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DETAIL OF LOT 1534

DETAIL OF LOT 1543

DETAIL OF LOT 1551

DETAIL OF LOT 1556

DETAIL OF LOT 1555

DETAIL OF LOT 1570

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CLASSIC ART EVENING AUCTION IRISH, BRITISH AND CONTINENTAL VIEwINg dATES & TIMES: 26 - 28 NOVEMbER 2016, 10:00 - 17:00 gMT SALE dATE & TIME: ThURSdAy 1 dECEMbER 2016, 19:00 gMT ShARp ORdER Of SALE: LOTS 1531-1591

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1531

GEORGE BARRET, RA (IRISh, 1730-84) A LAkE SCENE wITH fIguRES SEATED IN THE fOREgROuND. A CASTLE IN THE DISTANCE OIL ON CANVAS (UNLINEd) 12¼ x 12¼ INCHES (31 x 31 Cm.) €600 - 900 george barret (1730-84) was born in dublin in 1732. he began his artistic career as a pupil of Robert west at his drawing school in george’s Lane, and was encouraged by Edmund burke to take up landscape painting. his early works are views in Co. wicklow, on the River dargle and the powerscourt Estate. Some of these were painted on a large scale. To seek his fortune as an artist, barret travelled to London in 1762. his landscapes were favourably received and his patrons included the duke of buccleuch and the duke of portland of welbeck Abbey. In 1768, barret was one of the founders of the Royal Academy. he exhibited 13 works at the Society of Artists and 32 at the Royal Academy. works by barret can be seen at the National gallery of Ireland, the Ulster Museum, the british Museum and the Victoria and Albert Museum.

1532

HUGH DOUGLAS HAMILTON (IRISh, 1740-1808) PORTRAIT Of A gENTLEmAN wEARINg A BLuE jACkET

pASTEL 16 x 13 INCHES (41 x 33 Cm.) CONTAINEd IN ThE ORIgINAL gILT wOOd fRAME €800 - 1,200 hugh douglas hamilton (1740-1808) was one of the leading portrait painters in Ireland in the eighteenth-century. he commenced his career in dublin making pastel portraits. These are usually on a small scale and oval in format. walpole described these works as ‘...very pretty. These drawings are upon a flesh-coloured paper, black and white chalk and here and there a touch of crayons.’ he also executed pastel works on a larger scale. he moved to London in about 1764 and commenced in practice as a artist in pastel and oil paint. he painted members of society from Ireland and England, namely Lord Castlereagh, The Earl of Clare, Lord Edward fitzgerald and members of the La Touche family. In 1778 hamilton travelled to Italy and settled in Rome. whilst here he painted members of the aristocracy, in the city, as part of The grand Tour. he returned to dublin to continue painting. Although primarily a portrait painter, hamilton also painted historical and mythological subjects. works by hamilton can be seen at The National gallery of Ireland: The british Museum; The Ulster Museum, and The National portrait gallery, London.

1533

BARRIE COOKE (IRISh, 1931-2014) ABSTRACT 1 ABSTRACT 2 OIL ON CANVAS 35½ x 36¼ INCHES (90 x 92 Cm.) (2) €1,500 - 2,500 barrie Cooke (1931-2014) was an Abstract Expressionist artist. he was born in Cheshire, England but soon moved with his family to bermuda and after The United States. he returned to England but did not settle and made his way to Ireland, firstly living in County Clare then Thomastown, Co. kilkenny. he was enamoured by all things Irish: the landscape, the people. he made a lasting friendship with the poet, Seamus heaney. his travels to borneo and New Zealand provided strong inspiration for his work. his style has been linked to the works of Oscar kokoschka (1886-1980) and Jack b. yeats (1871-1957). he exhibited regularly at The kerlin gallery in dublin.

1534

ATTRIbUTEd TO JAMES (IRISh, fL. 1769-1780)

COY

IRISH SCHOOL LATE EIghTEENTh-CENTURy IRISH COuNTRy HOuSE IN A RIvER LANDSCAPE RIvER LANDSCAPE wITH A fISHINg PARTy IN A BOAT OIL ON CANVAS (2) 14 x 23 INCHES (35.5 x 58.5 Cm.) (2) €2,000 - 3,000 James Coy (fl. 1769-1780) was born in dublin and commenced his artistic career at The dublin Society’s School. he was tutored by the landscape painters Robert Carver (fl. 1750-1791) and george Mullins (fl. 17631775). he painted landscape views in Co. wicklow and around westport, where he worked for Lord Altamont. he exhibited eleven paintings at the Society of Artists in Ireland between 1769 and 1774. These included views of the powerscourt and Tinnahinch Estates.

1535

HAROLD HARVEY (ENgLISh, 1874-1941) TAkINg THE DONkEy THROugH THE wATER OIL ON CANVAS SIgNEd ANd dATEd [19]14 15 x 19 INCHES (38 x 48 Cm.) â‚Ź8,000 - 12,000 harold harvey (1874-1941) was a member of the Newlyn School of painters. he was born in penzance, Cornwall. he commenced his artistic training under Norman garstin (1847-1926). Afterwards he travelled to france to study at The Academie Julian. his first exhibit at The Royal Academy was in 1898. he exhibited here regularly between 1907 and 1941. he also exhibited 18 works at The Royal hibernian Academy between 1928 and 1939. he painted landscapes, portraits, interior scenes and coastal views. Throughout his career he depicted scenes of daily life in Cornwall: fisherfolk and farm labourers. his paintings can be seen at The National Museum of wales, Cardiff: The plymouth Art gallery; penlee house Art gallery, and The Royal Cornwall Museum.

1536

AUGUSTUS NICHOLAS BURKE, RHA (IRISh, 1838-1891) fARmyARD IN BRITTANy OIL ON CANVAS SIgNEd 11¾ x 15¾ INCHES (30 x 40 Cm.) ThE NATIONAL gALLERy Of IRELANd ‘ThE IRISh IMpRESSIONISTS’ 1ST OCTObER - 30Th NOVEMbER 1984 ExhIbITION LAbEL VERSO €1,500 - 2,500 Augustus Joseph Nicholas burke (1838-1891) was born into a landowning family in Co. galway. he began his artistic career in London, and from 1863 exhibited at the Royal Academy. Later, in 1871, he became a Member of the Royal hibernian Academy. burke resided in the Netherlands between 1870 and 1872, and in 1875 was one of the first Irish painters to move to pont-Aven, france, to be followed by Aloysius O’kelly, Stanhope forbes, walter Osborne (his pupil), Joseph kavanagh, and Nathaniel hill. Many painted en plain air and showed the influences of french Realism in their works at the RhA’s Annual Exhibitions. Augustus burke showed 16 breton subject paintings at The RhA between 1876 and 1878. his scenes of breton daily life reflect the influence of the great french Social Realist artist, Jean-françois Millet (1814-1875), for example Millet’s paintings, The Angelus of 1857 (Musee d’Orsay, paris) and The gleaners, also of 1857 (Musee d’Orsay, paris). his breton figures are depicted with the same dignity, workers in the field carrying out their daily tasks. Augustus burke exhibited a total of 149 works at the Royal hibernian Academy. A portrait of him, by Alfred grey, RhA, is to be found together with his own works in The National gallery of Ireland. burke’s other work, On the feast Day of Notre Dame in Tremalo, brittany is on display in the Royal hibernian Academy, dublin. SEE ALSO LOT 1583

1537

MORTIMER MENPES (bRITISh, 1855-1938) PORTRAIT Of A yOuNg DEBuTANTE OIL ON CANVAS (UNLINEd) SIgNEd wITh INITIALS MM 24½ x 16½ INCHES (62 x 42 Cm.) ENCLOSEd IN A gILT fRAME €1,000 - 1,500 Mortimer Luddington Menpes (1855-1938) was born in South Australia. The family moved to England in 1875 and Menpes commenced his art training at The School of Art in London in 1878. he was a pupil of James McNeill whistler (1834-1903) who taught him etching. he visited Japan in 1887 and was greatly influenced by Japanese art and design. he decorated his house in Chelsea in the Japanese taste. Menpes worked in South Africa during The boer war. he also travelled to burma, Egypt, france, Italy and Spain. he was a Member of The Royal Society of painter-Etchers, The Royal Society of british Artists and The Royal Institute of painters in watercolours. Examples of his works can be found at The Tate gallery, London; The hunterian gallery; University of glasgow; and The Sheffield Art gallery.

