Musgrave WOOD, METAL AND SKIN

OnDemand

Musgrave, Thea Wood, Metal and Skin

Score for sale (North America): http://www.halleonard.com/product/viewproduct.do?itemid=14041544&lid=1&li Score for sale (UK, Europe and other territories): http://www.musicroom.com/se/ID_No/0410394/details.html Information about work and materials for hire: http://www.musicsalesclassical.com/composer/work/14607

Novello & Co Limited Part of the Music Sales Group

Thea Musgrave

WOOD, METAL AND SKIN A Concerto for Percussion and Orchestra

(2004) Full Score

NOVELLO

Commissioned by the National Youth Orchestra of Scotland First performance: Tuesday 4 January 2005, Usher Hall, Edinburgh by Colin Currie (solo percussion) and The National Youth Orchestra of Scotland conducted by Garry Walker Instrumentation Solo percussion: Marimba, metal wind chimes [mark tree], Chinese Bell tree, Vibraphone, Tubular bells, 4 conga drums, 4 tom toms, 4 bongos 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 4 Horns in F 3 Trumpets in C Trombones Tuba Percussion (4 Players): PERC A 1o: Tubular bells, cymbal [medium], wood blocks, crotales PERC A 2o: Metal wind chimes [mark tree], Side drum, temple blocks, Tam-tam PERC B 1o: xylophone, glockenspiel, side drum, cymbal [high], tomtoms PERC B 2o: Chinese bell tree, Bass drum, maracas, triangle, sleigh bells Strings

Duration: circa 17 min.

WOOD, METAL & SKIN For percussion and orchestra Commissioned by the National Youth Orchestra of Scotland This work is intended to feature the extraordinary variety of percussion instruments in a dramatic way. The interplay of the solo percussion player with his colleagues in the orchestra plays a vital role. This can be seen in the layout. The solo percussion player is set downstage RIGHT: the timpani player upstage RIGHT: two orchestral percussion players ‘A’ upstage LEFT, and two others ‘B’ downstage LEFT. The timpani and percussion are therefore set at the 4 comers of the platform. PROLOGUE: dramatic A dramatic opening, as the timpani player ‘summons’ first the orchestral percussion players (upstage ‘A’ players on metal, downstage ‘B’ players on skin) and finally the soloist (on wood – marimba). The main musical elements are four ‘anchor’ chords (D flat minor, A major, E flat major and C major triads) followed by a series of rising triads. These are the harmonic foundation for the section, and they reappear in the interludes. WOOD: lyrical Soloist on marimba is accompanied by percussion A (xylophone and maracas), and percussion B (temple blocks and wood blocks). Here the mood is light-hearted and lyrical. A violin melody appears and also a short motive for muted trumpets. Soon the timpani player gets restive, effecting a change of colour and mood. INTERLUDE: mysterious The ‘anchor’ chords now reappear very softly, alternating on three solo violins and three solo celli. The soloist sets the colour of the movement on tubular bells and vibraphone, the orchestral percussion play cymbals and tam-tam with wire brushes, and also introduce two more unusual instruments: metal wind chimes and Chinese bell tree. The timpani player has a cymbal placed upside down on the drum and thus is also playing on metal. METAL: capricious The capricious mood is set by the soloist on vibraphone accompanied by the instruments from the interlude, later adding glockenspiel and crotales. The mood eventually clouds over and, incited by the timpani player, all is ready for the stormy movement to come. INTERLUDE: excitedly The anchor chords reappear now on muted brass, but the interlude is mostly carrie4 by the percussion. The soloist plays congas, tom toms and bongos, the other percussion a variety of drums. SKIN: stormy Now that the percussion is all on loud drums, the orchestra lets loose in a very fast stormy movement which leads to a ‘wild’ climax. Eventually the mood calms down and leads to … EPILOGUE: peaceful ... a peaceful ending. The soloist plays vibraphone and tubular bells, and later marimba: the other percussion play a variety of instruments so that the colours of wood, metal and skin are all present at the same time! T.M.

to Colin Currie

Wood, Metal and Skin PROLOGUE Dramatic q = 96

Flutes I & II

r '' NN {{ @

'' AA I @ # K

(concert pitch in score)

'A+ I @ # K 'A

@ 'N { 'N{

# + 'A I @ K 'A

Bassoons I & II

3

f

sfz f

Horns I & II in F

sfz 4º

# + I @3º 'A 'N sffz

<

con sord.

sfz

f + @ ''AN { I I A {

Trombones I & II

Trombone III & Tuba

# - NNN {{{ p

@ sffz

# ''AA I @ K

mf

sfz 4º

+ I N{ A sfz f

sffz

< sfz

f + { ' A A @ ' N{ I I

r

I

sffz

# { -- NNN {{ p

f

<

mf

f

s

3 f

ff signal again to Perc.A with an even bigger gesture

55 AD A A A A A A A A A DA5555A AAA I I I? f

sfz

mf

<

<

# <

<

<

Dramatic q = 96

Violoncello

<

<

[offstage]

sfz f

<

# <

< s PROLOGUE

div.

<

<

@ 'N { 3

<

f

<

<

I

Viola

sfzp

<

<

'N9 { @ 'N {

K

# <

f

mf

<

II

Violin II

@ - A A A A

# <

# <

9 { ' N @ ' N{

K

'N 'A A @ . ( ) mf +I @ @ A A AAA A A 'A A

<

A+ I @ # K A

N{

A

<

[offstage]

f

+ I @ A

# ''AA I @ K sffz

9 r '' NN {{ @

+I @ K A + AI@ K A

sffz

sfz f

Percussion A

Contrabass

@

sffz

[offstage]

A

sfzp

D55 D55 , # , # @ I A+ A A A A A A A A A I @ K @ I 'A+ A A A A A A'A A A I @ K @ sfz Db to E§ C to Bb, E to Db mf mf sfz # # < < < <

Solo Percussion

'N

+ # 1º ' A I @ @ I + + 'A 'A A ' A { mf sffz # + I @3º A 'N

secco

AAA A

sffz

sfz f

ff

mf

ff

@ 3

+I @ K A

mf

3

sfz f

'A+ I @ # K A

A

mf a2

f

sffz

@ 'N { s 3

Timpani

Violin I

@ - N

'N

@ 3

signal to Perc.A with a big gesture

II

+ # 'A I @ K A

sfz f

f

Percussion B

@

# +I @ K A

@ ''NA { I I -A {

sfzp

a2

sffz

sfz f

sffz

f

sfz f

sfz f

# + I@ K ' A 'A

@ 'N {

Trumpets I, II & III in C

ff

'A I @ # K A sffz

@ 'N { N{

sffz

r @ ''N{ A I I A {

Horns III & IV in F

# +I @ K A

a2

s

<

<

sffz

sfz f

sffz

Thea Musgrave

' AA # I@ K

@ 'NN {{

sffz

sfz f

' NN {{ sfz f

'N { @ ' N{

sfz f

Clarinets I & II in Bb

@

sffz

sfz f

Oboes I & II

A Concerto for Percussion and Orchestra

[no reaction to timpani's first signal]

<

# <

# <

<

# <

<

# '' AA I@ K

@

sffz

'A+ I @ # K 'A

' NN9 {{ f

9 @ 'NN {{

sffz

f

'A # I @ K 'A

' N9 { @ 'N {

'A+ I @ # K A

@ N{ 3

sffz sffz

ff

# + AI@ K

ff

f sfz f

f

3 f

Perc.A enter dramatically UPSTAGE LEFT (metal) and acknowledge timpani with a gesture

<

<

# <

<

<

# <

<

<

' AA # I@ K

@

sffz

'A I @ # K A

A

N{

A A f

A

N {

A A f

A

N{

'A A

mf

@

sffz

'A 'A I @ K

: 'N : -N

mf

@

'N: mf

sffz

f

sffz

A+ I @ # K A

3

# + AI @ K

3

ff

ff

+I @ K A

+ AI@ K

mf

mf

[rev.Jan.2005] © 2004 by Novello & Co. Ltd., London

2 7

Flt.

r @

@

a2

I

A ' A A ' A - A

mf

'A+ I

Ob.

Clt. in Bb

Bsn.

Hn.I/II in F

Hn.III/IV in F

Tpt. in C

s

f

mf

@

K

@

@

@

@

1º

+ I @ A 3º

K

N

@

K

<

mf

f

K

K

mf

<

+ I A sfz AA A A AA AAA I

@

@

K

@

@

K

<

<

<

<

<

, signal to Perc.B with a big gesture

I

@

@

K

AA AA

@

5555 D555 + +I D +I ? I + A A A A I A A A A A A A A A A A A sfz

@

@

K

mf

<

<

<

<

<

<

<

<

<

K

CYM. (soft sticks)

K

@ p

D55555555555555 ¡ A A I

<

mf

D555555555555555555555555555555 + I N A

@

p

< <

r + A I A+ I 'A+ I

<

<

@

@

K

A

N {

mf

@

@

K

@

: N

@

@

K

@

A

N {

<

<

I A A A A A A A I ;®; @

D5555555 A

A A A I

@

@

K

@

@

K

@

@

K

A

A A A I f

A

-N {

A A

A I

f

mf

f

mf

' N:

@

+ I A

B.D.

p

1 ' N: @

mf

p

I A+ A

<

mf

S.D. con corde

K

<

Perc.B enter dramatically DOWNSTAGE LEFT (skin) and acknowledge timpani with a gesture

s

D555555555555555555555555555555555 + I N A¢

@

<

p

<

D55555555555555555 ¡ A A I

@

mf

Perc.B

s

p

Vc.

A A A A A I

<

@

Vla.

A A A A A A

<

TAM-TAM (soft sticks)

Vln. II

a2

? A A A A A A I A A mf A A A A I A A A A A

< +I @ -N A sfzp sfz AAA I @ @

I

AI @ K +I @ K A

sfzp

@

A A A A A A I

f

Perc.A

Cb.

A

A I @ @

<

r

Vln. I

'N

3

Bb to A

SOLO Perc.

A

I + + 'A A ' A { mf K

@

mf

mf

A -A A A A A I I A

mf

N

I

A I @ @

A A A I

A

Timp.

