
Friday • April 10, 2026 • Session I
Front Cover
134
Martin Grelle b. 1954
Cheyenne in the Black Hills Oil on linen
40 x 30 inches
Signed/CA and dated 2022 lower right; Signed/CA, titled, and dated 2022 verso
Estimate: $75,000 - 100,000
Opposite
125
G. Harvey 1933-2017
Curbside Vendor
Oil on canvas
24 x 20 inches
Signed lower right; Signed and titled verso
Estimate: $45,000 - 65,000
Back Cover
81
Frank McCarthy 1924-2002
Scourge of the Northern Plains Oil on canvas
27 x 40 ¼ inches
Signed/CA and dated 1988 lower left; Signed, titled and dated 1988 verso
Estimate: $30,000 - 50,000

SESSION I
Friday, April 10 12:00 p.m.
Lots 1 - 195
Friday • April 10, 2026 • Session I


Friday • April 10, 2026 • Session I
Phone: (480) 945-0225
Auction preview open to the public Monday - Friday, 10 a.m. - 5 p.m. beginning Monday, March 23.
Friday, April 10
9:00 a.m. - 12:00 p.m. ........................Registration & Preview 12:00 p.m. .......................................First Session: Lots 1-195
Saturday, April 11
9:00 a.m. - 12:00 p.m. ........................Registration & Preview 12:00 p.m. ..............................Second Session: Lots 196-462
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Terms and conditions viewable in Session II, page 260-261 and online at scottsdaleartauction.com/terms-and-conditions
Opposite 140
Howard Post b. 1948
The Bull Pen (detail) Oil on canvas
20 x 40 inches
Signed lower left
Estimate: $7,000 - 10,000


Friday • April 10, 2026 • Session I
Lots 1 - 195
Scottsdale Art Auction Partners
The Legacy Gallery 7178 E. Main Street Scottsdale, AZ 85251 (480) 945-0225
BRAD RICHARDSON info@scottsdaleartauction.com
The Legacy Gallery 225 Canyon Road Santa Fe, NM 87501
Manitou Gallery 123 Palace Ave. Santa Fe, NM 87501 (505) 986-0440
MICHAEL FROST
J.N. Bartfield Galleries PO Box 2400 New York, NY 10021 (212) 245-8890 michael@scottsdaleartauction.com
Jason Brooks, Auctioneer
Hotels nearby. Limited availability.
AC Hotel (Marriott) 7117 E. 3rd Ave • Scottsdale (847) 372-3886
Mention: "Legacy Gallery"
Opposite 191 Ed Mell 1942-2024
Rain and Runoff Oil on linen
20 x 30 inches
Canopy by Hilton Scottsdale Old Town 7142 E. First St • Scottsdale (480) 590-3864
Corporate rate code: "Legacy Gallery" N3198274
*More hotels listed on our website
Signed lower left; Signed, titled and dated 2003 verso; Signed Ed Mell frame
Estimate: $28,000 - 38,000

1
Alfredo Rodriguez b. 1954
Fall Flavor Oil on board
12 x 9 inches
Signed and dated 2012 lower left; Signed, titled and dated 2012 verso
Estimate: $800 - 1,200
2
Gary Ernest Smith b. 1942
Farm Girl Oil on canvas
14 x 11 inches
Signed lower right; Signed and titled verso
Estimate: $800 - 1,200


3
Gary Ernest Smith b. 1942
Well Used Barn Oil on linen
16 x 20 inches
Signed lower right; Signed and titled verso
Estimate: $1,500 - 2,500
4
Robert Duncan b. 1952
Winter Blanket Oil on canvas
24 x 30 inches
Signed and dated 91 lower right; Signed, titled and dated 1991 verso
Estimate: $3,000 - 5,000


5
Dennis Ziemienski b. 1947 Ranch Trailer Oil on canvas 11 x 14 inches
Signed and dated 06 lower left; Signed, titled and dated 2006 verso
Estimate: $800 - 1,200
6
Daniel Gerhartz b. 1965
Ashford Brick Oil on board
16 x 16 inches
Signed lower right; Signed, titled and dated 1999 verso
Estimate: $1,400 - 1,800


14 x 11 inches
Signed lower right; Signed and titled verso
Estimate: $1,000 - 1,500
Roses and Copper Oil on canvas
36 x 36 inches
Signed lower right; Signed, titled and dated 2002 verso
Estimate: $5,000 - 7,000

20 x 16 inches
Signed lower right
Estimate: $1,000 - 2,000

10
Don Spaulding 1926-2021
Going For Help Oil on canvas
24 x 30
Signed and dated 2005 lower left
Estimate: $3,500 - 5,000


12
Don Spaulding 1926-2021
The Skirmish Line Oil on canvas
20 x 34 inches
Signed/SAHA and dated 1984 lower right
Estimate: $3,500 - 5,000
Provenance: Private collection, New York
11
Mark Swanson b. 1958 Fire-Brewed Java Oil on canvas
30 x 24 inches
Signed lower left; Titled verso
Estimate: $2,500 - 4,500

New York-based painter Don Spaulding devoted much of his career to the U.S. Cavalry. “My love affair with the U.S. Cavalry and the American West really blossomed in 1949 when I saw She Wore a Yellow Ribbon. I had already been affected by Frederic Remington’s paintings, but it was the movie that turned me into a cavalry buff,” he said. “I still watch She Wore a Yellow Ribbon when it shows on television. Now the inaccuracies in uniforms and equipment amuse me, but I still find the visual excitement.” Spaulding studied under Norman Rockwell, and later found validation when his work was shown at West Point and commended for its accuracy.

13
David Mann b. 1948
Early Morning Gossip
Oil on canvas
24 x 20 inches
Signed lower right
Estimate: $3,000 - 5,000

14
Santiago b. 1946 Desert Dreams
Oil on board
24 x 16 inches
Signed lower right; Titled verso
Estimate: $3,500 - 5,000
15
A Gray Day
Oil on canvas
30 x 48 inches
Signed lower left; Titled verso
Estimate: $4,000 - 6,000

16
Joseph Velazquez 1942-2021
Spit and Polish Oil on board
21 ½ x 25 ¾ inches
Signed and dated 75 lower right
Estimate: $3,000 - 5,000


17
Joseph Velazquez 1942-2021
Adventures of the Fur Trade Oil on canvas
36 x 40 inches
Signed and dated 2018 lower left; Signed, titled and dated 2018 verso
Estimate: $6,000 - 9,000

18
Jacob Collins b. 1965
American Flag Oil on canvas
8 x 13 inches
Signed and dated 94 lower left; Signed and dated 1994 verso
Estimate: $1,000 - 2,000
19
Jacob Collins b. 1965
Vinalhaven Sunset Oil on board
9 x 21 inches
Signed and dated 08 lower left
Estimate: $1,500 - 2,500


20 Joni Falk b. 1933
Souvenirs in the Wilderness Oil on board
16 x 20 inches
Signed/AWA lower right
Estimate: $2,500 - 4,500
21
George Hallmark b. 1949 Winter’s Blanket Oil on board
16 x 12 inches
Signed lower right; Signed verso
Estimate: $3,000 - 5,000


