IMessage from the THE RT. REV’D. LAISH BOYD
HE BISHOP OF THE DIOCESE OF THE BAHAMAS AND THE TURKS & CAICOS ISLANDS
t gives me great pleasure to salute Philip Gray, Composer and Executive Producer, Dr. Dion Cunnigham, Musical Director, and the infrastructure of the musical “The Mass” as you execute this tremendous work: Edison Sumner, Chorale Director, Calvin Parker, Orchestra Director, Robert Bain, Dance Choreographer, Nikita Thompson and Patrice Wallace, Administrative Leads, Melanie Roach, Director of Logistics, Burton Wallace and Greg White, Directors of Technology, Annica Johnson, Director of Volunteers, Swithum and Lorraine Burrows, Intercessors, and the entire cast and crew.
We are proud to experience this musical in the Easter season when we celebrate the triumphant resurrection of our Lord and Saviour, Jesus Christ.
The presentation is a culmination of skill, experience, worship and devotion on the part of all of you.
The arts help us to experience the beauty of creation and the goodness of God. Writing, visual arts, and performing arts all have their place, and you have employed them.
The mass or the eucharist or the Lord’s Supper is our highest form of worship, given to us by Jesus Himself in His instruction to “do this in remembrance” of Him (Luke 22:21). Thus, everything that highlights, promotes, celebrates, and teaches about the Eucharist is important for our Christian journey.
We ask God’s blessing upon this two-day, three-performance undertaking. We pray that all - presenters and audience - would be blessed and inspired by it, and come to a deeper knowledge and appreciation of this expression that is so important to us as Anglicans, the Eucharist.
May this musical draw us closer to God, to the Liturgy, and to the Sacrament, helping us to remember the words of the Blessed Apostle Paul, “as often as you eat this bread and drink the cup, you proclaim the Lord’s death until he comes” (1 Corinthians 11:26).
May God bless our time together, and the giving and receiving of this production.
Message from the Hon. Philip B. Davis
PRIME MINISTER OF THE BAHAMAS
On behalf of the Government of the Bahamas, I extend sincere congratulations to The Right Reverend Bishop Laish Boyd, Mrs. Joann Boyd, and the Anglican Diocese of The Bahamas and the Turks and Caicos Islands on the musical production entitled The Mass: The Mystique and Magic of Our Worship.
Now in its third iteration, this production creates a powerful moment for us all to pause, render praise to our God and celebrate the richness of artistic expression within our country.
I also wish to extend heartfelt appreciation to Mr. Philip Gray, whose creative genius and dedication have brought this production to life. A distinguished Bahamian figure in music and the creative arts, his work continues to shape our nation’s cultural expression. Today, his storytelling and artistic excellence are on full display, demonstrating the profound impact that artists have in preserving our cultural identity.
This musical serves as a celebration of the beautiful hymns of the Church and as a bridge between generations. It ensures that these sacred expressions of our worship continue to live on and demonstrates their enduring relevance in our present day. In doing so, your work provides meaningful exposure for our young people, inviting them to engage with the rich history of the church and carry forward this deeply important aspect of our spiritual heritage.
In addition, your efforts are strengthening the spiritual life of our nation and enriching our cultural landscape. Through this production, the depth and timeless beauty of our hymns are brought to the forefront, reminding us of the unifying power of worship. This occasion forms part of our nation’s heritage and speaks to our enduring faith. It honors our collective Christian walk and sets a meaningful precedent for generations to come. For this, I commend you. I extend my gratitude to the entire Anglican Diocese for your continued Christian leadership in our country, and I pray that He who hast brought us thus far on the way, He who hast by His might led us into the light, will keep you forever in His path.
The Honorable Philip B. Davis Prime Minister of The Bahamas
Message from the Hon. Michael Pintard
OPPOSITION LEADER
Iam pleased to extend warm greetings to the organizers, patrons, and participants of The Mass: The Mystique and Magic of Our Worship, as you gather to experience this meaningful expression of faith through music and the arts.
I commend Mr. Philip Gray, the Executive Producer, and the entire organizing committee for their vision and persistence in bringing this production to life. Getting something like this from idea to stage takes more than talent; it takes patience and a good bit of faith along the way.
When Bahamians bring together faith, music, and a bit of creativity, something special is bound to happen.
Before long, even those who came just to observe find themselves tapping their feet, nodding along, and leaving a little more inspired than when they arrived. That is the beauty of worship expressed through our culture—it reaches you whether you planned for it or not.
Initiatives such as this remind us that the arts have the power to inspire, to uplift, and to bring people together. They create space for reflection, for renewal, and for a deeper appreciation of the values that bind us as a nation.
I am pleased to extend warm greetings to the organizers, patrons, and participants tique and Magic of Our Worship, as you gather to experience this meaningful music and the arts.
I commend Mr. Philip Gray, the Executive Producer, and the entire organizing and persistence in bringing this production to life. Getting something like more than talent; it takes patience and a good bit of faith along the way.
I am particularly encouraged by the intentional inclusion of young people through the student matinee performance. Providing opportunities for the next generation to engage with meaningful cultural and spiritual experiences is essential to preserving and strengthening our national character.
I trust that this production will not only entertain but also encourage hearts and minds, leaving a lasting impression on all who attend.
On behalf of the Free National Movement and the Official Opposition, I extend best wishes for a successful and uplifting series of performances.
When Bahamians bring together faith, music, and a bit of creativity, something Before long, even those who came just to observe find themselves tapping leaving a little more inspired than when they arrived. That is the beauty of worship culture—it reaches you whether you planned for it or not.
Initiatives such as this remind us that the arts have the power to inspire, to gether. They create space for reflection, for renewal, and for a deeper appreciation us as a nation.
Hon. Michael C. Pintard, M.P. Leader of His Majesty’s Loyal Opposition Leader of the Free National Movement
I am particularly encouraged by the intentional inclusion of young people through formance. Providing opportunities for the next generation to engage with meaningful experiences is essential to preserving and strengthening our national character.
I trust that this production will not only entertain but also encourage hearts and pression on all who attend.
ful and uplifting series of performances.
Hon. Glenys Hanna Martin
Message from the Hon. Glenys Hanna Martin
MINISTER OF EDUCATION AND TECHNICAL AND VOCATIONAL TRAINING
It is a distinct privilege and honour to celebrate the debut of The Mass: The Mystique and Magic of Our Worship, a Bahamian musical written and produced by musician and former member of the original Bahamas National Youth Choir, Mr. Philip Gray.
This production, which rivals the caliber of a Broadway musical, marks just the third of its kind to be presented in The Bahamas and stands as a powerful celebration of worship, faith, and artistic expression. Presented under the auspices of The Anglican Diocese of The Bahamas and the Turks and Caicos Islands and under the patronage of The Right Reverend Bishop Laish Boyd and Mrs. Joann Boyd, this musical explores a common theme often faced in our society – the integration of modern elements within traditional systems.
privilege and honour to celebrate the debut of The Mass: The Mystique and Worship, a Bahamian musical written and produced by musician and former original Bahamas National Youth Choir, Mr. Philip Gray.
Through the impressive performances of its cast, The Mass weaves musical genres such as Junkanoo, Rake ‘n’ Scrape, Calypso, and more into the Anglican liturgy.
which rivals the caliber of a Broadway musical, marks just the third of its in The Bahamas and stands as a powerful celebration of worship, faith, expression. Presented under the auspices of The Anglican Diocese of The Bahaand Caicos Islands and under the patronage of The Right Reverend Bishop Joann Boyd, this musical explores a common theme often faced in our integration of modern elements within traditional systems.
Similar to the Anglican Church and various other denominations, societal systems must find ways to retain the interest of today’s youth who are faced with a similar reality of Jasmin, the musical’s main character, desiring to see and feel more modern genres of music in the church.