A

'A A 'A A A A A A A I @ I 'A -A

A A ' A A ' A A A A A 'A ' A 'A-A a2 'A -A A 'A A I @ K s

Tbn. I/II

Tbn. III Tuba

f

r + A I A + I 'AA ( .) A+ I ' AA

A ' A 1 'N I @

3

+I @ K A

<

3

+ AI @ K

<

3

' AA AA

11

Flt.

r

<

K

@

' AA I

a2

@

K

@

N

A A

N

A A

N

A

f

Ob.

@

I

A A A A A A ' A A A

Clt. in Bb

@

@

A -A A A ' A A A A A A ' A A A A A f

Bsn.

I

I

@

@

' AA !?

f

Hn.III/IV in F

@

Tbn. I/II

+ AA AA AA I f

r 'N { N{ mf

@

K

I

f

I

@

<

' A

N{

I

A

5555555555555 A A D A A A A sfz

I

' A

I

2º

A

@

< ' A

1º

N{

I

+ A I

A

mf

D555555555555 A A IA to Bb@ A A A A sfz

<

' A

I

signal to Solo Perc.

, with a big gesture

A 'AA A

<

<

<

<

<

<

<

<

<

<

<

K

D555555555555555 ¡ A A I

@

@

K

K

@

A

I

D 555 + s A

I

@

K

@

p

K

A¢

<

@

r @

I

A A A A A A A I ;® ; A I

@

@

K

I

+ A

p

' N

A A A

I

@ @

+ I A

A

A

I

'A A -A A A

@

+ I ® ; ; A

Cb.

mf

@

I

- A A I

@

A A AA AA A I

pp

@

K

I

+ A

pp

' N

A

A

+ I A

D555555 A

A A A

I

A A A

A ' A A A I A'A A A A A A

div.

AA A A

N

mf

N

A A A

A ' A A A A A'A A A A A A

A A A A -A A A ' A A A A

N

A A I

' A I

N mf

A N I

A A A A -A A A ' A A A A

I

@

mf

+ A I

A

mf

s N

K

mf

mf

N

@

K

A¢

mf

p

mf

Vc.

5555555 AD

p

mf

Vla.

K

mf

mf

Vln. II

@

f

p

Vln. I

A

r

Perc.B

2º

N f

N

f

@

A

f

mf

K

A A A A

f

<

N

@

@ 3º

mf

f

+ A I

I

+ A I @

+ I A A A 'N

<

1º

s N

AA AA NA

N {

A

<

@

sf mf

4º

mf

Perc.A

'A A A A A 'A A -A A A 'A A A

mf

f

mf

SOLO Perc.

I

a2

'NN {{

3º . + I 'N A A A

4º { N

Tuba

Timp.

A A A A f

A A A A A'A A A A

<

mf

Tbn. III Tuba

A A A'A A

mf

mf

Tpt. in C

I

mf

mf

Hn.I/II in F

a2

mf

' AA AA

mf

A A 'A A A A A A A s

' AA I

f

f

mf

I

' AA AA

+ A I

A

'A

I

N

A

f

'A f

N

+ A I

A

' A

A

' A

mf

I

@

K

N mf

+ A I

I

'N

A

f

f

I

@

K

4

r A

2

15

Flt.

I

@

K

<

A A A A

'N @ -N

a2 A ' N ' A I

A I @

f

A

Ob.

I

'N 'N

@

N N

p

'A

Clt. in Bb

Bsn.

s

I

@

mf 1º

N N

A 'N A I -N

A A A A

f

cresc.

K

'N @ -N

<

<

r + AA

<

I

@

K

N{

<

+ ' A

I

@

K

A

@

''AAA

NNN

p

' A

Tbn. I/II

I

AAA

@

K

+ I @ 'A

@

K

''AAA I @

@

K

'AA I @

@

K

@

K

sfz

AAA

AA A

f

cresc.

@

K

<

@

'NN {{ mf

Tbn. III Tuba

Timp.

s

<

p

I

? 'A A+ I A A

D 55555 ¡ A

I

@

K

K

< AA A A A A A

I

@

I

p

D 55 +

s A

r AA

A A + 'A I ? A A A A A A A A A A I sfz

ff

mf

K

ad lib.

I

@

D5555555555555555555555555555555555555555555 55555555555555555 AD A N{ A¡ I I @

mf

K

I

@

AA

I

A A A ' A ' A A ' A A A ' A A A 'A détaché

f

mf

'N {

I

N ¢

K

+ A A

+ A I

A

D55555555555555555 + A AI @

@

D5555555555555555555 A+ I @ A A A A A

@

K

@

K

@

K

A A A A

ff

cresc.

A A

ff

cresc.

<

N{ f

unis.

'N ' AA I f

ff

N

@

dim. molto

unis. 'A+ I N A f

p

'A I N

A I @

A I @

p

f

A

'A I @

A

'A I @

arco

K

f

pizz.

@

K

f

A A ' A A A ' A - A 'N -A A A A A A A A' A A I mf

@

f

'A A A A A 'A ' A A 'A A I @ A A A ' A ' A A+ f cresc.

mf

'A ¡ I s

A¢

div. A A A A ' A 'N A ' A A A ' A A I A 'A A -N ' A 'A -A mf

<

D55555555555555555 A A I I A A A A A A A A A A A I @

cresc.

f

mf

@

@

2 ' A 'div. A ' A A A A NN détaché A AA A ' A A ' A A I ' A I A A A ' A A 'A'A-A

'A A ' A A A A ' A A 'A'A -A

mf

MARIMBA

f

mf

AAAAAAA I

mf

I

K

A¢

I + 'A

K

<

@

@

détaché

Cb.

5555555 AI D 'A A A A A

mf

mf

Vc.

;

<

<

p

Vla.

;

f

<

<

I

Vln. II

®;

'AA+ I @

Solo Perc. enters dramatically DOWNSTAGE RIGHT and acknowledges timpani with a gesture

Vln. I

A A A

cresc.

Perc.A

Perc.B

@

mf

<

r

@

;

A

cresc.

SOLO Perc.

I

® ; ;

sfz

f @ 'N N{

<

D5555555555555 A A 'A AA A

+I A

N

+ I @ ' AA

'N

'N @ '-NN

AAA

'''NNN

NN

sfz

a2

K

f

senza sord.

Tpt. in C

@

mf

+ AA A{ A{

' NN

<

mf

'A I @

mf

Hn.III/IV in F

A I @

mf

a2

f

Hn.I/II in F

A A AA

' N 'A+ I A ' AA I @

f

N

+I A

mf pizz.

+ I K A mf

5 19

Flt.

r

a tempo

ad lib.

<

A AA A

'N @ -N

<

f

Ob.

<

<

'N -N

A A A A

'N @ -N

AA AA

@

f

+ AA I @

Clt. in Bb

Bsn.

K

<

p

s

<

Hn.III/IV in F

r

<

<

N{

Tpt. in C

Tbn. I/II

<

<

A

K

<

<

' NN

K

' NN f

'N @ '-NN

<

AA AA A A

<

@

'NN {{ mf

Tbn. III Tuba

<

f

Timp.

SOLO Perc.

<

' A A A 'A

@

<

@

'N AA A AA AA AA AA N A ' A A A - A A AA A <

<

AA+ I @

'NN

N

K

p

+I A

<

mf

+ I @ ' AA + I @ ' AA

@

K

<

@

K

<

AA A I @

@

K

<

'AA I @

@

K

<

A+ I @

@

K

<

A A + 'A I ? A A A A A A A A A A I

<

sfz

ff

mf

3

ad lib.

K

K

3 'A AA ' A I A+ A A A A A A'A - A A

K

mf

NN

<

<

@

'A I A A

<

D555555555555555 ¡ A A I @

@

K

<

@

K

<

I A A A A A A A A A A A I @

@

K

<

D555555555555555555 A+ I @ A

@

K

<

K

@

mf

Perc.A

<

<

@

A¢

N ¢

K

mf

<

<

@

mf

Perc.B

s

<

<

K

f

@

mf

a tempo

ad lib.

Vln. I

r A I @

AA AA

div.

K

<

'N @ -N

pp

Vla.

<

<

<

<

@

@

'N -N

mf

A A A A

'N

A A

mf

Vc.

<

<

+I @ A

mf

Cb.

s

@

A

<

N{ mf

f

A I @

mf

A ' N I

A I @

A I @

mf

p

mf

-A I @

K

pp

p

f

N

<

<

+I A

<

<

mf

f

A

ad lib.

N

unis. + N AA I

f

arco

<

unis.

AA ' N I f

mf div.

Vln. II

'A

cresc.

3

r

<

mf

sfz

cresc.

'A A A A I 'A ' A-A A

D5555555555 'A A A A A mf

' AA I @

3

@

A A A

@ 'N N{

<

sfz

mf

s

A I @

@

-A I @

f

<

<

mf

1ºN ' + AA I AA I @

ad lib.

mf

f

A I @

f

f

Hn.I/II in F

a2

A ' N A I

A I @

pizz.

+ I K A mf

6 24

Flt.

r

a tempo

3 <

- A A

aN2

@

- A I @

mf

Ob.

<

-AA AA

Bsn.

f

<

<

@

s

N

a2

<

+I @ A

r

<

@

-AA

AA 'NN

p

AA

-A

N

' AA

' AA AA

mf

cresc.

1º

AI @

A

A 'N

A

'A

a2

'A mf

cresc.

K

<

<

N{ N{

+ AI @ A

K

<

<

mf

f

Hn.III/IV in F

<

<

<

<

<

Tpt. in C

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

K

<

<

Tbn. I/II Tbn. III Tuba

s

-A

f

mf

Hn.I/II in F

AA

p

@

'' AA AA

mf

-AA I NN

mf

Clt. in Bb

<

f

NN

@

K

' AA

G to A

Timp.

<

D555555555 A A A A + I ? I @ A A

@

f

mf

'A -N AA-' AA A AA - AA AA - A N ' A A

AA I @

' A 'A A A 'A A A A A A A A'A''AA A ' A A A A A A ' A ' A A A A AA A A A cresc.

