Sophisticated Living Indianapolis July/August 2026

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ONE OF ONE

The fairway at dawn. A spa circuit before lunch. The pool, the view, and nowhere else to be.

THIS IS LIFE AT THE REVERIE.

Managing Partner, The Agency Indy 317.741.0861 | Traci.G@TheAgencyRE.com

Masterfully built by Scott Bates Custom Homes as the 2026 Indianapolis Monthly Dream Home, The Reverie is a once-in-a-generation estate that embodies its title in every deliberate detail.

ARCHiTECTURAL & LOCATiON HiGHLiGHTS

•Commanding 7th Fairway Views on Holliday Farms' Pete Dye–Designed Golf Course

•11,366-Square-Feet Across Three Levels

•Soaring Architecture by Goldberg Design Group

•Intentionally Curated & Furnished by Dare 2 Design

•Dedicated In-Home Spa & Water Circuit Retreat

•Showstopping Doca & Gaggenau Chef’s Kitchen

•20-Foot Video Wall & Expansive Entertainment Experience

•Year-Round Integrated Indoor/Outdoor Living

•Located within Holliday Farms Golf Community

•Minutes to Zionsville's Boutique Downtown & Indianapolis

5 BEDS | 6 BATHS | 4 HALF BATHS 11,366 SF | 1 ACRE | PRICE UPON REQUEST

AT HOME EVERYWHERE

The

2026 Indianapolis Monthly Dream Home,

a signature residence in Holliday Farms

Written by Traci Garontakos / Photo courtesy of Clearstory Imaging

If there’s one thing I’ve learned in real estate, it’s that a home is never just a place—it’s a reflection of how you live.

I’ve built my work around that idea. Not simply representing buyers and sellers, but understanding what matters to the people inside the properties I represent. The details are rarely just about square footage or finishes. They’re about flow, feeling, and the life that begins to take shape long before a residence is even complete.

I’m based right here in Zionsville, a city known for its understated elegance and some of the most beautiful residential communities in the region. Much of what I represent here—and throughout greater Indianapolis—includes established neighborhoods, custom residences, and private estates that offer both comfort and distinction. It’s a market that values discretion, preparation, and a clear sense of positioning, all of which I take seriously.

That perspective is also what drew me to The Agency, where a like-minded approach to service, marketing, and reach allows me to represent clients both locally and well beyond it.

Because for many, where we live doesn’t stop at one address.

A primary residence may anchor daily life, but additional properties often reflect something more personal—a shift in pace, a favorite season, or a place that simply feels like an escape.

And every so often, a project comes along that reminds me why I love what I do in a very different way.

This year, I have the honor of serving as the exclusive listing agent for the 2026 Indianapolis Monthly Dream Home, a signature residence in Holliday Farms in Zionsville, which reflects luxury living at its finest.

Though the property is still taking shape, its completion is scheduled for August, when the local community gets to catch the first glimpses over three weekends that month. It will then be delivered as a fully turnkey residence in the fall.

The project is the culmination of an extraordinary group of people who each brought their craft to the same vision. Built by Scott Bates Custom Homes, the residence reflects not only the precision and integrity of the builder, but also the layered contributions of Goldberg Design Group, the architect who understood proportion and presence, Dare 2 Design, the interior

design team who shaped the emotional language of each space, and a long list of subcontractors and vendors, including Ferguson Home, whose work is felt in every quiet detail—even when it isn’t immediately noticed.

And just as importantly, the landscape design by P.J.E. Lawn Care & Landscaping carries the same intention. It frames the estate in a way that feels considered and complete, extending the architecture outward so that indoors and outdoors speak the same language.

What makes this home truly remarkable is not any single element—it’s the way all of those elements align so seamlessly. That kind of cohesion doesn’t happen by chance. It happens because many hands, many disciplines, and many decisions were made with a shared standard of excellence.

On my end, it takes a village as well. Whether representing buyers or sellers, I rely on a dedicated team of marketing partners, staging and media professionals, and behind-the-scenes collaborators who help shape how a residence is experienced visually and emotionally. That storytelling is not secondary, but essential. Because a property like this cannot be understood through data alone.

It has to be felt.

I’ve been fortunate to be involved with several exceptional residential projects in Central Indiana throughout my career, and each one carries its own identity. The 2026 Indianapolis Monthly Dream Home is unique in that it exists at the intersection of imagination and availability—a residence defined by intention and craft, now becoming part of the market in real time.

That is not something I take lightly. My role is to bring it to life for others the way it has already come to life for those of us who have watched it take shape—to translate craftsmanship into emotion, and structure into experience. Because ultimately, that is what exceptional residences do. They evoke something before you even realize you’re responding to them.

Real estate, at its best, is not just about representation. It’s about interpretation. And this is a story worth telling carefully. sl The 2026 Indianapolis Monthly Dream Home VIP Preview Party is set for August 13, followed by ticketed tours on select hours August 14-16, 21-23, 28-30. To learn more and purchase tickets, visit indianapolismonthly.com/dreamhome. To explore how you could make the Indianapolis Monthly Dream Home yours, visit indy.theagencyre.com.

THE 2026 INDIANAPOLIS MONTHLY DREAM HOME

A

Written

I can usually tell early when a project is going to come together in a way that feels inevitable.

With the 2026 Indianapolis Monthly Dream Home, it started the first time I stood on the site in Holliday Farms and looked out across the fairway. It wasn’t just the setting—it was the way the land sat quietly and made room for something intentional. I remember thinking we didn’t

need to force anything here. The residence just needed to belong.

I’ve been doing this a long time, and if there’s one thing experience teaches you, it’s when to let a site lead and when to take control. This was one of those projects where restraint mattered as much as design.

As the builder behind what I consider one of the most unique residences of my career, I’ve built my work around precision,

consistency, and follow-through. Over the years, you learn that details aren’t just about finish selections or square footage—they’re about how a residence holds together when everything is complete. This home allowed me to lean fully into that.

From the beginning, the goal was cohesion. Goldberg Design Group shaped the architecture with a strong sense of proportion and restraint, and Dare 2 Design

brought an interior approach that supports the structure rather than competing with it. That balance is something I look for immediately in any collaboration. When it’s right, the individual decisions disappear, and what you’re left with is the experience of the space itself.

Light has been central throughout, emphasized by the experts at Phantom Screens. We oriented the structure to move

with the day, changing how each space feels without relying on ornamentation or excess. With more than 11,000 square feet across three levels, the scale is significant, but the priority was always livability—how the residence functions and feels day-to-day.

The setting carries a lot of weight on its own. Positioned along the 7th fairway of the Pete Dye-designed Holliday Farms course in Zionsville, the views aren’t just a backdrop, but part of the rhythm of the residence. It shifts through the day in a way you don’t really design; you simply respect it.

Inside, we focused on function and experience working together. A spa and water circuit was designed as a place to reset. The kitchen, anchored by Doca cabinetry, Gaggenau appliances, and fixtures and lighting curated through Ferguson Home, is built for real use as much as visual clarity. Even the 20-foot video wall was integrated so it disappears until it’s needed. Nothing in the residence was meant to compete with the architecture.

The experience extends beyond the walls of the residence. The landscape design by P.J.E. Lawn Care & Landscaping carries the same intent as the interiors—connecting the architecture to its surroundings and softening the transition between structure and course. The result is an exterior environment that feels as considered and intentional as the home itself.

We’re in the final stages now. This is the part of a build I’ve always appreciated most—when the original intent starts to reveal itself fully. After months of coordination between trades, vendors, and design teams, everything begins to come into alignment. That’s when you see whether the work holds together the way it was meant to.

One thing that makes this project unique is that it was never pre-sold or designed around a predetermined buyer. That’s not typical in this category. Most residences at this level have a direction before

they’re even complete. This one was allowed to evolve fully before being introduced to the market. I think that matters.

For some buyers, that distinction is especially meaningful. The Indianapolis Monthly Dream Home offers the rare opportunity to acquire a newly completed residence of this caliber without navigating the years of planning, design decisions, and construction typically required to create it. For those who have considered building, and for those who prefer not to revisit that process again, it represents a chance to move directly into a fully realized, turnkey residence that can be enjoyed immediately upon closing.

Now nearing completion, this unique home is being offered exclusively through Traci Garontakos with The Agency. I chose to collaborate with her because, for a residence like this, how it’s presented matters just as much as how it’s built. The buyer could be local or from outside the market entirely. What matters is that it’s represented with the same level of care that went into creating it.

Whether you’re in the market for a new home or simply looking for inspiration, you will soon have the rare opportunity to step inside and experience this remarkable custom residence, beginning with an exclusive VIP Preview Party on August 13, followed by ticketed tours over the last three weekends in August.

A residence like this only works when every person involved is operating at the same standard. That’s not just design—it’s discipline. And it’s what makes projects like this rare.

The 2026 Indianapolis Monthly Dream Home is the result of what happens when intention, discipline, and craft align without compromise.

And in this case, they have. sl

To learn more and purchase tickets to experience the 2026 Indianapolis Monthly Dream Home, visit indianapolismonthly. com/dreamhome. For more information about the builder, visit sbcustom.com.

P.J.E. Lawn Care & Landscaping LLC creates exceptional outdoor living environments through custom design, construction, and maintenance services tailored to your vision, property, and lifestyle. From pools and spas to stonework, lighting, irrigation, and complete landscape solutions, we provide one accountable partner from concept to completion. Contact us today for a complimentary consultation and discover what's possible for your outdoor space.

pjelandscaping.com

Ferguson Home has the bath, kitchen and lighting products you need to bring your vision to life. Whether you’re refreshing the look of a single room or building a new home, our experts are here to help every step of the way, from product selection through delivery.

Start your project or find your local showroom at fergusonhome.com.

HALFELDT-WIDLOWSKI WEDDING

Written by Caroline Mosey / Photographed by Ashlyn McKenna Photo

Sydney Halfeldt and Nicholas Widlowski, daughter of RaeAnn and David Halfeldt and son of Sandra and Richard Widlowski, were married on May 9, 2026, in East Tennessee. The couple’s story began with a chance encounter at Indiana University’s iconic Upstairs Pub in 2019 before reconnecting months later on Bumble during the pandemic. After six years together—including a long-distance chapter, a move to Indianapolis, and the adoption of their dog, Melvin—Nick proposed during a Dinner on the Diamond event hosted by Tinker Street at Victory Field. “He even hired a photographer to capture the night,” says Sydney. “I had no idea!” With the help of Reis-Nichols Jewelers, Nick designed her one-of-a-kind engagement ring featuring diamonds from his grandmother’s wedding ring. They exchanged vows in the bride’s family backyard surrounded by stunning views, with 100 family members and friends traveling in for the celebration. sl

OSSWALD-DANIEL ENGAGEMENT

Written by Caroline Mosey / Photographed by Tabitha Corinne Photography

Janae Osswald, daughter of Amber and Brad Osswald, and Nolan Daniel, son of Nedia and Ryan Daniel, were engaged at Purgatory Golf Club on April 19, 2026. The couple first met while attending Purdue University, and Nolan’s surprise proposal was made even more special with Janae’s family waiting nearby to celebrate. The engagement ring featured a timeless oval-cut stone encircled by diamonds. Janae, a labor and delivery nurse, and Nolan, a Georgia native who plans to relocate to Indiana to teach youth baseball and softball, are looking forward to a May 2027 wedding at Mustard Seed Gardens. sl

HISER-WIMBLEY WEDDING

Written by Caroline Mosey / Photographed by RSC Imagery

Braxton Hiser, daughter of Lynette Hiser, and Austin Wimbley, son of Amy and Louis Burnell Wimbley Jr., were married on May 17, 2026, at the Grand Hall at Historic Union Station. First introduced on a blind date by friends from church, the couple became engaged just three months later when Austin proposed with a custom Reis-Nichols ring at Graeter’s in Carmel—the site of their first date. Their wedding celebration reflected their personalities perfectly, from a vintage-style phone booth where guests recorded messages to the couple, to bouquets of peonies created by Braxton herself. The bride, who once held the title of Miss Indiana 2021, was joined by several fellow titleholders and dear friends on their special day. sl

GRIPP-CARRE WEDDING

Written by Caroline Mosey / Photographed by Lauren Peterson Photography

Sophia Gripp, daughter of Judy and Doug Gripp, and Jack Carre, son of Doiya and Randy Carre, were married on April 18, 2026, before 170 guests at the Omni Severin Hotel. The couple, both engineers, first met during college orientation, quickly became best friends, and started dating their senior year. Their love story came full circle with a November 2024 engagement in the Smoky Mountains, where beautiful scenery and heartfelt words made for the perfect proposal. A Carmel native, Sophia says one of Jack’s most endearing qualities is his talent for singing and playing piano, a gift that continues to fill their home and lives with music. sl

July/August 2026

130 Sophisticated Society 132 Indy 500 Victory Celebration 134 Chernoff Backyard Benefit 136 Indy’s Best and Brightest Awards

138 Putt from the Ruff

140 Garden Party: An Evening of Impact

142 Libiamo!

144 Bourbon, Bling & Bowties

If your social media feed has convinced you that caviar belongs on everything from potato chips to date-night menus, you’re not alone. Fortunately, enjoying caviar no longer requires navigating specialty websites or placing orders with distant gourmet retailers. Right here in Indianapolis, second-generation fishmonger Andrew Caplinger of Caplinger’s Fresh Catch has partnered with Bemka House of Caviar & Fine Foods to offer premium caviar selections available through a specialorder program. Known for supplying some of the freshest seafood in the city, Caplinger’s has long been a trusted destination for fish and seafood specialties. Now, Andrew is bringing that same expertise to the world of caviar, personally helping customers select the perfect option for celebrations, entertaining, or simply experiencing one of life’s great culinary luxuries. While these exclusive selections are not stocked in the market, they can typically be arranged within a day or two. And for those who prefer to shop from home, Caplinger’s convenient delivery service makes enjoying exceptional seafood—and now fine caviar—easier than ever. For more information, visit caplingersfreshcatch.com.

FOR HAMILTON COUNTY | BY HUSE CULINARY

PART OF THE HUSE CULINARY FAMILY OF BRANDS:

KeraVive

GetHairMD

From the Publisher & Editor-in-Chief

There are songs we like, songs we love, and then there are songs that quietly claim us, staking their territory in a moment so specific and deeply felt that no matter how many years may pass, the first note is enough to take us back.

It’s a peculiar kind of time travel, isn’t it? More reliable than memory alone. You may forget what you wore, what you ordered, even what you said—but a song will remember for you. It keeps the room intact, the light just so, the air exactly as it was.

Mine arrives with the opening piano of “Tiny Dancer” by Elton John. And just like that, I’m no longer here. I’m in a swimming pool in Palm Beach, more than twenty years ago, under a wide and forgiving sky.

My daughter was six months old.

She floated in one of those little inner tubes made for babies—equal parts adorable and slightly ridiculous—her legs kicking with the uncoordinated determination that only infants possess. I was in the water with her, gently pushing her from one side of the pool to the other. Back and forth. A quiet rhythm. A kind of choreography only the two of us understood.

I had headphones on—large, I think. This was before everything became so small and seamless. Back then, listening to music required a bit of commitment. You wore it, almost like a helmet, as if preparing for impact.

And perhaps, in a way, I was.

My mother had passed not long before—my daughter’s grandmother. The kind of loss that rearranges the furniture of your life overnight, leaving you to navigate familiar rooms that suddenly feel foreign. There is, I’ve found, a small mercy in knowing she got to meet her granddaughter, to hold her, to understand—if only briefly—the continuation of everything she helped begin.

Still, grief has a way of arriving unannounced, even in places meant for ease and sunlight.

So there we were: a father and his daughter, suspended in water, somewhere between heartbreak and hope.

And in my ears, that song.

There’s something about it. The unhurried build, the sense that it isn’t trying too hard to impress you. It just unfolds. At the time, it felt like the only thing that understood what I was carrying without demanding anything from it.

I remember getting lost in it. Not in a dramatic, cinematic way. Just… lost. The kind of quiet surrender where the edges of grief soften, just enough for you to breathe again.

My daughter would drift toward me, I’d guide her back, and the music carried us both. It held the sadness, yes, but also something else. Something gentler. A reminder, perhaps, that even in the heaviest moments, there can be a kind of grace.

Years have passed. She is no longer six months old, and Palm Beach remains a familiar backdrop in our lives—still sunny, still generous, though never quite the same as it was in that moment. Life, as it insists on doing, moves forward.

But the song stayed.

And that’s the curious magic of music, how it doesn’t age the way we do. It doesn’t reinterpret the moment or soften it with time. It preserves it. Perfectly. Permanently. A small, audible time capsule.

So when “Tiny Dancer” finds its way back to me—unexpectedly, as it often does—I’m back in that pool. The water is warm. The sky feels endless. My daughter is laughing in that early, wordless way. And for a few fleeting minutes, everything that was broken feels, if not whole, then at least held together.

We all have a song like that.

The trick, I suppose, is not to avoid them. Not to skip past them when they surface. But to let them play. To allow ourselves the brief return—to the joy, the sorrow, the people we were, and the moments that shaped us.

After all, memory may fade. But music, if we let it, remembers everything.

Jeffrey Cohen jeff@slmag.net

Although we’re often told not to judge a book by its cover, it’s still hard not to. A recent visit to Surf & Sand (surfandsandresort.com) in Laguna Beach, California, located halfway between Los Angeles and San Diego, reminded me why this adage rings true. A member of Historic Hotels of America and Preferred Hotels and Resorts, the property was built in 1948. to accommodate the booming number of vacationers and artists flocking to the Southern California coast in the post-World War II era. Today, except for the supercars neatly arranged by the valet just beyond the portico, the linear mid-century architecture, with its exterior corridors and stairways, belies the beauty of a gleaming interior transformation unveiled in June of 2025.