22
George Hallmark b. 1949
Pancho Oil on board
12 x 9 inches
Signed lower right; Signed verso
Estimate: $1,500 - 2,500

23
Jim Norton 1953-2023
Through The Aspen Oil on board
12 x 9 inches
Signed/CA lower left; Signed/CA, titled and dated 2008 verso
Estimate: $1,800 - 2,400

24
George Kovach b. 1942
Spring In Texas Oil on canvas
20 x 24 inches
Signed lower right; Signed and titled verso
Estimate: $1,500 - 2,500
25
Jim Norton 1953-2023
Cloud Study Oil on board
9 x 12 inches
Signed/CA lower left; Signed/CA, titled, and dated 1996 verso
Estimate: $600 - 900


26
Jim Norton 1953-2023
High Water in Spring Oil on board
12 x 16 ½ inches
Signed/CA lower left; Signed/CA and titled verso
Estimate: $800 - 1,200
27
Marjorie Reed 1915-1996
Cowboy at Work
Oil on board
16 x 20 inches
Signed and dated 1938 lower right
Estimate: $1,500 - 2,500
Provenance:
John Moran Auctioneers, Monrovia, CA, 2001
Private collection, Minnesota

Cowboy at Work shows a rider clinging to the neck of a steer as his horse gallops next to him. Steer wrestling, or bulldogging, was an interest of Marjorie Reed, who painted it several times in her long career. The California-based artist was primarily known for her thrilling paintings of stagecoaches, and yet she also painted working cowboys frequently. Reed worked on a ranch at least once, as did her husband, cowboy and occasional outlaw Harvey Day, whose name Reed sometimes signed on her paintings to pass as a male painter. This piece was completed in 1938, not long after Reed became friends with artist Jack Wilkinson Smith.

28
Clark Kelley Price b. 1945
Mid Morning Adjustments
Oil on canvas
24 x 36 inches
Signed/CA and dated 06 lower left
Estimate: $4,000 - 6,000

She’ll be Ridin’
30 x 20 inches
Signed and dated 2010 lower left; Signed, titled and dated 10/1/10 verso
Estimate: $6,000 - 9,000

30
Gary Lynn Roberts b. 1953
Evening Ride Oil on canvas
20 x 24 inches
Signed lower right
Estimate: $3,000 - 5,000
31
David Wright b. 1942
Northwood Trappers
Acrylic on paper
10 x 16 inches
Signed lower left
Estimate: $1,500 - 2,500


32 Brandon Bailey b. 1984 Wisdom of the Lakota Oil on board
8 x 10 inches
Signed/CA lower right
Estimate: $1,000 - 2,000
Golden
Oil on board 16 x 20 inches
Signed lower left
Estimate: $4,000 - 6,000


34
Daro Flood 1954-2017
Desert Water Bronze, cast 5/30 43 inches overall height
Signed; Cactus stamp in bronze
Estimate: $3,000 - 5,000
35
John Nieto 1936-2018
Green Silk Bandana
Acrylic on canvas
30 x 24 inches
Signed lower right; Signed, titled and dated 1992 verso
Estimate: $10,000 - 15,000
Provenance: Private collection, California


36
John Nieto 1936-2018
Crow Warrior
Acrylic on canvas 16 x 20 inches
Signed lower left; Signed, titled and dated 1993 verso
Estimate: $6,000 - 9,000
37
Billy Schenck b. 1947
28 x 24 inches
Signed and dated 11 lower right
Estimate: $4,000 - 6,000
This piece was inspired by a well known Edward S. Curtis photo entitled “American Indian Women”.


38
Dave McGary 1958-2013
Strikes With Thunder Bronze, cast 41/50
26 ½ inches overall height
Signed and dated 1990; Fingerprint in bronze
Estimate: $6,000 - 9,000
Literature:
Dave McGary: American Realism in Bronze - A Twenty Year Retrospective, by Michael Duty published by McGary Studios, Inc. 1997; Illustrated p.117

39
Dave McGary 1958-2013
Blessing of the Bear Bronze, cast 1/60
25 ¼ inches overall height
Signed and dated 2003; Fingerprint in bronze
Estimate: $3,500 - 5,000

40
Dave McGary 1958-2013
Long Soldier Bronze, cast 2/30
40 inches overall height
Signed and dated 1988; Fingerprint in bronze
Estimate: $8,000 - 12,000
Literature:
Dave McGary: American Realism in Bronze - A Twenty Year Retrospective, by Michael Duty published by McGary Studios, Inc. 1997; Illustrated p. 114
41
Wayne Wolfe b. 1944
Rocky Mountain Mule Deer Oil on board
18 x 24 inches
Signed lower left
Estimate: $3,500 - 5,000
Provenance: Private collection, California

Wayne Wolfe is the son of early Cowboy Artists of America member Byron Wolfe, although Wayne wasn’t an artist at the time of his father’s death in 1973. Six months later, he decided to follow his father’s footsteps as a painter. Within two years he was painting full time. Wolfe was mentored by distinguished artists Robert Lougheed and later Tom Lovell, both of whom guided him down toward specific goals—Lougheed encouraged him to work from life, and Lovell urged him to focus on the head and figure. Today Wolfe’s works speak to the grandeur and beauty of the Rocky Mountain West.
42
Tim Shinabarger b. 1966
Set of four (4):
A Lofty View, 4 ½ inches high, cast 53/60, signed Great Northern, 6 ¼ inches high, cast 71/150, signed On the Prowl, 6 ¼ inches high, cast 9/150, signed Hunter's Moon, 7 ½ inches high, cast 40/150, signed
Estimate: $2,000 - 3,000




43
Kyle Sims b. 1980 Spring Loaded Oil on board
34 x 34 inches
Signed lower right; Signed, titled and dated 2009 verso
Estimate: $6,000 - 9,000


44
Nicholas Coleman b. 1978 Into the Northwest Oil on board
24 x 30 inches
Signed lower right; Signed, titled and dated 05/07 verso
Estimate: $3,500 - 5,000

45
Ken Carlson b. 1937
Stellers Jay Oil on canvas
13 x 10 inches
Signed lower left
Estimate: $3,000 - 5,000

46
Kent Ullberg b. 1945 Nocturne
Bronze, cast 5/30
19 ½ inches overall height
Signed
Estimate: $1,500 - 2,500

47
Mark Kelso b. 1968
A Winter Ballad Oil on board
15 x 30 inches
Signed lower left;
Signed and titled verso
Estimate: $5,000 - 7,000

48
Brandon Bailey b. 1984
Hayden At High Noon
Oil on canvas
30 x 40 inches
Signed lower right
Estimate: $4,000 - 6,000


30 x 24 inches
Signed lower right; Signed verso
Estimate: $5,000 - 8,000
24 x 24 inches
Signed lower right
Estimate: $4,000 - 6,000

51
Bonnie Marris b. 1951
High Country Retreat Oil on board
26 x 38 inches
Signed lower right
Estimate: $8,000 - 12,000
52
Tim Shinabarger b. 1966
A Lofty View
Bronze, cast 36/40
10 inches overall height
Signed
Estimate: $2,000 - 3,000


53
Michael Coleman b. 1946
The Adventurer, Black Bears Oil on board
14 x 20 inches
Signed lower left
Estimate: $3,500 - 5,000
Provenance: J.N. Bartfiled Galleries New York, New York
Literature:
Under Eagles' Wings: The Art of Michael Coleman by Peter H. Hassrick, published by Judson C. Ball, Jackson, WY and Coleman Studios, LLC, Provo, UT, 2009: illustrated on pg. 49

