4 4 5 COLLECTIVE 31 G O O S E GAT E - 44 CO LLE CTIVE x F IVE LE AVE S BO O KSHOP
SONYA YIM (N0750140)
CONT EN TS 4
MANIFESTO 44 COLLECTIVE x FIVE LEAVES BOOKSHOP
5
3 1 G O O S E G AT E
6
SITE PLAN
7
S I T E A N A LY S I S
8
ETHNOGRAPHIC STUDY
9
THE CLIENTS
10
WHO IS 44 COLLECTIVE?
11
FIVE LEAVES BOOKSHOP - PUBLISHING PROCESS
12
HYBRID BRAND IDENTITY DEVELOPMENT
13
HYBRID LOGO DEVELOPMENT
14
HYBRID LOGO COLOUR DEVELOPMENT
15
DESIGN DEVELOPMENT
16
MATERIALITY
17
BUILDING USE INITIAL SKETCH
18
BUILDING USE PLANNING
19
BUILDING USE DIAGRAM
20
TECHNICAL STUDY
21-22
PROPOSED DESIGN: STRUCTURAL SYSTEM
23-34
PROPOSED DESIGN: MEZZANINE 1:20 DETAIL STUDY
25
445 COLLECTIVE
PROPOSED DESIGN: PERFORMANCE SPACE
PAG E 2 | CO N T E N TS
CONT EN TS
445 COLLECTIVE
26
ORTHOGRAPHIC DRAWINGS
27
BASEMENT FLOOR PLAN
28
GROUND FLOOR PLAN
29
FIRST FLOOR PLAN
30
SECOND FLOOR PLAN
31
ROOF FLOOR PLAN
32
BRIGHTMOOR STREET ELEVATION
33
GOOSE GATE ELEVATION
34
BRIGHTMOOR STREET SECTION AA
35
GOOSE GATE SECTION BB
36
EXPLODED ISOMETRIC
37
VISUALS
38
EXTERNAL VISUAL - TWO POINT PERSPECTIVE
39
INTERNAL VISUAL - PERFORMANCE
40
INTERNAL VISUAL - ENTRANCE
41
INTERNAL VISUAL - WORKSHOP
42
MODELS
43-46
FINAL 1:100 SITE MODEL
47-48
FINAL 1:20 SECTIONAL MODEL - BASEMENT
PAG E 3 | CO N T E N TS
4 4 CO L L E CT I V E x F I V E L E AV E S B O O KS H O P M A N I F E S T O - SOCIAL AND CREATIVE INTEGRATION
L O C AT E D
IN
THE
HEART
OF
THE
C R E AT I V E
QUARTER
IN
H O C K L E Y,
NOTTINGHAM,
31
GOOSE
G AT E
HOUSES
THE
H Y B R I D I Z AT I O N B E T W E E N T W O L O C A L B U S I N E S S E S : 4 4 C O L L E C T I V E & F I V E L E A V E S B O O K S H O P . W H I L S T 4 4 C O L L E C T I V E AIMS TO SHOWCASE EMERGING ARTISTS THROUGH A MIXED PROGRAMME OF EXHIBITIONS AND EVENTS, FIVE LEAVES B O O K S H O P S E L L S A N D P U B L I S H E S I N D E P E N D E N T W R I T E R S W I T H A F O C U S O N L I T E R A R Y, P O L I T I C A L A N D S O C I A L I S S U E S . THE
AIM
OF
THIS
DESIGN
IS
TO
C R E AT E
A
INTERACTIVE
SOCIAL
S PA C E ,
HIGHLIGHTING
THE
TWO
BUSINESS
M A N I F E STO ’ S . B R I N G I N G TO G E T H E R A R T I STS A N D W R I T E R S , H O U S I N G A T H O U G H T F U L A N D I N T E R A C T I V E S PA C E F O R C R E AT I V E S T O B E I N S P I R E D B Y T H E C I T Y O F N O T T I N G H A M .
I N T E G R AT I N G A R T A N D L I T E R AT U R E T O G E T H E R ,
AIMING
T O E D U C AT E A N D I N S P I R E M E M B E R S O F T H E P U B L I C T O E N G A G E I N T H E C R E AT I V E C O M M U N I T Y O F N O T T I N G H A M .
