Corigliano ONE SWEET MORNING

John Corigliano ISSUU Version

for perusal only

ONE SWEET MORNING for Mezzo-Soprano and Orchestra

From the G. Schirmer Rental Library Date of Printing ________________

G. Schirmer, Inc. New York, NY

ISSUU Version for perusal only

John Corigliano ISSUU Version

for perusal only

ONE SWEET MORNING for Mezzo-Soprano and Orchestra

co-commissioned by the New York Philharmonic, Alan Gilbert, Music Director and the Shanghai Symphony Orchestra, Long Yu, Music Director

for The Serge Koussevitzky Music Foundation in the Library of Congress, and dedicated to the memory of Serge and Natalie Koussevitzky

G. Schirmer, Inc. New York, NY

ISSUU Version for perusal only Instrumentation

3 Flutes (3rd doubling Piccolo) 3 Oboes 3 Clarinets in B= (1st and 2nd doubling Clarinet in A; 3rd doubling Bass Clarinet and Clarinet in E=) rd 3 Bassoons (3 doubling Contrabassoon) 4 Horns in F 3 Trumpets in C* 2 Trombones Bass Trombone Tuba

Timpani Percussion (4 players) Piano (doubling Celesta) Harp Solo Mezzo-Soprano Strings

duration circa 28 minutes

*Trumpets are seated separately for movement II, with Trumpet 1 at center (stand position), Trumpet 2 at hard right, and Trumpet 3 at hard left; 2 and 3 go to regular positions at movement III.

ISSUU Version for perusal only Program Note

When Alan Gilbert asked me to write a work commemorating the 10th anniversary of “9/11,” I frankly had no idea what to do. I did know what not to do, and that was to write a piece of abstract orchestral music. Alan wanted a large-scale work – approximately a half hour in length. While I could see writing an orchestral meditation, I could not see extending that to a half-hour (Mahler notwithstanding.) And if I wrote a work that had meditative sections, but also dramatic and extroverted sections, then I would fall into a terrible trap. So many in the audience of this piece will have images of the frightful day itself—jet liners crashing into the World Trade Center, people jumping to their deaths from the top of the buildings, and the final collapse of the towers themselves—burned into their retinas. How can one hear music of any dramatic surges without imagining these events accompanying the music—or vice versa? Inevitably, the piece would become a tone poem of that unimaginable day – something I never intended and did not want. Yet how could I instruct the audience to ignore their own memories? Obviously, then, I needed to write a piece with words. I needed other images both to refute and complement the alltoo-vivid ones we’d bring with us into the concert hall. But which images: and how would they pertain to the subject, as well as each other? The answer was as obvious as it was dispiriting. Ten years later, that day is more calmly remembered as just one in a continuum of terrible days. September 11th, 2001 was discrete and specific: but war and its anguishes have been with us forever. I needed a cycle of songs that would embed 9/11 into that larger story. So I chose four poems (one of them part of an epic poem) from different ages and countries. The first poem— Czeslaw Milosz’s “A Song on the End of the World,” written in Warsaw in 1944— sets a tranquil scene: a vista of serenity that still hints at the possibility of chaos to come. The poet’s descriptions of everyday matters turn chilling when he notes, “No one believes it is happening now.” My setting for these words is hushed and motionless, never rising in volume and intensity. Shattering the calm is the second poem: that portion of Homer’s Iliad chronicling a massacre led by the Greek prince Patroclus. Each kill is described in detail; the music, too, strives for the brutal and unsparing. “War South of the Great Wall,” by the 8th century poet Li Po, follows. Its cool, atmospheric language views a bloody battle from a great remove: warriors seem to “swarm like armies of ants.” The narrator’s poise collapses only when she reveals “my husband—my sons—you’ll find them all there, out where war-drums throb and throb.” Her anguish, and the battle that is its cause, surge in an orchestral interlude, climaxing with the orchestra alone meditating on the narrator’s themes. The orchestra, diminishing in intensity, introduces the poem that gives the cycle its name: “One Sweet Morning,” by E. Y. “Yip” Harburg, a name that might surprise audiences who know it principally from his sparkling lyrics for such plays and movies as “The Wizard of Oz” and “Finian’s Rainbow.” But Harburg also wrote a few volumes of light and not-so-light verse, and it was in one of those that I came upon this deep and tender lyric. “One Sweet Morning” ends the cycle with the dream of a world without war – an impossible dream, perhaps, but certainly one worth dreaming. In this short poem, Harburg paints a beautiful scene where “the rose will rise...spring will bloom...peace will come...one sweet morning.” — John Corigliano

ISSUU Version for perusal only Texts

A Song on the End of the World

Patroclus

On the day the worlds ends A bee circles a clover,

Patroclus—

soon as the fighter cut their front battalions off

A fisherman mends a glimmering net.

he swerved back to pin them against the warships,

Happy porpoises jump in the sea,

never letting the Trojans stream back up to Troy

By the rainspout young sparrows are playing

as they struggled madly on—but there mid-field

And the snake is gold-skinned as it should always be.

between the ships, the river and the beetling wall Patroclus kept on sweeping in, hacking them down,

On the day the world ends

Making them pay the price for Argives slaughtered.

Women walk through the fields under their umbrellas,

There, Pronous first to fall—a glint of the spear

A drunkard grows sleepy at the edge of a lawn,

and Patroclus tore his chest left bare by the shield-rim,

Vegetable peddlers shout in the street

loosed his knees and the man went crashing down.

And a yellow-sailed boat comes nearer the island,

And next he went for Thestor the son of Enops

The voice of a violin lasts in the air

cowering, crouched in his fine polished chariot,

And leads into a starry night.

crazed with fear, and the reins flew from his grip— Patroclus rising beside him stabbed his right jawbone,

And those who expected lightning and thunder

ramming the spearhead square between his teeth so hard

Are disappointed.

he hooked him by that spearhead over the chariot-rail,

And those who expected signs and archangels’ trumps

hoisted, dragged the Trojan out as an angler perched

Do not believe it is happening now.

on a jutting rock ledge drags some fish from the sea,

As long as the sun and the moon are above,

some noble catch, with line and glittering bronze hook.

As long as the bumblebee visits a rose,

So with the spear, Patroclus gaffed him off his car,

As long as rosy infants are born

his mouth gaping round the glittering point

No one believes it is happening now.

and flipped him down face first, dead as he fell, his life breath blown away.

Only a white-haired old man, who would be a prophet

And next he caught Erylaus closing, lunging in—

Yet is not a prophet, for he’s much too busy,

he flung a rock and it struck between his eyes

Repeats while he binds his tomatoes:

and the man’s whole skull split in his heavy helmet,

There will be no other end of the world,

down the Trojan slammed on the ground, head-down

There will be no other end of the world.

and courage-shattering Death engulfed his corpse.

– Czeslaw Milosz Warsaw, 1944 (translated by Anthony Milosz)

Then in a blur of kills, Amphoterus, Erymas, Epaltes, Tlepolemus son of Damastor, and Echius and Pyris, Ipheus and Euippus and Polymelus the son of Argeas— he crowded corpse on corpse on the earth that rears us all.

" 4POH PO UIF &OE PG UIF 8PSME CZ $[FTMBX .JMPT[ USBOTMBUFE CZ "OUIPOZ .JMPT[ GSPN 4FMFDUFE BOE -BTU 1PFNT $PQZSJHIU ¥ CZ 5IF $[FTMBX .JMPT[ &TUBUF JT VTFE CZ LJOE QFSNJTTJPO PG UIF 8ZMJF "HFODZ

– Homer The Iliad (translated by Robert Fagles) MJOFT GSPN i#PPL 4JYUFFOu PG 5)& *-*"% USBOTMBUFE CZ 3PCFSU 'BHMFT $PQZSJHIU ¥ CZ 3PCFSU 'BHMFT 6TFE CZ BSSBOHFNFOU PG (FPSHFT #PSDIBSEU *OD PO CFIBMG PG UIF BVUIPS T FTUBUF "MM SJHIUT SFTFSWFE

ISSUU Version for perusal only

War South of the Great Wall

One Sweet Morning

Delirium, battlefields all dark and delirium,

Out of the fallen leaves the autumn world over,

convulsions of men swarm like armies of ants.

Out of the shattered rose that will smile no more, Out of the embers of blossoms and ashes of clover Spring will bloom – one sweet morning.

A red wheel thickened air, the sun hangs

above bramble and weed blood’s dyed purple,

Out of the fallen lads the summer world over, and crows, their beaks clutching warrior guts,

Out of their flags plowed under a distant shore,

struggle at flight, grief-glutted, earthbound.

Out of the dreams in their bones buried under the clover, Peace will come – one sweet morning.

Those on guard atop the Great Wall yesterday “One sweet morning

became ghosts in its shadow today. And still,

The rose will rise flags bright everywhere like scattered stars,

To wake the heart

the slaughter keeps on. War-drums throbbing:

And make it wise!”

my husband—my sons—you’ll find them all

This is the cry of life the winter world over,

there, out where war-drums throb and throb.

“Sing me no sad amen, but a bright encore!” – Li Po

(translated by David Hinton)

For out of the flags and the bones buried under the clover, Spring will bloom Peace will come

i8BS 4PVUI PG UIF (SFBU 8 BMMu GSPN i5IF TFMFDUFE QPFNT PG -J 1Pu USBOTMBUFE CZ %BWJE )JOUPO ¥ CZ %BWJE )JOUPO 6TFE CZ LJOE QFSNJTTJPO PG /FX %JSFDUJPOT 1VCMJTIJOH $PSQ.

One sweet morning – One sweet morning. – E. Y. “Yip” Harburg 5IF UFYU UP i0OF 4XFFU .PSOJOHu CZ & : i:JQu )BSCVSH JT VTFE CZ BSSBOHFNFOU XJUI (MPDDB .PSSB .VTJD $PSQPSBUJPO

ISSUU Version for perusal only

for Alan Gilbert and the New York Philharmonic

ONE SWEET MORNING

SCORE IN C

Czeslaw Milosz ° 4 &4

I. A Song on the End of the World

ISSUU Version for perusal only

Hushed, calm q = 52

John Corigliano

∑ 23

∑

∑

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

∑

∑ 23

∑

∑

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

& 44

∑

∑ 23

∑

∑

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

3

& 44

∑

∑ 23

∑

∑

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

1 Bb Clarinet 2 (A Clarinet)

& 44

∑ 23

∑

∑

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

1 2 Flute (Piccolo) 3

1 2

& 44

∑ Flute

Oboe

Bb Clarinets

∑

Bass Clarinet

?4 4

∑

∑ 23

∑

∑

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

1 2

?4 4

∑

∑ 23

∑

∑

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

Bassoon 3 (Contrabassoon)

?4 ¢ 4

∑

∑ 23

∑

∑

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

1 2

° 4 &4

∑

∑ 23

∑

∑

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

& 44

∑

∑ 23

∑

∑

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

∑ 23

∑

∑

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

∑ 23

∑

∑

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

∑ 23

∑

∑

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

Bb Clarinet 3 (Bb Bass Clarinet) (Eb Clarinet) Bassoon

Bassoon

F Horn 3 4

take straight mute

1

& 44

∑

take straight mute

C Trumpet 2 3

& 44

1 2

?4 4

∑

take straight mute

Trombone

∑

take straight mute

?4 Bass Trombone 4 Tuba ¢

∑

∑ 23

∑

∑

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

?4 4

∑

∑ 23

∑

∑

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

° 4 &4

∑

∑ 23

∑

∑

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

& 44

∑

∑ 23

∑

∑

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

3

& 44

∑

∑ 23

∑

∑

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

4

4 ¢/ 4

∑

∑ 23

∑

∑

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

& 44

∑

∑ 23

∑

∑

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

{

?4 4

∑

∑ 23

∑

∑

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

& 44

∑

∑ 23

∑

∑

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

{

?4 4

∑

∑ 23

∑

∑

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

& 44

∑

∑ 23

∑

∑

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

3 2

œ™ b œ œ J Œ Ó 44

∑

∑

∑

∑

4 4

∑

∑

∑

Timpani

1

2 Percussion

Celesta (Piano)

Harp

Mezzo-Soprano

Hushed, calm q = 52

° 4 Violin I &4

∑ con sord.

