A ROOM OF ONE'S OWN

EDITION WILHELM HANSEN WH33442

Outi Tarkiainen

A ROOM OF ONE’S OWN Opera in three acts (2021)

Score

Outi Tarkiainen

A ROOM OF ONE’S OWN Opera in three acts (2021) Libretto by Francis Hüsers based on the essay A Room of One’s Own (1928) by Virginia Woolf

Duration: c. 1 hour

FULL SCORE

A Room of One’s Own was commissioned by Theater Hagen. The opera was first performed on May 14, 2022, at the Theater Hagen, Germany: Musical Director: Joseph Trafton Stage Director: Magdalena Fuchsberger Stage and Costume Designer: Monika Biegler

Copyright © 2021 Edition Wilhelm Hansen AS, Copenhagen WH 33442 ISBN: 978-87-598-4436-6 ISMN: 979-0-66134-744-6 Music engraving in Sibelius Publisher’s editor: Christopher Corcoran Edition Wilhelm Hansen AS Bornholmsgade 1A 1266 København K Denmark www.wisemusicclassical.com

CHARACTERS MARY BETON (soprano) MARY SETON (mezzo-soprano) MARY CARMICHAEL (mezzo-soprano) JUDITH SHAKESPEARE/ THE YOUNG GIRL (soprano) THE YOUNG MAN (tenor) THE PROFESSOR (baritone) BISHOPS, DEANS AND PROFESSORS / THE BOOKS (chorus of tenors and basses) JUDITH’S MOTHER / CHORUS OF WOMEN / THE YOUNG WOMEN (chorus of sopranos and altos) JUDITH’S FATHER (chorus of tenors and basses) The choruses may also sing from offstage.

SYNOPSIS October 1928, “Oxbridge” Act I Mary Beton, Mary Seton, and Mary Carmichael present their case at a university: A woman must have money and a room of her own if she is to write fiction. A group of male professors interrupt them and claim that women ought not to think this way. In response, Mary Beton explains that until recently, everything a woman owned was in fact her husband’s property and asks: Is it worse to be locked in—or locked out? When the discussion turns to women’s perceived lack of interest in men, the three Marys clarify what economic independence really means for a woman: hatred and bitterness towards men cease! Rather than brooding over their inequality, women gain the freedom to think about the larger issues of life! Applauding, the attending audience responds: In a hundred years, women will have ceased to be the protected sex! Act II The three Marys debate with a professor: Is it impossible to imagine that a woman had written the works of Shakespeare? Mary Carmichael proposes to consider this scenario carefully, and so William Shakespeare’s imaginary sister Judith appears on stage. She recounts her flight from her parent’s house and a forced marriage. Driven by her literary gift, she was attracted to the theatres of London. But there, she was rejected and finally committed suicide. Mary Carmichael debates with a professor: If Judith really had been allowed to write, wouldn’t her works inevitably have been altered by her living in a society that supressed women? The professor argues that the world is generally indifferent to all writers. Mary responds that the world is not merely indifferent, but actually hostile to women writers. In 1928, this still applies to woman composers, with a recent book proclaiming: “A woman's composing is like a dog's walking on his hind legs. It is not done well. In fact, you are surprised to find that it can be done at all.” Act III Mary Seton and Mary Beton discuss Mary Carmichael’s latest novel and find: If she writes as a woman who has truly forgotten that she is a woman, her text can be full of that sexual quality which only comes when sex is unconscious of itself. To illustrate this, they conjure up an image of sudden stillness in the middle of a busy street in London: A young man meets a young woman and climbs into a taxi with her. That’s all—a metaphor for the ideal balance between the two powers in every human being. Only Mary Carmichael repeats: Producing art requires material freedom and women have always been poor! Then they start appealing to the attending women: How come you have never done anything of consequence, such as discovering America or writing the works of Shakespeare? The women defend themselves: They had enough to do with raising children … Finally, Mary Beton comforts them: The author, of whom she told them about and who has never written a word, exists—she merely awaits the opportunity to walk among us in flesh. - Francis Hüsers

ORCHESTRA 3 Flutes (Fl. 1–3 doubling Alto Flute, Fl. 2–3 doubling Piccolo) 2 Oboes (Ob. 2 doubling English Horn in F) 2 Clarinets in A and in Bb 2 Bassoons (Bsn. 2 doubling Contrabassoon) 4 Horns in F 2 Trumpets in C 2 Trombones Tuba Timpani Percussion (3 players) 1:

Bass drum Bell tree Crotales (also with bow) Flexatone Snare Drum Suspended Cymbals (small, medium, large) Tambourine Tam-tam (large) Vibraphone (also with bow) Vibraslap

2:

Glass Wind Chimes Gong (small, large) Japanese Zen Bell Sand Paper Suspended Cymbal (small, medium and large) (also with wire brushes) Tam-tam (large) Thai Gongs (Db, F#, A, Bb) Triangle Tubular Bells Wood Blocks

3:

Bass Drum Cymbal Pair Glockenspiel Marimba Sand Paper Shell Wind Chimes Triangle

Harp Piano (doubling Celesta) Strings

The score is not transposed. Crotales sound two octaves higher than written. Double Basses sound one octave lower than written. Duration: c. 1 hour

NOTATION Conductor Tempo markings: many factors can affect the choice of tempi, and the metronome marks shown are approximate, for guidance only.

General -

Accidentals apply throughout the bar. Tremolo should always be as dense as possible. Trills should always be played up a semitone, unless otherwise specified. When vibrato markings are not specified, players may use their usual vibrato. All glissandi should start immediately at the beginning of the note value. The grace notes with a crossing line should be played before the beat. The grace notes without a crossing line should be played on the beat. quarter tone, between natural and sharp quarter tone, between natural and flat

l.v.

let vibrate (allow to sound for as long as possible) diminuendo al niente crescendo dal niente

Strings change very gradually from one sound or one way of playing (etc.) to another When playing long sustained notes, the bow changes should always be imperceptible and made independently of the other players. Brass Straight mutes should be used unless otherwise specified. air only, blow air through your instrument, the resulting sound should be wind-like half stop

Percussion If vibraphone pedalling is not specified, use the pedal lightly according the nature of the textures. The choice of mallets is left to the musicians. Whether hard or soft, always choose mallets giving as much resonance as possible. Piano/Celesta prepared string (with for example Blue-Tack) If piano/celesta pedalling is not specified, use the pedal lightly according the nature of the textures.

Harp Harp sounds should always be allowed to ring as long as possible. Voices spoken, half-spoken or half-shouted whispered Trills should always be sung up a semitone, unless otherwise specified. During the long, sustained notes, singers may breathe individually, as necessary. The phonemes are pronounced as following: a sh m

as in English father as in English ship hum (closed lips)

CONTENTS

Act 1 – page 1 Act 2 – page 53 Act 3 – page 106

for my sons Petrus, Paulus and the one in my womb

A ROOM OF ONE'S OWN ACT 1

Prologue: Four Mary's Flute 1

Flute 2

Flute 3

Oboe 1

Oboe 2

Clarinet in A 1

Clarinet in A 2

Bassoon 1

Contrabassoon

° 3 &4

Calmo, misterioso (e=66) ∑

∑

4 4

3 &4

∑

∑

3 &4

∑

3 &4

accel.

(e=92)

Outi Tarkiainen

Ϊ

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4 4

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6 8

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3 &4

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3 &4

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3 &4

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œ

° 3 Horn in F 1 & 4

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3 &4

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3 &4

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3 &4

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3 &4

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3 &4

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2 8

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4 4

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4 4

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6 8

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2 8

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4 4

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∑

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2 8

∑

6 8

∑

2 8

∑

6 8

∑

2 8

∑

6 8

Horn in F 2

Horn in F 3

Horn in F 4

Trumpet in C 1

Trumpet in C 2

Trombone 1

Trombone 2

Tuba

Timpani

Percussion 1

Percussion 2

Percussion 3

Harp

Piano

Violin I

Violin II

Viola

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Copyright © 2021 by Edition Wilhelm Hansen AS, Copenhagen

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Fl. 2

Fl. 3

Ob. 1

Ob. 2

Cl. 1

8 ° 6 &8

∑

6 &8

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6 &8

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Cl. 2

Bsn. 1

Cbsn.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

C Tpt. 1

C Tpt. 2

Tbn. 1

Tbn. 2

Tba.

Timp.

Perc. 1

Hp.

Pno.

Vln. I

Vln. II

Vla.

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poco sul pont.

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(sempre senza vibr.) Ÿo ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ o œ™ œo œ™ J

poco sul pont. o œ I

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sempre calmo e mistico

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mp

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sempre calmo e mistico mp

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mp

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6‰ 8

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2 4

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∑

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p sul tasto

senza vibr.

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6 8

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mp

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∑

∑

2 4Œ

6 8

∑

Œ

∑

+ ææ

#œ R

∑

∑

∑

b˙

˙

∑

2 4

∑

pp

∑

∑

ppp

ppp

∑

∑

2 4

∑

ppp

2 4

p

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6 j 8 ˙™ œ ˙ ˙

‰

+ j œ

Œ

∑

2 4

∑

‰

Œ

A1

2. solo

j œ

+ ˙

p

ææj œ

2 4 æ+ æ 2 4

∑

1. solo

j œ

∑

æ 2 æ 4˙

∑

¢& ‹

+ ˙

2 4 ææ ˙

∑

&

&

j œ

ææ <#> ˙ ™

ææ ˙™

¢/

‰

∑

° & Œ™ /

+ j œ

Œ

ppp

ppp

∑

ppp con sord.

Œ

œ

° &

° & Vln. I

pp

‰

Ϫ

2 4

? ˙™

Hp.

ppp

˙

∑

Perc. 2

Perc. 3

ppp

˙

&

Crotales (arco)

Perc.1

∑

6 8

˙™

4 B1

23 ° Fl. 1 &

∑

& ‰

Fl. 2

‰

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #˙ ˙ œ ‰ J ‰

∑

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j œ œ™ ˙™ ˙™ œ ‰

p

p

‰

∑

∑

∑

∑

&

∑

∑

∑

Ob. 2

&

∑

∑

Cl. 1

&

∑ <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ & ˙™ ?

∑

Fl. 3

&

Ob. 1

Cl. 2

?

Bsn. 1

Cbsn.

