SPACES EDIT

A NEW EXPRESSION OF CARIBBEAN LIVING
WHAT’S BLOOMINʼ IN DESIGN









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A NEW EXPRESSION OF CARIBBEAN LIVING









Conceptualiser & Creative Director
Janelle Pantry-Coke
Publisher
Elle Creative Ltd.
Editors
ELLE CREATIVE:
Elena Diedrick-Lynch, Leisha Wong and Marissa Foote
Photography
Rian Stewart
Jayson Tucker
Chris Fuller
Michael Condran
Design Team
PELICAN PUBLISHERS LTD:
Nicole Williams
Contributors
Janelle Pantry-Coke
Jodi-Anne Paul
Brianna White
Marissa Foote
Spaces Edit Magazine is published at the behest of the publishers. No part of this publication may be reproduced or utilized in any form or by any means, electronically or mechanically, including photocopying, recording or by any information storage retrieval system without written permission from the organizers.


It doesn’t ask for permission to arrive. It simply shifts the light. The air feels softer. The days stretch a little longer. And quietly, almost without noticing, we begin again. This issue of The Spaces Edit is rooted in that spirit of renewal.
For us, spring isn’t just about florals or fresh palettes. It’s about perspective. It’s about re-imagining the spaces we live in and asking: Does this still reflect who I am becoming?
Over the years, I’ve learned that design mirrors life. Rooms evolve the way we do: slowly, intentionally, sometimes unexpectedly. What once felt complete can begin to feel like it needs breathing room. And that’s not failure. That’s growth.
In these pages, you’ll discover stories of craft, creativity, and Caribbean ingenuity. Designers reshaping the narrative. Artisans preserving tradition while embracing innovation. Homes that feel both grounded and forwardthinking.
This edition celebrates light, not just the way it enters a room, but the way it shifts our mindset.
As you turn these pages, I hope you feel inspired to refresh something. A corner. A table. A habit. A dream.
Because beautiful spaces don’t just happen. They are created with intention. With courage. With purpose.
Janelle Pantry-Coke Founder & Creative Director




04 Editor's Note
SPRING EDIT 08 Spring Mood Board 10 Get the Look: Spaces Team Picks for Spring 14 What’s Bloomin' In Design 22 Curb Appeal: The First Impression
SPACE TRANSFORMED: INSPIRING RENOVATIONS AND DESIGN JOURNEYS
30 The Trust Behind The Transformation
36 From Dated To Dreamy: Breathing New Life Into A Modern Caribbean Bathroom
THE ARTIST’S LENS: STORIES BEHIND THE ART
40 Colour, Code & Culture: Kianne Patrice
46 A Few of Janelle's Favourite Things AT HOME WITH
50 Where Creativity Lives: Leisha Wong at Home



TABLE TALK: FLAVOURS & STORIES FROM KITCHENS AND CULTURE 56 From Yard to ATL 59 Select Sips: Ruffino Spritz


Bahari: A New Expression of Caribbean

A fresh season of blooms, textures, and seasonal inspiration

Writer: Spaces Team
Spring doesn’t arrive loudly. It unfolds. In soft layers. In filtered light. In the quiet shift from heavy to breathable. This season, we’re drawn to spaces that feel effortless; where every element is intentional, yet nothing feels overdone.
This Spring Mood Board is less about trend and more about feeling. A return to calm. A gentle awakening of the home.
A wash of barely-there colour defines the season. Think hazy lavenders, soft aquamarines, muted sage, and warm ivory, tones that feel like they’ve been kissed by sunlight. These aren’t statement colours. They’re atmosphere.
They soften edges, reflect light, and create a sense of openness that feels inherently Caribbean; relaxed, breathable, and quietly luxurious.
Spring is tactile. Linen drapes that move with the breeze. Light wood grains that warm without heaviness. Woven textures — rattan, cane, jute — grounding the space in nature.
It’s not about perfection. It’s about contrast. Smooth against raw. Soft against structured. Refined, but never rigid.
Furniture takes on a more fluid language this season. Curved silhouettes. Rounded edges. Pieces that feel sculptural, yet inviting. Nothing sharp. Nothing harsh. Just forms that echo the natural world: like stones softened by water or clouds drifting across an open sky.

Spring styling is an exercise in restraint. A single ceramic vase. A branch, not a bouquet. A tray with intention, not clutter. Negative space becomes part of the design; allowing each piece to breathe, to be seen, to be felt.
More than anything, this season is about how a space makes you feel. Lighter. Calmer. More present. It’s the quiet luxury of coming home to a space that doesn’t demand attention, but gently holds it.
This look is all about balance; cool and calm with just a touch of warmth. Think of it as bringing the feeling of the sea into your home, softened for everyday living.
Writer: Jodi-Anne Paul

4. Layer in texture
This is what makes the space feel cozy:
z A woven rug
z Linen or textured cushions
z Ceramic or matte-finish décor
z Soft fabric lampshades
Mix textures, but keep them in the same calm colour family.
HERE’S HOW TO CREATE IT STEP BY STEP:
1. Start light and simple
Choose a neutral sofa in a soft cream or light beige.
This keeps the space feeling fresh and airy, like a blank canvas.
2. Build your colour story
Pick 2 – 3 main colours and stick to them:
z Ocean blues (soft to deep tones)
z Warm orange or terracotta
z Light neutrals
Use blue as your main accent, then add small touches of orange for warmth and contrast.