Violin II

& 44

Viola

B 44

Violoncello

?4 4

œ #˙ ™

pp

∑ 23

∑

∑ 23 œ™ #œJ ˙ Ó pp

poco

con sord.

∑ œ #œ

-j œ b œ b ˙ ™

pp

œ ˙™

pp

˙

-j bœ œ

œ œœ Ó 44

Ó Ó 44

∑

∑

3 2

∑

4 4

∑

∑

3 2 œ ˙™

∑

∑

3 2

∑

4 4

∑

∑

∑

∑

∑

3 2

∑

4 4

∑

∑

∑

∑ 23

∑

∑ 23

∑

∑

∑

4 4

∑ 23

∑

∑

∑

4 4

∑

#œ b ˙

pp

poco

∑

∑

œ

j

con sord.

 Ó 44 œ œ #œ- #œ nœ

œ

bœ bœ bœ b˙

™ œ

pp

?4 Contrabass ¢ 4

al sord.

∑

Corrected 1/2012

Copyright © 2011 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

Property of: G. Schrimer Rental Library 2 Old Route 17 Chester, NY 10918 SUPPLIED ON LOAN ONLY

2 q = 66

12

° 1 & 2

∑

&

∑

∑

&

∑

∑

1.

1 2

∑

5 4

∑

3 2

∑

5 4

∑

3 2

∑

5 4

∑

3 2

5 4

∑

œ

4 4

∑

∑

3 2

∑

∑

4 4

∑

∑

3 2

∑

∑

4 Œ ˙ 4

œ œ‰ Ó J

3 2

∑

∑

∑

4 4

∑

∑

3 2

∑

3 2

∑

∑

4 4

∑

∑

3 2

∑

‰

ISSUU Version for perusal only

∑

Fl. 3

3 2 Ó

œ œ ˙ J

5 4

Œ Ó

Ó

pp

1.

œ

pp

Ob. 3

&

∑

∑

1 2

&

∑

∑

Bs. Cl.

?

∑

∑

5 4

∑

3 2

∑

∑

4 4

∑

∑

3 2

∑

?

∑

∑

5 4

∑

3 2

∑

∑

4 4

∑

∑

3 2

∑

? ¢ ° 1 & 2

∑

∑

5 4

∑

3 2

∑

∑

4 4

∑

∑

3 2

∑

∑

∑

5 4

∑

3 2

∑

∑

4 4

∑

∑

3 2

∑

Bb Cl.

1 2 Bn. 3

F Hn. 3 4

&

∑

∑

5 4

∑

3 2

∑

∑

4 4

∑

∑

3 2

∑

1

&

∑

∑

5 4

∑

3 2

∑

∑

4 4

∑

∑

3 2

∑

2 3

&

∑

∑

5 4

∑

3 2

∑

∑

4 4

∑

∑

3 2

∑

?

∑

∑

5 4

∑

3 2

∑

∑

4 4

∑

∑

3 2

∑

?

∑

∑

5 4

∑

3 2

∑

∑

4 4

∑

∑

3 2

∑

?

∑

∑

5 4

∑

3 2

∑

∑

4 4

∑

∑

3 2

∑

C Tpt.

Tbn.

1 2

Bs. Tbn. Tba.

¢

Timp.

Vibraphone, bowed, 3 players, motor off

bb ˙˙ ° 1 & Ó

˙˙ ™™

˙˙

w

5 4 ˙™

w w

5 4 ˙˙ ™™

w w

5 4

pp

& Ó

2

n˙ pp

Perc.

& Ó

3

˙˙

pp Pedal sempre 4

Cel.

∑

¢/

˙

3 2 w™

w™

˙˙

3 2 w w ™™

w w ™™

w w

nw nw

w™ 3 w™ 2

4 w 4

#w

3 2 w™

4 4 w w

##w w

3 ™ 2 w w™

4 4

(l.v.)

(Pedal sempre)

5 4

∑

3 2

∑

∑

4 4

∑

w w

5 4

∑

3 2

∑

∑

4 4

∑

{

w w w

5 4

∑

3 2

∑

∑

4 4

∑

pp

? Ó n˙˙˙ ∑ ∑

&

∑

∑

5 4

∑

5 4

∑

3 2

∑

3 2

∑

∑

3 2

∑

3 2

∑

∑

4 4

∑

4 4

∑

∑

3 2

∑

∑

w– l.v. — ##ww–

3 2

∑

p

∑

p hushed

Ó

5 œ 23 w œ œ 4 ˙ #œ œ

Œ œ

˙

ends

A

bee

On the

° &

∑

&

∑

q = 66

1st stand

bȮ B Ó b pp 2nd stand

B Ó bb Ȯ

Va.

w nw pp ###w w w

3 2

P sempre

{

Vn. II

∑

(P)

?

Mez.-Sop.

Vn. I

™ w w™

b˙ & Ó b˙

& Hp.

∑

™ w w™

3 2

day

the world

3

œ œ œ œ™ bœj 44 w

Ó

Œ œ

cir -cles a clo - ver,

3 2 œ œ ˙™

A

œ œ

fish -er -man mends a

∑

5 4

∑

3 2

∑

∑

4 4

∑

∑

3 2

∑

∑

5 4

∑

3 2

∑

∑

4 4

∑

∑

3 2

∑

~w

5 Ȯ ™™ 4

Ȯ

3 ~w ™™ 2

~w ™™

4 ~w 4

w~

5 4 Ȯ ™™

Ȯ

3 2 w~ ™™

w~ ™™

4 w~ 4

o œ‰ Œ Ó J

5 4

pp

nw~

3 2 w~ ™™

w~

3 2 ~™ w™

le altre

o B w

3 2

∑

∑

∑

4 4

∑

∑

1st stand, con sord.

? Ó

Ȯ

w~

5 4 Ȯ ™™

Ȯ

3 2 w~ ™™

w~ ™™

4 ~ 4 w

##~w

3 ~™ 2 w™

w~

5 4 Ȯ ™™

Ȯ

3 2 w~ ™™

w~ ™™

4 ~ 4 w

bbw~

3 2 w~ ™™

pp 2nd stand, con sord.

? Ó b Ȯ

Vc.

pp 3rd stand, con sord.

? Ó

Ȯ pp

Cb.

¢

?

∑

3 2

w~ ∑

5 4 Ȯ ™ ™ 5 4

Ȯ ∑

3 2 ~™ w™ 3 2

w~ ™™ ∑

∑

4 4 ~ w 4 4

## w~ ∑

∑

3 2 ~™ w™ 3 2

∑

∑

3 20

° Ó 1 & 2

1.

Ó

pp

Fl.

&

∑

1 2

&

∑

3

&

∑

&

∑

3

Ob.

1 Bb Cl. 2

œ œ

rall.

4 œ œJ ‰ Ó 4

∑

∑

∑

∑

4 4

∑

∑

∑

∑

4 4

∑

∑

∑

4 4

∑

∑

∑

4 4

∑

∑

∑

3 2

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

3 2

∑

4 4

∑

∑

∑

3 2

∑

4 4

œ J ‰ Œ

∑

∑

3 2

∑

4 4

ISSUU Version for perusal only 1.

˙

w

pp

n

n

?

∑

4 4

∑

∑

∑

∑

∑

∑

3 2

∑

4 4

?

∑

4 4

∑

∑

∑

∑

∑

∑

3 2

∑

4 4

?

∑

4 4

∑

∑

∑

∑

∑

∑

3 2

∑

4 4

1 2

° &

∑

4 4

∑

∑

∑

∑

∑

∑

3 2

∑

4 4

3 4

&

∑

4 4

∑

∑

∑

∑

∑

∑

3 2

∑

4 4

1

&

∑

4 4

∑

∑

∑

∑

∑

∑

3 2

∑

4 4

2 3

&

∑

4 4

∑

∑

∑

∑

∑

∑

3 2

∑

4 4

?

∑

4 4

∑

∑

∑

∑

∑

∑

3 2

∑

4 4

?

∑

4 4

∑

∑

∑

∑

∑

∑

3 2

∑

4 4

?

∑

4 4

∑

∑

∑

∑

∑

∑

3 2

∑

4 4

Bs. Cl.

1 2 Bn. 3

¢

F Hn.

C Tpt.

Tbn.

1 2

Bs. Tbn. Tba.

¢

Timp.

1

™ ° w w™ &

(l.v.)

4 4

w w

2

& w™

4 4 bw

3

™ & w w™

4 nw 4 w

Perc.

4

Cel.

¢/

∑

4 4

&

∑

4 w w 4 w

∑

4 bw 4 w

{ {

w w

w w w

w w w

∑

(sim.)

∑

∑

∑

∑

∑

∑

pp

?

Hp.

w w

(P)

nw w

w w

w w

w™ 3 w™ 2

4 4

#w bw

w w

w w

3 ™ 2 w w™

4 4

w

w

w

3 2 w™

4 4

∑ nw #w w pp bw w

∑

3 2

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

∑

∑

3 2

∑

4 4

?

∑

4 4

∑

∑

∑

∑

∑

∑

3 2

∑

&4

˙

Œ bœ bœ

& œ #œ œ #œ #œ w

4 Œ 4 œ œ œ™ œ œ

glim - mer -ing net.

Hap -py por -pois -es

œ Œ nœ œ

b˙

œ bœ œ™ j bœ ˙

3

jump in

the sea.

By the

rain -spout

3 2 ˙

4 ˙ bœ 4

Œ

young spar -rows are play - ing

∑

∑

∑

∑

∑

∑

∑

4 4

∑

∑

∑

∑

∑

And the

∑

3 2

∑

4 4

∑

3 2

∑

4 4

(1st stand)

4 ~w 4

~w

~w

~w

~w

~w

3 ~™ 2 w™

4 4

(2nd stand)

4 ~w 4

~w

~w

bw~

w~

w~

3 2 w~ ™™

4 4

∑ (1st stand, con sord.)

? ~w™™

(2nd stand, con sord.)

? ~™ w™

?

≈#œ b˙

4

rall.

(le altre)

?

œ #œ œ .

4 4

B ~™ w™

¢

∑

∑

B

Cb.

4 4

4 4

B w~ ™™

Vc.

∑

∑

&

Va.

3 2

&

° Vn. I & Vn. II

∑

(P)

5

Mez.-Sop.

∑

(3rd stand, con sord.)

w~ ™™ ∑

4 4

∑

∑

∑

∑

∑

∑

3 2

∑

4 4

n~ 4 w 4

~w

~w

##~w

~w

~w

3 ~™ 2 w™

4 4

4 n~ 4nw

w~

w~

nw~

w~

w~

3 2 w~ ™™

4 4

4 4 bbw~

w~

w~

bbw~

w~

w~

3 2 w~ ™™

4 4

4 4

∑

∑

∑

∑

∑

∑

3 2

∑

4 4

4 q = 52

28

° 4 1 &4 2

U ∑

∑

& 44

U ∑

∑

& 44

U ∑

∑

3

& 44

U ∑

∑

1 2

& 44

U ∑

∑

Bs. Cl.

?4 4

U ∑

?4 4

∑

∑

∑

∑

∑

∑

∑

∑

5 4

∑

4 4

∑

∑

∑

∑

∑

∑

∑

∑

5 4

∑

4 4

∑

∑

∑

∑

∑

∑

∑

∑

5 4

∑

4 4

∑

∑

∑

∑

∑

∑

∑

∑

5 4

∑

4 4

∑

∑

∑

∑

∑

∑

∑

∑

5 4

∑

4 4

∑

∑

∑

∑

∑

∑

∑

∑

∑

5 4

∑

4 4

U ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

5 4

∑

4 4

?4 4

U ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

5 4

∑

4 4

1 2

° 4 &4

U ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

5 4

∑

4 4

3 4

& 44

U ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

5 4

∑

4 4

1

& 44

U ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

5 4

∑

4 4

2 3

& 44

U ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

5 4

∑

4 4

1 2

?4 4

U ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

5 4

∑

4 4

Bs. Tbn. Tba.

?4 ¢ 4

U ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

5 4

∑

4 4

Timp.