As the Minister of Education and Technical and Vocational Training, It is in this vein that in the past year Junkanoo and Rake ‘n’ Scrape music havebeen integrated into the curriculum alongside other innovative educational advancements. These initiatives encourage young people to embrace and strengthen their cultural identity while mastering traditional subjects.
impressive performances of its cast, The Mass weaves musical genres such as Scrape, Calypso, and more into the Anglican liturgy.
I offer my sincere congratulations to Mr. Phillip Gray, the stellar cast, the Anglican Diocese of The Bahamas and the Turks and Caicos Islands, and other stakeholders for presenting this pivotal and entertaining musical.
Anglican Church and various other denominations, societal systems must find interest of today’s youth who are faced with a similar reality of Jasmin, the character, desiring to see and feel more modern genres of music in the church.
May God continue to bless you all!
Education and Technical and Vocational Training, It is in this vein that in Junkanoo and Rake ‘n’ Scrape music havebeen integrated into the curriculum innovative educational advancements. These initiatives encourage young peostrengthen their cultural identity while mastering traditional subjects.
congratulations to Mr. Phillip Gray, the stellar cast, the Anglican Diocese the Turks and Caicos Islands, and other stakeholders for presenting this entertaining musical.
bless you all!
Message from the Mrs. Dominique McCartney-Russell
DIRECTOR OF EDUCATION
On behalf of the Department of Education, I extend heartfelt congratulations to the visionary Mr. Philip Gray, writer and producer of The Mass: The Mystique and Magic of Our Worship. I also commend the talented cast, dedicated production assistants, and the publicists and promoters whose collective efforts brought this marvelous exhibition of creativity to life. I am told that this production beautifully highlights essential elements of Bahamian identity—our worship, faith, culture, and artistry.
We are deeply encouraged by initiatives such as this, because they demonstrate the transformative power of the Performing Arts. Productions like The Mass: The Mystic and Magic of Our Worship inspire our students to pursue their career aspirations, showing them that their Godgiven talents as actors, musicians, dancers, and artists can be cultivated and celebrated in local and international arenas.
For us in the field of education, The Mass: The Mystic and Magic of Our Worship is truly a classroom on stage. It allows students to apply lessons learnt before an appreciative audience. Language Arts is reflected in their ability to interpret and effect a script. Social Studies emerges through indigenous dialogue, historical context, and costumes. Mathematics and Art are evident in the scaling of sets to suit the stage and in the creative design that reflects the era portrayed.
culture, and artistry.
Ultimately, The Mass is both Religious and Bahamian Cultural Studies in motion—an exploration of our sacred music and worship traditions that have carried us from slavery through independence, and continue to shape our national spirit today.
This production is indeed timely, and in sync with the Ministry of Education and Technical and Vocational Training’s renewed focus on Bahamian Culture and Performing Arts as seen in our indepth integration of Junkanoo in the Curriculum, the launch of the first ever Bahamian History Textbook for Secondary Schools and more recently, the promotion of Rake n’ Scrape in our schools.
On behalf of the Department of Education, I extend heartfelt congratulations Philip Gray, writer and producer of The Mass: The Mystic and Magic commend the talented cast, dedicated production assistants, and the whose collective efforts brought this marvelous exhibition of creativity production beautifully highlights essential elements of Bahamian
We are deeply encouraged by initiatives such as this, because they tive power of the Performing Arts. Productions like The Mass: The Worship inspire our students to pursue their career aspirations, showing given talents as actors, musicians, dancers, and artists can be cultivated and international arenas.
We trust that many our citizens will be exposed to this production and it will invoke national pride in this important part of our heritage, and our unwavering right to worship God.
For us in the field of education, The Mass: The Mystic and Magic of room on stage. It allows students to apply lessons learnt before an guage Arts is reflected in their ability to interpret and effect a script. through indigenous dialogue, historical context, and costumes. Mathematics in the scaling of sets to suit the stage and in the creative design that reflects
Ultimately, The Mass is both Religious and Bahamian Cultural Studies tion of our sacred music and worship traditions that have carried us pendence, and continue to shape our national spirit today.
This production is indeed timely, and in sync with the Ministry of Education Vocational Training’s renewed focus on Bahamian Culture and Performing depth integration of Junkanoo in the Curriculum, the launch of the first Textbook for Secondary Schools and more recently, the promotion of
Message from the The Rev’d Dr. Ethan P. J. Ferguson
RECTOR – HOLY CROSS ANGLICAN CHURCH
During this Eastertide we gather to take part in this historic event – the debut of ‘The Mass,’ honoring our timeless tradition of music as it is merged with modern performance and the arts. From the JudeoChristian experience, music and the arts have always been a medium through which our human efforts to worship, honor and give thanks to God is expressed.
Today we thank God for Philip Gray’s spirit of creativity, musicality and love for God and the liturgy of the church that has given birth to this theatrical and spiritual renaissance. This is a celebration not only of church but our culture musings that converge to produce an experience that is intergenerational, incarnational and contextual. Without a doubt this is the way forward for worship leaders, liturgists and musicians who wish to remain faithful to the tradition of the Church and yet embody the life, culture and experiences of those who worship in it.
Thus, I offer huge congratulations to the cast of directors, musicians, psalmists, singers, actors and other performers who offer their gifts to us in the service of God and the Church on this momentous occasion. May God bless this tremendous initiative and may it resound in our church’s culture for generations to come.
My wife, Reverend Anatol and our son, Zaire both join me in wishing you every success and blessing.
By His Grace,
The
Rev’d
Dr. Ethan P.
J. Ferguson Rector – Holy Cross Anglican Church
Message from the Sir Franklyn and Her Excellency
Sharon Lady Wilson PATRONS
It is with great pleasure and a deep sense of pride that we extend our full endorsement to the gospel production entitled “The Mass.”
The tag line of “The mystic and music of our worship” makes the point as to a compelling story line.
This is combined with a passionate producer and an exceptionally talented cast who help to ensure a powerful presentation which promises to be an inspiring and thought-provoking experience.
And more.
This production offers a real medium to provide a vital role in uplifting our spirits and building an appreciation for the diversity that we represent.
In reality, “The Mass” is more than a performance. It is a ministry that speaks to the heart, encouraging reflection and renewed purpose.
We commend the organizers, performers, and all those working behind the scenes for their dedication and commitment to excellence. Their efforts in bringing this vision to life are both admirable and impactful.
It is our honour to serve as Patrons of this event, and we encourage everyone to support and fully engage in the production.
May this presentation bless all who attend.
Sir Franklyn and Her Excellency Sharon Lady Wilson Patrons
Foreword
The Rt. Rev. Laish Boyd Bishop of the Diocese of The Bahamas and the Turks and Caicos Islands
Message from the Office of the Prime Minister
The Hon. Philip E. Davis, K.C Prime Minister of the Commonwealth of The Bahamas
Message from the Leader of the Opposition
The Hon. Michael C. Pintard Leader of the Opposition
Message from the Minister of Education
The Hon. Glenys M. Hanna-Martin Minister of Education and Technical & Vocational Training
Message from the Director of Education
Mrs. Dominique McCartney-Russell
Message from the Rector of Holy Cross Church
The Rev. Fr. Dr. Ethan P. J. Ferguson Rector, Holy Cross Anglican Church
Message from Sir Franklyn and Her Excellency Sharon Lady Wilson, Patrons
The Story of The Mass
About the Composer “A Life Composed in Harmony”
About The Mass
Acts and Scenes of The Mass
Synopsis of Scenes
About the Church of England
Anglican Churches in The Bahamas
The History of the Anglican Church in The Bahamas
The Cast
Understudies & Ensemble
Lyrics and Selected Text
Music Catalogue Complete Listing of All 75 Musical Selections
Photo Gallery Scenes from the Production
Acknowledgement
Sponsors and Partners
Patrons and Donors
Special Thanks
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THE MYSTIQUE AND MAGIC OF OUR WORSHIP
The Mass in Bahamian venacular is a “come to Jesus” moment in the church where tradition and the upheaval of the youth are articulated very clearly by the two sides of the divide. This musical has it setting in the era of the latter days of Covid but when it is still topical and relevant to the society. There is still the ocassional case of the dreaded disease that still raises its ugly head, however people are far more liberal with mask usage. The atmosphere is still thick with the looming struggle and impact of both Covid and the devastating Hurricane Dorian on the Bahamas, that the mental state of many old and young is very concerning.