445 COLLECTIVE
PAG E 4 | M A N I F E STO
3 1 GO O SE GATE
PAG E 5 | 3 1 G O O S E G AT E
SITE PLAN
SCALE : 1:1250
445 COLLECTIVE - 31 GOOSE GATE
PAG E 6 | S I T E P L A N
SITE A N A LYS IS
KEYS: SITE BUILDING S U N PAT H HOCKLEY
TRANSPORT ROUTES: ACCESS ROUTE BY FOOT PRIMARY ROAD A ROAD B ROAD MINOR ROAD
445 COLLECTIVE - 31 GOOSE GATE
PA G E 7 | S I T E A N A LY S I S
ETHN O G RA PHI C A N A LYSI S W AL K IN G F R OM O L D M A RKET S Q UAR E TO THE SITE I TOOK DOWN ETHNOGRA P H I C RE S E AR C H O F T HE DIFFERENT PEOP LE AND CULTUR ES I C AME AC R OSS IN NOT T IN G H AM. A ST UDY INTO T HE CULTUR E, MATER IALITY, AND AR C HITECTURE O F SN E IN TON M A RKET, LO O KING INTO THE DIFFER ENT TRANSP ORTATION R OUTE S I N A N D AR OU N D 31 GO O S E GAT E. A SER IES OF SK ETC HES AND INFOGRAP HICS W E RE PR O D U C E D I N O RDER TO CA PT URE THE AR C HITECTUR E AND MATER IALITY AS WE L L A S T H E IN T E RACT IO N BET W EEN PEOP LE AND SITE. THR OUGH COLL ATING AN D A N N OTAT IN G T HES E RECO RD INGS , A BETTER UNDERSTANDING AND P ERSONA L I N T E R P R E TAT IO N O F 31 GO O S E GATE IS AB LE TO BE P R ODUC ED.
RKET OLD MA
445 COLLECTIVE - 31 GOOSE GATE
31 GOOS E GATE
SQUARE
PA G E 8 | E T H N O G R A P H I C A N A LY S I S
TH E CLIENTS
PAG E 9 | T H E C L I E N TS
WHO IS 44 COL L E CT I VE ? 01
ACTIVATING SPACE THROUGH ART
44 COLLECTIVE AIMS TO ACTIVATE SPACE THROUGH ART. MAINLY THROUGH PERFORMANCE, AUDIO VISUAL ARTS, VIDEOGRAPHY, INSTALLATIONS AND ARTIST RESIDENCIES.
02
EVENTS
THROUGH TEMPORARY AND PERMANENT EXHIBITIONS FROM NATIONAL ARTISTS, EVENTS ARE HELD AT 44 CONTEMPORARY FOCUSING ON PERFORMANCE AND INSTALLATION BASED ART.
1.1
03
ONLINE PRESENCE
AS A CONTEMPORARY BUSINESS, 44 COLLECTIVE STAYS UP TO DATE AND CONNECTS WITH THEIR AUDIENCE THROUGH AN ONLINE PRESENCE. USING THEIR VARIOUS ONLINE PLATFORMS TO REACH OUT AND RESEARCH ARTISTS. IN PARTICULAR, WITH CURRENT COVID-19 RESTRICTIONS, 44 COLLECTIVE HAS HAD TO RELY ON THEIR WEBSITE TO CONTINUE PROMOTING AND SHOWCASING PERFORMATIVE ART.
PERFORMANCE ART
SPACES ARE PROVIDED TO PERFORMANCE ARTISTS, THAT WISH TO PHYSICALLY EXPRESS THEIR ART. A PHYSICAL PRESENTATION OF ART, ACTING, POETRY, MUSIC & DANCE.
1.2
INSTALLATION
INSTALLATIONS ARE THREE-DIMENSIONAL FORM OF ART, CURATED TO BE SITE-SPECIFIC. INSTALLATIONS ARE OFTEN DESIGNED TO TRANSFORM THE PERCEPTION OF SPACE.
2.1
ARTIST RESIDENCY
ARTIST RESIDENCIES ALLOW ARTISTS TO WORK OUTSIDE OF THEIR NATURAL ENVIRONMENT, EXPANDING THEIR PRACTICE AND CONCEPTUAL THINKING. ALLOWING THE NEW ENVIRONMENT TO INFORM THEIR PRACTICE.
3.1
SOCIAL MEDIA
SOCIAL MEDIA FORMS AN INTEGRAL PART OF 44 COLLECTIVE. THROUGH THEIR SOCIAL MEDIA PLATFORMS THEY ARE ABLE TO RESEARCH GLOBAL ARTISTS TO SHOWCASE THEIR WORK AT 44 COLLECTIVE. SOCIAL MEDIA ALSO PLAYS AN INTEGRAL ROLE IN PROMOTION 44 COLLECTIVE AS WELL AS ENGAGING WITH THE COMMUNITY.
1.3
AUDIO VISUAL
AV ART EXPLORES THE RELATIONSHIP BETWEEN SOUND AND KINETIC ART, INVOLVING A RECORDED OR LIVE AUDIO.
1.4
VIDEOGRAPHY
CAPTURING MOVING IMAGES AND TELLING A STORY THROUGH CINEMATOGRAPHY.
4 4 5 CO L L E CT I V E - T H E C L I E N TS
2.2
EXHIBITIONS
TEMPORARY AND PERMANENT EXHIBITIONS HELP TO DRAW IN VARYING AUDIENCES. ART IS DISPLAYED IN A VARIETY OF FORMATS.
