Hugh Wood
TENEBRAE for SATB chorus and seven instruments Op. 46
poems by
Geoffrey Hill
CHESTER MUSIC 3.08
This work was written for Geoffrey Hill on his 70th birthday. First performance on 3rd November 2007 at St Stephen’s Church, Bournemouth, by Canticum and Kokoro, conducted by Mark Forkgen.
SCORING Mixed chorus SATB Flute Oboe Cor anglais* Bassoon Violin Viola Cello *Notated in C in the score
Duration: c. 15 minutes
Score and parts are available on hire The score is also available on sale: Order No. CH72765
TENEBRAE 1 Requite this angel whose flushed and thirsting face stoops to the sacrifice out of which it arose. This is the lord Eros of grief who pities no one; it is Lazarus with his sores.
2 And you, who with your soft but searching voice drew me out of the sleep where I was lost, who held me near your heart that I might rest confiding in the darkness of your choice: possessed by you I chose to have no choice, fulfilled in you I sought no further quest. You keep me, now, in dread that quenches trust, in desolation where my sins rejoice. As I am passionate so you with pain turn my desire; as you seem passionless so I recoil from all that I would gain, wounding myself upon forgetfulness, false ecstasies, which you in truth sustain as you sustain each item of your cross.
3 Veni Redemptor, but not in our time. Christus Resurgens, quite out of this world. ‘Ave’ we cry; the echoes are returned. Amor Carnalis is our dwelling-place.
4 O light of light, supreme delight; grace on our lips to our disgrace. Time roosts on all such golden wrists; our leanness is our luxury. Our love is what we love to have; our faith is in our festivals.
5 Stupefying images of grief-in-dream, succubae to my natural grief of heart, cling to me, then; you who will not desert your love nor lose him in some blank of time. You come with all the licence of her name to tell me you are mine. But you are not and she is not. Can my own breath be hurt by breathless shadows groaning in their game? It can. The best societies of hell acknowledge this, aroused by what they know: consummate rage recaptured there in full as faithfulness demands it, blow for blow, and rectitude that mimics its own fall reeling with sensual abstinence and woe. 6 This is the ash-pit of the lily-fire, this is the questioning at the long tables, this is true marriage of the self-in-self, this is a raging solitude of desire, this is the chorus of obscene consent, this is a single voice of purest praise. 7 He wounds with ecstasy. All the wounds are his own. He wears the martyr’s crown. He is the Lord of Misrule. He is the Master of the Leaping Figures, the motley factions. Revelling in auguries he is the Weeper of the Valedictions. 8 Music survives, composing her own sphere, Angel of Tones, Medusa, Queen of the Air, and when we would accost her with real cries silver on silver thrills itself to ice. Geoffrey Hill
Tenebrae © 1978 by Geoffrey Hill published by André Deutsch
for Geoffrey Hill on his 70th birthday
TENEBRAE Hugh Wood Op.46
I Molto moderato Soprano
1 G 4
4
3
p
5 B
5 5 5 5 B
Re - quite
G ?
Alto
this
an - gel
p
= 5 5
whose flushed
3 5 5 5 5
5:
Re - quite
this
5:
5 5 E5
an - gel
5:
whose flushed
0
0
0
0
0
0
Flute
1 G
0
0
0
Oboe
G
0
0
0
Cor Anglais
G
0
0
0
0
0
0
Violin
1 G
0
0
0
Viola
0
0
0
0
0
0
Bass
Bassoon
2
2
and
5 B
G i
Tenor
5
Molto moderato
Cello
2
Š 2007 Chester Music Ltd.
CH72765
03.08
2
S.
4 1 ! 5 5 G
5 3 EI5 B
3
thirst - ing
5:
B.
5 = 5
poco sfz
= ?
5: p
= 5
4
B 3
p
this
7
1 B : G
5
sac
-
5 E 5 EB
to
G i
T.
B.
2
-
the
S.
-
-
-
-
-
ppp
whose
ri - fice
E5 5:
= E5 :
ri - fice,
sac
ri - fice
=
-
4 3
= 5 5 5
B
stoops
5 5: 3
4
5 5
p
5:
5
an - gel
sac ppp
B
and thirst - ing
to the sac
p
5:
=
B
4
face
$ 5 3 E5 B
EB
which,
of
p
3 !5 5
G 4
G 5 : 5 5 i ri - fice
3
5 3 5 E5
stoops
to the
3
which,
35 5 out
which it
a-
pp legg.
3
$3 5 !5 :
of
0
5 5 5 M
5 3 =
of,
5:
5 5 5 5
of
which
5
!5
of
which
it 3
= 4 5M
a - rose. (p)
'
5 5 5 it
a
-
rose.
p
2
-
p
out
B.
the
5:
5 5
face
5 5 E 5 35
B
to
whose flushed
5 :
=
fice,
5 3 E5
and thirst - ing
out of
T.
-
3 5 ! 5 5
E 5 :
3 1 G 5 5
A.
ri
5:
sac
flushed
10
5:
B
3
G 4
A.
-
5
5 5 E5
5 5 :
5
5:
Re - quite
S.
5
5 = 4
this an - gel
4 5 5
0
p
3 5 5 B 5 5
Re - quite
3
4
B
stoops
face
G ? i 2
5 = 4
stoops
and thirst - ing
T.
p
= B
face
5 3 5 5 E 5 G
A.
poco sfz
E5 : sac
5 5 -
ri - fice
5
5 3 E5
out
3
5 5 !5
5 5 5 M
of
it
which
a -
pp legg.
B:
rose,
- rose.
5M =
?
3
I5 : f 1 poco G 13
S.
= = 5 5 5
This
is the lord
poco f
I G 4 5
A.
G i
B.
2
EI5
=
This
5 :
of
5 5
is the lord
poco f
5:
E - ros
= 5 5 5
EI5
= 4
5
who pi - ties no one; mp decresc.
of
This
grief
E - ros
3 = E5 5 5
=
5 = = 5 5
5 5 5 5 5
is the lord
poco f
5 5: 5
5 E5 ! 5
grief
E - ros
3 = E5 5 5
5 =
mp decresc.