1538

JOHN BALLANTYNE, RSA (SCOTTISh, 1815-1897) PORTRAIT Of ROBERT BuRNS OIL ON bOARd SIgNEd wITh INITIALS CONTEMpORARy INSCRIpTION VERSO kELSO 17 x 14 INCHES (43 x 35 Cm.) (OvAL) ThE bOARd IS MARkEd REEVES & SON, ChEApSIdE, LONdON €4,000 - 6,000 John ballantyne, RSA (1815-1897) was a member of an illustrious family from kelso, in the Scottish border Country. The family firm - the ballantyne press - was responsible for printing and publishing much of the literary output of Sir walter Scott (1771-1832). ballantyne was a portrait and genre painter. he was educated at the Edinburgh Academy and after received art tuition from Sir william Allen (1782-1850). he travelled to paris, Rome and London to complete his education. he exhibited regularly at the Royal Scottish Academy and the Royal Academy in London. he became a full member of the Royal Scottish Academy in 1860. ballantyne painted an important series of oil paintings showing contemporary artists at work in their studios. This series includes images of william holman hunt (1827-1910), william powell frith (1819-1909), and Sir Edwin Landseer (1802-1873). Some are held by the National portrait galleries of Scotland and England. Other works by the artist can be seen at Aberdeen Art gallery and the Royal Scottish Academy. Robert burns (1759-1796), also known as Rabbie burns, was the National poet of Scotland. he was one of seven children of william and Agnes burns. his father was a tenant farmer and Robert was educated at home. he wrote his first poems at the age of fifteen. his first published work, in 1786, was entitled, poems, Chiefly in the Scottish dialect. his best known poem is Tam o’Shanter of 1795. his writings enjoy an international appeal and renown. A museum devoted to his life and work is located at his birthplace, Alloway, in South Ayrshire. This portrait is a version of the iconic image of Robert burns, painted by Alexander Nasmyth (1758-1840) in 1787 (National portrait gallery of Scotland). A later version of circa 1821 is held at the National portrait gallery, London. This work is oil on artist’s board. It is stamped on the reverse: Reeves, 150 Cheapside (London). The firm is recorded at this address from 1829 to 1845. portraits of Robert burns, painted after the poet’s death, are a testament to the enduring, worldwide appreciation of his literary excellence."

1539

ENGLISH SCHOOL MId NINETEENTh-CENTURy A PRE-RAPHAELITE PORTRAIT Of A yOuNg gIRL OIL ON CANVAS (OVAL) 23 x 19 INCHES (58 x 48 Cm.) (OvAL) ENCLOSEd IN ORIgINAL gILT fRAME â‚¬1,000 - 1,500

1540

ERNEST WALBOURN (ENgLISh, 1872-1927) RIvERSCAPE wITH fIguRES IN A BOAT AND DwELLINg IN THE BACkgROuND

OIL ON CANVAS SIgNEd 23½ x 35½ INCHES (60 x 90 Cm.) €2,000 - 3,000 Ernest walbourn (1872-1927) was a painter of landscapes and cottage garden scenes. he moved to Chingford, Essex in 1895 and painted here for the rest of his life. he exhibited 9 works at the Royal Academy; 12 at the Royal Society of Artists, birmingham; and 9 at the Royal Institute of Oil painters. Note: The girl depicted in the boat is most probably the artist’s wife, Eva, who features in many of walbourn's paintings.

1541

DUTCH SCHOOL SEVENTEENTh-CENTURy DuTCH TOwNSCAPE AT NIgHT wITH fIguRES IN ORIENTAL COSTumE AND AN ELEPHANT

OIL ON pANEL (OAk) ThE SCENE dEpICTS ThE ELEphANT hANSkEN AbOUT TO bE pRESENTEd TO ThE pRINCE Of ORANgE by ThE dIRECTORS Of ThE EAST INdIA COMpANy 7¼ x 5½ INCHES (18.5 x 13.25 Cm.) €4,000 - 6,000 The elephant, hansken arrived in holland in 1637 as a gift to the prince of Orange from the directors of The East India Company. The unlikely sight of such an exotic animal in the Netherlands at the beginning of the seventeenth-century inspired Rembrandt to make drawings of the elephant (one of which is in the collection of the british Museum). The elephant was kept at the prince of Orange’s palace at Rijswijk. when The prince took up a position in brazil, the elephant was given to his cousin, Johan Maurits. he sold her to an entrepreneur who put her on show throughout the Netherlands and later in france, germany, and Switzerland. She arrived in Italy where she performed her repertoire of thirty-six tricks, opening doors, waving flags, etc. She died in florence in 1654. her skeletal remains can be seen today in the Museo della Specola.

1542

CAPTAIN WILLIAM BAILLIE (IRISh, 1723-1810) BLACk AND wHITE ENgRAvINg Of HANSkEN THE ELEPHANT TAkEN fROm A DRAwINg By REmBRANDT

PuBLISHED 1 AuguST 1778 8½ x 11 INCHES (22 x 29 Cm.) €200 - 300 Captain william baillie (1723-1810) was born at kilbride, Co.Carlow. he was educated at dr. Sheridan’s School in dublin. he travelled to London with the intention of studying law but decided to follow his younger brother into the army. he joined the 13th Regiment of foot and was present at the battle of Culloden, 1746. Afterwards he joined the 51st Regiment and fought at the battle of Minden, 1759. he moved to the 17th Light dragoons before relinquishing his Commission in 1761. he now commenced a career in the arts. he was an advisor to the Marquis of bute and Lord Liverpool. his fame rests with his work as an engraver, primarily with his prints after the works of Rembrandt (1606-1669). These works were published in two large volumes by John boydell, titled A series of 225 prints and Etchings After Rembrandt. Examples of his work can be found in the National gallery of Ireland: the Metropolitan Museum, New york City; and the getty Museum, Los Angeles. hansken the elephant arrived in holland in 1637 as a gift to the prince of Orange from the directors of the East India Company. The unlikely sight of such an exotic animal in the Netherlands at the beginning of the seventeenth-century inspired Rembrandt to make drawings of the elephant (one of which is in the collection of the british Museum). The elephant was kept at the prince of Orange’s palace at Rijswijk. when the prince took up a position in brazil, the elephant was given to his cousin, Johan Maurits. he sold her to an entrepreneur who put her on show throughout the Netherlands and later in france, germany and Switzerland. hansken arrived in Italy where she performed her repertoire of thirty-six tricks, opening doors, waving flags, etc. She died in florence, Italy, in 1654. her skeletal remains can be seen today in the Museo della Specola.

1543

HAGUE SCHOOL NINETEENTh-CENTURy AN INTERIOR wITH A gIRL wATCHINg OvER A BABy IN A CRIB

OIL ON CANVAS (UNLINEd) 21 x 17 INCHES (53 x 43 Cm.) SIgNEd wITh INITIALS â‚¬2,000 - 3,000 The hague School is a term given to a group of artists working in and around The hague from 1860-90. These artists took for their inspiration the works of the barbizon artists of france. Their favoured subjects were landscapes, coastal scenes, animals and genre works. The works of this group are united by their realistic approach and their use of subdued colours - grey being a prominent tone. The principal members were Josef Israels (1824-1911), Jacob Maris (1837-1879), Anton Mauve (1838-1888), and hendrik Mestag (1831-1915). Vincent Van gogh (1853-1890) was greatly influenced by The hague School, Anton Mauve being the only person to give him formal lessons in painting. An extensive collection of hague School paintings can be seen in The Rijksmuseum, Amsterdam.

