Thomas OF BEING IS A BIRD (soprano and ensemble)

Augusta Read Thomas

OF BEING IS A BIRD Emily Dickinson Settings

for light lyric soprano and ensemble Full Score

From the G. Schirmer Rental Library Date of Printing________________

G. Schirmer, Inc. New York, NY

Augusta Read Thomas

OF BEING IS A BIRD Emily Dickinson Settings

for light lyric soprano and ensemble

Commissioned by the Wigmore Hall, with the support of André Hoffmann, president of the Foundation Hoffmann, a Swiss grant making foundation dedicated with admiration and gratitude to Julian Anderson

G. Schirmer, Inc. New York, NY

The work should be listed in the concert programs in this manner: Of Being is a Bird (Emily Dickinson Settings)

Augusta Read Thomas (1964) I: Of Being is a Bird ---Interlude--- “flock of birds” II: The most triumphant Bird I ever knew or met

Movements can be played together, in the order listed above, or any of the three movements can be performed independently as a stand-alone work. FIRST PERFORMANCE: July 7, 2015: Claire Booth, soprano, Aurora Orchestra, Nicholas Collon conductor in Wigmore Hall. DURATION: 16-17 minutes INSTRUMENTATION: Light Lyric Soprano Flute #1 Flute #2 (doubling Piccolo and Alto Flute in G)- plays the crotale sounding A6 with a brass mallet Oboe - plays the crotale sounding Ab6 with a brass mallet Clarinet In Bb (doubling Bass Clarinet in Bb) - plays the crotale sounding C7 with a brass mallet Horn in F - plays the crotales sounding Eb6 & G6 with a brass mallet Harp 2 Violins Cello - plays the crotale sounding D7 with a brass mallet Solo soprano, 2(2nd dbl.Pic and Alto Fl)1.1(dbl.Bcl)0/1.0.0.0/hrp./2 vl. 1 vc This composition requires six crotales (all from the lower octave of crotales except the D7) and 4 brass mallets. The crotales can be suspended on strings from the music stands or mounted on a small racks near the players. [If a percussionist or extra musician is available to play the crotales parts, they should be engaged to do so. NOTE: Any musician can play the crotales parts, which are easy and sight-readable. NOTES: The score is in C. Alto Flute in G, Clarinet in Bb, Bass Clarinet in Bb, and Horn in F are notated at sounding pitch. There are only six dynamics used in this score (pp, p, mp, mf, f, ff) so that each “level” of volume has a clear meaning and sound. Very often dynamics are staggered and layered; thus it is especially important that musicians play their individual dynamics and not to be swayed to change their dynamic if someone playing a great deal quieter or louder. The words “sempre” and “subito” are often used to help clarify the layered dynamic textures. Tutti should blend and match their vibrato and non-vibrato, especially in the case of matching the soprano’s non-vibrato colors. Where there are short instrumental solo, the term “molto rubato” is used often and means that it is not necessary to mechanically play the exact rhythm (sextuplet, quintuplet, small triplet, etc.) but rather that you can consider those rhythms more gesturally. “Molto rubato” does not mean to drastically slow down the tempo. All strings: bowings marked by the composer are optional. All Pizz. are L.V. Molto unless marked with a dot or secco.

All harp notes (in particular the low notes) should be allowed to ring all the way back to silence except when marked secco or blend with pizzicato or when the notation indicates where to dampen the sound. All harp harmonics sound one octave higher than the notated pitch. The Ponticello colors should stay within the capricious, spirited, unpredictable, optimistic nature of the music and should never be brutal or ugly. —Augusta Read Thomas

Texts by Emily Dickinson I: Of Being is a Bird – duration six minutes ---Interlude---flock of birds – duration 3 minutes and 30 seconds II: The most triumphant Bird I ever knew or met – duration six minutes and 30 seconds 653 Of Being is a Bird The likest to the Down An Easy Breeze do put afloat The General Heavens — upon — It soars — and shifts — and whirls — And measures with the Clouds In easy — even — dazzling pace — No different the Birds — Except a Wake of Music Accompany their feet — As did the Down emit a Tune — For Ecstasy — of it

---Instrumental Interlude--- “flock of birds”

1265 The most triumphant Bird I ever knew or met Embarked upon a twig today And till Dominion set I famish to behold so eminent a sight And sang for nothing scrutable But intimate Delight. Retired, and resumed his transitive Estate — To what delicious Accident Does finest Glory fit!

SEATING ARRANGEMENT OF BEING IS A BIRD

FLUTE 1

OBOE Crotale |X

HORN Crotales X X

CLARINET Crotale X

HARP VIOLIN 2 CELLO

VIOLIN 1

SOPRANO CONDUCTOR

FLUTE 2 Crotale X

with admiration and gratitude to Julian Anderson

OF BEING IS A BIRD Emily Dickinson Settings (for light lyric soprano and ensemble)

Emily Dickinson (1830-1853)

4 &4

∑

q = 66*

œ. ˙ ≈ J P

non vibrato

∑

Œ

˙

vib. normal solo

‰ œ. π f>espr.

distant, ethereal

Flute 2 (Alto Fl., Picc.)

Oboe

(2015)

I. Of Being is a Bird

Elegant

Flute 1

4 &4

∑

4 &4

∑

Crotales brass mallet

∑

Œ

∑

Œ

j ≈ œ . Ó P

l.v. molto sempre

solo

˙. > f

(Bass Clarinet)

4 &4 w > f

Bf Clarinet

4 &4 w ƒ

solo

Horn in F

w

w

˙

w

w

œ

4 ∑ &4 œ Œ Ó > ƒ resonant and bell-like > ? 4 œo Œ Ó ∑ 4

all harp notes are l.v. molto

Harp

DsCsBlEfFGA

Light Lyric Soprano Solo

4 &4

∑

q = 66*

∑

∑

o con sord. ** 4 ∑ Œ &4 œ Œ Ó > f resonant and bell-like

≤ œo . ≈ J P

arco sul A

pizz., sul G

** o

pizz., sul G

Violin 2

∑ œ.

π

π

Ó

‰ œj Œ > ƒ ∑

Ó

π

‰ Ó

Blend with and match the soprano's vibrato – especially her non vibrato – colors. Use none or very little vibrato in this movement.

Ó

Œ

al non vib.

∑ w ∑

∑

∑

∑

all notes (in particular the low notes) should be allowed to ring all the way back to silence

∑

Ó

?

solo

∑

?

f elegant bœ Œ

4 ∑ &4 œ Œ Ó > f resonant and bell-like

∑

?** 4 4

∑

>o œ

f

Œ

Ó

resonant and bell-like

∑

ȯ

‰. # œ Œ R ƒ ƒ espr. Œ œ

l.v. molto

∑

ȯ

≥ œo œo . J

distant, ethereal

pizz., sul G

Violoncello

w P

Sing non vibrato for this entire song, adding only TINY amounts of vibrato in the moments that are marked espr. In the ensemble parts, non vibrato is also carefully notated to blend with you.

Elegant

Violin 1

œ. Œ ≈ J Ó ƒ f Œ &œ Ó >

w

∑

w

espr.

Blend with and match the soprano's vibrato – especially her non vibrato – colors.

take Alto Flute

espr. Clarinet in Bf

Augusta Read Thomas

Ó

arco sul D

≥ ‰ œ. > f espr.

wo

∑

ȯ .

π

≤ w

solo

∑

∑

w ∑

arco

≤ b˙ π

poco vib.

echo-like

Œ

˙ P espr.

*Please keep a steady tempo, as ritardandos and accelerandi are already written into the note values. **All string bowings marked by the composer are optional. All pizz. are l.v. molto with maximum vibrato after the pizz. Blend with and match the soprano's vibrato – especially her non vibrato – colors. Score is in C Corrected 8/2015

Copyright © 2015 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY

2 A 7 Fl. 1

non vib.

& w

˙

π

Ó

∑

∑

Blend with and match the soprano's vibrato – especially her non vibrato – colors.

Fl. 2

&

Ob.

&

∑

Alto Fl.

w P

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

∑ ∑

&

œ > f

Œ

Ó ∑

elegant; emerge out of ensemble's colors non vib.

∑

π w

p

˙

melt back into ensemble

π Ó

Of

∑

o

o

sul G

w π

Vc.

? w

j œ ‰ Œ π

non vibrato

≥ w p

œ

Ó

non vibrato

Œ

rK œ œ ... >

Be -

-

∑

Ó

≥ ˙ π

Œ

π Œ

˙.

- ing

p

3

≤ w

∑

P espr.

melt back into ensemble

π

˙.

non vib.

Ó

∑

w≤

π

Œ

∑ poco vib.

≥ w p

espr. non vib.

∑

Dn, Bf, En

a

echo-like

œ Œ Ó π

p sempre

j ‰ bœ #œ ˙ œ J

œ ‰ Œ π

w

w

3 π

oj

non vib.

∑

‰ #œ ˙

rubato

is

≥o w

w

∑

melt back into ensemble

rubato

o

w p

echo-like

≥ & w

p

Of

A

Vn. 2

w

∑

∑

&

b ˙. p

poco vib.

∑

&

Vn. 1

˙

Œ

∑

Hn.

&

w

Ó π

∑

&

Sopr. Solo

fade to silence early if you run out of air

∑

∑

(Bf Cl.)

?

w

∑

∑

Cl.

Hp.

non vibrato

∑

echo-like

w

p sempre

non vib.

π

3 14 Fl. 1

& Œ

˙. π

& œ Œ π

Ob.

&

poco vib.

w p sempre

w

Ó

non vib.

Fl. 2

B

non vib.

∑

∑

∑

w

solo

π

Hn.

& w

&

˙

œ.

#œ w J P sempre

Blend with and match the soprano's vibrato – especially her non vibrato – colors.

∑

∑

∑

w

˙

w

˙

non vib.

Ó

≈ œ .. π

con sord.

echo-like

Hp.

&

∑

?

∑

solo rubato 3

Œ

Œ

‰

nœ œ. ƒ F Œ & œ Œ ‰ #œ J bœ

o

sul E (touch 5 harmonic)

nœ

Œ

ƒ espr.

Ó

∑

3 l.v. molto, all the way back to silence

p & Œ # œ œ .. ˙ (non vib.)

Sopr. Solo

˙

Vn. 2

B

∑

&

∑

w

non vib.

Ó π

∑

Ó

∑

π

> Œ #œ œ. Œ nœ f F ƒ espr. Œ ≈ j Œ œ œ.

∑

∑

∑

∑

p

(non vib.)

Ó

∑

∑

pizz. molto vibrato

œ

Œ œ œ œ.

Œ

Ó

F resonant

∑

≤o œ π

sul G

Ó

Œ

arco

echo-like

∑

∑

π

The lik

∑

&

˙. P

w p

melt back into ensemble

π

∑

non vib.

o

Bird

Vn. 1

∑

Œ

p espr.

echo-like

Cl.

Œ π

˙.

∑

Blend with and match the soprano's vibrato – especially her non vibrato – colors.

∑

non vib.

-

o

j œ. Œ

est

to

the

o

w p sempre

w

∑

Œ

∑

‰ j œ

˙

con sord. non vib.

≤ ˙. π

echo-like

Vc.

?

w

w

w

poco vib.

P

w≥

œ

Œ π

≤ œo Œ ‰ J π

sul D

non vib.

Ó

con sord. non vib.

Ó

echo-like

4 20 Fl. 1

C

non vib.

& #w π

(Alto Fl.)

Fl. 2

Ob.

Cl.

Hn.

Hp.

& w & Ó

solo 3

˙ p

˙

j œ ‰ Œ π

Ó

(Bf Cl.)

& w π

3

∑

∑

o

solo

∑

&

#w

˙.

o

o

Down

Vn. 1

Vn. 2

Vc.

& w

w

& w p sempre ?

ȯ

ȯ

p sempre

≥ w wo

π

Œ

‰ # œJ ˙ p

œ ƒ Œ

w

P œ

Œ

Œ

F ≈ j œ . #œ

Ó nœ ‰. R f ƒ o Œ œ. #œ

Ó

Œ

non vib.

œ π

Ó

(non vib.)

˙

œ.

Ó

∑

∑

∑

Ó

˙ π

∑

l.v. molto

P

#œ #œ œ J œ

œ

An

C

Œ π

∑

sneak out of oboe color

π

non vib.

w p

∑ Œ

Ó π

P

∑

∑

melt back into ensemble Sopr. Solo

Œ

∑

π

(DCsBlEFGsA)

˙

#w

Œ

∑

Bn, Gs

&

p

w

∑

∑

&

œ

˙

echo-like

∑

j j œ. œ œ

˙ p

&

π

rubato

‰ ‰ œj œ #œ. f espr.

Œ

˙

∑

P Œ j . œ œ

ea - sy

œ≤ .

π Ó

Ó

#œ #˙ J

w

P

≥ #œ œ. J π Œ

œ≤

π

w P w P sempre

?

5 25 Fl. 1

& Ó

Œ

‰ ‰ œj p

˙.

Œ

Ó

3

π

echo-like

Fl. 2

Ob.

Cl.

Hn.

Hp.

Sopr. Solo

Vn. 1

&

˙.

π ∑

&

& ˙. P j & œ ‰ Œ

Œ

non vib.

#œ p

& ˙

& ˙.

Œ

œ œ # ˙. π sempre

p

#œ

˙.

π

˙. p

Œ

˙

œ

do

Œ Œ ‰. r #œ ˙ π non vib.

˙ p

Ó

Œ

∑

∑

Ó

˙

Ó

˙

b >œ ƒ Ó

Cn, Ef

∑

π

œ # ˙.

Œ Ó

bœ Œ ‰. R

∑

Ó

Œ

Ó F œo

∑

via sord.

π ˙.

Ó

ah

∑

∑

D

∑

Vc.

& ˙. ?

w

π

∑

p

P espr.

rubato

œ bœ bœ œ ˙ 5

Œ

-

-

≥ b ˙. π

echo-like

Œ

∑

∑

via sord.

∑

senza sord.

Ó

ȯ≤

π

o

w

echo-like

w≥

˙.

Œ π

∑

via sord.

∑

o

‰ j nœ F

Œ

∑

a -

senza sord.

‰ œJ P

sul A (touch 5 harmonic)

Œ

p Œ

take Piccolo

p

p

sneak out of harp color (non vib.)

put

via sord.

œ

‰ P

solo poco vib.

∑

#w f

solo

π

Ó

∑

solo vib. norm.

∑

˙

sul D Vn. 2

œ.

˙

π

espr.

P o l.v. molto Œ ‰ œJ Ó

j œ

Œ

∑

solo

3

π

π

Breeze

Œ

œ π Œ

P

œ ∑

Œ

˙

Ó

echo-like

∑

P solo o l.v. molto ? ‰ œ Œ Ó J

∑

non vib.

Ó

∑

&

∑

∑

π Œ

Œ

Œ

D

∑

-

-

-

6 31 Fl. 1

∑

&

Ó

Œ

>œ # œ .

solo

f sempre

w

#w f

espr.

solo poco vib. Fl. 2

Ob.