A VIEW TO A THRILL

Newly transformed, the historic Surf & Sand in Laguna Beach celebrates its primo Pacific positioning with an elevated, ocean-inspired aesthetic and luxury amenities.

Written by Bridget Cottrell

Situated between the South Coast Highway and 500 feet of pristine sand, the open-air reception area sets the tone for the revitalized spaces with loads of colorful original art from notable names, including Dale Chihuly, Kelsey Irvin, Geoffrey Gersten, Eric Zener, and Ran Ortner, juxtaposed with gallery-white walls and expansive use of floor-to-ceiling glass to highlight the panoramic ocean views. The installations reflect Laguna Beach’s vibrant art community— the first of its 80-plus galleries opened in 1918. Today, the community is home to some 400 working artists.

Opt for a corner room on a high floor to fully experience the sensation of floating above the Pacific.

In Room 190, a tightly edited color palette in varying shades of white and wheat chaff emphasized a mosaic of blue, created by the beachfront pool on one side and the Pacific on the other. Patterns are limited to the drapery tape and accent pillows. The room’s parquet wood-like floor tiles carry over onto the balcony, whose doors were almost always open so we could listen to the surf and the laughter of families playing in the waves. A sliding divider above the tub in the spacious Italian marble-clad bath keeps the view front and center, should you choose. Judicious use of mirrored and chrome accents mimics the effect of sunlight-dappled waves. Butterysoft linens dressed the bed, which sat opposite a handsome shagreen dresser. The latest in smart-room technology delights technophiles and is user-friendly enough for the less inclined.

Southern California is worldrenowned for its food culture, blending deep Mexican roots, Asian culinary traditions, and locally sourced ingredients, and all of these are elevated by Surf & Sand’s Executive Chef Ron Fougeray. Arriving on our first day in time for brunch,

we made a beeline for Splashes Bar for avocado toast (one of about six I savored over the course of three days). Open all day, Splashes Restaurant is crowned by a handblown glass Chihuly chandelier that took two weeks to install. Offering a superior sunset view, glass doors across the rear of the dining room are left open so that the only thing separating patrons from the Pacific is a half-pane of glass.

While Splashes could easily rest on the laurels of its lovely looks, the service and cuisine are equally elevated. An extended conversation about tea with our server at breakfast resulted in a surprise delivery later that afternoon of several varieties of Tea Forté we’d yet to try. During dinner, an intuitive server inquired if I’d like to commence our evening with my preferred apéritif. We enjoyed the theatre provided by the tableside lobster bisque, followed by perfectly crisped Spanish octopus, olive oilpoached sea trout, and a delectably spiced Liberty Ducks breast. As this is California, there are ample vegetarian options, zeroproof cocktails, and a willingness to accommodate dietary restrictions.

Prior to dinner each evening, we enjoyed watching the sunset from the Bella Vista Terrace, comfortably settled into one of several banquettes that surround firepits. The arrangement is conducive to conversing with fellow guests and a doggie or two, as the property allows up to two dogs per room, each up to 40 pounds.

Ethereal guestroom aesthetics carry over to the eight treatment rooms, an ocean-view couples’ treatment room, and Nail Nook of the Aquaterra Spa. The facility encompasses gender-specific lounges, each with a eucalyptus steam room and outdoor jacuzzi, along with a co-ed space and Recovery Lounge, and a large, well-equipped fitness facility. Intended to meld aspects of “Aqua” (sea) and “Terra” (earth), the spa’s lineup of face and body offerings includes organic ingredients, native botanicals, and marine extracts.

Surf & Sand’s ideal location meant we could walk to a host of area amenities. The entirety of Laguna Beach’s 7-mile coastline is part of California's Marine Protected Areas (MPAs), making it one of the most ecologically rich shorelines in the Golden State. The city boasts nearly one acre of protected land per resident, with 22,000 acres spanning tidepools to steep cliffs, many of which are dotted with multi-million-dollar homes that seem to defy the laws of physics and gravity to maximize their pricey views.

In addition to a rich visual arts community, The Laguna Playhouse (lagunaplayhouse. com) holds the designation of being the oldest, continuously operating Playhouse on the West Coast. Established during the Great Depression, the Festival of Arts is best known for its annual Pageant of the Masters (foapom.com), a world-renowned outdoor summer theatrical production where famous classical and contemporary works of art are brought to life through tableaux vivants("living pictures"). Opening July 9 and running through September 4, 2026, this year’s production, “The Greatest of All Time,” will feature approximately twenty of history’s most recognizable and influential artists. Laguna Beach’s summer calendar is packed with art festivals (see visitlagunabeach.com for more).

When a planned surf lesson with La Vida Laguna (lavidalaguna.com) was canceled due to flat surf, we headed out on the trails to walk off my disappointment. My mood was completely elevated by the time we completed a breathless trek from the beach to Laguna’s most famous hike, Top of the World, where our effort was rewarded with stunning views of Catalina Island and the Santa Ana Mountains.

We rewarded our efforts by availing ourselves of Laguna’s diverse dining scene, from a stiff drink at The Sandpiper Lounge, a classic dive bar, to dinner at South of Nick’s Restaurant (nicksrestaurants.com), where the highly recommended La Tablita proved to be an elevated Mexican-inspired feast of epic proportions. With more than 100 restaurants, from artisanal coffee to traditional Omakase, chances are you won’t have a bad meal. And, just like Surf & Sand, no matter where you are, you’re never far from an amazing view. sl

Of note...

The Greater Outdoors

TOP DOWN ROUNDUP

Edited by Matthew Cottrell

Bentley Continental GT Convertible S: Sporting performance and dramatic presence

Inspired by the limited-edition Supersports and extending the breadth of choice in the Continental line-up, the S models are aimed squarely at the performance-focused driver by combining dramatic visual presence with the latest hybrid powertrain and the Continental GT Speed’s chassis technology. The fourth-generation Continental GT S models are the fastest and most powerful yet to carry the S badge.

At 680 PS and 930 Nm, the new S models’ High Performance Hybrid powertrain is 130 PS more powerful than that of the previous generation GT S. Fully deployed, it delivers 0-60mph in just 3.3 seconds and powers on to a top speed of 190mph, accompanied all the while by the thrilling soundtrack of a sports exhaust that accentuates the 4.0-liter V8’s “crossplane” beat (the iconic, deep, uneven

exhaust rumble of a V8 engine that uses a cross-plane crankshaft). Demonstrating its advanced powertrain engineering, the High-Performance Hybrid even outperforms the previous generation’s W12 Speed powertrain on all power, torque, and performance parameters –while also being capable of up to 50 miles in pure electric mode.

A unique package of exterior design, interior specification, and a dynamic chassis places the new Continental GT S models in a distinctive niche within the range. With their sporting aesthetic and emphasis on the sheer enjoyment of driving, the S models extend the breadth of choice offered by the definitive grand tourer.

BMW Z4 Final Edition: a very limited edition Z4 M40i marking the end of the two-seat roadster’s production. Since its introduction in 2002, the BMW Z4 Roadster has been thrilling enthusiasts

with its unique combination of classic proportions, a purist driving experience, and sporty dynamics. The Z4 Final Edition, characterized by its exclusive BMW Individual paint, unique interior accents, and commemorative badging on the door sill plates, is a special Z4 M40i commemorating the end of production of the iconic 2-seat Roadster.

The BMW Z4 Final Edition will be produced in very small numbers from February to April of 2026 in a single, wellequipped configuration. Customers need only choose between a 6-speed manual or an 8-speed Steptronic transmission.

Contrasting red stitching in the cabin of the Z4 Final Edition provides a literal common thread that ties together the instrument panel, center console, door panels, and M Sport seats, which are trimmed in Vernasca leather and Alcantara. The floor mats feature red piping, and the special door sill plates are inscribed with

“Z4 FINAL EDITION”. The seatbelts are trimmed in the M tricolor.

The Z4 Final Edition comes standard with a full range of comfort, convenience, and safety features, including the Driving Assistance Package, the Premium Package, and a Harman Kardon surround-sound audio system.

Chevrolet Corvette 2027 Grand Sport X: blending heritage-inspired design with a next-generation V8 engine producing more torque than any other naturally aspirated V8 predecessor. Born in the early 1960s as a limited run of five C2 race cars that competed at tracks like Sebring International Raceway, Grand Sport has long stood for lightweight, trackfocused Corvettes that look as fast as they drive. Road-going Grand Sport models have added to the formula of the name with every generation, borrowing features from the fastest cars in each Corvette

generation, while maintaining heritage colors, distinct striping, and signature fender hash-marks that once served as ways to tell the original race cars apart.

At the core of every 2027 Corvette Grand Sport X is the next-generation LS6 6.7L V8, which is now Corvette’s primary engine – powering the 2027 Stingray as well. Launching General Motors’ next generation of V8s, LS6 raises the bar for performance thanks to engine architecture upgrades that will soon benefit other V8-powered Chevrolets.

Delivering 535 horsepower and 520 lb-ft of torque, this naturally aspirated engine sees increases in power and torque across the rev band compared to its predecessor. A larger 6.7L displacement and 13.0:1 compression ratio sharpen response, while a 95-mm throttle body and tunnel ram intake with high-velocity ports move more air to unlock additional power. An eight-speed dual-clutch transmission routes all this power to the wheels.

The Corvette Grand Sport X expands the Grand Sport formula with all-wheel drive, creating a chest-compressing 721hp2 express. It pairs the LS6 V8 at the rear axle with a front-axle electric motor and compact battery pack from the recordsetting Corvette ZR1X to create an eAWD

Corvette that is as confident in challenging weather as it is on a dry track.

GM’s Bowling Green Assembly will start building the Grand Sport lineup with US and globally sourced parts this summer.

Lamborghini Fenomeno Roadster: the most powerful open-top ever created by Lamborghini

In April, Automobili Lamborghini presented its latest Few Off model, the Fenomeno Roadster. With a limited production of 15 units, the company says the roadster “represents moments when engineering, design, and pure driving emotion converge without compromise. Radical in concept and striking in appearance, these cars transform performance into an experience that is both visceral and unforgettable.”

The roots of the Few Off tradition can be traced back to the 1968 Miura Roadster, a unique interpretation of the revolutionary car created by Bertone that embodied Lamborghini’s ambition to challenge conventions and explore new possibilities. Decades later, the first true expression of this vision was the Reventón Roadster, which marked the beginning of a lineage of exceptional open top Few Off models. It was followed by the Veneno Roadster, the Centenario Roadster, and the Sián Roadster.

The Fenomeno name follows Lamborghini’s tradition of drawing inspiration from legendary, courageous bulls. In both Italian and Spanish, Fenomeno means “phenomenal”, a name that embodies the power and exclusivity of this extraordinary model, which delivers a combined system output of 1080 CV from a 6.5-liter naturally aspirated V12 that is linked to three electric motors. Capable of accelerating from 0–100 km/h in 2.4 seconds, from 0–200 km/h in 6.8 seconds, and reaching over 340 km/h, it combines extreme performance with cutting-edge hybrid technology. It is the most powerful open-top model ever produced by Lamborghini.

“Fenomeno Roadster represents the purest expression of our brand values: visionary design, uncompromising performance, and absolute exclusivity,” Stephan Winkelmann, President and CEO of Automobili Lamborghini S.p.A., said at the launch event. “It is a unique interpretation of driving emotion, created for a select group of customers who seek something truly beyond convention. Each example is conceived as a collectible masterpiece, where engineering excellence meets true bespoke craftsmanship.”

Pagani Utopia Roadster: Blending retro-inspired design with extreme mechanical performance

The Pagani Utopia Roadster is the third creation from the 30-year-old company founded by Horacio Pagani, an Argentine Italian from a humble background. At age 28, he moved to Europe, securing a position with Lamborghini as a sweeper and mechanic, where he quickly worked his way up to become a chief engineer, championing the use of carbon fiber composites and playing a leading role in the development of the Lamborghini Countach Evoluzione.

Horacio Pagani says he designed the Utopia as a direct response to customer demands for simplification, lightness, and a purer, analog driving experience in an overly digital automotive age. Moving away from the heavily aero-focused, spoiler-heavy designs of past cars like the Zonda, the Utopia utilizes over 40 composite material formulations and advanced Carbo-Titanium to deliver a flowing silhouette that delivers openair exhilaration without sacrificing the structural rigidity, weight, or performance of its coupé sibling. Utopia is powered by a bespoke 864-horsepower, 6.0-liter twin-turbo V12 engine developed by

Mercedes-AMG, producing a prodigious 1,100 Nm of torque.

True to Pagani's philosophy of blending timeless aesthetics with cuttingedge technology, the hypercar features an exposed manual transmission and highly detailed mechanical dials inside. The opentop driving experience is enhanced by active aerodynamics, an advanced suspension system, and innovative Pirelli Cyber Tire sensors that relay real-time conditions to the car's driving dynamics controls.

Porsche 911 GT3 S/C: Focused squarely on people who prize visceral, open-air driving. The 2027 911 GT3 S/C delivers a pure driving experience and combines the lightweight components of the 911 S/T with the naturally aspirated 4.0-liter boxer engine of the 911 GT3, producing 502 hp and 331 lb.-ft. torque. of torque.

The striking carbon-fiber fenders and doors of the 911 S/T, in combination with the black windshield frame, imbue it with an unmistakable look. In line with its positioning as a driver's car, it is only available with the short-ratio and lightweight six-speed GT Sport manual transmission.

The 911 GT3 S/C is the only opentop variant of the current 911 range that is also a pure two-seater – reminiscent of the 911 Speedster from 2019, but in contrast to its predecessor, the 911 GT3 S/C is not a limited production model. For the first time, a Street Style Package is available for the 911 GT3 S/C, allowing you to further adapt the vehicle to your personal taste.

"The new 911 GT3 S/C responds to our customers' desire for sports cars that are particularly fun to drive," said Frank Moser, Vice President 911 and 718 model line.

Rolls-Royce Project Nightingale: an ultra-exclusive, fully electric two-seater open-top convertible

The storied marque’s first issue of its Coachbuild Collection, Project Nightingale, is named after Le Rossignol, French for ‘the nightingale’, and the name of the designers’ and engineers’ house near Henry Royce’s winter home on the Côte d’Azur. While drawing inspiration from high-speed experimental ‘EX’ RollsRoyces of the 1920s and 1930s, this forward-thinking production concept

is constructed using the Rolls-Royce Architecture of Luxury aluminum spaceframe and powered by a fully electric drivetrain that delivers a uniquely silent open-top experience.

“Some of the most discerning RollsRoyce clients in the world asked us for our most ambitious work,” said Chris Brownridge, Chief Executive, RollsRoyce Motor Car. “We responded by bringing three things together that have never coexisted within our brand: the complete design freedom of coachbuilding, our powerful, near-silent all-electric powertrain, and a uniquely potent yet serene expression of open-top motoring – an experience that only this technology makes possible. Achieving

this required the same audacious mindset that drove our co-founder, Sir Henry Royce, to create his radically different experimental ‘EX’ motor cars of the 1920s. Project Nightingale shares the spirit of those landmark projects and is the most extravagant expression of what Rolls-Royce is capable of today.”

Limited to 100 examples, it’s available to purchase by invitation only to aestheteminded clients with a deep affinity for Rolls-Royce design. These select few have begun participating in a multi-year program of private gatherings, curated by Rolls-Royce around the world, that immerse them in the creative and technical development of their motor car in advance of its 2028 delivery. sl

THE ULTIMATE SUMMER CELLAR

Denig

Hi there, Sophisticated Living! My name is Vicki Denig, and I’m a wine / travel journalist, as well as a Certified Specialist of Wine, based between New York and Paris. You’ll find me here in every edition of the magazine, as I proudly hold the title of Sophisticated Living’s official wine correspondent! With this edition, I’m excited to share five bottles with you that have recently made an impression on me—and if you snag them for yourself, I think they’ll resonate with you, too. Check them out below and feel free to follow my personal travel / tasting adventures at @vickidenig on Instagram or at www.vickidenig.com.

Dr. Konstantin Frank Brut 2021 (Finger Lakes, New York, USA — SRP: $32.00)

Although many wine drinkers save sparkling wine for special occasions, I’m

in the camp of “there’s never a bad time for bubbly.” However, finding a balance between pricey Champagne and cheap, big-brand alternatives is key—and this bottle from the Finger Lakes offers the perfect solution. Born in Ukraine, Dr. Konstantin Frank is widely considered to be a great hero of American viticulture, as he was the first to plant vinifera vines on the eastern coast of the country. Drinking a bottle of the winery’s flagship Brut cuvée is kind of like drinking a piece of history! Produced from a blend of 55% Chardonnay, 40% Pinot Noir, and 5% Pinot Meunier, the wine is vinified using the same technique that’s implemented in Champagne, though it is aged twice as long (24 months in total) as required by the latter. Expressive and flavor-packed, the wine’s creamy texture is balanced by bright red apple flavors and invigorating acidity.

Bénédicte & Stéphane Tissot ‘Patchwork’ Chardonnay (Jura, France — SRP: $43.00)

Fans of French Chardonnay almost always reach for Burgundy, though the neighboring Jura region produces equally thoughtprovoking wines. Bénédicte & Stéphane Tissot are pillars within the region, having taken the reins from Stéphane’s parents back in 1989. Since their earliest days, the pair have been fervent pioneers of biodynamic farming (certified in 2004, far before it was as fashionable as it is today) and lowintervention winemaking. Their ‘Patchwork’ Chardonnay is fermented with indigenous yeasts and aged for 12 months in oak, with just a touch of new oak. The wine strikes a hard-to-achieve balance between creamy and refreshing, with notes of yellow apple, tart lemon zest, marzipan, and a touch of smoke.

