixed gender, social group for Bisexuals, their partners & other Bi-friendly folks - www. binetseattle.org. Bremerton/Kitsap County - www.outwestsound.org Central Washington University GALA Hotline: (509) 963-1994. DIFFA/Seattle (Design Industries Foundation Fighting AIDS). 763-8885; www.diffaseattle.org DOMESTIC VIOLENCE & SEXUAL ASSAULT: Crisis Clinic, 461-3222 (24 hour line); King County Sexual Assault Resource Center (KCSARC) - 24-hour crisis line for information, support, & medical & legal assistance: 1-888-99-VOICE; Northwest Network - support & advocacy for Bisexual, Trans, Lesbian & Gay Survivors of Abuse & Dating Violence, 568-7777 (voice), 517-9670 (tty), www.nwnetwork.org; Pierce County Domestic Violence Helpline: Teresa, (253) 798-4166; Seattle Counseling Service for Sexual Minorities - offers on-going support groups for men: 323-1768; Seattle Police Dept Domestic Violence Unit, 684-0330; State Wide Domestic Violence Hot Line, 1-800-562-6025. In an emergency call 911. Report domestic violence and sexual assault. Equal Rights Washington - 324-2570; www.equal rightswashington.org Everett/Snohomish Cty - www.gaysnohomish.org Freely Speaking Toastmasters - www.freely speaking.org Gay City organizes events & activities for Gay & Bi men & offers anonymous & confidential HIV/STD testing at the Center for LGBT Health, 517 E Pike St. More info or to schedule an appointment, 860-6969. www.gaycity.org Gay & Lesbian National Hotline (GLNH): 1-888-THEGLNH (1-888-843-4564). Non-profit, peer-counseling, information & local resources telephone hotline for GLBT people across the country. GLSEN/WA - Gay, Lesbian, Straight Education Network - 330-2099; www.glsenwa.org Greater Seattle Business Association (GSBA) - 3639188; www.thegsba.org HIV/AIDS Program, Seattle/King County Dept of Public Health, provides confidential/anonymous information about & testing for HIV/AIDS. 205-7837. For a comprehensive list of HIV/AIDS service organizations see the GSBA Guide or visit www.thegsba.org or call Lifelong AIDS Alliance, 328-8979. Imperial Sovereign Court of Seattle & the Olympic & Rainier Empire - www.facebook.com/ISCSORE; www. imperialcourtofseattle.com Lambert House - 322-2515; www.lamberthouse.org LGBT MS Connection - 250-5002; LGBTMS Connection@gmail.com. Support group for LGBT persons with MS and their partners and their caregivers. Lifelong AIDS Alliance - 328-8979, www.lifelongaids alliance.org MEN: Gay City: 860-6969, www.gaycity.org; Knights of Mantra: 329-0886, www.jetchapterkofm.com; Mature Friends: Gay men & women 40 & over, www.mature friends.org; Northwest Bears: www.nwbears.com; The Olympians: www.TheOlympians.net; POZSeattle: www.pozseattle.org; Q-Squared: www.qsquared.org; Rain City Jacks: 888-809-5035, www.raincityjacks. org; Seattle Gay Couples: www. seattlegaycouples. org; Seattle Men in Leather: www.seattlemeninleather. org; Seattle Prime Timers: Gay & Bi men 40 & over, www.seattle primetimers.org. MUSIC: Diverse Harmony: www.diverseharmony.org; Rainbow City Band: 1-866-841-9139 ext 2126; rainbowcityband@onebox.com; www.rainbowcity band.com; Seattle Men’s Chorus and Seattle Women’s Chorus: 388-1408, 323-0750. www.flying house. org. Northwest Lesbian & Gay History Museum Project - gayhistnw@aol.com Northwest Rainbow Alliance for the Deaf - www. nwrad.org Olympia/Thurston County: www.RainbowCenterOly. org Out & Equal Workplace Advocates/Seattle Regional Affiliate supports the work of LGBT employees and the growing number of ERGs (Employee Resource Groups) making a difference within local companies. www.outandequal.org/affiliates/seattle PARENTHOOD: Families Like Ours provides a gateway for LGBT families interested in adoption: 441-7602, www.familieslikeours. org; Family Works offers support, information & activities for LGBT families: 694-6727, www.familyworksseattle. org; Gay Fathers’ Association of Seattle offers support groups & social activities: www.gfas. org; Proud & Loud Families - Northwest, www.meetup.com/proud-and-loud-families-northwest, plfnorthwest@aol.com; Queer Parent Networking Dinners: 568-7777, info@nwnetwork.org; Rainbow Families of Puget Sound: www.rainbowfamiliesps.org PFLAG is the national organization for parents, fami-