The Mass conveys the story of Jasmine a once very active young lady who is career oriented, but deeply spiritual and is perplexed by her weaning relationship with Her God. Jasmine is young woman raised by her single mother Mable, in a devout Christian home. Though her upbringing was steeped in faith, Jasmine begins to feel disconnected from the church she once loved. The hymns and rituals that once inspired her now seem distant, unable to penetrate the hearts of her generation. Convinced that music could bridge the gap between tradition and youth, Jasmine dreams of transforming worship through new sounds—gospel, jazz, reggae, and yes Junkanoo; contemporary rhythms that she is convince will resonate the qsoul in a fresh ways.
Her compulsion and vision leads her to Father Gibson, the parish priest known for his deep reverence for tradition. To him, the sacredness of worship lies in its consistency and
tradition that remain dormant in his fears. The potential that change would dilute the reverence,sacredness, holiness the very sanctity of the Mass. Jasmine’s proposal is met with resistance and contention and her passion is dismissed as youthful rebellion and zeal. However Jasmin’s persistence and determination ignites a movement among the young people of the church, who rally behind her call for revival.
As tension brews the Bishop intervenes, urging Father Gibson to listen. The Bishop’s belief that our “God is that big”—big enough to be worshipped through every genre and every voice and challenges the priest’s longheld convictions. Reluctantly, Father Gibson agrees to hear the youth’s perspective , setting the stage for a heated confrontation between tradition and transformation. Father Gibson eventually acquiesce to young people’s petitions.
There is a dramatic twist in the story’s trajectory as a climactic moment is allowed where the young people’s music finally fills the church—vibrant, soulful, and alive. The congregation is moved, the walls of resistance begin to soften, and the spirit of worship takes on new life. In a haunting and unexpected twist, Jasmine is not there to witness the moment she fought so vociferously for. Her absence leaves a lingering question—what became of her? The mystery of Jasmine’s fate becomes part of the production’s emotional depth, symbolizing the cost and beauty of change.
The Mass is a story of faith, courage, and the power of music to ignite and unite generations. It explores the tension between reverence and renewal, tradition and transformation, leaving audiences with both inspiration and wonder at the unseen hand that moves through every act of the worship. Riveting, pulsating, emotionally connecting and relevant to all churches who transition through the changing scenes of life.
The question asked is, does the music that sometimes offending the saints found luring by and saves the sinners? Definitely something to think about as these matters are address. The Mass will make you ponder these questions long after you would have seen it and the affect it has on your spirit man. Something powerful happens with the blend of old and new and Gods actually inhabits the praise in them both is the truth we discover in the Mass….
PHILIP GRAY: A LIFE COMPOSED IN HARMONY
Born on April 9, 1964, Philip Gray entered the world as the sixth child of Florence Augusta Gibbs Gray, a seamstress of rare artistry and a soprano whose voice could lift the spirit—and Pastor Dr. Altamond Benjamin Eric Gray, a trumpeter and master of many instruments, including the piano. From this union of melody and craftsmanship, Philip inherited a dual legacy: precision and passion, discipline and divine inspiration. Creativity, it seemed, was not learned but lived in his very being. Philip grew up in a quaint settling with a close knit family of seven children and his parents. The three older siblings closer in age and the 4 younger siblings more aligned in age.
Philip’s earliest schooling at Sayles Primary revealed a spark that would one day become a flame. Chosen to sing a duet with his fifth-grade teacher, he faced the stage with trembling courage, unaware that this moment would mark the beginning of a lifelong dialogue with music. His academic journey carried him through St. John’s College, the College of The Bahamas (now the University of The Bahamas), and the University of Guelph in Ontario, Canada. Though his formal studies led him into the sciences, culminating in a distinguished 38-year career as a pharmacist, his heart continued to beat in rhythm with song. From his earliest days, music called to him. His mother would often remark, “He never stops singing.” His father, discerning a deeper gift, placed a guitar in his hands. Though Philip’s fingers found little joy in the strings, his voice soon became his true instrument. A Sunday evening concert changed everything, his rendition of O the Spirit of Jesus Is in This Place brought the audience to its feet. In that standing ovation, a destiny was confirmed.
Formal vocal training began when Philip joined the inaugural
Bahamas National Youth Choir, assembled for the nation’s 25th Independence Anniversary. Under the mentorship of Cleophas Adderley and Patrick Delaney, he became one of the choir’s four soloists. Soon after, he joined the Renaissance Singers at just eighteen, a remarkable feat for one so young, and later lent his voice to the University Chorale.
What began as performance evolved into purpose. Worship became his language, his offering, his calling. In June 1991, he founded the Holy Cross Praise Team, pioneering a new sound of praise and worship in the Bahamas. His leadership birthed the group’s debut album, featuring his first recorded composition, I Stand in Awe, a song prophesied by his spiritual mother and realized through divine inspiration.
Philip’s creative reach extended beyond the choir loft. He ventured into musical theatre, producing The Passion of Christ, a production so powerful it filled every seat and drew audiences across denominations. His teaching ministry flourished as he led workshops and conferences on praise and worship throughout the Bahamas, including the renowned Asaph gatherings.
Four years ago, Philip experienced what he describes as an epiphany, a divine summons to create a monumental work. What began as a whisper became a symphony: sixty pieces of sacred music encompassing arias, recitatives, choral movements, and full orchestrations. He calls it The Sound of Heaven.
Reflecting on this opus, Philip Gray speaks not as a man of ambition but as a vessel of grace:
In Philip Gray, science and spirit, discipline and devotion, converge in perfect counterpoint. His life is not merely lived, it is composed. As Director of Pharmacy at Doctors Hospital, President of the Bahamas Pharmaceutical Association, inaugural Chairman of the Bahamas Pharmacy Council, and Consultant to the Public Hospitals Authority,
Philip’s professional life was one of structure and service. Yet, beneath the white coat, the artist never slept.
Mr. Gray has worked on several capacities in ministry in leadership. Mr. Gray chaired the Anglican Youth conference and also co- chaired the Praise Team and choir assembly for the Benny Hinn Crusade with Minister Mark Bethel worship leader at Bahamas Faith Ministries . Mr. Gray was also a speaker at the Asaph Worship Conference held in The Bahamas for many years pioneering the cause for sound teaching in the art of effective leadership and protocol in the Praise and Worship Ministry.
Philip blossomed in ministry after making Men’s Cursillo number 3 as friendship strengthened to now Pastor Mario Moxey, Minister Mark Bethel, Edison Sumner, Lee Callendar and others in the Praise and Worship Ministry in that era.
Philip was the first chairman of the Anglican youth conference which was breaking ground for a youth conclave off the diocese in the late 80’s that featured the Anglican youth choir. The genre of music for the choir was ground breaking for the church at large that created quite a steer thst magnitized young people toward their work.
Philip is married to Nicole Gray nee Mackey. They have been blessed by with three kids all of whom they are tremendiously proud. Their daughter Jade graduated with a masters from the University of Western Ontario School of Medicine and Dentistry with a masters in Public Health and working the office of the prime minister in strategic planning. Tyler daughter Tyler Gray is a graduate of Nothern Iowa State University, is the Event Manager for Bahamar. Their only son is third year student at the Coppen State University and is a track athlete hoping to turn pro after university. Philip’s Mantra which he lives by is “God never gives a vision, where he doesn’t make the provision.
Tonight’s ministry and music is a testimony that our God is faithful and a keeper of His Word.