1544

ATTRIbUTEd TO WILLIAM ASHFORD (ENgLISh, 1746-1824) A wOODED LANDSCAPE wITH CATTLE, A CASTLE IN A COASTLINE AND mOuNTAINS BEyOND, PROBABLy THE wICkLOw THE mIDDLE DISTANCE.

mOuNTAINS

OIL ON CANVAS (UNLINEd) 24 x 30 INCHES (61 x 76 Cm.) â‚¬1,000 - 1,500

1545

BENJAMIN BARKER OF BATH (ENgLISh, 1776-1838) THE EAgLE’S NEST, kILLARNEy OIL ON CANVAS SIgNEd (LOwER RIghT) 16¼ x 19 INCHES (41 x 48 Cm.) €800 - 1,200 benjamin barker of bath (1776-1838) was the brother of Thomas barker (1768-1847). The family originated in wales but moved to bath when the brothers were at an early age. They lived and worked in the city for most of their lives, being known as barker of bath. benjamin painted traditional landscape views in oil and watercolour. he exhibited 18 works at the Royal Academy, 145 at the british Institution, and 40 at the Society of british Artists (Suffolk Street). his works can be seen at the holborne Museum and The Victoria Art gallery, bath. he taught art in the City, one of his pupils being henry Venn Lansdown (see Lot 249).

1546

WILLIAM MCEVOY (IRISh, fL. 1858-1880) A CORNfIELD OIL ON CANVAS SIgNEd ANd dATEd 1865 25½ x 47½ INCHES (65 x 121 Cm.) ARTIST’S LAbEL VERSO: “A CORNfIELd / w MCEVOy, 20 LOwER kENNINgTON LANE, LONdON S / £30” €1,000 - 1,500 william McEvoy (fl.1858-1891) was a painter of landscapes and coastal scenes, primarily depicting the topography of dublin and County wicklow. he also painted in England and wales. he exhibited 87 works at The Royal hibernian Academy, dublin between 1858 and 1891. his address is listed as Old Mountpleasant, dublin. McEvoy’s extensive view of dublin bay is held at the National gallery of Ireland, No.1866. SEE ALSO LOT 1547

1547

WILLIAM MCEVOY (IRISh, fL. 1858-1880) ROSS CASTLE, kILLARNEy, CO. kERRy OIL ON CANVAS SIgNEd 24 x 42 INCHES (61 x 107 Cm.) â‚¬800 - 1,200 SEE ALSO LOT 1546

1548

HENDRIK PIETER KOEKKOEK (dUTCh, 1843-1927) LANDSCAPE wITH fIguRES AND ANImALS OIL ON CANVAS SIgNEd 29½ x 25½ INCHES (75 x 65 Cm.) €3,000 - 5,000 hendrik pieter koekkoek (1843-1927) was the son and pupil of the dutch romantic landscape painter, Marinus Adrianus koekkoek (1807-1868). he specialised in landscape works, particularly forest scenes. he worked in Amsterdam and The hague before moving to England. his works can be seen in the Sunderland Museum and at the kirklees Museum and Art gallery, yorkshire.

1549

EDWIN HAYES, RHA, RI, ROI (ENgLISh/IRISh, 1819-1904) A DuTCH gALLIOT Off kINgSTOwN HARBOuR OIL ON CANVAS SIgNEd ANd dATEd ENCLOSEd IN ORIgINAL gILT fRAME 10 x 15 INCHES (26 x 38 Cm.) â‚¬2,000 - 3,000

1550

MATTHEW KENDRICK, RHA (IRISh, 1797-1874) A vIEw Of CORk HARBOuR OIL ON CANVAS (UNLINEd) 11¾ x 19¾ INCHES (30 x 50 Cm.) SIgNEd ANd dATEd ExhIbITEd RhA 1863 NO. 145. 10 gNS. CONTAINEd IN ThE ORIgINAL IRISh fRAME by STARk bROS., 7 LOwER SACkVILLE STREET, dUbLIN; ThEIR LAbEL VERSO “w. kENdRICk ESq., RhA 15/10/62” €1,500 - 2,500 Matthew kendrick (1797-1874) started out his working life as a mariner, working for a time off the coast of Newfoundland. he returned to Ireland and became an expert yachtsman. he entered the dublin Society’s School in 1825 and became a painter of marine subjects. his time at sea gave him a great knowledge of all matters marine, the sea in all its moods, the construction of ships etc. he was appointed official painter to the Royal Irish yacht Club in dun Laoghaire. he began to exhibit at the Royal hibernian Academy in 1827. he was elected an associate in 1832 and a full member in 1850. he exhibited a total of 122 works. he also exhibited in England at the Royal Academy, british Institution and the Society of british Artists. A portrait of kendrick by Richard Rothwell is in the National gallery of Ireland. An extensive collection of his works can be found in the Royal Irish yacht Club. his work can also be found in England in the Royal Collection and the National Maritime Museum, greenwich.

1551

CLAUDE FRANCIS BARRY, RBA (ENgLISh, 1883-1970) A SuNLIT RIvER LANDSCAPE wITH SHEEP IN THE fOREgROuND

OIL ON CANVAS SIgNEd wITh INITIALS ANd dATEd 1914-17 VERSO 75 x 89¾ INCHES (191 x 228 Cm.) pROVENANCE: pRIVATE COLLECTION, CO. TIppERARy Note: Lot 1551 image © is not included.

€8,000 - 12,000 Sir Claude francis barry (1883-1970) was born in London, the son of Sir Edward barry. he was educated at harrow public School. In 1905 he commenced his artistic training under the landscape painter, Sir Alfred East, RA (1844-1913). he moved to Newlyn, Cornwall in 1905 and there worked with Stanhope forbes(1857-1947) and Laura knight (1877-1970). he was elected a member of the Royal Society of british Artists. he painted landscapes on a grand scale and is remembered for his series of nocturne views of London during the years of the Second world war. These he painted in a pointillist technique. In 1945 he moved to Jersey where he remained for the rest of his life. he exhibited 17 works at the Royal Academy, 78 at the Royal Society of british Artists, and 5 at the Royal Society of Artists. his paintings can be seen at the Manchester Art gallery: the Jersey Museum and Art gallery; and the Royal Cornwall Museum. SEE ALSO LOT 1552 ANd LOT 1553

1552

CLAUDE FRANCIS BARRY, RBA (ENgLISh, 1883-1970) RIvERSCAPE wITH TREES AND fIguRES IN THE fOREgROuND

OIL ON CANVAS SIgNEd ANd dATEd [19]15 ANd SIgNEd ANd dATEd [19]15-17 VERSO 74¾ x 89 INCHES (190 x 226 Cm.) pROVENANCE: pRIVATE COLLECTION, CO. TIppERARy Note: Lot 1552 image © is not included.

€8,000 - 12,000

SEE ALSO LOT 1551 ANd LOT 1553

1553

CLAUDE FRANCIS BARRY, RBA (ENgLISh, 1883-1970) A NOCTuRNAL LAkE SCENE OIL ON CANVAS 74½ x 87½ INCHES (189 x 222 Cm.) pROVENANCE: pRIVATE COLLECTION, CO. TIppERARy Note: Lot 1553 image © is not included.

€8,000 - 12,000 SEE ALSO LOT 1551 ANd LOT 1552

1554

PAUL SIEFFERT (fRENCh, 1874-1957) RECLININg NuDE OIL ON CANVAS SIgNEd 15 x 24 INCHES (38 x 61 Cm.) â‚¬3,000 - 5,000 paul Sieffert (1874-1957) was a french artist who specialised in depicting female nudes in a Realist manner.

1555

FRENCH IMPRESSIONIST SCHOOL NINETEENTh-CENTURy yOuNg fEmALE NuDE SEATED IN AN INTERIOR OIL ON pANEL 13 x 9¾ INCHES (33 x 24.5 Cm.) €2,000 - 3,000

1556

CLARENCE CLARK ROSENKRANZ (AMERICAN, 1871-1959)

AMERICAN SCHOOL PORTRAIT Of A yOuNg LADy wEARINg A gREEN DRESS AND fuR CAPE

OIL ON CANVAS (UNLINEd) SIgNEd ANd dATEd [18]91 24 x 18 INCHES (61 x 46 Cm.) â‚¬2,000 - 3,000 Clarence Clark Rosenkranz (1871-1959) was born in hammondsport, New york. he studied under John ward Stinson. he was an American Impressionist artist of landscapes and portraits. he also worked as an art teacher. This example is an early society portrait painting by the artist.