?4 4

U ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

5 4

∑

4 4

Ó

∑

∑

∑

∑

∑

∑

∑

5 4

∑

4 4

Ó

∑

∑

∑

∑

∑

∑

∑

5 4

∑

4 4

Ó

∑

∑

∑

∑

∑

∑

∑

5 4

∑

4 4

∑

∑

∑

∑

∑

∑

∑

5 4

∑

4 4

Ó

∑

∑

∑

∑

∑

∑

∑

5 4

∑

4 4

Ó

∑

∑

∑

∑

∑

∑

∑

5 4

∑

4 4

Ó

∑

∑

∑

∑

∑

∑

∑

5 4

∑

4 4

Ó

∑

∑

∑

∑

∑

∑

∑

5 4

∑

4 4

∑

∑

∑

∑

∑

∑

5 4

∑

4 4

œ‰Œ Ó J

∑

5 4

∑

4 4

∑

∑

5 4

∑

4 4

Fl. 3

1 2 Ob.

Bb Cl.

1 2 Bn. 3

¢

F Hn.

C Tpt.

Tbn.

ISSUU Version for perusal only

(Vib.)

° 4 U 1 & 4 nw U (Vib.) b w bw & 44 2 Perc.

Hp.

j œ‰Œ œœ J ‰Œ

w w

j œœ ‰ Œ

(Vib.)

U 3 & 44 w w 4 U ∑ 4 ¢/ 4

Cel.

w w w

∑

bU w & 44 b w

w w

{

w w w

œ‰Œ œ J œœ ‰ Œ œ J œ œ J ‰Œ

p

w ? 4 nU w 4 w bU w bw 4 &4

∑

w w

p

{

U & 44 nw w w

w w w

j œœ ‰ Œ œ

œ ˙™

œ bœ œ œ œ œ

pp

bU̇™ nœ & 44

Mez.-Sop.

snake

° 4 Vn. I &4 Vn. II

Va.

is

gold -skinned

w

as it should al -ways be.

q = 52

-j 

tutti (con sord.)

U ∑

∑

∑

Œ

œ #˙

˙

Ó

œ œ #œ b œ b œ

œ

pp

& 44

U ∑

B 44

U ∑

∑

∑

∑

∑

∑

bœ œ œ bw ∑

tutte (con sord.)

∑

∑

∑

œ ˙™

w

w

w

pp

Vc.

œœ ‰ Œ œ J

w w w

pp

Cb.

¢

?4 4

U ∑

∑

Ó

∑

œ‰Œ Ó J

tutti, con sord.

3 soli, con sord.

w ? 4 nU w 4 w

∑

∑

∑

∑

#œ #˙ ™

-j œ

bœ

Ó

5 œ #œ 4 ˙

∑

∑

∑

∑

∑

∑

4 4

-

5 #œj 4 4 œ #œ b˙ b œ 4

œ #œ nœ bœ ˙™

pp

∑

˙™

∑

5 4

∑

4 4

5 39

q = 66

° 4 1 &4 2

U ∑

5 4

& 44

U ∑

5 4

& 44

U ∑

5 4

3

& 44

U ∑

5 4

1 2

& 44

U ∑

5 4

ISSUU Version for perusal only

Bs. Cl.

?4 4

U ∑

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

5 4

∑

4 Ó 4

˙

˙

∑

∑

∑

pp

4 4

∑

n

3 2

3 2

?4 4

U ∑

5 4

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

?4 4

U ∑

5 4

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

° 4 &4

U ∑

5 4

∑

4 4

∑

∑

∑

4 4

∑

3 2

3 4

& 44

U ∑

5 4

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

1

& 44

U ∑

5 4

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

2 3

& 44

U ∑

5 4

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

1 2

?4 4

U ∑

5 4

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

Bs. Tbn. Tba.

?4 ¢ 4

U ∑

5 4

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

Timp.

?4 4

U ∑

5 4

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

1

° 4 &4

U ∑

5 4

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

& 44

U ∑

5 4

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

& 44

U ∑

5 4

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

4 ¢/ 4

U ∑

5 4

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

& 44

U ∑

5 4

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

?4 4

{

U ∑

5 4

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

& 44

U ∑

5 4

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

{

U ∑

5 4

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

Fl. 3

1 2 Ob.

Bb Cl.

1 2 Bn. 3

1 2

¢

to Bb Clarinet

Ó n

2.

Ó

F Hn.

C Tpt.

Tbn.

2 Perc. 3

4

Cel.

Hp.

& 44

p

U & 44 Ó œ œ 45 ˙

Mez.-Sop.

On the

q = 66 div.

° 4 Vn. I &4

U w w

n

pp

5 4

bœ bœ 44 #˙ ™ œ

day

the world

ends

˙˙ ™™

˙˙

w w

4 4

Œ

œ #œ #œ J

œ

j œ #˙

3 2

Ó

b˙

˙

n

pp

œ œ œ œ œ™ n œj ˙

w w

w w

n

j 4 3 3 2 Œ ‰ bœj œ #œ Œ ‰ œ 4 bœ œ Œ ‰ nœ œ 2

Wo -men walk through the fields un -der their um - brel - las,

w w

Ó

A drunk -ard

3 2

grows

˙˙

slee -py

at the

Ó

Ó

4 4

∑

3 2

Ó

Ó

4 4

∑

3 2

n

div. (con sord.)

U & 44 bw w

Vn. II

n

5 4 ˙˙ ™™

Vc.

4 w 4 w

w w

w w

3 2 ˙˙

w w

pp

U B 44 w div. ?4 U 4 nw w

Va.

˙ ˙

5 4 œj ‰ Œ Œ Ó

4 4

5 4 ˙˙ ™™

4 4 w w

˙˙

∑

∑

∑

∑

Cb.

¢

?4 4

5 4

∑

3 ™ 2 bbw w™

4 w 4 w

pp

w w

w w

3 2 ˙˙

w w

4 4

∑

∑

∑

Ó

n div. a3, con sord.

pp

U ∑

n

div.

∑

3 w ™™ 2 w w™ pp

Ó

4 4 4 w 4 w w

3 2 ∑

3 2 3 2

6 47

° 3 Ó 1 &2 2

Ó

Fl.

& 23

∑

& 23

∑

3

& 23

∑

1 2

& 23

∑

3

1 2 Ob.

q = 60

rall.

1.

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

∑

4 4

∑

∑

3 2

∑

4 4

∑

3 2

Ó

Ó

ISSUU Version for perusal only

˙

˙

n

pp

n

1.

Ó

Ó

Bb Cl.

˙

˙

n

pp

n

?3 2

∑

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

?3 2

∑

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

?3 2

∑

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

1 2

° 3 &2

∑

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

3 4

& 23

∑

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

1

& 23

∑

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

2 3

& 23

∑

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

1 2

?3 2

∑

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

?3 2

∑

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

?3 2

∑

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

° 3 1 &2

∑

∑

4 4

∑

∑

∑

˙™ 4 œœœ ˙˙˙ ™™™ 4

3 2

& 23

∑

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

& 23

∑

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

3 ¢/ 2

∑

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

& 23

∑

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

?3 2

∑

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

& 23

∑

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

& 23

∑

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

3 2

3 2

∑

4 Ó 4

3

1 2 Bn. 3

¢

F Hn.

C Tpt.

Tbn.

Bs. Tbn. Tba.

¢

Timp.

Harmonica ˙˙ œ ˙˙ Œ ˙˙ œœ 23 ˙˙

˙˙˙ ™™™ ˙™

œœœ

p langorous, from a distance 2 Perc. 3

4

Cel.

Hp.

{ {

& 23 bœ œ œ

Mez.-Sop.

nw

edge of a lawn,

3

3

Veg - 'ta -ble ped -dlers

p

3

3

3 #œ 4 b˙ ™ j ‰ # œ #œ œ œ œ œ œ œ nœ J 4

Œ

Œ

Œ ‰ j œ œ œ

shout in the street

And

a

œ œ

œ ˙

yel -low -sailed boat

∑

Vn. I

Vn. II

& 23

∑

& 23

∑

4 4

∑ a3 #div. w w ™™™ #w pp div. a3

w™ w w ™™

pp

B 23 w ™ w™

Va.

?3 2

Vc.

Cb.

¢

™ ?3 w 2 w w ™™

˙™ ˙™ ∑

Œ Ó

∑

w w 4 w 4

w w w

4 w 4 w w

w w w

4 4

∑

4 4 Œ Ó

4 4

∑

˙™ ˙˙ ™™ w w

∑

w bw w

pp unis.

∑

∑

4 4

3 2

Œ

∑

3 2

∑

4 4

∑

3 2

Œ

∑

3 2

∑

4 4

∑

3 2

w w

3 w™ 2 w™

4 w 4 w

3 2

w w w

3 w ™™ 2 w w™

w 4 w 4 w

3 2

w

3 2 w™

4 4 w

3 2

p

w pp

3 2 Ó

˙™

p

div. a2

∑

œœœ

n

non div.

∑

˙

p langorous, from a distance

n

∑

œ

1 solo, con sord.

3

˙˙ ™™ ˙™

pp

∑ ˙˙ ™™ ˙™

∑

3 2

˙ comes

q = 60

rall.

° 3 &2

Ó

˙

p

7 55

∑

& 23

∑

& 23

∑

3

& 23

∑

1 2

& 23

∑

1 2

∑

∑

3 2

∑

∑

4 4

∑

∑

∑

4 4

∑

∑

3 2

∑

∑

4 4

∑

∑

∑

4 4

∑

∑

3 2

∑

∑

4 4

∑

∑

∑

4 4

∑

∑

3 2

∑

∑

4 4

∑

∑

∑

ISSUU Version for perusal only

Fl. 3

4 4

Ob.

4 Ó 4

a2 *

8

° 3 1 &2 2

˙ ˙

3 2

4 4

∑

∑

3 2

4 4

∑

∑

pp

Bb Cl.

Bb Clarinet

∑

3 2

∑

∑

4 4

∑

∑

∑

?3 2

∑

4 4

∑

∑

3 2

∑

∑

4 4

∑

∑

∑

1 2

° 3 &2

∑

4 4

∑

∑

3 2

∑

∑

4 4

∑

∑

∑

3 4

& 23

∑

4 4

∑

∑

3 2

∑

∑

4 4

∑

∑

∑

1

& 23

∑

4 4

∑

∑

3 2

∑

∑

4 4

∑

∑

∑

2 3

& 23

∑

4 4

∑

∑

3 2

∑

∑

4 4

∑

∑

∑

1 2

?3 2

∑

4 4

∑

∑

3 2

∑

∑

4 4

∑

∑

∑

?3 2

∑

4 4

∑

∑

3 2

∑

∑

4 4

∑

∑

∑

?3 2

∑

4 4

∑

∑

3 2

∑

∑

4 4

∑

∑

∑

œœœ ˙˙˙ œ ˙

œ 4 œœœ ˙˙˙ 4

3 2

∑

1 2

?3 2

∑

?3 2

8

∑

4 Ó & * 4 ˙˙ pp 4 ∑ 4

3

Bn. 3

¢

F Hn.

C Tpt.

Tbn.

Bs. Tbn. Tba.

Timp.

¢

° 3 œœœ ˙˙˙ &2 œ 1

œœœ œ

w w w w

˙˙˙ ™™™ ˙™

˙˙˙

œœœ 4 ˙˙˙ ™™™ 4 ˙™

Glockenspiel ****

∑

Œ

Ó

pp

2

& 23

∑

4 4

∑

3 2

∑

∑

& 23

∑

4 4

∑

∑

3 2

3 ¢/ 2

∑

4 4

∑

∑

& 23

∑

4 4

∑

?3 2

∑

4 4

& 23

∑

& 23

#˙ ‰ ˙ ˙ ÆÆ pp

∑

4 4

∑

∑

∑

∑

∑

4 4

∑

∑

∑

3 2

∑

∑

4 4

∑

∑

∑

∑

3 2

∑

∑

4 4

∑

∑

∑

∑

∑

3 2

∑

∑

4 4

∑

∑

∑

4 4

∑

∑

3 2

∑

∑

4 4

∑

∑

∑

∑

4 4

∑

∑

3 2

∑

∑

4 4

∑

∑

∑

œ œ ˙

4 4 #˙ ™

#œ œ ˙

4 Ó 4

Œ

Perc. 3

4

Cel.

