The Design Issue / SOPHI Awards

The Design Issue

As we bring this year to a close, I can’t help but feel an enormous sense of gratitude as we prepare to celebrate the 2nd Annual SOPHI Awards. What began last year as an idea to showcase the best of St. Louis architecture, design and building has grown into an inspiring tradition — one that brings together the creative spirit and craftsmanship that make our region extraordinary.

This year, dozens of architects, interior designers, landscape designers, furniture designers and builders have entrusted us with their best work, submitting projects that reflect both innovation and artistry. These submissions were carefully reviewed by 11 distinguished judges from around the country, each lending their expertise to ensure the awards represent the highest level of excellence. To all who shared their work, we thank you for allowing us to shine a spotlight on your talent.

Of course, none of this would be possible without the generosity of our sponsors — Dielmann Sotheby’s, the Interior Design Center, Immerse, Virginia Tile, True Residential and AUTCO — and the loyal advertisers who support Sophisticated Living and help us tell the stories of beauty, creativity and accomplishment in St. Louis. We are equally grateful to The Novel Neighbor for managing book sales of Marshall Watson’s new release Defining Elegance.

This year’s celebration is even more special with Marshall Watson — a design luminary whose work has graced the world’s most prestigious homes — serving as our Master of Ceremonies. We will also have the honor of presenting the first Icon Award to Alise O’Brien, whose career as an architectural photographer has literally defined the way we see beauty in design. Marshall Watson called Alise “St. Louis’s national treasure.” Guests will also have the opportunity to take home a signed copy of Marshall’s new book, Defining Elegance, thanks to our collaboration with The Novel Neighbor. And for dessert, Clementine’s will serve their award-winning ice cream — a sweet ending to a night devoted to celebrating excellence.

I would be remiss if I did not give a shoutout to Kevin Kenney, who recently sold KDR Designer Showrooms, to his friends, the Gilberts, and for encouraging us to undertake the SOPHIs last year. Your encouragement and support mean the world to us. Thank you also to 21c Museum Hotel for yet again hosting this great event.

And of course, a special thanks to Cynthia Prost, Christy Marshall, Grayling Holmes, Jon Feagain and John Lore for their dedication to putting on the best awards program in St. Louis. We know, inevitably, something will not go as perfectly as we have planned, but hope you know this is a marathon, not a sprint, and that you will continue to help us grow the SOPHIs and Sophisticated Living in the years to come.

The SOPHI Awards are about more than trophies or recognition. They are about honoring the people who dedicate themselves to creating spaces that elevate our lives — people who see not just buildings, but possibility. I’m proud to celebrate them with you and grateful for everyone who has made this year’s awards possible.

With gratitude,

Craig M. Kaminer, Publisher craig@slmag.net

Trish Bonney

TAB Interior Design, Denver, Colorado

Driven by a lifelong passion for art and design, Bonney pursued her dream of becoming an interior designer after a long career in the military and as a teacher. She returned to school for interior design in 2014 and launched TAB Interior Designs in 2016. Within a few months, the demand for her services grew so quickly that she was able to expand her business. She has been featured in Colorado’s Best Kitchens, Home and Garden Colorado and the Denver Post.

George Brazil

SagreraBrazil Design, San Francisco, California

With over 30 years of experience as a practicing interior designer, George Brazil ASID, CID, is principal and co-owner of his eponymous firm, SagreraBrazil Design. He co-founded SagreraBrazil Design with business partner Cecilia Sagrera-Hill 21 years ago. Their firm has since completed projects across the Bay Area, throughout the United States and internationally. According to Brazil, “SagreraBrazil Design is a luxury interior design studio singularly dedicated to enriching the lives of our clients.” Brazil is a professional member of ASID and a past president of its California North chapter. He is also a certified interior designer in the state of California.

Daniel Joseph Chenin

Daniel Joseph Chenin Ltd., Las Vegas, Nevada

Daniel Joseph Chenin FAIA, is the founding principal of Daniel Joseph Chenin, Ltd., an internationally recognized architecture and interiors studio based in Las Vegas. As a Fellow of the American Institute of Architects (FAIA), Chenin is celebrated for his ability to create deeply experiential environments that seamlessly integrate architecture, interiors and landscape into a cohesive, emotionally resonant whole. Under his leadership, the firm has garnered over 50 national and international design awards, including accolades from the American Institute of Architects (AIA), Architizer, the Architecture MasterPrize and the Society of British and International Interior Design (SBID). In 2022, Chenin received the AIA Silver Medal for Nevada, the chapter’s highest individual honor, and in 2021, Daniel Joseph Chenin, Ltd. was named AIA Firm of the Year for Nevada. The studio’s projects have been featured in more than 30 global

publications such as Architectural Digest, Robb Report, Elle Decor, Galerie, Interior Design Magazine, Vogue Living Australia, AD Italia, Elle Decor Middle East and Arts & Architecture.

Carol Way Cisco

Signature Design + Studio, Kansas City, Missouri

As an award-winning international interior designer, Cisco has over 40 years of professional design experience utilizing her skills to improve the human condition on a global level. She has done extensive work in residential, commercial and hospitality. Her latest work received the American Society of Interior Designers Focus Award for Wellness Design from the national organization and she recently has been honored by the International Association of Top Professionals as Top Interior Designer - 2024.

Carrie Collins-Barron

Carrie Barron Interiors, Dallas, Texas

Carrie Collins-Barron, founder of Carrie Barron Interiors, leads a Dallas-based firm celebrated for crafting soulful, personalized spaces by blending modern, vintage and artful elements. As the founder and principal designer, Collins-Barron is passionate about pushing the boundaries of design while maintaining a thoughtful and evocative approach to her work. Collins-Barron’s design philosophy is all about finding the perfect balance between contrasting elements. Collins-Barron has been recognized for her exceptional design work with the DHome Dallas Best Designer Award for seven consecutive years. As an Allied member of ASID, she was honored with the Legacy of Design Award in 2018 and most recently received the Celebrating Texas Design Award in 2024.

Diane Durocher

Diane Durocher Interiors, Ramsay, New Jersey

A well-respected designer for more than 25 years, Diane Durocher believes that the foundation of successful design is built on trust and confidence. Durocher is an award-winning designer whose talent has been recognized throughout her career. She has received numerous Design of Excellence awards from the New Jersey Chapter of ASID. She has also been selected to showcase her work in many prominent designer showhouses in New Jersey and is often featured in prestigious design publications.

Yvonne Harty

Harty Interiors, Sacramento, California

As a certified kitchen and bath designer, Harty’s mission is to create homes that are not only beautiful but also warm, comfortable and functional. Her design journey began in Germany, where she developed an eye for precision while working in the aviation industry. After moving to Sacramento, Harty discovered her true passion for interior design while building her own home. She went on to graduate with honors from a formal design program and she now brings that expertise to every project. She believes that each design is like a puzzle and she is committed to finding the perfect solution for her clients. Harty also is an active member of the National Kitchen and Bath Association and the Distinctive Design Group in Sacramento.

Dawn Henderson

G4 Architectural Services LLC, Jacksonville, Florida

Henderson currently serves as Senior Interior Designer and Operations Manager for G4 Architectural Services LLC in Jacksonville, Florida. With a Bachelor of Science in Construction from Seminole State College and an Associate Degree in Interior Design from Florida State College at Jacksonville, Florida, her listed superpower is “translating vision into action.”

Kailee Klevan

Beyond Kitchens, Rochester, Minnesota

As Rochester’s only Certified Master Kitchen and Bath Designer (CMKBD) through the National Kitchen and Bath Association, Kleven’s goal is to guide clients through the design process in a way that will put them at ease in knowing she will take care of all the nitty-gritty details and their project will be everything they’ve dreamt it to be. Since starting her interior design career in 2015, Klevan has been fortunate to have her work published in regional and national magazines, be named to NKBA’s Thirty Under 30 Class of 2018 and most recently, be recognized as a Kitchen and Bath Design News 2024 Innovator.

Bonnie J. Lewis

Bonnie J. Lewis Design, Scottsdale, Arizona

Bonnie Lewis is the principal of Bonnie J. Lewis Design, a full service residential and commercial interior design serving the aging

luxury population in the area. Lewis’s distinctive work has earned her 50 national and regional design and remodel excellence awards from esteemed organizations such as HGTV, the American Society of Interior Designers, the National Association of Home Builders, the National Kitchen & Bath Association, Qualified Remodeler, Kitchen & Bath Design Awards and Chrysalis. Her projects have also been widely featured in numerous publications, including Phoenix Home & Garden, Modern Luxury Scottsdale Interiors, Iconic Life and Taunton’s New Bathroom Idea book

Shannon Miller-Rice

Payte Miller Interiors, San Diego, California

As a design professional, Miller-Rice prioritizes relationship building and tailoring each project to its specific needs, always striving to exceed the expectations of both the client and the entire team. She believes great design isn’t exclusive to large budgets. Her success at Payte Miller Interiors comes from the extra effort they put into researching and hunting for perfect finds and collaborating with skilled trades to achieve desired results.

Eve Robinson

Eve Robinson Associates, New York City, New York

After studying art history at Vassar College, Eve Robinson brought her talent and innate sense of style to Polo/Ralph Lauren. She completed the interior design program at Parsons School of Design and in 1990 founded Eve Robinson Associates, Inc. (ERA), in New York City. Since that time, works from ERA have appeared in Architectural Digest, House Beautiful, Elle Décor, Metropolitan Home, House & Garden, Interior Design, The New York Times, GQ, New York Spaces and in the interior design books “Interior Design Masterclass”, “Designers Here and There”, “Room for Children”, numerous House Beautiful design books and “Waterworks: Inventing Bath Style”. Robinson has been featured on HGTV’s “Interiors by Design” program. The firm has been an active participant in the Kips Bay Boys & Girls Club Show Houses as well as the House & Garden Hampton Show House. ERA has been included in House Beautiful’s, New York Magazine’s and New York Space’s list of top designers. Robinson is a recipient of the 2017 Alpha Award by Alpha Workshops. She serves on the Kips Bay Boys & Girls Club Designer Committee.

The winner of the SOPHI’s first Icon Award; this local photographer is considered a national treasure. Alise O’Brien didn’t set out to become St. Louis’s most sought-after architectural photographer. Like many compelling career stories, hers began with a series of serendipitous “of courses” –those pivotal moments when opportunity knocked and she confidently answered, even when she wasn’t entirely sure what lay behind the door.

Her first job after college was on the staff of the South Bend Tribune, a publication that, she quips, devoted 90 percent of their coverage to Notre Dame football. She was put on the remaining news beats and “They asked me if I could take pictures as well,” she says. “And I said, ‘Of course,’ even though I knew nothing, but I learned on the job.” That willingness to leap before looking, coupled with an innate artistic sensibility, would become the cornerstone of a career spanning nearly four decades.

O’Brien’s path to photography began in the hallways of John Burroughs School, where art teacher Joanna Collins planted seeds that would later bloom into a lifelong passion. “She really let you take your own path in drawing or painting,” O’Brien remembers. “We never had a subject matter to represent. We were supposed to go from our own passion.”

After majoring in art history and French at Duke University (where she became a devoted Blue Devils basketball fan), O’Brien returned to St. Louis with a teaching certificate. The Parkway School District needed an art teacher, and when they discovered they also needed someone to teach photography, O’Brien once again said “of course.” The pattern was becoming clear: when presented with creative challenges, she embraced them wholeheartedly, learning alongside her students.

Her ascent accelerated when Webster University called in the early 1980s, offering her a position as assistant chair of their media studies program. Despite lacking a master’s degree in photography, the university’s response was reassuring: “You’re in the right place. We can help you get that.” O’Brien earned her graduate degree while teaching, immersing herself in both the theoretical and practical aspects of the medium.