Cl.

Hn.

∑

& w

&

(Bf Cl.)

& w P

∑

senza sord.

&

Hp.

?

∑

∑

∑

∑

∑

Ó ˙ P espr.

∑

∑

∑

∑

∑

˙

π

π

w π

‰ œj Œ F f Ó Œ œ (DCBlEFGsAs)

∑

Ó

En, As

∑

∑

solo

&

Sopr. Solo

& œ -

Vn. 1

π

Œ

˙

-

& ˙ p

float

&

≤ ˙ ˙ π sub.

≥o w

P

p

espr.

Vc.

?

j œ. œ

∑

Ó

3

# >œ

∑ w

π sempre

Cs, Bs, An

∑

3

∑

melt back into ensemble

espr.

non vib.

espr.

Vn. 2

P

P espr.

n # œœ Œ Ó f ƒ Œ nœ Œ Ó

l.v. molto

non vib.

w

∑

˙

∑

w

˙

non vib.

rubato 3

&

bœ ˙

∑

Piccolo

‰

w

∑ ˙

Œ

w

˙

≥ ˙ P

œ

π

non vib.

Œ Ó

non vib.

poco vib.

˙.

π

espr.

˙≤

poco vib.

π ∑

Œ

≥œ

˙.

p espr. Ó

∑

Œ

senza sord.

∑

œ π

echo-like

∑

∑ non vib.

˙

Ó π

˙

3

≥

œ ˙ P

espr.

‰ ≈ œ b œ ˙ . p> P espr. 3

˙

poco vib. solo

b ≥˙

π

p espr.

˙≤

solo vib. norm.

poco vib.

≤

∑

π

Ó

˙

Ó π ∑

7 E

˙

37 non vib. Fl. 1

&

π

Ó

˙ π

w

non vib. Fl. 2

Ob.

&

&

∑

∑

∑

take Alto Flute

b˙

˙

non vib.

π

p

˙

&

Hn.

& Ó

˙

Œ

‰ . œr œ π

non vib.

echo-like

w F

w

w

w P

˙

Ó π

˙ p

∑ ˙

#˙ p

∑

∑

gg # n œœ gg gg n n œœœ Œ Ó gg œœ gg ggg F espr. Bn gg ? Ó Œ ggg gg gg # œ g

Ó

∑

Ó Œ ƒ Fs o œ Œ Ó

∑

∑

solo

Sopr. Solo

p b˙

&

The

P œ.

P ‰ n œJ œJ œ (non vib.)

œ œ

˙.

Gen - er - al

Heav -

-

j œ ˙

π

Vn. 1

&

œ œ œ J

œ

al pont.

3

œ

?

o

#œ

solo

f

Es, As

Ó

elegant

Vn. 2

&

∑

Ó

≤ w π

Ó

- ens

p

#˙

up -

Vc.

?

∑

π

∑ poco vib.

˙ P

echo-like

˙≤

œ

∑

≥˙

poco vib.

P espr.

w

≥ ˙

˙

non vib.

Ó π

-

Œ Ó π

Ó

π

∑ ‰

∑

Œ #œ > f Ó

Ó

solo

o #œ

solo

J f

Œ

ƒ Fn espr. Œ

#œ >

l.v. molto melt back into ensemble

nw

w

- on

Ó

Ó

pizz. ord. molto vib.

‰ œj Œ F espr.

pizz. molto vib.

‰ œj Œ Ó F espr. resonant

non vib.

œ

Œ π

w

resonant

non vib.

non vib.

œ œ. J

(non vib.)

pont.

Œ π

w π

non vibrato

∑

E

œ

∑

nw

l.v. molto, all the way back to silence

(non vib.)

∑

Alto Fl.

solo slow, elegant roll

3

&

w π echo-like

p sempre

π

sub.

œ J ‰

# >œ J Œ # œ & P F

n˙

∑

non vibrato

espr.

π

Cl.

Hp.

Ó P

Ó

pizz. molto vib.

∑ arco non vib. pont.

Œ

≤ œ π

œ l.v. molto ‰ J Œ Œ #œ Ó F espr. f espr. resonant

8 solo

43 Fl. 1

œ.

∑

&

F

(Alto Fl.) Fl. 2

accel. œ ˙.

Optimistic

˙

∑

f espr.

w P

π

espr.

ƒ espr.

œ. # œ ˙.

∑

solo Ob.

Cl.

∑

&

&

(Bf Cl.)

F

f espr.

w

P

π

∑

&

Hp.

Sopr. Solo

Vn. 1

Vn. 2

? Ó

Ef, Gn

? Ó

π j & œ ‰ Œ

& Ó

& w

solo rubato

&

f

nœ # >œ

#œ J

5

n œo

n >œ œ. b œ ƒ

Œ

? Ó

Ó

∑

Ó

Œ

l.v. molto

Œ

≤ #w π

accel.

p

π

#œ œ œ œ œ œ shimmering

P

∑

∑

∑

∑

∑

∑

P

l.v. molto solo

œ

5

Ó

q = 76

œ #œ œ œ œ œ œ œ œ œ œ œ œ p

∑

∑

œ

and

shimmering; light bow pressure

ord.

P

soars

Optimistic

arco (ord.)

echo-like

poco vib.

œ.

œ.

#œ

F espr. ˙

P # . ‰ œ. # ˙ R It

œ f

ƒ

œ. ˙

Œ œœœœ 3

sul D (touch 5)

Ó

f

Œ

l.v. molto

espr.

Vc.

Ó

∑

(DCsBlEfFGAs)

œ#œ

trumpet-like

espr.

Hn.

solo

∑

solo

∑

˙

∑

poco vib.

& w

q = 76

3

3

≥ ‰ # œJ œ œ œ œ œ œ œ œ œ œ œ 3 p 3

shimmering; light bow pressure

∑

≤ #œ. # œ≤ .

œœœœœ œ

P

‰ ‰ #œ J 3

shifts

≥ œœœœ 3

œœœœœ œ

P

œ œ œ ≥œ 3

∑

espr.

espr.

9 47 Fl. 1

&

#œ J π

œ.

œ

w

F

Fl. 2

&

Ob.

&

∑

Cl.

&

œ#œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

˙

∑

‰

3

F espr.

3

&

3

∑

∑

Hp.

Sopr. Solo

∑

En, An

? Ó

solo

Œ

of

‰.

œ R

F espr. & w

œ >

‰

& w

Vn. 2

&

œ. π

Œ

Vc.

?

3

3

˙

Ó

P

π

solo

j ‰ bœ œ bœ nœ œ J 3

3

œ

& melt back into ensemble

œ≤ .

‰

π

Œ

non vib.

˙

Œ

l.v. molto

Œ P ‰ . œR

espr.

whirls

And

∑ œ J ‰ π

f ƒ nœ œ 3

Ó F espr.

Ó

> ‰ nœ

Ó

rubato, not mechanical

Œ

arco

∑

w π sub.

∑

π

3

∑

˙ P espr.

l.v. molto

rubato

œ # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ≥œ

3 j3 ≈ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ π F espr.

P

and

Vn. 1

shimmering 3 3

˙

echo-like

&

∑

π

espr.

∑

Hn.

œ

π echo-like

∑

Ó ˙

∑ œ ≥œ œ œ œ œ œ œ œ œ œ œ œ œ œ ≥œ J shimmering; light bow pressure

3

p espr. 3

3

3

10

-œ

œ.

solo

50 Fl. 1

∑

&

Ó

Œ

bœ œ

b >œ œ. œ. a œ n œ # >˙ . #œ œ œ #œ #œ nœ nœ #œ ≈ œ

rubato

f sempre

3

playful

3

5

espr.

(Alto Fl.)

Fl. 2

Œ π

& ˙.

∑ œ ˙ ‰ J f sempre

œ

solo

Ob.

∑

&

Œ

∑

∑

Œ

Ó

∑

œ

˙

espr.

(Bf Cl.)

Cl.

Hn.

Hp.

Sopr. Solo

& œ

œ

bœ

œ

bœ.

w

œ

F sempre

P sempre

˙.

&

∑

∑

∑

&

∑

∑

∑

Ó

∑

∑

∑

Ó

&

& œ

œ

bœ

œ

F bœ.

Ef, Fs, Gs

Œ

∑

Œ

solo

Œ

(DCsBlEfFsGsA)

b >œ ƒ

#œ >

melt back into ensemble

˙.

non vib.

π

Œ

∑

∑

Ó

∑

mea - sures with the Clouds

Vn. 1

Vn. 2

≤ œ & p & Ó

œ

bœ

P

Œ

Œ

≤ œ π

Vc.

˙.

Œ π

≥˙ .

f sempre

œ

Œ

espr.

espr.

echo-like

?

Œ

solo

œ

ΠF

Ó

espr.

∑

bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ shimmering; light bow pressure

P

3

3

∑

œ

Œ π

Œ

≥ bœ π

non vib.

echo-like

∑

11 F 54 Fl. 1

&

w

non vib.

π

˙ & ‰ bœ. π echo-like non vib.

Fl. 2

Ob.

∑

˙

∑

&

Ó

∑

˙

˙.

b˙

w

poco vib.

P espr. poco vib.

Hn.

& ≈ b œ .. π

˙

w

Ó

Œ

solo

œ œ .. >> f

Œ

∑

π

˙

∑

∑ non vib.

Hp.

&

∑

∑

∑

Ó

∑

∑

∑

Ó

P ‰ œj œj ‰

p & ≈ b œ b œ œ (non vib.)

Sopr. Solo

In eas - y

F Vn. 1

&

e - ven

nœ.

F espr. bœ b˙ J

Œ #œ F Œ #œ

∑

∑

‰ #œ.

No

∑

∑

Ó

con sord.

∑

p sempre Œ # œ œ œ ≈ œ n œ

non vib.

daz - zling pace

∑

solo

p

˙

dif - fer - ent the Birds

non vib.

≤ Œ #œ π

˙

˙ p

˙

˙ p

echo-like

Vn. 2

≤ w

& w p

poco vib.

P

Vc.

Ó

espr.

≥œ

poco vib.

?

∑

con sord.

∑

Ó

Œ

p espr.

non vib.

≤ Œ #œ π

echo-like

œ œ≤ œ œ œ œ œ œ ≥œ

˙.

Ó π

∑

π

Gn

non vib.

Œ

dramatic; Mahler-like

&

π

∑

˙.

w

# ˙.

∑

w

P

vib. norm.

∑

&

Œ

P espr.

π

echo-like

Cl.

∑

non vib.

non vib.

3

3

π

Œ

∑

12 Resonant

59 Fl. 1

Fl. 2

& w p &

w π

(Alto Fl.)

∑

Ó

∑

non vib.

˙ π

echo-like

Ob.

Cl.

Hn.

∑

& (Bf Cl.)

& Ó

&

N˙ π

˙. P

∑

Œ

pass note to Alto Flute

π

Œ

‰ j œ ˙ π

Hp.

&

∑

Œ

solo

(DCsBlEfFsGA)

∑

?

P

bœ

Œ

Vn. 1

Vn. 2

Vc.

& ˙

˙

∑

≥ ˙

& ˙

Ó

Œ

w P espr. ∑

l.v. molto

Cn

∑

˙. Œ

solo

F

bœ >

≥ ˙

& ˙ ?

∑

π Ó

∑

Ó

j œ ‰ Œ π ≤ bw π

∑

∑

∑

∑

w

w P sempre

espr.

œ

π

‰. r Œ œ œ P f sub. œ Œ Œ

∑

∑

∑

∑

∑

∑

l.v. molto, all the way back to silence

Œ

π

j ‰ œ œ

(non vib.)

≤ Œ œ π

P espr.

rubato

-

œ cept

œ

œ 3b œ J

a

non vib.

Ó

∑

Ó

senza sord.

Ó

∑

via sord.

w

w P sempre espr.

∑ ≥ w

Œ

w P espr.

∑

˙.

˙.

poco vib.

echo-like

poco vib.

echo-like

œ π

Ex

via sord.

w

espr.

∑

Resonant

œ ‰ Œ J π

˙ P sempre

pass note to Clarinet

‰ j Œ œ nœ F Œ Ó

˙

˙

π

melt back into ensemble Sopr. Solo

Nœ π

w

∑

echo-like

&

Ó

pass note to Flute 1

w P

∑

take note from Alto Flute

∑ non vib.

π

Œ

∑

13 pass note to Alto Flute

65 Fl. 1

Fl. 2

& ˙. & Ó

œ

take note from Flute 1

Œ

π

‰ j œ π

espr.

Ob.

&

Hn.

&

Hp.

˙.

Vn. 2

Ó

∑

∑

∑

?

P œ nœ œ.

∑

As

∑

Ó

œ

π j ‰ œ of

& ˙

&

∑

j‰ Œ œ π

œ

Wake

Vn. 1

w

pass note to Cello

&

&

w p sempre

non vib.

∑

rubato Sopr. Solo

∑

poco vib.

∑

&

Cl.

∑

˙

solo

F # œo

p espr.

Mu -

œ œ J

œ

3

-

-

-

-

-

-

∑

Ó Ó

π sempre distant

˙ >

Ó

nœ . ‰ R Œ f f Œ & œ solo

∑

Œ

senza sord.

Œ

∑

Vc.

?

∑

œ≤

π

œ œ œ ˙

p sempre 3

espr.

w

∑ ∑ P espr.

œ œ3 # œ œ -

Ó

-

solo

œ - com -

# œo .

-

‰ π sempre

transparent and distant

≤ ‰ œ J π

non vib.

≥ w P espr.

poco vib.

w

echo-like take note from Clarinet poco vib.

π sempre transparent and distant

Ac -

π

-̇

solo

∑

- sic

Ó

w

rubato

π Œ

˙.

∑

˙.

solo

∑

non vib.

w p

∑

∑

p solo œo Œ ‰ J

Ó

∑

∑

∑ Œ

∑

∑

non vib.

b ˙.

Œ

∑

˙

˙

al pont.

œ

pont.

Œ π

elegant

Ó

14 70 Fl. 1

∑

&

G

∑

Ó

rubato non vib. solo 3

˙ p

œ

˙

F

b˙

mysterious and elegant

Fl. 2

Ob.

∑

&

&

w

œ J ‰ Œ

w

˙

(Bf Cl.)

Cl.

&

Hn.

&

∑

&

∑

Hp.

∑

∑

&

?

∑

∑

∑

Ó

∑

∑

∑

∑

Ó

∑

∑

∑

∑

∑

∑

∑

f # œo

p

Œ

Ó

p ‰ bœ œ Œ J

non vib. Sopr. Solo

& œ -

Vn. 1

Vn. 2

&

-

-

‰ #œ œ ˙ pa - ny

wo

Ó

ord.

# œ≤ ‰ J π

≤ #˙ π

non vib.

echo-like

˙

non vib.

Vc.

their

ȯ .