3. Keep your furniture clean and natural
Go for light wood tables and simple shapes.
Nothing too heavy or ornate; this look works best when it feels easy and functional.
5. Style your sofa with intention
Combine:
z Floral or botanical cushions (for a spring feel)
z Solid blue cushions (to ground the look)
z One accent cushion in orange
Don’t overcrowd; leave space for it to feel relaxed.
6. Bring in nature
Add a plant or fresh flowers. This instantly makes the room feel alive and connected to the outdoors.
7. Finish with art
Choose artwork in soft blues or botanical themes. This ties everything together and reinforces the “Spring by the Sea” feeling.
The Goal
You want the space to feel calm… but not boring. Fresh… but still warm. A little like standing by the sea on a sunny day; cool breeze, soft light, and just enough warmth to make you stay.

This Spring by the Sea mood board reflects my appreciation for spaces that feel both calm and quietly uplifting, balancing structure with softness.
I was drawn to a palette of oceanic blues paired with warm orange accents to mirror that meeting point between sea and sunlight, cool, grounding tones layered with moments of energy and warmth.
The clean-lined sofa and light wood tables establish a sense of simplicity and functionality, while the woven textures, soft rug, and sculptural ceramics introduce tactility and ease.
Floral artwork and botanical elements bring in a seasonal lightness, reinforcing a connection to nature that feels authentic to how I like to live, considered, but never overdone.
Altogether, the space embodies the Spaces Edit aesthetic: curated yet approachable, where each piece is intentionally chosen to create a harmonious environment that feels personal, balanced, and effortlessly refined.
Writer: Brianna White

There’s a quiet confidence to a space that doesn’t try too hard. Achieving this look is easier than it seems. It’s all about starting simple and building slowly. Think calm, warm, and natural.

2. Add warmth with wood
Bring in natural wood tones through a chair, side table, or décor. This step is what makes the space feel cozy instead of cold.
3. Layer in texture (this is key)
Instead of adding more colour, add texture:
z A woven pendant or light fixture
z A textured stool or side table
z A lamp with a sculptural base
This keeps the space interesting without making it feel busy.
4. Keep your colours soft and controlled
Stick to a small palette:
z Soft blues
1. Start with a soft base
Choose a neutral sofa in cream, beige, or warm white. This is your foundation. It keeps everything feeling light and gives you room to layer.
z Muted mustard
z Warm neutrals
Use these in your pillows, artwork, or small accessories. A little goes a long way.
5. Style your sofa simply
Mix a few cushions in different textures and subtle patterns. Nothing too perfect. This look works best when it feels relaxed.
6. Add life
A plant instantly softens the space and makes it feel lived-in.
7. Finish with art
Choose artwork that ties your colours together.
Abstract, soft, and slightly muted works best here.
The Goal
You’re not trying to “decorate.”
You’re creating a space that feels easy to live in. Light. Warm. Effortless.
If it feels calm when you walk in… you got it right.


SPRING IS ABOUT CREATING SPACE TO BREATHE
Trudi Hamilton is the founder of Trudi Alexis Design Studio, an experiential designer and florist whose work blends florals, texture, and spatial storytelling to create immersive, design-led environments.
Writer: Marissa Foote
Photographer:
Jayson Tucker
There’s a quiet magic in how Trudi Hamilton brings spaces to life. Spring, with its sense of renewal, brightness, and energy, is a constant source of inspiration for her. As she crafts the perfect seasonal floral arrangement, mixing pale anthuriums with whimsical lisianthus and lush greenery, her approach feels less like decoration and more like storytelling. Each stem is chosen with purpose, every composition shaped with intention.
“Spring is about creating space to breathe,” she says, layering blooms with effortless ease. “Fresh flowers, soft textures, and thoughtful details bring that sense of renewal into every corner.”
Her signature aesthetic, intentional minimalism with a whisper of whimsy, is evident not only in her interiors but throughout her creative work; from curated at-home experiences to elevated event settings for lifestyle and cultural showcases. Soft palettes, airy textures, and carefully curated details make spaces feel calm yet alive.
“Florals aren’t just decoration,” she explains. “They define the mood of a space, shift the energy, and make everything feel alive.”
For Trudi, Spring is about softness, lightness, and movement. In her hands, an arrangement becomes poetry, a room becomes a haven, and even the simplest corner glows with thoughtful vibrancy.
She opens the doors to her creative process, sharing how the season’s energy can transform interiors into living, vibrant havens.