54
John Moyers b. 1958
Snow Clouds Over Truchas Oil on board
16 x 20 inches
Signed/CA lower left;
Signed/CA, titled, and dated 2004 verso
Estimate: $4,000 - 6,000
55
G. Russell Case b. 1966
Mesa Near Big Water Oil on canvas
16 x 20 inches
Signed lower left; Signed, titled and dated 2007 verso
Estimate: $4,000 - 6,000


56
Gerard Curtis Delano 1890-1972
San Francisco de Asís Ranchos de Taos, NM
Watercolor
10 x 12 inches
Signed lower right
Estimate: $3,500 - 4,500

57
Glenna Goodacre 1939-2020
Study for Shoshone Mother (Sacajawea Study)
Bronze, cast 82/99
12 ½ inches overall height
Signed and dated 1999
Estimate: $1,500 - 2,500


58
Glenna Goodacre 1939-2020 Pledge of Allegiance
Bronze, cast 16/35
23 inches overall height
Signed and dated 1990
Estimate: $1,500 - 2,500
Literature:
Glenna Goodacre: The First 25 Years, Published by the Museum of Texas Tech University, Lubbock, Texas, 1995; illustrated pg. 162 Glenna Goodacre Sculpture, Published by Glenna Goodacre, 2009; illustrated pg. 22
59
Glenna Goodacre 1939-2020
The Gift
Bronze, cast 10/21
33 inches high; 62 inches overall height with included pedestal Signed
Estimate: $4,000 - 6,000
Provenance: Private collection, Pennsylvania
Literature:
Glenna Goodacre: The First 25 Years, Glenna Goodacre, Museum of Texas Tech University, Lubbock, TX, 1995, p. 83.
Glenna Goodacre’s skill as a sculptor could be seen in all her work, but depictions of children occupied a special place in her heart. “During the settling of the West, while adults were waging territorial wars, I would hope there was some peace for children,” she wrote about The Gift in Glenna Goodacre: The First 25 Years “This sculpture was meant to relate a moment of compassion as a pioneer child shares her doll with a Native American girl. This was one of the first pieces I did in my new studio after the move to Santa Fe in 1984, a real turning point for me.”

60
Mikel Donahue b. 1956
Rachel Acrylic on board
15 x 10 inches
Signed/CA lower right
Estimate: $2,500 - 3,500

62
The Joy of Life Oil on canvas
26 x 20 inches
Signed lower left
Estimate: $3,000 - 5,000

61
Glenna Goodacre 1939-2020
Spotted Tail Goes to Washington Bronze, cast 22/50
21 inches overall height
Signed and dated 1999
Estimate: $2,500 - 4,500

63
Oil on linen
24 x 20 inches
Signed lower right; Signed, titled and dated 5/07-10/07 verso
Estimate: $2,000 - 3,000
64
Oil on linen
24 x 26 inches
Signed and dated 1980 lower right; Signed and titled verso
Estimate: $7,000 - 11,000

65
William Acheff b. 1947
Strike-a-Light Bag
Oil on canvas
12 x 10 inches
Signed and dated 2007 lower right; Signed, titled and dated 2007 verso
Estimate: $5,000 - 8,000


66
Daniel Sprick b. 1953 Interior with Chair Oil on board
33 x 24 inches
Signed and dated 93 upper left
Estimate: $3,500 - 5,000
67
Daniel Sprick b. 1953
Hibiscus
Oil on board
24 x 18 inches
Signed and dated 96 lower right
Estimate: $2,000 - 3,000


68
Dave McGary 1958-2013
Eye of the Storm Bronze, cast 31/50
21 inches overall height
Signed and dated 1995; Fingerprint in bronze
Estimate: $8,000 - 12,000
Literature:
Dave McGary: American Realism in Bronze - A Twenty Year Retrospective, by Michael Duty published by McGary Studios, Inc. 1997; Illustrated p. 125
69
Dave McGary 1958-2013
Short Bull
Bronze, cast ACIV
44 inches overall height
Signed and dated 1992; Fingerprint in bronze
Estimate: $8,000 - 12,000
Literature:
Dave McGary: American Realism in Bronze - A Twenty Year Retrospective, by Michael Duty published by McGary Studios, Inc. 1997; Illustrated p. 129

70 Don Crowley 1926-2019
The Defenders Oil on canvas
30 x 24 inches
Signed lower right; Signed/CA and titled verso
Estimate: $2,500 - 4,500


71 William Ahrendt b. 1933
The Medicine Man Oil on canvas
36 ¼ x 42 inches
Signed lower right
Estimate: $6,000 - 9,000
72
David Halbach 1931-2022
Pueblo Ceremony
Watercolor
11 ¾ x 15 ¾ inches
Signed lower right
Estimate: $4,000 - 6,000


73
Dan Mieduch b. 1947
Gold Seekers
Oil on board
30 x 40 inches
Signed and dated 2004 lower left
Estimate: $8,000 - 12,000

74
Roy Andersen 1930-2019
Signal Watch Oil on canvas
30 x 40 inches
Signed and dated 1988 lower right
Estimate: $15,000 - 20,000
Provenance:
Private collection, Colorado

75
Roy Andersen 1930-2019
Old Bones of Winter Oil on canvas
24 x 36 inches
Signed/CA lower right
Estimate: $6,000 - 9,000
Literature:
Dream Spinner, by Jan Adkins, published by Settlers West Galleries, Tucson, AZ, 2000; illustrated p. 121
76
Fred Fellows b. 1934
Cattle Drive Oil on board
24 x 36 inches
Signed/CA lower right
Estimate: $4,000 - 6,000


77
Wayne Baize b. 1943
Range Mounts Oil on canvas
18 x 24 inches
Signed/CA lower left
Estimate: $4,000 - 6,000
78
Robert Lougheed 1910-1982
A Tesuque Afternoon Oil on board
16 x 20 inches
Signed/CA with horse emblem lower right; Signed and titled verso
Estimate: $6,000 - 9,000

79 Grant Redden b. 1961
Wrangler Oil on board
24 x 17 inches
Signed/CA lower right; Signed/CA , titled and dated 2024 verso
Estimate: $4,500 - 6,500


80
Jason Rich b. 1970
Familiar Waters Oil on board
37 x 36 inches
Signed lower left; Signed, titled and dated 2021 verso
Estimate: $15,000 - 20,000
Provenance: Private collection, Arizona

81
Frank McCarthy 1924-2002
Scourge of the Northern Plains Oil on canvas
27 x 40 ¼ inches
Signed/CA and dated 1988 lower left; Signed, titled and dated 1988 verso
Estimate: $30,000 - 50,000
Provenance: Private collection, New York, NY
“For the Plains Indian, life revolved around two primal elements: hunting and war. One meant sustenance for the body, the other, honor to warm the soul,” writes Elmer Kelton in The Art of Frank C. McCarthy. The artist, known for his thrilling action scenes and highly detailed paintings, frequently painted images of power, might and bravery. “Courage was paramount in the warrior code,” he wrote.
82
Frank McCarthy 1924-2002
Before the Storm Oil on canvas mounted to board
12 x 16 inches
Signed/CA and dated 76 lower left; Signed and titled verso
Estimate: $8,000 - 12,000

