PORTFOLIO
Dept. of Architecture, TKU
Tel. 886 976115731
sherry61335@gmail.com
ABOUT ME
李偲妤 Lee, Sih-Yu
EDUCATION BACKGROUND
2013-2019 私立聖心女子高級中學 Sacred Heart Girls High School
2020 淡江大學建築系 Dept. of Architecture, TKU
PERSONAL EXPERIENCE
2016 維也納聖心國際姊妹校交流
2017 EF Cambridge 英國遊學
2023 構築設計／聯合治作 doT& associates 暑期實習 TKU x JWU 台日交流營
2024 TKU x TDU 台日交流營
ACADEMIC EXPERIENCE
EA2 建築週－建鬼影音組
EA3 建築週－賓果美宣組組長
EA4 宿營總召
EA5 畢籌會－執秘
SOFTWARES SKILLS
Illustrator. Lightroom. SketchUP. Rhinoceros. AutoCAD.
Enscape. Twinmotion. Premiere
PROJECT 1- HAVE A NAVY BLUE DREAM
2023.09- 2024.01
PROJECT 2- 如果我是一隻魚
2024.02- 2024.06
PROJECT 3- WASTOPIA- Float and Flow
教育部108年度藝術與設計菁英海外培訓計畫
建築與景觀設計組研習營
PROJECT 4- 空。新市場
SUMMER INTERNATIONAL EXCHANGE 2023.08
01 HAVE A NAVY BLUE DREAM
Advisor: Hideki Hirahara 平原英樹
We do something, but we can dream of everything.
To give people who like to dream, or hope their dream come true, or want to escape from reality.
Taipei city is where I born and where I grew up. With the theory, I want to discover other way to create different life experience in city.
CHAPTER 1. WITH MY EYES CLOSED
URBAN LIFE- Daytime
'Cause I'm here alone
Just dancin' with my eyes closed
'Cause everywhere I look, I still see you
And time is movin' so slow
And I don't know what else that I can do
So I'll keep dancin' with my
Eye-eye-eye-eyes
Eye-eye-eye-eyes closed
Eye-eye-eye-eyes
So I'll keep dancin' with my-
Ed Sheeran- Eyes Closed
CITY CONNECTION- Smiling Depression
Masking emotions deliberately for the sake of perfect image.
For those people who got smiling depression, they masking emotions deliberately for the sake of perfect image.
They looks like normal people, or, in other ways, they act like a normal people, because of work requirements, the need for politeness, or responsibility. But when they come alone, they bring their emotions to vent.
So they need a shelter to escape.
Nangang Dist., Taipei City Near the Nangang Train Station
The site I choosed is located within a park near the Nangang Station. This is not only involves the concept of “stay or leave,”but also provides various transportation options, for those who want to explore different destinations.
In the park, I want to create an environment that isolated from the hustle and bustle of the city. It is a place where individuals can linger, reflect, and find a moment of serenity in this natural setting, away from the busyness of the city.
Taiwan Railway
Taiwan High Speed Rail
Notation- Hidden and Stay
I aspire to create a concealed sanctuary within the city, serving as a haven for individuals to escape reality and temporarily liberate themselves from the pressures and anxieties of daily life. This space is designed to offer both breif moments of respite and extened stays, resembling a hidden haven away from the hustle and bustle of the urban environment, providing a momentary sanctuary for the soul.
In this project, various pathways and secluded corners are employed, allowing people to wander as if navigating through a misty forest, seeking out the spaces they personally find safe and relaxing. Therefore, the utilization of the space if unrestricted, granting everyone the freedom to experience and embrace the tranquility offered by this unique haven.
You seem a little bit down. Wanna talk?
EXCHANGE STATION
Before entering the “stay”space, we pass through a staircase platform that serves as a guiding entrance, whice is a Story Exchange Station, to share their stories or inner feelings. The compantionship derived from such sharing may bring a warmer feeling, allowing individuals to experience a sense of heartfelt connection.
STAY CORNER
In this project, I have created multiple secluded and sheltered corners and spaces.
In today's busy and stressful life, people yearn for a place where they can relax, unwind, and contemplate. These small, tranquil areas have become ideal places for individuals to spend extended periods, offering spaces for mental healing.
With my eyes closed, a shelter you can stay...
CHAPTER 2. TAIPEI IN THE RAIN
URBAN LIFE- Rainy Day
EMPATHY ENCOUNTER
CITY CONNECTION- SAD
'Cause anywhere with you feels right
Anywhere with you feels like
Paris in the rain
Paris in the rain
We don't need a fancy town
Or bottles that we can't pronounce 'Cause anywhere, babe
Is like Paris in the rain
When I'm with you ooh ooh ooh
When I'm with you ooh ooh ooh
Paris in the rain
Paris in the rain
Lauv- Paris in the Rain
The gloomy atmosphere triggers feelings of melancholy and loneliness.