& œJ ‰ Œ ? Œ

œ

echo-like

œ.

p

w

∑

∑

solo

œ . n >œ b œ Œ œ J 5 P rubato

Œ

˙

∑

∑

∑

∑

π Ó

∑

Bf, An

∑

‰

œ.

solo

F espr.

∑

Œ

bœ

solo

F

∑

œ ‰ J Œ f

(DCBflEfFsGA)

∑

∑

feet

G

∑

≥ ˙ nw p sempre

≥œ ˙ J

∑

Ó

˙

≤ wæ π

tremolo at tip

≤ ˙

˙

π

Ó

∑

˙æ P

al pont.

˙æ

≤ ≥ œœœ œ œ Ó π

pont. 3

elegant

≥ w

w

∑

π ∑

15 H 76 Fl. 1

Fl. 2

Ob.

Cl.

Hn.

Hp.

Sopr. Solo

&

˙.

p

∑

&

˙.

œ ˙ J P espr.

˙

˙

∑ #˙

poco vib.

∑

&

&

Œ π

bœ.

poco vib.

p

#œ p

∑

˙

˙

P

w

Ó

&

&

∑

∑

∑

Œ

?

∑

∑

∑

Ó

∑

#œ #œ œ J œ

œ

non vib.

#˙ p

Œ

As

non vib.

#œ p

non vib. 3

j ‰ ‰ œ p

∑

∑

&

Ó

Œ

Œ

∑

π

P espr.

Œ π

(Alto Fl.)

∑

p #œ.

non vib.

Ó

Ó π

espr.

˙.

P

non vib.

#˙

did

˙.

#œ π

˙.

Œ π

Ó

Œ

Œ π

˙.

solo

∑

o

#œ P

˙

∑

Ó

o bœ

Œ

#œ π

∑

Œ

l.v. molto

p

#œ

3

j œ

Œ

P l.v. molto o ‰ œJ Ó

solo

P

p

Œ

˙

the

p

#œ

Down

H poco vib.

Vn. 1

Vn. 2

&

&

∑

∑

ord.

# œ≤ . π Ó

#œ #˙ J P espr. ≤ ‰ œ.

poco vib.

π

œ≤

poco vib.

Vc.

?

∑

Ó

Œ

π

˙

≥˙

non vib.

˙

≥ ˙

non vib.

P espr. w

P espr.

˙.

˙. w

Œ π

∑

Œ

∑

π

non vib.

˙ p

˙

al pont.

16 81 Fl. 1

∑

&

∑

∑

Ó

˙ π

poco vib.

˙

˙

P espr.

echo-like (Alto Fl.)

Fl. 2

Œ

& œ n˙

∑

poco vib. 3

Ó

Œ

#˙ π

w

Ob.

∑

&

∑

(Bf Cl.)

Cl.

Hn.

solo

& œ n ˙.

w

Ó

˙

P ∑

&

∑

π

∑

∑

˙

p

non vib.

w P espr.

echo-like

˙

non vib.

w

∑

∑

∑

∑

∑

∑

∑

con sord.

non vib.

Ó

˙ p

w

π

sul A (touch 5)

Hp.

&

Fn

?

∑

Ó

solo

F o nœ Œ

∑

o3

œ nœ > f Ó

œ

melt back into ensemble Sopr. Solo

Vn. 1

π Œ

& œ n˙

P

Œ

Œ ∑

bœ

œ

fo œ

Œ

Ó

∑

∑

Œ

Ó

∑

∑

œ bœ bœ œ n˙

œ b ˙.

∑

bœ P

rubato

p

∑

3

P espr.

(non vib.)

5

e - mit

∑

&

nœ

∑

Vn. 2

&

∑

∑

Ó ≤ wo π

echo-like

˙.

pont. Vc.

?

elegant

# w≥

non vib.

π

Œ

∑

ord.

p

Œ

˙

a

sul D poco vib.

∑

œ

w

poco vib.

P espr.

Tune

≤ ˙ π

sul D

echo-like

poco vib.

w P espr.

œ.

w

wo P espr. ˙

j #œ ˙

non vib.

∑

al pont.

˙

w

pont.

(poco vib.)

π

17 I With reverence to all music

87 Fl. 1

& ˙

˙ ( p)

˙

fade to silence early if you run out of air

Fl. 2

Ob.

& w π

∑

&

Ó π

∑

∑

∑

‰ bœ œ

w

solo

Ó

P espr.

p

3

echo-like

∑

∑

solo non vib.

Ó

#˙ π

Ó

Cl.

Hn.

Hp.

&

&

via sord.

Ó

˙ ˙. p sempre

∑

∑

Bn, Fs

?

Ó

senza sord.

∑

&

∑

Ó

Œ

solo

solo

∑ P œ Œ

w

w π

w P espr.

˙.

w P

œ Œ ggg #b œœ Ó gg g nœ Œ gggg œ Ó gg œ g p F

slow, elegant rolls solo

∑

(DCBlEfFsGA)

∑

∑

(non vib.) Sopr. Solo

& Ó

Mu -

w -

˙

-

-

-

-

-

#œ

-

- sic

I With reverence to all music Vn. 1

Vn. 2

& w

non vib.

˙

Ó π

∑

&

Vc.

?

˙

π

˙

ord.

≥

∑

‰

≥

w p

solo

œ. p

≤ #˙ π

w

a -

poco vib.

˙

solo non vib.

non vib. al ord.

Ó

solo

Œ

˙

w P

P

p -

-

3 j b ≥œ œ œ

-

∑

l.v. molto, all the way back to silence

‰ œ.

-

-

-

≤

sit extremely still and motionless

∑

P espr.

3

w p

≥

˙. P

espr.

˙

float

≤ œ œJ ˙ .

˙. P espr.

non vib.

˙

≥

solo

poco vib.

w

Œ π

∑

P espr.

˙

-

π

π

espr.

∑

Ó

∑

poco vib.

w

Œ

w

w P espr.

l.v. molto

p >œ .. R œ

poco vib.

w

non vib.

˙ π

‰ #œ. π

poco vib.

echo-like

∑

œ

œ Œ

π

˙ p

˙ P

sit extremely still and motionless

∑

18 rit. 93 Fl. 1

&

sit extremely still and motionless

∑

Still; portray a motionless sacred space q = 66

∑

# w-

solo

∑

whistle tone is optional

∑

∑

π sempre; distant echo of the harp

(Alto Fl.) solo

Fl. 2

Ob.

& w P espr. & ˙ p

Cl.

Hn.

&

&

w

non vib.

(Bf Cl.)

fade to silence early if you run out of air non vib.

Ó π

sit extremely still and motionless

∑

sit extremely still and motionless

r œ ‰. Œ π

sit extremely still and motionless

∑

Ó

∑

Ó

Œ

∑

w p

w

∑

Ó

∑

∑ sit extremely still and motionless

fade to silence early if you run out of air

w

∑

#œ w π sempre

echo-like

∑

#˙ π

sit extremely still and motionless

Ó

non vib.

w

Œ

con sord.

non vib.

œ p

∑

π

w

w bœ

solo

& Hp.

Sopr. Solo

sit extremely still and motionless

∑

?

∑

&

∑

∑

Vn. 1

Vn. 2

Vc.

∑

&

& ?

˙

j‰ Œ œ π ∑

con sord.

Df, Gs, Af

∑ p sempre

(non vib.)

#œ

#˙

For

rit.

∑ ∑

3

˙

Ec - sta

-

#˙

sy

Still; portray a motionless sacred space q = 66

∑

Ó # ≥˙

of

˙.

sul G non vib.

≥ Œ Nœ ˙. p sempre

∑

∑

∑

œ.

&

ƒ #œ

≥ #˙ π ˙

p sempre

w p sempre

w

w

w

Œ

Œ

Œ

Œ

∑

∑

it

≤ œ

ƒ œ

stand extremely still and motionless

w

˙

con sord. non vib.

non vib.

π

Ó

con sord.

Œ nœ

∑

œ

w w

˙ ˙

al pont.

˙

al pont.

˙

al pont.

˙

19 99 Fl. 1

Fl. 2

Ob.

&

& œ &

˙.

w

Œ

J

Œ

∑

∑

∑

∑

∑

Crotales

To Crotales

∑

∑

brass mallet

∑

sit extremely still and motionless

sit extremely still and motionless

Ó

Bells ring back to silence q = 54

rit.

Ó

solo

bœ f

Œ

∑

∑

sit extremely still and motionless

∑

∑

∑

∑

take Piccolo

to Oboe

l.v. molto sempre

Cl.

&

Crotales

To Crotales

∑

∑

brass mallet

œ

Ó

∑

∑

∑

∑

∑

∑

b >œœ

sit extremely still and motionless

∑

∑

∑

∑

∑

∑

f

Œ

sit extremely still and motionless

∑

solo

to Bf Cl.

l.v. molto sempre fade to silence early if you run out of air

Hn.

& w

sit extremely still and motionless

∑

π

via sord.

l.v. molto

&

∑

&

∑

Œ

solo

Hp.

?

?

bœ

Ó

Ó

solo

f F rich and resonant Œ Ó Ó œ

& &

l.v. molto, all the way back to silence

Sopr. Solo

∑

&

humming (non vib.)

∑

Ó

f # >œ

Œ Œ

sneak into texture

π ˙

Mmm

fade to silence later if you still have air

p

w

π

w

rit.

Vn. 1

Vn. 2

Vc.

pont.

al ord.

poco vib. J ord.

pont.

& w

al ord.

poco vib. ord.

w

al ord.

& w

?

pont.

˙

˙ ˙

˙

˙

poco vib. ord.

˙

˙

˙ ˙

≤ ˙ ≤ ˙ ˙≤

non vib. al pont.

˙

˙ ˙

?

≥ ˙

pont.

œ.

non vib. al pont.

pont.

non vib. al pont.

pont.

≥ ˙

≥˙

∑ Bells ring back to silence q = 54

sit extremely still and motionless

‰ Ó π

sit extremely still and motionless

œ. ‰ Ó π œ.

sit extremely still and motionless

‰ Ó π

∑

via sord.

∑

via sord.

∑

via sord.

20

Interlude "Flock of Birds" Lively and vibrant

Fl. 1

4 &4

∑

q = 104–110 2 4 ‰.

r # œ œ ≈ œ # œ f ƒ

solo

≈

œ ≈ Œ œ > fƒ

animated and dynamic

Fl. 2

4 &4

2 4

∑

∑

∑

≈ b >œ

‰ œ œ b œ >œ ƒF ƒ sub.

∑

Œ

‰.

>œ ≈ R ‰ ç

Œ

r #œ f

blend with pizz.

Piccolo

punchy

Ob.

4 &4

2 4 œr ‰ . > ç

∑

Œ

∑

blend with pizz.

∑

Cl.

2 4

∑

Œ

> ≈ # œR ‰ ç

Œ

punchy

punchy

4 &4

≈ >œ ‰ R ç

blend with pizz.

∑

Bf Clarinet

∑

blend with pizz.

∑

punchy

Hn.

4 &4

4 &4 Hp.

Sopr. Solo

?4 4

4 &4

rubato 5

solo (senza sord.)

˙ > ƒ

b œ 42 r ‰ . œ œ œ#œ >œ P ƒ

œ

Vn. 2

∑

∑

2 4

4 &4

∑

4 &4

∑

(senza sord.)

Œ

Œ

∑

Vc.

∑

(senza sord.)

#œ. œ >œ . >

≈

‰.

≈

∑

∑

∑

∑

Œ

∑

∑

> ≈ # œJ . ç

Œ

2 4 œ > ç

Œ

∑

∑

≈ >œ . J ç

Œ

42

Œ

pizz.

2 4 œ > ç

pizz.

pizz.

? 44

ƒ

‰.

∑

q = 104–110

(senza sord.)

>œ . ≈ J

blend with pizz.

∑

DsCBlEFGsA

Œ

punchy

2 Œ 4 œ > ƒ resonant 2 ∑ 4

∑

r œ ‰. > ç

blend with pizz.

∑

swooping forward with flair

Lively and vibrant Vn. 1

Œ

>œ

ç

∑

∑

&

∑

>œ

ç

Œ

21 œ & œ > ≈ b œ œ n >œ ≈ œ ƒ sempre

6 Fl. 1

Fl. 2

Ob.

Cl.

Hn.

œ bœ

f

‰

>-œ

≈ Œ

ƒ

œ.

˙

π

∑

∑

∑

‰ bœ. π

∑

˙

∑

∑

&

∑

∑

∑

∑

∑

&

&

&

As

∑

∑

∑

∑

Œ

‰

∑

œ J

f resonant ∑

∑

‰

‰

(pizz.)

>0œ J Œ ƒ resonant

(pizz.)

>œ J Œ ƒ resonant 0

Œ

∑

œ F

∑

∑

∑

≤ ‰ bœ. π

˙

˙

˙

œ≤ .

arco

‰

‰ # œJ Œ f

arco

π

?

∑

∑

˙

espr.

∑

>œ J ƒ

˙

˙

∑

‰

∑

espr.

∑

+

+̇

˙ π Œ

∑

espr.

∑

∑

∑

∑

∑

˙

∑ Fs

∑

∑

˙

espr.

˙

˙

espr.

˙≤

arco

Vc.

˙

∑

∑

∑

˙

&

&

Vn. 2

∑

∑

&

Hp.

Vn. 1

fç

∑

&

&

Sopr. Solo

> ≈ # œ œ ≈ Œ

∑

∑

π

˙ espr.

˙

22 13 Fl. 1

A

& #˙ F

œ.

Œ & œr ‰ . > ç punchy (Picc.)

Fl. 2

Ob.

n >œ & R ‰. ç punchy

solo

# œ # œ ≈ # œ > ƒ sempre

Hn.

Hp.

Sopr. Solo

r Œ & # œ ‰. > ç punchy

∑

>œ & # œœ ‰ Œ J ç punchy

∑

+

∑

&

∑

sub.

∑

Œ

Vn. 2

Vc.

≥> Œ & b œR ‰ . ç punchy

∑

≥ # >œ ? R ‰. Œ ß punchy

∑

œ

π

˙

∑

Œ œ

espr.

∑ œ

Œ ‰

∑

∑

∑

f ƒ

≈ # œ

solo

ƒ resonant

œ≤

Œ

π ∑

>œ RÔ ‰ .. ç ∑

∑

∑

Dn, Cs

(DCsBlEFsGsAs)

∑

∑

˙

∑

œ espr.

>œ RÔ ‰ .. ç

‰ bœ œ bœ œ ‰ f F

∑

∑

∑

solo

≈

playful

∑

∑

∑

# >œ

č

with flair

A

Vn. 1

solo > ≈ # œ œ ≈ Œ

∑

>-œ # œ R ‰. # œ #œ #œ ƒ Œ

‰

≥0 > nœ Œ & œR ‰ . ç punchy

∑

playful

N œ ≈ # >œ ‰ n >œ #œ œ F

> Œ & œR ‰ . ç punchy

Œ & #œ > ƒ resonant

∑

∑

(Bf Cl.)