1. How do you describe your artistic style, and in what ways do florals and botanical elements influence your work?
Minimal, intentional, and quietly whimsical. I’m drawn to spaces that feel curated yet effortless. Florals and greenery are central; they give life, texture, and rhythm. I often take inspiration from wild palms and blooms I see around Jamaica, translating that organic movement into my interiors.
2. How do you translate the essence of Spring into your designs?
Spring is a reset. I lean on soft palettes, airy linens, and natural textures to create breathing room. Fresh blooms act as the anchor, while light furnishings and subtle colours carry the energy throughout the home. Even a simple arrangement on a dining table or entryway can immediately evoke the season.
3. What role do you believe florals and greenery play in making a space feel alive?
They are the heartbeat of a room. Florals soften corners, add depth, and create movement. I love layering statement blooms with subtle greenery to create flow, guiding the eye naturally through a space and making it feel vibrant yet effortless. Even the simplest arrangement; placed on a kitchen counter, a bedside table, or an entryway console, can completely shift the mood, bringing warmth, energy, and a sense of life to the room.
4. In your designs, how do florals and greenery work with furniture, art, and architectural details to bring a space together?
They should complement, never compete. Flowers can highlight artwork tones, accent architectural details, or soften furniture lines. Every arrangement should feel like it belongs within the room’s story.


5. Any local Jamaican flowers or greenery you love bringing into interiors that often go unnoticed?
So many! We often overlook simple greenery like wild palms and bush. I love driving around and collecting unusual-looking greenery you can’t find in the flower shops. There’s something effortless and full of movement about it that feels truly Jamaican. These natural shapes bring authenticity and life into any arrangement, no matter how small, and they have a way of making a space feel connected to the island.
6. What are your top tips for keeping floral arrangements fresh and vibrant in a warm climate?
Clean water, regular changes, and keeping blooms out of direct heat are essential. Flowers like lisianthus, anthuriums, and bells of Ireland thrive here and last beautifully when cared for properly.


7. Favourite flowers or greenery to have year-round?
There are so many favourites. I’m always down for green, white, and light pink anthuriums, and I also love romantic blooms like delphiniums and lisianthus paired with my favourite bells of Ireland. I gravitate toward anything that feels light and a little whimsical. These flowers have a way of lifting a space instantly. They bring softness, movement, and a gentle sense of joy no matter the season. I also love mixing textures and heights to create arrangements that feel layered and alive, so even a simple vase can feel like a centerpiece.
8. Go-to spot for sourcing blooms locally?
I love supporting local as much as I can. I get a lot of my tropicals and other beautiful hill grown blooms from Mr. Vincent on Barbican Road. He’s located under the bus shed where the coconuts are sold. He’s been there for years and I just love the experience and relationship we have. I also get a lot of my florals from The New Greenhouse, located at 10 Easton Avenue in Kingston.
9. What is a spring floral trend you’re loving this season?
I’m really loving organic, freeform arrangements this season, things that feel a bit undone and slightly messy, not too perfect. It’s a refreshing move away from overly structured styling toward something that feels natural, fun, and full of life. I love seeing stems fall where they naturally want to, layering textures, and letting blooms interact with each other. It’s playful, whimsical, and perfectly captures the lightness of spring.

FREE-FORM ARRANGEMENTS... FEELS NATURAL, FUN, AND FULL OF LIFE.


10. What’s your favourite way to mix florals and greenery throughout a room?
Layering is key. I love pairing a large, statement arrangement with smaller, simpler vases thoughtfully placed throughout the room. This creates a sense of flow, guides the eye, and makes the space feel cohesive without being too matchy-matchy. Each arrangement interacts with the next, so even a small corner or side table can feel intentional and full of life. It’s all about creating rhythm and a sense of discovery as you move through the space.

As Spring unfolds, Trudi reminds us that interiors, like nature, thrive when given room to breathe, move, and express themselves. Through intentional design, playful layering, and a love for local, authentic blooms, she transforms spaces into living, vibrant reflections of personality and mood. Whether it’s a statement arrangement on a dining table, a sweep of greenery in an entryway, or a whimsical floral display on a kitchen counter, Trudi’s approach shows that bringing nature indoors is less about perfection and more about presence, intention, and joy.
This season, take a cue from her philosophy; embrace light, embrace movement, and let every bloom, every leaf, and every corner of your home feel alive.


Writer: Janelle Pantry-Coke Photographer: Rian Stewart
Some homes are designed. Others are composed layer by layer, plant by plant. This garden, executed by Jaredan Studios, redefines curb appeal through a deeply intentional approach to tropical landscaping. From the moment of arrival, the experience is immersive, lush without feeling uncontrolled, structured, without feeling rigid.
However, what appears effortless is, in fact, deeply considered. “Landscaping is not the finishing touch. It is the foundation of how a home is experienced," says Stephen Dawkins, CEO of Jaredan Group.
The success of this garden lies in its layering. Vertical palms establish height and rhythm, rising above a dense mid-layer of planting that brings fullness and movement to the space. At ground level, bromeliads and carefully defined edges introduce clarity and precision, creating a composition that feels both abundant and refined.

This is where Jaredan Studios distinguishes itself, designing landscapes that read as organic, yet reveals a meticulous hand upon closer look.

This garden does not simply surround the home. It guides you.
Curved planting beds, stone edging, and a sequence of stepping paths subtly choreograph movement through the space.
Even the driveway, often treated as purely functional, is softened through grassjointed pavers, blurring the




And then, almost unexpectedly, a moment of stillness.
Beneath a mature tree, a simple bench is tucked within layers of planting and trailing moss. It is quiet, intentional, and deeply inviting a vignette that encourages pause.