16 Seattle Gay News

community calendar

lies, allies, and LGBTQ people united for equality with chapters in Seattle, Bellevue/Eastside, the Puget Sound region and across Washington state. PFLAG Seattle: 206-325-7724, info@pflagseattle.org, and www.pflag seattle.org; PFLAG Bellevue/Eastside: 425-4836642, info@bellevue-pflag.org, http://community.pflag. org/PFLAGBellevue; PFLAG Pacific Northwest: www.pnwpflag.org; PFLAG Washington state: www. pflagwsc.org. PEOPLE OF COLOR: Asian/Pacific Islander Queer Network Program at API Chaya, 467-9976; Center for MultiCultural Health, 461-6910, www.multiculturalhealth.org; Entre Hermanos, GLBT Latinos/as, 322-7700, www.entrehermanos.org; Ile LaiLai, 7813565, iya@ilelailai.org; Men of All Colors & Cultures Together (MACCT), 923-8313, macctseattle@yahoo. com, www.macctsea.org; Nubian Pride Productions, nubianpride@gmail.com; People of Color Against AIDS Network (POCAAN) offers rapid HIV testing, M-F, 10am-5pm, 322-7061, www.pocaan.org and on Facebook; Seattle Two Spirit, SeattleTwoSpirit@ hotmail.com; Sistah 2 Sistah, LBT women of African descent, 322-7061, 255-8951; Sistah Sinema, www. sistahsinema.com, info@sistahsinema.com; TrikoneNorthwest, GLBT South Asians, (425) 985-4376, www. trikonenw.org; Two-Spirit Honor Project, 1-866-6850164; U.T.O.P.I.A. Seattle. Pride Foundation - 323-3318; www.pridefoundation. org Project NEON is a program of Seattle Counseling Service providing FREE information & services to Gay & Bi men to reduce health risks associated with methamphetamine use. 323-1768. www.crystalneon.org Public Health-Seattle & King County Online Comprehensive Health Information for Sexual Minorities: www.kingcounty.gov/healthservices/health/personal/ glbt.aspx Q Law: The GLBT Bar Association of WA - 682-6711; www.q-law.org; Q Law GLBT Legal Clinic - 235-7235. Resource & Referral Line can connect you to LGBTfriendly resources throughout Puget Sound and beyond. Call 323-LGBT Mon-Fri 2-8pm; Sat 2-5pm. At other times leave voice mail and your call will be returned. Or visit www.gaycity.org to view list of resources online or through Facebook. SEAMEC interviews, researches & rates candidates for public office on issues of concern to the LGBT community. 905-9941, www.seamec.org Seattle Area Support Groups & Community Center (SASG) is a non-profit organization that builds commu-

