Luxury Aficionados #103 by Luxury Aficionados

LUXURY AFICIONADOS T H E E S S E N T I A L L U X U RY G U I D E

WATCHES & WONDERS GENEVA’S MOST DESIRABLE HOUR

THE ART OF

SUMMER STYLE

A PRIVATE RESIDENCE IN DUBAI A HOME WITHOUT COMPROMISE

EFFORTLESS. ELEVATED. DISTINCT

PORSCHE CAYENNE BEYOND EXPECTATIONS

THE FUTURE OF LIVING, DESIGNED

200,-

18.06.26 - 09.09.26 RETURUGE 37

MILAN DESIGN WEEK

18.06.26–09.09.26

200 KR.

UBD 10716

J U LY- A U G U S T 2 0 2 6 · I S S U E 1 0 3 9 788799 507504

Returuge 37

UBD 10716

Explore without limits – bold, daring, unapologetic. Carve a formidable path filled with desire, allure and a captivating presence.

Sole authorized dealer in Scandinavia. WLTP (combined): CO2 emission: 380-363 g/km; Fuel consumption: 16.8-17.7 mpg / 16.8-16.0 l/100km Figures are obtained in a standardised test cycle. They are intended for comparisons between vehicles and may not be representative of what a user achieves under usual driving conditions. The car is depicted with accessories. © Copyright Rolls-Royce Motor Cars Limited 2024. The Rolls-Royce name and logo are registered trademarks.

Our hearts are in race mode For over a century, we’ve raced to push limits – from the Silver Arrows to Le Mans and Dakar. Now, it’s time to take on our greatest challenge yet. audi.dk/f1

Den viste model er en racermodel, der ikke serieproduceres og ikke udbydes til salg.

SUPPORTS EVERY TWIST AND TURN OF LIFE No matter what your needs are – or your partner’s – you can count on the built-in Pascal system to have your back. With a component-based sleep system featuring interchangeable Pascal cassettes for unmatched customization and all-natural materials, it’s designed to last a lifetime – and beyond. DISCOVER THE DUX 30 | DUX.DK

FRAMA Modules by Kvänum Knock on wood! We did it again, blending our own touch of tradition and craft with Frama’s creative and clean aesthetics. Stowe, stack, cram, pile, heap, hang – our collection of furniture offers ingenious and elegant storage.

A A R H U S · K O L D I N G · K Ø B E N H AV N · L Y N G B Y

kvanum.com

rosingdesign.dk

rosing_design

he T finishing touches

The Twisted Collection What happens when you give something a slight twist? It lends a new perspective on things – and a new look. When Kristina Rosing set about updating the Coco Collection’s pendant, she did it with a subtle twist, which lead to new possibilities in the setting of diamonds on the design, catching the light from different angles. The Twisted collection is comprised of bangles, rings, necklaces, pendants for earrings and hoops, made of either gold or white gold, set with sparkling diamonds.

RETAI LER

Jernbanegade 3

DK - 5000 Odense C

+ 45 63119070

info@ragnar.dk

ragnar_denmark

CONTENTS

AUTOMOBILES News As summer approaches, the upper segment of the automotive world gather pace. Lexus, BMW, Audi and Ferrari unveil updates to their flagship models, setting a confident tone for the season ahead. 144

FASHION & BEAUTY Holiday Attitude Our fashion editor selects the most refined menswear pieces for the season – from timeless classics to more directional statements. 26

Rolls-Royce Black Badge When a Rolls-Royce takes on a more daring character, it is through the Black Badge editions. But where does Black Badge originate – and what does it truly represent? 150

Crafted Expression A summer defined by lightness, luminosity and quiet romance. We have chosen the pieces that carry you effortlessly into the season. 30

Polestar 5 The Swedish marque began with a clear vision. With the Polestar 5, that ambition is fully realised – the result is a car of striking presence. It is a showstopper. 156

Holiday on My Mind Our fashion editor travels to Mallorca to capture the mood of summer menswear. Soft tailoring and relaxed silhouettes set the tone. 84

Porsche Cayenne Turbo The electric Cayenne is put to the test to determine whether it truly earns the Porsche badge. Before that, we venture off-road. The new Cayenne proves more versatile than one might expect. 162 Mercedes GLC We take the wheel to assess whether the latest Mercedes-Benz GLC lives up to its reputation. The conclusion is clear – this is a Mercedes-Benz that delivers on its promise. 168 144

Where Is the Pool Boy? Few things rival the allure of a summer at a luxury resort. This season’s women’s swimwear and beachwear are perfectly suited to such moments – and we found the ideal setting. 118

CU LT U R E Editor’s Favourites The editor-in-chief has once again been swept up by summer spirit, with a selection of irresistible finds that may well put the credit card to the test. 18

Agenda Summer brings with it a cultural programme that tempts us away from the sun lounger. A curated selection of theatre, art, film and music for the season. 20

Beauty Man Luxury meets performance as our beauty editor curates his essential grooming selections for men. 136 Beauty Women Effortless elegance remains key. This guide brings together everything from iconic fragrances to advanced skincare and new-season make-up favourites. 138

CONTENTS

108

118

WATC H E S & JEWELLERY

142

GASTRONOMY

The Confidence to Wear Colour Danish jewellery designer and goldsmith Birgitte Munch has, over three decades, developed a distinct aesthetic in which coloured gemstones take centre stage. 34 Watches & Wonders 2026 The world’s foremost watch fair returns to Geneva. Our editors travelled to Switzerland to decode emerging trends and discuss the latest horological highlights. 98

100

A Sign of Anniversaries The world of watchmaking has fascinated our watch editor since childhood. This year brings a notable convergence of anniversaries – we take a closer look at the standout models. 100

Beyond Time – Beyond Price When jewellery artistry meets watchmaking, something quietly extraordinary happens. Our jewellery editor discovered remarkable examples at Watches & Wonders in Geneva. 108

Cocktails As temperatures rise, so too does the desire for something cooling. Fortunately, our cocktail editor is in a summer mood, sharing a selection of elegant recipes. 142

T R AV E L

Milan Design Week + Salone del Mobile Milan remains the epicentre of global design – particularly during Design Week, when new directions emerge. Our interiors editor reports from the front line. 62

INTERIORS & DESIGN Dazzling Dubai Where else would one expect an extraordinary private residence to rise? Dubai, naturally. Refined and meticulously designed, this exclusive home leaves no detail overlooked. 40

100 40

Breathtaking Bornholm Set in the Baltic Sea, Bornholm is one of Denmark’s most enchanting destinations. With its natural beauty and relaxed charm, the island draws visitors year after year. We travelled there and discovered a truly delightful hotel. 174

SCANDINAVIA LUXURY It is no secret that this magazine is edited in Copenhagen. As the southernmost of the Scandinavian capitals, I have always felt that we naturally look towards mainland Europe – and towards the cities that continue to define the rhythm of luxury. For me, that duality lies at the heart of Luxury Aficionados. We are shaped as much by the quiet, considered elegance of Scandinavia as by the energy of London, the refinement of Paris, the precision of Geneva and the creativity of Milan. This issue begins in Geneva, where my colleagues attended Watches & Wonders – an event that, year after year, reminds me how compelling fine watchmaking can be. There is something almost theatrical about the way timepieces are unveiled, yet beneath it all lies an extraordinary dedication to craft. From there, we move to Milan during Design Week. I never tire of that city in April, when design seems to spill out of every doorway and courtyard. It is a place where ideas take shape – and where the future of how we live is quietly being defined. Our summer fashion story took us to Mallorca, where the light, the landscape and the atmosphere created the perfect setting. It is the kind of place that makes you slow down, if only for a moment – and perhaps stay a little longer than planned.

“I always find myself returning to what defines us here in Scandinavia”

And yet, I always find myself returning to what defines us here in Scandinavia. A more understated approach to luxury, perhaps – one that values craftsmanship, longevity and a certain sense of calm. You will find that spirit in our portrait of goldsmith Birgitte Munch, and on the island of Bornholm, where nature, gastronomy and that elusive sense of hygge come together in a way that feels both simple and quietly indulgent. I hope this issue offers a sense of inspiration – whether you are travelling far or staying close to home. Wishing you a wonderful summer,

Per Ingdal

LUXURY AFICIONADOS T H E E S S E N T I A L L U X U RY G U I D E

CEO & Editor in Chief Per Ingdal pi@luxuryaficionados.com

Editor, Fashion & Beauty Maria Angelova ma@luxuryaficionados.com

Creative Director Sune Ehlers se@luxuryaficionados.com

Editor Art, Culture and Travel Elsebeth Mouritzen em@luxuryaficionados.com

Art Director Julie Frölich jf@luxuryaficionados.com

Editor, Interior Design Tina Dines Appelt ta@luxuryaficionados.com

Editor, Watches & Lifestyle Kristian Haagen kh@luxuryaficionados.com

Editor, Gastronomy Kim Iversen ki@luxuryaficionados.com

Editor, Jewellery & Gems Nina Hald nh@luxuryaficionados.com

Advertising Sales +45 2090 1030 +45 2632 6084 External Contributors: Text Andreas Lang Hedegaard Photographers David Gabriel Ron, Midnight Media, Miklos Szabo, Ida Buss, Mousefoto, Stefan Asp, Semko Balcerski, Mathias Bak Larsen, Daniel Villadsen, Jamie Stoker, Simon Knudsen, Rikke Engel, Thomas Lekfeldt, Rich Stapleton, Malle Mortensen, David von Becker, Mads Smidstrup Hair & Make-Up Sandra Melo

Editor, Cocktails & Fine Spirits Jannick Gram jg@luxuryaficionados.com

Editor, Cars & Lifestyle Henrik Dreboldt hd@luxuryaficionados.com

NENMÄRKE VA

Publisher Luxury Media ApS Holbergsgade 26, 2. tv. 1057 København K Denmark Phone: +45 7217 0318

Trycksak 4041 0820

Cover Photo David Gabriel Ron Styling Maria Angelova Hair & make-up Aylin Halman Model Leta F 98 Mgmt Location Aethos Hotel Mallorca

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Domestic distribution UDB A/S + PostNord A/S

Scandinavian distribution Tidsam AB

Printing Printall AS Tallin, Estonia

www.luxuryaficionados.com Dress Dolce & Gabbana €2,755 Shoes Dolce & Gabbana €1,155 Earrings stylist’s own

ISBN 978-87-995075-0-4 42

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THE REFINEMENT LASTS. THE PRICE DOESN’T.

Before the end of the year you can purchase your Range Rover Sport plug-in hybrid without paying the upcoming tax increase. Create a future without compromise.

SCAN AND SEE THE SELECTION

Plug-in hybrid: 142,9-111,1 km/l. CO2-emissions: 16-19 g/km. Electric range up to 110 km. Charging time under optimal charging conditions with normal charging, 0-100%: 10 h at max charging power (3.7 kW). Fast charging: 40 min at max charging power (50kW). Consumption and range are affected by, among other things, driving style, weather conditions and optional equipment, where high speed and low temperatures in particular reduce the range. The car is shown with optional equipment. We reserve the right to make corrections.

1. 4.

Te x t b y P E R I N G D A L

Chosen by the Editor

J U L Y- A U G U S T 1.

ROBERTO C AVA L L I has always embraced a more expressive take on Italian elegance, and this modern pyjama-style shirt captures that spirit with a refined ease. Cut in lightweight cotton with fine blue-and-white stripes, it feels distinctly summery yet composed. The embroidered logo and dark contrast buttons add subtle structure and depth, but it is the large tiger embroidery on the back that defines the piece – a signature motif of the summer collection, lending it a bold, almost cinematic character. I like it for the way it balances relaxation with intent, effortless yet unmistakably distinctive. €725

Z EGNA has long mastered the art of understated elegance, and it is perhaps in the warmer months that this sensibility feels most compelling. The Olive Green Oasi Lino Shorts are, to me, a perfect expression of summer ease – cut in pure linen with a lightness that invites movement and long, sunlit days. Their tailored finish lends just enough structure to elevate the silhouette, striking a balance I find particularly appealing. Effortless, refined and quietly confident. €1,350.

ROL E X continues to refine its quiet authority at the pinnacle of watchmaking, where innovation is expressed through restraint rather than excess. The Land-Dweller 40 mm in platinum embodies this philosophy with remarkable poise. It’s cool, weighty case frames a crisp iceblue dial – a signature reserved for the noblest metal – offering a subtle yet unmistakable presence on the wrist. A study in balance, it speaks to those who value enduring elegance over fleeting statement. €68,700.

JACQU E S M A R I E M AGE has built its reputation on a rarefied blend of craftsmanship and countercultural allure. Created with fashion designer and hatmaker Nick Fouquet, the Nellcôte sunglasses reflect a relaxed, bohemian spirit with a distinctly elevated edge. Handcrafted in limited quantities, the frame is sculpted in rich acetate with subtle metal accents and finely engraved detailing. Bold yet composed, it is an object of quiet distinction – as collectible as it is effortlessly wearable. €1,195

T UM I has long defined the intersection of precision engineering and modern travel, where durability is elevated to an art form. The 19 Degree Aluminium Large Checked suitcase embodies this ethos with sculptural confidence. Rendered in a refined natural aluminium finish, its fluid, contoured shell plays with light while offering exceptional resilience. Inside, a meticulously organised interior ensures effortless packing, making it a considered companion for journeys where style and substance travel in equal measure. €1,690

GRØNNINGEN 1 1 2 7 0 KØ B E N HAV N K

AG E N DA W H AT YO U N E E D T O K N O W I N C U LT U R E A N D T R AV E L Te x t b y E L S E B E T H M O U R I T Z E N

Photo: Mads Smidstrup © ARoS, 2025. Taken in connection with James Turrell’s visit to ’ As Seen Below’, June 2025.

Turrell’s Subterranean Light Dome A vast, dome-shaped artwork in its own right—partially underground and suffused with colour to create a sensory experience that invites calm, contemplation and reflection. This is ’Skyspace’, the long-awaited addition to ARoS Aarhus Art Museum, housing the latest work by the acclaimed American artist James Turrell, ’As Seen Below’. Ten years in the making, the project has benefitted from the sustained personal interest of King Frederik X of Denmark, who has followed its progress closely and met the artist on several occasions during his visits to Aarhus. Now open to the public, the dome—rising 16 metres high and spanning 40 metres in diameter—is reached via a subterranean, light-filled corridor, before one enters a vast chamber 20

where Turrell’s precisely calibrated light and colour unfold in everchanging sequences throughout the day. More than 1,000 bespoke light sources, meticulously programmed by Turrell to respond to the movement of the sky, the weather and the shifting quality of daylight, form the core of the work, complemented by shorter light sequences at intervals during the day. Skyspaces can be experienced in more than 26 countries, yet owing to its scale, refinement and range of expression, Turrell himself considers the Aarhus installation his most ambitious to date. Opening 19 June. aros.dk/skyspace

Italian timeless furniture lemamobili.com

Feel at Home

AG E N DA · U P DAT E

SENSORY NOTES OF SUMMER

The brighter months traditionally invite a cultural calendar that balances heritage with innovation across art, music, film, jewellery and gastronomy – alongside travel destinations that offer a welcome layer of indulgence beyond the everyday.

Photo: Jamie Stoker, V&A.

Louisiana Museum of Modern Art celebrates Lucian Freud (1922–2011) with a major exhibition of his uncompromising portraits and nudes. ‘Lucian Freud – Drawing into Painting’ explores his lifelong fascination with the human form, focusing on the dialogue between drawing and painting. On view until 27 September. louisiana.dk

“For me, dress designing is not a profession but an art,” said Elsa Schiaparelli after her breakthrough in 1920s Paris. In the decades that followed, she opened a couture atelier in London, which is why the Victoria & Albert Museum explores her legacy in ‘Schiaparelli: Fashion Becomes Art’, highlighting how her sculptural designs redefined both style and beauty. vam.ac.uk

“What would Christian Dior do if he were to open a restaurant today?” chef Yannick Alléno asked himself when creating Le Restaurant Monsieur Dior on Avenue Montaigne in Paris. He imagined the menu as a couture collection, where structure and form are in dialogue with flowers and nature – enduring passions of the designer himself. Alléno’s gastronomic vision has earned a Michelin star, with tasting menus and à la carte dishes served in a contemporary setting that subtly references the house’s signature black-and-white houndstooth motif. dior.com 22

Te x t b y E L S E B E T H M O U R I T Z E N

AG E N DA · U P DAT E

Copenhagen Airport, widely regarded as one of the world’s most elegant, now enhances the passenger experience by transforming its terminals into exhibition spaces for contemporary art. The latest installation by Frederik Nystrup-Larsen features large-scale works depicting overlooked flowers in Terminal E. cph.dk

Director Christopher Nolan employs new IMAX technology in ‘The Odyssey’, starring Matt Damon as the bearded Greek king on his decade-long journey home from war. The action epic, filmed on locations worldwide, features an ensemble cast including Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, Zendaya and Charlize Theron. World premiere 16 July. uip.com

Each summer, the Copenhagen Jazz Festival fills the city with world-class music. Over ten days, the Danish capital resonates with more than 1,200 concerts staged across intimate clubs, museum venues, public squares, parks and major concert halls. This year’s line-up includes Pat Metheny, Gilsons, Fatoumata Diawara and Anaiis. 3–12 July. jazz.dk

Photo: Simon Knudsen

Scandinavia’s largest art fair, Enter Art Fair, once again presents a curated selection of leading Danish and international artists and galleries within the industrial setting of Lokomotivværkstedet in Copenhagen from 27–30 August. With more than 80 exhibitors, it serves as both marketplace and meeting point for collectors and connoisseurs. enterartfair.com

In Copenhagen’s Nordhavn district, four young entrepreneurs have opened the boutique hotel Frihavnen within one of the area’s original red buildings. Several of the 28 rooms are designed in collaboration with Danish furniture brand Eilersen, combining timeless aesthetics with practical functionality. hotelfrihavnen.dk, eilersen.eu 23

AG E N DA · U P DAT E

Photo: Rich Stapleton for Marcel

Photo: David von Becker

Austrian cuisine takes centre stage this summer as Michelin-recognised chef Stefan Doubek assumes control of The Pagoda, the restaurant housed within Tivoli Garden’s Japanese tower. From 13 June to 11 July, he and his team present lunch and dinner menus centred on fish, drawing on the culinary philosophy behind his Vienna restaurant in Josefstadt. tivoli.dk

Romanian sculptor Constantin Brancusi (1876–1957), one of the 20th century’s most important artists, is the subject of a major retrospective at Berlin’s Neue Nationalgalerie. Featuring more than 150 works on loan from Centre Pompi-dou, alongside a reconstruction of his studio, the exhibition offers a rare insight into his organic sculptural language. On view until 9 August. smb.museum

Since relocating to the iconic Breuer Building in New York, Sotheby’s has become a destination in itself. Visitors can explore rotating exhibitions of world-class art before dining at Marcel, the newly opened fine dining restaurant overlooking the sculpture garden or indulging in refined pastries from La Mercerie Patisserie. romanandwilliams.com

Photo: Malle Mortensen

At Rudolph Tegner’s Museum in Danish summer destination Hornbæk, Evren Tekinoktay offers a sensory counterpoint to the site’s raw architecture and monumental sculptures with her exhibition ‘Scorpio’. Inspired by the scorpion’s sensory apparatus, her work explores heightened perception as both aesthetic language and spatial experience. On view until 18 October. rudolphtegner.dk 24

At Ordrupgaard Museum just north of Copenhagen, Zaha Hadid’s striking concrete gallery hosts 94 works in the exhibition ‘Against the Motif’. Contemporary artist Ann Lind Palm Hansen creates an immersive exploration of colour and form, drawing on the bodies of horses and humans to evoke a quiet visual poetry. On view until 9 August. ordrupgaard.dk

AG E N DA · U P DAT E

A renewed fascination with balls and tiaras – from the aristocratic courtship of ‘Bridgerton’ to Vienna’s New Year’s Concert – has inspired jewellery writer Nina Hald and goldsmith Bodil Binner. Their exhibition ‘A Ball at the Castle’ at Gavnø Castle just outside Næstved, presents 33 headpieces and hair ornaments, most created specifically for the show by leading Danish jewellers. On view until 15 November. gavnoe.dk

Just a year after opening its outpost in northern Jutland, SMK Thy has been named one of the world’s 100 greatest destinations by TIME Magazine – the only Danish entry on the list. The exhibition ‘Living Landscapes’, on view until 18 October, includes J.F. Willumsen’s iconic ‘A Mountain Climber’. smkthy.dk

Photo: J.F. Willumsen, A Mountain Climber, 1912 © J.F. Willumsen / VISDA

Photo: Thomas Lekfeldt

At Charlottenborg Kunsthal in central Copenhagen, artists Mads Vagn Jacobsen, Frederik Lykkeberg Larsen and Oliver Sundqvist transform the inner courtyard into a living stage with their tent-like installation Pantomine. The work will serve as a landmark for Chart Art Fair, 27–30 August. chartartfair.com

Photo: Rikke Engel

North Zealand’s coastline has long been synonymous with classic seaside hotels, and this August sees the opening of Cori Hotel at Hornbæk Beach. Conceived as a destination in its own right, the hotel embraces a quietly understated luxury. British interior architect Afroditi Krassa has shaped the aesthetic across its 82 rooms, wellness and spa facilities, the Jetty bar and the restaurant Cori Table. Culinary ambitions are entrusted to head chef Brian Mark Hansen, formerly of Søllerød Kro and a Bocuse d’Or champion. The cuisine draws on the Danish coastline, complemented by Mediterranean finesse. corihotel.dk

Holmegaard Værk brings together two of Europe’s most distinguished glassmaking traditions in the exhibition ‘Venini – Murano x Holmegaard’. More than 100 original works from the celebrated Italian glasshouse are shown alongside Holmegaard’s own design icons, spanning both functional and artistic objects. A highlight is Esben Weile Kjær’s contemporary interpretation of the Venetian chandelier. On view until 18 October. museerne.dk 25

AGEN DA · L I F EST Y L E · M EN

HOLIDAY ATTITUDE

Summer ushers in a relaxed yet assured menswear wardrobe, where polished dressing meets a sense of holiday ease. Classic codes are softened through pyjama-inspired sets and tailored shorts cut for warmer days. Colour comes to the fore, while patterns and prints evoke an exotic sensibility. The overall mood is more relaxed, more expressive and it signals an effortless confidence. Te x t b y M A R I A A N G E L O V A

Silk shirt with monogram print, pyjama-style trims and a dégradé from turquoise to anthracite, lending exotic glamour, Roberto Cavalli, €940.