5 EB
5
3
5 =
This
T.
5
3
is the lord
5 E5 5
who pi - ties no one;
mp decresc.
5
5:
= = 5 5 E5
of
grief
who pi - ties p
5 5
5 5 E5
E - ros
of
5 = = 5
grief
who
16
S.
1 (decresc.) G '
B
5 =
4
0
B
= 5
4
0
B
B
5 =
4
0
4
3 = 5 5 5
(decresc.)
G '
A.
(decresc.)
5 G !5 : i no one;
T.
B.
2
5
5 E5M
5
X
pi - ties
no
one;
it
is
5
! 5 E5
3
La - za - rus
with
!5 his
' sores.
II Bar. solo
Measured, semplice, slow
0
0
4
p
5 B And
pp
B.
Vlc.
1 2 B
1 5 BB 2 5 p
=
5:
5
0 B EB E5k 5
! 55 ::
5 3 5 5 5 B
you,
who with your soft
0 5 EB
$3 5 5
3
E5 but
0
5M !B
$ 3 = 5 5
4 5
Bar. solo
5 EB
5 :
B
5 5 : 3
search - ing voice legg.
Vlc.
Bar. solo
5:
B
=
3
5 E5
E5
p sub.
B
5: 5
that I might rest
con -
4
$ 3 5 5 : !5 55 5 ! 5
! BB ::
mf
5 E5 ! 5 ! B
5 5
GGGGGG
EBB EB
-
!55 5
5
5 B arco
: EBÑÑÑ^ :: E B ÑÑÑ_ ! BÑÑÑ_
=
3
5 5
pos - sessed by you
! IB : k B : E5
5 5
4
5
17
5 5 E5 5 B
p
= 5 5
5 = 4
chose to have no choice,
Vlc.
1 2 !B
5 5
5
5
5: 5M
Bar. solo
5M ! 5 5M 5 M 1 5 M E5 5 5M !55 M 5 55 !5 5 5 2 5
I
5
sought
5 5
0
5
no fur - ther vigoroso
5 535
EB
sub. molto f
= 5 5 5 5 :
quest.
Vlc.
in you
pp (voce morte)
5 = 4
5 5 5
5 !5 : 5 B
p
21
B
5:
B :
B
5
pp
ful - filled
5 5
I
EB
f sub.
Bar. solo
( f ) p sub.
p = !5 5 5 5: E5
5 = 4 ?
ness of your choice:
GGGGG
in the dark
GGGGGG
GGGGGG
mp
=
55 ::
3
- fid - ing pizz.
Vlc.
E5
55 55
poco
3
1 5 2 55
5 5 5 !5
where I was
molto sost.
p
Bar. solo
B: p sub.
who held me near your heart
5 5 : 5 EB pp ! B
sleep
5
ten. poco
1 !5 : 2
13
5 EI5 I5
= E5 5 5 5 5 5 :
4
lost,
Vlc.
me out of the
5 EB
5 5 5 5
5 5 35 !5 !B
drew
5M 5: 1 5 = 2 5 5 5M
9
3
B
You keep me, now,
M BBM::
MM ' '
sfp
pp
5 5 5
5 5 B
in dread that quench - es
55 = M niente
4
trust,
sul pont.
B EB
sfz
5 25
Bar. solo
pp sempre
5 = 4
B
= !5 5 : E5 E5 !B
= 5 5 5 5 5: in de - so - la - tion
Vlc.
1 2 '
E'
M 'M '
(non trem.)
sub. sfzp
(p)
35 ! 5 5 5 5 5 5
f
Bar. solo
4
B
Vlc.
so you with pain
BB
niente
3 5 5 E 5 5 5
5 5 53 5 5: =
=
5:
B
poco sfzp
3
1 nat. E5 !5 BB 2 5 5 5 5
(non trem.)
M 'M
mp
As I am pas - sion - ate 3
0
re - joice.
' '
PiĂš animato 30
where my sins
5 = 4
turn
B
5:
=
my de - sire;
3
55 = 4
=
f
BB E 55 5
4
E'
poco fp
ancora calmo (eco) p 3
34
Bar. solo
5 :
I 53 E5 I5 I5 5 B
5 E 5 ! 5 5 5 B
5 5 5 35 5 E 5 :: 3
as you seem pas -sion - less
so
I
re - coil
from all that
I would gain,
pizz.
Vlc.
1 = 2 E 5
!E55 = !5 5 5 p
p
37
Bar. solo
arco
pizz.
3 = 5 5 5 5 5 5 !5 5
Vlc.
41
Bar. solo
Vlc.
5
pp
= 5 5 5 5 :
truth
sus - tain
as you sus - tain
pp
4
5 E'
5 !'
5 5 5 5 5 : each
i - tem
B:
= = 5 5 5 which you in
5 5M 5 !B
poco
E5 B
!5 E5 5 !'
3 5 I5 : I5 I5 5:
come prima
false ec - sta - sies,
! 55 ::
5:
1 = 5 2 5 p
=
get - ful - ness,
B EB E5k 5
come prima
BB
-
55 =semplice 5
BB
p
5 5 5 5:
wound - ing my - self up - on for
1 5 2 5
3 J arco 5 !EBB = = !5
55
your
of
5
5 = 4 ?
= 4 ? 5
cross.
'
6
III Brisk
S.
1 4 G
mf
I5 I I5 5
Ve - ni
A.
G 4
T.
B.
2 4
Fl.
Ob.