The pivotal moment came in 1987 when O’Brien discovered architectural and interior photography. Her first assignment —

THE ICONIC ALISE O’BRIEN

documenting St. Louis Children’s Hospital for the Hoffman Partnership – revealed her true calling. “That all came together for me in architectural photography,” she explains, describing how her background in art history, teaching and studio work converged into perfect professional harmony.

Working exclusively with 4 x 5-inch transparency film in those early years, O’Brien developed a methodical approach that emphasized precision and planning. “I really liked the detail of the 4 x 5 transparency film,” she notes, though she eventually embraced digital technology around 2008. Her philosophy about change is telling: “I love change. One year, many years ago, I made all my children change their rooms to get a different outlook on life.” Only two of her three actually did.

What sets O’Brien apart isn’t just her technical proficiency and attention to detail. It’s her collaborative spirit and deep respect for the architectural process. “I think you want to bring out the design intent of the creator of the space,” she explains. “I always feel like my work is a conversation between me and my client.” This approach has earned her relationships with both emerging designers and established architects, allowing her to witness and document the evolution of St. Louis’s built environment.

Her adventures have taken her to remarkable vantages, including standing on the roof of the Cass Gilbert building at the Saint Louis Art Museum to photograph the foundation of Sir David Chipperfield’s east expansion. “That is something I’ll never forget,” she says of capturing both the project’s inception and completion. Working with worldrenowned artists to publish cocktail table-sized books of their creations at the Pulitzer Arts Foundation has further refined her already keen eye for color and composition.

Perhaps most striking about O’Brien is her genuine enthusiasm for her work after nearly 40 years behind the camera. “I feel extremely lucky to have found this passion that I have,” she says. “I get the opportunity to work with energetic young designers and watch them develop their innate sophistication and style. I’ve worked with some incredibly experienced architects and learned how profoundly considered their design is.”

Her satisfaction runs deeper than professional success. “My world is a bigger place because of my adventures every day,” she says. “And at the end of the day, I know what I did. And how many people can say that?”

In an era when architectural photography often prioritizes dramatic angles over authentic representation, O’Brien maintains her commitment to honest storytelling. She approaches each project as a careful collaboration, bringing spaces to life while respecting their creators’ visions. It’s a philosophy rooted in that early lesson from Joanna Collins – following one’s passion while honoring the subject at hand.

For O’Brien, architectural photography isn’t just about capturing buildings; it’s about preserving the conversations between space and inhabitant, designer and user, past and future. In her capable hands, every structure tells its story.

And her photography has made her an icon. — Christy Marshall

When Marshall Watson walks into a room, he does more than take in the colors, textures and architecture. He imagines how the space can tell a story.

Over the course of his career, Watson’s name has become synonymous with interiors that balance timeless beauty with soulful detail. His projects — whether an Upper East Side apartment, a Mediterranean villa, a Nantucket retreat or a Ladue estate — are never just designed. They are orchestrated. Each space is imbued with grace, proportion and a quiet confidence that feels both classic and contemporary.

Watson’s work has graced the covers of Architectural Digest and Veranda and he has been entrusted with homes owned by some of the world’s most storied families, including the Vanderbilts and the Whitneys. Yet despite his elite clientele and international recognition, Watson remains disarmingly approachable. He speaks less about design as decoration and more about design as a human endeavor: about comfort, harmony and the ability of interiors to elevate how people live every day.

Originally trained in the performing arts, Watson, a native of Kansas City, began his career as a Broadway actor before turning to interior design. This background in theater is more than an interesting biographical footnote; it informed his approach to interiors. Just as a stage must support a narrative, so too must a home.

“I think of every project as a production,” Watson has said. “You need structure, drama, pacing and above all, authenticity.”

He studied design formally at Stanford University and apprenticed under professionals who demanded rigorous attention to proportion and detail. Over time, he developed a signature style rooted in European tradition yet infused with an American sense of warmth and openness. He is as comfortable layering fine antiques with contemporary art as he is orchestrating custom millwork or working with artisans to achieve perfect finishes.

DEFINING AND CELEBRATING ELEGANCE MARSHALL WATSON

In 2017, Watson distilled his philosophy into The Art of Elegance: Classic Interiors, a book that has become a touchstone for designers and design lovers alike. Its pages showcase not only his own projects but also his belief that elegance is not about extravagance, but about restraint, harmony and intention.

Elegance, for Watson, is about understanding when to whisper and when to crescendo. A Venetian chandelier may crown a room, but the success of the space often depends on subtle gestures: the placement of a chair to capture morning light, the hand of a woven textile that invites touch, the balance of architectural lines that calms the eye.

This fall, Watson released his much-anticipated follow-up, Defining Elegance. Where his first book introduced readers to his philosophy, this volume offers a deeper exploration of his most recent projects including those in St. Louis, weaving together lessons in scale, proportion and mood with personal reflections on the design journey.

Defining Elegance takes readers inside a diverse range of homes — from coastal retreats to urban sanctuaries — each presented as a meditation on what it means to live beautifully today. The book underscores Watson’s gift for creating interiors that are not only aesthetically stunning but also deeply resonant with the lives of their inhabitants. For Watson, elegance is not a formula; it is a dialogue between architecture, history and the people who call a space home.

One hallmark of his work is contextual sensitivity. A beach house designed by Watson doesn’t try to import a Park Avenue aesthetic. Instead it reflects the rhythms, colors and traditions of the coast. A mountain retreat, meanwhile, embraces rustic textures while maintaining the refinement of proportion and detail.

Watson’s generosity of spirit extends beyond his clients. He is a mentor to young designers, an advocate for the craft of all artisans and an engaged speaker at design forums and garden clubs across the country. His presence in St. Louis as Master of Ceremonies at the SOPHI Awards is not only a coup for the design community but also a natural extension of his role as a thought leader in the field.

As Marshall Watson continues to shape interiors around the world, his influence is increasingly measured not only in the spaces he creates but also in the ethos he champions. In an age where design can veer toward the fleeting or the ostentatious, Watson’s commitment to elegance as timelessness feels more relevant than ever.

His projects endure because they are not about fashion; they are about people. They are designed to support families, host friends and create memories. They embody the belief that beauty matters, not as a luxury, but as a vital part of a life well lived. — Craig Kaminer

WINNER C&M Interiors

This full-home renovation was designed with luxury, elegance and sophistication at its core, tailored to reflect the client’s strong sense of style and fashion-forward taste. A dramatic blend of classic materials — like marble and brass — paired with bold modern art and eclectic furnishings brought striking contrast and personality throughout the home. The team collaborated closely with the architect, general contractor and trades to reimagine the layout and elevate every detail. Challenges included transforming the original 1960s floor plan to better suit modern living while preserving a sense of timelessness. The project was completed in 2023, resulting in a home that feels both refined and unapologetically expressive.

by Alise O’Brien

FINALIST Dolan Co., Rachael Dolan

The house had great bones from the 1990s but the new owners wanted to update and reorganize it based on today’s needs. The kitchen and supplementary spaces were opened to create a connection to the outdoors and living spaces. Thickened quartzite counters with beautiful edge details and a full slab hood above the range complement the installation of the range knobs placed through a slab face. Living spaces show off a revamped two-story fireplace with stone edging and completed with simple beams allowing new extra-large chandeliers to bring down the height for a more intimate feel. The entry and office were revamped to create a grander feel that was warm yet stately. The challenges of mixed large and segmented spaces were balanced with the shaping and soft detailing of the interiors.

FINALIST Studio KTW, Kim West

Our challenge was designing an exquisitely comfortable home for a family of seven. We focused on subtle forms, textures and the colors of nature. Relaxing and soft fabrics were contrasted with distressed pine beams and stone fireplaces. Cozy rooms were enhanced with painted wood paneling, high ceilings and large windows with black frames. Daily life was enhanced for everyone by the large double island kitchen, oversized scullery and laundry rooms on all three floors. The primary suite includes a private balcony, stone fireplace, view of the woods and a spa-inspired bath. We worked with a local wood artisan to hand make the large dining table and vintage-inspired walnut island. Warm color tones, a mix of metal finishes and a variety of wood tones created an understated timelessness. The outdoor living room, dining room and pool were the final touches.

The goal of this design project was to improve the flow and functionality of the home by creating an open-concept layout that integrated the kitchen and dining areas. We also updated finishes and fixtures throughout the main level. Opening up the floor plan presented challenges, such as balancing ceiling heights, optimizing lighting and ensuring the correct allocation of square footage between functional zones and decorative areas. The design style maintains the home’s original aesthetic, with a clean update that avoids being too modern. Ultimately, we wanted to create spaces that felt both inviting for hosting guests and comfortable for a couple entering the next phase of life as empty nesters. Photography by Alise

The challenge of this project was to unite the existing house to the new addition. The mid-century wood interior with low ceilings in the main house is contrasted with a 21st century gallery addition featuring white walls and high ceilings. Abstract art and architectural furniture flow through the spaces with natural light and accents of color and sculpture. The interiors are spare so that each design element can be considered and the owners can live an uncluttered life. The collection includes primitive furniture from Kentucky mixed with European furniture. All float above the floor allowing the space to expand and be easily cleaned. A mudroom was added as part of the addition. The built-ins are made of particle board and the warm hue contrasts with the grey walls and low ceiling. An arrangement of 20th century Italian lighting by Sarfatti and Munari balances the niche with the mini-split air conditioner. The bedroom floor is tiled blue in a nod to Scandinavian designer Bruno Mathsson and the tile reflects light, casting a light blue hue in the space which adds color and texture to this room at the end of the passage. Photography by Carmen Troesser

FINALIST

The homeowners were seeking home improvement in any form. The house was an atypical Webster home in that it was newly constructed and had an open (too open) kitchen/eat-in dining space. The homeowners, one an author and cook, the other a curator of Art Nouveau art and décor, were frustrated by the large open kitchen with inadequate counterspace and storage. The kitchen was long on space, short on functionality. The plan was to enclose the kitchen to create more useful, delineated space. All the arched walls in the project enclosing the space are new. These created more usable space for the adjacent rooms. The project included improving the kitchen layout and functionality, repurposing the existing eat-in dining and living room spaces, connecting views from an existing sitting room, adding a bar area for family gatherings. New windows at the sink and the new patio doors onto the deck introduced meaningful site lines across the space. The owners wanted texture and a unique blend of colors. The wallpaper, green custom cabinetry, warm stained hues of the island and bar areas, textured backsplash and expertly curated lighting combine to create a wonderfully layered, unique kitchen. The hallway connecting the kitchen and sitting room includes a walk-in pantry opposite a bar with glass-front cabinetry and mirrored tile. The custom hood pulls in the warm tones from the burled legs of the island. Well-placed and highly functional built-ins house books above and drawers for silver and crystal below at the dining space. Photography by documodern llc.

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WINNER Mitchell Wall Architecture and Design, Tom Wall

Nestled deep within a wooded site, this contemporary retreat was conceived as a serene weekend escape that seamlessly blends comfort with a strong architectural presence. The client envisioned a modern yet warm environment that encouraged relaxation while fully engaging with the surrounding landscape. The initial request was clear: a weekend getaway that would feel connected to nature without sacrificing modern comforts. An open plan defines the primary living areas, where a cantilevered dining space projects outward, creating the sensation of dining among the trees. Circulation flows effortlessly between living, kitchen and outdoor areas, while private spaces remain secluded yet accessible. A sculptural floating stair becomes a focal point, enhancing the sense of openness while maintaining light penetration between levels. Natural light was prioritized through expansive glazing, framing dynamic views and allowing daylight to animate the interiors throughout the day. Strategic window placement minimizes glare while ensuring privacy. At night, integrated lighting accentuates textures and architectural details, providing a warm counterpoint to the home’s crisp geometry.