Beyond its visual richness, the garden is defined by experience. A bench beneath a tree. A shaded pocket layered with orchids. Light filtered through foliage.
These are not incidental details, but deliberate gestures transforming the landscape from something to be viewed into something to be lived.







At its core, the project reflects a clear and compelling philosophy.
Landscaping
is not applied. It is integrated.
And in that integration, the garden becomes more than a first impression; it becomes the beginning of the story the home is about to tell.





INSIDE A GLEN EAGLES RENOVATION: IN HER OWN WORDS
Writer: Janelle Pantry-Coke
What does it really mean to hand over your vision of home to someone else? For home owner, Lisa Brown Alexander, it began with trust and ended in a space designed for the way she truly lives.


Design is not just about creating a beautiful space. It’s about trust. It’s about interpretation. It’s about bringing a vision to life, sometimes before it’s fully formed.
For Lisa Brown Alexander, her Kingston home was more than a renovation project. It was a home away from home, a place rooted in connection, culture, and ease.
We sat down with Lisa post-renovation to reflect on her experience working with Spaces, and what it truly means to invite a design team into your vision.
From the outset, the project was anchored in collaboration. Like many homeowners, Lisa understood that working with a design team requires a level of vulnerability, allowing someone else to interpret not just your taste, but your lifestyle.
“You know when you turn over your vision of a house to someone else, it’s a trust relationship. As
we developed the rapport and I was clear that they understood my vision, it became much easier,” she shares. That clarity, the moment when vision meets alignment, is where design begins to flow.
“It had some bumps along the way, but what I appreciated the most was the fact that they were consistently communicating.” And that’s the difference. Design is not always linear. But with the right team, it is always guided.
“There was no confusion. There was no concern about the sign-off. I knew that they were able to capture what I was looking for and that was the best.”
Every home has a moment, a space that quietly becomes everything. For Lisa, that space is the kitchen. “I think my favorite space is the kitchen. After

It’s open, welcoming, and sets the right atmosphere for people to gather,” she shares. Not just designed but felt.
“My family loves to do that. We sit, we chat all day. We eat, we talk, we go back and forth, and the kitchen is the perfect place for it.”
It’s a reminder that the success of a space is not measured in finishes or fixtures, but in the life that happens within it. “I can’t wait to settle in with family.”
“My desire was to create a space that felt both modern and warm and that’s not always easy to achieve on your own in Jamaica. The Spaces team took the weight out of the process, and that’s something I truly appreciated.”

The success of a space is not measured in finishes or fixtures, but in the life that happens within it.

Lisa’s experience speaks to something deeper than aesthetics.
Hiring an interior designer is not simply about choosing furniture or selecting finishes.
IT’S ABOUT:
z Translating vision into reality

z Creating spaces that support how you live
z Removing the overwhelm of decisionmaking
z Designing a home that feels like you but effortlessly
Because in the end, the goal isn’t just to create a beautiful home. It’s to create a space you never want to leave.
At Spaces, we often say:
“We don’t just design homes. We design how people live in them.”
And when done right, the result is exactly this, a space that brings people together, holds stories, and feels like home from the moment you walk in.













Writer: Janelle Pantry-Coke | Photographer: Chris Fuller



This wasn’t just a renovation. It was a complete re-imagining.
The original space told a familiar story; functional, but far from inspiring.
Muted finishes, dated fixtures, and a lack of cohesion left the bathroom feeling disconnected from the rest of the home.
The layout was underutilized. Storage was inefficient. And visually, the space felt heavy, despite its potential for light. But beneath the surface, there was opportunity
This wasn’t just a renovation. It was a complete reimagining.
The design direction centered on creating a modern sanctuary; a space that felt calm, elevated, and quietly luxurious.
Key principles guided the transformation, including a soft, neutral palette to enhance light and openness, the use of natural materials to introduce warmth and texture, clean architectural lines for a modern and timeless feel, and layered functionality that seamlessly blends beauty with everyday use.
The goal wasn’t just to modernize the space. It was to create an experience.
What was once dated is now effortlessly elevated. A floating wood vanity introduces warmth while maintaining visual lightness. The soft grain adds organic texture, grounding the otherwise airy palette.

Sculptural mirrors and matte black fixtures create contrast: clean, modern, and intentional. The statement wall, finished in a subtle geometric wood pattern, becomes art in itself, bringing movement without overwhelming the space.


Beyond the vanity, the bathroom opens into a serene bathing zone.
Every detail works together to create a space that feels both designed and deeply livable.
A space that feels both designed and deeply livable.




What elevates this transformation is not just the materials, but the restraint.
Floating elements create a sense of openness and visual breathing room, while tone-on-tone layering keeps the palette soft yet richly dimensional. Matte black accents introduce definition without harshness, and thoughtful styling moments; an orchid, a candle, a simple tray, bring life and personality to the space.
It’s a reminder that luxury isn’t always about more. Sometimes, it’s about less, but better.