¢

p

ppp

∑ ∑

Ϊ

∑

Ϊ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ™ ˙ œ 5 6 J 8 8

ppp

mp

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 j ‰ 8 ˙ œ ˙ ˙™

‰

p

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

#˙ ™

Ϊ

Ϊ

Ϫ

Ϫ

Ϊ

p

∑

‰

‰

+ œ

j #œ

Hn. 2

&

∑

∑

∑

∑

∑

Hn. 3

&

∑

∑

∑

∑

∑

∑

Hn. 4

&

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

C Tpt. 1

C Tpt. 2

∑

∑

ppp

mp

Ϊ

‰

∑

∑

∑

∑

∑

Tbn. 2

?

∑

∑

∑

∑

∑

∑

Tba.

?

∑

∑

∑

∑

∑

°? Timp. ¢ <#> ˙ææ™ Perc. 1

° & /

Perc. 2

Perc. 3

Hp.

Pno.

S.

p

ææ ˙™

¢/

{ {

& ?

& æ+ ™ æ ?

° & œ night

A.

& œ night

T.

∑

¢& œ ‹ night

*

∑

˙™ p

p

ææ ˙™

˙™ ∑

∑ œ œ œ œ œ

the queen had Four

œ œ œ œ œ

the queen had Four

œ œ œ œ œ the queen had Four

pp

∑

Ϊ

ææ ˙™ œ™

pp

ppp

ææ ˙™

ææ œ™

ææ ˙™

ppp

” œ œ “œ œœ

Ϫ

p

∑

œ Ma

œ œ œ™

-

∑

+™ ææ

Ϊ

#O ™ “‘

pp

Ϫ

‰

‰

Ϫ

Ϫ

rys

Ϫ

pp

‰

‰

œ œ œ

‰

‰

night

p

j œ This

pp

rys

-

p

This

Ϫ

Ϫ Ma

Ϫ

rys

-

#œ ™ Ma

mp

ææ ˙™

˙˙ ™™

+™ ææ

∑

ææj œ ‰

p

˙™

o ‰

ppp

pp

∑

+™ ææ

ææ ˙™

∑

ææ ˙™

p

œ J

This

œ night

bœ night

œœ ™™

/

Œ™ œ loco œ œœ œ

∑

she'll have

j œ œ

j œ but

ææ œ

but

œ œ J

œ J

but

ææ œ™

Tam-tam

ppp

‰

ææj #œ

pp

p

∑

ææ ˙™ ˙™

‰

‰

j p #O “‘

6 8 6 8 6 8

∑

ppp

‰

ppp

6 8 6 8

∑

5 8

∑

5 8

∑

5 8

œ J

6 8 ææj œ ææj œ

“” œ™

œœ ™™

5 8

ppp

‰

‰

6 8

ppp

6 8

ææj œ

6 8

6 8

œ œ œ 6 8

6 8

∑

5 + 8æ æ 5 8

∑

˙

˙˙

5 ˙ 8

∑

+™ ææ

∑

5 ˙ææ 8

6 8 6 8

∑

5 8

6 8 6 8

5 ˙ææ 8

Ϫ

mf

∑

5 8

∑

6 8

∑

5 8

ææ ˙™

6 8

Œ

∑

œ 5 ˙ J 8

ppp

6 8

‰

5 æ 8 æ ˙

Ϫ

∑

6 8

∑

5 8

ææ ˙™

ææ ˙™

˙™

˙™

ææVJ

∑

5 Ϊ 8

‰

three

3 j œ # œj œ

she'll have

she'll have

‰

‰

+™ ææ Œ™

∑ j œ œ

Ϊ

5 8

‰

∑

#˙ ™

6 8

∑

5 8

con sord. (Harmon mute)

?

¢

5 8 5 8

∑

Tbn. 1

con sord.

∑

6 8

∑

˙ + 5 j ‰ 8 œ

∑

p

5 8

ppp

5 8

∑

Hn. 1

Ϊ

ppp

ppp

˙™ + ˙™

° &

p

‰

∑ ‰

∑

5 8

‰

˙

5 8

6 8

6 8 6 8

œ œ 6 8

poco mf

There was

ppp

˙

‰

˙

‰

three

n˙ ™

ppp

˙

‰

‰

5 Ϊ 8

‰

œ œ 68

poco mf

There was

5 Ϊ 8

‰

three

œ œ 6 8

poco mf

There was

B1

:“; <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙™ ˙™ ˙™ ˙™ ˙™ ° & (2. solo)

Vln. I

Ȯ ™™

Ȯ ™™

æ & ˙™æ

ææ œ™

(gli altri)

&

Vln. II

B ˙™ ææ ?

Vc.

p

∑

(sempre senza vibr.) <Ÿ>~~~~~~~~~~~~~~~ œo ˙o & ( ) ? ≤ ¢ <#> ˙ ™

ææ œ

sul tasto

sul tasto

Vla.

Ȯ ™™

˙™ ææ o œ™

p

Ϫ

pp

p

˙™ ææ

poco sul pont.

∑

˙™ ææ

pp

∑

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ oŸ œo o o œ™ ˙™ ˙™

œ

Ȯ ™™

ord.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ poco sul pont. œ œ ˙™ ˙™ œ æ J ˙æ

sul tasto

Db.

Ȯ ™™

ppp

‰

#˙ ™ p

≤

( )

˙™

pp

∑

˙™ ææ o œ™ ˙™

5 8

∑ Ȯ ™™

5 Ȯ 8

poco sul pont.

ææ ˙™

mp

˙™ ææ ‰

pp

p

œœ œœ œœ ™™ œœ #œœ œ œ

(solo) molto espr.

mf Ÿo ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ o o o œ™ œ œ™ œ™

poco sul pont.

˙™

Oœ J

6

5 ˙ 8æ æ

œ-œ œœ 58 œœ J œ #œ ˙o 5 8

5 8

˙

3

6 8

mp

æj 5 œæ æ˙ 8 æ

sul tasto

∑

6 8

∑

mp

œœ œœ ™™ J p

œ ææJ p

œo J j œ

6 8 6 8 6 8 6 8 6 8

5 < >~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 30 Ÿ œ ° 6 ˙™ Fl. 1 & 8 Fl. 2

Fl. 3

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn. 1

Cbsn.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

C Tpt. 1

C Tpt. 2

Tbn. 1

Tbn. 2

Tba.

6 &8

Perc. 2

Perc. 3

Hp.

Pno.

S.

∑

∑

∑

∑

∑

6 &8

∑

∑

∑

∑

∑

6 &8

∑

∑

∑

?6 8

∑

∑

∑

∑

∑

6 &8 6 &8

?6 ¢ 8 ° 6 &8

∑

6 &8

∑

∑

∑

∑

∑

∑

6 &8 6 &8

6 ˙™ &8

œ J

6 &8 ‰ ?6 8

p

{

mp

?6 8

mf

{

B.

œ J -

ry

-

6 bœ &8 ‹ Ma

ry

Vln. II

Vla.

-

ry

?6 ¢ 8

œ

œ

œ

œ

Bea - ton and

œ

œ nœ

Bea - ton and

± j œ

"echo"

ppp

Ma

œœ ™™

Ma

-

œ Ma

-

Ϊ

+mp Ϫ

ry

œ J

ry

p

‰

‰

œ œ

loco

Ϊ

p sempre

Sea

#œ ™ Sea

Ϫ

Sea

-

-

-

-

-

-

mp

˙™

˙™

∑

6 8

∑

3 4 Œ

4 8

∑

6 8

∑

3 4

4 8

∑

6 8

∑

3 4 Œ

4 8

6 8

∑

4 8

Ȯ ™™

6 ˙™ & 8 ææ

œ™ ææ

B 68 ˙™ ææ ‰

ppp

‰

o ˙™

( ) sul tasto ?6 ≤ ¢ 8<#> ˙ ™ mp

Ϊ

œ ææ

˙™ ææ

o œ™ ˙™

œo J

∑

5 8

∑

4 8

∑

6 8

∑

3 4

∑

4 8

∑

6 8

∑

3 4

∑

4 8 Œ

Ϫ

ppp

pp

∑

˙

5 8

∑

5 8

∑ ppp

‰

6 8

∑

6 æ 8 æ ˙™

æj œæ ææj œ

æ 4 ˙æ 8 æ 4 ˙æ 8

∑

4 8

∑

6 8

∑

3 4

4 8

∑

6 8

∑

3 4 Œ

4 8

ææVJ

4Π8

Œ

6 8

æ 6 ˙æ™ 8

j 6 œ 8 œ bœ

mp

5œ 8

4Π8

Œ

‰

4Π8

Œ

‰

5 8

œ J

mp

4Π8

‰

œ J

5 8

4 8

∑ Oœ J

p

5˙ 8æ æ

poco sul pont.

œ œ ≈ œœ œ 58 œ œœ #œœ œœ œœ œœ 3

œœ

3

#œ ™ mp

5 8

˙

p sempre

j œ

œ

œ

œ

œ

œ

6 Ϫ 8

œ

Ma

6 bœ ™ 8

-

ry

bœ ™

Ma

-

ry,

œ J

and

4 8

˙

me.

3 4 ˙™ me.

3 4 #œJ œ 3

˙

me.

3 n˙ ™ 4

3 4

ppp

6 8

#O ™ “‘

o ˙™

( ) 6≤ 8 ˙™

Œ

solo, cantabile

≈

3 Ȯ ™ 4 ™

6 ˙™ 8æ æ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿœ œ ˙™ 4nœ œ 6 8 8 4 8

p

3 4 Œ

∑

4˙ 8æ æ

˙o

‰

poco accel.

p

ppp

∑

me.

æ 6 ˙™æ 8

3

˙™

3 4 ˙™

Car - mi - chael and

p

æ 4 ˙æ 8

mf

Ÿo ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ o o œ œ ˙™ ˙o œo 5 J 8

œ

3 4 æ+ ™ æ

6 Ȯ ™™ 8

4 Ȯ 8

p

œ ææJ

œ

Ma - ry

6 8

∑

™ 3 ˙ 4

Car - mi - chael and

j 6 œ 8 œ bœ

sempre calmo e mistico mp

∑

Ma - ry

mp

and

‰

œ

∑

æ 3 æ 4 ˙™

˙™

o

∑

3 4

∑

6+™ 8æ æ

‰

3 4

∑

™ 6˙ 8

˙

4+ 8æ æ

3 4 ææ ˙™

6 8 ppp

j œ

mp

∑

4 æ 8 æ ˙

and

‰

3 4

∑

ææj œ

œ œ 4˙ 8

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ poco sul pont. ææ œœ ˙™ 5 œJ J ˙ 8

œ

∑

3 4

sul tasto

‰

ppp

∑

ord.

Œ

ppp quasi gliss.

