The Music Sales Group
CHORAL BINDER 2016
SACRED, SECULAR AND CHRISTMAS
Music Sales Choral Binder 2016 All titles listed are SATB unless otherwise stated * with accompaniment Page
Title
Catalogue Code
3 6 10 13 25 31 36 45 66 70 74 76 82 95 123 143 149
SACRED George Arthur: Prayer of Thomas Ken Grayston Ives: Nos autem gloriari Paul Mealor: The Lord bless you and keep you Nico Muhly: Lord heare my prayer instantly Nico Muhly: Oculi omnium (Men’s Voices) Martin Neary: Preces and Responses (SSA) Owain Park: Beati quorum via Owain Park: The Lord’s Prayer John Tavener: The Apolytikion of St Nicholas John Tavener: The Lamb (Upper Voices) David Terry: For the Fallen Jeremy Thurlow: I got me flowers Judith Weir: His mercy endureth for ever* Judith Weir: Praise Him with Trumpets* Judith Weir: Truly I Tell You* James Whitbourn: Gratias agimus tibi Charles-Marie Widor: Surrexit a mortuis*
NOV295130 NOV295482 NOV295273 SRO100080 SRO100128 NOV295053 NOV295790 NOV295306 CH84502 CH84304 NOV295746 NOV295570 CH83864 CH84381 CH83743 CH84733 NOV295592
161 177 181 189 200 204 234 249
SECULAR Edward Gregson: Welcome (Upper Voices)* Thomas Hyde: Orpheus with his lute John Joubert: Autumn Rain (SSAA)* John Joubert: Be not afeard Paul Mealor (arr.): Ae fond kiss Nico Muhly: Gentle Sleep Nico Muhly: Whispered and Revealed* Tarik O’Regan: Love Reckons by Itself Alone
NOV165429 NOV165814 NOV950468 NOV165748 NOV165341 SRO100126 SRO100110 NOV165220
267 271 275 285 294 304 323 353 360 376 378
CHRISTMAS Ronald Corp: Susanni Adrian Lucas: Mary, that mother mild Paul Mealor: Behold a tender babe Owain Park: Cradle Lullaby (Upper Voices)* Owain Park: Lully, lulla (ATB) Owain Park: Shepherd’s Cradle Song Owain Park: Tomorrow shall be my dancing day Christopher Robinson: Hereford Carol* Carl Rütti: De Virgine Maria* R.R. Terry: Joseph and the Angel Stuart Thompson: The holly and the ivy*
NOV295284 NOV295636 NOV295350 NOV165363 NOV295185 NOV295174 NOV295119 NOV295647 NOV295020 NOV295669 NOV295438
1
2
George Arthur PRAYER OF THOMAS KEN
for SATB double choir unaccompanied
NOVELLO 3
Winner of the Hereford Three Choirs Festival Choral Composition Competition 2015 First performed at Evensong in Hereford Cathedral on 26th July 2015
PRAYER OF THOMAS KEN THOMAS KEN (1692)
GEORGE ARTHUR
pp Light and smooth q = c. 50
S. A. CHOIR I & II
Glo - ry
T. B.
to thee, my God this
night,
for
all
the bless - ings of
the
pp
4
S. A.
light, T. B.
wings.
T. B.
p
keep
me, O keep me, King of
Kings,
p
8
S. A.
mf
Teach me
mf
to
live, that
I
may
dread
Š 2015 Novello & Company Limited
4
be - neath thine own al - migh - ty
the
grave as
lit - tle
as
my
3
12
S. A.
bed,
CHOIR I
T. B.
S. A.
T. B.
S. A.
I may rise.
A. T. – teach me to B.
die, that so
S. – that f
rise glo- rious at
may
I may rise, that
I may rise,
that I
A. T. – teach me B.
I
to die, that
so
I
the aw - ful
may rise, that
rise glo - rious at the
may
f
may my soul on thee
re - pose, and
with sweet sleep, mine eye-
p
p
O
may my soul on thee
re - pose, and
with sweet sleep, mine eye-
p
21
S. A. CHOIR I & II
T. B.
I may
O
aw - ful day.
T. B.
may rise, that
day.
I
Suddenly still
rise.
that
may rise,
p
S. A. 16
I may rise, that I
bed,
CHOIR II (CANON)
T. B.
S. – that
- lids close.
A
-
men,
A - men,
5
A
-
non dim.
men.
Grayston Ives NOS AUTEM GLORIARI for SATB choir unaccompanied
NOVELLO 6
for Michael Piret
2
Nos autem gloriari
Introit for Maundy Thursday
Grayston Ives (b. 1948)
Spacious, unhurried q = c. 44 SOPRANO
ALTO
TENOR
BASS
4 4 4 4
pp semplice e molto legato
4 4 4 4
Nos au - tem
in
glo - ri - a - ri
o - por - tet,
in cru
au
-
-
cru - ce
pp semplice e molto legato
Nos
cru - ce
tem,
nos
au
-
tem,
in
cru
-
Spacious, unhurried q = c. 44 Piano (for rehearsal only)
4 4 4 4
5
pp semplice e molto legato
Nos
au - tem
glo - ri - a - ri
o - por - tet,
in
pp semplice e molto legato
Nos
mf
- ce, in
- ce, in
au
tem,
-
nos au
-
tem,
in pp
cru mf
-
cru
-
in
ce,
pp
in
ce,
Copyright Š 2013 Novello & Company Limited. All Rights Reserved. International Copyright Secured.
7
3 10
3
cru - ce Do -mi - ni no -stri Je - su
6 4 6 4
cru - ce
cru
Je - su
ce
-
cru - ce
Je - su
Je - su 3
14
molto cresc.
re
-
mf
mp
Chri - sti:
in quo
mf
mp
Chri - sti:
6 4 6 4
mf
mf
re -
re - sur - rec - ti - o
est
4 4
pp
4 4
pp
6 4
4 4
ff
sa
sa
4 4
sa
sa
-
lus,
vi - ta,
-
lus,
vi
-
ta, et
-
lus,
vi
-
ta, et
-
lus,
vi
-
ta, et
mf
no - stra:
per quem
ff
per quem
ff
sal - va - ti,
per quem
sal - va - ti,
sal - va - ti,
8
sal p
mf
per quem
sal p
ff
no - stra:
sal p
mf
no - stra:
et
p
mf
no - stra:
sur - rec - ti - o
molto cresc.
in quo
4 4
pp
6 4
re - sur - rec - ti - o molto cresc.
in quo est mp
Chri - sti:
pp
est
mp
Chri - sti:
sur -rec - ti - o
molto cresc.
in quo
est
4 4
sal - va - ti,
sal -
4 mf
18
- va -
ti
et
li
pp
-
be - ra - ti
su
mf
- va -
ti
et
li
ti
et
li
-
be - ra - ti
su
ti
et
li
mus.
-
mus.
-
mus.
-
mus.
pp
-
be - ra - ti
su pp
mf
- va -
-
pp
mf
- va -
Fine
-
be - ra - ti
su
Fine
T/B unis.
moving freely De
-
us
mi - se - re - á - tur no - stri,
et
be - ne
-
dí
-
cat no
-
bis:
D.C. al Fine
il
-
lú - mi -net vul -tum su -um su -per nos,
et mi - se - re - á
-
tur
no - stri.
Translation But as for us, it behoveth us to glory in the cross of our Lord Jesus Christ, in whom is our salvation, our life and resurrection, by whom we were saved and obtained our freedom. God be merciful unto us and bless us: and show us the light of his countenance, and be merciful unto us.
Novello & Company Limited. 14/15 Berners St, London W1T 3LJ www.musicsalesclassical.com
Order no. NOV295482
9
Paul Mealor THE LORD BLESS YOU AND KEEP YOU for SATB choir unaccompanied
NOVELLO 10
Dedicated to The Reverend Kenneth MacKenzie DL
The Lord Bless You and Keep You Written for the 200th anniversary of the Braemar Gathering Service at Crathie Kirk, 6th September 2015 and first performed by the University of Aberdeen Chamber Choir, conducted by the composer, in the presence of Her Majesty Queen Elizabeth II
PAUL MEALOR
Numbers 6:24-26
Adagio, molto rubato q = c. 68
SOPRANO
ALTO
S.
make
make
stagger breathing
T.
B.
stagger breathing
The
bless
you
Lord
bless
Lord
Lord
pp
Lord
A.
The
3
TENOR
BASS
pp
poco rit.
you
and
and
keep
you;
keep
you;
A tempo
the
the
ppp
mm
ppp
mm
his
his
poco rit.
face
to
shine
on
you
face
to
shine
on
you
Copyright Š 2015 Novello & Company Limited
11
and be
and be
gra - cious to
gra - cious to
3
S.
pp
6
you;
A.
B.
the
you;
T.
A tempo
give
A.
give
T.
give
B.
give
you
you
Lord
turn
his
face
Lord
turn
his
face
pp
the
Lord
turn
his
face
Lord
turn
his
face
the
9
the
poco rit.
S.
peace.
rall.
A
peace.
you
peace.
you
peace.
to - ward
to - ward
and
to - ward
to - ward
-
-
A
-
-
you
you
you
you
-
-
men.
men.
-
A
-
-
men.
-
-
A
12
-
men.
and
and
and
Nico Muhly lord heare my prayer instantly for SATB divisi chorus unaccompanied
Chester Music 13
Lord heare my prayer instantly was first performed on 13 December 2014 in All Souls Episcopal Parish Church, Berkeley, California, by The International Orange Chorus of San Francisco, conducted by Zane Fiala.
Duration: c. 4 minutes
Text Lord heare my prayer instantly, which I before thee make, and let my crye come unto thee, do not the same forsake. Turne not away thy face from me when troubles me opresse, each day inclyne thine eare to me and succour my distresse. (anonymous metrical version of Psalm 102:1-2)
Guide to IPA symbols used: [ĆĽ] as in bed [e] as in make [i] as in seek [y] a French y, or German Ăź sound [o] as in boat
Order number: SRO100080
14
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Nico Muhly OCULI OMNIUM for men’s voices unaccompanied
Chester Music
25
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Text Oculi omnium in te sperant Domine: et tu das escam illorum in tempore opportuno. Gloria tibi, Domine. Amen.
The eyes of all wait upon thee; and thou givest them their meat in due season. Glory to you, Lord. Amen. Psalm 144 (Vulgate)/145 (King James Version)
Duration: c. 1 minute (each setting)
30
Martin Neary PRECES AND RESPONSES for SSA choir unaccompanied
NOVELLO 31
Preces and Responses
MARTIN NEARY
Allegro
MINISTER
O Lord, open thou our lips.
f
And our mouth shall shew forth
thy
praise.
f
f
And our mouth shall shew forth
thy
praise.
And our mouth shall shew forth
thy
to
help
us.
praise.
Andante mp
MINISTER
O God, make speed to save us.
make haste
O mp
make
to
help
us.
help
us.
Lord,
Lord,
Allegro mf
As mf
it
As mf
it
As
it
Glory be to the Father and to the Son and to the Holy Ghost.
now
and ev - er
shall
be:
now
and ev - er
shall
be:
now
and ev - er
shall
be:
world
O Lord, mp
O
MINISTER
with - out
make
in
was
in
was
in
the be
end.
A
32
the be
end.
Copyright Š 2015 Novello & Company Limited
the be
-
gin- ning,
-
end.
A
-
-
is
gin- ning,
is
men.
-
is
A
-
gin- ning,
with - out
with - out
to
world
world
haste
was
haste
men.
men.
2
f
f
Marcato f
rit.
The
The
MINISTER
Praise ye the Lord.
The
mp
Lord’s
name
be
Lord’s
name
be
prais’d.
Lord’s
name
And
mp
And
mp
MINISTER
The Lord be with you.
And
prais’d.
prais’d.
with
thy
spi
with
with
thy
thy
be
Andante
After the Creed
-
spi
spi
rit.
-
-
rit.
rit.
mp
mp
rit.
mp
Lord, have mercy upon us. Christ, have mercy upon us. Lord, have mercy up - on us.
Lord, have mercy upon us. Christ, have mercy upon us. Lord, have mercy up - on us.
MINISTER
Let us pray.
MINISTER
Our Father ...
Lord, have mercy upon us. Christ, have mercy upon us. Lord, have mercy up - on us.
mf
which who
} art in Heaven ... 33
... but deliver us from evil.
A -
men.
mp
Andante
And
And
us.
And
us
thy
us
thy
grant
us
thy
Andante mf
And mer - ci - ful - ly hear us when we
mf
MINISTER
O Lord, save the Queen.
f
And make thy cho - sen
Endue thy ministers with right - eous - ness.
-
va - tion.
f
rit.
3 call up - on thee. 3
mp
3
call up - on thee.
peo - ple
joy - ful.
peo - ple
joy - ful.
And make thy cho - sen
peo - ple
joy - ful.
Andante
And mp
bless
thine
in
And mp
bless
And
bless
MINISTER
O Lord, save thy peo - ple.
34
thine
he
-
he
thine
in
-
in
-
va - tion.
And mer - ci - ful - ly hear us when we
f
-
And make thy cho - sen
sal
va - tion.
call up - on thee.
Allegro
MINISTER
sal
-
And mer - ci - ful - ly hear us when we
mf
sal
grant
mp
O Lord, shew thy mercy up-on
grant
mp
MINISTER
3
he
-
ri - tance.
-
ri - tance.
-
ri - tance.
4
Moderato
Be - cause there
MINISTER
Give peace in our time,
O
Lord.
3 ff
fight - eth for us,
but
on - ly
3
ff
fight - eth for us,
3
fight - eth for us,
but
on - ly
is
Be - cause there
o - ther
is
none
o - ther
f
none
Be - cause there
is
none
o - ther
thou,
thou,
The Collects
rit.
take
Spi - rit
from
us.
p
take
not thy Ho - ly
Spi - rit
from
us.
p
And
take
1.
2.
A - men.
A - men.
not thy Ho - ly
p
A - men.
that
O God.
MINISTER
And
O God, make clean our hearts with - in us.
that
O God.
thou,
And
that
O God.
Andante
MINISTER
on - ly
f
ff
but
f
A - men.
not thy Ho - ly
After the Final Collect
A
-
A
-
A
-
A - men.
A - men.
35
A
-
Spi - rit
men.
-
from
-
men.
-
men.
-
men.
us.
Owain Park BEATI QUORUM VIA for SSATB choir unaccompanied
NOVELLO 36
Duration: c. 4 minutes
Psalm 119, verse 1 Beati quorum via integra est, qui ambulant in lege Domini. Blessed are the undefiled in the way, who walk in the law of the Lord.
Order Number: NOV295790
37
Commissioned by the Wells Cathedral Chorister Trust, and dedicated to HRH The Countess of Wessex GCVO, Royal Patron, Wells Cathedral Chorister Trust
Beati quorum via Psalm 119:1
OWAIN PARK Reflective and very flexible (q = 72)
SOPRANO
ALTO
TENOR
BASS
p espr.
Be
-
Be
a
a
Be
-
p espr.
Be
-
a
a
a
-
ti,
ti,
-
be
ti,
Reflective and very flexible (q = 72)
Piano (for rehearsal only)
7
S.
A.
be
-
T.
-
-
-
a mf
-
-
-
mf
-
-
-
a
-
-
-
3
-
mp
be
a
-
mf
-
-
3
a
-
-
-
be
be
a
-
be
ti,
a
-
ti,
p espr.
quo - rum
ti
p
quo - rum vi - a, p
vi -
a,
quo - rum
quo - rum vi - a,
-
-
ti
-
ti
quo - rum vi - a, p
ti
be -
ti,
-
ti,
-
a
-
-
mp
ti,
-
-
38
© 2016 Novello & Company Limited Not for rental or hire by third parties
-
-
-
p
-
a
-
-
-
mf
-
ti
mp
be
-
mp
-
a
mf
be
B.
mp
be
a
ti,
-
-
ti,
-
meno p
-
Be p espr.
-
p espr.
p espr.
quo - rum vi - a,
quo - rum
quo - rum
quo - rum
2
poco rall.
11
S. Solo
Flessible
mf
quo - rum,
mp
S.
quo - rum
A.
vi - a
dim.
dim.
quo - rum
vi - a,
T.
vi - a,
B.
vi - a,
16
S.
A.
quo - rum
quo - rum
vi
vi
vi
-
-
quo - rum
poco rall.
vi
Flowing (q = 69)
a
Flessible
a
-
pp
pp
in - te - gra
est,
qui
est,
in - te - gra
est,
in - te - gra
mp
mp
3
3
qui
qui
3
qui
3
Flowing (q = 69)
-
3
am - bu - lant,
am
3
am - bu-
p
am - bu - lant, mp
qui
mp
pp
pp
3
est,
in - te - gra
pp
qui
p
B.
est,
in - te - gra
3
T.
ti.
a
dim.
-
a
-
-
dim.
vi - a,
-
dim.
be - a
bu
-
-
3
3
39
lant,
3
3
19
S.
A.
3
am
- lant
-
-
-
lant
lant
in
3
poco rall.
S.
f
Do - mi - ni,
f
f
B.
le - ge
3
Do - mi - ni,
Do - mi - ni,
mf espress.
le - ge
mf
le - ge
mf
in
le - ge
ge
in
mf
in
Joyously
Do
le - ge
mf
Do - mi- ni,
le - ge
in
le - ge
-
Do
mp
le - ge
Do
mp
le - ge
40
in
f
le - ge
in
mf
Do - mi- ni,
le - ge
le - ge
f
in
in
Do - mi - ni,
Do - mi- ni,
le - ge
le - ge
mi - ni,
mp
in
Do - mi - ni,
le - ge
Do -mi - ni,
Do - mi - ni,
mf
-
mp
in
le
in
in
in
Do - mi - ni, f
in
Do - mi - ni,
T.
mf
Do - mi - ni, f
A.
in
3
22
le - ge
f
3
in
mf
Do - mi- ni,
mf
am - bu -lant
mf
bu
3
Do - mi- ni, f
-
-
le - ge
in
in
mf
bu
le - ge
mf
am
3
-
in mf
qui
qui
- bu - lant
f
mp
B.
3
mf
am
T.
3
Joyously
poco rall.
Do
le - ge
-
Do -mi - ni,
mi - ni,
-
mi - ni,
-
mi - ni,
4 25
Moving on a little
p
S.
A.
Do
-
in
-
B.
Do
A.
T.
be
mp
mp
-
a
be
-
a
be
-
ti,
ti,
-
a
Do pp
-
Do
-
-
ti,
-
ti,
-
mp
mp
-
mi
-
mi
-
-
mi
-
mf
be
-
a
-
be
-
a
-
-
a
ni.
ni.
f
be
be
f
-
-
a
-
-
a
-
be -
be
ti,
be
-
mf
be -
ti,
-
mf
f
be -
a - ti,
-
mf
a - ti,
-
a - ti,
-
41
-
-
f
mf
-
-
ti,
be
f
ti,
be
-
p
Be - a
p
ti,
be
Be - a
Moving on a little
ti,
mf
-
ni.
-
Be - a
mf
ti,
mf
-
p
Be - a
a - ti,
-
a - ti,
be
-
be
ti,
-
be
-
pp
mi - ni,
-
B.
mp
31
S.
-
mi - ni,
p
mi - ni.
p
pp
Do
Do
-
mi - ni,
p
Do
-
le - ge
p
mi - ni. mp
Do
T.
mf
-
mf
-
5 36
S.
A.
poco a poco dim.
- a - ti, quo dim. poco a poco
-
- a - ti, quo dim. poco a poco
-
- a - ti,
quo
dim. poco a poco
T.
-a
-
-
-a
-
S.
p
est;
A.
p
T.
est;
est;
p
est;
B.
est;
Meno mosso
vi - a
-
-
te
-
-
in
-
-
pp
Be
p espr.
Be
-
p espr.
p
te
-
-
in - te - gra
in - te - gra
in - te - gra
gra
gra
Tempo primo (q = 72)
p
vi - a
vi - a,
Meno mosso 41
in
rall.
vi - a,
ti,
vi - a
rum vi - a,
-
ti,
vi - a,
rum vi - a,
dim. poco a poco
B.
rum vi - a,
-
rall.
-
a
-
p espr.
Be
-
p espr.
Be
-
p espr.
Be
-
a
-
-
a
a
a
42
ti,
Tempo primo (q = 72)
ti,
-
-
meno p
be
-
-
ti,
ti,
-
ti,
a
be
-
-
-
be
-
be
-
be
-
6 47
S.
A.
-a
-
-
-
T.
ti,
-
ti,
-
-
ti
quo - rum
ti
ti
-
ti
p
-
-
be mp
-
be
-
-
a,
quo - rum
-
-
quo - rum
vi
-
-
-
-
-
-
-
a mf
-
a mf
-
-
-
-
a
-
-
-
-
-
-
3
p
3
vi
-
-
quo - rum
-
-
-
vi
-
mf
vi
a
-
-
rall.
vi
a,
p
quo - rum
be mp
quo - rum
-
p
p
-
a mp
ti
-
mf
-
-
-
-
ti,
-
B.
-
-
A.
be
50
S.
-a
ti,
-
be mp
mf
ti,
-
-
-a
B.
-
mp
-a
T.
-
a,
-
-
a,
mp
a
in - te
vi
vi
quo - rum
quo - rum
vi
quo - rum
vi
-
-
-
-
gra
est,
a
a
in - te - gra
a
in - te - gra
-
a
43
in - te - gra
in - te - gra
rall.
S. Solo
Flessible
mf
53
in
qui am - bu - lant
le - ge
S.
mp
est,
Flessible
57
mp
Do
mp Do
-
Do
Do
mi - ni.
-
-
-
mi - ni.
mi - ni.
mi - ni.
p
3
qui am - bu - lant p
in
le - ge
3
qui am - bu - lant p
3
3
qui am - bu - lant p
in
le - ge
3
qui am - bu - lant
in
le - ge
3
3
p shimmering silver
p
mp
Be (B1: un peu en dehors)
-
-
a
-
mp
p
Be
a
44
-
ti.
ti.
le
in
p shimmering silver
le - ge
in
p shimmering silver
qui am - bu - lant p
Meno mosso
mi - ni.
mp
B.
-
mp
T.
mp
Do
A.
mp
est,
S.
Do mi - ni.
mp gently purring
B.
est,
T.
mp
est,
A.
7
Meno mosso
-
ge
Owain Park THE LORD’S PRAYER for SSAATTBB choir unaccompanied
NOVELLO
45
The Lord’s Prayer was commissioned by Siglo de Oro and Patrick Allies as part of their ‘John Sheppard at 500’ celebrations. The piece is a reflection on the setting of The Lord’s Prayer by John Sheppard, published midway through the 16th century.
46
For Patrick Allies and Siglo de Oro
The Lord’s Prayer OWAIN PARK Slow and expansive h = 32
pp
hal - low’d
SOPRANO p
pp
- ther,
nn
pp
pp
pp
- ther,
nn
pp
pp
Our
Fa
p
Our
-
Fa
-
ther,
p
Our
Fa
p
Our
Fa
TENOR
p
-
-
-
Our
Fa
-
nn
ther,
ther,
Slow and expansive h = 32
Piano (for rehearsal only)
pp
p
Our
p
Our
hal - low’d,
© 2015 Novello & Company Limited
47
Fa
hal - low’d,
BASS
Our
hal - low’d,
p
hal - low’d,
ALTO
-
Fa
-
Fa
-
2
6
pp
hal
-
low’d
mp poco a poco cresc.
Our
Fa
-
ther,
S.
pp
pp
- ther,
nn
Our
hal
p poco a poco cresc.
-
low’d,
Fa
-
mf
3
ther,
our
mp poco a poco cresc.
Our
Fa
-
ther,
our
A.
pp
pp
pp
- ther,
- ther,
T.
nn
nn
--
--
hal
--
-
Our
low’d,
48
-
mf
our
low’d,
Fa
ther,
Fa
low’d
pp
B.
p poco a poco cresc.
3
pp
hal
ah
Our
hal
p poco a poco cresc.
mf
Our
Fa
-
3
3
3
10
mf
our
3
3
Fa
-
Fa
-
ther
mf
pp
pp
which art in
ther
nn
heav’n...
S.
Fa
Fa
A.
-
-
-
-
-
mf
-
ther
which art in
ther
- ther
which art in
-
-
-
ther,
-
ther
-
low’d...
pp
nn
heav’n...
Fa
mf
pp
hal
nn
heav’n...
pp
hal
-
low’d...
T. mf
Our
3
Fa
mf
which art in
mf
3
Our
3
3
3
Fa
-
ther
mf
which art in
heav’n,
3
49
pp
nn
heav’n...
nn
heav’n...
which art in
pp
mf
- ther B.
pp
hal
-
low’d...
4
14
p
Thy
king
-
dom
come, Thy
will
be
S.
mm
p
Thy
king
A.
p
Thy
king
-
B.
mm
dom come...
dom
mm
-
T.
mm
50
5
20
f
f
Thy
will,
nn
done...
f
Thy
3
will be
S.
A.
come,
Thy
will
p
be
mm
come...
done,
Done
f
Thy
mp
f
Thy will be
done
T.
B.
mp
Thy
king
p
Thy
king
p
Thy
king
-
-
-
dom come,
Done
f
f
dom
come,
dom
come,
51
f
Done
Thy
will be
3
6 poco rall. SOLO
24
3
ah
done
S.
thy
will be
mp
as
it
is in
nn
heav’n...
mp
done
as
it
is in
nn
heav’n...
A.
will
be
mp
done
as
it
is in
in
earth
nn
heav’n...
mp
hal
-
low’d,
T.
in
in
mp
earth
as
it
is in
mp
earth
as
it
is in
nn
heav’n...
nn
heav’n...
B.
done
3
poco rall.
52
mp
hal
-
low’d,
7 Tempo primo
28
TUTTI
p
Give us this
day
our dai - ly
our
dai
bread,
S.
