Nico Muhly
REGISTER Concerto for Organ and Orchestra
Full score
St Rose Music Publishing Co. / Chester Music Ltd.
Co-commissioned by the Los Angeles Philharmonic Association, Gustavo Dudamel, Artistic and Music Director, The Philadelphia Orchestra and Southbank Centre. Premiered on 23 February 2018 by James McVinnie (organ) and the Los Angeles Philharmonic, conducted by James Conlon, at Walt Disney Concert Hall, Los Angeles.
INSTRUMENTATION Piccolo 2 Flutes (2nd doubling Piccolo 2) 2 Oboes 3 Clarinets in B (2nd doubling Clarinet in E, 3rd doubling Bass Clarinet) 2 Bassoons (2nd doubling Contrabassoon) 4 Horns in F 3 Trumpets in C 2 Tenor Trombones Bass Trombone Tuba Timpani Percussion (4 players): Crotales, Glockenspiel, Vibraphone, Sleigh Bells, Ratchet, Whip, Guiro, Tambourine, 3 Woodblocks*, Brake Drum, Chinese Cymbal, 2 Tam-tams, Bass Drum
Harp Piano (doubling Celesta**) Strings
*two medium and one very high, piercing piccolo woodblock. **optionally offstage, in which case the dynamics are sounding in the auditorium rather than played.
Duration: c. 23 minutes
Full score in C. Orchestral parts are available on hire from the publisher.
COMPOSER’S NOTE Register, for organ and orchestra, is one of many collaborations between me and the organist James McVinnie, one of my oldest friends. I’ve always treated the organ as an early version of the synthesizer, with additions and subtractions to the sounds creating sudden shifts of mood, or register. Like in speech, changes in tone and style can be subtle or jarring; here, the organ and orchestra work with and against one another in an animated and intimate conversation, with sudden asides and rapid shifts in tack. The piece is built around three distinct cycles of chords: one, large and ascending, with a sense of slight menace; the second, bright, descending, and brilliant; and the third, a sparkling perpetual-motion machine, in whose genetic past is a Pavane in G minor by Orlando Gibbons (1583– 1625), a composer with whose music Jamie and I both enjoy a lifelong romance. Despite the power of the modern organ, the piece ends with a glance towards the Jacobean period, with strings played without vibrato, and the organ in its smallest, most understated register. – NICO MUHLY
for Jamie Score in C
REGISTER Concerto for Organ and Orchestra Piccolo 1
4 4
q = 154
do not reättack
3 4
4 4
Oboe 1.2
4 4
ff do not reättack
p
3
mp legg.
Flute 1.2 (2 = Picc. 2)
NICO MUHLY (2017)
3 4 p
ff do not reättack
p Clarinet 1.2 in Bb
ff do not reättack
3
4 4
p
4 4
Bassoon 1.2 (2=Contra)
4 4
1.3 2.4
f
p
a 2 sf 3
sf
4 4
Trombone 1.2
4 4
sf
Sleigh Bells Whip Guiro Bass Drum
Harp
p
sf
do not reättack
p
sffz
mf
3
3
sffz
mf
4 4 4 4 4 4 4 4 4 4 f 4 4 4 4
3 4 do not reättack
3
p
3
ff
2.
3
3
3
sffz
mf
3
3
p
p
3 4 ff do not reättack
3 4
ff do not reättack
p
3 4
ff
3 4
mf
mf
3 4 3 4 3 4 3 4
f
f p
3 4 f
4 4
3 4
ff
sffz
Full Organ
4 4
3
Violin I
ff
p
3 4
mf
ff
5
5
5
3
4 4 4 4
3 4
3
4 4 Organ
3 4
4 4 4 4
Piano
sf
1.
p Timpani
p
ff
3 4
p Tuba
3 4
harmon mutes
3
Bass Trombone
ff
p
3
4 4
3 Trumpets in C
3 4
do not reättack
4 4 Horn in F
ff do not reättack
3
p
3 4
f p
Bass Clarinet (Clarinet 3 in Bb)
3 4
3 4
3
q = 154
pizz.
più p
3 4 (arco)
div. a 4
sffz
4 4
3 4 p
4 4 Violin II
(arco)
4 4
p
sffz pizz.
3 4
sffz
3 4 sffz pizz.
4 4
3
sffz Viola
(arco)
4 4
3
p
sffz
pizz.
arco
mf pizz.
mp arco
mf
mp
3 4 5
5
5
5
5
5
4 4 Violoncello
4 4
3 4 3 4
p
sffz
p
sffz
mp
3
p
mp
3
mp
3 4
5
p
5
mp
4 4 Contrabass
3 4
3 4 p
sffz
4 4
mp
3 3
p
sffz
Copyright © 2018 St Rose Publishing Co. and Chester Music Limited
p
mp
5
5
3 4
p (rev. Apr 2019)
2
7 Picc. 1
3
3 4 f
Fl. 1.2
3
3
3
3
3
3
p
3 4
mf
f
f
3
sffz
3
sffz
3 4
Bsn. 1.2
3 4
ff poss.
ff poss. sffz
4 4
3
f
3
a2
3
f
4 4 3
f
3
3 4 3 4
3
mp 3
p
3
mp
3 4
p
3
mp
3 4
p
sff
4 4
3
p
sff
4 4
3
p
sff
4 4
3
p
ff poss.
sffz
4 4
3
p
Hn. 1-4
sff
5
f B. Cl. (Cl. 3)
p
3
4 4
5
f
sff
4 4 3
3 4
p
4 4 3
a2
f
Cl. 1.2
3
1.
3 4 f
Ob. 1.2
4 4
3
mp p
Tpt. 1.2.3
1.
3 4
sim.
4 4
3
3
p
sff
p
f
Tbn. 1.2
3 4
4 4
B. Tbn.
3 4
4 4
Tba.
3 4
4 4
Crot.
3 4
secco muffle immediately
sff
4 4
f Glock.
3 4
4 4
Vib.
3 4
Tamb.
3 4
W-B
3 4
4 4
Hp.
3 4
4 4
f
4 4
f
3
4 4
f
3
3 4 Pno.
mf
ff
3 4
ff
4 4 strings
Full Organ
4 4 3
3 4
brass
5
mp
4 4
più p
ff
4 4 arco
Vln. II
3 4
4 4 sf
p
unis.
div.
non div.
4 4 sf
Vla.
ff
sf
sf
3 4 3 4
sf
sf
4 4 5
ff
ff
5
ff
non div.
p
4 4 ff
5
p
4 4
5
Cb.
sf
3 4 5
Vc.
non div.
sf
3 4
strings
3
3 3
3
3 4 Vln. I
ff
very crisp sustain with pedal
4 4
3 4 Org.
f
5
ff
3
12
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2. take Cbsn.
2 4
4 4
3
2 4
4 4
2 4
4 4
2 4
4 4
Picc. 1 p
ff
p
ff
Fl. 1.2 p
ff
p
ff
1. Ob. 1.2 p
ff
p
ff
1.
3
Cl. 1.2 p p
p
f
ff
ff 3
B. Cl. (Cl. 3) p
p
ff
f
Bsn. 1.2 p
ff
sf
Hn. 1-4
p
sf
a2 3
sf
p
sf
Tpt. 1.2.3 3
sf
p a2
2.
ff
3
p
2 4
3
Tbn. 1.2 p
ff
p
4 4
3
sffz
mf
3
3
p
2 4
B. Tbn.
4 4
mf p
ff
p
p
sffz
2 4
3
3
Tba.
4 4
mf p
p
ff
p
sffz 3
2 4
3
Timp.
p
mf
mf 3
Gro. sf Hp.
Pno.
brass
Org.
Full Organ 5
mp
4 4
p
3
f
sff
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
3 3
pizz.
p
2 4
Vln. I sffz
3
2 4
Vln. II sffz
3
(pizz.) div.
Vla. sffz
2 4
mf
Vc.
mp
(pizz.) non div. 3
4 4
f
pizz.
mp
4 4 f
pizz.
mp
(pizz.) non div.
mp
mp
3
3
3
4 4
f
2 4
4 4
2 4
4 4
2 4
4 4
p
p
Cb. 3
mp
p
4
22
17 Picc. 1
4 4 sfz
3
ppp
3
3
mfz
3
p
sfz wide vib.
4 4 Fl. 1.2
p
mfz
pp 3
p
3
p
3
4 4 3
f
p
p
3
mf
mf
p
3
mp
p
mp
p
mp
4 4 Ob. 1.2
p
3
f
p
p
p
4 4 3
mf
mf
3
mf
p
p
3
p
p
3
mf
p
4 4
3 3
mf
p 3
p
1.
4 4
3 3
f Cbsn. (Bsn. 2)
3
pp 3
p
mfz
p
Bsn. 1
3
p
4 4
f
B. Cl. (Cl. 3)
pp 3
p
3
4 4 Cl. 1.2
mfz
p
p
pp 3
p
mfz
3
3
4 4 Hn. 1-4
3
p
4 4
mfz
p
Tpt. 1.2.3
p
B. Tbn.
Tba.
pp
p
sfp
mfz 3
mfz
p
2.3.4
p
pp
4 4 3
pp
mfz
p
mp 2. 4.
3
mp
mp
3
mfz
pp
3
mfz
3
4 4
3
p
sfz
mfz
3
p
mp
n
3
pp
sfz
Tam.-t.
4 4
3
p
sfz
mfz
3
p
mp
n
3
pp
sfz
sfz
3
mfz
p
mp
sfz
n
pp
4 4 4 4 4 4
3
pp
mfz p
scraped with triangle beater
mfz 3
mp sub. f
mp
4 4
3
pp
3
very short
4 4 Pno.
pp
3
4 4 Hp.
pp 3
3
Chin. Cym.
pp
4 4
p Timp.
mp 1. 3.
3
sfz
Tbn. 1.2
p
pp 3
3
3
mp
3
sfz 1. solo
3
p
sfz
4 4
mf
3
4 4
sf
sffz
3
a strange sound, mainly mutations very quiet and obscure
4 4 Org.
Flutes 8' + tremulant
4 4
pp
mp 3 Flutes 5 1/3' 4' 2 2/3' 13/5' + tremulant
3
3
4 4
Vln. I
Vln. II
Vla.
Vc.
4 4 4 4 4 4 4 4
3
mf
4 4
pp
arco
3
3
div. 3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
mf div.
mf
f sub.
22
div.
pp
3
mf arco
3
pp arco
3
3
3
3
mf Cb.
p dolciss.
f sub.
4 4
17
3
3
3
3
3
3
arco
3
arco
3
pizz.
mf
3
3
pp
pp
pp
5
26 q = 96 subito
flz.
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
Hn. 1-4
2 4
3 4
Tpt. 1.2.3
2 4
3 4
Tbn. 1.2
2 4
3 4
B. Tbn.
2 4
3 4
Tba.
2 4
3 4
Crot.
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
Picc. 1 f
ppp
f Fl. 1.2 f
3
Ob. 1.2
f
3
sff
sffz
Cl. 1.2
sffz
sffz To Cl. B. Cl. (Cl. 3)
sffz
Bsn. 1 sffz
mf
Gro. sfz quickly scraped with metal beater Br.D. sfz bright, brilliant 5
Org.
5
5
5
5
5
5
5
sim.
8' 2 2/3' 1'
mf - f
26 q = 96 subito f
3
pp
p
Vln. I
pp
n
p
2 4 Vln. II
pp
f pizz.
sffz
arco
3
pp
3 4 p
2 4
3 4
2 4
3 4
p
f
pp
p
Vla. pizz.
2 4
3 4
Vc.
2 4
3 4
Cb.
2 4
3 4
sffz
3
pp
p
6
31 Picc. 1
3 4
4 4
2 4
ord.
9 16
3 4
p
Fl. 1.2
3 4
a2
4 4
2 4 mp
Ob. 1.2
3 4
mp
3 4
2 4
3 4
3 4 3 4 p
2 4
ff p ff
9 16
p
4 4 pp
p ff
p
2 4 pp
ff
9 16
sff
4 4
Cl. 1.2
p
3 4 a2
a2
4 4
a2
9 16
sff
mp
ff p ff To Eb Cl.
9 16
3 4 p
p
ff p ff
B. Cl. (Cl. 3)
3 4
4 4
2 4
9 16
3 4
Bsn. 1
3 4
4 4
2 4
9 16
3 4
Hn. 1-4
3 4
4 4
2 4
9 16
3 4
3 4
4 4
2 4
9 16
3 4
2 4
9 16
3 4
2 4
9 16
3 4
p
Tpt. 1.2.3
3 4
mfz
4 4 p
3 4
mfz
4 4 p
mfz
Tbn. 1.2
3 4
4 4
2 4
9 16
3 4
B. Tbn.
3 4
4 4
2 4
9 16
3 4
Tba.
3 4
4 4
2 4
9 16
3 4
Crot.
3 4
4 4
2 4
9 16
3 4
W-B
3 4
4 4
2 4
9 16
3 4
2 4
9 16
3 4
2 4
9 16
3 4
dampened immediately
sf
Pno.
Org.
3 4
4 4
3 4
4 4
3 4
4 4
2 4
9 16
3 4
3 4
4 4
2 4
9 16
3 4
3 4
4 4
2 4
9 16
3 4
sffz
tutti div.
3 4
4 4
2 4 pp
p
Vln. I
3 4 3 4
pp
p
ff
Vln. II
pp
3 4 3 4
p
ff unis. pizz.
4 4
2 4
9 16
p
2 4
9 16
mp
3 4
4 4
ff p
ff p ff
arco, molto sul tasto
ff p
p
ff p
3 4
ff p ff
arco, molto sul tasto
3 4
ff p ff
arco, molto sul tasto
9 16
mp
3 4 p ff p ff p ff arco, molto sul tasto
2 4
9 16
3 4 p
Cb.
ff p ff
3 4 p
2 4 ff
ff p
9 16
mp
4 4 n
p
mp
unis.
4 4
3 4 arco, molto sul tasto
unis.
4 4
3 4
ff
9 16
mp
2 4
n
Vc.
ff tutti div.
4 4 n
Vla.
arco, molto sul tasto
2 4
9 16
ff p
ff p ff
3 4
7
38 Picc. 1
3 4
2 4
4 4 p
Fl. 1.2
3 4 3 4
Cl. 1
3 4
3
4 4
1.
3
3 4
2 4
4 4
3
3 4
2 4
4 4
3 4
2 4
p
4 4 f
2 4
sf
2 4 p
Eb Cl. (Cl. 2)
f
2 4
mfz
4 4 3
3 4
sf
2 4 p
Ob. 1.2
3
f
2 4
2 4
p
sf
2 4
2.
4 4
2 4
Cl. in Eb
4 4 p
3 4
2 4
1.
p
4 4 3
f
2 4
sf
5
3 4
2 4
4 4
3 4
2 4
4 4
3
3 4
2 4
4 4
3
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3
p
Cl. 3
3 4
2 4
4 4
2 4
Bsn. 1
3 4
2 4
4 4
2 4
Cbsn. (Bsn. 2)
3 4
2 4
4 4
2 4
Clarinet in Bb 3
p sfz
1. 3. 2.
3 4
2 4
4 4
2 4
3 4
2 4
4 4
2 4
Hn. 1-4
sfz 3
mp
4.
sfp
Tpt. 1.2.3
3 4
2 4
4 4
2 4
Tbn. 1.2
3 4
2 4
4 4
2 4
3
pp
ff
3 4
pp 3
B. Tbn.
3 4
2 4
4 4
2 4 pp 3
Tba.
3 4
2 4
4 4
2 4
Timp.
3 4
2 4
4 4
2 4
3
mp
Rt.
Gro.
B. D.
3 4
2 4
3 4
2 4
3 4
2 4
only a few tines' worth 3
4 4
2 4
3 4
2 4
4 4
4 4
2 4
3 4
2 4
4 4
4 4
2 4
3 4
2 4
4 4
mp only a few tines' worth 3
mp
pp
Hp.
3 4
2 4
4 4
2 4
3 4
2 4
4 4
2 4
3 4
2 4
4 4
2 4
molto
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
f 3
3
Pno.
3 4
2 4
4 4
p
sf
2 4
4 4
3 4
5
2 4
4 4
2 4
4 4
3
Org.
Vln. I
Vla.
Vc.
sim.
4 4
2 4
3 4
2 4
4 4
2 4
sopra
3 4
2 4
4 4
3 4
2 4
4 4
2 4
3 4
2 4
4 4
3 4
2 4
4 4
2 4
3 4
2 4
div., pizz.
3 4 3 4 3 4
2 4 2 4 2 4
3
div., pizz.
f pizz.
3
f
3
f sf
4 4
3 4
2 4
4 4
2 4 2 4
f pizz.
4 4 5
(pizz.)
4 4
mp 3
f sf
4 4
arco
p
3 3
2 4
3 4
5
2 4
f
Vln. II
5
3 4
3
3 4
2 4
4 4
3
3 4
2 4
4 4
3 4
2 4
4 4
f
Cb.
3 4
2 4
4 4
2 4
(arco) 3
sf
8
46 Picc. 1
all unslurred notes very short
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
p Piccolo all unslurred notes very short
Picc. 2 (Fl. 2)
4 4
Fl. 1
4 4
p
p
4 4 4 4
5
5
5
p
Ob. 1.2
sf
p
sf
p
5
sf
p
5
3
sf
f
5
sf
sfp
pp
sf
p
all unslurred notes very short
5
p
sf
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
p all unslurred notes very short Eb Cl. (Cl. 2)
4 4
Cl. 1
4 4
ff
p 3
3
4 4
3
Bsn. 1
4 4
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
p
3
3
3
p
Cl. 3
3
3
3
3
3
p
3
3
3
3
3
1.