6 8

5 Ȯ 8

Ϊ

∑

j œ œ™

(con sord.)

∑

∑

+ j œ

‰

4 8

ppp

molto espr.

Œ

∑

and

˙™ ææ

∑

5 8

p

Ȯ ™™

pp

3 4

∑

#œ ™

∑

5 8œ

∑

‰

3 4 ‰

∑

6 8

∑

ton,

∑

∑

4 8

and

∑

3 4

3 4

ppp

∑

p

∑

3 ∑ 4 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 j 4 œ #œ ˙™ ‰

∑

p

ton,

6 8

∑

6 8

5 8œ

˙™

∑

œ

3 4

∑

∑

5+ 8æ æ

ton,

4 8

ppp

∑

4 8

5˙ 8

p

ppp

6 Ϊ 8

3 4

∑

æ 5 ˙æ 8 æ 5 ˙æ 8

#O ™ “‘

‰

∑

∑

∑

ppp

∑

∑

3 4

∑

4 8

∑

3 4

∑

6 8

∑

poco accel.

5 8

5 8

˙™

+™ ææ

∑

∑

ææ #œ ™

p

j œ

+ 5 8˙

5 8

mp

˙™

5 8

mp

˙

5 æ 8 æ ˙

ææ ˙™ ææ ˙™

∑

5 8

p

p

ææ œ™

5 8

5 8

#œ ™

Ϊ

∑

5 8

∑

Ϊ

œ œ œ™ j œ

ppp

∑

œ œ œ

ry

o œ

∑ ˙

6 8

∑

4 8

∑

5 8

5 8

ppp

ppp

∑

œ

gliss.

pp

∑

∑

-

± ± j œ œ™

4 8

3 4

5 4 6 ∑ ∑ ∑ 8 8 8 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 4 6 j j ‰ 8˙ 8˙ 8˙ œ œ

∑

ppp

œ

p

ppp

∑

5 8

‰

#œ ™

∑

(gli altri)

6 &8

Ϫ

Bea - ton and

6 Ȯ ™ &8 ™

Vc.

p

∑

? 6 œœ 8 J

Db.

œ

œ J

∑

+™ ææ

j œ #œ

6 &8 œ

° 6 1. solo &8 Vln. I

ææ ˙™

∑

° 6 œ &8

Ϊ

Ϊ

‰

Ϊ

∑

Ma

T.

∑ ææj ‰ œ o

‰

∑

∑

˙˙ ™™

6 & 8 æ+ ™ æ

p

∑

∑

æ 6 æ ¢ / 8 ˙™ :“; mp ™ 6 &8 ˙

Ϊ

ppp

∑

∑

6 /8

?6 8

mp

5 8

∑

˙™ ∑

?6 ¢ 8

p

Œ

˙™

˙

?6 8

°/ 6 8

Ϊ

p

ppp

Ma

A.

‰

6 &8

°? 6 Timp. ¢ 8<#> ˙ææ™ Perc. 1

Ϊ

∑

ppp

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #˙ 5‰ 4˙ 6œ Œ™ ∑ ‰ Œ™ 8 8 8 p ppp Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 4 6 ‰ œ ‰ ∑ ∑ 8˙ 8 8 ˙™

œ

3 4

3 4

œ œ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙™ æ œæ

3 4 æ˙ æ

3 4

œ

mf

ææ œ

pp

∑ o œ™ ˙™

Ÿo ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ o œ™ œ

6 37 ° Fl. 1 &

(e=96) ∑

∑

∑

Fl. 2

&

∑

∑

∑

Fl. 3

&

∑

∑

∑

Ob. 1

&

∑

∑

∑

Ob. 2

&

∑

∑

∑

Cl. 1

&

∑

&

Cl. 2

?

Bsn. 1

Cbsn.

Hn. 1

¢

?

° &

j ‰ œ

‰

ppp

Œ

+ Ϫ

∑

∑

∑

6 8

∑

∑

∑

∑

∑

∑

6 8

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

‰

Œ

ppp

∑

∑

?

∑

∑

∑

°? ¢

∑

∑

∑

∑

B.

¢

ææ ˙™

Susp. Cymbal (small)

∑

ææ ˙™

∑

∑

∑

∑

+™ ææ

∑ ppp

ppp

ppp

? Ϫ

ppp

‰ ‰ ‰

& &

2. solo

‰

ææ ˙™

6 8 6 8 6 æ 8 æ ˙™ 6 8

∑

˙™

ppp

∑

+™ ææ

æ 6 ˙æ 8 p æ 6 ˙æ™ 8

∑

6 8

∑

p

∑

6 Ϊ 8

∑

6‰ 8

‰

Œ

∑

∑

& B

tutti <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~ o o œ™ œ™ &

?

œ œ ≈ œ œ œ bœ #œ solo, cantabile

mf

“” œ bœ œ œJ Ȯ ™™

¢ <#> ˙ ™

poco sul pont.

ææ ˙™ o ˙™ ˙™

ææ ˙™ œo

˙™

-œ J

œ

3

<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙™ ˙™ œ™ ææ ˙™

ææ ˙™ ˙™

ææ ˙™ œ™

˙™

p

∑

+™ ææ

ææ œ™

Susp. Cymbal (med.)

” œ œ “œ œœ

Ϫ

∑

‰

‰

j œ p

Last

‰

‰ ‰

night

œ œ œ

œ

j œ

p

œ J

œ

night

œ

œ œ œ œ œ œ

night

œ

œ

the queen had Four

œ Ma

+™ ææ

p

#œ ™ Ma

œ œ œ™ -

-

Ϫ Ma

-

˙™

∑ p

˙˙ ™™

pp

∑

Ϫ

pp

‰ #˙

œ

œ

the queen had Four

˙™

ppp

œ

the queen had Four

p

Last

‰

œ

ææ ˙™ ææ ˙™

ppp

+™ ææ

∑

ppp

∑

Ϊ

∑

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ ˙ ˙™ œ 6 ‰ 8

œ pp

Ȯ ™™

∑

ææ ˙™

#O ™ “‘

Ϫ

∑ Œ™ pp

‰

‰

rys

This

Ϫ

Ϫ

Ϫ

Ϫ

rys

rys

œ

p

œ œ

œ J

pp

‰

‰

p

j œ

This

pp

‰

‰

˙™

p

œ J

This

a

C1

“” œ -œ ˙

Œ

ææ ˙™

loco

6 Ϊ 8

∑

‰

Ϊ

6 Ϊ 8

∑

pp

˙™

6+™ 8æ æ 6‰ 8 #œ

∑

ææ ˙™

ppp

™ 6˙ 8

˙™

bisbigliando

∑

3

Ȯ ™™

p

Db.

6 8

Last

(gli altri) poco sul pont.

Vc.

6 8

m

3

Vla.

6 8

ppp

∑

Œ

6 8

con sord.

∑

Œ

œ™ b œ ° (1.#œsolo)œ œ œ # œ œ &

Vln. II

∑

Œ

(e=96)

Vln. I

ææ #˙

Œ

ææ ˙™

pp

pp

™ & œ ‹

∑

∑

∑

T.

pp

∑

Œ

?

& Ϫ

#˙ ™

∑

‰

Tbn. 2

A.

∑

∑

∑

° & œ™

∑

ppp

∑

∑

S.

∑

6 8

∑

:“;

∑

∑

?

Pno.

∑

∑

Tbn. 1

& æ+ ™ æ ?

∑

∑

∑

{ {

∑

∑

∑

?

∑

∑

∑

Hp.

∑

6 8

&

&

∑

∑

C Tpt. 2

¢/

∑

∑

∑

Perc. 3

∑

6 8

ppp

ææ ˙™

∑

∑

∑

/

∑

∑

∑

Perc. 2

∑

∑

p

°/

∑

∑

&

Perc. 1

∑

∑

C Tpt. 1

Timp.

6 8

∑

6 8

&

¢

6 8

∑

∑

Œ

Hn. 4

Tba.

6 8

∑

To Cl. in Bb

Œ

ppp

∑

& Ϫ

Hn. 3

Ϫ

<#> ˙ ™

+ & ˙™

Hn. 2

‰

∑

6 8

6 ∑ ∑ 8 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6 j 8 ˙™ œœ˙ ˙™ ˙™

pp <Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

˙™

C1

‰

ppp

ææ œ

ppp

Ϊ

ppp

6 8

˙™

6 Ȯ ™™ 8

pp

6 8

ææj œ œ ææ

sul tasto

˙™

œ

Ȯ ™™

ppp

ææ ˙™

pp

p

œ™ æ æ

pp sempre

˙™

ææ œ™

sul tasto

pp

˙™ æ æ

˙™ æ æ

pp ( )

sul tasto

Ÿo ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ o o ˙ œ ˙™ œo ˙o 6 8

6 8

Ȯ ™™

ord.

æ 6 ˙™æ 8

∑

≤

˙™

o Ϫ

˙™

‰

Ϊ

ææ œ

∑ ∑ Ȯ ™™

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ œ ˙™ J ˙™ æ æ

sempre poco sul pont.

Ÿo ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ o o œ™ œ ˙™ ˙™

7 44 ° &

∑

∑

3 8

∑

6 8

∑

∑

∑

2 8

∑

6 8

Fl. 2

&

∑

∑

3 8

∑

6 8

∑

∑

∑

2 8

∑

6 8

Fl. 3

&

∑

∑

3 8

∑

6 8

∑

Ob. 1

&

∑

∑

3 8

∑

6 8

∑

Ob. 2

&

∑

Cl. 1

&

∑

Fl. 1

Cl. 2

Bsn. 1

Cbsn.

&

∑

?

∑

? ¢ <#> œ ™

Œ

Ϊ

pp

Ϊ

∑

3 8

∑

3 8 ‰

‰

j #œ

3 8

∑

∑

3 8

Hn. 2

&

∑

∑

Hn. 3

&

∑

Hn. 4

&

C Tpt. 1

C Tpt. 2

pp

∑

6 8

∑

∑

6 8

∑

6 j 8 œ

œ™ ∑

6 8

3 8

∑

∑

3 8

∑

∑

&

∑

&

Tbn. 1

Tbn. 2

Timp.

Perc. 1

¢

Hp.

Pno.

S.

Vla.

Vc.