Cl.

π

‰

playful

∑

∑

&

23 œ œ

18 Fl. 1

> & ‰ b œR ≈ ‰ ç punchy

Fl. 2

solo

f

vehement

ƒ

≈

n >œ œ ≈ b œ F

≈

> b œ ≈ ≈ n -œ f

ƒ

> ≈ # œ ‰ R ç

∑

∑

>œ . R ‰ ç punchy

∑

∑

# >œ ≈ R ‰ ç

∑

blend with pizz.

& Œ

bœ

>œ

Œ

Œ

n œ ≈

Œ

‰.

f

#œ

Ob.

& Œ

blend with pizz. Cl.

& Œ

œ œ R π

‰.

punchy

+

blend with pizz.

Hn.

Œ & œr ‰ . > ç punchy & Œ

ƒ

Hp.

& nœ #œ > >

Sopr. Solo

Vn. 1

& Œ

solo pizz.

& œ > f resonant 0

Vc.

∑

Œ

∑

& ‰

solo pizz.

‰.

>œ0

∑

# >œ . ≈ J ƒ

∑

b >œ Œ J ƒ resonant

∑

‰.

arco

‰.

Œ

∑

∑

∑

∑

∑

‰.

Œ

F

˙

˙

œ R Œ

∑

f

∑

˙

∑

Nœ œ R π

œ. #œ R . œ ≈ ≈ ‰

∑

∑

ƒ

∑

ƒ resonant

solo pizz.

Vn. 2

>. >œ # œ

∑

&

∑

ƒ œ R π

punchy

blend with pizz.

>-œ

˙

∑ œ R

∑

ƒ

∑

∑

arco

œ R π

˙

˙

∑

∑

24 œ > # œ # >œ & ≈ b œ ≈ # -œ ≈ F f ƒ

23 Fl. 1

Fl. 2

&

>œ .. RÔ ‰ ç

˙

(Picc.)

espr.

Ob.

Cl.

∑

&

&

(Bf Cl.)

˙

espr.

Hn.

L

& Œ

#œ π

& Œ

Vn. 1

∑

Œ

Œ

˙

∑

∑

arco

#œ π

bœ. ≈ J π

˙

œ J

>œ RÔ ‰ .. ç

Œ

>œ RÔ ‰ .. ç

Œ

˙

Œ

ƒ

b œ≤ . ≈ J π

Œ

espr.

Œ

‰

Œ

ƒ espr.

ƒ espr. ∑

j œ

‰

f espr. ∑

∑

∑

∑

∑

œ J

‰

Œ

ƒ espr.

∑

˙

Œ

∑

˙

∑

˙

‰

∑

#œ. ≈ J

∑

& Œ

œ J

espr.

&

&

˙

˙

∑

˙

≈ b œ . J π

˙

∑

&

ƒ sempre

∑

∑

˙

n >œ >œ >œ >œ # œ bœ œ bœ n œ b œ œ ‰ œ ≈ b >œ

Take Bass Clarinet

&

espr.

Vc.

Œ

#œ ƒ

espr.

Vn. 2

>œ RÔ ‰ .. ç

Œ

∑

Hp.

Sopr. Solo

>œ b >-œ nœ bœ œ œ œ ‰ R ≈ ≈ ≈ ≈ ≈ œ n œ f P

∑ j œ

‰

ƒ espr.

Œ

25 œ & nœ

28 Fl. 1

Fl. 2

&

b >œ

≈

#œ

#œ

∑

>œ # œ

b œ ≈ œ

n >œ

∑

>œ n œ œ bœ > > #œ #œ ≈ œ ≈ œ ≈ œ ç

∑

∑

Cl.

&

∑

∑

∑

&

∑

∑

∑

&

∑

∑

∑

&

Sopr. Solo

Vn. 1

Vn. 2

Vc.

&

&

&

&

Cn, Af

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

(DCBlEFsGsAf)

∑

>œ . Œ R ‰ ç punchy

∑

∑ >œ . ‰ R ß punchy

∑

∑

∑

blend with pizz.

# b œ>œ J ƒ n >œœ J

punchy

∑

∑

sub.

∑

blend with pizz.

∑

#œ # œ n œ ≈ œ œ ≈ ƒF f f b >œ

r Œ # œ ‰. > ç punchy

blend with pizz.

&

Hp.

> œ #œ nœ œ # œ œ œ ≈ f ƒ

∑

Ob.

Hn.

B

Œ

∑

‰

Œ

∑

‰

Œ

∑

∑

# >œ

B pizz.

∑

Œ

∑

>0œ

Œ

∑

>œ

Œ

∑

ƒ

pizz.

ƒ

pizz.

ƒ

26 33 Fl. 1

&

> n œ œ œ œ >œ >œ >œ b œ F

ƒ

sub.

Fl. 2

Ob.

&

&

(Picc.)

∑

∑

œ nœ

# >œ

‰

>œ R ≈ Œ ç

ç

‰

≈ ≈

#œ œ >œ

f

>œ .

ƒ sempre

# >œ >œ

≈

>œ >œ >œ

ƒ sempre

≈

>œ # >œ

take C Flute

∑

˙

# œ ≈ œ n œ

n >œ

> ≈ b œ

œ nœ

∑

Œ

≈ n œ ≈ œ ∑

œ

π

˙ espr.

Cl.

&

∑

∑

∑

∑

∑

Hn.

&

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

‰

&

∑

&

∑

&

∑

arco

&

∑

arco

Hp.

Sopr. Solo

Vn. 1

Vn. 2

Vc.

&

∑

‰

‰

# >œœ œ J

Œ

ƒ resonant

Ef

∑

∑

∑

∑

∑

∑

∑

∑

∑

>≥œ .

ƒ sempre

>≥œ R ≈ Œ ç ∑

˙

∑

∑

Œ

∑

œ≤

π ∑

˙ espr.

∑

>œ

≈

27 # >œ

nœ # œ œ ‰ # œ # œ œ> ≈ ≈ œ ≈ # œ ≈ # œ & f ƒ f F

38 Fl. 1

Fl. 2

∑

& ˙

∑ # >œ R ‰. ç

Œ

n >œ >œ >œ >œ > œ b œ #œ #œ

>œ >œ >œ >œ >œ >œ

ƒ

≈

>œ

œ >œ >œ

rubato

Í

˙ dramatic

∑

∑

∑

∑

∑

∑

∑

∑

Ob.

&

Cl.

&

∑

∑

∑

∑

∑

∑

Hn.

&

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

Hp.

&

Sopr. Solo

Vn. 1

Vn. 2

Vc.

(DCBlEfFsGsAf)

∑

∑

&

&

ƒ resonant # >œ

∑

&

&

b >œ

∑

Œ

∑

∑

∑

# >œ

pizz.

Œ

ƒ

# >œ

(pizz.)

ƒ

An

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

∑

∑

∑

∑

Œ

∑

∑

∑

∑

∑

≥ # >œ R ‰. ç

˙

Œ

28 >œ

C

& R ‰. ç

Œ

&

∑

44 Fl. 1

Fl. 2

‰

C Flute

‰

Jazzy and energized

>œ

˙

p

œ.

RÔ ‰ .. ç

Œ

>œ solo #œ œ ®

˙

nœ

#œ

b œ n œ ≈ œ

bœ

Bf Bass Clarinet

‰

b œ ≈ œ ≈ b œ ≈ R ƒ sempre

‰

≈ r ≈ œ ≈ #œ œ ƒ sempre

≈

œ #œ

ç ƒ sempre

p #œ.

>œ

˙

®

bœ nœ

∑

solo

œ ≈ # œ # œ

b œ ≈ n œ œ

&

Cl.

&

∑

∑

∑

Hn.

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

>œ

solo

& Hp.

&

Sopr. Solo

ç

C

Vn. 1

Vn. 2

Vc.

& Œ

Œ

ç

∑

∑

&

solo arco

≥ # >œ ç

&

∑

&

∑

ç ƒ sempre

p

>œ

Œ

≈

≤ œ #œ f

playful

∑

∑

∑

∑

œ≤ .

≥œ R ≈ p ƒ ‰

≈

≈

∑

Ob.

‰

œ.

# œ≤ .

Bf

?

Jazzy and energized

>œ RÔ ‰ .. ç

˙

‰.

>œ RÔ ‰ .. ç

˙

p ∑

∑

∑

‰.

∑

œ R

#œ

ƒ sempre

œ ≈ # œ # œ

aœ

Aœ

aœ

≈

œ

≈ œ

≈

œ

œ bœ Aœ b œ n œ ≈ n œ ≈ œ R ƒ sempre ?

‰

œ # œ ≈ ≈ œ ≈ R ƒ sempre

arco

29 49 Fl. 1

∑

&

∑

œ #œ ‰ &

Œ

Œ

Ob.

& #œ nœ ‰

Œ

Œ

Cl.

? œ ≈ b œ ‰ . bœ

r Aœ

Hn.

&

‰.

r œ

Fl. 2

#œ

≈

œ nœ

œ

≈

#œ

œ # œ ≈ œ ≈

ƒ sempre

œ œ b œ ≈ œ ≈ b œ ≈ œ ≈ n œ œ ƒ œ # œ ≈ œ # œ œ ≈ ≈ œ # œ # œ ≈ ƒ

‰ b œ œ ≈ œ ≈ b œ ≈ b œ ≈ b œ ≈ bœ œ nœ ‰

œ

# œ ≈ n œ ≈

∑

#œ

∑

#œ #œ

bœ œ

≈

≈

œ #œ œ

bœ œ nœ

≈

≈

œ

#œ

bœ

œ

# œ ≈ œ ≈ Œ œ ≈ b œ

‰

r ≈ #œ

‰

r ≈ œ ≈ ≈ #œ #œ

&

∑

∑

∑

∑

&

∑

∑

∑

∑

Vn. 1

Vn. 2

Vc.

&

œ #œ ‰

& #œ nœ ‰

#œ #œ

solo

bœ œ

nœ ? # œ ≈ œ ‰ .

œ

œ œ A œ ≈

≈ n œ b œ ‰

≈

œ œ ‰

œ R

œ

‰

œ

≈

#œ

œ # œ ≈ œ ≈

œ ≈ b œ ≈ ≈ œ œ # œ œ ≈ œ œ #œ

≈

nœ

≈ # œ

∑

r ≈ œr ‰ . #œ

∑

#œ #œ

bœ œ

‰

‰

œ ≈ b œ

ƒ

bœ

r ≈ ≈ œ # œ ≈ n œ

∑

#œ

‰

≈

#œ

‰

&

solo

œ

≈

r ≈ œ

∑

?

(DCBflEfFsGsA)

Hp.

Sopr. Solo

b œ ≈ n œ n œ

aœ

≈ ‰

Œ

∑

# œ ≈ œ n œ

∑

?

∑

œ

#œ

‰.

bœ R ƒ

œ

≈ ‰

r ≈ œ

‰

‰.

R ƒ

# œ ≈ œ n œ

b œ ≈ n œ n œ

aœ

œ

≈

≈

#œ

bœ

r ≈ ≈ œ # œ ≈ n œ

30 54 Fl. 1

Fl. 2

&

&

#œ nœ

œ nœ

bœ œ

‰

(C Flute)

‰

œ nœ

œ

œ

≈

≈

#œ œ ‰

œ

Œ

#œ œ ‰

#œ

Œ

≈

≈

bœ

nœ

œ nœ œ bœ

œ ≈ œ ≈ # œ

#œ #œ œ bœ

œ ≈ # œ ≈ # œ

bœ œ œ œ

nœ œ œ œ

≈

bœ œ œ œ F

sub.

≈

œ œ œ œ F

sub.

Ob.

& ‰ bœ bœ ‰. > ç (Bass Cl.)

Cl.

Hn.

?

r A >œ ç

omit low C if not available on your instrument

bœ ‰.

r ( œ) > ç

‰

‰. & b >œ b œ nœ ç ƒ

r A >œ ç

‰

œ

≈

(œ ) > çƒ

≈

? ‰.

bœ Œ R ç ç r ≈ ‰ . œ >

‰.

punchy, secco

Hp.

Sopr. Solo

Vn. 1

Vn. 2

œ ≈ œ ≈ ‰ œ b >œ çƒ

? ‰

&

‰

(œ) > çƒ

#œ nœ

œ nœ

‰

≈ b œ n œ n œ œ ≈ œ ≈ ∑

r r n œ ≈ # œ ‰ ç ç r ≈ ‰ . r œ œ >

∑ ∑

∑

bœ œ

‰

œ

œ nœ

œ

œ

≈

≈

# œ œ œ ≈

#œ œ ‰

œ

≈

œ œ œ bœ F

∑

‰

œ

#œ

≈

≈

bœ

nœ

r ≈ ≈ œ œ #œ œ ƒ ∑

Gn

(DCBflEfFsGA)

∑

∑

œ # œ œ ≈

#œ œ ‰

‰

œ ≈ ≈ œ b œ R

sub.

œ ≈ œ ≈ œ b >œ çƒ

∑

&

&

ç r œ >

œ ≈ b œ ≈

# œ ≈ # œ ≈ b œ œ n œ ≈

∑

≈ œ œ œ n œ ƒ sempre solo

Œ

&

Œ

&

∑

œ nœ œ bœ

œ ≈ œ ≈ # œ

#œ #œ œ bœ

œ ≈ # œ ≈ # œ

bœ œ œ œ

nœ œ œ œ

gg n b b œœœ gg gg gg gg gg ƒ gg gg resonant gg gg œ gg

∑

≈

bœ œ œ œ F

sub.

≈

œ œ œ œ F

sub.

Vc.

?

œ

≈

bœ ‰.

>œ çƒ

r œ> ç

‰

œ ≈ b œ ≈

>œ çƒ

œ

≈ b œ n œ n œ œ ≈ œ ≈

&

‰

r ≈ ≈ œ œ #œ nœ

≈ œ œ œ n œ F

sub.

31 D 59 Fl. 1

Fl. 2

Ob.

Cl.

&

œ

J ‰ ƒ

œ J ‰ & ƒ &

œ

Œ

∑

∑

Œ

∑

∑

‰.

Œ

Œ

solo ≈ œ # œ ≈ œ b œ

ƒ P

?

˙

∑

œ J ‰ ƒ ∑ j œ ‰

& œ ≈ œ # œ ≈ œ œ b ˙ P solo

Hn.

ƒ

&

∑

∑

&

∑

∑

&

∑

∑

D

Vn. 1

Vn. 2

Vc.

œ

J ‰ & ƒ œ J ‰ & ƒ & œJ ‰ ƒ

#œ œ R P

Œ

∑

Œ

∑

‰.

Œ

∑

˙

p

# >œ ‰. R f

solo

∑

∑

π

>˙

œ.

bœ œ

P

espr.

playful

∑

∑

∑

∑

Œ

∑

∑

∑

∑

En, Fn, Gs

‰.