3
3 4
3
3
3
2 4 3
3
3
3
3
4 4 3
3
2 4
3 4
4 4
3
Hn. 1-4
4 4
2 4
3 4
4 4
Tpt. 1.2.3
4 4
2 4
3 4
4 4
Tbn. 1.2
4 4
2 4
3 4
4 4
B. Tbn.
4 4
2 4
3 4
4 4
Tba.
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
3 4
4 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
3 4
4 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
Crot.
knitting needles or similar more sound than click
4 4 mf
W-B
pp
4 4 mf
B. D.
4 4 sff both hands 8va sopra 5
4 4 Pno.
4 4
mf
5
5
5
2 4 mf
pp
4 4 Org.
4 4
Gt., Sw. & Pos. to mixture
più f
4 4
46 Vln. I
(arco)
4 4 ff
Vln. II
p
mp arco
4 4
sffz
Vc.
4 4
p
2 4
p arco
4 4
div.
2 4
sffz
Vla.
5
5
2 4
p
mp
3
sf
sffz
Cb.
4 4
9
52 Picc. 1
4 4
2 4
4 4
2 4
3 4
Picc. 2 (Fl. 2)
4 4
2 4
4 4
2 4
3 4
Fl. 1
4 4
2 4
4 4
2 4
3 4
2 4
4 4
2 4
3 4
4 4 5
5
p
Ob. 1.2
sf
sfp
5
sf
p
ff
f
p
sf
p
sf
4 4
2 4
4 4
2 4
3 4
Eb Cl. (Cl. 2)
4 4
2 4
4 4
2 4
3 4
Cl. 1
4 4
3
3
Cl. 3
3
3
3
1.
p
3
3
4 4
2 4
3 4
p
3 3
3
3
2 4
p
3
3
3 4
3
5
sf
3
3 4 3
2 4
3
3
3
3
3
4 4
3
3
3
3
2 4
3
3
2 4
3
3
3 3
4 4
3
4 4
3 3
3
4 4 3
3
2 4
3
3
3
Bsn. 1
3
5
5
5
5
p
3
3
3
3
Hn. 1-4
4 4
2 4
4 4
2 4
3 4
Tpt. 1.2.3
4 4
2 4
4 4
2 4
3 4
Tbn. 1.2
4 4
2 4
4 4
2 4
3 4
B. Tbn.
4 4
2 4
4 4
2 4
3 4
Tba.
4 4
2 4
4 4
2 4
3 4
Crot.
4 4
2 4
4 4
2 4
3 4
Hp.
4 4
2 4
4 4
2 4
3 4 mf
5
4 4 Pno.
5
Vln. I
2 4
3 4
2 4
4 4
2 4
3 4
4 4
2 4
4 4
2 4
3 4
4 4
2 4
4 4
2 4
3 4
4 4
2 4
4 4
2 4
3 4
4 4
2 4
4 4
2 4
3 4
4 4
mf
Vln. II
2 4
sim.
4 4
mf
Org.
5
5
4 4
ff
p
p
mp
2 4
arco
4 4
4 4
2 4
p
2 4
p
Vla.
mp
mp
p
4 4
2 4 p
3 4 mp
3 4
mp
sfp
Vc.
4 4
2 4
4 4
2 4
3 4
Cb.
4 4
2 4
4 4
2 4
3 4
3
10
59 Picc. 1
2 4
3 4
2 4
4 4
2 4
4 4
Picc. 2 (Fl. 2)
2 4
3 4
2 4
4 4
2 4
4 4
Fl. 1
2 4
3 4
2 4
4 4
2 4
4 4
Ob. 1.2
2 4
3 4
2 4
4 4
2 4
4 4
5
5
sf
p
5
sf
p
5
sf
Eb Cl. (Cl. 2)
2 4
3 4
Cl. 1
2 4
3 4
3
3
3
3
3
Bsn. 1
Hn. 1-4
p
sf
p
3
3
f
3
3
3
p
3
3
p
3
4 4
2 4
3
3
4 4 3
3
3
3
2 4 3
3
4 4 3
3
3
4 4
2 4
3
3
sf
2 4
3 3
3
5
5
4 4
2 4
3
3
3
3
p
3
3 4
3
3
5
p
2 4
3
2 4
Cl. 3
5
sf
4 4
3
2 4
3 4
2 4
4 4
2 4
4 4
2 4
3 4
2 4
4 4
2 4
4 4
2 4
3 4
2 4
4 4
2 4
4 4
all crescendos focused toward the end of the gesture 2.
p
2 4
3 4
2 4
3 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
3 4
2 4
4 4
2 4
4 4
1. straight mute
p Tpt. 1.2.3
4.
f
2 4
p
2 4
3
mp
4 4 4 4
p
2. straight mute
2 4
3 4 5
sf
p
5
5
p
5
sf
sf
p
5
p
sf
all crescendos focused toward the end of the gesture
2 4
3 4 3
p Tbn. 1.2
sf
all crescendos focused toward the end of the gesture
2 4
3
p
sf
B. Tbn.
2 4
3 4
2 4
4 4
2 4
4 4
Tba.
2 4
3 4
2 4
4 4
2 4
4 4
2 4
3 4
2 4
4 4
2 4
4 4
2 4
3 4
2 4
4 4
2 4
4 4
2 4
3 4
2 4
4 4
2 4
4 4
2 4
3 4
2 4
4 4
2 4
4 4
2 4
3 4
2 4
4 4
2 4
4 4
2 4
3 4
2 4
4 4
2 4
4 4
2 4
3 4
2 4
4 4
2 4
4 4
2 4
4 4
sounds 8va Hp. f
Pno.
Org.
sopra
Vln. I
mp
2 4
Vln. II
p
p
2 4 mp
2 4
Vla.
mp
3 4
p
pp
mp
p
3 4 mp
mf
4 4 mp
2 4 p
mp
p
p
4 4
2 4
pizz. 3
4 4
mf
sfp
Vc.
2 4
3 4
2 4
4 4
2 4
4 4
Cb.
2 4
3 4
2 4
4 4
2 4
4 4
11
66 Picc. 1
4 4
3 4
2 4
4 4
Picc. 2 (Fl. 2)
4 4
3 4
2 4
4 4
Fl. 1
4 4
3 4
2 4
4 4
Ob. 1.2
4 4
3 4
2 4
5
5
sf
Eb Cl. (Cl. 2)
4 4
Cl. 1
4 4
p
ff
sf
sfp
3
3 3 3
Cl. 3
5
p
3
3
3
3 3
3
3
4 4 3
3
3
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3
3
p
mp
p
3 4
3
2 4
3
4 4
3 4
2 4
mp
4 4 mp
1.
3 4
2 4
4 4
3 4
2 4
4 4
p
p
mp
B. Tbn.
4 4
3 4
2 4
4 4
Tba.
4 4
3 4
2 4
4 4
S.Bells
4 4
3 4
2 4
4 4
4 4
3 4
2 4
4 4
solo
4 4
3 4
2 4
4 4
f brilliant, secco
4 4
3 4
2 4
4 4
4 4
3 4
2 4
4 4
4 4
3 4
2 4
4 4
Org.
mp 3
p
4.
p
Pno.
3
p
4 4
Tbn. 1.2
3
3
mp
3.
mp
4 4
3 3
mp
p
Tpt. 1.2.3
3
3
3
3 4
sfp
3
3
3
3
sf
3
3
3
4 4
5
p
3
3
3
2 4 3
sfp
mp
1.
4 4
4 4
sf
3
p
4 4
2 4
3
to Cbsn.
4 4
Hn. 1-4
3 4 3
5
pp
3
p
4 4
f
4 4
3
4 4 Bsn. 1
sf
2 4
3
3
3
sf
3 4
3
3
4 4
5
p
4 4 3
5
3
mf
7
5
8′ only, no Gt/Ped
mp
4 4
3 4
Vln. I
p
pizz.
4 4
ff
p
p
ff
4 4 p
p
ff
mf
2 4
3
mf
2 4 p
mfp
p
f
mfp non div. 3
p
f
mfp
4 4
ff
3 4
arco
4 4
ff
p
mfp
ff pizz.
ff
2 4 p
ff
arco
4 4
f
3 4 mp
4 4
f
3 4 mp
4 4
2 4
ff
p
4 4
Vla.
p
3 4
3
mf
Vln. II
2 4
arco
pizz.
4 4 f
Vc.
4 4
3 4
2 4
4 4
Cb.
4 4
3 4
2 4
4 4
3
12
73
72 Picc. 1
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
mf Picc. 2 (Fl. 2) mf Fl. 1 mf
5
5
sf
Ob. 1.2
p
sf
5
5
5
p
sf
p
sf
p
5
sf
p
5
sf
sfp
pp
sf
p
5
3
sf
f
2 4
3 4
2 4
3 4
2 4
3 4
mf Eb Cl. (Cl. 2) 3
3
3
mf
3
3
3
3
3
3
3
3
3
3
Cl. 1 3
3 3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
2 4
Cl. 3 3
3
3
3
3
3
3
3 3
Bsn. 1 f
mp
f mp all crescendos focused toward the end of the gesture 3
f 3
f
mp
mp
f
2 4
3 4
2 4
3 4
2 4
3 4
mp
3
mp
2.
3
2 4
3 4
3
p
mp
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
Hn. 1-4
mp Tpt. 1.2.3 straight mute
Tbn. 1.2
3
mp
Cbsn. (Bsn. 2) f
3 4 3
3
all crescendos focused toward the end of the gesture 3
3
3
p
mp
p
ff
mp straight mute
f
mp straight mute
f
mp
f
B. Tbn. all crescendi focussed towards the end of the gesture 3
3
Tba. f
mp
f
mp
f
mp
Timp. mp Whip sf
B. D. sff
Hp. sff 7
Pno.
Org.
32' 16′ soft reed 16' + Gt/Ped
3
3
73 Vln. I
n
n
Vln. II
n
p
p
pizz. non div.
mp
n
arco
p (arco)
mf
p
mf
Vla. arco
off the string
Vc. p
mf
all crescendi focussed towards the end of the gesture 3
p
f
3
Cb. f
mp
f
mp
f
mp
13
78 Picc. 1
3 4
4 4
2 4
4 4 p
f
2 4
3 4
mf
Picc. 2 (Fl. 2)
3 4
4 4
2 4
4 4
2 4
3 4
Fl. 1
3 4
4 4
2 4
4 4
2 4
3 4
Ob. 1.2
3 4
4 4
2 4
4 4
2 4
3 4
5
p
Cl. 1
p
3 4 3
Cbsn. (Bsn. 2)
3 4
3
3
p
3
3 3
3
3
3
2 4 mp
f
pp
4 4 f
(with hand)
4 4 p
3 4
pp
(with hand)
4 4
3 4
p
mp
3 4
3 3
3 4 3
3
3 4 p
(non cresc.)
2 4 f
2 4
3 4 p
(non cresc.)
4 4
2 4
3 4
4 4
2 4
4 4
2 4
4 4
2 4
3 4
4 4
2 4
3 4
soli, open
3 4
soli, open
mf
sf
f
mf
3 4 3 4
sffz
sffz
sf
2 4 f
mf
3
sf
mp
4 4
3 4
sffp
p 3
3
f
2 4
mf
2 4 2 4
4 4
2 4
4 4
3 4
sffp
3
3
3
4 4
2 4 mp
3
3
sf
3 3
3 3
p
2 4 3
4 4
3
sf
3
3 3
2 4
p
4 4 3
3
4 4
3 4
f
3
5
5
5
p
2 4
3
3
3
f
ff
3
3
f
Hn. 1-4
5
sf
3
4 4 3
3 4
sfp 3
3
3
3 4
Bsn. 1
sf
4 4 3
Cl. 3
5
5
sf
sf
4 4
2 4
mf
Tpt. 1.2.3
3 4
4 4
2 4
4 4
2 4
mf
3 4
4 4
2 4
4 4
2 4
3 4
mf
open Tbn. 1.2
3 4
4 4
2 4
4 4
2 4
sf
B. Tbn.
3 4
4 4
Tba.
3 4
Timp.
3 4
f
pp
4 4
3 4
2 4
ff
3 4 ff
p
2 4 mp
f
4 4 ff
4 4
2.
p
2 4 mf
soli, open
4 4 sffp
2 4 f
2 4
3 4 p
(non cresc.)
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
mf
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
4 4
2 4
3 4
3 4
4 4
2 4
4 4
2 4
3 4
3 4
4 4
2 4
4 4
2 4
3 4
Vln. I
3 4
4 4
2 4
4 4
2 4
3 4
Vln. II
3 4
4 4
2 4
4 4
2 4
3 4
4 4
2 4
3 4
Pno.
Org.
Vla.
3 4
4 4
2 4
mf
div. pizz.
sf
Vc.
3 4
4 4
2 4 p
Cb.
3 4 f
4 4
2 4 mp
f
mf
2 4
pp
4 4 sffp
3 4 ff
p
ff
4 4
unis.
2 4 f
3 4 p
(non cresc.)
14
88
85
2 4
Picc. 1
2+3
4 4
3 4
5 8
4+3 3 4
7 8
4 4
3 4
5 8
7 8
4 4
3 4
5 8
7 8
4 4
3 4
5 8
7 8
4 4
3 4
5 8
3 4
5 8
f
2 4
Picc. 2 (Fl. 2)
4 4
3 4
5 8
3 4 f
2 4
Fl. 1
4 4
3 4
5 8
3 4 f
(do not reättack)
2 4 5
sf
Ob. 1.2
p
5
5
p
sf
4 4 5
p
3 4
5 8
3 4
5
sf
5
f
2 4
4 4
3 4
5 8
p
f
5
p
3 4
7 8
sf
sfp
4 4
f Eb Cl. (Cl. 2)
2 4
Cl. 1
2 4
4 4
5 8
3 4
7 8
4 4
7 8
4 4
3 4
3
3
3
3
4 4 3
3
3
3
3
3
4 4
3
3
f sub.
p
4 4
p
5 8
3 4
5 8
4 4
3 4
5 8
3
3 4
7 8
4 4
3 4
5 8
p
3 4
7 8
3
4 4
5 8
3
3 4
5 8
3 4
5 8
3
4 4
p
3 4
3
4 4
3
3
3
sf
3 4
f marcatiss.
5 8
p
3 4
7 8
4 4
3 4
mp
f marcatiss. 1.
5 8
f marcatiss.
mp
2 4
4 4
3 4
5 8
3 4
2 4
4 4
3 4
5 8
3 4 f
5
2 4
Tpt. 1.2.3
4 4
3 4
5 8
4 4
3 4
5 8
p
2 4
4 4
3 4
5 8
3 4
B. Tbn.
2 4
4 4
3 4
5 8
3 4
Tba.
2 4
4 4
3 4
5 8
3 4
p
p
ff
ff
Crot.
Br.D.
B. D.
2 4
4 4
2 4
4 4
2 4
4 4
arco
3 4
5 8
circularly scrape with a metal beater very slowly until the end of the gesture ppp
2 4
4 4
f
p
3
3 4
5 8
3 4
3 4
5 8
3 4
3 4
5 8
3 4
4 4
3 4
5 8
7 8
4 4
3 4
5 8
7 8
4 4
3 4
5 8
7 8
4 4
3 4
5 8
7 8
4 4
3 4
7 8
4 4
3 4
7 8
4 4
3 4
7 8
4 4
3 4
5 8
7 8
4 4
3 4
5 8
7 8
4 4
3 4
7 8
4 4
3 4
7 8
4 4
3 4
7 8
4 4
3 4
7 8
4 4
3 4
5 8
7 8
4 4
3 4
5 8
7 8
4 4
3 4
5 8
4 4
3 4
f
f a2 open
5 8
f
open
f
p
f
p
3 4
solo Hp.
f p
3
7 8
f
3 4
f 5
Tbn. 1.2
3
p
2 4 1. straight mute 2. open
mp
5
3 4
f
sub. f
7 8
f
f
f
3
3 4
ff
3
3
f
2 4 p
3
f 3
2 4 p
3 4
ff
Cbsn. (Bsn. 2) f sub.
3 4
3
3
2 4
Bsn. 1
5 8
f 3
2 4
Cl. 3
3 4
3
5 8 f marcatiss.
f
3
Hn. 1-4
3 4
f marcatiss.
sim. mf
ppp coperto
mf
mf
5 8 f
5 8
ord. p
5 8 5 8
mp very crisp
Pno.
sopra
Org.
2 4
4 4
3 4
5 8
3 4
2 4
4 4
3 4
5 8
3 4
2 4
4 4
3 4
5 8
3 4
2 4
4 4
3 4
5 8
3 4
mp
sopra
solo
5 8
f
5 8
f
2 4
4 4
3 4
Vln. I
4 4
2 4
Vln. II
2 4
Vla.
Vc.
2 4
Cb.
2 4 f sub.
p
ff
4 4 non div., arco
p
4 4 f
3 4 f
2+3
88 2 4
5 8
3 4 3 4 3 4
5 8 5 8 5 8
4+3
3 4
7 8
3 4
7 8
3 4
7 8
marcatiss.
4 4 4 4
3 4 3 4
5 8 f marcatiss.
f marcatiss.