1557

ATTRIbUTEd TO J. M. (ENgLISh, 1775-1851)

W. TURNER, RA

THE fORum, ROmE pENCIL dRAwINg INSCRIbEd ‘ROME’ ANd NUMbEREd ‘15’ ANd fURThER INSCRIbEd wITh COLOUR NOTES

8½ x 12½ INCHES (21.5 x 32 Cm.) pROVENANCE: pRIVATE COLLECTION, fRANCE, CIRCA 1950-95 €1,000 - 1,500

1558

fOLLOwER Of LORENZO (ITALIAN, 1480-1557)

LOTTO

PORTRAIT Of A yOuNg NOBLEwOmAN wEARINg A CREAm DRESS, PINk BODICE, AND RuBy AND PEARL jEwELLERy

OIL ON CANVAS 26 x 20¼ INCHES (66 x 52 Cm.) dUbLIN STORAgE LAbEL VERSO, CIRCA 1920S INSCRIbEd ON REVERSE IN INk ‘fA - LOTTO’ pROVENANCE: pRIVATE IRISh COLLECTION, CIRCA 1920S €8000 - 12,000

1559

COUNT CASIMIR MARKIEVICZ (pOLISh, 1874-1932) Portrait of an army officer Oil on board Signed and dated 1922 Signed and inscribed on the reverse 17 x 13½ inches (43 x 34 cm.) €2,000 - 3,000 Count Casimir Markievicz (1874-1932) was a polish painter of portraits and landscapes and a playwright and theatre director. he was born in kiev. he studied law at The University of kyiv. he moved to paris in 1895 and studied at the Ecole des beaux-Arts. his first exhibited work in paris was The Travelling beggar, which was shown at the Salon des Independants in 1896. In 1898 he showed several portraits at this venue. In 1900 he exhibited at the official Salon and received a Medal of honour for his painting, Amour. he married Jadwiga Splawa-Neyman and they had two sons, but the marriage did not last. whilst studying at the Academie Julian in paris in 1899 he met Constance gore-booth (18681927), the daughter of Sir henry gore-booth of Lissadell house, Co. Sligo. They married in London in 1900. In 1903 the couple moved to dublin and became members of the artistic and literary society of the time. In 1902, Casimir met the artist george Russell, AE (1867-1935). They shared an interest in the Symbolist Movement. In 1903, the Count, his wife, Constance and AE held their first group exhibition at The Leinster hall, Molesworth St. Casimir exhibited 24 works. A further exhibition was held at the same venue in August 1904. Casimir showed over 80 works. The Count was a member of the committee of The New Irish Arts Club. The club opened in 1907 at Lincoln place. Other members included dermod O’brien (1865-1945), george Russell (1867-1935), and william John Leech (1881-1968). In 1911, Casimir founded The dublin Repertory Theatre. The company produced a number of Irish plays. In 1913 Casimir left Ireland. he first travelled to Albania, then returned to his native Ukraine. In 1917 he was working in Moscow where he was appointed artistic director of The New polish Theatre. he was also professor of painting at The polish School of fine Art. In 1918, he moved to warsaw where he remained for the rest of his life. he continued to produce plays and paint, now mainly portraits. Many of these are in private collections. he exhibited 11 works at the RhA. A full length portrait of Constance Markievicz, painted in 1897 is in the National gallery of Ireland. his portrait of george Russell painted in 1904 is to be seen at The hugh Lane gallery. his monumental canvas of 1905 depicting the Investiture of the Right hon. the Earl of Mayo as knight of St.patrick is in a private collection. SEE ALSO LOT 1564 64

1560

IRISH SCHOOL EARLy TwENTIETh-CENTURy COTTAgES IN A LANDSCAPE OIL ON pANEL 9½ x 13 INCHES (24 x 33 Cm.) €2,000 - 3,000

1561

HENRY DARVALL (ENgLISh, fL. 1848-89) A fLOwER SELLER ON THE THAmES EmBANkmENT. THE TOwER Of LONDON BEyOND OIL ON pANEL SIgNEd wITh INITIALS SIgNEd ANd dATEd 1863 ON ThE REVERSE wITh ThE ORIgINAL ARTIST’S LAbEL 12 x 8 INCHES (30 x 20 Cm.) €1,500 - 2,500 henry darvall was a portrait, genre and landscape painter. his early works show the influence of The preRaphaelites. he moved to Venice in 1875 and sent paintings of local views to The Royal Academy. his work of circa 1851, titled, The Lady of Shalott, showing the influence of the pre-Raphaelite Movement, is held at The wolverhampton Art gallery. Around 1858 darvall met Lewis Carroll (1832-1898) who had seen and admired the artist’s work at The Royal Academy. They viewed art exhibitions together, darvall acting as guide. Carroll commissioned henry darvall to paint a portrait of Irene Macdonald, the daughter of the writer george Macdonald. Carroll is recorded as visiting darvall’s Studio on 1st April 1864. On 12th July 1864 Carroll photographed darvall at Lambeth palace. SEE ALSO LOT 1572

1562

JOHN RAPHAEL SMITH (ENgLISh, 1751-1812) PORTRAIT Of wALTER fAwkES SITTINg IN HIS fARNLEy HALL, yORkSHIRE OIL ON CANVAS 26 x 19 INCHES (66 x 48 Cm.) STuDy AT

â‚Ź1,500-2,500 John Raphael Smith (1751-1812) was a portrait and genre painter, working with oil paint and pastel. he also enjoyed considerable fame as a mezzotint engraver and was appointed Engraver to The prince of wales, later king george IV(1762-1830). he exhibited works at The Royal Academy from 1779 to 1790. Examples of his works can be seen at the National portrait gallery, London: the ferens gallery, hull; and the Usher Art gallery, Lincoln. A version of this portrait - in pastel - is recorded as being in a private collection (see: The Art of j.m.w.Turner by david blayney brown, p. 125). walter fawkes (1769-1825) was a yorkshire landowner, with an estate, farnley hall, near Otley. he was Mp for the County of york from 1806 to 1807. he was a writer and patron of the arts. he is best remembered for his friendship with J. M. w. Turner (1775-1851). he was his most important patron and probably his closest friend. Turner visited farnley hall on many occasions, sometimes staying for months at a time. At one time the collection of Turnerâ€™s work, in oil and watercolour, numbered over two hundred pictures. Over the years many of these have pictures have been sold from the collection. These can be seen today in many of the important art galleries of England and America. After the death of walter fawkes in 1825, Turner never returned to farnley hall.

1563

fOLLOwER Of HANS VON AACHEN (gERMAN, 1552-1615) SEVENTEENTh-CENTURy A PORTRAIT Of EmPEROR RuDOLf II (1552-1612) THE ORDER Of THE gOLDEN fLEECE OIL ON CANVAS CONTEMpORARy INSCRIpTION ROdVLphVS II IMp 26 x 20¾ INCHES (66 x 53 Cm.) wEARINg

€1,200 - 1,800 Emperor Rudolf II (1552-1612) was the holy Roman Emperor and king of hungary and bohemia. from 1583 the Court was based in prague,here Rudolf assembled an extensive collection of paintings and works of art. he was an important patron of artists, sculptors and jewelers. he was particularly interested in the mannerist painters of the time, bartholomeus Spranger(1546-1611), hans von Aachen (1552-1615), Roelant Savery (1576-1639), and giuseppe Arcimboldo (1530-1593), and commissioned many works from them. he also commissioned the greatest craftsmen of Europe to create decorative objects, ceremonial swords, clocks, compasses and telescopes. he had a profound interest in scientific matters and the occult. In the early seventeenth-century his collection was the greatest in Europe. After his death the collection was dispersed. Today, items from the Imperial collection are to be found in the great museums of the world. The Order of the golden fleece is an order of chivalry, founded in 1430. Membership was limited to fifty knights. It was founded ‘for the reverence of god and the maintenance of the Christian faith and to honour and exalt the noble order of knighthood.’ Today there are eighteen members of the Order, including most of the reigning monarchs.