FINALIST Mitchell Wall Architecture and Design, Tom Wall

The design of this residence began with a clear directive: create a home that blends timeless architectural character with modern functionality, tailored for a family that values connection, entertaining and daily comfort. The clients envisioned spaces that would feel equally suited for large gatherings and quiet family moments, with a strong indoor–outdoor relationship. The exterior composition pairs classic gables and stonework with expansive windows with black frames, delivering both curb appeal and ample daylight to the interior. A priority was maximizing backyard enjoyment, which led to the integration of a resort-style pool, cascading water feature, fire elements and multiple seating areas that visually and physically connect to the main living zones. The design embraces vertical space and volume to create drama and openness. In the living room, soaring ceilings frame a full wall of glass, drawing the eye to treetop views and extending the living space to a covered balcony. The kitchen balances clean, modern lines with traditional millwork details and conceals functional zones — such as a butler’s pantry — behind a bold pop of color, providing both visual interest and high utility. Photography by Alise O’Brien

FINALIST Bower Leet Design, Susan Bower

A courtyard, hidden entrance and Frank Lloyd Wright-style brick pattern were the clients’ three wishes. Their site was a corner of Illinois farmland that had been converted back to an historic ecosystem. The house was encapsulated by a zone of prairie grasses and then surrounded by woodlands. The site was designed for well-being with walking paths for health and a courtyard garden for delight and connection with nature. A scupper between the chimneys allows rainwater to be guided over boulders as a reminder of the connection between earth and sky and a rain chain at the entry oculus guides water into a rock garden for delight. Views of the changing sky are framed by the chimney window, the oculus and the courtyard. The house interior is designed for change as the residents age in place including accessible bathrooms and an elevator. The main entry and the garage entry are ramped. High efficiency HVAC equipment was installed and is supported by a freestanding bank of solar panels. Roof overhangs help shield the sun and decorative wood screens in the clerestories provide sun breaks and delightful patterns. Excellent craftsmanship was provided by a local mason who diligently alternated courses of brick following Wright’s Heurtley house pattern. Local Amish cabinetmakers provided cabinetry and trim that was expertly installed by local finish carpenters. Photography by Carmen Troesser

WINNER Bower Leet Design, Susan Bower

In this project, an elegant modern addition to a mid-century house forms an outdoor courtyard. In the dialog between old and new, the addition provides everything the original house was lacking including a mudroom, powder room, owners’ suite and good insulation. The addition is black brick while the original is painted wood siding with accents of red brick. The original has low ceilings and opens out onto the landscape. The addition has tall sloping walls and is punctuated by a shade porch with brick screen walls for privacy. The powder room tree was planted by one of the owner’s fathers and reaches up to the tall sloping ceiling. Sliding panel doors close off smaller rooms and when opened, they close off hallways. The roof is a monopitch and drains toward the back of the lot. There is one gutter with two funnels that direct the rainwater into a rock bed with landscape drains. From the interior, the free-falling ropes of water can be viewed when it rains. Extra insulation was used including spray foam for the ceilings and thicker zip panels on the exterior. Underground water storage was installed as a Flo-well to capture run off and slowly release it into the soil. Rain barrels are used to capture water from the roof. The existing house was considered a teardown. Photography by Carmen

FINALIST Studio Lark,

Jessica Senne; Builder, PK Construction

The main objective for this residential addition and renovation to an existing 1940s ranch residence was to add gracious living and garage space while optimizing the kitchen and adjacent ground floor areas. Design constraints included working within the confines of the existing prominent corner lot. The resulting architectural solution — inspired by folded origami forms — proposes a generously-scaled addition that houses new living, mudroom, powder room and garage spaces and an equally transformative renovation to the existing kitchen and adjacent areas. The addition’s irregular form provides generous living area that seamlessly flows into the adjacent kitchen and wraps the outdoor living space. Sloped ceilings on the interior follow the tall addition’s folded roofline. Conceptually, a floor-to-ceiling band of windows opened the existing north kitchen facade and cohesively connects these two facades to provides ample natural light to the interior spaces The architectural rhythm is emphasized at the window wall with deep walnut frames that transition to a rust-hued finish at the exterior. The walnut finish is carried through to the custom cabinetry, doors, wall panels and screen wall throughout the residence, contrasting the soft maple that serves as the floor finish. A strong indoor-outdoor connection is reinforced throughout the architecture with visual proximities, material selections, lighting and furniture all intentionally considered to enusre a cohesive aesthetic. Photography by Ashley Gieseking

FINALIST Studio Lark, Jessica Senne; Builder, Barron Construction

The programmatic objective for this contemporary residential addition is to provide autonomous living space for clients who desire to live adjacent to their daughter, son-in-law and grandchildren. The residence’s spaces are efficiently designed for cooking, dining, living and resting and organized to capitalize on the idyllic views of the expansive site. Architecturally, the design concept proposes two geometrically pure “light boxes” situated atop a grounded base. The asymmetrical cubes house the owners’ bedroom and bathroom suite in the larger light box, with library and studio space enclosed in the smaller volume. The residence’s entry foyer, stair, kitchen, dining and laundry areas are organized in a slim bar that connects the two cubes, with floor-to-ceiling glass and skylights providing ample natural light within these spaces. The cube forms are designed with large-glazed openings and high ceilings, creating spaces that are generous and airy, with strong connections to the landscape. The residence’s interior is rendered in soft, warm materials that include birch casework, dramatic quartzite, neutral porcelain tile and maple hardwood flooring. The restrained palette is deployed consistently throughout the residence, creating aesthetic continuity throughout each of the individual spaces. Likewise, the interior palette is conceived as a neutral backdrop for displaying the owners’ eclectic collection of artwork, vintage posters, colorful objects and books. The entry gallery skylights are detailed with birch lining their interiors, offering warm, glowing illumination for the collections. Photography by Serhi Chruckey

WINNER Murphy & Moore Design, Rebekah Moore

The client’s primary bedroom was designed to capture a sense of escape, something transportive and elegant, like stepping into a Parisian hotel suite tucked along the Left Bank. The homeowner wanted the space to feel bold, luxurious and entirely her own. We started by listening closely to her inspirations: rich colors, French ornament, velvet textures and classical silhouettes. The centerpiece is a dramatic teal velvet headboard that stretches across the back wall, setting the mood for the entire space. Jewel-toned accents, curated lighting and soft metallic touches layer in sophistication without feeling overly formal. One of the biggest challenges was achieving that balance, making the room feel special and styled without tipping into something that felt staged or impersonal. We adorned the ceiling with gold leaf wallpaper which helps the vintage light fixture sing. We thought carefully about each fabric pattern. The carpet flooring is a neutral with a geometric print that sets the tone for luxury, though quietly, like clouds or snow. The fringe on the conversational chairs envelops those who get to sit in them. The satin drapes have a velvet tape border. The chair pillows and the bed skirt share a velvet Greek key tape. The bedroom doors are painted a high-gloss brown with eggplant undertones and the door handles are an unexpected brass invitation to luxury. Every detail in this room is thought through, refined, elevated and perfectly executed. Photograhy

This primary bedroom is a serene yet opulent retreat, where every element layers into an atmosphere of immersive tranquility. Hand-painted wallpaper enshrouds the space in the cascading illusion of a waterfall, creating a sense of motion and calm, drawing the eye upward to a softly domed ceiling. Beneath, a plush deep-pile carpet offers indulgence with every step. At the heart of the room, a custom bed anchors the design — crafted in cerused oak with its upper panels lacquered in a luminous crème. Flanked by reeded, gilded night tables, the bed is framed in a palette of hushed violet, aubergine and milky whites, all accented with lustrous silver, platinum and the soft sheen of patinated white gold. Touches of shagreen add refined texture, while every finish speaks to both craftsmanship and artistry. The fireplace, anchored in complementary tones, promises moments of quiet reflection and warmth. Beyond, the adjoining dressing room continues the visual narrative, carrying the palette and textures into a space of functional luxury, where storage and display are elevated to a true art form. This suite is both an escape and a statement; a composition of color, style and form that offers a daily practice of beauty, well-being and peace. Photography by Luke White

FINALIST Stückenschneider Decoration & Design, Ken Stückenschneider

When the client fell in love with an archival documentary French silk fabric originally designed for Marie Antoinette at the famed Prelle showroom, the designer didn’t quite know what to do with all the exuberant colors and patterns in the fabric including peacock feathers, lilac blossoms, meandering ribbons, yellow sunflowers, pink roses and pansies. However, a restrained English approach to French exuberance gave way to a beautifully detailed baldachin treatment showcasing the amazing floral pattern above a simpler embroidered headboard. Bed skirts in green and gold are complemented by the same tones in the classically paneled wall scheme. Walnut floors anchor the delicate colors and even finer embroidered Italian bedlinens complete the traditional fantasy. An Irish Waterford chandelier sparkles above the dentil crown moldings. An adjacent luxurious primary bath detailed in the same cabinetry colors and complemented by a highly unusual lavender marble slabs for the walk in shower completes the exquisite suite. Of course, an entirely mirror-clad dressing room closet is secretly hidden behind a paneled door. Photography by Alise O’Brien

BUILDING OUR DREAM IN LADUE

By Julie Lane

In November 2024, we broke ground on our new home in Ladue. For years, my husband and I have been fearless renovators— adding second stories, reconfiguring driveways, even doubling square footage with a three-story addition. But nothing could quite prepare us for the adventure of building from the ground up.

One of the first—and most agonizing—decisions was timing the sale of our previous home. Do you sell before construction begins? Just before completion? Or after moving into your new space? Each path has its perks and pitfalls: early sellers avoid the stress of juggling two mortgages but face the challenge of temporary living; late sellers transition seamlessly but risk carrying two homes longer than planned.

We chose to sell before breaking ground. While apartment living can feel cramped compared to the space, yard, and holidays we once enjoyed, the relief of having the sale behind

us has been priceless. It has allowed us to focus fully on our daughters, our careers, and, of course, the countless details that come with custom construction.

This process has been both daunting and exhilarating. St. Louis is blessed with incredible design resources, from the stone selections at Two Rivers Boutique to the showrooms at Wilson Lighting and Crescent Plumbing, not to mention the creative guidance of Carolyn Peterson Design. Each step reminds us how lucky we are to be building in a city with such depth of talent.

Now, at the drywall stage, we can finally glimpse the finish line. It’s not just a house taking shape—it’s the culmination of years of dreaming, planning, and learning to choose the “hard” that best fits our family. With any luck, by the time the last light fixture is installed, we’ll look back on this chapter not with exhaustion, but with gratitude. sl

Space, Kitchen over 300 square feet

WINNER Studio Lark, Jessica Senne; Builder Barron Construction

The primary objective for this kitchen renovation was to provide functionally optimized spaces for cooking and dining and to create openness and connectivity between the kitchen and adjacent areas. The existing residence — originally completed in 1960 and designed by noted St. Louis architect Isadore Shank — provides a mid-century modern architectural envelope, compelling a contextually appropriate renovation design. The residence’s expansive site and ample green space provide opportunity to orient kitchen views toward the landscape and maximize natural light. Renovations focused on the ground-floor kitchen, living and dining areas endeavor to expand and connect these formerly separate, compartmentalized spaces. Interior walls were surgically removed and beams were inserted into the original latticed structure to achieve cohesiveness and flow. A generous island grounds the kitchen design and provides ample surface for preparing, cooking and serving food while a full-height grouping of cabinetry elegantly consolidates storage and appliances. Interior finishes appropriate to the era of the residence include a custom, neutral-toned terrazzo floor, fresh white walls and walnut custom casework. A thickened island countertop in a bold pattern is contrasted with a thin countertop of same finish at the perimeter, while chrome plumbing fixtures and integrated directional lighting punctuate the space. Classic Modern feature lighting and furniture complete the residence and contribute to an overall feel that is both timeless and current.