5 8 5 8
f
4 4
3 4
5 8
3 4
7 8
4 4
3 4
4 4
3 4
5 8
3 4
7 8
4 4
3 4
f
p
5 8 marcatiss.
f
5 8
15
96 Picc. 1
Picc. 2 (Fl. 2)
2+3
102
2+3
5 8
4 4
5 8
2 4
4 4
5 8
4 4
5 8
2 4
4 4
f
ff
5 8
4 4
5 8
2 4
ff
2 4
4 4
5 8 5
Ob. 1.2
sf
ff
p
2 4
4 4
5 8
Eb Cl. (Cl. 2)
5 8
4 4
Cl. 1
5 8
4 4
as before
2 4
4 4
5 8
2 4
4 4
5 8
2 4
4 4
3 3
5 8
4 4
5 8
3
3
p
ff
p
ff
2 4
p
ff
p
sf
ff
p
p
ff
p
3
3
3
p
sf
f
3
3
ff
p
3
3
4 4
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
f
2 4
3 4 f
2 4
3 4
3 8
2 4
3 4
3 8
2 4
3 4
3 8
2 4
3 4
5
p
sf
3
3
f
3
3
3
3 8
2 4
3 4
3 8
2 4
3 4
5 8
4 4
2 4
3 8
2 4
3 4
5 8
4 4
3
3
3
3
5 8
2 4
4 4
f
Bsn. 1
4 4
5 8
4 4
5 8
2 4
4 4
to Bsn.
Cbsn. (Bsn. 2)
Hn. 1-4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
3 4
5 8
4 4
Tpt. 1.2.3
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
3 4
5 8
4 4
4 4
5 8
2 4
4 4
2 4
3 8
3 4
5 8
Tbn. 1.2
f
5 8 p
B. Tbn.
5 8
Tba.
5 8
Timp.
5 8
p
2 4
f
3
5 8
p
ff
f
5 8
f
2 4 3
3 4
ff
2 4
3
4 4
2 4
3 8
2 4
ff
ff
3 8
ff
2 4 p
3 4
3
5
5
pp
2 4
3 8
2 4
f
3 3
ff
4 4
ff 3
p
5
5 8
Cl. 3
ff
3 8
f
4 4 p
5 8
f
2 4 f
Fl. 1
2 4
f
f
4 4
5 8
2 4
4 4
2 4
3 8
4 4
5 8
2 4
4 4
2 4
3 8
5 8
2 4
4 4
2 4
3 8
f
f
very short
4 4
2 4 f
mf
sff
2 4 f
f
2 4 2 4
mf
p
ff
p
ff
pp
mf
4 4 f
3 4
5 8
3 4
5 8
3 4
5 8
4 4 f
4 4
f
4 4
Vib.
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
3 4
5 8
Whip
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
3 4
5 8
Tamb.
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
3 4
5 8
4 4
4 4
5 8
2 4
4 4
2 4
3 8
2 4
3 4
5 8
4 4
3 4
5 8
4 4
W-B
5 8
sf
f
mp
Br.D.
4 4 f
f
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
3 4
5 8
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
3 4
5 8
5 8
4 4
5 8
2 4
3 4
5 8
4 4
5 8
4 4
3 4
5 8
4 4
5 8
f
(non arp.)
Hp.
Pno.
Org.
omit lower notes if needed
2 4
3 8
5 8
2 4
4 4
2 4
3 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
3 4
5 8
4 4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
3 4
5 8
4 4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
3 4
5 8
4 4
2 4
3 4
5 8
4 4
3 4
5 8
4 4
3 4
5 8
4 4
5 8
4 4
5 8
f
2 4
4 4
2 4
3 8
5 8
4 4
5 8
2 4
4 4
2 4
3 8
Vla.
5 8
4 4
5 8
2 4
4 4
2 4
3 8
p
p
5 8
2 4
4 4
sff
5 8
4 4
2 4
3 8
ff
2 4 f
4 4
ff
2 4 f
5 8
sff
2 4
102
2+3
Vln. II
Cb.
4 4
4 4
f
Vc.
ff
4 4
2 4
2+3 Vln. I
4 4
p
ff
2 4
arco
3 4
5 8
sff
5 8
2 4
4 4
4 4 p
2 4
3 8
2 4
3 4 sff
5 8
ff
4 4
16
106 Picc. 1
2+3 4 4
5 8
4 4
5 16 ff
Picc. 2 (Fl. 2)
4 4
Fl. 1
4 4
5 8
sf
pp
5
p
f
4 4
5 8
5
Cl. 1
4 4
p
4 4
Cl. 3
3
Bsn. 1.2
4 4
5 8
4 4
3
3
3
5 8
3
3
3
4 4
5 8
Tpt. 1.2.3
5 8
4 4
3 4
4 4
3 4
3 4
5 8
4 4
5 8
4 4
5 8
to Cl.
B. Tbn.
4 4
5 8
Tba.
4 4
5 8
5 16
3 4
4 4
f
1.
5 8
3
f
5 16
3 4
4 4 f
3 4
4 4
5 16
3 4
5 16
Timp.
4 4
5 16
5 8
3 4
3
5 8 3
4 4
3 4
mp lontano
3
5 8
4 4
3 4
4 4
5 8
3 4
4 4
5 8
mp
3 4
4 4
3 4
4 4
3 4
mp p
4 4
5 8
4 4
3 4
sfz
4 4
f
4 4
mp lontano
3
3 3
sfz
sff
4 4
3 4
p dolciss.
4 4
f
3 4
f
sff
f
p
4 4
mf
4 4
5 8
f
3 4
4 4
sfz
Tbn. 1.2
3
3
mp lontano
4 4
f
5 16
4 4 f
4 4
3 4
f
4 4 p
Hn. 1-4
4 4
3 3
ff
3
3
3
ff
3
4 4
4 4
5 8
f
5 16
3
3
4 4
f
4 4
5 8
3 4
p
5 16
ff
3
3
3 4
to Fl.
sf
4 4
5 8
4 4
5 8
5
ff Eb Cl. (Cl. 2)
3 4
f
5 16 ff
4 4
f
4 4
4 4
f
5 16 ff
Ob. 1.2
3 4
f
4 4
5 8
5 8 f
5 16 ff
4 4
4 4
f
4 4
5 8
3+2 3 4
sff
5 16
3 4
4 4
5 8
4 4
3 4
5 16
3 4
4 4
5 8
4 4
3 4
5 16
3 4
4 4
5 8
4 4
3 4
5 8
4 4
3 4
5 8
4 4
3 4
5 8
4 4
3 4
sff
4 4
mf
Vib.
4 4
5 8
4 4
5 16
3 4
4 4
S.Bells
4 4
5 8
4 4
5 16
3 4
4 4
4 4
5 8
4 4
5 16
3 4
4 4
4 4
5 8
4 4
5 16
3 4
4 4
5 8
4 4
3 4
5 16
3 4
4 4
5 8
4 4
3 4
5 16
3 4
4 4
5 8
4 4
3 4
Gro.
B. D.
mf
(within the sound of the organ)
4 4 Hp.
Pno.
Org.
Vln. I
5 8
4 4
Cb.
mp
4 4
4 4
5 8
4 4
5 16
3 4
4 4
5 8
4 4
3 4
4 4
5 8
4 4
5 16
3 4
4 4
5 8
4 4
3 4
4 4
5 8
4 4
5 16
3 4
4 4
5 8
4 4
4 4
5 8
4 4
5 16
3 4
4 4
5 8
4 4
3 4
4 4
5 8
4 4
5 16
3 4
4 4
5 8
4 4
3 4
4 4
5 8
4 4
5 8
4 4
3 4
simpler sound; still bright
mf 5
4 4
5 8
4 4 4 4 4 4
4 4
5 16
4 4
f
3 4
non div.
4 4
3 4
4 4
sff
3 4
4 4
5 16 sff
3 4
4 4
3 4 sub. p
4 4 f
sff
3 4
4 4
5 8 5 8
3 4 sub. p
4 4 f
5
sub. p
f
5 16
5
sub. p
4 4
5 8
5
3 4
3+2
f
5 16
4 4
div.
5 8
sff
4 4 f arco
non div.
f
5 16
4 4
5 8
3 4
sff
div. non div.
5 8
5 8
2+3
div. non div.
f
Vc.
5
5 8
f Vla.
5
sfz
4 4
f
Vln. II
mf 5
5
sfz
3 4 sub. p
17
114 Picc. 1
3 4
4 4
Fl. 1.2
3 4
4 4
3 4
4 4
3 4
4 4
Cl. 1
3 4
4 4
Cl. 3
3 4
4 4
Bsn. 1.2
3 4
4 4
Ob. 1.2
p
Hn. 1-4
1.3 2.4
3 4
ff
4 4
B. Tbn.
Tba.
Gro.
W-B
ff
mp
ff
mf
p
p
ff
4 4 sfz
Tbn. 1.2
ff
p
3 4
p
5
sfz
Tpt. 1.2.3
f
mf
3 4
mf
f
f
mp
4 4
3 4
p
ff
f
p
ff
mp
ff
mf
p
ff
f
p
ff
mp
ff
mf
p
ff
f
p
ff
mp
ff
mf
4 4
3 4
4 4
3 4
4 4
3 4
4 4
mf
mf
Br.D.
B. D.
Hp.
Pno.
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
5
sf 5
sf 5
sf
5
sf
brighter still, more complex
3 4
secco
4 4 5
Org.
Vln. I
5
3 4
4 4
3 4
4 4
3 4
5
5
6
5
f
p
f
4 4 sfp
p
f
3 4
4 4 sfp
p
f
3 4
4 4 f
Cb.
sfp
div.
f
Vc.
5
4 4
f
Vla.
5
3 4
f
Vln. II
5
5
sfp
f
3 4
4 4 f
sfp
f
18
colla parte
119 Picc. 1
4 4
Fl. 1.2
4 4
Ob. 1.2
4 4
Cl. 1
4 4
Cl. 3
4 4
Bsn. 1.2
4 4
4 4
6
Hn. 1-4 ff
4 4
Tpt. 1.2.3 5
f
Tbn. 1.2
4 4
B. Tbn.
4 4
Tba.
4 4
Timp.
4 4 mf
4 4
Tamb. sf
4 4
W-B sf
4 4
B. D.
6
6
4 4 f
Org.
4 4 + ped. sempre cresc.
4 4
colla parte
non div.
4 4
Vln. I f
p
ff
non div.
4 4
Vln. II f
p
ff
4 4
Vla. f
p
ff
4 4
Vc. f
p
ff
4 4
Cb. ff
19
121 q = 96 Picc. 1
within the organ’s timbre a strange harmonic; slightly distant
secco
2+3
4 4
5 4 ppp poss.
f
4 4 Fl. 1.2
5 4 pp
4 4
5 4 pp
Ob. 1.2
4 4
5 4 f
4 4
(1.)
5 4
pp Cl. 1.2
4 4
(2.)
5 4
pp Cl. 3
4 4
5 4
bell-like; very slight stress at the very front of the note
f
p
ppp poss.
pp sempre sim.
4 4 p Bsn. 1.2
4 4
pp p bell-like; very slight stress at the very front of the note
p Hn. 1-4
pp
pp
p
5 4
pp sempre sim.
5 4 p
pp
p
pp
4 4
1.
3
(with hand)
p
(open)
mp
3
n
p
f
4 4
ppp poss.
mfz
p
3
f
(open)
4 4
5 4 3
p
mfz
p
3
f
(open)
4 4
5 4
p
mfz
p
4 4
3
f
5 4
3
p
Tbn. 1.2
pp
mfz
4 4
5 4 3
p
pp
mfz
B. Tbn.
4 4
5 4
Tba.
4 4
5 4
Crot.
4 4
arco
5 4
p Vib.
4 4
5 4 p
Tam.-t.
very quickly tapped with triangle beater
4 4
5 4
3
pp Hp.
4 4
5 4 p
Pno.
secco
4 4
5 4 f
ff
5
4 4 Org.
4 4
5 4 p sub.
pp poss.
8′ and 2′ only
5 4
ppp
4 4
5 4
121 q = 96 arco Vln. I
4 4 4 4 4 4
3
mp
½ the section, pizz.
arco, ½ the section, molto sul tasto
f
ppp
5 4 pp
5 4 p
mp
sim.
4 4
5 4 p
Cb.
4 4
5 4 5 4
4 4 Vc.
2+3
ppp
con sord., arco, molto sul tasto
pp
Vla.
gli altri con sord. molto sul tasto
1 solo (senza sord.)
pp
Vln. II
2. 4.
5 4 3
p Tpt. 1.2.3
5 4
mp
sim.
5 4
20
134
131
3 2
Picc. 1
4 4 3
pp
3 2
4 4
3 2
4 4
3 2
4 4
3
3
Fl. 1.2
sim. Ob. 1.2
1.
3
3
3
p
3 2
4 4
3 2
4 4
mp
pp
Cl. 1.2
3
3 2
Cl. 3
p
do not reättack
4 4 pp
mp
3 2
sempre sim.
4 4 p
Bsn. 1.2
3 2
pp
p
pp
p
pp
p
3 2
(with hand)
3.
pp
p
3 2
p
4 4
p
pp
pp
3 2
2. 3.
4 4
p
3 2
3
ppp
3 2
4 4
Tba.
3 2
4 4
Crot.
3 2
4 4
3
mp espress.
pp
1.
4 4
B. Tbn.
pp
1. solo
4 4
Tpt. 1.2.3
3
mallets wrapped in moleskine this should sound like an extension of the vibraphone
3 2
Glock.
sempre sim.
2. 4.
2.
Tbn. 1.2
pp
4 4 p
Hn. 1-4
mp
4 4
p
Vib.
3 2
4 4
Hp.
3 2
4 4
3 2
4 4
3 2
4 4
3 2
4 4
3
Pno.
p
5
mf
Org.
3 2
4 4
3
3
Oboe + 4' 2 2/3' Flutes
3
3
p
3 2 1 solo pizz. 3
Vln. I
3 2
Vla.
4 4 p
3 2 p
3 2
pp
4 4 pp tutti, arco con sord. molto sul tasto
p
pp
p
n
4 4 n
3 2
4 4
3 2
4 4
3 2
4 4
Vc.
Cb.
ppp
134
tutti arco con sord. pp
Vln. II
32′ only almost imperceptible
4 4
from the back of the section, player by player remove mutes so all players are senza sord. by 148
pp
3
21
2+3
140
147
5 4
Picc. 1
3 2
sim.
4 4 mp 3
ppp
3
3
5 4
3 2
4 4
5 4
3 2
4 4
3
3
Fl. 1.2
5 4 p
Ob. 1.2
soli
3
mp
3
3
3
3 2 mp 3
3 3
5 4
sim.
4 4
3 2
3
3
n
mp
3
3
3
sim.
4 4
3
3
3
3
3
mp 3
5 4
3 2
4 4
5 4
3 2
4 4
5 4
3 2
Cl. 1.2
Cl. 3
pp
3
mp
5 4
p
4 4
3
mp
n
3 2
4 4 p
Bsn. 1.2
5 4
3 2
4 4 p
2.
5 4
3
Hn. 1-4 p
5 4
3
Tpt. 1.2.3 3
4.
3 2
pp
mp
3 2
4 4 1.
4 4
ppp
3
Tbn. 1.2
5 4
3 2
4 4
B. Tbn.
5 4
3 2
4 4
Tba.
5 4
3 2
4 4
Crot.
5 4
3 2
4 4
Glock.
5 4
3 2
4 4
Vib.
5 4
3 2
4 4
Hp.
5 4
3 2
4 4
5 4
3 2
4 4
5 4
3 2
4 4
5 4
3 2
Pno.
Flutes 8' 4' 2 2/3' mp 3
3
Org.
3
5 4
cromorne + 4' fl
3
3
5 4
3
3 2
3
3
3
3
3
4 4
3
3
16' 8'
3 2
4 4
2+3
147
5 4
Vln. I
sempre sim.
4 4
3 2
4 4 pp
5 4
Vln. II
3 2 p
5 4 3
Vla.
pp
3 2
4 4 3
p
mp
5 4 p
pp
3
p
mp
3 2
pp
3
3
p
mp
3
p
3
mp p
mp p
4 4 3
p
3
mp
p
5 4
3 2
4 4
5 4
3 2
4 4
5 4
3 2
4 4
Vc.
Cb.
senza sord.
4 4
3
mp
3
p
22
148
legatiss.
3
Picc. 1 3
3
3
3
3
Fl. 1.2
3
3
3
3
3
3
mp legg.
3
sub. ord. vib.
sub. very wide, luxurious vib.
3
3
3
3
Ob. 1.2
3
3
3
3
3
3
3
3
3
3
3
3
3
mp legg.
3 3
3
3
3
3
3
3
mp legg.
3
Cl. 1.2
Cl. 3 pp
mp sempre sim.
Bsn. 1.2
pp
p
pp
p
pp
p
pp
p
pp
sempre sim.
pp
2. 4.
3
2.
Hn. 1-4 p
pp pp
2. 3.
p
pp
Tpt. 1.2.3 p
pp
1. Tbn. 1.2 p B. Tbn.
Tba.
Crot.
Glock.
Vib.
Hp.
Pno.
8' 1' poco sost.
+ 13/5' 3
3
3
3
Org.
3
3
3
3
3
3
3
3
legatiss.