Hp.

Mez.-Sop.

{ {

& 23 ˙

near - er the is

˙™ ° 3 &2

-

œ œ œ œ

Œ

‰ œ ™ 23 ˙

Ó

land,

4 4

The

œ œ ˙

w

voice

3 2 Œ

3

œ

& 23 Vn. II

Va.

& 23 ™ B 23 w w™

∑

4 Ó 4

Œ

œ œ œ ˙

pp div. a8, con sord.**

∑

of

a

œ

vi - o - lin

lasts in the air

Ϫ

œ œ œ œ ȯ

Ó

Ó

‰ pp

3

gli altri, with practice *** mute

Vn. I

faster, free

œ #œ œ ™ œj ˙

4 Ó 4

4 w 4 w

. ‰ pp

3 2

˙

œ ˙

œ

œ œ œ œ™

3

œ ˙ J

˙

œ # œ #œ œ #œ

˙

And leads in - to

star - ry

a

˙™ via sord.

4 4 4 4

∑

Œ ˙™

∑

via sord.

Œ

∑

∑

3

. ‰

3 2 .™ ‰ ™

.™™ ‰

4 4 . ‰

w w

3 w™ 2 w™

w ™™ w

4 w 4 w

div. a2, pizz. – n˙˙— Ó

via sord.

∑

pp pizz.

#˙–

via sord.

Ó

∑

pp

™™ ?3 w 2 w w™

4 w 4 w w

?3 Cb. ¢ 2 w™

4 4 w

Vc.

w w w

3 w ™™ 2 w w™

w

3 2 w™

w w ™™™ w

4 w 4 w w

w™

4 4 w

*Slow, asynchronous, chromatic "noodling" between and including indicated pitches. **Half-step cluster. ***Each stand begins playing passage slightly after the previous stand. An asynchronous echo-like music will result. ****Vary order of motives and length of rests, sounding sparse and pointillistic. Occasionally combine two of the figures.

˙˙– —

div. a2, pizz.

via sord.

∑

Ó

pp div., pizz.

o ˙˙o – —

pp

via sord.

Ó

∑

8 63

° 1 & 2

q = 52

∑

Fl.

∑

∑

∑

∑

3 2

ISSUU Version for perusal only

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

&

∑

1 2

&

∑

3

&

∑

1 2

&

∑

3

&

∑

∑

∑

∑

∑

3 2

∑

4 4

?

∑

∑

∑

∑

∑

3 2

∑

4 4

?

∑

∑

∑

∑

∑

3 2

∑

4 4

° &

∑

** + O + + O Œ bœ bœ œ œ œ

+ + + bOœ bœ Oœ œ Oœ œ

∑

+ O + O Œ bœ œ œ œ œ

3

Ob.

Bb Cl.

1 2 Bn. 3

1

¢

3

**

&

2 F Hn.

pp O

3

3

3

pp

∑

&

3

3

3

+ O + O + O œ bœ œ œ œ œ 3

3

+ O + O + O œ bœ œ œ œ œ 3

3

∑

∑

&

4

3

+ + + + + + bOœ bœ Oœ œ Oœ œ bOœ bœ Oœ œ Oœ œ 23 bOœ Œ Œ Ó

3

∑

∑

+ 3 œ Œ Œ Ó

Ó

4 4

+ O + O + O + O 3 O 4 2 bœ bœ œ œ œ œ œ œ œ 4

3

∑

∑

4 4

3

3

+ O + O + O œ bœ œ œ œ œ 23

3

∑

∑

3

Ó

∑

3 2

1

&

∑

∑

∑

∑

∑

3 2

2 3

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

?

∑

∑

∑

?

∑

∑

∑

pp

3

pp

3

3

3

3

3

+ O + O + O + O + œ bœ œ œ œ œ œ œ œ 44 ∑

4 4

3 2

∑

4 4

∑

3 2

∑

4 4

∑

∑

3 2

∑

4 4

∑

∑

3 2

∑

4 4

C Tpt.

Tbn.

1 2

Bs. Tbn. Tba.

¢

Timp.

° U 1 & G‰

Æ˙Æ ˙

U ˙ G ‰ ˙ b˙

˙

*

∑

&

2

˙ ˙

# ˙–

Crot.

˙–

‰

˙ ‰

#Æ˙ Æ

G‰ b œ. œ. œ.– U ‰Æ G‰

U G‰

Ϊ

3 2

4 4

3 2

4 4

3

pp Perc.

Vib., bowed

b˙˙

& Ó

3

n Ped. sempre 4

{

? Ó

‰

∑ b ˙–

b ˙–

*

{

Πpp

& Ó

Œ

pp

bw w

# ˙–

 ˙—

U G‰ ˙— U G‰

œœ

& ossia

Mez.-Sop.

∑

P sempre

& Ó

∑

∑

3 2

∑

4 4

∑

∑

3 2

∑

4 4

p

b ˙– U n ˙– b ˙– b ˙– n ˙– G ‰ ˙– ÆÆ ÆÆ pp U &‰ G‰ ˙— *

Hp.

w w

∑

¢/ & Ó

Cel.

w w

Œ

Ó

U G‰ b ˙—

Æ˙Æ–

#˙– U G‰

U b ˙— G ‰ b ˙–

 #˙– ˙—

#˙– 

U G‰

˙—

U G‰ U G‰

˙–

˙– ˙–  b ˙—

˙– b ˙—

∑

∑

∑

˙–

˙–U G‰

4 4

U G‰

4 4

3 2

#˙—

b ˙–

3 2

˙– U G‰

3 2

‰

U G‰

3 2

‰

 b ˙—

3 2

U G‰

4 4

U G‰

4 4 4 4

∑

night.

° Vn. I &

tutti, senza sord.

q = 52

∑

∑

∑

œ

˙™

∑

p unis., arco, senza sord.

&

Vn. II

∑

∑

∑

œ

˙™

∑

p

3 2 3 2

œj b œ p œj b œ

b˙™ Ó

4 4

Ó

4 4

b˙™

p

Va.

B

∑

∑

∑

∑

∑

3 2

∑

4 4

Vc.

?

∑

∑

∑

∑

∑

3 2

∑

4 4

?

∑

∑

∑

∑

∑

3 2

∑

4 4

Cb.

¢

*Vary order of motives and length of rests, sounding sparse and pointillistic. Occasionally combine two of the figures. **+ — O raise less than one half-step. O — + lower less than one half-step.

9 q = 66

69

° 4 1 &4 2

∑

& 44

∑

& 44

∑

3

& 44

∑

1 2

& 44

∑

3

& 44

∑

4 4

∑

∑

∑

∑

3 4

∑

∑

4 4

∑

∑

∑

∑

3 4

3 2

∑

∑

4 4

∑

∑

∑

∑

3 4

∑

3 2

∑

∑

4 4

∑

∑

∑

∑

3 4

∑

3 2

∑

∑

4 4

∑

∑

∑

∑

3 4

∑

∑

3 2

∑

∑

4 4

∑

∑

∑

∑

3 4

?4 4

∑

∑

3 2

∑

∑

4 4

∑

∑

∑

∑

3 4

?4 ¢ 4 ° 4 &4 1

∑

∑

3 2

∑

∑

4 4

∑

∑

∑

∑

3 4

∑

∑

+ + + + + + + + + 3 bœ bOœ œ Oœ œ Oœ œ Oœ œ bOœ bœ Oœ œ Oœ œ Oœ œ œO 4 ˙ 2 4

œ‰Œ J

∑

∑

∑

3 4

j œ‰Œ

∑

∑

∑

3 4

j œ‰Œ

∑

∑

∑

3 4

j‰ Œ œ

∑

∑

∑

3 4

1 2

∑

∑

3 2

∑

ISSUU Version for perusal only

Fl. 3

∑

3 2

Ob.

Bb Cl.

1 2 Bn. 3

3

pp 3

& 44

2 F Hn.

∑

∑

+ O + O + O + O + O + O pp+ 4 & 4 bœ bœ œ œ œ œ bœ bœ œ œ œ œ 23 bœ Œ Œ Ó 3

3

3

+ O + O3 + O 3+ O + O3 + O 3 & 44 bœ œ œ œ œ œ bœ œ œ œ œ œ 23 bœ Œ Œ Ó

3

3

+ + + + 3 bOœ œ Oœ œ Oœ œ Oœ œ Oœ 2

3

3

+ O + O+ O + O + œ bœ œ œ œ œ œ œ œ 44 ˙ 3

3

3

3

∑

Ó

+ 4 4 ˙ pp

3

O

4

3

3

& 44

1

3

3

∑

∑

Ó

∑

4 4

∑

4 4

3

3 2

∑

+

n˙

with straight mute

pp

∑

∑

& 44

∑

∑

3 2

∑

4 4

∑

w

3 4

bbw w-

w w

3 4

bb w w

w w

mp sub. p

C Tpt. 2 3

bw-

∑

∑

with straight mute

mp sub. p with straight mute

Tbn.

?4 4

1 2

Bs. Tbn. Tba.

Timp.

1

2

¢

?4 4

∑

∑

∑

∑

3 2

∑

3 2

4 4

∑

∑

∑

3 4

mp sub. p

4 4

∑

∑

∑

∑

with straight mute

bbw w-

3 4

w w

mp sub. p

?4 4

∑

∑

3 2

∑

4 4

∑

∑

∑

bbw w– —

∑

3 4

pp

° 4 &4

3 2

4 ¿ –‰ Œ Ó 4 J

∑

∑

∑

3 4

& 44

3 2

4 ¿ –‰ Œ Ó 4 J

∑

∑

∑

3 4

Perc. 3

4

Cel.

Hp.

& 44

∑

∑

3 2

∑

∑

4 4

∑

∑

∑

∑

3 4

4 ¢/ 4

∑

∑

3 2

∑

∑

4 4

∑

∑

∑

∑

3 4

∑

∑

∑

3 4

∑

∑

3 4

∑

3 4

∑

3 4

3 2

{

4 ¿ –‰ Œ Ó 4 J

& 44

3 2

4 ¿ –‰ Œ Ó 4 J

∑

& 44

3 2

∑

{

4 ¿ –‰ Œ Ó 4 J

3 2

4 ¿ –‰ Œ Ó 4 J

bw – bbw w– — mp – b w – w ∑ ? bbbw w— —

4 4

∑

& 44

Mez.-Sop.

to Piano

& 44

& 44

∑

∑

3 2

∑

∑

mp

∑

Ó

bœ œ

œ Œ bœ œ œ œ 43 who ex -pec -ted

And those

œ b œ œ bœ j

° 4 Vn. I &4

œ b œ œ bœ j

Vn. II

& 44

Va.

B 44

œ #œ ™ œ #œ ™

œ ˙ J œ ˙ J

œ™ bœ œ 3 J Œ Ó 2

∑

œ™ bœ œ J Œ Ó

∑

3 2

arco, senza sord.

Vc.

?4 4

∑

∑

3 œ ˙™ &2

Ó

p unis., arco, senza sord.

∑

∑

3 œ ˙™

Ó

&2

∑

∑

3 2

∑

unis. j œœ ‰ Œ bœ ˙™

4 ˙˙ 4 pp

div.

#œj œ

#˙ ™

Ó

p

#œj œ

q = 66

b˙

j‰Œ œ

∑

3 4

b˙

j‰Œ œ

∑

3 4

b˙

j œ ‰Œ

∑

3 4

b˙

j œ ‰Œ

∑

3 4

unis.

4 j‰ Œ 4 ˙ œ bœ ˙™ ˙œ pp b 4 œ nœ bœ bœ b˙ ™ bœ 4 p

#˙ ™

Ó

p

p

?4 Cb. ¢ 4

div.

4 bœ nœ bœ bœ b˙ ™ bœ 4 p

∑

4 4

div., arco, senza sord.