∑

solo

∑

Hp.

Sopr. Solo

∑

∑

∑

∑

∑

bœ

r b œ ≈ œ P playful

bœ r œ ≈ œ P playful

solo

solo

∑

œ

œ

≈

≈

œ

≈ n œ œ

# œ ≈ n œ œ solo

∑

n œo

solo

∑ (DCBflEFGsA)

∑

P

o

œ

∑

˙

p

Œ

∑

∑

π

˙

Œ

˙

p sempre ∑

∑

32 65 Fl. 1

Fl. 2

∑

&

&

(C Flute)

∑

∑

#œ œ bœ nœ #œ

‰ œ. œ.

≈ N œ

molto rubato

Ob.

Cl.

Hn.

&

≈

3

Vn. 1

bœ.

solo

P

n˙

∑

∑

˙

˙

˙

˙

˙

˙

3

?

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

&

∑

&

∑

&

∑

n # œœ ‰ J

solo

f

Hp.

Sopr. Solo

∑

& Œ

Vn. 2

&

Vc.

&

# œ≤

π

˙

∑

Œ

‰.

Œ

∑

∑

∑

∑

#œ R

solo

f

œœ ƒ

Œ

∑

∑

∑

∑

∑

˙

≥ # >œ œ≤ . ≈ R p

˙

˙

˙

˙

˙≤

˙

solo

∑

∑

∑

∑

33 E Playful and rigorous

Fl. 1

>œ & R ‰. ç

Fl. 2

>œ & R ‰. ç

Ob.

>œ & R ‰. ç

70

Œ

∑

Œ

Œ

? Œ

(Bass Cl.) solo

Cl.

Hn.

f

& Œ

& Hp.

&

Sopr. Solo

b œ. ≈

œ. œ.

solo

œ. ≈ œ # œ. . f

>œ ƒ resonant

&

œ. ≈ n œ. b œ. ≈

Œ

œ.

∑

∑

∑

b œ. œ ≈ R ‰ ƒ F

∑

∑

∑

∑

#œ

solo

∑

‰

∑

b œ. œ ≈ R ‰ ‰ F ƒ œ

solo

≈ œ. ≈ b œ œ p

≈

œ.

Œ

∑

∑

>œ R f

>œ ≈ œ ≈ ≈ œR ‰ ƒ f

>œ ≈ R ‰ ƒ

vehement

≈ # œ # œ

∑

p

‰.

Œ

‰

œ R ≈ f

r œ ≈ ≈ œ œ > b œ œ n >œ œ f ƒ sempre

solo

animated and dynamic

∑

∑

‰.

solo

∑

∑

Ds, Gn

∑ (DsCBflEFGA)

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

E Playful and rigorous

>œ

pizz. Vn. 1

&

Œ

ç >œ

pizz. Vn. 2

Vc.

&

Œ

ç

& Œ

œ.

solo

?

f

∑ œ. ≈ # œ.

b œ.

≈ œ. ≈

∑ œ. ≈ # œ # œ p

Œ

‰.

Œ >œ R f

solo

‰.

solo arco

>œ ≈ œ ≈ ≈ œR ‰ f ƒ

vehement

≈ r œ ≈ ≈ œ œ > b œ n >œ œ f ƒ sempre animated and dynamic

>œ . ≈ J ƒ

pizz.

‰

œ J f

34 75 Fl. 1

Fl. 2

Ob.

Cl.

Hn.

& ‰

&

(C Flute)

& ?

∑

b œ ≈ ≈ b >œ n œ b œ

solo

œ bœ

f

& ≈

Hp.

&

>œ

ƒ

Œ

(Bass Cl.)

ƒ

r ‰. b >œ ç

Œ

∑

& ‰

Sopr. Solo

r œ ≈ Œ > ç

‰

n >œ ≈ R ‰ ƒ

œ ≈ Œ œ > fç

≈ Œ

r ‰. b >œ ç ≈

Œ

Œ

bœ œ nœ f

∑

∑

∑

#œ œ #œ > ƒ sempre

≈ # œ

# >œ

ƒ >œ

r # œ ‰ n œ ≈ > œ >

Vn. 1

& ‰

Vn. 2

& ≈

Vc.

?

bœ.

j œœ Œ > ƒ resonant

Œ

œ ≈ Œ œ > fç

b >œ n œ b œ

œ bœ

f

arco

ƒ

‰

>œ

≈ r ‰ >œ ç

Œ

∑

Œ

Œ

>œ

∑

∑

∑

ƒ

n >œ ≈ R ‰ ƒ

≈

Œ bœ œ nœ f

solo

# >œ

≈

n œ # œ ≈ œ ≈

f ƒ f

Œ

N œ ≈

f resonant >o œ

∑

N >œ

Œ

#œ œ #œ > ƒ sempre

≈ # œ

ƒ resonant

Œ

∑

∑

≈ Œ

> ‰ bœ nœ p

Œ

Œ

bœ > ƒ

>œ . # œ R ‰ # œ #œ #œ F ƒ

with flair

(pizz.) 0

∑

‰ b œr ≈ > ç

f ƒ f

Œ

N œ ≈

π

≈ r ‰ #œ ƒ

n œ # œ ≈ œ ≈

r ‰. œ > ç

?

≈

œ

Œ

∑

solo

solo

#œ > ƒ

∑

>œ . R ‰ ç

Œ

∑

∑

j œ Œ > ƒ resonant

&

∑

Œ

0

ƒ

arco sul A

œ

π

>œ #œ ‰ nœ # œ R ‰. > œ #œ #œ #œ œ > F ƒ

r ≈ œ ‰ #œ ƒ

sub. with flair

‰ b œr ≈ > ç

Œ

> ‰ bœ nœ p

35 80 Fl. 1

&

˙

>œ .. RÔ ‰ ç

œ

∑

∑

∑

dramatic

Fl. 2

& ‰

Ob.

&

Cl.

? ≈ b >œ œ ≈ ‰ . P

Hn.

Hp.

Sopr. Solo

Vn. 1

solo

bœ œ bœ œ F playful

≈

œ ≈ ≈ # >œ ≈ #œ #œ > f ƒ

∑

& ‰

solo

bœ œ bœ œ F playful

&

∑

?

∑

&

∑

&

‰

Œ

∑ bœ R

nœ > ‰ bœ

ƒ sempre ‰

nœ

>œ

≈ œ F

with flair

Œ

‰

Cs, Bn, Ef

∑

∑

∑

∑

Œ

Vn. 2

Vc.

? ≈ b >œ œ ≈ ‰ . P

solo

bœ nœ bœ nœ F playful

‰

≈ bœ R

œ ≈ ≈ # >œ ≈ #œ #œ > f ƒ

nœ > ‰ bœ

ƒ sempre

nœ

>œ

≈ œ F

∑

‰

>œ bœ R ≈ ≈ > ≈ n >œ ƒ

f

ƒ

n >œ R Œ

ƒ resonant ∑

∑

b œ œ b œ >œ ‰ . bœ R ƒ with flair

‰.

∑

∑

> œ b >œ ≈ œ

∑

(DsCsBlEfFGA)

œ n œ œ b œ ≈ œ œ b œ > ≈ > ≈ f ƒ vehement F

œ œ R π

Œ

Œ

∑

‰

dramatic

& ‰

r œ œ bœ ‰. F f

∑

>œ RÔ ‰ .. ç

>œ bœ R ≈ ≈ > ≈ n >œ ƒ

‰

b œ ≈ ≈ n >œ Œ ƒ f ‰.

∑

b œ œ b œ >œ ‰ . bœ R ƒ

∑

œ

œ n œ œ b œ ≈ œ œ b œ > ≈ > ≈ f ƒ vehement F

∑

∑

˙

‰

∑

b œ ≈ ≈ n >œ Œ ƒ f ‰.

Œ

œo œo R π > œ b >œ ≈ œ

f

ƒ

36 85 Fl. 1

(C Flute)

Fl. 2

Ob.

& Œ

&

œ R π

‰.

& Œ

nœ f

˙

≈ # œ

>-œ ƒ

(Bass Cl.)

Cl.

Hn.

? œ

# œ ≈ œ ≈ # >œ #œ œ F

Sopr. Solo

Vn. 1

Vn. 2

Vc.

?

∑

&

∑

& Œ

&

œ. ≈ œ œ ≈ R ‰ . f F

≈

˙

œ

ȯ

? œ

nœ f

resonant

≈ # œ

>-œ ƒ

≈ œ ≈ # >œ #œ œ #œ F

∑

ç

bœ F

∑

Œ

∑

Œ

# -œ f ƒ>

≈ œ # >œ

≈ b œJ . π

Œ

Œ

∑

‰

r œ ≈ ‰ . >

œ R

#œ π

# >œ ≈ ≈ œ ‰

#œ > ƒ resonant

Œ Œ

∑

∑

œo

œ ≈ n œ ≈ ‰ n œ # œ ‰ > ƒ sempre

#œ f ƒ>-

≈ œ # >œ

#œ ƒ π sub. r œ ≈ ‰ . >

‰

r œ ≈ b œ b œ ≈ œ f P

# >œ ≈ ≈ œ ‰

&

> ≈ b œJ . ƒ resonant > ≈ # œJ .

∑

˙ œ R

œ œ ≈ œ # œ ≈ ≈ n œ

∑

∑

≈ œ

P

> ≈ œ œ ≈ ≈ b -œ> œ n œ

˙

∑

bœ F

#œ #œ

˙

∑

≈

∑

r œ ≈ b œ b œ ≈ œ f P

∑

œ. ≈ œ œ ≈ R ‰ . f F

ȯ

≈ œ

ƒ

œ ≈ n œ ≈ ‰ n œ # œ ‰ > ƒ sempre

>œ R ƒ

‰.

˙

dramatic

∑

&

& ΠHp.

˙

> ≈ œ œ ≈ ≈ b -œ> œ n œ

˙ #œ #œ

P

œ œ ≈ œ # œ ≈ ≈ n œ

37 90 Fl. 1

Fl. 2

Ob.

Cl.

Hn.

&

˙

œ ‰. R ƒ

> > > > bœ œ bœ nœ œ œ œ œ #œ b >œ

& Œ

‰

& bœ bœ ‰ f

r œ ‰.

? ‰

œ ≈ n œ ≈ ‰ ƒ sempre

&

#œ

nœ

Œ

f

ƒ sempre

espr.

∑

bœ œ n œ > ≈ œ

∑

#œ

>œ # œ

bœ

∑

œ b œ b œ b œ n œ ≈

r ‰. œ ƒ

˙

∑

≈ n >œ ‰ R

Œ

≈ œ

n >œ

∑

≈ >œ œ ≈ œ # >œ ≈ œ

∑ œ

Œ

ƒ

nœ œ

>œ

ç

bœ

∑

≈ ≈ >œ b œ b œ ≈ œ ≈ n >œ b œ œ ≈ œ ≈ b œ

∑

∑

∑

&

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

Sopr. Solo

&

∑

∑

∑

∑

∑

Vn. 1

& bœ bœ ‰

Hp.

Vn. 2

&

˙ espr.

Vc.

? ‰

bœ œ ≈

œ b œ n œ n >œ >œ >œ >œ # œ b >œ ƒ sempre

r ‰. œ ƒ

n œ ≈ ≈ ‰ #œ œ nœ ƒ sempre

bœ œ n œ > ≈ œ

Œ œ b œ b œ b œ n œ ≈

#œ

>œ # œ

bœ

∑

≈ n >œ ‰ R

nœ ≈ œ > ≈ >œ œ ≈ ∑

Œ

œ ƒ

∑

œ # >œ ≈ œ ƒ

œ œ

>œ

ç

bœ

≈ ≈ >œ b œ b œ ≈ œ ≈ n >œ b œ œ ≈ œ ≈ b œ

38 b >œ ‰ . R ƒ

>œ .

˙

Fl. 1

b >œ & R ‰. ƒ

Fl. 2

n œ >œ œ # œ œ ≈ & œ œ f ƒ

> # >œ # œ >œ # œR # œ n œ œ œ œ >œ >œ >œ b >œ œ n œ b œ n œ ≈ > œ œ œ ≈ ≈ ≈ b œ ‰. ƒF F ƒ ç ƒ f f f

r & œ ‰. > ƒ

r œ ‰. > ƒ

95

Œ

(C Flute)

sub.

Ob.

Œ

(Bass Cl.)

Cl.

Hn.

Hp.

Sopr. Solo

? b œ ≈

œ œ #œ

≈ n œ ≈

> & # œœ ƒ

# >œ œ ƒ

&

∑

&

∑

b >œ

pizz.

Œ

œ ≈ ≈ # œ œ b œ œ ≈ r œ ‰. > ƒ

∑

ƒ

∑

F

Œ

∑

∑

Œ

∑

‰.

# >œ ‰ J

sempre

Œ

ƒ

∑

>≥œ .

arco

∑

b >œ # >œ ≈ >œ >œ >œ ≈ >œ

secco

∑

∑

Œ

# œ # œ œ n œ ≈ n œ œ œ ∑

ƒ resonant

∑

‰

a >œ R ƒ

ƒ

∑

Df

∑

b >œ

ƒ

# >œ >œ ≈ >œ >œ >œ ≈ >œ

> ≈ b œ ≈ b œ >œ œ # œ œ œ ≈ n œ b œ œ ≈ œ ≈ F ƒ sempre

∑

Œ

‰

sub.

sub.

& œ ≈ ≈ Œ > ƒ b >œ f Œ

Œ

∑

∑

˙≤

Vn. 1

&

Vn. 2

> œ #œ nœ œ & œ œ œ ≈ f ƒ

# >œ >œ ≈ >œ >œ >œ ≈ >œ >œ >œ >œ b >œ œ n œ # >œ œ œ œ # œ > # œ b œ n œ ≈ > œ œ œ n œ ≈ ≈ ≈ b œ œ ƒF ƒ ç F f f f ƒ sempre

? b œ ≈ b œ ≈ ≈ œ œ #œ nœ

œ ≈ ≈ # n œœ œ b œ œ ≈

ƒ

sub.

Vc.

ƒ

sub.

ƒ

F

ƒ

sub.

> ≈ b œ ≈ b œ >œ œ # œ œ œ ≈ n œ b œ œ ≈ œ ≈ F ƒ sempre

# œ # œ œ n œ ≈ n œ œ œ

39 œ

100 Fl. 1

Fl. 2

Ob.

& Œ

&

# >œ

˙

π # œ ≈ œ n œ

# >œ & R ‰.

n >œ

> ≈ b œ

∑

? ≈ n œ ≈ œ N œ ≈ b œ œ >

Hn.

&

‰

œ >-

bœ . ‰

∑

&

∑

Vn. 1

& Œ # >œ

‰

?