3
3
3
5
3
8' 4' Flutes
mf
4′ only
p
1 solo
3
mp
Vln. I
sim.
3
legatiss. 3
3
3
3
3
3
3
3
3
3
(tutti)
Vln. II
Vla.
Vc.
Cb.
5
Cornet
mp 3
p
mp
p
mp
pp
mp
p
mp
p
mp
pp
3
23
160 q = 136
2+3
155
5 4
Picc. 1
3 2
3 4
4 4
3 4
p
ppp
5 4 3
mp
Fl. 1.2
3 2
3 4
4 4
3 4
3 2
3 4
4 4
3 4
p
5 4
mp
5 4 Ob. 1.2
p
3 2 mp
p
n
p
5 4 p
mf
mp
pp
mp
4 4
3 4
3 4
4 4
3 4
4 4
3 4
(non dim.)
3 2 p
3 4
p
mf
5 4
3 2
3 4
5 4
3 2
3 4
Cl. 1.2
mf
mf To B. Cl.
5 4
Cl. 3
3 2
3 4
mp Bass Cl.
3 4
mp
4 4 4 4
3 4
4 4
3 4
4 4
3 4
mp mp
pp
5 4
3 2
3 4 mf
Bsn. 1.2
5 4
3 2
Hn. 1-4
5 4
4.
5 4
pp
Tpt. 1.2.3
3 4 f
molto
mp
5 4
mp
mp
3 2
3 4
4 4
3 4
3 2
3 4
4 4
3 4
3 2
3 4
4 4
3 4
p
Tbn. 1.2
5 4
3 2
mfz
3 4
4 4 p
5 4
B. Tbn.
3 2
5 4
Tba.
mfz
3 4 pp
3 4
4 4
3 4
4 4
3 4
p mfz
3 2
3 4 pp
p
mfz
Crot.
5 4
3 2
3 4
4 4
3 4
Glock.
5 4
3 2
3 4
4 4
3 4
Vib.
5 4
3 2
3 4
4 4
3 4
5 4
3 2
3 4
4 4
3 4
5 4
3 2
3 4
4 4
3 4
5 4
3 2
3 4
4 4
3 4
5 4
3 2
3 4
4 4
3 4
5 4
3 2
3 8' 4' Flutes 4
4 4
3 4
3 2
3 4
4 4
3 4
3 2
3 4
4 4
3 4
3 4
4 4
3 4
3 4
4 4
3 4
3 4
4 4
3 4
Hp.
Pno.
3
Org.
3
5 4
3
3
3
p
p
3
5 16' 8' 4
160 q = 136
2+3 Vln. I
5 4
3 2
Vln. II
5 4
3 2 p
Vla.
5 4
1 solo
p
3
3 2 3
rin f
3
p
3
pp tutti, bell-like p
pp
5 4
3 2
3 4
4 4
3 4
5 4
3 2
3 4
4 4
3 4
5 4
3 2
3 4
4 4
3 4
Vc.
Cb.
(if no low Eb is available, do not substitute with the higher octave) pp
24
163 Picc. 1
2+3 3 4
5 4
3 4
4 4
3 4
4 4
3 4
ppp
3 4
5 4
3 4
mp Fl. 1.2
3 4
5 4
3 4
4 4
3 4
4 4
3 4
mp
3 4
5 4
3 4
mp Ob. 1.2
3 4
5 4
3 4
4 4
3 4 mp
3 4
5 4
3 4
4 4
3 4
3 4
5 4
3 4
4 4
3 4
3 4
5 4
3 4
4 4
3 4
3 4
5 4
3 4
4 4
3 4
3 4
5 4
3 4
4 4
3 4
Hn. 1-4
3 4
5 4
3 4
4 4
3 4
Tpt. 1.2.3
3 4
5 4
3 4
4 4
3 4
3 4
5 4
3 4
4 4
3 4
Cl. 1.2
B. Cl. (Cl. 3)
Bsn. 1.2
mfz
p
p
mfz
p
mfz
Tbn. 1.2
3 4
5 4 p
B. Tbn.
Hp.
Org.
p
5 4 5 4
5 4
3 4
mfz
3 4
mfz
p
mfz
mfz
3 4 p
p mfz
mfz
3 4
4 4
3 4
3 4
4 4
3 4
5 4
3 4
4 4
3 4
3 4
5 4
3 4
4 4
3 4
3 4
5 4
3 4
4 4
3 4
4 4
3 4
louré
4 4
3 4
louré
p
2+3 Vln. I
p
4 4 p
3 4
mfz
3 4
mfz
5 4
p
3 4
4 4 p
3 4
mfz
3 4
mfz
3 4 p
4 4
mfz
3 4 p
Tba.
3 4
3 4
5 4
senza sord.
3 4 p
Vln. II
3 4
5 4
3 4 p
Vla.
3 4
5 4
3 4
4 4
3 4
Vc.
3 4
5 4
3 4
4 4
3 4
Cb.
3 4
5 4
3 4
4 4
3 4
senza sord., louré
25
178
174
2 4
Picc. 1
3 4
2 4 p
2 4
4 4
3 4
mp
3 4
p
2 4 p
4 4
mp
3 4
mp
p
mp
Fl. 1.2
2 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
(mp sempre)
2 4
3 4 (mp sempre)
Ob. 1.2
2 4
3 4 (mp sempre)
2 4
3 4 ppp
mp
Cl. 1.2
2 4
3 4 (mp sempre)
2 4
B. Cl. (Cl. 3)
3 4 (mp sempre)
2 4
3 4
2 4
4 4
3 4
2 4
3 4
2 4
4 4
3 4
2 4
3 4
2 4
4 4
3 4
2 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
Bsn. 1.2
Hn. 1-4
straight mute
pp
2 4
Tpt. 1.2.3
straight mute
3 4
pp
2 4
straight mute
3 4
pp
2 4
3 4
mfz
p
p
mfz
p
mfz
p
mfz
Tbn. 1.2
2 4 p
mfz
p
p
p
mfz
Org.
mfz
p
p
4 4
mfz
3 4 p
2 4 p
p
mfz
3 4 mfz
3 4
mfz
2 4
mfz
2 4
4 4
p
3 4
p
Hp.
2 4
mfz
2 4
B. Tbn.
Tba.
3 4
p
4 4
3 4 p
mfz
2 4
3 4
2 4
4 4
3 4
2 4
3 4
2 4
4 4
3 4
2 4
3 4
2 4
4 4
3 4
2 4
3 4
2 4
4 4
3 4
2 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
not much louder than l.h.
178 Vln. I
2 4
3 4
div.
p
f
div., senza vib. "early music" sound Vln. II
2 4
3 4 p mp div., senza vib. "early music" sound
Vla.
2 4 2 4 2 4
mp
p
3 4 p
Cb.
sfz
3 4 p
Vc.
p
3 4
mfz
sfz
f
26
191 Slightly faster (q = 144)
187
4 4
Picc. 1
3 4
solo f
4 4
p
mp
f
4 4
5 4
2 4
5 4
2 4
5 4
2 4
5 4
2 4
5 4
2 4
5 4
2 4
5 4
2 4
5 4
2 4
5 4
2 4
5 4
f
3 4
Fl. 1.2
2 4
mf
3 4 mf
4 4
3 4 f
Ob. 1.2
4 4
mf
3 4 mf
f
4 4
3 4 f
Cl. 1.2
4 4
mf
3 4 f
4 4
B. Cl. (Cl. 3)
mf
3 4 mf
f
4 4
stylised, slightly severe
3 4 f
Bsn. 1.2
4 4
f
3 4
Tpt. 1.2.3
mf
Tbn. 1.2
p
4 4
3 4
2 4
5 4
4 4
3 4
2 4
5 4
4 4
3 4
2 4
5 4
4 4
3 4
2 4
5 4
4 4
3 4
2 4
5 4
2 4
5 4
2 4
5 4
2 4
5 4
2 4
5 4
2 4
5 4
2 4
5 4
2 4
5 4
2 4
5 4
mfz
4 4 p
mfz
4 4 p
p
mfz
4 4 mfz
4 4
S.Bells
Br.D.
Chin. Cym.
mfz
p
mfz
p
mfz
p
mfz
3 4
mfz
Tba.
p
3 4
mfz B. Tbn.
mf
mf
f Hn. 1-4
p
p
p
mfz
mfz
3 4 p
mfz p
3 4
4 4
3 4
4 4
3 4
mfz
p
p
mfz
mp
p
very quickly scraped with metal beater mp
very quickly scraped with metal beater dampen immediately
mfz
mp solo severe
Pno.
4 4
3 4
4 4
3 4
f
p
mp
f
f
f
p
soft reeds
Org.
4 4
3 4
4 4
3 4
2 4
5 4
2 4
5 4
2 4
5 4
2 4
5 4
2 4
5 4
2 4
5 4
mf, to the fore
4 4
3 4
Slightly faster (q = 144) 191 pizz. 4 4
Vln. I
3 4 f
4 4
Vln. II
3 4
f
4 4
Vla.
p
mp
p
mp
4 4
3 4
4 4 p
mf
3 4
p
stylised, slightly severe
f
Cb.
f
3 4 mp
Vc.
f
pizz.
p
mp
p
2 4 2 4 p
sim.
5 4
f
p
stylised, slightly severe
f
mp
sim.
f
5 4
27
198 2+3 5 Picc. 1 4
4 4 mp
f
3 4
mp
f
mp
f
4 4 mp
3 4
mf
f sub.
5 4
4 4
3 4
4 4
3 4
5 4
4 4
3 4
4 4
3 4
5 4
4 4
3 4
4 4
3 4
5 4
4 4
3 4
4 4
3 4
mp
Fl. 1.2
Ob. 1.2
marcato
mp
5 4
4 4
3 4
4 4
3 4
5 4
4 4
3 4
4 4
3 4
5 4
4 4
3 4
4 4
3 4
5 4
4 4
3 4
4 4
3 4
5 4
4 4
3 4
4 4
3 4
Cl. 1.2
B. Cl. (Cl. 3)
Bsn. 1.2
f
mp
Hn. 1-4
5 4
4 4
3 4
4 4
3 4
Tpt. 1.2.3
5 4
4 4
3 4
4 4
3 4
5 4
4 4
3 4
4 4
3 4
mfz
p
p
mfz
Tbn. 1.2
5 4
4 4 p
B. Tbn.
mfz
p
p
p
5 4
p
4 4
3 4 p
3 4 mfz
mfz
4 4
mfz
4 4 mfz
3 4 p
3 4
mfz
5 4
4 4
mfz
4 4
p Timp.
p
5 4 p
Tba.
mfz
3 4
mfz
4 4
3 4 p
mfz
3 4
4 4
mfz
3 4 mp
Br.D.
5 4
4 4
B. D.
5 4
4 4
5 4
Hp.
3 4
4 4
3 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
coperto
mp
mf
5 4 Pno.
f
mp
mp
5 4
mp sf
f
mp
mf
f sub.
4 4
3 4
4 4
3 4
5 4
4 4
3 4
4 4
3 4
5 4
4 4
3 4
4 4
3 4
5 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
p
Org.
f
f
mp
2+3 Vln. I
5 4 mp
Vln. II
f
f
mp
f
mp
f
4 4 mp
5 4
p
mp
mp
5 4 f
mp
3 4
mf
f sub.
4 4 mp
p
mp
3 4 p
mp
p
mp
3 4
4 4
3 4
3 4
4 4
3 4
sf sempre
4 4 p
f sub.
4 4 mp
p
4 4 f
mf
3 4 mp
p
mp
3 4 f
5 4
p
Cb.
mp
4 4
mp p Vc.
f
5 4 mp
Vla.
mp
sf sempre
p
mp
28
211
207 Picc. 1 mf Fl. 1.2
Ob. 1.2
Cl. 1.2
B. Cl. (Cl. 3)
Bsn. 1.2
Hn. 1-4
2 4
3 4
2 4
4 4
2 4
3 4
2 4
4 4
2 4
3 4
2 4
4 4
3 4
2 4
3 4
2 4
4 4
3 4
2 4
3 4
2 4
4 4
3 4
2 4
3 4
2 4
4 4
3 4
2 4
3 4
2 4
4 4
3 4
2 4
3 4
2 4
4 4
3 4
2 4
3 4
2 4
4 4
3 4
2 4
3 4
2 4
4 4
3 4
mfz
2 4 Tpt. 1.2.3
3 4
2 4
3 4
2 4
3 4
mf
2 4 mp
open
3 4
B. Tbn.
2 4
3 4
Tba.
2 4
3 4
Timp.
2 4
3 4
Glock.
2 4
3 4
4 4
poco
mfz
mfz
p
2 4
4 4
2 4
4 4
mfz
p
2 4 p
mfz
p
p
mfz
mf
f
3 4
sffz
open
Tbn. 1.2
2 4
f
each note slightly longer than e
3 4
p
mfz
mfz
2 4 2 4
p
2 4
mfz
3 4 sf
mp
3 4 3 4
mfz
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4 mf
2 4
f slightly harder stick in the right hand
2 4
Vib.
mp
f
mp
mp f
2 4 mp
f
mp
3 4
f
3 4 f
4 4
mp
4 4
3 4
f
Tam.-t.
2 4
3 4
2 4
4 4
Hp.
2 4
3 4
2 4
4 4
2 4
4 4
mp f tapped with triangle beater, as before mp
mp
3 4 3 4
sf
2 4 Pno.
mp
3 4
mf
3 4
f
mf
f
2 4
3 4
2 4
4 4
3 4
2 4
3 4
2 4
4 4
3 4
2 4
3 4
2 4
4 4
3 4
2 4
3 4
2 4
4 4
3 4
2 4
4 4
an entirely different colour
Org.
più f
211 2 4 Vln. I
mp
f
2 4 mp
mp
2 4
4 4
3 4
2 4
2 4 f
2 4
4 4
div. a 4
2 4 p
3 4 3 4
p
2 4
arco
3 4
p arco
f
p arco
f
p arco
f
3 4
2 4
4 4
Vc.
2 4
3 4
2 4
4 4
Cb.
2 4
3 4
2 4
4 4
p
f
p
f
p
f
p
f
p
f
3 4 3 4
p
2 4
f
3 4
4 4
mp
p
3 4
4 4
f
mp
Vla.
3 4
f
2 4 Vln. II
3 4
f
3 4 p
3 4 3 4
f
29
224
219
4 4
Picc. 1 mp
mf
solo (with organ)
mp
3 8 sub. p
4 4
sub. p
sub. p
4 4
sub. p
sub. p
3 8
4 4
5 8
3 8
4 4
5 8
3 8
4 4
n
5 8
3 8
4 4
n
5 8
3 8
4 4
n
5 8
3 8
4 4
n
5 8
3 8
4 4
5 8
3 8
4 4
5 8
4 4
3 8
4 4
5 8
4 4
3 8
4 4
5 8
3 8
4 4
5 8
3 8
4 4
5 8
3 8
4 4
5 8
3 8
4 4
3 8
4 4
5 8
3 8
4 4
5 8
3 8
4 4
5 8
To Cbsn.
pp
pp
pp
pp
4 4
p
sf
p
sf
sff
p
p
p
mfz
sf
p
mfz
4 4 mfz
p
mfz
p
4 4
Tba. p
3 8
mfz
B. Tbn. p
5 8
5 8
4 4
mf
4 4
4 4
mp
mfz
5 8
3 8
mp
4 4
p
4 4
5 8
4 4
Tbn. 1.2
3 8
4 4
4 4
mp
5 8
3 8
4 4
Tpt. 1.2.3
4 4
sub. p all notes slightly longer than indicated
4 4
sff
3 8
5 8
4 4
Hn. 1-4
5 8
4 4
4 4 Bsn. 1.2
4 4
mf, slightly antagonistic To E Cl.
4 4
B. Cl. (Cl. 3)
5 8
3 8
3 8
4 4
4 4
very short and sharp
4 4 Cl. 1.2
5 8
mf, slightly antagonistic
4 4 Ob. 1.2
4 4
very short and sharp
4 4 Fl. 1.2
3 8
mfz
Timp.
4 4
Glock.
4 4
p
mfz
mfz p
f
mfz
p
5 8
p
4 4
Vib. f
p
4 4
W-B sf
dolce
4 4
Hp.
mp - mf from here, all notes very short, hammered & precise
4 4 Pno.
mp
mf
mf
4 4
3 8
4 4
5 8
3 8
4 4
5 8
3 8
4 4
3 8
4 4
5 8
3 8
4 4
5 8
3 8
4 4
5 8
8' 4' foundations
4 4 Org.
mf, ma dolce
4 4 4 4 pizz.
4 4
Vln. I ff
ff
p arco
mf
4 4
3 8
4 4
4 4
3 8
4 4
Vc.
4 4
3 8
4 4
Cb.
4 4
3 8
4 4
Vln. II ff pizz. Vla. ff
5 8
224
arco
pizz.
sim., sempre sost.
p
ff
mf, strong
mf, strong
sf
5 8 mf
sf
5 8 5 8 mp dolce
mp dolce
5 8
30
229 Picc. 1
2+3 234 all unslurred notes very short 5 8
3 4
5 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
mf legg. all unslurred notes very short
5 8
3 4
5 4 mf legg.
Fl. 1.2
all unslurred notes very short
5 8
3 4
5 4 mf legg.