A.
pp like soft bells
Give
us
this
p
Give us this
day
day
our dai - ly
p
Give us this
p
day
our
p
Give us this
bread,
day
our dai - ly
-
ly
bread,
dai - ly
bread,
bread,
T.
p
Give us this
Give us this
day
our
day
our dai - ly
dai - ly
bread,
bread,
B.
p
Give us this
Tempo primo
day
bread,
our
dai - ly
53
8
pp sotto voce
33
and
for - give
us
our
tres - pas - ses,
S.
and
As
pp sotto voce
p emerging
for - give
us
our
we for - give p emerging
p emerging
tres - pas - ses,
As we for -
A. pp sotto voce
us
our
pp sotto voce
and
us
our
and
for - give
for - give
tres - pas - ses,
tres - pas - ses,
As
T.
for - give
us
our
p emerging
As
pp sotto voce
and
B.
tres - pas - ses,
54
them,
we for - give
9
37
p emerging
As
we for - give
mm
them...
S.
them,
for
give,
hal
-
low’d,
give
them
we for - give
them,
p
As
we
for
pp
hal
-
give
them... mm
As we for - give
p emerging
A.
-
pp
them...
-
low’d
mm
mf
and
T.
for
-
p emerging
pp
pp
give,
As we for - give
them...
hal
-
low’d,
mm
B.
hal
55
-
low’d,
10
41
poco a poco accel.
S.
mf
and
let us not be led
mp
Our
Fa
in - to
temp - ta
-
ti -
-
ther,
-
Our
Fa
A. mp
Our
let us not be led
Fa
ther,
in - to temp - ta - ti - on,
our
Fa -
-
T.
mp
Our
mp
Our
Fa
Fa
-
-
-
ther,
ther,
mf
and
B.
and
poco a poco accel.
mf
56
let us not be led
in -
11
45
mp
Our
Fa
-
-
-
-
mf
ther,
and
let us not be
led
S.
- on,
Fa -
and
let us not be
mf
ther,
our
Fa
-
-
-
-
led
in - to
temp - ta
ther,
Our
Fa
-
ther,
-
A.
mf
our
Fa
- ther,
let us
and
not be led
in - to
- ther,
our
temp - ta
Fa - ther,
-
ti
-
on,
and
let us not be
mf
T.
-
let us not be led
-
-
in - to
-
-
-
ther,
temp - ta
-
Our
Fa - ther,
Fa
ti -
on,
Our
Our
Fa
-
B.
- to
temp - ta
ti
-
on,
-
57
-
-
12
48
in - to
poco rall.
temp - ta
-
ti - on,
p
Gently flowing
But de - li
-
ver us
from
S.
- ti - on, mf
and
let us not be led
pp silver
in - to temp - ta - ti
-
mm
on,
p
But
de - li
-
ver
A.
T.
temp - ta
-
in - to
temp
and
let us not be led
ther,
Fa
-
ta - ti - on,
-
-
-
-
on,
ther,
ther,
in - to temp - ta - ti -
-
-
ti - on,
mf
-
B.
led
poco rall.
58
Gently flowing
13
p
But
de
52
e -
vil,
de - li - ver
us
from
e
-
pp
mm
vil,
S.
us
from e
p
-
li - ver us
-
-
vil, us
from
e
-
e
-
vil,
mm
vil,
from
pp
pp
mm
A.
De - li - ver us
pp
from
e
-
vil,
pp
mm
be
thy
thy
Hal - low’d
be
pp
pp
Hal - low’d
T.
Hal - low’d
be
thy
thy
name.
name.
name.
B.
pp
Hal - low’d
59
be
name.
14
57
Slightly more movement
pp
mm
S.
mp
For
thine
is the king - dom
and the
pow’r. pp
mm
A.
( pp)
mm
To
thee
be all ho - nour and
mp
T.
mp
For
thine
is the king - dom
and the
mm
pow’r.
B.
mp
mm
Slightly more movement
To
60
thee
be all ho - nour and
15
61
S.
glo
-
mm
ry
A.
glo - ry pp
mm
mm
glo - ry
T.
p flessible
for
e
pp
-
-
-
-
-
-
-
ver - more.
B.
glo - ry
mm
61
16
66 Tempo primo
pp
pp
hal
-
low’d
S.
hal
pp
Our pp
Fa
Our
-
-
Fa
-
-
ther,
pp
pp
pp
pp
ther,
-
low’d
pp
hal
A.
-
low’d
nn
mm
nn
mm
T.
pp
Our
Fa
pp
Our
Fa
-
-
-
-
-
-
ther,
ther,
nn
mm
nn
mm
B.
Tempo primo
62
pp
hal
-
low’d
17 With quiet exuberance 70
Tempo from Sheppard
mp cresc.
S.
ways
so
be
mp poco a poco cresc.
Al p
mm
-
so
be
it, mf
so
al -
be
it, poco a poco cresc.
it,
so be
it,
A. p
p
poco a poco cresc.
Al
-
so
be
poco a poco cresc.
it,
ways so
so
be
mf
be
it, al -
it,
T. p
p
poco a poco cresc.
so
it,
al
be poco a poco cresc.
so
be
it,
so
-
3
ways
be
so
it,
B.
p
poco a poco cresc.
mm
al
-
ways
so
be
it,
With quiet exuberance Tempo from Sheppard
63
3
18 mf 74
al
-
al
ways
-
-
mp
ways
so
it.
be
it.
be
S.
-
ways
so
-
-
be
mf
al
mp
ways
it... mp
so
be
it, al
-
ways
so
be
so
be
A.
-
-
mf
al
-
-
ways
ways
so
so
mp
be
be
it, so mp
be
it, al
-
ways
it.
T. mf
so
be
be
it,
mp
so
be
it, al - ways
so
be
mf
mp
it,
so
be
-
ways
so be
it, al
-
ways
so
be
B.
mf
al
-
-
mp
it, so
be
it...
64
19
78
p
Al - ways
so
pp
be
it.
S. p
mm
p
mm
it...
ppp
hal
-
low’d...
ppp
mm
p
mm
it...
mm
it...
p
mm
it...
hal
-
low’d...
nn
hal ppp
-
low’d...
mm
65
hal
-
low’d...
nn
ppp
hal ppp
-
low’d...
hal
-
low’d...
nn
hal
-
low’d...
nn
ppp
nn
B. p
ppp
nn
T. p
A. p
nn
John Tavener APOLYTIKION OF SAINT NICHOLAS for unaccompanied choir SATB
Chester Music 66
This work was first performed on 11th November 1997 by the choir of St-Martin-in-the-Fields, London. Duration c. 1½ minutes Score on sale: Order No. CH84502
APOLYTIKION OF OUR HOLY FATHER NICHOLAS OF MYRA IN LYCIA (the wonder-worker) Strict rule of faith, and image of meekness, of self-discipline a teacher, you revealed to your flock the things of truth: for this you acquired the highest humility, the richest poverty.
Holy Father Nicholas, Pray to Christ God to save our souls.
No part of this publication may be copied or reproduced in any form or by any means without the prior permission of Chester Music Limited.
67
APOLYTIKION OF SAINT NICHOLAS John Tavener
pp Soprano
Sober, gentle and calm q = c.60
*Oh. p quietly
Strict
rule
of
faith,
Bass
Strict rule of
and
p quietly
Tenor
Alto
im
-
age of
meek
faith,
and
im
-
-
age of
meek
-
ness,
ness,
pp
* Oh.
S. (2)
(Oh.)
A.
of self - dis
of self - dis - ci -
T.
B.
- ci -
pline
pline
a
a
tea - cher,
tea - cher,
you re - vealed
you re - vealed
to
to
your flock
your flock
(Oh.)
S. (3)
(Oh.)
the things
A.
the
T.
B.
things
of
truth:
of
truth:
for
for
this
this
(Oh.)
* ‘Oh’ as in the ‘o’ of ‘log’. Breathe when necessary, but not simultaneously. Š Copyright 1987 Chester Music Ltd.
CH84502
68
you
you
ac - quired
ac - quired
the
the
2
S. (4)
(Oh.)
A.
high - est
-
li
high - est hu - mi - li
T.
B.
hu - mi
-
-
the
ty,
the
ty,
rich
-
est
po
-
ver
rich
-
est
po
-
ver
(5)
Ho - ly
p
A.
B.
Fa - ther
Ni - cho - las,
Ho - ly
Fa - ther
Ni - cho - las,
p
Ho
T.
p
-
ty.
ty.
(Oh.)
p S.
-
- ly
Ho - ly
Fa - ther
Ni - cho - las,
Fa - ther
Ni - cho - las,
Pray
to
Pray
to
Pray
to
Pray
to
our
souls.
Christ God to save
our
souls.
Christ God to save
our
souls.
Christ God to save
our
souls.
Christ God to save
12th November 1987
CHESTER MUSIC part of The Music Sales Group 14/15 Berners Street, London W1T 3LJ tel: +44 (0)20 7612 7400 fax: +44 (0)20 7612 7549
Exclusive distributor: Music Sales Ltd, Newmarket Road, Bury St Edmunds, Suffolk, IP33 3YB tel: +44 (0)1284 702600 fax: +44 (0)1284 702592
www.musicsalesclassical.com e-mail: music@musicsales.co.uk
69
John Tavener THE LAMB for upper voices unaccompanied
Chester Music
70
for Simon’s 3rd birthday
1.THE THELAMB LAMB John Tavener arr. Barry Rose
1 p 5 5 5 5 : 1 G 5 5 5
With extreme tenderness – flexible – always guided by the words q = c.40
G
Sopranos
2
2
Lamb,
who
0
G
1 Altos
Lit - tle
2
made
thee?
G
2G
Dost thou know
!5 E5 E5
5
2
S. 2
5
5
A. 2
de - light,
Gave thee cloth - ing
5
of
5 !5
Poco meno mosso
5
5
I5
5I !5
Gave thee such pp
G !5 G 5
a
a
5
5I
5
5
5I
5
Gave thee such pp
5
5
Gave thee such
a
a
thee?
By
0
5
5
the stream and
o’er
made
5 thee?
5 5
the mead;
0
of
1 pp G 5
2G
thee feed
Gave thee cloth - ing p
Gave thee such pp
1
bid
!5 E5 E5
5 E5 E5 !5
5 5 5 !5 G 2 7
1
and
who
0
1 1 G 5 S.
life,
0
made
5 5 5 5 5 !5 5 :
0
Gave thee
who
5
p (or S.2)
3
2
Dost thou know
0
forward 1 Moving 5 5 5 !5 1 G 5 E5 E5 S.
5 5 5 5 5 5 5 :
5
5
Soft - est
5
de - light,
5
Soft - est
5
ten - der voice,
5
5
5
5
5
5
5
5
5
ten - der voice,
ten - der voice,
5
ten - der voice,
Š Copyright 1982, 2009 Chester Music Ltd.
71
5
5
5
5
5 5
cloth - ing, wool - ly, bright;
5 !5 5 5 5
cloth - ing, wool - ly, bright;
I5
5
5
5
5
all
Mak - ing
the vales
Mak - ing
all
the vales
re - joice?
Mak - ing
5
5I
5
5
5
all
5
5
5I
Mak - ing
5I
all
the vales
5
5
re - joice?
5
5
5
5
5
5
re - joice?
5
5
5
the vales
5
re - joice?
poco
3
1 5 1 G 5 Lit - tle S. 2 G 5 5
I5 5 5 : 5 5
9
5I 5 5 5 5 :
Lamb, who made
Lit - tle
1
Lamb, who made
G 5 5 5 I
5 5 5:
2 G 2 5 5 5I
A.
Lit - tle Lamb
who made
5
Lit - tle Lamb
5:
who
made
5
thee? Dost thou
5
S.
2
1 A. 2
5
5
5
5
5
5
5
5
G
Lit - tle
Lamb,
I’ll
tell
I’ll
tell
5 thee,
5 thee,
0
2G
5
13
S.
He
G
5
is
5
called
5 E5 E5 !5
(optional – as required)
2
5
5
5
5
He is called (optional – as required)
1 A.
G
5
5
5
He
is
called
2 G 2 5 He
5
is
5 called
5
5
BI
5
BI
B
who
B: B:
thee?
made
thee?
B:
B
made
5 5
who
made
thee?
B:
thee?
Lit - tle mp
Lamb,
Lamb,
I’ll
tell
I’ll
tell
Lamb,
I’ll
!5 E5 E5
5 5
tell
5
5
!5
E5
by
thy name,
For
he
calls him - self
E5
E5
!5
E5
E5
5
!5 E5 E5
5
thy name,
72
For
For
he
he
thee;
5 5
calls him - self
E5
5
5
E5
by
thee;
5
tell
E5
5 E5 E5 !5
5
5 5 5 5 5 !5 5 :
I’ll
he
thy name,
thee;
thee;
Lamb,
For
by
5
5 5 5 5 5 5 5:
thy name,
!5
B
made
by
!5
B
5 5 5 5 5 !5 5 :
Lit - tle
B
5 5 5 5 5 5 5 :
Lit - tle
1 1 G 5
5
who
who
Lit - tle mp
0
5
know
thee? Dost thou know
G 5 5 5 5 5 5 5 : Lamb,
5I
thee? Dost thou know
A tempo – moving forward
Lit - tle mp
5
know
thee? Dost thou
1 mp 5 5 5 5 : 5 5 1 G 5 11
I5
5
5
5
calls him - self
5
calls him - self
a
a
5
Lamb.
5 Lamb.
5
a
Lamb.
a
Lamb.
5 5
4
15
5
He
S.
2
meek, and
he
is
5 5 5 !5 G 2
5
5 !5
is
1 pp 1 G 5
5
Poco meno mosso
17
I,
S.
5
G !5
I, pp
a
5
2G 5
5
I, pp
a
I,
he
a
5
I5
5
5I
5
5I
5
5
5
a
lamb,
We
are
5I
5
5
child, and thou
5
5
lamb,
5
We
5
5I
5I
5
5
5
5
5
5
5I
5
5
5
5
5
5
Lit - tle Lamb, God
CH84304
5
5
bless
5 5: bless
(optional – as required) G 5
I5
5
Lit - tle Lamb, God
2
lit - tle
5
child, and thou
5
a
5 thee!
5 thee!
5
bless
thee!
5:
5
bless
thee!
lamb,
are
rit.
5
5
Lit - tle
5
5
Lit - tle
5
5
5
I5
Lamb,
God
5I
5
5
Lamb,
God
BI
5
BI
Lit - tle Lamb,
73
called
God
B God
by
5 by
5
by
5
are called
Lit - tle Lamb,
5
called
are called
We
child.
5
a
5I !5
a
lit - tle
5 5 5
child.
5
his name.
5
5
his name.
5
5
5
5
his name.
his name.
B:
B
bless
thee!
B:
B thee!
B:
B
bless
thee!
B:
thee!
bless
5
by
bless
poco
B
Chester Music
2
5
be - came
We
G 5 5 5 I 5 5 5 5:
A.
He
lamb,
Lit - tle Lamb, God
1
mild,
5 5
5 !5 5 5 5
a
child, and thou
(optional – as required)
5
is
a
5
5
5
Lit - tle Lamb, God
2
5
5
19
G
be - came
5
1 5 I5 5 5 : 5 1 G 5 5 S.
He
5
child, and thou
G 5
1
2
I5
a
pp
2
meek, and
mild,
5
THE LAMB – for upper voices unaccompanied
He
A.
5
is
!5 E5 E5
5 E5 E5 !5
JOHN TAVENER
1 1 G 5
David Terr y FOR THE FALLEN for SATB choir unaccompanied
NOVELLO 74
For the Fallen Laurence Binyon (1869-1943)
David Terry (b. 1975)
With reverance
4 4
SOPRANO ALTO
mp
They shall grow not
4 4
TENOR BASS
old,
as
we
that are
left
grow
old:
mp
6
subito p
Age
shall not
wea - ry them,
nor
the years con - demn.
At
the
subito p
11
cresc.
go
-
ing
down
of
the
sun
and
in
the
morn - ing,
cresc.
Lento
16
pp
We
will
re - mem - ber them,
we
will
re - mem - ber
them.
pp
5 November 2013 Copyright Š 2013 Novello & Company Limited. All Rights Reserved. International Copyright Secured.
75
Jeremy Thurlow I GOT ME FLOWERS
for SSATBB choir unaccompanied
NOVELLO 76
I got me flowers to straw thy way; I got me boughs off many a tree: But thou wast up by break of day, And brought’st thy sweets along with thee. The Sunne arising in the East, Though he give light, & th’ East perfume; If they should offer to contest With thy arising, they presume. Can there be any day but this, Though many sunnes to shine endeavour? We count three hundred, but we misse: There is but one, and that one ever. George Herbert
Duration: circa 2 minutes
77
for Timothy Brown and Robinson College Chapel Choir
I got me flowers an Easter anthem
George Herbert (1593-1633) Andante q = 72 p
4 4
SOPRANO
3
I
got
p
4 4
ALTO
p
4 4
TENOR
Jeremy Thurlow (b. 1967) 3
me flowers
to
straw
thy way;
I
got
3
I
got
got
off
me boughs
off
me boughs
off
3
me flowers
to
straw
thy way;
I
got
3
I
me boughs
3
me flowers
to
straw
thy way;
I
got
4 4
(one or two baritones may sing with the tenors in bars 1-7, ad lib.)
BASS
4 4
Piano (for rehearsal only)
4
4 4
3
a
tree:
3
ma - ny
3
3
But thou wast mp
up
But thou wast mp
up
But thou wast
up
by
3
a
tree:
a
tree:
break of
by
break of
by
break of
3
3
3
3
Copyright Š 2013 Novello & Company Limited. All Rights Reserved. International Copyright Secured.
78
day,
And p
day,
And p
3
3
3
p
3
3
3
ma - ny
3
mp
3
ma - ny
3
3
day,
And
2 7
p
pp
brought’st thy sweets a - long with thee.
The
Sunne
a - ris - ing
pp
brought’st thy sweets a - long with thee.
The
in the
p
Sunne
a - ris - ing
in the
Sunne
a - ris - ing
in the
Sunne
a - ris - ing
in the
p
brought’st thy sweets a - long with thee.
The p
The
10
f
East, Though he give f
and th’East per - fume;
light,
and th’East per - fume;
and th’East per - fume;
East, Though he give
light,
and th’East per - fume;
3
If they should of - fer to con mf
3
3
If they should of - fer to con mf
light,
3
If they should of - fer to con mf
3
East, Though he give f
light,
3
East, Though he give f
mf
3
3
If they should of - fer to con 3
3
3
3
79
3 14
f
3
- test
With thy a - ris - ing,
With thy a - ris - ing,
With thy a - ris - ing,
sume.
they
mp
pre
-
With thy a - ris - ing,
sume. mf
they,
they
mp
3
- test
-
mp
3
- test
pre
f
3
- test
they
mp
p
pre
sume.
-
p
mf
they,
they
pre
-
sume.
3
3
17
pp
3
Can there be an - y oth
-
er day but this,
Though ma-ny sunnes to shine en -dea-vour?
Can there be an - y oth pp
-
er day but this,
Though ma-ny sunnes to shine en -dea-vour?
Can there be an - y oth
-
er day but this,
Though ma-ny sunnes to shine en -dea-vour?
-
er day but this,
Though ma-ny sunnes to shine en -dea-vour?
pp
3
3
pp
3
Can there be an - y oth 3
3
80
4 21
p cresc.
ff
3
We count three hun p cresc.
dred,
We count three hun p cresc.
dred,
We count three hun p cresc.
dred,
We count three hun -
dred,
but we
misse:
mf
There
is
but one,
ff
3
but we
misse:
mf
There
is
but one,
is
but one,
is
but one,
ff
3
but we
misse:
There ff
3
but we
misse:
There
3
3
rall.
p
24
that
one
ev- er,
that
pp
one
ev - er,
that
that
one
ev- er,
that
mp
and that
ev - er,
mp
and that
one
ev - er,
that
that
one
ev - er,
p
one
ev - er,
ev - er.
one
ev - er. pp
p
one
one
pp
p
that
ev - er. pp
one
ev - er,
rall.
81
and
ev - er.
and
Judith Weir HIS MERCY ENDURETH FOR EVER for chorus SATB (withSAATTBB divisions) and organ for chorus
Chester Music 82
This work was commissioned by Her Majesty’s Government and the Dean and Chapter of Westminster. It was first performed by the Choir of Westminster Abbey under the direction of James O’Donnell, at a service of thanksgiving held in Westminster Abbey on Sunday 10th May 2015, to mark the 70th anniversary of VE Day. Duration c. 4 minutes Order No. CH83864
HIS MERCY ENDURETH FOR EVER O give thanks unto the Lord, for he is gracious: for his mercy endureth for ever. O thank the Lord of all lords: for his mercy endureth for ever. Who only doeth great wonders: for his mercy endureth for ever. Who remembered us when we were in trouble: for his mercy endureth for ever. And hath delivered us from our enemies: for his mercy endureth for ever. O give thanks unto the God of heaven: for his mercy endureth for ever. O give thanks unto the Lord of lords: for his mercy endureth for ever. from Psalm 136 Eternal God, in whose kingdom no sword is drawn but the sword of righteousness, and no strength known but the strength of love: We pray thee so mightily to spread abroad thy Spirit, that all peoples may be gathered under one banner, of the Prince of Peace; as children of one God and Father of all; to whom be the dominion and glory now and for ever. Amen. from The Book of Common Prayer
No part of this publication may be copied or reproduced in any form or by any means without the prior permission of Chester Music Limited.
83
HIS MERCY ENDURETH FOR EVER Judith Weir (2015)
3 4
Con moto q = 132 (1 in a bar)
mp bright and clear
Organ
3 4 3 4
mp strong, firm but in the background
8
mp
S.
O mp
give
thanks,
O mp
give
thanks,
O
give
thanks,
A.
T. mp B.
O
mf
give
thanks,
O
mp
12.15
Š Copyright 2015 Chester Music Ltd.
CH83864
84
All rights reserved Printed in England
2
17
mp
S.
O mp A.
O
mf
mp
mp
T.
O p
mf
give thanks un
to
the Lord,
for
he is gra
cious mp
B.
give
thanks,
O
mf
25
mf
mp
mf
f
mp
mp
S.
give
thanks, mf
give
thanks,
O f
give
thanks,
mf
mp
A.
give
p
thanks, his mf
mer cy en
du reth for
e
p
ver. mf
T.
for mf
e
ver,
mf
Thank the
Lord of all mp
B.
give
thanks,
for
e
ver,
mf
85
mp
3
33
mf
f
mp
mf
S.
O
give
mf
thanks,
O
f
O
give
mp
thanks,
O
give
mf
p
give
thanks,
A. mf
f
give
O
p
mf
thanks, his
p
mer cy en
du reth for
e
ver.
mf
mp
p
T.
lords,
for
e
ver.
mf
mp B.
for
e
f
mp
ver, give
mf
mf
86
4
40
f
mp
f
mf
S.
thanks, mf
for
f
his mer cy en p mf
du reth for
e
ver. p
A.
Who mf
on
ly
do eth great geat won f
ders:
on
ly
do eth great geat won
ders:
O
p mf
give
thanks,
T.
Who f
mp
for
mf
e
ver. p
B.
thanks,
O
give
thanks,
mf
mp
mp
48
p
p
mp
mf
S. mf
when p
we
were in trou
ble, when mp
we mf
when
we
were in trou
ble, when mp
we mf
when p
we
were in trou
ble, when mp
we mf
when softer tone
we
were in trou
ble, when
we
A.
Who
re mem bered us p mf
p
T.
re mem bered us B.
p
mp
87
55
mp
5
mf
p
S.
were in trou
mp
ble: mf
f
mf
e f
mf
O
give mp
A.
were in trou
ble: his mp
mf
mp
ble: his p
mer cy en
du reth for
ver. mp
T.
were in trou
mer cy en
du reth for
e
mf
ver.
B.
were in trou
ble:
mf again bright
f
give
mp
mf again bright
62
O
mp
mp
mf
f
mf
e
ver.
p
S.
thanks, mf
f
his mf
mer cy en mp
du reth for p mf
A.
And mf
hath
de
li vered us f mf
And hath f mp
de
li vered us
mp
p
from mf
our
e
ne
from
our
e
ne
T. f
mf
mf
B.
thanks,
his
mer cy en
du reth for
e softer tone
mf
88
6
69
mp
mf
p
mf
give mp
thanks, mf
p
his mf
give mp
thanks, mf
p
give mf
thanks, f
S. mp
p
mies: mp
p
O
mer cy en
du reth for
A.
for
e
ver, for mf
T.
mies: mp
p
mp
mf
for
mf
f
p mf
B.
ver.
O
his mer cy en fuller and stronger
du reth for
e
ver,
for
mf
mp
mf
mp
76
f
mf
ver.
O
f
mf
ver.
O
f
mf
ver. f
mf
ver.
O
ff
f
f
S.
e
give
thanks
un
to
the
f
God ff
of hea f
A.
e
give
thanks f
un
to
the
God ff
of hea f
give
thanks f
un
to
the
God ff
of hea f
give
thanks
un
to
the
God
of hea
T.
e
O
B.
e
f
f
89
7
83
ff
mf
p
mf
ven, mf
p
thanks, mf
for
his
mer cy en f
du reth for
thanks,
for
his
mer cy en f
du reth for
f
S. ff
e
ver.
e
ver.
e
ver.
e
ver.
A.
ven, mf
ff
T.
ven, mf
give,
for
his
mer cy en f
du reth for
ven,
give,
for
his
mer
cy
ff
B.
91
mp
mf
f
mp
mf
f
for
mf
p
mf
p
O mf
give
thanks
un to the
Lord f
of
Lords: mf
mf
p
O mf
give
thanks
un to the
Lord f
of
Lords: mf
mf
p
O mf
give
thanks
un to the
Lord f
of
Lords: mf
O
give
thanks
un to the
Lord
of
Lords:
mf
f
mf
S.