83
Frank McCarthy 1924-2002
After the Northern Oil on canvas mounted to board 18 x 14 inches
Signed/CA and dated 77 lower left; Signed and titled verso
Estimate: $9,000 - 13,000


84
Frank McCarthy 1924-2002
Stolen Herd Oil on canvas mounted to board 18 x 24 inches
Signed/CA and dated 78 lower left; Signed and titled verso
Estimate: $15,000 - 25,000
Provenance: Private collection, Canada
85
Sheldon Parsons 1866-1943
Alcalde, NM
Oil on board
16 x 20 inches
Signed lower right; Titled and dated Oct 7 verso
Estimate: $6,000 - 9,000
Provenance:
Ivey-Selkirk, St. Louis, MO, 2000 Treadway/Toomey Auctions, Chicago, IL, 2001
Private collection, New Mexico

In 1913, reeling from the loss of his wife and suffering from tuberculosis, Sheldon Parsons left New York to live in Santa Fe, New Mexico, where he started a new life amid terrible anguish. Parsons, at that point in his career, was already a well-respected artist who had studied under William Merritt Chase, but the new location unlocked something visceral in his work. Over the next 30 years, Parsons explored the New Mexico landscape, often painting modern landscape images that unified the land, trees and architecture into a single cohesive vision of the Southwest.

86
Morris Rippel 1930-2009
13 x 21 ½ inches
Signed/SFWS and dated 1992 lower right
Estimate: $5,000 - 8,000
87
Gustave Baumann 1881-1971
Morning in Mexico
Woodblock print, 12/125
13 ½ x 14 inches
Signed lower right and titled lower left
Estimate: $9,000 - 12,000


88
Gustave Baumann 1881-1971
Bound for Taos
Woodblock print, 40/120
10 ⅜ x 11 ½ inches
Signed lower right, titled lower left
Estimate: $8,000 - 12,000

89
Gustave Baumann 1881-1971
Autumnal Glory
Woodblock print, 51/100
13 ¾ x 13 ¼ inches
Signed lower right and titled lower left
Estimate: $9,000 - 12,000
In 1891, not long after relocating from Germany to Chicago, Gustave Baumann’s father abandoned the family, creating immense pressure on young Gustave to help provide for his mother. The teen’s first job was in the printing trades, which foretold of Baumann’s eventual rise as a painter and woodblock printer. He learned art at the Art Institute of Chicago, opened his own advertising studio, returned to Germany to study and created a hit 1912 calendar book in Indiana. It wasn’t until 1918 when Baumann finally arrived in New Mexico to meet his destiny in the Southwest. His work was immediately accepted into the Taos Art Colony, and soon even the Taos Society of Artists as an associate member. His woodblock prints, brimming with color and modernist design, are evocative of the mood and light of Northern New Mexico. “Baumann’s woodcut prints serve as romantic icons of the Southwest by depicting views of mesas, mountains and ancient ruins; by defining cultural vistas dominated by Indigenous cultures; and by celebrating the region’s distinctive architecture,” writes Joseph Traugott in Gustave Baumann’s Southwest. “This idyllic perspective is now known as the Southwesternist view, a style that presents an overly colorful, idealized view of the region and its Native peoples.”

90 Ray Swanson 1937-2004
Untitled (Horse-drawn wagon)
Oil on board
24 x 36 inches
Signed lower right
Estimate: $5,000 - 8,000

91 Ray Swanson 1937-2004
Shearing the Prized Dark Wool Oil on canvas
36 x 40 inches
Signed and dated 83 lower right
Estimate: $12,000 - 18,000
Provenance: Private collection, Arizona

92
Andy Thomas b. 1957
The Fate of the Rustlers Oil on canvas
48 x 36 inches
Signed lower right; Signed, titled and dated 2012 verso
Estimate: $35,000 - 50,000
Provenance: Private collection, Texas
Literature:
The West in Action: Western and Historical Art by Andy Thomas, 2012, pg. 40

93
Greg Woodard b. 1958
The Reckoning Bronze, cast 17/27
28 ½ inches overall height
Signed
Estimate: $6,000 - 9,000
94
Billy Schenck b. 1947
Sam’s Rifle Oil on canvas
30 x 24 inches
Signed, titled and dated Aug 2019 verso
Estimate: $8,000 - 12,000


95
Billy Schenck b. 1947
Surveying the Herd Oil on canvas
30 x 24 inches
Signed and dated 20 lower right; Signed, titled and dated Nov 2020 verso
Estimate: $8,000 - 12,000

96
Robert Shufelt b. 1935 Ranch Hands
Graphite 14 x 23 inches
Signed, titled and dated 2003
Estimate: $1,200 - 1,800

97
Night Passage
30 x 40 inches
Signed and dated 1991 lower right
Estimate: $35,000 - 50,000
Provenance: Private collection, New Mexico

98 Martin Grelle b. 1954
Day’s End Oil on canvas
30 x 40 inches
Signed/CA and dated 96 lower right
Estimate: $20,000 - 30,000

Provenance: From the Collection of Alvin and Jean Snowiss to benefit the Palmer Museum of Art at Penn State
99 Joe Beeler 1931-2006
Monday Morning Oil on canvas
20 x 16 inches
Signed/CA lower left
Estimate: $3,000 - 5,000

100
Joe Beeler 1931-2006
Sagebrush Serenade Oil on canvas
30 x 48 inches
Signed/CA lower right
Estimate: $20,000 - 30,000
Provenance:
Property from the Collection of a Missouri Company Private collection, Minnesota
Literature:
Joe Beeler: Life of a Cowboy Artist, by Don Hedgpeth, Diamond Tail Press and Claggett-Rey Gallery, Vail, Colorado, 2004, p. 92.
Although this painting does not depict the four founders of the Cowboy Artists of America—Joe Beeler, Charlie Dye, George Phippen and John Hampton—it does correlate to a passage in Joe Beeler: Life of a Cowboy Artist in which three of the founders, including Beeler, went on a trail ride in Mexico. “On cold, starry nights, they huddled around the campfire dining on beef and beans and swapping stories with the vaqueros about bad horses and wild times,” writes Don Hedgpeth. “The experience strengthened the bond between the three and the idea began to take shape of gathering others like themselves, artists with cowboy inclinations, whose lives and art might be enriched by such a hands-on encounter with rawhide reality. It was the genesis of a concept that became the Cowboy Artists of America.”