Ob. 1.2
5 8
3 4
5 4 Clarinet in Eb all unslurred notes very short
Eb Cl. (cl. 2)
5 8
Cl. 1
5 8
3 4
5 4
B. Cl. (Cl. 3)
5 8
3 4
5 4
Cbsn. 2 (Bsn. 2)
5 8
3 4
5 4
3 4
4 4
Hn. 1-4
5 8
3 4
5 4
3 4
4 4
Tpt. 1.2.3
5 8
3 4
5 4
3 4
4 4
Tbn. 1.2
5 8
3 4
5 4
3 4
4 4
B. Tbn.
5 8
3 4
5 4
3 4
4 4
Tba.
5 8
3 4
5 4
3 4
4 4
Hp.
5 8
3 4
5 4
3 4
4 4
5 8
3 4
5 4
3 4
4 4
5 8
3 4
5 4
3 4
4 4
5 8
3 4
5 4
3 4
4 4
5 8
3 4
5 4
3 4
4 4
5 8
3 4
5 4
3 4
4 4
3 4
4 4
Pno.
Org.
3 4
5 4 mf legg.
articulate and not overly long
p
articulate and not overly long
2+3 234 Vln. I
Vln. II
5 8
5 8
3 4
3 4
5 4
5 4
1 solo bell-like
mp
3 4
sempre sim.
4 4
n
Vla.
5 8
3 4
5 4
3 4
4 4
Vc.
5 8
3 4
5 4
3 4
4 4
3 4
4 4
p
Cb.
5 8
3 4
5 4 p
31
237
3 4
4 4
3 8
4 4
3 4
4 4
3 8
4 4
3 4
4 4
3 8
4 4
Ob. 1.2
3 4
4 4
3 8
4 4
Eb Cl. (Cl. 2)
3 4
4 4
3 8
4 4
Cl. 1
3 4
4 4
3 8
4 4
B. Cl. (Cl. 3)
3 4
4 4
3 8
4 4
Cbsn. 2 (Bsn. 2)
3 4
4 4
3 8
4 4
Hn. 1-4
3 4
4 4
3 8
4 4
Tpt. 1.2.3
3 4
4 4
3 8
4 4
Tbn. 1.2
3 4
4 4
3 8
4 4
B. Tbn.
3 4
4 4
3 8
4 4
Tba.
3 4
4 4
3 8
4 4
Hp.
3 4
4 4
3 8
4 4
3 4
4 4
3 8
4 4
3 4
4 4
3 8
4 4
3 4
4 4
3 8
4 4
3 4
4 4
3 8
4 4
3 4
4 4
3 8
4 4
4 4
3 8
4 4
Picc. 1
Fl. 1.2
Pno.
Org.
Vln. I
3 4
1 solo
mp
Vln. II
3 4
4 4
3 8
4 4
Vla.
3 4
4 4
3 8
4 4
Vc.
3 4
4 4
3 8
4 4
Cb.
3 4
4 4
3 8
4 4
32
245
2+3
246
2+3
5 8
Picc. 1
3 4
5 4
3 4
3 4
5 4
3 4
3 4
5 4
3 4
3 4
5 4
3 4
3 4
5 4
3 4
3 4
5 4
3 4
3 4
5 4
3 4
mp sub.
5 8 mp sub.
Fl. 1.2
5 8 mp sub.
5 8 f
mp
Ob. 1.2
5 8 f
mp
5 8
Eb Cl. (Cl. 2)
mp sub.
5 8
Cl. 1
mp
f B. Cl. (Cl. 3)
5 8
3 4
5 4
3 4
Bsn. 1
5 8
3 4
5 4
3 4
5 4
3 4
5 4
3 4
mf
5 8
Cbsn. (Bsn. 2)
Contrabassoon
3 4
mf
5 8
1.
3 4
p
p
sf
sf (within mp)
p
sf
5 8
3 4
5 4
5 8
3 4
5 8
3 4
Tpt. 1.2.3
5 8
3 4
Tbn. 1.2
5 8
3 4
5 4
3 4
B. Tbn.
5 8
3 4
5 4
3 4
Tba.
5 8
3 4
5 4
3 4
Hp.
5 8
3 4
5 4
3 4
5 8
3 4
5 4
3 4
5 8
3 4
5 4
3 4
5 4
3 4
5 4
3 4
5 4
3 4
p
Hn. 1-4
sf (within mp)
p
sf
p
sf
5 4 p
Pno.
3 4 3 4
sf (within mp)
p
sf
5 4 p
3 4
sf (within mp)
p
5 4
3 4
As fast as possible. No need to fill the whole bar; just start in the right place and hold the tenuti only slightly into the gesture.
5 8 bright mixtures
Org.
5 8
3 4 mf very bright, only slightly louder than orchestra
3 4
5 8
246
3 4
+ soft reed 16'
2+3
2+3
5 8
3 4
5 4 tutti div.
Vln. I
5 8
p
f
p
3 4
5 4 p
5 8
f
5 4 tutti div.
5 8
p
p
5 4 p
5 8
mf Cb.
5 8
p
3 4 bell-like
3 4
5 4
3 4
3 4 p
f sim.
mf
p
3 4
f
p
Vc.
p
5 4 p
5 8
3 4
f
3 4
Vla.
3 4
f
3 4
5 8
3 4 p
3 4
Vln. II
3 4
f
5 4
3 4 mf
p
5 4
p
3 4
33
253 Picc. 1
3 4
4 4
3 4
4 4 mf
3 4
4 4
3 4
4 4 mf
Fl. 1.2
3 4
4 4
3 4
4 4 mf
3 4
4 4
3 4
4 4 mf
Ob. 1.2
3 4
4 4
3 4
4 4 mf
Eb Cl. (Cl. 2)
3 4
4 4
3 4
4 4 mf
Cl. 1
3 4
4 4
3 4
4 4 mf
B. Cl. (Cl. 3)
3 4
4 4
3 4
4 4
Bsn. 1
3 4
4 4
3 4
4 4
Cbsn. (Bsn. 2)
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
p
3 4 Hn. 1-4
sf
p
p
4 4
sf
p
3 4
4 4
3 4
4 4 sf
sf
sf
p
p
sf
p
sf
sf
p
sf
sf
p
sf
Tpt. 1.2.3
3 4
Tbn. 1.2
3 4
4 4
3 4
4 4
B. Tbn.
3 4
4 4
3 4
4 4
Tba.
3 4
4 4
3 4
4 4
B. D.
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
Pno.
Org.
4 4
p
9
f
4 4
3 4
f
p
f
p
f
p
mp
mf
5
mp
4 4 5
mf
mp
mf
Vln. I
3 4
4 4
3 4
f
p
3 4
p
mp
4 4
f
mp
mf
mf
5
mp
mp
mf
4 4 5
mf
p
mf
4 4
mp
mf
mp
mp
mf
mf
5
mp
mf
p
mf
mp
mf
4 4 5
mf
mp
mf
3 4 mp
mf
5
5
mf
mp
5
5
p
3 4
5
3 4 p
f
Cb.
mf
4 4
3 4 3 4
p
f
f
Vc.
mp
3 4 p
3 4 Vla.
f
4 4 f
Vln. II
f
4 4 5
5
mp
mf
mp
mf
5
mp
5
mp
mf
mp
5
mf
4 4 p
4 4 5
mf
mp
mf
3 4
4 4
3 4
4 4
ff
molto
to Bb Cl.
34
260 New tempo (q = 112) Picc. 1
Fl. 1.2
(to Picc. 2)
Ob. 1.2
Cl. 1.2
3
3
3
3
3
3
3
3
3
ff
p 5
3
3
3
3
3
3
3
3
3
3
poco a poco cresc. within each gesture but also in a more global sense towards 280 5
5
5
3
3
mf
5
5
3
3
B. Cl. (Cl. 3)
5
5
Bsn. 1 ff "talking" tremolo
f
p
5
5
mf
poco a poco cresc. within each gesture but also in a more global sense towards 280
Cbsn. (Bsn. 2) mf - ff Hn. 1-4
Tpt. 1.2.3 straight mute
p straight mute
Tbn. 1.2
sfp
p
(open)
sfp
sfp
sfp
sfp
3
3
3
p
pp
f
sfp
mp
3
3
B. Tbn. p
sf
mp
sf
5
3
5
mp
ff
p
sf
Tba. ff
p
sf
sf
p
p
sf
Timp. f
pp
hard mallet Br.D. mfz allow sound to just barely "bloom" Tam.-t. mfz B. D. fp
sf
fff "thunder"
Hp.
Gt. 8' 4' + full Swell
Pos 8' 4' reeds + swell
mf, blended inside the orchestra
Org.
f, slightly above the orchestra
mp, much quieter than l.h. and pedal
32' 16' 8' uncoupled
260
New tempo (q = 112)
Vln. I ff poss.
Vln. II ff poss. off the string Vla. ff poss. severe, slightly savage off the string
Vc.
Cb.
p
ff severe, slightly savage off the string
mf
ff snarl
mf
sffz snarl
ff
sffz
ff
f
p, dangerous
ff
p
p
p
p
ff
sfp
f
mp
p
ff
p
f
ff
ff
p
sfp
p
mp on the string
5
5 p on the string
5
p
5
f
mf
f
p sub.
f
mf
ff
p
ff
mp
p
mf
35
267 Picc. 1
Fl. 1.2
Ob. 1.2
2. to Eb Cl.
a2 Cl. 1.2 f
h 5
3
3
B. Cl. (Cl. 3)
p
f
p
3 3
3
3
3
3
3
3
3
3
5
5
5
Bsn. 1 5
5
5
3
5
3
Cbsn. (Bsn. 2)
mf
Hn. 1-4
p
mf
3
p
mf
fp
p
mf
sff
p
mf
mf Tpt. 1.2.3
Tbn. 1.2
p
mf
p
sfp
pp
f detached but not overly short
sfp
p
p
f
sfp
mf
sfp
5
B. Tbn. p
f detached but not overly short
5
Tba.
p
sff
p
f
all crescendi focussed towards 3 the end of the gesture Chin. Cym. mp
f 5
f
Org.
Vln. I
f
Vln. II
p
f
p
very short, sharp, and aggressive 5
Vla.
Vc.
f
p
f
ff
mp
f
ff
mp
f
p
ff
ff
5
sfp
f
5
f
mf
f
f
mf
f
ff 5
3
5
5
5
pp
p
p
p
5
ff
p
ff
Cb.
5
f sub.
p
ff
p
sfp
poco portato
3
p
p
f
ff
36
273 Picc. 1
Fl. 1.2
Ob. 1.2
Cl. 1
3
3
B. Cl. (Cl. 3)
3
3
3
3
3
3
3
3
3
3
3
3
Bsn. 1 3
5
Cbsn. (Bsn. 2)
p
f
mf
Hn. 1-4
f
mf
f
f Tpt. 1.2.3
smooth
f
p
sff
p
Tbn. 1.2
mf
p
mf
mf
p
mf
mf
p
mf
smooth
f
p
sff
p smooth
B. Tbn. p
Tba. mp
mf
p
sfp
p 3
3
3
3
3
3
ff
Org.
3
3
non div.
3
3
(non div.)
f
mf Vln. I
sffp
f
p
0 IV sim.
f
p
ff
f
f
p
(non div.)
5
p
sff
p
sff
p
sff
p
ff
Vla.
p
f 0
0
f
ff
ff
p
ff
ff
mf
ff
mf
mf, steady
mp
mf
f
f
tremolos slow down >
Cb.
sff
5
0 IV sim.
5
Vc.
mf, intense 5
5
Vln. II
3
3
3
mf
p
ff
f sub.
p
p
f 3
f
p
sf
tremolos slow down >
sf
mp
non trem.
3
non trem.
ff
f
p 3
p
37
281
279 Picc. 1
mp
Fl. 1.2
Ob. 1.2 mp
Eb Cl. (Cl. 2)
p
Cl. 1 mp B. Cl. (Cl. 3)
3
3
3
ff
Bsn. 1 5
ff
Cbsn. (Bsn. 2)
p
f
p
Hn. 1-4
p
f
f
p
f
sffz
cresc.
sffz
cresc.
sffz
cresc.
sffz
cresc.
open Tpt. 1.2.3 mf Tbn. 1.2
B. Tbn.
Tba. ff 3
3
Org.
più f
to Gt. 3
281 non div. sfp
Vln. I
ff
p
3
3
ff
3
3
3
3
p
non div.
fp
mf non div.
sfp
Vln. II
as before
f
ff
p
ff
f
p sub.
f
f
f
p
ff p - from here, cresc. poco a poco
Vc.
ff
détaché
p - from here, cresc. poco a poco
5
5
f
p
f
non div.
sfp
ff
p
f off the string
p
Cb.
ff 5
p
f
Vla.
5
f
p
f
ff sub.
3
mp sub.
cresc. poco a poco
p
38
2+3
290
285
3 8
5 4
4 4
5 4
4 4
3 8
5 4
4 4
3 8
5 4
4 4
B. Cl. (Cl. 3)
3 8
5 4
4 4
Bsn. 1
3 8
5 4
Cbsn. (Bsn. 2)
3 8
5 4
3 8
5 4
4 4
3 8
5 4
4 4
3 8
5 4
4 4
3 8
5 4
4 4
3 8
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4 5 4 5 4
4 4 4 4 4 4
Picc. 1 ff
sff
3 8
Ob. 1.2
sff
ff
Eb Cl. (Cl. 2)
mf
Cl. 1 f
ff
Hn. 1-4
ff
p
p
f
ff
pp
ff
pp
ff
pp
4 4 4 4
ff Tpt. 1.2.3 ff
sff
1. (open)
harmon mute
Tbn. 1.2
3 8
3
mp
p
sff
B. Tbn.
3 8
Tba.
3 8
Timp.
3 8
W-B
3 8
B. D.
3 8 3 8 3 8
Pno.
3 8
Br.D. Tam.-t.
f
p
f
p
f
f
sf sf sf
5 4
sf
4 4
ff +2′, 1′, mutations
3 8 3
f
3
3
3
3
3
ff
(register crescendo) solo reeds
Org.
5 4
ff
3 8
5 4
3 8
5 4
4 4 f, marcatiss., intense 8' 4' foundations + Sw 8' reed
32' 16' 8' Sw to ped
4 4 4 4
f
290
3 8 Vln. I
ff
3
3
3
f
3
3
3
3
3
5 4
ff
Vln. II
off the string
ff
p off the string
f
f 0 0
5
sff
p
4 4
5 4
4 4
3 8
5 4
4 4
3 8
5 4
4 4
3 8
5 4
4 4
3 8
p
Vla.
5 4
f
fp
5
sff
p
sff
p
f
p
f
p
mf
ff non div.
f
p
f
off the string
sfp
4 4
ff
3 8 non div.
2+3
f
mp
ff
3 8 Vc.
f
f
ord. 'talking trem.' *
5 4
ord. 'talking trem.' *
ff
3 8 f Cb.
5 4
mf
ff
3 8
5 4
mf ord. 'talking trem.' *
mf * slow but anxious 'chattering tremolo'. some notes as slow as q, others as fast as x. When there are two notes move between them ad lib.
4 4 4 4 4 4
39
291 Picc. 1
4 4
3 4 3
mf
Picc. 2 (Fl. 2)
Fl. 1
5 4
2 4
3 2
3 4
5 4
2 4
3 2
3 4
5
3
4 4
3 4
4 4
mf
3
3
4 4
3 4
3
4 4
3
3 4
3 2
5 4
Cl. 1
3
2 4
3 4 mf 3
4 4
5 4
2 4
4 4
3 4
4 4
mf
3
5 4 3
3
3
3 4
3
3
2 4
3
3
3 2
3
3
3
3 4
3
3
4 4
3
3 2
mf
Eb Cl. (Cl. 2)
3 4
5
5
4 4
3 3
2 4
5
4 4
3
5
5 4
5
mf
Ob. 1.2
4 4
3 2
3
3 4 3
5
3 3
Bsn. 1.2
4 4
3 4
4 4
5 4
2 4
3 2
3 4
Hn. 1-4
4 4
3 4
4 4
5 4
2 4
3 2
3 4
Tpt. 1.2.3
4 4
3 4
4 4
5 4
2 4
3 2
3 4
Tbn. 1.2
4 4
3 4
4 4
5 4
2 4
3 2
3 4
B. Tbn.
4 4
3 4
4 4
5 4
2 4
3 2
3 4
Tba.
4 4
3 4
4 4
5 4
2 4
3 2
3 4
Timp.
4 4
3 4
4 4
5 4
2 4
3 2
3 4
4 4
3 4
soft, inarticulate beaters
Tam.-t.
4 4
5 4
2 4
3 2
3 4
B. D.
4 4
3 4
4 4
5 4
2 4
3 2
l.v. sempre
pp
p
mp
soft, inarticulate beaters 3
3 4
p Hp.
4 4 mf
Pno.
3 4
4 4
5 4
3 4
4 4
5 4
2 4
3 2
3 4
3 2
3 4
5
4 4
2 4
3
mf
3
5
4 4
3 4
4 4
5 4
2 4
3 2
3 4
4 4
3 4
4 4
5 4
2 4
3 2
3 4
4 4
3 4
4 4
5 4
2 4
3 2
3 4
4 4
3 4
4 4
5 4
2 4
3 2
3 4
Org.
p
p
mp
mp
p
mp
Vln. I
4 4
3 4 p
Vln. II
4 4
4 4
mp ½ the section
p
5 4 p
3 4
mp
4 4
mp
2 4
mp
3 4
mp
5 4 p
3 2
p
p
2 4
mp
3 2
p
3 4
mp
p
Vla.