Writer: Marissa Foote
Photography contributed by Kianne
Patrice

When Kianne Patrice received a Kodak camera as a child, she could not have imagined it would ignite a career spanning murals, digital art, and augmented reality.
Today, the Jamaican artist creates compelling, site-specific works that move masterfully between technology, architecture, and global design spaces, informed by her curiosity, sensibility, and vibrant energy.
From gallery walls to architectural installations around the world, Kianne, is redefining how contemporary Caribbean art inhabits space.
Her work, ranging from museum-quality pigment prints on archival canvas to expansive installations across international walls, explores movement, colour, and the layered nuances of identity, creating pieces that are both globally resonant and intimately tied to the spaces they inhabit.
It is art that exists comfortably between worlds. Digital and physical. Local and global. Experimental yet deeply personal.

From Tokyo and Berlin to Miami, Washington DC, and Kingston, Kianne’s work has appeared in a variety of exhibitions and design spaces. Across all these projects, her practice remains guided by a curiosity about how colour, movement, and emotion interact with each site, reflecting the thoughtful, siteresponsive approach she has cultivated throughout her career.
For Kianne, art is never just decorative. It shapes the atmosphere, responds to architecture, and creates moments of pause in everyday environments.
Kianne’s creative journey began when she was young, and her grand-aunt gave her a Kodak film camera; she remembers how excited she was. She enjoyed art in high school, but her academic interests leaned toward science, eventually leading her to pursue a degree in Pharmacy. Her creative drive, however, remained constant.
Due to her consistent desire to create, Kianne picked up photography again with a digital camera, experimenting with editing techniques and opening an entirely new creative pathway. Adjusting colour, layering imagery, and reshaping compositions led her deeper into the possibilities of digital creation. “My love for all things creative never left and I picked up photography again later with a digital camera. Getting more and more creative with my photography editing is what probably led me down the rabbit hole of digital art, and here I am today.”
Digital art encompasses a wide range of practices, including digital painting, illustration, photo manipulation, and three-dimensional sculpting. For Kianne, the medium offered both creative freedom and technical precision. Some early works incorporated augmented reality technology, allowing viewers to experience interactive layers embedded within the artwork.






Over time, clients began to recognize her ability to create work that reflects the emotional energy of a space.
“Over time, a strength people came to value was my ability to create site specific work that captured the vibe of the space.”
Born, raised, and still based in Jamaica, Kianne says the island inevitably shapes her perspective. “There is something so vibrant, so dynamic about Jamaican culture.”
Yet the influence is rarely literal. Instead it appears through rhythm, colour, and atmosphere. The pulse of reggae translating into movement across a composition. The calm of a hillside town shaping the stillness of another piece. “Jamaica is not one thing. My work is similar in that respect.”
Curiosity remains the central force in her practice. Some pieces explore the emotional

layers of womanhood through portraiture, while others lean toward abstraction, using colour and form to evoke feeling. “There is a certain sensibility that comes with being Jamaican and I love it. I love us.”
While many artists transition from traditional mediums into digital tools, Kianne’s creative process has always been largely digital.
Photography editing served as the gateway, expanding into illustration, conceptual compositions, photo manipulation, and augmented reality integrations.“When I realized how easily working digitally facilitated remote projects, that really cemented it for me.”
Digital workflows allow her to conceptualize work at architectural scale, collaborate seamlessly with designers across continents, and deliver installation ready files with remarkable precision.
In quieter moments between commissions, Kianne experiments with tactile forms including curved paper folding techniques and textured art created through combinations of different materials.
Kianne’s work has appeared in exhibitions and design environments across the world.
Her art has been featured in local and international publications and exhibited at Hiltopia Art Square in Tokyo, Prizm Art Fair during Miami Art Week, BBA Gallery Berlin, Sky Gallery Jamaica, and Olympia Gallery.
Her photography has received international recognition on Vogue Italia’s PhotoVOGUE platform where several works earned the coveted Pic of the Day and Best of Distinctions.
Her work has also appeared in prominent design showcases including the Kips Bay Palm Beach Show House and the Design Miami Collector’s Lounge.


Closer to home, her art has been included in the Office of the Prime Minister of Jamaica’s calendar. Kianne’s connection to her father's home parish led to a meaningful commission: creating an artistic portrait for the outgoing Custos of St. Ann, presented at the installation ceremony of the new office holder. She was also commissioned to create a work celebrating the 25th anniversary of The Jamaica Observer Table Talk Food Awards
Creative, where she helped add augmented reality layers to existing murals across Kingston.
Kianne’s murals now appear in architectural spaces across the world. These include installations inside the Inter-American Development Bank headquarters and the World Bank Group headquarters, both in Washington D.C. In Kingston, a mural and additional art pieces are installed throughout the ROK Hilton Tapestry Hotel. Her work has also been acquired by the American Civil Liberties Union in New York. A particularly interesting project with Kingston Creative saw Kianne design a permanent art crosswalk representing Kingston in Querétaro, Mexico, a UNESCO Creative City of Design.
For Kianne, each project offers an opportunity to explore how art interacts with both architecture and people.
Unlike many artists who work within a fixed studio, Kianne’s workspace is remarkably portable.“Technically my studio is wherever I am with my iPad Pro.”