K

sfz

SOLO Perc.

r

p

' NN

<

A A'A A A

A A 'A

<

<

K

<

<

<

<

<

I AAAAAAAAAA A I @

K

<

<

D55555555555555 +I @ A A

K

<

<

- A I @

K

<

<

A I @

K

<

<

- A I @

K

<

<

<

K

@

@

D55555555555 (damp) A A I @ mf

Perc.A

<

@

A¢

K

mf

<

@

mf

Perc.B

s

<

K

@

mf

a tempo

3 Vln. I

r

<

@

- A A

N mf

Vln. II

<

@

f

A A

N mf

f

- A A

N

Vla.

<

@ mf

Vc.

<

+I @ A

f

N

s

<

+I @ A

'A

A

A

A

'N

-A

<

K

'A

-A {

p

mf

Cb.

A I - A

K

<

@

A + A I

29

Flt.

r @

A AA A

-' NN f

AA I K @

Ob.

7

AA A A A A A A - A ' A ' A A A A 'A ' A ' A ' A I @ I @ K

4 K

mf

' A @ I K

Clt. in Bb

Bsn.

Hn.I/II in F

<

A A ' A - A A A A ' A A A A A A A ' A 'A A 'A 'A A A I @ K

'N @ -N

<

<

<

<

+I @ A

<

@

K AA A A

' NN p

s

a2

+I A A

N

r @

N{ N{

' AA

I

@

K

+ A I A

@

K

+I A A

N @

mf

N{ N{

A A

I @

K

+ A I @ A

K

<

@

2º

N{

p

mf

Hn.III/IV in F

<

<

<

<

<

Tpt. in C

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

Tbn. I/II

Tbn. III Tuba

s

@

Timp.

D5555555 + I ? A A A A A A

I

@

K

@

-A I @

K

I

r

<

K

@

D5555555555 A A

I

'AA

AA

AA I @

AA

3

mf

AA

AA

+ AA ' AA

K

K

@

mf

- AA

I

<

K

@

D55555555555 A A

AA

AA

AA

cresc.

@

K

D555555 A A A A A p

f

3

''AA

I @

f

mf

mf

SOLO Perc.

D5555555 + I ? A A A A A A

3

+ ' AA I @

'AA

' AA I @

K

f 3

AA

<

' - AA ''AA -A cresc.

K

K

@

AD5555 pp

p

Perc.A

@

A¢

K

<

@

p

@

D55555555555 I A A A A A A A pp

Perc.B

s K

Vln. I

@

@

A A

Vc.

mf

Cb.

s

@

K

K

A A

N

A A

'N

A

+I @ A¢

A

I

@

K

@

@

K

A¢

K

pp

I @

K

@

D555 I A A I A A pp

p

D5555555555555 + A A I @

A

I

@

K

@

K

K

mf

A

'N

I

@

K

@

A A

@

D5555 A

@

K

f

A I A

mf

<

+I @ A¢

4 I @

K

@ 'N

A

A A

A

I @

K

@

p

N

A A

I @

K

@ 'N

A A

p

f

+I A A

A A

I @

K

N

+I A A

+I @ A

K

p

f

K

AA

p

f

mf

I

A f

N

f

' AA

A A

'N mf

f

+I A A

@

pp

f

mf

A I

@

<

D55555555555 I A A A A A A A

p

mf

Vla.

K

K

pp

D5555555555555 + A A I

mf

@

@

p

'N r @

Vln. II

I

A¢

<

p

mf

8 34

Flt.

r

<

<

<

<

<

Ob.

<

<

<

<

<

(1º) AA A A A A'A'A A I @ ' A ' A I @ K A A -A 'A'A A ' A+ mf

Clt. in Bb

Bsn.

s

+ I @ 'A + I @ -A 'A'A A ' A ' A A ' A A

'A A A A A AA A p mp

<

<

1º

A'A'A A 'A

<

mf

Hn.I/II in F

r + I @ A

K

@ 'N {

<

'A A A A+ I @

+ A I @

A I 'N {

pp

K 'A A'A'A mp

I @ A A A ' A ' A+

K

<

Hn.III/IV in F

<

<

<

<

<

Tpt. in C

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

+ I @ A

K

Tbn. I/II

Tbn. III Tuba

s

Timp.

SOLO Perc.

I r

AA

AA

'- AA '' AA

3

AA 3

AA

A

pp

' AA mf

D555555 A A

@

'AA

A

I @

K

<

+ 'AA I A A+ I A ' AA A f

A

A

p

<

pp

< I

@

< 'A ' A I AA' A AA ' A I @

K

D55555555555 A A to Woodblocks I @ K

@

D5555555555555555555555555555 'N AI @

mp

'A A @ ' A -AA A

< K

E to Db I 'A+ A A A I @

K

@

mf

A

AI @

@ 'AA'-AA

<

<

<

<

<

<

<

<

ppp

Perc.A

@

A¢

to Temple Blocks

K

<

ppp

Perc.B

Vln. I

K

D 555 +

s A I @

K

r + A I @

K

<

<

<

<

A+ I @

K

<

<

<

<

A I @

K

<

<

<

<

K

A

I

A

to Xylophone

A I @

A

AI @

+ I A

+I @ A

ppp

K

@

ppp

K

to Maracas

K

mf

Vln. II

mf

Vla.

mf

A I @

Vc.

Cb.

s

K

I A 'A 'N

K

I -A

p

<

+I @ A

K

<

'A ' N + I @ A pp

AI @ K

I 'A

+ A 'N

pp

<

9

I - WOOD rit.

39

Flt.

r

<

<

# <

<

Lyrical q = 104

5

'A A 'A A 'A-A

1ยบ

<

<

I

A

A I @

@

p

<

Ob.

<

# <

<

A

1ยบ

<

<

@

I

A' A ' A A ' A

I @

@

p

Clt. in Bb

<

<

# <

<

<

@

s K

+I @ A

A ' A ' A ' A ' N

p

Hn.I/II in F

I

@

@

<

A ' A

I

@

@

2ยบ 'A 'A I I A -A

p

1ยบ

Bsn.

+ AA

''NN

r

<

<

K

2ยบ 'A{ # AA 'AA I I 'A+ 'A 'A 'A I p

@

p

<

<

@

1ยบ

pp

#

'N{ sfp

+I @ A

@

<

<

<

pp

Hn.III/IV in F

<

<

<

# <

Tpt. in C

<

<

<

# <

<

<

<

<

<

<

<

# <

<

<

<

<

<

<

<

# <

<

<

<

<

<

<

<

<

Tbn. I/II Tbn. III Tuba

s

D55555555555555 + # @ N{ AI@ K

Db to C D55555555555 'N K A A 'A A 'A I @

Timp.

<

<

<

<

<

pp

<

# <

<

soft sticks

SOLO Perc.

'AA I @ K r

@ 'AA'-AA AA I @

@ N{ N { ''NN {{

NN ''NN AA I # @

<

<

# <

<

p

A A ' A

'-A A @ I + 'A'A-A -A A ' A A

[harder sticks]

I

mf

p

'A'A'A A A A

<

<

<

p

A 'A

< + A A

WOODBLOCKS

@

'A A

I

A

'A A

A I @

@

ppp (kaum hรถrbar - only just audible)

Perc.A

<

<

# <

<

<

TEMPLE BLOCKS

I

<

+ A A

A

A

I

<

ppp (kaum hรถrbar - only just audible)

<

<

# <

<

XYLOPHONE yarn or hard rubber sticks

<

@

'-AA @ @ I + A A 'A

@

<

p

Perc.B

<

s

<

shake

# <

<

<

<

MARACAS

@

N5555555555555555555

tap

A I @

@

ppp (kaum hรถrbar - only just audible)

I - WOOD Vln. I

rit.

r

<

<

<

Lyrical q = 104

5

# <

<

<

@

+ +I @ A ' A

'A { p

Vln. II

<

<

<

# <

Vla.

<

<

<

# <

@

<

<

pizz.

<

I + 'A A I @ @ ' A 'A

<

+ I@ @ A

<

@ <

@

I + ' A 'A A

p

+I A

Vc.

+I @ A

'N{

@

# +I @ I 'A{ A

'A 3

pp

p

Cb.

s

<

<

<

mf

# <

N{

p

+ AยขI @ p

@

<

<

N{ + AยขI @

@

10 47

Flt.

r

Ob.

<

<

@

+ A'A-A A ' A I @ I A

+ AA I @

@ - - NN

Clt. in Bb

Bsn.

I A + 'A A'A-A A

A ' A A ' A I I -A I @

@

1ยบ ' A { A ' A -A I I @ s

@

<

@

6

@

' A A A I I I A + A AA I @

@ -'N A{ 1ยบ

'A I' N + A 'A I I -A A 2ยบ

@

A' A I A 'A-A

A I @

'A

A ' A I IA

' A 'A'A-A A I @

A A I @

@

I A

@

AAA 'A

<

<

@

''NN {{

NN

+ AA I N {{ N

@

-' NN {{

NN

AA 1ยบ N{ I

Hn.I/II in F

r

<

<

<

<

<

<

<

<

Hn.III/IV in F

<

<

<

<

<

<

<

<

Tpt. in C

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

Tbn. I/II

Tbn. III Tuba

s

Timp.

AA AA ' A A -A @ I A+ 'A A-A A

SOLO Perc.

mf

r

<

<

<

@

I A+ A

' A A A' AA A + A I @ @ I A A 'A -A'A A 'A p mf -A' A < < @ @ A

A I@

@

<

I A+

@

AA

A AA @ 'A A A 'A -A A

I

I + A A'A A A A A

p

< A

A I @

A

<

@

<

I A+

@

AA

ppp

@ Perc.B

s

r

Vln. II

Vla.

Vc.

Cb.