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Short-sleeved shirt in beige with fine stripes and an easy summer fit, Brunello Cucinelli, €680.

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Long shirt in a linen-silk blend with a striped pattern, peak lapels and relaxed pyjama-inspired elegance, Dolce & Gabbana, €1,450.

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Trousers in striped jacquard cotton with an elasticated waist, pleats and a relaxed pyjama-inspired silhouette, Dolce & Gabbana, €800.

Brooch shaped as a draped bow with graphic engraving and gold-tone stud detailing, adding a modern couture twist, Dior Men, €1,400.

Wash bag in blue-striped canvas with leather trims and a compact travel aesthetic, Dolce & Gabbana, €1,000. 26

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Striped shorts in pale blue with a straight leg, elasticated waist and relaxed tailored silhouette, Suitsupply, €110.

→ A light, layered pyjama-inspired look with a striped shirt, relaxed trousers and a classic trench coat in neutral tones from Dolce & Gabbana.

Espadrilles in light canvas with a handwoven sole, offering relaxed luxury for effortless summer dressing, Loro Piana, €600.

AGEN DA · L I F EST Y L E · M EN

Sunglasses in dark amber acetate with a bold aviator-inspired shape and tinted lenses, lending timeless cool, Oliver Peoples Paul Newman, €455.

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Woven natural straw hat with a wide brim and subtle band detail, Brunello Cucinelli, €950.

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Blazer in lightweight linen with a soft silhouette, natural shoulder and classic two-button fastening, offering modern relaxed preppy elegance, Polo Ralph Lauren, €480.

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Striped silk shirt with a loose silhouette, pointed collar and relaxed, luxurious feel, Versace, €1,200. A relaxed tailored set in olive green, featuring a lightweight blazer, shorts and a layered shirt from Zegna.

Wristwatch in yellow gold with a fluted bezel, black strap and technically refined dual-time function, balancing sporting precision with modern luxury, Rolex at Ragnar Ure & Juveler, €49,000.

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Striped canvas bag with leather trims in a spacious, summery form, Dolce & Gabbana, €2,950.

Dark brown shorts with a straight leg, single front pleat, slanted side pockets and a classic tailored silhouette, Suitsupply, €120.

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Ring in yellow gold and blue titanium with cut-out logo detailing, Louis Vuitton, €3,500.

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Mules in dark brown calf leather with a woven upper, sculptural silhouette and understated Italian luxury, Ferragamo, €1,150.

Tailored shorts in a light sand-toned fabric with pressed creases, combining summer ease with classic refinement, Dressler, €200. 27

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AGEN DA · L I F EST Y L E · M EN

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Aviator sunglasses with a polished gold-tone frame, blue mirrored lenses and an iconic retro-inspired silhouette, combining classic attitude with modern glamour, Ray-Ban x Dolce & Gabbana, €615.

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Bag in yellow canvas with brown leather trims, making a bold, sunlit statement, Dolce & Gabbana, €2,950.

Sneakers in light blue suede with a minimalist profile and relaxed luxury appeal, Brunello Cucinelli, €990.

A classic three-piece suit in light blue with a sharp fit and elegant tie detail from Dunhill.

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Tie in powder pink silk with a subtle woven pattern and refined colour accent, Dressler, €120.

Blazer in light blue, lightweight fabric with a classic cut and summery refinement, Brunello Cucinelli, €3,400.

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→ Cardholder in green leather with embossed clover motif and subtle logo detail, Dior, €425.

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Belt in yellow jacquard with contrast stripes and a functional metal buckle, Dior, €350.

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Shirt in dusty peach with a classic collar and light, refined silhouette, Brunello Cucinelli, €630.

Short-sleeved shirt in lightweight linen with a relaxed collar, chest pocket and signature embroidered logo in a fresh lavender hue, Polo Ralph Lauren, €200.

Tailored trousers in coral pink cotton with a slim silhouette and pressed creases, delivering a contemporary summer attitude, Hackett London, €150.

AGEN DA · L I F EST Y L E · M EN

Bermuda shorts in linen canvas with a sharp silhouette in a deep wine hue, adding relaxed Italian elegance, Dolce & Gabbana, €650.

Light viscose shirt with tropical palm print in warm orange, burgundy and cream tones, featuring a small collar and relaxed silhouette, evoking an exotic holiday mood, Patrizia Pepe, €215.

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→ Crewneck pullover in cotton-linen knit with an open structure and artisanal texture, offering effortless Italian elegance, Dolce & Gabbana, €930.

Linen shirt with a deep V-neck, decorative edging and relaxed silhouette in warm burgundy, bringing a sophisticated summer mood, Emporio Armani, €545.

Transparent sphere bag with leather detailing and a sculptural statement aesthetic, Chanel, €2,200.

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Silk trousers with a wide silhouette and all-over graphic print in beige and dark tones, adding artistic elegance and modern attitude, Emporio Armani, €660.

Shirt in silk twill with print, pointed collar and regular fit in a graphic, elegant expression, Versace, €1,300.

Sneakers in embroidered textile with a graphic pattern in turquoise, brown and orange tones, finished with a robust rubber sole, Dior, €1,400.

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Polo shirt in beige cotton-linen knit with an open waffle texture, V-neck and understated luxury attitude, Zegna, €1,650.

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Light knitwear in burgundy with asymmetric fringe detailing, paired with loose, patterned trousers from Emporio Armani.

Bracelet in red cord with silver-tone logo charms and horseshoe detail, Dior, €350. 29

AGEN DA · L I F EST Y L E · WOM EN

CRAFTED EXPRESSION

Summer unfolds with a confident sense of creativity. Craftsmanship takes centre stage through textures and detailing. Primary colours set the tone with graphic clarity while florals emerge through appliqués and prints. The mood strikes a balance between the artistic and the effortless: strong, feminine and distinctly modern. Te x t b y M A R I A A N G E L O V A

Mini crossbody bag embellished with pearls and crystals, Chanel, €2,750

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Braided natural straw hat with a softly undulating brim and resort-ready appeal, Zimmermann, €750

White swimsuit with straight neckline, delicate straps and a striking cut-out creating a bikini illusion from the back, Roberto Cavalli, €450

Pure silk organza blouse with sheer finish, floral print and voluminous layering, Max Mara, €310

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Skirt in degradé sequins with dramatic fringe hem and couture-like movement, Brunello Cucinelli, €7,710

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→ A draped dress with craft-inspired textures, sheer lace detailing and organic appliqués at Pauline Dujancourt.

Loafers in handwoven nappa with sheer detailing, merging Italian craftsmanship with understated elegance, forte_forte, €495

Maxi dress with botanical print, bow detail and layered fringe for a tactile, luxurious finish, Johanna Ortiz, €3,700

AGEN DA · L I F EST Y L E · WOM EN

Raffia sandals with floral structure and lace-up ankle ties, Aquazzura, €1,100

→ Stretch lace dress with bustier effect in warm honey tone, forte_forte, €700

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→ Fluid silk dress with asymmetric neckline in soft sand, Victoria Beckham, €1,920

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Butterfly sunglasses in transparent beige, Saint Laurent, €480

Sheer embroidered tulle top with pearls and sequins, Patrizia Pepe, €450

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Softly layered beige dress with sheer textures at Dries Van Noten.

Handwoven raffia tote with layered fringe, Zimmermann, €595

→ Sheer chiffon scarf in soft cream, forte_ forte, €95

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Sheer floral lace bra, Patrizia Pepe, €165

Midi skirt in sheer lace with built-in lining, Acne Studios, €950

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AGEN DA · L I F EST Y L E · WOM EN

Jacquard cape with dramatic botanical motif in deep reds, Johanna Ortiz, €2,055

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→ Linen-blend blazer with romantic floral print and tailored silhouette, forte_forte, €760

A fitted mini dress with delicate straps and purple floral print at Chloé.

Bikini top with Miami Flowers print and gold logo details, → Roberto Cavalli, €270

Pink floral brooch with couture-inspired romance, Chanel, €750

Statement ring in gold-tone finish with sculptural floral petals, Jimmy Choo, €475 32

Dramatic swimsuit with Miami Flowers print and sheer long sleeves, Roberto Cavalli, €1,315

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→ Sunshine-yellow sandals with high heels and palm-inspired appliqués, Aquazzura, €1,100

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Long chiffon gown with floral print and halterneck draping, Roberto Cavalli, €8,320

Floral-print shorts with high waist and soft A-line silhouette, Zimmermann, €575

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Shoulder bag in porcelain-white leather with floral embroidery, Erdem, €2,770

AGEN DA · L I F EST Y L E · WOM EN

Brooch in vivid yellow with sculptural petals, Chanel, €1,300

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Elegant bell-shaped hat in bright orange felt with grosgrain ribbon, Loro Piana, €2,505

Bright yellow cotton dress with V-neck, tie belt and sculptural origami florals, byFang, €760

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A sculptural two-piece in intense red with an asymmetric skirt and razor-sharp lines at Alaïa.

Asymmetric strapless top with voluminous ruffles in coral red, Sézane, €147

Crystal cluster earrings with playful strawberry charms, Saint Laurent, €1,550

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Woven straw beach bag with graphic colourblocking and iconic CC logo, Chanel, €7,100

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Textured shorts with bold blue and green stripes and sculptural cut, Christopher Esber, €890

Jacquard flare trousers in bold fuchsia with a sleek fit and flared hem, Roberto Cavalli, €1,315

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Pink and red swimsuit with asymmetric silhouette, bold cut-out and front jewellery detail, Roberto Cavalli, €525

Pink satin slingback pumps with pointed toe, jewelled detail and elegant stiletto heel, Dolce & Gabbana, €1,100 33

THE CONFIDENCE TO WEAR

COLOUR

In 2026, Denmark’s esteemed goldsmith B I R G I T T E M U NC H marks her 30th anniversary — a career shaped by an enduring fascination with coloured gemstones, an instinct for innovation and a quietly uncompromising dedication to craftsmanship. From her atelier in Frederikshavn, she has built a world defined by precision, personality and a singular aesthetic.

Te x t b y N I N A H A L D

I PHOTO: MIKLOS SZABO & IDA BUSS

Her story begins early. At the age of six, while on holiday with her aunt, Birgitte Buchhave Carlsen was encouraged to knit her first sweater. “That was when I discovered all things creative,” she recalls. Soon after, her father’s carpentry workshop became a playground of possibility, where a soldering iron and scraps of tin sparked an early fascination with jewellery-making. By fifteen, an internship with a goldsmith had set her course. “I was going to be a goldsmith” Birgitte says with a laugh - and the rest is history. Giddy with joy, young Birgitte Carlsen secured an apprenticeship in 1984, completing her training four years later with a goldsmith’s certificate. What followed was a period of refinement according to the traditions of the goldsmith trade: working across different workshops, absorbing techniques and traditions, and quietly developing her own sensibility.

Drop bracelet in black rhodinated silver with 14 karat gold links and lock. € 1.950.

In 1992, she married Lars Munch, and as their family grew to include daughters Nina and Anne, so too did her ambitions. During her years at home with

The Sky is the Limit two finger ring made for the exhibition Macabre Masterpieces – made of 14 karat gold set with 208 diamonds (a total of 3.79 carat), 0.43 carat colourless brilliants, 3.3 carat turquoise diamonds and 0.06 carat green diamonds. € 30.250

Goldsmith Birgitte Munch in her creative workshop.

PHOTO: MOUSEFOTO

n Denmark, at the northern edge of mainland Jutland lies Skagen, long considered Scandinavia’s answer to the Hamptons. Each summer, it draws an affluent mix of Danish regulars and international visitors, all in pursuit of Skagens famously crystalline light — the same light that once captivated generations of painters. Yet beyond the dunes and curated calm, there is another discovery to be made. A short journey south leads to Frederikshavn, where goldsmith Birgitte Munch’s workshop offers a more intimate encounter with Danish craftsmanship.

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PHOTO:MOUSEFOTO

Wheel crown earrings made of 14 karat gold set with 0.5 carat brilliants (€ 5.700) with two detachable 11 mm South Sea cultured pearl pendants (€ 1.150).

Munch’s fascinating world. Creation by creation, the goldsmith has solidly fulfilled her lifelong dream of creating her own jewellery designs under her own label. Today, the business remains resolutely personal. Birgitte leads the creative direction, while her daughter Nina oversees digital presence and sales, and her husband Lars manages the operational and financial framework. Around them, a small team including two apprentices and a goldsmith, ensures that each piece

remains rooted in the traditions of the craft. Step inside the workshop and the process reveals itself. Despite the evolution of tools and techniques, much would still be familiar to a 16th-century goldsmith. This continuity is central to Birgitte Munch’s philosophy: that true craftsmanship is both timeless and tangible. Every piece is made to order, tailored precisely to its wearer — from fit to gemstone selection — reinforcing the quiet luxury of something created specifically for one individual. Her aesthetic is defined by permanence. These are pieces designed not for seasons, but for decades. Solid, substantial and deliberately unhurried in their expression. Birgitte Munch does not dilute her materials; gold is used generous-

Jumbo ring made of 14 karat gold set with a 4.5 carat pink tourmaline and a total of 0.12 carat brilliants. € 9.350.

PHOTO:MOUSEFOTO

her children, she began creating jewellery under her own name — laying the groundwork for what would later become her atelier. She knew it was inevitable for her not to create jewellery, so when youngest daughter Anne was eighteen months old, the goldsmith returned to the workforce. By 1996, supported by the family’s shared resources, she opened her first boutique and workshop on Danmarksgade in Frederikshavn. Local and regional customers, summer tourists and foreign visitors have over the years found their way to Birgitte

GRAND EXHIBITIONS Thanks to her excellent craftsmanship and continued insistence on the use of precious materials, Birgitte Munch has been specially invited to participate in several of the Danish jewellery industry’s largest special exhibitions since 2012. This includes “Strength & Beauty – Royal Ballet Jewelry” held at the Royal Theatre’s Old Stage in Copenhagen in 2012, “Macabre Masterpieces” at Sønderborg Castle in 2022, for which Birgitte Munch produced a resurrection ring in the shape of an ouroboros – a snake biting its own tail as a symbol of eternal life – “Carats & Cocktails” at the almost 300 year old luxury hotel d’Angleterre in Copenhagen, and most recently “Attending a Ball at the Castle” at Gavnø Castle.

Apple Blossom earrings made for the exhibition Florilegium Ornamentum in 2024 – made of 14 karat gold and white gold, set with a total of 0.55 carat green and 0.33 carat pink diamonds, a 10.6 mm South Sea cultured pearl and a 10.4 mm freshwater cultured pearl. € 16.800.

PHOTO:MOUSEFOTO

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→ Hidden Gems necklace made for the exhibition Jewellery * Film * Moments in 2024 – made of 14 karat gold and strung with a total of 475 carats of tumbled tourmalines in many shades, a 2.5 carats cushion cut indigo blue tourmaline and four brilliants (a total of 0.12 carat). € 12.000.

The landscape of Northern Jutland is never far from her work. The shifting tones of the sea, the rhythm of the shoreline, the quiet drama of light - it all finds its way into her compositions. Gold is paired with natural diamonds, cultured pearls and vividly coloured gemstones sourced from leading German cutters, resulting in pieces that feel both grounded and expressive. Walking along the beaches of Frederikshavn or Skagen remains an essential ritual. “The water is never the same. The movement of the waves can be almost hypnotising. “On every walk, you may find beautiful shells, and I love the light and colours,” she reflects. It is here that ideas settle and evolve. Nature is translated into jewellery that carries both place and permanence. Crafted in enduring materials, these are pieces intended to outlast their moment: future heirlooms, where sustainability is not a statement but an inherent quality of their making.

Jumbo earrings made of 14 karat gold set with two cushion-cut tourmalines (a total of 4.48 carats) and 0.24 carat brilliants. € 7.325.

it, “a particular glitter look to the gold”. Achieving this required inventing a bespoke machine, as no existing tools could produce the desired effect. The finish is designed to evolve. “As the surface of the rings wears over time, it needs to be renewed. The rougher the matte surface, the more durable it becomes. My jewellery can always be re-matted if needed, but jewellery should also develop a patina, so you can see that it has been used and loved,” Birgitte explains. Pieces are often refreshed for special occasions, restoring their luminosity without erasing their history.

In 2000, she introduced what would become a signature finish. The textured matte surface that lends, as she describes

Heart signet ring made of 14 karat gold set with a total of 0.30 carat pink diamonds. € 5.700.

Jumbo pendant made of 14 karat gold set with a 2.44 carat pink tourmaline and a total of 0.12 carat brilliants (€ 4.630) on a 14 karat gold chain (as shown € 1.150)

Colour, however, remains the defining thread. When glancing at the trays of Birgitte Munch’s finished jewellery, sparkling invitingly to admiring eyes, you may not be able to put it into words at first – but if you let your eyes linger on the jewellery a little longer, you discover that you are seeing with her eyes. Her combinations are instinctive rather than formulaic which is the result of years spent selecting stones not by convention, but by feeling. “I have bought gemstones purely for their colours. Even when I had no clear idea of what they would become. I simply couldn’t resist them,” she says. The result is jewellery that invites confidence. Pieces that command attention and still remain deeply wearable. Suited to everyday life as they are to moments of occasion. ■

PHOTO:MOUSEFOTO

ly, lending weight and presence to each individual design. From the traditional to the extravagant, there is something special about ordering a unique piece of jewellery that no one else owns. Birgitte Munch naturally makes large pieces of jewellery to order, but statement pieces are not confined to evening wear. “If the jewellery gives you joy, you should wear it every day,” she says. Versatility is often built into the design, allowing pieces to move fluidly between occasions.