1 G
5
IB
B:
fp
I5 I5 I5
B:
I5
IB
B:
Re - demp - tor,
mf
!I5 -
B
ni
4
B
4 = E5M E5M 5M 5I 5 not in our
B
C. A.
Bsn.
sfp
I I = 5 !B 5
5 0
BI
Re - sur - gens,
I I5 !fp B
Re - sur - gens,
0
B:
5 =4 4
B:
5 =4 4
B:
5=4 4
B:
5= 4 4
4 4 sfp
B:
5 =4 4
0
4 4
! 5 sfp
B:
5=4 4
0
4 4 5
sfp
5 2
fp
Christ - us
sfp
G ! 5
IB
Re - sur - gens,
5 = I5 EI5 5 I
time.
sfp
5 G
fp
tutti mf
solo mf distinto
5 =4 4
mf
Christ - us
but
I5
mf 5 = I5 5I 5 E5 I I Christ - us
fp
Ve - ni
IB
5 = I5 I5 I5
Re - demp - tor,
mf
B:
B
mf
Christ - us
5I 5I 5I ! 5I BI
Ve
Brisk
fp
Re - demp - tor,
mf
Ve - ni
G 4 i
I5
sfp
B:
5= 4 4
0
4 4
5 sfp
7
Calmo (l’istesso tempo) 7
S.
1 B: G
B:
5 = 4
mf
4
B ‘A
G B:
A.
5 = 4
B:
4
?
B: -
ve’
G B: i
T.
B:
5 = 4
we
cry,
I 5M 5M 5 B
: 2 = 5
quite
out of
this
5 = 4
4
B we
fp
B
B -
5
ve’
mf
B
?
‘A
mf distinto
B.
4
'
mf
‘A
?
5
0
world.
5 '
we cry;
' -
B
ve’
we
mf
B
‘A
B: -
5
ve’
we
Calmo (l’istesso tempo)
Fl.
1 G
IB 0
4
! IB
5,
f
G
Ob.
0
4
! IB
IB
G
0
4
BI
EBI
f
Bsn.
2
0
4 B I f
IB
'
5 4
mp
':
'
5
5 ': H mp
'
5 4
':
'
5
5,
f
C. A.
!':
! 5,
4
mp
mp
4
8
12
S.
pp
1 fp G ':
ppp
5= 5 5 5 B
5 5 5 5 B
5 B
the e - choes,
the e - choes
are
cry;
pp
B:
the e - choes,
fp
G ':
i cry;
T.
4
5
the
fp dim.
B.
pp
5= 4 ?
: 2 '
re - turned.
ppp
= 4 4 5 5 5 5
G ':
A.
':
5 B
5 5 5
B:
the e - choes
5
e - choes,
(ppp)
':
':
are
: 5 ' re - turned.
ppp
5 5 B:
(pp)
B
the
5 B e - choes
B are
':
5 ': re - turned.
':
cry;
Fl.
1 G
Ob.
C. A.
Bsn.
2
' 0
0
0
? ppp
G
0
G
0
?
0
0
0
0
?
' ppp
0
0
0
?
' ppp
E'
fpp dim.
':
': (ppp)
':
= 4 ? 5
?
9
17
S.
1 G 5 = 4 ?
?
sostenuto mf
A - mor Car
G 5 = 4 ?
A.
?
T.
B.
2 5 = 4 ?
?
Fl.
'
' G
Ob.
-
5
5
B:
nal - is
nal - is
4
0
4
0
B:
nal - is
G '
5 4
5 mp
0
4 4 5
2
': (ppp)
5 4 4
B:
5
B: p warm
our
5 = !5 5
our
3
5 5 5 5 dwell - ing - place.
3
!5 5 5 5 dwell - ing - place.
3
E5 5 5 5 dwell - ing - place.
5 = 4 4
0
5 = 4 4
0
= 4 4 5
0
= 4 4 5
0
mf
B: mf
4 4 mp
Bsn.
our
5 = 5 5
is
mp
C. A.
dwell - ing - place.
mp sostenuto
warm
4 4
= 5 5 5
is
5 ! 5 E5 5 5 B -
our
mp sostenuto
B:
3
E 5 ! 5 ! 5 5 5 5
is
5 B -
mp sostenuto
mp sostenuto
warm
5 E5 5
5 =
is
!5 B
sostenuto mf
?
nal - is
warm
sostenuto mf
A - mor Car
1 G
-
5 5 5
A - mor Car
B:
5 B
sostenuto mf
A - mor Car
G 5 = 4 ? i
warm
5 5 5
B: mf
B:
10
23
S.
1 G B:
B:
B:
5 = 4 4
0
0
0
0
0
0
0
0
A.
G
B :
B:
B:
= 4 4 5
T.
G B: i
B:
B:
5 = 4 4
0
0
0
0
B:
= 4 4 5
0
0
0
0
B:
B :
B.
Fl.
2 E B :
1 G
B:
5 0
G
0
G
C. A.
4 4
5
B:
Bsn.
2
0
fp
EIB
B:
sf
fp
4 4 5
5 B I
B:
sfp
sf
fp
4 4
5
B :
I 5 B
B :
sfp
sfp
sf
fp
B : sfp
B:
sfp
sf
sfp
sfp
0
!B :
4 4 sfp
Ob.
5 I B
B:
B :
5
B:
5 = 4 4
f
B:
5 = 4 4
f
B:
5 = 4 4
f
B:
5 = 4 4 f
11
IV Alla serenata, flessibile S. solo
1 mp : G 5 5 5 B
5
O light of light, mp
A. solo
2G 4 4
5 5 5 5 O light of
Fl.
1 2G
Vla.
1 2
E5
E5
!B :
su - preme
de - light;
B
!5
light,
5
5
su - preme
5 5 E5
grace on
to our dis -
5
de
-
B
light;
?:
0
arco B: 5 5 = 5 B: 5 5 pizz.
mf
our lips
5 5
5
grace on
our
!B : 5M 5M E 5 5 5M M M mp
0
=
5 5 5 5 :
E5 lips
?: pizz.
E5 = 5 5 5 5
?:
mf
mp
4
S. solo
1 G ':
B:
= 4 5
4
0
B:
= 4 5
4
0
- grace.
A. solo
2G E 5 5 5 !5 5 B: to our dis - grace.
lirico
Fl.
Vla.
1 E5 2G
5
5
arco B: 5 E 5 = 5 5 5
arco 1 BB :: 2
pizz.
mp
7
S. solo
1 G ?:
A. solo
mf
B:
B mf
4
4 ! 5
Time
Fl.
Vla.
4
5
5
B
! 5 5 5 55
mp
mf
Time
: 2G ?