Figuière Côtes de Provence 'Première' Rosé

(Provence, France — SRP: $30.00)

There’s truly no better feeling than sipping an inaugural glass of spring rosé, especially if said glass is enjoyed with breathtaking views over the rooftops of Paris. After

a seemingly never-ending winter, I practically jumped out of bed and sprinted to the nearest rooftop bar on the first warm day of the season. Pictured here is a glass of Figuière’s Côtes de Provence 'Première' rosé, made from a regional blend

of Cinsault, Grenache, and Mourvèdre. Refreshing and tangy, the wine’s pale pink hue and bright flavors of wild strawberry, citrus, and wet stone were everything I could’ve wanted on a warm April evening, especially against this unbeatable backdrop (photo taken from the Maggie Rooftop Bar at Hôtel Rochechouart).

Miguel Torres 'La Causa' País 2022 (Itata Valley, Chile — SRP: $25.00)

Having a lineup of budget-friendly reds on hand is always a good idea—and shaking up your selection beyond standard go-to grapes (Pinot Noir, Cabernet Sauvignon, etc.) makes things even more exciting.

Admittedly, I rarely drink Chilean wines, though this bottle of País from Miguel

Torres had me reassessing my habits. The País grape first arrived in Chile via Spanish conquistadors in the late 16th century. In recent years, the grape has become a preferred choice for winemakers in the Maule and Itata Valleys, thanks to its ability to withstand heat and drought. Fruit for this wine comes from a dry-farmed vineyard planted in 1987. In the cellar, the wine was fermented with native yeasts and whole bunches prior to aging for four months in neutral French oak barrels. I loved this wine for its harmonious flavors of red berries, dried herbs, and a touch of smoke. There’s a whole lot happening here for just $25!

Istine 'Vigna Istine' Chianti

Classico Gran Selezione 2021 (Tuscany, Italy — SRP: $70.00)

Chianti may be one of the most well-known Italian wine regions in the world, though not all bottles are created equal. Beyond the area’s entry-level expressions, a few highertier categories exist, each with its own unique regulations on quality and aging. For example, Gran Selezione—what we’re working with here—is the cream of the crop. Wines under this designation must contain a minimum of 90% Sangiovese from a single vineyard (or an estate’s top selection), as well as be aged for a minimum of 30 months. While traveling through Florence last month, I reached for this special bottle from Istine while perched on the terrace at Osteria Pagliazza, located at the Hotel Brunelleschi. The wine flawlessly fit the moment, exuding concentrated yet balanced flavors of red berries, blood orange, lavender, and a touch of truffle. I’m a big fan of drinking locally when traveling, so this Chianti Classico produced just an hour away was the perfect pick! sl

Vicki Denig is a wine / travel journalist based between New York and Paris. Her work regularly appears in various industry publications, including Decanter, Food & Wine, and WineSearcher. In addition to journalism, Vicki also works with a handful of wine-focused clients, including Paris Wine Company, High Road Wine & Spirits, and more. When not writing, she enjoys running, indoor cycling classes, petting dogs, and popping bottles on her rooftop with friends.

SUN, SURF, AND SPARKLE

Elevated fine jewelry for seaside escapes

Nadri Boujee Beads Long Necklace (nadri.com). Never Not ‘Always Yours’ Suitcase. Available through Diamond Cellar in Nashville and nevernot.co.uk. Ray Griffiths Branch Coral Bead Necklace (raygriffiths.com). Jacquie Aiche Carved Shell Triple Step Charm. Available through Moyer Fine Jewelersin Indianapolis and jacquieaiche.com.

Longines Primaluna 34mm. Available through Richter & Phillips Jewelers in Cincinnati, Moyer Fine Jewelers in Indianapolis, Davis Jewelers in Louisville and longines.com. Jessica McCormack Hello Sailor Earrings (jessicamccormack.com). Tanya Farah Seahorse Ring (tanyafarah.com). Sorellina Limoncello Earrings. Available through Reis-Nichols Jewelers in Indianapolis and sorellinanyc.com. Yvonne Leon Coral Crayfish Earrings (yvonneleon.com). Jennifer Meyer Jewelry Palm Tree Earrings (jennifermeyer.com). Eden Presley In the Black Swedish Fish Earrings. Available through Moyer Fine Jewelers in Indianapolis and edenpresley.com. Renna Jewels Octopus Caspian Ring (rennajewels.com). Marlo Laz Sol Oriente Pendant (marlolaz.com). David Yurman Petite Pave Shell Amulet. Available through Moyer Fine Jewelers and Reis-Nichols Jewelers in Indianapolis, Schiffman’s Jewelers in Lexington, Davis Jewelers in Louisville, Diamond Cellar in Nashville, Clarkson Jewelers in St. Louis, and davidyurman.com. Joanna Laura Constantine Statement Seashell Cuff (joannalauraconstantine.com). Cece Jewellery Method to the Madness Ring (cecejewellery.com). Harwell Godfrey x Ashley Longshore Press for Champagne Ring (harwellgodfrey.com). Barbara Heinrch Studio Bracelet. Available through Elleard Heffern in St. Louis and barbaraheinrichstudio.com. Kavouri packlock from KIL NYC (kil-nyc.com). Opposite page: Adina Reyter Pearl Necklace with Seashell Bead. Available through Hearth & Soul in St. Louis and adinareyter.com. Patricia Marie Sun Pendant. Availavle through Gus Mayer in Nashville and patriciamariefinejewelry.com

OCEAN KEY RESORT & SPA

Vibrant luxury where you least expect it

By Tracy Cottrell

Crowds gather at the southernmost point in the United States each evening for a show whose run far exceeds even the most successful Broadway production. Local lore attributes the ritual's roots to the famous playwright Tennessee Williams, who in the mid-20th century would visit the docks daily with a gin and tonic in hand to watch the sun dip below the horizon. Since the 1960s, the phrase “See

you at sunset!” has served as a come-one, come-all invitation for locals and visitors to gather at Mallory Square in Key West for a daily bohemian-style celebration marked by magicians, jugglers, storytellers, clowns, psychics, local musicians, artists, and food vendors. The tradition is so ingrained in the community that local laws require large cruise ships to depart port at least two hours before sunset to ensure an unobstructed view of the horizon.

Located at the unique address of -0Duvall Street, the award-winning Ocean Key Resort offers an enviable bird’s-eye view of this evening ritual, complemented by luxurious amenities, attentive, informed service, and a sophisticated and uniquely Key West design sensibility. A recently completed renovation has ushered in a new era, beginning with the lobby and Sweet Bird Bar, the hotel’s most guest-centric areas, where enhancements are centered on an artisan-crafted fountain that adds beauty and inspires relaxation. Custom wallcovering, arched mosaic tiles, richly textured fabric, and shimmering glass pendants reflect the theme of tropical birds and lush flora, enhancing the first-class welcome extended to every guest upon arrival.

Under the decade-long direction of Executive Chef Scott Mauer, Hot Tin Roof is the heart of culinary experiences at Ocean Key Resort from breakfast through dinner. Blending local seafood with Latin and Caribbean flavors, Mauer’s “Floribbean” cuisine has garnered both an AAA Four-Diamond Award and the Wine Spectator Award of Excellence. Also open all day, the playful Sweet Bird Bar, situated near the lobby, underwent a recent colorful, retro-inspired makeover inspired by Tennessee Williams’ Sweet Bird of Youth

Marked by a trio of cabanas with dip-dyed drapery mimicking the colors of the ocean, the intimate pier-side waterfront pool offers an ideal idyll for observing marine traffic as it glides past. Add a tropical-inspired cocktail from the LIQUID Pool Bar & Lounge, the occasional dip in the water, and relaxation becomes a layered experience. Take the serenity up a notch at SpaTerre, where bespoke aromatherapy complements tropical-inspired treatments such as the Tropical Essence Massage, organic seaweed-based treatments, and the Coconut Crush Body Renewal.

In true Key West fashion, guests are encouraged to pursue whatever feels right. If lounging starts to lose its appeal, there is much to be enjoyed just a short stroll away.

Key West is passionately proud of its past. Ernest Hemingway was a resident from 1928 to 1940, during which time the adventurous, fiercely masculine writer notably wrote the classics To Have and Have Not and The Snows of Kilimanjaro. He and

his family resided at 907 Whitehead Street, now the site of the Ernest Hemingway Home & Museum. An unexpected but integral part of the property’s attraction is an abundance, nearly sixty at last count, of polydactyl cats. Hemingway fell in love with the six-toed mousers after a ship captain, who believed they were good luck, gifted one to his sons, Patrick and Gregory. Today, museum admissions support the tabbies'

care, enabling them to roam freely on the one-acre property, where they continue to fascinate visitors, who frequently pose for pictures with them.

Within walking distance of the Hemingway Home & Museum is the Key West Butterfly & Nature Conservancy. The enthusiastic staff readily describe the lifecycle of butterflies and their importance as key pollinators in our

ecosystems. The undisputed stars of the Conservancy, however, are the winged beauties themselves. Within the indoor habitat, an Eden-like paradise of plants and preferred food, visitors have a chance to experience the delicate splendor of butterflies in their dream environment.

No matter where the day takes you, Ocean Key always beckons at sunset, where guests have options for savoring the

sun as it slides into the ocean, rendering the sky every shade of gold and carmine until it disappears, and the night sky reveals itself. The resort’s aptly named Sunset Pier is Key West’s largest, with food and live music as much a draw as the view. At the onset of the evening, dinner plans take center stage, and the abundance of excellent restaurants in Key West seems limitless. For fine dining, Café Marquesa (marquesa.com/dine/cafe-marquesa) tops the list. An elegant, discreet haven of culinary skill and a favorite of locals, Café Marquesa is a quick and leisurely walk from Ocean Key. Drawing inspiration from the ocean’s bounty and Key West culture, the restaurant’s Curated Occasion is a culinary tour de force spread over seven expertly crafted tasting courses. The ambiance here is low-key luxury and quiet elegance.

Key West is both famous and infamous, brilliant in its uniqueness and commitment to its rich history. As Ocean Key Resort & Spa so beautifully demonstrates, Key West also knows how to do elegance and luxury. sl

For more about Ocean Key Resort & Spa, visit oceankey.com.

ALL FUN & GAMES

Fine jewelry has entered the arena

Compiled by Bridget Cottrell

Clockwise from top left: Audemars Piguet + Swatch Royal Pop Pocket Watch (swatch.com). Heavenly Vices Tennis Racket Necklace (heavenlyvicesfinejewelery.com). Anita Ko Diamond Baby Whistle with Colombian Emerald (anitako.com). Sydney Evan Men's Collection Football Necklace (sydneyevan.com). Roberto Coin Tiny Treasures Diamond Necklace. Available through Reis-Nichols Jewelers in Indianapolis, Schiffman’s Jewelers in Lexington, Davis Jewelers in Louisville, Diamond Cellar in Nashville, Simons Jewelers and Clarkson Jewelers in St. Louis and us.robertocoin.com. Lucky Symbols Color Block Mixed Gemstones Tennis Necklace by Milestones by Ashleigh Bergman (ashleighbergman.com).

The Destroyer Ring from Francesa Villa (francescavilla.it). Mined & Found XOXO Pendant. Available through Metalmark Fine Jewelry in Indianapolis and minedandfound.com. AMEDEO Thor CameoCap with 45mm hand carved sardonyx shell cameo (amedeo.shop). David Gotlib Gloves Cufflinks (davidgotlib.com). Alison Lou Tiny Bunny Stud Earring (alisonlou.com). NeverNot Let’s Play Chess Ring. Available through Diamond Cellar in Nashville and nevernot.co.uk. TAG Heuer Carrera Chronograph Extreme Sport Twin-Time. Available through Reis-Nichols Jewelers in Indianapolis, Davis Jewelers in Louisville and tagheuer.com. Breitling Superocean Heritage B31 Automatic 40 Kelly Slater Limited Edition. Available through Richter & Phillips Jewelers in Cincinnati, Moyer Fine Jewelers and Reis-Nichols Jewelers in Indianapolis, Davis Jewelers in Louisville, Geneis Diamonds in Nashville, Clarkson Jeweler in St. Louis and breitling.com. Opposite page: Marie Lichtenberg Large Buck Ring (marielichtenberg.com)

PRESERVING PARADISE

Jamaica Inn fuses 1950s jet-set charm with purposeful travel

Written by Bridget Cottrell

Marilyn Monroe would have turned 100 this past June, and although her physical presence left us 64 years ago, her spirit continues to loom large, through a regular cycle of new books and podcasts, memorabilia auctions, and memoirs of people keen to capitalize on even the most minuscule affiliation. While Monroe died 11 years before I was born, I count myself among the throngs who’ve succumbed to the palpable pull of the starlet’s complicated and tragic story. A few months ago, I came face-to-face with the icon in the library of the Jamaica Inn in Ocho Rios. The candid black and white image—casually mixed among photos of four generations of the Morrow family, and other famous Jamaica Inn guests, including Winston Churchill and Ian Fleming—was snapped during Monroe’s January 1957 honeymoon with Arthur Miller. The complete lack of pretense is intentional and refreshing, as is the resort’s Old Hollywood meets British Colonial style, allowing guests to slip into a bygone era, when Jamaica was

an exclusive, relaxed “jet-set" playground, and before mass commercial travel took over.

The timelessness is felt in ocean-facing rooms whose oversized verandas with beefy balustrades are elegantly outfitted with creamcolored slipcovered sofas and wingback chairs, inviting refined repose. The resort's modest oval pool and croquet lawn are where they’ve always been, and repeat guests (of which there are many) like it that way.

Stop and listen. In the rustle of palm trees and the clinking of glasses, you can still glean the essence of a time where leisurely afternoons were spent not scrolling, but socializing, where after dinner, a crooner might take to the piano, and lovers would rendezvous under the moonlight. These traditions are carried forward today, with nattily attired guests mingling at the weekly manager’s cocktail party held before a lavish Beach Gala replete with traditional Jamaican specialties. There’s also live music every evening during candlelit dinner at the open-air Terrace Restaurant (where a dress

code at dinner is a refreshing change from the predominance of leisurewear), complete with servers sporting red coats with gold shoulder lapels and a bowtie, and weekly screenings of Bond films on the beach.

During a cocktail reception this past spring, staff freely mingled with guests, underscoring an air of familiarity that carries over to the croquet lawn. During his welcome remarks at the reception, Managing Director Kyle Mais said he feels like the curator of a living museum. “We are fortunate to preserve this beautiful gem as we try to forget that unruly lady whose name begins with an ‘M’,” he added. That “M.” of course, is Hurricane Melissa, the scars of which are still clearly visible throughout the island, a portion of which was still without power some four months after the strongest hurricane in Atlantic history. Sherlene Hickling, guest services manager, also referenced Melissa, telling guests, “The best support you can give us is to be here, which helps to rebuild our beautiful Jamaica.”

Just two minutes from downtown Ocho Rios, Jamaica Inn’s 55 classic suites and private cottages are spread among eight oceanfront acres with a 700-foot crescent-shaped private beach that’s naturally bookended by rocky bluffs. Children over 10 are welcome. The hotel’s footprint hasn’t changed since its inception, meaning that the bedroom and baths in classic suites are cozy, which I didn’t mind at all as I spent most of my idle hours on the covered veranda of my Deluxe Suite just steps from the beach’s champagne-colored sand. The décor is classic British Colonial, with a two-poster bed and accents of export blue-and-white porcelain. Even the in-room coffee makers are old school French-press, an ideal ritual befitting the prized Jamaican Blue Mountain coffee. One concession to modernity is the USB plugs in the outlets on either side of the bed.

The Jamaica Inn’s seven cottages are larger and more contemporary in their décor, including original art by Jamaican artists, but like the suites, are purposefully

absent of clocks, televisions, or radios to encourage life on island time. Suite 21, often referred to as the “Marilyn Suite,” was also favored by Winston Churchill. The famous British Prime Minister’s designated painting desk on the property still retains smudges of color from his artistic sessions, almost always accompanied by his signature smoke. Situated on its own private peninsula, Suite 21 offers 180-degree ocean views, a luxurious marble bathroom with a rolltop tub, and an expansive terrace with a private plunge pool and direct ocean access. Competition for this room is fierce; a long-time guest books it for 40 nights each spring.

Affable and free-spirited Jamaican natives Eric and Belinda Morrow are the third-generation operators of the Jamaica Inn, with Belinda’s role focused on the Jamaica Inn Foundation. Their daughters, Olivia and Eloise, have recently joined as co-managers. And as charismatic as they all are, it’s no match for the star power of “Shadow,” the resident black Labrador holding the honorary title of “Social Director”. Jamaica Inn has kept a sequence of black Labradors named Shadow since the 1970s, and true to her name, this iteration is often found at Belinda’s heels, even accompanying her on paddleboarding excursions.

Belinda’s affinity for the sea is evident in her dedication to the White River Fish Sanctuary, a major initiative of the Jamaica Inn Foundation. Projects include coral planting and anti-bleaching efforts, mangrove restoration, supporting local fishermen, monitoring and protecting endangered Hawksbill turtle nesting sites, and providing ocean swimming lessons for local children for safety, sport, and enjoyment. “Who knows,” said Belinda, a huge smile spreading across her face, “we could inspire the Usain Bolt of the sea!” The Foundation funds the Teddy Tucker Scholarship Fund, which helps local families provide tourism and hospitality training for their children. To complement the Foundation’s efforts to equip local schools with essential technology, like Starlink internet kits, guests are encouraged to bring school supplies for distribution.