FOR THOSE WHO KNOW

Set the stage for the extraordinary. Introducing the new generation of cooling. The difference is Gaggenau

Te x t b y T I N A D I N E S A P P E LT · P h o t o C H R I S G O L D S T R A W

DA Z Z LIN G DU BA I Dubai is synonymous

with extravagance — a world of first-class

luxury. Nowhere is this more evident than in

the city’s most exclusive neighbourhoods,

where ultra-luxurious residences are realised without compromise. We step inside a home that embodies it all. Welcome to Island Villa…

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ubai is where the Arabian Gulf meets ultimate refinement. Rising on the edge of the horseshoe-shaped Jumeirah Bay — aptly known as ‘Billionaire Island’ — Island Villa reveals itself like an architectural geode: restrained and solid on the outside, yet filled with shimmering brilliance within. Behind its raw exterior lies an interior of sculptural light, coral stone and uncompromising luxury, defining a contemporary coastal lifestyle at its most elevated.

Positioned along Dubai’s man-made shoreline, the villa reinterprets coastal living in an urban context. Here, the boundaries between the deep blue sea and the tactile richness of the home dissolve into a seamless whole. This is not merely a residence, but a sanctuary — each space carefully composed to capture Dubai’s cinematic skyline and horizon.

→ Even the palm trees seem to carry a certain attitude — a reminder that, when paired thoughtfully, landscape and architecture elevate one another.

Almost like a doll’s house in its clarity, this perspective reveals the villa’s architecture, spatial composition and setting — elegant and quietly luxurious.

Dubai is undeniably captivating — here, the landmark hotel Burj Al Arab - also called The Sail - rises against the sweeping backdrop of the man-made Palm Island.

”SAOTA’s architecture is renowned for its fluid transitions and climate-responsive design — qualities clearly expressed here”

A sculptural façade of stone and layered screens, inspired by coral and cellular structures, filters the light and softens the building’s street presence.

→ FACT S Location Jumeirah Bay Island, Dubai, United Arab Emirates Name Island Villa Built area 1,812 sq m Plot size 2,041 sq m Architect SAOTA Interior design ARRCC ID Landscape design NLME Bedrooms 6 Bathrooms 13

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The expansive outdoor area features column-free spans, dissolving boundaries and merging living spaces with garden and terraces.

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Broad glazing and lush planting create soft transitions and shaded zones between spaces — both practical and luxurious in this climate.

As seen here, the transition from kitchen to outdoor living is seamless.

ARRCC, the studio behind the interiors, combines timber, stone and bespoke OKHA furniture to introduce a subtle Scandinavian sensibility — despite the architects’ South African roots.

Here, the patinated copper details come into focus — referencing regional craftsmanship while providing solar shading and a refined textural quality. Sculptural screens in copper and GRP (glass fibre-reinforced polymer) ensure privacy and add depth to the villa’s expressive form.

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D U BA I AT A G L A N C E Dubai is both a modern desert metropolis and one of the emirates of the United Arab Emirates. Known for its record-breaking ambition, luxury and striking architecture, the city is home to the world’s tallest building, Burj Khalifa (828 metres), as well as world-class retail destinations such as Dubai Mall. From the man-made Palm Jumeirah to desert safaris in Range Rovers, experiences here are as diverse as they are extravagant. The climate is subtropical, bringing year-round sunshine and intensely hot summers. The coastline is defined by white sand beaches and azure waters, while historic Dubai Creek offers a glimpse of traditional souks and heritage. With a multicultural population representing over 200 nationalities, Dubai is a global crossroads where tourism, trade and aviation drive the economy.

A skyline that captures Dubai’s identity as a truly global metropolis. Here in the late sunset hour with the captivating Burj Khalifa taking centre stage.

Designed by SAOTA, with interiors by ARRCC, the villa maximises its plot by opening fully towards the sea. A considered layout, transparent architectural language and refined material palette strengthen the dialogue between interior spaces, surrounding landscape and expansive coastal views. SAOTA’s architecture is renowned for its fluid transitions and climate-responsive design — qualities clearly expressed here. Large, column-free openings on the ground floor dis48

solve the boundary between indoors and out, creating continuity between living areas, shaded terraces and gardens. Carefully positioned courtyards and vegetation regulate light and airflow, forming intimate oases and enabling outdoor living despite the desert climate. The pool is conceived not as a single entity, but as a landscape of interconnected elements and small ‘islands’ for lounging and relaxation. Positioned at the water’s edge, it stretches towards the coastline, culminating in a ‘wet deck’ where the surface

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Layers of soft neutrals combined with leather and brushed metals create an interior that feels both tactile and refined. A bedroom designed for complete retreat.

A bathtub with a view — understated, luxurious and quietly breathtaking.

”Inspired by Scandinavian aesthetics, the design prioritises warm minimalism, natural materials and a sense of calm over decorative excess”

Few but powerful elements define the interiors — though the most compelling feature remains the natural landscape outside, like a living artwork in the middle of the desert.

→ Many of the furnishings are not sourced but custom-made by South African design house OKHA to align precisely with the villa’s architectural rhythm and materials.

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The architecture feels both grounded and porous, integrating natural materials with a seamless flow between indoor and outdoor living.

Horizontal porosity and deep overhangs reinforce the spatial connection between interior and landscape.

visually merges with the private beach and the sea beyond. The façades are clad in bush-hammered pale natural stone — evoking coral textures — contrasted by darker, polished floors that reduce glare. Deep overhangs, solar-shaded glazing and cross ventilation are seamlessly integrated into the architecture rather than added as technical afterthoughts. On the upper level, bedrooms and a fitness suite face the water, offering sweeping panoramic views. Throughout the

villa, deep rooflines, bespoke screens and articulated façades choreograph light, shade and privacy. Screens in glass fibrereinforced polymer and details in patinated copper reference regional craftsmanship while providing both shading and a striking visual identity. ARRCC’s interiors extend the architectural vision, interpreting the beachfront setting through a tactile and understated lens. Inspired by Scandinavian aesthetics, the design → 53

Island Villa expresses a quiet architectural restraintshaped by its coastal setting. The pool area is virtually located in direct connection to the beach.

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Here, the layered design of the outdoor spaces becomes very visible — terraces, pools and the Arabian Gulf beyond. ARRCC describes the approach as a blend of warm minimalism and ‘barefoot luxury’.

→ Not immediately visible, but the house incorporates advanced, hidden luxurious features — including an underground garage with a hydraulic lift for up to eight cars, as well as a wine cellar.

The entrance balances openness and seclusion, defined by textured surfaces and carefully choreographed light.

”ARRCC’s interiors extend the architectural vision, interpreting the beachfront setting through a tactile and understated lens”

Custom copper screens cast dappled shadows, adding rhythm, privacy and texture along the outdoor walkways.

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Dining takes place outdoors — or perhaps indoors — as the boundaries blur completely.

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prioritises warm minimalism, natural materials and a sense of calm over decorative excess. Soft neutral textiles, leather accents and brushed metals introduce quiet richness without overwhelming the space. In collaboration with OKHA, bespoke furniture has been created to echo the villa’s architectural rhythm. The result is a sophisticated, yet restrained interior aligned with the client’s desire for a grounded, almost meditative home. Both kitchen and bathrooms are tailored to reflect the villa’s architectural clarity and its ambition for ultimate luxury. In one bathroom, a seamlessly integrated bathtub is set within a stone plinth, becoming part of the architecture rather than a standalone object. Its flush installation creates uninterrupted lines and surfaces, drawing attention instead to natural light, spatial volume and the breathtaking sea view beyond. The surrounding ledge doubles as an elegant surface for bath essentials, eliminating the need for additional furniture and reinforcing the room’s serene, uncluttered aesthetic. Island Villa distils coastal living into its purest architectural expression — balancing openness and privacy, light and shadow — offering a tranquil yet extravagant retreat shaped by its setting and defined by its simplicity. ■

Refined detailing allows materials, architecture and light to take centre stage.

Pronounced rooflines and deep overhangs define the villa’s sculptural silhouette.

”Island Villa distils coastal living into its purest architectural expression — balancing openness and privacy, light and shadow”

Te x t b y T I N A D I N E S A P P E LT

LA MILANO MAGICA 2026 Spring in Milan is magical. This is especially true in April, when

MILAN DESIGN WEEK takes place and the entire city hums with design and interiors enthusiasts as well as leading brands. At the same time, the world’s largest furniture and design fair,

SALONE DEL MOBILE, is held in the exhibition halls just outside the city centre. Luxury Aficionados was on the ground in this vibrant metropolis, and on the following pages you will find a small selection of what some of the world’s leading design houses presented – and the trends we can expect to see going forward. Let yourself be inspired… 62

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VacuDrawer V6000

Swiss perfection for your home. Since 1913.

M I LAN

THE EPICENTRE OF GLOBAL DESIGN AND CREATIVE EXCELLENCE

world and a universe so beautiful, captivating, extravagant and, above all, inspiring. With fascinating exhibitions where design, architecture, art, interiors and furniture design merged seamlessly. Milan quite simply surpassed itself. Never before have there been so many visitors to Design Week – and never have there been so many remarkable designs to experience. Salone del Mobile was first held in 1961. Originally, it was founded to promote the sale of Italian furniture craftsmanship. Many years later, it is now regarded as the largest and most prestigious design and furniture fair in the world. This year, 316,342 visitors attended the fair itself, located outside Milan near the town of Rho. Hall after hall is filled with exhibitors. This year, there was also a particular focus on kitchen and bathroom innovations at the EuroCucina exhibition. Milan Design Week has since been added, bringing an extra dimension to the week. An urban twist, as design events also take place in the city centre of Milan. During these days, the city is completely electric and vibrant – often accompanied by a sense of spring, with wisteria, magnolia and cherry trees in full bloom. The city’s charming palazzi are open and transformed into showrooms, while galleries focus on innovative design. Artists and brands collaborate on striking and spectacular events, while more commercial exhibitions and product launches are presented in showrooms of exceptional beauty. The queues are long – for good reason…

Even the staircase is elegant and beautiful in Poliform’s showroom.

→ THE SIMPLE CHAIR… Rimadesio presented the Ori chair, designed by Giuseppe Bavuso. Elegant lines and refined details define the character of the Ori chair. It offers comfort and quality without sacrificing a strong aesthetic identity. Attention to detail in the wooden frame is evident in the backrest, the refined joints between the legs and the seat structure, and the technical elements that enhance its quality and craftsmanship. These distinctive features, combined with the wide range of finishes in the Rimadesio collection, make Ori a versatile chair that can discreetly enhance a variety of interior settings. ____________________________________

To mark the 20th anniversary of the iconic Air Bookshelf, designed by Daniele Lago, Lago Design now introduces a rounded version. Air Roundy can be combined in multiples to form full or half circles or used together with the classic linear version to create a curved end to the shelving system.

T R E N D : It is all in the detail.

RETURN AND ANNIVERSARY… B&B Italia marked its return to Salone del Mobile after 25 years of absence, presenting a renewed vision, new products, previously unseen collaborations and important developments within its collections. Founded in 1966 by Piero Ambrogio Busnelli, the brand celebrates its 60th anniversary this year. This was marked with an exhibition in their showroom in central Milan under the title ‘Before & Beyond’. The Belgian architect and designer Vincent Van Duysen also presented the ‘Untitled’ sofa system, designed for B&B Italia. An exceptionally flexible system with a clean, architectural expression, allowing modules to be composed precisely according to the needs of the space – both indoors and outdoors. ____________________________________ T R E N D : We celebrate good design and hold on to it.

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The exhibition was followed by a talk, where Lissoni began by saying: “Why do we sit inside when it is such a beautiful day outside…?” And indeed, it was a beautiful day in Milan – but he was equally fascinating to listen to. He spoke about the ideas behind the exhibition and his view on design. In a complex world, products often become complex. But, according to Lissoni, a product should be simple and easy to use. ‘Simplicity’ on the outside – complex technology within. If a designer fails to translate complexity into simplicity, the product becomes merely simple and banal. So remove the unnecessary. Lissoni also stated that art is a dialogue between the artist and the viewer. Furniture design is also an art form. And he could have continued. One of the great designers of the furniture world, generous in sharing his philosophies – whom we also recently met in Copenhagen at the Italian Embassy.

THE LAMP THAT ADAPTS… For 40 years, Berenice has brought light exactly where it is needed. Luceplan celebrates the 40th anniversary of the Berenice table lamp, designed by Alberto Meda and Paolo Rizzatto in 1985. Berenice is a symbol of balance between lightness, precision and technology. With its slender structure and light, fluid movements, it redefined the very idea of a table lamp, combining flawless functionality with a truly elegant design expression. The lamp adapts to any environment, both at home and in the office, embodying Luceplan’s philosophy: to innovate intelligently with technical rigour and timeless aesthetics. ____________________________________ T R E N D : Aesthetics and technology are combined.

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lle Decor Italia, in collaboration with V-ZUG, created a beautiful exhibition at Palazzo Bovara. It was conceived by the renowned Italian architect and designer Piero Lissoni under the title ‘Sensory Landscape’. Lissoni transformed the rooms of the palazzo into a ‘garden of the senses’, where the boundaries between architecture, nature and light were blurred. His focus was on creating a total experience, where visitors moved through spaces that played with materiality and light to evoke different emotions. A central element of the exhibition was a sensory breakfast table, where V-ZUG served exquisite coffee, bread and delicacies, illustrating that a balanced day should begin with calm and good taste. The exhibition integrated natural elements with modern design solutions – nature, tranquillity and technology in harmony.

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FURNITURE DESIGN IS AN ART FORM

ARE YOU A POUF OR A SMALL TABLE…

Italian architect and designer Piero Lissoni

The Yuan Pouf by Giorgetti is an avantgarde design that suits both modern and more classic homes. The frame is crafted in solid ash with small details in Pau Ferro wood and upholstered in saddle leather. Together, this creates a refined, multidimensional expression. The Yuan Pouf can be used either as a pouf or as a small table, depending on whether you choose a seat or tabletop finish. ____________________________________ T R E N D : Multifunctionality is hot.

A STRIKING DINING TABLE… The Yuan Table by Giorgetti is a refined and sculptural piece that plays with the combination of materials: the warmth of ash wood, the purity of marble, the depth of Antico Impasto Romano and the softness of leather. A modern design icon, available in both rectangular and round versions. ____________________________________ T R E N D : We merge art and furniture design – with inspiration from Japan.

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→ A WEALTH OF COLOUR…

During Milan Design Week 2026, Danish Tableau presented ‘Soft Matters’, an immersive installation created for the Italian contemporary design brand Secolo. ‘Soft Matters’ unfolds as a sensory experience that invites reconnection - a shared exploration between object and body, material and emotion, imagination and space.

Smeg focused on the colour ‘Moonlight’ an eggshell shade - alongside a new matte trend in its iconic refrigerator range. Under the title ‘Colour and Material Objects’, the brand emphasised reconnecting with physical objects in an increasingly virtual world. A material object reveals itself through touch, preserving traces of the past while opening new possibilities. Smeg’s presentation at the Milan Design Week balanced technology with tactile sensitivity, where surfaces, finishes and colours became expressive tools – not only visual, but fully sensory. ____________________________________ T R E N D : The 1970s are back as a source of inspiration.

The world’s largest furniture and design fair, Salone del Mobile, takes place in exhibition halls located outside Milan’s city centre, in the suburb of Rho. The arrival area immediately sets the tone with its impressive scale, while the exhibitions themselves unfold across 24 halls – some of them spanning multiple levels.

→ Photo: Jonas Bjerre Poulsen, Norm Architects

A DANISH CONTRIBUTION…

The Grand Café was Audo Copenhagen’s atmospheric installation at Salone del Mobile, inspired by the traditions of Italian salons. Designed by Norm Architects in collaboration with Art Director Christian Møller Andersen, the 480 m² installation drew on Italian historicism and the clean geometry of 1930s modernism, combined with Audo’s furniture in beige and earthy tones. Monumental colonnades guided visitors through a sequence of rooms, where rhythm, proportion and materiality created an atmosphere that was both considered and inviting. The experience echoed Audo House in Copenhagen, presenting design as context, atmosphere and interaction rather than isolated objects. ______________________________________________________ T R E N D : Beige and earthy tones remain strong in both Italy and the Nordics.

WHEN COFFEE DESERVES MORE…

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‘Jeanne’ is a refined new series of coffee tables by Christophe Delcourt for Molteni&C. Combining an Iridium Grey base with feet in Amber or Coffee Oak and a marble top, the tables are available in various sizes and finishes. ____________________________________ T R E N D : The coffee table has become a small masterpiece.

A CHRONICLE OF DANISH DESIGN…

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The Danish furniture company Fredericia presented a captivating exhibition that unfolded across furniture, objects and archival material. ‘A Chronicle of Danish Design at Triennale Milano’ offered perspective on Fredericia’s enduring approach to design – where heritage and contemporary viewpoints exist in continuous dialogue. At its core, the presentation highlighted Fredericia’s more than one hundred years of dedication to craftsmanship, material integrity and design longevity. The exhibition brought together iconic works by Børge Mogensen, Hans J. Wegner and Nanna Ditzel with contemporary designs by Jasper Morrison, Barber Osgerby and Cecilie Manz, among others. The works demonstrated how Fredericia has united principles of human-centred thinking, craftsmanship and social vision, showing how design can enrich everyday life while also serving a broader societal good. ____________________________________ T R E N D : Iconic Danish furniture companies make a real difference.

IN NATURE WE TRUST…

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Photo: Alessandro Paderni

Kvadrat’s new textile series, ‘In Nature We Trust’, is created by Patricia Urquiola. It is a collection of upholstery fabrics and curtains that proposes a new way of working with nature. The collection is based on the idea that nature is not a metaphor, but a method. It considers every material and every gesture as part of a larger constellation of interrelated elements. From this perspective, nature is not something to be observed or imitated, but a system to inhabit – a set of dynamic, generative principles that shape how we live and how we design. Here, it is applied to a sofa by Moroso, upholstered in the textile Regos. ____________________________________ T R E N D : Nature is more important than ever.

RITUALS, SPACE AND FUNCTION

uring Milan Design Week, the Swiss premium appliance manufacturer V-ZUG presented the installation ‘Table Rituals’ at Palazzo Bovara, created by architect and designer Elisa Ossino. The installation invited visitors to experience everyday life as a design material, where human presence is central to the experience. It explored the interplay between rituals, space and function, highlighting how design can enhance daily moments around the table. One of the key product innovations was the CookTop V6000 Integra, which rethinks and connects the kitchen – even in limited spaces. A single, elegant surface that transforms from hob to worktop to dining table. With a restrained aesthetic and precise staging, the installation demonstrated how advanced technology can be integrated with subtle precision – always in the background and on human terms.

Poliform’s Henry sunbed, with its structure in embossed, lacquered aluminium with an oxidised finish, solid teak slats and wheels in rubber and oxidised, lacquered aluminium, elevates outdoor living to a more extravagant level.

→ SLEEP IS OUR SANCTUARY… ‘Mon-Nid’ is a remarkably comfortable and eye-catching bed, in which Cassina continues Patricia Urquiola’s innovative concept of rethinking upholstered furniture, defining it through generous proportions and inviting forms using circular materials. The bed is an island of comfort thanks to its soft padding in recycled PET fibre. It is characterised by its refined lines and visible stitching – a detail carried over from the Mon-Cloud sofa. ‘Mon-Nid’ can be fully disassembled and is now also available in a beautiful deep wine-red shade. ____________________________________ T R E N D : Deep wine red or burgundy is making its mark in design.