5 E5 E 5 ! B :
4 !5 5 B :
B :
5
5:
roosts
on
all
B
5
5
roosts
B
5=
5 E5 5 5 5 B
= 5
5 5 5 EB : such gold - en
5
5
on
all
wrists;
such gold - en wrists;
M : 5 1 = 5 B 5M 5 B: M = 4 5 5 M M = 5 5 2G 5M 5M 5M M M B: M 5M B: 5 (arco) M 5 1 B : 5 5 M 5 5 M =5 = 5 M 5 2 5M 5M E5M M
4 5
?:
BB ::
12 10
S. solo
A. solo
1 p G B
!B :
our
lean
5 -
-
Vla.
ness
B
is
B
1 2G
lean
-
0
1 4 2
pizz.
5
5
5
-
ness
4
4 5
4 5
5 = 4
?
5M mp
3
!5 ' 5 5
5
B:
p
? 2G
our
Fl.
?
our
?
lu - xu - ry.
B
5
5
is
4
5M
3
!5
our
4 5M
0
lu - xu - ry.
5M
4 ! 5M
4
4
5
5
5 5 B 5M
4 5
4
4
mf
13
S. solo
1 B G
mp
5 5 B 5
Our love
A. solo
2G
B
5 = 4
?
?
is what mp
5
E5
Fl.
f
Vla.
3
1 ! 5 2
fp
! 55 BB 5 5
5
f
3
what
4
B: B:
55 = 4
4
B
B:
B
Fl.
f Vla.
1
!5 2 5 f
5
3
3
! 55 55
have;
BB ::
5
5
we
love
5
to
have;
0 ?:
=
5 5 !5M 5M 5M M M mf
= 5 !B = ? 5
!B : faith,
?
5
B:
our faith mf molto sostenuto
B our
5 5 1 5 2 G !5
to
5 B
mf molto sostenuto
1 G E B : 2G
is
5 = 4
our
A. solo
love
EB :
fp
16
S. solo
we
B:
arco
5 5 5
5 5
Our love
5 ' 1 5 2G 5
5
5
5 5
is
in
B:
5
faith,
our
M 5M ! B : M5 5M E5M !5 "
5 = 4
4
0
!B : " B :
55 = 4
4
0
mf
mf
B faith
our
13 poco cresc.
19
S. solo
1 EB G
EB
fes
A. solo
2G
-
Vla.
-
in
1 2G
'
ti
5 5 5 !5 is
Fl.
!B -
vals,
fes
-
-
0
1 : 2 ?
=
ti
-
?
vals,
arco
5 B: 5 5 B : 5 5
pizz.
fes poco cresc.
5M 5M !B : E 5 5 5M M M mp
=
mf
-
B
B
our
fes
-
ti
-
B -
-
-
5 = 4 4 ?:
5 5 = 4 4
mp
B
E5 = 5 5 5 5 pizz.
?:
mf
dim. poco a poco
22
S. solo
B
B
B
our
B
!B
our
B
1 ' : G
':
':
5= 4 ?
?
':
':
5= 4 ?
?
- vals.
A. solo
2G
- ti
Fl.
dim. poco a poco
B
' -
vals.
arco
Vla.
M 5M ! 5M M 5 = 4 4 ?: = !5M 5M 5
1 E5 5 5 5 5 5 2G B : mf lirico 1 ' :: 2 '
p
mp
5 5 !5 5 5
0
5M 5M
(mf )
5 = 4 4 ?: M
: '0 :
V Agitato (non allegro) T. solo
Vln.
G i
0
(sung) f
p
4
4
E 5 5 5 5 5 5 !5 X
X
X
X
Stu - pe - fy - ing
, 1 55 2 G 5 5
f
M = E5k !BM B
sfz
M BM: B:
mp 5 3 5 5 5
i - ma - ges
=
5, f
of
J 5 !55
grief - in -
pizz. arco
5:
14 mf
4
T. solo
Vln.
G B i - dream,
5
=
suc - cu - bae
to
my
na - tu - ral grief
ÑÑÑ^ 5 !5 ÑÑÑ^ 5 55 E5I I E 5 5I 5 !5I I ÑÑÑ_ I 5 5 I
4
arco = E5
4
pp
ff
6
T. solo
G B i heart,
mp
ten.
! 5 : 35M 5M 5M = 4
5 = 4
5 5 5 5 !5 5: 5 5
5
cling to me, then;
you
who will not de - sert
your love
espress.
Vln.
1 5 5 G E 5 ! 5 B 2
5 5 5 E!55 ::
B
=
BB
T. solo
Vln.
G = i 1 2G E 5 !5M
12
T. solo
E5 G i
5
5
nor
lose
Vln.
3
5 5 5 5 5 5
5, MM 1 5 = 5 2G 5
4
4
4
= E5
time.
You
5, 5 = !B 3 5I 5I E5k B 5I
k B E5 ! E5 B
5: 5M 5M 5 5 5M M 5M M
come
mf
B 5 5 5 ! 5 E5 : 5 him in some blank of
E5
!5
mp
p
9
of
pizz.
5
1 2G B
5 3 5 !5 : 5 5 5
5 35 5 E5
4
f sub.
5 3!5 5 E5 : 3
with all the li - cence
5, E 5 5 = 5 H
of her name
=
M 'M '
!5 !5 5 5 E5 to
tell me you are
pp
B:
= 5
mine.
M BM: B:
But
4
15
15
T. solo
Vln.
3
G 5 i you
5 5M = 4
p
= !5 5
are not
and
1 = pizz. 2 G E5 4 5
4
?
mf
Vln.
?
5:
5 5 is
arco
5 = 5 5
B B
4
!5
5 : E35 5 !5 3 5 !5 :
Can
1 5k 2G E 'MM
my own breath be hurt
T. solo
I5
5
Vln.
5 5 E5
pp
G = 5M 5M 5M 4 i in their game?
= 5 B It
= 5M
B:
5 5 !5 5 5 : G i - ci - e - ties of hell
Vln.
1 5k ! 55 :: 2G E5
less
sha - dows
groan
555 5 5 B: f
mf
= 4 5
?