From there, digital compositions are translated into physical form depending on the project. Some become museum quality pigment prints on archival canvas. Others evolve into large scale murals produced on adhesive vinyl with protective matte laminates.
Her tools reflect the same balance of creativity and precision. Programs such as Procreate and Affinity Photo and Designer allow for layered drawing and composition, while the Pantone app helps ensure colour accuracy when translating digital palettes into physical materials. Pinterest, Instapaper, and Are.na serve as digital archives where ideas are collected and organized.
Yet one analogue element remains essential. “Notebooks

and pens give me immense joy. I use them to sift through my thoughts.”
For Kianne, art plays a powerful role within the home. “In modern interiors where architecture can be minimal or highly structured, art introduces the personal.”
A thoughtfully chosen piece can quiet a room or animate it, shaping the emotional atmosphere of a space. Scale and placement matter deeply.
“Art is always in dialogue with the things surrounding it. Make it an inspiring conversation.”
Digitally created works, photography, sculpture, and traditional paintings can coexist beautifully when they share a visual dialogue through colour, theme, or mood.
Statement pieces can anchor a room, while gallery walls tell layered stories.
Kianne is passionate about strengthening Jamaica’s creative ecosystem. Supporting Jamaican artists allows communities to retain their cultural voice and shape environments that reflect their own stories.
Homeowners, developers, and designers can commission murals, installations, or custom works. Businesses can integrate local art into their spaces. Collectors can invest in both established and emerging Jamaican artists.
Even simple acts such as visiting exhibitions, sharing artists’ work online, and recommending creatives help sustain the creative community.
Kianne’s advice to collectors is simple. Choose art that resonates emotionally. Whether a piece sparks reflection or simply brings joy, meaningful art becomes part of the life of a home rather than simply a decorative object. “It becomes part of the fabric of the space.”
Outside of her work, Kianne shares her other personal passions. She has an extensive Crocs collection, cares deeply about the special needs community, and loves animals, especially dogs.
Like her work, this glimpse into Kianne’s life reveals an artist who balances curiosity with warmth. Her practice, spanning digital compositions, sitespecific murals, and immersive installations, reflects both global reach and personal insight.
In bridging technology, emotion, and space, Kianne represents a new generation of Caribbean creators, expanding what the region’s visual language can become.

Writer: Spaces Editorial Team
There’s something deeply personal about the pieces we choose to bring into our homes. Beyond function, beyond beauty there’s story. Memory. Meaning.
For me, collecting locally made, handcrafted pieces has always been about more than décor. It’s about connection to culture, to craft, to the hands that made them. This Spring, I’m celebrating a few of my favourite Jamaican artisans, creatives, whose work doesn’t just fill a space but gives it soul.
From sleek urban residences to a modern country home, these spaces embody our vision of elevated living through thoughtful design and timeless style.
Known for her vibrant Sea Urchin Collection, this Jamaican ceramicist transforms marine inspiration into tactile, sculptural art. Each piece feels like a treasure washed ashore, organic, imperfect, and beautifully alive.
Whether styled on a coffee table or layered into a bookshelf, these pieces evoke a sense of coastal calm with a playful, modern edge.




An ode to coastal craft, Callaloo’s Small Stuffed Fish and Treasure Beach Mermaids embody a quiet, tactile storytelling, designed by Sophie Eyssautier and brought to life by the hands of Miss Yvonne, a native of the Bluntas area in Treasure Beach.


Baughaus brings a thoughtful, design-forward approach to handmade ceramics, blending Caribbean heritage with contemporary form.
From softly glazed tableware to statement pieces, her work feels intentional and grounded, the kind of pieces you use every day, yet still pause to admire.
Wicker, but not as you know it. Exquisite Wicker elevates this traditional material into bold, sculptural furniture that feels both timeless and entirely new.
The craftsmanship is unmistakable; each curve, each weave, a testament to skill and vision. It’s heritage, reinterpreted for modern living.

A beautiful intersection of art and nature. Antillean Charm takes traditional botanical illustration and transforms it into something entirely unexpected: hand-sculpted, handpainted ceramic flora and fauna, mounted within refined shadow boxes.
Each piece feels like a preserved moment, delicate, dimensional, and endlessly captivating.


A well-designed home isn’t built overnight. It’s collected. Layered. Lived in. And the most meaningful spaces. They’re the ones that tell your story through pieces chosen with intention.
This season, consider starting or continuing your own collection. Support local. Invest in craftsmanship. Surround yourself with pieces that feel like you. Because in the end, your home should tell your story… and these are the pieces that help you write it.
A celebration of Caribbean lifestyle through décor that feels both authentic and accessible. Creole Jamaica offers pieces such as trays, coasters, and placemats that layer effortlessly into the home adding warmth, texture, and a distinct sense of place.



with Leisha Wong
Writer: Spaces Editorial Team
Step inside the home office of Leisha Wong, co-founder and co-creative partner of Elle Creative Ltd., and Co-founder of Kingston Kitchen, where work, life, and creativity converge in the Elle Wing.
There’s a quiet kind of power in spaces that evolve with you, and in Leisha Wong’s Kingston home, that evolution is not just visible, it is deeply felt. Tucked within what has become known as the Elle Wing, her home office reflects a life lived with intention, where the roles of mother, wife, entrepreneur, creative, friend, and daughter exist not in competition, but in constant conversation.
For Leisha, this stage of life is defined by presence. She describes herself as someone striving to live as intentionally as possible, being fully present in whichever role she inhabits, acknowledging that while balance is elusive, being rooted in each moment is what grounds her. That mindset shapes not only how she lives, but how she works, and ultimately, how her space has come to life.