Closer to home, Jamaica Inn has eliminated Styrofoam and single-use plastic bottles from its operations, has invested in solar power, maintains an active organic garden and composting program, and was the first resort in Jamaica to install electric vehicle charging stations.

The resort offers a robust program of daily complimentary activities, many of which highlight local culture and culinary traditions. As part of their “Artisan Sundays,” we participated in a weaving workshop with Mr. Richard, who has been creating utilitarian and woven works of art since he was eight years old. Referring to himself as “part of a dying breed,” he is keen on passing down his skills to younger generations and proved to be an incredibly patient teacher, correcting our gaffes with a warm smile and a word of encouragement.

There is ample opportunity for exploration on land and at sea, and Jamaica Inn offers a variety of off-property excursions that can be easily arranged by the resort's concierge. We giggled like teenagers on the way to a half-day excursion that included learning how to roll a Jamaican spliff at JACANA (jacanawellness.com), a 100acre farm and botanical sanctuary in the mountains of St. Ann, known as “The Garden Parish.” The 30-minute drive took us up into the hills where more than 300 species of ferns and trees created a verdant tapestry.

“This is where nature is nurtured,” said Raihn Sibblies, JACANA’s

commercial manager, as she welcomed our group. We quickly learned that while cannabis gets the most attention (and JACANA is the only USDA-certified organic cannabis farm in Jamaica), it’s not the only star of the show in this Eden-like oasis that celebrates the long history of medicinal plant usage on the island. It was fascinating to hear from the women running the company about their own experiences with the various plants, especially the Noni fruit, which elicited a collective “yuck” face from all of them at its mention. “It has traumatized every child in Jamaica,” joked Raihn.

Our half-day itinerary included making an all-natural body scrub using organic ingredients sourced from the farm; learning that a “spliff” refers to the process, not the joint itself; enjoying a deliciously satisfying “Stush in the Bush” lunch; and finally, a relaxing sound bath in a natural bamboo grove. The upscale, environmentally conscious experience, which extends to JACANA’s packaging that performs like plastic but is plant-based, was a sea change from the long-held notions about Jamaica’s ganja industry.

Back at Jamaica Inn, after realizing that no one in our group had visited Dunn’s River Falls, the concierge arranged for a boat to pick us up at the resort and drop us off where the falls meet the Caribbean. From there, we enjoyed another laughter-filled excursion as we slipped and slid our way up the famous cascades, and again as a pop-up downpour added a memorable element to what would have otherwise been a scenic cruise.

We capped off the memorable day with a massage at The Ocean Spa, recognized as Jamaica's Best Hotel Spa as part of the 2025 World Spa Awards. Perched atop a rock outcropping, there is no piped-in soundtrack necessary in the oceanfront treatment rooms, as the rhythmic thrashing of the waves against the rocks is enough to coax even a tippy-top Type A into a blissful parasympathetic state.

Walking back to my room following the massage, I reflected on the day and the trip. At Jamaica Inn, change is calculated; by intentionally embracing history, the resort offers a true sense of escape, transporting guests to a simpler time often yearned for in this crazy, connected era. sl For more information, visit jamaicainn.com.

Bibliotaph

Compiled by Victoria Chase

Connection to place and devotion to functional beauty are the hallmarks of Richard Beard’s namesake firm, founded in 2014 and dedicated to site-specific architecture that integrates the built and natural environments—urban or wild—in ways that are both graceful and sustainable. All his designs, whether custom homes, remodels for growing families, or new-build commercial spaces, share a rightness for the situation and a timeless, thoughtful sensibility.

Richard’s understanding of architecture and how it shapes culture can be traced back to childhood days spent at the side of his father, a contractor and developer, and his grandfather, a land planner. Through that lens, he learned to value the human story of architecture. Today, his highly livable spaces—clean-lined and modern but never cold—have earned devotion from a discerning clientele, including fashion and hospitality brands such as Polo Ralph Lauren and Mumm Napa Valley, as well as homeowners across the country and overseas, Beard, FAIA, and partner Brett Moyer, along with Associate Principals Rebecca Lischwe, AIA, and Daniel Widlowski, AIA, offer a distinct point of view and a dedication to site-specific architecture that integrates the built and natural environments, urban or wild, in ways that are both graceful and sustainable.

The firm’s first monograph, Time & Place: The Homes of Richard Beard Architects (Monacelli), will debut on September 30, 2026. Supported by Beard’s illuminating text, the book presents eleven extraordinary residences, spanning a historic vineyard estate, a restored urban townhouse, and dramatic homes set along mountainsides and coastal cliffs—each revealing the breadth and refinement of the firm’s work. (phaidon.com)

bib 'li' o 'taph, [bib-lee-uhtaf, -tahf]: a person who caches or hoards books

Venice: La Serenissima by Assouline is a lavish visual tribute chronicling a millennium of history, art, and architecture through 60 defining moments. Part of the Ultimate Collection, it features a cover photograph of the 1951 Beistegui Ball by Cecil Beaton and brings together iconic imagery with text by Venetian historian Alberto Toso Fei and an introduction from architect Peter Marino.

Measuring a striking 19x19 inches, limited to 200 copies and retailing for $3,500, the Venice: La Serenissima Richelieu Special Edition (shown) is housed in a handcrafted wooden clamshell mimicking Venice's foundational timber piles, with a case swathed in radiant indigo blue and gold metallic Fortuny Richelieu fabric and crowned with a hand-painted Lion of Venice crest. (assouline.com)

Scott Fitzgerald’s classic, The Great Gatsby, features 13 full-color, full-page illustrations by Yuko Shimizu. A stunning addition to any bibliophile’s collection, the book is bound in teal cloth with screen-printed and blocked designs, and comes with a matching slipcase. It features a foreword exploring the novel's themes and an afterword by author Chuck Palahniuk. A numbered, limited edition of 500 copies features goatskin leather binding and green foil details (foliosociety.com).

Launching on September 15, Flamingo Estate has partnered with Chronicle Books to create a modern-day almanac offering practical wisdom and quiet inspiration for creating a deeper connection with the natural world—by planting, harvesting, cooking, and returning to our own senses. Gleaning inspiration from his home and garden in the hills of LA, author and Flamingo Estate founder Richard Christiansen guides readers through the seasons month by month, sharing stories, recipes, rituals, and practical wisdom for all those who want to live a little closer to the earth.

Discover how to cultivate and capture the intoxicating scent of jasmine. Invite birds, bees, and butterflies into your garden by knowing what to plant. Infuse your honey with fragrant honeysuckle. Make a calming lavender dream spray. String marigolds into a garland, and then make pasta with the leftovers. Host a tomato-inspired garden party. In all of it, learn the history, mythology, and botanical significance of these plants and why caring for them matters.

Brimming with hundreds of beautiful images and essential wisdom on countless plants, flowers, trees, and pollinators, Pleasure Principles: An Almanac from the Garden is a call to delight in the radical pleasures of Mother Nature (chroniclebooks.com).

TEQUILA & SUNSHINE

The Ultimate Summer Margarita Guide

Written by Jennifer Brian / Photos by Photo by Jennifer Brian nd Jessie Kriech Higdon

Oh, the glorious growing season of summer! The farmers’ market season is my favorite time of summer. Just browsing the booths to see what's fresh every week brings so many ideas for yummy cocktails and dishes. Simplicity is what we are looking for, and the ingredients during the growing season are always the stars of the show.

One of my quintessential summer cocktails is the margarita. The great thing about classic cocktails is that you can make so many variations with little effort. Margaritas are a crowd pleaser for a reason. The translation of Margarita in Spanish is “Daisy.” A daisy is comprised of a sour, a spirit, citrus, a sweetener, water (from ice dilution), and sometimes curacao. While bourbon is my first love, tequila runs a close second.

Distilled from the Blue Weber agave plant, Tequila is a region-specific product of Mexico. According to the Normas Oficial Mexicana of Tequila (NOM), the regulations governing

the production of tequila, 51% of the sugar used must come from the Blue Weber agave. Additionally, the agave must be grown on a registered plantation and processed, fermented, distilled, and aged by an authorized producer in one of 180 municipalities located in five states: Jalisco, Nayarit, Guanajuato, Michoacán, and Tamaulipas. In fact, bottling is the only activity permitted outside one of these approved areas.

Tequila does not have to be 100% blue agave, but that is 100% what I recommend. You do not want any additives in your tequila. There are three main types of tequila. Blanco tequila (silver) is made by adding only has water to it to dilute it to the desired proof and then bottling it. Reposado (“rested”) has been aged in oak barrels for at least two months, and Añejo (“old”), which has been aged in oak barrels for at least one to three years.

This trio of margarita variations can be made quickly and batch beautifully. Let me know which one is your favorite! sl

THE MARGARITA

Glass: Rocks glass

Served: On the rocks

Yield: 1 drink

2 oz Blanco tequila

1 oz lime juice

1 oz orange curacao or other orange liqueur such as Cointreau or Grand Marnier

Prepare your glass by rimming it with a mixture of 1 cup of sugar and 1 Tbsp of kosher salt. Run a lime wedge around the rim of the glass, then dip the glass into the salt/sugar mixture. Add ingredients to a cocktail shaker with ice. Shake until very cold. Strain into your prepared rocks glass with fresh ice. Garnish with a wedge of lime.

WATERMELON MARGARITA

Glass: Rocks glass

Served: On the rocks

Yield: 1 drink

2 oz Blanco Tequila

1 cup cubed seedless watermelon

1 oz Make & Muddle 2 Pepper Agave or 1 oz Simple Syrup or 1 oz orange curacao or liqueur

.5 oz lime juice

.5 oz water

Add watermelon to a blender or food processor and process until very smooth. Strain solids out and use the remaining watermelon juice in the recipe. You should have approximately .5 cups of juice. You can also take 4 or 5 cubes of watermelon and muddle it in the bottom of the cocktail shaker before adding the ingredients if you would rather not use the blender. Add ingredients to a cocktail shaker with ice and shake until very cold. Prepare your glass by rimming it with a mixture of 1 cup of sugar and 1 Tbsp of kosher salt. Run a lime wedge around the rim of the glass, then dip the glass into the salt/sugar mixture. Strain onto fresh ice in your favorite prepared rocks glass. Garnish with a watermelon cube and a sprig of fresh mint on a pick.

STRAWBERRY MARGARITA

Glass: Rocks glass

Served: On the rocks

Yield: 1 drink

2.0 oz Reposado Tequila

1.5 oz Make & Muddle Strawberry Basil Solution or *Strawberry syrup

.5 oz lime juice

Shake and strain into a glass over fresh ice. You can also take 3 or 4 fresh strawberries and muddle them in the bottom of the cocktail shaker before adding the ingredients if you would rather not make the syrup. Garnish with a fresh basil leaf and a strawberry pick.

*Strawberry Syrup

1 quart of fresh or frozen strawberries, stems removed and halved. Place strawberries, 2 cups of sugar, and one cup of water into a saucepan and bring to a boil. Cut the heat to low and simmer until strawberries are falling apart. You can also add a handful of fresh basil or rosemary when simmering the syrup for an added pop of fresh herbs. Cool, then strain through a fine-mesh strainer. Store in an airtight container for up to 30 days.

Discover how getting away can bring you together.

The Omni Homestead Resort & Spa offers a picturesque backdrop for creating lasting memories. With stunning natural scenery and a range of activities, including golf, hiking, and a luxurious spa, there is something for everyone to enjoy. Evenings by the fire pit, sharing stories under the stars, or discovering the resort’s history enrich the family experience. Every moment at

The Omni Homestead becomes a cherished memory.

BUILT ON REPUTATION

A St. Louis builder brings three generations of craftsmanship to Carmel—and beyond.

Some conversations at Ambrosia, one of our favorite Italian restaurants, start with the menu.

The better ones rarely stay there for long. While catching up with our dear friends Jeff and Pamela Greenwalt over dinner, Pamela mentioned they were going to build a new home on Main Street in Carmel, just west of the Arts & Design District. But before long, the

conversation shifted from the home itself to the experience of building it.

From the beginning, working with Matt Markway and Nathan Markway felt different, she said. “There’s a level of thoughtfulness in how they approach everything. You don’t feel like you’re being sold a house. You feel like you’re building it together.”

Then she mentioned something unique. “We just walked the house,” she said.

In this case, that meant a trip to a warehouse in downtown Indianapolis, where the entire floor plan had been laid out at full scale—every room, every hallway, every turn. A chance to experience the home before it exists, and refine it in real space rather than abstract drawings.

It’s the kind of step that reflects a broader seriousness about the process, regardless of who initiates it. And it pairs naturally with the kind of builder involved.

The Greenwalts also shared that while they have worked with a local architectural designer and a local kitchen and millwork designer in the past, for this project, they wanted a fresh perspective. A recent family trip to Napa Valley left

a lasting impression, and they came home inspired by a different sensibility— something lighter, more relaxed, and rooted in how they wanted the home to feel day to day.

That sense of clarity carried directly into the design process itself, which was developed by Markway Construction specifically for the project.

Based in St. Louis, Markway brings decades of high-end homebuilding experience to projects that span both geography and style—from classic to contemporary, always tailored to the client, the setting, and the way people actually live. While deeply rooted in St. Louis, the firm takes on select projects across the country, including here in Carmel and in nearby Zionsville, where it has established a growing presence in highly sought-after neighborhoods.

In Carmel, the Greenwalts acquired and cleared two homes along Main Street to assemble the site for their project —a process handled carefully and in coordination with local requirements, with a strong emphasis on preserving as much green space as possible given the scale and intent of what was being planned.

That approach has long been part of how Markway Construction operates.

This isn’t a recent expansion. It’s the continuation of a story that began in 1945, when Norbert Markway returned from serving in the South Pacific during World War II and began building homes for fellow servicemen. By 1949, Markway Construction was formally established, built on a simple premise: Do good work, price it fairly, and let reputation handle the rest.

It did.

Growth came steadily through referrals and relationships rather than marketing. Over time, Markway became a name associated with consistency and craftsmanship, respected not only by clients, but by peers in the industry as well. Norbert himself, when asked about competition, was known to say, “We have none.” A line delivered with the kind of quiet certainty that tends to stick.

That mindset carried forward as the company became a true family enterprise in the 1970s, with Norbert’s sons helping lead it through decades of growth. Today, the third generation—Matt and his brother Nathan—continues that legacy, bringing a modern, highly collaborative approach to a deeply established foundation.

“We’ve always believed the work speaks for itself,” Matt Markway said. “Our job is to deliver exactly what the client envisions, and make the process as smooth as possible along the way.”

Matt added that the value of the process is often revealed long before construction begins. The warehouse walk-

through is one example of how clients can experience scale and flow in real terms rather than relying solely on drawings.

“Seeing it at full scale changes how you understand it,” he said. “You catch things early, before they become expensive or permanent.”

It’s an approach that has taken Markway into some of the country’s most desirable neighborhoods, often working with clients who value discretion as much as design. But for all the national reach, the experience remains personal— grounded in conversation, trust, and a shared commitment to getting it right.

That philosophy has long been embedded in Markway Construction’s process. In Carmel, the Greenwalts’ home is well underway—framed, enclosed, and hard to miss along Main Street. In Zionsville, additional projects are taking shape. Together, they reflect something more deliberate than expansion: a steady presence being built over time.

Because once the builder is chosen, the real story isn’t about selection. It’s about execution. And that’s where Markway Construction earns its reputation. sl For more information, visit markwayconstruction.com.

Three Extraordinary Opportunities within Canterbury Estates

From two distinguished luxury residences to a remarkable lakefront homesite, each property represents a unique opportunity within one of Noblesville’s most desirable settings.

Three exceptional offerings are now available within Canterbury Estates, presenting a rare opportunity to acquire luxury residences, private waterfront living, and expansive acreage within one distinguished community.

Whether seeking a singular estate property or exploring the potential of a larger private holding, these offerings provide a level of flexibility and long-term value seldom found in today’s market.

WHERE SCALE LEARNS MANNERS

A rare offering of two residences with an additional homesite within Canterbury Estates

Written by Jeffrey Cohen / Photographed by The Addison Group

When we turned onto the private drive within Canterbury Estates in Noblesville, the shift was immediate. Even after years of touring luxury properties with listing agent Marty Zimmerman, there is still a noticeable change in pace as the road narrows and the setting begins to reveal itself in layers.

Zimmerman describes the offering as a composed three-part arrangement: a larger residence, a second Europeaninspired residence of more than 16,000 square feet, and an additional homesite for future construction or expansion. The 13-acre setting is complemented by access to an additional 25 acres of shared common ground within a well-established community of multimillion-dollar homes, creating a rare degree of flexibility within a cohesive luxury environment.

The larger residence spans more than 22,000 square feet and is anchored by a 7-acre stocked pond. Its Europeaninspired design features arched openings, dark hardwood floors, detailed millwork,

coffered and tray ceilings, and multiple fireplaces that define key architectural moments throughout. The scale is substantial, yet the design maintains strong balance and connection to its surroundings.

The main level is organized into connected living spaces that accommodate both daily life and larger gatherings. A central kitchen serves as the focal point of the layout, while the primary suite offers privacy and comfort. An elevator connects all three levels, reinforcing long-term usability.

The walkout lower level expands the living experience with a bar lounge, wine cellar, theater room, indoor basketball court, sauna, gym, guest suite, and additional recreation areas.

Outdoor spaces extend the experience with covered terraces, fireplaces, a heated pool with a waterfall feature, hot tub, firepit, dock access, and open views across water and acreage.