‰

œ≤

f resonant

j Œ œ

∑

(DfCsBlEfFGA)

∑

˙

n >œ >œ >œ >œ > œ b œ œ #œ ƒ sempre

∑

∑

> ≈ b œ œ n œ b œ ≈ n œ ≈ ‰ > ∑

# >œ ‰ . R ç b >œ ‰ . R

punchy

∑

˙

π

œ ≈ # œ ≈ œ œ>

∑

∑

# œ ≈ œ n œ

# œ ≈ n œ ≈ ≈ # œ > œ #œ ƒ f F

∑

∑

Hp.

Sopr. Solo

r œ>

∑

Œ ∑

∑

b œ œ ≈ ≈ >œ ≈ # œ ‰ # œ # œ ≈ œ nœ œ >œ ƒ f

Cl.

&

Œ

punchy

Œ

b >œ & R ‰.

# >œ ‰ . R ç

˙

∑

Œ

∑

Œ

∑

∑

≥ # >œ ‰ . R ç

# >œ ≈ ≈ œ bœ œ R

∑

Œ

∑

punchy

n >œ

≈

b >œ

Vn. 2

&

Vc.

? ≈ œ n œ ≈ N œ ≈ b œ >œ

b œ n œ ≈

‰

nœ

œ. π

≈

œ ≈ # œ œ ‰ # œ # œ œ ≈ # >œ ≈ n œ œ ≈ # œ ≈ # œ œ > > ƒ f f F ˙ espr.

b >œ ‰ . R ç

punchy

Œ

n >œ >œ >œ >œ > œ b œ œ #œ ƒ sempre

∑

40 105 Fl. 1

∑

&

&

∑

>œ >œ >œ >œ >œ >œ ≈ >œ

>œ R ‰.

>œ >œ >œ >œ >œ ≈ >œ

>œ R ‰.

Œ

b >œ ≈ ≈

b >œ >œ R ‰.

(C Flute) Fl. 2

F

Ob.

& ≈

Cl.

? ≈ œ #œ b œ ≈ > ≈ œ ≈ >

ƒ

(Bass Cl.)

Œ

r œ ‰. > p

>œ ‰ . R π

∑

r œ ‰. > p

r œ ‰. > π

‰.

>œ # œ R p

r œ ‰. > p

r œ ‰. > π

‰.

>œ œ # œ ≈ œ R p

çç

∑ #œ

≈ œ

&

‰.

∑

r r ‰. œ œ > > çç

‰

b œ ≈ ‰ . R

∑

∑

∑

∑

∑

Œ

∑

∑

∑

∑

∑

solo

œ #œ p

punchy

Hn.

‰

nœ R ≈ ‰ .

≈

≈

œ

nœ R nœ R

#œ

# œ ≈

F

punchy

& Hp.

Sopr. Solo

Vn. 1

Vn. 2

Vc.

?

&

&

& ?

∑

∑

Dn, Cn, En

(DCBlEFGA)

∑

∑

∑

∑ >œ >œ >œ >œ >œ >œ ≈ >œ

∑

œœ > p

∑

F

‰.

>œ R ‰.

‰.

n œœ n œœ > π ∑

n n >œœ F

∑

≥ ≤ r r ‰. bœ œ > > çç punchy

Œ >≥œ >œ≤ R R ‰. çç punchy

pizz.

œ > P

œ p>

pizz.

œœ > p

œ > P >œ

pizz.

P

0

>œ

p

‰.

#œ >œ # œ R p sempre

‰.

>œ œ # œ ≈ œ R p sempre

(pizz.)

arco

∑

œ

‰

nœ R ≈ ‰ .

‰

b œ ≈ Œ R ∑

nœ R

41 110 Fl. 1

Fl. 2

Ob.

Cl.

Hn.

Hp.

Sopr. Solo

Vn. 1

Vn. 2

Vc.

∑

&

∑

& ‰

œ R ≈ ‰ .

œ R

& ‰

œ R ≈ ‰ .

œ R

∑

‰

œ bœ bœ R ≈ ‰ F

Œ

‰

bœ R ≈ œ œ ‰ F

Œ

? nœ ‰ œ b œ œ A œ ≈ > ≈ n œ # œ ≈ b œ ≈ œ b œ > > p F P &

∑

&

∑

?

>œ ≈ œ b œ

ƒ

>œ b œ >œ ≈ # œ ≈ ≈ ≈ f ƒ f

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

?

∑

‰

œ J

bœ bœ.

∑

(pizz.)

>œ

solo

ƒ resonant

∑

F

Œ

Œ

ƒ

∑

∑

œ R

≈

∑

∑

‰.

F

œ ≈ >œ

∑

∑

œ J

≈

#œ œ

≈

solo

f

Œ

œ œ ≈ b >œ œ ≈ ≈ ≈ F ƒ

≈ r ‰ ≈ ≈ œ ≈ ≈ >œ Œ œ œ> > œ # œ ≈ >œ # >œ > ƒ sempre

> b œ n œ ≈ b œ Œ

blend with pizz.

Ds, Bf, Fs, Af

&

& ‰

r ‰. œ > ß

‰

# >œ œ ≈ ≈ œ ≈ R f ƒ f

‰ >œ ≈ œ b œ

ƒ ∑

# >œ œ ≈ ≈ œ ≈ R f ƒ f

arco

>œ b œ >œ ≈ # œ ≈ ≈ ≈ f ƒ f ∑

(DsCBflEFsGAf)

∑

∑

œ œ ≈ b >œ ≈ œ ≈ ≈ F ƒ ≈

#œ œ

F

œ ≈ >œ

≈

ƒ

∑

≈

42 115 G Fl. 1

∑

&

(C Flute)

Fl. 2

Ob.

Cl.

Hn.

& Œ

F

&

∑

∑

?

b >œ ƒ

Vn. 1

& Œ

Vn. 2

& Π?

Œ

bubbly and colorful

∑

œ ≈ ≈ # œ Œ ƒ f

∑

∑

∑

∑

∑

∑

∑

∑

nœ

ç

ƒ

An

∑

#œ

#œ

∑

F

f

# >œ ‰ J ƒ

œ

bœ

‰

œ

pizz.

pizz.

F ∑

∑

œ

f

f

Œ

b >œ

∑

&

G

Vc.

œ

∑

# >œ ‰ R ≈ Œ ƒ ∑

#œ

Œ

ƒ

>œ R ≈ Œ ƒ

∑

&

Sopr. Solo

f

≈

‰

?

solo

Hp.

œ ≈ b œ ≈ F f œ ≈ œ

& Œ

# œ ≈ ≈ # œ

∑

Œ

>œ J

∑

solo

b >œœ ..

œœ ..

œ œ p

≈

# œ. ≈

∑

∑

∑

∑

‰

œ œ œ

≈ r ‰ b œ.

∑

solo col legno battuto

j œ p

≈ j # œ. .

∑

Œ

≈

œ.

≈ J

Œ

Œ

ƒ

‰

∑ Cs

∑

∑

≈

arco norm.

œ œ œ

col legno battuto

‰

œ œ p

col legno battuto

arco norm.

≈ r ‰ b œ.

∑ solo arco

‰ bœ œ > >

‰ bœ œ > > ∑

arco norm.

≈ b œ ≈ ≈ . #œ nœAœ œ .

col legno battuto

r ≈ n œ. ‰

arco norm.

> ‰ b œ œ>

43

Fl. 1

Fl. 2

Ob.

Cl.

Hn.

Hp.

Sopr. Solo

120

&

∑

∑

∑

&

∑

∑

∑

Œ

#œ # œ ≈

&

∑

∑

∑

Œ

≈ œ

?

& ‰.

r n œ b œ œ> ≈ œ > f

∑

Œ

‰

œ #œ

solo

ƒ sempre

∑

ƒ

bœ ƒ

>œ

>œ ≈ œ ≈ # œ R ‰ .

b >œ

> ≈ b œ ≈ b œ n œR ‰ .

œ # œ œ # œ ≈ œ ≈ œ # œ ≈ œ ≈ ‰ n >œ b >œ

>œ . ‰ b œ b >œ ≈ >œ œ n >œ ≈ ≈ bœ bœ Aœ R > nœ > P ƒ sempre

∑

∑

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

Vn. 1

& ‰.

Vn. 2

&

Vc.

∑

(Bass Cl.)

∑

? ‰.

r n œ b œ œ> ≈ œ > f ∑ > r n œ n œ œ ≈ #œ > f

> b œ b >œ ≈ >œ œ n œ ‰ > Œ

‰.

œ #œ œ #œ

∑

ƒ

r b œ ≈ A œ >œ ≈ n œ #œ bœ œ > ƒ sempre P

∑

arco

b >œ >œ ≈ >œ œ # >œ ≈

nœ > P

b œ ≈ n œ A œ

>œ

≈ n œ b œ

ƒ sempre

bœ

≈ œ ≈ n œ

œ ≈ n œ

≈ ‰

n >œ

# >œ

∑

≈ ≈ n œ # œ ≈ # œ ≈ ‰ œ bœ œ bœ

œ nœ > >

44 œ œ œ ≈ œ R ƒ sempre

solo

125 Fl. 1

Fl. 2

Ob.

Cl.

Hn.

Hp.

Sopr. Solo

& ‰.

&

(C Flute)

& ≈ ?

# œ œ œ œ œ ≈ œ

solo

ƒ sempre

(Bass Cl.)

(solo)

> b >œ ≈ œ >œ

∑ # œ œ ≈ œ œ R ‰.

‰

>œ # >œ

∑

∑

&

∑

∑

∑

&

∑

∑

∑

?

∑

∑

&

∑

∑

Vn. 1

Vn. 2

& ≈ ?

œ œ œ ≈ œ R ƒ sempre

solo

# œ œ œ œ œ ≈ œ

solo

ƒ sempre

∑

> n >œ ≈ œ ≈

∑

∑

≈ œ ≈ œ ≈ b œ ≈ bœ F

œ ≈ œ # œ n œ œ ≈ n œ

≈

œ ≈ œ # œ # œ œ ≈ n œ

‰

œ F

≈ œ

?

∑

r b œ ≈ ‰ . f

# œ œ ≈ œ œ R ‰.

> b >œ ≈ œ >œ

‰

>œ # >œ

∑

≈ b œ ≈ #œ R ƒ

blend with pizz.

≈

>œ ≈ b >œ

ƒ sempre

ƒ sempre

∑

∑

‰

r # œ ≈ ‰ .

‰

r b œ ≈ ‰ .

œ R

∑

#œ R

∑

blend with pizz.

f

∑

(solo)

œ

∑

(DsCsBflEFsGA)

œ œ ≈ œ œ ≈ >œ b œ

∑

≈

>œ ≈ b >œ

∑

∑

& ‰.

Vc.

∑

œ œ ≈ œ œ ≈ >œ b œ

ƒ

∑

∑

≈ œ ≈ œ ≈ b œ ≈ bœ F

œ ≈ œ # œ n œ œ ≈ n œ

∑

∑

> n >œ ≈ œ ≈

‰

j #œ f

pizz.

‰.

œ R ƒ

ƒ sempre

∑

45 130

œ ≈ ≈ œ

≈

œ œ

bœ

Fl. 1

&

Fl. 2

& œ ≈ ≈ œ ≈ œ œ N œ

Ob.

Cl.

Hn.

Hp.

Sopr. Solo

ƒ sempre

œ ≈ ≈ œ ≈ œ œ & ?

∑

&

∑

?

∑

&

œ ≈ ≈ œ

‰

ƒ sempre

œ

œ nœ

bœ œ

bœ nœ œ R ≈ ‰

‰

nœ

œ #œ

œ

œ bœ

bœ

bœ

œ #œ

#œ

œ ≈

‰

œ œ bœ

≈

bœ

nœ

∑

≈ ≈

nœ

œ #œ

nœ œ

≈ b œ œ œ ‰

‰

≈ œ n œ ‰ bœ

‰

œ

œ

bœ

œ œ bœ

≈

œ

nœ

# œ >œ

n œ ≈

≈ r ‰ œ

‰

≈ b œ œ ≈ bœ nœ

≈ r ‰ bœ

‰

≈

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

≈

œ œ

≈

bœ

œ

œ œ œ

H

‰

œ œ bœ R ≈ ‰

# œ ≈ ≈ œ ‰ œ ≈ ≈ b œ

‰

Œ

œ bœ nœ

œ

≈

œ #œ bœ

bœ

œ

œ nœ

bœ œ

≈ œ n œ ‰ bœ

‰

≈ b œ œ œ ‰

‰

œ ≈

‰

œ œ bœ

≈ b œ œ ≈ bœ nœ œ

œ

‰

∑

# œ ≈

‰

n œ >œ

∑

Vn. 2

≈ ≈

≈

œ

∑

# œ ≈ ≈ œ ‰ ƒ sempre

œ ≈ ≈ œ ≈ œ œ & ƒ sempre œ

Œ

∑

ƒ sempre

&

arco

œ œ bœ R ≈ ‰

œ ≈ ≈ b œ

Vn. 1

Vc.

‰

Df, Cn, Ff, Af

?

?

nœ

H

≈

bœ

n œ ≈

≈

bœ

nœ

n œ >œ

≈ r ‰ bœ

‰

≈ r ‰ œ

‰

‰

œ œ

œ bœ

‰

œ bœ œ œ

46 I 135 Fl. 1

∑

&

(C Flute)

Fl. 2

& Œ

‰

‰

∑ #œ œ

Nœ œ. ≈ R

nœ œ

bœ œ. ≈ R

f

∑

˙

Cl.

? œ .. R bœ

˙

˙

r & œ b œ ..

˙

˙

(Bass Cl.)

espr.

Hn.

espr.

? Hp.

Sopr. Solo

Vn. 1

Vn. 2

∑

?

∑

∑

&

∑

∑

& Œ

‰

r & œ b œ ..

espr.

Vc.

∑

? œ b œ .. R

espr.

œ œ

bœ œ. ≈ R

∑

espr.

˙

Œ

(DfCBflEFfGAf)

˙

˙

r ‰. œ ≈ >œ #œ œ ƒ sempre œ bœ nœ œ œ > œ bœ nœ

∑

ƒ espr.

&

œ bœ œ ≈ œ b œ n œ

ƒ sempre

∑

ƒ espr.

& Œ

f

∑

˙

Ob.

b >œ

ƒ sempre

∑

b œ ≈ b œ b œ ≈ œ ≈ œ ƒ > sempre

∑

≈ œ ≈ b œ ≈ > bœ nœ bœ ƒ sempre

‰

∑

∑

∑

∑

œ

b >œ

nœ

ƒ sempre

bœ Cf

∑

∑

Œ

‰.

Œ

pizz.

b >œ

bœ

œ0 bœ J ƒ sempre

œ

pizz.

‰

I

œ R

ƒ sempre

pizz.

˙

˙

∑

bœ ƒ

sempre

bœ bœ bœ œ >

œ

47 140

bœ

œ bœ nœ

nœ bœ œ

b œ œ ≈ nœ bœ

≈ n œ ≈

nœ œ b œ ≈ œ œ

nœ œ œ

œ bœ ≈

Fl. 1

& ≈

Fl. 2

& œ ≈ ≈ bœ

Ob.