3 E5 5 5
4
The best so -
M E 5 E 5 3 M 5 = B 5 B M 5M pp
5 !5 : 5 5
5, 5 = 5: 5 E 5I : 5
RRRRRRRRRK
f
5
=
=
mf
a
!5 E5 E5
-
roused
f
by what they
pizz.
E5 !5 5 5 E5 E 5 5 5 ! 5 5 5 f 5
5 !5 5
E5 :
E5
ac - know - ledge this,
pizz. 5, J arco !55 !5 5 B ff
- ing
B:
can.
ppp niente
T. solo
-
5
5 35 5 E5 5 3 !5 3
f
p
24
I5
by breath
M 'M
3
1 2G E B :
E5 5 5 !5 5 5 5
p
sfp
21
= ?
not.
pp
18
G i
p sub.
she
p
T. solo
5
arco
BI p
16
27
T. solo
5
G B : i know:
=
4
4
largamente ed accel. poco a poco
Vln.
1 2G
B:
f
5 1 E5 2 G !5
55 MM
(f)
T. solo
Vln.
5
G = 5 i blow !5 1 E55 2G 5 (f)
3 5 !5 E5 5
5
re - cap - tured there
in
Vln.
G B i fall 1 2G^5 5
7
5 :
I5 I5 I5 I5 5 !5I
5I
full
as
it,
3
= 4 5
B
?
?
4
for blow,
= 5: 5I : f
5
5: 5I :
5: 5I :
mp
mf
5 5
5 5: 5 5 :
p
pp
5 5
= 5 E5 5 ! 5 : 5 ! 5 5
5 !5
4
I5 EI5 I5 I5 !5 35 E5 5 rec - ti - tude that mi - mics its own
'00'
3
3
reel - ing with
5 5 5
5 and
pesante, e dim. poco a poco
4
faith - ful - ness de - mands
mp
36
T. solo
5 5 5 !5 5 !5 5 !5 5 5 5
3 5 5 5 M 5 5 M M M 5M M 5 !5 E 5 ! 5 5 5 ! 5 5
MM 5 ! 5
! M55 M
f
32
! 5 E5 ! 5
6
p cresc. poco a poco
(a tempo)
Vln.
5
3
$3 5 5 5 !5 5 5 5 5 !5 5 5 E5 5 5
5 : 3 5
5 E5 : G i con - sum - mate rage
30
T. solo
3
0
sen - su - al
? '
ab
5 -
5
5
5
sti - nence and
4
=
5
' woe.
' '
17
VI S.
1 G
A.
G
2
0
0
0
0
0
0
0
0
0
G i
T.
B.
Solennemente
0
1 2
pp
0
3 = 5 5 ! 5 5 5 5
3
is the ash - pit
'
B
= 5
1 2G ' '
BB
55 =
is the ques - tion - ing
5 5
3
5 5 = = 5 5 5 5 4
pp
Vln.
3 3 = = 5 5 5 5 5 5 E5
0
this
This
Bsn.
pp
of the li - ly - fire,
5 =
this
35 5 = is the
4
0
0
4
0
0
(pp)
mp cresc.
5
S.
1 G
this,
A.
0
G
3
= 5 5 5 5 5 5 5
0
4
5
this is true mar - riage mp cresc.
this,
of the self - in - self,
5 E5 : 5 5 5 3
= 5
5
3 = 5 !5 5 5 5
3 = 5 !5 5 E 5
this is true mar - riage
of the self - in -
mp cresc. T.
B.
G 4 i
3
5 5: 5 5 E5 at the long ta - bles,
5 35 5 4 2 ques - tion - ing
5:
5E53 5 5 5 at the long ta - bles,
= 5 this,
5:
= ?
5 =
3 5 5 5 5 5 5
this is true mar - riage
0
3 = 5 5
of the
18 f
8
S.
1 ' G
this
- self,
G i
T.
B.
2
4
4
of
pp sub.
S.
self - in - self,
'
' = 5 5 5 !5 5 5 5 5 5 5
'
this is the cho - rus
G 5 = i
T.
B.
2
15
S.
1 B G
of
5
this is the cho - rus (f)
of
I5 3I5 I5 5 5
4
this is the cho - rus
4
fff
4
G '
G i
T.
B.
2
'
'
fff
fff
fff
5 5 B :
p sub.
5 5 !5 5 B ob - scene con - sent,
5 5 5 5 !B
5 5 5 5 B
ob - scene con - sent,
5 5 of
ob - scene con - sent,
5 5 5 5 B
5 5 E 5 ! 5 ob - scene con - sent,
3 EI5 I5 I5 E5 5
5 5 ! 5 5 5
this is the
of
(f)
5: = E'
de - sire,
ob - scene con - sent,
5I 5I 5I 5 5
this
A.
5
5
(f) 3
f 5 =
= 4 5
B
'
(f)
f
f
this is the rag - ing so - li - tude of de - sire, pp fp 3 warm 3 3
0
G 4
5 = 4
B
de - sire,
!5, 5 5 5 5 5 5 E5 5 ! 5 5
1 I 3I I G 5 5 5 5 5 5
A.
f
'
5 5
is the rag - ing so - li - tude of
12
fp
this is the rag - ing so - li - tude of de - sire, pp sub. 3 f fp 3 warm 3
5 5 B:
=
fp warm 3 3 3 5 5 H 5 5 5 5 5 5 !5 5 5 ! '
f
G !'
A.
warm mp
5,
cho - rus
5 5 5 B 5
ob - scene con - sent, ob - scene con - sent,
5 : = = 35 5!5 5 ' is a sin - gle
ob - scene con - sent,
5
voice
= 5 E5
5
'
pp
of pur - est praise.
5 = 4 ?
0
0
0
0
5 = 4 ?
0
0
0
0
5 = 4 ?
0
0
0
0
19
VII S.
A.
f
1 Vigoroso 0 G
G
5
5
!5 : 5 5 B : E5
He wounds with
ec - sta - sy.
0
0
0
5= 4 4
0
0
0
0
0 f
5
5
5
He wears the
T.
B.
Fl.