November 27, 2015

nity and cultivates powerful, healthy lives by providing emotional support and personal development services to those affected by HIV/AIDS, the Queer communities, and those who love them. Our work is done in a spirit of safety, trust, inclusiveness, and celebration of individual differences. 322-2437; www.sasgcc.org Seattle Commission for Sexual Minorities - 684-4503. Seattle Counseling Service for Sexual Minorities is a community mental health service for GLBT persons & their families. 323-1768. Seattle Out & Proud - 206-322-9561; www.seattlepride.org Seattle Police Department Sexual Minorities Community Advisory Council: kim.bogucki@seattle.gov Seattle PrideFest - www.seattlepridefest.org Servicemembers Legal Defense Network - (202) 328-3244; www.sldn.org SHIFT: A Peer Recovery Network - www.shift recovery.org Sisters of Perpetual Indulgence, The Abbey of St. Joan - 860-3666; www.theabbey.org Snohomish Health District HIV/AIDS Program provides free confidential/anonymous HIV counseling & testing 9am-5pm Monday-Friday, until 7pm Tuesdays. (425) 339-5298. Social Outreach Seattle (SOSea) - www.facebook. com/socialoutreachseattle South Sound Q Calendar - LGBTQ events in Tacoma, Olympia & Sound Puget Sound area; www.South SoundQCal.com Spokane/Inland Northwest - www.outspokane.com; www.stonewallnews.net SPORTS & RECREATION: Bent Car Guys: www. bentcarguys.org; Border Riders Motorcycle Club: www.borderriders.com; Bottom Dwellers Scuba Club: www.bottomdwellers.org; Capitol Hill Cyclers: join their Facebook group or email capitolhillcycling@ groups.facebook.com or jordan.l.simonson@gmail.com; Cascade Flyers: www.cascadeflyers.org; Different Spokes Bicycling Club: www.differentspokes.org; Emerald City Mudhen Rugby: www.mudhenrugby. com; Emerald City Softball Association: www.emerald citysoftball.org, www.eteamz.com/womensecsa; Ethyl Forever Car Club: ethylforever@hotmail.com; Festival of the Babes: www.festivalofthebabes.com; Olympic Yacht Club: www.oycnw.org; OutVentures: outdoor education & recreation activities, www.outventures.org; Pacific Northwest Gay Rodeo Association: www.pacificnwgra.org; Puddletown Squares: www.puddletown-