3.2
RETAIL
ALTHOUGH RETAIL IS NOT A PROMINENT PART OF 44 COLLECTIVE, THERE HAVE BEEN INSTANCES WHERE ARTISTS SELL REPRINTS OF THEIR WORK.
PAG E 1 0 | W H O I S 4 4 CO L L E CT I V E ?
FIV E L EAV ES B O O KSH O P - P U B LI SHI NG P R O C E SS 00
01
IDEA DEVELOPMENT
WRITER DEVELOPS AN IDEA FOR A BOOK.
BOOK PROPOSAL & APPRAISAL
WRITER SUBMITS BOOK PROPOSAL TO A LITERARY AGENCY OR DIRECTLY TO PUBLISHER. THE SCRIPT MUST FIRST BE APPRAISED BY THE PUBLISHER
02
COPY EDITING
THE SCRIPT IS REVISED AND EDITED TO IMPROVE READABILITY, GRAMMER, SPELLING AND FACTUAL ERRORS.
03
ILLUSTRATION
I L LU ST R AT I O N S IN THE BOOK HELP TO SET THE SCENE AND BRING THE BOOK TO LIFE.
TYPESETTING
TEXT IS STYLIZED AND SET INTO TYPE FOR PRINTING.
04
MARKETING & SALES
THE BOOK IS MARKETED AND DISTRIBUTED TO VARIOUS RETAILERS. MARKETING THE BOOK GAINS EXPOSURE AND HELPS THE SALE OF THE BOOK.
PROOF READING
WRITER AND PROFESSIONAL PROOFREADERS CHECK THE SCRIPT FOR ANY FINAL ERRORS.
INDEXING
INDEX’S HELP TO CREATE A ROADMAP TO THE BOOK.
!
PUBLICATION
FINAL PRINT PUBLICATION IS RELEASED AND DISTRIBUTED TO VARIOUS STORE TO BE SOLD.
4 4 5 CO L L E CT I V E - T H E C L I E N TS
05
PROOF CORRECTION
07
PRINTING
ONCE THE SCRIPT AND ALL ILLUSTRATIONS ARE APPROVED BY THE PUBLISHER, PRINTING IS ABLE TO BEGIN.
06
FINAL CORRECTIONS ARE MADE, AND THE SCRIPT IS FINALISED READY FOR PRINT.
COVER DESIGN
VISUALS ARE CREATED FOR THE COVER. THIS HELPS TO MARKET AND SALE THE FINAL PUBLISHED BOOK. THE COVER ART IS OFTEN THE FIRST IMPRESSION OF A BOOK, AND IS THEREFORE INTEGRAL TO THE PROCESS.
PAG E 1 1 | F I V E L E AV E S B O O K S H O P - P U B L I S H I N G P R O C E SS
H Y B RI D B RAN D ID E NTITY DEVELOPM ENT
PAG E 1 2 | H Y B R I D B R A N D I D E N T I TY D E V E LO P M E N T
HY BRID LO G O D E VE LO P M E N T AS PART OF HYBRIDISING THE TWO BUSI NESSES TOGETHER, I FIRST LOOKED AT 44 COLLECTIVE AND 5 LEAVES BOOK SHOP’S EXISTING LOGO’S INDIVIDUALLY. TAKING IN THE STRONGEST PART’S OF EACH LOGO, I DE CONSTRUCTED THEN RECONSTRUCTED EACH ASPECT. AFTER RECREATED EACH LOGO FOR THE INDIVIDUAL BRANDS, I THEN LOOKED AT COMBINING THE TWO NEW LOGOS I HAD CREATED. I WANTED TO CREATE SOMETHING QUITE BOLD YET SIMPLE, EMBODYING THE BRAND IDENTITY OF ALLOWING THE ART AND BOOKS TO COME THROUGH.