FINALIST Studio Lark, Jessica Senne; Builder PK Construction

The design objective for this transformative kitchen renovation was to provide open and optimized space for cooking, dining and entertaining at an existing 1940s-era residence. The kitchen and dining areas were conceived as part of a high-impact, comprehensive project throughout the residence, including an extensive ground floor renovation and large family room/mudroom/powder room and garage addition. Challenging site constraints including a trapezoidal-shaped building lot revealed an architectural opportunity for a softly angled addition inspired by folded origami form. The enlarged kitchen and adjacent family room wrap a contemporary outdoor living area, with a ribbon of windows that cohesively connects these two facades and provides ample natural light to the interior spaces. Connectivity is further emphasized in the interior of the kitchen with an “archipelago” of gently curving kitchen islands. The sinuous forms are reinforced with a perimeter-lit dropped ceiling plane that encompasses a whimsical collection of copper-embedded hand-blown glass pendants. Copper details are subtly echoed throughout the residence, including the finish for light fixtures of adjacent spaces and copper-hued veining threads of the Cristalita quartzite countertops. Rich, warm walnut-veneered cabinetry with integrated pulls provides a seamless aesthetic and contrasting counterpoint to the light maple floors. Champagne gold plumbing fixtures and furniture complete the space, including dining chairs in a copper-hued boucle textile and counter stools wrapped in a complementary green leather. Photography by Ashley Gieseking

FINALIST Faith Berger Art Consultants, Faith Berger

The clients, empty nesters, wanted a visually striking kitchen that honored the home’s traditional architecture while introducing sleek, contemporary design. The challenge was integrating modern functionality and storage within a classically styled space that hadn’t been updated in 30 years. Structural changes, refined materials and layered lighting transformed the footprint into a warm, welcoming and highly functional centerpiece. The goal was to combine two underused rooms into a single, cohesive kitchen suitable for large gatherings and everyday comfort. The clients requested more storage, integrated seating and seamless flow, while preserving the architectural integrity of their villa-style home. They envisioned a peaceful, sophisticated setting that could host up to 25 guests. The south wall was moved back by 3 feet and the dividing wall was removed to create an open, elongated layout. Euro-style cabinetry was paired with traditional crown molding to respect the home’s heritage while introducing a fresh, clean-lined aesthetic. Hidden features — including a two-drawer refrigerator and custom storage — maintained visual simplicity while boosting function. Hardwood replaced outdated linoleum and was refinished in a Country White stain throughout, visually expanding the space and tying both rooms together. The cabinetry design and layout support dedicated areas for prepping, dining and relaxing — comfortably accommodating both small and large gatherings.

WINNER Studio Catherine Rose, Cate Randazzo

Tucked into the pastoral folds of a 500-acre horse farm, this kitchen was designed as the soul of a newly built home for a farm manager and his family. Though the residence was built from the ground up, the vision was clear: to create a space that felt storied and grounded with the quiet dignity of something long beloved. The heart of the space is a substantial kitchen island. Its stacked ogee-edged quartzite countertop and sculptural legs lend to the look of an heirloom. The cabinetry, a thoughtful mix of painted and hickory wood finishes, deepens the sense of history and permanence. Every surface and silhouette were chosen to cultivate warmth and welcome. The kitchen opens fluidly into the dining area, echoing the family’s natural rhythm of gathering and everyday connection. Above the sink, artisan-crafted Zellige tiles frame a pass-through window that opens wide to the outdoor kitchen. Quartzite countertops extend in a continuous plane, blurring the line between inside and out. This detail invites effortless connection when entertaining. Antique brass, bronze and champagne bronze finishes unfold across the fixtures, hardware and lighting, adding a gentle contrast and richness to the room’s overall composition. Underfoot, custom hickory floors anchor the space with grain and character. Complimenting double doors extend the invitation outdoors, connecting kitchen to patio in one effortless motion. In the adjacent living room, a coffered ceiling and soft stone archway continue the home’s architectural language, layering in depth and refinement.

FINALIST Murphy & Moore Design, Rebekah Murphy

Set within a 1930s Georgian home, this kitchen redesign is a masterclass in balancing historical reverence with contemporary living. Every inch of this galley-style kitchen was thoughtfully planned to enhance both function and form while honoring the architecture’s original rhythm and material sensibility. The design centers on a commanding refrigeration wall: two 30-inch Sub-Zero appliance columns were built into a custom cabinet composition that reads like a freestanding furniture piece. With antique mirror mullions, vintage wooden knobs and slightly proud refrigeration towers flanked by recessed touch-latch pantries, this sculptural element conceals a powerhouse of storage. Spices, oils and dry goods are tucked neatly behind the face frame, proving that practicality can be poetic. Underfoot, large-scale black-and-white marble tiles ground the room, evoking permanence and architectural gravity. The original windows, preserved with hand-built moldings, overlook what was once a stable — now a family herb garden. These views inform a kitchen that lives not just for aesthetics but for the rituals of everyday life. Architectural continuity is a guiding principle. The arched mullion design repeats the geometry of the home’s original transoms and front door, while unexpected elements — like using exterior hardware on the refrigeration columns — offer tactile moments of delight. Custom brass hood brackets mirror the weight and craftsmanship of the fridge hardware, reinforcing a cohesive language of form and material. Photograhy by Peter Larson

FINALIST C&M Interiors

This project involved the renovation of a historic home’s kitchen, butler’s pantry, sunroom and powder room, designed to reflect the client’s French heritage and love for warm, European-inspired interiors. The intent was to blend natural materials — like white oak cabinetry and unlacquered brass — with refined, old-world details to create a space that feels both timeless and inviting. The historic renovation brought its share of challenges, from preserving character to navigating structural surprises. The result is a serene, soulful home that honors its past while feeling effortlessly lived-in and beautifully layered. Completed in 2025, the design feels personal, elegant and enduring. Photography by Alise O’Brien

WINNER

Studio Sweet-Schuler, Lauren Sweet-Schuler

Built in 1950, this mid-century modern home has been carefully preserved for over 70 years. The primary bathroom was completely original. The task to remodel the bath came with great responsibility to ensure that the new bathroom maintained the integrity of the home while meeting the current homeowner’s needs. Throughout the home are slate floors, teak ceilings and beams, long linear brick floating fireplaces and expansive windows overlooking the curated lawn. The homeowner’s collection of Asian and African artifacts fills shelves and furnishes rooms with a focus on celebrating art of all forms. The footprint of the bathroom could not be modified in order to minimize disruption to the layout of the house. The scheme for this modern bath was natural materials in various scales, all dark in tone, to create a subdued retreat fitting to the home’s Asian influences. Charcoal gray terrazzo floors by Ann Sacks were used in large format in the main bath and cut to 2-feet by 2-feet in the shower floor. For the shower walls, we used a tumbled Nero marble mosaic, also from Ann Sacks, and Newport Brass plumbing fixtures. The custom walnut floating vanity features exposed dovetail joinery and integrated pulls. The medicine cabinets are custom walnut frames. Across from the vanity is a custom-made linen cabinet with a grid design, individually hand applied by the local cabinet maker. The drawers repeat the exposed dovetail joinery and reflect the styling throughout the home, bringing this space into the modern era, with references to the principles of the original design. Photography by Megan Lorenz

FINALIST Srote & Co., Kathleen Grim

As part of a whole-house new construction project completed this year, this pool bathroom was a special moment. Because it services the pool, it was an opportunity to have a little fun but still have it feel like it belonged with the rest of the house. As always, new construction brings challenges to add character. In this space we did that by incorporating shiplap on the walls, brick herringbone tile floors and inset cabinetry. We softened the space with custom roman shades, bench cushion and pillow. These components added color and pattern to provide dimension to the space. We opted for a frosted glass door to the exterior so that lighting would not be inhibited in an attempt to provide privacy for anyone utilizing the space for changing clothes. Using a natural stone — Taj Mahal quartzite — countertop allowed the bathroom to both be current and timeless. Natural materials added patina and history. The edge profile adds a traditional take while the plumbing fixtures remain simple and clean to have a mix of contemporary to balance the look. We wanted this space to look like it was in a Hamptons beach house. Photography by Megan Lorenz

FINALIST

Murphy & Moore Design, Rebekah Murphy

Set within a historic Art Deco building, the goal was to deliver a bathroom that felt elevated and Parisian in spirit, while working within significant constraints, including existing flooring, original electrical placements and a defined footprint. From the beginning, we knew the cabinetry had to set the tone. We initially considered a high-gloss black lacquer but found it too visually heavy alongside the warm, gold-brown hues of the original floor tile, which had to remain due to budget. The breakthrough came in the form of a rich, moody brown with an eggplant undertone — a color that reads like brown/black but carries more depth and warmth, bridging the heritage of the floor with the forward-looking feel of the updated space. The cabinetry’s minimal profile is balanced by statement-making round polished brass hardware, which catches the light and anchors the palette with sculptural precision. To enhance the architectural bones of the space, we selected a Waterworks faucet with reeded black detailing and a polished brass finish. The vertical sconces were one of the most challenging elements to source. Because we had to work with the existing wiring locations, we needed a fixture that could mount cleanly yet still feel elegant and impactful. The final choice — marble column sconces with polished brass accents — brought the entire scheme together with their modern silhouette and timeless materials. With brown gold Calacatta veining, the custom stone countertop surface plays off the cabinetry color and brass details without becoming too ornate. Above, we repainted the client’s existing mirrors in a warm gold tone to complement the adjacent shell-inspired backsplash tile, allowing the old and new to blend seamlessly. Photograhy by Peter Larson

WINNER Chelsea Design Company, Chelsea Smith

Our long-time client shared she was pregnant with just a few short months to design a gender-neutral nursery. They were not finding out the sex for this pregnancy and wanted to allow this room to serve a possible second child, then become a guest bedroom after that. At our first meeting, she laid out a Hermes scarf she had purchased in New York City and wanted to use it as the main source of inspiration. It now hangs above the changing dresser, in an antique brass frame. Below the scarf is a vintage mahogany dresser we found for storage and as a temporary changing table. We wanted to give the room a warm chocolate hug — so we wrapped the room in a bronze moire vinyl wallpaper from Philip Jeffries. We wanted something striking and unique, but also wipeable and low maintenance. We opted to cover the room’s shag carpet with an easy to care for Afghan rug, which grounded the room in a subtle salmon and navy color palette. Our client had already purchased a white oak crib and had sat in a few different gliders and determined the one that she wanted. However, the lead time to receive it was months after her delivery date so we decided to search on Facebook Marketplace for the exact glider. We were able to find one with a matching ottoman for a quarter of the cost. It came in a fun pin stripe that we decided to keep. We recovered the ottoman in a classic navy fabric and added a box pleated skirt with buttons to pair with the pin striped glider. A comfortable lumbar pillow finished the rocker in the same fabric as the crib bolsters and contrasted in a striped silk. Not shown in the overall, but significant to the design, is the white chandelier we installed, which gave the 8-foot room so much height. We then customized the lamp shades with pleats in the same striped fabric. To continue our sophisticated yet playful aesthetic, we made blackout drapery panels out of a unique fabric with painted and embroidered fan or leaf details, which we layered in front of white sheers to keep the room filled with a soft glow. Photography by Alise O’Brien