∑

6 8

∑

∑

2 8

∑

6 8

∑

∑

2 8

∑

6 8

Ϊ

∑

ppp

∑

6 8

∑

2 8

∑

6 8

∑

∑

2 8

∑

6 8

∑

∑

∑

2 8

∑

6 8

6 8

∑

∑

∑

2 8

∑

6 8

∑

6 8

∑

∑

∑

2 8

∑

6 8

3 8

∑

6 8

∑

∑

∑

2 8

∑

6 8

∑

3 8

∑

6 8

∑

∑

∑

2 8

∑

6 8

∑

3 8

∑

6 8

∑

∑

∑

2 8

∑

6 8

∑

3 8

?

∑

∑

?

∑

?

∑

¢/

{ {

ææ ˙™

:“; ™ & œ

œœ ™™

œ loco œ œ œ

?

° & œ & œ

& bœ ‹ night

œ

∑

& æ+ ™ æ ?

œ

j œ

she'll

have

but

j œ

œ

j œ

she'll

have

but

œ J

she'll

? ˙

‰ ææ œ

œ

œ J

have

but

ppp

‰

‰

ææj #œ

‰

ææ œ™

ppp

pp

p

∑

˙™ ∑

‰

˙™

‰

j pp # O “‘

<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ poco sul pont. œ™ œ œ J ææ & B æ˙™ æ <Ÿ>~~~~~~~~~~~~~~~~~~~~ œo ˙o &

? ≤ ¢ <#> ˙ ™

ææ œ™

6 æ 8 æ ˙™

æ 3 æ 8 œ™

æj 6 œæ 8

ppp

3 8

Ϫ

3 8

∑

3 8 æV ™ æ 3 8 ppp

6 8

∑

™ 3 œ 8

3 j 8 œ

ppp

3

3 8 œj

˙

œ œ

mp

mp

‰

œ œ

n˙ ™

3 8 œJ

three

œ œ mp

‰

There was

ppp

+™ ææ

∑ œ J -

ry

œ

-

ry

œ J -

ry

œ

Bea - ton

j œ #œ

6 bœ 8 Ma

ææ ˙™

∑

6œ 8 Ma

Ϊ

ææ ˙™

˙™

6œ 8 Ma

ææ ˙™

∑

6+™ 8æ æ 6 8

There was

ppp

‰

6 8

‰

three

‰

™ 6˙ 8

There was

j #œ œ

ppp

6 ˙ææ™ 8

∑

three

œ

Bea - ton

œ

œ

Bea - ton

œ

œ

and

Ma

œ

œ

and

Ma

nœ

œ

and

Ma

∑

∑

∑

ææ ˙™

j œ -

-

ry

œ J

ry

∑

2 8

∑

6 8

+™ ææ Œ™

Sea

#œ ™ Sea

Ϫ

Sea

-

˙™ -

-

3 8

œ™ ææ

6 æ˙™ 8æ

œ ææ

œ™ ææ

&

o™ 3 œ 8

o™ 6˙ 8

o ˙™

Ÿo ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ o o o œ™ œ œ™ œ™ 3 6 8 8

˙™

3 8

poco sul pont.

Ϫ

( ) 6≤ 8 ˙™

˙o ™ ææ o ˙™ ˙™

pp

2‰ 8

ton,

˙™ ææ

Oœ J

˙o ™ ææ œo

œ

∑ j œ

mp

6 8 6 8

j œ

mp

6 8

and

˙™

Ȯ ™™

œo ™

2‰ 8

ton,

Ȯ ™™

senza vibr.

2‰ 8

6 8

and

pp

6 Ȯ ™™ 8

I

pp

ton,

3 O™ 8 œ™

senza vibr.

pp

2 8 æV æ 2 8

#œ ™ “‘

˙™

j œ

Ȯ

6 8

∑

Ȯ ™™

p

6 8

6 8

˙™

#˙

2 œææ 8

∑

∑

6 8 ˙™

‰

2 8

6 8

2 8

3 8 Ϫ

‰

∑

∑

œ œ œ™ ry

2 8

6 8

∑

∑

-

2 æ 8 æ œ

∑

ppp

pp

m

° Ȯ ™ & ™

3 8

æ 3 æ 8 œ™

˙™

+™ ææ Œ™

∑ j œ

Ϊ

ææ ˙™

pp

6 8

œ

2 8

∑

Ϊ

2 8

#œ ™

∑

( )

Db.

2 8

3 8

tutti, poco sul pont.

Vln. II

∑

∑

‰

6 8

∑

6 8

‰

∑

6 8

∑

ppp

2 8

∑

3 8

ææj œ

6 8

2 8

∑

‰

œ

∑

6 8

∑

2 8

∑

∑

o

œ J p

∑

∑

night

Vln. I

ppp

∑

/

¢

gliss.

6 8

night

B.

Ϊ

˙

∑

°/

T.

‰

œ J

∑

°? ¢ <#> ˙ææ™

A.

‰

ppp

œ

∑

Perc. 2

Perc. 3

∑

3 6 ∑ ∑ 8 8 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ To Cl. in Bb 3 ™ 6˙ œ œ œ™ ‰ ‰ 8 œ 8 J

ppp

Tba.

‰

∑

° &

Hn. 1

Ϊ

Piccolo

œ J

6 8

œ J

6 8

mp

and

‰

‰

Ϊ

2‰ 8

mp

and

2 Oœ 8

6 8

2 Oœ 8

6 8

ord.

Ȯ

gliss.

Oœ J

mp

o 2œ 8

Ÿo ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ o ˙ œ œo 2 8 ‰

sul tasto

#œ ™ p

2 8

œ

6 8 6 8 6 8

8

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn. 1

Cbsn.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

C Tpt. 1

C Tpt. 2

Tbn. 1

Tbn. 2

Tba.

Timp.

Perc. 1

Perc. 2

Perc. 3

Hp.

Pno.

S.

51 ° 6 &8 6 &8 6 &8

˙™

6 &8 6 &8 6 &8 6 &8 ?6 8

?6 ¢ 8<#> œ ™ ° 6 &8

B.

∑

∑

∑

∑

ppp

6 &8 6 &8 6 &8 6 &8 ?6 8 ?6 8

?6 ¢ 8

∑

∑ ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ϊ

#œ ™ pp

6 /8

æ 6 æ ¢ / 8 ˙™

{

6 &8 ?6 8

{

6 & 8 æ+ ™ æ ?6 8

˙™

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

ææ ˙™

° 6 & 8 œ bœ

∑

œ

œ

œ

œ œ™

œ

œ

Car - mi - chael and

-

ry,

nœ ™

ry,

-

+™ ææ

˙™

ppp

Ϫ

me.

ppp

˙™

Ϫ

me.

Ϫ

ppp

Ϫ

ppp

#œ œ J 3

˙

me.

˙™ me.

° 6 Ȯ ™™ &8

poco sul pont.

6 Ȯ ™ &8 ™

Ȯ

gliss.

p

Vln. II

6 Ȯ ™ &8 ™ div.

Ȯ

p senza vibr.

Vla.

o™ 6 ˙ &8 ?6 8

Vc.

gli altri (senza vibr.)

6 &8

Db.

solo

o ˙™

( ) ?6 ≤ ¢ 8<#> ˙ ™

gliss.

˙o ™ ∑

Œ™ o ˙™ ˙™

Œ

Ȯ

Oœ

Oœ

Ȯ

3 8‰

Ϊ

3 8‰

Ϊ

3

mf

3

o ˙™

poco sul pont.

˙™

‰ ‰ ‰

3 8 #œ ™

∑

∑

∑

∑

∑

∑

∑

∑

∑

6 8

∑

∑

∑

2 8

∑

6 8

6 8

∑

∑

∑

2 8

∑

6 8

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

2 8

∑

6 8

∑

∑

2 8

∑

6 8

∑

∑

2 8

6 8

∑

∑

2 8

∑

∑

2 8

gliss.

6 8

gliss. mp

Oœ

3 8J

Oœ

o™ 3œ 8 œœ J

3 ™ 8 œœ ™ p

3 8 3 8

o Ϫ Ϫ

∑

æ 6 ˙æ™ 8

ææ ˙™

∑

6+™ 8æ æ 6 8 p

œ œ 6œ 8 Ma

œ J -

œ œ 68 œ Ma

There was

Ma

-

œ œ 6 bœ 8

ry

œ J -

ry

œ

œ

œ

and

Ma

œ

œ

and

Ma

œ nœ

Bea - ton

#œ ™ bœ ™

and

∑

-

-

œ Ma

-

œ œ œ™

ry

Sea

#œ ™

j œ

ry

Sea

œ J

ry

˙™

o™ 6˙ 8 ‰

‰

Ϊ

Sea

-

2 8

2 8

6 8

∑

2 8

6 8

∑

2 8

6 8

∑

æ 2 œæ 8

∑

6 8

∑

6 8

6 8

#œ bœ

2 8 æV æ 2 ∑ 8

6 8 6 8

j œ p

2 ‰ 8

6 8

6 8

j œ p

2 ‰ 8

6 8

and

pp

‰

Ϊ

p

2 ‰ 8

œ J

6 8

œ J

6 8

and

p

2 ‰ 8 o œ 2 Oœ 8

∑

˙™

6 8

∑

and

˙o ™

˙™

6 8

∑

2 8

pp

ton,

( ) 6≤ 8 ˙™

6 8

∑

2 8

˙™

o ˙™

6 8

∑

ton,

o ˙™

pp

2 8

˙™

o ˙™

6 8

6 8

∑

ton,

∑

6 8

∑

2 8

pp

Ȯ ™™

˙o ™ ææ

6 8

∑

2 8

˙™

6 8

∑

2 8

2 8

6 8

∑

2 8

∑

Ȯ ™™

Ȯ ™™

p

Ϫ

-

+™ ææ

∑

2 8

b˙™

o ˙™ Ȯ ™™

Ȯ ™™

6 Ȯ ™™ 8

-

#˙ ™

j œ ‰

o ˙™ Ȯ ™™

p

ppp

œ

Bea - ton

6 Ȯ ™™ 8

6 œœ 8J

œ

Bea - ton

j œ #œ

p

There was p

ry

œ

pp

+™ ææ

∑

ææ ˙™

∑

Ϊ

∑

o ˙™ 6 Ȯ ™™ 8

3 8J

o

∑

6 8 ˙™

ppp

mp

3 œ œ ≈ œœ œ œ œœ #œœ œœ œœ œœ

solo, molto espr.

∑

There was

Ϊ

˙o ™

∑

6 8

∑

o œ™ 3 O™ 8 œ™

Oœ

∑

6 8

∑

m

Oœ

∑

6 8

∑

3 8 æV ™ æ 3 8

o II ˙™ Ȯ ™™

Ȯ ™™

∑

6 8

p

3 8

div.