The second residence includes six bedrooms, five full baths, and two half baths.

A dramatic two-story great room, expansive window walls, and a main-level primary suite define the architecture and flow.

The additional homesite completes the offering, providing long-term flexibility for future construction or expansion within the broader setting.

Zimmerman describes the opportunity as one defined by choice. “The strength of this property is in how it can be experienced in more than one way,” he said. “It can function as a unified setting or be considered as separate components depending on a buyer’s needs.” He added, “What makes it unusual is not just the scale, but the ability for each piece to stand on its own while still belonging to a larger whole.”

The appeal lies in that same flexibility. After more than three decades in the market, Zimmerman continues to focus on offerings that present clear options—allowing a buyer to determine not only what is being acquired, but how it ultimately fits into the way they want to live. sl For more information, visit sothebysrealty.com/encoresir.

TIME

IS THE ULTIMATE LUXURY

Professional housekeeping helps homeowners reclaim what matters.

Written by Grace Isaacs

Luxury is often measured by what you own, but the most discerning homeowners know that true sophistication is measured by time well spent. The freedom to focus on work, family, travel, or simply a quiet afternoon depends less on resources and more on how smoothly a home runs.

Enter professional housekeeping. For decades, Housekeeping Maid Easy has helped Indianapolis households run seamlessly under the guidance of Monika Schindler. The principle is simple: When your home is cared for consistently, you are free to run your life. Surfaces are polished, floors gleam, linens are soft and ready, and rooms feel effortlessly welcoming. These seemingly small touches add up to hours and mental energy saved—time you can spend exactly how you choose.

Consider the difference between a weekend spent scrubbing and sorting versus one spent enjoying a summer morning on your terrace or catching up with friends. The home remains impeccable either way, but the experience—and sense of calm—is entirely different when professionals manage the details.

There is also a certain elegance to delegation. True refinement is rarely about doing everything yourself; it’s about knowing which tasks deserve your attention and which are better entrusted to someone who does them exceptionally well. Housekeeping Maid Easy exemplifies this philosophy, maintaining homes so discreetly that you almost forget the effort involved—until you notice how effortlessly life flows.

Summer, with its longer days and social calendars filling fast, makes the difference even more apparent. Homes prepared in advance allow for impromptu gatherings, leisurely breakfasts, or sudden afternoon escapes—all without the nagging thought: “I should clean first.” In a world where time is the ultimate luxury, every hour spent off-duty is a precious one.

For those seeking to elevate both their home and their life, Housekeeping Maid Easy offers decades of experience keeping Indianapolis homes impeccable, freeing their owners to focus on what truly matters. sl For more information, visit housekeepingmaideasy.com.

WHAT COMES NEXT

On retirement, family change, and legacy

Written by Patricia Parker

Over time, the most meaningful transitions rarely announce themselves.

In my work as a wealth management advisor, I am often present for moments of change—some anticipated, others less so—but all consequential. What I have learned is that these moments are rarely about beginnings. They are about what comes next.

Retirement arrives on a different timeline than expected. Families navigate divorce later in life after decades of shared history. Grandchildren enter the picture and quietly reshape priorities. Increasingly, families are also asking not only how wealth is built, but how it is used—through philanthropy, through structure, and through legacy.

From my office in Zionsville, much of my time is spent in discussions that rarely appear in public view, but shape everything that follows. Early on, the focus is often accumulation and direction. Later, it becomes structure, intention, and preservation. Over time, what begins as financial planning becomes something more personal: an ongoing effort to align resources with values, and decisions with long-term purpose.

What remains constant is the desire to get it right.

Wealth, when approached thoughtfully, is less about numbers than it is about design—a framework for decision-making that spans generations, priorities, and the unexpected.

That design increasingly includes estate planning, charitable giving, and how family values are carried forward across generations. It also includes something less formal but equally important: how families remain connected as roles shift and life stages change.

More often, these discussions extend beyond traditional planning topics. They include how retirement is being redefined, how families are navigating separation later in life, and how philanthropy is becoming more personal and hands-on rather than institutional.

Which brings me to something I am looking forward to sharing in the coming months: a series of small gatherings at Holliday Farms. These luncheons, dinners, and select events are designed for those thinking about these same transitions—informal settings rather than formal presentations. Dates and details will follow as they are confirmed.

If this reflection prompts a discussion at your own table about retirement, grandchildren, divorce, legacy, or charitable intention, then it has served its purpose. These are not abstract considerations; they are ongoing ones, and they tend to benefit from earlier attention than most people assume they require. And if nothing else, experience suggests the better decisions rarely arrive with much notice. sl

For more information, visit discoverywealthmanagement.com.

THE 21c EXPERIENCE

A refined stay in St. Louis where art, hospitality, and dining align.

Written by

There are arrivals, and then there are arrivals that quietly set the tone for everything that follows. We arrived in St. Louis on a Monday, my son at the wheel of our BMW convertible— equal parts robotics wunderkind and, for the purposes of this trip, a very capable co-pilot. At the curb, the valet greeted us with genuine warmth and just enough admiration for the car to earn my son’s immediate approval. A small moment, perhaps, but an early indication that this would be a stay defined by thoughtful touches.

Check-in confirmed the impression. The welcome was gracious, polished, and warm in a way that never feels rehearsed. It’s a particular kind of hospitality, the kind that suggests you’ve been expected, even if you’ve only just arrived.

We made our way upstairs and into a Loft Double Queen—double-height, airy, and lofted in feel, with a separate sitting area that immediately shifts it into something closer to a suite than a standard room. It’s comfortable, slightly unexpected, and very much in keeping with the hotel’s playful, contemporary design language.

And then there is the defining characteristic of the property: the fact that it’s not just a hotel, but a museum you happen to sleep in.

We had previously stayed at the brand’s flagship property in Louisville, and there’s a recognizable thread here—art-forward, slightly irreverent, and deeply committed to the idea that a hotel should feel like a place you engage with, not simply pass through.

The next morning, coffee from Good Press—the hotel’s lobby café, all orange-andwhite warmth with bistro tables that quietly recall Paris—in hand, I made my way up to the gallery on the second level before continuing through the hotel’s public spaces. The art here is contemporary, occasionally unexpected, often playful, and consistently thought-provoking. My wife and I have built an eclectic collection at home, and this felt entirely aligned with our sensibilities. I left not just impressed, but inspired—always a welcome, if slightly dangerous, outcome.

The public spaces reinforce that feeling. What might otherwise be a lobby becomes something closer to a sprawling, art-filled living room.

On our first evening, we settled into Idol Wolf, the hotel’s Spanish-inspired restaurant where the energy carries easily between bar and dining room. I started with a chorizo margarita—mezcal washed with chorizo, orange brandy, lime, and agave—a drink that leaned savory in a way that immediately set the tone for the room.

We shared a few small plates: Spanish olives bright with citrus and garlic, and Serrano ham served with chorizo chips

that added a crisp, smoky counterpoint. A Spanish Caesar followed, layered with anchovy and paprika, and a beef tenderloin carpaccio that was all restraint and precision rather than excess.

For mains, my son chose the burger— direct and satisfying—while I opted for roasted salmon, simple and perfectly judged for the setting.

The next evening, we found ourselves drawn back downstairs. The lobby bar just outside Idol Wolf had become an easy place to linger, and from there it was a short step back into the billiards room, where my son and I played again beneath the installations, the space even more atmospheric on a second visit.

Earlier that afternoon, I had eased into Pintxos Hour, a civilized window between three and five that encourages a slower start to the evening. A crisp beer nearby, I briefly considered not moving at all.

The next morning arrived with equal intention. Coffee from Good Press provided the necessary start, followed by time in the lower level at the Locust Street

Athletic Club, a facility that deserves more than a passing mention. Anyone who knows me understands that, for all the miles I travel, a hotel’s fitness center matters. This one does not disappoint. Beyond the expected array of weights and cardio equipment, it offers a fourlane heated lap pool, a hot tub, sauna, steam room, and a water experience that feels transported from somewhere more tropical. It is, quite simply, one of the more complete hotel fitness environments I’ve encountered—and I returned each morning without hesitation.

We were in town for the week while my son competed in the 2026 VEX Robotics World Championship—a remarkable gathering of young talent, and something of a milestone week for him.

Some places you visit. Others you settle into almost immediately.

This is the latter. And long after we’ve left St. Louis, I suspect this is the version of the city we’ll remember. sl

For more information, visit 21cmuseumhotels.com/st-louis.

MASTERING THE MARKET

Written by Matt McLaughlin

Central Indiana’s luxury residential real estate market continues its impressive ascent, solidifying the region’s reputation as one of the Midwest’s most compelling destinations for discerning homeowners and investors alike. Fueled by strong buyer confidence, exceptional demand, and a growing appreciation for premier properties, the market is setting new benchmarks across every measure of performance.

Exceptional demand drives market growth. The broader Central Indiana luxury market is experiencing remarkable momentum. Sales of properties priced above $1 million surged 39% year-over-year, with 406 luxury residences changing hands compared to 292 during the same period last year. This substantial increase reflects not only heightened demand, but also the growing appeal of Central Indiana among affluent buyers seeking exceptional value, lifestyle, and long-term investment potential.

Buyers continue to demonstrate a willingness to invest in the region’s finest homes, pushing the average luxury sales price beyond $1.5 million— an increase of 3% year-over-year. From architecturally significant estates to expansive private retreats, premier properties continue to command attention and achieve impressive results.

Perhaps the most compelling illustration of the market’s strength came in 2025 with a record-setting sale of $11.85 million, establishing a new pinnacle for luxury residential transactions in the region. While increased inventory has modestly extended the average market time to 55 days, demand for exceptional homes remains robust, particularly for distinguished estates, waterfront properties, and acreage offerings.

Washington Township’s timeless prestige. For buyers seeking sophisticated living in one of Indianapolis’ most established luxury enclaves, Washington Township continues to outperform expectations. Luxury homes sold in an average of just 32 days, underscoring the area’s enduring desirability and limited availability.

A 29% increase in closed sales, coupled with a 13% rise in average sales price to $1,487,257, highlights the competitive nature of this prestigious market. Buyers remain highly motivated to secure residences within the township’s most coveted neighborhoods, where timeless architecture, mature landscapes, and proximity to the city’s finest amenities create enduring value.

Hamilton County: A powerhouse of luxury living. Hamilton County remains one of the region’s most sought-after luxury destinations, offering a collection of premier communities known for exceptional schools, private clubs, waterfront living, and sophisticated amenities.

Luxury sales volume increased by an impressive 42% year-over-year, with 216 properties sold. Homes are trading swiftly, averaging just 41 days on market, while maintaining strong and stable valuations with an average sales price of nearly $1,500,000. The county also celebrated a landmark transaction with a top sale of $5.295 million, further reinforcing its position as a premier luxury market.

An exceptional opportunity. With inventory levels ranging from 2.2 to 4.6 months across Central Indiana’s luxury sectors, the market remains balanced yet highly active—a rare combination that creates opportunity for both buyers and sellers.

Whether pursuing a distinguished estate in Hamilton County, a refined residence in Washington Township, or a one-of-a-kind architectural masterpiece elsewhere in the region, today’s market offers an exceptional opportunity to invest in Central Indiana’s most exclusive lifestyles. Backed by sustained demand, rising values, and record-setting transactions, the region’s luxury market continues to demonstrate both resilience and remarkable potential. sl

For more information, visit callmatt.in, or Call Matt! at 317.590.0529.

FREELAND’S

A place you want to be—and a table you don’t want to leave

Written by Jeffrey Cohen / Photographed by Dave Pluimer

The first thing you notice isn’t the room—it’s the light. It settles through the front windows of Freeland’s Restaurant with an easy confidence, softening the edges of a restored farmhouse at The North End in Carmel. Nothing feels forced. Nothing needs explanation.

We began with Nicolas Feuillatte brut champagne by the glass—clean, lifted, and exactly the kind of wine that made the evening feel like it had already made a good decision without asking anyone’s opinion.

I was there with Tom Main, longtime friend and owner, though you’d never hear him call himself that. The kind of person who seems to know half the room already, and the other half before the night is over.

FREELAND’S

At Tom’s suggestion, and somewhere between catching up and laughing about everything and nothing at all, we started with tuna tataki, composed with lemon myrtle, compressed watermelon, radish, cucumber, wasabi aïoli, sweet soy, and wasabi peas. Bright and architectural, it carried a restrained sense of play—precise without being precious, confident without needing emphasis.

Between the two of us, the evening had already found its rhythm—the kind of easy conversation that moves between stories without effort—and the first plates simply arrived as part of it, not apart from it.

Our second starter, the carrots, followed in that same flow: edamame folded into hummus, a touch of Szechuan sauce, and everything bagel spice adding an unexpected edge. Sweet, savory, and slightly mischievous, it didn’t demand attention, but it held it—one of those dishes that disappeared quickly while the conversation kept drifting without pause. Everything was served on vintage, mismatched china—an eclectic mix that felt intentional rather than improvised, the kind of detail that would make my wife, who insists on rotating through all 13 of her own china sets at home, quietly smile in approval.

Between courses, service moved with an unspoken rhythm. Plates appeared and disappeared without interruption, maintaining that rare balance of being well taken care of without ever being reminded of it.

A stir-fried sugar snap pea dish reset the table: crisp, direct, and built around freshness rather than embellishment.

Fish followed. The Norwegian brown trout brought a spring ragout of English peas, soybeans, Roman artichokes, and a morel mushroom broth—seasonal and structured, unfolding in layers rather than announcing itself.

There was a natural pause in the meal, the kind that often signals nothing more than everyone leaning back slightly in their chairs, conversation widening as the pace slows. It’s in those moments that a restaurant reveals its comfort level, and Freeland’s never seems rushed to move things along.

The Loch D’ Art salmon arrived into that ease with bok choy, roasted fingerling potatoes, rainbow carrots, and jalapeños, finished with a strawberry glaze that balanced brightness and depth without excess.

Dessert arrived without hurry, the kind of final course that feels like it belongs exactly

where it is rather than announcing an ending. Ricotta donuts were served warm and soft, paired with Tom’s coffee ice cream and a rich chocolate sauce that tied everything together.

A shared s’mores pot de crème followed—chocolate, marshmallow, graham cracker, and a whisper of Hickory ash—a Tinker Street favorite that feels like it shouldn’t be as elegant as it is, which is probably the point.

With glasses of 2018 Grgich Hills Viognier late harvest, the evening eased into that final stretch where nothing needs to be ordered and no one is in a hurry to leave.

In the kitchen, executive chef Braedon Kellner—long associated with renowned sister restaurant Tinker Street—now leads Freeland’s, and the cooking reflected a disciplined hand: restrained, precise, and focused entirely on clarity and seasonality.

And then there is Tom.

He’s created a remarkable culture. There’s genuine affection here—earned, not assigned—and it runs both ways. Freeland’s includes team members with disabilities working seamlessly alongside the rest of the staff, and what stands out is not emphasis, but ease. It’s part of the fabric of service rather than something set apart or announced.

In a business that often rewards volume over tone, Tom has built something steadier than success: familiarity without fatigue,

warmth without performance, and a room that simply knows how to take care of people.

Perhaps the most impressive thing is how unpretentious it all feels. You could celebrate an anniversary here, certainly. But you could just as easily find yourself dropping in on a Wednesday because you don’t feel like cooking. In the summer months, lingering over dinner and a bottle of wine on the patio feels like exactly the sort of evening the restaurant was built for—and that may be the greater compliment.

That, ultimately, is what Freeland’s understands. It doesn’t perform for attention. It simply holds its shape—glass by glass, course by course.

Freeland’s feels less like a new arrival and more like it has always belonged. sl For more information, visit freelandsrestaurant.com.

CINCY CALLING

A

summer escape where world-class tennis is only a short drive away.

Written by Jeffrey Cohen / Photo courtesy of Cincinnati Open

There is something deeply satisfying about discovering a summer outing that feels elevated without requiring the logistical choreography of a European vacation. For those who appreciate a bit of style, a bit of sport, and a very good excuse to spend a day away from home, the Cincinnati Open may be the Midwest’s most civilized August tradition.

The beauty of the tournament begins with its simplicity. Cincinnati is a little over two hours from Indianapolis, close enough for an easy day trip yet just far enough away to feel like a proper escape. You can leave after breakfast, arrive in time for a late morning match, enjoy an afternoon courtside with a chilled glass of sauvignon blanc in hand, linger through the electric atmosphere of the evening session, and still sleep in your own bed that night.

That is a luxury people underestimate.

The Cincinnati Open has quietly evolved into one of the most enjoyable sporting events in America, offering world-class tennis without losing the relaxed atmosphere that makes summer tournaments so appealing. Yes, the world’s best players are there.

Yes, the tennis is extraordinary. But the experience remains approachable, polished, and unmistakably Midwestern in the best possible sense. The crowd appreciates a bit of style without ever feeling the need to overstate it. The hospitality feels thoughtful rather than theatrical. The entire event strikes that rare balance between refinement and ease.

And then there is the tennis itself.

Even for casual fans, watching elite professional tennis in person is startling. The speed, the movement, the sound of the ball coming off the racquet—television simply flattens the experience. At court level, the precision becomes almost absurd. One moment

the stadium is silent enough to hear a player exhale during a serve toss. The next, the crowd erupts after a breathtaking rally that seems physically impossible.

What I particularly love about the Cincinnati Open is the rhythm of the day. The daytime session carries the easy elegance of a summer social gathering. Sun hats, sunglasses, linen shirts, leisurely lunches between matches. Then, as evening arrives and the lights come on, the tournament changes personality entirely. The night session hums with energy. The air cools, the stadium fills, cocktails reappear, and marquee matchups suddenly feel cinematic beneath the August sky.