1564

COUNT CASIMIR MARKIEVICZ (pOLISh, 1874-1932) PORTRAIT Of AN ARmy OffICER wEARINg THE gLENgARRy Of THE gORDON HIgHLANDERS OIL ON bOARd SIgNEd SIgNEd ANd INSCRIbEd ON ThE REVERSE 17 x 13½ INCHES (43 x 34 Cm.) €2,000 - 3,000 SEE ALSO LOT 1559

1565

MARKEY ROBINSON (IRISh, 1918-1999) SHELTERINg TREES MIxEd MEdIA SIgNEd 7Â˝ x 13 INCHES (19 x 33 Cm.) â‚Ź500 - 700 Markey Robinson (1918-1999) was born in belfast. he studied at the belfast College of Art. he was a painter, sculptor and stained glass designer. he became famous for his numerous one-man shows at the Oriel gallery in dublin. his favoured subjects were Irish landscapes, depicting white-washed cottages and women wearing shawls, seascapes, still lifes and circus clowns. he painted in a distinctive primitive manner, some of his works being almost abstract in composition. his works are in many private collections in Ireland, England and America. SEE ALSO LOT 1566

1566

MARKEY ROBINSON (IRISh, 1918-1999) ABSTRACT SuNSET gOUAChE ON bOARd SIgNEd 13 x 20 INCHES (33 x 51 Cm.) ORIEL gALLERy LAbEL VERSO â‚¬1,200 - 1,800 SEE ALSO LOT 1565

1567

JOHN CRAXTON, RA (ENgLISh, 1922-2009) A PORTRAIT Of A yOuNg mAN SEATED By AN OPEN fOLIO - A SELf-PORTRAIT OIL ON CANVAS (UNLINEd) 12 x 16 INCHES (31 x 41 Cm.) ExhIbITEd: NEw ENgLISh ART CLUb (LAbEL ON REVERSE) IN ThE ORIgINAL fRAME - JAMES bOURLET & SONS LTd., LONdON €2,000 - 3,000 John Craxton (1922-2009) was a painter, graphic artist and theatre designer. his early artistic studies were in the Academie Julian, paris and the westminster College of Art. his early works were influenced by the romantic painters, Samuel palmer (1805-81) and william blake (1757-1827), and also by the works of his friend graham Sutherland (1903-80). he shared a studio with Lucien freud (1922-2011) which was financed by their patron, peter watson (1908-56). he held his first one-man show at the Swiss Cottage Cafe in 1942. his first exhibition at the Leicester galleries was held in 1944. he travelled widely, visiting Switzerland, Spain and Italy. however, his favourite location was greece, in particular the island of Crete where he visited regularly between 1946 and 1966. he settled here permanently in 1970. Now his favourite subjects were greek mariners and fishermen. These works were painted in a Cubist style, showing the influence of pablo picasso (1881-1973) and Joan Miro (1893-1983). Apart from easel paintings he also produced designs for the Sadler’s wells ballet Company and created the sets and costumes for Stravinsky’s Apollo which was performed at The Royal Opera house, Covent garden in 1968. during this time he worked with dame Margot fonteyn (1919-1991), Sir frederick Ashton (1904-1988), and Sir Cecil beaton (1904-1980). he also worked as a graphic designer, producing lithographs for publications such as horizon. Craxton was elected a member of the Royal Academy in 1993. his works can be seen at the Tate gallery: the National gallery of Scotland; and the Manchester Art gallery.

1568

ARTHUR K. MADERSON (ENgLISh, b. 1942) POINT Of SuNSET, LISmORE RIvER POOL OIL ON bOARd SIgNEd fRONT ANd VERSO 45½ x 30¾ INCHES (116 x 78 Cm.) pROVENANCE: ARTIST’S STUdIO €3,000 - 5,000 SEE ALSO LOT 1569

1569

ARTHUR K. MADERSON (ENgLISh, b. 1942) mARkET DAy OIL ON bOARd SIgNEd 12¼ x 11¾ INCHES (31 x 30 Cm.) €600 - 900 SEE ALSO LOT 1568

1570

RODERIC O’CONOR (IRISh, 1860-1940) BRETONNE A LA COuTuRE OIL ON CANVAS (UNLINEd) wITh ATELIER STAMp VERSO 25¾ x 21½ INCHES (65 x 54 Cm.) €4,000 - 6,000 Roderic O’Conor (1860-1940) moved to brittany in 1892 where he was influenced by the french post-Impressionist painters, notably paul gauguin (1848-1903) who became a close friend. The girl in this painting is wearing traditional breton costume.

1571

RALPH PEACOCK (ENgLISh, 1868-1946) yOuNg gIRL SEATED IN A PANELLED ROOm OIL ON CANVAS 56½ x 38½ INCHES (144 x 98 Cm.) ENCLOSEd IN ORIgINAL CARVEd gILT-wOOd fRAME €800 - 1,200 Ralph peacock (1868-1946) was a genre and portrait painter, especially of children. he was born in London. he entered The Royal Academy Schools where he won a gold medal and The Creswick prize. he won a gold medal at Vienna in 1898 and a bronze at The Universal Exhibition, paris in 1900. he exhibited 93 works at The Royal Academy and 27 at the walker Art gallery, Liverpool. his works can be seen at the National portrait gallery, London: the Tate gallery; the walker Art gallery, Liverpool; and Leighton house. Note: his exhibit at the Tate gallery, a work of 1897 titled, Ethel, similarly shows a girl depicted against a panelled back-drop. This work is stated to have been painted in the artist’s studio at 11 holland park Road, kensington, London.

1572

HENRY DARVALL (ENgLISh, fL. 1848-89) RED RIDINg HOOD - A PRE-RAPHAELITE PAINTINg Of A gIRL IN A wOOD

OIL ON pANEL SIgNEd ANd INSCRIbEd wITh ThE ARTIST’S AddRESS VERSO

14 x 10 INCHES (36 x 25.5 Cm.) hENRy dARVALL IS RECORdEd AS bEINg RESIdENT IN EVERShOLT STREET, LONdON IN 1862 €1,200 - 1,800 SEE ALSO LOT 1561

1573

FRENCH SCHOOL EARLy NINETEENTh-CENTURy PORTRAIT Of A yOuNg wOmAN HOLDINg A BOOk OIL ON CANVAS 31½ x 25 INCHES (80 x 64 Cm.) ENCLOSEd IN A gILT fRAME €1,500 - 2,500

1574

ALFRED GREY, RHA (IRISh, 1845-1926) fIguRE wITH CHICkENS IN A CORNfIELD OIL ON CANVAS SIgNEd 21 x 17 INCHES (53 x 43 Cm.) â‚¬1,200 - 1,800 Alfred grey, RhA (1845-1926) was a painter of landscapes and animals, particularly cattle. he was a prolific artist, exhibiting 486 works at the Royal hibernian Academy between 1864 and 1924. These works include views of dublin, howth, powerscourt, and Connemara. grey also painted scenes in the Scottish highlands, these featuring his favoured highland cattle. his address is listed as Lower gardiner Street and later at berkeley Road, dublin. An example of his work is held at the National gallery of Ireland.

1575

MILDRED ANNE BUTLER, RA, RWS (IRISh, 1858-1941) ARTIST IN THE gARDEN wATERCOLOUR SIgNEd 13¾ x 10 INCHES (35 x 25 Cm.) ENCLOSEd IN A wATTS fRAME VARIOUS ExhIbITION LAbELS VERSO: ROyAL SOCIETy Of pAINTERS IN wATER COLOURS, CApTAIN h.d. CAREy, 13 kENSINgTON gATE, w.8.; A.w. JOhNSON gILdER ANd pICTURE fRAME MAkER, 152 hIgh STREET, kENSINgTON, w.; ANd ONE OThER

INCLUdES ORIgINAL RECEIpT fROM ROyAL SOCIETy pAINTERS IN wATER COLOURS

€2,000 - 3,000 Mildred Anne butler, RA, RwS (1858-1941) was a painter in oil and watercolour of landscapes, garden scenes and animals. She was born at kilmurry house, Thomastown, Co.kilkenny and resided there for most of her life. She studied in London, firstly with the watercolourist paul Jacob Naftel (1817-1891), and later at the westminster School of Art under frank Calderon (18651943). She continued her studies in paris. In 1894 she was working at the artist’s colony at Newlyn, Cornwall, under the tutelage of Norman garstin (1847-1926). butler worked in his studio alongside walter Osborne, RhA (1859-1905) and Sir John Lavery, RhA (1856-1941). She became a member of the Royal Academy in 1893 and a member of the Royal watercolour Society in 1937. She enjoyed considerable success during her lifetime and her patrons included queen Mary and The grand duke of hesse. She exhibited 25 works at the Royal Academy, 90 at the Leicester gallery, 4 at the Royal hibernian Academy, and 198 at the Royal watercolour Society. her work can be seen at the National gallery of Ireland.