∑

∑

bbw w p

w w

3 4

10 77

° 3 1 &4 2

∑

4 4

& 43

∑

4 4

& 43

∑

4 4

3

& 43

∑

4 4

1 2

& 43

∑

4 4

3

& 43

∑

?3 4

∑

?3 4

∑

∑

3 2

∑

4 4

∑

∑

∑

3 4

∑

4 4

∑

3 2

∑

4 4

∑

∑

∑

3 4

∑

4 4

∑

3 2 ww ™™

4 4

∑

∑

∑

3 4

∑

4 4

∑

3 2

∑

4 4

∑

∑

∑

3 4

∑

4 4

∑

3 2

∑

4 4

∑

∑

∑

3 4

∑

4 4

4 4

∑

3 2

∑

4 4

∑

∑

∑

3 4

∑

4 4

4 4

∑

w ™™ 3 w 2

4 4

∑

∑

∑

3 4

∑

4 4

4 4

∑

3 2 w™

4 4

∑

∑

∑

3 4

∑

4 4

4 4

∑

∑

Fl. 3

1 2

ISSUU Version for perusal only pp

Ob.

Bb Cl.

1 2

pp

Bn. 3

1 2

¢

° 3 Œ &4

F Hn.

pp

+O + O +O +O ‰ bœ bœ œ 44 bœ bœ œ œ œ œ Œ 23 J pp + O + O + O 3. + O + j ‰ œ bœ œ 44 bœ œ œ œ œ œ Œ 23 1. O

3 4

& 43 Œ

1

˙™ & 43

4 w 4

& 43 ˙˙ ™™

∑

+O +O + O + O +O +O O ‰ bœJ bœ œ œ œ œ œ 43 bœ bœ œ œ œ œ 44 pp

+ O+ O + O + O + O + O+ ‰ œj bœ œ œ œ œ œ 43 bœ œ œ œ œ œ 44

∑

4 4

3 2

∑

4 bw4

w

w

3 ˙™ 4

4 4

4 w 4 w

3 2

∑

w w

w w

3 4 ˙˙ ™™

4 4

˙™ ? 3 ˙™ 4

w 4 w 4

3 2

∑

4 bw 4 bw mp sub. p bw 4b w 4

w w

w w

˙™ 3 ˙™ 4

4 4

? 3 ˙˙ ™™ 4

4 w 4 w

3 2

∑

w w

w w

3 4 ˙˙ ™™

4 4

pp

∑

∑

pp

mp sub. p

C Tpt. 2 3

Tbn.

1 2

Bs. Tbn. Tba.

Timp.

1

2

¢

mp sub. p

4 bbw 4 w-

mp sub. p

?3 4

∑

° 3 &4

4 4

∑

3 2

∑

∑

4 4

& 43

∑

& 43

4 bbw 4 w– —

∑

∑

3 4

∑

4 4

∑

3 2

∑

4 4

∑

∑

∑

3 4

∑

4 4

4 4

∑

3 2

∑

4 4

∑

∑

∑

3 4

∑

4 4

∑

4 4

∑

3 2

∑

4 4

∑

∑

∑

3 4

∑

4 4

3 ¢/ 4

∑

4 4

∑

3 2

∑

4 4

∑

∑

∑

3 4

∑

4 4

& 43

∑

4 4

∑

3 2

∑

4 4

∑

∑

∑

3 4

∑

4 4

{

& 43

∑

4 4

∑

3 2

∑

4 4

∑

∑

∑

3 4

∑

4 4

& 43

∑

4 4

∑

3 2

∑

∑

∑

3 4

∑

4 4

∑

4 4

∑

3 2

∑

– 4 bbw 4 bw w– — mp – b w – 4 bbbw w 4 w— —

{

∑

∑

3 4

∑

4 4

bœ œ J

œ œ 3 b˙ ™ 4

pp

Perc. 3

4

Pno.

Hp.

?3 4

Mez.-Sop.

j bœ œ 44

& 43 bœ bœ ™ light -ning

and

p

b˙ ™

3 2 ‰ nœj œ œ œ ˙

thun - der

Are dis -ap -point - ed.

mp

Œ 44 Ó bœ œ

œ Œ bœ œ œ œ bœ ™

And those

who ex -pec -ted signs

4 4

and arch - an - gels’ trumps

° 3 &4

∑

4 4

∑

3 2

∑

4 4

∑

∑

∑

3 4

∑

4 4

Vn. II

& 43

∑

4 4

∑

3 2

∑

4 4

∑

∑

∑

3 4

∑

4 4

Va.

& 43

∑

4 4

∑

3 2

∑

4 4

∑

∑

∑

3 4

∑

4 4

Vc.

& 43

∑

4 4

∑

3 2

∑

4 4

∑

∑

∑

3 4

∑

4 4

3 2

∑

4 bbw 4 w

Vn. I

(div.)

? 3 ˙™ Cb. ¢ 4 ˙™

4 w 4 w

p

w w

w w

3 4 ˙˙ ™™

4 4

11 q = 52

84

° 4 1 &4 2

∑

3

& 44

∑

1 2

& 44 ww

3

& 44

∑

1 2

& 44

∑

3

& 44

∑

Fl.

Bb Cl.

∑

∑

3 2

∑

4 4

∑

∑

∑

∑

∑

∑

3 2

∑

4 4

∑

∑

∑

j‰Œ ˙˙ œœ

∑

3 2

∑

4 4 ˙

b˙ ™

∑

∑

3 2

∑

4 4

∑

∑

∑

3 2 b˙

˙ Ó

4 4

∑

∑

∑

ISSUU Version for perusal only ww

pp

Ob.

∑

∑

∑

∑

∑

∑

∑

3 2

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

∑

∑

∑

3 2

∑

4 4

∑

∑

∑

∑

3 w™ 4 w 2 4bw w™ mp 3 w™ 4 bw 2 4 w™ bw 1. (with straight mute) mp 3 Ó 4 Ó b˙ 2 4

a2

#œ

˙™

p

w w

˙˙ œœ ‰ Œ J

?4 w ¢ 4

w

˙ œ ‰Œ J

pp

pp

to Contrabassoon

1 2

° 4 &4

∑

∑

∑

?

3 4

& 44

∑

∑

∑

?

1

& 44

∑

∑

∑

w w

p

F Hn.

w w

p

n

C Tpt.

Tbn.

2 3

& 44

∑

∑

∑

1 2

?4 4

∑

∑

?4 4

∑

?4 4

Bs. Tbn. Tba.

mp

w w

w w

w w

w w ˙™

∑

∑

n

n

Πn

mf

∑

3 2

∑

4 4

∑

∑

∑

∑

∑

3 2

∑

4 4

∑

∑

∑

∑

∑

∑

3 2

∑

4 4

∑

∑

∑

∑

∑

∑

∑

3 2

∑

4 4

∑

∑

∑

° 4 &4

∑

∑

∑

∑

3 2

∑

4 4

∑

∑

∑

& 44

∑

∑

∑

∑

3 2

∑

4 4

∑

∑

∑

& 44

∑

∑

∑

∑

3 2

∑

4 4

∑

∑

∑

4 ¢/ 4

∑

∑

∑

& 44

∑

∑

∑

∑

3 2

∑

4 4

∑

∑

∑

{

& 44

∑

∑

∑

∑

3 2

∑

4 4

∑

∑

∑

& 44

∑

∑

∑

∑

3 2

∑

4 4

∑

∑

∑

{

∑

∑

∑

∑

3 2

∑

4 4

∑

∑

∑

¢

Timp.

1

bœ

∑

Bn. 3

j œ œ™

mp

?4 w w 4

1 2

1.

2 Perc. 3

4

Pno.

Hp.

Bass Drum

æ wæ

3 ææ 2 w™

ppp

?4 4

4 ææ 4 w

mp slowly gaining in intensity p

3

& 44 ‰ œj œ œ nœ œ œ œ œ œ ˙

Mez.-Sop.

3

˙ Œ

‰

Do not be -lieve it is hap -pen -ing now.

° 4 Vn. I &4

As

long as the sun and the moon are a - bove,

& 44

∑

∑

∑

˙™

#œ

3 2 b˙

Vc.

Cb.

¢

∑

& 44

∑

& 44

∑

?4 4

As

long

˙™

#œ

3 2 b˙

˙ Ó

bœ bœ ™ bœ œ ˙ œ œ œ nœ œ as the bum -ble -bee

As

vi - sits a rose,

∑

∑

∑

∑

B

∑

?

∑

∑

bœ

b˙ ™

∑

˙ Ó

4 4 ˙

j œ nœ ™

bœ

b˙ ™

∑

mp

3 2 w™

4 4 w

w

w

w w

3 2 w™ w™

4 bw 4bw

w w

w w

3 2 w™

4 bw 4

w

w

p unis.

∑

j œ nœ ™

w

p div.

∑

4 4 ˙

mp

p Va.

f

3 j œ ‰ Œ Œ ‰b œ

q = 52 p

Vn. II

æ wæ

mf

3 3 Œ ‰ 44 œ 2 œ œ ˙ b œ œ œ œ œ œ œ #œ ™

œ

æ wæ

w p

mp

mp

mp

12 92

° b1.˙ 1 & 2

˙

mf

Fl.

∑

&

3

3

3

& b˙

˙ ∑

&

3

3

& b˙

3

#w

∑

1. 1 2

˙

∑

3

#w

˙ œ œ ˙

mf

∑

U ∑

4 4

∑

∑

3 4

∑

3 2

∑

3 2

U ∑

4 4

∑

∑

3 4

∑

3 2

∑

3 2

U ∑

4 4

∑

∑

3 4

∑

3 2

∑

3 2

U ∑

4 4

∑

∑

3 4

∑

3 2

∑

3 2

U ∑

4 4

∑

∑

3 4

∑

3 2

ISSUU Version for perusal only ∑

˙ œ œ ˙

mf

Ob.

&

∑

∑

∑

∑

3 2

U ∑

4 4

∑

∑

3 4

∑

3 2

?

∑

∑

∑

∑

3 2

U ∑

4 4

∑

∑

3 4

∑

3 2

?

∑

∑

∑

∑

3 2

U ∑

4 4

∑

∑

3 4

∑

3 2

∑

3 2

U ∑

4 4

∑

∑

3 4

∑

3 2

∑

3 2

U ∑

4 4

∑

∑

3 4

∑

3 2

∑

3 4

∑

3 2

∑

3 4

∑

3 2

Bb Cl. 3

Bn.

1 2

Cbn.

1 2

¢

°? w bw

w w

w w

mf F Hn.

?

3 4

bw w

w w

mf

w w ∑

∑

∑

3 2

U ∑

1. (with straight mute)

1

&

∑

2 3

&

∑

∑

∑

∑

3 2

U ∑

4 4 bœ Œ Ó pp 4 ∑ 4

?

∑

∑

∑

∑

3 2

U ∑

4 4

∑

∑

3 4

∑

3 2

?

∑

∑

∑

∑

3 2

U ∑

4 4

∑

∑

3 4

∑

3 2

?

∑

∑

∑

∑

3 2

U ∑

4 4 bœ œ œ œ bœ œ

œ

3 4 bœ œ œ

3 2

4 4

∑

∑

3 4

∑

3 2

C Tpt.

Tbn.

(q = 52)

3 2

3

∑

1. 1 2

,

#w

˙ œ œ ˙

1 2

Bs. Tbn. Tba.

¢

Timp.

pp

œ

° 1 &

∑

∑

∑

∑

3 2

U ∑

2

&

∑

∑

∑

∑

3 2

U ∑

4 4

∑

∑

3 4

∑

3 2

3

&

∑

∑

∑

∑

3 2

U ∑

4 4

∑

∑

3 4

∑

3 2

∑

3 2

U ∑

4 4

∑

∑

3 4

∑

3 2

4 4

∑

∑

3 4

∑

3 2

Perc.

4

(B.D.) æ / ¢ wæ

Hp.

æ wæ

∑

& Pno.

æ wæ

∑

Piano ww w w w

∑

w ™™™ wU w 3 ww ™™ 2

pp

{

&

∑

∑

∑

∑

3 2

U ∑

4 4

∑

∑

3 4

∑

3 2

&

∑

∑

∑

∑

3 2

U ∑

4 4

∑

∑

3 4

∑

3 2

{

∑

∑

∑

∑

3 2

U ∑

4 4

∑

∑

3 4

∑

3 2

4 4

∑

3 œ 4 bœ Œ œ

3 œ 2

?