For those looking for something increasingly rare, the tournament also offers spontaneity. You don’t need a weeklong commitment or months of planning. A single free day becomes a memorable outing. Friends decide on Wednesday to attend on Friday. Couples turn it into an effortless Saturday escape. Tennis fans spend an entire day moving from outer courts to center court, discovering rising stars in the afternoon and watching global icons by night.

And while the Cincinnati Open certainly attracts serious tennis devotees, you don’t need encyclopedic knowledge of the ATP or WTA rankings to enjoy yourself. Part of the pleasure comes simply from being there—from the atmosphere, the people, the warm summer evening energy that settles over the grounds once the sun begins to dip.

Some events ask far too much of us. The Cincinnati Open asks only for a comfortable drive south and a willingness to enjoy a remarkably good day. sl

For more information, visit cincinnatiopen.com.

WINWIN IN THE KITCHEN

A chef-inspired idea to keep good food in circulation

Written by Jeffrey Cohen

I first met Chef Neal Brown on one of the early photo shoots we did for this magazine at his then–downtown bar, Libertine, which he owned. Neal walked in with a calm confidence that immediately put the room at rest.

Before I could even ask my first question, he looked at me and said, “Hardesty says you’re a cool dude,” referring to the late chef Greg Hardesty. It was said so casually, like a seasoning, that it immediately put me at ease. That was Neal: no performance, just presence.

We hit it off. Eventually, we became friends. Over time, he taught me more than I expected to learn about cooking— how to plate without panic, how restraint is sometimes the most important ingredient, and why food tastes better when you stop trying to impress it.

These days, I still see him regularly at our favorite neighborhood coffee shop, where we talk about everything except recipes until we suddenly are talking about recipes.

Which brings me to his latest concept: WinWin, a new food-sharing app built around a simple premise. Good food shouldn’t be tossed out just because that new recipe made way too many servings for your family, or you realized you’re leaving for vacation and didn’t quite get through all your fresh produce first. The app connects neighbors with one another—and with the surplus food that might otherwise go to waste.

Users post available food on the app, someone nearby responds, and pickup is

arranged directly—often as simple as food left on a porch for another user to come by when it’s needed.

“It’s not about charity in the traditional sense,” Neal told me when I asked him about it. “It’s about correcting an imbalance that already exists in plain sight.”

“Every extra plate is already a decision waiting to be made. We’re just giving it somewhere better to go.”

What makes WinWin interesting isn’t just the idea, it’s the tone. It doesn’t feel like a tech company trying to disrupt anything. It feels more like a chef quietly opening your kitchen door and saying: You don’t have to throw that away.

In practice, that idea shows up in small but telling ways—home cooks redistributing what would otherwise sit untouched, and a simple shift in mindset around what “leftover” even means. The concept is launching with neighbor-to-neighbor

sharing in mind, although the hope is to loop in farmers and foodservice operators down the road.

That idea of sharing food without ceremony is rooted in something familiar: the kind of generosity that doesn’t announce itself. A neighbor dropping off soup when you’re sick. A gardener leaving tomatoes on a stoop. Bread set outside at the end of the day for whoever needs it. That’s the spirit WinWin is built on.

That’s Neal Brown at his core. Whether it was Libertine in his earlier years or conversations over coffee now, he has always treated food as something that belongs in motion, not in waste bins or forgotten prep lists.

WinWin is still early, still shaping itself, but the idea behind it is already fully formed: Abundance only matters if it moves. And Neal, as usual, is just making sure it does. sl For more information, visit winwinshares.com.

INDYCAR IS BACK

Crowds, coverage, and credibility are starting to move as one.

Written by Jeffrey Cohen / Photo courtesy of Penske Entertainment: Paul Hurley

I have a confession: For years, whenever someone told me IndyCar was on the verge of a resurgence, I nodded politely and changed the subject.

I’ve heard “IndyCar is back” more times than I can count—usually when the conversation turns to fuel strategy and everyone leans in like they understand more than they admit. Yet this time feels different—not because of one race, one driver, or one headline, but because the evidence is increasingly hard to ignore.

The Indianapolis 500 continues to deliver the world’s largest single-day sporting event, while television audiences and digital engagement across the series continue to grow. More importantly, IndyCar no longer feels like a sport that has to convince people it matters. It simply does.

That credibility starts with Roger Penske. When he purchased IndyCar and the Indianapolis Motor Speedway in 2019, he wasn’t buying a struggling property. He

became the steward of American openwheel racing’s most important institution. Through discipline, investment, and relentless attention to detail, he restored stability and confidence to both the series and the Speedway.

He deserves credit.

So do Mark Miles and Doug Boles. Miles guides the commercial and structural evolution of the series, while Boles has become one of the most visible and authentic public faces of Indianapolis Motor Speedway.

Together, they represent the backbone and identity of the modern era.

But this resurgence isn’t coming solely from the top.

One of the biggest shifts has been how teams engage fans. Arrow McLaren, led by Zak Brown, has been among the most effective at bridging that gap. McLaren understands modern fans don’t just want results—they want access, personality, and story. The team has evolved into something closer to a media brand than a traditional race outfit.

Chip Ganassi Racing remains the benchmark for sustained excellence. In an era defined by parity, Ganassi continues to set the standard for execution. At its center is Alex Palou, no longer an emerging name but the defining driver of his generation. A multiple-time IndyCar Series champion and Indianapolis 500 winner, he has become the reference point for excellence in IndyCar.

The drivers continue to perform at an exceptional level. Veterans like Josef Newgarden and Scott Dixon remain

benchmarks of consistency, while Pato O’Ward brings speed and personality in equal measure. Felix Rosenqvist added a defining chapter to his career with a dramatic victory in the 2026 Indianapolis 500, underscoring just how deep and unpredictable the field has become. The depth across the grid ensures that nearly every race weekend feels unsettled in the best possible way—which is exactly what modern motorsport thrives on.

Formula One fans already knew the voice of Will Buxton, but his arrival as FOX’s lead IndyCar commentator has brought something the series has long needed: narrative clarity. He translates complexity without stripping it of meaning and brings urgency without distortion. FOX Sports’ broader commitment to promoting the series has also elevated IndyCar’s visibility in a more sustained and intentional way. That matters more than it sounds.

And then there’s the calendar, which is becoming a story of its own.

The Indianapolis 500 remains the anchor, but events like the Freedom 250 Grand Prix of Washington, D.C. signal a series willing to expand its footprint without losing its identity. A street race in the nation’s capital is not just an addition—it’s a statement about relevance, reach, and ambition.

Crowds are showing up. Television audiences are responding. New events are drawing attention beyond traditional motorsport circles. And for the first time in years, IndyCar feels like it’s building forward momentum instead of defending its place in the sporting landscape.

No, IndyCar doesn’t need to be Formula One. It simply needs to be the best version of itself. And right now, it finally looks like it is. sl

For more information, visit indycar.com.

BUXTON AT THE BRICKYARD

How Will Buxton’s call turned the Indy 500’s final lap into instant history

Written by Jeffrey Cohen / Photos courtesy of FOX Sports

I still can’t tell you exactly when I became aware I’d be remembering this for the rest of my life—only that it wasn’t announced. It just… happened. One second it was noise, the next it was meaning, and I didn’t get the memo when that switch flipped.

It was the 110th running of the Indianapolis 500, and the Speedway was doing what it always does at full volume: turning sound into something you don’t just hear, you absorb.

And then there was the voice that anchored it.

Will Buxton, one of motorsport’s most distinctive voices since his Formula One days, leading FOX Sports’ broadcast alongside Townsend Bell and James Hinchcliffe, holding a microphone like he’d borrowed it from another era of broadcasting and decided to see if it still worked under modern speed.

Because Buxton didn’t sound like he was describing the Indy 500. He sounded like he was trying to keep up with it.

Then came the last lap. Not introduced. Not softened. Just suddenly everything at once.

Felix Rosenqvist arrived like a decision that had finally stopped waiting, turning

drafting into intent and intent into something that rewrites outcomes in real time.

Ahead of him, the race collapsed into its purest form: slipstream, timing, nerve, and two cars refusing to agree on the same piece of air—compressing everything down toward the yard of bricks as the checkered flag fell.

The finish came like that: so close it stopped behaving like a margin and started behaving like disbelief with a timestamp. Hundredths of a second separating outcomes that took 500 miles to build—the closest finish in Indianapolis 500 history. And through it all, Buxton was there, voice up, calling it as it happened, not after it had settled into sense.

“Here comes Rosenqvist… It’s Rosenqvist! It’s Rosenqvist!”

Not correction. Recognition. The moment arrived in his voice at the exact same time it arrived on track.

That’s the thing I can’t shake.

Some moments in sport don’t get remembered so much as they rewire how memory works. You don’t file them neatly. You inherit them, and everything before them feels slightly rearranged in hindsight.

This was one of those. Earlier chaos in the race—the attrition, the reshuffling, all the usual ways the Indy 500 strips certainty away—had already done its job by the final lap. It clears the stage so something sharper can cut through. But what survives isn’t the chaos. It’s the call.

Because there are great voices, and then there are rare moments when a broadcaster

doesn’t just describe history, but becomes part of how it is stored.

And Buxton, slightly above the race, didn’t sound like a broadcaster watching history. He sounded like one of the defining voices in modern motorsport briefly trying to keep up with it—and succeeding just enough that it stays with you. sl For more information, visit indianapolismotorspeedway.com.

PAPAYA PLAYBOOK

Zak

Brown has built McLaren Racing into a system defined by engineered proximity.

Written by Jeffrey Cohen / Photo courtesy of Penske Entertainment: Titus Slaughter

I was finishing my first espresso of the day— still early enough that the world hadn’t fully arranged itself—when my phone lit up with photos from the night before.

Lando Norris, McLaren driver and reigning Formula One World Champion, had been moving through downtown Indianapolis on Sunday evening, seen at a country bar with IndyCar driver Connor Daly and former McLaren Formula One teammate Daniel Ricciardo, part of a post-race social orbit that blurred into Monday’s official world.

He had flown in from Montreal after the Canadian Grand Prix, arriving on a quick turnaround that left little separation between one racing world and the next.

The morning after the Indy 500 at the Indianapolis Motor Speedway—the Greatest Spectacle in Racing—the city was still vibrating. The usual exhale hadn’t arrived. Instead, the Speedway felt like a rare convergence point, with Formula One, IndyCar, and the broader motorsport ecosystem briefly occupying the same space.

And it was already clear: this was not going to be a normal post-race day.

Norris arrived not as a guest passing through, but as part of a network that treats proximity as design rather than coincidence.

What followed had the cadence of controlled spontaneity.

Norris with Tony Kanaan, Arrow McLaren IndyCar team principal and former Indy 500 champion, circling the famed oval in a Corvette pace car. A tour through the Speedway museum with Zak Brown and Roger Penske, figures who have shaped modern racing. Felix Rosenqvist, fresh off his Indy 500 victory, had completed his media duties and moved through the same orbit.

At one point, Rosenqvist and Norris were in conversation with an ease shaped by shared presence within the same paddock ecosystem. Norris made little effort to hide his fascination with IndyCar and the Indianapolis 500, declining to rule out a future appearance while stopping short of anything resembling a commitment.

Papaya, quite literally and symbolically, was everywhere—the McLaren signature shade.

Later came golf at Brickyard Crossing, where several holes sit in the infield. Norris played a round with Brown and Christian Lundgaard, a McLaren IndyCar driver— leadership and driver aligned not by series, but by shared philosophy: performance first,

personality visible, access part of the product rather than a risk to it.

At another point, Norris visited McLaren’s Indianapolis Racing Center, where he was shown around by Pato O’Ward, one of Arrow McLaren’s most prominent IndyCar drivers. The facility reflects McLaren’s IndyCar operation, underscoring the separation of programs under one brand but different regulatory environments.

What stands out is not access, but intent. These moments are not chance encounters; they are the output of a system built on proximity. McLaren has become less a gated institution than a

circulating presence—drivers, executives, partners, and fans briefly sharing the same field of visibility.

Brown’s fingerprints are visible not in spectacle, but in structure. Proximity feels inevitable rather than arranged. He moves seamlessly between pit lane and boardroom, where racing and business operate in the same register.

In Indianapolis—the center of American open-wheel racing—McLaren once felt like an import. Now it feels fluent.

The Arrow McLaren IndyCar program reflects the same logic as Formula One. Compete at the highest level. Keep

personality visible. Treat access as part of the experience.

Kanaan moves through the organization with the ease of someone who has lived both eras: closed paddock and open feed.

What Monday clarified is how unified the system has become. The Formula One team, the IndyCar program, the commercial engine, and digital storytelling now operate as one language.

Because today’s motorsport audience does not simply observe. It participates. It clips, shares, reacts, and reconstructs narrative in real time. McLaren built accordingly—not as a racing team seeking

visibility, but as a visible brand that happens to race.

The result was a world champion stepping into Indianapolis not as a visitor, but as part of an ecosystem where boundaries between series, geography, and audience have become permeable.

As I set down my second espresso, the phone continued to light up. More clips. More images. More papaya.

The distance between spectator and sport has not disappeared. But it has been reduced. Not because racing changed. But because McLaren decided it should feel closer. sl For more information, visit mclaren.com.

EMILY GOES RACING

From Paris to Monaco, glamour finds a new gear.

Written by Jeffrey Cohen / Photos courtesy of Getty Images

Monaco has always been a place where worlds collide. Fashion and finance. Yachts and race cars. Hollywood and horsepower.

In fact, there are few places in the world where “Emily in Paris” and Formula One naturally belong in the same sentence— except for a place like this.

That collision of culture and speed set the tone as Lily Collins arrived in Monaco to film scenes for “Emily in Paris” during Grand Prix weekend, alongside Formula One driver Sergio “Checo” Pérez and members of the Cadillac Formula One program.

The result is a pairing that feels less like crossover casting and more like an inevitable

meeting of two global languages: luxury entertainment and elite motorsport.

The most striking moments come in motion and in stillness. One places Collins in the passenger seat beside Pérez in a Cadillac CT5-V Blackwing for a hot lap through Monaco’s legendary street circuit, the barriers close enough to remind even the most experienced why Monaco defines racing drama. Another captures her outside the Cadillac garage in conversation, a quieter but equally revealing glimpse into the controlled world behind Formula One’s most visible stage.

For “Emily in Paris,” Monaco represents a natural extension of a series

that has steadily evolved beyond its original setting. What began as a love letter to Paris has expanded into something broader: a European fantasy built on movement, travel, and the idea that identity can shift as easily as geography. Past seasons have already ventured beyond France, including Italy, and Monaco now enters the story as a setting that requires no introduction.

Few destinations carry that kind of visual shorthand. Monaco is instantly understood. It’s the harbor filled with yachts during Grand Prix weekend. It’s the vertical city carved into rock above the Mediterranean. It’s the rare place

where a tuxedo, a racing suit, and a couture gown can all appear equally appropriate without irony. That is why Cadillac’s presence in this collaboration feels so aligned with the moment.

Formula One today operates far beyond the boundaries of sport. It has become a global stage where engineering, design, entertainment, and luxury converge in real time. Cadillac’s Formula One program reflects that shift—an entry into one of the world’s most visible cultural arenas, where performance and image carry equal weight.

By placing its Formula One identity alongside “Emily in Paris,” Cadillac connects with two audiences that share a language of aspiration, even if they arrive from different directions. One is defined by global motorsport and technical ambition. The other is shaped by fashion, travel, and the aesthetics of lifestyle storytelling. Monaco becomes the point of overlap where both feel entirely at home.

Monaco does not require embellishment. It is already a complete composition. The harbor, the circuit, the skyline, and the sea do the framing without assistance. And that’s why this combination works. Nothing feels imposed. Nothing feels out of place. Instead, it feels like recognition—of how culture, entertainment, and performance now move together through the same spaces.

“Emily in Paris” meets Formula One. And in Monaco, that sentence writes itself. sl For more information, visit cadillacf1team.com.

SATURDAY, SEPTEMBER 19, 2026 | PAYNE & MENCIAS PALLADIUM

Elegant dinner, live performances, after-parties and more! Proceeds benefit Allied Solutions Center’s arts and educational programming.

Join us! Tables and sponsorship opportunities still available. Learn more at TheCenterpresents.org/Gala

SPECIAL THANKS TO OUR SPONSORS, INCLUDING:

SECOND

An unexpected story of rescue and resilience

Written by Kay Anderson

SECOND CHANCES

There are moments in life that arrive quietly, before sunrise, when the world still feels half asleep. For me, one of those moments came at 5:36 on a freezing Indianapolis morning while I was on a construction site for CASA Construction, awaiting a delivery of materials.

The neighborhood was quiet, given the early hour. But as I stood there with coffee warming my hands, I noticed a dog tied to a fence next door. The leash was pulled so tightly she couldn’t even sit down. No blanket. No water. Just cold air and tired eyes.

And once you see something like that, you can’t really unsee it.

It was too early to knock on doors, so I went home, stuffed my hoodie pockets with pepperoni, and came back later that morning. I rang the bell and asked the people who answered if the dog was friendly. “Oh yes,” they told me. “She’s just sad because her owner died.”

It didn’t quite add up. The moment I crouched down beside her, she practically inhaled the pepperoni from my pockets. Not aggressive. Not mean. Just starving. Desperately hungry for food and, honestly, probably kindness too.

I went back to the construction site, but the dog came along and stayed with me all day. Some people can compartmentalize things. I have never been particularly gifted at that.

So I returned to the house again and said, “I have two dogs and a wonderful vet. Maybe she’s sick. Would you mind if I took her in?”