A.
T.
B.
mf
mf
p
mf
p
mf
90
f
mf
f
mf
8
99
f
mf
f
S.
for his
mer f
cy
en
du mf
reth
for
e f
ver.
for his
mer f
cy
en
du mf
reth
for
e f
ver.
for his
mer f
cy
en
du mf
reth
for
e f
ver.
for his
mer
cy
en
du
reth
for
e
ver.
A.
T.
B.
f
f
107
Strong, powerful q = 84 f
mf
f
mf
f
mp
f
mf
S.
E f
ter
E f
ter
E f
ter
E
ter
nal
God,
in mp
whose king f
dom
whose king f
dom
whose king f
dom
whose king
dom
no sword is drawn mf
A.
nal
God,
mp
in
no
sword mf
T.
nal
God,
in mp
no sword is drawn mf
B.
nal
God, in
Strong, powerful q = 84 mf stronger, more forthright tone
mf
91
no
sword
9
111
f
mp
mf
S.
but the sword of
right
eous
ness, f
and no strength
right eous
ness,
eous
ness, f
mf
right eous
ness,
and no strength known
mf
A.
is
drawn, f
and no strength known mp mf
T.
but the sword of
right
and no strength
B.
is
115
drawn,
f
f
mf
f
mf
mf
f
mf
S.
known
(mf )
but the strength
of
love: f
We pray thee
so migh ti
ly
to
so migh ti
ly
to
mf
A.
but the strength f
of
love:
mf
f
We mf
T.
known
but the strength
of
love: f
(mf )
We pray thee mf
B.
but the strength
of
love:
92
We
f
mf
f
mf
10
119
f
mf
mp
mf
f
S.
spread a f
broad thy
Spi mf
rit,
that all
peo ples may be ga thered f
A.
pray thee, f
thy
Spi rit, mf
that
all
mp
peo ples
may
be
ga thered f
mf
T.
spread a f
broad thy
Spi
rit,
that all
peo ples may be ga thered f
mf
B.
pray thee,
123
thy
3
Spi rit,
that
all
peo ples
may
f
mf
be
ga thered
mp mf
S.
un der one ban ner,
of the mf
3
Prince
of
Peace;
f
as chil dren mp
A.
un der one ban ner, 3
of
the
mf
Prince f
of
Peace;
Prince
of
Peace;
of
Peace;
mp mf
T.
un der one ban ner, 3
of the mf
f
as chil dren mp
B.
un der one ban ner,
of
the
Prince
3
f
mf
3
f
mf
93
127
mp
f
S.
of
one
God
to mf
f
mf
3
whom mp
mf
A.
and
Fa ther of
all;
f
be
the
do
mi nion and mp
the
do
mi nion and
T.
of
one
God
mf
f
to
mf
3
whom mp
mf
B.
and
130
Fa ther of
f
all;
be
mf
f
S.
now
and
for
e
ver.
A
men.
f A.
glo ry
and
for
e
f
ver.
A
mf
men.
f
T.
now
and
for
e
ver.
A
men.
f B.
glo ry
and
for
e
ver.
A
f
f
94
men.
11
Judith Weir PRAISE HIM WITH TRUMPETS for 2 trumpets, SATB chorus and organ
Chester Music 95
Praise Him with Trumpets was commissioned by Historic Royal Palaces in collaboration with The Choral Foundation, for the Hampton Court Chapel Royal Choir in celebration of Hampton Court 500. It was ďŹ rst performed on Monday 16th November 2015 at Hampton Court Palace, by Max Bronstein and Ryan Linham (trumpets), Rufus Frowde (organ) and the Hampton Court Chapel Royal Choir, conducted by Carl Jackson.
Duration c. 5 minutes Score on sale Order No. CH84381 Part for two trumpets (in C) Order No. CH84381-01 This work may also be performed without trumpets.
PRAISE HIM WITH TRUMPETS text from Psalms 146 and 150
For as long as I live, I will praise the Lord; I will sing psalms to my God all my life long. Put no faith in princes, in any man who has no power to save. He breathes his last breath, he returns to the dust: Praise him with fanfares on the trumpet The Lord feeds the hungry and sets the prisoner free. The Lord loves the righteous and watches over the stranger; Praise him with fanfares on the trumpet, praise him with tambourines and dancing, praise him in the vault of heaven, the vault of his power; praise him with the clash of cymbals; The Lord shall reign for ever.
CHESTER MUSIC part of The Music Sales Group 14/15 Berners Street, London W1T 3LJ tel: +44 (0)20 7612 7400 fax: +44 (0)20 7612 7549
Exclusive distributor: Music Sales Ltd, Newmarket Road, Bury St Edmunds, Suffolk, IP33 3YB tel: +44 (0)1284 702600 fax: +44 (0)1284 702592
www.musicsalesclassical.com e-mail: music@musicsales.co.uk
96
PRAISE HIM WITH TRUMPETS Trumpet 1 in C
p
f mf
Soprano
Pedal
f 3
p
mf
q = 88: Energico
*
3
(mf)
3
3
3
Tpt. 2
3
mp: in the background
3
mf f
f
3
mf
f
4
mf
3
3
Tpt. 1
Org.
Tenor
Organ
Alto
Bass
f
mf
Trumpet 2 in C
Judith Weir (2015)
3 q = 88: Energico
3
mf 3
p
3
mf
3
3
* Play the passages in small type if trumpets are not available Š 2015 Chester Music Ltd.
CH84381
97
mf 3
p
3 3
3 3 3
2
Tpt. 1
7
Tpt. 2
Org.
f
p
3
f
p mf
3
mf
3
3
mf
3
f
p
mf
mf
3
mf
3
3
p
3
3
p
3
3
3
p
3
3
3
3
mf
3
mf
Tpt. 1 11
p
3
f
Org.
Org.
3
f
mf
3
Tpt. 2
p
9
Tpt. 1 Tpt. 2
3
f
3
mf
3
p
mf
3
98
3
3
p
3
f
f 3
3
3
p
3
mf
3
3
3
Tpt. 1
3 3 3 3 3
13
3
Tpt. 2
Org.
3
3
mf
p
f
mp mf
3
f
mp
3
3
3
Tpt. 1
3
S. A.
Org.
3
3
p
f
p
3
mf: bright
3
3 S.
mf
long as
I
Org.
3
I
live,
live,
3
3
p
mp
For as mp
For as
3
mp
mf
I
will
mp
I
3
will
praise
mf
3
praise
3
99
3
long as
3
p
mf
3
A.
3
mp: gentle, mellow
17
mf
3
3
(mp) 3
3
mf
3 3 3
f
15
Tpt. 2
3
3
mp subito
f
the
Lord;
the
Lord;
3
4
S. 19
A.
Org.
21
God
Org.
God
B.
Org.
Ped.
p
3
I
I
will
my life
mf
my life
3
long,
my life
my life
3
3
mf
in
(mf: bright)
3
mf
l.h. and pedal: rich, warm
mf
100
to
my
f
p
long.
3 3
no faith
long.
Put
p
my
prin - ces,
no faith
to
f
in
Put mf
3
3
psalms
sing
long,
3 3 3
mf
3
psalms
mp
all
mf
p
3
sing
mp
all
will
mf
3
mp
p
3
24
T.
mp
S. A.
p
3
3
p
p
prin - ces,
3
5
S. 27
B.
faith
in
mf
Put
no
faith
in
3
Org.
praise the Lord; 3
praise
the Lord;
3
B.
praise the Lord;
3
praise
the Lord;
Ped.
3
I will
3
p mf
prin - ces.
I will
f
mf
3
I live, f
I will mf
I live,
I will
3
f: strong, firm
f
mf
to
my
God
mf
God mf
sing
3
psalms
f
3
to
my
3 3
psalms f
sing
psalms f 3
to
psalms
to
sing
3 3
3
3
f 3
3
sing
mf
I live,
3
I will
long as
I will
I will
f
3
long as
I live,
For as
prin - ces.
long as
long as
mf
For as p mf
3
f
3
I will
3
Org.
30
T.
3
3 S.
A.
Ped.
mf
For as
Put no
mf
T.
For as
A.
mf
101
my
my
all
God
mf
God
my
all
my
all
my
all
my
6
S. 33
life
A.
long,
life
T.
B.
long,
Ped.
my life
life long, my life
life
Org.
my life
long,
my life
f
f
f
mp
mf
long.
f
mp
long.
3
in
prin - ces,
mf
Put no faith
in
mf: bright
3
mf: rich, warm
3
p
3
prin - ces,
3
mf
mf
p
who has no power to save.
a - ny man
Put no faith
p
3
mf
Ped.
long.
mp in a - ny man
in
Org.
mp
mp
B.
long.
37
T.
mp
breath
who has no power.
rich, warm
102
mf He breathes
mf
his last
mp
breath,
7 p
41
T.
he
Org.
Ped.
Tpt. 1 44
Tpt. 2
S. A.
T.
Org.
Ped.
to
the
mp
he
re
3
dust:
-
3
mf
f
3
mf
f f
3
mf
f 3
3 3
3
-
-
the
3
3
3
3
the 3
fares on
the
3
mp
3
mf
p
trum - pet,
3
mf
p
trum - pet,
3
mf: reedy
3
3
3
3
103
mp 3
dust:
fares on
3
to
3
3
turns
Praise him with fan
Praise him with fan
p
3
3
3
mf
dust:
mf
p
B.
re - turns
mfp
dust:
3 B.
mfp
8
Tpt. 1
46
Tpt. 2
S.
A.
Org.
mf
3
3
f
3
mf
3
f
mf
Praise him with fan
mf
3
3
3
Praise him with fan 3
-
3
the
3
48
Tpt. 2
S. A.
Org.
3
f
mf
3
3
3
3
3
mf mf
f f
3
3
3
Praise him with fan - fares on
mf
f
3
3
the 3
Praise him with fan - fares on 3
3
3
3
3
3
3
mf
p
mf
p
3
trum - pet,
3
ff
mf
ff
mf
ff
mf
ff
mf
ff
trum
3
ff
f
-
ff
the
mf
3
Tpt. 1
trum - pet,
the 3
mf
ff
3
3
ff
3
fares on 3
ff
fares on
f
-
3
f
3
trum
pet.
f
f
104
-
pet.
9 3 Tpt. 1
51
mf
Tpt. 2
Org.
Ped.
mf
Ped.
Tpt. 1 56
Tpt. 2
Org.
Ped.
3
p
3
mf 3
f
3
p
3
3
mf
3
f
3
3
p
3
3
3
p
mf
f 3
3
mf
Org.
mf
3
mf
54
mf
f
f 3
3 3
Tpt. 1 Tpt. 2
mf
mf
3
f
3
3
105
3
p mf
f
3
3
3
f
3
mf
f
p
3
mf
p
3
3
10
Tpt. 1 58
Tpt. 2
p
mf
mf
Org.
Ped.
3
3
p
3
3
60
mf
3
mf
B.
mp
3
3
3
p
3
f
mf
3
3
3 3
mp
The
Lord
feeds
the
106
3
3
p
mf
3
mp
p
f
3 3
f
Ped.
3
3
Org.
3
p
Tpt. 1 Tpt. 2
3
mp warm, gentle
mp
11
S. 63
T.
B.
Ped.
S. 67
loves
the
loves
mf
sets
the
pris - oner
mf
sets
the
pris - oner
mp
the
mp
and
free;
free;
wat - ches
wat - ches
mp
The
o - ver
Lord
o - ver
Lord
The
107
mp
mp
righ - teous
mp
mp
and
righ - teous
mf
mf
T.
Ped.
and
A.
hun - gry
Org.
Org.
and
B.
mf
the
stran
-
mp
mf
the
stran
-
mf
the
stran
-
12
Tpt. 1
71
Tpt. 2
B.
Ped.
3
p
ger;
p
ger;
mp
-
f
ger;
mf
mf
3
3
3
3
Praise him with tam - bou- rines and
3
mf
3
3
f strong, firm
3
3
3
3
Praise him with tam - bou- rines and
the trum - pet,
3
3
3
p
3
fan - fares on
mp
-
Org.
3
3
mf
f
mp
3 3 3
mf
f
3
Praise him with
-
3
mf
T.
3
mf
S.
A.
3 3
3
3
3
108
3
3
3
13
Tpt. 1
3
74
f
Tpt. 2
f
S.
3 mf
f
dan
f
A.
dan
T.
B.
Org.
Ped.
mf
-
3
cing,
3
3
f
3
cing,
3
3
3
mf
f
mf
and dan - cing,
f
and dan - cing,
f
mf
3
mf
3
Praise him with tam - bou- rines
and dan - cing,
f
3
Praise him with tam - bou- rines
mf
mf
3
Praise him with tam - bou- rines
mf
-
3
3
mf
f
f
f
dan
f
dan
mf
-
cing,
mf
3
-
f
cing,
3
mf
dan
-
cing,
3
3
109
mf
3
3
3
3
mf
3 3
14
Tpt. 1 77
Tpt. 2
PiĂš mosso
B.
3
3
3
him in
3
3
praise
vault,
f
the
him in
3
f
the
him in
praise
mf
3
vault,
f
the
vault,
f
3
him in
the
Ped.
ff
f 3
3
3
3
mp
mp
mf
110
3
3
3
vault,
f
the
vault,
f
3
him in
mf
the
him in
3
praise
3
him in
praise
f
mf
3
mf
mp
praise
mp
f
3
praise
vault,
PiĂš mosso
Org.
(mf)
praise
T.
mf
praise
A.
f
S.
3
3
the
him in
3
f
the
3
vault,
vault,
15
Tpt. 1 79
Tpt. 2
3
S.
mp
A.
mp
mp
T.
B.
Org.
Ped.
3
3
mp
3
3
mf
him
3
praise
mf
3
3
praise
3
3
him
in
3
3
3
3
3
of
3
the vault
3
of
the vault
3
of
the vault
in
the vault
in
him
mf
in
him
praise
mf
praise
3
mf
3
f
f
mf
f
hea
-
-
hea
-
-
-
-
f
hea
-
f
hea
-
of
-
-
-
(f sempre)
ven,
ven,
ven,
-
ven,
mf
f
111
16
Tpt. 1
S.
81
Tpt. 2
A.
3
mf
3
the
mf
3
3
3
him in
3
praise
f
mf
3
the vault,
the
f
him in
mf
3
the vault,
the
mf
B.
Org.
Ped.
3
the
ff
3
3
3
3
f
3
f
3 vault of
f
his power;
f
3
vault of
his
3
vault of
power;
f
his power;
f
3
vault of
mf
112
mf
mf
mf 3
3
3
praise
T.
his
power;
17
Tpt. 1 83
Tpt. 2
S.
A.
mp
3
mp
3
mf
mf
3
3
3
3
3
f
3
Praise him with fan - fares on
mf
3
3
the
3
Praise him with fan - fares on
B.
Org.
Ped.
3
3 3 mf
3
f
the
3
3
mf
3
3
trum - pet,
3
trum - pet,
mf
T.
f
mf f
3
3
3
3
Praise him with tam - bou- rines
mf
3
3
Praise him with tam - bou- rines
ff
3
3
3
3
3
3
113
3
and
3
and
18
Tpt. 1 85
f
Tpt. 2
3
3
f
T.
Org.
Ped.
-
-
tam
mf
3
-
mf
dan - cing, tam
3
bou - rines
3
bou - rines
3
-
and
3
bou - rines
3
and
-
-
3
-
3
bou - rines
f
3
3
-
3
dan - cing, tam
f
B.
mf
3
3
mf
tam
3
mf
f
mf
S.
A.
f
dan
-
f
dan
-
-
-
-
-
f
dan
-
f
dan
114
f
and
and
-
-
-
-
cing.
cing.
cing.
-
cing.
mf
19
Tpt. 1
87
Tpt. 2
S.
mf
Praise
the
mf
A.
Praise
T.
B.
Org.
Ped.
mf
mp
Lord,
the
Lord
mf
f
Praise
the
mf
Praise
the
praise
f
in the vault,
f
mp
Lord,
f
in the vault,
on the trum - pet,
mf
praise
Lord
him
praise
mf
f
the
Lord
f
him
with
on the trum - pet,
mf
praise
the
Lord
with
115
mf
praise
praise
mf
20
Tpt. 1
91
Tpt. 2
B.
Org.
Ped.
with the
f
clash
him
the
with the
f
clash
f
f
clash
the
him
T.
of
cym - bals;
of
of
of
ff
3
3
3
Praise
ff
f
3
3
3
3
3
3
3
the
him on
3
the
the
him on
Praise
3
him on
ff
3
him on
Praise
cym - bals;
116
cym - bals;
3
Praise
cym - bals;
ff
ff
ff
f
clash
3
f
S.
A.
the
3
21 94 Tpt. 1
f
3
mf 3
-
trum
-
f
-
pet,
-
3
3
3
3
praise
3
3
mf
mf
of
mf
of
of
3
his,
the vault
power,
3
his
f
power,
the vault
3
his
f
the vault
3
f
of
3
117
3
3
mf 3
f
f
3
3
the vault
him in
3
f
mf
mf 3
him in
f
3
him in
praise
pet,
ff
him in
f
pet,
3
3
praise
mf
trum
f
3
praise
f
pet,
mf
trum
T.
mf
A.
f
f
f
Ped.
f
mf
mf
trum
Org.
ff
3
f
B.
3
f
S.
f
3
Tpt. 2
3
f
his,
mf 3
22
Tpt. 1 97
Tpt. 2
S.
A.
mf
mp
mf
mf
3
3
him in
3
3
3
him
in
in
3
him in
3
3
3
3
3
3
3
mf
f
mf
f
mp
mp
the vault.
the vault.
3
praise
the vault,
3
3
mp mf
the vault,
3
3
him
praise
praise
Ped.
f
3
3
praise
mf
Org.
praise
f
mf
B.
mp
mf T.
mp mf
3
him on
f
praise
3
him on
3
the trum - pet.
3
3
3
3
118
the trum - pet.
f
3
3
23 3 Tpt. 1
100
mf
Tpt. 2
3
f
mf
S.
A.
T.
B.
ff
The
ff
The
ff
The
ff
f
3
3
3
f
ff
f
shall
shall
shall
Lord
f
Lord
3
3
Lord
3
ff
f
3
3
mf
Lord
Org.
Ped.
ff
The
shall
3
f
for
e
reign
f
for
e
for
e
for
e
reign
f
-
ver,
mf
-
ver,
mf
-
ver,
mf
-
ver,
119
3
mf
reign
f
ff
reign
f
3
3
mf
24
Tpt. 1
S.
104
Tpt. 2
A.
T.
B.
The
mf
3
Praise
mf
Ped.
3
3
him in
3
the
mf
3
Lord
Lord
vault,
3
f
mf
f
reign
mf
mf
The
3
120
3
reign
The
3
3
shall
mp
mf
shall
vault,
mp
the
him in
mf
The
Praise
Org.
mf
25
Tpt. 1
107
Tpt. 2
S.
A.
T.
B.
ff
for
Ped.
3
3
f
3
-
f
-
-
-
mf
(no staccato) 3
3
mf
ver,
ver,
Lord
shall
reign,
Lord
shall
reign,
f
f
3
f
e
(no staccato)
f
e
Org.
ff
3
for
3
3
3
mf
3
Praise him in
mf
3
Praise him in
mf
121
3
the
3
the
26
Tpt. 1
110
Tpt. 2
S.
B.
mf
Org.
Ped.
3
3
3
mp
3
the
mf
-
-
3
3
3
p
p
pet.
mf
-
f
trum
3
pet.
f
trum
mf
mf 3
trum
mf
the
mp
mf
f
the
3
trum
f
the
Praise him on
Praise him on
vault,
mf
f
vault,
T.
f
mf A.
pet.
mf
-
pet.
3
3
Order No. CH84381
122
Judith Weir TRULY I TELL YOU for chorus SSATB and organ
Chester Music 123
First performed by the Choir of Westminster Abbey at the Commonwealth Day Observance, 9th March 2015.
Duration: c. 4 minutes Order No. CH83743 TRUL Y I TELL YOU TRULY When I consider your heavens, the work of your fingers, the moon and the stars that you have ordained, What is man, that you should be mindful of him; the son of man, that you should seek him out? You have made him little lower than the angels and crown him with glory and honour. You have given him dominion over the works of your hands and put all things under his feet. O Lord our governor, how glorious is your name in all the world.
Psalm 8: 4–10 Truly I tell you, whoever does not receive the kingdom of God as a little child will never enter it.
Mark 10: 15 I will bless the Lord at all times; his praise shall ever be in my mouth. My soul shall glory in the Lord; let the humble hear and be glad. O magnify the Lord with me; let us exalt his name together. I sought the Lord and he answered me and delivered me from all my fears.
Psalm 34: 1–4 Truly I tell you .
No part of this publication may be copied or reproduced in any form or by any means without the prior permission of Chester Music Limited.
CHES TER MUSIC CHESTER part of The Music Sales Group 14/15 Berners Street, London W1T 3LJ tel: +44 (0)20 7612 7400 fax: +44 (0)20 7612 7549
Exclusive distributor: Music Sales Ltd, Newmarket Road,Bury St Edmunds, Suffolk, IP33 3YB tel: +44 (0)1284 702600 fax: +44 (0)1284 702592
web: www.musicsalesclassical.com e-mail: music@musicsales.co.uk
124
TRULY I TELL YOU Text: Psalm 8; Mark 10; Psalm 34
Judith Weir (2014-5)
q = 84
2 4 Organ
3
3
3
3
3
3
3
3
3
Gt.+Sw. f
2 4 2 4
3
16'+Gt.+Sw. f
4
3
3
3
3
3
3
3
3
3 8
3
3 8
3
9
3 8 p
mf
S. A.
When
I con
si der your hea
vens, mf
T. B.
the
Sw.
mf
work of your
mp
mf Š Copyright 2015 Chester Music Ltd.
CH83743
125
All rights reserved Printed in England rev. 3.15
2
mf
16
f
mf
p
S. A.
the
moon and the stars that you p
have
you
have
or
dained,
mf
p
T. B.
fin
gers,
or
dained, 3
mf
23
3
mp
3
Gt. f
3
3
3
3
3
3 3
3
3
3
26
3
3
3
3
3
126
Sw. mf
3 32 S. A. mf T. B.
What is
man,
that
you should be
mind
ful
of
him;
mf
mp
mf
37
mf
f
mf
p
S. A.
the
son of p
T. B.
man,
that
you should seek
mf
127
out? mf
f
you should seek
mp
him
him
p
out?
Gt. f
3
3
4
43
3
3
3
3
3
Sw. mf
3
48
mf
mp
S. A.
You have made
T. B.
him
lit
tle
mp
low
er
than the an
gels
mf
mf
mp
mf
128
54
f
(mf )
5
mf
p
S. A.
and crown him T. B.
f
(mf )
3
60
3
3
3
p
mf
3
3
3
with glo ry and ho nour.
3
3
3
3
Gt. f
3
3
63
3 4
TENORS, BASSES
T. B.
3
3
3
3 4
3
3 4
3
3
3
3 4
3
129
mp
You
Sw. mp
have gi ven
6 67
3 8
mf
S. A.
him T. B.
do
mi
nion
o ver the works of your
3 8
mf 3
3
3
3
3
mf
3
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3
3 8
mf
f
71
mf
p
S. A.
hands T. B.
and put
all
things
f
un
der his
mf
3 4
feet.
p
3 4 3 4 3 4 3 4
130
77 S. A.
7
3 4
O Lord
3 4
T. B.
3 8
f
our
f
3 4
3
3
3
3
3
3
3 4
80 S. A.
3 8
T. B.
3 8
3 8
3
3 8
f
mf
how glo
rious is
3 8 3 8
Gt. f
3 4
go ver nor,
your name in
mf
all
f
2 4 the
world.
2 4
3 8
2 4
3 8
2 4
3 8
2 4 131
8
Poco meno mosso
88 q = 72
2 4
Ch. 8' 4' 2ďż˝' 2'
Sw. 8' mp
2 4
(Man.)
92
6 8
SOPRANOS
TENORS
6 8
mf
Tru
ly
I
tell
you,
ly
I
tell
you,
mf
Tru
6 8 Gt.+Sw. mf
6 8
95 S.
who e
ver
does not re ceive
the
king
dom of
God
who e
ver
does not re ceive
the
king
dom of
God
T.
132
9
98
mp
mf
mp
S.
as mp
a
lit
tle
child
mf
mp
T.
as
a
lit
tle
100
child
mf
S.
will
ne
ver
en mf
ter
en
ter
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will
ne
ver
3 4 3 4 3 4 3 4
102 S.
T.
3 4 3 4
p
6 8
p
6 8
it.
it.
3 4 3 4
6 8 Sw.
6 8 133
10 105
Tempo I 108 q = 84
2 4
3
3
3
3
9 8
2 4
9 8
2 4
9 8
2 4
3
3
3
3
3
Gt.+Sw. f
3
2 4
3
3
2 4
111
3
3
Solo
3
3
3
3
134
3
3
3
114
mf
11
f
S.
I mf
will
bless the
Lord f
at
all
I mf
will
bless the
Lord f
at
all
I mf
will
bless the
Lord f
at
all
I
will
bless the
Lord
at
all
A.
T.
B.
3
3
3
mf
f
3
3
(Man.) 3
3
3
Ped.
117
mf
S.
times;
his
praise
shall
e mf
ver
times;
his
praise
shall
e mf
ver
times;
his
praise
shall
e mf
ver
times;
his
praise
shall
e
ver
A.
T.
B.
3
3
3
3
3
3
135
3
3
3
3
3
mf
3
12
120
p
S.
be
in
my
mouth. p
A.
be
in
my
mouth. p
T.
be
in
my
mouth. p
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be
in
my
mouth. 3
3
3
3
3
3
3
3
3
mp
f
3
3
3
(Man.) 123
mf
S.