101
Joe Beeler 1931-2006
The Crossing Bronze, cast 9/30 18 inches overall height
Signed/CA; Sculptor Service
Estimate: $8,000 - 12,000
102
Olaf Wieghorst 1899-1988
30 x 36 inches
Signed lower left
Estimate: $20,000 - 30,000
Provenance: Private collection, Iowa


103
12 x 16 inches
Signed lower left
1899-1988
Estimate: $5,000 - 8,000

104
Olaf
12 x 10 inches
Signed lower left
1899-1988
Estimate: $3,000 - 5,000
105
Olaf Wieghorst 1899-1988
Good Chance
Oil on canvas mounted to board
18 x 14 inches
Signed lower left
Estimate: $6,000 - 9,000

106
Olaf Wieghorst 1899-1988
Headin’ Home
Mixed Media
12 x 10 inches
Signed lower left
Estimate: $3,000 - 5,000

107
Bill Nebeker b. 1942
Between Dust and Clouds Bronze, cast 29/30 14 ½ inches overall height
Signed/CA and dated 1989
Estimate: $1,200 - 1,800

108
Tom Lovell 1909-1997
Study for Watering Horses
Pastel
8 x 16 inches
Signed lower left
Estimate: $4,500 - 6,500


109
Edward Fraughton 1939-2023 Unconquered
Bronze, cast 5/60 35 inches overall height
Signed and dated 1999
Estimate: $6,000 - 9,000
110
Robert Griffing b. 1940
A Gift to His Father Oil on linen mounted to board
9 x 12 inches
Signed and dated 2011 lower right
Estimate: $4,000 - 6,000


111
Robert Griffing b. 1940
Lying in Wait Oil on board
7 x 5 inches
Signed and dated 2002 lower right
Estimate: $2,500 - 3,500


112
Frank McCarthy 1924-2002
The Offering Oil on canvas mounted to board 12 x 9 inches
Signed and dated 75 lower right; Signed and titled verso
Estimate: $4,500 - 6,500
113
Roy Andersen 1930-2019
A Gift of Horses Oil on canvas 14 x 11 inches
Signed and dated 1987 lower right
Estimate: $5,000 - 7,000

114
Bev Doolittle b. 1947
Reflection
Watercolor
10 ½ x 8 ½ inches
Signed lower left
Estimate: $6,000 - 9,000
115
Alfredo Rodriguez b. 1954
A Sioux Gentleman Oil on canvas
36 x 24 inches
Signed and dated 2005 lower left; Signed, titled and dated 2005 verso
Estimate: $5,000 - 8,000


116
J D Challenger 1951-2023 Speaks of Visions
Acrylic on canvas
40 x 40 inches
Signed and dated 92 lower left; Signed, titled and dated 1993 verso
Estimate: $5,000 - 8,000
Literature: Southwest Art, Joel Kessler, Houston, TX, July 1996: Cover
A copy of this magazine to accompany this lot

117
Oreland Joe b. 1958
Hailstone Dreamer
Acrylic on canvas mounted to canvas
36 x 24 inches
Signed/CA lower right
Estimate: $5,000 - 8,000
119
Oreland Joe b. 1958
Sweetheart Songs Marble
35 ½ inches overall height
Signed/CA and dated 02
Estimate: $4,000 - 6,000

118
Oreland Joe b. 1958
Blackwolf’s War Charms
Acrylic on canvas mounted to canvas
36 x 24 inches

Signed/CA lower right;
Signed/CA, titled, and dated 2021 verso
Estimate: $5,000 - 8,000

120
Jim Norton 1953-2023
In the Setting Sun Oil on board
12 x 9 inches
Signed/CA lower left; Signed/CA, titled and dated 2010 verso
Estimate: $2,500 - 4,500

122
Bill Owen 1942-2013
Hereford Cows
Oil on canvas
10 x 8 inches
Signed/CA and dated 1991 lower right
Estimate: $2,000 - 3,000

121
Alexander Phimister Proctor 1860-1950 Bust of Teddy Roosevelt Bronze, cast 5/50
12 inches overall height
Signed and dated 1996
Estimate: $4,000 - 6,000
Provenance: Private collection, Florida
This bust of the 26th president of the United States was created by Alexander Phimister Proctor sometime around 1922, when the artist was commissioned by Henry Waldo Coe, a friend of the late president, to create a large monument of Teddy Roosevelt on horseback as a Rough Rider. The monument was given to the city of Portland, where it remained until it was severely damaged during unrest in the city in 2020. Prior to the monument’s completion, Proctor said he felt strongly about Roosevelt because, like so many adventurous spirits of the 1800s, he wanted to be a Rough Rider. The casting of the monument is documented in “The Making of a Bronze Statue,” a 1922 silent film by the Metropolitan Museum of Art. The film, which has been digitized and is available online, was the first time a complete bronze casting process was ever put on film.
123
Bill Owen 1942-2013
Mama It’s Too Deep
Oil on canvas
18 x 24 inches
Signed/CA lower right
Estimate: $6,000 - 9,000


124
Bill Owen 1942-2013
Three Little Pigs
Oil on canvas
24 x 30 inches
Signed/CA and dated 2003 lower right; Titled verso
Estimate: $8,000 - 12,000
Provenance: Private collection, Arizona
Named after the children’s fable, Three Little Pigs show a trio of javelina crossing through a camp unbeknownst to the cowboy in the teepee or the horse in the distant shadows. The image certainly comes from something Bill Owen saw in his own life in the West. His father a cowboy and his mother an artist, Owen combined the two careers into one. He originally worked in both paint and clay, but a rodeo injury in 1989 cost him an eye, which made working in three dimensions difficult, so he abandoned sculpture to paint exclusively. He was elected to the Cowboy Artists of America in 1973 and he guided the group during pivotal years of growth.

125
G. Harvey 1933-2017
Curbside Vendor
Oil on canvas
24 x 20 inches
Signed lower right; Signed and titled verso
Estimate: $45,000 - 65,000
Provenance: Private collection, Kansas
126
G. Harvey 1933-2017
Mighty Blessed
Bronze, cast 52/100
8 inches overall height
Signed, titled and dated 1999
Estimate: $1,500 - 2,500
Literature:
G. Harvey; "The City Series", in the year of our Lord Two Thousand One, published by Somerset House Publishing, 2001: illustrated on p. 40



127
G. Harvey 1933-2017
Set of Two (2): City Life; Oil on board; 3 ¾ x 3 ½ inches; Signed lower right; Signed, titled, and dated 1994 verso After Services; Oil on board; 3 ¼ x 3 inches; Signed lower left; Signed, titled, and dated 1991 verso
Estimate: $5,000 - 7,000

128
G. Harvey 1933-2017 Shadows of Santa Fe Oil on canvas
16 x 20 inches
Signed and dated 1976 lower right
Estimate: $20,000 - 30,000
Provenance: Private collection, California
129
Z.S. Liang b. 1953
Buffalo Medicine Hat
Oil on board
9 x 12 inches
Signed lower left; Signed, titled and dated 2013 verso
Estimate: $3,000 - 5,000


130
Z.S. Liang b. 1953
Advocate for Peace study
Oil on canvas mounted to board
12 x 9 inches
Signed lower right
Estimate: $3,500 - 5,000

131
Bill Nebeker b. 1942
Watchin’ for the Long Knives
Bronze, cast 24/25
22 inches overall height
Signed/CA and dated 1996
Estimate: $2,500 - 3,500
132
Z.S. Liang b. 1953
Offering to The Maker Oil on canvas
44 x 30 inches
Signed lower left
Signed, titled and dated 2011 verso
Estimate: $25,000 - 35,000
Provenance:
From the Collection of Alvin and Jean Snowiss to benefit the Palmer Museum of Art at Penn State


133
Z.S. Liang b. 1953
Fish Hawk - Piegan Oil on canvas
18 x 24 inches
Signed lower right
Estimate: $8,000 - 12,000

134
40 x 30 inches
Signed/CA and dated 2022 lower right; Signed/CA, titled, and dated 2022 verso
Estimate: $75,000 - 100,000
Provenance: Private collection, Texas
135
Martin Grelle b. 1954
Crow Wolf
Acrylic on canvas
12 x 12 inches
Signed/CA and dated 2013 lower left; Signed/CA, titled, and dated 2013 verso
Estimate: $15,000 - 25,000
Provenance: Private collection, Iowa