On rainy days, accompanied by the misty sky, damp environment, and the pattering sound of rain, a tranquil atmosphere is formed, which at times may evoke a sense of heaviness.
In such an ambiance, people can easily feel a sense of solitude, prompting a desire to seek refuge in bright and cozy surroundings for a while.
Songshan Dist., Taipei City
The Rainbow Bridge, Near Raohe Street Night Market
The site is located on the Rainbow Bridge over the Keelung River, adjacent to the bustling Raohe Street Night Market, situated at the crossroads between Songshan and Neihu districts.
By choosing this location, my design aims to resonate with the Keelung River and create a distinctive atmosphere at the city's juncture, providing a transitional and resting space.
Notation- White Noise
As background noise, white noise creates a singular frequency layer, mitigating the silence in the environment and providing a sense of companionship to alleviate feelings of loneliness. Simultaneously, through the design of a glass bridge, the presence of mist on rainy days genderates blurry visuals, complemented by ambient sounds, creating an atmosphere where individuals feel immersed in a relatively private space. This allows for a tranqual appreciation of the unique scenery brought by rainy days.
Such a design enables individuals to experience a reduction in feelings of loneliness within a natural setting. In this intimate space, people can immerse themselves in the distinctive charm of rainy days, feeling somewhat secluded from the outside world and dedicating their attention to the urban landscapes unveiled by the rain.
PLAN
Songshan Dist.
Neihu Dist.
BRIDGE
IMMERSE IN WHITE NOISE
BOOKSTORE
As a bridge connecting two different regions, this space serves not only as a throughfare but as a convergence point for encounters between the two locales. The bridge, functioning as a “pass by” environment, is simultaneously imbued with the significance of serendipitous meetings.
In this environment, people weave past each other, creating moments of fleeting connections, whether in the hurried pace of thier strides or in quiet moments of pause. This place becomes not only a gateway to different territories but also a confluence for diverse life trajectories.
With it’s distinctive geographical location and purpose, this bridge not only facilitates connections between regions but evolves into a splendid space where individuals may chance upon one another during their journeys. It carries the potential for serendipitous encounters, exchanges, and the sharing of stories.
Metal- Aluminum Glass Water
REFLECTION
To show the reflection while in the rain.
In the rainy day, it might brings different color and emotion. Through variety kinds of texture and surroundings that lead us to immerse in the space, to reflect the light, the color, and ourselves.
Immerse in rain, enjoy Taipei City.
CHAPTER 3. MIDNIGHT MEMORIES
URBAN LIFE- Midnight
Midnight memories
Oh-oh-oh-oh-oh
Baby, you and me
Stumblin' in the street
Singin', singin', singin', singin'
Midnight memories
Oh-oh-oh-oh-oh
Anywhere we go, never say no
Just do it, do it, do it, do it
One Direction- Midnight Memory
CITY CONNECTION- Life Scenes
Create scenarios, with different situation, angles and compositions of the shots.
Whenever I find myself alone in the night, a cascade of everyday scenes floods my mind: moments of joy, fleeting instances, and nostalgic memories.
These recollections may have unfolded at the same moment or different times, weaving together to form a vital part of my life. Simultaneously, they are firmly intertwined with the city's myriad details, creating a profound connection to the urban landscape.
NotationDaytime and Midnight
People have distinctly differently rhythms in their daily lives during the day and night, and the unique aspect of this design lies in its creation as ann all- day venue. It serves as an ordinary market and bazaar during the day, transforming into an immersive experience that combines music and visuals at night.
The nighttime ambiance exudes a sense of solitude, and during solitary moments, individuals often reminisce about past memories. This project transforms memories into visuals, introducing the concept of imagery to shape the images from memories, spaces, and everyday life. It delivers a unique nighttime experience for each individual. The transformation of this space not only presents vastly different apperances between day and night but also, through the fusion of memories and imagery, creates and immersive atmosphere.
23:00 P.M.
05:00 A.M.
On a quiet midnight, a protagonist strolls through memories. The music, through it’s melody and lyrics, delineates their inner emotions, with each note serving as a chapter in their midnight reminiscence.
Through the interweaving of music and visuals, each melody, every lyrics, and each scene becomes an emotional release, immersing the audience in the narrative of the musical journey.
The duration is approximately one to one and a half hours.
In the corridor, every fleeting interplay of light and shadow present a rich and ever-changing tableau in the space.
As people traverse through, the artful play of light creates residual images of the flowing crowd on the glass ahead. These distinctive visual moments not only engage people’s visual senses but also bestow upon the entire space a unique artistic ambiance.
After traversing the corridor, I arrived at the record store, leisurely selecting my favorite vinyl. Immersing myself in the music, melodies, and lyrics, I carefully relished each note.