My mf
soul
shall
My mf
soul
shall
My mf
soul
shall
My
soul
shall
A.
T.
B.
3
3
3
3
mf
Solo
3
3
136
3
f
126
13
mp
mf
mp
let mf
the
let
the
S.
glo ry in
the
Lord;
glo ry in
the
Lord;
f
A. f
mp
mf
mp
mf
T.
glo ry in
the
Lord;
let
f
the
B.
glo ry in
the
Lord;
let
the
3
3
3
3
f
3
3
3
3
mf
130
p
S.
hum
ble
hear
and
be
glad.
hum
ble
hear
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be
glad.
hum
ble
hear
and
be
glad.
hum
ble
hear
p
A. p
T. p
B. 3
and 3
3
3
be 3
glad. 3
3
3
3
3
137
3
mp
3
f
14
133
3 8
mf
S.
O mf
3 8
A.
O
mag
3 8
mf T.
O mf
3 8
B.
O 3
3
3
3
3
3
3
3
mf
3
137
mag
mag
mag
3 8
3
3
3
3 8
3
f
S. A.
ni
fy
the
Lord
with
T. B. f 3
3
3
3
3
3
3
3
f
138
3
3
3
3
15 mf
141
ff
f
S. A.
me;
let
T. B.
mf
us
3
3
his
ff 3
3
f
mf
f
145
alt
f 3
3
ex
3
3
3
mf
S. A.
name
to
ge
ther.
T. B.
mf
f 3
3
3
3
3
3
mf
139
3
3
3
16 148
(mf )
S. A.
I T. B.
sought the
Lord and he
an swered me
(mf ) 3
3
153
3
p
mf
S. A.
and de T. B.
p 3
li
vered
mf 3
3
3
140
3
3
3
3
17 f
157
2 4
S. A.
me
from
T. B.
all
my
fears.
2 4
f 3
3
3
3
f
3
3
3
3
3
2 4
3
2 4 2 4
Poco meno mosso
161 q = 72 S. A.
2 4
3 8
mp
Tru T. B.
2 4
3 8
Poco meno mosso q = 72
2 4
3 8
Ch. 8' 2'
mp
Sw. 8'
2 4 2 4
3 8 3 8
Ped. 16'+Sw. mf
141
mp
ly
18
165
p
S. A.
I
tell
you.
T. B.
p
169
172
123456789
Order No. CH83743
142
James Whitbourn GRATIAS AGIMUS TIBI for unaccompanied voices (in any combination) with optional ‘Amen’ for SATB choir and organ ad lib.
Chester Music 143
Duration: c. 1½ minutes
Gratias agimus tibi, Domine Jesu Christe, qui propter salutem nostram gaudium tua magna misericordia nobis dedisti. Da nobis gratiam ut non modo huius mundi res consideremur sed quoque cum Sancto Stephano patrono nostro semper conspiciamur caelos apertos et gloriosi corporis tui visionem, qui vivis et regnas in saecula saeculorum. Amen. Nigel Palmer
We give thanks, Lord Jesus Christ, to you who, for our health, have given us joy through your great mercy. Give us grace that we may not only look to the things of this world, but also with Saint Stephen our patron we may always see the heavens open, and the vision of your glorious body, who lives and reigns for ever and ever. Amen
Order Number: CH84733
144
Gratias agimus tibi
The college grace of St Stephen’s House, Oxford for unaccompanied voices (in any combination) with optional ‘Amen’ for SATB choir and organ ad lib. Latin text by NIGEL PALMER
JAMES WHITBOURN
Con moto (q. = c. 74) (I)* f
VOICE(S) 1
Gra - ti - as
VOICE(S) 2
VOICE(S) 3
a - gi - mus
Gra
5
pro - pter sa - lu - tem
-
-
-
-
10
no
-
bis
-
-
tram
-
-
-
de - di
-
-
-
-
© 2016 Chester Music Ltd.
-
-
gau - di - um
-
-
sti.
-
Da no - bis
-
-
-
-
mi - se - ri - cor - di - a
-
-
-
-
gra - ti - am ut
-
-
-
-
-
-
non mo - do
-
tu - a mag - na
-
qui
-
-
ste,
(II)*
-
Chri -
Do - mi - ne Je - su
-
-
nos
bi,
-
-
ti
mf
hu - i - us
-
-
-
-
-
* This line can be divided between two soloists as marked. It can also be sung by a group of singers or by a solo voice throughout.
145
2 15
mun - di
res con - si - de - re
ti
-
21
-
Gra
- no
- no
- no
-
pa - tro - no
pa - tro - no
pa - tro - no
- per
- per
-
tos
nos - tro
nos - tro,
nos - tro,
et
sem - per con - spi - ci - a
tos
et
glo
tos
pa - tro
-
pa - tro
-
no
no
no
no
et
-
glo
-
-
si
-
ri - o
-
si
cor
si
cor
-
-
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nem
vi - si
vi - si
vi - vis et reg - nas in
-
o
-
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o
sae - cu - la
-
-
-
-
-
-
-
-
146
stro
cae
nem
A
A
los
a-
los
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cae
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los
a-
a-
tu - i
po - ris
tu
po - ris
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tu
rum.
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A
vi - si -
sae - cu - lo -
-
Ste - pha -
cor - po - ris
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cae
stro
Ste - pha -
mur
ri - o
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31
-
Ste - pha -
ti - as, sed quo - que cum San - cto
glo - ri - o
-
sed quo - que cum San - cto
-
mur
sed quo - que cum San - cto
26
- per
-
as,
-
mf
(I/II)
i
i
-
men.
-
-
men.
-
-
men.
3
ff
S.
A
-
ff
A.
T.
men,
A
-
ff
A
-
-
-
-
-
A
Org.
-
A
ff
B.
-
-
men,
-
A
men,
A
-
men,
A
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
Ped.
42
A
men,
f
men,
-
men,
A
-
-
-
men,
A
men,
A
-
-
-
-
A
A
A
A
A
-
men,
- men,
A
- men,
A
- men,
-
men,
-
men,
-
men,
A
A
-
-
A
-
-
-
men,
-
-
-
men,
A
-
men,
men,
A
147
-
-
-
-
-
-
-
-
-
men,
-
-
-
-
men,
-
4 47
-
-
-
-
men,
A
-
-
-
-
A
-
men,
A
-
men,
men,
A -
52
-
-
men,
men,
A
-
-
-
-
-
-
men,
-
-
-
-
men,
-
-
p
-
-
-
-
-
-
-
men.
p
-
-
-
-
-
-
-
-
-
mp
A
A
mp
A
-
mp
-
-
ff
men,
-
mp
A
A
A
mf
men,
A
A
-
mf
men,
ff
-
-
-
-
-
-
-
-
-
-
-
-
148
-
-
-
-
-
-
-
men.
p
-
men.
p
-
-
men.
-
Charles-Marie Widor SURREXIT A MORTUIS for SATB choir and organ
Organ part realised by Richard Hills
NOVELLO
149
Surrexit a mortuis Christus Dei Filius Pastor bonus Pastor qui animam Pro grege suo posuit.
He rose from the dead, Christ, the Son of God, the good shepherd, the shepherd who, for his flock, laid down his life.
Pascha nostrum immolatus est Christus Pascha nostrum Surrexit a mortuis. Alleluia
As a victim for us he was sacrificed, the Christ, as a victim for us he rose from the dead. Alleluia
Duration: circa 5 minutes
150
à Monsieur le Chanoine R. MOISSENET, Maître de Chapelle de la Cathédrale de Dijon
Surrexit a mortuis
Charles-Marie Widor (1844-1937) Organ part realised by Richard Hills (b. 1980)
Easter respond Allegro
c
Sw.
Gt. fff
ORGAN
c c
Gt.
5
Sw.
Gt.
Gt.
10
S. A. Sur - re - xit T. B.
a
mor - tu - is
Chri -stus De - i
fi - li - us,
ff (Sw.)
Gt.
Sw.
Copyright © 2013 Novello & Company Limited. All Rights Reserved. International Copyright Secured.
151
Sw.
Gt.
2 15
ff
pa - stor
(Gt.)
bo
-
nus,
Sw.
pa
-
stor
bo
-
(Gt.)
(Sw.)
Gt.
nus,
pa
Sw.
-
stor, qui
Gt.
Sw.
20
a - ni -mam
pro gre -ge su - o
(Gt.)
po - su - it,
Sw.
(Sw.)
24
po
-
su
-
it.
Gt. Sw.
(Sw.)
Gt.
152
pro gre - ge su - o
Gt.
3 29
f
S. Sur - re f
-
-
xit, sur - re
-
-
-
xit.
-
A. Sur - re f
xit a
-
mor
tu - is,
sur -re
-
xit.
mor - tu - is,
sur -re
-
xit.
-
T. Sur - re ff
-
-
xit a
B. Sur - re
-
xit a
mor - tu - is,
sur - re - xit a mor
-
tu - is.
Sw.
Gt. Sw.
34
T. B.
Pa - stor
bo - nus,
pa - stor, qui
Gt. Sw.
Sw.
a piacere
40
a - ni -mam Gt.
pro gre -ge su - o Sw. Gt.
po
-
su - it.
a piacere Gt.
153
4 44
mf
S. Pas - cha
no
-
-
-
strum im - mo - la - tus
est,
pas
-
mf A. Pas
-
cha
no
-
strum, pas
-
cha
no
-
cha
no
-
strum, pas
-
cha,
pas
-
cha
strum im
-
mo -
-
-
mf T. Pas mf B. Pas
p
-
cha
no
strum, no
-
-
-
-
Sw. mf
49
p
-
-
cha no
-
-
-
-
strum,
-
pas p
strum
-
im-mo - la - tus est,
im
- mo
la - tus est,
-
im p
no
-
-
-
strum
im-mo
-
la
tus est
-
Chri
-
stus, pas p
- la
-
-
-
tus
est,
Chri
-
-
stus
im-mo- la
tus
-
p
154
5 53
cha
-
- mo- la
-
-
no
tus est,
cha no - strum
est,
Chri
stus
-
im
im - mo
strum
-
im-mo - la
mo
-
-
im - mo - la
la
-
la - tus
est,
-
-
-
tus
est,
tus
est,
tus
-
im - mo
est,
-
la
-
tus est, Chri -
(Sw.)
(p) Gt. to Ped. only (no pedal stops) 57
dim.
Chri
-
stus,
pas
-
-
-
cha no
-
strum.
-
cha no
-
strum.
dim.
Chri
-
Chri
stus,
-
pas
-
dim.
stus,
pas - cha no - strum. dim.
- stus, Chri
-
stus,
pas
-
cha no
-
strum.
Gt. ff
dim.
+ Full pedal
155
6 61
ff
S. A. Sur - re
ff T. B.
Sur - re - xit a
-
xit a
mor - tu - is
mor - tu - is
Chri - stus De - i
Gt.
Sw.
Chri-stus De - i
fi
-
li - us,
Gt.
Sw.
66
fi -
li - us,
pa
-
pa
stor
bo
-
-
stor
-
nus,
pa
bo
-
-
nus,
pa
Gt.
stor qui
stor Sw.
Sw.
-
Gt.
Sw.
71
a - ni -mam
pro gre -ge su - o
156
po - su - it,
pro gre - ge su - o
7 75
po
su
-
it.
-
Gt.
80
f
S. Sur - re
-
-
-
xit, sur - re
-
-
-
xit,
-
f A. Sur - re
xit a
-
mor
tu - is,
sur-re
-
xit,
mor - tu - is,
sur-re
-
xit,
-
f T. Sur - re ff
-
-
-
xit a
B. Sur - re
-
xit a
mor - tu - is,
sur - re - xit a mor
-
tu - is,
Sw.
Gt.
Sw.
157
8 85
S. A. sur - re
-
xit,
-
sur -
T. B. sur - re
xit
-
pa
stor
-
bo - nus,
Gt.
Sw.
90
- re
-
xit
bo - nus
a
a
mor - tu - is
pa
- stor
bo
-
-
mor - tu - is,
Gt.
pa
-
stor
Sw.
Gt. Sw.
nus,
Sw.
95
bo
-
nus,
pa
stor
-
bo
-
-
nus,
bo
Sw.
Gt.
dim.
Gt.
158
Sw.
-
9 100
espress.
-nus,
sur
-
re
xit
-
a
mor
tu - is,
-
espress.
(Sw.)
3
3
3
Gt.
3
3
Sw.
3
3
3
Gt.
3
Sw.
3
3
Gt.
3
ff
mf
+ Full pedal ff
Gt. to Ped. only (no pedal stops) 103
sur
3
3
3
3
3
Sw.
-
re
3
xit
-
3
Gt.
3
3
a
Sw.
mor
3
3
tu -
-
Gt.
3
mf Gt. to Ped. only (no pedal stops)
106
- is
Chri - stus
3
Sw.
3
3
Gt.
3
De
3
-
i
fi
3
Sw.cresc.
159
li - us,
-
3
3
3
fi
-
3
li -
-
3
3
10 109
ff
sf
- us.
Al - le - lu
ff
-
-
ia.
sf Gt.
ff (Sw.)
Gt.
Sw.
Gt. fff
fff
+ Full pedal
114
119
Order no. NOV295592
160
Novello & Company Limited 14/15 Berners St, London W1T 3LJ www.musicsalesclassical.com
Edward Gregson WELCOME for upper voices and piano
NOVELLO
161
Welcome
for upper voices and piano
Welcome, originally written for boys’ voices, organ, brass, and percussion, was specially commissioned for a concert marking the Royal Opening of the Bridgewater Hall, Manchester, on 4 December 1996, in the presence of Her Majesty The Queen. The work was premiered by The Manchester Boys’ Choir, with Wayne Marshall (organ), and an instrumental ensemble from the Royal Northern College of Music, conducted by Adrian Jessett. Some years later the composer made a new version especially for the Kinder Children’s Choir of the High Peak (Joyce Ellis), who gave the first performance at a concert in the Buxton Opera House in 2006. It is that version for upper voices and piano that is published here. Composer’s Note: The text of Welcome is simple, consisting of the word ‘Welcome’ repeated many times in a variety of languages, from the initial English, through various European languages, to Hebrew and Arabic (with echoes of La Marseillaise and God Save The Queen appearing in the musical fabric) – thus it was my intention to provide a fitting way of welcoming a new and diverse audience into a new concert hall designed for a new Millennium. Performance Note: The voices are divided into as many as six parts in certain places, but I have mainly left it to the conductor to decide on how to distribute these parts, depending on the size and make-up of the choir. Nevertheless, the work is suitable for performance by any mixture of upper voices, from children’s choirs to female voices.
Duration: c. 4 minutes
162
Commissioned for the Royal opening of the Bridgewater Hall, Manchester
Welcome
Edward Gregson p tranquillo
Steadily q = c.112
4 4
UPPER VOICES
4 4 PIANO
4 4
Wel
-
p leggiero
3
-
5
-
come,
-
-
wel
-
poco cresc.
-
-
-
come,
mp
poco cresc.
etc. 7
mf wel
-
-
-
-
-
-
-
-
-
come,
mf
Copyright Š 2015 Novello & Company Limited
All Rights Reserved
163
2 pp
9
11
cresc.
p
wel
-
-
come,
wel
(cresc.)
(mf )
A
-
come,
pp
- come,
(cresc.)
-
cresc.
p
13
-
wel
pp
(mf )
[
]
15
mp
wel
½ Ped.
164
-
-
-
3 17
mf
-
-
come,
wel
-
come,
p
19
wel
-
-
-
come,
wel
-
-
-
come.
molto cresc.
B q = c.126
f
(molto cresc.)
23
Faster, with energy
f
21
( f ) marc.
senza Ped.
beat 4 (q.+q.+q+q)
10 8 10 8
mf
10 8
Ben
10 8
mp
165
-
-
ve - nu
-
to,
4 25
mf
Will
ben
-
-
-
-
ve - nu
-
to.
-
Bien
-
-
kom -
-
-
-
men,
ve
-
ve
-
27
will
- ni
-
kom -
men.
Bien
do.
Will
-
-
-
-
-
-
kom
-
men,
f
(mp)
29
- nue,
bien - ve
-
4 4 4 4
vel
-
kom - men.
4 4
f
nue,
bien - ve- nue.
Will - kom- men.
Bien - ve- nue.
Will - kom- men.
f
- nue,
4 4 mf
166
5 32
C
ff
Ben
-
ve - nu
-
to.
-
ve - nu
-
to.
ff
Ben
C
ff mp pi첫 legato
con Ped. 35
mf sost.
Sha
-
lom,
(sim.)
38
mf sost.
Sha
-
lom,
sha -
sha
-
lom,
sha -
167
6 41
- lom,
sha
-
lom,
- lom,
sha
-
lom,
Mar
44
-
ha
-
ba,
Mar - ha - ba,
sha
-
lom,
sha -
p
mar
47
-
ha
-
ba,
5 4
mar - ha - ba,
mar-ha - ba,
sha
-
p
lom,
5 4 5 4 168
mar-ha - ba,
5 4
mp
- lom,
4 4
mp
sha - lom,
4 4
sha -
4 4 p
4 4
51
4 4
7
D
p
f leggiero
pp
mar - ha - ba.
Yo - ko -
4 4
pp
- lom.
D
4 4
f marc.
4 4 55
- so,
yo - ko
-
so,
f sostenuto
Hae
-
rae mai
ra,
hae
mf
58
yo - ko
ra,
-
so.
Hae
-
rae mai
ra.
hae
-
rae mai
ra.
169
-
rae mai
8 61
f
Yo - ko
-
so,
-
so,
f
Yo - ko
f
Do - bro f
pa - ja
-
lo
-
vatch,
Do - bro
pa - ja
-
lo
-
vatch,
do - bro
pa - ja
-
lo -
-
ve -
sost.
(con Ped.) 64
f
Bien
f
Yo - ko
vatch,
-
so.
Ben
do - bro pa - ja - lo- vatch,
marc.
170
-
ve-nu - to,
do
-
bro
ben -
pa-ja - lo- vatch,
9 f
67
molto cresc.
Will
-
-
kom - men,
will
-
kom - men.
-
molto cresc.
- nue,
bien
-
ve - nue,
bien
-
ve -
molto cresc.
-
ve - nu - to,
ben
-
-
ve - nu - to,
ben - ve - nu - to,
molto cresc.
do
-
bro
pa - ja - lo - vatch,
do
-
bro
pa - ja - lo - vatch,
molto cresc.
E
rit. 69
ff
(cresc.)
Vel
-
kom- men, vel
-
Tempo I q = c.112
kom- men.
ff
(cresc.)
- nue,
bien
-
ve - nue.
ff
(cresc.)
ben - ve-nu - to, ben - ve-nu - to.
ff
(cresc.)
do
-
bro
pa - ja - lo - vatch.
E Tempo I q = c.112
rit.
(cresc.)
ff
p
171
10 p
71
Wel
-
come,
mp
mp
73
wel
-
come,
p
½ Ped. 75
mf
wel
mf
-
-
come,
wel
(mp)
-
p
77
wel
-
-
-
-
-
come.
cresc. mf
(Ped. sim.)
172
-
-
come,
11 f
79
F Tempo II q = c.126
10 8 10 8
f
10 8
senza Ped. beat 4 (q.+q.+q+q) 81 mf
10 8
Wel
10 8
-
-
-
-
come,
wel
-
-
-
-
come,
f
Wel
-
-
-
come,
wel
-
-
-
come,
10 8 mp
10 8
mf marc.
R.H.
mp
83
wel
wel
-
-
-
-
come,
-
-
-
-
come,
wel
wel
-
-
-
-
come,
-
-
-
-
come,
cresc. (R.H)
173
12 85
f
f
wel
-
come,
wel
-
come,
f
87
f
wel
-
-
-
-
come,
wel
-
-
-
-
come,
mf f
89
7 8 wel
-
-
-
-
come,
4 4 wel
7 8
-
-
come,
4 4 cresc.
7 8 (Ped. sim.)
174
4 4
13 91
G
4 4
fp
wel
come,
-
wel
fp
4 4
wel
G
4 4
fp
f
-
10 8
come,
-
f
come,
wel
-
come,
10 8
f
4 4 93
10 8
10 8
10 8 10 8 10 8 10 8
mf
wel mf
-
-
-
-
-
-
-
-
come,
wel
-
-
-
-
-
-
-
-
come,
mf
poco a poco cresc.
94
wel
-
poco a poco cresc.
come,
wel
-
poco a poco cresc.
come,
wel
-
-
come,
-
-
7 8 7 8 7 8 7 8 7 8
175
wel
-
-
come,
wel
-
-
come,
wel
-
-
come,
cresc.
4 4 4 4 4 4 4 4 4 4
14 96
4 4
wel (div. a 4) f
-
wel
-
4 4 4 4 4 4 98
molto cresc.
f
-
-
-
-
-
-
come, (div. a 5)
molto cresc.
come,
f
cresc.
ff
wel (div. a 6) ff
wel
-
come,
wel
-
come,
come,
wel
-
come,
ff
fp
101
wel
-
come!
fp
wel
-
ff
ff
come!
ff
176
Thomas Hyde ORPHEUS WITH HIS LUTE for SATB choir unaccompanied
NOVELLO 177
2 In memory of John McCabe
Orpheus with his lute SHAKESPEARE Henry VIII, 3.1.4–15
THOMAS HYDE (2015)
Gentle q = c.66
3 4
SOPRANO
p
3
Or-pheus
3 4
ALTO
3 4
TENOR
3 4
BASS
5
p
with his lute
Or-pheus
with his lute
p
And the moun-tain tops
that
that
3
made trees,
And the moun-tain
tops
that
3
3
Or-pheus
with his lute
made trees,
And the moun-tain tops
that
mp
when he did sing:
mp cresc.
p
bow
fpp
them - selves
p
bow
fpp
them - selves,
sing:
bow
3
bow themselves when he did
© 2016 Novello & Company Ltd. Not for rental or hire by third parties.
sing: mp cresc. 3
them - selves,
bow themselves when he did
p
bow
sing:
mp cresc.
p
fpp
freeze,
made trees,
3
fpp
freeze,
3
And the moun-tain tops 3
Or-pheus p
bow them-selves
freeze,
made trees,
3
SOPRANO SOLO p
freeze,
with his lute
cresc.
them - selves,
bow them-
178
3
f
9
mp
To his mu - sic
f
plants
Ev - er
plants
Ev - er
mp
sing
To his mu - sic
f
mp
sing:
and flow-ers
mp
f
-selves when he did sing:
14
and flow-ers
pp sub.
sprung;
f
as sun and
showers
pp sub.
sprung;
sprung; as sun
and showers
f
sprung; as sun
and showers
pp sub.
sprung;
19
and showes
mp
4 4 pp
mm
pp
mm
p
Ev - ery thing that heard him
had made a last- ing spring.
fpp
p
spring,
a
fpp
fpp
spring.
3
E - ven the bil - lows of
the
3 4
4 4
3 4
4 4
3 4 mp
mm
play,
179
3 4
4 4
sea, mp
bil - lows of
3
the
sea,
mp
bil - lows of
4 4
last- ing spring.
spring.
f
as sun
Ev - er
p
There
f
pp sub.
sprung;
Ev - er
3
the
4 4 4 4
sea,
4 4
4 22
f
4 4
Hung f
their
Hung f
their
Hung f
their
Hung
their
heads,
3 4
4 4 4 4 4 4
heads,
is
3 4
heads,
3 4
heads,
26
mu - sic
such
2 4
3
art,
2 4 mu - sic
mu - sic
mu - sic 30
mp
3 4
is
is
is
such
such
such
2 4
Kill - ing 3
art,
lay
by.
In sweet pp
and then mp
lay
by.
In sweet pp
and then mp
lay
by.
In sweet pp
and then
lay
by.
In sweet
3 4
Kill - ing 3
art,
and then mp
care
and grief of
Kill - ing
care
3 4 3 4
and grief of
care
and grief of
care
and grief of
SOPRANO SOLO p
mp
Fall a - sleep,
poco tenuto
4 4
Fall
a -
Fall
a -
heart
Fall
a -
heart
Fall
a -
heart
4 4
3 4
3
art,
2 4
Kill - ing
pp
Fall a - sleep,
heart
4 4 4 4
pp
or hear - ing, die. pp mp
p
sleep, p
a - sleep,
a
-
sleep,
sleep,
a - sleep,
a
-
sleep,
die. pp
a - sleep,
a
-
sleep,
die. pp
a
-
sleep,
p
sleep,
p
sleep, Order no.: NOV165814
a - sleep, 14-15 Berners St, London W1T 3LJ
www.musicsalesclassical.com
180
or
hear - ing, die.
pp
die. Deal, 19 April 2015
John Joubert AUTUMN RAIN for SSAA choir and piano
NOVELLO
181
Commissioned by Cantamus for the D. H. Lawrence Centenary, September 1985, with the aid of funds provided by East Midlands Arts.
Autumn Rain
D.H LAWRENCE (1885–1930) Poco lento e calmo
4 4
SOPRANO
p
4 4
ALTO
Poco lento e calmo
4 4 PIANO
4
4 4
JOHN JOUBERT (Op. 105)
The p
plane
leaves
The
plane
leaves
p
3
fall black and wet
on the
lawn;
the cloud
sheaves
in
on the
lawn;
the cloud
sheaves
in
3
fall black and wet
8
3
hea-ven’s fields set 3
hea-ven’s fields set
3
droop and are
drawn
in
3
droop and are
drawn
All Rights Reserved
© Copyright 2015 Novello & Company Limited
182
2 11
cresc.
fall-ing seeds of rain,
in
fall-ing seeds of rain,
in
fall-ing seeds of rain,
of
cresc.
in fall-ing seeds of
rain,
in fall-ing seeds of
rain,
in fall-ing seeds of
L.H.
cresc.