Carl Hansen & Søn presented two new Wegner designs. “Hans J. Wegner holds a very special place at Carl Hansen & Søn, and we are therefore pleased to welcome the CH280 modular sofa and the CH086 coffee table into the collection. Both are highly versatile and characterised by exceptional craftsmanship, strong functionality and a refined simplicity,” said Knud Erik Hansen, CEO and thirdgeneration owner of Carl Hansen & Søn.

The atmosphere in Milan during Design Week is defined by the arrival of spring. The city feels entirely electric and vibrant – often accompanied by blooming wisteria, magnolia and cherry trees in full flower.

SUBLIME FENDI

he fashionable and highly regarded design house Fendi Casa presented a truly unique home collection, focused on elegance, innovation and modern luxury – spanning furniture, rugs, lighting and accessories. At this year’s Milan Design Week, Fendi Casa unveiled the sublime Annabelle armchair, now also available with a backrest upholstered in hand-stitched mink. It was presented alongside the sculptural modular sofa Blow Up. Within the same series, Fendi Casa also launched an entirely new bed, paying tribute to the house’s 1970s designs. The latest dining table, Lunar, was shown in an exceptional setting together with Virgola Chairs, while the new modular storage concept Fendi Chain – inspired by the fashion house’s jewellery chains – drew considerable attention. Each element can stand alone or be combined, and the modules are available in metal, lacquer or wood.

A MONUMENTAL INSTALLATION

he monumental light installation ‘Beacon’ at Piazza San Babila in Milan attracted considerable attention. The work was created by the renowned British designer Lee Broom and produced by the Czech lighting company Brokis, which builds on centuries-old Bohemian glassmaking traditions. The project combines art, design and sustainability, inviting the public to experience innovative design and artistic expression in the open urban space. The installation consists of 91 illuminated glass columns, which together form a large, chandelier-like structure, uniting design, architecture and sculpture. The inspiration is drawn in part from London’s brutalist Southbank area. The piece is made from recycled glass and glass fragments. In the production of hand-blown glass, up to 30 per cent of each lamp is typically discarded. By trans-

forming this waste into a new material, new aesthetic and functional possibilities are opened within architecture, interior and product design. When the spectacular installation is eventually dismantled, the glass will be reused for a new limitededition collection of table lamps. Lee Broom er en af Storbritanniens førende designere og grundlagde sit eget brand i 2007. Med sine meget originale kollektioner af luksusmøbler og -lamper har han positioneret sig som et af de mest spændende designnavne. Han har samarbejdet med globale high end-brands som Christian Louboutin, Mulberry, Bergdorf Goodman, Rémy Martin XO og Wedgwood.

70 YEARS AT THE TOP…

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DePadova also celebrated an anniversary this year – 70 years on the design scene, defined by Milanese elegance, where aesthetics, quality and style at the highest level have always gone hand in hand. One of the new pieces was the Alberese Urban sofa by Piero Lissoni. Harmonious, linear and distinctive. The open armrest and low proportions that define the identity of the original Alberese XL are preserved, while the structure is reinterpreted with a seat cushion extending all the way to the floor. This choice makes the sofa more versatile and multifunctional. ____________________________________ T R E N D : We combine and compose to create a personal expression.

SURROUNDED BY BEAUTY, INDOORS AND OUT…

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Gaggenau once again took over Villa Necchi Campiglio, where blooming poppies set the tone for what awaited inside. Here, the brand presented its latest products as an integrated part of the architectural setting. At the centre were ovens from the Gaggenau Minimalistic series, staged within a striking cube of backlit mirror and tinted glass. Featured were a spacious 60 cm oven, a more compact steam oven and a culinary warming drawer – a tribute to precision, functionality and discreet luxury. The ultra-premium Vario Cooling Expressive series was introduced with fronts in burnished brass. The combination of a 90 cm freezer and a 90 cm refrigerator, both built-in and elegantly concealed, was nothing short of captivating. Complemented by wine cabinets in the same series, a cohesive and impressive cooling wall was created, uniting professional performance with sculptural aesthetics. ____________________________________ T R E N D : First-class minimalism.

Muuto Milan Apartment presented ‘The Art of Belonging’ – a spatial concept shaped by the belief that the home influences how we feel, relate and live. Through a considered use of materials, colours, light and form, the apartment was designed as a lived-in home: warm and unpolished, where design supports everyday activities while fostering comfort, connection and a sense of belonging. The result was spaces designed to be inhabited. Culture, interests and daily rituals remain visible, making the spaces feel distinctly human.

Villa Necchi Campiglio in Milan was built between 1932 and 1935 and was among the first private residences in the city to feature a heated swimming pool. The villa was technologically pioneering for its time, also equipped with intercom systems, lifts and sliding armoured doors. The villa later served as the setting for Luca Guadagnino’s film I Am Love (2009), starring Tilda Swinton. The Necchi family built their fortune through the production of sewing machines, Fiat components and enamelled cast iron.

FEEL AT HOME…

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Our home is our sanctuary – our place of retreat. We want to feel secure and be surrounded by objects that are functional, beautiful and of exceptional quality. Like the extraordinary sofa and the striking dining table. “At LEMA, we continue to develop a vision of living that places continuity between spaces and experiences at its centre. From the living room to the bedroom, we work to create a cohesive and articulated system capable of accompanying people over time. → Our products are not created to meet temporary needs, but to become part of everyday life and evolve together with those who choose them. This is the direction of our research: to create essential, durable and versatile furniture that maintains its aesthetic and functional value over time,” explains Angelo Meroni, President of LEMA. The dining area is defined by the Traverso table, a new design by Carlo Colombo, combining geometric rigour with dynamism. Around it are Blanca chairs by Roberto Lazzeroni, while the new Modula sideboards express a system designed to run throughout the home. ____________________________________ T R E N D : Our home – our sanctuary.

SAND STONE COLLECTION The latest Technogym collection reimagines wellness interiors with a sophisticated blend of materials, textures, and design. Merging authenticity and forward-thinking innovation, it sets a new standard of elegance for exclusive spaces. A warm, textured, and enveloping aesthetic inspired by Mediterranean sandstone and perfected by technology, crafted to bring elegance and character to any environment.

Te c h n o g y m D a n m a r k - K r i s t e n B e r n i k o w s G a d e 8 , 1 1 0 5 K ø b e n h a v n - p e d a n . d k

PATRICIA URQUIOLA AND DURAVIT…

uravit and the Spanish star designer Patricia Urquiola presented the installation ‘BalcoonScapes’ at Gran Meliá Palazzo Cordusio. By translating and staging materials and forms from the 2025 Balcoon series into an abstract installation, Patricia Urquiola explored how the bathroom as a space can be transformed into an artistic and sculptural landscape. Balcoon-Scapes was an experience that shifted the focus away from function and practicality towards art. As always, Patricia Urquiola demonstrated her mastery of a free and experimental exploration of form and materiality, and Balcoon-Scapes invited visitors to experience design as a dialogue between object, space and perception. For Duravit, the collaboration with Patricia Urquiola represents an approach that expands the brand’s creative scope and offers a new perspective on the bathroom as a space in its own right. Alongside the installation, Duravit also presented an exclusive preview of new additions to the Balcoon collection at its showroom in the city.

‘MARK’ is the latest acoustic panel designed by Danish designer Felicia Arvid for the Italian company Caimi, presented at Salone del Mobile. “The simplicity of Mark Rothko’s works has always fascinated me - the way colours interact and create a blurred sense of depth. Here, the folds in the textile create depth and add a tactile softness to the otherwise strict composition. Whether in monochrome or multicolour, the panel has a subtle presence within the space,” she explains.

Even building façades are used as a canvas to express the messages that individual brands wish to convey to visitors. Here, the French luxury house Longchamp has transformed the façade with green motifs in varying shades, creating a striking visual statement.

→ REINTERPRETING THE HOME… With Lanai, the Milan-based design duo Yabu Pushelberg reinterprets the bed by moving beyond the idea of a simple piece of furniture. Instead, the sleeping area is conceived as a fully developed space for relaxation, personal time and comfort. Inspired by the modern bedroom, which is increasingly becoming a space where people spend the entire day, the series integrates both bed and sofa into one. The bed can be purchased without the sofa, but the sofa is not available without the bed. ____________________________________ T R E N D : As spaces merge, we rethink them as more multifunctional.

PLAYFUL FUNCTIONALITY…

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At Living Divani, the Orbi coffee table by Studio Adolini stood out. A dynamic and functional design, it can transform in size through a rotating marble top, creating a dialogue between circle and square. ____________________________________ T R E N D : We combine materials and shapes.

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FIRST-CLASS WARDROBES… We love wardrobes that go beyond the ordinary. The walk-in wardrobe is here to stay. They appeared in many versions – some truly exceptional, like this one from Molteni&C. Exquisitely crafted, with several new additions to the extensive collection. These new leather doors feature highly sophisticated stitching and are complemented by a brand-new wardrobe island, Vetra, designed with a glass top and generous storage drawers. Multiple material combinations are possible. ____________________________________ T R E N D : Once an aficionado – always an aficionado.

Louis Vuitton’s ‘Objets Nomades’, presented at the spectacular Palazzo Serbelloni, was a pure tribute to the Art Deco artist and bookbinder Pierre Legrain. A unique and multifaceted talent, he created both commercial advertising and furniture for the French luxury house in the 1920s. The material richness and structural precision of his flowing forms were clearly echoed in the revitalised pieces from the design archive, featuring leather and upholstery in geometric blue patterns.

During the design days, several compelling collaborations between automotive brands and designers were also on display. Here, the vibrant spirit of Paul Smith is expressed through the iconic Mini Cooper family. The new Mini Paul Smith Edition brings his distinctive creativity to life through bold colour combinations, signature stripes and handwritten phrases. The model is a tribute to individuality and optimism - every drive offers a fresh perspective on everyday life. We stepped inside and explored the garden, where the new editions of the Mini Paul Smith Edition were on display.

→ AND SUDDENLY, MIELE MOVED OUTDOORS… The outdoor series is called ‘Dreams’, marking the first time in Miele’s 125-year history that the German brand moves into the garden. ‘Dreams’ is a modular system designed so you can configure your kitchen exactly according to your needs and space. German quality and functional precision define this outdoor kitchen for true connoisseurs. Miele has presented six fixed configurations as inspiration, ranging from compact solutions to large L-shaped kitchens. The outdoor system is expected to launch in spring 2027. ____________________________________ T R E N D : We want much more outdoor living.

HEREWEYAYAHOAGAIN…

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As a brand, Ingo Maurer embodies a sense of anarchy and playfulness – qualities that were clearly present at the design week. Here, the German lighting pioneer presented a further development of the ‘YaYaHo’ system, which since 1984 has redefined the way light is perceived and designed. It originally began with an observation: at a street bar in Haiti, Ingo Maurer saw electricity being drawn illegally, yet ingeniously, from the grid. From this emerged a radical idea for a system that is not truly a system, but rather a composition of mirrors, screens and lamps suspended between a pair of current-carrying wires. The 2026 version of this revolutionary lighting design continues where the original left off. In Milan, it was presented as a luminous composition in which the wires are no longer merely supports for light, but become stages for sculptural interventions, surrounded by paper. At the heart of the design is the idea that it requires a creative contribution from those who use it – or, as Ingo Maurer himself once said of the system: ‘YaYaHo is not bought – it is interpreted.’ ____________________________________ T R E N D : Reinterpreting strong design classics.

Milan is a vibrant metropolis that effortlessly blends culture, architecture and beauty – and not least past and present. In the Brera district, there is a particularly high concentration of showrooms and events set within historic palazzi. Brera is one of Milan’s most charming, creative and fashionable neighbourhoods, often referred to as ‘Milan’s Montmartre’ due to its distinctive bohemian atmosphere.

LADY IN RED TAKES CENTRE STAGE…

he Italian brand Foscarini used Milan Design Week to celebrate one of its most iconic pieces: the Twiggy floor lamp, designed and named by Marc Sadler in 2006. Twenty years on, this elegant yet slender lamp still graces highceilinged homes around the world. We met Marc Sadler – standing with his feet firmly planted in the sand at Foscarini’s Milan showroom – and asked him why: Q: What lies behind Twiggy’s success after all these years? A: First of all, the anniversary is somewhat misleading. Twenty years is only Twiggy’s official age. The lamp itself is at least five years older, as its development was long and

complex, full of unknowns and experiments – even moments when we thought it simply wouldn’t be possible. Q: What were your thoughts behind this distinctive design? A: The ambition was to create an ‘arched lamp’ with a different identity from the many archetypes on the market. The answer was Twiggy, inspired by the idea of placing a light at the end of a fishing rod. Although the lamp carries an ultrafeminine name - suggested by my wife - I initially imagined a fisherman placing his rod in the sand. That led to the idea of a flat base. From there, we worked intuitively with material, colour, flexibility and simplicity.

Q: What does the future hold for Twiggy? A: In 2026, Twiggy’s light remains distinctly contemporary. It directs light both upwards and downwards, combining function and atmosphere in a single gesture. That is something we need more than ever today. Twiggy also reflects an approach to design. Design is created by people working and interacting together. It is this ‘team effort’ – between material culture, engineering expertise and a sensitivity to light – that has allowed this object to endure for two decades without losing its intensity.

SOUND MOVES OUTDOORS… During this year’s Milan Design Week, Bang & Olufsen presented a new installation in collaboration with Antolini, where sound and materiality merge within outdoor spaces. Terraces and exterior environments are increasingly becoming an integrated part of residential design, incorporating lighting, furniture – and now sound. As part of the experience, the forthcoming Beosound Haven speaker was presented as a vision of architectural sound in the open air. ____________________________________ T R E N D : Outdoor spaces become fully immersive living environments.

→ CALM AND PRESENCE…

T R E N D : ‘Presence’: being present – finding calm.

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Here, the kitchen is almost a sculpture – a true centrepiece of the home. The Harp kitchen stems from a search for harmony and is defined by the meeting of geometric forms and softer curves. Created in exclusive materials, the Harp kitchen embodies Poliform’s vision of the contemporary living space. It is difficult to imagine anything more extravagant or elegant.

The Danish-Italian design duo GamFratesi designed the Tibeau Bed for Molteni&C last year, and this year a series of bedside tables has been added: the Tibeau Bedside Table. Available in Coffee Oak, either square or rectangular. ____________________________________

Contemporary cooking. Everlasting design. Crafted with the finest quality materials and shaped by classic Scandinavian design. ASKO Celsius ovens make it easy to master advanced dishes and experiment with the latest culinary trends. Enjoy precise, effortless cooking and wonderful flavours every day with a beautiful oven, designed to last.

ASKO.COM

HOLIDAY ON MY MIND

Summer has arrived, bringing the promise of a well-earned escape. It’s time to pack for a sun-soaked destination like Mallorca with a wardrobe that blends softly tailored suits and relaxed essentials for an effortless holiday look.

Photography DAVID G AB RIEL RON Production & Styling MAR IA AN G ELOVA Hair & Make-up AY L I N H A L M A N Model LORENZO TETI Independent Mgmt Location AETHOS HOTEL MALLORCA

Knitted blazer Lardini at Bindesbøl Copenhagen €685 Shirt Alessandro Gherardi at Bindesbøl Copenhagen €255 Jeans Jacob Cohën at Bindesbøl Copenhagen €485 Loafers Celine €870

Blazer Hansen Garments €535 Shirt Hansen Garments €225 Trousers Falconeri €235 Loafers Celine €870

Shirt Hackett London €135 Shorts Hackett London €110

Shirt Bongusta €90 Trousers Bongusta €80 Flip-flops Havainas €40

T-shirt Dolce & Gabbana price upon request Shirt Dolce & Gabbana price upon request Trousers Dolce & Gabbana price upon request Sandals Steve Madden €135 Sunglasses Golden Concept €350

Denim bowling shirt Celine €830 Scout shirt Celine €765 Shorts Celine €830 Loafers Celine €870

Shirt Hansen Garments €205 Trousers Hansen Garments €205 Flip-flops Havaianas €40

Blazer Lardini at Bindesbøl Copenhagen €1,140 Polo shirt Piacenza at Bindesbøl Copenhagen €390 Scarf Andrea’s 1947 at Bindesbøl Copenhagen €190 Trousers Lardini at Bindesbøl Copenhagen €420

Blazer Dressler €530 Polo shirt Falconeri €220 Trousers Hansen Garments €255

Polo shirt Celine €980 Scarf Andrea’s 1947 at Bindesbøl Copenhagen €190 Trousers Hackett London €175

Blazer Dressler €530 Trousers Dressler €235 Shirt God’s True Linen €905

Shirt God’s True Linen €905 Shorts Celine €830

A U N I V ER S E O F LUX UR Y

LUXURYAFICIONADOS.COM

WHERE TIME WATCHES & WONDERS 2026

BECOMES ART

t Watches & Wonders in Geneva, this year’s def ining narrative unfolded along two distinct yet complementary lines. Our editors, Kristian Haagen and Nina Hald, observed and discussed emerging trends with industry professionals, posing a

central question: what makes a truly remarkable timepiece? In 2026, the fair was marked by a notable number of anniversaries, with the world’s leading maisons revisiting their icons and reaffirming their technical heritage through celebratory releases that balanced legacy with renewal. At the same time, a more expressive

realm emerged, where high jewellery watches for women transformed time into art – sculptural, gem-set creations in which craftsmanship and creativity took precedence over convention. Together, these perspectives reveal a horological landscape where tradition, innovation and artistic ambition coexist at the highest level.

rosingdesign.dk

here W play meets precious – childhood, reimagined

Dots & Details

We are dotting our i’s and crossing our t’s as our darling children bring home glass bead bracelets, that the offspring have made themselves in kindergarten. As they begin to learn the alphabet, they play around with small letters, and as parents we love to wear the precious creations. Spelling their own names or perhaps MOM, the bracelets tug on our heart strings.

RETAI LER

Jernbanegade 3

DK - 5000 Odense C

+ 45 63119070

info@ragnar.dk

ragnar_denmark

rosing_design

WATCHES & WONDERS 2026

IN THE SIGN OF There was a palpable buzz among the ticking marvels this year, duly ref lected at Watches & Wonders Geneva 2026. Several watchmakers and timepieces celebrated milestone anniversaries, and the occasion was marked by a wave of noteworthy releases.

ANNIVERSARIES Te x t b y K R I S T I A N H A A G E N

know, I know: you can check the time and date on your phone. Or perhaps on your smartwatch. And you do - frequently. You are far from alone. Yet, thankfully, there remains a devoted community, myself included, captivated by mechanical watches, still pressing noses against boutique windows to admire these ticking objets d’art. Watches & Wonders Geneva is the world’s largest watch fair, hosting

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around 60 exhibiting brands within the pristine white walls of Palexpo. Beyond its halls, Geneva itself brims with horological activity. Opportunities to immerse oneself in micromechanical mastery, and to find fresh inspiration for the wrist, are abundant. This year’s fair attracted nearly 60,000 visitors, a 9% increase on the previous year. As ever, Luxury Aficionados were on site, attending 12 daily meetings across five intense days. One thing quickly became clear: 2026 is a

year defined by anniversaries. And who doesn’t enjoy a celebration? We have therefore selected a handful of leading watchmakers marking 100, 50, 30 and 25 years – each unveiling timepieces that honour the past while looking firmly ahead. They share one defining trait: the enduring fascination with the mechanical watch. Not as a necessity – but as a passion. And perhaps that is precisely why we return to these ticking marvels. Not to tell the time – but to feel it pass.