squares.org; Rain City Soccer: www.raincitysoccer.org; Rain Country Dance Association: a country-western dance organization catering to the LGBTQ community but open to all, www.raincountrydance.org; Sea Dawgs: LGBT ice hockey - SkateSeaDawgs@gmail.com and on Facebook; Seattle Frontrunners: www.seattlefront runners.org; Seattle Gay Basketball Association: www. seattlegaybasketballassociation.com; Seattle Orca Swim Team: www.orcaswimteam.org; Seattle Otters Water Polo: www.otterpolo.com; Seattle Quake Rugby: www.quakerugby.com; Seattle Tennis Alliance: www. seattletennisalliance.org; Seattle Unified Bowling Association (SUBA): magee98106@aol.com, www. teamseattle.org/bowling.htm, www.theprideleague. com, Century 21 League; Seattle Volleyball Club: www.seattlevolleyballclub.com; Ski Buddies: www. skibuddies. org; Team Seattle Gay Sports Network is an umbrella organization for a wide range of local GLBT sports activities, 367-4064, www.teamseattle.org (see website for comprehensive list of sports clubs); Triangle Recreation Camp at Bender Creek: recreational camping for GLBT folks. Must be 21; ID required. trc@camptrc.org, www. camptrc.org, 1122 E Pike St #1069, Seattle 98122-3934. Strength Over Speed - www.strengthoverspeed.org Tacoma/Pierce County - Rainbow Center, 2215 Pacific Ave, Tacoma, a resource center for the LGBTIQA community of Pierce County, (253) 383-2318, www. rainbowcntr.org TRANSGENDER: Emerald City Social Club: (425) 827-9494; Gender Alliance of the South Sound: www. SouthSoundGender.com; Gender Justice League: www.genderjusticeleague.org; Gender Odyssey: www.genderodyssey.com; Hermanos Trans Latino & Foreign-Born Support Group: 322-7700; Ingersoll Gender Center: 329-6651, www.ingersollcenter. org; The New BoyZ Club: www.olympiaftmgroup. webs. com; Olympia Trans Discussion Group: www. facebook.com/pages/Olympia-Trans-DiscussionGroup/262449878114; Washington Gender Alliance: (360) 445-2411, www.washington genderalliance.com WOMEN: BABES: support groups for HIV+ women. 720-5566, 1-888-292-1912; Festival of the Babes: www.festivalofthebabes.com; Lesbians Over 40: 7220729; Mature Friends: Gay men & women 40 & over, www.maturefriends.org; Older Lesbians Organizing for Change/WA State Chapter: gloria@oloc.org, mary@oloc.org, www.oloc.org; Pacific Northwest Lesbian Archives: www.pnwlesbianarchives.org; RainshadowWomen: RainshadowWomen@aol.com; Seattle Girls of Leather: www.sgol.org; Tacoma Lesbian Concern (TLC): www.tacomalesbianconcern.org; WOWS: a fun, member-driven social group for Lesbians, http://groups.yahoo.com/group/womenofwest seattle; YWCA Women’s Health Outreach: providing low or no-cost mammograms for income eligible 40+ LBTQ individuals. Follow us at http://lbtqhealth-ywca.blogspot. com, twitter.com/ingridWHO or email lbthealth@ywcaworks.org, 461-4493. Yakima: First Fridays - (509) 576-0276. www.gayakima.com/1stfridays.html YOUTH: B-GLAD (Bisexual, Gay, Lesbian, Trans & Questioning Adolescent Drop-In Group): Youth Eastside Services offers many programs for GLBT youth, including B-GLAD, (425) 747-4937; Diverse Harmony: www.diverseharmony. org; GLSEN/Washington State (Gay, Lesbian, Straight Education Network) & Washington State GSA (Gay-Straight Alliance) Network: GLSEN works to create safe schools for LGBT students. WA GSA Network supports youth-led GSA’s to fight harassment & homophobia in Washington state schools. 330-2099; www.glsenwa. org; www.wagsa. org. GLOBE (GLBTQ Loving Ourselves, Becoming Empowered): a support group & HIV/STD prevention program for GLBTQ youth, 14-20, in Everett, (425) 263-2908, www.globeyouth.org; It Gets Better Project: www.itgetsbetter.org; Lambert House: an activities & resource center for LGBT youth, 14-22, in Seattle, 322-2515, www.lamberthouse.org; Lifelong HEYO (Health Education Youth Outreach): for LGBTQ youth, ages 16-24: 957-1665; www.llaa.org/HEYO; www.MatthewsPlace.com; The Mockingbird Society: 323-KIDS (5437), www.mockingbirdsociety.org; Oasis Youth Center: for GLBTQ youth, ages 14-25, in Tacoma, (253) 671-2838, www.oasisyouthcen ter.org; Parents, Family & Friends of Lesbians & Gays (PFLAG)/Puget Sound: 325-7724, www.seattle-pflag.org; Peace for the Streets by Kids from the Streets (PSKS): 7268500; www.psks.org; Pizza Klatch: weekly lunchtime support groups for LGBTQ youth in Thurston County, www.pizzaklatch.org; Prism: for LGBTQ youth, 14-21, in Puyallup - Cherise.Alexander@ multicare.org; www. facebook.com/PuyallupPrism; Proud Out Wonderful (POW!): for LGBTQ youth, 13-21, in South King County, 206-326-9112, www.facebook.com/proudoutwonderful; Q Youth Resources: in Kitsap County - 360-698-3335; www.kchaf.org; Renton Area Youth Services (RAYS): LGBTQ, questioning and allied youth drop-in group, ages 12-18 - Sarah Hardin, 425-271-5600, ext 155; sarahh@rays.org; Safe Schools Coalition: www. safeschoolscoalition.org; 451-SAFE (451-7233) (nonemergency), 1-877-SAFE-SAFE (1-877-723-3723) (crisis line); Seattle Young People’s Project (Queer Youth Resource Board): 860-9606, www.sypp.org; Street Youth Ministries (SYM): 524-7301 ext 111; www.streetyouthministries.org; Teen Link: 461-4922, 1-888-431-TEEN; The Trevor Project: 866-4-U-Trevor; www.thetrevorproject.org; True Colors - Connecting LGBTQ Teens: in Shoreline, 362-7282 x 8018, lbagley@chs-nw.org; Vista Youth Center: for LGBTQ, questioning and allied youth, ages 14-21, in Kennewick, 509-396-5198, www.vistayouthcenter.org; YouthCare/ Isis Program (Transitional Living Home for LGBTQ Young Adults, 18-22): 522-8412; YouthCare/Orion Center: 622-5555; Youth in Focus: 723-1479; www. youthinfocus.org; Youth Suicide Prevention Program (OUTLoud-GLBTQ): 297-5922, ext 116, 1-800-273TALK, www.yspp.org

Celebrating 41 Years!