& ≈

Cl.

? œ ≈ ≈ œ

Hn.

& œ ≈ ≈

bœ

nœ

≈ bœ bœ œ

b b œœ .. & ≈ J Hp.

Sopr. Solo

Vn. 1

Vn. 2

Vc.

∑

&

∑

bœ. J & ≈

≈ œJ . 0

nœ

nœ

œ)

bœ œ

>œ >œ >œ >œ >œ >œ ≈ ≈

>œ >œ >œ >œ >œ >œ ≈

≈ b œ œ ≈

take Piccolo

∑

∑

œ ≈ œ b >œ

≈

≈ n œ ≈ b œ ≈ œ # œ ≈ ≈ n œ ≈

Ef

œ. ≈ J

bœ. & ≈ J

(

≈ b œ œ ≈

œ

bœ. ≈ J

œ. ≈ J

?

? œ.

b œ œ ≈

≈

œ ≈ œ n >œ

bœ. ≈ J

‰.

b >œ R

Œ

‰

j Œ bœ ç

‰.

r œ Œ ç

≈ r ‰ œ ƒ

Œ

‰

j Œ #œ ç

‰.

r Œ œ ç

blend with pizz.

∑

∑

≈ n œ

œ #œ b œ ≈

≈ ≈ b œ

≈ r ‰ œ ƒ

∑

‰.

≈

> bœ nœ #œ

blend with pizz.

∑

œ. ≈ J

≈ ≈

#œ

œ bœ

∑

b >œ ≈ >œ >œ >œ >œ ≈ >œ b >œ >œ ≈ >œ >œ >œ >œ

∑

‰.

≈

>œ bœ œ

∑ Cs, Es, Fs, Gf, An

∑

&

n >œ J ‰ ƒ # b œ>œ J ‰

∑

bœ

œ

Œ Œ

∑

optional arco, if pizz. is too hard at this tempo

n >œ R

∑

>œ bœ œ

∑

ƒ

≈ ≈

#œ

œ bœ

optional arco, if pizz. is too hard at this tempo

b >œ R

∑ ≈ n œR ‰ ç

# >œ bœ œ

∑

Œ

‰ # œJ ç

ƒ

Œ

‰.

≈ Œ œ R Œ ç

48 œ ≈ R ‰ F solo

145

≈

œ œ œ

≈

œ

˙

˙

Fl. 1

&

∑

Fl. 2

&

∑

∑

∑

∑

∑

Ob.

&

∑

∑

∑

∑

∑

∑

∑

∑

Cl.

Hn.

?

Œ

œ œ p

œ

(Bass Cl.)

#œ œ œ ≈ œ b œ œ ≈ ≈ n œ ≈ n œ œ # œ œ > ƒ ƒ P

&

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

œ œ bœ ≈ œ bœ œ > ƒ solo # œ Œ ≈ R ‰ F

∑

∑

∑

Hp.

Sopr. Solo

Vn. 1

∑

& arco

Vn. 2

Vc.

b œ ≈ b œ ≈ ≈ & œ b œ œ ƒ P ?

œ

arco

œ P

#œ œ œ ≈ œ b œ œ ≈ ≈ n œ ≈ n œ œ #œ œ > ƒ ƒ P

arco

#œ œ p

≈

œ œ œ

∑

≈

œ

˙

˙

∑

∑

49 #œ œ

J 150

≈

œ # œ ≈ n œ

#œ

œ ≈ # œ # œ

Fl. 1

& ≈

Fl. 2

&

∑

∑

Ob.

&

∑

∑

Cl.

? œR ‰ . ƒ

Hn.

&

ƒ sempre

Œ

∑

& ≈ Hp.

&

Sopr. Solo

ƒ sempre

Vn. 2

œ ç

& ≈

bœ nœ

? œ ç

bœ

≈

#œ œ

∑

∑

Œ b œ n œ ≈ œ

ƒ sempre

Œ

b œ ≈ n œ œ

Aœ

ƒ sempre

r ‰. œ

Œ

‰

≈ œ # œ n œ ‰

b œ ≈ œ ≈ b œ ≈ R ƒ sempre

arco

‰

œ œ

œ œ A œ ≈

œ bœ ‰

Œ

∑

bœ

≈

∑

r œ ≈ œ ≈ bœ Aœ ‰ bœ

œ ≈ b œ b œ ‰ .

≈

bœ

ƒ sempre

∑

pizz.

Vc.

bœ #œ œ œ œ œ

ƒ sempre

∑

bœ bœ

≈ r ≈ r ‰. ≈ œ bœ œ bœ ƒ

arco

≈

Œ

œ bœ ≈ b œ ≈ œ ≈ œ

∑

∑

‰

‰

Œ

∑

pizz.

&

œ #œ ‰

∑

J

Vn. 1

œ

b œ ≈ œ ≈ b œ ≈ R ƒ sempre

(DfCsBflEsFsGfA)

&

≈

‰

secco

#œ bœ œ œ œ œ œ

aœ

∑

≈

bœ œ nœ

∑ ≈

œ œ

∑

œ #œ nœ #œ ≈ R ≈

‰ Gn

≈

bœ #œ

‰.

œ ≈ b œ b œ ‰ .

œ

≈

r ‰ œ

œ

≈

Ef

∑

œ œ ‰

œ œ œ

≈ ∑

∑

bœ œ

b œ ≈ b œ ≈

∑

œ # œ œ ≈ # œ ≈ n œ ≈

#œ

r œ ≈ œ ≈ b œ Aœ ‰ bœ

œ ≈ b œ ≈ ≈ œ œ œ #œ ≈ œ # œ # œ œ ≈ ≈ ≈

bœ œ nœ

b œ ≈ b œ ≈

50 Intense and jazzy 155

b œ n œ ≈ b œ n œ n œ ≈ b œ

œ

b œ ≈ n œ n œ

œ

≈ b œ

œ nœ

‰

Fl. 1

&

Fl. 2

œ # œ # œ ≈ œ # œ ≈ œ # œ # œ œ n œ a œ # œ ≈ ≈ & #œ nœ ‰ ƒ sempre

Ob.

# œ ≈ œ ≈ Œ & ( ƒ)

œ œ

Piccolo

Cl.

Hn.

?

&

&

œ ≈ b œ

(Bass Cl.)

≈ ‰

Œ

‰

b # œœ

∑

r ≈ œ

‰

r ≈ ‰ #œ ƒ sempre

Œ

Sopr. Solo

∑

&

∑

Vn. 1

Vn. 2

Vc.

& ?

bœ nœ

≈

œ ≈ b œ

bœ nœ nœ

≈ ‰

‰

bœ

œ

r ≈ œ

‰

≈

œ #œ œ

≈

œ ≈ œ ≈ œ bœ

bœ ‰.

r œ >

‰

œ ≈ b œ ≈

≈ b œ ‰ . bœ nœ >

r Aœ > ç

œ

≈

œ >

œ >

œ >

To Crotales

œ ≈ b œ ≈ ≈

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

b œ ≈ n œ n œ

œ

≈

bœ

r ≈ ≈ œ # œ ≈ n œ

nœ

≈

œ nœ

œ

≈

‰. bœ bœ > ‰

œ >

œ œ bœ ‰.

r Aœ > œ

≈

r œ >

‰

œ ≈ œ ≈ œ bœ > >

≈

≈ b œ n œ n œ œ ≈ œ ≈ ∑

≈ r ≈ œ ≈ #œ #œ

œ ≈ # œ

b œ ≈ b œ

≈ b œ œ n œ

∑

Dn, Cn, As

r ≈ #œ

#œ œ ‰ ‰

Intense and jazzy

# œ ≈ n œ ≈ ‰ &

œ ≈

# œ œ ‰ # œ œ œ ≈ # œ ≈ n œ œ ≈ # œ ≈ # œ

r Aœ

∑

Hp.

&

≈ r ≈ œ ≈ #œ #œ

œ

≈

‰. b >œ b œ ( ƒ)

‰

r ≈ ≈ œ # œ ≈ n œ

≈

œ

≈ b œ œ n œ

b œ ≈ b œ

≈

# œ œ ‰ # œ œ œ ≈ # œ ≈ n œ n œœ0 ≈ # œ ≈ # œ

‰

œ >

œ ≈ b œ ≈

œ >

≈ b œ n œ n œ œ ≈ œ ≈

51 160 Fl. 1

Fl. 2

Ob.

Cl.

Hn.

&

#œ #œ œ bœ

nœ

≈ n œ œ

œ b œ b œ ≈ œ œ & œ nœ

≈

≈

nœ #œ œ œ œ

œ

#œ nœ

# œ œ œ œ œ ≈ œ

œ bœ

& ‰

œ ≈ ≈ œ b œ R

œ

œ œ œ

? ‰

œ œ #œ nœ R ≈ ≈

#œ œ œ

≈

‰

‰

œ ≈ >œ >œ

≈

œ

≈

≈

>œ >œ

œ œ

‰

bœ œ.

solo

K Cantabile and suspended

∑

˙

∑

˙

˙

F

espr.

∑

∑

∑

∑

∑

∑

∑

∑

∑

take Bf Clarinet

&

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

Hp.

Sopr. Solo

Vn. 1

Vn. 2

Vc.

& ‰

&

œ ≈ ≈ œ R

#œ #œ œ bœ

? ‰

nœ

≈

bœ œ œ œ

œ #œ nœ œ R ≈ ≈

œ œ œ

≈

≈

œ ≈ >œ >œ

#œ œ œ œ œ

#œ œ œ

≈

œ

≈

≈

œ

>œ >œ

œ œ.

solo

Œ #œ nœ

K Cantabile and suspended

˙

˙

˙

F

espr.

‰

Œ

∑

∑

∑

To Crotales

∑

∑

∑

∑

52 punch out the accents, please

166 Fl. 1

∑

&

Fl. 2

Ob.

Cl.

&

∑

∑

& ?

çf Œ

ç

Œ

œ œ b >œ

∑

b >œ œ ≈ >œ

çf

ç

Œ

>œ œ

çf

≈

∑

>œ

ç

Œ

∑ Bf Clarinet

∑

∑

∑

f

ç

≈ Œ

∑

‰

b >œ R ≈ Œ ç

∑

‰

b >œ R ≈ Œ ç

∑

&

Crotales Hn.

∑

&

∑

∑

&

∑

∑

∑

brass mallet

∑

∑

Sopr. Solo

Vn. 1

Vn. 2

Vc.

&

∑

∑

∑

&

∑

∑

∑

&

& ?

˙

∑

∑

Œ

≥ b >œ œ≤

çf

≈

>≥œ

ç

∑

çf

≈

>≥œ

ç

Œ

∑

Œ

∑

∑

f

ƒ l.v. molto # b b œ>œœ ...

f

brass mallet

*At the moment the crotales ring back to silence, start movement #2.

ç

≥ ≥œ œ≤ >œ

∑

∑

Œ

n n œ>œ ..

≥ b ≥œ œ≤ >œ

Crotales

∑

j b >œ ƒ

∑

punch out the accents, please

>≥œ œ≤

‰

l.v. molto solo sempre

∑

punch out the accents, please

>œ RÔ ‰ .. ç

‰

‰

(DCBflEfFsGAs)

Hp.

ç

b œ œ >œ

∑

Bells ring back to silence *

≈ Œ

f

punch out the accents, please

∑

∑

≈

>œ

punch out the accents, please

>œ RÔ ‰ .. ç

˙

(Picc.)

>œ œ

&

‰

ç

∑ ∑

∑

≈ Œ

≈ Œ

l.v. molto solo sempre

>œ J ƒ

∑

Œ

Bells ring back to silence *

∑

∑

∑

53

II. The most triumphant Bird I ever knew or met Cantabile

Fl. 1

4 &4

∑

q = 80–84

∑

∑

∑

w π

w p

echo-like

Fl. 2

Ob.

Cl.

& 44

Alto Fl.

∑

∑

∑

∑

∑

∑

4 &4

∑

∑

∑

∑

∑

∑

∑

∑

4 &4

Bf Clarinet

∑

bw π

w p

echo-like Hn.

4 &4

∑

∑

∑

w

∑

∑

π

Ó

Œ

bœ π

echo-like

Hp.

4* &4

∑

p elegant ? 4 œo Œ Ó 4 solo

ç > b Œ ≈ œJ . Ó ∑ f blazing, dramatic & resonant bœ Œ Ó ∑

Œ ‰. r Ó bœ p

∑

solo

œo Œ P

resonant and bell-like

∑

Ó

DfCfBflEfFGfAf

Sopr. Solo

4 &4

∑

Vn. 1

Ó

The

Cantabile

4 ** &4

∑

π . Œ ‰ r bœ

∑

q = 80–84

∑

p Œ

˙.

∑

p

∑

4 ** &4

∑

∑

∑

(senza sord.)

≤ bw π

echo-like

Vc.

? 4 ** 4

∑

∑

∑

Œ

≤ w π

w p sempre

w p sempre

∑

F o #œ

π Ó

˙

echo-like

Vn. 2

Es

w

most

con sord.

Ó

∑

solo with cello

w ∑

(senza sord.)

Ó

pizz.

solo with harp

Œ &œ F resonant

and bell-like

*All harp notes (in particular the low notes) should be allowed to ring all the way back to silence except when marked secco or blend with pizz., or when the notation indicates when to dampen the sound.

**All pizz. are l.v. molto with maximum vibrato after the pizz., unless marked with a staccato dot or marked secco.

54 7 Fl. 1

& w

P

& Ó

(Alto Fl.)

Fl. 2

Œ b œ b >œ w bœ F f sempre

Ó

˙ P sempre

echo-like

Ob.

∑

&

Cl.

& Œ b ˙. π

Hp.

& ˙

œ.

?

& Œ bœ

tri -

Vn. 1

Vn. 2

Vc.

-

bœ J

≈ j bœ . p

Œ

˙

˙ P

Œ b œ b >œ bœ F ƒ espr. ∑

majestic

F

˙

- um -

˙

-

-

-

-

-

Ó

∑

∑

∑

F œ œ ≈ b >œ ˙ >

-

˙

˙

Œ bœ ƒ espr.

resonant and bell-like

Ó

>˙ ‰ bœ. f espr.

˙

˙.

F

π

w

j‰ œ π

˙.

Ef

∑

w

∑

rubato

w P sempre ∑

˙ w F sempre

majestic

w P sempre

& w

˙

echo-like

Ó

œ.

& w

&

Ó

P

P

Œ π

∑ solo

∑

sub. echo-like

∑

p

Sopr. Solo

‰

∑

&

˙.

j œ ‰ π

˙. ∑

bœ π

˙. P

echo-like

Hn.

w

∑

(Bf Cl.)

w

majestic; espr.

‰ œj ˙ π

Œ

w

∑

π

w π

echo-like

‰ b œJ Œ Ó F espr. ∑ solo

P Ó

∑

b b œœ f œ

Œ

Ó

Œ

Ó

F œ.