Vln. I

∑

6 8

∑

3 8

3 8‰

6 8

Ϊ

6 æ 8 æ ˙™

æ 3 æ 8 œ™ æ 3 æ 8 œ™

Ϊ

∑

6 8

∑

3 8

∑

2 8

6 8

∑

3 8

∑

ppp

6 8

∑

3 8

∑

Ϫ

6 8

∑

3 8

6 8

6 8

∑

3 8

∑

6 8

∑

3 8

ææ ˙™

∑

œ

∑

∑

3 8

ppp

∑

Car - mi - chael and

6 & 8 œ bœ

ææ ˙™

#œ ™ “‘

‰

∑

3 8

∑

∑

pp

ppp

3 8

Susp. Cymbal (small)

∑

œ

3 8

2 8

6 8

∑

3 8 j ‰ œ

∑

6 8

∑

3 8

∑

6 8

∑

3 8

∑

6 8

3 8 ææ œ™

∑

∑

3 8

∑

6 8

∑

6 8

∑

6 8 ∑

3 8

ææ ˙™ ∑

œ

3 8

∑

∑

∑

3 8J

2 8

∑

6 8

∑

To Bsn.

∑

+™ ææ Œ™

p

6 8

∑

3 8 gliss.

∑

Ϊ

3 8

˙

ppp

ææ ˙™

°/ 6 8

Ma

œ

∑

°? 6 ¢ 8<#> ˙ææ™

? 6 bœ ™ ¢ 8

Ϫ ŠJ

‰

∑

6 &8

6 ™ &8 œ ‹ Ma

Ϊ

ppp

Ma - ry

T.

∑

∑

Ma - ry

A.

∑

and

6 8

2 Oœ 8

6 8

2 Oœ 8

6 8

o 2 œ 8

6 8

2 8 2 8 2 8

∑

(tutti)

œo

œ

6 8 6 8 6 8

9 59 ° 6 Fl. 1 & 8 Fl. 2

Fl. 3

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn. 1

Cbsn.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

Timp.

Perc. 1

D1 Subito più mosso (q=72)

rit.

6 &8

Pno.

Beton

Seton

Carm.

∑

∑

∑

∑

∑

∑

∑

2 4

∑

∑

∑

∑

∑

∑

∑

∑ ∑

2 4

∑

∑

∑

∑

∑

∑

∑

6 &8

∑

2 4

∑

∑

∑

∑

∑

∑

∑

6 &8

∑

2 4

∑

∑

∑

∑

∑

∑

6 &8

∑

2 4

∑

∑

∑

∑

∑

∑

6 &8

∑

2 4

∑

∑

∑

∑

∑

∑

?6 8

∑

2 4

∑

∑

∑

∑

∑

∑

?6 ¢ 8

∑

2 4

∑

∑

∑

∑

∑

∑

∑

2 4

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

6 &8 6 &8

°? 6 ¢ 8 ° 6 /8

{

A.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑ ∑

∑

2 4

∑

∑

∑

∑

∑

∑

∑

∑

∑

&4

∑

∑

∑

∑

∑

∑

∑

œ ææ

2Œ

Vibraphone (mallets)

pp

° æær (damp) 2 4 œ ‰™ Œ

‰

‰

2 4

*

mp

2 4

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

2 4

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

2 4

T.

6 ™ &8 œ ‹ Ma ? 6 bœ ™ ¢ 8

B.

Car - mi - chael and

œ

bœ ™ ry

-

Ma

œ J

and

Œ

Œ ∑

∑

3

mp agitato

œ J

And

Ϫ

me!

∑

‰ ∑

‰

mp agitato

œ œ œ

Who is

∑

∑

me?

œ J

‰

Œ

≈ -œ ™ J

mp agitato

Œ

‰

Vla.

Vc.

ppp

Db.

Ϊ

( ) ?6 ≤ ¢ 8<#> ˙ ™

pp

24˙

me.

2 n˙ 4

pp

ppp

‰

pp

sfz

pp

sfz

2 4 ææ ˙ >

(poco sul pont.)

ppp

‰

2 æ 4 ˙æ >

unis. (poco sul pont.)

2 4 ææ >œ™

Ϊ

‰

me.

(poco sul pont.)

ppp

6 O™ & 8 œ™

œo 6 &8 J

‰

ppp

œo 6 &8

pp

am

b-œ

∑

bœ 6 #œ nœ nœ bœ Œ œ # œ œ # œ b œ œ œ œ œ b œ # œ œ 6 bœ p mp ∑ ∑ 6

senza pedal

œ J

‰

Œ

∑

I?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

D1 Subito più mosso (q=72)

˙ ° 6 Ȯ &8

6 O ™™ &8 œ Vln. II

2 4 ˙-

me.

œ-

∑

6

me.

rit. o

Vln. I

2 4 ˙-

pp

ry,

-

6

∑

2 4

œ

mp

∑

∑

œ

#œ #œ œ bœ œ #œ # œ # œ # œ b œ œ œ

∑

6 &8

œ

∑

∑

∑

Car - mi - chael and

pp

ææ ˙

∑

2 4

œ

3

2 4

∑

œ

Œ

∑

° 6 &8

œ

Œ

∑

mp

ææj œ

Susp. Cymbal (med.)

∑

∑

Ma - ry

Œ

∑

2 4

œ

p

‰

3

∑

∑

6 & 8 œ bœ

pp

6

mp

∑

?6 8

Ma - ry

#œ œ œ œ bœ œ œ #œ R ‰ bœ bœ œ #œ œ

‰

∑

∑

ppp

œ

p

∑

b˙

6 & 8 œ bœ

6

∑

∑

6 &8

bœ nœ 6 #œ nœ nœ bœ R ‰ œ # œ œ # œ b œ œ œ 3

6

mp

∑

∑

ppp

6 & 8 æ+ ™ æ

∑

#œ #œ #œ

6

6

p

#œ #œ

6

œ bœ b œ n œ # œ # œ œ #œ nœ

2 4

pp

#˙

Clarinet in Bb

Œ

mp

∑

ææ œ™

6 &8

{

2 4

∑

6 ¢& 8

?6 8

2 4

∑

∑

Œ

∑

Who

S.

∑

∑

° 6 &8

œ #œ #œ #œ

∑

6 &8

6 Œ™ Perc. 2 / 8 æ 6 æ™ Perc. 3 ¢ / 8 ˙ Hp.

Poco agitato

2 4

pp sfz (poco sul pont.)

2 ææ B4 b˙ >

Ϊ

pp

sfz

Ϊ

2 4

ppp morendo

2 4

∑

æ ˙˙æ

æ ˙˙æ

æ ˙˙æ

ææ ˙

ææ ˙

ææ ˙

ææ ˙

ææ ˙

ææ ˙

div.

æj œæ

ææ ˙ >

ææ ˙ ∑

ææ ˙ ææ ˙

˙ ˙

ææ ˙˙ ææ

ææ ˙

∑

∑

∑

∑

∑

6

6

6

6

p

#œ #œ #œ #œ #œ #œ

#œ #œ #œ bœ b œ n œ # œ # œ n œ # œ n œ Œ œ œ bœ œ œ #œ #œ 6 6 p b œ n œ nœ bœ ord. 6 œ #œ #œ œ # œ n œ b œ R ‰ œ œ ‰ œ bœ bœ œ #œ œ 6 3 ord.

∑ ∑

6

6

p tutti, ord. (ord. vibr.)

œ œ bœ œ œ #œ #œ R ? bœ bœ œ #œ œ œ ‰ p

∑

mp

bœ nœ #œ #œ #œ nœ nœ bœ œ # œ œ # œ b œ œ œ 6 ord.

Œ

ææ ˙

sul tasto

œ bœ b œ n œ # œ # œ œ #œ nœ unis. ord.

ppp

ææ ˙

sul tasto

∑

Poco agitato

ææ ˙

sul tasto

ææ ˙ ∑

æ ææ œæ œ ™

æ œ˙æ ææ

sul tasto

bpizz. œ ord. p

6

6

Œ

3

mf

‰

Œ

mp

∑

10

Subito lento e E1 intenso (q=44)

68 ° Fl. 1 &

∑

3

mf espr.

∑

&

Fl. 2

‰

A tempo

œ

œ J

Ϫ

&

œ œbœ œ™

& Œ

Ob. 2

Hn. 1

¢

œ J ppp

∑

≈

Ϫ

˙

ppp

5

p

ppp

∑ œ

ppp

To Eng. Hn.

‰

p

Alto Flute

Œ

Œ

œ ‰ J

Œ

ppp

Œ

∑

∑

∑

3 4

∑

ppp

ppp

3 4 œJ

˙ ∑

∑

?

∑

∑

∑

∑

∑

∑

∑

#˙ ™

‰

Œ

Œ

‰™

pp

r œ ˙

pp

3 4

∑

∑

3 4

∑

∑

∑

3 4

∑

∑

Hn. 2

&

∑

∑

∑

∑

∑

3 4

∑

∑

Hn. 3

&

∑

∑

∑

∑

∑

3 4

∑

∑

Hn. 4

&

∑

∑

∑

∑

∑

3 4

∑

∑

Œ

∑

∑

3 4

∑

∑

∑

3 4

∑

∑

#>œ nœ œ œ œ ™

con sord. (Cup mute)

&

C Tpt. 1

f espr.

> & ˙

˙

p

ppp

con sord. (Harmon mute)

C Tpt. 2

sfz

œ J

˙

‰

˙

˙

ppp

mp

Tbn. 1

?

∑

∑

∑

∑

∑

3 4

∑

∑

Tbn. 2

?

∑

∑

∑

∑

∑

3 4

∑

∑

?

∑

∑

∑

∑

∑

3 4

∑

∑

∑

∑

∑

∑

∑

3 4

∑

∑

∑

3 4

∑

∑

Tba.

Timp.

Perc. 1

¢

°? ¢

° & /

Perc. 2

Perc. 3

Hp.

¢/

{

& ?

{

/

?

∑

∑

˙ mf

∑

∑

nœ

To Cel.

Œ

mf

∑

sempre con pedal (ad lib.)

Subito lento e E1 intenso (q=44)

Vln. I

° & &

Vln. II

B

Vla.

Vc.

Db.