'A A

<

Perc.A

Vln. I

' A A

s

<

I A+ A A A

I

<

I A+ A A

<

AA @ @ < @ I A+ A 55555555555555555555555 tap shake N A I@ @ < @

@

@

I'A+ A

' AA

A

I

<

@

AA

ppp

@

@

<

tap

<

I A+ A A

<

A

@

A I @

I

@

I + AA A A

@

pp

@

<

@

I A+

@

N555555555555555555555 ppp

6 < <

@

+ +I@ A ' A

'A { <

A I @ @

<

+I @ @ A

<

<

<

@ <

@

<

@

<

+ + A 'A ' A A

'A { <

<

'A A A + 'A -A 'A

' A ' A A

A

AA

I A

'A A

mf

<

'A A I + 'A'A A I I A A I A

<

I + 'A A I @ ' A -A

@

<

+I @ A

@

<

<

<

<

<

<

<

<

N{ <

<

@

11

A r I I 'A -A A ' A I @ 55

Flt.

<

- A A N ' A ' A 'A A 'A'A -A A A A

A 7 I

stacc.

<

<

<

<

<

p

Ob.

1ยบ 'A -A A A I A A + ' A A ' A ' A A A A A A A A A A

<

p

a2

Clt. in Bb

Bsn.

Hn.I/II in F

' A 'A

'N 'N s

@

@

<

mf

+I @ A mf

<

<

<

<

@

<

<

<

mf

<

<

<

<

@

@

''NN p

@ A+ I @ 'A I 'A A'A I

'N {

mf

r

+ AA I @

NN {{ mf

A I @

N{

I

@ + 'A p ' A { A I @ @

pp

1ยบ

+I @ A

'N

@

<

mf

Hn.III/IV in F

Tpt. in C

<

<

con sord. I 'A A+ 'AA+ ''AA AA+ ''AA+ I --NN N - AA ' AA ' A -A 'A -A

<

<

<

<

Tbn. III Tuba

s

Timp.

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

' A A - AA

@

@

<

dead strokes

@

<

mf

AA ^

'AA ^

' AA ^ I @

'-A A @ I + -A A

@ ord.

p

mf

'A A A A

<

<

<

<

A I I A+ A A A I @

<

<

<

<

<

<

A I I + A A A I @ A

<

<

<

<

<

<

<

<

<

<

<

<

pp

'A

<

'A ' A

<

p

pp

I ''AA ^ mf

Perc.A

p

'A

I -A+ 'A AA I @ 'A

@

p

Perc.B

s

A I @

Vc.

@ <

N

<

< ' AA

' AA

NN

A+ I @ A

@

<

N

A+ I @

@

<

N

+ I @ A

@

N

+ A I @

@

I

@

@

s

<

arco

N

p

<

<

<

<

<

<

<

<

pp

@

pizz. I + A 'A+ I I + 'A A I @ @ ' A -A ' A 'A p

mf

<

@

' N

+ I @ @ A

N{

mf

p

<

7

@

arco

N

p

+ I @ A

div.

<

'A I @

Vla.

<

p

N ' N

p

@ I + A

pp

A A I I @

r A + 'A 'A A A N

p

Vln. II

Cb.

<

<

r

Vln. I

<

SOLO Perc.

I

<

mf

p

Tbn. I/II

AA+ A

''-NNN

<

p

pizz.

@

<

<

+ AยขI @

p

@

<

12 63

Flt.

r I

A 'A-A

'A A 'A

A

- A I @

@

<

I

pp

@

Ob.

A 'A'A-A A' A

A

I

A' A ' A A ' A I @

@

<

@

I

+ AA

Bsn.

s

' A+

I

@

<

@

'NN

AA I @

p

I

@

@

@

<

p

@

@ - A { ' A+ - A+ A I @ 'A I I '<A -A A < I @ @

@

<

- A A 'A'A'A A ' A I I A -A ' A I @

pp

@

A 'A I @

p

pp

pp

Clt. in Bb

A

8 A -A A A I I A I I A

<

@

<

-NN {{

NN

+ AA I

- NN {{

' NN

AA I

Hn.I/II in F

r

<

<

<

<

<

<

<

Hn.III/IV in F

<

<

<

<

<

<

<

Tpt. in C

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

Tbn. I/II

Tbn. III Tuba

s

Timp.

'A -A 'A

SOLO Perc.

'A-A

I

' AA A '' AA A A @ I + 'A A ' A 'A ' A 'A -A

@ p

r

' A A A <

@

+ A

I

A

A

A

AA ' A 'A A '-AA I A+ I @ A A A A A 'A A p

mf

'A A A ' A @

<

A I @

<

@

<

@

I

ppp

<

+ A A

A

+ A A

A

pp

A

I

<

<

I

ppp

'-AA Perc.B

s @

Vln. I

r @

shake

@

<

@

+I @ + A ' A

'A { <

Vla.

<

@ <

@

<

+ +I 'A AA

I A+ AA I @

@

555555555555555555555555555555555 N A A I I

@

A A A I @

@

A I A+ 'A -A I @ @

+I @ A

N <

@

@

p

@

I

@

<

+ + A 'A -A

A {

<

p

s

@

I

@

I 'A+

@

pp

8

Cb.

<

A A A I @

A

<

pp

Vln. II

Vc.

<

p

ppp

p

@

I 'A

@

@

I A+

+ A A A

' AA + @ I A 'A @

55555555555555555555555555555555555 tap N A A A A A I I I @ @

@

p

pp

'-AA @

< A I A I @

A I @

Perc.A

I

@

< @

I

+ A A 'A <

+ + 'A -A A

A

A

< A I @ @

< @

@

<

@

<

pp

<

<

<

<

'A

- A ' A 'A I A+ -A -A 'A I I

A I @

'N

+ A A A 'A A A

<

<

13

Flt.

r

<

I

Ob.

Clt. in Bb

@

' A + A ' A 'A 'A ' A A I @ A

NN {{

s

@

< + A

I A p

+I @ 'A -A 'A

'-NN

'N {

<

<

<

@

1°

@ p

-A I @

N{

A A A A ' A A ' A A A 'A -A 'A 'A A A 'A 'A

a2

1°

Bsn.

pochiss. rit.

A ' A - A A I @ I

70

<

'A

I

<

@

@

<

'A -A A ' A A ' A I @ AA A A A A A

mf

@

(1°)

<

<

'N

@

mf

Hn.I/II in F

r

<

<

<

<

<

<

<

Hn.III/IV in F

<

<

<

<

<

<

<

<

(sord.) I -AA 'AA+ ''AA+ --AA ''AA+ --AA+ I ''NNN A ' A ' A -A A A

Tpt. in C

<

N '-NN

AA A

p

Tbn. I/II

Tbn. III Tuba

s

Timp.

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

' A 'A 'A - A @ A

-A

-A A r

@

+ A A A

I + A A

A

A

AA

Perc.B

@ s

A I

@

pp

'A

r 'A

A A I I A+ A A I @

<

<

<

A I I +A A A I @ A

<

<

p

A I A+ A 'A I @ A p 55555555555555555555555555 A N A I I @

<

Vla.

I

Vc.

''NN

<

I 'A 'A 'A -A I @

@

arco N

<

<

' N

Cb.

s

<

<

<

NN

f

< A I A I @ p

<

@

<

p

N

<

@ AA+ I

@ ' AA

@

- AA

A

I

A

A

A I @

I

@

@

@

pp

@

A+ I

N

A+ I

N

A I pp

N mf

@

<

@

N mf

@

@

<

@

'N mf

@

pp

dim.

@

pochiss. rit.

pp

dim.

dim.

I A+ A A

-A A A A A A A A A I I + 'A 'AA -A pp

@

pp

dim.

arco ' N

@

mf

+ A I @

-A 'A 'A N

p

<

p

p

' AA ^ I @

p

'A

A ' A A ' A - A

' AA ^ ' AA ^

p

p

A

I '-A A^ <

<

p

@

<

mf

Vln. II

<

I A 'A

@

dead strokes

<

pp

ppp

<

pp

A A

mf

<

ppp

I

@

mf

'A ' A

Perc.A

Vln. I

<

SOLO Perc.

I

@

pizz.

+ I 'A

+ A

pizz.

+ A

'A I

I

@

@

arco

@

'A{ mf

I

@

@

<

A

14

9

77

Flt.

r

a tempo

<

ord.

' AA I

flz.

<

@

NN

ord.

-AA I @

flz.

@

@

@

NN

@

<

pp

pp

Ob.

<

<

<

<

<

<

<

Clt. in Bb

<

<

<

<

<

<

<

<

<

<

<

<

Bsn.

Hn.I/II in F

'A I @ s r

A

<

-A I @

@

'NN

'AA

p

Hn.III/IV in F

<

-' NN {{

Tbn. I/II

Tbn. III Tuba

s

Timp.

@

NN

p

Tpt. in C

@

-NN

'NN

'AA

- NN {{

@

NN

@

NN

-NN

AA

N{ N{

' AA

'AA

AA @

'' NN

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

+ + ord. ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? + ^ I ' A I I + 'AA^ I ? A 'A A A -A ' A A ' A '-AA^ A A A A A A A A A A ' A^A - A 'A A A A 'A A A A A A A A A - A A A A A A A 'A A A A A A A A A A A A A A A A A A A A 'A-A A' A A A A A A A f ff

SOLO Perc.

r

@

p

<

<

A A I A

A I@

<

<

<

<

<

@

<

<

<

<

<

@

<

<

<

<

<

@

<

<

<

<

<

@

<

<

<

<

<

f

Perc.A

A

I I A+ A A

AI@ f

Perc.B

Vln. I

+ + 'AA I AAAAAAAA A I @ 5555555555555555555555555 N A @ I@

s

9

r N{

a tempo

+ 'A I @

@

+ A I @

@

<

<

<

<

<

+ -A I @

@

<

<

<

<

<

@

f

N{

Vln. II

pizz.

I + 'A A A p

+ I A

@

@

@

I 'A+ A A

+ I @ A

@

<

f

'N {

Vla.

f

A A A ' A I@

'A A

Vc.

@

@

f

Cb.

s

<

pizz.

+ I @ A¢

<

@

+ I @ - A¢

<

@

'A I @

<

@

A¡ I @

<

@

'A I @

p

<

@

+ A¢ I @

p

15

84

Flt.

r @

'AA

@

-AA

AA

I @

10 ' AA I@ @

<

<

<

<

<

Ob.

<

<

<

<

<

<

<

<

Clt. in Bb

<

<

<

<

<

<

<

<

Bsn.