Ó

- phant Bird

≥ ˙

I

˙.

≥ ˙

˙.

≤ ˙ π

w P

arco

echo-like

j œ ‰ π

Œ

via sord.

bœ J

(senza sord.) arco pizz.

∑

bœ f

Œ

pizz.

Œ

≤ ˙ π

resonant echo-like

j‰ œ π

∑

œœ f

Ó

resonant

j ≥ œ œ.

˙

˙

Ó π

55 13 Fl. 1

& b˙ π

˙ F espr.

echo-like

Fl. 2

Ob.

& Ó

‰ œj ˙ π

Œ

echo-like

Cl.

Hn.

Hp.

∑

&

& w P sempre

?

espr.

‰ œj f

Œ

rubato

Vn. 1

∑

Œ ‰

& b œ œ b œ b œ . b >œ ˙

& ˙

˙

F espr. ≤

∑ Ó

F f

Œ

solo

bœ

P

f

3

Sopr. Solo

˙

bœ f

bœ

Œ ‰ j bœ π P

solo

∑ F

˙ P

˙

˙

bœ >

Œ ‰

bœ f

∑

Vn. 2

‰

3

bœ π

˙

echo-like

Vc.

& Ó

≥ b˙ F espr.

˙

ƒ espr.

˙

˙ ˙ f espr.

b >˙

ƒ espr.

b b >œœ ƒ

˙

˙

˙ ˙ f espr.

Œ

b >œ

ç

˙

˙

P

f

>œ RÔ ‰ .. ç

Œ Ó

>œ RÔ ‰ .. ç

Œ Ó

dramatic

˙

˙

P

dramatic

˙ P

˙

Kr œ ‰ .. Œ Ó > ç

dramatic

˙

˙

P

>œ RÔ ‰ .. ç

˙ P

˙

rK ‰ .. œ > ç

Œ

Ó

Œ Ó

dramatic

Œ Ó

∑

∑

∑

∑

Ó

∑

f espr. F > ‰ .. b œ b œ œ . ‰ RÔ

f œ

Œ Ó

dramatic

All notes (in particular the low ones) should be allowed to ring all the way back to silence.

∑

solo

f o b œ b œo ‰ ‰ J 3

I

w

˙

≤ b >˙

F

arco

& Œ

˙

˙

bœ

˙

ƒ espr.

b >˙

Ó

w

& Ó

f

œ ‰ bœ bœ f f

˙ P

‰ œj œj ‰ Œ Ó p f

Œ

& Ó

˙

b >˙

b >˙

w F espr. ˙.

w Œ π

≤ Œ ‰. bœ ˙ R P

≥ b >˙

˙

˙≤

ƒ

P

≥ ˙ ˙ ƒ espr.

≤ ˙ P

espr.

≥ ˙

ƒ espr.

˙

≤ ˙

P

˙

>œ RÔ ‰ .. ç

Œ Ó

dramatic

˙

Kr ‰ .. œ > ç

Œ Ó

>œ .. ‰ RÔ ç

Œ Ó

dramatic

˙

dramatic

56 19 Fl. 1

&

A

(Alto Fl.)

Fl. 2

&

Ob.

& Ó & Œ

Hn.

& Œ

Hp.

Œ

∑

Œ

˙

b ˙. π echo-like ‰

j bœ ˙ π echo-like ∑

& ? Ó

(DfCfBflEfFGfAf)

P & bœ bœ bœ rubato

Sopr. Solo

ev -

Vn. 1

Vn. 2

Vc.

&

A

-

Œ

solo

F j nœ bœ

- er

knew

∑

‰ ‰ œj ˙ π echo-like 3

w

b ˙. π echo-like

ƒ espr.

w

w

w

Ó

Œ ∑

bœ ‰ bœ J

or

con sord.

œ

bœ

3

met

j œ ˙

≥ w π echo-like

‰ bœ J f

solo

F

Œ

b ˙.

π

echo-like

∑

F

∑

F

Ó Œ

∑

F

w

w

∑

F

w

w

π echo-like

(Bf Cl.)

Cl.

∑

&

f bœ bœ

œ

P Œ

œ

≤ ˙.

‰ Ó

bœ

b >œ

bright

bœ

ƒ

Œ

∑ ∑ P F espr. b˙ œ œ

Ó

Em - barked

œ

&

∑

∑

∑

(senza sord.)

&

∑

∑

∑

(senza sord.)

≤ œ p ≤ w π

b ≥˙ .

F espr. b˙

≥ œ F

57 23 Fl. 1

trill-like rubato

3

3

& Nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ P p trill-like rubato

Fl. 2

Ob.

Cl.

Hn.

Hp.

Sopr. Solo

Vn. 1

Vn. 2

Vc.

3

3

& œœœœœœœœœœœœœœœœœ œ œ œ œ œ œœœœœ œœ P p &

3

3

w

P

˙ π

& Ó

Œ

f j3 œ bœ

Bn

∑

∑

Œ

π

> n b œœ

∑

ƒ Œ

∑

F r œ b œ .. >

Ó

& N˙

f

˙

up - on

œ≤

˙

& ˙

F

˙. P

π

P

& œ.

œ bœ œ œ œ œ œ œ œ œ œ œ œ > > œ œ œ œ œ œ œ œ œ œ

π

& Ó

&

œ ≈ œ œ N œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ > F

π

& w P

& Ó

3

p

œ b ≥œ œ≤ œ œ œ œ≤ 7

≤ ≥ ≤ œ œ œ œ œ œ œ œ

shimmering; rubato

p

≥˙

shimmering; rubato

3

˙

F sempre ≥ œ

˙ 3

≥ ≤ œ œ œ œ œ œ œ œ œ > P shimmering; rubato 3

≤ œ.

F

˙ ≥

shimmering; rubato

3 3 ≥ œ œ œ œ œ œ œ œ œ F

58 B 25 Fl. 1

& œJ ‰ Œ π

Ó

∑

(Alto Fl.)

Fl. 2

& w

Ob.

&

Cl.

&

œ

π

Œ

Ó

∑ (Bf Cl.)

∑

∑

# -˙

w

p

w

œ.

Hp.

P

w

>œ .. RÔ ‰ Œ ç

w

n

Sopr. Solo

&

∑

∑

bw p

&

∑

∑

Ó

&

∑

Dn, Cn, En

∑

P Œ

& ˙.

π

solo

bœ.

w

a

Vn. 1

Vn. 2

Vc.

&

˙

& ˙ & œj ‰ Œ π

Ó

π

Ó

π

Ó

via sord.

∑

∑ ≤ bw π echo-like

w≤

π # ww≤

π w

Ó

∑ b œ. ‰ . Œ R P

Ó

whimsical

>œ RÔ ‰ .. Œ ç

Ó

∑

rK œ ‰ .. Œ > ç

Ó

∑

f

œ ‰ .. Œ RÔ

B senza sord.

Ó

Ó

bœ b >œ nœ ‰ ggg n n b œœœ Œ Œ ‰ œ nœ ‰ J g J f Cs, Gn f espr. and Bf resonant ∑ ∑

rubato

#œ ˙ J

‰ p

p

echo-like

Hn.

q = 96–100

b œ b >œ > >œ .. solo œ œ b œ b >œ œ R ‰. Œ ‰ ‰ RÔ ç ƒ sempre ç whimsical

p solo

Ó

Playful

Playful

Ó

# >œ ƒ

q = 96–100

dramatic

pizz. bœ >œ œ ‰ .. ‰ œ Œ J RÔ ƒ resonant ç

∑

P whimsical b œ. ‰ Œ J

Ó

Ó

b œ.

Ó

P

Œ

whimsical

bœ

. Œ bœ P

Œ

whimsical

dramatic

dramatic

Ó

twig

bœ œ >œ .. pizz. . œR ‰ ‰ ‰ J RÔ ƒ resonant ç

rK œ ‰ .. Œ > ç

Œ

Ó

pizz.

b œ.

P

Œ

whimsical

59 30 Fl. 1

& Ó

Œ

w

œ

f espr. œ

w

Fl. 2

Ob.

. & œR ‰ . F

Œ

Œ

bœ P

w

˙

Cl.

. & œR ‰ . F

Œ

Œ

œ

w

œ.

Hp.

Sopr. Solo

& Ó

Df, Cn, Gf

& Ó

F . & œJ ‰ Œ -

. & œ F

Œ

. & œ F

Œ

. & œ F

Œ

Π-

-

Œ

whimsical

f nœ ‰ J

b >œ œ

Œ

F resonant b b œœœ Œ >

∑

n œ0 f

Ó

Œ

n œ0 f

Ó

f resonant

∑

solo

˙ ˙ f sempre

‰ Ó π Ó

Œ

˙

˙.

≈ œ . ˙ J π

w

echo-like

Œ

b ˙. p

˙ P sempre ∑

take C Flute

π

Œ π

F œ. F

‰ Ó π

∑

∑

∑

∑

∑

∑

∑

Œ

b˙ π

Œ

F

optimistic

f

F

bœ œ. ˙

b ˙.

And

till

P r ‰. œ

P

Do -

∑

∑

∑

Ó

œ #œ Œ > f resonant

∑

∑

∑

Ó

bœ Œ > f resonant

∑

∑

∑

resonant

Ó

# >œ œ

∑

echo-like

r œ ‰. Œ π

w

resonant

whimsical

Vc.

bœ P

Ó

- day

whimsical

Vn. 2

F

b >œ œ ‰ Ó Œ J f secco j Œ b b n œœœ ‰ Ó >

& Ó

to -

Vn. 1

Œ

F

Œ π

˙

& Ó

Hn.

Œ

bœ

60 accel. 35 Fl. 1

Fl. 2

Ob.

Cl.

Hn.

Hp.

Sopr. Solo

solo

& w

w

∑

&

∑

∑

&

&

-

∑

π

∑

∑

∑

∑

P

-

Œ #œ

min -

œ

-

F ˙.

Vn. 2

Vc.

Œ

>œ J ƒ

‰

‰

Ó

∑ b œ. ‰ J

j ‰ œ. p

b œ. ‰ J

Œ

blend with pizz.

Œ

≈ # œ . f

Œ

blend with pizz.

≈ # œ . f

≈ œ

œ. œ.

b >œ œ ≈ # œ n œ

f sempre, with slight

Ó

> b œœ ƒ

Œ

f

ƒ >œ ‰ J

Œ

- ion

b >œ

‰

œ. π

b >œ œ œ A >œ n œ >œ b œ. F >

j j œ. œ. π

‰

j œ. œ.

‰

‰ ≈

Aœ œ bœ >

Œ

≈ # œ . f

Œ

≈ b œj . . f

œ.

&

∑

Œ

&

∑

∑

Œ

&

∑

∑

Œ

(pizz.)

ƒ sempre

(pizz.)

arco

>œ

b œ.

j ‰ n œ. œ. p π

j œ. œ.

b œ.

j ‰ œ. P

j Œ œ. p

f sempre bœ ‰ J œ

Ó

till

Œ

Œ bœ > ƒ sempre

≥r bœ ‰. > ç

b œ.

blend with pizz.

∑

C Capricious

∑

b œ.

blend with pizz.

set

accel. Vn. 1

Œ

>œ J ƒ

Ó

∑

(DfCBflEFGfAf)

-

j bœ ‰ > ƒ

dynamic nuances across the next 5 measures

∑

& ˙

Œ

solo

& w

&

C Flute

∑

(Bf Cl.)

&

q = 116–120

C Capricious

Œ

q = 116–120 ≈ # œ f ‰. ≈ b œj . f

pizz.

œ

Do

bœ

œ p

r nœ bœ bœ f ‰

œ p

j bœ œ f p

-

‰ ∑

œ

œ œ

œ

œ

‰

j œ œ p

min - ion set

nœ P

Œ

‰

61 39

j ‰ b œ. P

Fl. 1

& Ó

Fl. 2

j & # œ.

‰

Œ

Ob.

j & # œ.

‰

≈ œ. # œ. n œj ‰ . f

Cl.

Hn.

Hp.

Sopr. Solo

Vn. 1

Œ j n œ. ‰ f

& ≈ n œ b œ b œ œ # œ œ > > > ß f j & # œ.

‰

j & b œ.

‰

j & #œ

& #œ

Vn. 2

& #œ

Vc.

& Œ

‰

j ‰ b œ. P

j ‰ œ. P

j œ. ≈

≈ œ # œ n œ f j ≈ œ . f

Œ

n œ. J F

‰

j ‰ n œ. p

j œ.

j œ. ‰ # œJ. f

j j # œ. ‰ # œ. ‰

‰

∑ j œ.

‰

j ‰ n œ. p

‰

j j ‰ nœ œ f

‰

j ‰ œ. p

œ. ‰ ‰ J P ∑

j Œ œ.

‰

> œ nœ #œ > # œ œ >ç

j œ.

P œ

I

#œ nœ R f

‰

∑

Œ

≈ œ # œ ˙

‰.

‰

j œ. ‰ # œJ. f

j j # œ. ‰ # œ. ‰

‰

rubato

b œ. Ó R f ∑

&

œ. J F

‰

Œ

nœ œ n œ n >œ # œ

j ≈ œ. ≈ n œj ‰ . f ‰.

j œ.

blend with pizz.

bœ P

œ

0

nœ P bœ P

œ

o

œ

3

3

‰

Œ

ç n >œ J

nœ

F

‰

‰

f j ‰ n œj œ

fam

Œ

-

‰

nœ

‰

j ‰ œ P

Œ

‰

j Œ nœ P

F

j œ.

#œ

#œ

(solo) j # >œ œ > ç ƒ sempre

j j # œ. ‰ # œ. ‰

j œ. ‰ # œJ. f

j j b œ. ‰ b œ. ‰

Œ

# -œ

# -œ

j œ P

#œ

Œ

j œ

Œ

#œ

#œ P

#œ

ish

‰

to

be

∑

ƒ

-

‰

b >œ

ƒ resonant

-œ

Œ

œ

#œ

hold

f

resonant

œ

Œ

œ f

Œ

0

f

62 42 D Fl. 1

& Œ

Fl. 2

&

Ob.

&

# >œ J ƒ

# ˙.

π

(C Flute)

∑

# >w

∑

# >œ J ƒ

& w

Hn.

&

∑

&

∑

Hp.

Sopr. Solo

&

Vn. 1

Vn. 2

Vc.

b >œœ

& Ó

Ó

Œ

ƒ # >œ ‰ Œ J

so

#œ

# # >œœ

œ

p

#œ p

∑

˙

ƒ resonant

# ˙.

& Ó & Œ

‰ Œ

ƒ resonant

F

π

≥ ‰ #œ œ œ œ œ 3

Bn

Ó

3

≥ ≤ ≥ ≈ # œ œ œ œ œ œ œ œ œ œ œ œ œ F

∑

∑

∑

∑

em

-

Œ

P

F f

#œ œ. œ

œ π

œ

a

accel.

∑

˙

Œ

i - nent