,

& bœ œ œ œ

Mez.-Sop.

long as

ro - sy

j œ #œ

˙

œ

in -fants

are

U ‰ œj œ œ œ œ œ 23 œ œ œ w pp sub.

w born

3

No one be -lieves it is div. a2

° b˙ Vn. I &

˙

˙ œ œ ˙

mf

3

3

3

3

#w

,

oo w w w

pp sub. div.

& b˙

Vn. II

˙

˙ œ œ ˙

#w

mf

B w

Va.

mf

? bw bw

Vc.

mf

Cb.

¢

?

w

mf

w w

hap -pen -ing now.

w

w

w w

w w

∑

w

w

∑

3

3

bœ œ œ œ

œ

On - ly a white -haired old

man,

who would

U ™ w w™ 3 w™ 2

4 4

∑

∑

3 4

∑

3 2

U w™ 3 w™ 2

4 4

∑

∑

3 4

∑

3 2

pp sub.

∑

pp

(q = 52)

3 2

U ∑

3 2

U ∑

3 2

U ∑

4 4 bw

w

3 4 ˙™

3 2

4 4bw

w

3 4 ˙™

3 2

4 4bw

w

3 4 ˙™

3 2

pp unis.

pp

pp

13 100

° 3 1 &2 2

∑

& 23

∑

& 23

∑

3

& 23

∑

1 2

& 23

∑

Fl. 3

1 2 Ob.

4 4

∑

3 2

U ∑

4 4

∑

∑

∑

3 4

4 4

∑

3 2

U ∑

4 4

∑

∑

∑

3 4

4 4

∑

3 2

U ∑

4 4

∑

∑

∑

3 4

4 4

∑

3 2

U ∑

4 4

∑

∑

∑

3 4

4 4

∑

3 2

U ∑

4 4

∑

4 4

∑

∑

j ‰ 43 œ 3 ∑ 4

4 4

∑

∑

∑

ISSUU Version for perusal only

Bb Cl.

Bn.

3

& 23

∑

4 4

∑

3 2

U ∑

1 2

?3 2

∑

4 4

∑

3 2

U ∑

3 2

U ∑

Cbn.

¢

?3 2

4 4

∑

∑

1.

Œ

˙™

˙™

pp

3 4

Ossia Contrabassoon

4 4

∑

Ó

Œ b œ-

b œ-

œ-

œ-

œ-

3 4

pp

1 2

°? 3 2

∑

4 4

∑

3 2

U ∑

4 4

∑

∑

∑

3 4

3 4

?3 2

∑

4 4

∑

3 2

U ∑

4 4

∑

∑

∑

3 4

1

& 23

∑

4 4

∑

3 2

U ∑

4 4

∑

∑

∑

3 4

2 3

& 23

∑

4 4

∑

3 2

U ∑

4 4

∑

∑

∑

3 4

1 2

?3 2

∑

4 4

∑

3 2

U ∑

4 4

∑

∑

∑

3 4

Bs. Tbn. Tba.

?3 ¢ 2

∑

4 4

∑

3 2

U ∑

4 4

∑

F Hn.

C Tpt.

Tbn.

Bass Trombone, open

Ó

3 4

Œ b œ- b œ- œ- œ- œpp

Timp.

1

2

?3 2 bœ œ œ

œ œ

œ

4 4 bœ œ

œ

3 œ 2 bœ

Œ

4

Pno.

∑

3 4

∑

3 2

U ∑

4 4

∑

∑

∑

3 4

& 23

∑

4 4

∑

3 2

U ∑

4 4

∑

∑

∑

3 4

& 23

∑

4 4

∑

3 2

U ∑

4 4

∑

∑

∑

3 4

3 ¢/ 2

∑

4 4

∑

3 2

U ∑

4 4

∑

∑

∑

3 4

& 23

∑

4 4

∑

3 2

U ∑

4 4

∑

∑

∑

3 4

{

∑

4 4

∑

3 2

U ∑

4 4

∑

4 4

∑

∑

4 4

∑

∑

& 23

∑

4 4

∑

3 2

U ∑

{

∑

4 4

∑

3 2

U ∑

j & 23 œ ™ #œ œ œ Œ ‰ œ #œj 44 œ ‰ j j œ œ œ™ be

a pro -phet

div. a3 ° 3 3wsoli, ™ Vn. I & 2 ##w w ™™

Vn. II

& 23

Va.

B 23

Vc.

Cb.

∑

4 4

?3 2

Mez.-Sop.

∑

∑

& 23

Hp.

4 4

° 3 &2

Perc. 3

Ó

U Ó

Yet is

not

a pro - phet,

4 w 4 #w w ∑

4 4

3 2

∑

j œ™ œ œ œ œ # œ ™

pp

U Œ

for he's much too bu - sy,

bœ

4 4

˙™ œ œ œ œ œ b œ ˙™

∑

3 4

∑

3 4

3 2 ˙˙ ˙

U j œœ ‰ Œ Ó œ

4 4

∑

∑

∑

3 4

3 2

U ∑

4 4

∑

∑

∑

3 4

w™

3 2 œj ‰

Œ

Ó

U Ó

4 bœ 4 -

Œ

Ó

Ó

Œ

?3 2 w™

4 4 w

3 2 œj ‰

Œ

Ó

U Ó

4 bœ 4 -

Œ

Ó

Ó

Œ

4 4 w

3 4

Re - peats while he binds his to - ma - toes:

4 4 w

?3 ¢ 2 w™

bœ bœ œ œ œ ∑

ossia

3

bœ

3 4

Œ?

Ó

3 2 œj ‰

Œ

Ó

U Ó

bœ

pp

bœ

pp

4 4

∑

Ó

Œ

˙™

j‰ 3 œ 4

˙™

j ‰ 43 œ

b œ- b œ- œ- œ- œpp

3 4

14 106

∑

∑

∑

4 4

∑

∑

U ∑

∑

∑

∑

4 4

∑

∑

U ∑

∑

∑

∑

4 4

∑

∑

U ∑

∑

∑

∑

4 4

∑

∑

U ∑

∑

∑

∑

4 4

∑

∑

U ∑

∑

∑

∑

∑

4 4

∑

∑

U ∑

∑

∑

∑

∑

4 4

∑

∑

U ∑

° 3 1 &4 2

∑

& 43

∑

& 43

∑

3

& 43

∑

1 2

& 43

∑

3

& 43

1 2

?3 4

ISSUU Version for perusal only

Fl. 3

1 2 Ob.

Bb Cl.

Bn.

Cbn.

¢

?3 4

j œ

‰

Œ

∑

Œ

b œpp

œ-

œ-

j œ

‰

Œ

Œ

4 Π4

U b œ-

œ-

œ-

œ

b œ-

œ-

œ-

œ

b œ-

1 2

°? 3 4

∑

∑

∑

∑

4 4

∑

∑

U ∑

3 4

?3 4

∑

∑

∑

∑

4 4

∑

∑

U ∑

1

& 43

∑

∑

∑

∑

4 4

∑

∑

U ∑

2 3

& 43

∑

∑

∑

∑

4 4

∑

∑

U ∑

1 2

?3 4

∑

∑

∑

∑

4 4

∑

∑

U ∑

F Hn.

C Tpt.

Tbn.

˙-

(Bs. Tbn.)

Bs. Tbn. Tba.

?3 ‰ Œ ¢ 4 j œ

Œ

∑ b œ-

pp

Timp.

1

2

œ-

œ-

j ‰ Œ œ

Œ

U

4 Œ 4 b œ-

œ-

œ-

œ

b œ-

œ-

œ-

œ b œ-

?3 4

∑

∑

∑

∑

4 4

∑

∑

U ∑

° 3 &4

∑

∑

∑

∑

4 4

∑

∑

U ∑

& 43

∑

∑

∑

∑

4 4

∑

∑

U ∑

& 43

∑

∑

∑

∑

4 4

∑

∑

U ∑

3 ¢/ 4

∑

∑

∑

∑

4 4

∑

∑

U ∑

& 43

∑

∑

∑

∑

4 4

∑

∑

U ∑

Perc. 3

4

Pno.

{

?3 4

Hp.

˙™

˙™

b œ-

œ-

œ-

˙™

œ b œ-

œ-

œ-

œ

b œ-

œ-

œ-

œ b œ-

˙-

& 43

∑

∑

∑

∑

4 4

∑

∑

U ∑

{

∑

∑

∑

∑

4 4

∑

∑

U ∑

& 43

œœ

œœ œœ œœ œœ b œœ

There will be no oth - er

œœ

Œ

# œœ)

œœ

end

of the world,

(

œœ

˙˙

œœ

4 4 ˙ ˙ œœ œœ œœ œœ b œœ

There will be no oth - er

end

j œ™ ™ œœ œ (

of

)

U

j

œœ

the

œœ™ ™

˙˙

ww

world.

° 3 &4

∑

∑

∑

∑

4 4

∑

∑

U ∑

Vn. II

& 43

∑

∑

∑

∑

4 4

∑

∑

U ∑

Va.

B 43

∑

∑

∑

∑

4 4

∑

∑

U ∑

Vc.

?3 4

∑

∑

∑

∑

4 4

∑

∑

U ∑

Cb.

?3 ¢ 4

Vn. I

˙™

˙™

b œ-

œ-

œ

˙™

4 4

/

U

4 4

?3 4

Mez.-Sop.

˙-

œ b œ-

œ-

œ-

œ

b œ-

œ-

œ-

œ b œ-

U ˙attacca

Homer: The Iliad q = 144

& 44

3

∑ Flute

∑

& 44

1 2

ISSUU Version for perusal only *

° 4 1 &4 2 Fl.

∑

Ob.

& 44

∑ > >3 > ff b œ bœ œ Œ 4 &4 Ó Œ >J œ bœ ‰ 3 > >3 Bass Clarinet #>œ > ?4 Ó Œ ‰ #œ 4

3

Bb Cl.

1 2

Bs. Cl.

3

1 2

?4 4

Cbn.

?4 ¢ 4

Bn.

15

II. Patroclus

ff

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó

∑

∑

Ó

∑

∑

Ó

∑

∑

to Eb Clarinet

j nœ ‰ Œ > j œ ‰ Œ b >œ ff j ‰ Œ b >œ ff

∑ Contrabassoon

∑

1 2

° 4 &4

∑

∑

∑

∑

3 4

& 44

∑

∑

∑

∑

1

& 44

∑

∑

∑

∑

C Tpt. 2

& 44

F Hn.

(Center)

***

open

(Right)

****

& 44

3

Tbn.

1 2

Bs. Tbn. Tba.

¢

∑

∑

∑

∑

> Œ #œ

(U)

>œ >œ >œ >œ >œ >œ >œ >œ >œ

f

(Left)

‰ >œ >œ >œ >œ >œ >œ

>œ open

∑

>œ >œ >œ >œ ** >œ 3 j >œ 3 b>œ >œ >œ >œ

>œ >œ >œ >œ 3

3

œ

f

?4 4

∑

?4 4

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

j ‰ Œ œ b œv

Ó

ff

?4 4

Timp.

∑ Xylophone

° 4 1 &4 Ó

Perc. 3

/ 44 / 44

∑

4 Ó 4 ¢/ 4

B.D.

Tamtam, scrape with metal rod

ff

& 44 Ó

{

ff

?4 Ó 4

Hp.

b>œ >œ Œ 3

>œ b >œ

Œ

b>œ

3

j œ ‰ Œ >

Ó

& 44

∑

∑

∑

∑

{

?4 4

∑

∑

∑

∑

& 44

∑

∑

∑

∑

b>œ >œ Œ

∑

∑

∑

∑

∑

∑

∑

∑

Mez.-Sop.

q = 144 >

° 4 Vn. I &4 Ó Vn. II

& 44 Ó

Va.

B 44 Ó

Vc.

?4 4

Cb.

Ó

f

˙

b >œ Pno.

j ‰ Œ — >œ

∏∏∏∏

2

3

bœ > bœ œ Œ ff > > ∑

¢

?4 4

bœ

ff 3

>œ 3 J œ #œ ‰ > > 3 ff 3 Œ ‰ #>œ ff # œ > ∑ Œ

∑

j ‰ Œ n >œ ** æ æ #œœ > >>>> ff marcato ** > > > > > bnœœ ææ ff marcato

Ó

*Triangles with numbers indicate free cue beats. The number denotes the number of beats (cues) in the measure. Dotted barlines indicate the beginning of each free cue beat in the measure. **Play as fast as possible between and including the indicated pitches. Do not play scales or patterns and vary the intervals constantly. ***Vary patterns freely (ad lib.). ****See note on instrumentation page regarding placement of performers.