¢

poco sul pont. senza vibr.

n˙

sfz

ppp

∑

&

‰

‰

‰

œ Œ J

p

ææ œ™

Œ

Susp. Cymbal (small)

#œ ™

∑

∑

∑ ∑

‰

pp

∑

œ Œ J ˙ #˙ ‰

p

3 4 3 4

#˙ ™

ææ ˙

Susp. Cymbal (med.)

ppp

∑

˙™

ææ ˙

p

#˙ ™

˙™

∑

3 4

∑

∑

∑

∑

∑

3 4

∑

∑

∑

∑

∑

3 4

∑

∑

Ȯ ˙ ææ o ˙ Ȯ

3 Ȯ ™ 4 ™

˙ ææ

˙™ 3 ææ 4

o ˙ Ȯ

IV

Ȯ˙

Ȯ pp

Œ

∑

∑

∑

pp

Ϫ

3 4 Œ

Œ

A tempo

Œ

div. poco sul pont.

ææj œ ‰ p

ppp

bisbigliando

˙ ææ ™ bœOœ™™

ææ œ

Glockenspiel

&

∑

˙ ææ

pp

∑

∑

poco rit.

œ

sfz pp unis. poco sul pont.

n˙ ææ

ææ ˙

ppp

Œ

mf

&

Pno.

K æær (damp) œ ‰ ™™

ææ ˙

Tam-tam

∑

doloroso

3 ‰ ‰ #œj

p

To A. Fl.

3 4

∑

ppp

nœ ™

∑

∑

p

∑

#œ ™

∑

∑

sfz

3 4

ppp

Œ

mp

∑

p

+ œ

3

p

3 4

?

° >˙+ &

3

œ #œ nœ -œ -œ

Dolcissimo

∑

ppp

˙

œ

mp

Œ

œ œ™

3 4 ‰

œ œ œ #œ 3 4 ˙™

∑

mf espr.

˙

‰

∑

‰

œ bœ œ œ

ppp

5

Ϫ

molto espr.

molto espr.

œ œ™ J

œ

∑

˙

∑

& ‰

Bsn. 1

œ b œ œ™™

10

mf

mf

ppp

p

mf espr.

Clarinet in Bb

Cl. 2

bœ œ œ bœ œ œ œ nœ œ œ # œ J

pp

ppp

∑

˙

3

&

Cl. 1

Cbsn.

‰

œ œ œ bœ

To A. Fl.

∑

∑

Œ

p

ppp

œ

molto espr.

˙

poco libero, espr.

Ob. 1

‰

ppp

p

∑

&

Fl. 3

poco rit.

œ b œ œ œ™

Dolcissimo Ȯ ™™ œ

senza vibr.

3 4 Ȯ ™™

Ϫ

gliss.

Ȯ ™™

unis.

?

∑

∑

∑

∑

∑

3 4

∑

∑

?

∑

∑

∑

∑

∑

3 4

∑

∑

#œ J

11 Teneramente (q=58) b˙

poco accel. 75 ° j Fl. 1 & œ™

doloroso

pp

j & <#>œ œ 3

A. Fl.

3 ≈ #œj œ

œ

j Ϫ

≈ #œj œ

p

∑ 3

p

Alto Flute

j #œ

‰

œ

∑

p

œ

‰ Œ

œ™ ‰ #œ ™ œ ˙

doloroso 3

œ œ

b˙

w

˙

œ J ‰ Œ

∑

U ∑

2 4

∑

∑

U ∑

2 4

∑

∑

∑

U ∑

2 4

3 8

∑

4 4

3 8

∑

4 4

∑

∑

∑

To Fl. 3 j 8œ ‰ ‰

4 4

∑

∑

pp

p

Ó

&

∑

Ob. 1

&

∑

∑

∑

3 8

∑

4 4

∑

∑

∑

∑

∑

U ∑

2 4

Ob. 2

&

∑

∑

∑

3 8

∑

4 4

∑

∑

∑

∑

∑

U ∑

2 4

Cl. 1

& <#>˙ ™

3 8

∑

4 Ó 4

∑

∑

U ∑

2 4

3 8

∑

4 4

∑

∑

∑

∑

∑

U ∑

2 4

Fl. 3

&

Cl. 2

‰ #œ œ œ™

poco accel. poco rit.

p

p

˙™ œ™

œ

œ- œ

œ-

ppp

˙™ œ œ- ™

œ

ppp

Œ

˙

ppp

œ bœ

bœ

pp

mp

œ bœ

˙™

˙

Œ

ppp

?

∑

∑

∑

3 8

∑

4 4

∑

∑

∑

∑

∑

U ∑

2 4

?

∑

∑

∑

3 8

∑

4 4

∑

∑

∑

∑

∑

U ∑

2 4

° &

∑

∑

∑

3 8

∑

4 b˙ 4

∑

∑

∑

U ∑

2 4

Hn. 2

&

∑

∑

∑

3 8

∑

4 4

∑

∑

∑

∑

∑

U ∑

2 4

Hn. 3

&

∑

∑

∑

3 8

∑

4 4

∑

∑

∑

∑

∑

U ∑

2 4

Hn. 4

&

∑

∑

∑

3 8

∑

4 4

∑

∑

∑

∑

∑

U ∑

2 4

C Tpt. 1

&

∑

∑

∑

3 8

∑

4 4

∑

∑

∑

∑

∑

U ∑

2 4

C Tpt. 2

&

∑

∑

∑

3 8

∑

4 4

∑

∑

∑

∑

∑

U ∑

2 4

Tbn. 1

?

∑

∑

∑

3 8

∑

4 4

∑

∑

∑

∑

∑

U ∑

2 4

Tbn. 2

?

∑

∑

∑

3 8

∑

4 4

∑

∑

∑

∑

∑

U ∑

2 4

?

∑

∑

∑

3 8

∑

4 4

∑

∑

∑

∑

∑

U ∑

2 4

∑

∑

∑

U ∑

2 4

∑

∑

∑

∑

U ∑

2 4

∑

∑

œ U Ó

2 4

Bsn. 1

Cbsn.

Hn. 1

Tba.

Timp.

Perc. 1

¢

¢

°? Œ ¢

Œ

/ ¢&

{

Pno.

ææ ˙

Susp. Cymbal (large)

ppp

∑

#˙ ™

#˙ ™

?

{

° & &

Db.

&

ææ ˙™

p

∑

#˙ ™

Œ

#˙

-œ œ œ ≈J J 3

∑

∑

∑

∑

∑

<#> ˙ ™

Œ

ppp

?

∑

?

∑

Œ

4 œææ™ 4

ppp

ppp

pizz. ord.

≈ j ≈ rŒ œœ p espr. 3

Ó

∑

∑

∑

∑

4 4

∑

∑

∑

3 8

∑

4 4

∑

∑

∑

∑

3 8

∑

4 4

∑

∑

∑

∑

3 8

∑

4 4

∑

∑

∑

∑

∑

∑

∑

4 4

poco accel. poco rit.

3 8

∑

œ œ œ b˙ 3 ‰ #œ œ 4 8 4

œ œ

œ n œ œ b˙˙ 3 #œ œ 4 8‰ 4

œ bœ œ

∑

4 4

5

∑

3 8

∑

b˙

Ó ˙

w nw

˙ ˙

w w

unis.

∑

3 8

∑

4 4

∑

∑

3 8

∑

4 4

‰

#œ œ mp

div.

bbœ̇

div.

œ bœ

mp espr.

Ó

pp

Ó

Œ

Œ Œ

œ

˙˙

b˙ b˙

Œ

Triangle

Ó

o ˙™

pp

œ

pp

Œ

Œ

∑

œ

pp

Œ

œ U Ó

Œ

o œ U Ó

2 4 2 4

U ∑

∑

r œ

Celesta

&

œ

2 4

U ∑

Ó

2 4

U ∑

∑

2 4

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ U w w œbœ#œ w 5

w w

p

w w

w w

U w w

w w

U w w

ppp

ppp

ppp

pp

mp

arco, div. #œ bœ 4 bb˙˙ œ 4 œ

∑

Violin (solo) espressivo

pp

div.

5

p espr.

∑

mp

p espr. ord. (ord. vibr.)

∑

ppp

3 8

3 8

ppp

˙

4 4

∑

Ȯ ™™

b˙

ææj ‰ Œ œæ o

‰ Ó

ord. (ord. vibr.)

bbȮ ™™ Œ

ææ wæ

Teneramente (q=58)

∑ Ȯ ™™

4 4

æ 3 æ 8 œ™

Œ

∑

ææ œæ™

ppp

∑

∑

p

3 ææ 8 œ™

∑

ææ ˙™

#˙

∑

Ȯ ™™

& <b>œO

¢

∑

#˙ ™

gli altri

Vc.

3 8

poco accel. solo

Vla.

ææ b œæ™

‰

p espr.

?

Vln. II

Œ

ppp

∑

&

Vln. I

∑

3

∑

&

Hp.

œœ œ R J

(con sord.)

p espr.

°/

Perc. 2

Perc. 3

‰™

œ œ

∑

∑

∑

U ∑

pp

2 4 2 4 2 4 2 4

∑

∑

∑

∑

∑

U ∑

2 4

∑

∑

∑

∑

∑

U ∑

2 4

12 First scene: A woman must have money

F1 Energico, leggiero (q=120)

85 ° 2 Fl. 1 & 4

∑

4 4

∑

2 &4

∑

4 4

∑

2 &4

∑

4 4

∑

A. Fl.

A. Fl.

Ob. 1

Ob. 2

Cl. 1

Cl. 2

Bsn. 1

Cbsn.

Hn. 1

Hn. 2

Hn. 3

Hn. 4

C Tpt. 1

C Tpt. 2

Tbn. 1

Tbn. 2

Tba.

Timp.

Perc. 1

Hp.

Cel.

Beton

˙

mp dolce

Œ

œ

∑ œ

#œ

œ

Flute

œ #œ

3

œ

poco rit.

œ b˙

pp

∑

œ œ mp

Luminoso, leggiero (q=112)

w

3

mp dolce

∑

5

2 &4

œ ˙

∑

w

To Picc.