4 4
3 4
4 4
5 4
2 4
3 2
3 4
Vc.
4 4
3 4
4 4
5 4
2 4
3 2
3 4
p
Cb.
4 4
3 4
ff
4 4 p
5 4
2 4
p
3 2 ff
3 4 p
40
297 Picc. 1
4+3 3 4
2+3
7 8
ord.
flz.
5 4
3 4 3
Picc. 2 (Fl. 2)
Fl. 1
3 4
7 8 3
3
3
Ob. 1.2
3
7 8 3
5 4
3 4
3
3
3
3
3 4
7 8
5 4
3 4
Cl. 1
3 4
7 8
3
3
3
3
5 4
3
3 4
3
3
Bsn. 1.2
3 4
7 8
5 4
3 4
Hn. 1-4
3 4
7 8
5 4
3 4
Tpt. 1.2.3
3 4
7 8
5 4
3 4
Tbn. 1.2
3 4
7 8
5 4
3 4
B. Tbn.
3 4
7 8
5 4
3 4
Tba.
3 4
7 8
5 4
3 4
Timp.
3 4
7 8
5 4
3 4
7 8
5 4
3 4
Tam.-t.
slow, irregular tremolo follow dynamics (i.e., louder = faster)
3 4
pp
B. D.
mp
3 4
pp
7 8
5 4 p
3 4
pp
p
5 4
pp
3 4
3
3
3 4
7 8
5 4
3 4
3 4
7 8
5 4
3 4
3 4
7 8
5 4
3 4
Org.
4+3 3 4
2+3
7 8 p
mp
5 4 p
3 4 p
mp
mp
Vln. I
3 4
7 8 p
Vln. II
5 4
mp
sfp
3 4
mf
7 8 mp
p
3 4 p
mp
5 4
3 4
tutti
mp mf
unis.,
Vla.
3 off the string 5 4 mp
Vc.
3 4
5
5
5
7 8
3 4
3
3
3 4
5 4
3 4
5 4
3 4
fp
7 8 mf
5 4
cresc. poco a poco
mf
Cb.
(unslurred)
7 8
fp
mp
3 4
pp
7 8 5
as before.
ppp
pp
Pno.
to Cl. Bb
3 4
3
7 8 3
3
3
3
5 4
3
3
3 4 3
Eb Cl. (Cl. 2)
to Fl.
3 4
3
3 4 5
3
5 4
41
302
5 4
Tam.-t.
3 4
p
2 4 pp
5 4
3 2 p
3
5 4 pp
pp mp sub.
3 4
2 4
3 2
5 4
5 4
3 4
2 4
3 2
5 4
5 4
3 4
2 4
3 2
5 4
5 4
3 4
2 4
3 2
5 4
Vln. I
5 4
3 4
2 4
3 2
5 4
Vln. II
5 4
3 4
2 4
3 2
5 4
B. D.
mfp
Org.
Vla.
5 4
Vc.
5 4
unslurred
slurred
f
pp
pp
3 4 f
Ob. 1.2
div. a3
5 4
(slurred)
2 4
3
3 2
3
5 4
2 4
3 2
5 4
2 4
3 2
5 4
cresc. poco a poco
5 4
Cb.
(unslurred)
3 4 3 4
f
307
cresc. poco a poco 3
pp
4 4
3 4
2 4
6 8
5 4
2 4
6 8
5 4
ff
Cl. 1.2
5 4
4 4
3 4
a2
ff
Hn. 1-4
5 4
4 4
3 4
2 4
6 8
5 4
4 4
3 4
2 4
6 8
1. 3.
5 4
fff 2. 4.
5 4
fff
Tam.-t.
half muffle lower gong when possible
5 4
4 4 3
mf sub.
B. D.
5 4
pp
3
3
3
p
2 4
mf sub.
5 4 f
3 4 mfp
6 8
p
4 4 pp
Org.
3 4
mp
2 4 mf
6 8
mp
mf
5 4 pp
f
5 4
4 4
3 4
2 4
6 8
5 4
5 4
4 4
3 4
2 4
6 8
5 4
5 4
4 4
3 4
2 4
6 8
5 4
4 4
3 4
2 4
6 8
5 4
Vln. I
5 4
Vln. II
5 4
Vla.
5 4
unis. 'talking tremolo'
mf
4 4
3
3
3
3 4
3
2 4
3
3
6 8
molto
5 4 fff
3
4 4
3 4
2 4
6 8
4 4
3 4
2 4
6 8
4 4
3 4
2 4
6 8
5 4
3
Vc.
5 4
Cb.
5 4
div. a2
fff
5 4 fff
5 4
42
313 Poco meno mosso q = 96 5 4
3+2 4 4
3 4
4 4
5 4
2 4 p
Fl. 1.2
5 4
4 4
3 4
4 4
3 2 mp
f
5 4
2 4
3 2 f
B. Tbn.
5 4
Tba.
5 4
mfz sempre
4 4
3 4
4 4
5 4
2 4
3 2
4 4
3 4
4 4
5 4
2 4
3 2
3 4
4 4
mfz sempre Primarily 16′ Sempre sost. within the phrases. Always reättack repeated notes. Very dense sound.
5 4
r.h. increases in intensity through 337
4 4
cornet
5 4
mp roiling
Org.
5
5 4 5 4
+16'
313 Poco meno mosso q = 96 Vln. I
2 4
5 4
4 4
3 4
4 4
4 4
3 4
4 4
5 4 5 4
pp div.
2 4 sub. secco
sost. poss.
2 4
3 2
3
4 4
5 4
2 4
3 2
4 4
5 4
2 4
3 2
4 4
5 4
2 4
3 2
p
Vln. II
5 4
4 4
Vla.
5 4
4 4
Vc.
5 4
4 4
3 4
4 4
5 4
2 4
Cb.
5 4
4 4
3 4
4 4
5 4
2 4
3
mp cresc.poco a poco
sffp
319 Fl. 1.2
pp
3 4 3
3 4
p
sffp
3 4
2+3
7 8
5 4
pp
f
3 2
7 8 ff
3 4
5 4
p
3 4 ff
pp
a2 Ob. 1.2
3 2
3 4
7 8
3 2
3 4
3
5 4
3 4 f
Cl. 1.2
ff
molto
3 4
7 8
5 4
3
a23
3
3
3 4
3 3
f
3
B. Tbn.
3 2
3 4
7 8
5 4
3 4
Tba.
3 2
3 4
7 8
5 4
3 4
3 4
7 8
5 4
Org.
3 2
3
3
3 2 as before
3
3
3
f
3
3 4 3
3
3
3 4
7 8
5 4
3 4
3 2
3 4
7 8
5 4
3 4
Vln. I
3 2
3 4
7 8
5 4
3 4
Vln. II
3 2
3 4
7 8
5 4
3 4
Vla.
3 2
3 4
7 8
5 4
3 4
Vc.
3 2
3 4
7 8
5 4
3 4
Cb.
3 2
3 4
7 8
5 4
3 4
3+4
sffp
mp
p
mp cresc.poco a poco
2+3
sffp
f
p
3 2 3 2
sffp
sffp
3+4 3 2
3 2
3+2 3 4
3
3 2
5
5
(do not sustain D#)
div.
4 4
5
43
325
5 4
Picc. 1
f
3
3
mp 3
3
f
3
3
mp 3
3
5 4
Fl. 1.2
3 4
2 4
3 2
5 4
3 4
2 4
3 2
5 4
Ob. 1.2
5 4
3 4
2 4
3 2
5 4
Cl. 1.2
5 4
3 4
2 4
3 2
5 4
B. Tbn.
5 4
3 4
2 4
3 2
5 4
5 4
3 4
2 4
3 2
5 4
3 4
2 4
3 2
5 4
sff sempre
Tba. sff sempre
sim.
3
5 4
3
3
3 3
Org.
3
3
3
3
3
3
3
5 4
3 4
2 4
3 2
5 4
5 4
3 4
2 4
3 2
5 4
5 4
3 4
2 4
3 2
5 4
Vln. II
5 4
3 4
2 4
3 2
5 4
Vla.
5 4
3 4
2 4
3 2
5 4
Vc.
5 4
3 4
2 4
3 2
5 4
Cb.
5 4
3 4
2 4
3 2
5 4
1 solo Vln. I f
sim.
3
3
3
sffp
330
f
mp
sffp
mf
f
B. Tbn.
5 4
4 4
3 4
2 4
3 4
4 4
Tba.
5 4
4 4
3 4
2 4
3 4
4 4
5 4
4 4
3 4
2 4
3 4
4 4
3
Org.
3
3
3
3
3
3
3
3
3
5 4
4 4
3 4
2 4
3 4
4 4
5 4
4 4
3 4
2 4
3 4
4 4
Vln. I
5 4
4 4
3 4
2 4
3 4
4 4
Vln. II
5 4
4 4
3 4
2 4
3 4
4 4
Vla.
5 4
4 4
3 4
2 4
3 4
4 4 fff
Vc.
5 4
4 4
3 4
2 4
3 4
4 4 fff
Cb.
5 4
4 4 ff sub.
p
3 4 mf
sfp
sfp
2 4 pp
3 4 f
4 4 fff
44
336 Picc. 1
as before
4 4
legatiss.
sim. 3
3
mp
3
3
3 4 3
3
3
3
3
3
3
3
3
3
3
4 4
3 4 p
Fl. 1.2
4 4
3 4 p as before
4 4
sim.
3
3
mp
Ob. 1.2
as before
4 4
3
3
3
3
3
3
sim.
3
3 4
3
3
3
3
3
3
3
3
3
3
3
3
3 4
3
3
3
3
3
3
3
mp
3
3
4 4
3 4 p
Cl. 1.2
4 4
3 4 p
B. Cl. (Cl. 3)
4 4
3 4 pp
mp
4 4
3 4 p
pp
p
pp
p
Bsn. 1.2 to Cbsn.
4 4 p
Hn. 1-4
p
pp
p
pp
pp
2. 4.
4 4
3 4 p
Tpt. 1.2.3
p
3 4
pp
2. 3.
4 4
3 4 p
pp
1. open Tbn. 1.2
4 4
3 4 p
B. Tbn.
4 4
3 4
Tba.
4 4
3 4
Glock.
4 4
3 4 p
Vib.
4 4
3 4 p
Hp.
4 4
3 4 p solo, secco
4 4 Pno.
3 4
mf
4 4
5
5
5
5
5
5
5 5
3 4
5
sf
3
3
Flutes 8' 4' 2 2/3'
Org.
mp
3
3
4 4 4′ only
3
3
3 4 3
3
3
3 3
3
3
3 4
p
336 Vln. I
3
3 4
4 4 4 4
legatiss.
3
4 4
tutti
3 4
pp
Vln. II
4 4
3 4 pp
Vla.
4 4
3 4
Vc.
4 4
3 4
Cb.
4 4
3 4
45
340 q = 112 subito Picc. 1
3 4
Fl. 1.2
3 4
5 4
solo
5 4
mp
Ob. 1.2
3 4
Cl. 1.2
3 4
5 4 1. solo
5 4
mp
2. solo mp
B. Cl. (Cl. 3)
3 4
5 4
Bsn. 1.2
3 4
5 4
Hn. 1-4
3 4
5 4
Tpt. 1.2.3
3 4
5 4
Tbn. 1.2
3 4
5 4
B. Tbn.
3 4
5 4
Tba.
3 4
5 4
Glock.
3 4
mp
moleskine-wrapped sticks
5 4
mp
Vib.
pedal until next chord always
3 4
5 4
mp
3 4
5 4 mp
mf
mp
Hp.
3 4
5 4
3 4
5 4 mp
Pno.
3 4
5 4 Flutes 8' 13/5' 1' never sustained
3 4 Org.
3 4
5 4 p sub. dolciss.
5 4 mf - f sub.
3 4
5 4
340 q = 112 subito Vln. I
3 4
5 4
Vln. II
3 4
5 4 n
Vla.
3 4
5 4
Vc.
3 4
5 4
Cb.
3 4
5 4
46
349 2+3 Picc. 1
2+3
5 4
4 4 p
3 4 f
sfp
4 4 f
5 4
sfp
mf
p
2 4
3 2
sfp
Fl. 1.2
5 4
4 4
3 4
4 4
5 4
2 4
3 2
Ob. 1.2
5 4
4 4
3 4
4 4
5 4
2 4
3 2
Cl. 1.2
5 4
4 4
3 4
4 4
5 4
2 4
3 2
B. Cl. (Cl. 3)
5 4
4 4
3 4
4 4
5 4
2 4
3 2
Bsn. 1
5 4
4 4
3 4
4 4
5 4
2 4
3 2
Cbsn. (Bsn. 2)
5 4
4 4
3 4
4 4
5 4
2 4
3 2
Hn. 1-4
5 4
3 4
4 4
5 4
2 4
3 2
Tpt. 1.2.3
5 4
4 4
3 4
4 4
5 4
2 4
3 2
5 4
4 4
3 4
5 4
2 4
3 2
p
4 4
f
pp
pulsed; not overly articulate
4 4
p Tbn. 1.2
5 4
4 4
open, pulsed; not overly articulate
p
B. Tbn.
5 4
3
4 4
p
Tba.
5 4
Tam.-t.
p
4 4
3 4
5 4
Pno.
mp
p
4 4 4 4
4 4
3 4
5 4
4 4
5 4
4 4
mf
p
3 2 p
3
5 4
3
2 4
3 2
3
mf
p
2 4
mf
3 2 p
p
5 4
pp
3 4
mf
mf
4 4
4 4
5 4
2 4
5 4
the sound should only barely "bloom"
3 4
5 4
3
p
4 4
f
3
4 4 p
ppp
B. D.
4 4
3
mf
5 4
5 4 p
3 4
p
p
p
p
4 4
p
4 4
3 4
3
mf
pulsed; not overly articulate
3 4
mf
pulsed; not overly articulate
mf
2 4
pp
3 2 mp
2 4
3 2
5 4
2 4
3 2
4 4
5 4
2 4
3 2
3 4
4 4
5 4
2 4
3 2
3 4
4 4
5 4
2 4
3 2
pp
5 4
mp
p
mp
to mixture + full Sw.
Org.
sub. secco
5 4
4 4
3 4
4 4
5 4
349 2+3
3 2
2 4
3 2
2+3
5 4
4 4 p
2 4
f
3 4 pp
4 4 sffp
5 4 mp
ff
p
f
Vln. I
5 4
4 4 p
f
3 4 pp
5 4 f
5 4 ff
4 4 p
4 4
3 4
p
4 4
pp
2 4 f
5 4 ff
3 2 mp
2 4 p
f
3 2 mp
Vln. II
5 4
4 4 pp
Vla.
f
5 4
Vc.
5 4
p<f>p etc. 3
p
5 4 Cb.
f
5 4
3 4
4 4
4 4
3 4
4 4 p
3 2
2 4
mf
4 4
f
2 4 pp
4 4 p
p
*
5 4 mf
3 4 f
*
4 4 p
4 4 pp
5 4
3 4
3 2 pp
etc. sim.
f
5 4
2 4
3 2
5 4
2 4
3 2
5 4
2 4
3 2
5 4
2 4
3 2
p
4 4
3 4
4 4
4 4
3 4
4 4
p<f>p etc.
5 4
3
p
f
p
f
p
f
p
etc. sim.
mp
*make uncoordinated swells, some as fast as q and others the length of a bar. Changing pitch directly on the barline is not necessary. A few bars' example are below.
47
355 Picc. 1
4+3 3 2
3 4 sfp
2+3
7 8 pp
ff
p
ff
5 4 p
3 4 f
sfp
5 4 f
mp
Fl. 1.2
3 2
3 4
7 8
5 4
3 4
5 4
Ob. 1.2
3 2
3 4
7 8
5 4
3 4
5 4
Cl. 1.2
3 2
3 4
7 8
5 4
3 4
5 4
B. Cl. (Cl. 3)
3 2
3 4
7 8
5 4
3 4
5 4
Bsn. 1
3 2
3 4
7 8
5 4
3 4
5 4
Cbsn. (Bsn. 2)
3 2
3 4
7 8
5 4
3 4
5 4
3 2
3 4
7 8
p muted
f
5 4
3 4
p
3 2 Hn. 1-4
3 4
7 8
5 4
mp
muted
p
5 4
3 4
5 4
p
3 2
3 4
7 8
p
muted
5 4
3 4
p
3 2
3 4
7 8
mp
muted
5 4 pp
5 4
3 4
5 4
pp
Tpt. 1.2.3
3 2
3 4
7 8
5 4
3 2
3 4
7 8
5 4
mf
p
p
Tbn. 1.2
3 2
3 4
3 2
3
3 2
p
p
mf
3 2
3 4 pp
B. D.
3 2
Org.
3 2
as before
3 2
3 4
p
5 4 p
3
p
p
3
3 4
3
mf
5 4
p
p
3 4
mf
p
3
5 4
p
mf
p
5 4
3 4
5 4
7 8
5 4
3 4
5 4
mp
7 8
mf
mp
pp
5 4
3 4
5 4
pp
3 4
7 8
5 4
3 4
5 4
3 4
7 8
5 4
3 4
5 4
3 4
7 8
5 4
3 4
5 4
3 4
5 4
4+3 3 2
p
ppp
pp
mf
7 8
p
ppp
3 2
p
5 4
mf 3
5 4
p
3 4 p
Tam.-t.
mf
3 4 3 4
5 4
3
7 8
p
3 2
3
p
3 4 mf
Timp.
mf
7 8
5 4
p
p 3
3 4
p
5 4
p
3 4
3
p
Tba.
mf
5
mf
7 8
p
B. Tbn.
mp
3 4
7 8
2+3 5 4
p
(non dim.)
ff
pp
molto
ff
sffp
mp
p
f
Vln. I
3 2
3 4 f
3 2
7 8
5 4
pp
3 4 f
7 8
3 4
5 4
pp
5 4
3 4 molto
ff
5 4 p
f
Vln. II
3 2
3 4 ff
Vla.