To my surprise, they agreed.

The vet confirmed what I had already suspected: severe malnourishment. We brought her home, helped her gain weight, and slowly watched her personality emerge. She was sweet, affectionate, and endlessly patient with my girls.

Eventually, the owner contacted me and said the dog, Cash Dior, would be going to live with relatives. I offered to meet them first, and when I did, everything looked promising: an older couple, a large backyard, another dog of a similar breed. I wanted to believe it was a happy ending.

But life rarely ties things up that neatly.

Months later, I got another call. There had been an altercation. The dog needed to leave immediately. Could I help?

Of course I could.

As I drove into the neighborhood, piecing together the truth that had been hidden behind the original story, I learned the owner hadn’t died at all. There had been jail time, fighting, instability—and suddenly the urgency made much more sense.

Then the dog walked out of the house. Very pregnant.

I took her straight to the vet, where I was asked one of the more alarming questions I’ve ever heard: “Do you want the good news or the bad news?”

The good news was there were “only” seven to ten puppies. The bad news? They’d be arriving within days.

I called every humane society I could think of. Many planned to spay-abort the puppies, even though they were fullterm. I understood the heartbreaking logic behind it—shelters are overwhelmed, and pit bulls are too often born into terrible circumstances—but I simply couldn’t do it. So I brought her home to my family.

Three days later, seven beautiful puppies were born. And our house became absolute chaos. Wonderful, hilarious, exhausting chaos. Blankets everywhere. Tiny squeaks in the middle of the night. My daughters sitting on the floor for hours holding puppies like they were rare treasures. Watching them learn gentleness, responsibility, and compassion in real time may have been the greatest surprise of all.

The two biggest brothers, Max and Apollo, went to our neighbors. We fell hopelessly in love with the runt of the litter, Panda, who still keeps us entertained daily. The rest found homes with experienced pit bull lovers, people who understood the breed beyond the unfair stereotypes.

And mama dog? Now named Nina, she landed exactly where every rescue animal deserves to be: with a veterinary technician who absolutely adores her. She is spoiled, safe, healthy, and living the kind of life every dog deserves.

None of this was planned. I certainly didn’t wake up one morning thinking: You know what would really round out the week? Seven pit bull puppies.

But sometimes the best chapters in life arrive disguised as inconvenience. And years from now, I know my girls will look back and laugh about the time Mom completely lost her mind and brought home a pregnant pit bull.

I hope what they really remember is this: Compassion doesn’t always arrive conveniently. Sometimes it shows up freezing cold, tied to a fence before sunrise, asking whether you’re willing to stop and care.

SOPHISTICATED PETS

I’m always amused by how something as unassuming as a tail wag or a soft purr can stop a room cold.

In my work as a plastic surgeon, I spend much of my time thinking about proportion, harmony, and the subtle architecture of beauty—what restores confidence, what refines, what brings a face back into balance with how someone feels inside. And yet, every other month, when we publish our Sophisticated Pets section, I’m reminded that nature has been doing this work effortlessly, and with far more humor, for far longer than I have.

It’s a privilege to sponsor this beloved corner of Sophisticated Living. I say that sincerely, without irony. There is something grounding about seeing readers share the animals who share their lives—the dogs with their improbable personalities, the cats who clearly believe they own the furniture. And, by extension, the residence itself—the horses whose presence alone feels like a form of poetry. These are not just pets; they are companions, confidants, and occasionally, very persuasive negotiators when it comes to dinner time.

What I love most is the honesty in these portraits. There is no pretense in a dog caught mid-leap or a cat refusing to acknowledge the camera exists. It’s pure character. And perhaps that’s why I find this section so aligned with what I do professionally. Both are, in different ways, about honoring individuality rather than erasing it.

I would be remiss not to acknowledge my own small contribution to the animal world. My dog Louie—who some of you may already know by name alone—continues to operate under the belief that he is both my supervisor and my emotional support system. He’s not wrong on either count.

So it’s with genuine gratitude that I lend my name, and my admiration, to this section in each issue. It’s a joy to help bring these animals to life on the page, and an even greater one to be reminded, issue after issue, that beauty is not always composed in symmetry. Sometimes it’s found in a slightly crooked ear, a muddy pawprint, or the unfiltered way a beloved pet looks at their person.

Emily Hrisomalos, M.D. dremilyhrisomalos.com

Gus is the kind of dog who would absolutely correct your grammar while stealing your latte.

A distinguished nine-year-old Silky Terrier with the energy of Niles Crane and the emotional range of a Victorian poet, Gus— also known as Guster, Gus Gus, and Goose Goose—approaches life with equal parts caution and sophistication. Startle him with an unexpected noise and he’ll retreat beneath the bed, his preferred panic room. Whisper “Oops!” in the kitchen, however, and this cautious gentleman transforms into an Olympic sprinter convinced a piece of cheese has hit the floor.

His daily routine revolves around the finer things in life: sneaking sips of lattes when Mom isn’t looking, carefully relocating his kibble to another room for private dining, and luxuriating on freshly used bath towels as though they’re spa linens at a five-star resort. Gus also takes neighborhood security very seriously. He launches into dramatic barking performances whenever the mail carrier approaches, only to become immediate best friends should they meet in person.

Written by Grace Isaacs / Photographed by Sarah Lang Photography

Gus joined Sarah Lang’s family eight years ago after a road trip to Oklahoma inspired by her mother, who firmly believed every family deserved a Silky Terrier. She was apparently correct. Since then, Gus has mastered the art of cozy mornings, enthusiastic postbathroom victory laps, and living according to what can only be described as his personal philosophy: approach life with a healthy dose of fear.

When he’s not defending the castle or rearranging towels to his liking, Gus enjoys visiting his grandma’s home along the shores of Lake Superior, where the sand somehow transforms this nervous little gentleman into a carefree puppy once again.

Perhaps that’s why Gus is such a natural in front of the camera. His mom, Sarah Lang, spends her days capturing beloved pets and the families who adore them through Sarah Lang Photography. Dogs, cats, horses, and countless furry personalities find their way in front of her lens, but Gus remains her favorite four-legged muse—and the tiny latte thief who still runs the household. sl

TEDDY

Written by Grace Isaacs

Every morning in Williams Creek begins the same way, though “same” is a generous term for Teddy, a five-and-a-half-year-old Bernedoodle whose personality exists somewhere between charming chaos and quiet brilliance.

Sally and Mark Perlstein open the door and there he is: Teddy— also known as Ted or Ted-head, depending on the seriousness of the moment—already waiting as though the day has been carefully scheduled in advance. In his mind, it has. The walk is not a routine so much as a daily social obligation.

The neighborhood is his stage. Teddy moves through it like a well-known local figure, greeting every dog as though they are either an old friend he’s been meaning to reconnect with or a new acquaintance who urgently needs his attention. Either way, introductions are non-negotiable.

At home, the Perlsteins describe him as a lovable goofball with brains, charm, and just enough cleverness to suggest he understands far more than he lets on. He has strong opinions about comfort, especially at night, where his preferred sleeping arrangement involves Mark’s head, a freshly fluffed pillow, and complete disregard for personal space.

Teddy’s most sophisticated skill is retrieving the newspaper from the end of the driveway. Rain, snow, or sunshine, he trots out with purpose, grabs it, and delivers it like a very fluffy concierge. From the window, Sally and Mark watch in quiet amusement as their four-legged service department reports for duty.

Of course, refinement always has a counterbalance. Teddy’s least refined habit is his enthusiastic approach to canine greetings, which involves a level of curiosity that leaves little room for personal privacy.

In the car, he claims the front seat next to Dad, especially on Starbucks runs for a pup cup. Affection, in Teddy’s world, is constant. He leans, sits on feet, and remains exactly where he has decided companionship should happen.

Five years after a six-hour drive to northern Ohio to meet a Bernedoodle puppy, life with Teddy has become exactly what they hoped for: loyal, playful, inseparable, and just the right amount of ridiculous. sl

Brie has a very specific understanding of mornings, and it does not include rushing. In her mind, the day properly begins only once she has located the best sunbeam in the house, confirmed that her Kashwere pet bed has not been moved even an inch, and received at least one question she can dramatically answer with a head tilt.

Brie, a Mini Poodle mix estimated to be between three-and-ahalf and four years old, is a rescue who appears fully aware that she landed exactly where she belongs. Her owner, Deana, affectionately describes her as “a little extra,” which may be the most understated description possible.

Her daily routine revolves around three essential priorities: walks, lounging like she’s being photographed for a lifestyle campaign, and maintaining a carefully curated rotation of favorite toys. During walks, however, Brie reveals a less refined side. If something appears on the sidewalk, she firmly believes it deserves consideration as a snack. Her judgment remains a work in progress.

At home, Brie is nothing short of elegant. She settles into her Kashwere pet bed with the confidence of someone who believes thread count is a personality trait. She prefers full-contact companionship and can usually be found curled beside her favorite human. If she isn’t touching someone, she seems to question the arrangement entirely.

Written by Grace Isaacs

Brie also possesses remarkable communication skills. Ask if she wants a treat and she races to the treat jar with impressive efficiency. Mention a walk and she may retrieve the leash herself, offering a silent critique of any unnecessary delays. Her expressive head tilts are so precise they feel like punctuation marks in an ongoing conversation.

Summers in Bay Harbor suit her perfectly. There, she carries herself like a dog who believes she is already a beloved local celebrity.

If Brie could summarize her worldview in a single sentence, it would be simple: “I am Queen Brie.” Judging by the devotion she inspires, the crown fits perfectly. sl

WALTER

Written by Grace Isaacs

Walter, sometimes known simply as Walt, is an 18-month-old doodle with a personality every bit as large as his heart. Laura Steele describes him as silly, shy, rambunctious, curious, and endlessly entertaining—a combination that keeps life interesting from sunrise to bedtime.

Few things bring Walt more joy than a car ride. It doesn’t matter whether the destination is five minutes away or across town; if there’s an open window involved, he’s all in. With his head proudly out the window and his ears catching the breeze, Walter approaches every drive as though it were the adventure of a lifetime.

At home, his attention quickly shifts to the backyard, where squirrels serve as both nemesis and motivation. Each sighting sparks a determined pursuit, transforming an ordinary afternoon into what Walt considers a mission of critical importance.

Walter has mastered sophistication and mischief in equal measure. His most refined habit is carrying a dog bone through the house like a gentleman strolling with a fine cigar—a moment perfectly captured in his featured photograph. His least refined habit is proudly marching through a muddy backyard with that same treasured bone, leaving a trail of paw prints and evidence behind him.

His favorite place in the house is Laura’s bed, where he can keep watch over the backyard and remain prepared for any squirrel-related developments. While Walt enjoys affection, he prefers to offer it on his own terms. Snuggles, kisses, and the occasional presentation of a muddy bone to Laura or her daughter are his preferred love languages.

Walter joined the Steele family just over a year ago and quickly became an important source of comfort during Laura’s daughter’s first year away at college. His playful spirit, loyalty, and companionship filled the house with laughter and made moments of absence feel a little less lonely.

If Walter could speak for himself, his motto would be short, confident, and entirely unapologetic: “I’m the man.” sl

Uno and Indy are what happen when serenity and chaos decide to share a home—and unanimously agree the humans are simply support staff.

Uno, four years old and self-appointed house philosopher, moves through life with the calm authority of a dog who has already reviewed today’s schedule and determined it should primarily involve naps. His great passions are sleeping, supervising snack distribution, and methodically working through his repertoire of tricks until he lands on the one his humans were hoping to see. It’s less obedience and more negotiation. He also maintains a refined appreciation for oversized plush toys, which he insists on using as luxury pillows.

In moments of excitement, Uno’s otherwise composed demeanor slips just enough to reveal his signature expression: lips tucked, teeth slightly exposed, and a face that somehow communicates both wisdom and mild inconvenience.

Indy, meanwhile, operates at maximum enthusiasm. At just one year old, she treats the world as a continuous invitation to investigate, collect, and occasionally disrupt. Her hobbies include high-speed zoomies, tail-chasing marathons, and proudly carrying “found objects” through the house. Tissues, socks, wrappers, and anything that appears remotely important are all fair game.

UNO & INDY

Written by Grace Isaacs

Together, they are equal parts entertainers and professional photo assistants. The moment a camera appears, both freeze into perfectly composed, model-worthy poses. That is, of course, until a squirrel, duck, or suspicious movement enters the scene. At that point, only their heads move in synchronized surveillance mode while the rest of their bodies remain impressively committed to the assignment.

At home, Uno claims the right side of the bed like a reserved suite at an exclusive hotel. Indy prefers either center stage or directly on top of her humans. Their affection is constant, their timing impeccable, and their ability to create laughter nearly effortless.

Their shared motto might as well be simple: if it involves treats, attention, naps, or mild chaos, they are already fully committed. sl

THE SOUND OF PAWS ON HARDWOOD

A home should welcome every member of the family, including the four-legged ones.

Written by Brad Mitchell

I have long believed that the true test of a beautiful home is not how it looks at six o’clock in the evening with every lamp glowing perfectly, but how it performs at seven o’clock the following morning when the dog tears through the kitchen chasing a tennis ball while someone spills coffee near the breakfast nook. Luxury, at least in my world, should never feel delicate. It should feel lived in.

That thought crossed my mind recently while visiting friends whose golden retriever greeted me with the sort of enthusiasm usually reserved for returning war heroes. Within moments, paws were sliding across the floor, tails brushing against furniture, and someone apologized for what they described as “the chaos.” Yet the room looked magnificent. The wide-plank hardwood floors carried a soft matte finish that somehow managed to feel both elegant and forgiving.

For years, pet owners were conditioned to believe they had to choose between practicality and beauty. Thankfully, flooring has evolved. Mohawk Flooring has developed pet-friendly flooring systems built for real life, including scratch resistance, waterproof protection, and finishes designed to handle daily movement from both people and animals.

Their RevWood and PetProof-inspired innovations reflect a simple idea: A home should not flinch when life happens. Muddy paws, spilled water bowls, and sudden hallway sprints are no longer design problems— they are part of the design environment.

I have become especially fond of today’s textured hardwood looks. They conceal the tiny imperfections that inevitably come with pets while adding warmth and character to a room. Some of Mohawk’s pet-safe engineered wood options even embrace a lightly weathered character, allowing marks of everyday living to blend naturally into the surface.

Color also matters. Very dark floors may look dramatic, but they tend to reveal every strand of fur. Lighter oak tones and

natural finishes create a more forgiving partnership between design and daily life.

Modern flooring systems also soften sound in a meaningful way. The onceobvious click of nails on hardwood is now gentler, creating homes that feel calmer and more relaxed.

A floor should not demand perfection from its owners. It should meet them where they are. sl For

TEEN ACNE: EARLY CARE MATTERS

Preventing long-term scarring starts sooner than most think.

Written by Melanie Kingsley, M.D. / Photographed by Dave Pluimer

Teen acne is one of the most common skin conditions I treat, yet it is is also one of the most misunderstood. Many parents assume it is simply a phase that will disappear with time. While mild acne sometimes improves with basic care, acne is an inflammatory skin disease that often progresses without appropriate treatment.

Early intervention matters more than most people realize. When acne develops, pores become clogged with oil and dead skin cells, leading to inflammation that can worsen over time. Treating acne early is not just about clearing today’s breakouts—it is about reducing the risk of permanent scarring and preventing more severe flares.

One of the biggest misconceptions is that acne is caused by poor hygiene. In reality, hormones, oil production, inflammation, and genetics all play significant roles. Excessive washing or harsh scrubbing often makes acne worse by irritating the skin and disrupting its natural protective barrier.

The most successful treatment plans are usually the simplest. A gentle cleanser, a topical retinoid introduced gradually, and a non-comedogenic moisturizer often provide an excellent foundation. Consistency is far more important than trying multiple products or following trends seen on social media.

The emotional effects of acne should not be overlooked. Adolescence is a time when confidence and self-image are developing, and visible skin concerns can affect social interactions, self-esteem, and overall well-being. Treating acne is about improving both skin health and quality of life.

For moderate to severe acne, or when early scarring is present, prescription therapies may be necessary. These decisions are individualized and based on a careful evaluation of skin type, severity, and medical history. For those who prefer not to take oral medications, or for patients who would benefit from additional treatment to accelerate improvement, I also offer laser therapies and chemical peels as part of a comprehensive acne treatment plan.

The most important message for families is simple: waiting rarely improves acne on its own. Early evaluation and individualized treatment can help prevent long-term scarring while restoring healthier skin and greater confidence.

If skin concerns are ongoing, I can help identify the underlying cause and develop a more individualized treatment plan. sl

For more information, visit mkderm.com.

THE PROMISE BEHIND PROM

Why every child deserves Riley

Written by Grace Isaacs

I arrived at The Children’s Museum of Indianapolis expecting to see an extraordinary prom. What I found was something much bigger.

Hosted by Women for Riley, Riley Prom is a joyful and powerful reflection of something far greater than a single evening. It’s part of a statewide commitment made possible through the Every Child Deserves Riley campaign—the most ambitious effort ever undertaken by Riley Children’s Foundation. This year, the museum was transformed into a Parisian-inspired celebration for the event’s “Passport to Paris” theme. Families filled the halls, children explored exhibits, volunteers welcomed guests with excitement, and the energy throughout the evening felt both joyful and deeply meaningful.

Yet as I moved through the event, I found myself thinking less about the decorations and more about what makes a night like this possible, and what it represents.

Because Riley Prom is about far more than a party. It’s a window into a broader promise: that every child deserves access to the very best care and support, no matter the challenges they face.