Hn.I/II in F

s

Tbn. I/II

SOLO Perc.

s

<

@

@

'A I A A A I @

@

<

'NN

@ 'AA 'A A

NN {{

A

'' AN{

A

A

@ 'AA '' AA

- NN {{

'' NN

+I @ @ - AA

@

-NN {{ @

- NN {{

@

' AA

+I @ AA

' NN

AA

' AA 'NN

@

@

@

-AA

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

? ? ? ? A + A I @ ' A ? 'A A A A A A'A A A A A'A-A A A A A A A'A A A AA ' A 'A I @ -A p

@

@

@ ? -A A 'A I @ 'A

@

@

mf

r

<

@

<

@

<

A

pp

@ Perc.B

s

@

I @ + I + I @ +I + I @ + I - A+^ I @ + I + I @ + I 'A^ A^ A^ A 'A ' A^ ' A^ - A A^ A^ A A I A A I @ @ < < <

@

A A ' A I@ A A 'A mf

@

A 'A

p

'A @ ^ I A^+ I

<

<

A I A+ A A

A to Claves I@ @

<

pp

<

<

<

<

<

<

<

<

<

<

<

<

p

p

<

10 arco 'N @

<

@

'N @

' A I@

@

@

@

@ N

A I@

@

@

@ ' N

-A I @ @

@ 'N

A I @

+ A I @ @

'N @

A I@ @

@ N

A I @

@

+ A I @ @

@

'A A I I @

@

A I@ A I @

ord.

'N

N

A

'N

+ A I

pp

Vln. II

<

@ N

<

pp

Vla.

<

<

<

pp

Vc.

Cb.

A I @ A I @ s

-A A

p

to Bamboo Wind Chimes + + < I + 'AA 'AA I AAAA A AAA A I @ @ 'A A p pp 5555555555555555555555555555 tap N A A A A A I I I@ @ <

r

A ' A 'A

dead strokes

pp

Perc.A

Vln. I

<

pp

'N - N{

Tpt. in C

Timp.

<

r 'A A

Hn.III/IV in F

Tbn. III Tuba

1° ' A A A A I@ @ I

@ @

@ @

arco

'N

@

+ 'A I

pp

@

'A A I I@ @

@

@

ord.

N @

@

ord.

@

A ord.

@

@

A <

I

16

11

92

Flt.

r

<

<

<

<

<

<

<

<

<

Ob.

<

<

<

<

<

<

<

<

<

Clt. in Bb

<

<

<

<

<

<

<

@

1°

+I + A A{ A

N

p

Bsn.

Hn.I/II in F

s

<

Tbn. I/II

s

'NN {{

-N{ N{

<

NN{

A

AN 'A

A @

AA+ I @

@

<

A

+I @ A

3.

'A 'A

A I 'A {

@

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

muffled

D5555555555555555555555555 +I @ gliss. -A N {

@

'A A'A'A-A A A A A I @

@

'A A @ 'A A-A A A A I @

@

@

mf

@

+ 'A^ I @ @

+ @ 'A I A^ I 'A+^ I @ ^

<

<

<

<

<

@ @

@

@

NN

<

<

'NN

A A A A I I I A I I @

@

@

A @ I

A A A A A I I I I I @

@

@

A @ I

pp CLAVES

<

<

<

<

@

@

@

555555555555555555 N A¡ I @

pp

<

s

<

<

<

<

<

@

<

@

555555555555 N

pp

Perc.B

(Maracas)

<

<

<

@

AAA A I @ I

@

<

@

AAA A I I @ @

pp

r @ @

@

p

' NN

<

' AA I @

mf

(Woodblocks)

<

AA ® I @ A®A'A A A I

NN p

+ -A^ I A+^ I @ A A

D5555555555555555555555555 + gliss. 'N { -A I @ @

<

pp

BAMBOO WIND CHIMES

Vla.

<

<

Perc.A

Vln. II

-A I @ @

<

r

Vln. I

A A -A 'N { A A A 'A

' A I @ @ SOLO Perc.

<

@ 'N p

''NN {{

Tpt. in C

Timp.

<

r AA 'AA 'AA

Hn.III/IV in F

Tbn. III Tuba

(1°)

11 @ A

'N {

@

N{

'A

+ AI @

@

<

<

<

@

'A I @

@

<

pp

p

+I A

N

p

+I @ @ 'A

N

<

@

N

N

+I @ A

@

<

@

+ AI @

@

<

@

+I @ -A

@

<

'N {

' N 'N

+I @ @ -A

N

A I @ @

pp

<

<

<

@

N N

-N

pp

Vc.

Cb.

+ 'A I @ @

@ s

'A A @ I I @

<

< (pizz.)

@

@

'A

mf

<

N {

p

p

A

' A 'A dim.

A

A¡ @ p

@

+ AI @ @

<

<

'A¢ @

@

<

17

12

101

Flt.

r

<

1°

<

<

<

@

@

A

13

# N{

N {

<

<

<

<

(1°)

N

+ A I A{

mf

<

Ob.

<

@

1° A A I + A A A A'A A 'A p

'A'A -A A N { ' A 'A 'A -A A A A 'A

Clt. in Bb

Bsn.

Hn.I/II in F

A I @ p

mf

@

# <

@

<

# <

<

@

<

<

<

<

<

<

# <

<

<

r

<

<

<

<

<

<

# <

<

<

<

<

<

<

<

<

# <

<

<

<

<

<

<

<

<

# <

<

<

<

<

<

<

<

<

# <

<

<

<

<

<

<

<

<

# <

<

<

<

# <

s

Tpt. in C

Tbn. I/II

s

Timp.

<

+ A

p

Hn.III/IV in F

Tbn. III Tuba

A I@

N {

<

<

<

<

(muffled) D555555555555555555555555+ gliss. 'N { AI @ @ pp

®® 'A ' A A+A I @ A A A'A I - A I @ mf

SOLO Perc.

r

<

@

A ®® A @ A'A A A I A I @

A I A I A I

A I@

A A A A I I I I@

@

@

<

<

<

<

# <

<

<

<

<

# <

@

<

<

<

XYLOPHONE

@ <

s

p

# <

<

<

<

@

A A A A A A A A A I @

@

@

pp

Vln. II

Vla.

<

@ @

@

AAA A I I@

@

<

<

BAMBOO WIND CHIMES

## A A A A A A A A A I @ @ # <

<

<

@

Cb.

s

A @ I A @ I

@

555555555555 N

AAA A I I@ @ pp

N

-A I @ <

12 N @ @

@ 'N ' N

A I@

1 solo

@

@

@

pp

A

-A {

A A -A

p

'A I @

@

@ 'N

N

'A I A -A

A # N 13 <

<

@

N 'N

'A I@

@

N

@ N

A I 'A A

<

<

<

<

<

<

mf

#{ N

N{

@

A # # I@ @ @

N{

N

N

+ AI @ @

N

N

+ AI @ @

pp

pp

<

# <

+ AI @ @

'N { p

'NN

pp

p

Vc.

<

<

p

NN

pp

Perc.B

r @

@

pp

55555 A¡

I @

Vln. I

@

p

<

Perc.A

@

A A A #N A A A A A AI @ I 'A+ A A A'A ? I N mf p

<

<

<

<

<

<

# <

'(pizz.) AI @

@

<

18

14

110

Flt.

r

<

<

<

<

<

A A N { ' A A A I A A A A

@

<

Ob.

@ 'N p

A N { A A ' A AA

Clt. in Bb

Bsn.

Hn.I/II in F

<

<

mf

AI @ @

<

<

<

<

<

<

<

<

<

<

<

<

<

<

r

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

Tbn. I/II

s

Timp.

®® A A+ I @ A'A-A A I A mf

SOLO Perc.

r Perc.A

D555555555555555555555555+ @ N{ gliss. A I @ AA I@

@

@

<

<

A A A A

I I I I@

@

A A A A

I I I I@ @ 555 A¡ @ <

I @

®® - A + I @ ®®'A A A A I AA I @ A A A' A I AA A

NN p

' AA I@

@

mf

' NN

'A A A A A A I@ I 'A A mf

+ I A A A A A p

p

<

<

@

A A @ I A I

A I A I I @

@

@

A A @ I I I

A A A I I@

@

@

55555555555555555 N A¡ I @

<

<

<

<

<

<

<

<

<

<

<

to Temple Blocks

<

XYLOPHONE

@

<

@

+I @ A A A A A A A A A

@

@

A A A A A+ I @

@

@

pp

Perc.B

<

s

r @

tutti

N

@

AAA A I I@ @

AI @

@

<

pp

Vln. II

Vla.

Vc.

Cb.

@

<

Tpt. in C

Vln. I

A I @

s

Hn.III/IV in F

Tbn. III Tuba

A ' A A ' N { -A A A A A A

+ A A A 'A

A I 'A {

@

mf

p

(1°)

A I@

(1°)

s

<

@

A I

p

<

@

N N

<

@ 'N N

<

N{

<

+ AI @

@

'A I @ @

@

<

@

<

<

+ A I @ @

< <

@ 'N

N

A I @

@

@

N

N

' A I@

-A

' N {

A I@

@

@ N{

<

<

'N 'N

<

A {

p

N

N

<

' A 1 solo I @ A

pp

mf

AI @ @

<

@

14 A ' A I@

AI@

@ N

AA A I@

A I @

@

N{

-A A A <

A I@

@

<

<

<

<

<

<

19

15

119

16

Flt.

r

<

<

<

<

<

<

<

<

<

<

Ob.

<

<

<

<

<

<

<

<

<

<

<

<

Clt. in Bb

@

(1째)

@

A

mf

Bsn.

Hn.I/II in F

'A A A A -A 'A 'N

+I A

N

p

@ -N

+I A 'A 'A

N

@ N

<

<

<

<

<

<

<

<

<

<

r

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

AA I @ @

<

'' N N {{

AA I @

@

AA I @ @

<

N { N{

AA I @

@

s

Hn.III/IV in F

Tpt. in C

Tbn. I/II

''N N {{ pp

Tbn. III Tuba

+I A

s

<

<

<

N { N{

<

pp

Timp.