WINNER Baur Interiors, Julie Baur

This project was a complete renovation for a couple who wanted to downsize. They were spending the majority of their time away from St. Louis, so a big house no longer made sense, but they still wanted a place in St. Louis that they would always call home. The goal was to create a warm and inviting spot that had many elements of their previous grand home, with some new fresh elements and features like an area for future grandkids. The house had a bland and rather narrow upstairs hall and two bedrooms and baths. We took the hall and creatively made it into a grandkid space with built-in sleeping nooks that have individual reading lights and curtains and a coordinating bath across the hall. What was once a plain and nondescript second floor hall has now become a third special children’s bedroom! Photography by Alise O’Brien

FINALIST Castle Design, Laurie LeBoeuf

On a quaint tree-lined street in Ladue, this grand home underwent a massive renovation to turn the previously updated and outdated interiors into the client’s dream home. Inspired by sophistication, light and luxury, the designer sought to marry function and beauty as they transformed the space. Formerly a tiny guest room with an oversized cedar closet, the goal of this project was to maximize the space and transform the room into a playful yet sophisticated bunkbed-filled guest room. The designer reworked the layout, knocking down the closet walls and replacing the space with two sets of built-in bunk beds. Impressive millwork helps bring the space to life; playful but tasteful X-shaped railings run along the beds mimicking the railing above the home’s front door. A classic color palette of blues and whites creates a calming atmosphere. A navy grass cloth dresser anchors the space and ties in the blues from around the room. Brass sconces from Generation Lighting are a handsome element that help unify the brass detailing. And the bedding, rug and art exhibit peaceful pattern play. Photography by Alise O’Brien

WINNER Stückenschneider Decoration & Design, Ken Stückenschneider

This lovely dining room, one of the first rooms seen upon entering the newly built home, looks like it might have been in existence for a century or more. However, layers upon layers of traditional details such as cabochon studded marble floors and dentil crown moldings bring old world charm to the new. A hand painted mural of American trees and meadows by the artist Susan Harter was selected to adorn the walls and connect the interior to the views of the beautiful hunt country outside. An 18th century Irish candle-lit hand-cut crystal chandelier was sourced to complement the antique English mahogany furniture and make the owners’ extensive collection of Flora Danica china sparkle. Not wanting any drapery to overpower the exquisite details of the room, the designer custom designed curving unlacquered brass rods with special hidden stops for the large arched windows to assure the Loro Piana linen draperies would fall just so, thus not interrupting the views to the countryside, trees and fields beyond. Underneath it all, an exquisitely detailed modern floral silk and wool carpet continue to scatter the natural motifs around the room creating a perfect place for elegant entertaining. Photography: Alise O’Brien

FINALIST Castle Design, Laurie LeBoeuf

Nestled on a quiet street in St. Louis, this serene home boasts front row seats to the surrounding nature and plenty of space to entertain its outdoorsy family of four. The goal of this project was to transform the dining room into a refined place for entertaining that seamlessly incorporates the family’s love of the outdoors by bringing it in. The designer used a sweeping green Thibaut mural with hues of muted greys and earthy greens as a jumping-off point for the rest of the space’s color palette while echoing elements from the neighboring living room for a cohesive design. From here, pieces with rich and warm tones were selected to add classic sophistication. A Century dining table with handsome gold-leaf detailing sits at the heart of the room, surrounded by elegant French grey and gold chairs. A Modern History buffet, in a deep walnut hue, anchors and elevates the space, while a Made Goods grass cloth and leather-trimmed console table under the windows is a fresh take on a classic piece. The clean lines in the green checkered wool rug add a polished contrast to the organic movement in the wallcovering and provide a durable element for daily family use. The lighting, a handsome gold and leather chandelier and a pair of sleek gold candle scones, infuses a sense of heritage and tailored sophistication. Blending classic tradition with rustic charm, this dining room is layered, inviting and tightly tailored — a nod to nature’s beauty and gracious entertaining. Photography by Alise O’Brien

FINALIST Castle Design, Liz Basler; Stone Hall Cabinetry and Period Restoration, Caroline Kerckhoff

What started as a dining room facelift for this stately home quickly evolved, room by room, to a first-floor renovation. For the homeowners, who love to entertain their large family and many friends, having a home that would refresh the layout for modern life while keeping in tune with its classic tradition was essential. The project was guided by a primary objective: to reimagine the layout as tailored, well-appointed, light-filled and equipped for hosting. Formerly the living room, this space was transformed into a grand dining room that boasts exquisite craftsmanship and polished taste. The clients needed a space that could fit their large family for Sunday dinners and simultaneously enhance the home with its color story and splendid grandeur. Drawing inspiration from English manors and collected libraries, the design team thoughtfully created a space that was as functional as it was timeless and distinguished. Soaring ceilings are anchored by magnificent, locally constructed beams that ground the space in tandem with a pair of graceful chandeliers. A floor-to-ceiling stone fireplace by a local fabricator establishes itself as a refined focal point. Built-in cabinets flank the fireplace to add an element of visual interest and a functional place for storage and display. At the heart of the space, a 12-foot-long colored table from Chaddock adds a sense of scale and pairs perfectly with the classic silhouettes of the velvet dining chairs. Photography by Alise O’Brien

WINNER Greenauer Design, Melissa Greenauer

The goal of this design project was to improve the flow and functionality of the home by combining the kitchen and dining areas and creating an open-concept layout to the great room. The updates to the great room included new finishes, fixtures, lighting and furniture. Opening up the floor plan presented challenges, such as aligning ceiling heights, optimizing lighting and ensuring the correct allocation of square footage between functional zones and decorative areas. The design style maintains many of the interior architectural elements of the home’s original aesthetic. A new furniture layout and furnishings with tailor-made seating around a large-scale coffee table centered under the two-tier iron chandelier were added to ground the volume of the great room, creating a main space conducive to entertaining, conversations or stretching out to watch TV. The room has a modern spin within the traditional framework; clean and contemporary and still rooted in tradition. Bold textural handmade elements, the area rug and throws, bring interesting details that blend into the calm color palette of the space. Making this open floor plan space inviting for hosting guests to gather and still comfortable for a couple entering the next phase of life as empty nesters. Photography by Alise

O’Brien

If there is one word that describes the design intent for this new space it would be sanctuary. The homeowner was craving a personal space all her own. After experiencing loss and illness during COVID, this newly retired mother of two adult daughters had lost “her” space. The goal was to repurpose a loosely finished basement area into a cozy den where she could put her feet up, read a book, watch a movie or work on her personal projects. The existing space was a near blank slate. The challenge presented -- how do we create a study in a basement space that feels like it is part of the décor of the main house. Using custom millwork, casing and cabinetry, we provided ample storage for keepsakes and books. Scanners and printers tucked into cabinetry, classic wainscoting, perfectly curated lighting, grass cloth wallpaper, new wood-toned flooring and the owner’s artwork and refurbished furniture combined to make this a very special space. The existing windows with ample drawer space for files below nicely frame the views out to the small garden and outdoor patio which also contribute to the healing nature of the space. *Not captured in the images is the new hallway with access to the patio that also includes custom cabinetry. Photography by documodern llc.

FINALIST Srote & Co., Kathleen Grim

The client owned many sports memorabilia pieces that we wanted to incorporate and give the overall space a cozy, lived-in yet club-y vibe. We incorporated darker moodier colors. The doors and trim all match the profiles of the rest of the house, but for this lower level, we opted for stained alder as the material instead of a painted finish. We mixed textures and masculine elements (wood timbers, tin ceiling, leather, etc.) with some softer fabrics on the pillows and swivel chairs, as well as some brighter fabric choices to create balance and harmony from the space being too heavy on masculine energy. We wanted to lean into the game functions (poker table, pool table, golf simulator) in the space but also make it inviting for hanging out and having conversations. We designed a stained cabinetry piece to highlight the client’s collection of unique glassware with an arch feature along with antique glass backsplash and glass shelving. Lighting played a huge role in this space, having a warm vibe without feeling like a dark hole. Accent lighting in the cabinetry, under the wood top overhang and decorative fixtures, partners with the recessed can lighting to build a multi-layered lighting experience. Photograhy by Megan Lorenz

The powder room has a surprise.

It’s weird, other worldly, out of place. The scale is off. It’s heavy but floats.

Rough wood contrasts the smooth porcelain. How did it get here?

The powder room has a surprise. Her brother gave her a log.

Their father planted the pin oak tree 60 years past. It grew large. The gall wasp did the tree in. The tiny insect killed the massive tree.

The powder room has a surprise.

It’s unnecessary. It supports only the sink and mirror. It is necessary. Expression is the function of a detail.

Sustainability: Existing damaged wood was recycled and kept out of the waste stream. Photography by Carmen Troesser

WINNER C&M Interiors

This home office was designed as a warm, moody retreat tailored specifically for the client — a space that balances functionality with refined, masculine style. Rich materials like a wood-clad ceiling, custom built-ins, and grass cloth walls set a cozy yet elevated tone. Thoughtfully selected furnishings offer both comfort and sophistication, while personal touches, including the client’s own taxidermy, bring character and individuality to the space. The challenge was to create a room that felt personal and grounded while maintaining a cohesive flow with the rest of the home. Completed in 2025, the result is a tailored and timeless environment made for focus, relaxation and style. Photography by

FINALIST Stückenschneider Decoration and Design, Ken Stückenschneider

This little jewel of a powder room is full of natural light with two corner windows, allowing the countryside views of the meadows to infiltrate the small room. An antique English mahogany and gilt mirror was suspended by brass decorative chain above the open marble-topped brass-legged console sink to add old world country charm to a new world convenience room. A hand painted landscape mural by artist Susan Harter wraps the room and is reflected back into the mirror. Lilac paint below the chair rail often reflects the color of the sky views and colors beyond, completing the enchanting space. Photography by Alise O’Brien

FINALIST JML Interior Design, Jeanne Lashmett; Builder Bull Dog

The assignment was to create a laundry room that was much more user friendly and functional than the current one, which had many issues. Those included an ironing board that was not functional, a washing machine and dryer that were separated from each other and a sink whose layout made it very difficult for the homeowner to wash her dog. It also was not aesthetically pleasing and very outdated as far as the finishes go. Challenges included relocating the plumbing so that the new washer and dryer could be placed side by side to allow for an area to fold and sort clothes. The bar used for drying clothes was also located in an area that did not make sense so a new area had to be created to allow for additional folding, storage and hanging of clothes. The ironing board location was inefficient and a new area had to be created so that ironing could be done with ease. Another important challenge was incorporating the homeowner’s desire for a jazzy vibrant feel in the room with a Great Gatsby-era vibe instead of the current simple craftsman style.