Through the Every Child Deserves Riley campaign, Riley Children’s Foundation is working to raise a minimum of $300 million to transform the future of children’s health. This effort is designed to address some of the most urgent and complex needs facing kids and families today including expanding access to mental health care, recruiting and retaining world-class pediatric specialists, accelerating life-changing research, ensuring that children across Indiana and beyond can benefit from Riley’s expertise, and supporting families during some of the most difficult moments of their lives.

It’s a bold vision, grounded in a simple but powerful belief that every child deserves a chance for a brighter future.

For nearly two decades, Women for Riley has played an important role in bringing that belief to life. Through volunteerism, advocacy, and more than $2.2 million in contributions, the organization has helped support initiatives that enhance care and create meaningful experiences for patients and families. Riley Prom is one of those efforts, creating a visible, heartfelt reminder of what it means to care for the whole child.

On this particular evening, that commitment looked a little different.

It looked like joy.

For one special night, more than 1,000 children and family members stepped away from treatments, appointments, hospital rooms, and daily worries to simply be together. Children laughed with entertainers, posed for photos, explored the museum, and danced alongside siblings and caregivers. Families created memories that had nothing to do with diagnoses or procedures.

Moments like these are an important part of what the Every Child Deserves Riley campaign seeks to make possible. Because transforming children’s health is not only about clinical breakthroughs or expanded access. While those are critical, it is also about supporting emotional well-being, fostering connection, and ensuring that families feel seen, supported, and never alone in their journey.

That impact is made possible through a community of donors, healthcare professionals, volunteers, and partners who believe in what Riley represents. Women for Riley is one of the many groups helping turn that belief into action, creating opportunities for joy and relief that complement the life-saving work happening every day across the system.

From the Glam Lounge staffed by more than 100 volunteer stylists to the countless businesses and supporters who contributed their time and resources, every detail reflected a shared commitment to something bigger than any one event.

As I watched the celebration unfold, I kept coming back to the same thought.

This wasn’t simply an evening of celebration. It was a glimpse into what it looks like when a community rallies behind a transformative vision for children’s health—one that prioritizes access, innovation, and whole-family support. And perhaps that is what made the night so meaningful. For a few hours, children were not defined by their medical conditions. Parents were not navigating complex care decisions. They were simply families, enjoying a moment of normalcy and connection.

That is the promise at the heart of Every Child Deserves Riley. It is a promise to meet children where they are, to invest in the care and discoveries that will shape their future, and to ensure that no family faces their journey alone. It is about addressing today’s most urgent challenges while building a healthier future for generations to come.

Riley Prom brings that promise to life in a uniquely visible way. It reminds us that behind every investment in care, every research breakthrough, and every expansion of access are real children and families whose lives are being changed, not just in the long term, but in moments that matter right now.

As the music faded and families made their way home, the evening served as a powerful reminder.

Every Child Deserves Riley is more than a campaign.

It’s a call to action—and a promise. A promise that every child deserves exceptional care, access to innovation, unwavering support, and moments of joy along the way. sl For more information, visit rileykids.org.

T

IN DIANA P OLIS

It All Comes Down to This

Sept 17 Opening Ceremonies

Sept 19-23 Preliminaries

Sept 25-28 Semi-Finals

Sept 30-Oct 1 Classical Finals with the East Coast Chamber Orchestra

Oct 2-3 Eli Lilly and Company Finals with the Indianapolis Symphony Orchestra

Oct 4 Gala Awards Ceremony violin.org

GLOBAL STAGE, HOOSIER WELCOME

The “Olympics of the Violin” returns to Indianapolis.

Written by Donna L. Reynolds / Photographed by Denis Ryan Kelly Jr.

First comes the enthusiastic applause. Then an expectant hush. And after that— magic. One of 40 gifted young violinists selected from around the world steps onto the stage. The nerves are taut, the stakes are high, the music is extraordinary. Only one competitor will take home the Gold Medal, along with a Carnegie Hall recital debut, a generous financial prize, the use of an exceptional instrument, and professional management to launch a career in classical violin performance.

It happens only once every four years— and only in Indianapolis.

The International Violin Competition of Indianapolis, known simply as The Indianapolis, returns September 17, bringing some of the world’s most promising young musicians to the Circle City. While the rest of the world can watch via a global livestream, there’s nothing quite like securing a seat to witness firsthand what’s often called the “Olympics of the Violin” in person.

Founded in 1982 by a group of local arts supporters, along with legendary violinist and Indiana University professor emeritus Josef Gingold as its artistic director, the competition exists to recognize, reward, and promote the world’s finest young classical violinists. It immediately secured a position as one of the top violin competitions in the world,

becoming well known for the quality of the violinists, the integrity of its procedures, the professional post-competition career support provided to medalists, and the hospitality of the host city.

Each of the 40 participants—selected from a much larger group of applicants— is assigned a local host family who provide not just room and board, but the kind of emotional support and encouragement that makes The Indianapolis so unique. From airport greetings to often tearful farewells, hosts and participants frequently form lasting relationships that only enhance the reputation of the competition and that of its host city.

Ranging in age from 16 to 29, participants are welcomed to Indianapolis at an Opening Ceremonies gala, this year to be held at Newfields and open to the public. They’ll have already chosen and prepared pieces from the competition repertoire and will be assigned a professional collaborative pianist for their performances ahead. A jury of internationally acclaimed violinists, including Indianapolis Laureates, will judge four rounds of performances over two weeks: Preliminaries, Semi-Finals and two rounds of the Finals.

From the 40 original participants, 16 are selected to advance to the Semi-Finals, where each will be required to perform a new work commissioned specifically for

this event. This year’s piece is composed by Jessie Montgomery, a GRAMMY® Award-winning composer, violinist, and educator whose expressive works have earned her widespread acclaim in classical music. Semi-Finalists are judged on their interpretive skills, as none have yet heard the commissioned work.

The excitement intensifies when the six Finalists are announced. They’ll go on to perform in two rounds of Finals over four nights. The first, with the critically acclaimed East Coast Chamber Orchestra, demonstrates the violinist’s technical prowess and skill at leading an orchestra. The second Finals round features the Indianapolis Symphony Orchestra, with Maestro Leonard Slatkin returning this year for his third Indianapolis appearance to conduct the conclusion of the Competition. Before the concert hall goes dark, everyone will learn the placement of the six Finalists. And the following afternoon, at Closing Ceremonies, the city will celebrate them at the Scottish Rite Cathedral.

The 12th Quadrennial 2026 winners will join a pantheon of only 66 Laureates representing 23 countries. Like those past winners, they’ll go on to become concert violinists, concertmasters, recording artists, and chamber musicians. Each will leave Indianapolis with cherished memories, enhanced talent, new friendships, and tales of Hoosier hospitality.

And in the years to come, many will mentor the next generation of musicians, continuing Josef Gingold’s legacy and ensuring that new audiences of music lovers continue to savor exceptional performances, timeless music, and the thrill of competition. sl For more information, visit violin.org.

July

6/25-4

6/29-12

SOPHISTICATED SOCIETY

Presented by

Montreal International Jazz Festival, Montreal, Canada, montrealjazzfest.com

Wimbledon, London, England, wimbledon.com

4-26 Tour de France, Spain and France, letour.fr/en

6 British Grand Prix, Silverstone Circuit,Towcester, England, formula1.com

12-19 The 154th Open, Royal Birkdale, Southport, England, theopen.com

21-26 Indy Shorts International Film Festival, Indianapolis, discovernewfields.org

August

7/30-2 Lollapalooza, Chicago, lollapalooza.com

7/30-2 Sydney International Boat Show, Sydney, Australia, sydneyboatshow.com.au

7-16

Sturgis Motorcycle Rally, Black Hills, South Dakota, sturgismotorcyclerally.com

11-23 Cincinnati Open, Cincinnati, Ohio, cincinnatiopen.com

18-23 BMW Championship, Bellerive Country Club, St. Louis, bmwchampionship.com

20-23 LIV Golf Indianapolis, The Club at Chatham Hills, Westfield, livgolf.com

Indy 500 Victory Celebration

Racing fans gathered at the Indiana Convention Center for the Indy 500 Victory Celebration, presented by Gainbridge, to honor the drivers of the 2026 Indianapolis 500 and crown race winner Felix Rosenqvist of Meyer-Shank Racing. Following a sold-out race that delivered the closest finish in Indianapolis 500 history, the event brought together all 33 drivers of the NTT INDYCAR SERIES for an evening of celebration. sl

1. Chase Ault, Romain GrosJean, Taylor Mosher

2. Christian Lundgaard, Gabriella Gilrowski

3. Felix Rosenqvist

4. Doug Boles, Beth Boles, Conor Daly

5. Alex Palou, Esther Valle

6. Ed Carpenter, Heather Carpenter

7. Graham Rahal, Courtney Force-Rahal

8. Josef Newgarden, Ashley Newgarden

9. Renay Ferrucci, Santino Ferrucci

10. Scott McLaughlin, Karly McLaughlin

by Chris Courtney

Chernoff Backyard Benefit

Supporters of the Survivors of Violence Foundation attended the Chernoff Backyard Benefit. Guests enjoyed a beautiful evening listening to the outstanding performance of Clayton Anderson. Linda Vaughn, the First Lady of Racing, entertained guests with a special song for the event, while Dr. Chernoff—the “grill master” extraordinaire—delighted guests with his favorite culinary creations. Proceeds benefited the Survivors of Violence Foundation, which provides scar improvement and reconstructive surgery for people who cannot afford the cost of care. sl

1. Travis Webb, Michael Hansen, Mike Conley, Andrea Conley, Sarah Burke, Christy O’Mailia

2. Bob Brady, Anna Kate Brady, Jen Brady, Liam Brady

3. Brian Miller, Pamela Miller

4. Greg Chernoff, Isabella Gasbero

5. John Simeone, Shelly Simeone

6. Karen Mersereau, Mike Helms, Sheila Klink, Susanne McAlister

7. Linda Vaughn, Nancy George, Zuri Boaz, Fiona Boaz, Catherine Chan, Jeimy Sofia Lopez

8. Melissa Gregor, Keith Gregor

9. Larry Hughey, Linda Mordoh

10. Pete Werner, Emily Werner, Pete Joseph Werner, Greg Chernoff, Jill Chernoff

11. Clayton Anderson, Aaryn Martin, Johnny Concannon, Jacob Huff, Cole McGlothlin

12. Rick Goren, Claire Goren, Dee Bennett, Tony Bennett

by Jennifer Driscoll

Indy’s Best and Brightest Awards

Junior Achievement of Central Indiana proudly recognized 100 of the city’s most outstanding young professionals on April 22, 2026, during the 2026 Indy’s Best and Brightest awards ceremony at the Fishers Event Center. Now in its 22nd year, the evening celebrated individuals who are making a meaningful impact through their professional accomplishments, civic leadership, and dedication to giving back to the community. sl

1. Geng Wang, Lindsay Szostak, Casey Osterkamp, Devyn Mikell

2. Aaron Berghoff, Andrew Adeniyi

3. Emilee Smith, Amy Northard, Bailey Martenson, Ben Irwin

4. Heidi Melton, Jak Kramer, Kristina Hurley

5. Jennifer Burk, Adam Shaffer, Eric Sutphin

6. Logan Metzger, Chelsea Linder, Amber Haantz

7. Moussa Ibrahim, Shannon Furlin, Josh Daugherty

8. Rebecca McNally Keehn, Marciana Laster

9. Sam Hurley, Anthony Gary, Nelson Frech, Erin Drake

10. Twanyea Donaldson, Nida Ansari, Leanna Adeola

11. Tyler Moorhead, Katelyn Juerling, Jaclyn Flint, Marina Blackburn, Grant Achenbach

12. Kelly Doucet, Maggie Cunningham, Alexandra Casati, Andrea Richter-Garry, Natalie Russell

13. Veronica Onofrey

— Aubrey Noltemeyer

Ford Vice President,

Putt from the Ruff

IPAAW’s Putt From the Ruff returned to Broad Ripple Village on April 25, 2026, drawing approximately 200 attendees for a day of mini-golf, community engagement, and animal welfare fundraising. The event benefited Indianapolis Professionals Advocating for Animal Welfare (IPAAW), Alliance for Responsible Pet Ownership (ARPO), Lucci’s Bully Rescue, and Oinking Acres. Together, the event raised more than $10,000 to support vaccine clinics, rescue efforts, volunteer initiatives, and animal welfare programs throughout the Indianapolis community. sl

1. Cassie Zinc, Bryant Leach, Brittny Woodcock, Angie Carter

2. Bryan Messersmith, Theodore Messersmith, Katherine Messersmith

3. Jessica Knudsen-Bahney, Valerie Ballinger

4. Eric Satterthwaite, Lorene Satterthwaite, Cheryl Pletch, Evan Pletch

5. David Pratt, James Pratt, Olga Pratt

6. Elaine Thiel, Lauren Wirt, Kate McGill

7. Jay Fiedler, Donny Wirt, Dominick Chase

8. Kristen Imhoff, Jen Hail, Suzie Dillon, Brian Hail

9. Valerie Kushman, Matt Kushman, Lindsey Henry, Justin Adams

10. Paul Maurer, Kate Maurer, Jo Whitis, Terry Whitis

by Daria Afshar

Garden Party: An Evening of Impact

On June 6, 2026, A Dwelling Place hosted its first annual Garden Party: An Evening of Impact at the Meridian-Kessler home of Bruce Heslin. Welcoming 100 guests, the event advanced the organization’s mission of family preservation, providing mentorship and essential household items—such as cribs and beds—to underserved local families. Guests enjoyed catering by Juliettas Taco Shop, a DJ, child-created art on display, and a ministry spotlight. The silent auction featured signed Indiana Fever, Colts, and Indy Ignite gear, as well as local artisan goods. sl

1. Brennan Fogus, Ashley Fogus, Pam Burgoyne, Jeff Burgoyne

2. Brittany Benson, Derek Benson

3. Bruce Heslin, Hilary Gaudreau

4. Dena Barrie, Jeffery Barrie

5. Dwayne Williams, Emily Williams

6. Elizabeth Kirsch, Scott Kirsch

7. Jared Lawrence, Addison Lawrence, Shalonda Cheatham, James Cheatham

8. Emily Williams, Kim Woodburn, Amber Johnson

9. Kristin Marini, Brent Marini

10. Shane House, Angela House

11. Jay Clifford, Suzanne Clifford, Kayleigh Khavari, Reuben Lowery

12. Shayna Mupanga, Nate Mupanga, Brad Lindemann

by

Libiamo!

Indianapolis Opera debuted Libiamo! A Renaissance of Taste & Tempo on March 21, 2026, at the Basile Opera Center, celebrating more than 50 years of opera in Indianapolis. In partnership with the Italian Heritage Society of Indiana, the sold-out event welcomed nearly 250 guests for an evening of gourmet Italian cuisine, fine wine, glamorous fashion, and transcendent opera singing from renowned artists, including soprano Angela Brown. Surrounded by displays of Ferrari sports cars, Ducati motorcycles, and Vespas, attendees helped make the inaugural fundraiser a success, exceeding every goal. sl

1. Katrina Basile, Frank Basile

2. Alfred Savia, Kitty Savia

3. Angela Brown, Blaise Brown

4. Carol Faenzi, Nancy Lorenzano

5. Elizabeth Taylor, Stephen Taylor

6. Hope Tribble, Akin Akinwande

7. Helmi Banta, Ron Banta

8. Lloyd Brooks, Carol Faenzi

9. Mark Chestnut, Patsy Solinger

10. Michael Schaefer, Jeffrey Brinkmann

11. Roberta Godinho, Traci Garontakos, Allie Ceresoli

12. Rob Holder, Laura Roman

Bourbon, Bling & Bowties

More than 340 guests gathered at the Marriott Indianapolis North on September 20, 2025, for the Bourbon, Bling & Bowties: Portrait of Wishes Gala benefiting Indiana Wish, whose mission is to inspire hope and create joy for Indiana children ages 3-18 diagnosed with a life-threatening illness. The event featured a bourbon trail with samples from 12 different vendors, DeBrand Fine Chocolates pairings, and a cigar bar hosted by Blend. Hosted by Joe Melillo and featuring an auction led by Tony Katz from WIBC, the evening raised more than $250,000. sl

1. Beverly Smith, Ani Weitzel, Dave Meguschar

2. Vicky Erwin, Johnston Erwin

3. Chris Conwell, Mary Leppert

4. Dinna Stanley, Stewart Stanley

5. JD Edwards, J’Lynn Edwards

6. Joseph DiSalvo, Laura DiSalvo

7. Julie Papagiannis, Greg Papagiannis

8. Kim Wooten, Matt Wooten

9. Lex Yariam, Karen Yariam

10. Patrice Ellis, Leroy Ellis

11. Phil DeBruler, Susan DeBruler

12. Casey Garamoni, Brian Chilver, Kelly Chilver

13. Steve Bainaka, Cathy Bainaka

ELEVATING CONFIDENCE THROUGH PASSIONATE CARE

“We love empowering our patients to feel confident, radiant, and to put their best face forward.”

- DR. EMILY HRISOMALOS -

Dr. Emily Hrisomalos is a double board-certified plastic surgeon and an expert in reconstructive and cosmetic surgery of the face and neck. Together with Advanced Medical Aesthetician Susan Barnes, their practice treatment philosophy revolves around delivering compassionate, customized care and exceptional results that help patients look and feel their absolute best.

FACIAL PROCEDURES

Facelift & Necklift

Brow Lift

Eyelid Surgery

Rhinoplasty

Injectable Treatments

Laser & Light Treatments

Microneedling

Chemical Peels ... and more!