<

<

<

unmuffle

<

<

AA AA

@

555555 ND

AI @ @

pp

A A A I @

@

mf

SOLO Perc.

p

r

+ 'AA I @

NN

@

' NN - A I@

<

@

+I @ @ A -A

NN 'NN

@

'A I @ @

@

D55555555555 N AI@ @

+I @ @ ''AA

'' NN pp

@

-NN

D555555555 AAAAAA @ A

@

<

@

pp

<

<

+I @ ''AA

'' NN -NN

@

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

Perc.A

@

A A A A A+ I @

@

@

@

+I + AAAAAAAA A A I @ mf

Perc.B

<

s

Vln. I

<

15 A I@

r 'A N

<

<

16 @

<

<

<

<

<

<

<

<

+I @ AA

+I @ @ - AA

<

<

<

<

<

<

<

<

<

<

<

' A ' N

A I@

mf

<

Vln. II

@

pizz.

+ AA I @

pp 1 sola

@

Vla.

@

A

A{

Vc.

AI@

' AA @ I @

-A I@

@

pp

Cb.

s

<

@

@

mf pizz.

<

@

' A -A A ' A N

p

+ 'AA I @

<

'A @ A I @

1 solo arco

'A I -A @

' A ' A {

mf

<

<

<

A -A 'A 'A 'A A I -A p

<

<

<

mf

<

<

@

20

17

129

Flt.

r

<

<

<

<

<

<

<

<

<

<

Ob.

<

<

<

<

<

<

<

<

<

<

+I ' A 'A A A 'A - NN

+ I@ '' AA

@

<

<

<

@

<

<

<

+I 'A 'A A

Clt. in Bb

'N

AA

+I @ ' A A 'A

@ '' NN {{

p

Bsn.

Hn.I/II in F

s

<

<

<

<

+I @ -' AA

'N @ -N

<

' AA I@

p

r

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

Hn.III/IV in F

(con sord.)

Tpt. in C

Tbn. I/II

Tbn. III Tuba

s

<

''N N {{

<

N { N{

A I @ @

Timp.

<

AA I @ @ AA I @ @ <

@

SOLO Perc.

+I @ @ ''AA

''NN -NN

<

p

<

<

<

<

<

''NN {{

AA I @ @

<

<

<

<

@

D5555555555555 + F# to G A D5555555555 A @ A A A A A A A N{ gliss. 'A I @ @ 'AA p

gliss.

@

@

''NN

<

<

pp

'-A A @ @ A A A

+I @ @ ' AA

-' NN

D555555555555555555 D55555555555 gliss. A A A A A 'A A 'N { <

'A A

p

'A-A A A

<

A 'A

<

'A A

pp

pp

r

<

AA I @ @

<

<

@

<

pp

@

+ I@ ' N A ' N A ' A{ A 'A

' NN {{

p

<

@

A I A+ A A I @

(Woodblocks)

<

<

<

<

<

<

<

<

@

@

pp

Perc.A

TEMPLE BLOCKS

<

<

<

<

<

<

<

<

I A+ A A A I

<

pp

<

<

<

<

<

<

<

s

<

<

<

<

<

<

<

@

Perc.B

< @ I + - A '-AA@ @ A 'A pp 55555555555555555 (Maracas) N A AAA I I @ < pp

17

Vln. I

r

<

<

<

<

<

<

<

<

<

<

Vln. II

<

<

<

<

<

<

<

<

<

<

<

+ I + 'A I A 'A I

<

@ 'N

<

'A I @

Vla.

@

Vc.

< @ -A

< ' A ' A {

<

<

<

<

tutte pizz.

+ I'A+ I A I 'A I @ @ A

p

'A ' A { ' A A

' N {

A I@

tutti arco

@

<

@ 'N

+ A I@ @

pp pizz.

Cb.

s

<

<

<

<

<

<

'A I @ pp

@

<

@

21

18

139

Flt.

19

r

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

Ob.

< @

< NN {{

'' NN mf

Clt. in Bb

Bsn.

Hn.I/II in F

<

<

<

<

<

<

1°

N{

@ 'N

<

mf

<

<

<

<

<

<

<

<

<

<

r

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

s

Hn.III/IV in F

+ @ '--NNA{ A 'AAA I @

Tpt. in C

Tbn. I/II

Tbn. III Tuba

<

s

<

@

'NNN

'NNA {{ {

+ AI @ @ -'AA

A A

<

mf

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

D55555555555555 low G to E, high G to Db < 'N gliss. A+ I @ @

<

G to A§

A to Ab

I

p

+ + A A A -A A A I @

AA AA -A @ I + 'A A A A'A A I A p

SOLO Perc.

@ @ < A { A A I @ @

+I @ @ A

Timp.

@

+ AA I @ NN ' 'A{ A - A

<

<

@

A -' AA ' A AA A ' A A I A A @ I + -A'A A A A 'A A @ A 'A A A ' A A mf @

<

<

<

<

<

@

D55555555555 A AAAAAA

@

p

'A A

<

p

r

@

'-AA AA

+I @ @ ' A A 'A A A mf

@

p

mf

' A -A

<

@

< <

<

p

A I A+ A A I @

@

<

HIGH CYMBAL wire brush

A I A+ A A I @

@

@

<

<

<

@

D55555555555 N p

Perc.A

I A+ A A A I

<

<

TAM-TAM

I A+ A A A I

<

<

hit in centre

<

@

<

0¢

pp

' AA AA + @ @ @ < @ @ I -A A @ I A+ A 555555555555555555 A N A AAA A I@ @ @ II I@ @ @ @

s @

Perc.B

@

<

<

S.D. con corde

muffled

<

@

D5555555555555555 N AI@

@

pp

A A I I@

B.D.

@

<

<

18

@

muffled

@ A A A A A+ I @ pp

@

19

Vln. I

r

<

<

<

<

<

<

<

<

<

<

Vln. II

<

<

<

<

<

<

<

<

<

<

Vla.

Vc.

Cb.

s

A I @ @

<

+ I -A+ I 'A I A I @ @ A

+I @ @ A

<

@

<

<

N

AI@

+I A N @

<

+ I 'A I -A I A I 'A I @ A

< + I A A I

N @

+ I A - N

' N { p

@

'A I @

<

@

@

arco

-A

p

(ord.)

+I A 'A 'A

N{ mf

@

<

@ 'A I 'A I A+ I @ @ mf

+I @ A

@

+I @ A

@

p

<

22

20

149

Flt.

r

<

<

<

<

<

<

<

<

<

<

Ob.

A A I @

@

<

<

<

<

<

<

<

<

<

Clt. in Bb

A I @

@

<

<

<

<

<

<

<

<

<

<

<

<

<

<

+I @ @ AA

<

Bsn.

Hn.I/II in F

<

<

<

<

<

r

<

<

<

<

@ 'A ' A 'A A

s

mf

3°

@

Hn.III/IV in F

'N

+I @ A

N{

@

@

sf f

Tpt. in C

@ ''NN ' N

@

@

N

<

<

<

AA

' NN {{

p

+I @ A

@

<

<

<

2°/3°

+I AA

<

<

<

sf f

+ AAA I @

N{ NN {{

p

Tbn. I/II

+I @ A

'N

AA mf

sf f

<

@

NN {{

@

+I @ A A ' A

N{ '''NN{{

<

<

@

NN

<

<

<

@

AA

AA -NN

AA

p

Tbn. III Tuba

s

<

+I @ A

Timp.

@

<

<

<

D55555555555 @ 'A A'A A A-A A A I @

@

<

< G to Bb

I 'A A A A A A I @

@

p

<

SOLO Perc.

<

+ I@ ' A 'A-A

<

@

<

@

<

I 'A+ A A'A A 'A I @ @

<

<

<

<

A A 'A A A

'A -A I@

@

A 'A

<

'A A

<

@

A A A A A I @

@

@

p

D 55¡ A

I @

@

<

@

D55555555555555 ¡ N A I @

<

<

@

(centre)

@

< ord.

<

s

<

@

D555 -A

Bb to A

@

@

<

@

@

@ A A A I @ @

I I I A+ -A A

D555555555555555 ¡ N A I@ @

<

p

<

<

p

mf

<

<

<

<

<

pp MED. CYMBAL wire brushes

D555555555555555555 unmuffle N AI@ @ +I @ A A A A A

@

@

N¢

<

@

D5555555555555555 ¡ N AI@

@

<

@

@

@

mf

p

pp

Perc.B

@

D555555555555555 ¡ N A I@ p

<

0¢

@

mf

p

mf

Perc.A

<

<

mf

mf

p

r

<

+I @ I + AAA A p

D55555555555555555 ¡ N AI @

@

p

@

@

I + AAA

D555555555555555 unmuffle +I +I @ @ A N A

to Chinese Bell Tree

<

pp

20 Vln. I

r

<

<

<

<

<

<

<

<

<

<

Vln. II

<

<

<

<

<

<

<

<

<

<

Vla.

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

Vc.

@

@

A

N{

p

Cb.

s

<

+ AI@

p

@

+I @ A

@

+I @ A

@ <

@

pizz.

@

+I A¢

<

23

159

Flt.

r

Ob.

Clt. in Bb

<

<

INTERLUDE A 21 Mysterious q = 60 N A 'N A I@ <

# <

<

22 <

<

<

<

<

<

<

# <

<

<

# <

<

'1ยฐN

A I@

<

' AA ' AA ' AA A ' A @ I

<

pp

p

<

<

@ I A+ -'NN 'A

<

- NN

Bsn.

Hn.I/II in F

s

r

Hn.III/IV in F

Tpt. in C

Tbn. III Tuba

<

<

< <

@

# <

<

<

# <

<

<

# N

<

<

<

<

<

<

<

<

1ยฐ

I

A{

+I @ A

<

<

<

<

<

<

1ยฐ

<

<

<

<

<

I A{

+ # AA I # @ @ pp # <

'N{ N{

-N{ N{

<

<

<

<

<

# <

'A I I + 'A A+ I I A+ - A I ' A I @ @ A A r

<

<

1ยฐ (c.s.)

<

< @

s

r

Vln. II

Vla.