16 (q = 144)

3

° 1 & 2

∑

&

∑

1 2

&

∑

3

&

∑

1 2

&

∑

Eb Cl.

?

∑

∑

3 4

∑

∑

3 4

∑

∑

∑

3 4

∑

∑

∑

3 4

∑

∑

∑

3 4

∑

∑

∑

∑

3 4

∑

?

∑

∑

∑

3 4

∑

?

∑

∑

∑

3 4

∑

Fl. 3

Ob.

Bb Cl.

Bn.

1 2

Cbn.

¢

ISSUU Version for perusal only

∑

a2 * 1 2

° &

∑

&

∑

j bœ bœ

(U)

j ˙ œ

3 >¿ 4 J

Ó

Œ

Œ

f

F Hn. 3 4

* open

> b>œ ˙ & J

1

>œ >˙ J

∑ >œ >œ >˙

>œ >œ b>œ >œ >œ

∑

‰

3

&

C Tpt. 2

& bœ œ

3

(U)

3 >¿ 4 J

Œ

‰

Œ

Œ

‰

Œ

Œ

‰

Œ

Œ

∑

∑

∑

3 4

∑

?

∑

∑

∑

3 4

∑

?

∑

∑

∑

3 4

∑

° &

∑

∑

∑

3 4

∑

¢

Timp.

1

∑

?

1 2

Bs. Tbn. Tba.

œ

3 4 3 >¿ 4 J > 3 ¿ 4 J

(U)

f

Tbn.

‰

Med. Tom-tom

/

2

∑

∑

*

j œ œ >> mp

Perc.

3 3 j j œ> >œ >œ >œ >œ >œ >œ >œ >œ

3 j 4 >¿

‰

Œ

Œ

sfz ( ff )

3

/

∑

∑

∑

3 4

4

¢/

∑

∑

∑

3 4

∑

&

∑

∑

∑

3 4

∑

{

?

∑

∑

∑

3 4

∑

&

∑

∑

∑

3 4

∑

{

?

∑

∑

∑

3 4

∑

&

∑

∑

∑

3 4

∑

Pno.

Hp.

Mez.-Sop.

Vn. I

sul ponticello, asynchronous

(q = 144)

° &

∑

∑

∑

3 4 Œ

&

∑

∑

∑

3 4

Vn. II

∑

q

Œ

≈  œ œ bœ œ #œ nœ ff

∑ sul ponticello, asynchronous

Va.

B

Vc.

?

Cb.

?

∑

∑

∑

 3 4 ≈ œ bœ œ #œ nœ nœ bœ bœ œ nœ #œ ff œ sul ponticello, asynchronous 3 ≈ #œ œ œ bœ œ œ œ #œ #œ œ bœ 4 ÆÆ ff

¢

sul ponticello, asynchronous 3  ≈ & 4 œ œ # œ n œ œ bœ œ œ # œ #œ #œ nœ nœ ff

*Vary patterns freely (ad lib.).

&

&

17 5

*

° 1 &

Œ

ISSUU Version for perusal only

∑

∑

∑

˙

˙ fff

f

*

∑

&

Fl. 2

∑

∑

‰

œ œ

˙

˙

f

∑

&

3

∑

fff

*

∑

b˙

˙

#œ fff

f

1 2

∑

&

∑

Ob.

Bb Cl.

1 2

Eb Cl.

∑

&

3

∑

&

¢

?

1 2

ff a2, asynchronous

fff

ff asynchronous

fff

ff

fff

œ œ# œ n œ œ# œ# œn œ n œ Clarinet in Eb > œ œœ œ#œ œ b œ & ÆÆ

∑ h—e

asynchronous

fff

œœœ œ œ #>œ œ# œ# œ œ œ # œ #œ œ ÆÆ

∑

∑

ff asynchronous

b >œ œ œb œn œn œ b œ# œn œ n œ œ b œ # œ œ œbœbœ ÆÆ

∑

∑

∑

a2, asynchronous b > œ œ œ b œn œn œ b œ# œn œ n œ œ b œ # œ œ œbœbœ ÆÆ

∑

∑

° &

∑

∑

1. a2 n œ b œ b œ n œ J ‰ œ œ#œ œ œ œ bœ œ # œ b œ œœ

&

∑

∑

Œ

f

F Hn. 3 4

a2

‰

œ J

#œ

‰

Œ

œ œ ‰

Œ ∑

f

∑

&

1

∑

h œ #œnœ œ œ#œ b œJ^ œ # œ œ b œ n œ œ œ œ

Œ

f

∑

&

C Tpt. 2

∑

Œ

ŠϪ J

Œ

f

∑

&

3

∑

Π1., open

?

1 Tbn. 2

∑

Œ

œ J

B‰

Œ

mf

ŠϪ J

Œ

‰

Œ

Œ

œ^ J

‰

Œ

Œ

#œ^ J

‰

Œ

Œ

f

f

œœ™‰ # œœ œ Œ

œ ∑

Œ

mf

?

∑

∑

∑

∑

?

∑

∑

∑

∑

° & 1

∑

/

∑

Bs. Tbn. Tba.

Timp.

¢

Xyl. ¿ bœ ¿ ¿ ¿ ¿ ¿ 1 ¿ ¿ ¿ ¿ ¿ ¿ ¿ ÆÆ ¿¿

Œ

q

2

/˙

œ æ

æ

fff

Perc.

∑

/

3

Œ

Œ

Œ

∑

n

Bell Tree fff

Œ

Œ

Sus. Cym.

ΠT. Blks.

n

∑

∑ S.D., rim shot

4

∑

¢/

∑

& Pno.

{

∑

&

∑

?

Hp.

Mez.-Sop.

∑ n œ œ œ b œ œb œb œ œn œ continue pattern  fff b œ œ b œ œ œ b œ œ b œnœ & ÆÆ

Œ

°

Œ

Œ

∑

Œ

Œ

∑

Œ

Œ

∑

n

q

{

∑

∑

∑

∑

&

∑

∑

∑

∑

fff

b >œ J

¿ q

sul ponticello, asynchronous

& œ œbœ#œ œnœ œbœœ ÆÆ &

q.



œ Cb. ¢& J

‰

Œ

∑

∑

‰

Œ

∑

∑

Œ

∑

∑

∑

∑

∑

∑

∑

∑

fff

b >œ J

q

1. J ‰

¿™ n1. J

& Y

q

fff

f

Vc.

Œ

?

h

Va.

Πn

continue chromatic scale

 b œ œ bœ #œ#œ#œœ#œ# œ ÆÆ

Œ

f

h  œ œ œ œœ œ œ >œ f + œ ‰ Œ J

sfz

q

Œ

° Vn. I & bœbœnœnœœ#œ Vn. II

∑

˙ æ

Œ

fff

‰

fff

‰

Œ

*Overblow to produce harmonics.

Œ

B

18 9

° 1 & œJ

‰

Œ

& œ

œ

Œ

Fl. 2

Œ

4 4

∑

∑

∑

Œ

4 4

∑

∑

∑

Œ

4 4

∑

∑

∑

Œ

4 4

∑

∑

∑

Œ

4 4

∑

∑

∑

4 4

∑

∑

∑

4 4

∑

∑

∑

∑

4 4

∑

∑

∑

∑

4 4

∑

∑

∑

‰

4 4

∑

∑

∑

‰

4 4

∑

∑

∑

ISSUU Version for perusal only to Piccolo

& nœ ™

3

(a2) 1 2

‰

nœ ™ fff h

&

n

Ob.

h

&

3

h

(a2) Bb Cl.

1 2

n

—e

‰

& n

to Bass Clarinet

q.

Bn.

n

?

1 2

Cbn.

‰

&

Eb Cl.

¢

?

Œ

a2 + ° 1 ˙ & 2

O

mf

sfz O

F Hn.

^ œ J

+ ˙ &

^ œ J

a2

3 4

mf

sfz

1

&

∑

4 4

∑

∑

∑

2 3

&

∑

4 4

∑

∑

∑

B

∑

4 Π4

C Tpt.

3

Tbn.

1 2

Bs. Tbn. Tba.

¢

?

4 Π4

∑

? ˙™

>˙ ™

Bs. Tbn.

˙˙ ™™

w w

bb>œœ ‰ >œœ

sf mf

f

3

b >˙ ™

w

nœ ‰ œ f nœ > >œ

˙™

sf mf

hard sticks Timp.

1

∑

4 4

∑

∑

° &

∑

4 4

∑

∑

4 4

∑

∑

∑

∑

∑

(Sus. Cym.)

2

/ ææ˙

3

/

∑

4 Π4

¢/

∑

4 4

Œ

Perc.

Ó

‰ œ nb>œœ >œ

Œ

mf

B.D.

— >˙ ™

f 4

3

?

∑

∑

Ó

S.D., snares off > > Œ œœ œ ‰ œ mp 3

Pno.

Hp.

Mez.-Sop.

&

∑

4 4

∑

∑

∑

{

&

∑

4 4

∑

∑

∑

&

∑

4 4

∑

∑

∑

{

?

∑

4 4

∑

∑

∑

&

∑

4 Ó 4

œ

Pa

Vn. I

° & Œ

 œ œ œ #œ œ nœ bœ œ œ

ord.

Œ

ff ord. Vn. II

Va.

& Œ ˙ B

Œ

‰

4 Π4

‰

4 Π4

ff pizz. ord.

Vc.

& Œ

4 4

œ J

Œ

pizz.

>fœ — ?

sfz

Cb.

¢&

∑

tro

-

clus—

4 Π4

j ‰ bœ

Œ

∑

∑

j ‰ #œ Ó

Œ

∑

∑

h

ff

mf

-

j œ ‰

˙™ >

h

 œ œ bœ bœ œ bœ œ œ #œ nœ 44 œ J

> #w

ff

Œ

— >œf

Ó

arco, col legno

∑

Ó

∑

Ó

b>œ — f

3

b>œ ‰ >œ f

arco, col legno 3

Œ

b>œ ‰ >œ

f arco, non div., col legno

pizz.

?

Œ

Ó

∑

Ó

Œ

3

nœ ‰ œ n >œ >œ f

19 13

° 1 Fl. & 2

∑

&

∑

1 2

&

∑

3

&

∑

1 2

&

∑

Bs. Cl.

&

ISSUU Version for perusal only ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

° & 1

∑

∑

∑

Picc.

Ob.

Bb Cl.

Bn.

1 2

Cbn.

¢

Ó

Œ

Œ

3

>œ. J ‰ Ó

j #œ œ

mf F Hn. 2

3

3

3

3

&

∑

?

&

∑

? nœ ‰ œ œ ‰

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ œ œ‰œ >œ >œ >œ >œ >œ >œ >œ >œ >œ >œ >œ >œ >œ >œ >œ >œ >œ >œ >œ >œ >œ >œ >œ >œ >œ >œ >œ >œ >œ > > > p

1

&

∑

œ œ ‰ œ œ ‰ œ nœ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ nœ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ nœ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ >œ >œ >œ >œ >œ b >œ >œ >œ >œ >œ >œ >œ >œ b >œ >œ >œ >œ >œ >œ >œ >œ b >œ >œ >œ >œ >œ >œ >œ >œ ∑ ∑ ∑ ∑

2 3

&

∑

∑

∑

∑

∑

1 2

? bbœœ ‰ œœ œœ ‰ œœ œœ ‰ œœ œœ ‰ œœ > >> >> > > >

∑

∑

∑

∑

3 4

b >œ p

>œ >œ

C Tpt.

3

Tbn.

Bs. Tbn. Tba.

¢

?

3

3

3

Bs. Tbn. 3 3 3 3 Œ ‰ ‰ ‰ ‰ œ‰ œœ‰ œœ‰ œ œ‰ œ >œ >œ >œ >œ >œ >œ >œ >œ b >œ >œ >œ >œ >œ >œ >œ >œ 3

3

3

3

p sub.