NIKITA THOMPSON
Jasmin (Mabel’s Daughter who is unhappy with church music)
Lead Actress
With more than a decade of classical and operatic training, Lyric Soprano Nikita Thompson commands the stage with extraordinary presence and emotional intensity. Her artistry and dedication radiates through every performance leaving audiences captivated. In this groundbreaking production, she takes center stage with dazzling vocal brilliance and breathtaking style, delivering a performance that will leave audiences spellbound.
ALLISON ROLLE
Mabel (Mother of Jasmin)
Supporting Actress
A captivating CounteTenor with remarkable range and presence, John Darville brings both power and subtlety to the stage. His theatrical versatility and commanding vocal artistry draws audiences into each musical moment. With a deep commitment to character and a collaborative spirit that elevates the entire Cast, he stands as an indispensable force within this musical ensemble.
JOHN DARVILLE
Bishop Rolle (The Bishop of the whole Diocese)
Supporting Actor
A captivating CounteTenor with remarkable range and presence, John Darville brings both power and subtlety to the stage. His theatrical versatility and commanding vocal artistry draws audiences into each musical moment. With a deep commitment to character and a collaborative spirit that elevates the entire Cast, he stands as an indispensable force within this musical ensemble.
DWAIN WALLACE
Fr. Gibson (He thinks he is the boss of the whole Diocese)
Supporting Actor
Trained and performed in renowned and local choirs such as the Aeolians and Bel Canto, Dwain Wallace brings a rich multicultural perspective and a wealth of experience to the stage. Known for his disciplined approach and sultry tenor sound, he is all business in this production—at least, that is what he thinks.
AYANNA CARTWRIGHT
Prophetess Daisy
Supporting Actress
is a celebrated recording artist and psalmist known for her powerful gospel sound and soul-stirring stage presence. Recognized as one of The Bahamas’ finest gospel voices, her artistry has been featured in global campaigns, and her background as a principal continues to shape her work in education and creative development. Ayanna uplifts audiences with her radiant spirit, vocal grace, and thought-provoking message.
SHOMARI SYMONETTE
Eric (Boyfriend of Jasmin)
Supporting Actor
A tenor and full-time student at The University of The Bahamas (UB), Shomari Symonette is pursuing dual degrees in Vocal Performance and Engineering. He performs with the UB Concert Choir, UB Chamber Singers, and The Belcanto Singers, and he is a member of the New UB Opera Workshop Program. Shomari continues to grow as both a soloist and ensemble performer, uniting his love for music with his passion for innovation. In this production, he proves to be the perfect version of Eric, bringing warmth, charm, and vocal brilliance to the role.
MAKEBA BAIN
Angel of Light
Supporting Actress
An educator with over twenty eight years of experience, Makeba Bain holds a degree in Music Education with a focus on Vocal Performance. Her passion for music has led her to share her talent on stages both locally and abroad. For this production white is her favourite colour.
CANDACE BOSTWICK
Church Diva
Supporting Actress
A luminous talent in contemporary theater, Candace Bostwick captivates audiences with her expressive range and strong technique. Her performances are marked by authenticity, grace, and the thrilling power of her belting top notes. Audiences adore her commanding stage presence and the effortless confidence she brings to every performance. Candace is indelibly the church traditional soloist in the production.
ALLAN BUTLER
Sexton Moss
Supporting Actor
With a background in economic leadership and vocal performance, Allan Butler brings a distinctive blend of professionalism and artistry to the stage. His global experiences and choral precision contribute to a polished and engaging presence in this production. In The Mass, he aims to pray you into glory.
NICOLETTE ARCHER
Jesse (the Jamaican best friend of Mable)
Supporting Actress
With training in vocal performance and dramatic interpretation, Nicolette Archer brings genuine emotion and focus to her work on stage. Her expressive voice and thoughtful movement add depth and balance to the production. Nickie promises to be eriee.
ROSE BARRETT
Supporting Actress
A long-time and celebrated performer with the Dundas Civic Centre for Performing Arts, and a Danza Award nominee. She is best known for her role as Sister Brown in A Season of Our Lives, and she has appeared in acclaimed productions including Music of the Bahamas and The Landlord. Rose proudly represented Bahamian culture at New York’s world-renowned Apollo Theatre. Her favorite saying is: “If ya didn’t know me by now, well now ya know.”
PAULETTE HIGGS – JOY
(Jasmin’s Best-friend)
Supporting Actress
Vocally coached by the late Lee Callander, Paulette Higgs studied commercial theatre for many years in Jamaica. She is currently a member of the Highgrove Singers. She will be singing all night in the production.
KELPURNIA “CLEO” SPENCE
Old Lady Marina
Supporting Actress
Trained extensively in theater, Kelpurnia “Cleo” Spence brings a seasoned perspective to the stage, shaped by her experience as a choir director. Her meticulous attention to detail and commitment to precision make her an invaluable contributor to the success and harmony of this production…as the Old Lady.
FRANK REID
Dr. Eneas
Supporting Actor
A dedicated baritone, Frank Reid is known for his loyalty, reliability, and unwavering commitment to every performance. His consistent presence and professionalism make him a valued member of the cast and an essential part of this production.
PATRICE GRAY WALLACE
Old but Young Church Member
Supporting Actress
Patrice Yvette Gray Wallace has dedicated her life to service and worship. A graduate of Saint John’s College High School and the College of the Bahamas, she served as a worship leader at Holy Cross for 17 years. She also led the East Central Archdeaconry Toastmasters Club to President Distinguished status. She knows every song in the production.
ANNIKA BAIN
Not so Young Church Member
Supporting Actress
Annika Bain grew up in a musical family that inspired her love for worship. She began singing alto at 14 with the Golden Gates Assembly Youth Choir and later joined the adult choir and praise team. Today, she continues to share her gift as a member of the Holy Cross Worship Team. She just realized she can sing sinng in this production.
DYLAN STEWART
Supporting Actor
An amazing bass-baritone with a degree in Vocal Performance from St. John’s University. With over 14 years of professional experience, he has performed leading roles in Le Nozze di Figaro, The Elixir of Love, and Les Contes d’Hoffmann, and toured in Brazil, Greece, and the United States. He is a member of the Belcanto Singers, Nassau City Singers, and the Bishop’s Chorale. He is the most fun-loving Cast Member.
CHIGOZIE IJEOMA
Stage Diirector and Narrator
A seasoned CFO and accomplished theatre president, Chigozie Ijeoma commands the stage with the same authority he brings to the boardroom. His natural charisma, sharp presence, and undeniable talent make him a driving force in this production. He is double loaded for this production.
DR. DION CUNNINGHAM
Musical Director
An extraordinarily talented and brilliant musician, Dr. Dion Cunningham is a Bahamian concert pianist and educator whose mastery of music transcends borders. Holding a Doctor of Musical Arts, he brings both scholarly depth and creative brilliance to the stage. His international performance career fuels his ability to inspire and elevate others through his artistry, precision, and boundless musical vision.
EDISON SUMNER
Director of Gospel Music
Edison Sumner is a celebrated Bahamian gospel artist, businessman, and community leader whose remarkable career spans more than four decades. A musical prodigy at age six, he began performing solos at church concerts, setting the stage for a lifetime of excellence in gospel music. As founder of Edison Sumner and Voices of Praise and Director of Gospel Music for The Mass Musical Production, he continues to inspire audiences with his powerful leadership and unwavering faith. Beyond music, Edison serves as President of The Bahamas Red Cross Society and Honorary Consul for the Republic of Namibia, reflecting his deep commitment to service and nation-building. He is married to Darleen Sumner (née Knowles), and together they are proud parents of their son, Avery.
KAYLISA SAUNDERS
Supporting Actress
Kaylisa Saunders is a senior at the University of the Bahamas studying music as a voice major. She is graduating this year and plans on pursing her Masters in Vocal Performance.