136
Martin Grelle b. 1954
Sundown in Crow Country Oil on linen
18 x 18 inches
Signed/CA and dated 09 lower right; Signed/CA, titled, and dated 2009 verso
Estimate: $25,000 - 35,000
Provenance: Private collection, Iowa
137
John Coleman b. 1949
Noble Child
Bronze, cast 3/25
25 inches overall height
Signed/CA and dated 03
Estimate: $6,000 - 9,000


138
John Coleman b. 1949
Reservation Dolls
Bronze, cast 16/35
17 ½ inches overall height
Signed/CA, titled, and dated 2010
Estimate: $6,000 - 9,000
Signed lower left
Estimate: $10,000 - 15,000
Provenance: Private collection, Arizona


Signed lower left
Estimate: $7,000 - 10,000

141
Jerry Jordan b. 1944
The Aspen Rise In Prayer Oil on board
16 x 12 inches
Signed lower right T.A.O.S; Signed, titled and dated 2025 verso
Estimate: $4,500 - 6,500
142
Kim Douglas Wiggins b. 1960
Poetica Oil on canvas
12 x 9 inches
Signed lower right
Estimate: $2,500 - 3,500


143
Kim Douglas Wiggins b. 1960
A Winter Night Oil on board
8 x 10 inches
Signed lower right; Signed, titled and dated 2024 verso
Estimate: $2,500 - 3,500

144
R.
Home On The Plains
Oil on canvas mounted to board
24 x 24 inches
Signed lower left; Signed and titled verso
Estimate: $11,000 - 15,000
Provenance: Private collection, Minnesota
145
24 x 24 inches
Signed lower left; Signed and titled verso
Estimate: $11,000 - 15,000
Provenance: Private collection, Iowa

146
Charles Wysocki 1928-2002
Cowboys Still Life Oil on canvas
16 x 20 inches
Signed lower left; Titled verso
Estimate: $12,000 - 18,000
Provenance: Private collection, New Mexico

Although he is not widely known in Western circles, Charles Wysocki’s works are instantly recognizable due to their flat rendering of three-dimensional forms that are compressed into lively compositions stuffed with interesting detail. His landscapes have been compared to works by Grandma Moses, the folk artist who brought life to American country scenes. This work, a rare still life by the artist, presents objects from the Old West, including a tin of tobacco, a spur, an oil lamp and a cloth pouch with a drawstring. Wysocki’s works have been reproduced in countless ways, including on calendars, puzzles and prints. Before his death in 2002, Wysocki was named one of the top 25 best-selling artists in the country.

147
Jenness Cortez b. 1944
Spirit of the Mountain Men
Acrylic on panel
30 x 24 inches
Signed and dated 2013 lower right; Titled verso with description of artwork in the painting
Estimate: $25,000 - 35,000
Provenance: From the Collection of Alvin and Jean Snowiss to benefit the Palmer Museum of Art at Penn State

148
Jenness Cortez b. 1944
War Horse #3
Acrylic on panel
30 x 40 inches
Signed and dated 2020 lower left
Estimate: $20,000 - 30,000
Provenance: Private collection, Texas

149
Jenness Cortez b. 1944
War Horse #1
Acrylic on panel
30 x 40 inches
Signed and dated 2020 lower right
Estimate: $20,000 - 30,000
Provenance: Private collection, Texas

150
Ed Mell 1942-2024
Guardo Expanse study
Oil on canvas mounted to board
10 x 20 inches
Signed lower left; Signed, titled and dated 2004 verso; Signed Ed Mell frame
Estimate: $10,000 - 15,000
Provenance: Private collection, Arizona

151
Ed Mell 1942-2024
Flatland Clouds
Oil on canvas mounted to board
8 x 10 inches
Signed lower right; Signed, titled and dated 2013 verso; Signed Ed Mell frame
Estimate: $6,000 - 9,000

152
Ed Mell 1942-2024
Fort Stanton Horse Corral
Oil on canvas mounted to board
9 x 12 inches
Signed lower right; Signed, titled and dated 2009 verso; Signed Ed Mell frame
Estimate: $6,000 - 9,000

153
Ed Mell 1942-2024
Silver Rose Bud Oil on linen
34 x 26 inches
Signed lower right; Signed, titled, and dated 2000 verso; Signed Ed Mell frame
Estimate: $35,000 - 50,000
154
Ed Mell 1942-2024
Reservation Storm Oil on linen
48 x 40 inches
Signed lower right
Estimate: $25,000 - 35,000
Provenance: Private collection, Massachusetts
Literature:
Beyond the Visible Terrain: The Art of Ed Mell, by Donald J. Hagerty, Northland Publishing, 1996, pg. 55


155
John Nieto 1936-2018
Geronimo
Acrylic on canvas
44 x 40 inches
Signed lower right; Signed, titled and dated 1993 verso
Estimate: $20,000 - 30,000
Provenance: Private collection, California
157
John Nieto 1936-2018
Apache Mountain Spirit Dancer
Acrylic on canvas
36 x 23 ¾ inches
Signed lower right; Signed, titled and dated 1993 verso
Estimate: $12,000 - 18,000
Provenance: Private collection, California

156
John Nieto 1936-2018
Untitled (Indian in yellow)
Watercolor
15 x 16 ½ inches
Signed and dated 1978 lower right
Estimate: $2,000 - 3,000


158
Across From Butler Canyon Oil on canvas
30 x 30 inches
Signed and dated lower left 2025; Signed, titled and dated February 2025 verso
Estimate: $6,000 - 9,000

159
30 ½ x 40 ½ inches
Signed and dated 1997 lower right
Estimate: $7,000 - 11,000

160
12 x 16 inches
Signed and dated 96 lower left
Estimate: $3,000 - 4,000

30 x 40 inches
Signed lower left
Estimate: $18,000 - 24,000
Provenance: Regina Giesecke Collection, Ballinger, Texas Sold by decent in family partnership, Scottsdale, Arizona

162
Kim Douglas Wiggins b. 1960
Full Moon Oil on canvas
30 x 36 inches
Signed and dated 00 lower left
Estimate: $12,000 - 18,000
Provenance: Private collection, Iowa

163
Earl Biss 1947-1998
Riding Into the Storm Oil on canvas
60 x 80 ¼ inches
Signed upper right;
Signed, titled and dated 1987 verso
Estimate: $35,000 - 50,000
Provanance: The Artist
Private collection, circa 1987
Private Collection, California circa 2000
A Certificate of Authenticity from the artist to accompany this lot.