G i
0
2
0
0
1 G
0
0
mp
4 B
0
f
B
All
the wounds are his
0
B:
0
B:
G
B :
0
D
B:
B:
C. A.
Bsn.
B:
B:
fp
B:
0
fp
D
B:
fp
B : 2
EB :
f
B:
f
0
0
D
B:
fp
G B:
0
f
B:
0
B:
f
0
0
0
fp
0
B :
0
f
fp
Vigoroso
Vln.
1 4 = 5 !5 G 5
5, 4
4
0
4
4
0
f
Vla.
5 E 5
!5
f
Vlc.
2
0
own.
0
mf
Ob.
5=
E5 5 5 5 B
0
, ! 55
4
arco
pizz.
0
5 E5 5 5 5 mf 0
0
4
=
5
5
5
!5 4 4 5 H f E 5, 4 4
f
, ! 55 f
4
4
0
0
0
5 55 f
5
G
5, 4 4
20
mf sostenuto
8
S.
1 G
0
0
0
0
0
E5 He
3
G 5 B
A.
mar - tyr’s
G i
T.
B.
4 2
5
B:
4
is
0
0
0
0
0
0
0
0
the
crown.
0
0 mp
4 5
5
He
Fl.
5 = 4
5 5
1 E B : G
0 f
5 =
5 5 !5 :
5 ! 5 EB
is
of Mis - rule.
the
Lord
5 = 4 4
0
0
! B :
0
fp
: G B
Ob.
5 = 4 4
0
B:
B:
0
fp
D
G B:
C. A.
0
0
B:
0
B: fp
f
Bsn.
Vln.
2
B :
B:
D
B:
0
B :
0
fp
f
1 G
0
0
0
5 5
5
E5
!5
5
! 5,
! 5
E5
4 4 ff
f
Vla.
0
0
0
4
f
Vlc.
2
4
pizz.
4 5 f
5
5 5 !5 :
5 !5
5
5
5 G
!5, 5 4 4 ff
E 5 , ! 5 5 E 5 5 !5 5 55 = 5 E5 4 4 5 !5 ff arco
(f)
21
14
S.
leggiero
1 !5 : G
5 E5 5 5
Mas - ter of the
mf sostenuto
G
A.
B.
2
Leap - ing
leggiero
5
5
= 5 5M
Mas - ter
of
Leap - ing
5
0
G i
T.
5
5
!5 5M !5M 5
Fi -
=
gures, of the
E5
5M 5M 5 5 = E5 5 = M M 5 5 M Leap - ing
4:
0
0
0
0
Fi - gures,
mp leggiero
4
5M E5M E5M !5
the
0
Leap - ing Fi - gures,
Fi - gures, of the
5 5
0
5M =
mot - ley fac - tions.
4
mp
= 5M E5M 5 M
leggiero
the mot - ley
Fl.
B: 1 G
5 = =
4:
B:
5 = =
4:
5 = =
4:
G
Ob.
G B:
C. A.
4
4
4
0
0
0
B: p
B : p
EB : p
Bsn.
2
B :
5 = =
4:
4
0
B: p
Vln.
1 G
0
0
0
0
Vla.
0
0
0
0
0
0
0
0
Vlc.
2
22
Calmo e meno mosso
18
S.
1 G
0
0
0
0
5: 5 5 5 : 5 Re - vel - ling
0
0
G i
T.
B.
0
G
A.
2 5 B
0
0
0
0
0
B:
fac - tions.
E5 ! 5 5 : 5 Re - vel - ling in
in
au
-
0
0 p
5 5
p
0 p
0 5: au
5: 5 5 5
-
gu - ries
5 5
Re - vel - ling
in
B
5 =
gu - ries
Fl.
B: 1 G
5 = 4 4
0
0
0
0
Ob.
G B :
5 = 4 4
0
0
0
0
C. A.
G E B :
5 = 4 4
0
0
0
0
B:
5 = 4 4
0
0
Bsn.
2
5M =
B : p
4 4
sul pont.
Calmo e meno mosso Vln.
Vla.
Vlc.
1 G
0
0
4 = 5 5M 5 5 E5 M M M 5M p 4 = 5 5M 5M 5M E5 M 5M 2 p
0
0
0
B: MM p
sul pont. 0
0
B: 0
B:
M BM:
M BM:
M BM:
M BM:
p
sul pont.
M BM:
pp
23
1 B : G
B:
24
S.
B:
B:
B:
molto sostenuto p
G 4 B
A.
G i
T.
B.
2
E5 :
5 5
is
B:
Weep - er
B:
5 5 E5 5 5 B
4
1 G
is
0
0
0
0
0
0
0
0
of the Va - le - dic - tions.
B:
5 E 5 5 5 B
he
Fl.
the
ten.
B:
au - gu - ries molto sostenuto p
B
0 a niente
5 E5 5 5 B
he
a niente
the
Weep - er
0
a niente
a niente
5 5 E5 5 5 B
ten.
of the Va - le - dic - tions.
0
0
0
! B :
B:
B :
pp
0
G
Ob.
0
0
0
0
B : pp
0
G
C. A.
0
0
0
0 B:
B:
B :
B:
pp
Bsn.
2
0
0
0
0
0
pp
Vln.
1 MB : G M
B: MM
B: MM
B: MM
B: MM
0
0
0
0
a niente
Vla.
EMB : M pp
Vlc.
EB B ::: 2 mp
B: MM
nat.
B: B:
B: MM
B: B:
p
a niente
(sul pont.)
0
0
0
B ::
p
B ::
B ::
24
VIII S.
moto 1 Adagio, ma con 0 G
0
0
0
A.
G
0
0
0
0
T.
G i
0
0
0
0
0
0
0
0
1 G
0
0
B.
Fl.
2
5:
= 5 E5
5 ! 5 5 5 3E5 B 3
p
G
Ob.
0
0
4
= 5 B
5
5 E 5 5
p
G 4
C. A.
sostenuto
= 5 5:
5 5 : 5
B
p
Bsn.
= 5 :
5 5 5 5 B
p
3
'
$3 5 5 5
'
5 5 B 3= =
5:
p
pp
sostenuto
? 2
5 3 5:
p
pp
Adagio, ma con moto (nat.)