WINNER Srote & Co.,Architect Robert Srote and Heather Helms; Builder, Triumph Construction

A stunning 845-square-foot pool house was designed to create a complementary structure of the main residence to expand living space and functionality. The pool house addition provides an area for the whole family to enjoy while relaxing at the pool or simply spending time outside watching the game or hosting a gathering. The retractable screens on three sides allow for the luxury of creating your own atmosphere. Adjusting from wide open when enjoying the daytime pool activities and down in the evening while watching the game and keeping the bugs out. One of the most notable design elements of this pool house is the beautiful wood ceiling that runs the length of the structure, providing warmth against the white board and batten, natural stone fireplace and flagstone flooring. Considering the smaller living space, we visually expanded it by using the same elements throughout, allowing one to view the structure as a single environment versus smaller, compartmentalized spaces. Interior design of the pool house included all cabinetry designs, material selections including paint and stain, cabinetry, countertops, flooring, lighting, plumbing, art and accessories, furnishings and area rugs and all hardware. Photography by Ashley Gieseking

FINALIST Kelly Johnson Designs, Kelly Johnson; Builder, Sitelines; Architect, Mademan Design

The goal for the outdoor living areas of this glass house was to create a seamless, integrated flow from indoor to outdoor living. Large format tile flooring, which begins at the front walk, runs throughout the first floor and continues through the zero threshold doors onto the pool deck, outdoor kitchen, bedroom porch and pavilion, fusing the indoor-outdoor spaces. The home’s accordion doors and retractable screens at all covered porches further enable the blurring of lines between the interior and exterior living experiences of this home. The architecture’s clean lines are softened by the organic shapes and textures of the furnishings, which include a blend of wicker, stone and wood elements that provide a textural contrast while maintaining a cohesive aesthetic. The use of neutral tones, soft blues, creams and natural wood hues creates a serene environment, allowing the vibrant greenery, bold architecture and the blue of the pool to stand out as natural focal points. All of the pleasure points are included in this outdoor experience.....gathering sofas by the pool, cozy firepit seating after dark, sunrise coffee off the primary bedroom porch, sunbathing lounges and a full kitchen and bar to service covered dining by the house or in the pavilion, where hanging porch swings offer a seat in front of the fireplace. Photography by Alise O’Brien

FINALIST Architextures, SP, Mia Maddock

Set high above the banks of the Mississippi River, this 2,000-square-foot pool pavilion redefines luxurious outdoor living. Designed to celebrate the natural landscape while connecting seamlessly to the existing home, the pavilion blends bold entertaining elements with cozy retreat spaces — all positioned to frame breathtaking panoramic views and eagle watching. The design was driven by a client who entertains year-round, from relaxed poolside gatherings to football nights under the stars. At its heart is an open-air sunken living room anchored by a 98-inch TV and flanked by two sculptural laser cut metal fire columns — custom-designed to glow without blocking views, creating a dramatic focal point day or night. Adjacent to this vibrant hub is a quieter sitting room, perched a few steps higher, around a full-height stone fireplace, offering a cozy hideaway that remains visually connected to the landscape and larger gathering space. One of the pavilion’s defining architectural features is its movable glass wall system in the upper sitting area. A resort-style 35,000-gallon pool with a sun shelf invites lounging and conversation, while a custom whirlpool spa cascades elegantly into the main pool, offering a waterfall sound and movement. Three fire-and-water bowls punctuate the scene with flickering drama and balance. The true showstopper, however, is the fully integrated swim-up bar. Equipped with two draft beer taps, a kegerator, undercounter refrigerator drawers, ice machine and generous granite counter space and stainless-steel cabinets, the two-sided bar serves both swimmers and guests lounging poolside — making it the centerpiece of summertime entertaining.

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Luxury Living

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TRUNK SHOW

WEDNESDAY 11/19/25 (12PM – 5PM)

THURSDAY 11/20/25 (10AM – 3PM)

WINNER Lawrence Group

Our team recently completed design work for renovations to public areas at the St. Louis Airport Hilton Inn, delivered as part of a strategic new dual-branding concept for operator Lodging Hospitality Management and coordinated to seamlessly integrate with a newly constructed Hampton Inn expansion on the property. As the Architect of Record as part of the property’s overall repositioning, our team provided design guidance and facilitated construction documents, planning/zoning, permitting and construction administration. Key goals of the renovation included improving sight lines and natural lighting throughout the common spaces, as well as accentuating the guest arrival experience in the hotel. Low-height partitions were removed towards the entrance to increase daylight and visibility into the lobby, while a former elevated planter was replaced with functional upholstered banquette seating. Faced with the unique challenge of ensuring the newly renovated public areas would be suitable for two distinct hotel concepts, the design team identified consistent design materials in format porcelain panels with variegated veining and medium-stained walnut, which thread together the reception/lobby, restaurant/buffet, market and bar areas. Stained wood screen walls also provided visual appeal and functional separation between the public areas. Further site improvements included improved pedestrian circulation, reinvigorated landscape architecture and ADA accessibility provisions.

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WINNER SPACE Design + Construction, Shelley Niemeier

Our assignment was taking a restaurant into a gray-box space in an existing mid-rise building with a challenging column grid and ensuring it would run like a Swiss watch; with seamlessly arranged seating for over 200 diners and incorporating an expansive kitchen and the complicated mechanical system that went along with it. The resulting restaurant is a beautiful, comfortable place for guests and staff. The finished floorplan delivered a space to please any diner: a cozy dining room just off the reception area; a vibrant bar; a semicircular “patio” room that can be closed off from the bar via a NanaWall system; a large secondary dining room; and a wine room for small private parties. Our client wanted an approachable yet elevated dining experience to suit both regulars and guests celebrating special occasions. The design naturally flowed from the triangular-shaped floorplate. We landed on a palette of walnut, blue and stone with organic-patterned carpet and Italian large-format floor tiles in a stylized wood pattern for the bar and circulation paths. All of the dining areas were planned with acoustical treatments, both seen and unseen: the wood slat panels are acoustic, as are the black-clad beams in the patio. There is also a hefty layer of mineral wool on top of the ceiling clouds in the bar. The wine room features a wall of Nero Marquina marble and the client opted to leave the fissures unfilled for character. Flanking the doors of the wine room are custom-made glass wine storage walls: the left side has been conditioned for white wine and the right side for red wine. The kitchen features a 36-foot-long hood and perhaps the nicest space we’ve designed for kitchen staff. The client insisted on stainless steel wall cladding. The flooring is a self-coving heat-welded product that offers staff a slightly cushioned feel and no pesky grout lines for easy cleanup at the end of the night. Overhead lighting is 90 CRI, so the food will look amazing when it is served in the dining room. Much of the mechanical equipment is on the roof or in a remote equipment crib behind the restaurant.

FINALIST Lawrence Group, Dana Peck

Basso on the Plaza is the second location for the Basso restaurant concept, adapting the original subterranean location at the Cheshire Inn for a new street-level setting at Westport Plaza. From the outset, the design team knew that the fundamental differences between the two sites would require a truly thoughtful approach to retain Basso’s unique character. The new Basso embraces more open space and abundance of natural light compared to the original location. Diverse seating options were introduced, such as around a custom indoor fireplace, generous lounge area and flexible private dining for larger groups. The updated design palette retains the core Basso mood while embracing lighter, more neutral tones. This offers a more consistent feeling throughout the day as the space is affected by changing daylight. Extensively curated artwork and finishes provide an old-world ambiance within the modern build. Strategic lighting in the airy space highlights unique design vignettes, inviting guests to further take in the details over the course of a meal. At Basso on the Plaza, Lawrence Group honored the tone and warmth of the original location while tuning the concept for its new street-level footprint. Updated finishes, revamped layout and a softer sense of lighting are thoughtfully balanced to retain the core Basso experience; an intimate meal with an authentic sense of atmosphere.

FINALIST Architextures SP, Mia Maddock

This interior renovation transformed an aging country club into a contemporary destination by thoughtfully blending modern aesthetics with budget conscious materials and solutions. The project aimed to refresh the club’s overall ambiance, enhance lighting and acoustics and optimize spatial layouts to support casual, bar and fine dining experiences to attract younger members. Key focus areas included the main lobby, Grille, ballroom, private event spaces and the women’s locker rooms. The reimagined bar and lounge now open to show off breathtaking views of the 18th hole. Fit with updated finishes and custom laser cut metal lighting, the space now offers enhanced flexibility and visual impact. Adjacent library spaces were also revitalized to better accommodate private functions and intimate gatherings. In the Grille, spatial planning played a pivotal role. To clearly define zones for casual dining, bar activities and formal dining, the bar was relocated from the entryway to the center of the room, significantly expanding its footprint and establishing it as the social heart of the space. Acoustic upgrades including sound resistant folding glass partitions, acoustically backed wood slat ceiling treatments and upholstered wall panels ensure an elevated auditory experience without compromising the aesthetic. Custom lighting was used as a key design element over the bar to create a”wow” factor using laser cut metal to shape mood and define space. In the main lobby, a suspended installation of metallic and glass rods accented by precise spotlighting creates a striking, cost effective, yet sculptural, focal point. Layered lighting schemes were implemented across all areas to support both atmosphere and function.

WINNER HOK, Molly Mastin

This new corporate headquarters marks a shift in the company’s workplace strategy, moving from a dedicated suburban campus to a dynamic, multi-tenant urban setting in the heart of Clayton. Spanning 50,000 square feet across three floors — including two at the top and one at the ground level flanking the building’s central lobby — the new space is designed for an inclusive office experience in a hybrid work world. The design goals were centered around attracting employees and visitors back to the office through an inspiring physical environment rather than policy mandates. The new headquarters prioritizes openness, flexibility and hospitality — creating an inviting atmosphere that supports collaboration, focused work and social engagement. These goals informed every aspect of the design, from space planning and lighting to finishes and layout. Creative use of the multi-floor footprint transformed the challenge of non-contiguous levels into an asset. Each floor serves a different but connected function, contributing to a dynamic experience throughout the office. The design embraces the building’s context, activating the ground level to connect with the central lobby while leveraging the top floors for expansive views and daylight. Space planning was intentionally people centered. All enclosed rooms, aside from two executive offices, are shared and placed inboard, ensuring that natural light and tree-canopy views are preserved for all employees. A range of seating options and workplace “neighborhoods” allow staff the autonomy to choose how and where they work. These areas support both formal meetings and informal interactions, reinforcing a sense of connection among employees and elevating the visitor experience.

WINNER Architextures SP, Mia Maddock

The interior renovations of this newly completed bank branch redefine the traditional banking experience with a design that is equal parts refined and welcoming. The client sought to carry forward the elevated aesthetic of its recently renovated headquarters into a new environment, one that could confidently reflect the sophistication of its surroundings while supporting both everyday transactions and high-touch client engagement. The result is a space that blends hospitality and function, wrapped in a palette of rich textures and timeless materiality. At the core of the design is a soaring two-story atrium that greets clients with natural light and visual clarity. Anchoring the space is a gracefully curved teller pod, strategically positioned to align with dual entry points for ease of access and visibility. Above, custom circular soffits with integrated lighting create a sense of hierarchy and intention. A sculptural wood slat wall wraps the teller zone, concealing a discreet entertainment area behind —perfectly suited for private events and client hosting. The public-facing banking zone at the front transitions smoothly into more intimate areas. Glass-front offices provide a balance of transparency and discretion, supporting focused conversations without sacrificing daylight. Toward the back of the suite, a large, fully equipped conference room and a residentially inspired breakout area offer space for longer meetings or informal gatherings. An employee breakroom tucked in the rear corner serves as a quiet retreat, with direct access to the parking garage.

FINALIST Oculus, Inc.