Volunteer Park

• BACON MANSION

E. PROSPECT ST. • SHAFER MANSION E. ALOHA ST.

12TH AVE. E.

E. ROY ST.

16TH AVE. E.

15TH AVE. E.

13TH AVE. E.

• B&B ON BROADWAY E. ROY ST. • UNDER U 4 MEN

E. VALLEY ST. 14TH AVE. E.

11TH AVE. E.

FEDERAL AVE. E.

10TH AVE. E.

BROADWAY AVE. E.

E. WARD ST.

E. MERCER ST.

MALDEN AVE. E.

BROADWAY E.

• THE CANTERBURY E. REPUBLICAN ST. E. HARRISON ST.

• BROADWAY GRILL

10TH AVE. E.

11TH AVE.

E. HOWELL ST.

.

• CLUB Z BATHS

• THE STRANGER

NAGLE PL.

Cal Anderson Park

• LAMBERT HOUSE

BROADWAY

Seattle Central Community College

HARVARD AVE. E.

• LINDAʼS • BILLʼS OFF BROADWAY

C.C. ATTLEʼS• TOMMY GUN• THE SOCIAL•

B&O ESPRESSO • BOYLSTON AVE.

BELMONT AVE.

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• HILL HOUSE

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• BAUHAUS • BALTIC ROOM

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SUMMIT AVE.

• REBAR

• STEAM WORKS

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• GSBA

DENNY WAY

E. THOMAS ST.

• JULIAʼS

METRO CLOTHING CO. • STUDIO 229 • PANACHE • LAUGHING BUDDHA TATTOO •

BELLEVUE AVE.

• SEATTLE COUNSELING SERVICE FOR SEXUAL MINORITIES MELROSE AVE.

HAIR CONNECTION•

E. OLIVE ST. THE SGN GLSEN ONYX LEATHER • SEA-MEC

BATHS

CLUB Z - (men) 1117 Pike near Boren - 622-9958 HOT HOUSE SPA & SAUNA - (women) SW corner of Pike & 11th (stairs behind Wildrose) - 568-3240 STEAM WORKS - (men) 1520 Summit - 388-4818

RESTAURANTS & BARS

88 KEYS - 315 2nd Ave. S. - 839-1300 BALTIC ROOM - 1207 Pine St. - 625-4444 THE BOTTLENECK LOUNGE

2328 E. Madison St. - 323-1098 C.C. ATTLE’S BAR & GRILLE 1701 E. Olive Way - 726-0565 THE CANTERBURY - 534 15th Ave. E. - 322-3130 CHANGES IN WALLINGFORD 2103 N. 45th - 545-8363 THE CRESCENT - 1413 E. Olive Way - 720-8188 THE CUFF COMPLEX 1533 13th Ave. - 323-1525 DIESEL BAR - 1413 14th Ave. - 322-1080 DOUBLE HEADER - 407 2nd Ave. S. - 464-9918 GLO’S - 1621 E. Olive Way - 324-2577 JAZZ ALLEY - 2033 6th Ave. E. - 441-9729 JULIA’S - 300 Broadway Ave. E. - 860-1818 KREMWERK - 1809 Minor Ave. #10 - 682-2935 THE LOBBY - 916 E. Pike St. - 328-6703

•WILDROSE • HOT HOUSE

ON

E.