Through these choices, I artfully reconstructed a musical ambiance in my soul based on the images etched in my memories.
Within the melodies reconfigured from memory’s images, there undoubtedly hides the shadow of one’s unique story. Ut may be a desire to convey feelings to others or a wish to forever preserve this segment of one’s own narrative.
However, as the clock strikes five in the morning, the dream-like immersive experience comes to an end at that very moment, and life resumes it’s normal rhythm.
EXPLORATION EXPERIENCE EXHIBITION
EXPLORATION EXPERIENCE EXHIBITION
TIME: 11:00 P.M.- 05:00 A.M.
TIME: 11:00 P.M.- 05:00 A.M.
PLACE: DA’AN DISTRICT, TAIPEI
PLACE: DA’AN DISTRICT, TAIPEI
Have a different life experience through Midnight Memories.
Advisor: 翁偉真
IF I WERE A FISH
如果我是一隻魚 我幹嘛要當莫宰羊
如果我是一隻魚 把生命虛度在魚缸
如果我是一隻魚 give fuck about 浪費時光
如果我是一隻魚 rip humanity 全死光
當 人類太多煩惱 (還要)把情緒管好
魚有水和 food 就夠了甭一輩子追金銀財寶
吐呀吐泡泡 你戴面具呀苦笑笑
如果能當一隻魚就不用脫褲褲尿尿
忙碌一生做個money chaser
負債房貸車貸壓你身上讓你跪著
我也想賺大錢來花然後再環遊全世界
但如果我是魚把我丟海裡夢就都實現 －莫宰羊《魚》
CONCEPT AND STRATEGY
https://www.pinterest.com/pin/834925218447627545/
如果我是一隻魚－ 看與被看的世界
現今社會的空間設計，是以人類的 角度去做空間的支配，動線、感官體驗 等都是依觀看者希望的角度去做設計。
如果我是一隻魚，以不同的角度出 發，去探討不同物種、不同環境與人之 間的關係，看與被看都是互相的。會不 會其實，人類才是被支配的那一方？
如果，如果雙方都渴望自由？
如果我是一隻魚
穿梭在空間中
感受水流的變化
與環境之間的關係
海裡----路上----山前
透過三種不同空間之間的層級關 係並透過動線連接，去創造豐富
的路徑與中介空間，讓人真正融 入環境中感受不同環境和水的變 化帶給人不同的感知。
SITE OBSERVATION& ANALYSIS
和平島地質公園
－ 親親水池
向陽步道的尾端設有觀海平台，然而在橋下的兩側卻出現 了暗空間，人們幾乎不會在橋下做過多的停留。親親水池 雖為自然淺水泳池，但因位在橋下空間的一側，且步道不
易到達，水池過度優養化，人不會聚集在此空間活動。
流，同時也有停留的訴求在，希望人們可以在這隨著水悠 游的走著。
和平島地質公園 － 島中島
相較於海水泳池，山的另一側則是尚未破壞的自然景 觀，僅有環山步道讓人可以沿著步道慢慢欣賞自然景 觀，而沒有與自然做過多的互動。
嶼－不僅僅是讓自己隱身在環境中與自然融合，也能 與魚一起共存在其中悠游。
2024.03.17 SUN.
從和平橋走到和平地質公園，所感知到的氛圍截然不同。
和平島的前後帶著濃烈的觀光色彩，漁港、地質公園等。
但即便在自然與城市的過度帶，在行走的體驗中我感受到空間是 被截斷的，而在中間不帶有觀光色彩的路段，可以看到和平島的 社會即組成是相對老化且死寂的。
而我停留最久的地方是在和平島地質公園，在這邊看到了人與自 然的距離感，也看到了跟自然的互動和諧共存。
但，如果我是一隻魚，我會希望能融入在整個環境當中。
流- 讓時間留在此刻，讓身體流向自由。
PLAN ANALYSIS
topographical profile graph
如果人變成魚？
親親水池一帶原本是一個精心設計的活動空間，但由於觀海平台下方的暗空間及動線問題，親親水池如 今呈現廢棄狀態，這片區域也因此成為閒置空間。為了重新活化這片區域，我將水池轉變為體驗空間， 探索「如果我是一隻魚」的漸變過程。
當人們進入這個空間，鏡面的反射和水面的倒影會帶來感知上的變化。無論是走入水中的觸覺體驗，還 是因反射效果而在視覺上產生的迷失感，都增強了空間的沉浸感。這種設計旨在模糊現實與幻想的界限 ，使人們在這片空間中能夠感受到如同置身於水中的魚一般的經歷。
在體驗的最後，樓梯和平台引導人們逐步進入被限縮的海洋空間，這裡的設計意圖是讓人們感受到被觀 看的姿態，從而產生一種反思的情感，思考人與自然之間的關係。這個過程不僅僅是物理上的進入，更 這樣的設計呼應了「如果我是一隻魚」的假設，並且深入探討了觀看與被觀看的關係。人在這個空間中 ，既是觀察者，又是被觀察的對象，這種雙重角色讓人們重新思考自我與自然、自我與他者之間的關聯 。通過這樣的體驗，人們能夠更加深入地理解自然，並在這種互動中找到與自然和諧共生的方式。
SECTION
03 WASTOPIA- Float and Flow
Lying in the gutter, aiming for the moon
Trying to empty out the ocean with a spoon
Up and up, up and up
See the forest there in every seed
Angels in the marble waiting to be freed
Just need love just need love
When the going is rough, saying
Coldplay- Up&Up
WASTEWATER
Water Crisis in Taiwan
Tamsui River- Severe River Pollution
TOPOGRAPHIC PROFILE
SHEZIDAO- Forgotten Isle
Beitou Refuse Incineration Plant
Guandu Plain
URBAN PLANNING
Community combine with green link
WASTEWATER TREATMENT
Plastic Bags
Chop, wash, air-dry, dehumidify, and bake.