This project transformed two floors of mixed-use space, formerly housing a restaurant and bar, into an immersive retail destination for a global sporting goods brand. The flagship extends beyond the sale of merchandise, celebrating the brand’s deep connection to baseball and its visibility as a St. Louis-based company since 1887. Solutions to merge two tenant spaces into a cohesive, stadium-like atmosphere included extending the storefront 20 feet, adjusting patio elevations and creating a 26-foot-by-26-foot vertical opening between floors, anchored by a grand staircase that unifies the space and serves as a visual focal point. The design concept focused on stadium-inspired design elements –open, exposed levels, polished concrete, black fencing, woodgrain textures and a dynamic LED scorecard ribbon between floors – transporting visitors to a nighttime baseball game. Red and white accents capture the leather and stitching of the classic baseball and glove, tying in the brand’s iconic visual identity as you move throughout. Custom display cases filled with artifacts, an interactive timeline of milestones and moments in baseball history and wall graphics celebrating the company’s craftsmanship build excitement and a sense of discovery. Two floors of merchandise fully immerse shoppers in the brand, including nearly 200 baseball gloves displayed across two walls and illuminated with custom lighting and the Bat Zone lounge, offering hundreds of bats for shoppers of every age and skill level. Adding a batting cage in a mixeduse facility introduced acoustic concerns. Soundproofing solutions included insulated wall cavities, isolated drywall framing, acoustic panels, high-STC ceiling tiles and coverings over penetrations. Astroturf and carpeting further reduced sound transmission while enhancing the look and feel of a ballfield. Photography by Karen Palmer Photography

FINALIST CORE10 Architecture

This project included renovating an existing three-story building, a below-grade garage level expansion, facade upgrades and extensive site improvements. The design concept was to transform this mid-century delight into a jewel in a garden. The former surrounding parking lot was removed to expand the below-grade garage and present a new brick paver plaza for the street on its roof. The brick patio wall holds the edge and ties the three adjacent buildings, also owned by the client, into a cohesive campus. The building’s presence is enhanced by shifting the plane of the curtain wall out to the edge of the roof line. The clear glazing provides an atrium space that unites and surrounds each floor’s perimeter. The interior is composed of custom metalwork detailing, terrazzo floors and walnut doors and trims.

WINNER Lawrence Group, Designer Dana Peck, Architect Greg Trost

One Foundry Way marks the latest chapter for City Foundry STL, bringing the first market-rate, high-rise apartment to Midtown St. Louis in nearly half a century. The mixed-use development, which serves as a gateway entry to City Foundry along South Vandeventer Avenue, features eight levels of luxury apartments anchored by two outdoor amenity decks, six floors of structured parking and 12,500 square feet of street-level retail. Incorporating high-end design was central to the project goals, with the feeling of “luxury” defined by the experience upon entering the building. Staff welcome guests and residents from the striking reception desk, while the vibrant lounge area invites visitors to gather and unwind, incorporating biophilic design elements such as a preserved moss wall throughout the space. Hospitality was key in defining luxury, informing many of our final design decisions. The robust onsite amenities (including features like an elevated outdoor pool, gym, chef’s kitchen and dog run) provide multiple opportunities for residents to engage with neighbors and guests while furnishing variety from typical residential settings. The highly designed apartment units maximize the efficiency of the spaces and include conveniences such as in-unit washer/dryers and an access control key fob entry system for added security. One Foundry Way serves as a design showpiece while reflecting the vibrant style displayed throughout City Foundry. Residential units are located in two offset glass masses, creating a playful relationship between the amenity decks and building structure at large. The floor-to-ceiling glass exterior affords 360-degree views to the surrounding metro area, placing residents in the thriving heart of St. Louis.

WINNER Studio Lark, Jessica Senne; Builder, Barron Construction

This mid-century modern residence — originally completed in 1960 by esteemed St. Louis architect Isadore Shank — underwent an extensive renovation to update the existing, tired interior. The design concept endeavored to preserve Shank’s signature architectural vocabulary while appropriately upgrading the residence for contemporary living. The completed residence expresses contextually appropriate, optimized interiors while simultaneously preserving the architectural character of the original residence. Renovations were concentrated on the ground floor kitchen/living/dining areas and aimed to bring openness and connectivity to these previously compartmentalized spaces. Interior walls were surgically removed with beams that seamlessly integrate into the original latticed structure, providing spaces that are generous and airy. Several exterior walls were entirely rebuilt with Douglas fir glazing systems to bring added natural light to the interior and restore the entry facade in rich, stained wood. Neutral terrazzo floors were installed throughout the kitchen and dining areas, further enhancing the feel of flow and connectivity and offering a nod to materials appropriate to the residence’s era. Rich walnut cabinetry, bright white walls and classic modern lighting complete the aesthetic, contributing to the inviting and cozy atmosphere of the home. Designs for the renovation preserved the most celebrated Isadore Shank details, including the living room’s colorful window wall — evocative of Mondrian-inspired graphic compositions — as well as the durable and textural Tectum ceiling panels. The masonry fireplace that grounds the living area was reclad in black granite, providing a fresh aesthetic that quietly pays deference to the expansive red brick wall. The completed effect is a sensitively renovated residence where lines between old and new are blurred. Photography by Ashley Gieseking

FINALIST Nistenhaus Design, Michael Wyrock

Updating a World’s Fair home to accommodate the needs of a modern family posed a unique challenge to respect the original architecture and period touches while providing spaces that would allow personal reflections of the clients’ personalities – or client’s personality. A total reconfiguration of the back of the house resulted in several small rooms becoming a spacious and light-filled kitchen that would look perfectly at home being viewed from the original wood floor foyer. Converting an underutilized second floor parlor into a primary bathroom with an adjoining bedroom allowed for more privacy from the rest of the house. Thoughtful consideration was given to the lighting scheme throughout all levels, creating better opportunities for displaying the homeowner’s again – plural homeowners’ or singular art collection and better highlighting the home’s original woodwork. Saturating the home with color and pattern paid homage to the original exuberance the space was created for, allowing each room to have its own identity. A restoration of the stone facade and complete rebuild of the white terracotta roof gave the exterior the opportunity to shine and protect the structure for another hundred years.

FINALIST C+M Interiors, Maria Hogrefe, Channing Krichevsky

This project involved the renovation of a historic home’s kitchen, butler’s pantry, sunroom and powder room, designed to reflect the client’s French heritage and love for warm, European-inspired interiors. The intent was to blend natural materials — like white oak cabinetry and unlacquered brass — with refined, old-world details to create a space that feels both timeless and inviting. Historic renovation brought its share of challenges, from preserving character to navigating structural surprises. The result is a serene, soulful home that honors its past while feeling effortlessly lived-in and beautifully layered. Completed in 2025, the design feels personal, elegant and enduring. Photography by Alise O’Brien

WINNER Mariposa llc, Joanne Larimore

The homeowners’ intention was to complement the interior renovation they had just completed with an equally stunning landscape, forging a beautiful and peaceful sanctuary for their future together. They presented several issues and challenges for us to resolve. The most intensive being that much of the property had been shut off to them, both visually and physically, by the original landscape design. Initially their main priority was focusing on creating a beautiful landscape to surround their much used and loved veranda and patio. We expanded on that idea, offering a solution that opened up and reclaimed all of their land, creating glorious gardens that flowed throughout, connecting all spaces to each other and celebrating the reawakening of the entire property. Another challenge was that the side entry approach was disconcerting. We reimagined the space as a courtyard with a European flare, including a designated crushed limestone parking area away from the sideentry porch. The last major issue was that poor drainage conditions had eliminated their backyard from being useable in any meaningful way. Conscientious and precise re-grading developed the entire area into a beautiful sweeping lawn and calming green space that now sheds water naturally. Photography by Suzy

Gorman

WINNER CORE10 Architecture

To enhance our architectural and interior design work, we created custom furniture pieces for M1 Bank that reflected the project’s themes. Bank vault items and visuals were used, such as locks, gears and levers. The boardroom table recalls the visual of solar panels, which is in reference to one of the bank’s biggest investment clients. The palette of materials, colors and textures has been refined over three projects for M1, allowing us to further develop the design language we established for their brand.

WINNER Saint Louis Tables, Phil Kellermann

This table was designed to serve two purposes – everyday dining for a family of four and to host large gatherings seating up to 16. In its smallest form, it’s a 56-inch round table with four turned legs. To fully extend, it receives five 22.5-inch leaves bringing it to 168.5 inches –about 14 feet. When extended, an extra turned leg is installed in the middle for support. One of the main challenges of this design was placing the four legs so that everyone could sit comfortably when the table was completely condensed.

FINALIST Goebel & Company Furniture, Martin Goebel

The Pershing Oval is a reorganization of Art Nouveau and Queen Ann styling merged with a desire to use a center oculus as a portal to the unused space at the center of tables, especially beneath them. This focal point location negates the use of the volumetric space beneath the table. The Pershing Oval oculus reclaims that space for light penetration illuminating the base as well as creating opportunity for vessels to hang from the surfaces, contrary to stand table/centerpiece termination at the surface of the tabletop. Matching directional lighting pendant and blown glass vessels are the start of the complimentary product offerings.

FINALIST

Murphy & Moore Design, Katherine Moore

This custom hutch is painted in a high-gloss golden yellow lacquer that brings a vibrant, joyful energy to the space. Its formality is balanced by playfulness in color and softened by a paler yellow interior that adds dimensionality and depth. Arched dividedlight doors — with curved mullions reminiscent of Georgian transom windows — set the tone for the piece’s architectural influence. Brass Cremone bolts and ring pulls were hand -selected and positioned with precision, adding jewelry-like detail that feels simultaneously historic and fresh. Inside, walnut-stained shelves provide rich contrast and support a thoughtfully curated blend of heirloom silver, crystal, china and everyday tableware. The hutch’s counter height ensures functionality as a buffet or bar, while deep drawers below add ample storage without overwhelming the space. Every line and proportion of the hutch was calibrated to feel permanent, as though it was always meant to live here.

Panel detailing wraps the flanking walls, while thick crown and base moldings tie into the architecture of the home. The piece enhances the room’s scale, acting as both a visual anchor and a passageway feature that brings warmth and structure to what was once a transitional zone.

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EVERYTHING

IN ITS PLACE

WINNER Arcturis, Amy Edwards

A beloved neighborhood institution, this independent community library recognized the need to expand its footprint and offerings to better serve both local residents and the surrounding region. Extensive engagement with the board, staff and patrons informed a design vision rooted in the library’s mission: to provide a place for the community to connect, learn and grow; to foster a love of reading and lifelong learning; to ensure free and open access; and to celebrate knowledge, history and culture. The 16,000-square-foot project included the renovation of an existing 10,000-square-foot two-story building and a 6,000-square-foot addition. Serving as a dynamic new entry, the addition floods the interior with natural light and introduces welcoming spaces for public gatherings, teens and children. An outdoor courtyard extends the reading areas, offering a flexible venue for everything from play and dining to book clubs and community events. By retaining the existing structure, a former office space and parking garage, the design reduced demolition waste while honoring the building’s history. The existing façade was maintained, with previous openings repurposed as circulation links between old and new. The primary architectural intervention is a central circulation spine, where portions of the second floor were removed to create a light-filled atrium connecting both levels. Strategically placed roof monitors draw daylight deep into the building, creating a bright and welcoming atmosphere. A cohesive material palette of concrete floors, white walls and warm white oak ties the spaces together. Each age group’s zone retains its own identity through distinct furnishings and color accents, while cozy alcoves carved into the walls provide calm moments for reading and reflection. Flexible, movable furniture accommodates the diverse needs of the community and layered lighting solutions offer both aesthetic highlights and functional control. Acoustic treatments integrated into ceilings, alcoves and wall features ensure comfort for visitors of all ages.