164
Tony Abeyta b. 1965
Untitled (Abstract)
Oil on board and painted frame
21 ½ x 21 ½ inches
Signed lower middle right
Estimate: $3,500 - 5,000

166
Allan Houser 1914-1994
The Gathering Bronze, cast 5/30
14 inches overall height
Signed and dated 92
Estimate: $2,500 - 3,500
Provenance:
165
Allan Houser 1914-1994
Sioux with Rattle and Fan Bronze, cast 34/50 17 inches overall height
Signed and dated 94; AHI
Estimate: $7,000 - 10,000

Private collection, Pennsylvania
While several Western artists began their careers in modern art and moved to realism (see Harry Jackson), Allan Houser moved in the opposite direction. The Chiricahua Apache artist originally started as a painter at the Santa Fe Indian Art School, where founder Dorothy Dunn encouraged artistic conformity from her students. On his own, Houser immediately began working in three dimensions in a more contemporary style. By the end of his career, he was exploring abstract shapes and complex visual themes, and had fully embraced modern art. This work, created in 1993, represents a trio of blanket-clad figures.

167
Fritz Scholder 1937-2005
Untitled (Indian portrait)
Acrylic on canvas board
13 ½ x 10 ½ inches
Signed lower left
Estimate: $10,000 - 15,000
Provenance:
Private collection, New Mexico
Born in the Minnesota, raised in the Dakotas, educated in Kansas and California—Fritz Scholder didn’t arrive in the Southwest until 1960, when he was 23 years old. When he settled in Santa Fe, New Mexico, his career took off. He created a large body of lithographs, had solo gallery shows, lectured at Dartmouth and Princeton colleges, and was invited to do a two-man show with T.C. Cannon at the Smithsonian Institution. By the 1970s, Scholder was one of the leading contemporary Western artists.
168
Fritz Scholder 1937-2005
American Businessman
Acrylic on canvas
40 x 30 inches
Signed lower middle
Estimate: $40,000 - 60,000
Provenance:
Larsen Art Auction, Scottsdale, AZ, 2013
Private collection, Michigan
Luiseño painter Fritz Scholder worked on the leading edge of contemporary Western art, which occasionally put him at odds with more traditional styles. Never has that been more apparent than here with American Businessman, an audacious image of a suited figure in a Christlike pose. Scholder didn’t invent modernism in the West, but he certainly pushed it further than others, and did so with artwork that explored the people and traditions that were then, and still today, iconic pieces of the American West.


169
Mark Maggiori b. 1977
On the Top of the World Oil on canvas mounted to board 12 x 9 inches
Initialed lower right; Signed, titled and dated 2021 verso
Estimate: $6,000 - 9,000
170
Mark Maggiori b. 1977
Morning sketch
Graphite
11 ¾ x 8 ½ inches
Signed and dated 2018 lower right
Estimate: $3,000 - 5,000


171
Mark Maggiori b. 1977
A Rocky Slope
Graphite
7 ½ x 7 ½ inches
Signed and dated 2015 upper left
Estimate: $2,500 - 3,500

172
Mark Maggiori b. 1977
Night Watch Oil on canvas
36 x 46 inches
Signed and dated 2017 lower right
Estimate: $60,000 - 90,000
Provenance: The Artist Private collection, Arizona circa 2018
Untitled (Winter
Oil on board
24 x 36 inches
Signed lower right
Estimate: $6,000 - 9,000


174
A Quick Departure Oil on board
40 x 30 inches
Signed lower right
Estimate: $8,000 - 12,000

175 Paul Calle 1928-2010
Good Hunting Oil on board 23 ¼ x 34 ¼ inches
Signed and dated 1984 lower left; Signed verso
Estimate: $28,000 - 38,000
Provenance:
Collection of Paul and Esther Chrisman, Kalispell, MT
Private collection by descent Coeur d’Alene Art Auction, Reno, NV, 2017 Scottsdale Art Auction, Scottsdale, AZ, 2024 Private collection, Arizona
Created in 1984, Paul Calle’s Good Hunting is a quintessential painting by the popular artist: winter setting, mountain man subject, authentic gear and clothing, and adventure in the American wilderness. Calle started painting the West in 1973, not long after he worked for NASA and was the official artist for Apollo 11. Calle stood on the edge of history and sketched Neil Armstrong, Buzz Aldrin and Michael Collins the morning of their famous moonshot. His subjects couldn’t have been more different—astronauts and frontier trappers—and yet they reveal a lot about Calle: he painted exploration of all kinds.
176
Earle Heikka 1910-1941
Buffalo Hunter - When Guns Were Slow Bronze, cast 5/36
19 inches overall height
Signed E.E. Heika and dated 1937; signed K Heikka 1976; Boyce Bronze
Estimate: $2,000 - 3,000

This piece is accompanied by a Certificate of Authenticity from Kathleen Heikka - Fine Art Castings.

177
Kenneth Riley 1919-2015
Set of two (2):
Ceremonial Pipe; Oil on canvas; 36 x 26 inches; Signed/CA lower right Study; Acrylic on board; 6 ¾ x 4 ¾ inches; Signed lower right
Estimate: $50,000 - 75,000

Provenance: Private collection, Texas
Exhibited: Cowboy Artists of America Museum: A Passion for the West, Kerrville, TX, JulySept 1997
Kenneth Riley’s work was firmly planted in the modern era in terms of composition and design, even as he turned to historical material as his subjects. This modern sensibility can be seen in Ceremonial Pipe, which is so meticulously designed that every line, every form and every shape has a visual resolution, and even thematic continuation, as the viewer’s eye is marched through the composition. Even Riley admits he became slightly obsessed about these concepts in the 1960s as he taught art classes in Utah. “Design, I decided, was the skeleton upon which everything in a painting hangs,” he wrote in West of Camelot: The Historical Paintings of Kenneth Riley. In the book, Riley writes about “The Idea,” which is the original motivation or point of emphasis. “The Idea is the means by which the artist imposes order,” Riley continues. “Through order comes clarification and communication. Everything in a painting subordinates to the Idea, which motivates all other elements, from the type of line, to the character of shape and the relationships of colors. Unlike the camera, which is limited to arrangements as they exist in space, artists arrange in order to present or dramatize an Idea. In so doing, design—not the subject—carries the impact of the picture.”
178
Kenneth Riley 1919-2015
Mandan Warrior Oil on board
18 x 12 inches
Signed/CA lower right
Estimate: $12,000 - 18,000
Provenance:
Regina Giesecke Collection, Ballinger, Texas
Sold by decent in family partnership, Scottsdale, Arizona


179
Kenneth Riley 1919-2015
The Source study Acrylic on board
5 ¼ x 5 ⅛ inches
Signed lower right
Estimate: $3,500 - 5,500
180
Jerry Jordan b. 1944
Layers of Yesteryear Oil on canvas
16 x 20 inches
Signed T.A.O.S. lower right; Signed T.A.O.S. and titled verso
Estimate: $8,000 - 12,000


181
Jerry Jordan b. 1944
Constant Harmony Oil on canvas
16 x 20 inches
Signed lower right T.A.O.S.; Signed, titled and dated 2023 verso
Estimate: $7,000 - 11,000
182
Clyde Aspevig b. 1951 Winter Soft Harmony Oil on canvas
30 x 40 inches
Signed lower left; Signed, titled, and dated 1996 verso
Estimate: $15,000 - 25,000
Provenance: Regina Giesecke Collection, Ballinger, Texas
Sold by decent in family partnership, Scottsdale, Arizona


183
Clyde Aspevig b. 1951 El Dorado Creek Oil on board
12 x 16 inches
Signed lower left; Signed and titled verso
Estimate: $2,500 - 3,500
184
Matt Smith b. 1960
New England Autumn - Orange Trees Oil on board
10 x 12 inches
Signed lower left; Signed, titled and dated 2000 verso
Estimate: $1,000 - 1,500