E. PIKE ST. • CHOP SUEY • MADISON PUB • DIESEL BAR • PONY

MAE’S CAFE 6412 Phinney Ave. N. - 782-1222 MADISON PUB - 1315 E. Madison - 325-6537 NEIGHBOURS - 1509 Broadway - 324-5358 OUT WEST - 5401California Ave. SW POCO WINE ROOM 1408 E. Pine St. - 322-9463 PONY - 1221 E. Madison St. - 324-2854 PURR - 1518 11th Ave. - 325-3112 R PLACE - 619 E. Pine - 322-8828 RE-BAR - 1114 Howell at Boren - 233-9873 SEATTLE EAGLE - 314 E. Pike - 621-7591 TOMMY GUN - 1703 E. Olive Way WILDROSE - 1021 E. Pike - 324-9210

RETAIL SHOPS

CASTLE SUPERSTORE #17 206 Broadway Ave. E. - 204-0126 THE CRYPT - 1516 11th Ave. 325-3882 DOGHOUSE LEATHERS 1312 E. Pike St. - 257-0231 EMERSON SALON - 909 E. Pike St. - 323-7437 METRO CLOTHING CO. 231 Broadway Ave E - 726-7978 ONYX LEATHER - 1605 12th Ave. #8 - 328-1965 PANACHE - 225 Broadway E. - 726-3300 STAN’S ADULT SUPERSTORE 9630 16th Ave. SW - 762-3299 TABOO VIDEO - 1012 1st Ave. - 622-SEXY TOYS IN BABELAND - 707 E. Pike St. - 328-2914 UNDER U 4 MEN 709 Broadway Ave. E. - 324-6446 WILD AT HEART 1111 NW Leary Way - 782-5538

IS AD

ST.

M

E. UNION ST.

LA CONNER

THE HERON INN & WATERGRASS DAY SPA 117 Maple Ave. - (877) 883-8899 info@theheron.com

OLYMPIA

DARBY’S CAFE 211 5th Ave. S.E. - (360) 357-6229 LOVER’S 3959 Martin Way E. Suite D - (360) 456-7300 JAKES - 311 4th Ave. E. - (360) 956-3247 URBAN ONION 116 Legion Way - (360) 943-9242

PORT ANGELES MAPLE ROSE INN 112 Reservoir Rd - (800) 570-2007

SPOKANE

ANDY’S 1401 W. 1st Ave. - (509) 747 - 0304 IRV’S (Drag Shows) 415 W. Sprague Ave. - (509) 624 - 4450 NYNE BAR AND BISTRO 232 W. Sprague Ave. - (509) 474 -1621 SPOTLIGHT LOUNGE 321 W. Sprague Ave. - (509) 624 - 0722

TACOMA

BAR MYX - 1212 California St. - 425-610-4071 LOVER’S - 112 SE Everett - (425) 353-3607 LOVER’S - 3402 Broadway - (425) 252-8754

CASTLE SUPERSTORE 6015 Tacoma Mall Blvd. - (253) 471-0391 CLUB SILVERSTONE 739½ St. Helens Ave. - (253) 404-0273 THE FANTASY SHOP 2301 6th Ave. - (253) 272-6640 LOVER’S 7002 Tacoma Mall Blvd., #F - (253) 475-2271 THE MIX - 635 St. Helens Ave. - (253) 383-4327 RAINBOW CENTER 2215 Pacific Ave. - (253) 383-2318 SHAKABRAH JAVA CAFE 2618 6th Ave. - (253) 572-2787 TANDEM FOR GEAR, CLOTHING AND ACCESSORIES 3019 6th Ave, Ste. B - (253) 301-3026

KENT

TUKWILA

BELLINGHAM

LOVER’S 193 Telegraph Road - (360) 752-1862 RUMORS CABARET 1119 Railroad - (306) 671-1849

EVERETT

LOVER’S 25801 104th Ave. S.E. - (253) 852-1720 THE VOYEUR 604 Central Ave. S. - (253) 850-8428 NASHVILLE’S SPORTS BAR (Drag Shows) 114 - Railroad Ave. N. - (253) 852 - 0909