Plastic Bottles
Disposable tableware
Small
WASTEWATER TREATMENT FACILITY
UNIT DESIGN
DESIGN
空。新市場
Team Advisor: Kaz T. Yoneda
Team Member: （台灣）湯鈞淇、郭珈玲、蔡璵璠、陳昭瑾、李偲妤、龔詠綸、曾俊霖
（日本）齊藤美月、近藤幸奈、桃田百花
Through the way into the market, the significant changes will bring you out of empty.
ANALYSIS
BUS
MARKET VENDORS
one- way street, both locals
The bus route is a and tourists frequently take the bus to reach the place.
After getting off the bus, most tourists walk towards the direction of the park.
There are around 67% closed stalls in the market, and most of them are in the middle of the market. Because the market is a linear route, the vendors in the middle are not easy to reach, and the entrance from Sheling Temple to the market is very narrow.
ANALYSIS
SECTION
market dead space public toilet temple
INTERVIEW AND OUR OBSERVATION
PROBLEMS WE FOUND
◦ The relationship between vendors and locals.
There are some stores on the first floor of the building, but they don’t have any relationship with the stand in front of them.
There are very few people will come to the market, so the vendors have lots of time to chat with each other or the local customer.
◦ The attitudue of vendors toward foreigners. Most of the vendors do not accept foreigners to ask about their life. They tend to maintain the status they already have instead of getting new thinds.
◦ The empty stand is getting more.
As the vendors are getting old or even pass away, without young people to live in, more and more stands become empty, people have to walk a little distance till the next stand. The incompleteness of the dilapidated roof enables light to enter indoors, unexpectedly causing significant changes in brightness within the market.
DESIGN STRATEGY
CYCLE
A cycle can be established between local residents, street vendors, and consumers.
Plants cultivated by local restidents can be sold to street vendors for cooking or directly to tourists.
Street vendors can then sell prepared food to consumers, creating a symbiotic coexistence.
NATURAL ELEMENT FARMING BRIGHT STREET
This is a part of the design that the roof of the building could have some holes, so that the sunlight will be able to light up the inner space.
In addition, the greenery could be not only on the roof top outside but could also penetrate the interior walls and make a nice shadow,
There had some planting activities nearby the site, however in nowadays, market is only for trading, many stalls are even none using. To improve the situation, we decide to delete some stalls and set up planting space.
We don’t want the green belt space to be used just for some flowers and trees. So we hope to combine some actual activities to spice up the atmosphere of users and the space.
To solve the dark state of the market, there have three methods to increase the light.
• Raise the height of the roof.
• Remove empty spaces to bring in light.
• Increase the entrances and exits to the houses and the temple.
UTILIZATION OF SURROUNDING RESIDENCES
We want to utilize the abandoned houses nearby the site to integrate the market and the surrounding for creating more interesting spaces between it.
RECOGNIZATION WATER DRAIN SYSTEM MATERIAL
The vendors will be splitted by selling different kinds of items they sold.
VENDOR REORGANIZATION
Keelung is a rainy city, so we thought we could collect the rain and reuse it wisely.
The rain water will flow down through the roof, and will be collected by a greenery container. Water may go down to different level to fertilize those plants. Finally, the water will flows to be a little side ditch to keep the market clean.
The material of roof we design is made by punched plate, glass, and film material.
Plants can attach to the punched plate, glass can transparent to allow foe more sunlight, and film material can be also used for lighting purposes.
DESIGN
FIRST FLOOR PLAN
S=1:500
SECOND FLOOR PLAN
S=1:500 THIRD FLOOR PLAN