OFFICIAL 44 COLLECTIVE LOGO
OFFICIAL 44 COLLECTIVE LOGO ON INSTAGRAM
5 LEAVES BOOKSHOP + PUBLICATION
REIMAGINATION OF LOGO, CREATING A MORE ABSTRACT + MODERN FORMAT
HYBRID 44 COLLECTIVE + 5 LEAVES BOOKSHOP FINAL LOGO
OFFICIAL 5 LEAVES BOOKSHOP LOGO
OFFICIAL 5 LEAVES PUBLICATION LOGO
REIMAGINATION OF 5 LEAVES LOGO, MODERNISED & SIMPLISTIC
44 COLLECTIVE + 5 LEAVES BOOKSHOP HYBRID
COMBINING THE 44 COLLECTIVE TEXT WITH THE REIMAGINED LOGO FOR 5 LEAVES BOOKSHOP
445 COLLECTIVE - HYBRID BRAND IDENTITY DEVELOPMENT
TURNING THE LEAVES INTO PAGES OF THE BOOK ALONG WITH THE 44 COLLECTIVE TEXT LOGO
PAG E 1 3 |
HYBRID LOGO DEVELOPMENT
HY BRID LO G O CO LO U R D E VE LO PM E NT RE BRANDING THE HYBRID BUSINESS AS “445 COLLECTIVE”. AS PART OF MY RESEARCH I LOOKED AT COLOUR THEORY TO DETERMINE THE PSYCHOLOGICAL EFFECTS OF COLOUR USED AND HOW IT CAN AFFECT PEOPLES EMOTIONS/MOODS. BY CHOOSING A CORE COLOUR IT ALLOWS UNITY THROUGHOUT THE DESIGN SCHEME AS WELL AS FACILITATES UTILISING EMOTIONAL ARCHITECTURE & COLOUR PSYCHOLOGY THROUGHOUT THE DESIGN. ANALYSING THE PSYCHOLOGICAL ASSOCIATIONS WITH EACH COLOUR, I HAVE DECIDED THAT BLUE WOULD BE THE BEST COLOUR TO CHOOSE AS IT EVOKES A CALM AND TRUSTING ENVIRONMENT, MAKING PEOPLE FEEL COMFORTABLE TO EXPRESS THEIR CREATIVITY AND TO SOCIALISE WITH OTHERS. RESEARCH HAS ALSO SHOWN BLUE IS THE MOST UNIVERSALLY FAVOURED COLOUR BY ALL, IT IS THE MOST APPEALING COLOUR TO THE MASS PUBLIC, MAKING PEOPLE FEEL WELCOMED WHEN COMING INTO THE SPACE. A DARKER BLUE CONNOTES MATURITY, CONSER VATIVE THEREFORE A LIGHTER MORE MUTED SHADES OF BLUE WOULD BE IDEAL.
EXCITEMENT STRENGTH LOVE ENERGY
COMPASSION SINCERITY SOPHISTICATION LOV E
CONFIDENCE
CREATIVITY
NATURE
STABILITY
SUCCESS
HAPPINESS
HEALING
PEACE
BRAVERY
WARMTH
FRESHNESS
CONFIDENCE
SOCIABILITY
CHEER
QUALITY
CALM
ROYALTY
DEPENDABLE
FORMALITY
CLEAN
LUXU R Y
TRUSTWORTHY
DRAMATIC
SIMPLICITY
WISDOM
RUGGED
SOPHISTICATION
INNOCENCE
AMBITION
SIMPLE
SECURITY
HONEST
445 COLLECTIVE - HYBRID BRAND IDENTITY DEVELOPMENT
FINAL LOGO CHOSEN
PAG E 1 4 | H Y B R I D LO G O CO LO U R D E V E LO P M E N T
DE S I GN D EV ELOPM ENT
PAG E 1 5 | D E S I G N D E V E LO P M E N T
MATE RIA L ITY KEEPING MOST OF THE EXISTING MATERIALITY OF THE ORIGINAL BUILDING TO MAINTAIN IT’S AUTHENTICITY. THE MATERIALITY CHOSEN IS COMPLIMENTARY TO THE ORIGINAL BRICK STRUCTURE, USING RECL AIMED ASH AND OAK TO ADD WARMTH TO THE SPACE. THE ACCENT BLUE COLOUR IS USED THROUGHOUT THE SCHEME TO MAINTAIN UNITY THROUGHOUT THE BUILDING, AND TO CREATE A CALM AND WELCOMING ENVIRONMENT. L ARGE WINDOWS ALLOW FOR LOTS OF NATURAL LIGHT TO FLOOD INTO THE SPACE, WHILST THE BRASS ELEMENTS ADD A TOUCH OF MODERNITY TO THE SCHEME. THE CHOSEN MATERIALITY IS KE PT RATHER SIMPLE IN ORDER TO ALLOW THE ART AND LITERATURE IN THE SPACE TO STAND OUT.
R E C L A I M E D A S H C L I C K O N T I M B E R B AT T E N S ACCENT COLOURS PA I N T E D W H I T E O V E R E X I S T I N G B R I C K W A L L F E AT U R E D A R T BRANDED HYBRID LOGO
ORIGINAL DOUBLE FLEMISH BOND BRICK WALL S USTA I N A B L E U P H O LST E R Y FA B R I C M A D E FROM 98% RECYCLED PLASTIC
RECLAIMED ASH TIMBER CLADDING BRUSH BRASS TRIM F I LT E R E D N AT U R A L L I G H T S USTA I N A B L E T E R R AZZO F LO O R S L A B CONCRETE FLOOR SLAB R E C L A I M E D O A K W O O D PA R T I T I O N PA N E L S 445 COLLECTIVE - DESIGN DEVELOPMENT
PAG E 1 6 | M AT E R I A L I TY
BUILD IN G US E I N I T I A L SK E TC H
F E AT U R E S P I R A L S T A I R C A S E S H O W C A S I N G B O T H A R T A N D F E AT U R E D P U B L I S H E D B O O K S . T H E I D E A I S F O R T H E S T A I R C A S E TO B E CO M E A N I N T E G R A L PA R T O F T H E D E S I G N , B R I N G I N G TOGETHER THE TWO COMMUNITIES AND UNITING THE D I F F E R E N T S PA C E S .