Visit us online www.sgn.org

• POCO WINE ROOM

• THE CUFF COMPLEX E. PINE ST. • PURR • THE CRYPT • POST OPTIONS • DOGHOUSE LEATHERS

E. UNION ST.

SEATTLE

• THE GASLIGHT INN

November 27, 2015

LOVER’S 530 Southcenter Blvd. - (206) 248-5085

WENATCHEE

THE CELLAR CAFE 240 N. Mission St. - (509) 662-1722

Seattle Gay News 17

_______________________________

10 housemates

14 Help wanted

10 housemates

14 help wanted

_______________________________

_______________________________

11 for rent

11 FOR RENT

19 19 home services

HOME SERVICES

_______________________________

_______________________________

12 12 housing wanted WANTED HOUSING

20 health & health & well being

_______________________________

13 13 housing for sale

HOUSING FOR SALE

_______________________________ real estate REAL ESTATE _______________________________ SEATTLE’S TOP GAY REALTORS Buying a Home? Choose a Top Seattle Gay Realtor Offering FREE Buyers Representation! Relocating anywhere in the country? Visit: WWW.GAYREALESTATE. COM 37/6 _______________________________

20

WELL-BEING

_______________________________ ENERGY/BODYWORK Therapeutic massage. 29 years experience. Relaxation, major/ minor injuries, chronic muscle pain. Small Queen Anne home office/studio. Massage table or massage chair. Convenient parking. (I’m a Gay-friendly straight male graphic artist, web author.) First session 50% off = $45/1.5 hours (travel extra). By appointment only. References available. Chris Pringer, Reiki Master, 206286-0899. If you get a voice message mentioning “extension #,” please hang up and call back again. Brochure, testimonials, etc. via chalicebridge.com/BMIBrochure.html. 44/21 _______________________________

21

21 licensed LICENSED massage MASSAGE non-sexual

- NON-SEXUAL

_______________________________ RELAXATION and DEEP TISSUE massage on Capitol Hill. Last minute appointments w¥elcome until 9 pm. Jeff, LMP, 206-6500542. www.broadwaymassage. com. 48/3 _______________________________ 22 for sale

22 FOR SALE

_______________________________ MOVING SALE Selling a GE air-conditioning window unit (11” high x 18” wide), oak dining room table & four chairs, entry table with mirror, four framed posters, blue silver bench, centerpiece arrangement, & a few miscellaneous items. Call Bob for details: 206-329-9935. 47/3 _______________________________

37 BODYWORK

38 MEN

37 bodywork

38 men

_______________________________ AMAZING BODYWORK! Deep tissue, erotic bodywork by handsome, hairy-chested, hung therapist. Reasonable rates. Photos, phone number and reviews at website: www.amazingbodywork. com. Robert. 49/6 ________________________________ EROTICALLY CHARGED nude full body rubdown from playful top, stimulating the senses. Get seduced. Incalls in Renton area. Scott, 206-355-4469. 37/3 ________________________________ DADDY BEAR Magic touch bodywork. 12 noon-8pm. 206-328-5828. 49/3 _______________________________

________________________________ RAIN CITY JACKS Seattle’s own JO Club, RCJ hosts three group jack-off events every month. Hot, friendly, safe fun! Adult men only. 888-809-5035. info@raincityjacks.org; www. raincityjacks.org. 03/12 _______________________________ FREE & ANONYMOUS HIV & STD COUNSELING/TESTING Walk-In or by Appt GAY CITY HEALTH PROJECT 517 E. Pike St. MON-FRI: 3pm-8pm SAT: 12:30pm-5pm More Info & to Schedule Appt 206-860-6969 _______________________________ SEATTLE PRIME TIMERS A social organization for Gay and Bisexual Men over 40 and their admirers. www.seattleprimetimers.org; info@seattleprimetimers. org SGN/ _______________________________

Except, No Bowling:

*9/27/15 *11/15/15 *11/22/15 *12/6/15 *1/17/16 *1/31/15 *4/10/16

18 Seattle Gay News

November 27, 2015

Celebrating 41 Years!

Visit us online www.sgn.org

November 27, 2015

Seattle Gay News 19

20 Seattle Gay News

November 27, 2015

Celebrating 41 Years!