Vln.
1 5 G p
Vla.
5 p
5 E5
?
?
5I 5I
0
0
E5 5
?
?
5I 5I
0
0
?
?
EI 5 E E5I
0
0
mp
mp
(nat.) Vlc.
2
5
p
5
mp
5
25
p dolce
5
S.
1 G
0
0
53 5 5
0
5:
5
Mu - sic
sur -
p dolce
0
G
A.
0
3 5 5 5
0
5:
Mu - sic
sur -
p dolce
0
G i
T.
0
53 5 5
0
! 5
5: E5
Mu - sic
sur -
p dolce
B.
2
0
0
53 5 5
0
5: 5
Mu - sic
Fl.
1 E ' G
B
B
G '
Ob.
E5 E 5 ! 5 =
5 = 4 5 E5
:
5 5
mf
E 5 E5
sur -
4
?
p
B:
E5
B:
5
B:
5
0
p sub.
3 G E5 E 5 5
C. A.
Bsn.
Vln.
2
B
5 5 ! 5 5 B
B
1 G ?
?
? 2
E5 5
5 5 5 5
3
0
0
p sub.
5 5 f
Vlc.
5 E5
p sub.
f
Vla.
B
E 5 f
, = 5
5
EE 5 5
!5 5 :
5,
'
0 pp
G
G
, 5 5: = 5
5, ' '
= !5 5 5 : H
5, '
0 pp
4 pp
pizz.
= 5 E5 4 ÑÑÑ_ mf
26 9
S.
1 B G
5:
=
4
=
- vives,
5:
G B
A.
=
=
- vives,
B.
5 5 B :
com - pos - ing
own sphere, cresc. poco a poco
5
5 5 5
5 5
her,
5 1 = arco 2 f B:
her
mp
own sphere,
5 her
S.
1 5 G
5
G 5 :
5 5 5 :
5 5 5:
5 5
5 = 5 5 her own
3 5 = 5 5
com - pos - ing
5 5
5 5:
her own 3
5 = 5 5
her sphere, com - pos - ing
her own
(cresc. poco a poco) B.
2
B
5:
5 5 5 :
3
5 = 5 5
com - pos - ing
Vln.
1 G
5 5 B : own
sphere,
0
3
com - pos - ing
5 5 5 :
5: 5
B G i sphere,
0
her own
0
!B
0
0
5:
=
5:
=
5:
=
5:
=
sphere,
f
!B sphere,
f
B sphere,
f
!B sphere,
= E5
Con moto
4
f Vla.
own
f
sphere, her sphere, (cresc. poco a poco)
T.
own
Con moto
her own sphere, (cresc. poco a poco)
A.
5 5
com - pos - ing her cresc. poco a poco
?
(cresc. poco a poco) 12
her
5 : 5 5 5 5
5 5
own sphere,
= 4 5
5 5
com - pos - ing her, cresc. poco a poco
5 : 5
5 : = 5 5 5 com - pos - ing
5 5 5 5
5:
5:
mp molto sostenuto
B
her
mp molto sostenuto
com - pos - ing her
- vives,
Vlc.
5 5 5 5
mp molto sostenuto
5:
G i - vives, 2
cresc. poco a poco
com - pos - ing
B
T.
mp molto sostenuto
B = 5 5
?
f
Vlc.
2
0
0
= 5 5 f
5:
5
27 f
15
S.
1 G
5 E35 5 !B :
0
p
B:
= 5
An - gel of Tones,
Me -
f
0
G
A.
p
3
5 5 5 !5
?
=
B:
An - gel of Tones,
f
B.
0
G i
T.
2
4
5 35 5 B
Me -
mf
0
?
4
1 G
B
0
5:
= 5 Me -
5 5
p
5 5 B
An - gel
Fl.
p
B:
An - gel of Tones,
5
of Tones,
=
0
=
0
=
0
= 5 Me -
f
G ?
Ob.
G ?
C. A.
Bsn.
Vln.
2 4
1 G
B
mf
f
4
2
B
mf
f
5
?
5
5
5 5
5 5
4
B : p
5, 4
?
0
! 5, 5
4
?
0
5, ! 5 5 5 55
4
?
0
5 !5 G 3
5
5:
f
5 !5 :
5:
5, = 4
mf
5:
5
5
IB :
5
5 : 5
Vla.
Vlc.
B
5
28
18
S.
ppp
1 5 G
!B 5 = 5
- du - sa,
G 5 5
A.
- du - sa,
5M = 4
Me - du
=
-
-
ppp
Me - du -
G 5 i - du
- sa,
Me - du
-
-
2
Fl.
of the Air,
5 5 E5 5 of the Air,
of the
mp
cresc.
3 5 5 5 B:
?
sa,
Queen of the Air,
5M = 4
Me - du
-
-
?
4
sa,
cresc.
5 !35 5 B
Queen of the Air,
5 5M 1 5 ? = G
0
0
G = ! 5 ! 5 5M ?
0
0
5 5 5M ?
0
0
5M ? 5 3 5 5 2
0
0
0
0
0
0
p
Ob.
p
C. A.
G = p
Bsn.
Vln.
1 G ?
=
5 E5 5
ppp
Vla.
?
= 5 5 5 ppp
Vlc.
? 2
= 5 5 5 ppp
pizz.
ÑÑÑ_ 5 p
4
?
3
5 5 5
B:
mp
5 5 = 5 B - du - sa,
Air,
cresc. 3
5M = 4
ppp
B.
Queen of the
Queen
5 = 5 B
3 5 5 5 5
5 5 5 !B
sa,
B
ppp
T.
4
mp
5 B
cresc.
mp 3
0
29
21
S.
(cresc.)
1 G 5
5 Queen
3
of the Air, of the
(cresc.) 3
G B
A.
2
of the 3
1 G
3
0
of the
G
0
G
0
Vln.
2
0
0
0
0
5:
=
0
0
5:
=
0
0
f
Air,
5, = E5 5: molto
5, = E5 5:
4
4
?
molto
5 5: molto
E5 5: sfzp
1 G
=
Air,
sfzp
Bsn.