WATCHES & WONDERS 2026

1926

udor launches its first watch. Despite its 100-year anniversary, there were no overt celebrations at its stand during Watches & Wonders. In fact, not a single piece indicated the milestone. Nevertheless, I was presented with what might be considered an anniversary piece: the Tudor Monarch. This charming 39 mm novelty draws heavily on vintage inspiration, most notably through its distinctive Error-Proof dial, which combines Roman and Arabic numerals. The case features crisp facets, paired with a slim “T-Fit” bracelet that complements the watch beautifully. The champagne-coloured dial exudes heritage, while also hinting at a potential new model line. Through the sapphire caseback, one can admire the COSC- and METAS-certified Master Chronometer movement, calibre MT56622U, offering a 65-hour power reserve. Price: €5,400.

olex introduces the waterproof Oyster case - a decisive turning point for the brand. It is with the Oyster construction that Rolex truly defines itself: water resistance becomes a core attribute, one that remains central to the brand to this day. The message was cemented the following year when English swimmer Mercedes Gleitze crossed the English Channel in 1927 wearing a Rolex Oyster. The watch remained perfectly sealed throughout, and the story travelled the globe. In 2026, Rolex celebrates the Oyster’s centenary with a 41 mm Oyster Perpetual in steel and gold. The anniversary is subtly marked beneath the “6” index, where “Swiss Made” usually appears, with the inscription “100 years”. It also appears on the winding crown, engraved with “100” in place of the usual Twinlock dots. Why this understated model? The explanation is simple: the Rolex Datejust was not introduced until 1945, and the Rolex Submariner followed in 1953. The more “fundamental” Oyster Perpetual therefore forms the basis of the anniversary edition. Price: €9,400.

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WATCHES & WONDERS 2026

1936

hen the first Panerai Radiomir was launched in 1936, it was not intended for civilian use. Quite the opposite. The 47 mm dive watch was designed to be worn over wetsuits by Italian naval commandos on underwater missions. It was not until 1997 that the model became available to civilians with the PAM21- equipped with a Rolex movement from Panerai’s archives - coinciding with Richemont’s acquisition of the brand. Today, Panerai is far removed from its purely military origins, having

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become a true “wrist darling”, particularly among the devoted Paneristi community. Curiously, Panerai did not mark the Radiomir’s 1936 debut in 2026. Instead, attention was directed towards the Luminor collection, first introduced in the 1960s. This 44 mm novelty features a rich tobacco-brown dial, sandcoloured lume and gold-toned hands. Inside beats the manually wound calibre P.6000 with a three-day power reserve. Price: €8,900.

WATCHES & WONDERS 2026

1976

he IWC Ingenieur, in its current form designed by Gérald Genta, was launched by IWC Schaffhausen in 1976. This year, the collection expanded with 35 mm diamond-set versions and a titanium model featuring a perpetual calendar. The latter captivated my wrist during the fair. Not only for its complication, but also for its lightweight yet robust construction. I must also admit to being also slightly starstruck at the IWC stand, exchanging a knowing nod with George Russell, who stopped by alongside the striking Olympic skier Eileen Gu. After all, Watches & Wonders is not solely about watches. It is also about the personalities who bring them to life. Price: €44.100

he Patek Philippe Nautilus, designed by Gérald Genta, is widely regarded as one of his most iconic creations. 1976 marked its debut. That said, the Nautilus was far from the most significant launch at Watches & Wonders 2026. Yet Patek Philippe still commanded attention by unveiling three new wristwatches and one desk clock - all crafted in precious metals and priced to astonish. The 50th anniversary Nautilus is offered in 41 mm and 38 mm versions, each limited to 2,000 pieces. The latter is rendered in platinum, while the others are in white gold. A diamond-set Nautilus with baguette-cut hour markers is limited to 1,000 pieces. The desk clock, also in white gold, offers an eight-day power reserve. Personally, I favour the 41 mm version, as it is a faithful homage to the Nautilus ref. 3700 from 1976, which I actually own myself. The anniversary edition is nearly as slim as the original, thanks to calibre 240 with micro-rotor - a movement produced by Patek Philippe since 1977. Price: €70,700.

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WATCHES & WONDERS 2026

1976

aymond Weil is founded, and the brand celebrates with the remarkably accomplished 37 mm ‘The Fifty’ Chronograph Edition in steel. The watch is powered by a vintage, manually wound Valjoux 23-6 from the year of the brand’s founding. In collaboration with movement specialist Chronode, Raymond Weil restored and modernised a limited number of movements for this anniversary model. Just 50 pieces were produced, selling out within hours of its online launch. Acquiring one now requires a diligent search on the secondary market. Original price: approximately €9,990.

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WATCHES & WONDERS 2026

1996

armigiani Fleurier was founded by Michel Parmigiani. While no explicit anniversary piece was unveiled, the brand impressed with the 40 mm Tonda Chronographe Mystérieux in steel and platinum. This chronograph does not resemble a chronograph yet performs the function in an entirely novel way. One might even say the complication is invisible, hence the name “Mystérieux”. At rest, the watch appears conventional. Press the pusher at 7 o’clock, however, and the chronograph springs to life as all hands emerge simultaneously. A second press stops timing; a third resets the mechanism and returns the watch to time-only mode. In other words, a watch full of intricacies - without the usual visual clutter. Price: approximately €41,700.

hopard L.U.C is born - a collection that today represents some of the finest watchmaking in the industry. Initiated by Karl-Friedrich Scheufele, it has evolved to rival houses such as A. Lange & Söhne and Patek Philippe. To mark its 30th anniversary, Chopard presents the L.U.C 1860 Chronometer: 36.5 mm in diameter, with a blue, hand-crafted guilloché dial. The automatic calibre L.U.C 96.40-L is exquisitely finished and visible through the sapphire caseback. Crafted in Chopard’s proprietary Lucent Steel, the watch combines enhanced brilliance with a focus on sustainability. Price: €28,200.

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WATCHES & WONDERS 2026

1996

he Vacheron Constantin Overseas was launched in 1996 as the successor to the sporty Vacheron Constantin 222 from 1977. In 2026, the collection received near-universal acclaim with the Overseas Dual Time “Cardinal Points”, presented in four dial colours representing the cardinal directions.

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The 41 mm model pays tribute to photographer and adventurer Cory Richards, who summited Mount Everest in 2019 wearing a prototype. Refreshingly, the model is not limited - though the expected demand will ensure a lengthy waiting list. Price: approximately €38,000.

WATCHES & WONDERS 2026

2001

lysse Nardin celebrates not only its 180th anniversary, but also 25 years of the unconventional Ulysse Nardin Freak - the first watch to utilise anti-magnetic silicon in its movement. A new version, four years in development, is

described as “the most complicated time-only watch ever made”. Aptly named Super Freak, it is a technical tour de force. This 44 mm white gold model is also the world’s first automatic watch featuring two tourbillons. Unsurprisingly, it is limited to 50 pieces. Price: approximately €348,100.■

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WATCHES & WONDERS 2026

BEYOND TIME

In the rarefied world of high jewellery watches, these exceptional creations for women transcend function to become objects of pure desire. Sculptural design, extraordinary gemstones and centuries-old craftsmanship converge in pieces as rare as they are captivating, and where the notion of price quietly fades into irrelevance.

BEYOND PRICE Te x t b y N I N A H A L D

f you have ever wondered what it would feel like to walk through watch heaven, you must sign up for the public days of the Geneva-based Watches & Wonders. Everything you could possibly desire in the complicated, mechanical and decorative world – and then some! – is on display here. There is no shortage of expert artisans; craftsmanship is by no means rare, as the very best is brought forward, and many skills are even demonstrated at worktables and through guided tours of stands, which also proudly display historic company achievements through vintage objects and timelines stencilled on the stand walls. Should the experience become a little overwhelming, fear not: champagne and Swiss chocolate are always poured and served for those overcome by all the beauty. For ladies who appreciate fine and high watchmaking, the novelties featured a full palette of colours – achieved through enamelling, lacquer, gem-set bezels and dials made of decorative stones and hardstones – preferably presented in generous amounts of gold. Each exhibitor ensured they played to their strengths, which is both understandable and reassuring, for “why mess with perfection?”, one might rhetorically ask. Bulgari and Cartier continued their exploration of historically important motifs; Chanel and Chopard each presented significant allegorical table clocks. JaegerLeCoultre celebrated the beauty of Hawaii’s nature and the preservation of craftsmanship; Piaget turned pebbles into sautoir watches. Finally, Rolex hit a grand slam with the Oyster’s centenary celebration, pairing a new gold alloy with a gorgeous light-green dial. Join us for a cursory review of the very best on the following pages.

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Freed from the figurative

ulgari’s Serpenti Aeterna high-jewellery watch is the most audacious metamorphosis of the design to date. With this unique piece, the company continues to imbue the snake with renewed energy. Entirely pavé-set with a vibrant composition of scintillating gemstones, the reptile unfolds its essential lines into sculptural volume in an extraordinary composition. With it, the Roman jeweller orchestrates a harmony of gemstones in varying dimensions, cuts and hues, where each gem asserts its individuality, shaping a charismatic aesthetic. As a timeless symbol and an inimitable signature, the serpent enters a new sculptural dimension through the brand’s savoir-faire. Rubellite, amethyst, topaz, emerald, citrine, sapphire, tanzanite, pink and Paraíba tourmaline, tsavorite and peridot: 122 stones,

totalling approximately 13 carats, have been selected for their rarity, beauty and costliness. In a variety of cuts and sizes – round, brilliant, princess, pear and oval – the gems are arranged in a perfectly orchestrated composition and set in 18-carat rose gold. Bringing it to life required 225 hours of development, 185 hours devoted to gemstone selection and preparation, and more than 60 hours of gem-setting. Approximately 5 carats of colourless diamonds trace the serpent’s silhouette, encircling the exuberant gems as if to capture their energy. An entirely pavé-set dial underscores Serpenti Aeterna’s striking graphic presence. Inside the bracelet, open-worked hexagonal scales create endless variations and plays of transparency. Through this long creative process, the serpent is reborn as a symbol of vitality and transformation, freed from figurative expression and distilled into a line, a tension, an energy.

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WATCHES & WONDERS 2026

Grain du Cartier

nspired by the humble coffee bean, Cartier has created a solar high-jewellery watch of absolute elegance. With its luscious use of gold, the Grain du Café watch combines the glamour of the 1950s Côte d’Azur with the radiant beauty of Grace Kelly. Inspiration has been drawn from the heart of the Maison’s stylistic vocabulary, based on two cherished elements: flora crafted in gold and the ordinary made precious. The Grain du Café high-jewellery watch enhances the skin like summer heat. Arranged in clusters, the engraved coffee beans stir with the slightest movement in a precious rustle, as each element is moveable. Their sensual curves, studded with fiery brilliants set in white gold, radiate infinite delicacy. By combining mobility with sensuality in endlessly sparkling clusters, the watch issues an invitation to touch.

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The jewellers have created hollow grains composed of two parts, assembled to avoid impact between them: one part curved and the other arched. All elements are polished individually using a steel brush that enhances the finish. The “coffee bean” motif, which first appeared at Cartier in 1938, was a great success in the 1950s and 1960s. Two extraordinary women contributed to its fame: Jeanne Toussaint (1887–1976) and Grace Kelly (1929–1982). Toussaint, Cartier’s creative director from 1933 to 1970, saw in this motif the richness of a universe to be explored. Kelly, the actress-turned-princess with a truly charismatic aura, received a Grain de Café set for her wedding to Prince Rainier III (1923–2005) of Monaco – note the select few princess-cut diamonds on the watch as well.

WATCHES & WONDERS 2026

Chanel dons (tweed-set) diamonds

abrielle ‘Coco’ Chanel (1883–1971) made all the right moves during her lifetime. She fought her way to the top of her profession at a time when women were neither expected nor welcomed there. With her eye for fashion, head for business and ambitious mind, an exceptional table clock in the guise of a chess game succinctly captures Chanel’s most defining qualities. As a unique creation that extends beyond the mere measurement of time, it has already gone down in watchmaking history as the most talked-about showpiece that could not even be displayed, as it had been acquired by a collector a few days before the fair opened. So, what was to be done? Chanel could only display a model and demonstrate the aptly named tweed gem-setting technique developed for its production. Black or white, each pawn has been crafted as a miniature sculpture, reflecting Mademoiselle’s universe by combining white and blackened gold, ceramic and no fewer than 9,236 brilliant-cut diamonds totalling 110.94 carats. The Vendôme column represents the tower, a mannequin bust the bishops, the lion embodies the king, positioned side by side with Chanel; the 32 pawns refer to the universe of the Maison, but only Mademoiselle as the white and black queens conceals the time beneath her iconic slingbacks. The two queens can also be worn as pendants on chains made of white gold set with diamonds and onyx. The chessboard rests on an obsidian base.

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WATCHES & WONDERS 2026

A busy beehive

s the Chopard manufacture in Fleurier celebrates the 30th anniversary of its founding this year, the Maison unveiled the Beehive Table Clock, a richly decorated objet d’art, at the fair. A defining emblem of the manufacture, the beehive rises as a metaphor for the harmonious collective spirit that animates its workshops. Three bees symbolise the three generations of the Scheufele family who have faithfully preserved its legacy. The limited edition of ten chiming mechanical table clocks has been realised in collaboration with L’Epée 1839 – the only Swiss manufacture specialising in complicated clockmaking. When Karl Friedrich Scheufele adopted the bee as the emblem of the newly founded Chopard manufacture in Fleurier in 1996, he paid

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tribute to the heritage of Louis Ulysse Chopard, who had already used the beehive motif in the 19th century. Today, the beehive also carries contemporary significance as a symbol of environmental responsibility, given the bee’s essential role in natural ecosystems. The Beehive Table Clock is adorned with three bees in 18-carat ethical yellow gold, each set with alternating rows of yellow sapphires (6.45 carats) and black diamonds (6.29 carats), forming the banded body, with black spinels (3.06 carats) for the eyes. Their diaphanous wings, crafted from rock crystal, are adorned with brilliants. Two of the bees’ stingers serve as precise indicators of hours and minutes, displayed via rotating glass rings. The third bee is perched near the apex of the clock, its head pointing towards the active chiming mode as shown by the selector.

SCHACKENBORG

Timeless Danish luxury A ROYAL ESCAPE IN THE HEART OF SOUTHERN DENMARK

Wake up in one of Denmark’s most iconic castle settings. At Schackenborg, history, Nordic elegance and exceptional gastronomy come together in an unforgettable stay. Enjoy a refined tasting dinner crafted from local ingredients, unwind in beautifully restored surroundings, and experience the calm beauty of the Danish countryside — just moments from the Wadden Sea. For those who seek more than a hotel. For those who travel for atmosphere, taste and memorable moments.

schackenborg.dk

Schackenborg 1, Møgeltønder 6270 Tønder, Denmark Tlf: +45 79 30 69 00

WATCHES & WONDERS 2026

Jaeger-LeCoultre’s Hawaiian tribute

s the first capsule of Jaeger-LeCoultre’s La Vallée des Merveilles, three new Reverso One timepieces pay exquisite tribute to the beauty and wonders of nature in Hawaii and Japan, while also celebrating, preserving and reinventing the traditional decorative arts within high watchmaking, as practised by La Grande Maison’s talented watchmakers, designers and artisans, who transform these wonders into miniature works of art. Set in an 18-carat pink gold case, the Reverso One ‘Hibiscus Syriacus’ watch unites the codes of fine watchmaking with the artistic crafts of Métiers Rares, namely enamelling, engraving, gemsetting and lacquer work, into a true work of art. The Reverso One ‘Hibiscus Syriacus’ is offered in a limited edition of 20 pieces.

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On the reverse of the Reverso One ‘Hibiscus Syriacus’, a dreamlike scene depicts a hovering Akialoa (a Hawaiian honeycreeper) sipping nectar from a blue hibiscus flower. The image is composed of two separate sections arranged on two levels of lacquer, combining both opaque and translucent enamel. The 18-carat pink gold case sparkles with 335 grain-set diamonds (totalling 2.38 carats), while a glossy blue alligator strap echoes the colour of the blue lacquer. For those seeking a more opulent jewellery expression, the watch is also available with an 18-carat pink gold bracelet set with an additional 384 diamonds (totalling 5.7 carats). The watch features a manually wound Jaeger-LeCoultre Calibre 846, displaying hours and minutes, with a power reserve of 50 hours.

WATCHES & WONDERS 2026

Piaget’s pedigree and the Pebbles

or Piaget, time has always been more than a measure; it is about movement and elegance. The Swinging Pebbles pendant watch embodies this in a seamless harmony of gold, ornamental stones and timekeeping, reflecting Piaget’s unrivalled mastery of each. The Swiss company’s signature spirit remains unmistakable: bold yet refined, playful yet precise. Always unusual. Always unexpected. True to its heritage, yet resolutely modern, Piaget has long worked with more than 50 gemstones. Its enduring love affair with ornamental and hard stones dates back to 1969, when the 21st Century Collection was introduced, redefining what a watch could be and laying the foundation for making hours bloom with beauty. With an aesthetic that epitomises casual chic and versatile elegance, the Swinging Pebbles pendants, presented in three versions, offer a new interpretation of sautoir watches. One is crafted from verdite (as shown), one from tiger’s eye, and one from pietersite. Each watch is cut from a single carefully selected stone, ensuring that these are not merely timepieces, but wearable works of art. Suspended from luminous gold chains that drape, twist and move with every gesture, each piece is fitted with a 355P Manufacture quartz movement displaying hours and minutes. The Swinging Pebbles bring time to life in an artistic yet spontaneous manner, appealing to a clientele that values joyful creativity and audacity, perfectly embodying Piaget’s free spirit infused with the energy and optimism of the 1970s. Defined by its soft, asymmetrical shape, the pebble fits naturally in the hand - a sensorial expression of Piaget’s organic yet forward-looking design language.

WATCHES & WONDERS 2026

The Crown assumes colours

he icon. The classic. The crown. Let’s face it: Rolex is arguably the most famous watch brand of all. Its ambition has always been to create timepieces capable of withstanding the wear and tear of everyday life.

As 2026 marks the 100th anniversary of the Oyster, the Perpetual Day-Date 40 has been unveiled in Jubilee Gold – a new 18-carat alloy conceived, developed and produced in-house. Jubilee Gold glows with tones of soft yellow, warm grey and subtle pink, thanks to its composition of gold, copper, palladium, zinc and silver. As it turns out, a bright evergreen aventurine dial – an opaque macrocrystalline variety of the quartz family – pairs perfectly

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with Jubilee Gold. One might be tempted to conclude that this is a centenary match made in watchmaking heaven. Ten baguettecut diamonds form the hour markers, while the dial is framed by a fluted bezel and completed with a President bracelet featuring a concealed Crown-clasp. The Day-Date 40 is equipped with calibre 3255 and, like all Rolex watches, carries the Superlative Chronometer certification, ensuring exceptional performance on the wrist. Since its original launch in 1956, the Day-Date has displayed the day of the week spelled out in full in an arc-shaped window at 12 o’clock - a technical feat at the time. Today, the wearer can choose between 26 languages, all complemented by the Cyclops lens at 3 o’clock for enhanced legibility of the date. ■

Photography DAVID G AB RIEL RON Production & Styling MAR IA AN G ELOVA Hair & Make-up AY L I N H A L M A N Model L E TA F 98 MGMT Location AETHOS HOTEL MALLORCA

WHERE IS THE The pool is calling – and so is the promise of slow, sunlit hours spent unwinding in style. Whether stretched out on a lounger or drifting between water and shade, this is summer dressing at its most effortless. From sculpted swimwear to fluid dresses and bold accessories, this is poolside dressing with confidence, ease and a playful sense of escape.