14
p
mf
f
rain,
f
rain, mf
rain, p
rain,
f
17
mfp
rain,
mf
p
pp
rain;
mfp
pp
mf
rain;
mf
the
pp
3
seed of heav’n on my face
mf
183
3 mf
20
I
pp sub.
3
hear a - gain
like e
-
choes e
fall-ing
ven pp
e
-
that
ven,
L.H.(non arp.)
p
pp sub.
p
mf
24
soft
-
soft
27
ly pace
-
heav’n’s muf
ly,
-
mu
poco più mosso
-
fled
fled
floor,
floor,
mf
the
winds
mf
the
poco più mosso
mf
-
3
184
that tread out
winds
all
the
that tread out
4 29
3
3
grain
of tears,
the
store
har-ves - ted in
3
all
the
grain
of tears,
the
store
the
3
har-ves - ted
3
31
p cresc.
3
sheaves of
pain
3
caught
up
a - loft,
p cresc.
3
in
the
sheaves of pain
caught
3
mf cresc.
33
caught
up
a-
p cresc.
3
up a - loft,
mf cresc.
- loft,
3
caught
f cresc.
3
caught
up
f cresc.
3
up a -
loft,
f cresc.
mf cresc.
185
a
-
a
-
3
caught
L.H.
up
5 35
ff
- loft:
ff
- loft:
ff R.H.
37
Tempo I
3
ff
the sheaves
of dead
men
ff
the sheaves
3
of dead
men
Tempo I
ff
40
that are slain
f
now win - nowed soft f
on the floor
of
heav’n;
now win - nowed soft
on the floor
of
heav’n;
f
186
that are slain
6
pp leggiero
43
3
3
man - na in - vi - si - ble,
pp leggiero 3
3
man - na in - vi - si - ble, 3
p
45
pp
3
3
mf
man-na in - vi - si - ble, 3
3
man - na
in - vi
-
si - ble
of mf
all
the
pain
of
all
the
pain
7
7
mf
47
p
here
to us
given;
here
to us
given;
p
p
187
3
7 50
pp 3
3
3
fine-ly di-vi - si - ble, pp 3
3
fine-ly di-vi - si- ble, 3
3
fine-ly di-vi - si - ble,
fine - ly
3
di
-
vi - si - ble, 9
pp
52
pp
fall - ing as rain,
fall - ing as rain,
fall - ing
as
fall - ing as rain,
fall - ing
as
pp
fall - ing as rain,
(pp)
55
mf
pp
ppp
pp
rain. ppp
rain,
mf
rain,
rain.
3
mf dim.
ppp
188
3
John Joubert BE NOT AFEARD
for soprano solo and SATB choir unaccompanied
NOVELLO
189
Duration: c. 4½ minutes
Be not afeard: the isle is full of noises, Sounds and sweet airs, that give delight, and hurt not. Sometimes a thousand jangling instruments Will hum about mine ears; and sometimes voices That, if I then had waked after long sleep, Will make me sleep again: and then, in dreaming, The clouds methought would open and show riches Ready to drop upon me that, when I waked I cried to dream again. The Tempest III:ii William Shakespeare
Order Number: NOV165748
190
Commissioned by Music Sales to commemorate the 400th anniversary of Shakespeare’s death.
Be not afeard
John Joubert (b.1927) Op. 179
The Tempest III:ii Shakespeare
Poco Lento
SOLO SOPRANO
SOPRANO
ALTO
p
p
Be not a - feard:
p Be not a - feard: p
Be not a - feard:
TENOR
BASS
PIANO ( for rehearsal only)
Be not
5
the isle
is full
of
the isle
is full
nois - es, mp
p
nois - es, mp
p
of
ah
of
Š 2015 Novello & Company Limited
191
nois - es,
p
nois - es, mp
of
is full
mf
p
is full
the isle
mp
the isle
a - feard:
Poco Lento
ah
p
2
9
p
p
Sounds p
and sweet
Sounds
and sweet
Sounds and sweet p
p
Sounds
and sweet
12
f
f
ah
not.
hurt f
not.
hurt f
hurt
ah
not.
mf
airs,
that give de - light,
mf
airs,
and
that give de - light,
mf
airs, mf
and
that give de - light,
and
that give de - light,
and
airs,
mp
mf
mf
Some - times a
Some - times a
192
mf
Be
not.
ah
ah
hurt f
mf
thou
thou
-
sand
-
sand
3
15 S.
A.
f
mf
Be
not
f a - feard.
f jang ling in - stru - ments not
T.
a - feard.
f B.
jang
-
ling in - stru - ments
mf
S. A.
ah
Will hum,
mf
mf
mf
will hum
a - bout mine
will hum
a - bout mine
f
thou
-
sand
jang
-
ling in - stru - ments f
Some - times a
thou
ears;
Some - times a
Will hum,
T. ears; B.
mf
18
S. SOLO
-
sand
193
-
ling in - stru - ments
mf
Be
not
jang
f
mf
Be
a - feard.
4 21
mf
that hum, mf
not
a - feard. f
p cresc.
and some - times voic - es,
And some - times voic
-
-
and some - times piĂš f
and some - times
and some - times voic - es, piĂš f
es,
piĂš f
es,
piĂš f
ah
p cresc. And some - times voic p cresc.
ears;
and some - times voic - es,
a - bout mine
ears;
mf
p cresc.
a - bout mine
that hum
ah
f
that hum
that hum,
24
mf
and some - times voic - es,
194
5 piĂš f
27
ah
voic
voic
29
f
-
es,
-
es,
f
mf
then had waked
then had waked
af
af
-
-
ter long
ter long
mf
sleep, mf
That,
if
I
had waked
That, if
I
then
had waked
-
I
ter long
ter long
p
sleep, p
sleep,
af
sleep,
195
af
if
then
-
I
af mf
That, f
ah
f
That, if f
af
-
ter long
-
ter long
6
32 S.
af
A.
af
p sleep,
T.
p B.
S.
ter long
-
ter long
p
A.
-
sleep,
35 S. SOLO
B.
sleep,
Will make me
pp
sleep,
pp
Will make me
sleep
Will make me
sleep
- gain:
Will make me
sleep
sleep
a -
a -
a - gain: pp
a - gain:
ah
- gain:
T.
pp
196
7 38
and
A.
then,
me -thought
cresc.
me -thought
would op - en
and show
would op - en
and show
the clouds me -thought would op - en and show cresc.
T.
cresc. B.
the clouds
me -thought
in dream - ing,
cresc.
the clouds
in dream - ing,
in dream - ing,
in dream - ing,
then,
the clouds
then,
then,
S. 42
and
and
p
p
p
and
p
would op - en
197
and show
f
cresc.
cresc.
cresc.
rich - es, f cresc.
and show
and show
rich - es,
and show
rich - es, f
rich - es, f
and show
8
45
rich - es
rich - es
Rea - dy to drop
Rea - dy to drop
3
Rea - dy to drop
3
3
48
wak’d
me;
I
when
I wak’d I
p cresc.
that, when
that, when p
me;
I wak’d,
that, when
when
I wak’d,
p cresc.
that
when
I wak’d,
cried
I wak’d
to f
I
cried
I wak’d
f
I
cried
f
when
that
p
f
that
I wak’d,
cresc.
up - on
that, when
3
Rea - dy to drop
cresc.
p
me;
up - on ff
that
me;
up - on ff
I
up - on
3
rich - es
p
ff
rich - es
ff 3
to
cried
198
9 poco rit.
51
S. SOLO
S.
dim.
p
dream, dim.
A.
T.
dream,
to
dim.
dream
to
a
p
dream
-
gain,
a - gain,
a
-
gain,
meno mosso
pp
ah
ah
a - gain.
pp
to dream pp
to dream pp
to dream pp
199
ah
poco rit.
54
a - gain,
to dream
B.
p
p
p
dim.
to dream
meno mosso
to dream
a - gain.
a - gain.
a - gain.
PAUL MEALOR
AE FOND KISS
SATB divisi chorus unaccompanied
Dedicated to Dr Shaun Ryan and all my fabulous friends in the Universities of Ulster and Aberdeen Chamber Choirs
Ae Fond Kiss
ROBERT BURNS
arr. PAUL MEALOR
Adagio con molto espress q. = c. 34
at pleasure pp folklike, SOPRANO Solo
Ae fond kiss,and then we se - ver!
ALTO
TENOR
BASS
Piano (for rehearsal only)
6
tears
I'll pledge thee,
pp
War - ring sighs and groans I'll wage
mm*
mm*
ah
pp
mm*
ah pp
mm*
* Gradually open to ah Copyright Š 2015 Novello & Company Limited
200
thee. pp
Deep in heart-wrung
Ae fare - weel, a - las for e -ver!
ah
2
Solo at first, other sopranos join gradually mf
11
Had we ne - ver lov'd sae kind-ly,
Solo at first, other altos join gradually mf
Had we ne - ver lov'd sae kind-ly,
ah
mf
16
Had we ne - ver lov'd sae blind-ly,
We
We
had ne'er been bro - ken heart
had ne'er been bro - ken heart
201
-
-
Ne - ver met
Ne - ver met
ah
Had we ne - ver lov'd sae blind-ly,
ed.
ah
rall.
ne - ver part-ed,
ne - ver part-ed,
Stagger breathing mf
ah
mf
ed.
ah
ah
ah
or
or
A tempo
21
ah ff
Fare
ff
Fare ff
Fare ff
Fare
ff
25
thee weel, thou
thee weel, thou
thee weel, thou
thee weel, thou
first
first
first
first
and fair - est!
joy
and trea-sure,
Thine be il
Thine be
joy
and trea-sure,
Thine be
il - ka
- ka
il - ka
joy
and trea-sure,
Fare
and trea-sure,
and fair - est!
joy
il - ka
Fare
thee weel, thou best
thee weel, thou best
and fair - est!
Fare
and fair - est!
Fare
Thine be
3
thee weel, thou best
thee weel, thou best
Peace, en - joy - ment,
* Gradually change to ah
202
and dear - est!
and dear - est!
rall.
love
Peace, en - joy - ment, love
and dear - est!
Peace, en - joy - ment, love
Peace, en - joy - ment, love
and dear - est!
and plea - sure!
and plea - sure!
and plea - sure!
ah
and plea - sure!*
30
Solo pp folklike, at pleasure
35
Deep
fond kiss, and then
we se - ver!
Ae
fare - weel,
I'll pledge thee,
a - las
for
e -ver!
molto rall.
in heart-wrung tears
pp
thee!
NOVELLO
NOVELLO NOVELLO part of the Music Sales Group 14/15 Berners Street, London W1T 3LJ Exclusive distributors: Music Sales Limited, Newmarket Road, Bury St Edmunds, Suffolk IP33 3YB Order No. NOV165341 www.musicsalesclassical.com
War - ring sighs and groans I'll wage
AE FOND KISS - SATB divisi chorus unaccompanied
Stagger breathing pp ah
ah
Ae
con molto espress q. = c. 30
PAUL MEALOR
4
203
Nico Muhly GENTLE SLEEP for SATB choir unaccompanied
Chester Music 204
Commissioned by Wigmore Hall, with the support of AndrĂŠ Hoffmann, president of the Fondation Hoffmann, a Swiss grant-making foundation. Premiered by Stile Antico on 27 November 2015 at Wigmore Hall, London, as part of their Tenth Anniversary Celebration.
Text O sleep, O gentle sleep, Nature's soft nurse, how have I frightened thee, That thou no more will weigh my eyelids down, And steep my senses in forgetfulness? Why rather, sleep, liest thou in smoky cribs, Upon uneasy pallets stretching thee, And hush'd with buzzing night-flies to thy slumber, Than in the perfum'd chambers of the great, Under the canopies of costly state, And lull'd with sound of sweetest melody? William Shakespeare Henry IV: Part II, Act III, Scene I
Duration: c. 5 minutes 30 seconds
205
for Stile Antico
GENTLE SLEEP William Shakespeare
S
A
T
Nico Muhly (2015)
q = 86
3 4 3 4
as smooth as possible; stagger breathing p O,
3p 4
O,
B
3p 4
O,
6
2 4
S tenuti indicate very subtle stresses A O,
O,
2 4 2 4
T O,
2 4
B O, Copyright Š 2015 by St. Rose Music Publishing Co. and Chester Music Limited. International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by federal law and subject to criminal prosecution.
206
2 12
S
O
2 4
A
2 4
T
2 4
B
20
p
2 mp 3 4 4 3 4 3 4 3 4
sleep, pp
O
gen tle
sleep,
p
O, pp
O,
p
mp
O,
O,
mp
O,
pp
p
mp
O,
O,
mp
A q = 96, moving
mp
S O,
A O,
solo, rhythmically conversational mp T Na ture’s soft
nurse,
mp B O,
207
3 27
mp
S O
A
sleep,
pp
O solo pp, privately
O
sleep,
gen
O
tle
sleep,
O sleep,
O, pp tutti
T how have I
fright ed thee,
O, pp
B O,
p
34
mp
S O,
A
p
mp
p
O,
O,
mp
T p
O, mp
B O,
208
sleep,
4
41
B q = 104, faster still solo mp cantabile That
thou
no
more
wilt
weigh
my
eye
lids
pp S No,
pp
No,
no,
(solo) pp
A
No,
tutti ppp, lazily, slightly uncoordinated with one another
No,
pp
T
No,
no,
no,
no,
no,
pp
No,
no,
B
209
no,
5
46
down,
And
steep
my sens
es
in
S no,
no,
no,
A
no,
no,
T
no, solo private, almost inaudible pp p
no,
no,
B Down, down, down, down, down, down, down, down,
210
for
6
51
(solo)
get
ful ness?
S
Weigh,
A no,
down,
solo mp, cantabile
That thou
no
more
T no,
no,
no,
no,
solo, sim. pp
p
B down, down, down, down, down, down, down, down,
211
no,
7
56
tutti, div.
Weigh,
weigh,
weigh,
weigh,
weigh,
S
eye,
eye,
eye,
eye,
eye,
A down,
wilt
weigh
my
eye
down,
lids
down,
T no,
no,
no,
no,
no,
B
212
no,
no,
8
62
S
weigh,
sens
eye,
ses,
for
get
ful
ness,
down,
A down,
down,
down,
(solo)
And
steep
my
sens
es
in
for
get
ful ness?
T no,
no,
no,
no,
B
213
no,
no,
9
68
f
sens
es,
sens es,
Why
ra ther,
sleep,
S f
sens
es,
sens
es,
Why
ra ther,
f A why,
Why
ra ther,
sleep,
f
fade
No,
f T no,
f
no,
solo, sim. pp
p
sens es, sens es,
sens es, sens es,
no,
B
214
10 73
C
mf
Solo S 2 Solo A liest
thou
in
smok
Soprano ppp
No,
S ppp
No,
no,
ppp A No,
no,
ppp
No,
no,
no,
no,
no,
T ppp
No,
no,
solo, conversational pp p
pp
sleep, Why ra ther, sleep, Why ra ther, sleep,
B
no,
thou in smok y
tutti p
why,
ra ther,
215
smok
11 78
Solo S 2 Solo A y
cribs,
Up on
un
eas
no,
S
no,
no,
A no,
no,
no,
T
no,
no,
p cribs, in smok y
cribs,
eas
y,
eas
B
216
y
12 83
Solo S 2 Solo A pal lets
stretch ing
thee,
S
weigh,
A no,
down,
no,
no,
T
no,
no,
no,
y,
stretch ing, stretch ing, stretch ing, stretch ing, stretch ing,
y,
stretch
B
217
13 88
Solo S 2 Solo A And
hushed
with
night,
buzz ing
night
night,
flies
night,
S
night,
night,
down,
A night,
no,
no,
T
no,
no,
hushed with buzz ing night flies, hushed with, hushed with, hushed with,
B
ing,
hushed,
hushed,
218
14 92
Solo S 2 Solo A to
S
thy
night,
slum
ber
night,
down,
night,
night,
night,
down,
more,
A night,
no,
night,
night,
no,
no,
T
no,
no,
hushed,
night,
hushed,
night,
B
219
15 p
97
Solo S 2 Solo A Than
S
in
the
per
fumed
cham
bers
night,
night,
night,
thee,
A night,
night,
no,
no,
T
no,
no,
cresc.
per
fumed,
B cresc.
per
fumed,
220
16
mf
101
4 4
Solo S 2 Solo A of
the
3 4
great,
f
Per fumed,
G.P.
per fumed,
per fumed, per fumed,
per fumed.
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
S f
Per
fumed,
per
fumed,
per fumed.
f A per
fumed,
per
fumed,
f
no.
T f
no,
no.
mf
per
B
fumed.
mf
per
fumed.
221
17
D semi-chorus 106 ppp
3 4
S
Un der the
3 ppp 4
A
Un der the
3 4
T
o pies
of
cost ly
state,
And
can
o pies
of
cost ly
state,
And
can
o pies
of
cost ly
state,
And
ppp
Un der the
3 4
B
can
mp, heavy Un der
the
112
can
p
S lulled
with sound of sweet est solo privately, pochiss. espress. pp p
[sou* sou sou sou * as in “sound�
A
lulled
with sound
of
mel
o
dy?
sou sou sou sou] sound,
p
sweet est
mel
o
dy?
p T lulled
with sound
of
sweet est
B
222
mel
o
dy?
o pies,
2 4
G.P.
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
18 118
S
E tutti pp
3 4
Un der the
can
o pies
of
cost ly
state,
And
Un der the pp
can
o pies
of
cost ly
state,
And
Un der the
can
o pies
of
cost ly
state,
And
can
o pies
of
cost ly
state,
And
3 pp 4
A
3 4
T
3 pp 4
B
Un der the
solo privately, pochiss. espress. pp p
124
[sou sou sou sou
S
p lulled with sound of sweet est solo privately, pochiss. espress. pp p
A
sou sou sou sou] sound,
mel
o
dy?
[sou sou sou sou sou sou sou sou] sound,
p
lulled with sound
of
sweet est
mel
p
o
dy?
T lulled with sound
of
sweet est
mel
o
dy?
p B lulled with sound
of
sweet est
223
mel
o
dy?
2 4
G.P.
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
19
solo 130 F mp espress.
3 4
S
Un
der
3 pp 4
Un der the
3 4
T
o pies
of
cost ly
state,
And
Un der the pp
can o pies
of
cost ly
state,
And
Un der the
can o pies
of
cost ly
state,
And
can o pies
of
cost ly
state,
And
3 pp 4
B
can
can o pies
3 pp 4
A
the
Un der the
136
S
of
lulled solo pp
A
cost
ly
with
of
sweet est
state, p
mel
o
dy?
mp
[lu* lu lu lu * as in “lulled�
lulled
sound
2 4
with
lu
lu
lu
2 4
lu]
p
sound
of
sweet est
mel p
o
mel
o
dy?
T lulled
with
sound
of
sweet est
dy?
p B lulled
with
sound
of
sweet est
224
2 4
mel
o
dy?
2 4 2 4 2 4
20
141
2 4
(solo)
G
3 4
Un
der
the
can
S
3 pp 4
2 4 2 4
Un
der the
can o pies
of
cost ly
state,
solo mp espress.
Un
3 4
der
the
can
o pies
of
cost
A
2 4
T
2 4
3 pp 4 Un
3 4
der the
can o pies
of
cost ly
state,
der the
can o pies
of
cost ly
state,
pp
Un
solo p
2 4
3 4
2 4
3 pp 4
[ste* ste ste ste * as in “state�
B
Un
der the
can o pies
225
of
cost ly
state,
21
147
o pies
of
cost
ly
state,
o
dy?
o
dy?
o
dy?
o
dy?
S p And
ly
lulled
with sound
of
sweet est
mel
state,
A p
And
lulled
with sound
of
sweet est
mel
p T And
lulled
with sound
of
sweet est
mel
mp
ste
ste ste ste]
B p
And
lulled
with sound
226
of
sweet est
mel
22
153 H (solo)
Un
der
the
can
o pies
of
S
Un der the
(solo)
can o pies
of
cost ly
state,
And
mp espress.
Un
der
the
can
o pies
of
A
Un der the
can o pies
of
cost ly
state,
And
solo mp
Un
der the
can
o pies
of
cost
T
Un der the
can o pies
of
cost ly
state,
And
can o pies
of
cost ly
state,
And
(tutti) B Un der the
227
23
159
cost
ly
state,
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
S p lulled
with sound
cost
of
ly
sweet est
mel o
dy?
state,
A p
lulled
with sound
of
sweet est
mel o
ly
dy?
state,
T p
lulled
with sound
of
sweet est
mel o
dy?
p B lulled
with sound
of
sweet est
mel o
228
dy?
24 166
(tutti, div.) S
I
p
4 4
Sound,
sound,
4p 4
Sound,
pp stylised, lean into appoggiaturas
4 4
(tutti, A div.)
(tutti, div.) T
O
sleep,
O
O
sleep,
O sleep, pp, articulate and delicate
4 4
O
4 4
pp
4 4
pp
4 4 4 4
sleep,
pp stylised, lean into appoggiaturas
4 4
4 4
B
sound,
O
O
sleep,
sleep,
sleep,
O
sleep,
O
sleep,
pp, articulate and delicate
O
solo mp
O
sleep,
O
sleep,
gen
tle sleep,
pp O
sleep,
O
sleep,
pp, articulate and delicate
4 4
O
229
sleep,
25 171
sound,
sound,
S sound,
A
sound,
O,
O
gen
tle sleep,
O,
O
gen
tle sleep,
O
sleep,
O,
O
gen
tle
sleep,
O
O,
O
gen
tle
sleep,
O
T
O
Na
ture’s
sleep,
soft
nurse,
B O,
O,
O
gen
tle
sleep,
sleep,
230
O
26 175
sound,
sound,
S sound,
A
sound,
O sleep,
Na ture’s soft nurse,
O
sleep,
O sleep,
Na ture’s soft nurse,
O
sleep,
O
gen
tle,
gen tle,
gen tle,
gen
tle
sleep,
O
gen tle,
gen tle,
gen
tle
sleep,
O
gen
tle,
T
O
(solo)
how have
I fright
ed thee,
That thou no more wilt weigh
my eye lids
B gen tle,
gen tle,
gen
O
231
tle
sleep,
gen
tle,
O
27 mp
179
sound,
sound,
3 4
O
mp
3 4
S sound,
O
mp Na
Na
A
ture’s soft nurse,
steep my
ture’s soft nurse,
steep my
O
gen
gen
tle,
gen
sens
sens
es.
3 4
O
3 4
es,
tle,
O,
tle,
3 4
O,
3 4
T gen
tle,
gen
tle,
O
O,
gen
down,
And steep
O,
tle,
my sens
es
in
for
get
tle,
gen
O
tle,
O,
gen
232
tle,
3 4 3 4 3 4
B gen
3 4
O,
3 4
28 183
3 4
S
3 4
sleep,
O
gen
tle
sleep,
p
sleep,
O
gen
tle
sleep.
3 pp 4
A
3 4
T
188
p
O, pp
O, (solo) fade
3 4
B
S
p
J
tutti
ful ness?
mp
O
sleep,
p
mp
pp
O. p
mp
pp
O.
mp
mp
pp
A O,
p
O.
mp
pp
T O.
p
pp
B O
gen tle
233
sleep.
Nico Muhly WHISPERED AND REVEALED for SATB choir and harp
Chester Music 234
Commissioned for Essential Voices, USA.
Composer’s Note Whispered and Revealed is a setting of Snow-Flakes, by H.W. Longfellow. While the music oftentimes reflects the delicacy of winter weather, both text and music hint at an anxiety, a swelling, and a repetitive keening that can accompany — and announce — the same precipitation. Whispered and Revealed was commissioned by Essential Voices USA and is dedicated to their conductor, Judy Clurman, and was written in the final days of 2014. Nico Muhly 2015
Text Out of the bosom of the Air, Out of the cloud-folds of her garments shaken, Over the woodlands, brown and bare, Over the harvest-fields forsaken, Silent, and soft, and slow Descends the snow. Even as our cloudy fancies take Suddenly shape in some divine expression, Even as the troubled heart doth make In the white countenance confession, The troubled sky reveals The grief it feels. This is the poem of the air, Slowly in silent syllables recorded; This is the secret of despair, Long in its cloudy bosom hoarded, Now whispered and revealed To wood and field. Henry Wadsworth Longfellow
Duration: c. 3 minutes 30 seconds
The harp part is on sale separately, order no. SRO100110-01
235
for Judith Clurman
WHISPERED AND REVEALED H.W. Longfellow (1807 - 1882)
Nico Muhly (2014)
Fast q = 144
2 2 S
2 2
A
2 2
T
2 2
B
2 2
Harp
p
Out,
p
Out,
out,
out,
out,
out,
out,
out,
out,
out,
out,
2 2
mp
2 2
S
out,
out,
out,
out,
out,
p
A Out,
Copyright Š 2015 by St. Rose Music Publishing Co. and Chester Music Limited. International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by federal law and subject to criminal prosecution.
236
out,
2 9
out,
out,
out,
out,
out,
out,
out,
out,
out,
out,
out,
out,
out,
out,
out,
out,
out,
13
237
3 17
3 2 3 2
mp
out,
out,
mp
2 2
mp
2 2
mp
2 2
out,
3 2
mp
out,
out,
3 2
2 2
3 2
A
S
A
T
B
2 2
3
Out of the bos
3
om
of
the
Air,
mp, simple
2 2
3
Out of the bos
om
of
the
Air,
3
Out of the bos
om
of
the
Air,
3
Out of the bos f
Out of the 3
mp, simple
2 2
Out of the 3
mp, simple
2 2
2 2
mp, simple
2 2
Out of the 3
om
of
the
mp
2 2 238
Air,
Out of the
4 25
3
cloud
folds
of her
3
gar ments
shak en,
O ver the 3
3
cloud
folds
of her
gar ments
shak en,
O ver the
3
cloud
folds
of her
3
gar ments
shak en,
O ver the
3
cloud
folds
of her
3
gar ments
shak en,
29
O ver the
3
wood lands
brown
and
bare,
O ver the
har
vest
fields
har
vest
fields
har
vest
fields
har
vest
fields
3
wood lands
brown
and
bare,
O ver the 3
wood lands
brown
and
bare,
O ver the 3
wood lands
brown
and
bare,
O ver the
239
5
B
33
for
sak
p poss.
en,
Si lent,
and soft,
and slow
De
and soft,
and slow
De
Si lent,
and soft,
and slow
De
Si lent,
and soft,
and slow
De
p poss.
for
sak
en,
Si lent, p poss.
for
sak
en,
for
sak
en,
p poss.
mp
C
39
scends
mf
the snow.