T H E S T A I R C A S E C O U L D F E AT U R E A N D A C T A S T H E M A I N I N S T A L L AT I O N S P A C E , W I T H I N T E G R AT E D S E AT I N G AT T H E GROUND LEVEL TO ALLOWING SOCIALIZING. AS YOU ASCEND UP T H E STA I R C A S E YO U C A N B R O W S E T H E D I F F E R E N T AVA I L A B L E BOOKS PUBLISHED BY FIVE LEAVES BOOKSHOP AND ART F E AT U R E D B Y 4 4 C O L L E C T I V E .
T H E I N S T A L L AT I O N A N D D O U B L E H E I G H T S P A C E AT T H E T O P F E AT U R E D S T A I R C A S E W I T H I N T E G R AT E D S E AT I N G A N D I N S T A L L AT I O N 445 COLLECTIVE - DESIGN DEVELOPMENT
B R I N G S AT T E N T I O N T O U P P E R L E V E L S O F T H E S P A C E .
PAG E 1 7 | B U I L D I N G US E I N I T I A L S K E TC H
BUILD IN G US E P LA N N I N G
A S PA R T O F T H E I N I T I A L D E S I G N D E V E LO P M E N T P R O C E SS , I T W A S I M P O RTA N T TO P L A N H O W E A C H O F T H E S PA C E S W O U L D BE BEST UTILIZED WITHIN THE EXISTING BUILDING.
T H I S D E S I G N E X P L O R E S C R E AT I N G A C O R E V E R T I C A L C I R C U L AT I O N / S O C I A L S P A C E T H AT W O U L D C O M B I N E B O T H T H E
BUILDING USE PLANNING DIAGRAM
B U S I N E S S E S W H I LST T H E OT H E R S PA C E S A R E R O T AT E D A R O U N D T H E C O R E F E AT U R E , A L L O W I N G T H E C O N T R O L O F N AT U R A L A N D ARTIFICIAL LIGHTING. KEYS: FIVE LEAVES BOOKSHOP 44 COLLECTIVE S H A R E D / F L E X I B L E S PA C E AMENITIES V E R T I C A L C I R C U L AT I O N
BUILDING USE PLANNING SECTION 445 COLLECTIVE - DESIGN DEVELOPMENT
BUILDING USE PLANNING EXPLODED PLANS PAG E 1 8 | B U I L D I N G US E P L A N N I N G
BUILD IN G US E D I AGRA M
DEVELOPING FROM THE INITIAL BUILDING USE PLAN, MEZZANINE
A INFOGRAPHIC BUILDING USE D I A G R A M W A S C R E AT E D T O FURTHER EXPLORE THE DESIGN
SECOND FLOOR
IDEA. THIS BUILDING USE DIAGRAM HAS LEAD TO THE FINAL D E S I G N O F T H I S P R O J E C T.
FIRST FLOOR KEYS: FIVE LEAVES BOOKSHOP
GROUND FLOOR
44 COLLECTIVE S H A R E D / F L E X I B L E S PA C E AMENITIES
BASEMENT
BUILDING USE DIAGRAM 445 COLLECTIVE - DESIGN DEVELOPMENT
V E R T I C A L C I R C U L AT I O N
BUILDING USE DIAGRAM EXPLODED PAG E 1 9 | B U I L D I N G US E D I AG R A M
TECHNICAL STUDY
PAG E 2 0 | T E C H N I C A L ST U DY
PROPO S ED DE SI GN : ST R U CT U RAL SYSTE M
Hip Roof with Slate Roof Tiles
200x50mm Timber Beam Roof Structure
Floor Supporting 600x220mm Galvanized Steel I-Beam
A
150mm Structural Concrete Floor 285mm Mezzanine Composite Structural Holorib Floor 250mm Diameter Concrete Columns with internal Rebar Support Structure 20mm Concrete Floor Finish Timber Floor Structure 20mm Concrete Floor Finish 300mm First Floor With Timber Structure 20mm Concrete Floor Finish 20mm Limestone Floor Slab 300mm Ground Floor With Timber Structure
445 COLLECTIVE - TECHNICAL STUDY
PAG E 2 1 | P R O P O S E D D E S I G N : ST R U CT U R A L SYST E M
PROPO S ED DE SI GN : ST R U CT U RAL SYSTE M 1
Keys:
1 - Structural Concrete floor Slab (150mm above Holorib Steel Decking) 2 - 8mm Anti-Crack Slab Reinforcement Steel Mesh
2
(200mm from center to center) 3 - 356x171mm UB45 Steel Floor I Beam
4 - Low Carbon 25x205mm Shear Studs Welded onto I Beam 5 - Galvanised Steel 200mm Holorib Deck 6 - 12.5mm OSB Ceiling Plaster Board 3
7 - 600x220mm Glavanized Steel I-Beam
4
5
6
7
DETAIL A - composite structural floor
445 COLLECTIVE - TECHNICAL STUDY