This is not an office removed from life. It is deeply embedded within it

The home, purchased in 2017, offered what she describes as “the most fabulous bones.” What is now the Elle Wing originated as two rooms, one of which served as the previous owners' home office, while the other functioned as a home gym. When Leisha moved in, the space was expanded into three rooms, accommodating a playroom for her daughters, Isabella and Layla; alongside a home office for her husband Brett, and her own office. As the rhythms of daily life shifted, so too did the function of each room. During the pandemic, the playroom became a classroom, and in that same period, Leisha partnered wih her friend Elena Lynch, and Elle Creative Ltd. was born.
The small operation, which began in just two rooms, quickly grew. As Leisha’s daughters returned to school and the team expanded, the entire wing was absorbed into the company’s orbit, at one point housing eight team members. The decision to build the business from home was both practical and personal, allowing for a flexibility that supported her role as a mother while creating space for growth. It also, as she joked, made the daily commute effortlessly seamless.


But this is not an office removed from life. It is deeply embedded within it. The sounds of family, children arriving home, the presence of Joey (the family dog turned honorary Elle team member!), all filter into the workday. The result is a space that feels alive, where the boundaries between work and home are fluid; sometimes indistinguishable.
From day one, intention shaped both the brand and the space it would inhabit. Together with Elena a space was envisioned that mirrored the ethos of Elle Creative, rooted in femininity, symbolized by the moon, in their logo, and designed to feel welcoming. The office was meant to function not just as a workplace, but as a haven, the same sense of openness and belonging to their team. Over time, this translated into more than just design choices. An open-door culture, a reliance on trust and communication, and even the presence of music all contribute to a rhythm that feels both peaceful and productive.
Visually, the space leans toward the functional, but its character is revealed in the details. Framed quotes by Morgan Harper Nichols introduce quiet moments of reflection, while a personalized piece by Jamaican artist Alexander Cooper offers a subtle nod to Leisha’s earlier career as a lifestyle reporter at The Jamaica Observer. Yet it is the more personal elements that anchor the room most powerfully.
When moving into the home, Leisha took the opportunity to bring pieces from her childhood in London back into her everyday life. After her parents downsized, she retrieved items from storage and shipped them to Jamaica, seamlessly integrating them into her new environment. Among them is her desk, designed for her when she was 13 by the XVL Home Collection in Belgium, crafted in light oak veneer with a minimalist sensibility and originally meant to serve as both a workspace and a dining table.

There’s a quiet kind of power in spaces that evolve with you

It was here that she studied for her GCSE and A Level exams, and it is here that she continues her work today. More than a piece of furniture, the desk embodies continuity and growth, a reflection of foresight, adaptation, and evolution. It is one of the most meaningful elements in the space, standing as a quiet testament to the way her life and her room have grown together.
That evolution has been more functional than aesthetic. While the team has shifted and workflows have become increasingly virtual, the style of the space has remained largely unchanged, reinforcing a sense of consistency amidst growth.
Balancing the demands of a professional environment within a personal space remains, by her own admission, complex. Efforts have been made to create separation, including a
dedicated entrance and staircase, yet the overlap is inevitable. Still, it is a dynamic she embraces, supported by a team that allows her the flexibility to honour both her work and her family life.
By the end of the day, when meetings are quiet and the pace slows, the space returns to something more intimate. Music plays softly, a candle burns, and the sounds of the outdoors drift in, wind moving through bamboo, birds filling the air. It becomes, once again, a creative haven, the place where she spends most of her time, grounded in a quiet peace that continues to inspire both her work and her way of life.
In the Elle Wing, nothing feels overly defined, and perhaps that is its greatest strength. It is a space shaped not by rigid boundaries, but by intention, one that allows life and work to coexist, evolve, and ultimately, thrive.

MORNING RITUAL?
I’m still in the process of building one… my mornings are so varied, depending on whether my daughter Bella has 5:30AM swim training or not! But a few deep breaths as I put my feet on the ground to root me in my day. And pilates, if I’m lucky enough to squeeze a class in.
THE ROOM YOU RETREAT TO?
My office.
STYLING SECRETS YOU SWEAR BY?
Soft and feminine, integrating some elevated pieces that balance fluidity and structure, with quiet details that speak for themselves.
FAVOURITE ACCESSORY OR STATEMENT PIECE YOU ALWAYS WEAR?
I’m not really a statement piece type of girl! My favourite accessory would be my red bracelet that I am wearing for added protection as it is the year of the Horse in the Chinese lunar calendar, which is my year. Also a bracelet that says “#1 Mom”, which my daughter Layla gave me.
GO-TO PLACE TO SHOP LOCALLY?
Locale.