5:
f
sfz sfzp
C. A.
0
Air,
sfz sfzp
Ob.
0
f
5 5 !5 5 5 5 5 5 5 B 3
of the Air,
Fl.
3
=
Air,
5 5 5 5 5 !5 B 3
(cresc.)
B.
3
Queen of the Air, of the
3 5 G 5 5 E5 i of the Air,
5
5:
5 !5 5 5 !5 !5 B
Air, (cresc.)
T.
f
5 E5 5 5 5 E5 B 3
molto
4
=
0
?
4
=
?
Vlc.
2
0
?
4
B:
5
sfz
sfzp
ff
4
! 5, = EB : sfz
ff
=
0
= 5 H = 5 5 H sfz
5 5 ff H
sffz
, 5 ! 5
ff sffz
sfzp
B: p sub.
5 = molto
B :: B p sub.
molto
B: p sub.
0
ff
5 = molto
0
ff
5 5 =
ff
sffz
sffz
B :
0
ff
= 5 H
sfzp
sfzp
=
5 H
5 5 ff H
B:
ff
sfz
4
ff
sfz
Vla.
?
! 5, =
0
30
25
S.
1 G
Calmo
rit.
0
0
a tempo
0
4
pp
= 5 5 5 5 E5 and when we would ac -
0
G
A.
0
pp
4 = 5 5 5 5 5 E5
?
!5
and when we would ac - cost
her,
pp
B.
0
G i
T.
2
0
= 5 5 5 5 E5 5
0
and when we would ac - cost
0
0
0
p
= 5 E5 5
?
and when we
Fl.
1 G
0
0
0
0
Ob.
G
0
0
0
0
G ?
C. A.
4
5 p
Bsn.
4 = 5 5: 2
5 5 5 5 5 5 5 5:
5
5 ! 5 E5 ! 5
5 5 E5 B
E5 5 5:
= 4 5M 5 ! 5M = 4
p
rit.
Calmo
Vln.
1 ' G '
pp
'
Vla.
' '
' '
2
' pp
!' !' ppp
'
'
pp
Vlc.
a tempo
!' ppp
'
'
' ' ppp
?
?
31
29
S.
1 5 G
5
- cost
E5
!5
her with real
mf
G = E5 E5 5 ! 5 ! 5
A.
f
!5 5 cries, with
5
and when we would ac - cost
mf
G !5 i her,
T.
B.
2
!5 5
= 5 5 5 E5 5
I5 real
!B
would ac - cost
'
cries
f
5
= ! I5 I5
her
5
and when we would ac - cost
5
EIB :
with real
E5I
'
cries
I5f =
B her
with
I5 real
I: B cries
I5f I5 5 = =
'
her
with real
Fl.
1 G
0
0
0
Ob.
G
0
0
0
C. A.
G
0
0
0
0
0
Bsn.
2
?
4
5 I cries
=
5 f
Vln.
1 B G B
5 = 4 5
0
0
B
5 = 4
0
0
55 = 4
0
0
Vla.
Vlc.
2
BB
32 f
32
S.
1 E B G
5:
=
5 E35 E5 !5 !5 B
p
B:
5 =
sil - ver on sil - ver
f
G E B
A.
=
5:
4
5 E35 5 !5 5 :
p
B:
5 =
sil - ver on sil - ver f
5:
G B i
T.
=
5 E35 5 !5 5
?
p
B:
5 =
sil - ver on sil - ver
f B.
2
B
=
5:
?
4
5 35 5 5 5 : sil - ver on
Fl.
5
1 G
0
5
5
0
G
5
5
5
B
mf
5
0
G
C. A.
Bsn.
3
5
5
Vln.
B:
4
5
mf
4
Vla.
=
5
5
E5
f
5 M M 5M 5M M 5 5
5 MM
5 M M 5M 5M M E5 !5 5
5 M
sul pont.
Vlc.
2
0
B: MM f
=
5:
B
5:
=
=
p
5 MM !5 MM
nat.
M 5M
4
B
p
p
f sul pont.
3
5:
B
p
5
sul pont.
1 G ?
=
p
mf
E 5 ! 5 5 5 5 = 4 2 5
5:
p
mf
Ob.
5 =
sil - ver
B
?
p
5
5 poco
5 M
B :: B M
5 5 =
5 MM
B : MM
5 =
p
p
33 drammatico pp
35
S.
1 4 B : G
f
5 5
thrills drammatico pp
G 4 B :
A.
it - self
f
5 5
thrills
T.
B.
2 ?
4 5
5
to
0
0
?
0
0
?
0
0
?
0
0
ice.
ice.
3 5 5 5 5M = 4 E2 4 ÑÑÑ_
5 5
thrills
?
f
thrills it - self drammatico p f
4
to
3 = 4 4 5 5M EÑÑÑ_ 2
it - self
drammatico p
G ? i
3 = 4 4 5 5M EÑÑÑ_ 2
to
ice.
= 435 4 EÑÑÑ_ 5M 2
it - self
to
ice.
Fl.
1 G
0
0
0
0
0
Ob.
G
0
0
0
0
0
C. A.
G
0
0
0
0
0
0
0
0
0
0
Bsn.
2
Vln.
1 G '
'
?
4
pp sub.
Vla.
'
4 E55
?
pp
Vlc.
2
pp
B EB
' ' ppp
B B
EB
'
pp
nat.
' '
B B
pp
nat.
'
5 E5
' '
4
B: pp
ppp
B
B B
' ' ppp 29 July 2003
CHESTER MUSIC (part of the Music Sales Group) 14/15 Berners Street, London W1T 3LJ tel: +44 (0)20 7612 7400 fax: +44 (0)20 7612 7549
Exclusive distributor: Music Sales Ltd, Newmarket Road, Bury St Edmunds, Suffolk, IP33 3YB tel: +44 (0)1284 702600 fax: +44 (0)1284 702592 web: www.chesternovello.com e-mail: music@musicsales.co.uk
3;PI<L;rE@ DEDu
ISBN 978-1-84772-267-6
Order No. CH72765