1576

JOHN SANDERSON-WELLS, RBA (ENgLISh, 1872-1955) THE DRAw ThE ENd Of ThE dAy OIL ON CANVAS bOTh SIgNEd 15¾ x 23½ INCHES (40 x 60 Cm.) (2) pROVENANCE: fROST & REEd, bRISTOL ANd LONdON

€3,000 - 5,000 John Sanderson-wells (1872-1955) painted portrait and genre subjects but was most famous for his coaching and hunting scenes which were often painted as pairs. he studied at the Slade School of fIne Art in London and the Académie Julien in paris. he exhibited 67 works at the fine Art Society, 38 at the Royal Academy, 41 at the Royal Society of british Artists and 138 at the Royal Institute of painters in watercolours. he lived at banbury, Oxfordshire and London.

1577

CHARLES HUNT (bRITISh, 1803-1877) THE wEDDINg DAy OIL ON CANVAS SIgNEd 35½ x 27½ INCHES (90 x 70 Cm.) €2,000 - 3,000 Charles hunt (1803-1877) was a painter of historical subjects and genre scenes; the latter often-depicting Irish subjects in a humorous vein. he exhibited 10 works at the Royal Academy, 5 at the british Institution, and 16 at Suffolk Street, London. his works can be seen at the National Maritime Museum, greenwich: the ferens Art gallery, hull; and bury Art Museum.

100

101

1578

HENRY C. O’DONNELL (IRISh, 1900-1992) fIguRES OuTSIDE A NORTH AfRICAN vILLA OIL ON CANVAS 39½ x 50 INCHES (100 x 127 Cm.) €1,200 - 1,800 henry O'donnell (1900-1992) was born in India, the son of dr. Thomas O'donnell of Cashel, Co. Tipperary. he studied at The dublin Metropolitan School and after at The westminster Art School. he commenced exhibiting at The belfast Museum in 1927. he also exhibited at The Royal Academy: the Royal hibernian Academy; and the Royal Society of british Artists. A retrospective show of his works was held at the gorry gallery, dublin in 1994.

102

103

1579

HENRY C. O’DONNELL (IRISh, 1900-1992) PORTRAIT Of A NORTH AfRICAN wOmAN OIL ON bOARd SIgNEd 23½ x 19¼ INCHES (60 x 49 Cm.) €800 - 1,200

104

105

1580

FERENC JECKEL (hUNgARIAN, 1950-2012) A PORTRAIT Of TwO jEwISH SCHOLARS OIL ON bOARd SIgNEd 15¾ x 11¾ INCHES (40 x 30 Cm.) €400 - 600 ferenc Jeckel (1950-2012) was born in budapest, hungary. Jeckel studied painting at the fine and Applied Arts School, budapest, under the tutelage of painter, benedek Jeno. In his early career, Jeckel concentrated on pencil and red chalk drawings of the human body, later turning to oils in his portraits and depictions of local hungarian people, especially those of the Jewish faith. he exhibited works at the Csili Cultural Centre, budapest and the Anys gallery, brussels. his works can be seen at the hungarian Jewish Museum and Archives, budapest.

106

107

1581

WILLIAM MASON (wELSh/IRISh, 1906-2002) BELfAST STREET SCENE OIL ON bOARd SIgNEd ANd dATEd 1969 23¼ x 24¾ INCHES (59 x 63 Cm.) €400 - 600

108

109

1582

ARTHUR WARDLE, RI (ENgLISh, 1860-1949) CHASINg DuCkS OIL ON CANVAS SIgNEd 19½ x 23½ INCHES (50 x 60 Cm.) €2,000 - 3,000 Arthur wardle (1864-1949) was a painter of domestic and wild animals. he is thought to have been self taught. he worked in oil paint, watercolours and pastel. he exhibited over 100 works at The Royal Academy between 1880 and 1935, 29 paintings at Suffolk Street, and 20 at The New watercolour Society. In 1931 he held his first oneman show at The fine Art Society in bond Street, London. his work enjoyed great popularity during his lifetime and was reproduced on postcards and calendars. his paintings can be seen at the Ulster Museum (A Bengal Tiger): the Tate gallery; and the Leeds City Art gallery.

110

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1583

AUGUSTUS NICHOLAS BURKE, RHA (IRISh, 1838-1891) RIALTO BRIDgE, vENICE OIL ON CANVAS SIgNEd 18½ x 14 INCHES (47 x 36 Cm.) €1,500 - 2,500 SEE ALSO LOT 1536

112

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1584

MATTHEW WILLIAM PETERS, RA (ENgLISh, 1742-1814) PORTRAIT Of A yOuNg LADy wEARINg A BLACk DRESS AND A wHITE LACE BONNET

pASTEL 9Â˝ x 8 INCHES (24 x 20 Cm.) (OvAL) â‚Ź500 - 700 Matthew william peters, RA (1742-1814) was a genre and portrait painter, working in oil paint and pastel. he was born on The Isle of wight but moved, with his parents, to dublin at an early age. he first studied in dublin under Robert west (1710-1770). In 1759, the dublin Society sent him to London to continue his training under Thomas hudson, RA (1701-1779). he was resident in Italy between 1761 and 1765 where he studied the works of the great Italian masters. he returned to England and was made an associate of the Royal Academy in 1771. he became a full member in 1777. he was again working in Italy between 1771 and 1773 and is recorded as being in paris in 1783 to 1784. he became an ordained Clergyman in 1781, but continued his artistic career, painting historical, religious and allegorical subjects. he exhibited 14 works at the Society of Artists and 25 at The Royal Academy. works by peters can be seen at the National gallery of Ireland: the National portrait gallery, London; The Ulster Museum; the Tate, and Manchester Art gallery.

114

115

1585

EDWIN COCKBURN (bRITISh, 1814-1873) A COTTAgE INTERIOR wITH A fAmILy OIL ON CANVAS SIgNEd ANd dATEd 1857 24 x 32 INCHES (61 x 81 Cm.) COCkbURN ExhIbITEd A pAINTINg AT ThE bRITISh INSTITUTION IN 1858, TITLE INTERIOR Of A yORkShIRE fARMhOUSE â‚¬800 - 1,200

116

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1586

CIRCLE Of JOSEPH PATRICK HAVERTY, RHA (IRISh, 1794-1864) HARPIST AND mAIDENS IN A LAkELAND LANDSCAPE OIL ON CANVAS 36½ x 61½ INCHES (93 x 156 Cm.) €2,000 - 3,000

118

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1587

fOLLOwER Of OTTO (fLEMISh, 1556-1629)

VAN VEEN

SET Of fOuR CABINET PORTRAITS Of ROmAN EmEmPRESSES OIL ON COppER 4 x 3 INCHES (10 x 8 Cm.) (4) EACh ENCLOSEd IN A gILT fRAME PERORS AND

â‚¬800 - 1,200

120

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1588

IRISH SCHOOL EARLy NINETEENTh-CENTURy A wOODED LANDSCAPE wITH COTTAgE AND fIguRES

OIL ON CANVAS UNfRAMEd 25 x 30 INCHES (64 x 76 Cm.) â‚¬800 - 1,200

122

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1589

STyLE Of JACOB JORDAENS (fLEMISh, 1593-1678) PORTRAIT Of AN OLD mAN wEARINg A wHITE Ruff OIL ON pANEL 12½ x 9½ INCHES (32 x 24 Cm.) €600 - 800

124

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1590

CONRAD WISE CHAPMAN (AMERICAN, 1842-1910) A vIEw Of BRIgHTON BEACH wITH fIguRES IN THE fOREgROuND

OIL ON pANEL INSCRIbEd AS TITLE ON ThE REVERSE UNfRAMEd 6 x 8 INCHES (15 x 20 Cm.) â‚¬500 - 700 Conrad wise Chapman (1842-1910) was born in washington, dC. he was an artist and soldier. during the American Civil war he served with the 59th Virginia Infantry. Chapman was commissioned to paint 31 paintings depicting the defence of Charleston, South Carolina. he fought on The Confederate side and at the end of hostilities, unable to cope with their loss, moved to Mexico where he painted extensive topographical views. he also travelled to England and france, painting beach scenes at brighton, Trouville, and deauville. his work can be seen at The American Civil war Museum, Richmond, Virginia. Other versions of this view are recorded.