ANNA CLAXITE
Supporting Actress
My name is Anna Calixte. I am a Christian and Gospel recording artist who gained national recognition as the Season 2 winner of 242 Untapped, a gospel music competition hosted in 2014. I am currently pursuing a Bachelor of Music in Education at the University of The Bahamas. I am an active member of the University of The Bahamas Choir and the University of The Bahamas Chamber Singers, where I sing as a 2nd Soprano. Through my musical training and ministry, I’ve continued to develop my artistry while preparing for a career in music education and performance.
MICAH BETHEL
Supporting Actress
Micah Bethel is a music major at the University of The Bahamas and an active member of the Concert Choir, Chamber Singers, and Pop Band. Passionate about vocal performance, Micah continues to grow as a versatile and dedicated musician.
The list of music and composerrs, transcriber, arrangers of ALL 75 PIECES OF MUSIC OFTHE MASS
Scene 1
“The Overture” • •
“Trouble in da House” •
“Reggae beat” • •
“Trouble in the House” (played slowly) •
“Gregorian Chant” • •
“Church Starting Lines” • •
“Angel of Light” • •
“A Taste of Heaven” • •
“Jasmin recitative” •
“Jasmine in a Trance” •
Scene 2 - “Beach Scene Mass Discussion”
“Eric Recitative” •
“Grew Up On” (Recorded music) •
“Don’t Worry” (Joy’s song) •
“Lord Have Mercy” (a capella) •
“Lord Have Mercy” •
“Christ Has Died” (a capella) •
“Christ Has Died” •
“O Worship the King” (a capella) (Jasmin) •
“O Worship the King” (Jazz) • •
“Grew Up On” (Recorded music) •
Scene 3 - “Da Mass Meeting”
“Reggae Beat” (Jesse) (same music as before)
“Trouble in the House” (same as before)
“Sexton’s Prayer” (a capella) •
“Lead Me, Guide Me” (a capella)
“We Must Change” •
“Youth Chorus” (Rap/Spoken Word) •
“Trouble in the House” (same as before) (congregation)
Scene 4 - “Da Old Mass”
“Narrator’s Song” (same as before)
“Tense Music” •
“Praise to the Lord, the Almighty” •
“O Worship the King”
“Alleluia”
“I’m Glad I Counted the Cost”
“All for Christ” • •
Scene 5 - “The Battle of the Mass”
“Narrator’s Song” (same as before)
3. “O Lord, I Come” • •
4. “Mabel and Jesse Recitative” •
“Boring” •
“O Worship the King” (Jazz version as before)
“Lord Have Mercy” (a capella) (same as before)
“Ave Maria” - Schubert - Candance
“Ave Maria - Bach-Gonod” - Jasmine
“We Must Change” (same as before)
“I Stand in Awe” •
“Acid Rock” • •
Scene 6 - Mass Mix Up
“O Lord, I Do Not Understand It” (Piano acc.) •
“O Lord, I Do Not Understand It” (Orchestral acc.) • Devil’s Song” •
Soon ah will be Done” •
“Magnificat” (original version a capella)
“Lord Have Mercy” (same as before from Scene 2)
2. “Eric and Jasmin’s Duet” •
1. “Don’t Cry for Her” •
Scene 7 - “Da Funeral Mass”
“Let All Mortal Flesh Keep Silent” (original transcription)
“Lord Have Mercy” (reggae style - same as before) •
“Glory to God in the Highest” (soca style)
“Crown Him With Many Crowns” (modern version) • •
“Tribute Solo by Eric” •
“A Taste of Heaven” (same as before)
“What Can Wash Away My Sins” (Reggae w/rap)
“I Stand in Awe” (same as before) •
6. “Our Father Prayer” (a ballad) •
“O Worship the King” (same as before)
“Precious Jesus Hold my Hand” (original with ad lib) •
“Around the Throne” • •
5. “Bishop’s recitative” •
Composed by Philip Gray (Original) •
Arranged by Philip Gray •
Arranged by Edison Sumner • Arranged by Stefan Thompson •
Transcribed by Stefan Thompson •
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UNDERSTANDING THE ANGLICAN MASS: A
SCRIPTURE-BASED WORSHIP
The Anglican Mass, as found in the Book of Common Prayer, is deeply rooted in the Holy Bible. From beginning to end, the Mass is based on the Word of God, and each part of the liturgy is drawn directly from Scripture or inspired by biblical passages.
For someone unfamiliar with the Anglican Mass, this means that when worshippers participate, they are praying, singing, and proclaiming Scripture throughout the entire service.
THE ANGLICAN MASS — SECTIONS AND THEIR PURPOSE
1. THE GATHERING
Opening Sentences
Purpose:
The service begins with Scripture to prepare the congregation for worship and set a reverent tone.
Priest: “Blessed be God: Father, Son, and Holy Spirit.”
People: “And blessed be his kingdom, now and forever. Amen.”
Significance:
Worship begins by declaring and inviting God’s presence and focusing the congregation.
Scripture Reference: Psalm 122:1: “I was glad when they said unto me, Let us go into the house of the Lord.”
2. COLLECT FOR PURITY
Latin Term: Collecta
Definition: A prayer that gathers the intentions of the people.
Traditional Prayer: “Almighty God, to you all hearts are open, all desires known, and from you no secrets are hid: Cleanse the thoughts of our hearts by the inspiration of your Holy Spirit, that we may perfectly love you, and worthily magnify your holy Name; through Christ our Lord. Amen.”
Significance: Asks God to cleanse hearts before worship, so that worshippers can approach Him worthily.
Scripture Reference: Psalm 51:10: “Create in me a clean heart, O God; and renew a right spirit within me.”
3. SUMMARY OF THE LAW (The Great Commandments)
Purpose:
To remind worshippers of God’s commandments and call them to love God and neighbor.
Scripture References:
· Matthew 22:37–40: Jesus replied: “‘Love the Lord your God with all your heart and with all your soul and with all your mind.’ 38 This is the first and greatest commandment. And the second is like it: ‘Love your neighbor as yourself.’ All the Law and the Prophets hang on these two commandments.”
· Deuteronomy 6:5: “ Love the Lord your God with all your heart and with all your soul and with all your strength.”
· Leviticus 19:18: “‘Do not seek revenge or bear a grudge against anyone among your people, but love your neighbor as yourself. I am the Lord.”
4. KYRIE ELEISON (Lord Have Mercy)
Latin Term: Kyrie Eleison Definition: Lord, have mercy.
Traditional Phrase: Lord have mercy upon us. Christ have mercy upon us. Lord have mercy upon us.
Significance: Prayer asking for God’s mercy and forgiveness
Scripture Reference: Matthew 20:30: “Have mercy on us, O Lord, thou Son of David.”
5. GLORIA IN EXCELSIS (GLORY TO GOD IN THE HIGHEST)
Latin Term: Gloria in Excelsis Deo Definition: Glory to God in the highest
Traditional Text: Glory be to God on high, and in earth peace, good will towards men…
Significance: Hymn of praise to God, celebrating His glory and presence.
Scripture Reference: Luke 2:14: “Glory to God in the highest, and on earth peace…”
6. THE COLLECT (Prayer for the Day)
Purpose:
A special prayer that focuses on the theme of the day or season in the Church calendar.
Latin Term: Collecta Diei Definition: Prayer appointed for the day.
Scripture Reference: Philippians 4:6: “Do not be anxious about anything, but in every situation, by prayer and petition, with thanksgiving, present your requests to God.”
7. THE EPISTLE AND GOSPEL READINGS
Purpose:
To hear the Word of God read aloud from Scripture and to provide instruction for Christian living.
Scripture Sources:
· Epistle — Letters of the Apostles
· Gospel — Matthew, Mark, Luke, or John
Scripture Reference: 1 Timothy 4:13: “ Until I come, devote yourself to the public reading of Scripture, to preaching and to teaching.”
8. GRADUAL / PSALM
Latin Term: Graduale
Definition: Psalm or hymn between readings.
Scripture Reference: Colossians 3:16: “Let the message of Christ dwell among you richly as you teach and admonish one another with all wisdom through psalms, hymns, and songs from the Spirit, singing to God with gratitude in your hearts.”