POOL BOY? Swimsuit Dolce & Gabbana €750

Bag Dolce & Gabbana €1,305

Earrings stylist’s own

Shoes Dolce & Gabbana €1,155

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Body Sessùn €165 Scarf Missoni at Bindesbøl Copenhagen €270 Earrings Pearl Octopuss.y €280

Swimsuit Melissa Odabash €255 Sandals Loewe €700 Bangle (red) Celine €650 Bangle (blue) Celine €980

Dress Zimmermann €2,105 Earrings Valentino €615

Swimsuit Patrizia Pepe €225 Skirt Patrizia Pepe €150 Earrings stylist’s own Shoes Patrizia Pepe €325

Dress forte_ forte €740 Shoes Patrizia Pepe €445 Necklace Balenciaga €1,555

Polo Celine €1,330 Bag Celine €600 Bikini briefs Melissa Odabash €125

Dress Louis Vuitton €15,300 Earrings Zimmermann €275

Top Zimmermann €1,430 Swimsuit La Nouvelle €135 Shoes Patrizia Pepe €325 Earrings Zimmermann €275 Ring Zimmermann €395

Dress Elie Saab €5,770

Shoes Elie Saab €830

Bag Elie Saab €1,545

Earrings stylist’s own

Body top Georges Hobeika €1,565 Skirt Georges Hobeikaa €1,145

Swimsuit Zimmermann €375 Bag Loewe €1,500 Necklace Zimmermann €800

Swimsuit Venuja €390 Skirt Venuja €350 Towel Loewe €590 Earrings Celine €870 Shoes Patrizia Pepe €325

Bikini top Celine €465 Hoop earrings Celine €870 Shorts Charlotte Sparre €270

Dress Elie Saab price upon request Bag Ermanno Scervino at Bindesbøl Copenhagen €2,145 Bangles Elie Saab price upon request Earrings Celine €870

Swimsuit Elie Saab €805 Scarf Elie Saab €350 Earrings Pearl Octopuss.y €210

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KONGENS NY TORV 20

PASSION FOR FASHION

1050 KØBENHAVN K

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+45 3393 1307

W W W.BINDESBOEL .DK

BE AU T Y & W E L L N E SS · M E N

EFFORTLESS SUMMER A streamlined summer routine for men, where simplicity and function take precedence – lightweight protection and cooling hydration ensure fresh, polished skin, while hair is styled with a natural, effortless touch. The result is a clean, well-groomed and understated appearance. Te x t b y M A R I A A N G E L O V A

Lightweight serum with vegan collagen, vitamin C and peptides that hydrates, firms and reduces fine lines for smoother skin, Aveda, Vitality Serum, €89.

Saltwater spray with a hybrid formula of katira, maca and peptides that adds volume, texture and a beachinspired finish in the hair, Maginista, Saltywater Spray Activist, €67.

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→ Aftershave balm with a lightweight, non-greasy texture that soothes the skin post-shave, leaving it soft with an elegant, woody scent, Dior, Dior Homme Aftershave Balm, €56.

A fresh, sun-drenched fragrance with crisp citrus notes and a warm, refined depth, Tom Ford, Taormina Orange Eau de Parfum 50 ml, €262.

Toiletry bag in Dior Oblique jacquard with leather detailing, a spacious design and multiple compartments, Dior, Toiletry Bag, €855.

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Hydrating anti-age day cream with vitamin A and antioxidant-rich grape extract that repairs, protects and reduces redness, Beauté Pacifique, Crème Paradoxe Anti-Age, €66.

Gentle body scrub with apricot kernels, glycerine and antioxidants that exfoliates delicately, softens and deeply hydrates while leaving a scent of eucalyptus and rosemary, Bodyologist, Everyday Polisher Antioxidizing Body Scrub, €39.

BE AU T Y & W E L L N E SS · M E N

Lightweight, water-resistant gel sunscreen with SPF 50 that protects without leaving a white cast while delivering antioxidant care, ZO Skin Health, Gel Sunscreen Broad Spectrum SPF 50, €70.

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Firming face cream with melipona enzyme and a collagen-boosting complex that reduces deep wrinkles and restores the skin’s volume and firmness, Chanel, Le Lift Pro Crème Volume, €176.

Travel-friendly suncare set with SPF and after-sun essentials in cabin-approved sizes, Darling, La Vacanza Suncare Kit, €76.

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Lightweight, fast-absorbing after-sun cream that hydrates, soothes and restores the skin’s balance with antioxidant-rich orange extract, Davines, SU Aftersun Cream, €30.

Gentle hand and body wash with hyaluronic acid and aloe vera that cleanses softly and leaves the skin supple with notes of eucalyptus, blood orange and vanilla, Nailberry, The Hand & Body Wash, €30.

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Rich day cream with peptides, phytoceramides and squalane that firms the skin, reduces fine lines and restores moisture balance, Votary, Ultimate Rich Cream, €80.

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Advanced serum with bio-identical growth factors and peptides that enhance the skin’s volume, elasticity and smoothness, ZO Skin Health, Growth Factor Serum, €231.

Night-time peeling solution with a 10% acid complex and a retinol-like ingredient that reduces wrinkles and refines skin texture, Filorga, Daily Peel Anti-Wrinkle Resurfacing Solution, €56. 137

BE AU T Y & W E L L N E SS · WOM E N

SUMMER GLOW A luminous summer routine for women, where radiant skin takes centre stage. Sun protection forms the foundation, while sheer, lightweight textures enhance a natural glow and subtle shine. Fluid highlighters, glossed lips and hydrating formulas create a fresh, sun-kissed look – effortless and modern, from day to evening. Te x t b y M A R I A A N G E L O V A

Lightweight, creamy highlighter stick that imparts a subtle, sun-kissed glow with a natural finish, Westman Atelier, Lit Up – Highlighter Stick, Sephora, €59.

Lightweight tinted glow formula with hyaluronic acid and vitamin E that delivers a natural, radiant finish with lasting hydration, Charlotte Tilbury, Unreal Skin Sheer Glow Tint, €43.

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→ Light, sun-warmed fragrance with fresh, creamy notes and a soft, summery character, Jo Malone London, Beach Blossom Cologne 100 ml, €159.

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Highlighter with ultra-fine pearlescent pigments that create a soft, diffused, sun-kissed glow with long-lasting wear, Tom Ford, Glow Highlighter, €66.

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Tinted mineral sunscreen with SPF 30 that provides light to medium coverage, evens out skin tone and protects with antioxidants, ZO Skin Health, Daily Mineral SunShade SPF 30, €64.

Bronzing powder with a silky texture and 98% natural-origin ingredients, delivering a buildable, sun-kissed glow with lasting wear, Clarins, €47.

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Silky balm duo for face and lips that adds a light-reflecting glow and can be layered for a luminous finish, Chanel, Duo de Baumes, €64.

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BE AU T Y & W E L L N E SS · WOM E N

Nourishing lip balm trio in three shades that strengthens the moisture barrier and leaves lips soft, complete with a cooling applicator, Duffbeauty, Lip Dew Trio, €85.

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Waterproof mascara with collagen and an hourglassshaped brush that adds volume and length with long-lasting hold, Too Faced, Better Than Sex Waterproof Mascara, €35.

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Lip oil in a gel-oil hybrid with coconut oil and vitamin E that delivers intense hydration, shine and a sensual coco de mer-inspired scent, Tom Ford, Hydrating Lip Oil, €40.

Body cream with hyaluronic acid, niacinamide and shea butter that provides intense hydration and leaves the skin with a luxurious, cashmerelike finish, La Prairie, Cashmere Body Cream, €295.

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→ Natural shampoo free from sulphates and silicones that gently cleanses, adds volume and leaves the hair fresh with a light, clean floral scent, Cair, La bonne brosse, €116.

Eau de parfum with notes of jasmine sambac, tuberose and a golden, creamy accord, creating a sensual and elegant scent, Gucci, Bloom Ambrosia d’Oro Eau de Parfum, €180.

2-in-1 cleanser with fine exfoliating grains and hydrating ingredients that gently purifies, refines skin texture and leaves a soft, radiant glow, Nilens Jord, Hydra Glow Radiance Boosting Cleanser, €25.

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→ Blush with sheer colour and a lightreflecting glow that creates a glass-like finish and enhances the skin’s natural radiance, NARS, Light Reflecting Luminizing Blush, €47.

High-shine nail lacquer that envelops nails in light, delivering an elegant, longlasting result, Chanel, Le Vernis, €36. 139

BE AU T Y & W E L L N E SS · WOM E N

Rich body cream with firming ingredients and caffeine, infused with a warm, floral vanilla scent that hydrates, smooths and leaves the skin with a refined finish, Charlotte Tilbury, Magic Joyphoria Body Cream, €54.

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→ Hair & body mist with a light, fresh scent that delicately perfumes skin and hair with an elegant Born in Roma signature, Valentino, Born in Roma The Mist, €54.

Hand cream with a nourishing formula that hydrates for up to eight hours, leaving skin soft with an elegant scent of pear and freesia, Jo Malone London, English Pear & Freesia Hand Cream, €28.

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Light cleansing oil with camellia oil and vitamin E that gently removes makeup and impurities while leaving the skin soft and balanced, Rituals, Soft Cleansing Oil, €23.

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Eyeshadow sticks with a matte or satin-glow finish that deliver intense colour and a softly blurred, long-lasting look, Charlotte Tilbury, Exagger-Eyes Eyeshadow Sticks, €37.

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Soothing after-sun that delivers intense hydration and calms the skin, leaving it soft and comfortable, Beauté Pacifique, Stay Cool Aftersun, €27.

Sensual, intense floriental woody fragrance with notes of sesame, orange blossom, leather and warm vanilla, Zadig & Voltaire, Zadig L’Intense Eau de Parfum, €173.

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JÆGERSBORG ALLÉ 25 · 2920 CHARLOTTENLUND · TEL. 39 63 35 92 · ALLEOPTIK.DK

C OC K TA I L S

MAGICAL SIMPLE COCKTAILS Te x t b y JA N N I C K G R A M · P h o t o b y M I D N I G H T M E D I A

Summer is very much upon us. Perhaps you are already en route to your holiday destination? For many, summer is synonymous with quality. The good life. Time spent with family and friends. There is love in the air – including a liquid affection for cocktails, and this summer I would like to present a selection of drinks under the theme: Less is more.

Nuclear Margarita 40 ml 100% blue agave blanco tequila 10 ml green herbal liqueur from Nordic Ethanol 30 ml freshly squeezed lime juice 25 ml sugar syrup Method: Shake all ingredients vigorously with plenty of ice, then strain into a lowball glass filled with ice. Garnish: Lava salt rim and a slice of lime.

Bonus tip Try replacing the herbal liqueur with, for example, apricot brandy – and voilà, you have yet another summer variation of the very same cocktail. 142

As the sun warms our skin, the days grow longer and the temperatures rise, a familiar desire emerges for something delicious that is effortlessly easy to drink. With that in mind, I have mixed a few delightful cocktails which, in addition to being quick and uncomplicated to make, are wonderfully refreshing and exceptionally flavourful.

Jannick Gram

is a Danish bartender of international calibre. In every issue, he guides Luxury Aficionados’ readers through the wonderful world of cocktails.

C OC K TA I L S

Golden Daiquiri 60 ml white rum 30 ml honey 25 ml freshly squeezed lemon juice 2 dashes orange bitters 2 dashes chocolate bitters Method: Shake all ingredients vigorously with plenty of ice, then strain into an icecold coupe glass. Garnish: Dehydrated lemon wheel.

Bonus tip; This cocktail is every bit as delightful when made with gin instead of rum.

I N N O VAT I O N AT TH E TOP E ND Competition in the luxury segment gathers pace through the summer and autumn, as BMW refines the all-electric i7, while Audi and Lexus unveil lounge-inspired flagship SUVs, and Ferrari sharpens the Purosangue. Meanwhile, Scandinavia’s leading concours in Sweden celebrates a more timeless devotion to beauty and speed. Te x t b y P E R I N G DA L

Audi Q9 signals a new kind of flagship SUV

udi has offered a first glimpse inside its forthcoming Q9, a full-size SUV that shifts the brand’s flagship focus decisively on comfort, space and sensory experience. Set to be presented to the world later this summer, the Q9 will be positioned as Audi’s most expansive and refined model to date. At the centre of the concept is an interior designed as a calm, flexible retreat. With the option of six or seven seats, the Q9 caters equally to family life and long-distance travel. In its sixseat configuration, the second row features individual, electrically adjustable chairs with ventilation, creating a business-class atmosphere. A seven-seat layout, meanwhile, prioritises versatility without compromis-

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ing comfort, with electrically folding rear seats allowing for quick transitions between passengers and luggage. Perhaps the most striking innovation is the introduction of fully electric doors operated via key, app or in-car controls, and supported

by sensors that prevent contact with nearby obstacles. A vast panoramic roof enhances the sense of space, with switchable transparency allowing occupants to modulate light and privacy. The interior experience is further elevated by an integrated approach to light and sound. A continuous LED interaction strip spans the cabin, responding dynamically to both vehicle functions and music delivered by the new Bang & Olufsen 4D sound system. Material choice plays a central role in defining the atmosphere. From fine woods and soft microfibres to wool blends and supple leather, the palette is both tactile and visually restrained. Combined with discreet ambient lighting, the result is an environment that feels welcoming.

BMW ’s electric flagship leads a broader luxury evolution

ore than four decades after its debut, the BMW 7 Series enters a new chapter with the fully electric i7. BMW now positions its flagship saloon at the forefront of its forthcoming Neue Klasse era. While the i7 takes centre stage as the brand’s electric standard-bearer, the 7 Series continues globally with a mix of petrol and hybrid powertrains, reflecting a segment in transition. Visually, the new model leans into a more assertive identity. A monolithic silhouette is

paired with illuminated kidney grilles and pared-back crystal lighting, lending the car a presence that is both futuristic and unmistakably BMW. Personalisation remains central, with two-tone finishes and large-scale wheel options reinforcing its status as a bespoke luxury saloon. Inside, the focus shifts to digital immersion and passenger comfort. A new interface, built around BMW’s latest operating system X, integrates a panoramic display concept with a dedicated passenger screen. In the rear, a 31-inch 8K theatre display transforms

the cabin into a private cinema or mobile office. Sound is delivered by Bowers & Wilkins speaker system with Dolby Atmos. The i7 50 xDrive delivers 455 horsepower and a claimed range of up to 728 kilometres (WLTP), supported by BMW’s latest battery technology and fast-charging capability. While such numbers are increasingly expected in the upper tier of electric mobility, they signal BMW’s intent to match innovation with usability. Production begins this summer in Dingolfing, with first deliveries expected in July.

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Lexus unveils its most ambitious electric SUV yet

exus has revealed its most expansive electric model to date with the new TZ, a full-size, three-row SUV that marks a confident step further into the upper reaches of the luxury EV market. Measuring just over five metres in length, the newcomer is positioned as a flagship within the brand’s electrified lineup and introduces a more experience-led approach to modern motoring. Developed around what Lexus describes as a “Driving Lounge” concept, the TZ places emphasis on comfort, space and composure rather than outright performance. The

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fully electric architecture allows for a flat floor and generous proportions, resulting in a notably open cabin with three rows of seating. Six seats are arranged with individual captain’s chairs in the second row, while the third row is designed to accommodate adults in genuine comfort. Inside, the atmosphere is deliberately understated. Slim, sculptural seats, a panoramic glass roof spanning all rows and discreetly integrated controls create a calm interior. Details such as infrared heating and optional ottoman-style leg rests point to a more indulgent, lounge-like experience,

while a Mark Levinson sound system underscores the focus on acoustic refinement. Underpinning the TZ is a dedicated electric platform developed in Japan, combining a rigid chassis with a low centre of gravity. All-wheel drive is standard, complemented by Lexus’ DIRECT4 system and rear-wheel steering for improved agility. The most powerful version delivers 408 horsepower and a projected range of up to 530 kilometres. Set to arrive from 2027, the Lexus TZ suggests a quieter, more composed vision of luxury less defined by spectacle and more by space, precision and ease.

Ferrari Sharpens the Purosangue with Handling Speciale

errari has unveiled a more focused iteration of its four-door grand tourer, introducing the Handling Speciale configuration for the Ferrari Purosangue. Available on request, the update sharpens the dynamic character of Ferrari’s first four-seater without compromising its everyday usability. At its core is a recalibrated active suspension system, reducing body roll by 10 per cent and delivering a noticeably more imme-

diate response to driver inputs. The effect is a heightened sense of control through corners and during rapid directional changes, aligning the Purosangue more closely with Ferrari’s sporting DNA. Power comes from Ferrari’s V12, capable of propelling the car from 0–100 km/h in just 3.3 seconds and onwards to a top speed more than 310 km/h. Revised shift strategies further enhance engagement, particularly in ‘Race’ and ‘ESC-Off’ modes, where gearchanges are

quicker and more decisive. Above 5,500 rpm, manual shifts become more assertive, complemented by a richer, more pronounced V12 soundtrack both at start-up and under acceleration. Subtle design cues distinguish the Handling Speciale model, including diamondcut wheels, carbon-fibre details and a darkened rear emblem. This discreet evolution reinforces the Purosangue’s position at the intersection of performance and luxury.

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A Swedish Concours Reimagined for a New Generation

et against the manicured elegance of Norrviken Gardens in Swedish summer destination Båstad, The Aurora 2026 presents from 26–28 June a refined proposition: not merely a concours, but a contemporary expression of automotive culture. In just a few short years, the Scandinavian event has positioned itself as an international destination, drawing collectors and connoisseurs from more than 35 countries.

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This year’s edition introduces a dual concours format, dividing classic automobiles and modern hypercars into separate competitions. The result is a more nuanced judging process, where design, provenance and authenticity are considered within the right context. Among the highlights are the analogue purity of the Pagani Utopia, a sweeping display of Koenigsegg’s 30-year lineage, and the enduring allure of a pre-war Mercedes-Benz 500K.

Beyond the concours lawn, the event unfolds as a broader lifestyle experience. From curated talks and live symphonic moments to a harbour with superyachts on display. With nearly 400 cars across its showfield and exhibitions—and Ferrari planning its largest Nordic presence to date—The Aurora continues to evolve. Not as a retrospective, but as a forward-looking gathering where automotive passion meets modern luxury. ■

Power up your family More space. More range. More Mercedes-Benz GLC. The new Mercedes-Benz GLC gives you plenty of room for the whole family. Plus impressive range, uncompromising safety, and ample electric power. With up to 360 kW (489 hp) and ultra-fast charging via the 800-volt system, it is built for both everyday life and weekend adventures. The design is sporty, elegant, and unmistakably Mercedes-Benz. Book a test drive today. Do bring the whole family.

Book a test drive

Altid velkommen Mercedes-Benz GLC with EQ Technology | Energy consumption from 15.8 kWh/100 km. CO₂ emissions: 0 g/km (during driving) | Range: up to 673 km (WLTP). Energy consumption and range may vary depending on driving style, weather conditions, and optional equipment. Vehicle shown with optional equipment. Subject to errors and changes. Towing capacity up to 2,400 kg. Ultra-fast charging of up to 303 km in just 10 minutes and up to 330 kW. The new Mercedes-Benz GLC only supports DC charging at ultra-fast chargers compatible with 800V.

Hørsholm, Ådalsvej 54 Søborg, Dynamovej 7 Copenhagen, Sydhavnsgade 16

Tlf: +45 70 159 159 vanmossel.dk

A DECADE IN Ten years ago, R O L L S - R O Y C E introduced its first Black Badge model – darker, more defiant and more powerful. Critics dismissed it as too street. Today, in some markets nearly half of all sales are Black Badge. No longer a curiosity, but a defining pillar of the marque. We mark the anniversary behind the wheel of the most potent Black Badge ever created.

Te x t b y H E N R I K D R E B O L D T

The Rolls-Royce Spectre Black Badge is darker, more assertive and more powerful than any Rolls-Royce before it.