PAG E 2 2 | P R O P O S E D D E S I G N : ST R U CT U R A L SYST E M
PROPO S ED DE SI GN : M E ZZ A N I N E 1 :2 0 DE TAI L STUDY A
Keys:
1 - Half Round 100mm Gutter
2 - Original Sandstone Fascia 1
4
5
6
7
8
3 - Existing Sandstone Soffit
9
4 - 2mm Waterproof Membrane
2
5 - 170mm Double Layered
3
Celotex Rigid Insulation Board 6 - 20mm Plywood Decking
10
7 - 0.25mm 100 Gauge
Polythene Vapour Control Layer 8 - 12.5mm OSB Ceiling Plaster Board 9 - 115x30mm Timber Joists
10 - 330mm Double Flemish Bond Brick Wall 11 - Galvanised Steel Ledger Angle Plate 12 - M16x145mm Throughbolts Grouted in Drilled Holes 13 - Structural Concrete floor Slab (150mm above Holorib Steel Decking) 14 - Low Carbon 25x205mm Shear Studs Welded onto I Beam 15 - 8mm Anti-Crack Slab Reinforcement Steel Mesh 13 14 15
16
17
8
11
B
18
19
(200mm from center to center) 16 - Galvanised Steel 200mm Holorib Deck 17 - Concrete Floor Beam Profile
12
18 - Diameter Concrete Columns with internal Rebar Support Structure 19 - Floor Supporting 600x220mm Glavanized Steel I-Beam
DETAIL A - composite mezzanine structural floor and partial flat roof 445 COLLECTIVE - TECHNICAL STUDY
PAG E 2 3 | P R O P O S E D D E S I G N : M E ZZA N I N E 1 : 2 0 D E TA I L ST U DY
PROPO S ED DE SI GN : M E ZZ A N I N E 1 :2 0 DE TAI L STUDY Keys:
2 - Half Round 100mm Gutter
Holorib Steel Decking)
1 - Flashing Strip Overhang into Gutter
1 2 3 4 5
Keys:
3 - Original Sandstone Fascia
13 - 356x171mm UB45 Steel Floor I Beam
5 - 330mm Double Flemish Bond Brick Wall
15 - Low Carbon 25x205mm Shear Studs Welded onto
4 - Existing Sandstone Soffit 6
7
8
9
10
8
11
12 - Structural Concrete floor Slab (150mm above
6 - 2mm Waterproof Membrane hot welded to flashing strip 7 - 170mm Double Layered Celotex Rigid
14 - Galvanised Steel 200mm Holorib Deck I Beam
16 - 8mm Anti-Crack Slab Reinforcement Steel Mesh (200mm from center to center)
Insulation Board 8 - 0.25mm 100 Gauge Polythene Vapour Control Layer 9 - 20mm Plywood Decking
10 - 115x30mm Timber Joists
11 - 12.5mm OSB Ceiling Plaster Board Detail A (Not to Scale)
31 Goose Gate Flat Roof With Masonary Detail Fig.55. Sectional 1:20 Detail A (Yim, S. 2021)
12 15 15
16
12
13
13
16
14 14
Section B (Not to Scale)
Detail A Axonometric Perspective (Not to Scale)
Fig.56. Sectional 1:20 Detail B (Yim, S. 2021)
Fig.57. Sectional 1:20 Detail A Axonometric Perspective (Yim, S. 2021)
Composite Structural Floor
445 COLLECTIVE - TECHNICAL STUDY
Composite Structural Floor
PAG E 2 4 | P R O P O S E D D E S I G N : M E ZZA N I N E 1 : 2 0 D E TA I L ST U DY
PROPO S ED DE SI GN : P E R FO R M A NC E SPAC E L O O K I N G F U R T H E R I N T O T H E C O N S T R U C T I O N O F T H E C U R V E D PA R T I T I O N S T U D W A L L S E P A R AT I N G T H E R E A D I N G A N D P E R F O R M A N C E S PA C E . E X A M I N I N G H O W T H E C L I C K O N B AT T E N S F I X T O T H E C U R V E D S T U D W A L L . T H E C L I C K O N B AT T E N S A L L O W F O R F L E X I B I L I T Y A N D M O V E M E N T A R O U N D T H E C U R V E O F T H E W A L L . T H E B AT T E N S F I T I N W I T H T H E V E R T I C A L I T Y O F T H E S C H E M E , W H I L S T PROVIDING A MORE PRACTICAL ACOUSTIC ELEMENT TO THE PERFORMANCE R O O M . T H E S O F T C U R V E S U S E D F O R T H E PA R T I T I O N W A L L R E I N F O R C E T H E C U R V E S U S E D T H R O U G H O U T T H E S C H E M E , W H I L S T T H E AT T A C H E D S E AT I N G ECHO’S THE CURVES.