∑

pp

∑

∑

∑ ∑

∑

∑

∑

∑

∑

∑

∑

∑

2 &4

∑

4 4

∑

∑

2 &4

∑

4 4

∑

∑

?2 4

∑

4 4

∑

∑

∑

∑

∑

∑

∑

?2 ¢ 4

∑

∑

∑

∑

∑

∑

∑

∑

° 2 &4

4 4

∑

4 4

∑

∑

∑

∑

∑

∑

∑

2 &4

∑

4 4

∑

∑

∑

∑

∑

∑

∑

2 &4

∑

4 4

∑

∑

∑

∑

∑

∑

∑

2 &4

∑

4 4

∑

∑

∑

∑

∑

∑

∑

2 &4

∑

4 4

∑

∑

∑

∑

∑

∑

∑

2 &4

∑

4 4

∑

∑

∑

∑

∑

∑

∑

?2 4

∑

4 4

∑

∑

∑

∑

∑

∑

∑

?2 4

∑

4 4

∑

∑

∑

∑

∑

∑

∑

?2 ¢ 4

∑

4 4

∑

∑

∑

∑

∑

∑

∑

∑

4 4

∑

∑

∑

∑

∑

∑

∑

Tambourine

4 4

∑

∑

∑

°? 2 ¢ 4

°/ 2 Œ 4

ææ œ

ppp

2 /4

∑

4 4

2 ¢& 4

∑

4 4

2 &4

∑

4 4

{

?2 4

∑

2 &4

∑

{

œ

p

œ mp

Œ

“” œ œ 4œ œ 4

∑

4 4

° 2 &4

∑

4 4

p

Ó

Œ

∑ Ó

ææ œ

ppp

∑ Ó

Œ

#œ

œ

pp

∑ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙™ œ J ‰ Œ

#œ œ

∑

3

Œ

Ó

2 &4

4 4

∑

ææ œ œ

pp

2 ¢& 4

4 4

∑

∑

œ Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

#˙

b˙ p

œ œ ˙

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

mf dolce

3 bœ 3 œ œ #œ œ œJ œ J

∑

œ ‰ Œ J _

Be - ton

∑

Œ

∑

° 2Œ &4

bœ œ #œ œ œ 4 4

˙

2 &4 Œ

bœ œ #œ œ œ 4 4

˙

4 4

Œ

Vc.

Db.

2 &4 ?2 4 ?2 ¢ 4

∑

Ó

mf dolce

∑

3 œ œ œ œj œ

∑

Se - ton

∑

j œ ‰ Œ

Ó

_

Œ

mf espressivo

œ œ bœ

œ œ

Ma - ry Car - mi - chael,

unis.

Vla.

∑

∑

∑

∑

‰ Ó

Ϫ

∑

∑

∑

˙

pp

3

œ

∑

∑

∑

∑

Ó

Ó

∑

∑

Ó

pp

Œ

pp

∑

∑

Œ

œ

#œ œ œJ œ œJ ‰ Œ

∑

∑

p

b˙

ppp

∑

Œ

Ó

∑

4 4

?2 4

tutti, unis.

Vln. II

œ œ bœ

∑

F1 Energico, leggiero (q=120)

Vln. I

Œ

∑

Ma - ry

Carm.

∑

4 4

Call me Ma -ry

Seton

∑

p

3

pp

∑

∑

Perc. 2

Perc. 3

bœ œ #œ œ œ 4 4

2 &4 Œ

Ó

#œ œ

œ

œ

œ

#œ

5

mp dolce

5

mp dolce

∑ ∑

4 4

∑

4 4

œ ‰ œ œ œ bœ ™ unis.

mp dolce

Ó œ

p

œ #œ

3

3

(pizz.)

œ

Œ

œ

#œ œ #œ J

Œ

‰ œj œ

Ó

Ó

pizz. p

œ

œ #œ

3

œ

3

œ #œ #œ

œ œ œ œ

Ó Œ

3

œ nœ

œ ˙

3

œ 3

‰ Œ

œ

Ó

pp

Œ Œ

Ó

Luminoso, leggiero (q=112)

w mp

mp

Ó œ ‰ J

poco rit.

#œ œ nœ b˙

B

w pizz. Œ #œ Œ p

‰ œj œ

∑

pp

Œ

œ ∑

pp

‰ #œj Œ Œ

bœ

pizz.

Ó œ

Ó œ

Œ

∑ Œ

Œ

œ

p

Ó

Ó

Œ

‰ œj œ

Ó

Ó

Œ

∑

Ó

Ó

œ

‰ #œj Œ

Ó

Ó

Œ

‰ œj œ

œ œ

Ó Œ

Œ

Œ

Ó

‰ œj

13 93 ° Fl. 1 & Ó & œ

A. Fl.

Œ Œ

Ϫ

#-œ

‰ Ó

p

Ó

3 Œ #œj œ

Ó

œ œ œ

Œ

pp

mp dolce

Ϫ

nœ bœ #œ œ 3

‰ Ó

™ œ bœ ˙

∑

∑

∑

Ob. 1

&

∑

∑

∑

Ob. 2

&

∑

∑

∑

Cl. 1

&

∑

&

∑

∑

∑

?

∑

∑

∑

∑

?

∑

∑

∑

° &

∑

∑

Hn. 2

&

∑

Hn. 3

&

Hn. 4

Œ

‰ bœ 3

œ

Œ

‰

Œ

p

∑

œ œ b˙ J

Œ

p

3

∑

∑

∑

∑

∑

∑

∑

∑

∑

pp

ppp

pp

∑

∑

mp dolce

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ ˙ w J

#œ

Ó

ppp

&

Fl. 3

Ó

œ ‰ J

Piccolo

Œ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #˙ ™ w w œ J ‰ Œ

œ ‰ J

œ œ bœ J bœ Ó

œ

˙

pp

Œ

˙™ ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

C Tpt. 1

&

∑

∑

∑

∑

∑

∑

∑

C Tpt. 2

&

∑

∑

∑

∑

∑

∑

∑

Tbn. 1

?

∑

∑

∑

∑

∑

∑

∑

Tbn. 2

?

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

°? ¢

∑

∑

∑

∑

∑

∑

∑

°/

∑

∑

∑

∑

∑

/

∑

∑

Œ

Ó

∑

∑

¢&

∑

∑

Œ

Ó

∑

∑

œœ œœ #œ J

Ó

Bsn. 1

Cbsn.

Hn. 1

Tba.

Timp.

Perc. 1

¢

¢

Perc. 2

Perc. 3

{

œ œ #œ

& Ó

Hp.

Cel.

Beton

{

∑

&

∑

?

∑

° Œ &

#-œ #œ œ œ œ

Vln. I

j ¢& œ ‰ Œ ° & & Œ

Vln. II

B Œ

Vla.

? œ

Vc.

Db.

¢

? Ó

by

a - ny

#œ p

Œ

œ

Œ

Ó Œ

pp

Ó

3

name

b˙-

you

œ

Œ

bœ

Ó œ ‰ J

œ

∑

∑

“” œ bœ œ

Œ

Ó

Ó

ææ œ œ

pp

œ ‰ J

Œ

3

∑

Ó

Œ

più mf

œ ‰ J

Œ

Ó

‰ œj

œ

#œ Œ

™ œ bœ ˙

Œ

Œ

œ

Ó

œ

∑

Ó

Œ #œ

Ó Œ

∑

∑

∑

∑

∑

∑

∑

∑

wo-man must have mo - ney

œ

pp

‰ #œJ

∑

intenso

pizz. loco

Œ

sub.p

pp

3

Œ

bœ

Ó Œ

œ

arco œ œ ‰ J J œ bœ bœ œ

nœ ‰ J

‰ œj

œ

Œ

b˙

Ó

n˙

and a

room

œ œ nœ of

∑

3

Œ

o #˙

3 œ 3 œ bœ J bœ œ œ œ œ œ bœ

∑

œ œ œ œ b œ #“œ” œ œ

œ

Ó

p

Ó

mp dolce

mp

p

A

Œ

Œ Œ

∑

3

œ Œ

∑

∑

#œ

Ó

œ

p

∑

please.

∑ Œ

Œ

∑

∑

‰ #œJ

∑ Ó

Œ

Ó

∑

b-˙

˙

∑

#œ

œ

∑

Ó

‰ œ Œ J

Œ

p

∑

mf dolce

Or

Carm.

r #œ

ppp

‰ œj

œ œ Œ

3 Œ bœj œ

Ó

mp sempre

?

ææ œ

Œ

Œ

∑

Cl. 2

Ó

∑

∑

Œ

her own

mf

3 ‰ bœj #œ œ œJ œ bœ

if

she

is

to write fic - tion.

∑

Œ

Œ

#œ ææ

w ææ

poco sul pont.

ppp

œ

∑

Œ

‰ #œJ p

p

∑

∑

œ

Ó

Ó

Œ

Œ Ó Œ

bœ

Ó w ææ

‰ bœj

œ

œ

Ó œ ‰ J

œ

Ó Œ

Œ

Œ

Ó

‰ œj

14 poco accel. 100 ° Œ Fl. 1 & &

A. Fl.

‰

<b>˙

3

ppp

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙ w mp

& Ó

Œ

Ob. 2

&

∑

Cl. 1

&

∑

Ob. 1

Cl. 2

Bsn. 1

Cbsn.

Hn. 1

¢

∑

? ?

° &

Œ

™ ‰ œ bœ œ #œ 3

b˙

œ

Œ

œ ˙

œ œ

5

Ϫ

Œ

∑

‰ œ œ œ bœ ™

j œ

œ œ™

œ bœ

‰

3

mp dolce

Ϫ

œ #œ œ J 3

mf dolce

pp

∑

∑

‰ bœJ œ bœ bœ

3

mf dolce

pp

∑

∑ œ

œ

(q=112)

˙™

mp dolce

∑ #œ œ œ œ œ

œ J œ bœ œ

∑

3

&

Ó

∑

∑

G1 Luminoso, leggiero

poco rit.

ppp

Ó

&

Picc.

œ

Più energico (q=120)

pp

œ

Œ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙™ œ J ‰

pp

∑

#˙ ™

Œ

Œ

Ó

œ œ™

Ϫ ŠΠJ

p

To Fl.

Œ

∑

pp

‰ Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó

Œ

‰

j œ

3

bœ

pp

j bœ œJ

‰ Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Hn. 2

&

∑

∑

∑

∑

∑

∑

∑

Hn. 3

&

∑

∑

∑

∑

∑

∑

∑

Hn. 4

&

∑

∑

∑

∑

∑

∑

∑

C Tpt. 1

&

∑

∑

∑

∑

∑

∑

∑

C Tpt. 2

&

∑

∑

∑

∑

∑

∑

∑

Tbn. 1

?

∑

∑

∑

∑

∑

∑

∑

Tbn. 2

?

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

°? ¢

∑

∑

∑

∑

∑

∑

∑

Tba.

Timp.

Perc. 1

¢

°/ Ó

Œ

ææ / w

ææ œ

ppp

Perc. 2

Perc. 3

¢&

∑

{

o nœ

& Œ

Hp.

Cel.

Beton

Seton

?

{

r bœ

Db.

∑

∑

mp

∑

?