<

<

< <

< @

1 sola

@

# <

<

A

N

A

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

< <

N

<

<

<

<

<

D55555555555 ยก A{ A I I@

<

<

pp

<

>55555 @

pp

p

<

5555{ I>

<

p

# N

p senza vibr. 1 solo arco

' N

# A

N

< @

Vc.

<

<

@ 'A

<

< (sounds 15va)

GLOCK.

<

<

p

>5555 I @

I +A A A p

<

<

<

mf

22 I

<

<

<

<

<

I

<

<

<

<

<

<

<

<

pp

A{

N

pp

<

<

<

(1 sola)

N

N

p senza vibr.

p

(sounds 8va)

mf

AA {{

p senza vibr.

'A I @

D55555555 + I A Aยข

@

D55555 ยก @ I A A I @

CHINESE BELL TREE

<

p

p

D55555 ยก @ I A A I @

p

CROTALES

<

p

pp

5555555 A @

@ I A A 'A'A A A 'A A ' A N ยข ย mf < < <

(Tam-Tam) wire brushes

<

METAL WIND CHIMES (Mark-Tree)

D55555555555 ยก A{ A I I @

p

pp

<

<

D5555555555555555 ยก @ ย Ped.

I

VIBRAPHONE

pp

INTERLUDE A 21 Mysterious q = 60 N NN NN # 2 soli ' N <

<

A I @

<

mf

<

<

<

# <

<

<

<

p

<

<

<

555555 TUBULAR BELLS > @ @ @ 'A 'A N

55555 D5555555555555555 # N A I @ AD AยกI # @ @

Perc.B

<

<

CHINESE BELL TREE

# <

<

+I I + +I @ A 'A A

<

p

<

I + A 'N

@

<

I 'AD555555555555 ยก@ ย Ped.

# <

Perc.A

<

AA I@

# D555555555555555555 N A @ I @

<

<

NN

cymbal upside down on timp.

# <

<

+I @ A

N

pp

mf

SOLO Perc.

<

pp

# + I A

# <

<

555555555555555555555555555555555555555555555555555555 D + gliss. N{ 'N { AI@ @

Timp.

Vln. I

p

+I A N

N p

<

''AA ''AA 'A -A s

<

pp

p

Tbn. I/II

<

mf

p

<

pp

<

# <

2 soli arco

<

<

<

<

<

<

<

NN

NN

p senza vibr.

Cb.

s

<

<

<

# <

<

<

<

<

<

<

<

<

<

24

23 N I AA'-AA 'N pp

172

Flt.

r

<

<

<

<

AA I @

<

<

<

<

<

<

AA ' AA AA ' AA ' I

p

<

Ob.

<

<

<

<

<

<

<

@

NN mf

p

Clt. in Bb

<

<

<

<

1°

<

'N

AI @

pp

Bsn.

Hn.I/II in F

s

<

<

AA ' AA I

<

<

<

<

+I A

<

<

<

<

<

<

<

@

I

Hn.III/IV in F

<

<

<

Tpt. in C

<

<

<

+ 'A

A

Timp.

<

<

<

I

A{

+I @ A

<

<

<

<

<

@

I 'A

A

A I

<

<

<

<

<

<

<

<

<

I A{ p

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

5555555555 A

A @ I A ' A 'A A A

-A¡ @

I

D55555555555555 ¡ @ Ped.

CHINESE BELL TREE

VIBRAPHONE

mf

<

A 'A 'A A @

I

>5555555@

' A ' A N¢

A¡

TUBULAR BELLS

@

p

A¡

'A

pp

I A 'A @

HIGH CYM. wire brushes

<

@

N

'A

Perc.A

A5555 @

55555555555A @ A

N

@

mf

D5555555555555 ¡ A{ A I @ I

D55555555555555 ¡ A{ A I I @

p

pp

s

<

<

<

<

<

<

>55555 @

<

< >5555555555555 @

@

I + A <

A

<

A¢

A

<

@

D555555A¡ A I I @

@

<

555555 { > I

pp

<

<

p

r

D55555555555 + I A A¢

@

>5555555 @

pp

<

mf

<

<

<

<

<

<

<

<

<

<

p

23 (2 soli) NN 'NN (1 solo)

'N

NN

AA {{

N

@

mf

<

p

>5555I @

<

mf

I

<

<

<

I

<

<

<

pp

N

A{

N

pp

p senza vibr.

N

D555555A¡ A I I @

p

p senza vibr.

Vla.

<

TAM-TAM wire brushes

p MED.CYM. wire brushes

<

p

pp

p

A ¢ I + A¢ @ A Perc.B

I @

A A -A 'A A A 'A A A I

VIBRAPHONE

METAL WIND CHIMES (Mark-Tree)

Vln. II

A I I A 'N

<

r @ 'A

Vln. I

<

@

SOLO Perc.

<

<

p

sfp

s

<

p

sfp

Tbn. III Tuba

<

p

r

Tbn. I/II

I A+ 'NN 'A

@

A

I @

<

<

<

<

<

<

<

<

<

AA

I @

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

pp

NN

Vc.

NN

pp

Cb.

s

<

<

25

184

Flt.

r

24

25 <

<

<

<

I

A

A p

+

I -AA 'AA

@

Ob.

<

1°

@

+ I 'AA AA

@

@

<

A

A 'A

<

'A 'A A 'A I @

<

Bsn.

Hn.I/II in F

s

<

<

<

<

<

<

<

<

I A A p A A '' AA - AA ' A A I I

<

<

<

I

<

<

I A{

Tpt. in C

'A {

N

Tbn. III Tuba

s

@

-AA

AA I @

mf

< + I A

@

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

METAL WIND CHIMES (Mark-Tree)

TUBULAR BELLS

-N

SOLO Perc.

NN

AA 'AA '' AA

5555555555555555555555 ¡ I D @ Ped.

Timp.

< + A I @

I 'A {

'A I @

p

Tbn. I/II

<

+ AA 'AA

mf

p

Hn.III/IV in F

+ -AA

<

p

r

mf

mf

<

AA+ I @

A N I AA AA A N

<

p

Clt. in Bb

NN

r

@

'A

CROTALES

<

'A

@

@

A

-A¡

@

@

-A

A

A¡

A¡

@

<

N

A

A5555555555

@

555555555 A @

<

<

A

@

<

<

pp HIGH CYM. wire brushes

<

<

D55555555 A{

I

pp

A55555555

METAL W. CHIMES

@

p

p

Perc.A

TUBULAR BELLS

@

555555555555 A A I @

@

<

<

<

<

<

<

<

<

<

<

p GLOCK.

<

¡ I + 'A + I I + -A+ I I 'A+ 'A 'A A A¢ ' A ¢ p

Perc.B

A55555

SLEIGH BELLS

<

s

Vln. I

@

r

@

<

A55555

@

CHINESE BELL TREE

<

<

<

<

24

25 <

<

<

<

<

<

tutti sul pont. trem.

A 'A A A 'A N ' A ' A ' A A A A 'A A A A A 'A A'A ' A A A 'A A

<

<

<

<

Vla.

<

<

<

<

<

I

+ A A A pp

Vc.

Cb.

s

>555555

@

<

<

tutti arco sul pont. trem.

@

-A !?I @ A

A !?I @

p tutte sul pont. trem.

>555555

p

pp

Vln. II

@

p

<

'A A 'A A A A A A-A -A A! ? A ?

N

A !?I @

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

26

II - METAL 194

Flt.

rit.

r

26

# <

<

Capricious q = 80

<

<

<

A ' A A A ' I A A I

27

1° A®+

<

@

<

mf

AA I@

Ob.

# <

<

A

1° ? 'A A A A A A A A{

<

Bsn.

s

<

# <

<

# <

I

+ 'AA AA

NN

pp

<

@

' AA

AA

<

<

p

pp

Clt. in Bb

A I@

<

<

<

<

<

I @

<

<

<

<

p

Hn.I/II in F

r

<

# <

<

<

<

<

<

<

<

Hn.III/IV in F

<

# <

<

<

<

<

<

<

<

Tpt. in C

<

# <

<

<

<

<

<

<

<

<

# <

<

<

<

<

<

<

<

<

# <

<

<

<

<

<

<

<

<

<

<

<

<

<

Tbn. I/II Tbn. III Tuba

s

Timp.

<

# D5555555555555555555555555555555555555555555555 ¡ Ped. pp

p

A N¡ @

VIBRAPHONE

SOLO Perc.

# <

N¢

A A 'A A A

A'A A A {

I

D 55¡ A

I@

# <

<

' NN¡

<

+ 'AA

? A A A A A A A 'AA {{ p

p

mf

r

' AA

NN

mf

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

p

Perc.A

TAM-TAM wire brushes

<

I

D5555555555555555555555555555555555555555 + I A{ A¢

ppp

MED. CYM. wire brushes

D55555555555555 A{ A¡ I # I @

pp

Vln. I

r

<

p

Perc.B

s

@

# <

<

>5555555

@

mf

rit.

# <

<

II - METAL 26 Capricious q = 80 < <

27

A A ' A A A I@ A A 'A

pizz.

<

A

<

<

<

-A A 'A'A-A A A A

pp

Vln. II

# <

<

<

<

# @ 'A N

A

p mf vibr.

p

Cb.

s

A A

mf vibr.

<

A A I

@

<

pp

I

@

<

<

<

<

tutte pizz.

A A ' A 'A-A A

pp

(2 soli) # @ 'AA NN

Vc.

A A A

A A 'A A

pp

1 sola (ord.)

Vla.

pizz.

# <

I

@ <

I 'A

A'A A I p

<

<

<

<

<

<

<

<

<

<

<

<

27 rit.

203

Flt.

r

<

<

1° ' A A I I 'A®+ A+ A A A

Ob.

< @

<

<

<

Bsn.

s

<

pp

I 'AA {{

AA I @

<

<

<

28

a tempo

<

<

<

<

<

<

'A

pp

+ 'AA AA

I

NN

pp

<

<

1° A{ ? A A A A A A A

pp

1° +I @ I'A®+ A+ A

A ' A 'A ' A A A A A A'A -A mf

<

<

AA I @

sf mf

sf mf

mf

Clt. in Bb

{ I''AA {

<

<

@

< AA

- AA I

< @

<

p

Hn.I/II in F

r

<

<

<

<

<

<

<

<

<

<

Hn.III/IV in F

<

<

<

<

<

<

<

<

<

<

Tpt. in C

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

Tbn. I/II

Tbn. III Tuba

s

Timp.