FAVOURITE STAYCATION SPOT?
The family’s townhouse in Negril, up in the hills of Greenwich, or any of the villas in Porti…. Jamaica is so beautiful, it’s hard to choose just one!
3 WELLNESS ITEMS YOU CAN’T LIVE WITHOUT?
Tactcha’s Dewy Face Skin Cream, Winged Wellness Glow Up collagen supplement and my water bottle.

MUST-HAVE ITEM IN YOUR OFFICE? A candle.


Atlanta may be where Chef Briana Riddock sharpened her professional edge, but Jamaica is where her palate was shaped. Not by birthplace, but by her mother. By memory. By summers that smelled like thyme and scallion and sea air. Her connection to Jamaica runs deep through her mother, Marlene, whose home cooking laid the foundation for everything Briana would one day become.

For Briana, Jamaica was never abstract. It was lived in stories, in recipes, in the rhythm of her mother’s kitchen. Marlene didn’t just cook meals. She preserved culture. Rice and peas simmered slowly. Brown stew thickened patiently. Scotch bonnet pepper was used with intention, not fear. The kitchen was both classroom and sanctuary.
And then there were the summers. Long, sun-soaked holidays spent in Jamaica, surrounded by extended family, market visits, roadside jerk, mango juice dripping down wrists. Those experiences layered something into her identity that no culinary school ever could.
“Food was how we connected,” Briana reflects. “Even when we weren’t in Jamaica, Jamaica was in our kitchen.”




“Even when we weren’t in Jamaica, Jamaica was in our kitchen.”

Atlanta Rise

Atlanta is where Briana refined the inheritance. The city’s dynamic food scene equal parts Southern comfort and global influence offered the perfect canvas for a chef who understood both nostalgia and innovation. She didn’t set out to replicate her mother’s cooking. She set out to elevate it.
Technique became sharper. Presentation more sculptural. Flavours more layered, but the foundation remained unmistakably Caribbean. In Atlanta, she found her voice. And that voice speaks fluently in thyme, coconut, citrus, and fire.

Briana's journey isn’t about geography. It’s about inheritance. It’s about a mother who cooked with pride. A childhood shaped by summers in Jamaica.
And a chef who learned that culture doesn’t disappear across borders, it evolves.


INGREDIENTS
3 oz (90 ml)
Ruffino Prosecco, (well chilled)
1 oz (30 ml)
Elderflower liqueur (such as St-Germain)
1 oz (30 ml)
Soda water or sparkling water
6 – 8 Fresh mint leaves
1 – 2 Lime wheels or slices
Ice (lots of it)
INSTRUCTIONS
1. PREP the Mint: Place the mint leaves in the palm of your hand and give them a gentle "clap" or slap. This releases the essential oils without making the mint bitter.
2. ASSEMBLE: Drop the mint and lime wheels into a large wine glass filled with ice.
3. POUR: Add the elderflower liqueur first, followed by the chilled Ruffino Prosecco, and top with the soda water.
4. STIR & GARNISH : Give it one or two very gentle stirs to combine without losing the bubbles. Garnish with a fresh mint sprig and enjoy!



Writer: Janelle Pantry-Coke 3D Rendering by Spaces Design Team
Set against the backdrop of Jamaica’s breathtaking coastline, Bahari by Proven Properties introduces a refined take on modern Caribbean living, thoughtfully positioned within a private community, with exclusive beach club access just minutes away.
This is not just a residential development. It’s a lifestyle proposition.
Located on Jamaica's North Coast in Runaway Bay, one of the island’s most scenic and serene enclaves, Bahari captures the essence of Caribbean living: light, openness, and renewal through architecture that embraces its surroundings rather than competes with it.
Clean lines, expansive glazing, and fluid indoor-outdoor transitions create a seamless dialogue between built space and nature. Here, the horizon becomes part of the design, and every space is shaped by the rhythm of the coast.
At its core, Bahari is about how a space makes you feel. Its interiors are thoughtfully designed to evoke a sense of calm, anchored in soft neutrals, layered textures, and natural materials that reflect the surrounding landscape. The aesthetic is defined by sunwashed tones and airy palettes, complemented by light wood finishes and organic textures. Open-plan living spaces are carefully arranged to encourage flow and ease, while framed views transform the outdoors into living works of art.
Every element feels intentional, yet effortless. This is where design steps back just enough to allow light, air, and atmosphere to take the lead.


...soft neutrals, layered textures, and natural materials that reflect the surrounding landscape.



What makes Bahari especially compelling is its ability to balance investment logic with lifestyle desire.
For the globally minded buyer, whether diaspora-driven, investment-focused, or seeking a second home, Bahari offers a sense of retreat without isolation, along with resort-style amenities designed for everyday living. It delivers strong visual and emotional appeal (which, let’s be honest, sells) and presents a blank canvas ready to be curated into your perfect home or home away from home.
It’s the kind of development that doesn’t just check boxes... it tells a story.
A sense of retreat without isolation... with resortstyle amenities designed for everyday living.

In Runaway Bay, where the pace slows and the landscape opens up, Bahari introduces a new standard of living, one defined by ease, intention, and quiet luxury.
A community designed not just to exist, but to be experienced.
Bahari is, quite simply, THE COMMUNITY THAT LIVES.
... the essence of Caribbean living: light, openness, and renewal...