∑

bœ bœ œ

bœ mp

Œ

Œ ∑

Ó

Œ

‰

œ

œ

mp

pp

Œ

Œ

Ó

p

#œ œ

Ó #œ

∑

˙

3

“˙”

œ

#˙

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

3

œ

#˙

∑

˙ ∑

Ó

3

∑

ppp

∑

Ó

#œ œ

ææ œ

Œ

Ó

∑

œ bœ

Ó

ææ œ œ Ó

œ

Ó

œ

œ

r bœ

œ

Œ

? œ

Più energico (q=120)

#œ œ œ œ œ arco

b˙

Ó ∑

‰

œ ˙

œ œ 3

p

Œ

œ

5

mf dolce

#œ

œ

œ J

Œ

‰ œ œ œ bœ ™

j œ

ord.

3

mf dolce

Ó bœ

mp

bœ mp

‰ bœJ Œ

œ

Œ

mp

œ

Œ Ó

Ϫ

œ œ™

œ bœ

œ œ œ #œ ™

bœ

Ó œ

Ó bœ

œ J œ bœ œ

3

3

Œ

bœ œ bœ bœ J

Œ

Œ

#œ

Ó Œ

œ

#œ ‰ J

œ

Œ

œ #œ œ J

œ

˙

œ

œ #œ 3

Œ

bœ

Ó

Œ

Œ

‰ œj #œ

Œ

Œ

Œ

Ó

#œ

Œ

Ó

‰ #œJ

∑

∑

Œ

‰

mf leggiero

j œ

bœ

3

know

j bœ œ œ ™

-œ

the lit - tle

tug

bloco œ

‰ ™ bœR

intenso

_

the

G1 Luminoso, leggiero (q=112)

˙™

ppp

#œ

Œ œ

Ó œ

Œ ∑

#w

Œ

Ó

∑

pp

œ

Ó

Ó

p

3

œ

Œ

∑

poco rit.

Ϫ

bœ b˙

You

B Ó

?

Ó

Œ

∑

<#>w & ææ

¢

bœ

∑ ∑

° Œ &

Vc.

∑

∑

&

¢&

Vla.

∑

p

∑

° <b>˙ ™ &

Vln. II

Ó

Ó

o bœ #˙

poco accel.

Vln. I

æær (damp) œ ‰™ Œ

mp

ppp

Œ

ææ œ

Œ

mp

Susp. Cymbal (small)

ææ œ œ

Œ

œ

bœ p

œ

Ó

b˙™ ææ

bœ

pizz. p

bœ bœ p

p

ppp

Ó

‰ bœJ

Œ

arco, poco sul pont.

pizz.

Œ

p

Œ

Ó

œ

p

‰

bœ Ó J

Œ

Ó

Œ

15 107 ° Fl. 1 &

∑

Œ

œ œ J J #œ œ 3

3

Œ

∑

Ó

Œ

pp

æ ‰ œæ 3

p

poco rit.

ææ œ

˙

ppp

∑

∑

∑

∑

&

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

Ob. 2

&

∑

∑

∑

∑

∑

∑

Cl. 1

&

∑

&

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

° &

∑

∑

∑

Hn. 2

&

∑

∑

Hn. 3

&

∑

Hn. 4

&

C Tpt. 1

C Tpt. 2

Ob. 1

Cl. 2

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ œ™ w œ ‰ Œ J J

b˙ p

Ó

∑

Œ

Ó

Œ

bœ œ #œ ™ pp

‰

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

Tbn. 1

?

∑

∑

∑

∑

∑

∑

∑

Tbn. 2

?

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

°? ¢

∑

∑

∑

∑

∑

∑

∑

°/

∑

∑

∑

∑

∑

/

∑

∑

Hn. 1

Tba.

Timp.

Perc. 1

¢

¢

Perc. 2

Perc. 3

¢&

∑

{

& Œ

Hp.

Cel.

Beton

bœ

?

‰ œ J p

Œ

pp

Œ

#œ œ

Ó

Œ

˙

Ó

∑

∑

&

∑

∑

?

∑

∑

∑

° &

∑

∑

∑

{

∑

pp

∑

Ó

œ b˙ J

Ϫ

ææ œ

Œ

Ó

Ó

Œ

∑

mp

‰ #œJ Œ

∑ r #œ

#œ

To Pno.

p

bœ- -œ & œ œ ™ nœ œ bœ œ œ bœ œ

Seton

sud-den

Carm.

Vln. I

¢&

&

Œ

3

‰ œ

¢

?

-

a

at

the

end

œ

#˙

Ó

∑

Ó

‰ ™ œr œ

œ

#œ pp

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ

œ œ #œ #œ ˙

haul

-

ing

of

it

Œ

in,

mf

bœ œ #œ ™ œ œ œ

and the care - ful

∑

∑

∑

∑

∑

∑

lay

Œ

3

∑

mf intenso

mp

#˙ j œ œ

∑

3 ™ ‰ #œJ nœ œ œ œ

œ bœ ˙

3 #œ ™ œ œ œj œ

mp

-

ing

of

it

‰

out?

∑

of one's line:

∑

Œ

<b> w ææ

‰ œJ

Ó w ææ

œ

œ

? Ó

Vc.

i - de

œ

œ

ææ w

&

∑

Ó

Œ

mf intenso

‰ #œj

A . -

B Œ

Vla.

an

∑

° #œ & ‰ J Œ

Vln. II

Db.

con - glo-me - ra - tion of

j bœ- œ ‰ #œ nœ

ppp

ææ w

∑

And then the cau - tious 3

Œ

Ó

∑ #œ

ææ œ

Susp. Cymbal (med.)

#œ

∑ ∑

Cbsn.

ppp

∑

∑

Bsn. 1

3

pp espr.

∑ Œ

˙™

pp

‰

p

pp

‰ #œJ ˙

Œ

™ ‰ #œJ nœ œ œ ™

ppp

Œ

œ

œ

3

∑

Flute

Ó

Œ

‰ œJ œj #œ #œ Œ p Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ w ˙™ Œ

∑

Picc.

Ó

mp

&

A. Fl.

∑

Œ

Œ ∑

Œ

Œ

bœ

bœ

‰ bœJ Œ

Œ

œ

Œ

w ææ Œ ∑

œ

Œ

‰ bœj

Ó

œ ‰ J

Œ

‰ nœj

œ Œ

Œ ∑

Œ ‰ #œJ

Ó

Œ

‰ #œJ

poco rit. Ó

#œ

Œ

Œ

sul pont.

poco sul pont.

w ææ

w ææ

˙™ ææ

bw æ æ

w æ æ

poco sul pont.

w æ æ

w æ æ

w ææ

Ó bœ

Œ

œ

arco, sul tasto

ppp

œ œ

Œ Œ

œ

Ó

Œ

Œ

pp

#œ

Ó ∑

Ó œ

Œ Œ

Ó

œ ‰ J

Ó

œ

sul tasto ææ #œ ppp

∑ ∑

16 Poco più calmo (q=108)

114 ° #œ Fl. 1 & A. Fl.

Fl. 3

3

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ ˙™ œ J J ‰

&

∑

&

∑

& <#>œ

Ob. 1

ppp

p

mp

j3 œ nœ

&

Cl. 1

&

∑

œ J

‰ #œ

∑ ∑

œ bœ

∑

∑

∑

mp

‰

Ó

3

Œ

‰ #œ

w

˙

p

w

œ J

‰

Œ

To Fl.

‰

Ϫ

∑

3

Ó

Ó

∑

∑

∑

∑

∑

∑

ppp

mp

∑ ∑ ‰ bœ

Œ

w

pp

‰

∑ œ

ppp

Ϫ

3

mp

∑

? bw

Bsn. 1

Ϫ

˙

∑

&

Cl. 2

bœ

Œ #œ

∑

ppp

Ob. 2

Ó

Ó

˙ ∑

Œ

poco rit.

3

œ

‰ -œ J œ3

œ

ppp

Œ

Ϫ

mp

-œ ™ ™ œ ˙ mf espr.

∑

b œ n œ Ÿœ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ b œ œ bœ ˙ ™™ J œ nœ œ bœ ‰

p

mf 3

‰

Ó

ppp

ppp

p

˙™

œ

ppp

œ

˙

œ

Ó

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

° &

∑

∑

∑

∑

∑

∑

Hn. 2

&

∑

∑

∑

∑

∑

∑

Hn. 3

&

∑

∑

∑

∑

∑

∑

Hn. 4

&

∑

∑

∑

∑

∑

∑

C Tpt. 1

&

∑

∑

∑

∑

∑

∑

C Tpt. 2

&

∑

∑

∑

∑

∑

∑

Tbn. 1

?

∑

∑

∑

∑

∑

∑

Tbn. 2

?

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

°? ¢

∑

∑

∑

∑

∑

Cbsn.

Hn. 1

Tba.

Timp.

¢

¢

° &

Vibraphone

Perc. 1

∑

∑

ææ œ

Susp. Cymbal (large)

Hp.

Cel.

Seton

Carm.

ææ w

/

∑

¢&

∑

∑

∑

&

∑

∑

∑

?

∑

∑

∑

&

∑

∑

?

∑

° &

∑

Perc. 2

Perc. 3

Œ

Ó

∑

{

{

¢& #˙

‰ #œj #œ

las,

laid

on

œ

#œ ™

the

grass

ppp

mallets

Ó

p

œ

ææ w

° Ó &

æ & <#>wæ

Vln. II

pp

B <b>æœ æ

Vla.

?

Vc.

‰ #œj #œ arco

p

˙™

sul tasto

œ

Œ

Ó

pp

arco, sul tasto (ord. vibr.)

Db.

¢

?

ppp

Œ

˙™

∑ *

∑

w

w

∑ w

w ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

j -˙ #œ

mf

bœ

Œ #œ

3

how small,

how

j #œ ˙

œ

pp

ææ w

ppp

∑

w

w

bisbigliando

pp

∑

ppp

ææj ææ œ ˙

Ó

pp

-œ3 œ œ

œ

in - sig -

˙

ni - fi - cant

3

#œ

j bœ œ

˙

ææ w

arco, sul tasto

˙

ppp

pp

Œ

ppp

ææ w

Ϫ

w b˙ ™

œ ææ

3

œ J ∑

‰

ppp

Œ

‰

Ó

mf teneramente

œ

3

œ

œ

The

sort

of

∑

poco rit.

w ææ

˙™ ææ

ææ w

Œ

ææ w

poco sul pont. ppp

∑

∑

∑

∑

∑

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