3 2
7 8 pp
3 4 ff
f non dim.
(non div.)
pp
5 4
3 4 mf
7 8
5 4
f non dim.
5 4 f
p
3 4 mf
5 4 f
p
Vc.
3 2
3 4
7 8
5 4
3 4
5 4
Cb.
3 2
3 4
7 8
5 4
3 4
5 4
48
2+3 362 Picc. 1
2+3
5 4
3 4
2 4
3 2
5 4
f
4 4 n
pp
f
Fl. 1.2
5 4
3 4
2 4
3 2
5 4
4 4
Ob. 1.2
5 4
3 4
2 4
3 2
5 4
4 4
5 4
3 4
2 4
3 2
5 4
4 4
5 4
3 4
2 4
3 2
5 4
4 4
B. Cl. (Cl. 3)
5 4
3 4
2 4
3 2
5 4
4 4
Bsn. 1
5 4
3 4
2 4
3 2
5 4
4 4
Cbsn. (Bsn. 2)
5 4
3 4
2 4
3 2
5 4
4 4
3 4
2 4
3 2
5 4
4 4
sfp
Cl. 1.2
pp
f
5 4 5 4 Hn. 1-4
pp
3 4 mp
pp
2 4
p
mf
pp
3 2
5 4
4 4 mf
p
5 4
3 4
5 4
3 4
2 4 p
2 4
3 2 mf
p
5 4 n
3 2
p
5 4
4 4 mf
pp
4 4
mf
n
p p
Tpt. 1.2.3
5 4
1.
3 4
pp
f
5 4
pp
p
2 4
3
p
3 4
Tam.-t.
5 4
3 2 p
Org.
f
2 4
3 2
5 4
3 4
2 4
3 2
5 4
3 4
2 4
3 2
f
p
4 4
f
p
f
p
5 4
4 4
5 4
4 4
5 4
4 4
mp
pp
mp
mp
pp
3 4
2 4
3 2
5 4
5 4
3 4
2 4
3 2
5 4
4 4
5 4
3 4
2 4
3 2
5 4
4 4
5 4
3 4
2 4
3 2
5 4
4 4
mp
3 4 pp
Vln. I
f
5 4
f
f
5 4 5 4
ff
ppp
f
3 4 swells become more dramatic and faster >
3 2
2 4 ff
(non div.)
ff
p
mf
4 4 ff
5 4
pp
4 4
5 4
3 2
2 4
f
5 4
p
p
4 4 pp
p
ff
ff
5 4
mp
5 4 f
3 2
2 4
3 4
5 4
pp
ppp
f
3 2
2 4
3 4 pp
Vln. II
2 4
3 4 pp
pp
4 4
2+3
5 4
Vc.
4 4 3
3
2+3
Vla.
3
5 4
p
3 4
5 4
3
3 2
pp
B. D.
4 4
5 4
f
2 4 f
5 4
f
f
3
3
sffz
4 4
p
3 2
2 4
p
5 4
p Chin. Cym.
f
3 4 3
sffp
5 4
p
5 4
4 4
ff
3 2
2 4
p
Timp.
p
p
mf
5 4
f
3 4 mf
p
3 2
p
5 4
Tba.
2 4
3 4
Tbn. 1.2
B. Tbn.
mf
p
mf
4 4
sfp
3 2 p
f
5 4
4 4
sfp
f
3 4
2 4
3 2
5 4
4 4
3 4
2 4
3 2
5 4
4 4
swells become more dramatic and faster > Cb.
5 4
f
49
372
368
3 4
Picc. 1 f
sfp
2 4
6 8
mf
3 4
4 4
2 4
4 4
2 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
p
molto
3 4
2 4
6 8
3 4 pp
Fl. 1.2
3 4
2 4
6 8
3 4
Ob. 1.2
2 4
6 8
ff
à 2
Cl. 1.2
2 4
6 8
3 4
2 4
6 8
B. Cl. (Cl. 3)
3 4
2 4
6 8
Bsn. 1
3 4
2 4
Cbsn. (Bsn. 2)
3 4 3 4
p
mf
3 4
p
3 4
4 4
2 4
6 8
3 4
4 4
2 4
2 4
6 8
3 4
4 4
2 4
2 4
6 8
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
p
f
6 8
2 4
6 8 p
2 4
ff
mf
f
6 8 p
2 4
3 4 Tbn. 1.2
ff
f
p
mf
p
f
6 8
2 4
p
6 8
p sub.
mf
2, 3 soli, straight mute
n
2 4
3 4
pp
2 4
2 4
3 4
Tpt. 1.2.3
f
4 4
mf
p
pp
f
3 4 mf
f
3 4
p
3 4 p
pp
pp
mf
p
p
pp
f
p
3 4
f
3 4 p
Hn. 1-4
f
3 4
4 4
2 4
3 4
4 4
2 4
f
2 4
6 8
p sub.
f
B. Tbn.
3 4
2 4
6 8
3 4
4 4
2 4
Tba.
3 4
2 4
6 8
3 4
4 4
2 4
Timp.
3 4
2 4
6 8
3 4
4 4
2 4
4 4
2 4
p
ff
mp
S.Bells
Chin. Cym.
3 4
2 4
6 8
3 4
3 4
2 4
6 8
3 4
4 4
2 4
mp
3 4
4 4
2 4
3 4
p
mf
pp Tam.-t.
f
2 4
6 8
3 4
2 4
6 8
3 4
3 4
2 4
6 8
3 4
3 4
2 4
6 8
3 4
3 4
2 4
6 8
almost shrill; two very similar sounds, with the r.h. being slightly brighter
to mixture (no 16')
4 4
2 4
Org.
4 4
2 4
4 4
2 4
mp, within strings
372
3 4
Vln. I f
2 4 sffp
3 4
non div.
2 4
2 4
p
f
f
p
6 8
4 4
2 4
4 4
2 4 f
4 4 p
f
6 8
2 4
p
3 4 p
4 4
p
3 4 p
ff
3 4
f
6 8
2 4
p Vc.
p
ff
3 4
2 4
f
3 4
6 8
2 4
p
p
f
sffp
3 4
3 4
6 8
2 4
pp
Vla.
6 8
sffp
3 4
1 solo
4 4
mf
pp
pp
Vln. II
non div.
3 4
f
2 4 p
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
f
ff
Cb.
3 4
2 4
6 8 ff
50
2+3
376 Picc. 1
2 4
2+3
5 16
3 4
3+2
2 4
5 16
2 4
5 8
3 4
mf sempre, very bright and precise
Fl. 1.2
2 4
5 16
3 4
2 4
5 16
2 4
5 8
3 4
Ob. 1.2
2 4
5 16
3 4
2 4
5 16
2 4
5 8
3 4
Cl. 1.2
2 4
5 16
3 4
2 4
5 16
2 4
5 8
3 4
B. Cl. (Cl. 3)
2 4
5 16
3 4
2 4
5 16
2 4
5 8
3 4
5 16
3 4
2 4
5 16
2 4
5 8
3 4
5 16
3 4
2 4
5 16
2 4
5 8
3 4
2 4
5 16
3 4
2 4
5 16
2 4
5 8
3 4
2 4
5 16
3 4
2 4
5 16
2 4
5 8
3 4
f
Bsn. 1
2 4 f
Cbsn. (Bsn. 2)
2 4 f
Hn. 1-4
straight mute
p
Tpt. 1.2.3
2 4
mp
5 16 mp
5 16 pp
poco sf
p
p
mfz
p
p
2 4 p
2 4
p
3 4
pp
mp
p
mp
p
sfp
mfz p
3 4 mp
pp
5 16
poco sf
p
5 8
p
2 4 p
2 4
p
mfz
5 16 mfz
p
mfz
3 4 p
2 4 p
mfz
5 8
3 4
p
Tbn. 1.2
2 4
5 16
3 4
2 4
5 16
2 4
5 8
3 4
B. Tbn.
2 4
5 16
3 4
2 4
5 16
2 4
5 8
3 4
Tba.
2 4
5 16
3 4
2 4
5 16
2 4
5 8
3 4
Glock.
2 4
3 4
2 4
5 16
2 4
5 8
3 4
3 4
2 4
5 16
2 4
5 8
3 4
bright, light 'Magic Flute' sticks
5 16
p all notes very short Hp.
2 4
5 16 sf sempre
Pno.
very short and hammered
2 4
5 16
3 4
2 4
5 16
2 4
5 8
3 4
2 4
5 16
3 4
2 4
5 16
2 4
5 8
3 4
2 4
5 16
3 4
2 4
5 16
2 4
5 8
3 4
3 4
2 4
5 16
2 4
5 8
3 4
5 16
3 4
2 4
5 16
2 4
5 8
3 4
5 16
3 4
2 4
5 16
2 4
5 8
3 4
5 16
3 4
2 4
5 16
2 4
5 8
3 4
5 16
3 4
2 4
5 16
2 4
5 8
3 4
5 16
3 4
2 4
5 16
2 4
5 8
3 4
5 16
3 4
2 4
5 16
2 4
5 8
3 4
5 16
3 4
2 4
5 16
2 4
5 8
3 4
5 16
3 4
2 4
5 16
2 4
5 8
3 4
f
Org.
precise note values articulate and severe
Reeds
2 4
5 16
ff
376
pizz.
2 4
2+3
2+3
3+2
f Vln. I
pizz.
2 4 f pizz.
2 4
f Vln. II pizz.
2 4
f
2 4
pizz.
f Vla.
2 4
pizz.
f
Vc.
2 4
tutti, unis. arco, ord. vib. ff
Cb.
2 4
tutti, arco, ord. ff
51
387
4+3
4+3
Picc. 1
3 4
2 4
7 8
3 4
2 4
7 8
4 4
3 4
Fl. 1.2
3 4
2 4
7 8
3 4
2 4
7 8
4 4
3 4
2 4
7 8
4 4
3 4
p
p
sff
3 4
2 4 p
Ob. 1.2
7 8 sff
3 4
sfp
sff
2 4
3 4 p
sff sfp
2 4 p
mfz
p
p
f (non dim.)
p
ff
sfp
7 8
p
mfz
mfz
sfp
3 4
p sfp
p
7 8
p
sff
4 4
p
2 4
f (non dim.)
7 8
sf
2 4
3 4
sf
2 4
sfp
3 4
7 8
Cl. 1.2
3 4
p
7 8 p
3 4
f
sfp
4 4 p
3 4
p sfp
p
sfp sfp
3 4
2 4
7 8
4 4
3 4
mf sempre B. Cl. (Cl. 3)
3 4
2 4
7 8
3 4
2 4
7 8
4 4
3 4
Bsn. 1
3 4
2 4
7 8
3 4
2 4
7 8
4 4
3 4
Cbsn. (Bsn. 2)
3 4
2 4
7 8
3 4
2 4
7 8
4 4
3 4
3 4
2 4
7 8
3 4
2 4
7 8
4 4
3 4
p Tpt. 1.2.3
p
mfz
3 4
p
f
mf sfp
2 4 sfp
f
p
3 4 mfz
sfp
p
f (non dim.)
7 8 f
sf
7 8
mfz
p
f (non dim.)
p
p
2 4
p
mfz
sfp
7 8 mfz
p sfp
sfp
4 4 p
2 4
3 4
ff
7 8 mfz
3 4 p
sf
2 4
f (non dim.)
7 8 p
p
3 4 p
2 4 p
p
7 8
3 4 p
sfp
4 4 p sfp
4 4
3 4 p
sfp sfp
B. Tbn.
3 4
2 4
3 4
Tba.
3 4
2 4
7 8
3 4
2 4
7 8
4 4
3 4
Crot.
3 4
2 4
7 8
3 4
2 4
7 8
4 4
3 4
mp
Glock.
3 4
2 4
7 8
3 4
2 4
7 8
4 4
3 4
Hp.
3 4
2 4
7 8
3 4
2 4
7 8
4 4
3 4
3 4
2 4
7 8
3 4
2 4
7 8
4 4
3 4
3 4
2 4
7 8
3 4
2 4
7 8
4 4
3 4
3 4
2 4
7 8
3 4
2 4
7 8
4 4
3 4
3 4
2 4
7 8
3 4
2 4
7 8
4 4
3 4
f
Pno.
Org.
4+3
4+3
3 4
2 4
7 8
3 4
2 4
7 8
4 4
3 4
3 4
2 4
7 8
3 4
2 4
7 8
4 4
3 4
3 4
2 4
7 8
3 4
2 4
7 8
4 4
3 4
3 4
2 4
7 8
3 4
2 4
7 8
4 4
3 4
3 4
2 4
7 8
3 4
2 4
7 8
4 4
3 4
3 4
2 4
7 8
3 4
2 4
7 8
4 4
3 4
Vc.
3 4
2 4
7 8
3 4
2 4
7 8
4 4
3 4
Cb.
3 4
2 4
7 8
3 4
2 4
7 8
4 4
3 4
Vln. I
Vln. II
Vla.
52
396
4+3
Picc. 1
3 4
Fl. 1.2
3 4
2. To Picc.
2 4
7 16
3 4
2 4
7 16
3 4
2 4
7 16
3 4
2 4 sff
sfp
sff
7 16
sfp
3 4 sfp
sfp
mf
sfp
7 16 mp
3 4 p
sfp
sfp
f
3 4
3
Bsn. 1
3 4
3
Cbsn. (Bsn. 2)
3 4
3
3
fff
sfp
sf
3 4
2 4
7 16
3 4
7 16
3 4
sff
p
ff
sfp
1.
p
f
7 16
3 4
2 4
7 16
3 4
2 4
7 16
3 4
2 4
7 16
3 4
2 4
7 16
3 4
2 4
7 16
3 4
f
sffp
7 16
3 4
ff
sffp
2 4
3
7 16
2 4
2 4
fff
f
2 4
2 4
ff
3
fff
sfp
3 4
sfp
3 4 B. Cl. (Cl. 3)
sf
7 16
sfp
sff
3 4
sfp
2 4
Cl. 1.2
3 4
sff
2 4 p
7 16
f
3 4
ff
f
sffp
3 4
2 4
7 16
3 4
2 4
7 16
3 4
3 4
2 4
7 16
3 4
2 4
7 16
3 4
2 4
7 16
3 4
2 4
7 16
3 4
2 4
7 16
3 4
3 4 sfp
sfp
sfp
mf
B. Tbn.
3 4
Tba.
3 4
Glock.
3 4
7 16 mp
3 4 3 4
p
2 4 p
Tbn. 1.2
sf
sfp
sfp Tpt. 1.2.3
3 4
mp, with the organ sound
3 4
Hn. 1-4
7 16
sff
sfp
Ob. 1.2
3+4
402
2 4
p
sfp
sfp
f
ff
ff
sfp
p
ff
3 4
sfp
2 4
sf
sf
sfp
f
p
ff
7 16
3 4
7 16
3 4
2 4
7 16
3 4
2 4
7 16
3 4
2 4
7 16
3 4
2 4
7 16
3 4
2 4
7 16
3 4
2 4
7 16
3 4
2 4
7 16
3 4
2 4
7 16
3 4
2 4
sfp
sf
sfp
f
p B. D.
Hp.
3 4
2 4
7 16
3 4
3 4
2 4
7 16
3 4
mf
mp
sf sempre Pno.
Org.
3 4
2 4
7 16
3 4
2 4
7 16
3 4
3 4
2 4
7 16
3 4
2 4
7 16
3 4
3 4
2 4
7 16
3 4
2 4
7 16
3 4
2 4
7 16
3 4
2 4
7 16
3 4
3 4
3
3
piùf (if possible)
402
4+3
Vln. I
Vln. II
Vla.
1, 2 Cello Soli 3
Vc.
3 4
2 4
7 16
3 4
2 4
7 16
3 4
3 4
2 4
7 16
3 4
2 4
7 16
3 4
3 4
2 4
7 16
3 4
2 4
7 16
3 4
3 4
2 4
7 16
3 4
2 4
7 16
3 4
3 4
2 4
7 16
3 4
2 4
7 16
3 4
3 4
2 4
7 16
3 4
2 4
7 16
3 4
3 4
2 4
7 16
3 4
2 4
7 16
3 4
2 4
7 16
3 4
2 4
7 16
3 4
2 4
7 16
3 4
3 4
3
3
fff Cb.
3+4
3 4
3
ff
fff
p
2 4
3
ff
f
7 16 p
2 soli
mf cresc., sempre
sffp
3 4 f
sffp
mf cresc., sempre
53
406 Picc. 1
4+3 3 4
4 4
4+3
7 8
3 4
2 4
7 8
4 4
3 4
2 4
7 8
4 4
a halo around the crotales breathe when needed, but never right before a new pitch
Picc. 2 (Fl. 2)
3 4
4 4
7 8
Fl. 1
3 4
4 4
7 8
3 4
2 4
7 8
4 4
3 4
4 4
7 8
3 4
2 4
7 8
4 4
4 4
7 8
3 4
2 4
7 8
4 4
4 4
7 8
3 4
2 4
7 8
3 4
2 4
7 8
4 4
2 4
7 8
4 4
2 4
7 8
4 4
2 4
7 8
4 4
Ob. 1.2
ppp
f
3 4
f
sim.; all q sound as e.