185
Matt Smith b. 1960
Sweeping Cypress Oil on board
12 x 16 inches
Signed lower right; Signed, titled and dated 1998 verso
Estimate: $1,200 - 1,800


186
Matt Smith b. 1960
An Old Saguaro Oil on canvas
24 x 20 inches
Signed lower right; Signed, titled and dated 1996 verso
Estimate: $2,000 - 3,000
187
Francois Koch b. 1944
Weekend BBQ Oil on canvas
15 x 25 inches
Signed lower right; Signed, titled and dated 09 verso
Estimate: $4,000 - 6,000


188
Scott Christensen b. 1962
Skagit Bay Oil on linen
30 x 36 inches
Signed lower right
Estimate: $8,000 - 12,000
Provenance:
Regina Giesecke Collection, Ballinger, Texas
Sold by decent in family partnership, Scottsdale, Arizona
189
Scott Christensen b. 1962
Spring on the Snake Oil on board
7 x 14 inches
Signed lower right; Signed and titled verso
Estimate: $1,500 - 2,500


190
Scott Christensen b. 1962
Elk Country Oil on board
8 x 16 inches
Signed lower right; Signed and titled verso
Estimate: $2,000 - 3,000
Literature: Solitary Profession, by Scott Christensen, published by Christensen Studio, Inc. 2003; illustrated p. 6

191
Ed Mell 1942-2024
Rain and Runoff
Oil on linen
20 x 30 inches
Signed lower left; Signed, titled and dated 2003 verso; signed Ed Mell frame
Estimate: $28,000 - 38,000
Provenance:
From the Collection of Alvin and Jean Snowiss to benefit the Palmer Museum of Art at Penn State
192
Ed Mell 1942-2024
Light Shifts study
Oil on canvas mounted to board
8 x 16 inches
Signed lower left; Signed, titled and dated 2005 verso; Signed Ed Mell frame
Estimate: $10,000 - 15,000
Provenance: Private collection, Arizona


193
Ed Mell 1942-2024
McDowell Mountain Range Oil on linen mounted to board
8 x 16 inches
Signed lower right; Signed, titled and dated 2012 verso
Estimate: $8,000 - 12,000

194
William Scott Jennings b. 1952
Canyon View Oil on canvas
48 x 36 inches
Signed lower left
Estimate: $5,000 - 8,000

195
John Encinias b. 1949
Forest Greens Oil on canvas
50 ¼ x 36 ¼ inches
Signed lower right; Signed and titled verso
Estimate: $5,000 - 8,000
Friday • April 10, 2026 • Session I
Index – Alphabetical by Lot number
Artist
Abeyta, Tony ..................................................164
Acheff, William ...........................................64, 65
Ahrendt, William ...............................................71
Andersen, Roy ....................................74, 75, 113
Aspevig, Clyde ........................................182, 183
Bailey, Brandon..........................................32, 48
Baize, Wayne ....................................................77
Baumann, Gustave ...............................87, 88, 89
Beeler, Joe ........................................99, 100, 101
Biss, Earl .........................................................163
Burgess, Steve ..................................................50
Calle, Paul ......................................................175
Carlson, Ken .....................................................45
Case, G. Russell ................................................55
Challenger, J D................................................116
Christensen, Scott ..........................188, 189, 190
Coleman, John .......................................137, 138
Coleman, Michael ......................................33, 53
Coleman, Nicholas ...........................................44
Collins, Jacob .............................................18, 19
Cortez, Jenness .............................147, 148, 149
Crowley, Don .....................................................70
Delano, Gerard Curtis .....................................56
Dobson, Patricia ...............................................63
Donahue, Mikel .................................................60
Doolittle, Bev...................................................114
Dudash, C. Michael ..........................................29
Duncan, Robert ...................................................4
Eberhard, Mark ................................................49
Encinias, John ................................................195
Falk, Joni .....................................................8, 20
Fawcett, John .................................................174
Fellows, Fred ....................................................76
Flood, Daro .......................................................34
Fraughton, Edward .........................................109
Gerhartz, Daniel ............................................6, 9
Gilleon, R. Tom .......................................144, 145
Goodacre, Glenna ...........................57, 58, 59, 61
Grelle, Martin ................FC, 97, 98, 134, 135, 136
Griffing, Robert .......................................110, 111
Halbach, David ................................................72
Hallmark, George .......................................21, 22
Harvey, G. ........................IFC, 125, 126, 127, 128
Heikka, Earle ...................................................176
Houser, Allan ..........................................165, 166
Jennings, William Scott ................................194
Joe Sr., Oreland ..............................117, 118, 119
Jordan, Jerry...................................141, 180, 181
Kelso, Mark......................................................47
Koch, Francois ................................................187
Kovach, George ................................................24
Liang, Z.S. ..............................129, 130, 132, 133
Lougheed, Robert .............................................78
Lovell, Tom .....................................................108
Friday • April 10, 2026 • Session I
Index – Alphabetical by Lot number
Artist
Maggiori, Mark .....................169, 170, 171, 172
Mann, David ......................................................13
Marris, Bonnie ..................................................51
McCarthy, Frank ...............81, 82, 83, 84, 112, BC
McGary, Dave ............................38, 39, 40, 68, 69
Mell, Ed ......................pg 4-5, 150, 151, 152, 153, 154, 191, 192, 193
Mieduch, Dan ....................................................73
Moyers, John ....................................................54
Nebeker, Bill ..........................................107, 131
Nieto, John .........................35, 36, 155, 156, 157
Norton, Jim ...................................23, 25, 26, 120
Oelze, Don .......................................................62
Owen, Bill ........................................122, 123, 124
Parsons, Sheldon ............................................85
Post, Howard ..............................pg 2-3, 139, 140
Price, Clark Kelley .............................................28
Proctor, Alexander Phimister .........................121
Redden, Grant ..................................................79
Reed, Marjorie ..................................................27
Rich, Jason .......................................................80
Riley, Kenneth .................................177, 178, 179
Rippel, Morris ...................................................86
Robb, Laura .........................................................7
Roberts, Gary Lynn ...........................................30
Rodriguez, Alfredo......................................1, 115
Sabatino, Chuck ..............................................15
Santiago, Roseta ..............................................14
Schenck, Billy........................37, 94, 95, 158, 159
Scholder, Fritz .........................................167, 168
Shinabarger, Tim ........................................42, 52
Shufelt, Robert ..................................................96
Sims, Kyle .........................................................43
Smith, Gary Ernest..........................................2, 3
Smith, Matt .....................................184, 185, 186
Spaulding, Don ...........................................10, 12
Sprick, Daniel ..............................................66, 67
Swanson, Mark .................................................11
Swanson, Ray .............................................90, 91
Thomas, Andy .................................................92
Ullberg, Kent ....................................................46
Velazquez, Joseph ....................................16, 17
Wieghorst, Olaf .............102, 103, 104, 105, 106
Wiggins, Kim Douglas ....142, 143, 160, 161, 162
Wolfe, Wayne ............................................41, 173
Woodard, Greg ..................................................93
Wright, David ....................................................31
Wysocki, Charles ............................................146
Ziemienski, Dennis ............................................5