1
3
mock render of performance seating
4 5 6
A
11
1 2 3
Detail A Plan (Scale 1:5)
Click-on Timber Batten Plan Detail mock render of performance seating exploded
Keys:
4
1 - 50x100mm Real White Oak Veneer Click-on Timber Batten
1 5
11 4 5
2 - 50x100mm Timber Top Plate 6
3 - 50x100mm Timber Studwork 4 - 45Wx17Dmm Curving Track 5 - 12mm Curved Gypsum Plaster with acoustic backing
6 7 8
8 10 12 9 13 14
Click-on Timber Batten Perspective Detail 445 COLLECTIVE - TECHNICAL STUDY
7 - 50x100mm Timber Noggin
8 - 12mm Skirting Gypsum Plaster 9 - 100mm Galvanized Steel Flexible Bottom Track 10 - 40x50mm Strengthening Timber Batten 11 - 8.0x300mm PZ Construction Screw 12 - 10mm Countersunk Tek Screw
8
Detail A (Not to Scale)
6 - Sliding Galvanised Steel Clip
Detail A Section (Scale 1:5)
Click on Timber Batten Sectional Detail
13 - 10mm Countersunk Tek Screw 14 - M12x140mm Anchor Bolt
PAG E 2 5 | P R O P O S E D D E S I G N : P E R FO R M A N C E S PAC E
O RTHOGRAPHIC DRAWING S
PAG E 2 6 | O RT H O G R A P H I C D R A W I N G S
BASEMEN T F LO O R P LA N Bb
1
2
7 6
5 Aa
Aa
3 4
KEY: 1. STAIRCASE TO G/F 2. READING NOOK Bb
3. PERFORMANCE AREA 4. KITCHENETTE 5. LIFT 6. BATHROOM 7. DISABLED BATHROOM
SCALE : 1:100
445 COLLECTIVE - ORTHOGRAPHIC DRAWINGS
PAG E 2 7 | B A S E M E N T F LO O R P L A N
GROU N D F LO O R P LA N Bb
16 19
15
18
14
17
13
9
Aa
Aa
KEY: 8. MAIN ENTRANCE
12
9. CAFE COUNTER
10
10. CAFE SEATING 11. FIRE ESCAPE
11 8
12. DUMBWAITER 13. LIFT 14. BATHROOM
Bb
15. DISABLED BATHROOM 16. STAIRCASE TO BASEMENT 17. EXHIBITION STAIRCASE 18. SEATING/READING AREA 19. RETAIL SPACE
SCALE : 1:100
445 COLLECTIVE - ORTHOGRAPHIC DRAWINGS
PAG E 2 8 | G R O U N D F LO O R P L A N
FIRST F LO O R P LA N Bb
22 21
23
20 24
29
Aa
Aa
25
KEY: 27
28
26
20. EXHIBITION STAIRCASE 21. FLEXIBLE GALLERY/EXHIBITION SPACE 22. DISABLED BATHROOM 23. STAIRCASE TO SECOND FLOOR 24. LIFT
Bb
25. WORKSHOP BATHROOM 26. FIRE ESCAPE 27. BOOK-BINDING WORKSHOP 28. FLEXIBLE TEACHING/EQUIPMENT SPACE 29. DOUBLE HEIGHT INSTALLATION SPACE
SCALE : 1:100
445 COLLECTIVE - ORTHOGRAPHIC DRAWINGS
PAG E 2 9 | F I RST F LO O R P L A N
SECO N D F LO OR P LA N Bb
34
33
32
35 30
KEY: 30. STAIRCASE
31
31. SOCIAL CO-WORKING SPACE
36
32. DISABLED BATHROOM 33. KITCHENETTE
44 Aa
Aa
34. STORAGE/SHELFING 35. PRIVATE WORKING HUB 1 36. PRIVATE WORKING HUB 2
37
43 42
37. LARGE MEETING ROOM 38. MEETING SPACE 1
41 40
39
38
39. MEETING SPACE 2 40. MEETING SPACE 3 41. BATHROOM
Bb
42. DISABLED BATHROOM 43. FIRE ESCAPE 44. LIFT
SCALE : 1:100
445 COLLECTIVE - ORTHOGRAPHIC DRAWINGS
PAG E 3 0 | S E CO N D F LO O R P L A N
R OOF F LO O R P LA N Bb
47
45
46
48 Aa
Aa 49
KEY: Bb
45. STAIRCASE 46. CO-WORKING SOCIAL SPACE 47. SKYLIGHT 48. LIFT 49. FIRE ESCAPE
SCALE : 1:100
445 COLLECTIVE - ORTHOGRAPHIC DRAWINGS
PAG E 3 1 | R O O F F LO O R P L A N
BRIGH T MO O R ST R E E T E L E VAT I ON
SCALE : 1:100
445 COLLECTIVE - ORTHOGRAPHIC DRAWINGS