3 3 3 3 3 3 3 j ‰3 ‰ ‰ ‰ ‰ ‰ ‰ n ¿. ¿. ¿. ¿. ¿. ¿. ¿. b œ. ¿. ¿. ¿. ¿. ¿. ¿. n œ.

Œ

f

3 3 3 j ‰3 ‰ ‰ b œ. œ. œ. œ. œ. œ. œ. p

3 3 3 3 3 3 3 3 ? bœ ‰3 œ œ ‰3 œ œ ‰3 œ œ ‰3 œ 3 3 3 3 3 3 3 3 ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ b œ ¿ ¿ ¿ ¿ ¿ ‰ ‰ ‰ ‰ ¿ ¿ ¿ ¿ ¿ ¿ ¿ . . . . . . n >œ >œ >œ >œ >œ >œ >œ >œ b œ. œ. œ. œ. œ. œ. œ. œ. b œ. ¿. . . . . . . . ¿. b œ. ‰ œ. œ. ‰ œ. œ. ‰ œ. œ. ‰ œ. f p sub. ° ∑ ∑ ∑ ∑ ∑ 1 & Slapstick >œ ∑ ∑ ∑ ∑ Ó Œ 2 /

Timp.

mf Perc.

∑

∑

∑

∑

∑

>œ >œ >œ >œ >œ >œ œ œ >œ >œ ‰ ‰ ‰ ‰

∑

∑

∑

∑

/

3

(S.D.) 4

¢/

3

Pno.

Hp.

3

3

3

&

∑

∑

∑

∑

∑

{

&

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

{

?

∑

∑

∑

∑

∑

&

∑

f Mez.-Sop.

œ soon

œ œ œ œ œ œ

œ œ œ œ b˙

Ó

Œ

Œ

3

j bœ œ

b>œ ‰ œ œ œ œ œ œ J J 3

3

as the fight - er cut their front bat - tal - ions off

he swerved back to pin them a -gainst the

° &

∑

∑

∑

∑

∑

Vn. II

&

∑

∑

∑

∑

∑

Va.

B

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Vn. I

Vc.

3

3

3

b>œ ‰ >œ >œ ‰ >œ >œ ‰ >œ ? bœ ‰3 œ œ ‰3 œ œ ‰3 œ > >> >> > 3

3

3

3

‰ >œ >œ 3 œ> ‰ >œ 3

? nœ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ Cb. ¢ nœ œ œ œ œ œ œ œ > >> >> > > >

20 18

° 1 Fl. & 2

∑

&

∑

1 2

&

∑

3

&

Picc.

∑ > >3 > ff b œ bœ œ Œ Ó & J Œ > œ bœ ‰ 3 > >3 ff Bass Clarinet #>œ > j ?‰ Ó Œ #œ nœ ‰ & > 3

1 2

Bs. Cl.

Bn.

?

1 2

2 4

∑

3 4

∑

∑

∑

2 4

∑

3 4

∑

∑

∑

2 4

∑

3 4

∑

∑

∑

2 4

∑

3 4

∑

∑

∑

2 4

∑

3 4

∑

∑

2 4

∑

3 4

∑

∑

ISSUU Version for perusal only

Ob.

Cl.

∑

to Bb Clarinet

Œ

Ó

ff

∑

2 4 ˙ ˙ 2 4 ˙

w bw mf

Cbn.

¢

?

∑

bw mf

j œ œ

3 4 ˙ ˙ 3 4 ˙

1

° &

∑

∑

2 4

∑

3 4

F Hn. 2

?

∑

∑

2 4

∑

3 4 Œ

?

∑

∑

2 4

∑ to Bassoon

‰

j œ

∑

∑ 3

Œ

∑ 3 j œ œ ‰ œ

3

3

3

œ ‰ œ œ ‰ œ œ ‰ œ

pp 3

3 4

‰

3 3 3 3 j nœ œ ‰ œ nœ ‰ œ œ ‰ œ œ ‰ œ bœ œ œ bœ œ œ œ œ œ

∑

3 4 Œ

∑

3 4

∑

∑

Œ

pp

1

&

∑

∑

2 4

2 3

&

∑

∑

2 4

∑

3 4

∑

∑

1 2

? bbœœ >

Ó

2 4

∑

3 4

∑

∑

Ó

2 4

∑

3 4 Œ

C Tpt.

Tbn.

mf

Bs. Tbn. Tba.

¢

a2

œ >œ

? nœ n >œ

œ >œ

? bœ n >œ mf ° 1 & Ó

œ >œ

mf

Timp.

2

j œ ‰ >

Ó

j ‰ bœ b >œ

Ó

Œ

Bs. Tbn.

Œ

2 4

∑

/ /

∑

j œ>— ‰

Tam., scrape with metal rod

3 3 3 3 j bœ œ ‰ œ bœ ‰ œ œ ‰ œ œ ‰ œ

∑

3 4

∑

∑

∑

2 4

∑

3 4

∑

∑

2 4

∑

3 4

∑

∑

∑

2 4

∑

3 4

∑

∑

∑

2 4

∑

3 4

∑

∑

2 4

∑

3 4

∑

∑

ff

ff

ff

{

& Ó

b>œ >œ Œ 3

?

Œ

>œ b >œ 3

b>œ

j œ ‰ >

Œ

Ó

&

∑

∑

2 4

∑

3 4

∑

∑

{

∑

∑

2 4

∑

3 4

∑

∑

2 4 bœ

bœ

3 nœ3 4 œ #œ #œ nœ nœ #œ #œ nœ

?

& œ

Mez.-Sop.

war

° Vn. I & Ó

Ó

œ

Vn. II

& Ó

Va.

B Ó

Vc.

? ¢

?

Œ

ships,

b >œ ff

Cb.

3

2 4

Ó

˙

& Ó

Hp.

Œ

∑

Œ

∏∏∏∏

Ó

b >œ Pno.

3 4 Œ

3

bœ > bœ œ Œ > > ff ∑

¢/

∑

pp

(Xyl.)

(B.D.)

4

3 3 3 3 j ‰ ‰ ‰ ‰ bœ œ œ bœ œ œ œ œ œ

pp

Ó

Perc. 3

Œ

3

œ

j œ œ

j œ

nev - er

let - ting

the

bœ

b>œ >œ Œ

3 >œ J œ #œ ‰ > > 3 ff arco ord. 3 Œ ‰ #>œ j ‰ n œ ff # œ > > pizz. »j ∑ œ ‰ > pizz. » b>œ ‰ ∑ J

f

Tro - jans

3

œ bœ œ nœ bœ œ bœ nœ nœ 3

stream

3

3

∑

2 4

∑

3 4

∑

∑

∑

2 4

∑

3 4

∑

∑

3

Œ

3

Œ

Ó

2 4

∑

3 4

∑

∑

Œ

Ó

2 4

∑

3 4

∑

∑

Œ

Ó

2 4

∑

3 4

∑

∑

21 23

° 1 Fl. & 2

∑

&

∑

1 2

&

∑

3

&

∑

1 2

&

∑

3

?

4 4

∑

∑

∑

4 4

∑

∑

∑

4 4

∑

∑

∑

4 4

∑

∑

∑

4 4

∑

∑

∑

∑

4 4

∑

∑

∑

?

∑

4 4

∑

∑

∑

?

∑

4 4

∑

∑

∑

3 3 °? (2.) ‰3 j ‰3 ‰ Œ 4 ‰ ‰ œ œ œ œ œ œ 4 bœ

Ó

∑

∑

3 4

3 3 3 3 ? nœ ‰ œ œ ‰ œ œ ‰ œ 4 bœj ‰ ‰ Œ bœ œ œ œ œ œ 4 nœ

Ó

∑

∑

1

&

∑

∑

Picc.

ISSUU Version for perusal only

Ob.

Bb Cl.

1 2 Bn. 3

1 2

¢

F Hn.

4 4

∑

∑ ad lib.

4 4

∑

&

C Tpt. 2

∑

∑

Ó

U 3 j #>˙ Œ œ >

‰

4 4

∑

&

3

∑

Ó

œ

Œ

œ

f 3

Tbn.

?

1 2

4 Œ bbœœj œœ ‰ œœ œœ ‰ œœ 4

∑

3

3

3

3

3

3

œœ ‰ œœ bbœœ ‰ œœ œœ ‰ œœ œœ ‰ œœ

Bs. Tbn. Tba.

¢

?

3

3

‰

4 4

3

3

3

3

œœ ‰

œ œ

œ ‰ œ

œœ

œœ ‰

œœ ‰

3

3

3

3

3

œ œ

œ ‰ œ

œœ

œœ ‰

œœ ‰ œœ nbœœ ‰ œœ œœ ‰ œœ œœ ‰ œœ

° 1 &

∑

4 4

∑

∑

∑

2

/

∑

4 4

∑

∑

∑

3

/

∑

4 4

∑

∑

∑

¢/

∑

4 Π4

3

3

3

3

3

3

‰

3

4 ‰3 bœ œ ‰3 œ œ ‰3 œ bœ ‰ œ œ ‰ œ œ ‰ œ 4 nœ n œ œ œ œ œ 3

œ

œ ‰ œ nœ œ œ nœ

3

?

Timp.

œœ

>œ >œ >œ

3

œœ

œ ‰ œ nœ ‰ œ œ ‰ œ œ ‰ œ œ œ nœ œ œ œ œ œ

œœ

‰

3

œœ

‰ nœ œ ‰ œ œ ‰ œ nœ œ œ œ œ œ

bœ

‰

3

‰

œ

j œ > 3

3

œœ

œœ

‰

œ œ

œ œ

‰

œœ

œœ

‰

œ

œ

‰

œœ

mf

p

(Bs. Tbn.)

>˙ œ œ™ > > b>œ >œ >œ >œ >œ

3

œœ ‰ œœ bbœœ

>œ >œ >œ

f

ad lib.

>œ

3

mf

3

œœ ‰ œœ nbœœ

‰

3

mf

3

3

3

3

œ œ 3

œœ

Perc.

4

S.D. (snares off)

œ œ ‰ œ œ ‰ œœœ œ ‰ œ J

3

Pno.

Hp.

3

3

3

3

3

3

3

œ

‰

p

3

œ

œ ‰

œ

œ ‰

3

3

&

∑

4 4

∑

∑

∑

{

?

∑

4 4

∑

∑

∑

&

∑

4 4

∑

∑

∑

{

∑

4 4

∑

∑

∑

?

œ ˙™ & J ‰ ‰ bœJ œ œ 44

Mez.-Sop.

(m)

Vn. I

pp

œ ‰ œ œ ‰ œ œ ‰ œœœ œ ‰ œ

bœ œ

Troy

back up to

œ

œ bœ œ

3

ff

Œ

>œ

∑

as they strug -gled mad - ly on—

° &

∑

4 4

∑

∑

∑

&

∑

4 4

∑

∑

∑

∑

3 4 Œ 3 j ‰3 4 bœ œ œ œ ‰ œ

Vn. II

œœ œ

(col legno)

B

Va.

p arco, col legno

?

Vc.

Cb.

¢

?

∑ arco, non div., col legno

∑

4 Π4

3

3

3

3

3

3

3

3

œ ‰ œ bœ ‰ œ œ ‰ œ œ ‰ œ

3

œ ‰ œ bœ

3 j 3 nœ œ ‰ œ œ ‰ œ nœ œ œ œ œ

p

‰

3

mf

3

œ ‰ œ bœ

‰

œ

œ ‰

œ

œ ‰

œ œ

œ ‰ œ

3

3

œ

œ ‰

œ

œ ‰

œ œ

œ ‰ œ

3

3

œ

œ

‰

œ

œ

‰

œ œ

œ œ

‰

3

3

œ 3

œ

mf

p 3

4 Π4

3 j 3 bœ œ ‰ œ œ ‰ œ

3

œ ‰ œ bœ ‰ œ œ ‰ œ œ ‰ œ

3

3

3

3

œ ‰ œ nœ ‰ œ œ ‰ œ œ ‰ œ œ œ nœ œ œ œ œ œ

3

3

œ ‰ œ nœ œ œ nœ mf

‰

3

3

3

œ œ

22 27

° 1 Fl. & 2

∑

&

∑

1 2