D55555555555555555555555555555

'A

Ped. pp

SOLO Perc.

? A A A A A A A 'A

NN

r

p

<

I + '' AA

p

+ AA I @

'NN

<

<

<

<

<

@

<

<

<

<

I

<

s

<

<

<

<

pp

<

<

<

<

arco div.

<

<

A A I 'A

+ A I

< I A+

<

'A { I' A {

Vc.

Cb.

s

< <

arco div.

A I @

<

<

<

<

A¡

@

p

@ <

>55555555555 @

28 AA

NN

<

<

<

<

<

<

<

<

<

p

< <

<

NN

mf

[

''AA p

<

pizz.

I

@

<

<

A

A A'A A

pp pizz.

I

A

I

@

<

<

<

A A

I

@

<

<

<

<

<

<

@

<

A

A A A'A A

A A ' A I @

AA

pp

- A 'A N

p

2 soli p A+ 'N @ I < @

I 'AA {{

a tempo

pp

sf mf

1 sola A ' A A arco A I I -A N A A'A-A A

pp

@

mf

A + ' A I A

Vla.

p

p

sf mf

Vln. II

NN

p

rit. Vln. I

I' AA

p

D555555555 ¡ A{ A I @ I

Perc.B

r

¡ ' A{ A N ' A @ AA A

CROTALES

D555555555555555555 + I A{ A¢

pp

A 'A A A

DA5555555555555A¡ I pp

<

mf

Perc.A

pp

pp

p

AA A N 'A N mf

p

<

<

<

A' A - A

28

Flt.

rit.

29

1°+ A®

A

r I A A A ' A A I 213

@

<

<

<

A A I A A

@

mf

<

<

<

<

<

I A+ 'NN A

@

-'NN

Bsn.

s

<

A N I A N

@

sf mf

+ AA I @

NN

<

<

@

'AA AA+ I @

<

@

'' AA AA I @

<

p

mf

I @

sfp

<

A N I A N

@

sf mf

I AA AA

@

p

Clt. in Bb

<

sfp

A I@

Ob.

I @

<

@

' AA

'' NN

NA

I @

mf

A+ I @ < p

Hn.I/II in F

r

<

<

<

<

<

<

<

<

<

<

Hn.III/IV in F

<

<

<

<

<

<

<

<

<

<

Tpt. in C

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

Tbn. I/II Tbn. III Tuba

s

Timp.

SOLO Perc.

I

AA {{

-AA 'NN

A¡

@

NN @ A¡

@

A¡

@

D555555555555555 + I @ A { A

<

I

pp

con vibrato

mf

r

mf ' A {{ I A A I A ' AA I @

ord.

' AA {{ I

D5555555555555555 + I @ A { A p

NN ? 'A'A A A I ?'A'A A A A A A A+ I @

?

I ? 'A A A A+ 'A A AAA A A mf

mf

f

mf

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

D555555555555 A{ I

Perc.A

<

<

<

<

<

<

<

<

<

<

<

pp

Perc.B

s

Vln. I

<

<

A r I@

<

<

<

<

arco div.

<

<

<

@

A N I A N

<

<

Vla.

<

' A I @ A A ' A A 'A'A-A A pp

tutte pizz.

A'A'A -A ' A ' A A ' A A

arco

I

@

<

<

+ I I AA NN ' A A ' A A 'A A A A A arco

sfpp

p

'A A 'A'A A'A AA A

I @

A9

1 sola

@

p

pp

<

<

N

ppp

<

<

A9 A

2 soli

@

AA I @

<

A N I A N

@

p

sfpp

Vln. II

<

rit.

29 <

<

sf mf dim.

AA I @

I AA NN

@

p

sf mf

dim.

A I A A I A

A

'A

A '' AA A+ A A I ' A] A I A

p

A A

A 'A

p

N N

ppp

Vc.

<

<

<

<

<

<

altri

pizz.

+ I @ A¢

<

<

+ I @ A¢

A ?I @ !

<

N

pp

Cb.

s

<

<

<

<

<

arco sul pont.

<

N

pp

pp

29

223

Flt.

r AA I @

a tempo

30

<

<

A ' A A A A A I I 1° A®+

<

pp

<

<

pp

Clt. in Bb

<

@

<

1° A A { ? A A A A A A

<

+ 'A AA ' A

I

-A

I

s

<

<

<

AA®+ A -A 'A A

mf

A p

1°

NN

@

@

p

pp

'A

<

<

I'A®+ A+ A I

A ' A 'A 'A mf

<

pp

Bsn.

<

mf

A A I @

Ob.

@

AA

- AA I

@

@

@

I

mf

<

<

<

<

<

p

Hn.I/II in F

r

<

<

<

<

<

<

<

<

<

Hn.III/IV in F

<

<

<

<

<

<

<

<

<

Tpt. in C

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

Tbn. I/II

Tbn. III Tuba

s

with cymbal 'AD55555555555555555555555555555

Timp.

Ped. pp

p

r Perc.A

p

+ I @ A

SOLO Perc.

'A

A{ ' A NN¡ ' A A 'A @ ' A A 'A A

AA ' NN I

? 'A'A A A A A'A -NN

HIGH CYM. wire brush

D55555555555555 A A

@

<

<

<

D555555555555555555555 I + I

A{ A

@

<

<

<

pp

pp

<

s

r

Vln. II

Cb.

NN

to Cym.

@

<

<

<

<

GLOCK.

<

<

<

>55555555555 @

@

'A p

<

<

30 a tempo AA I @

@

'N¢

<

<

NN

AA

A?I @ !

A A' A A ' A A

pizz.

<

<

pp

NN

s

A¡

A

@

-A

@

'N¢

<

<

A <

mf

N

Vc.

A¡ @

p

A

- A A

I

@

< A

pp

' A A A A I ' A 'A'A-A

I

@

<

AA

A ' A A A I A'A A

@

<

I

A A

I

@

<

@

I

<

arco

+ 'A pp

tutte pizz.

A

<

p

pp

@

pp

pizz.

pp

Vla.

'A

@

p

p

Perc.B

'NN

+ A ' AA -A mf

CROTALES

I

@

I

p

mf

D 555 A¡

I @

Vln. I

+ AA

<

A 'A A A A A 'A

'A -A A I 'A+ 'A

I

@

'A A A'A-A A A <

pp

@ <

<

<

<

<

<

<

<

<

<

<

<

<

<

<

A

30

232

Flt.

r

31

32 <

<

<

<

<

<

' AA AA I

@

I @

sfp

'A A I

Ob.

' AA

@ s

<

<

<

<

<

@

I @

sfp

'NN

Clt. in Bb

Bsn.

@

AA AA I

-'NN

''NN

''AA

+ I 'AA -NN

'AA

-'AA

NN

+ AA I @

'' NN

-- NN

' AA

' A+ ' NA ' A A 'A I

' AA

'' AA

NA

A+ I @ <

mf

I @

Hn.I/II in F

r

<

<

<

<

<

<

<

<

Hn.III/IV in F

<

<

<

<

<

<

<

<

Tpt. in C

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

Tbn. I/II

Tbn. III Tuba

s

Timp.

@

ord.

I

D55555555555 + + I A A

@

D55555555555555555 + I ? A { A A A A

I

I

SOLO Perc.

+ 'AA A 'A

+ ' A -A I @

I ''AA

' AA AA A ' A I + I -A A 'A 'A A

+ ''AA - AA

mf

p

mf

I

f

-' AA

NN < ? 'A'A A A I ?'A 'A A A A A A f

r

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

Perc.A

to Cym.

N¢ Perc.B

<

s

31

Vln. I

arco r 'A 'A A+ I @ A ' A A 'A A A

+ 'A-A A A A A'A A 'A I

I

pp

'A

Vln. II

I

@

+ I I + ' A A A A A A ' A A 'A -A

+ 'A

32 A ' A A ' A AA A 'A A mf

'A A-A A -A+ I ' A ' A A 'A

I

@

@

sfpp

arco - AA NN div. + ' A I I 'A'A A -A A 'A ' A A sfpp

@

mf

pizz.

Vla.

<

<

<

<

'A A 'A A - A ' A 'A A 'A

<

mf

<

<

<

' AA NN I

pizz.

pp

div.

<

<

1 sola arco

I A

ppp

@

ppp

Vc.

<

<

<

<

<

altri

(pizz.)

+ I A¢

@

<

mf

Cb.

s

<

<

<

<

<

(sul pont.)

N

pp

I @

pp

A A

(2 soli)

<

A

A?I @ !

A A

I @

pp

+ I @ A¢ <

31 rit.

' AA NN I

240

Flt.

r

<

@

AA

<

+ I ' A A

Clt. in Bb

@

-'AA

mf

Bsn.

'' AA

A I ' A s mf

a tempo

I @

<

<

I @

<

<

<

<

<

pp

sf mf

Ob.

33

AA NN I

AA

sf mf

pp

NN

+ AA I @

NA

I @

A+ I @ <

1° ? A A A A A A A 'A { pp

I A+ 'AA A

<

A

p

NN

<

1° 'A®+

I A A A 'A

<

mf

pp

<

<

AI @

@

' AA

AA I

@

<

<

p

Hn.I/II in F

r

<

<

<

<

<

<

<

<

<

Hn.III/IV in F

<

<

<

<

<

<

<

<

<

Tpt. in C

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

<

Tbn. I/II Tbn. III Tuba

s

Timp.

+ I A

@

' AA+ I A I

+ I -' AA @

mf

SOLO Perc.

D5555555555555555 I + I @ A { A

with cymbal

D55555555555555555555555555555555

'A

Ped. pp

NN ? 'A A A A I ? A 'A A A A A A A+ p

I @

55555555555555 ¡ AD A I

HIGH CYM. soft sticks

<

<

@

<

pp

Perc.A

<

soft sticks

<

<

<

<

I

D55555555555555555555555 A{ A I @

pp

Perc.B

<