PAG E 3 2 | B R I G H T M O O R ST R E E T E L E VAT I O N
GOOS E GATE E L E VAT I O N
SCALE : 1:100
445 COLLECTIVE - ORTHOGRAPHIC DRAWINGS
PAG E 3 3 | G O O S E G AT E E L E VAT I O N
BRIGH T MO O R ST R E E T SE CT I O N A a
Aa
Aa
SCALE : 1:100
445 COLLECTIVE - ORTHOGRAPHIC DRAWINGS
PAG E 3 4 | B R I G H T M O O R ST R E E T S E CT I O N AA
GOOS E GATE SE CT I O N B b
Bb
Bb
SCALE : 1:100
445 COLLECTIVE - ORTHOGRAPHIC DRAWINGS
PAG E 3 5 | G O O S E G AT E S E CT I O N B B
EXPLO D ED IS OM E T R I C ROOF
MEZZANINE
SECOND FLOOR
FIRST FLOOR
GROUND FLOOR
3 1 G O O S E G AT E
BASEMENT
445 COLLECTIVE - ORTHOGRAPHIC DRAWINGS
PAG E 3 6 | E X P LO D E D I S O M E T R I C
V ISUALS
PAG E 3 7 | V I S UA LS
EXTERN A L V ISUA L - T W O P O I N T P E RSP E CTI V E
ENTRANCE VISUAL - TWO POINT PERSPECTIVE 445 COLLECTIVE - VISUALS
EXTERNAL POINT OF VIEW PAG E 3 8 | E XT E R N A L V I S UA L - T WO P O I N T P E RS P E CT I V E
INTE R N A L V ISUA L - P E R FO R M A NC E STAG E
E N T R A N C E V I S UA L - S H O W I N G E X H I B I T I O N STA I R C A S E , C A F E & R E TA I L 445 COLLECTIVE - VISUALS
BASEMENT POINT OF VIEW PAG E 3 9 | I N T E R N A L V I S UA L - P E R FO R M A N C E STAG E
INTE R N A L V ISUA L - E N T RA N C E
E N T R A N C E V I S UA L - S H O W I N G E X H I B I T I O N STA I R C A S E , C A F E & R E TA I L 445 COLLECTIVE - VISUALS
GROUND FLOOR POINT OF VIEW PAG E 4 0 | I N T E R N A L V I S UA L - E N T R A N C E
INTE R N A L V ISUA L - W O R KSH O P
E N T R A N C E V I S UA L - S H O W I N G E X H I B I T I O N STA I R C A S E , C A F E & R E TA I L 445 COLLECTIVE - VISUALS
FIRST FLOOR POINT OF VIEW PAG E 4 1 | I N T E R N A L V I S UA L - WO R K S H O P
F IN AL MODEL
PAG E 4 2 | F I N A L M O D E LS
FINAL 1 : 10 0 SI T E M O D E L
FINAL 1:100 SITE MODEL
445 COLLECTIVE - FINAL MODEL
PAG E 4 3 | F I N A L 1 : 1 0 0 S I T E M O D E L
FINAL 1 : 10 0 SI T E M O D E L
FINAL 1:100 BASEMENT SITE MODEL
445 COLLECTIVE - FINAL MODEL
FINAL 1:100 GROUND FLOOR SITE MODEL
PAG E 4 4 | F I N A L 1 : 1 0 0 S I T E M O D E L
FINAL 1 : 10 0 SI T E M O D E L
FINAL 1:100 FIRST FLOOR SITE MODEL
445 COLLECTIVE - FINAL MODEL
FINAL 1:100 SECOND FLOOR SITE MODEL
PAG E 4 5 | F I N A L 1 : 1 0 0 S I T E M O D E L
FINAL 1 : 10 0 SI T E M O D E L
FINAL 1:100 ROOF SITE MODEL
445 COLLECTIVE - FINAL MODEL
FINAL 1:100 ROOF SITE MODEL
PAG E 4 6 | F I N A L 1 : 1 0 0 S I T E M O D E L
FINAL 1 : 20 S E CT I O N A L M O D E L - B ASE M E NT
1:20 SECTIONAL MODEL - BASEMENT 445 COLLECTIVE - FINAL MODEL
PAG E 4 7 | F I N A L 1 : 2 0 S E CT I O N A L M O D E L - B A S E M E N T
FINAL 1 : 20 S E CT I O N A L M O D E L - B ASE M E NT
F I N A L 1 : 2 0 P E R F O R M A N C E S PA C E M O D E L
445 COLLECTIVE - FINAL MODEL
F I N A L 1 : 2 0 R E A D I N G S PA C E M O D E L
PAG E 4 8 | F I N A L 1 : 2 0 S E CT I O N A L M O D E L - B A S E M E N T
THANK YOU. 3 1 G O O S E GAT E - 44 COLLE CTIVE x F IVE LE AVE S BO O KS HOP
SONYA YIM (N0750140)