E ven
as our cloud y
mf
scends
the snow.
E ven
as our cloud y
mf
scends
the snow.
E ven
as our cloud y
mf
scends
the snow.
E ven
mp, steady
mf
240
as our cloud y
6 44
poco
fan cies
take
Sud den ly
shape
in some di vine
poco
fan cies
take
Sud den ly
shape
in some di vine
poco
fan cies
take
Sud den ly
shape
in some di vine
poco
fan cies
take
Sud den ly
shape
in some di vine
48
ex pres
sion,
ex pres
sion,
ex pres
sion,
f
E
ven as
the
trou
bled
heart
bled
heart
f
ex pres
sion,
E
241
ven as
the
trou
7 52
mf
Out,
mp
doth
mp
doth
In
the white
In
56
out,
out,
out,
te nance
con
fes
sion,
te nance
con
fes
sion,
mf
the white
f
out,
coun
3
make
out,
mf
3
make
out,
The
coun
D trou bled
sky
re
veals
The
trou bled
sky
re
veals
The
trou bled
sky
re
veals
The
trou bled
sky
re
veals
The
f
The f
The f
The
3
3
3
3
ff 3
242
3
3
3
8 60
grief
it
feels.
grief
it
feels.
grief
it
feels.
grief
it
feels. ff
mf
ff
64
3
3
This is the poem of ff
3
3
This is the poem of ff
3
3
the
3
This is the poem of
243
the
3
This is the poem of ff
the
the
9 68
f
air,
Slow ly
in
si
3 2
lent
f
air,
in
si
lent
Slow ly
in
si
3 2
lent
3 2
air, 5
f
2 2 2 2 2 2
p
cord
ed;
ed;
cord
ed;
2 2 2 2 2 2
la bles
se
cret
of
cret
of
2 2
des
pair,
des
pair, mf
cret
of
des
pair, mf
3
This is the
se
cret
of
des
pair,
5
f
p sub.
244
2 2
3 2
3
se
re
2 2
2 2
mf
se
re
3 2
3
This is the p
la bles
mf
This is the p
syl
3
This is the p
cord
re
2 2 syl
f
72
la bles
3 2
Slow ly
air,
syl
2 2
3 4 3 4 3 4 3 4 3 4 3 4
10 76
3 4 3 4 3 4
mp dolciss.
3 4 3 4
81
Long in mp dolciss.
3 4
2 2
mp dolciss.
its
cloud
y
its
cloud
2 2
y
mp dolciss.
Long in
om
2 2
Long,
Long in
bos
its
cloud
2 2
y
hoard
ed,
p
long,
bos
om
bos
om
hoard
ed,
2 2
p dolciss.
2 2
mp
Now
whis pered
p
Now,
245
and re vealed
To
11 86
wood
and
field, mp
Now
whis pered mp
Now
and re vealed
To
whis
and re vealed
pered
wood
and
To
91
field,
wood
and
field,
246
Now
whis
pered
and re
Now
whis
pered
and re
Now
whis
pered
and re
Now
whis
pered
and re
12 96
vealed
To
wood
and
vealed
To
wood
and
vealed
To
wood
and
vealed
To
wood
and
3 2
field.
3 2
field.
3 2
field.
3 2
field.
3 2 3 2
p
101
Out,
out,
out,
Out,
out,
out,
Out,
out,
out,
Out,
out,
out,
247
13 105
out,
out,
out,
out,
out,
out,
out,
out,
3 4
3 2
3 4
3 2
3 4
3 2
3 4
3 2
3 4
3 2
3 4
109
3 2 3 2 3 2 3 2 3 2 3 2
out,
out,
out,
out,
3 4
3 2
pp
3 4
3 2
pp
3 4
3 2
pp
3 4
3 2
pp
3 4
3 2
3 4
3 2
O ver,o ver,o ver,o ver,o ver,o ver, o ver,o ver,o ver,o ver,o ver,o ver.
O
ver,
o
ver,
o
ver,
o
ver,
o
ver,
o
ver.
O ver,o ver,o ver,o ver,o ver,o ver, o ver,o ver,o ver,o ver,o ver,o ver.
O
ver,
o
3 2 248
ver,
o
ver,
o
ver,
o
ver,
o
ver.
Tarik O’Regan LOVE RECKONS BY ITSELF ALONE for SATB chorus unaccompanied
NOVELLO
249
Commissioned by ASHINAGA for the "At Home in the World" concerts. World premiere 10 June 2015 at Jazz at Lincoln Center, New York City, USA by Vassar College Choir under the direction of Christine Howlett. Duration: 7 minutes Text:
If it is true that the world talks too much then let's all keep quiet and hear the eloquence of silence. If it is true that the world sees too much then let’s all close our eyes and see the inner vision beneath the closed eyes. If it is true that the world hears too much then let’s wax our ears and listen to the chastity of inner music that defies betrayal by the wayward wind. If it is true that the world moves too much then let’s stand statuestill and imitate the stubborn will of trees that move without being peripatetic. from If It is True, Richard Ntiru (b.1946) A star was talking with the withered leaves In the still midnight. Only the wind stirred round me then. Strangely forlorn, I tried to share their words. The star swooped from the heavens. I searched among dead leaves But could not ever find it. Star and Dead Leaves, Tsuboi Shigeji (1897-1975) Love reckons by itself alone, "As large as I" relate the Sun To one who never felt it blaze, Itself is all the like it has. Love reckons by itself alone, Emily Dickinson (1830-1886)
'If It is True' (p.395) from THE PENGUIN BOOK OF MODERN AFRICAN POETRY edited by Gerald Moore and Ulli Beier (Fourth edition, Penguin Books, 1998) Text copyright © Richard Ntiru. All Rights Reserved. Reproduced by permission. 'Star and Dead Leaves' (p.181) from THE PENGUIN BOOK OF JAPANESE VERSE translated by Geoffrey Bownas and Anthony Thwaite (Penguin Books 1964, Revised edition 1998, 2009) Translation copyright © Geoffrey Bownas and Anthony Thwaite, 1964, 1998, 2009 Reproduced by permission of Penguin Books Ltd.
250
Commissioned�by�the�Ashinaga�Foundation
LOVE�RECKONS�BY�ITSELF�ALONE Words�by: Richard�Ntiru�(b.�1946) Tsuboi�Shigeji�(1897�1975) Emily�Dickinson�(1830�1886)
TARIK�O’REGAN
q�=�80
pp
SOPRANO
If it is true
pp
ALTO
that the world talks too much
ah
ah BASS
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then let’s all keep qui � et and
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251
si
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lence.
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a�tempo�(q�=�80)
9
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p
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eyes and see the vi ďż˝ sion be
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eyes,
pp
eyes,
pp
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*
ah
ah
*��This�passage�(bars�14�46)�should�feel�like�a�single�melodic�line�traversing�the�Tenors�and�Basses. ����Each�ah�is�to�be�sounded�with�a�slight�accent.
252
ah
ah
*
eyes.
pp
closed
closed
the
neath
see the in ďż˝ ner vi ďż˝ sion be ďż˝ neath
B.
4�+�3
12
T.
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then let’s all close our
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ah
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4�+�3
3
ppp S. 15
closed
eyes.
ppp
A.
closed
T.
B.
ah
ah
ah
star
was
ah
ah
p
was
ah
ah
ah
ah
talk ďż˝ ing
ah
ah
with
with
the
the
with ďż˝ ered
with ďż˝ ered
ah
ah
ah
253
ah
ah
ah
ah
ah
ah
talk ďż˝ ing
star
p
ah
ah
ppp
B.
ah
A
ah
19
T.
ah
sim.
A
ppp S. A.
sim.
ah
eyes.
ah
ah
4
S. 23
leaves
in the still
A.
B.
ah
the
T.
B.
ah
ah
stirred
ah
round
ah
ah
ah
ah
ah
ah
254
ah
ah
ah
ah
ah
then,
ah
ah
ah
me
ah
then,
round
ah
me
mp
ah
ly
ah
stirred
ah
ďż˝
mp
ly
wind
On
molto
ah
ďż˝
mp
ah
ah
On
wind
the
ah
ah
27
A.
ah
S.
molto
ah
mp
mid ďż˝ night.
ah
in the still
mid ďż˝ night.
leaves
T.
ah
ah
ah
ah
ah
5
S. 31
round
me
A.
B.
S. 35
ah
ah
molto
tried
ah
mf
ah
ah
ah
ah
ah
their words.
their words.
ah
ah
255
ah
The
star
ah
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ah
star
ah
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ah
ah
f
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ah
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to share
ah
ah
f
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to share
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mf
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f
molto A.
ah
ah
ah
I
p
ah
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ah
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then.
Strange ďż˝ ly for ďż˝ lorn,
me
then.
round
T.
p
ah
6
S. 39
swooped
mf
swooped
B.
S.
ah
ah
B.
dead
ah
ah
leaves
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leaves
ah
ah
ah
ah
ah
ah
a
not,
not, pp
ah
ah
ah
pp
ah
ppp
ah
ah ppp
ah
pp
ah
ah
ah
pp
could
ah
ďż˝
ah
ah
256
ah
ah
mp
ah
a ďż˝
mp
ah
searched
could
mp
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mong
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ah
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43
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mp
from the heav ďż˝ ens.
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from the heav ďż˝ ens.
A.
mf
ah
ah
7 rall.
S. 47
ppp
could
not
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find
it.
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could
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ev ďż˝ er
find
it.
ord.
T.
not
ah
S. 51
world talks too much
A.
T.
4�+�3
it
is
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pp
ah
pp
257
hear the el ďż˝ o ďż˝ quence of
that the
then let’s all keep qui � et and
pp
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4�+�3
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54
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58
lence.
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much
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that
the world hears too much
it
is
true
258
B.
ďż˝
p
ďż˝
ord.
p
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si
Si
If
T.
ďż˝
lence,
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9
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poco�rall.
4�+�3
60
A.
p
mf
then let’s lis �
mf
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then let’s wax our ears and mf
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pp
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that de ďż˝
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wind.
by the way ďż˝ ward wind.
Poco�meno�mosso�q�=�72
259
by the way ďż˝ ward wind. ppp
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ppp
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ďż˝ fies,
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(q�=�72)
ppp
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ppp
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10
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67
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pp
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S. 73
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pp
love reck ďż˝ ons by T.
p
re ďż˝ late pp
re ďż˝ late pp
re ďż˝ late
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the
the
Sun
Sun
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To p
one who
one who
one who
Sun
To
one who
260
p
pp
I�
it ďż˝ self a ďż˝ lone,
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felt it
blaze,
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mf
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11
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SOLO mp
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f
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world talks too much
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261
4�+�3
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S. 85
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si
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262
13
3�+�4 S. 92
then
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94
trees that move with ďż˝ out be ďż˝ ing
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be
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263
the
of
stub ďż˝ born will
p
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p
love
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14
S. 98
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by
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264
f
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mp
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self
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it
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by
it
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by
reck ďż˝ ons
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reck
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p
15
S. 110
who
who
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S.
who
ďż˝
B.
ďż˝
is
is
self
all
all
265
the
like
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it
it
like
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self
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like
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all
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is
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122
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New�York�City,�December�2014
266
Ronald Corp SUSANNI for SATB choir unaccompanied
NOVELLO
267
SUSANNI A little child there is yborn
Words anon. 15th century
RONALD CORP
Moderato
mf
SOPRANO ALTO
A
TENOR BASS
lit
- tle child there
is
y - born,
su - san - ni, su - san - ni,
su - san - ni.
Ei
-
-
lu - ya, To
-
a,
mf
And
he
sprang out
of
Jes - se's
save all us
thorn,
8
Al - le - lu - ya, al - le
a, ei
4
mf
that were for - lorn.
Now
for - lorn.
13
Ei -
a, ei
-
a,
su - san - ni, su - san - ni,
Je - sus is
the
child - es
name,
Words collated by Percy Dearmer (1867-1936); from the Oxford Book of Carols by permission of Oxford University Press Š Copyright 1986 Novello & Company Limited
268
2
17
Al - le - lu - ya, al - le - lu - ya, And
su - san - ni.
And Ma - ry mild she
is his dame;
game 22
so
our sor -row is
turned to
game. game.
It
fell
up - on
the high mid - night,
27
The stars
Ei -
a, ei
a,
-
31
fair
and bright,
35
su - san - ni, su - san - ni,
Al - le - lu - ya,
might.
al - le
-
lu - ya
they
shone both
The
an - gels
sang with
Ei - a, ei - a,
all their might.
su - san - ni.
Three kings there
269
came with their pres - ents
40
3
su - san - ni, su - san - ni,
44
Al - le - lu - ya,
48
su - san - ni.
al - le
-
lu - ya
Of
myrrh
and gold
and frank - in - cense,
As
clerk - es
sing
in
their
se - quence. se - quence.
se - quence.
sit we down up - on our knee,
f Now
f
f
Ei
-
a, ei
-
a,
our knee, we down up - on sit
Now
f
52
su - san - ni, su - san - ni,
56
Al - le - lu - ya,
su - san - ni.
And
pray
we to
the
al - le
-
lu - ya, Our
270
Tri - ni
-
ty,
molto rall.
help,
for
our suc - cour
to be.
Adr ian Lucas MARY, THAT MOTHER MILD for SATB choir unaccompanied
NOVELLO 271
2
Mary, that mother mild from the Kölner Gesangbuch 1623 arr. Adrian Lucas
Lento
SOPRANO
c
1. Ma - ry, that moth- er 2. Lord, suf - fer now thy
ALTO
mild, thrall
Sped, with her heav’n - ly child, To fare in peace with - all,
To For
mild, thrall
Sped, with her heav’n - ly child, To fare in peace with - all,
To For
Sped, with her heav’n - ly child, To fare in peace with - all,
To For
c 1. Ma - ry, that moth- er 2. Lord, suf - fer now thy
BASS
To For
c 1. Ma - ry, that moth- er 2. Lord, suf - fer now thy
TENOR
Sped, with her heav’n - ly child, To fare in peace with - all,
mild, thrall
c
1. Ma - ry, that moth- er 2. Lord, suf - fer now thy
mild, thrall
Lento
Piano (for rehearsal only)
c c
5
- day from Beth - le - hem why mine eyes have seen
Un - to Je - ru - sa - lem: My Sa - viour Christ, I mean
She to the tem - ple The Gen - tiles’ can - dle
- day from Beth - le - hem why mine eyes have seen
Un - to Je - ru - sa - lem: My Sa - viour Christ, I mean
She to the tem - ple The Gen- tiles’ can - dle
- day from Beth - le - hem why mine eyes have seen
Un - to Je - ru - sa - lem: My Sa - viour Christ, I mean
She to the tem - ple The Gen- tiles’ can - dle
- day from Beth - le - hem why mine eyes have seen
Un - to Je - ru - sa - lem: My Sa - viour Christ, I mean
She to the tem - ple The Gen- tiles’ can - dle
© Copyright 2012 Novello & Company Limited. All Rights Reserved. International Copyright Secured.
272
3 10
there bright,
Babe And
Je - sus needs must bear; Is - ra - el’s de - light.
And A
there, at God’s com pro - phet- ess then
there bright,
Babe And
Je - sus needs must bear; Is - ra - el’s de - light.
And A
there, at God’s com pro - phet- ess then
there bright,
Babe And
Je - sus needs must bear; Is - ra - el’s de - light.
And A
there, at God’s com pro - phet- ess then
there bright,
Babe And
Je - sus needs must bear; Is - ra - el’s de - light.
And A
Si - me - on An - na was
stand: name:
there, at God’s com pro - phet- ess then
14
- mand, came,
Good And
- mand, Good came, And
Si - me An - na
- mand, came,
Good Si And An
- mand, came,
Good And
-
-
Si - me An - na
-
on was
did her
did her
-
me na
on was
did her
273
on was
did her
The Of
stand: The name: Of
old man Ma - ry’s
stand: name:
old man Ma - ry’s
stand: name:
The Of
The Of
4 17
old man fond - ly Ma - ry’s gen - tle
fond - ly gen - tle
fond gen
pressed boy,
pressed boy,
-
to his ho - ly
The in - fant to his Spake she with ho - ly
ly tle
old man fond - ly Ma - ry’s gen - tle
in - fant she with
The Spake
pressed boy,
in - fant to his she with ho - ly
The Spake
pressed The in boy, Spake she
-
-
fant to his with ho - ly
breast, joy;
The E’en
breast, joy;
The E’en
breast, joy;
The E’en
breast, joy;
The E’en
21
Christ ex - pec - ted so, Christ- child, draw
long, near,
Christ ex - pec - ted so, Christ- child, draw
long, The near, Our
bur souls
Christ ex - pec - ted so, Christ - child, draw
long, The near, Our
bur souls
Christ ex - pec - ted so, Christ- child, draw
The Our
long, near,
-
The Our
Order no. NOV295702
274
bur - then of his souls in such wise
-
-
then of his in such wise
then in
of his such wise
bur - then of his souls in such wise
song. cheer.
song. cheer.
song. cheer.
song. cheer.
Novello & Company Limited 14/15 Berners St, London W1T 3LJ www.musicsalesclassical.com
Paul Mealor BEHOLD A TENDER BABE for SATB choir unaccompanied
NOVELLO 275
Commissioned by the Hauser-Oberschneider family to celebrate the 150th anniversary of Summer Fields School
276
for my great-nephew, Joshua David Walton, on his birth 2015
Behold a tender babe Extracts taken from Robert Southwell’s ‘In Freezing Winter Night’ 16th Century
SOPRANO
PAUL MEALOR
Lento con espressione q = c. 66
pp
be - hold a ten - der
Be - hold,
pp
ALTO
pp
Be - hold,
pp
pp sub.
pp
BASS
Piano (for rehearsal only)
S. 4
pp
p sub.
pp
T.
B.
- hold,
p sub.
be - hold
p
in freez - ing win - ter p
In freez - ing win - ter,
in freez - ing win - ter p
in freez - ing win - ter
p
In freez - ing win - ter,
pp
In freez - ing win - ter, pp
In freez - ing win - ter,
pp
be - hold,
be - hold a ten - der babe,
pp
A.
be - hold
Be -
pp
be - hold,
pp sub.
pp
be - hold,
Lento con espressione q = c. 66
be - hold,
be - hold,
Be - hold,
babe, pp
be - hold,
pp
be - hold,
Be - hold,
TENOR
pp
Š 2015 Novello & Company Limited
277
in
freez - ing win - ter
2 rit.
S.
7
night,
A.
A
In win - ter
night, f
In freez - ing win - ter mf
mf
B.
In
B.
ah
p
in freez - ing win - ter
In home - ly man - ger
p
night,
In home - ly man - ger
A a tempo
tremb - ling
ff
ff
ppp
A - las!
A pit - eous
sight!
A - las!
ppp
ff
A - las!
278
A pit - eous
sight!
A pit - eous
sight!
molto rit.
ppp
lies:
ppp
A pit - eous
ah
tremb - ling lies:
p
In home - ly man - ger
f
ah
night,
ff
lies:
tremb - ling
T.
ter
molto rit.
10
S.
A.
night,
freez - ing win - ter
rit.
-
f
In freez - ing win - ter
T.
p
night, in freez - ing win
mf
a tempo f
3
S. 14
sight!
T.
B.
A.
B a tempo
pp
pp
This sta - ble,
-
ce’s
this sta - ble,
This crib His chair,
pp
pp sub.
sta - ble,
this crib His chair, p
pp
p
279
p
this crib His chair,
This crib His chair,
this crib His chair,
pp
pp sub.
p
This crib His chair,
This crib His chair,
this sta - ble,
this sta - ble,
court,
this
pp
pp
this sta - ble,
this sta - ble,
pp
B.
pp
pp sub.
a Prin
T.
this sta - ble,
pp
18
pp sub.
this sta - ble,
pp
this sta - ble,
pp
This sta - ble,
this sta - ble,
pp
court,
pp
B a tempo
S. A.
a Prin - ce’s
pp
This sta - ble,
This sta - ble,
pp
this
crib His chair,
4
C
rit.
S.
21
A.
His chair
f state;
of
state, This crib his chair
mf
This crib His chair of mf
This
crib His chair
of
rit.
state, f
chair
p
of
The beasts are par - cel p
state;
The beasts are par - cel
a tempo
C
24
ah
ff
of
His
pomp,
of
His
pomp,
ah
ff
ppp
ppp
The wood - en dish his
plate.
ppp
The The wood - en dish his ah
of
B.
His pomp,
of
His
ppp
ff
pomp,
his plate
ff
T.
molto rit.
S.
A.
p
The beasts are par - cel
his
ah
state;
state; f
of
of
mf
B.
p
f
This crib His chair
T.
a tempo
The wood - en dish his
molto rit.
280
his plate
plate.
plate.
5
D
S.
T.
B.
S. 32
to
poco rit.
thy
to
T.
thy
to
thy
King;
Chris - tian wight,
Do hom - age
ff
with joy, Do hom - age
ff
with joy,
Do hom - age
a tempo
ah
fff
joy,
and praise
fff
With joy,
poco rit.
a tempo
and praise
281
ah
With fff
With joy we high - ly
a tempo
fff
King;
Do hom - age
with joy,
poco rit.
ah
with joy,
Chris - tian wight,
ap - proach, O
King;
ah
ap - proach, O
a tempo
A.
B.
ff
D
ff
Chris - tian wight,
f
With joy
ap - proach, O
f
With joy
O Chris - tian
Joy! f
With joy
a tempo
poco rit.
f
28
A.
a tempo
his
hum -
ble
pomp,
praise
his hum - ble
his
hum
-
ble
pomp,
pomp,
6 rit.
S.
fff
With joy,
T.
fff
B.
S.
and praise
his
and praise
Solo
molto rubato
bri(ng).*
heav’n
doth
heav’n
Which he
from
heav’n
doth
Adagio con espressione q = c. 52
stagger breathing
ppp
joy
stagger breathing
doth
pp
ap - proach, O Chris - tian
ah ppp
ah
molto rubato
from
Which he
doth
from
E
Which he
pp
pp
pomp,
from heav’n
pp
Which he
pomp,
With
bri(ng).*
B.
his hum - ble
hum - ble
bring.
T.
his
rit.
pp
pomp,
With joy we high - ly praise
bring.
hum - ble
Adagio con espressione q = c. 52
39
A.
With joy,
E
ah
fff
ah
fff
A.
35
*gradually change vowel sound to ‘ah’
282
7
rit.
44
T.
B.
wight,
Do
hom
50
A.
B.
Be - hold,
a
babe,
a
babe,
a
babe,
be - hold
a
babe,
283
In
ten - der
King.
be - hold
ppp
be - hold
be - hold
ppp
thy
to
rit.
Be - hold, ppp
hom - age
ppp
Be - hold,
Do
Be - hold,
T.
age
S.
-
In
In
In
8
S.
rit.
53
freez - ing
A.
-
ter
night.
freez - ing
T.
win
freez
- ing
freez - ing
win
win
-
-
night.
Solo
ter
night.
ter
-
ter
win
pp
A
ten -
der
babe.
B.
freez - ing
win
-
pp
ter
rit.
night.
284
Owain Park CRADLE LULLABY for upper voices and piano (or organ)
NOVELLO 285
Commissioned by the Wells Cathedral Chorister Parents’ Association
286
For James Matthias Benjamin Owens and his parents, Matthew and Ali
Cradle Lullaby
Northeastern Cradle Song
OWAIN PARK (b. 1993)
UPPER VOICES
Lusingando q = c. 80
Piano or Organ
p legato sempre con Ped.
5
Lul - la - by,
9
lul - la - by,
A FEW VOICES p dolce e legato
My good ba - by,
mp
Hush - a - bye,
Š 2015 Novello & Company Limited
287
sing
p
sleep.
mp
sing
2
13
p
hush - a - bye,
16
p
by,
sleep.
mf
I
wind is quiet,
II
wind is quiet,
the
the
mf
tree leaves hang
tree leaves hang
TUTTI
mp
The
20
Sleep now ba -
moon is
the
mp
win - dow,
o - ver the
bright,
o - ver the
win - dow,
mp
My
mp
My
mf
288
3
23
lit - tle
ba
rall.
-
by,
go
to
a tempo
26
Sleep,
dream - ing sweet
p
30
I
Lul - la - by, II mf
Lul - la - by,
mf
sing
dreams.
cresc.
sing
lul - la - by,
My good ba - by,
lul - la - by,
289
ly,
-
-
mf
quick
p
sleep
mp
My good ba
-
by,
4
33
sleep.
Hush - a - bye,
sleep.
Sleep now ba - by,
Sleep now ba - by,
mp
39
dim.
p espress.
hush - a - bye,
f
mp
The
moon
290
is bright,
mp dolce
sleep.
hush - a - bye,
sleep.
36
mp
sing
f
mp
f
sing
Hush - a - bye,
the
5
42
wind is quiet
mf
soft -
cra - dle mo - ving
46
the
ly,
mf
p SOLO 50
mp
p
Sleep,
dream - ing sweet
dreams.
dreams.
p
Tempo primo
dream - ing sweet
OTHER VOICES
Sleep,
lit - tle one,
My
Un poco meno mosso
close your eyes,
rall.
p
cresc.