9. GOSPEL
Definition: Gospel Reading
Traditional Phrase: Priest: The Holy Gospel as written in the… People: Glory be to Christ, Our Lord.
Significance: Christ speaks directly through the Gospel.
Scripture Reference: Mark 1:1: “The beginning of the Gospel of Jesus Christ, the Son of God”
10. THE NICENE CREED
Definition: Statement of faith
Purpose:
To affirm the faith of the Church.
Commonly:
· Nicene Creed
Scripture References:
· Romans 10:9: “ If you declare with your mouth, “Jesus is Lord,” and believe in your heart that God raised him from the dead, you will be saved.”
· Matthew 28:19: “Therefore go and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit..”
· John 1:1–14: “In the beginning was the Word, and the Word was with God, and the Word was God. He was with God in the beginning. Through him all things were made; without him nothing was made that has been made. In him was life, and that life was the light of all mankind. The light shines in the darkness, and the darkness has not overcome it. There was a man sent from God whose name was John. He came as a witness to testify concerning that light, so that through him all might believe. He himself was not the light; he came only as a witness to the light. The true light that gives light to everyone was coming into the world. He was in the world, and though the world was made through him, the world did not recognize him. He came to that which was his own, but his own did not receive him. Yet to all who did receive him, to those who believed in his name, he gave the right to become children of God; children born not of natural descent, nor of human decision or a husband’s will, but born of God. The Word became flesh and made his dwelling among us. We have seen his glory, the glory of the one and only Son, who came from the Father, full of grace and truth.”
· 1 Corinthians 15:3–4
11. SERMON
Latin Term: Homilia
Definition: Explanation of Scripture
Scripture Reference: 2 Timothy 4:2: “Preach the word; be prepared in season and out of season; correct, rebuke and encourage; with great patience and careful instruction.”
12. PRAYERS OF THE PEOPLE
Purpose:
To pray for the Church, the world, and those in need.
Scripture References:
· 1 Timothy 2:1–2: “I urge, then, first of all, that petitions, prayers, intercession and thanksgiving be made for all people for kings and all those in authority, that we may live peaceful and quiet lives in all godliness and holiness. ”
13. CONFESSION AND ABSOLUTION
Purpose:
To confess sins and receive God’s forgiveness.
Scripture References:
· 1 John 1:8–9: “If we claim to be without sin, we deceive ourselves and the truth is not in us. If we confess our sins, he is faithful and just and will forgive us our sins and purify us from all unrighteous-ness.”
14. COMFORTABLE WORDS
Purpose:
To reassure worshippers of God’s mercy.
Scripture References:
· Matthew 11:28: “Come to me, all you who are weary and burdened, and I will give you rest.”
· John 3:16: “For God so loved the world that he gave his one and only Son, that whoever believes in him shall not perish but have eternal life.”
· 1 Timothy 1:15: “Here is a trustworthy saying that deserves full acceptance: Christ Jesus came into the world to save sinners; of whom I am the worst.”
· 1 John 2:1–2: “My dear children, I write this to you so that you will not sin. But if anybody does sin, we have an advocate with the Father; Jesus Christ, the Righteous One. He is the atoning sacrifice for our sins, and not only for ours but also for the sins of the whole world.
15. THE PEACE
Purpose:
To share Christ’s peace with one another.
Scripture References:
· John 14:27: “Peace I leave with you; my peace I give you. I do not give to you as the world gives. Do not let your hearts be troubled and do not be afraid.”
· John 20:19: “On the evening of that first day of the week, when the disciples were together, with the doors locked for fear of the Jewish leaders, Jesus came and stood among them and said, “Peace be with you!”
16. OFFERTORY
Purpose:
To offer gifts and ourselves to God.
Scripture Reference: Malachi 3:10: “Bring the whole tithe into the storehouse, that there may be food in my house. Test me in this,” says the Lord Almighty, “and see if I will not throw open the floodgates of heaven and pour out so much blessing that there will not be room enough to store it.”
17. THE SANCTUS (Holy, Holy, Holy)
Purpose:
A hymn of praise before the consecration.
Scripture References:
Isaiah 6:3: “And they were calling to one another: “Holy, holy, holy is the Lord Almighty; the whole earth is full of his glory.”
Revelation 4:8: “Each of the four living creatures had six wings and was covered with eyes all around, even under its wings. Day and night they never stop saying: “‘Holy, holy, holy is the Lord God Almighty,’ who was, and is, and is to come.”
Matthew 21:9: “The crowds that went ahead of him and those that followed shouted, “Hosanna to the Son of David!” “Blessed is he who comes in the name of the Lord!” “Hosanna in the highest heaven!”
18. PRAYER OF CONSECRATION
Purpose:
To consecrate the bread and wine for Holy Communion.
Scripture References:
· Matthew 26:26–28: “While they were eating, Jesus took bread, and when he had given thanks, he broke it and gave it to his disciples, saying, “Take and eat; this is my body.” Then he took a cup, and when he had given thanks, he gave it to them, saying, “Drink from it, all of you. This is my blood of the covenant, which is poured out for many for the forgiveness of sins.”
· Luke 22:19–20: “And he took bread, gave thanks and broke it, and gave it to them, saying, “This is my body given for you; do this in remembrance of me.” In the same way, after the supper he took the cup, saying, “This cup is the new covenant in my blood, which is poured out for you.”
· 1 Corinthians 11:23–26: “For I received from the Lord what I also passed on to you: The Lord Jesus, on the night he was betrayed, took bread, and when he had given thanks, he broke it and said, “This is my body, which is for you; do this in remembrance of me.” In the same way, after supper he took the cup, saying, “This cup is the new covenant in my blood; do this, whenever you drink it, in remembrance of me.” For whenever you eat this bread and drink this cup, you proclaim the Lord’s death until he comes.”
19. AGNUS DEI (Lamb of God)
Purpose:
To acknowledge Christ as the Lamb of God.
Scripture References:
· John 1:29: “The next day John saw Jesus coming toward him and said, “Look, the Lamb of God, who takes away the sin of the world!”
· Revelation 5:12: “In a loud voice they were saying: “Worthy is the Lamb, who was slain, to receive power and wealth and wisdom and strength and honor and glory and praise!”
20. HOLY COMMUNION
Purpose:
To receive the Body and Blood of Christ.
Sursum Corda
Latin Term: Sursum Corda
Definition: Lift up your hearts
Priest: Lift up your hearts
People: We lift them up unto the Lord
Scripture Reference: Lamentations 3:41: “Let us lift up our hearts and our hands to God in heaven.”
Sanctus
Latin Term: Sanctus
Definition: Holy Holy Holy
Scripture Reference: Isaiah 6:3: “ And they were calling to one another: “Holy, holy, holy is the Lord Almighty; the whole earth is full of his glory.”
Prayer of Consecration
Latin Term: Consecratio
Scripture Reference: 1 Corinthians 11:23-26: “For I received from the Lord what I also passed on to you: The Lord Jesus, on the night he was betrayed, took bread, and when he had given thanks, he broke it and said, “This is my body, which is for you; do this in remembrance of me.” In the same way, after supper he took the cup, saying, “This cup is the new covenant in my blood; do this, whenever you drink it, in remembrance of me.” For whenever you eat this bread and drink this cup, you proclaim the Lord’s death until he comes.”
Lord’s Prayer
Latin Term: Pater Noster
Scripture Reference: Matthew 6:9-13: “Our Father in heaven, hallowed be your name, your kingdom come, your will be done, on earth as it is in heaven. Give us today our daily bread. And forgive us our debts, as we also have forgiven our debtors. And lead us not into temptation, but deliver us from the evil one.”
Agnus Dei
Latin Term: Agnus Dei
Definition: Lamb of God
Scripture Reference: John 1:29: “The next day John saw Jesus coming toward him and said, “Look, the Lamb of God, who takes away the sin of the world!”
21. PRAYER AFTER COMMUNION
Purpose:
To give thanks for receiving Communion.