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1591

CARMEL MOONEY (IRISh) HOLLy TREE, CLOONE, CO. kERRy OIL ON CANVAS SIgNEd bOTTOM RIghT 7½ x 7½ INCHES (19.5 x 19.5 Cm.) pROVENANCE: ARTIST'S STUdIO €1,000 - 1,500 LITERATURE: ILLUSTRATEd IN MOONEy, CARMEL, A SENSE Of PLACE, dUbLIN, 2009. pp. 7, 114.

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DETAIL OF LOT 1531

DETAIL OF LOT 1537

DETAIL OF LOT 1558

CONDITIONS OF SALE 1. dEfINITIONS IN ThESE CONdITIONS, ShEppARd’S, whO ACT ONLy AS AUCTIONEERS ANd AgENTS fOR ThE VENdOR, ARE CALLEd ‘ThE AUCTIONEERS’ ANd ThE REpRESENTATIVES Of ShEppARd’S CONdUCTINg ThE AUCTION IS CALLEd ‘ThE AUCTIONEER’. 2. gENERAL: whILST ShEppARd’S MAkE EVERy EffORT TO ENSURE ThE ACCURACy Of ThEIR CATALOgUE ANd ThE dESCRIpTON Of ANy LOT. (A) EACh LOT AS SET OUT IN ThE CATALOgUE OR AS dIVIdEd OR COMbINEd wITh ANy OThER LOT OR LOTS IS SOLd by ThE VENdOR wITh ALL fAULTS, IMpERfECTIONS ANd ERRORS Of dESCRIpTIONS. (b) ShEppARd’S dO NOT ACCEpT RESpONSIbILITy fOR ThE AUThENTICITy, ATTRIbUTION, gENUINENESS, ORIgIN, AUThORShIp, dATE, AgE, pERIOd, CONdITION OR qUALITy Of ANy LOT, UNLESS ThEy hAVE bEEN INSTRUCTEd IN wRITINg by ThE VENdOR SO TO CERTIfy, ANd IN SUCh CASE ThE AUCTIONEERS dO SO AS AgENTS Of ThE VENdOR ARE NOT ThEMSELVES RESpONSIbLE fOR SUCh CLAIMS. (C) ALL STATEMENTS, whEThER pRINTEd IN ThE CATALOgUE OR MAdE ORALLy, AS TO ANy Of ThE MATTERS SET OUT IN (b) AbOVE ARE STATEMENTS Of OpINION ONLy ANd ARE NOT TO bE ShEppARd’S, UNLESS ThEy hAVE bEEN INSTRUCTEd IN wRITINg by ThE VENdOR SO TO CERTIfy ANd IN SUCh CASE ThE AUCTIONEERS dO SO AS AgENTS Of ThE VENdOR ANd ARE NOT ThEMSELVES RESpONSIbLE fOR SUCh CLAIMS. TAkEN AS bEINg OR IMpLyINg ANy wARRANTIES OR REpRESENTATIONS Of fACT by

3. ThE AUCTION: (A) ThE AUCTIONEER hAS AbSOLUTE dISCRETION TO dIVIdE ANy LOT, TO COMbINE ANy TwO OR MORE LOTS OR TO wIThdRAw ANy LOT OR LOTS fROM ThE SALE, TO REfUSE bIdS, REgULAR bIddINg OR CANCEL ThE SALE wIThOUT IN ANy CASE gIVINg ANy REASON OR wIThOUT pREVIOUS NOTICE. hE MAy bId ON bEhALf Of ThE VENdOR fOR ALL gOOdS whICh ARE bEINg OffEREd SUbJECT TO RESERVE OR AT ThE AUCTIONEER’S dISCRETION. (b) ThE hIghEST bIddER ShALL bE ThE bUyER ExCEpT IN ThE CASE Of A dISpUTE. If dURINg ThE AUCTION ThE AUCTIONEER CONSIdERS ThAT A dISpUTE hAS ARISEN, hE hAS AbSOLUTE dISCRETION TO SETTLE IT OR RE-OffER ThE LOT. ThE AUCTIONEER MAy AT hIS SOLE dISCRETION dETERMINE ThE AdVANCE Of bIddINg OR REfUSE A bId. (C) ALL CONdITIONS, NOTICES, dESCRIpTIONS, STATEMENTS ANd OThER MATTERS IN ThE CATALOgUE ANd ELSEwhERE CONCERNINg ANy LOT ARE SUbJECT TO ANy STATEMENTS MOdIfyINg OR AffECTINg ThE SAME MAdE by ThE AUCTIONEER fROM ThE ROSTRUM pRIOR TO ANy bId bEINg ACCEpTEd fOR ThE LOT. 4. RECISSION: NOTwIThSTANdINg ANy OThER fORMS Of ThESE CONdITIONS. If wIThIN fOURTEEN dAyS AfTER ThE SALE ShEppARd’S hAVE RECEIVEd fROM ThE bUyER Of ANy LOT NOTICE IN wRITINg ThAT IN hIS VIEw ThE LOT IS A dELIbERATE fORgERy ANd wIThIN TwENTy-ONE dAyS AfTER SUCh NOTIfICATION ThE bUyER RETURNS ThE SAME TO ShEppARd’S IN ThE SAME CONdITION AS AT ThE TIME Of SALE ANd by pROdUCINg EVIdENCE, ThE bURdEN Of pROOf TO bE UpON ThE bUyER, SATISfIES ShEppARd’S ThAT CONSIdEREd IN ThE LIghT Of ThE ENTRy IN ThE CATALOgUE ThE LOT IS A dELIbERATE fORgERy ThEN ThE SALE Of ThE LOT wILL bE RESCINdEd ANd ThE pURChASE pRICE Of ThE SAME REfUNdEd. 5. dEfAULT: ShEppARd’S dISCLAIM RESpONSIbILITy fOR dEfAULT by EIThER ThE bUyER OR ThE VENdOR bECAUSE ThEy ACT AS AgENTS fOR ThE VENdOR ONLy ANd ThEREfORE dO NOT pAy OUT TO ThE VENdOR UNTIL pAyMENT IS RECEIVEd fROM ThE bUyER. INSTRUCTIONS gIVEN by TELEphONE ARE ACCEpTEd AT ThE SENdER’S RISk ANd MUST bE CONfIRMEd IN wRITINg fORThwITh. 6. IN ThE EVENT Of A SALE by pRIVATE TREATy bOTh ThE VENdOR ANd ThE bUyER AgREE TO bE bOUNd by ThE gENERAL ANd ANy SpECIAL CONdITIONS Of SALE. 7. INSpECTION: EACh bUyER by MAkINg A bId fOR A LOT ACkNOwLEdgES ThAT hE hAS SATISfIEd hIMSELLf fULLy bEfORE bIddINg by INSpECTION OR OThERwISE AS TO ALL ThE SALE CONdITIONS ThE phySICAL CONdITION Of ANd dESCRIpTION Of ThE LOT INCLUdINg bUT NOT RESTRICTEd TO whEThER ThE LOT IS dAMAgEd OR hAS bEEN REpAIREd OR RESTOREd. 8. pROpERTy ANd RISk LEgAL TITLE wILL NOT pASS TO ThE bUyER UNTIL ThE LOT(S) hAS bEEN pAId fOR IN fULL ANd ThE AUCTIONEERS ShALL hE ENTITLEd TO A LIEN ON ANy LOT SOLd UNTIL ThE pURChASE pRICE (AS dEfINEd IN 11 bELOw) IS pAId IN fULL bUT EACh LOT IS AT ThE SOLE RISk Of ThE bUyER fROM ThE fALL Of ThE hAMMER. EACh bUyER ShALL fORThwITh gIVE hIS fULL NAMES ANd pERMANENT AddRESS ANd If CALLEd UpON TO dO SO by ThE AUCTIONEER ShALL fORThwITh pAy TO ShEppARd’S SUCh pROpORTION Of ThE pURChASE pRICE AS ThE AUCTIONEER MAy REqUIRE. If ThE bUyER fAILS TO dO SO, ThE LOT MAy AT ThE AUCTIONEER’S SOLE dISCRETION bE pUT Up AgAIN ANd RE-SOLd. 9. EVERy bIddER ShALL bE dEEMEd TO ACT AS pRINCIpAL UNLESS ThERE IS IN fORCE A wRITTEN ACkNOwLEdgMENT by ShEppARd’S ThAT hE ACTS AS AgENT ON bEhALf Of A NAMEd pRINCIpAL. 10. REMOVAL Of gOOdS. (A) NO pURChASE ShALL bE CLAIMEd UNTIL IT hAS bEEN pAId fOR ANd ThE SALE hAS bEEN CONCLUdEd. ALL PURCHASES SHALL BE PAID FOR AND REMOVED AT THE BUYER’S RISK AND AUCTIONEER ShALL NOT bE RESpONSIbLE If ThE SAME ARE LOST, STOLEN, dAMAgEd, OR dESTROyEd ANd ALL LOTS NOT SO REMOVEd ShALL REMAIN AT €5 pER ITEM pER dAy. If ThEy ARE NOT pAId fOR ANd REMOVEd wIThIN SEVEN dAyS Of ThE SALE ThE AUCTIONEER MAy RE-SELL ThEM by AUCTION OR pRIVATELy wIThOUT NOTICE TO ThE bUyER. ANy LIAbILITy whICh ThERE MAy bE ON ThE pART Of ThE AUCTIONEER IN RESpECT Of ANy LOSS ShALL bE RESTRICTEd TO A MAxIMUM Of ThE pRICE pAId by ThE bUyER Of ThE LOT. EXPENSE, fAILINg whICh ThE