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THE DARK

ROLLS-ROYCE SPECTRE BLACK BADGE Powertrain All-wheel drive with dual electric motors Power 660 hp Torque 1,075 Nm 0–100 km/h 4.1 seconds Top speed 250 km/h Battery 102 kWh (net) Range 495–530 km (WLTP) Charging AC 11/22 kW / DC 195 kW

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Rolls-Royce had been synonymous with the perfect passenger experience: a car in which one was driven, rather than one drove. A quiet expression of status. Black Badge inverted that perspective. Suddenly, these were cars designed for those who choose to sit behind the wheel themselves – not to dominate traffic, but to command it. A Rolls-Royce for a younger, more dynamic clientele. Black Badge became the brand’s darker alter ego, a conscious counterpoint to polished chrome and pale leathers. The inspiration reaches back to the 1920s, when a blacked-out grille first broke convention. But in 2016, it became something more: a statement that luxury need not be restrained to be refined. The idea emerged during a global tour by then-CEO Torsten Müller-Ötvös and the brand’s head of design, where meetings with key clients revealed a growing trend. Owners were increasingly modifying their cars – not with the ostentatious excess of aftermarket houses, but with subtle touches: slightly larger wheels, slightly darker glass. The question followed naturally: why shouldn’t Rolls-Royce provide this from the factory? From that moment, Project Black Badge began to take shape.

When Rolls-Royce Motor Cars unveiled the Black Badge series in 2016, it was far more than another interpretation of luxury. It marked a turning point – a deliberate shift in the brand’s identity, and in the audience, it sought to address. Until then,

The first chapters were written with Wraith Black Badge and Ghost Black Badge – two models already the most dynamically inclined in the range. In Black Badge form, they stepped forward with sharpened intent. Wraith, the long, low fastback coupé with its rear-hinged doors, was already the marque’s most assertive car. In Black Badge guise, it became more direct, more focused, more raw. Steering gained weight, gearshifts quickened, and the chassis engaged

t first glance, the two cars appear almost identical as they sit outside the hotel in the South of France. But look closer, and the differences reveal themselves. It is rather like observing two queens on a chessboard: the form is the same, yet their expressions are worlds apart. The Black Badge version of the Rolls-Royce Spectre – the marque’s all-electric grand touring coupé – carries a darker, more focused aura. Every chrome detail found on the standard Spectre has been rendered in shadow, from the Pantheon-grille to the window surrounds, even the Spirit of Ecstasy itself. Inside, the shift continues: gone is the traditional walnut, replaced by carbon fibre and a palette of darker, more mechanical tones. I take the key to this nocturnal queen, for the distinction is not merely visual. The Black Badge is more focused, more potent – something a drive down towards the coast near Saint-Tropez will soon reveal. But first, a moment to reflect on the Black Badge concept, which marks its tenth anniversary in 2026.

Range is quoted at up to 530 km (WLTP), though spirited driving will, predictably, reduce it significantly.

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The cabin is defined by carbon fibre and dark tones – even the Spirit of Ecstasy on the dashboard is shadowed.

It is dynamically sharper than the standard Spectre, though opportunities to fully exploit it are rare due to its sheer size and power.

more keenly – without sacrificing the calm that defines the brand’s DNA. This was not a sports car to rival a Bentley GT, but a Rolls-Royce with a more dynamic undertone. Its 6.6-litre V12 gained an additional 70 Nm, reaching 100 km/h in 4.3 seconds – emphasising the Black Badge model’s sportier and more assertive character. Ghost Black Badge followed a similar philosophy, though in a more restrained and sophisticated manner. It combined limousine comfort with a heightened sense of control and driver engagement. Not overt sportiness, but a subtle sharpness – like a tailored suit worn with designer trainers. Visually, the language was consistent: darkened chrome, deep paint finishes, a black Spirit of Ecstasy, and interiors

shaped by technical materials such as carbon fibre and aluminium. Opulence, certainly – but with an edge. Power, cloaked in urban elegance. The response was overwhelming. By 2017, Rolls-Royce expanded the concept to the Dawn convertible. With Dawn Black Badge, the universe opened to the horizon. Roof down, the contrast became even more pronounced: total luxury, unfiltered. It was a car for those seeking freedom, expressed with a darker, more resolute tone. Perhaps the most unexpected interpretation arrived with Cullinan Black Badge. An SUV weighing nearly three tonnes should not, on paper, belong in a world defined by elegance.

Yet Cullinan became central to the Black Badge identity. In this form, it transformed from luxurious all-rounder to a monument of unyielding authority. It did not merely feel large – it felt untouchable. Whether on tarmac, gravel or snow, it carried itself with the same composure. Not a sporting SUV, but one that simply refused limitation.

tre surges forward with a force that borders on the surreal for something of its scale. On a wide boulevard in Dubai, it might well surprise a Lamborghini or two.

With the arrival of Spectre Black Badge in 2025, the series entered perhaps its most defining phase. Electrification transformed the drivetrain, but not the philosophy. If anything, Here, Black Badge truly found its audience: entrepreneurs, it reinforced it. The instant torque of electric motors aligns creatives, tech founders – individuals who had built their posi- almost perfectly with the Black Badge ethos: power delivered tion rather than inherited it. For them, Black Badge became a effortlessly, in silence, wrapped in luxury. reflection of a new understanding of luxury, where discretion is Spectre Black Badge is not merely an electric Rolls-Royce. It about control rather than restraint. Existing Rolls-Royce clients is proof that attitude does not require noise – and that power embraced it as well, as expressed in silence a complement – a difcan be even more draferent mood within matic than the roar of the same garage. On a V8. average, a Rolls-Royce On the narrow, winding roads of owner has seven cars, two of which are Rollsthe South of France, Royces. With Black however, the SpecBadge, one of those tre feels almost too formidable. Its adoften became the darded dynamism over ker counterpart. the standard model It is upon this legacy is difficult to exploit that the latest model in such conditions. stands: the all-electric Spectre Black Badge, One is left to wonder which I take from whether there exists the hotel forecourt. a road where a near Heading towards the three-tonne luxury car can truly stretch coast, it proves an effortless pleasure. In its dynamic legs. It is Black Badge form, the undeniably impressilong coupé produces ve – and impressively capable – but it is ne660 hp and 1,075 Nm ver truly entertaining – figures that feel every bit as monumental in to hustle something so motion as they do on vast at speed. paper. The sprint to Then again, Rolls100 km/h takes just Royce has never been over four seconds, yet about speed. It is about luxury. That wherever you are on remains intact in the speedometer, there is an inexhaustible reBlack Badge models. In 2016, Rolls-Royce introduced Black Badge drawing inspiration in part from the darkened 20 HP model of 1928. serve of power beneath The additional power is less about necessity your right foot. Should you wish to access it all instantly, there is a discreet and more about attitude – a principle, rather than a requirebutton on the steering wheel marked with an infinity symbol. ment. The Spectre has never lacked performance. The extra reserves simply underscore its character, much like its darker Press it, and the full force is unleashed without delay. There is a charming historical echo here: the Rolls-Royce- aesthetic. In truth, they are rarely needed – but undeniably powered Spitfires of the Royal Air Force featured a similar “in- reassuring to possess. finity” function, allowing pilots to access additional power in After ten years, Black Badge is no longer an experiment. critical moments. It came at a cost, requiring thorough engine It is an integral part of the Rolls-Royce identity – a parallel servicing afterwards. The Spectre’s dual electric motors, one universe running alongside the marque’s traditional expreson each axle, require no such care – but the principle remains. sion of luxury. If the classic models are akin to a perfectly Another unique feature is “Spirited Mode” – what others tailored tuxedo, Black Badge is the same suit worn with the would call launch control. Activate it, hold brake and throttle shirt slightly open at the collar. No less elegant. Simply more together until the car trembles lightly, then release. The Spec- daring.■ 154

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POLESTAR'S NEW With the unveiling of the P O L E S T A R 5 , the Swedish marque raises the bar and introduces a new flagship. The question is whether it can live up to its ambition of becoming a true performance car. After two days behind the wheel across three countries, the answer is clear: Polestar has delivered a true showstopper — and one that drives as well as it looks.

POLESTAR 5 PERFORMANCE Engine Dual electric motors, all-wheel drive Power 884hp/1,015Nm 0–100km/h 3.2 seconds Top speed 250km/h Battery 112kWh (gross) Range 558km (WLTP) Charging AC 11kW / DC up to 350kW

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SHOWSTOPPER

t all began nearly six years ago, on a set of remote Welsh B-roads. There, the head of Polestar’s vehicle dynamics team was quietly testing a selection of potent grand tourers — cars born of the same lineage as the Maserati Quattroporte, Jaguar XJ and Porsche Panamera. Machines with sporting intent, yet capable of crossing continents in comfort, carrying four adults with ease. Polestar’s ambition was clear: to create its first uncompromising, truly original model. A car that would reinterpret the GT concept as a fully electric proposition — and demonstrate what the brand could achieve when given complete creative freedom to build a performance car from the ground up. Let me stress, however, that the term “true” is mine, not from the man behind the anecdote. His name is Joakim Rydholm — and we will return to him shortly.

are assembled from a broader corporate toolkit. Back to the Polestar 5 — and to Rydholm, the affable engineering obsessive seated opposite me in a hotel lounge in the south of France. We are part of Polestar’s launch expedition, marking the car’s long-awaited debut. The vision is now realised: a fully electric, continentcrossing four-door GT. And although competitors such as the Porsche Taycan, Tesla Model S Plaid and Audi e-tron GT have emerged since those early Welsh test drives, Rydholm remains quietly proud — and understandably curious about our verdict.

The Polestar 5 is a fully electric interpretation of the classic continentcrossing 2+2 grand tourer.

Pyrenees — nearly 600 kilometres across three countries, with winding mountain roads as the centrepiece. Three of the cars are dual-motor variants producing 748hp, while the remaining three are Performance models with 884hp. Both feature all-wheel drive, an 800-volt architecture and a 112kWh battery. Charging is equally impressive: 11kW AC and up to 350kW DC, allowing a 10–80 per cent charge in just 22 minutes. The dual-motor version offers up to 678km of range, while the Performance model manages 558km WLTP — largely due to its wider performance tyres. The key differences lie in power output and chassis sophistication, the latter enhanced in the Performance version by an advanced active damper system.

irst, a brief reflection on what constitutes a “true” Polestar. To my mind, it is a car conceived entirely around the brand’s original performance DNA. One that is Polestar from the very first sketch. Because, if we are honest, both the Polestar 1 and Polestar 2 began life as Volvo projects, before the brand was spun off. The Polestar 3, while more distinct, shares its technical underpinnings with the Volvo EX90 — and, by virtue of its SUV form, could never fully embody the spirit of a performance car. As for the Polestar 4, it feels more like a collection of components from Geely’s vast portfolio, lacking a clear Gothenburg identity. Yes, all Polestars are built in China — but some are born in Gothenburg, while others

Te x t b y HENRIK D R E B O L DT

Visually, it remains remarkably close to the Precept concept — a feat that deserves considerable praise.

he launch itself is as ambitious as the car: six vehicles, six stages, from Gothenburg to Marrakesh — “Sweden to Sahara”, as Polestar has aptly named it. My leg takes me from Narbonne in southern France to Barcelona via Andorra and the

y first day is spent in the dualmotor car. Within moments — cruising along the sundrenched roads of southern France and the A8 motorway — I find myself wondering who could possibly need more than 748hp and 812Nm. The car dispatches 0–100km/h in 3.9 seconds, and were it not for a healthy respect for the French Gendarmerie, I suspect it would reach its 250km/h top speed faster than I could order a croque monsieur with a glass of redwine in my passable schoolboy French. Speed aside, what impresses most is its precision. The steering is delicate yet direct, offering a crystalline sense of control and positioning. Yet the sheer force of the car means that exploring its limits on public roads feels — quite sensibly — taking it a step too far. The Polestar 5 attracts attention wherever it goes. Thumbs up from fellow drivers, approving nods from pedestrians — even the occasional motorcyclist acknowledges its presence. Polestar 5 is a true showstopper. Not since my first drive in the ID. Buzz have I experienced a car that generates such immediate 157

goodwill. Visually, it remains remarkably faithful to the Precept concept. The lines are sharp, assertive and unmistakably modern, with only minor concessions to production reality — conventional rear doors and proper mirrors. The rear design is strikingly sculptural, and subjective as it may be, it is arguably the most alluring car in its class. Inside, the cabin follows a 4+1 layout, with generous space in the rear — though the middle seat is best reserved for occasional use. The two primary rear seats offer heating, cooling and even massage, underlining the car’s GT credentials. One notable drawback is the expansive panoramic glass roof. While it floods the cabin with light, it lacks any form of electrochromic shading — a feature offered by rivals such as Porsche and even

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Renault. Under the intense southern sun, the cabin can feel overly exposed.

p front, materials and finish are largely excellent, though the overuse of glossy piano black surfaces feels dated and prone to attracting dust. On the screen, the interface is intuitive and closely resembling

“Is it good enough to beat a Porsche Taycan? Not quite — but in design and exclusivity, it offers something the German cannot.”

that of the Polestar 3. There is even a touch of humour — the driver attention system is charmingly illustrated by a cappuccino icon. The Recaro seats deserve special mention: supremely supportive, highly adjustable and visually striking. After six hours behind the wheel, I step out without the slightest hint of fatigue. The following morning, I slip into the seat of a matte dark grey Polestar 5 Performance. On paper, it sounds faintly gangster-esque, but the car’s elegant proportions save it from projecting anything quite so brash. If anything, it carries its considerable presence with a quiet, almost understated confidence. The power, meanwhile, is even more absurdly abundant than before. The Performance version requires just 3.2

Through the Pyrenees, the Polestar 5 impresses with composure — its 2.5-tonne mass surprisingly well concealed.

seconds to reach 100km/h — a figure I refrain from testing immediately, as the local Policia d’Andorra exerts much the same sobering influence as their French counterparts did the day before. Once beyond the principality, however, the route climbs towards some of the more ambitious Spanish ski resorts in the Pyrenees. In May, with the ski

season long gone — another quiet nod to a warming climate — the roads are as deserted as a wine bar at 10:22 on a Tuesday morning. Here, the car is finally allowed to stretch its legs, albeit with a degree of restraint. With 1,015Nm under my right foot, fully exploring its limits feels less like a temptation and more like a calculated risk best avoided.

hat I do experience, however, is the much-praised active damper system that Joakim spoke of with such enthusiasm. And he is right — it transforms the car. Imperfections and ripples in the tarmac are effectively smoothed out before they ever reach the cabin, resulting in a cleaner,

The cabin follows a 4+1 layout, with generous space in the rear. However, the middle seat is best reserved for occasional use. Up front, the Recaro seats are just perfect.

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more composed ride. Crucially, this added layer of refinement comes without diluting feedback or grip. If anything, it elevates the car’s dual character — enhancing both long-distance comfort and its underlying sporting finesse in a way that feels entirely in keeping with the GT brief.

Despite a height of just 142cm, the car accommodates a substantial 112kWh battery pack.

y the time we arrive in Barcelona, it is clear that Polestar has delivered on the promise first sketched out on those Welsh B-roads six years ago. The car is unmistakably Nordic in its design, dynamically sharp in the way one expects from a true Polestar, and it combines long-distance composure with a genuine sports car attitude. The inevitable question remains: is it good enough to take on the Porsche Taycan? Not quite. It does not surpass it outright, but in terms of design and a certain sense of exclusivity, it offers something the German rival does not.

“The power is, if anything, even more absurdly abundant – the Performance model needs just 3.2 seconds to reach 100km/h.”

Perhaps the greater challenge lies in timing. Six years is a long gestation period in this segment. Had the Polestar 5 arrived two years ago, it would have felt genuinely cutting edge. As it stands, it does well to match the Taycan — but only just. And with a new MercedesAMG GT 4-Door on the horizon, promising over 1,000hp, a 0–100km/h time of under three seconds and DC charging speeds of up to 600kW, the bar is already being raised yet again. The Mercedes will, in all likelihood, command a higher price, but its arrival underlines a broader reality: for a smaller manufacturer like Polestar, standing still is not an option. To remain relevant, it must continue to push. That said, Joakim Rydholm has achieved almost everything he set out to do in the development process. The Polestar 5 feels like a rolling manifesto — an embodiment of the brand’s ambitions from day one: striking design, uncompromising performance and a remarkably low production footprint. In that sense, the 5 is unquestionably a success as a Polestar. The only remaining question is whether Polestar can read the market as well as it has engineered the car — and whether this electric GT will become the commercial success the Swedes are clearly hoping for. ■

The design is razor-sharp – particularly at the rear, where it feels entirely distinctive.

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The electric Cayenne is absurdly impressive – in Turbo guise delivering up to 1,156 horsepower.

PORSCHE’S ELECTRIC TRIUMPH Te x t b y ANDREAS L ANG HEDEGA ARD & H E N R I K D R E B O L DT

The new Cayenne Electric impresses on almost every front – from charging capability to performance and indulgent luxury. An electrified SUV locomotive with 1,156 horsepower, ready to carry the formidable Cayenne legacy forward.

t begins, as so many things at Porsche do, with a doctor. For a true German engineer, “Doktor” is as much a title as a mindset. Thick accent, infectious technical enthusiasm, and a knowing glint in the eye. In a setting that hovers somewhere between American sitcom and Weissbier academia, he leans in and explains – almost conspiratorially – that more than 10,000 tyres were consumed in the development of the special tyres for the new Cayenne Electric. Hovering at the edge of this tale is a retired French rally driver, endlessly circulating a Spanish test track, methodically squaring off tyres. A sort of Gallic Stig. The result? 163

A bespoke 325mm Pirelli rear tyre. Because a Cayenne Electric Turbo demands all the rubber it can possibly get. And the numbers? They verge on the hypercar absurd. Dual electric motors, one per axle. Overboost. 1,156 horsepower. 1,500 Nm. 0–100 km/h in 2.5 seconds. This is the kind of acceleration that leaves you feeling hungover without attending a party beforehand. After a few runs, the body begins to understand what “brutal” truly means. But first, some context. When the Cayenne debuted in 2002, it was nothing short of heresy. Porsche – one of the world’s most conservative sports car manufacturers – building an SUV. The outrage was immediate; the success, even greater. Sales spoke volumes, and the Cayenne quickly became the financial backbone of the Porsche brand. The Macan followed, then the all-electric Taycan, and later an electric Macan. The future seemed unequivocally electric – until Porsche gently applied the brakes. Last year, the all-electric 718 was postponed, with a combustion variant reintroduced to the plan. Simultaneously, the ambitious goal of 90 per cent electrification by 2030 was quietly shelved. Perhaps that explains why the petrol-powered Cayenne continues alongside its electric sibling. Yet none of this hesitation is evident here. The

PORSCHE CAYENNE TURBO Powertrain Dual electric motors, all-wheel drive Output 1,156 hp Torque 1,500 Nm 0–100 km/h 2.5 seconds Top speed 260 km/h Battery 113 kWh (gross) Range 562-624 km (WLTP) Charging AC 11 kW / DC up to 400 kW

Cayenne Electric was conceived before doubt crept in – and it shows. No corners cut, no compromises made. This is Porsche at its most uncompromising. Beneath the floor sits a 640kg battery pack with a gross capacity of 113 kWh. The platform is an evolved version of the Volkswagen Group’s PPE architecture, elevating the Cayenne into a higher league. Range is quoted at up to 624 km (WLTP), with a drag coefficient of 0.25. Cooling, however, is where things become truly fascinating. Porsche claims the system’s capacity rivals that of 100 large American refrigerators. A cutaway model reveals a labyrinth of coolant channels behaving differently depending on temperature. Ingeniously, Porsche has engineered the flow, so coolant moves differently on the cold intake side than on the warmer outlet side. It is deeply nerdy, faintly obsessive – and utterly brilliant. The payoff is rapid charging from 10 to 80 per cent in under 16 minutes. With a battery north of 110 kWh, that borders on the surreal. Drive gently, and you make do with a mere 857 horsepower. Which says everything. The rear motor is oil-cooled – technology borrowed directly from Formula E – where a synthetic, nonconductive oil flows along the copper windings. Efficiency is claimed at 98 per cent, and after 150

Sharing its PPE platform with Macan, Audi Q6 and Audi A6 e-tron, the Cayenne has been extensively refined.