Scripture Themes:
Gratitude and dedication to Christian living
22. BLESSING
Purpose:
The priest blesses the congregation before dismissal.
Scripture Reference:
· Numbers 6:24–26: “The Lord bless you and keep you; the Lord make his face shine on you and be gracious to you; the Lord turn his face toward you and give you peace.”’
Benediction of the Blessed Sacrament
During Benediction, these hymns are sung: O Salutaris Hostia - “O Saving Victim” or “O Saving Host”
Purpose:
Sung when the Blessed Sacrament is exposed for adoration
Scripture Themes:
· John 6:35: “Then Jesus declared, “I am the bread of life. Whoever comes to me will never go hungry, and whoever believes in me will never be thirsty.”
· John 6:51: “ I am the living bread that came down from heaven. Whoever eats this bread will live forever. This bread is my flesh, which I will give for the life of the world.”
Tantum Ergo “Therefore So Great (a Sacrament)”
Purpose:
Sung just before the blessing with the Blessed Sacrament
Scripture Themes:
· John 6:51–58: “I am the living bread that came down from heaven. Whoever eats this bread will live forever. This bread is my flesh, which I will give for the life of the world.” Then the Jews began to argue sharply among themselves, “How can this man give us his flesh to eat? Jesus said to them, “Very truly I tell you, unless you eat the flesh of the Son of Man and drink his blood, you have no life in you. Whoever eats my flesh and drinks my blood has eternal life, and I will raise them up at the last day. For my flesh is real food and my blood is real drink. Whoever eats my flesh and drinks my blood remains in me, and I in them. Just as the living Father sent me and I live because of the Father, so the one who feeds on me will live because of me. This is the bread that came down from heaven. Your ancestors ate manna and died, but whoever feeds on this bread will live forever.”
· 1 Corinthians 11:26: “For whenever you eat this bread and drink this cup, you proclaim the Lord’s death until he comes.”
Divine Praises
Drawn from:
· Philippians 2:9–11: “Therefore God exalted him to the highest place and gave him the name that is above every name, that at the name of Jesus every knee should bow, in heaven and on earth and under the earth, and every tongue acknowledge that Jesus Christ is Lord, to the glory of God the Father. “
· Revelation 5:12–13: “ In a loud voice they were saying: “Worthy is the Lamb, who was slain, to receive power and wealth and wisdom and strength and honor and glory and praise!” Then I heard every creature in heaven and on earth and under the earth and on the sea, and all that is in them, saying: “To him who sits on the throne and to the Lamb be praise and honor and glory and power, for ever and ever!”
· Luke 1:42: “In a loud voice she exclaimed: “Blessed are you among women, and blessed is the child you will bear!”
· John 1:14: “The Word became flesh and made his dwelling among us. We have seen his glory, the glory of the one and only Son, who came from the Father, full of grace and truth.”
Benediction Blessing
· Numbers 6:24–26: “The Lord bless you and keep you; the Lord make his face shine on you and be gracious to you; the Lord turn his face toward you and give you peace.” The Magnificat (The “Magnification”) “My soul doth magnify the Lord”
Purpose:
Song of praise by Mary
Scripture Reference:
· Luke 1:46–55: “My soul glorifies the Lord and my spirit rejoices in God my Savior, for he has been mindful of the humble state of his servant. From now on all generations will call me blessed, for the Mighty One has done great things for me; holy is his name. His mercy extends to those who fear him, from generation to generation. He has performed mighty deeds with his arm; he has scattered those who are proud in their inmost thoughts. He has brought down rulers from their thrones but has lifted up the humble. He has filled the hungry with good things but has sent the rich away empty. He has helped his servant Israel, remembering to be merciful to Abraham and his descendants forever, just as he promised our ancestors.”
The Nunc Dimittis (“Nine Dimitri’s”)
“Lord, now lettest thou thy servant depart in peace”
Purpose:
Song of Simeon praising God
Scripture Reference:
· Luke 2:29–32: “Sovereign Lord, as you have promised, you may now dismiss[a] your servant in peace. For my eyes have seen your salvation, which you have prepared in the sight of all nations: a light for revelation to the Gentiles, and the glory of your people Israel.”
Used at:
· Evensong · Compline
· Benediction
In Simple Terms
The Anglican Mass is Scripture woven into worship. From the opening sentence to the final blessing, worshippers are praying the Bible, singing the Bible, and hearing the Bible throughout the entire service.
That is why the Anglican tradition is often described as biblical, structured, and reverent, rooted firmly in the Word of God.
HISTORY OF THE ANGLICAN CHURCH IN THE BAHAMAS
The Anglican Diocese of Nassau and The Bahamas and the Turks and Caicos Islands is one of the historic dioceses of the Anglican Church in the Caribbean. Its development closely follows the political and social history of The Bahamas and the wider British Caribbean.
Early Anglican Presence in The Bahamas (1600s–1700s)
Anglicanism arrived in The Bahamas through British colonization in the 17th century. When the islands were formally settled by the English in 1648 by the Eleutheran Adventurers, the Church of England became the established church of the colony.
Key early developments:
· 1670s–1690s: The first Anglican clergy began serving the scattered settlements in the islands.
· 1701: The Society for the Propagation of the Gospel in Foreign Parts (SPG) was founded in England to support Anglican missionary work in the colonies. It played a major role in sending clergy and building churches in The Bahamas.
· 1724: Christ Church Parish in Nassau was formally organized and became the central Anglican parish in the colony.
During this period, Anglican clergy ministered primarily to British settlers, though the church later expanded its ministry to enslaved Africans and free Black communities.
Growth of the Church (1800–1860)
The 19th century saw major growth in the Anglican Church across the islands.
Important milestones:
· 1800s: Additional parishes were established throughout the islands such as St. Matthew’s, St. Anne’s, and St. Agnes in New Providence and churches on the Family Islands.
· 1834: The abolition of slavery in the British Empire significantly changed the mission of the church. Anglican clergy became involved in education and social development among newly emancipated populations.
· The church established schools, missions, and parish communities throughout the archipelago.
At this time The Bahamas were under the Diocese of Jamaica, which had oversight for several British Caribbean territories.
Formation of the Diocese of Nassau (1861)
A major turning point came in 1861.
· The Diocese of Nassau was formally established by the Church of England.
· It initially included:
o The Bahamas
o The Turks Islands (now Turks and Caicos)
o Sometimes other nearby territories in the early administrative arrangements.
First Bishop
The first bishop was The Rt. Rev. Charles Caulfield (consecrated in 1861).
His work focused on:
· organizing parishes across the islands
· strengthening church governance
· expanding clergy training and education
Late 19th – Early 20th Century Development
During this period the diocese expanded its institutions.
Key developments included:
Church Building
Many of the historic Anglican churches were built or expanded, including:
· Christ Church Cathedral, Nassau (current structure consecrated in 1841 but expanded later)
· Churches across the Family Islands such as:
o Harbour Island
o Exuma
o Eleuthera
o Long Island
o Abaco
Education
The Anglican Church became deeply involved in education in The Bahamas, founding several important schools including:
· St. Johns College, New Providence
· St. Annes School, New Providence
· Bishop Michael Eldon School, Grand Bahama
· St. Andrews School, Exuma
Mission Work
Clergy regularly traveled by boat between islands, establishing Anglican congregations across the archipelago.
The Diocese in the 20th Century
The 20th century saw the Anglican Church become one of the largest Christian denominations in The Bahamas.
Role in Society
The church contributed to:
· education
· social welfare
· community leadership
· national development
Several Anglican leaders were influential in public life.
Church Governance
The diocese became part of the Province of the West Indies; an autonomous Anglican province created in 1883 (fully organized later). This province includes Anglican dioceses across the Caribbean.
Modern Era
Today the Anglican Diocese of Nassau includes:
· All islands of The Bahamas
· The Turks and Caicos Islands
Cathedral
The diocesan seat is Christ Church Cathedral, Nassau
Originally built in the 18th century and rebuilt after several fires. It remains the mother church of Anglicanism in The Bahamas.