ThE RISk Of ThE bUyER ANd SUbJECT TO A MINIMUM wAREhOUSINg ChARgE Of

(b) IN ThE EVENT Of ANy fAILURE Of ThE bUyERS TO COMpLy wITh ANy Of ThE CONdITIONS ThE dAMAgES RECOVERAbLE by ThE SELLER OR ThE AUCTIONEERS fROM ThE dEfAULTER ShALL INCLUdE ANy LOSS ARISINg ON ANy RE-SALE Of ThE LOT, TOgEThER wITh ThE ChARgES ANd ExpENSES IN RESpECT Of bOTh SALES, ANd ANy MONEy dEpOSITEd IN pART pAyMENT

AUCTIONEERS ON ACCOUNT Of ANy LIAbILITy Of ThE dEfAULTER TO ThEM OR TO ThE SELLER. ThE AUCTIONEERS ARE UNAbLE TO ACCEpT pAyMENT fROM ChEqUES dRAwN by ThIRd pARTIES whEThER IN ThE AUCTIONEER’S fAVOUR OR REqUIRINg ENdORSEMENT, CANNOT bE ACCEpTEd.

ShALL bE hELd by ThE

SUCCESSfUL bIddERS OThER ThAN IN CASh OR by ThE bIddER’S OwN ChEqUE.

11. pURChASE pRICE: ThE pURChASER ShALL pAy ThE hAMMER pRICE TOgEThER wITh A pREMIUM Of 20%+ VAT AT STANdARd RATE. ThE pREMIUM ATTRACTS VAT AT ThE STANdARd RATE ANd IS pAyAbLE by ALL pURChASERS. ThE VENdOR AUThORISES ThE AUCTIONEER TO dEdUCT COMMISSION ANd ExpENSES AT ThE STATEd RATES fROM ThE hAMMER pRICE ANd ACkNOwLEdgES ThE AUCTIONEER’S RIghT TO RETAIN ThE pREMIUM pAyAbLE by ThE pURChASER. pAyMENT by CASh OR gUARANTEEd ChEqUE. Although

every effort is mAde to report dAmAge And restorAtion to lots in this cAtAlogue, Absence of condition does not imply A lot is free from dAmAge, And prospective purchAsers must in All cAses be responsible for determining condition themselves.

COMMISSION BIDS: IF

INSTRUCTED WE WILL EXECUTE BIDS AND ADVISE INTENDING

AS IS ALLOWED BY OTHER BIDS AND RESERVES.

BIDS,

PURCHASERS. THE

SERVICE IS FREE.

LOTS

WILL ALWAYS BE BOUGHT AS CHEAPLY

WHEN PLACED BY TELEPHONE, ARE ACCEPTED ONLY AT THE SENDER’S RISK, AND MUST BE CONFIRMED BY LETTER.

IMPERFECTIONS NOT STATED SPECIAL CONDITION: ALL PURCHASES TO BE PAID FOR THE EVENING EXPLANATION OF CATALOGUING PRACTICE: A WORK

OF SALE.

CATALOGUED WITH THE NAME(S) OR RECOGNISED DESIGNATION OF AN ARTIST, WITHOUT ANY qUALIFICATION, IS, IN OUR OPINION, A WORK BY THE ARTIST IN

OTHER CASES, THE FOLLOWING EXPRESSIONS, WITH THE FOLLOWING MEANINGS ARE USED:

“ATTRIbUTEd TO . . .’’ IN OUR OpINION pRObAbLy wORk by ThE ARTIST IN whOLE OR IN pART. “STUdIO Of . . .” IN OUR OpINION A wORk ExECUTEd IN ThE STUdION OR wORkShOp Of ThE ARTIST, pOSSIbLy UNdER hIS “CIRCLE Of . . .’’ IN OUR OpINION A wORk Of ThE pERIOd Of ThE ARTIST ANd ShOwINg hIS INfLUENCE. “fOLLOwER Of . . . ” IN OUR OpINION A wORk ExECUTEd IN ThE ARTIST’S STyLE bUT NOT NECESSARILy by A pUpIL. “MANNER Of . . . ’’ IN OUR OpINION A wORk ExECUTEd IN ThE ARTIST’S STyLE bUT Of A LATER dATE. “AfTER . . .’’ IN OUR OpINION A COpy (Of ANy dATE) Of A wORk Of ThE ARTIST. “SIgNEd . . .’’ IN OUR OpINION ThE wORk hAS bEEN SIgNEd/dATEd/INSCRIbEd by ThE ARTIST. “wITh SIgNATURE . . ’’ IN OUR OpINION ThE SIgNATURE/dATE/INSCRIpTION IS by A hANd OThER ThAN ThAT Of ThE ARTIST. “wITh dATE . . .’’ “wITh INSCRIpTION . . .’’

SUpERVISION.

irish auction house

sheppards ABSENTEE BID FORM CLASSIC ART EvENINg AuCTION 1 December 2016 Fax: 057 873 6546 Email: bids@sheppards.ie Telephone Bids: +353 (0)57 874 0000 please bid on my behalf for the undermentioned lots up to the prices shown which do not include the buyer’s premium. These bids are to be executed as cheaply as is permitted by other bids, or reserves, if any, and subject to the conditions of Sale printed in the catalogue.

NAME . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ADDRESS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ......................................................................... EMAIL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TELEPHONE/MOBILE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lot

Description

Maximum Bid

Please bid early. Telephone bids should be confirmed in writing, preferably on this bid form. Buy-bids are not accepted. your limit should be the amount at which you would stop if you were bidding in the room. 20% buyer’s premium + V.A.T. @ 23% will be added to your successful bid.