164

Battery cooling has been a particular focus – as it must be, with 1,156 horsepower to manage.

“It’s the kind of acceleration that leaves you feeling hungover without attending a party beforehand – and after a few attempts, your body learns what brutal truly means.” kilometers at a brisk pace, consumption settles at a surprisingly civilised 23.1 kWh/100 km. Out on deserted roads beyond Barcelona, the Cayenne reveals its true character. It feels less like driving a car and more like piloting an Apache helicopter through sweeping bends. The steering – a Porsche hallmark – is precise and immediate, inviting you to carve confidently into corners. Equipped with

air suspension and Active Ride, body roll is minimal. There is movement, of course, but always under absolute control, with none of the rear-end theatrics one might expect. Grip is immense, translated seamlessly into relentless forward thrust. The boost button unleashes the full 1,156 horsepower – but consider this a gentle warning. Engage it, and the rate of acceleration becomes so monumental that even the most seasoned passenger may find themselves queasy. Unusually for Porsche, half the programme unfolds off-road – a bold statement of confidence. The Cayenne Electric tackles steep inclines with composure, though physics inevitably asserts itself. It is wide, heavy, and no mountain goat. The optional off-road package helps: ride height increases to 245mm, approach angles improve, and towing capacity reaches an impressive 3.5 tonnes – a remarkable figure for an electric vehicle.

The display area is around 50 per cent larger than in the petrol Cayenne, with a new curved interface.

Inside, the Cayenne remains every inch the SUV. A 781-litre boot, a 90-litre frunk, and rear-seat comfort akin to business class. Build quality is quintessentially Porsche. Ahead of the driver stretches a sweeping array of screens – 50 per cent more display area than in the petrol version. The central “Flow Display” curves subtly towards the driver, complemented by a 165

“Out on deserted roads beyond Barcelona, driving it feels like piloting an Apache helicopter through the bends.”

Off-road, it proves surprisingly capable, with an optional package allowing towing of up to 3.5 tonnes.

thoughtfully placed wrist rest beneath it, borrowed from Audi, to aid usability. Clever, certainly – though the sheer digital abundance borders on overwhelming. We sample both the range-topping Turbo and the entrylevel model with 442 horsepower. Curiously, the latter feels less brisk than its 4.8-second sprint time might suggest. Yet across the range, one issue persists: tyre noise. At virtually any speed, a low-frequency hum from the wide tyres intrudes upon the otherwise serene cabin. A small blemish, perhaps – but noticeable nonetheless. The Cayenne Electric is not merely a Swiss Army knife. It is a high-tech Leatherman. It does almost everything – and does most of it with startling competence. Devastatingly quick, impressively capable off-road, and technologically formidable in its charging performance. The price reflects its ambition. The boot is generous, while rear-seat comfort rivals business class travel.

Tyre noise remains one of the few drawbacks – immense grip comes at an audible cost.

In Scandinavia, we have long accepted that the electric car represents the future – and that an electric platform can surpass its combustion counterpart in power, performance, and luxury. Porsche, however, still seems to keep one hand lightly on the brake. A pity, because the new Cayenne Electric is superior to its petrol sibling in almost every conceivable way – save, perhaps, for the low-frequency murmur of those immense rear tyres. Then again, when you consider the extraordinary grip they deliver – and the fact that they can tame all 1,156 horsepower in overboost – that hum becomes less a flaw and more an audible reminder. Of a French “Stig”. And of Porsche’s relentless pursuit of perfection. ■ 166

A R E YO U C R AV I N G M O R E LU X U R Y ?

NEXT ISSUE IS OUT ON 31 AUGUST 2026 LUXURY AFICIONADOS

MERCEDES-BENZ GLC 400 4MATIC WITH EQ TECHNOLOGY Powertrain Dual electric motors, all-wheel drive Power 489 hp Torque 800 Nm 0–100 km/h 4.3 seconds Top speed 210 km/h Battery 94 kWh (net) Range 673 km (WLTP) Charging AC 11 kW / DC 330 kW

A TRUE

M E R C E D E S– BENZ

–NOW ELECTRIC

The new Mercedes-Benz GLC 400 4MATIC with EQ Technology impresses with cutting-edge technology, restrained design and a distinctly Mercedes focus on comfort and material quality.

Te x t b y H E N R I K D R E B O L DT

here is a moment, as you slip into the new GLC 400, when everything quietly falls into place. Not with a bang, nor through some futuristic gimmick, but with a calm realisation: Mercedes has got it right again. At last, the germans deliver an electric car that matches the best Chinese competitors on technology - yet wrapped in a de-

sign and overall package that feels entirely worthy of the three-pointed star. The new CLA, launched last year, was undeniably impressive from a technological standpoint, but it lacked that final layer of finesse in materials and cabin finish. The GLC has no such issue. And it drives exactly as a Mercedes should: with a focus on sublime comfort, without compromising dynamics or grip. But more on that shortly. On paper, the GLC arrives at the very top tier of the mid-size electric SUV landscape. It supports DC charging at 330 kW, offers a WLTP consumption of just 15.8 kWh/100 km, and delivers a range of nearly 700 kilometres, despite all-wheel drive and 489 hp.

→

”Comfort, range, quality and everyday usability merge into a whole that feels natural. Effortless. Right”

Behind these figures sits a new 800volt architecture for ultra-fast charging, a significantly improved processor compared to, for instance, the EQE SUV, and a clever dual-gear drivetrain philosophy carried over from the CLA. The latter makes sustained high-speed driving notably more efficient in terms of energy consumption. Crucially, these are not just theoretical claims. During our roadtest, the car actually exceeded 330 kW on a DC charger, and over a week of predominantly motorway driving, we consistently achieved around 18 kWh/100 km. This is comfortably better than the typical 15–20% deviation from official WLTP figures, we usually experience in tests. In real-world terms, this translates to roughly 400 kilometres between charges

The dashboard is dominated by a vast screen setup, which may overwhelm the less digitally inclined. That said, the interface is intuitive with time and familiarity.

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The new GLC is more understated and elegant than the highly futuristic EQE and EQS SUVs. It echoes Mercedes’ combustion-era design language while excelling in the brand’s core virtues.

→ in cooler spring temperatures, assuming long-distance driving from 80% down to 10%. A recharge takes just 22 minutes. What lingers most after the test is the silence. Not merely the absence of engine noise, but the absence of intrusion. On uneven Danish country roads, where the asphalt ripples and expansion joints lie in wait, the GLC glides across it all with an ease that feels closer to a luxury saloon than an SUV. With air suspension, it becomes almost surreal. Small imperfections on the road dissolve, larger undulations are gently rounded off, and

what remains is a sense of isolation from the outside world without losing touch with the road. This is comfort that makes sense in everyday life. In this respect, the car defines itself clearly as a Mercedes-Benz. It is not trying to be overtly sporty, though it is more than capable—even on a twisting countryside road. With 4MATIC allwheel drive, grip is exceptional, including when switching to Dynamic mode and pushing on. In purely dynamic terms, the GLC is not as sharp as a BMW iX3 - a car that almost tempts you to take the long way

home. But that is not its raison d’être. This is a Mercedes-Benz, and its purpose is to deliver classic ride comfort which it delivers with real conviction. In many ways, Mercedes has found its way back to its original DNA here. Visually, the GLC works far better than the larger models EQE and EQS SUVs. It has more definition, more presence, while retaining a trace of the elegance found in its predecessor, the EQC. The illuminated star in the grille may verge slightly on Berlin nightclub territory. I think so, but ultimately it comes

The launch model, the 400, delivers close to 500 hp, all-wheel drive and a range of nearly 700 km - alongside 330 kW DC charging that impresses on paper and in practice.

The GLC excels above all in comfort, turning SUV driving into a fluid, nearsilent experience without sacrificing composure or control.

down to personal taste. Overall, the GLC feels like a resolved product, whereas earlier electric models sometimes came across as aerodynamic exercises first, cars second. Inside, Mercedes treads a fine line. The reassuring, weighty sound of the doors closing is pure Mercedes - something we value deeply. Once inside, the outside world recedes. Materials are a notable and clear step up from the CLA, and there is a welcome sense of substance throughout. It does not simply feel luxurious, it feels well considered. Yet the cabin is not quite the serene sanctuary that would suit the car so well. Screens dominate, with a vast digital surface stretching across the dashboard like the bridge of the Enterprise in Star Trek. On one hand, it is impressive; on the other, it borders on the theatrical. It takes time to navigate everything from 4D audio settings, complete with seat vibrations, to ambient lighting configurations. And amid this digital intensity lies a simple truth: not everything benefits from being buried in a touch-

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screen submenu. Some functions would be better served by a physical shortcut you can instinctively reach for in the dark. At least in my view. At launch, the GLC arrives solely as the 400 4MATIC, delivering close to 500 hp and a 0–100 km/h time that AMG models could only dream of 15 years ago. It is monumentally quick. Yet there is no drama, no crescendo. Just a constant, silksmooth surge that keeps building. It feels effortless, exactly as a Mercedes historically has, and should, feel. More variants will undoubtedly follow: Certainly a lower-powered version, likely a rear-wheel-drive entry model with a smaller battery, and most likely a more potent AMG iteration. Expect a model range with outputs ranging from around 300 to 600 hp once the full line-up arrives within the next year. Amid all the technology, it is easy to overlook the most important point: this is still a GLC. A mid-size SUV designed for everyday life. That means generous space, a commanding driving position,

and a cabin that simply works. Rear-seat room and seating comfort is ample, the boot is large enough for both holidays and daily errands, and everything is wrapped in a form that requires no acclimatisation. Add a towing capacity of up to 2,400 kg, and its practical credentials are beyond question. The new Mercedes-Benz GLC 400 is not the car that shouts the loudest, accelerates the hardest, or attempts to reinvent the automobile. It does something far more difficult. It brings everything together with the quiet confidence we have come to expect from Mercedes over generations. Comfort, range, quality and everyday usability merge into a whole that feels natural. Effortless. Right. And perhaps that is precisely the point. For the first time, an electric Mercedes does not feel like a forced vision of the future - or, as with the CLA, impressive without quite delivering a sense of true premium depth. The GLC is a genuinely old-school Mercedes, reimagined for the present and that is exactly why it works so well. ■

Mediterranean Escape THE 19 DEGREE COLLECTION

TUMI STORE ØSTERGADE 26, 1100 KØBENHAVN TUMI.DK

BREATHTAKING BORNHOLM Te x t b y T I N A D I N E S A P P E LT

P h o t o b y T I N A D I N E S A P P E LT, S T E F A N A S P, S E M K O B A L C E R S K I , M AT H I A S B A K L A R S E N A N D D A N I E L V I L L A D S E N

At Opalsøen, a former granite quarry, deep blue-green water is framed by steep cliffs and winding paths, offering one of Bornholm’s most visually dramatic settings. More adventurous guests can test their nerve on the dramatic zipline or try their hand at abseiling — or rappel — down the island’s rugged cliffs.

Set in the Baltic Sea off the southern coast of Sweden, Denmark’s remote island of Bornholm offers a rare blend of dramatic Nordic landscapes, refined seaside hospitality, locally rooted gastronomy and a slower, more intentional way of travelling—where cliffside hikes, contemporary craft and long lunches unfold at an unhurried pace. 174

or many international travellers, Bornholm remains something of a well-kept secret. Located in the Baltic Sea, closer to Sweden than mainland Denmark, this small Danish island has long been a favourite domestic escape— but beyond Scandinavia, it is still relatively undiscovered. Often referred to among Danes as the “Pearl of the Baltic Sea”, Bornholm combines a surprisingly diverse landscape with a distinctly relaxed atmosphere. Jagged granite cliffs meet long stretches of powder-soft white sand, while fishing villages and small market towns punctuate the coastline. It is a place where nature feels both raw and accessible—and where the pace of life naturally slows. Despite its modest size, the island offers remarkable variety. You can explore it by car, cycle between towns, hike through forests and along coastal paths, or simply settle into one place and let the surroundings set the rhythm. Either way, Bornholm reveals itself gradually—and memorably. Luxury here is not about excess, but about time and presence. It is found in the simplicity of a day shaped by the elements: a morning walk along the cliffs, a long lunch featuring local produce, an afternoon swim or a quiet moment with a view of the sea. We visited this idyllic island in early spring, when wild garlic flowers covered the forest floors in vivid green, adding another layer of intensity to the island’s already striking natural palette. It is an ideal time to experience Bornholm at its most tranquil— before the height of the summer season. A stay at a traditional Danish seaside hotel provides the perfect framework for this slower way of travelling. These historic properties—known locally as badehoteller—combine understated elegance with a sense of nostalgia, offering a distinctly Scandinavian take on coastal hospitality. Among them, Stammershalle Badehotel stands out. Set along the island’s north-eastern coast between the small fishing village of Tejn and the picturesque town of Gudhjem, the hotel pairs classic charm with a quietly ambitious culinary offering and sweeping views across the Baltic Sea. Per Voss Kjærgaard, the hotel’s recently appointed director, is focused on refining rather than redefining the experience: “My primary task is to build on the hotel’s proud traditions and inherent charm, while elevating the finer details. We have assembled an exceptionally strong team for the season. For me, an authentic experience is about presence and generosity of spirit—and when the team feels balanced and at ease, that calm is naturally passed on to our guests.” That philosophy is evident throughout the property. In the restaurant, the connection to the island is immediate and tangible. Head chef Loftur Loftsson and pastry chef Emil Vang work closely with the surrounding landscape — gathering wild herbs from nearby forests and sourcing ingredients locally whenever possible — while applying techniques shaped by international gastronomy. The wine cellar mirrors this approach, balancing classic Eu-

There is a reason Bornholm is known as Denmark’s “rock island” — it is the only place in the country where you will find dramatic cliffs.

Folkemødet For those visiting in June, the island also hosts Folkemødet, Denmark’s annual democracy festival. Held in the town of Allinge, it brings together politicians, businesses and citizens for open dialogue — a uniquely Scandinavian approach to public discourse, set against the relaxed backdrop of island life.

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”At Stammershalle smaller details add to the overall sense of ease. Dogs are welcome, with thoughtful in-room amenities ensuring they are as comfortable as their owners”

Stammershalle Set along the north-eastern coast of Bornholm, between Tejn and Gudhjem, Stammershalle Badehotel combines classic seaside charm with a refined, contemporary sense of hospitality. Overlooking dramatic cliffs and the Baltic Sea towards Christiansø, the hotel offers a distinctly peaceful setting, where nature is ever-present and the pace instinctively slows. The historic yellow half-timbered building, dating back to 1911, has been carefully preserved, while the overall experience has been elevated through thoughtful details, gastronomy and service. This commitment has recently been recognised internationally: Stammershalle Badehotel was awarded Denmark’s Best Hideaway Hotel 2026 at the prestigious Falstaff Awards in Stockholm—an accolade that underscores its growing reputation beyond Denmark. Today, the hotel is as much a destination as the island itself, known for its tranquil atmosphere, scenic surroundings and strong sense of place. Walking routes begin just outside the door, while bicycles are available for exploring the coastline, nearby fishing villages and small towns such as Gudhjem and Svaneke—all within easy reach.

ropean regions with more exploratory selections, all curated to complement the seasonal menu. The result is an everchanging and locally founded dining experience that feels both grounded and contemporary. At Stammershalle smaller details add to the overall sense of ease. Dogs are welcome, with thoughtful in-room amenities ensuring they are as comfortable as their owners. The muchloved “Vang’s Cake Table”—a generous take on afternoon tea served with views of the Baltic Sea—offers a moment of indulgence, while traditional Danish open sandwiches provide a simple yet satisfying lunch option. Guests can also borrow bicycles and explore the surrounding coastline at their own pace, stopping at roadside stalls, viewpoints and quiet stretches of nature along the way. A recent addition is the Klippe Spa, which introduces a new dimension to the stay. Designed as a place of retreat, it offers a steam bath, sauna, heated pool and cold plunge — a

Hammershus is as compelling from a distance as it is up close.

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N AT U R E R E M A I N S B O R N H O LM S D E F I N I N G F E AT U R E

1. Ekkodalen is the largest rift valley on Bornholm, stretching for more than 12 kilometres through the forest. The valley is defined by its steep rock faces—rising up to 20 metres—which form a dramatic backdrop to the otherwise lush surroundings. It takes its name from the striking echo that reverberates off the cliffs when you call out across the valley. Visitors can follow winding trails and pause at H.C. Ørsted’s Spring. The landscape offers a distinctive blend of rugged rock formations, protected oak woodland and gently undulating terrain.

2.At the southern tip of the island, Dueodde Beach offers an entirely different landscape—wide expanses of fine white sand and clear, shallow waters that rank among the best in Northern Europe. 3.Nearby, Dueodde Lighthouse rises 47 meters above the dunes, rewarding those who climb its 196 steps with panoramic views across the Baltic Sea. The lighthouse is among the tallest in Northern Europe.

dustrial activity in the mid-20th century, its barren surface and dramatic fissures create a landscape that feels closer to a desert — or even the moon — than to the rest of the island. It is particularly striking at sunset, when the light softens the contours of the terrain. Each of these locations reflects a different facet of the island — but all share a sense of space, clarity and quiet.

4. In contrast, Kultippen presents a stark, almost otherworldly terrain. Formed by in-

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very authentic experience all set against the backdrop of the island’s rugged coastline. Here, the boundary between indoors and outdoors dissolves, reinforcing the sense of calm that defines the experience. The Klippe Spa transforms Stammershalle Badehotel into a true retreat—one where you do not simply stay, but genuinely recharge. Beyond the hotel, Bornholm’s cultural scene is equally compelling. The Bornholm Art Museum, set near the dramatic Helligdom Cliffs, showcases works by both historic and contemporary artists with a strong connection to the island. A natural spring runs through the building—an architectural detail that subtly anchors the museum in its surroundings. In the town of Hasle, Grønbechs Gård offers a deeper insight into Bornholm’s long-standing craft tradition. Housed in a former merchant’s residence from the 19th century, it serves as a centre for contemporary craft and design, with exhibitions spanning ceramics, glass, textiles and wood. Bornholm may not yet be on every international traveller’s radar — but that is precisely what makes it so compelling. It is a place that does not try too hard to impress, yet leaves a lasting impression all the same. ■

The view from the pool at Stammershalle is quietly captivating.

One evening at Stammershalle, we enjoyed an elegant fourcourse menu: pickled angelica with goat’s cheese cream, wild garlic and spruce to start, followed by potato and seaweed with caviar, then lamb with vegetables and demi-glace, and finally rhubarb, honey and chervil for dessert. A wine pairing was available, although we chose our own selections.

For lunch or a well-made coffee, Norresan in Gudhjem is a charming stop. Set directly by the water at Nørresand, this relaxed café serves light dishes, excellent coffee and indulgent cakes. Its location makes it ideal for watching the sun set over the sea — preferably with a glass of wine or a cocktail in hand. We opted for a traditional Danish open sandwich with potatoes—simple, and quite perfect.

Breakfast at Stammershalle Badehotel captures the essence of summer seaside living, best enjoyed with uninterrupted sea views.

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The Arts and Crafts Museum in Hasle, known as Grønbechs Gård, is a must for anyone with an interest in contemporary craft.

A View of Timeless Luxury Step into a world of timeless luxury at Admiral Hotel in Copenhagen, where tranquil surroundings and charm come together beneath beautifully preserved historic wooden beams. Every detail has been carefully curated to create an elegant and welcoming atmosphere, offering space for both peaceful reflection and meaningful social moments. Admiral is not just a place to visit — it’s a place to be. Book your stay at admiralhotel.dk, booking@admiralhotel.dk or by phone at +45 3374 1424. Toldbodgade 24 – 28, DK-1253 København, admiralhotel.dk