FINALIST Mitchell Wall Architecture & Design, Michael Poetz

This residence is a thoughtful fusion of contemporary design and rural vernacular, situated in a landscape defined by water, stone and field. Though it is entirely new construction, the home is designed to appear as if it has evolved over time, adapting an original 19th-century stone barn — echoing the agrarian heritage of the surrounding region. This home is not just a shelter — it’s a meditation on memory, material and the enduring beauty of the landscape. Rural forms are expressed through heavy masses of locally sourced fieldstone, grounding the home in its historical context. These elements are juxtaposed against crisp contemporary volumes clad in smooth zinc panels, creating a compelling dialogue between past and present. The composition is both familiar and new — respecting the memory of place while embracing a modern lifestyle. The nearby lake serves as a major design influence, inspiring a series of integrated water features that stitch the architecture back to the shoreline. Landscaping plays a critical role in the home’s identity. Natural grasses are organized into regimented beds — offering a controlled, contemporary counterpoint to the wildness of the site and reinforcing the architectural tension between structure and nature. A hidden garden, accessed from the primary suite, provides a moment of quiet discovery. Bounded by a stacked-stone wall designed to appear aged and partially collapsed, it evokes the feeling of a long-lost ruin reclaimed by its owners as a private sanctuary.

FINALIST Mitchell Wall Architecture & Design, Tom Wall

Our Place is both an act of architecture and an act of resistance. Conceived by artist Ndume Olatushani — who spent 28 years in prison, including 20 on death row for a crime he did not commit — the project transforms a derelict structure in a red-lined St. Louis neighborhood into a space of return, reentry and renewal. The new architecture does not erase what stood before. Instead, it listens. The existing building’s worn brick, patched walls and exposed scars are preserved as material testimony, anchoring the intervention in historical continuity rather than aesthetic erasure. Our Place is not a prototype or a monument. It is a living framework for spatial justice: a site where dignity, beauty and shared purpose reshape the architecture of reentry. Programmatically, the space is a hybrid: part community center, part educational studio, part transitional housing. Flexible interiors support workshops in cooking and art making, while also accommodating public events and community outreach. Above, modest residential units offer returning citizens a safe place to live and reorient. Instead of fences and fluorescent sterility, the building offers openness, warmth and texture. Transparency between uses fosters interaction without surveillance. Materials are local and tactile — salvaged brick, reclaimed wood and handmade tile created in collaboration with neighborhood artists. The facade is clad in custom metal panels derived from one of Ndume’s paintings, transforming personal expression into architectural identity. This gesture is not symbolic — it is foundational. The building, like the man who imagined it, reclaims authorship and offers it to others. A mural representing prominent Black St. Louisans wraps the corner, serving as a reminder that this is a place to be proud of.

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WINNER Schaub Projects Architecture + Design, Andrew Schaub, Maggie Jewell

Situated on a 3-acre lot in Huntleigh, Missouri, this mountain home takes full advantage of its natural setting. Our design team carefully studied the property’s existing features — including a serene pond and gently sloping hill — to determine the optimal orientation. This thoughtful positioning not only ensures privacy from neighboring properties but also creates carefully framed views of the surrounding landscape. One of our primary challenges was maintaining the authentic character of mountain homes while incorporating abundant natural light. The solution? Strategic window placement and architectural details that respect the rustic home’s interior aesthetic while transforming its interior spaces. By incorporating elevated ceilings throughout, we were able to install dormer windows high on the walls, allowing natural light to cascade down into the living spaces below. The home’s design radiates from a central core comprising the kitchen, dining area and family room — spaces that foster connection and daily living. Guests are welcomed by a dramatic entry foyer featuring a large masonry see-through fireplace and an elegant groin vaulted ceiling, setting the tone for the sophisticated yet warm atmosphere that pervades this mountain rustic house. Throughout the 7,000 square feet of living space, our team incorporated numerous distinctive features that elevate the home beyond the ordinary. Five bedrooms and six full bathrooms, plus three half baths, ensure ample space for family and guests. The music room, complete with its own fireplace, provides an intimate setting for entertainment while a dedicated wine room adds a touch of sophistication to the home’s interior. This mountain rustic home stands as proof that natural beauty and modern comfort can coexist in perfect harmony.

FINALIST Designer C&M Interiors, Maria Hogrefe, Channing Krichevsky

This full-home renovation was designed with luxury, elegance and sophistication at its core, tailored to reflect the client’s strong sense of style and fashion-forward taste. A dramatic blend of classic materials — like marble and brass — paired with bold modern art and eclectic furnishings brought striking contrast and personality throughout the home. The team collaborated closely with the architect, general contractor and trades to reimagine the layout and elevate every detail. Challenges included transforming the original 1960s floor plan to better suit modern living while preserving a sense of timelessness. The project was completed in 2023, resulting in a home that feels both refined and unapologetically expressive. Photography by Alise O’Brien

FINALIST Stückenschneider Decoration & Design, Ken Stückenschneider

A new English-style brick manor house with an attached stable carriage house sits right in the middle of old Saint Louis fox hunting and polo fields, allowing views of the countryside, hills and meadows out each window. Horses, American foxhounds and the owners feel right at home amidst the cabochon studded limestone floors, limed oak paneling and hand painted murals referencing the landscape outside. Candlelit Georgian Irish crystal chandeliers, antique gilt mirrors and English mahogany furniture bounce the daylight off the bespoke silk and wool carpets incorporating the owners’ pets in the intricate patterns. A large elegant great room spanning the entire length of the house allows for easy and relaxed gatherings; with its open floor plan incorporating an expansive bar niche and working kitchen with views to the stable yard right outside. Wrought iron balustrades lead upstairs to a luxurious primary suite anchored by a fantastical bed which is surmounted by a baldachin of French silk fabric originally commissioned by Marie Antoinette. English and Italian embroidered bedlinens assure a blissful night of sleep over this enchantingly designed realm. Photography by Alise O’Brien

AVALON PLACE Fantastic business/lifestyle opportunity! Ripe with potential for a new caretaker. The charm and grandeur of this property offer a canvas for conferences, retreats, weddings/receptions or other hospitality events. As you enter the hall through the large custom wood doors and walk thru the main floor, notice the exceptional woodwork and stained glass. The large stone fireplace at one end fills the hall with warmth. A second level mezzanine offers a second bar and additional seating. Six sets of east facing french doors lead to multiple levels of outdoor entertainment spaces overlooking the MS. River Valley. Set on 14+ acres of walking gardens, quaint paths and water features. An outdoor pizza kitchen is in addition the commercial kitchen attached to the hall. In addition to the hall, the property includes a 4 bed house with spectacular views of the valley and an “overlook” With an alter/stage for outdoor weddings or music. The possibilities are endless! Your vision can become reality!

LISTING PRICE

$2,100,000

RACKHEATH HOUSE This is Rackheath! This wonderful home sits on the bluffs of the Mississippi River on 4+ acres with incredible views of the river valley. The home was built in 1860 and has been updated and re-sized to accommodate todays lifestyle. The first floor has an amply sized living/dining combination, a green house w/hot tub and kitchen with center island. Additionally the first floor has a bedroom with it’s own full luxury bath and a common sitting area. The second level has 2 more bedrooms each with it’s own bath and a common area/sitting/tv room with incredible views on 3 sides. The large outdoor patio area has views of the grounds and are of an English garden, landscaped and manicured shrubs, pathways and statuary. Can you find the secret garden with the oversized chess set? This is a must-see property! LISTING PRICE $775,000

a prominent riverboat captain, Cedarcrest began its life as a plantation home and quickly became the archetype for a number of houses built in the Mississippi River Valley. This is a fantastic opportunity as a family home, corporate retreat location, or just your home away from home. The home is complete with 7 bedrooms, each with it’s own full bath. The home has a commercial kitchen and an owners suite with it’s own kitchen in the lower level. The private grounds feature Victorian gardens, a pool and pool house with changing rooms, a bathroom, and a fireplace. The property has an abundance of entertaining areas including upper and lower level patio areas. The home has most recently been used as a bed and breakfast and is still configured as one or it’s easily used as a residence. This is a must-see property.

LISTING PRICE $1,200,000

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WINNER Schaub Projects Architecture + Design, Architect Dave Schaub; Designer Amy McCoy, McCoy Design Studio; Builder G. Terbrock

Our client came to us after acquiring a rural property that bordered a private lake. The idea quickly formed to build a long, shallow house across the width of a peninsula so that all of the interior spaces would have views of the lake. Knowing the client wished to blur the line between the interior and exterior, floor to ceiling glass was planned for each of the lake-facing walls. From the exterior, you can visibly identify the three main functions of the house as they are represented by the primary masses of the structural form, each capped with a mono-pitched, low-sloped roof structure. At the center of the main floor, a family room/kitchen greets you as you enter the front door. This space is flanked by the primary bedroom suite and home office. On the lower level, an entertainment space is centered between the workout studio and guest bedrooms. The lower-level entertainment space has a walk-out exit to the end of the peninsula where you can find the lake-side swimming pool and sunken firepit. As you stand at the end of the peninsula, surrounded by water on three sides and listening to the water splashing on the granite bank, you can’t help but look back to the glass house on the lake and feel an overwhelming sense of tranquility. Photography by Megan Lorenz

Built in 1994, this residence was in need of a renovation that reflected the homeowner’s personality and style. The original interior was heavy with dark colors and out-of-proportion rooms. This renovation softened the entire space with shades of off-white, lavender, pale blue and silver. Dark rooms were opened up with French doors and pale wood floors. The entry’s double-height space needed a gentler touch, so the design included undulating carpets in plush grays and a honed limestone floor. The center table was commissioned by a sculpture artist to anchor the room. It is designed with a soft matte finish and an abstract spiral base that complements the curve of the sweeping stair. The entry is finished with contemporary wing chairs, Alex Katz portraits and an expressionistic chandelier. The kitchen was brightened with polished nickel bands framing the custom cabinetry and high-gloss gray cerused oak floors. The bar in the butler’s pantry beautifully reflects the light with translucent quartzite countertops and a rippled, mirrored backsplash. Silvers and blues continue in the family room that showcases all custom furniture with the exception of the chairs. The walls are finished with handcrafted panels which conceal an inset TV and dimpled paper that create a feeling of comfortable glamour. The primary suite incorporates violets, aubergine, milky whites and silver to create continuity with the rest of the home. The custom bed is surrounded by layers of calming deep color tones with soft stone textures, accents of shagreen, polished nickel and brass. A custom open fireplace and coordinating inset TV frame are set into a central column of stone cladding. Invisible speakers and automated shades complete the calming features of the space. Other renovated spaces include a bar off the dining room, a lower level with guest suite and exercise room, three family bedroom suites, a boot room and powder room. Photography by Luke White

FINALIST

Greenauer Design Group, Inc., Melissa Greenauer

The goal of the design project was to improve the flow and functionality of the home by combining the kitchen and dining areas, deleting the closed off traditional dining room from the floor plan and creating an open-concept floor plan to the great room, making this open floor plan home inviting for hosting guests to gather and still comfortable for a couple entering the next phase of life as empty nesters. The updates to the home included new flooring, finishes, fixtures, appliances, lighting, cabinetry and furniture. Opening up the floor plan presented challenges, such as aligning ceiling heights, optimizing lighting and ensuring the correct allocation of square footage between functional zones and decorative areas. The design style maintains many of the interior architectural elements of the home’s original aesthetic. This was accomplished by adding a new furniture layout and furnishings to the main spaces, with tailor-made seating around a large-scale coffee table centered under a two-tier iron chandelier, which grounded the volume of the great room. This created a main space in the home conducive for gathering many people or stretching out to watch TV. The far side the main level is the living room, now arranged for entertaining conversations or putting your feet up to read. From the master suite to all corners of the main level there is a seamless flow of design elements. The home has a modern spin within the traditional framework, clean and contemporary and still rooted in tradition. Bold textural handmade elements throughout the spaces, from area rugs to throws and upholstery, bring interesting details that blend into the calm color palate. With pops of wow in the small space, the powder room stays balanced with a harmonious connection to the sophisticated overall design of the home, which meant every choice needed to be intentional. Photography by Alise O’Brien

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