291
6
54
mp dolce e sospirando
SOLO
I
Lul - la - by,
II mf
Lul - la - by,
mf
sing
mf
sleep.
sleep.
sing
sing
292
My good ba
Hush - a - bye,
Hush - a - bye,
My good ba - by,
lul - la - by,
ah
sing lul - la - by,
57
ah
mf
-
by,
f
ah
f
hush - a - bye,
f
hush - a - bye,
f
7
mf
60
mp
Sleep now ba - by,
mp
64
soft
-
rall.
ly,
sleep.
mp
Meno mosso
p
SOLO
Sleep,
OTHER VOICES
pp
p
rall.
pp
dream - ing sweet dreams.
mm
sleep.
Sleep now ba - by,
mp
dim.
293
ppp
ppp
Owain Park LULLY, LULLA for ATB divisi choir unaccompanied
NOVELLO
294
For the Vicars Choral of Wells Cathedral
Lully, lulla Coventry Carol; Pageant of the Shearmen and Tailors, 15th Century
OWAIN PARK
Andante e sospirando
ALTO 1
TENOR 1
p dolce e cantabile
Lul - ly,
lul - la,
thou
pp estinto
lit
-
tle
Lu...
...la,
lul
child,
By
lul
pp estinto
-
-
-
by,
lul - ly,
lul -
la,
la,
lul
BASS 1
ALTO 2
TENOR 2
BASS 2
-
-
la,
Andante e sospirando
Piano (for rehearsal only)
Š 2015 Novello & Company Limited
295
2
A.1 7
pp
- lay.
lul
T.1
oo
pp
-
lul
-
B.2
oo
pp
oo
oo
p poco fuori ma misterioso T.2
oo
oo
pp
lay.
oo
lay.
B.1 A.2
oo
pp
Lul - ly,
296
mp molto teneramente
lul -
3
A.1 14
T.1
B.1
A.2
B.2
oo
oo
oo
oo
- la,
thou
lit - tle ti - ny
child,
By
by,
oo
oo
T.2
lul - ly,
297
lul - lay,
4
A.1
20
T.1
B.1
A.2
B.2
oo
oo
T.2
oo
oo
oo
thou
lit - tle
ti - ny
child,
298
By
by,
lul
-
ly
lul -
5
A.1 25
T.1
B.1
B.2
By
by,
mp
mp
O
sis
-
ly
lul
-
-
lay.
lay.
By
by,
lul - ly
lul
-
-
By
by,
lul
By
by,
mp
too,
lul
ters
ly
mp
lul
-
mp
mf risoluto ma patetico
lul
by,
-
By
SOLO ( 30)
lul
by,
- lay.
B.1
By
A.2 T.2
mp
-
-
ly
lul
ly
lul
-
-
lay.
lul - ly
lul
-
-
lay.
how
may
we
do
For
to
299
lay.
lay.
pre -
6 36 B.1
(SOLO)
we do
sing,
- serve
41 B.1
this
whom
A.2 47
T.2
This
p lamentoso
by
by,
lul
-
f stridente
f stridente
He - rod, f stridente
He - rod,
the
king,
the
In his
rag
lul
-
ling,
For
-
rag
-
-
ing,
-
ing,
Charg-ĂŠd
lay?
In his
300
-
king,
rag
-
the
-
ly
-
young
In his
king,
poor
He - rod,
B.2
day
mp piangevole
he
7
A.2 52
- ing,
T.2
hath
this
58
might,
his
(64 )
day
That
woe
All young child - rĂŠn
to
slay.
is
me,
to
Poor Child
In
In
his
own
slay.
slay.
p
for
thee!
301
to
might,
p
mp smorzando
mp smorzando
All young child - rĂŠn
All young child - rĂŠn
of
might,
of
mp smorzando
men
of
own sight,
mp affettuoso e dolce
men
SOLO
His
meno f
His
men
His
own sight,
meno f
his
meno f
day
In
this
day
sight,
this
B.2
hath
A.2
A.1
he
Charg-ĂŠd he hath
Charg - ĂŠd
B.2
T.2
And
e
-
ver
morn
and
8 (SOLO) 71
A.1
day,
77
A.1
p
By
by,
T.1
A.2
B.2
part
thy
-
ing
Nei - ther
lul -
ly
lul
-
lay!
say
mp dolce e cantabile
Lul
- ly,
mp dolce e cantabile
TUTTI
mp dolce e cantabile
p sonoro
mm
nor
sing
p sonoro
lul -
la,
lul -
la,
lul -
la,
thou
thou
thou
mm
For
Lul - ly,
T.2
Lul - ly,
TUTTI
B.1
p sonoro
mm
302
9
A.1 83
lit
T.1
lit
B.1
lit
-
tle
-
-
B.2
child,
tle
By
lul
-
ly
lul
rallentando e diminuendo al fine
child,
By
by,
lul
lul
lul
-
-
ly
by,
lul
-
-
lay.
lay.
mm
rallentando e diminuendo al fine
oo
303
mm
rallentando e diminuendo al fine
mm
mm
-
mm
lay.
ly
rallentando e diminuendo al fine
By
mm
by,
mm
rallentando e diminuendo al fine
mm
child,
tle
A.2
T.2
rallentando e diminuendo al fine
Owain Park SHEPHERDS’ CRADLE SONG
for SATBarB divisi choir unaccompanied
NOVELLO 304
To Iain and Naomi, on the birth of your first child
Shepherds’ Cradle Song JOHN DAVIES
OWAIN PARK
SOPRANO
Peaceful and serene c. q = 80
pp
p
mm
doo doo doo doo
doo doo
ALTO
p gently
doo doo doo doo
doo pp
TENOR
BARITONE
BASS
doo doo doo doo
doo
doo doo
doo
pp
doo
doo
doo
doo
doo doo
pp
doo
doo
doo
Peaceful and serene c. q = 80
Piano (for rehearsal only)
Š 2015 Novello & Company Limited
305
3
S. 4
mp
Lul
-
mp
doo doo doo doo
Lul
-
la
la
-
-
oo
by.
by.
p
p
oo
A.
T.
Bar.
doo
mp
Lul
pp
-
-
la
-
Pno.
la
-
-
mp
p
Sing
O
Lul
by.
en dehors
-
mp
doo
la
-
lul
-
la
306
slum - ber
heav’n - ly
p
oo
by.
-
by.
p Slum -
p
oo
Lul
by.
B.
mp
doo
la
mp
Lul
-
by.
ber,
p
Slum -
mm
ber, mm
4
S.
8
oo
A.
Bar.
trea
sure,
Sleep
Slum
well,
thou dar - ling
oo
child;
doo doo
-
ber, mm
oo
-
While
oo
-
oo
oo
T.
mp
doo
doo doo
doo doo
doo doo
B.
Slum
Pno.
ber, mm
oo
doo
307
doo
doo
5
S. 11
an - gel
A.
shall fan thy brow
wings
wings
T.
Bar.
With
gen - tle mo
doo
doo
doo
tion
doo
doo
doo
-
oo
doo doo doo
oo
brow
oo p
shall fan thy
ah
oo
B.
doo
Pno.
doo doo doo doo doo
ah
308
doo
6
S. 14
mf
mild.
A.
T.
Bar.
We shep - herds poor
mf
are come to
mf
are come to
doo
doo
doo doo doo doo
doo
are come to
mp
shep
-
sing
doo
doo
oo
sing
A
We shep - herds poor
mp
sing
We shep - herds poor
doo
doo
p
A
herds,
doo
doo
doo doo doo doo
B.
mild.
Pno.
mp
shep - herds,
come
309
to
doo
doo
7
S. 17
mp
lul - la - by,
A.
a
Doo doo doo
doo
doo doo,
mp
T.
Bar.
King.
doo doo doo doo
A lul - la - by,
un - to our
lul - la - by
p
doo
King.
a
lul - la - by un - to our
oo
lul - la - by,
p
lul
-
mp
oo
King.
lul - la - by
Lul
la
-
-
la,
B.
p
doo
doo
doo
doo
doo
doo
Pno.
310
mp
Lul
-
la,
8
S. 20
Lul
-
la
-
-
-
by.
A.
Lul
T.
Bar.
Lul
-
la
-
-
la
-
- by.
lul
-
-
la
-
-
-
by.
-
-
-
mp
Lo,
by.
-
ry,
now with
Ma
mp
p
Doo doo doo doo doo doo doo doo
by.
B.
lul
Pno.
-
la
-
-
-
by.
311
p
mm
9
S. 23
SOLO
pp
ah
mp
Hath
laid
thee
to
sleep,
A.
p
doo doo doo doo doo doo doo
lov - ing hand,
p ah
T.
mp
down.
p
Bar.
doo doo doo doo doo doo doo doo
ah
mp
doo
While
p
mm
ah
mm
ah
doo doo doo doo doo doo doo
B.
ah
Pno.
mm
312
10 26 S.
p
mm
at thine head
doth
stand
A faith - ful watch
to
A.
Jo - seph at thine head
doth
T.
Bar.
ah
stand
A
mm
mf
faith - ful watch
to
to
ah
doo
mm
doo doo doo
ah
B.
Pno.
ah
313
11
S.
29
keep.
mf
Now
on their straw
the ox - en
mild,
A.
keep.
T.
Bar.
mf
Now
keep.
on their straw
mf
now
Now
mf
the ox - en
on their straw,
mild,
ox - en,
on their straw
on their straw,
mf
the ox - en
mp
the
ox
-
en Are
mild,
ox - en,
mp
the
ox
-
en Are
B.
Pno.
mf
now
on their straw,
ox - en
mild,
mp
Doo doo doo doo doo
314
12
S. 32
SOLO p
rall.
doo doo doo doo
doo doo
a tempo
doo doo doo doo
pp
oo
pp
mm
A.
pp oo
T.
Bar.
are
doo
doo doo
doo
ly - ing still,
are
ly - ing still,
doo doo
ly - ing still.
p
Doo doo doo doo
ly - ing still, pp
p
Sleep
B.
pp
doo
Pno.
ba
doo
rall.
315
doo
Sleep
a tempo
p
13
S. 35
p
Doo doo doo doo
doo doo,
doo doo doo doo;
A.
doo doo doo doo
Doo
doo pp
T.
Bar.
doo
pp
Ho - ly
doo
doo doo
pp
Doo
doo
doo
doo
doo
pp
Child.
doo
doo
B.
Ho - ly
Child.
Pno.
p
Sing
316
14
mp S. 38
TUTTI
Lul
-
mp
A.
Lul
Lul
-
mp
T.
la
la
-
-
-
la
-
by.
mp
Bar.
Lul
-
mp
Lul
la
-
-
la
-
oo
by.
by.
p
oo
p
oo
mp
O
oo
slum - ber,
heav’n - ly trea - sure,
p
oo
by.
by.
Slum -
oo
p
ber, mm
Slum -
ber, mm
B.
mp
lul
Pno.
-
la
-
by.
Slum -
317
ber, mm
Slum -
ber, mm
p
15
S. 42
oo
A.
oo
T.
Bar.
While
Sleep
mp
well,
wings
dm
shall fan thy
ba dm
oo
doo doo doo doo
dm
p
oo
shall fan thy
oo
thou dar - ling child;
an - gel wings
doo
B.
dm
Pno.
dm
ba dm
doo
doo
doo
doo
dm
dm
dm
318
16
S. 45
brow
A.
Bar.
With
gen - tle mo
mild.
-
tion
oo
-
brow
T.
ah
doo
doo
oo
But
mf
But
oo
mf
mf
But
doo
doo
doo
doo doo doo doo
doo
B.
dm
Pno.
ba
doo doo doo doo doo
319
doo
mild.
17
S. 48
be thine at
now sweet dreams
A.
be thine at
Bar.
night,
night,
Sleep Ho - ly
now sweet dreams be thine at night,
doo
mp
p
Babe,
Sleep
doo doo doo doo
doo doo
oo
oo
mp
Sweet
dreams,
doo
doo
now sweet dreams
T.
mp
p
Sleep Ho - ly
doo doo doo doo mm
Sleep
Babe,
dm
ba
B. mp
Sweet
Pno.
dreams,
thine
doo
at night
mm
320
dm
ba
18
S. 51
molto rall.
Ho - ly Babe
A.
T.
Bar.
Meno mosso
to
-
doo
doo doo
doo
to
-
-
doo doo
to
mm
pp
doo doo doo
Ho - ly Babe to night.
doo
night.
pp
mm
pp
mm
mm
night.
pp
mm
mm
night.
B.
doo
Pno.
to
molto rall.
-
mm
night.
Meno mosso
321
doo doo doo doo doo doo
p
19
S.
55
A.
T.
Bar.
mp dim.
Lul - la
-
by,
mp dim.
Sing
lul - la
-
mp dim.
-
doo doo
p
Lul - la
lul
-
doo doo doo doo
lul
lul
-
by,
lul
-
by.
-
la,
-
la
-
-
la
la
-
by.
pp
-
by.
pp
-
lul - la - by.
pp
by,
Lul - la
la
pp
-
lul
mp dim.
-
by,
mp dim.
pp
by,
Lul - la
rall.
by.
B.
mp dim.
mm
Pno.
Lul - la,
lul
pp
-
-
la
-
-
by.
rall.
322
Owain Park TOMORROW SHALL BE MY DANCING DAY for SATB double choir unaccompanied
NOVELLO
323
For Stephen Layton and The Choir of Trinity College Cambridge
Tomorrow shall be my dancing day OWAIN PARK
Traditional With vitality; dancing q = c. 108
SOPRANO
fp
Sing,
Sing,
fp
fp
Sing,
Oh!
fp
TENOR
Oh!
fp
ALTO
fp
fp
Oh!
fp
BASS SOPRANO
ALTO
TENOR
Oh!
mf
fp
Sing,
Oh!
mf
fp
Sing,
Oh!
Piano (for rehearsal only)
fp
fp
mf
Oh! fp
Sing,
Oh!
mf
fp
Sing,
Oh!
fp
Š 2015 Novello & Company Limited
324
fp
Sing,
Oh!
mf
Sing,
Oh!
Sing,
mf
3
Sing,
fp
Sing,
Sing,
With vitality; dancing q = c. 108
Oh!
Sing,
Oh!
fp
Sing,
fp
Oh!
fp
Oh!
Sing,
fp mf
BASS
Sing,
fp
fp
fp
Oh!
Sing,
mf
fp
fp
Sing,
fp
Sing,
fp
mf
Sing,
mf
Sing,
mf
Sing,
mf
Sing,
3
2
3
mp
f
6
Oh! f
mp
Oh! f
3
f
mp
Dan
mf
Sing,
-
cing,
dan
-
-
-
-
cing,
-
-
cing,
dan
-
-
-
-
cing,
poco
-
-
cing,
dan
3
-
-
-
-
cing,
Dan
poco
-
-
3
dan
cing,
poco
mp lively
Oh!
3
-
mp lively
Dan
f
Oh! f
mf
poco
mp lively
Oh!
Dan
f
mp lively
Oh!
Sing,
f
sub. mp
Oh!
mf
Sing,
Oh!
Sing,
mf
325
-
3
-
-
-
cing,
3
10
Oh!
Oh!
rall. f
my love,
Sing,
Oh! f
Sing, Oh!
f Oh! my love, Sing, Oh!
Oh!
my love.
my love. f
my love,
my love.
my love,
Sing, Oh!
-
-
-
-
-
cing
-
-
-
-
-
-
-
-
f
day.
mf
dan- cing
f
-
3
-
-
-
-
cing
3
326
day.
rall.
day.
-
mp
cing
3 dan - 3 cing day,
dan
day.
-
f
dan
dan - cing
f
-
my love,
dan
mp
4 a tempo
14
p dolce en dehors
To
-
To
mor - row shall
mm
p
mm
mm
be
(echo)
dan - cing day,
mm
327
my
dan - cing day;
p
a tempo
my
be
I
mm
dan - cing day
I
p
p
dan - cing day;
-
my
mm
p dolce en dehors
be
mm
p
day.
mor - row shall
5
18
would my
true
p
mm
love
did so
chance
chance
love
chance
chance
would my
true
love
did so
did
did
meno p
To
328
the
meno p
To
le - gend
mp
see
the
To
see
the
To
see
the
see
le - gend
To
le - gend
meno p
le - gend
see,
To
le - gend
see,
meno p
see,
chance
meno p
meno p
see
chance
chance
chance
To
To
mp
the
6
21
of
my play,
of
play,
To
To
of play, To
call
call
my
my
true
true
love
love
call
my
my
love
of
play,
of
le
le
le
To
my play,
To
-
gend
-
gend
-
gend
call
call
my
to
to
my
my
dance;
dance;
true
to
my
true
love
to my
dance;
call
call
to
call
329
Sing,
my
f
Sing,
f
7 24
love;
dance;
Oh!
My love,
dance;
Oh!
love,
Oh!
my love,
Oh!
My love,
my
love,
my love,
330
Oh!
My love,
Oh!
My
My
Oh!
My
Oh!
My
My love,
My love,
Oh!
My love,
Oh!
piĂš f gioioso
Oh!
piĂš f gioioso
piĂš f gioioso
piĂš f gioioso
Oh!
Oh!
piĂš f gioioso
piĂš f gioioso
piĂš f gioioso
my
piĂš f gioioso
My love,
Oh!
My love,
My love,
My love,
8 28
love, Oh!
love,
Oh!
love,
Oh!
love,
Oh!
My
My
My
my
Oh!
Oh!
Oh!
Oh!
My love,
My love,
My love,
My love,
love, Oh! My
love,
love,
Oh!
my
love,
mf
Dan
-
Dan
-
-
-
-
cing,
-
cing,
mf
Oh!
My love,
Dan
-
-
-
cing,
mf
Oh!
love,
My love,
my
My love,
love,
love,
mf
Oh!
love,
my
my love,
my
my love,
love, Oh! My
love,
My love,
331
Dan
-
-
-
cing,
9
31
f
Sing,
Oh!
f
Sing,
Oh!
f
Sing,
Oh!
My love,
Sing,
Oh!
Oh!
My love,
My love,
Oh!
My love.
sing,
sing,
My love, f
My love.
sing, Oh!
My love.
sing,
Oh!
My love.
sim.
dan
-
-
cing,
dan
-
-
-
-
-
cing,
dan - cing, dan - cing,
sim.
dan
-
-
cing,
dan
-
-
-
-
-
cing,
dan - cing, dan - cing,
3 3 sim.
dan
-
-
cing,
dan
-
-
-
-
-
cing,
dan - cing, dan - cing,
sim. dan
-
-
cing,
dan
-
-
3
-
-
-
cing,
dan - cing, dan - cing,
3
332
10
rall.
35
done
for my
true
This have I
done
p
for my
true
for my
mp espress.
I
born
3
of
a
p sost.
mm
love.
p sost.
mm
More reflective q = c. 88
333
mm
true
rall.
ah
p sost.
love.
done
Then was
This have I done for my true love.
This have I
SOLO
This have I
More reflective q = c. 88
3
11
39
SOLO
pp
mp espress.
ah
Thus was
I
knit
SOLO
mp espress.
pure, of
vir - gin
p sost.
3
her
I took
TUTTI p
-
ly
sub -
pure,
pure,
pure,
Thus
p sost.
to
Thus
3
334
3
to
Thus
knit
pure,
I
Thus
pure,
to
Thus was
mp espress.
man
SOLO
p
stance...
pure,
TUTTI
3
flesh
to
was
I
knit
12
43
accel.
man’s na
-
To
call
TUTTI
ture
mp
man
To
call
mp
man’s na
-
TUTTI
ture
To
man,
my
true
love
to
call my
true
love
to
my
true
love
to
call
my
3
true
love
to
call
my
To
call
call
accel.
3
3
335
love;
love;
love;
true
love;
true
my
dance;
true
my
my
true
dance;
my
f
my
dance;
call
To
my
f
To
dance;
3
my
To
man,
man,
f
f
To
13 46
Tempo Iยบ q = c. 108 mf
Dan
-
mf
-
cing,
Dan cing, mf
Tempo Iยบ q = c. 108
dan
cing,
336
mf cresc.
dan
mf cresc.
-
cing,
dan -
mf cresc.
-
-
cing,
dan -
mf cresc.
dan
-
dan
dan
dan
-
mf cresc.
cing,
mf -
-
cing,
Dan
-
-
-
Dan
-
mf
Dan
-
mf cresc.
cing,
Dan
-
mf
-
dan -
cing,
14
49
- cing,
dan
-
cing,
f
dan
-
-
- cing,
dan
- cing.
-
cing,
dan
-
cing,
dan
-
cing,
dan
cing.
-
f
cing,
dan
3 3
Sing, f
3 3
Sing,
Oh! My love, Oh! My
-
Oh! My love, Oh! My
cing.
mf
cing.
Sing,
f
- cing.
-
cing.
f -
337
3 3
Oh! My love, Oh! My
Sing,
f
Sing,
3 3
Oh! My love, Oh! My
3
3
3
3
15
52
mf
Sing,
Oh!
My
love, mp
love, my
love,
love,
Oh! My
love,
my love,
mp love,
my
love,
have I done for
my
my
true
true
love. mf
This
mp
3
have I done for
love.
This
3
mf
This
mp
my
mf
mf
This
3
have I done for
3
have I done for
my
true
my
true
338
3
3
16
56
mm
mm
wrapp’d
I
love.
pp
a
p
mm
mm
man - ger laid,
and
wrapp’d
I
was
pp
pp
p
So
p en dehors
In
love.
was
mm
pp
p
love.
and
man - ger laid,
pp
p
a
p en dehors
In
love.
339
So
17
pp 60
mm
ah
Be
my
ve - ry poor; this was
p
chance
Be mp
ah
Be
mp
-
Be
-
twixt
an
twixt
and
twixt
ah
ah
340
a
p
a
mf
-
a
and
Be
a
Be - twixt
chance
ox and
my
ox
ah
ve - ry poor; this was
-
ah
an
mf
twixt
-
twixt
an
ox and
a
mp
mp
an
an
ox
ox
18 mp 63
sil - ly poor ass
To
sil - ly poor ass
sil - ly sil - ly
ass
To
ass
To
sil - ly poor ass
my true
love
to
love
to
To
love
my
true
my true
love
my
to
my
dance.
-
to
love
to
my
my
dance.
dance.
my
mp
love.
call.
341
-
Dan
true
call
dance.
love.
call
my
mp
dance.
my
poor ass
mp
call
To
true
poor ass
call
To
my
call
To
call
my true
ass
To
sil - ly
call
Dan
-
-
mp
Dan
-
-
19
66
mp
Dan
f
Sing,
Oh!
-
My love,
mp
Dan
-
-
dan
3
-
-
-
-
-
cing,
Oh!
My
-
-
cing,
dan
cing,
dan
-
-
-
cing,
dan
-
-
-
-
-
-
cing,
3
-
3
-
-
-
-
-
cing,
f
Sing,
Oh!
dan
-
3
342
3
-
-
-
cing,
- cing,
f stridente
Sing,
My love.
dan 3 -
-
- cing,
-
-
cing
-
-
-
poco a poco cresc.
dan
-
dan
-
3
cing,
-
-
love.
poco a poco cresc.
-
-
Sing,
3
-
f stridente
dan - cing,
3
-
poco a poco cresc.
- cing,
dan
poco a poco cresc.
-
dan
mp
Dan
cing,
cing,
mp
-
cing,
-
-
Dan
poco a poco cresc.
-
poco a poco cresc.
3
3
20 molto rall.
69
dan
-
-
-
3
-
-
3 cing day,
cing
day,
3
piĂš f
Sing,
day,
Sing,
- cing,
dan
dan
-
3
-
-
-
-
-
-
Oh!
-
My
Oh!
My
-
-
cing
day.
-
love,
3
love,
Sing,
3 Oh!
My,
-
cing
-
love,
3
-
-
-
dan
3
My love.
my
love,
f stridente
3
Oh!
my
-
-
3
cing day. 3
day,
Oh!
f
3
Sing,
love,
my
Oh!
My,
My,
3
love,
Oh!
My,
molto rall.
3
3
3
3
3
3
3
3
343
21 Triumphantly
71
3
ff
This
ff
ff
ff
have I 3
This
have I
3 This
have I 3
This
have I
3 ff
have I
This ff
3
This
have I
3 ff
This
have I
ff
3
have I
This
Triumphantly
3
done for
my
done for
true
love.
my
true
done for
my
true
done for
done for
my
my
love,
true
love,
true
love.
my
true
love,
This
have I
love,
This
have I
f
love,
3
344
done for
This
my
done for
true
3
my
have I
for
true
my
done for
3
my
done for
my
3
true
3
true
3
3
mf
3
true
3
f
true
3
my
have I
f
done for
done for
This
3
my
f
done for
3
love,
3
22
75
rall.
mp
3
for my true love.
love.
p
p
love.
3
love,
for my true p
love.
pp
p
love.
3
3
Oh!
pp
pp ‘purring’
345
Sing,
My
mp
Oh! My love,
mp
Gradually intensifying q = c. 80
Oh!
rall.
pp
Oh!
Oh!
Oh!
love,
My love,
love.
My
Oh!
mp
Oh!
p
Sing,
accel.
My love,
Gradually intensifying q = c. 80 p
accel.
p cresc.
Sing,
23
80
mp
love,
mf
Oh! My
mf
Sing,
Oh!
My love,
mp
Sing,
Oh!
mp
love,
mf
Sing,
mf
My
love,
my
mf
Oh! My
Oh!
My love,
Oh!
Oh! My
mf
Oh! My love.
Oh! My
love,
Oh! My love,
Oh! My love.
mf
love,
Oh! My
Sing,
Oh! My
346
mf
Oh!
My
24
f
84
f
love.
f
love.
f
love. f
f
love.
f love.
