Martin Creed Work No. 955 (2008/9)
for orchestra
NOVELLO
Martin Creed’s Work No. 955 was first performed on 23rd September 2007 by the City of Birmingham Symphony Orchestra at Symphony Hall, Birmingham, as a component of an exhibition of his work otherwise held simultaneously at the Ikon Gallery, Oozells Square, Birmingham.
INSTRUMENTATION Flutes Oboes Clarinets Bassoons Horns Trumpets Trombones Tuba Timpani Percussion (5 players): Triangle Cymbals Side drum Bass Drum Glockenspiel Xylophone
Violins Violas Cellos Basses
Duration: circa 3 mins
for Paola
Section 1: roll and trill build up and slow down
Oboes
Clarinets in Bb
Bassoons
Horns in F
Trumpets in Bb
Trombones
Tuba
Timpani
Martin Creed
*
q = 105
Flutes
Work No. 955
sempre mf
*
*
*
* sempre mf
sempre mf
sempre mf
sempre mf
*
sempre mf
*
sempre mf
sempre mf
*
Glockenspiel
Xylophone
*
sempre mf
*
sempre mf
Cymbals
Snare Drum
*
Bass Drum
sempre mf
q = 105
Violins
Violas
Violoncellos
Double Basses
*
*
sempre mf
sempre mf
*
sempre mf
* Each instrumental voice must be of equal loudness
© Copyright 2008 Novello & Company Ltd.
Revised 3/09
2
poco a poco molto rall.
† q = 105 8 Fls.
Obs.
Cls.
† †
† Bsns. † Hns.
Tpts.
Tbns.
† †
† Tba.
Timp.
†
Glock. Xyl.
†
†
Cym.
S. D.
B. D.
*
sempre mf
†
poco a poco molto rall.
Vlns. †
Vlas.
Vcs.
q = 105
† †
† Dbs. sempre mf * see p. 1 † The trill transforms into measured, oscillating semiquavers
3
(molto rall. poco a poco) x = x (e = 105)
Tempo giusto Section 2 Every note held to its full value q = 105
13 Fls. x = x (x = 105)
x = x (y = 105)
Obs.
Cls.
Bsns.
Hns.
and a bit more
Tpts.
Tbns.
Tba.
laissez
laissez
laissez
Cym.
S. D.
Timp.
Glock.
Xyl.
B. D.
(molto rall. poco a poco) x = x (e = 105)
Vlns.
Vlas.
Vcs.
Dbs.
laissez
Tempo giusto q = 105
x = x (x = 105)
x = x (y = 105)
4
18 Fls.
Obs.
Cls.
Bsns.
Section 3
Tpts.
Tbns.
Tba.
Timp.
Glock.
Xyl.
Cym.
S. D.
B. D.
Vlas.
Vcs.
Vlns.
Dbs.
Hns.
5
26 Fls.
Obs.
Cls.
Bsns.
Hns.
Tbns.
Tba.
Glock.
Xyl.
Cym.
S. D.
B. D.
Vlns.
Tpts.
Timp.
Section 4
Triangle
Snare Drum
Vlas.
Vcs.
Dbs.
6
34 Fls.
Section 5
Obs.
Cls.
Glock.
Cym.
S. D.
Bsns.
Hns.
Tpts.
Tbns.
Tba.
Timp.
Xyl.
B. D.
* (sempre mf)
Vlns.
Vlas.
Vcs.
Dbs.
* Each instrumental voice must be of equal loudness
*(sempre mf)
* (sempre mf)
*(sempre mf)
7
41 Fls.
Obs.
Cls.
Bsns.
Hns.
* (sempre mf)
*(sempre mf)
* (sempre mf) Tpts.
Tbns.
*(sempre mf) Tba.
Timp.
*(sempre mf)
Glock.
*(sempre mf)
Xyl.
Cym.
S. D.
B. D.
Vlns.
Vlas.
Vcs.
Dbs.
*(sempre mf)
*(sempre mf)
8
48 Fls.
Obs.
Cls.
Bsns.
Hns.
*(sempre mf)
* (sempre mf)
*(sempre mf)
Tbns.
Tba.
Glock.
Tpts.
Timp.
Xyl.
Cym.
S. D.
B. D.
Vlns.
Vlas.
*(sempre mf)
*(sempre mf)
Vcs.
Dbs.
9
55 Fls.
Cls.
Bsns.
Hns.
Tpts.
Tbns.
Tba.
Timp.
Glock.
Xyl.
Cym.
S. D.
B. D.
Obs.
Vlas.
Vcs.
Dbs.
Vlns.
Section 6
10
60 Fls. Obs.
Cls.
Bsns.
Hns.
Tpts.
Tbns.
Tba.
Timp.
Glock.
Cym.
S. D.
Dbs.
Vcs.
Vlns. Vlas.
Xyl.
B. D.