Structure
The diocese is organized into:
· parishes
· archdeaconries
· missions and chapels
Across:
· New Providence
· Grand Bahama
· Abaco
• Eleuthera
· Exuma
· Long Island
· Andros
· The Turks and Caicos Islands
· other Family Islands
Recent Leadership
Some notable bishops include:
· Charles Caulfield (first bishop, 1861)
· Michael Eldon (Bishop 1972–1996), Bishop Michael Hartley Eldon (1931–2016) was one of the most influential leaders of the Anglican Church in The Bahamas and the wider Caribbean. Born in Nassau on August 11, 1931, he pursued theological studies at King’s College, University of London, and Codrington College in Barbados before entering the Anglican ministry. In 1972, he was consecrated Bishop of Nassau, becoming one of the youngest bishops in the Anglican Communion at the time. His leadership coincided with a significant period in Bahamian history, including the nation’s Independence in 1973. During his 24 years as bishop, he strengthened parish life, supported Anglican education, and encouraged greater lay participation in the church. Bishop Eldon retired in 1996 and is remembered for his thoughtful leadership and lasting contributions to church and national life.
· Drexel Gomez (Bishop 1996–2009), The Most Reverend Drexel Wellington Gomez is one of the most distinguished Anglican leaders from The Bahamas and a respected figure within the worldwide Anglican Communion. He served as Bishop of Nassau from 1996 to 2009 and later as Archbishop of the West Indies, providing strong theological and pastoral leadership to the church in the Caribbean. Born on June 14, 1932, in Nassau, The Bahamas, Archbishop Gomez received his early education in The Bahamas before pursuing theological studies at Codrington College in Barbados, the historic Anglican theological college for the Caribbean. He later continued his studies in the United Kingdom and was ordained to the priesthood in 1959. His early ministry included service in several parishes in The Bahamas, where he became known for his thoughtful preaching, pastoral care, and commitment to strengthening parish life. In 1971, he was elected Bishop of Barbados, becoming one of the first Bahamians to serve as a bishop outside his homeland. During his time in Barbados, he also served as Dean of the Cathedral Church of St. Michael and All Angels and later as Archbishop of the West Indies. In 1996, Archbishop Gomez returned to his homeland when he was appointed Bishop of Nassau and The Bahamas and the Turks and Caicos Islands. During his episcopacy, he focused on strengthening diocesan administration, supporting Anglican education, and encouraging deeper spiritual formation among clergy and laity. In 1998, he was elected Archbishop of the West Indies, becoming the spiritual leader of the Anglican Church across the Caribbean. He served in this role until his retirement in 2009. Archbishop Gomez is widely respected for his scholarship, leadership within the global Anglican Communion, and his lifelong commitment to the mission and unity of the church.
· Laish Boyd (Bishop 2009–to date) Bishop Laish Zane Boyd is a Bahamian Anglican bishop who serves in the Diocese of Nassau and The Bahamas & The Turks and Caicos Islands, part of the Anglican Province of the West Indies. He was elected Suffragan Bishop in 2012 and consecrated later that year, becoming one of the assisting bishops in the diocese. In this role, he supported the Diocesan Bishop in pastoral oversight, clergy development, parish administration, and the broader mission of the Church across The Bahamas and the Turks and Caicos Islands. Before his elevation to the episcopate, Bishop Boyd served in parish ministry for many years, earning a reputation as a dedicated pastor, preacher, and mentor to clergy and laity alike. His work has included leadership in youth development, Christian education, and community outreach—areas that remain central to his ministry. Bishop Boyd is known for emphasizing spiritual growth, strong parish life, and the Church’s role in addressing social challenges. He has also been active in national life, contributing to discussions on moral and community issues in The Bahamas.
The diocese continues to play a significant role in spiritual life, education, youth development, and national ceremonies in The Bahamas.
Influence in The Bahamas
The Anglican Church has had major influence in:
· education
· community service
· national events and state services
· youth organizations and outreach
It remains one of the most historic and prominent Christian traditions in The Bahamas.
Here is a concise version suitable for publication in a booklet, church program, or website.
A Brief History of the Anglican Diocese of Nassau and The Bahamas and the Turks and Caicos Islands
The Anglican Church has been present in The Bahamas since the earliest days of British settlement in the 17th century. With the arrival of the Eleutheran Adventurers in 1648 and the establishment of British colonial government, the Church of England became the official church of the colony.
In the early years, Anglican clergy served small and scattered settlements throughout the islands. The Society for the Propagation of the Gospel in Foreign Parts (SPG) played an important role in strengthening the church by sending missionaries, establishing parishes, and supporting education. One of the earliest and most important congregations, Christ Church Parish in Nassau, was formally organized in the early 18th century and later became the cathedral parish of the Diocese.
Throughout the 18th and 19th centuries, the Anglican Church expanded its presence across the archipelago. New parishes were established in New Providence and throughout the Family Islands. Following the abolition of slavery in the British Empire in 1834, the church increased its work in education, community building, and ministry among the wider population.
A major milestone occurred in 1861, when the Diocese of Nassau was formally created to serve The Bahamas and the Turks and Caicos Islands. The first bishop, The Right Reverend Charles Caulfield, organized the growing network of parishes and strengthened the structure of the church across the islands.
Over time, the diocese became an integral part of the Province of the West Indies, the regional body of the Anglican Communion in the Caribbean. The Anglican Church played a significant role in the development of education in The Bahamas, including the founding of St. John’s College in 1957?, one of the nation’s leading secondary schools.
Today, the Anglican Diocese of Nassau and The Bahamas and the Turks and Caicos Islands continues to serve communities across the archipelago through its parishes, missions, schools, and outreach ministries.
Christ Church Cathedral in Nassau remains the mother church of the Diocese and a historic symbol of Anglican worship and witness in the region. For more than three centuries, the Anglican Church has contributed to the spiritual, educational, and social development of The Bahamas and the Turks and Caicos Islands, continuing its mission of faith, service, and leadership within the community.
We salute the cast of The MassTHE MYSTIQUE & MUSIC OF OUR WORSHIP
& convey special congratulations to our very own Mr. Philip Gray for his vision and directorship for this awesome work .
“God began to do a good work in you. And we are sure that he will keep on doing it until he has finished it.”
Love & God Bless,
Your Holy Cross Christian Achievers Family: Cecile Greene, Gina MacKenzie, Gina Scavella, Denise Turnquest, Karen Walcott, Bernard Turner, April Turner, Ghislane Wilkinson, Reginald Saunders and Kamala Saunders!
Bernard and April Turner congratulates
Philip Gray
AND THE CAST OF THE MASS
on an outstanding musical achievement!
“Let your light shine before others so that they may see your good works and give glory to your Father in heaven.”
Congratulations PAULETTE HIGGS and the cast of The Mass Production! From Symonette, a good Roman Catholic
CONGRATULATIONS
Paulette Higgs and the cast of The Mass Production. From Alfred and Steve Knowles
Congratulations Paulette Higgs and members of The Mass Production!
From Mr. And Mrs. Dion Smith
A very special congratulations Paulette Higgs and the cast of The Mass Production on your history making musical! From Terry and Madeline Archer
Congratulations Paulette Higgs and the cast of The Mass Production. From BPB Auto Sales and Rentals
Congratulations PAULETTE HIGGS and the cast of The Mass Production. From Antonio Johnson
CongratulationsPAULETTE HIGGS for her contribution to The Mass Production. From Joe Brown, Joe Joe Limo Service
Congratulations to all the members of The Mass Production! Well deserved! From Paradise Pharmacy
CONGRATULATIONS,
Paulette Higgs
as you continue to inspire others in song and with complete grace! From Shirnae Wright
Congratulations to Paulette Higgs and the cast of The Mass Production. From Dr. & Mrs. Phillip McPhee