Then
f
Then
-
aft
er - wards bap
-
er - wards
- tised
bap
I was;
-
The
tised
I
aft
-
aft
er - wards bap
-
er - wards
- tised
bap
I was;
-
The
tised
I
aft
-
er - wards bap
- tised
I was;
The
f
Then
Then
aft
f
f
Then
f
f
Then
love.
Then
f
f
Tempo Iยบ q = c. 108 Full of joy!
f
Then
aft
aft
aft
-
-
er - wards
er - wards
bap
-
er - wards
Tempo Iยบ q = c. 108 Full of joy!
347
bap
-
- tised
bap
tised
I
I was;
-
The
tised
I
25 88 Ho
-
ly
Ghost on me did
was;
The Ho
-
glance,
My
The Ho
-
ly Ghost did
glance,
My
Fa - ther’s
-
ly
ly Ghost did
glance,
Ghost on me did
was;
The Ho
-
My
glance,
My
Fa
The Ho
-
-
heard
ther’s voice
heard
voice
3
heard
ther’s voice
heard
ly Ghost did
glance,
was;
-
voice
Fa - ther’s
My
Fa - ther’s
Ho - ly Ghost on me did glance, My Fa
heard
Ho
was;
Fa - ther’s voice
Ho - ly Ghost on me did glance, My Fa
ly Ghost did
glance,
My
348
heard
-
ther’s voice
voice
Fa - ther’s
heard
voice
3
heard
3
26
91
from
a - bove
from a
from
-
To
call
my
true
bove
To
call
a - bove
To
call
-
bove
To
true
true
from
a - bove
from a
from
-
To
true
call
my
true
love
to
love
to
love
love
to
bove
love.
a - bove
my
To
true
my
true
from a
-
bove
To
dance.
to
3
349
piĂš f
my
dance.
Sing,
love
call;
my
dance.
dance.
my
call
my
to
call
my
To
dance.
my
my
my
my
call
to
3 from a
love
dance.
piĂš f
Sing,
27 94
Oh!
My love,
my
Oh!
My love,
love,
Oh!
My
gioioso
Oh!
My
gioioso
Oh!
My
Oh!
Oh!
My love,
Oh!
My love,
Oh!
gioioso
Oh!
My love,
350
gioioso
My
Oh!
my love,
Oh!
gioioso
My love,
gioioso
Oh!
my love,
gioioso
my
love,
gioioso
Oh!
My love,
My love,
My love,
My love,
28 98
mf
f
mf
love,
Oh!
love,
Oh!
love, Oh! love,
Oh!
Oh!
Oh!
Oh!
Oh!
My
love,
My
love,
Sing,
love,
love
Oh!
mf
My
My
fp
Sing,
f
Sing,
Oh!
My
love
f mf
My
love,
Sing,
fp
fp
fp
My love,
My love,
mf
Sing,
mf
Sing,
mf Sing,
Sing,
fp
fp
Sing,
Oh!
Sing,
fp
Oh!
Sing,
fp
fp
love
Oh!
Sing,
love,
My
fp
Sing,
fp
My
Oh!
Sing,
My love,
Oh!
Sing,
f fp
Sing,
My love,
Oh!
mf
351
29 f 103 Oh!
My love
fp
Oh!
f Oh! My love
f
Oh!
My love,
f
Oh!
My love
fp
fp
Oh!
Oh!
Oh!
fp
Sing,
Oh!
ff
ff
Sing,
ff
Sing,
ff
dan
Sing,
Oh!
ff
Sing,
ff
Sing,
my
true
love
to
my
dance!
-
-
-
cing
day!
love!
ff
Sing,
My
call
dan
ff
Sing,
-
-
-
cing
day!
My
love!
my true love to my call
dance!
dan
-
-
-
cing
day!
dan
-
-
-
cing
day!
352
Christopher Robinson HEREFORD CAROL for SATB choir and organ
NOVELLO 353
Come all you faithful christians that dwell here on earth, Come celebrate the morning of our dear saviour’s birth. This is the happy morning, this is the blessed morn: To save our souls from ruin, the Son of God was born. Behold the angel Gabriel, in scripture it is said, Did with his holy message come to the virgin maid: ‘Hail blest among all women!’, he thus did greet her then, ‘Lo, thou shalt be the mother of the saviour of all men.’ Her time being accomplish’d, she came to Bethlehem, And then was safe deliver’d of the saviour of all men. No princely pomp attended him, his honours were but small; A manger was his cradle, his bed an ox’s stall. Now to him that is ascended let all our praise be; May we his steps then follow and he our pattern be; So when our lives are ended, we all may hear him call: ‘Come, souls, receive the kingdom prepared for you all.’
Duration: circa 2 minutes
354
Hereford Carol Trad. English carol arr. Christopher Robinson q = 108
3 4
SOPRANO ALTO
mf
Come
3 4
TENOR BASS
mf
q = 108
3 4 ORGAN
3 4
mp
(Man.)
5
3
all
you faith - ful chris - tians that dwell here on
earth,
Come
ce - le - brate the
più f
10
morn - ing
of our dear sa - viour’s birth.
This
più f © Copyright 2012 Novello & Company Limited. All Rights Reserved. International Copyright Secured.
355
is
the hap - py morn - ing, this
2 15
3
is the bless -ed morn:
20
To
save our souls from ru - in, The
Son of
God was
p
S. born.
Be - hold p
the
born.
Be - hold the
an - gel Ga -bri - el, in scrip - ture it is
A. an - gel Ga -bri - el, in scrip - ture it is
T. born.
B. born.
mf
p
(Man.)
26
3
said,
Did
with his
ho - ly mes - sage come
to
the
vir - gin maid:
said,
Did
with his
ho - ly mes - sage come
to
the
vir - gin maid:
mf
‘Hail
mf
‘Hail
356
3 31
3
T. blest a - mong all wo - men!’, he thus did
greet her then,
‘Lo,
thou shalt
be the
‘Lo,
thou shalt
be the
B. blest a - mong all wo - men!’, he thus did greet her
then,
relax tempo a little
36
mo - ther of the
sa - viour of all
men.’
mo - ther of the
sa - viour of all
men.’
relax tempo a little
mf
(Man.) 41
Ped.
TENORS & BARITONES (or SOLO) mp espress.
3
Her time be - ing ac - com - plish’d, she came to Beth - le - hem,
And
p
46
mf
then was safe de - liv - er’d of the
sa - viour of all
men.
No
prince - ly pomp at-
mf
357
4
51
3
-tend - ed him, his
ho - nours
were but small;
A
man - ger
was his
pick up the tempo
55
cra - dle, his
bed an
ox -’s
stall.
pick up the tempo
cresc.
60
DESCANT
f
Now to
OTHER VOICES
Now to
(cresc.)
him
let
f
f
358
him
that
is
as - cend - ed
let
5 64
3
all
our
praise
be;
May
we
fol - low and
3
all
our
praise
be;
May
we
his
steps then
lives
are
end - ed,
are
end - ed,
fol - low
and
68
he our
he
pat - tern be;
So when our
our pat - tern be;
So when our
lives
we
we
all may hear him
all may hear him
poco rit.
73
call:
‘Come, souls, re- ceive
the king - dom pre - pared
for you
all.’
3
call:
‘Come, souls,
re - ceive the king - dom
pre
- pared for you
poco rit.
359
all.’
360
to Stephen Cleobury and the Choir of King's College, Cambridge Commissioned by the College for ‘A Festival of Nine Lessons and Carols, 2014’
De Virgine Maria TWELFTH CENTURY
CARL RÜTTI (2014)
q = c.120
3 4
SOPRANO
Solo mp
1. In
3 4
ALTO
hoc
an
-
ni
3 4
TENOR
3 4
BASS
3 4
q = c.120
Organ
3 4 3 4
pp Ged. 8'
16' + man. (Ged. 8')
7
mf
S.
cir
-
cu - lo
Vi
-
ta
da - tur
sae - cu - lo,
Na-
All Rights Reserved
© Copyright 2015 Novello & Company Limited
361
2 13 (Solo)
p
S.
-
to
no
19
-
bis
Par - vu - lo
De
Vir - gi - ne
Ma
-
Tutti f
S.
- ri
-
a.
Ver f
-
bum
ca
-
ro
fac - tum
Ver
f
bum
ca
-
ro
fac - tum
Ver - bum f
ca
-
ro
fac
-
tum
Ver - bum
ca
-
ro
fac
-
tum
A.
T.
B.
mp
f
362
3 p
24 S.
est
De p
Vir - gi - ne
Ma
-
ri
-
a.
est
De p
Vir - gi - ne
Ma
-
ri
-
a.
De
Vir
-
gi -
ne
Ma - ri
-
a.
Vir
-
gi -
ne
Ma - ri
-
a.
A.
T.
est
p B.
est
De
p
30
pp
S.
2. O pp
be
-
a
-
ta,
be
-
a -
2. O
be
-
a
-
ta,
be
-
a -
A.
Solo mp T.
2. O
be
-
a
-
ta
363
fe
-
mi - na,
Cu
-
ius
4 36
p
S.
-
ta
fe
mi
-
-
na
O
p A.
- ta (Solo)
fe
-
mi
-
na
O
mf
T.
ven - tris
42
Glo - ri - a
Mun
-
di
la
-
pp
S.
Vir
-
gi - ne
Ma
-
ri
-
a.
-
gi - ne
Ma
-
ri
-
a.
ri
-
a.
pp A.
Vir
p T.
De
Vir
-
gi - ne
Ma -
mp
364
vat
cri - mi -na
5 47
p
f
S.
Ver f
-
bum
ca
-
ro
fac - tum
est
De p
Vir - gi - ne
Ma
-
Ver Tutti f
bum
ca
-
ro
fac - tum
est
De p
Vir - gi - ne
Ma
-
Ver - bum
ca
-
ro
fac
-
tum
est
De p
Vir
-
gi
-
ne
Ma -
ca
-
ro
fac
-
tum
est
De
Vir
-
gi
-
ne
Ma -
A.
T.
f B.
Ver - bum
f
53
f
S.
- ri
-
a.
3. Stel f
-
-
la
- ri
-
a.
3. Stel f
-
-
la
- ri
-
a.
3. Stel f
-
-
la
- ri
-
a.
3. Stel
-
-
la
A.
T.
B.
mp
mf
f
365
6 58
mf
S.
So
-
lem
pro
-
tu
-
lit,
Sol mf
sa
-
So
-
lem
pro
-
tu
-
lit,
Sol mf
sa
-
So
-
lem
pro
-
tu
-
lit,
Sol mf
sa
-
So
-
lem
pro
-
tu
-
lit,
sa
-
A.
T.
B.
Sol
mf
62
f
S.
- lu
-
tem
con
-
tu - lit,
Car f
-
-
nem
- lu
-
tem
con
-
tu - lit,
Car f
-
-
nem
- lu
-
tem
con
-
tu - lit,
Car f
-
-
nem
- lu
-
tem
con
-
tu - lit,
Car
-
A.
T.
B.
nem
f
366
7 66
p
S.
ve
-
ram
ab
-
stu - lit
De p
Vir
-
gi - ne
Ma
-
ve
-
ram
ab
-
stu - lit
De p
Vir
-
gi - ne
Ma
-
ve
-
ram
ab
-
stu - lit
De p
Vir
ve
-
ram
ab
-
stu - lit
De
Vir
A.
T.
-
gi
-
ne
Ma -
gi
-
ne
Ma -
B.
-
p
71
f
S.
- ri
-
a.
Ver f
-
bum
ca
-
ro
fac - tum
- ri
-
a.
Ver
f
bum
ca
-
ro
fac - tum
- ri
-
a.
Ver - bum f
ca
-
ro
fac
-
tum
- ri
-
a.
Ver - bum
ca
-
ro
fac
-
tum
A.
T.
B.
mp
f
367
8 p
76
div.
S.
est
De p
Vir - gi - ne
Ma
-
ri
-
a.
est
De p
Vir - gi - ne
Ma
-
ri
-
a.
est
De p
Vir
-
gi
-
Ma - ri
-
a.
est
De
Vir
-
gi
- ne Ma - ri crisp sound (e.g. 8'+2' or 8'+11/3') 3
-
a.
pp 4. De
A.
T.
ne
B.
3
3
3
3
p 8'
3
Ped. 81
pp 4. De
S.
Vir
-
gi - ne
Vir
Ma - ri
-
-
gi - ne
Ma - ri
a.
De
-
Vir
-
a.
De
gi - ne
Ma -
mp A.
4. Fons
de
p leggiero
T.
de
4. Fons p leggiero B.
3
3
4. Fons
3
3
3
3
368
3
3
de
3
9 84
Vir
S.
-
- ri
gi - ne
Ma - ri
a.
De
-
-
Vir
-
a.
De
Vir
gi - ne
Ma - ri
-
gi - ne
Ma -
a.
De
-
A.
su
-
-
o
ri
-
-
vu
-
lo
su
-
-
o
ri
-
-
vu
-
lo
-
o
-
-
vu
-
lo
Nas
-
T.
B.
su
3
3
ri 3
3
3
3
3
3
3
87
S.
- ri
-
Vir
-
a.
De
Vir
gi - ne
Ma - ri
-
-
gi - ne
Ma - ri
a.
De
-
Vir
a.
-
gi - ne
A.
-
-
ci - tur
pro
po
-
pu - lo
T.
Nas
-
-
ci
Nas
-
-
ci
-
tur
-
tur
pro
po
-
-
pu
pro
po
-
-
pu
-
B.
3
3
3
3
3
369
3
3
3
3
10
90
mf
S.
Quem
tu
-
lit
de
pp
De
Vir
-
gi - ne
Ma - ri
a.
De
-
a.
De
gi - ne
Ma -
A.
pp
Vir
-
gi - ne
Ma - ri
-
Vir
-
p T.
Quem
- lo
tu
-
-
lit,
tu
-
lit
de
tu
-
-
lit,
tu
-
lit
de
p B.
- lo
Quem
3
3 3
3
3
3
3
3
370
3
11 93
p
S.
vin
-
cu - lo
-
gi - ne
Ma - ri
-
a,
Ma - ri
-
Vir
A.
- ri
-
De p
Vir
-
gi - ne
a,
De p
Vir
-
gi - ne
a,
De p
Vir
-
gi - ne
De p
Vir
T.
vin
-
-
cu
-
cu
-
lo
-
lo
-
-
gi
-
gi
-
B.
vin
3
-
3
3
De
3
Vir
3
-
3
3
3 3
96 S.
Ma
-
ri
-
-
a.
Ma
-
ri
-
-
a.
-
ri
-
-
a.
-
ri
-
-
a.
A.
T.
- ne
Ma
- ne
Ma
B.
3 3
3
3
mp
3
371
3
3
3
3
12 99
p
f
S.
Ver f
-
bum
ca
-
ro
fac - tum
est
De p
Vir - gi - ne
Ma
-
Ver
f
bum
ca
-
ro
fac - tum
est
De p
Vir - gi - ne
Ma
-
Ver - bum
ca
-
ro
fac
-
tum
est
De p
Vir
-
gi
-
ne
Ma -
ca
-
ro
fac
-
tum
est
De
Vir
-
gi
-
ne
Ma -
A.
T.
f B.
Ver - bum
f
105
pp
S.
- ri
-
a.
5. Laus, mp
ho - nor, vir - tus
- ri
-
a.
5. Laus, pp
ho - nor, vir - tus
- ri
-
a.
5. Laus, pp
ho - nor, vir - tus
- ri
-
a.
5. Laus,
ho - nor, vir - tus
A.
T.
B.
pp Ged. 8'
16' + man. (Ged.8')
372
13 111
p
mp
S.
Do
-
mi - no
Do
-
mi - no
De
pp
-
o
Pa - tri
et
Fi - li - o,
o
Pa - tri
et
Fi - li - o,
Sanc mp
A.
De
-
Sanc -
mp T.
Do
-
mi - no
De
-
o
Pa - tri
et
Fi - li - o,
Sanc mp
Do
-
mi - no
De
-
o
Pa - tri
et
Fi - li - o,
Sanc -
B.
117
p
S.
-
to
si - mul
Pa
-
ra
-
cle - to
De p
-
to
si - mul
Pa
-
ra
-
cle - to
De p
-
to
si - mul
Pa
-
ra
-
cle - to
De p
-
to
si - mul
Pa
-
ra
-
cle - to
De
A.
T.
B.
8'+4'
373
14 121 S.
Vir
-
gi - ne
Ma
-
ri
-
-
a.
Vir
-
gi - ne
Ma
-
ri
-
-
a.
A.
T.
Vir
-
gi
-
-
ne
Ma
-
ri
-
-
a.
Vir
-
gi
-
-
ne
Ma
-
ri
-
-
a.
B.
mp cresc.
124
f
S.
Ver
-
bum
ca
-
ro
fac - tum
-
bum
ca
-
ro
fac - tum
Ver - bum
ca
-
ro
fac
-
tum
ca
-
ro
fac
-
tum
f A.
Ver
f T.
f B.
Ver - bum
(cresc.)
7
f
374
15 128
rit.
mp
poco cresc.
p
S.
est
De
Vir
gi - ne,
-
de Vir poco cresc.
p
-
gi - ne,
de
mp
A.
est
De
Vir pp
gi - ne,
-
de poco cresc.
Vir
-
gi - ne,
de mp
T.
est
De pp
Ma poco cresc.
-
De
Ma
-
ri
-
a,
-
de
mp
B.
est
-
ri
-
a,
-
de
rit. p pp
p
a tempo q = c.120
133
pp
S.
Vir - gi - ne
Ma
Vir - gi - ne
Ma
ri pp
-
-
-
-
-
a.
ri pp
-
-
-
-
-
a.
A.
-
T.
Vir
-
gi - ne
Ma - ri pp
-
-
-
-
-
a.
Vir
-
gi - ne
Ma - ri
-
-
-
-
-
a.
B.
a tempo q = c.120 very clear (poco ritenuto)
Birdcall: Scharf 1', mf Larigot 11/3' only
7
8' p 16'+8' Ped. Zug, 3rd July 2014
123456789
375
R. R. Terr y JOSEPH AND THE ANGEL for SATB choir unaccompanied
NOVELLO 376
Joseph and the Angel R.R. Terry
Allegretto q. = 98
S. A.
6 8
f
As
T. B.
6 8
Jo - seph was
a - walk
-
ing
He heard an an
-
gel
sing,
This
f mf
5
night shall be
born
Our hea - ven - ly
king.
(1.)He (2.)He (3.)He (4.)He
nei - ther shall nei - ther shall nei - ther shall nei - ther shall
be be be be
mf 10
cresc.
born cloth ed rock ed chris - ten - ed
In In In In
hou - sen pur - ple sil - ver white wine
nor nor nor nor
in in in in
hall, pall, gold, red,
Nor But But But
in all in in
the place of in fair a wood - en the fair spring
cresc.
rall.
14
dim.
Pa - ra - dise, But lin - en As cra - dle That wa - ter As
in an ox - ’s wear ba - bies rocks on the we were chris - ten -
stall. all. mould. ed.
No - ël,
dim. © Copyright 1912 J Curwen & Sons Limited. All Rights Reserved. International Copyright Secured.
377
No - ël.
Stuart Thompson THE HOLLY AND THE IVY for SATB choir and organ
NOVELLO 378
2
Joint winner of The Times Carol Competition 2011
The holly and the ivy 17th-18th century traditional
6 8
q. = 68
ORGAN
6 8
Stuart Thompson
3
3
3
f
Ped.
4
SOPRANOS & ALTOS mf
The hol 3
-
ly and
the
i - vy,
When they
are both
full
3
mf
8
grown,
Of
all
3
12
the trees that are
in the wood, The hol - ly bears the
3
f
crown:
The ris -
ing of
the
f
Š Copyright 2012 Novello & Company Limited. All Rights Reserved. International Copyright Secured.
379
sun
And the run - ning of
the
3 16
deer,
The
play - ing of
the mer - ry or - gan, Sweet sing - ing
in
the
20
choir. 3
3
3
mf
23
mf
S. The hol mf
-
ly bears
a
blos - som,
As white as the li
-
ly
The hol
-
ly bears
a
blos
-
som,
As white as the li
-
ly
-
ly bears
a
blos
-
som,
As white as the li
-
ly
-
ly bears
a
blos
-
som,
As white as the li
-
ly
A.
mf T. The hol
mf B. The hol 3
3
380
4 27
pi첫 f
flower,
And Ma
-
ry bore sweet Je
-
sus Christ, To be
our sweet sa-
pi첫 f
flower,
And Ma pi첫 f
-
ry bore sweet Je
-
sus Christ, To be
our sweet sa-
flower,
And Ma
-
ry bore sweet Je
-
sus Christ, To be
our sweet sa-
-
ry bore sweet Je
-
sus Christ, To be
our sweet sa-
pi첫 f
flower,
And Ma 3
31
3
f
- viour:
The ris -
ing of
the
sun
And the run - ning of
the
f
- viour:
O the ris - ing
of the sun
And the run - ning
of the sun
And the run - ning
f
- viour:
O the ris - ing
f
- viour:
The ris
-
ing,
the
f
381
sun,
the run - ning of
the
5 35
deer,
The
play - ing of
the mer - ry or - gan, Sweet sing -ing
in
the
deer,
The
play - ing of
the mer - ry or - gan, Sweet sing - ing in
the
deer,
The
play - ing of
the mer - ry or - gan, Sweet sing - ing in
the
The
play - ing of
the mer - ry or - gan, Sweet sing -ing
the
deer,
39
in
mf
choir.
mf
mf
choir.
The
mf
choir.
mf
mf
choir.
The 3
3
3
mf
382
3
6 43
p
mp
ah
ah
hol - ly bears
a
ber
mp
ah
ah
a
red
-
p
hol - ly bears
mf
ber
ry,
As
red
as an -
y
blood,
as an -
y
blood,
as an -
y
blood,
as an -
y
blood,
And
mf
red
-
ry,
As
red
And
f
47
p
mp
ah
ah
mf
To
do
f
poor sin - ners good:
Ma - ry bore sweet Je - sus Christ To do poor
p
mp
ah
ah
The
sin - ners good:
mf
To
do
poor sin - ners good:
f
Ma - ry bore sweet Je - sus Christ To do
poor sin - ners good:
f
383
The
7 51
ris - ing of
the
sun
And the run - ning of
the deer,
The
f
O the ris - ing
of the sun
And the run - ning deer,
The
of the sun
And the run - ning deer,
The
f
O the ris - ing
ris
-
ing, the
sun,
the run - ning of
the deer,
55
The
mf
play - ing of
the mer - ry or - gan, Sweet sing - ing
in
the choir.
mf
play - ing of
the mer - ry or - gan, Sweet sing - ing in
the choir.
mf
play - ing of
the mer - ry or - gan, Sweet sing - ing in
the choir.
mf
play - ing of
the mer - ry or - gan, Sweet sing - ing
in
the choir. 3
mf
384
8 59
TENORS & BASSES f
The 3
3
hol
63
ly bears a
-
3
3
mp
prick - le,
As sharp
as an -
y thorn,
And Ma
-
3
ry bore sweet
3
mp
67
f
S. The
ris - ing of
the
f A. O the ris - ing
f T. Je - sus Christ
On Christ - mas day in the morn:
O the ris - ing
f B. Je - sus Christ
On Christ - mas day in the morn:
The
ris
f
385
-
ing,
the
9 71
sun
And the run - ning of
the deer,
The
play - ing of
the
of the sun
And the run - ning deer,
The
play - ing of
the
of the sun
And the run - ning deer,
The
play - ing of
the
The
play - ing of
the
sun,
the run - ning of
the deer,
75
mf
mer - ry or - gan, Sweet sing - ing
in
the
choir.
mf
mer - ry or - gan, Sweet sing - ing in
the
choir.
mf
mer - ry or - gan, Sweet sing - ing in
the
choir.
mf
mer - ry or - gan, Sweet sing - ing
in
the
choir. 3
mf
386
3
10 79
f
3
The hol f
-
ly bears
a
bark,
As
The hol f
-
ly bears
a
bark,
As
The hol f
-
ly bears
a
bark,
As
The hol
-
ly bears
a
bark,
As
3
3
83
bit - ter as an -
y
gall,
And Ma
-
ry bore sweet Je
-
sus Christ For
bit - ter as an -
y
gall,
And Ma
-
ry bore sweet Je
-
sus Christ For
bit - ter as an -
y
gall,
And Ma
-
ry bore sweet Je
-
sus Christ For
bit - ter as an -
y
gall,
And Ma
-
ry bore sweet Je
-
sus Christ For
3
3
387
11 87
to
re -deem
us
all:
The
to
re -deem
us
all:
O the ri - sing
of the sun
to
re -deem
us
all:
O the ri - sing
of the sun
to
re -deem
us
all:
The
ri - sing of
ri
-
the
sing, the
sun
And the
sun,
the
f
91
run - ning of
The
play - ing of
the mer - ry or - gan, Sweet
And the run - ning deer,
The
play - ing of
the mer - ry or - gan, Sweet
And the run - ning deer,
The
play - ing of
the mer - ry or - gan, Sweet
The
play - ing of
the mer - ry or - gan, Sweet
run - ning of
the deer,
the deer,
388
12 95
p
sing - ing
in
the choir.
p
sing
-
ing
in
the choir.
p
sing
-
ing
in
the choir.
p
sing - ing
in
the choir. 3
3
mp
98
molto rall.
molto rall. 3
p
Order no. NOV295438
389
Novello & Company Limited. 14/5 Berners St, London W1T 3LJ www.musicsalesclassical.com
ALPHONSE LEDUC A S S O C I AT E D M U S I C P U B L I S H E R S BOSWORTH CHESTER MUSIC J. CURWEN DUNVAGEN EDITION WILHELM HANSEN EDWIN ASHDOWN
MUSIC SALES N O V E L L O & C O M PA N Y PA T E R S O N ’ S P U B L I C A T I O N S ST ROSE PUBLISHING G. SCHIRMER THAMES PUBLISHING UNIÓN MUSICAL EDICIONES
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