Cl. 1.2
3 4
Bsn. 1
3 4
4 4
7 8
Cbsn. (Bsn. 2)
3 4
4 4
7 8
Hn. 1-4
3 4
4 4
7 8
mf
pp
open
pp Tpt. 1.2.3
p
3 4 sffz
sfp
B. Tbn.
3 4
Tba.
3 4
Timp.
3 4
pp
p
sffz
4 4 4 4
p
Crot.
4 4
p
sffz
3 4 sffz
7 8
3 4
2 4
7 8
4 4
7 8
3 4
2 4
7 8
4 4
pp
sffz
7 8
3 4
2 4
7 8
4 4
pp
sffz
7 8
3 4
2 4
7 8
4 4
3 4
2 4
7 8
4 4
mf
3 4
p
mp
7 8 mp
Glock.
3 4
W-B
3 4
4 4
sffz
4 4 sffz
pp
pp
p
sffz
p
3 4 3 4
7 8
4 4 p
mf
sfp
sffz
3 4
p
f
4 4 p
Tbn. 1.2
sffz
pp
2.
mp
4 4
7 8
3 4
2 4
7 8
4 4
4 4
7 8
3 4
2 4
7 8
4 4
B. D.
3 4
4 4
7 8
3 4
2 4
7 8
4 4
Hp.
3 4
4 4
7 8
3 4
2 4
7 8
4 4
Pno.
3 4
4 4
7 8
3 4
2 4
7 8
4 4
3 4
4 4
7 8
3 4
2 4
7 8
4 4
4 4
7 8
3 4
2 4
7 8
4 4
3 4
4 4
7 8
3 4
2 4
7 8
4 4
3 4
4 4
7 8
3 4
2 4
7 8
4 4
3 4
4 4
7 8
3 4
2 4
7 8
4 4
3 4
4 4
7 8
3 4
2 4
7 8
4 4
3 4
4 4
7 8
3 4
2 4
7 8
4 4
3 4
4 4
7 8
3 4
2 4
7 8
4 4
3 4
4 4
7 8
3 4
2 4
7 8
4 4
3 4
4 4
7 8
3 4
2 4
7 8
4 4
4 4
7 8
3 4
2 4
7 8
4 4
mp
sf
Org.
3 4
p
as short as possible, very bright
f
p
4+3 Vln. I
Vln. II
Vla.
1, 2 Cello Soli 3
3 4
#=b
4+3
3 soli
Vc.
3 4
4 4
7 8
3 4
2 4
7 8
4 4
Cb.
3 4
4 4
7 8
3 4
2 4
7 8
4 4
54
414
3+2
2+3
Picc. 1
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
Picc. 2 (Fl. 2)
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
Fl. 1
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
4 4
3 4
2 4
5 8
3 4
2 4
5 16
Ob. 1.2
Cl. 1.2
mf
Bsn. 1
4 4
3 4 mf
p
p
1.
3 4
mp
2 4
5 8
3 4
2 4
5 16
3 4
mf
Hn. 1-4
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
Tpt. 1.2.3
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
Tbn. 1.2
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
B. Tbn.
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
Tba.
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
Timp.
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
Crot.
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
Glock.
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
W-B
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
p
f
Hp.
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
Pno.
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
3 4
2 4
5 8
3 4
2 4
5 16
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
Vc.
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
Cb.
4 4
3 4
2 4
5 8
3 4
2 4
5 16
3 4
Org.
3+2
2+3
Vln. I
Vln. II
Vla.
4 4 1, 2 Cello Soli 3
swells become increasingly dramatic with overall dynamic shape
slowly incorporate vib. >
3 4
slowly incorporate vib. >
55
422
2+3
Picc. 1
3 4
2 4
5 16
3 4
Picc. 2 (Fl. 2)
3 4
2 4
5 16
3 4
Fl. 1
3 4
2 4
5 16
3 4
3 4
2 4
5 16
3 4
mfz
mf
Ob. 1.2
3 4
Cl. 1.2
3 4
as before
f
2 4
5 16
3 4
2 4
5 16
3 4
p
mf (non dim.)
Bsn. 1
3 4
2 4
5 16
3 4
Hn. 1-4
3 4
2 4
5 16
3 4
Tpt. 1.2.3
3 4
2 4
5 16
3 4
2. straight mute
pp
Tbn. 1.2
3 4
2 4
5 16
3 4
B. Tbn.
3 4
2 4
5 16
3 4
Tba.
3 4
2 4
5 16
3 4
Crot.
3 4
2 4
5 16
3 4
Glock.
3 4
2 4
5 16
3 4
W-B
3 4
2 4
5 16
3 4
p
Hp.
3 4
2 4
5 16
3 4
Pno.
3 4
2 4
5 16
3 4
3 4
2 4
5 16
3 4
3 4
2 4
5 16
3 4
3 4
2 4
5 16
3 4
3 4
2 4
5 16
Org.
2+3 3 4 ff Vln. I
3 4
2 4
5 16
3 4 ff
3 4
2 4
5 16
3 4 ff
Vln. II
3 4
2 4
5 16
3 4 ff
3 4
2 4
5 16
3 4 ff
Vla.
3 4
2 4
5 16
3 4 ff
molto vib.
(div. a 3)
3 4 1, 2 Cello Soli 3
2 4
5 16
3 4 ff
(non div.)
3 4
2 4
molto vib.
5 16
3 4 ff
Vc.
3 4
div. a 3
pp Cb.
3 4
2 4 mf
5 16
3 4
p
2 4
ff
5 16
3 4
56
430
437
2+3 5 8
Picc. 1
4 4
3+2
5 8
2 4
4 4
2 4
3 8
2 4
3 4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
3 4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
3 4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
3 4
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
mf
Picc. 2 (Fl. 2)
5 8
Fl. 1
5 8
4 4 mf
4 4 mf
5 8
4 4
f marcatiss.
p
Ob. 1.2
5 8
ff
5
4 4
5 8
2 4
4 4
5 8
3
mf
5 8
3
5 8
mf
5 8 f marcatiss.
5 8
f marcatiss. 1.
5 8
2 4
3
3 8
2 4
3 4
5 8
4 4
4 4
5 8
2 4
4 4
2 4
3 8
2 4
3 4
5 8
4 4
2 4
4 4
2 4
3 8
2 4
3 4
5 8
4 4
2 4
4 4
2 4
3 8
2 4
3 4
5 8
4 4
3 4
5 8
4 4
3, 4
p
3
f
p
f
2, 3, 4
p
5 8
1.
f
5 8
mp
5 8
2 4
sf
4 4 sfp
2 4
3 8
ff
2 4
ff
p
5 8
4 4
5 8
2 4
4 4
2 4
3 8
Tba.
5 8
4 4
5 8
2 4
4 4
2 4
3 8
5 8
2 4
4 4
2 4
5 8
3 4
5 8
3 4
5 8
2 4
3 4
5 8
4 4
2 4
3 4
5 8
4 4
3 4
5 8
4 4
3 4
5 8
4 4
3 4
5 8
4 4
p
2 4
mf Vib.
5 8
4 4
5 8
2 4
4 4
2 4
3 8
Whip
5 8
4 4
5 8
2 4
4 4
2 4
3 8
Tamb.
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
f
p
ff
pp
mf
f
4 4 f
ff
2 4
3 8
f
3 4
f
4 4
ff
2 4 f
sf
3
3
3
B. Tbn.
Timp.
3 4
3
f
5 8
3
3
3 8 3
3 4
2 4
4 4 p
2 4
3
4 4
4 4
5 8
Tbn. 1.2
3
3
2 4 3
3
3 4
3
3 8 3
3
2 4
sf
2 4
(straight mute)
p
3
3
3 8
2 4 3
5
p
5 8
4 4
5 8
3
4 4
f
4 4
f marcatiss.
Tpt. 1.2.3
2 4
3
3
3
3
3
sf
3
3
4 4
3 3
4 4
2 4
3
3
2 4 3
3
Cl. 1.2
Hn. 1-4
p 3
mf sub.
5 8
Cbsn. (Bsn. 2)
sf
4 4
f marcatiss.
Bsn. 1
5
pp
5
4 4 f
4 4
W-B
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
Br.D.
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
Chin. Cym.
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
3 4
5 8
4 4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
3 4
5 8
4 4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
3 4
5 8
4 4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
3 4
5 8
4 4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
3 4
5 8
4 4
+ 32 reed
4 4
5 8
2 4
4 4
2 4
3 8
2 4
3 4
5 8
4 4
f
Pno.
f
Org.
5 8
430
quickly scraped with coin, dampened immediately sf
5
ff
5
5
5
5
sim.
2+3
437
div., arco, marcatiss.
5 8
Vln. I
f arco, marcatiss.
5 8
Vln. II
f
4 4
5 8
2 4
4 4
2 4
3 8
4 4
5 8
2 4
4 4
2 4
3 8
4 4
5 8
2 4
4 4
2 4
marcatiss. Cb. f
p
p
p
5 8
4 4
3 4
5 8
4 4
3 4
5 8
4 4
ff
2 4 f
3 4 ff
2 4
3 8
f Vc.
2 4
f
5 8
Vla.
3+2
f
f arco, marcatiss.
f
ff
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
3 4
5 8
4 4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
3 4
5 8
4 4
57
441
2+3
450
2+3
Picc. 1
4 4
5 8
3 4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
Picc. 2 (Fl. 2)
4 4
5 8
3 4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
Fl. 1
4 4
5 8
3 4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
4 4
5 8
3 4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
2 4
3 8
2 4
2 4
3 8
2 4
3 8
2 4
2 4
3 8
2 4
2 4
3 8
2 4
5
pp
Ob. 1.2
5
sf
p
sf
f
4 4
5 8
3 4
5 8
3
3
5 8
3 4
ff
4 4
f
4 4
p
5
pp
5 8
2 4
4 4
5 8
2 4
4 4
sf
p
5
3
sf
f
sff
5 8
4 4
3
3
3
3
3
3
3
3
3
3
5
3
3
3
3
Cl. 1.2 3
4 4 3
5 8
3 4
5 8
3
4 4
5 8
3
3
3
3
2 4
3
4 4
3
3
2 4 3 3
Bsn. 1
4 4
5 8
3 4
5 8
4 4
5 8
2 4
4 4
Cbsn. (Bsn. 2)
4 4
5 8
3 4
5 8
4 4
5 8
2 4
4 4
Hn. 1-4
4 4
5 8
3 4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
4 4
5 8
2 4
4 4
2 4
3 8
2 4
4 4
5 8
2 4
4 4
2 4
3 8
2 4
4 4
2 4
3 8
2 4
1.
f marcatiss.
Tpt. 1.2.3
4 4
5 8
3 4
sff
5 8 p
Tbn. 1.2
4 4
5 8
3 4
4 4
5 8
f
5 8 p
B. Tbn.
3 4
To Bsn.
sf
5 8
sfp
4 4
5 8
2 4
ff
f
Tba.
4 4
5 8
3 4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4 f
Vib.
4 4
5 8
3 4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4 f
Whip
Pno.
Org.
4 4
5 8
3 4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
4 4
5 8
3 4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
4 4
5 8
3 4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
4 4
5 8
3 4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
4 4
5 8
3 4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
4 4
5 8
3 4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
sf
2+3 Vln. I
4 4
5 8
3 4
5 8
4 4
f
Vln. II
4 4
5 8
3 4
5 8
4 4
4 4
5 8
3 4
off the string, severe
5 8
4 4
off the string, severe
5 8
4 4
2 4
5 8
2 4
3 8
4 4
2 4
3 8
mf
2 4
4 4
f sub.
2 4 f
mf
f sub.
mf
f
2 4 f sub.
mf
5 8
450
2+3
mf
f
Vla.
off the string, severe
f
2 4 f
2 4
3 8
mf
2 4 f
Vc.
4 4
5 8
3 4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
Cb.
4 4
5 8
3 4
5 8
4 4
5 8
2 4
4 4
2 4
3 8
2 4
f
58
451 Picc. 1
2 4
3 4
5 8
2 4
5 8
4 4 f
Picc. 2 (Fl. 2)
2 4
3 4
5 8
2 4
Fl. 1
2 4
3 4
5 8
2 4
3
3
2 4
5 8
2 4
sf
5 8
4 4
3
5
sf
3
4 4
p
ff
2 4
3
3
5 8 pp
3 4
5 8 3
2 4
5
p
4 4
3
3
3
3 4
Ob. 1.2
3
5 8
ff
5 8
5
5
p
sf
4 4 f
2 4
3 4
5 8 3
3
3
3
2 4
3
5 8
4 4
2 4
3 4
5 8 3
3
3
5 8
3
4 4
3
3
3
f 3
2 4
3
3
3
Cl. 1.2 3
ff 3
3
f
3
Bsn. 1.2
2 4
3 4
5 8
2 4
5 8
4 4
Hn. 1-4
2 4
3 4
5 8
2 4
5 8
4 4
ff 3
3
ff
sfp
Tpt. 1.2.3
2 4
3 4
5 8
2 4
5 8
ff open
4 4
sfp
Tbn. 1.2
2 4
3 4
5 8
2 4
5 8
4 4
B. Tbn.
2 4
3 4
5 8
2 4
5 8
4 4
2 4
5 8
4 4
p
Tba.
2 4
Timp.
2 4
f
3 4
5 8
3 4
5 8
2 4
5 8
4 4
3 4
5 8
2 4
5 8
4 4
3 4
5 8
2 4
5 8
4 4
3 4
5 8
2 4
5 8
4 4
3 4
5 8
2 4
5 8
4 4
2 4
3 4
5 8
2 4
5 8
4 4
2 4
3 4
5 8
2 4
5 8
4 4
2 4
3 4
5 8
2 4
5 8
4 4
2 4
3 4
5 8
2 4
5 8
4 4
2 4
3 4
5 8
2 4
5 8
4 4
2 4
3 4
5 8
2 4
5 8
4 4
p
pp
Vib.
2 4
Tamb.
2 4
W-B
ff
ff
ff
f
mf
f
2 4 f
Br.D.
Pno.
Org.
Vln. I
2 4
f
3
p
Vln. II
2 4
f
3 4 p
Vla.
ff
ff
2 4
ff
5 8 f
3 4
f
2 4 ff
5 8
ff
5 8 f
2 4
sffz
f
sffz
f
sffz
f
ff
4 4 ff
5 8
ff
4 4 3
p
f
ff
ff
f
3
3
ff
Vc.
2 4
3 4
5 8
2 4
5 8
4 4
Cb.
2 4
3 4
5 8
2 4
5 8
4 4
3
3
ff
59
458 Cadenza Org.
ff Full Organ
f
sustain tenuti slightly
5
5
3
467
5 8
Org.
5 8 (sounding pitch)
5 8
Fast but flexible, q = 104 - q = 144 474 2+3 5 8
3 4
5 8
5 8
3 4
5 8
5 8
3 4
5 8
Org.
mf, forceful
483
strange, mysterious sound
2 4
5 8
2 8
5 8
2 4
2 4
5 8
2 8
5 8
2 4
2 4
5 8
2 8
5 8
2 4
p Org.
492
2 4
5 8
2 4
5 8
3 4
5 8
6 8
cresc. poco a poco Org.
508 Org.
514 Org.
2 4
5 8
2 4
5 8
3 4
5 8
6 8
2 4
5 8
2 4
5 8
3 4
5 8
6 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
5 8
6 8
ff
6 8
518 6 8
5 8
6 8
5 8
6 8
5 8
3 4
6 8
5 8
6 8
5 8
6 8
5 8
3 4
6 8
5 8
6 8
5 8
6 8
5 8
3 4
520 from here, approaching a steady tempo 3 4 Org.
6 8
3 meno f 4 3 4
60
527 In time (q = 104) 4 4
Picc. 1
ff
fff
mf
ff
mf
ff
fff
mf
ff
mf
ff
fff
mf
ff
ff
fff
ff
4 4 ff
Fl. 1.2
4 4 mf
ff
mf
4 4 Ob. 1.2
mf
ff
mf
4 4
ff
3
ff
fff
mf
ff
mf
ff
3
3
mf 3
ff
4 4 mf
Cl. 1.2
4 4
ff
mf
ff
mf
ff
mf
ff
mf
4 4
B. Cl. (Cl. 3)
mf
ff
mf
ff
4 4 Bsn. 1.2
4 4
mf
ff
mf
ff
mf
ff
4 4
Hn. 1-4 p
ff
4 4 mp
mf
mp
3
mf
mp
mf
4 4
Tpt. 1.2.3
mp
4 4
mp
mf
mp
mf
mp
4 4 p
Tbn. 1.2
3 mp
ff
mf
4 4 p
ff
mp
mf
4 4
B. Tbn.
ff
p Timp.
4 4
Rt.
4 4
f
Tam.-t.
4 4
B. D.
4 4
ff quickly scraped with triangle beater ff ff
4 4
Hp.
ff
f
4 4
Pno.
ff
f
4 4 Org.
4 4
solo trumpet
3
3
f poss.
4 4
527 In time (q = 104) Vln. I
4 4 ff
f
4 4 mf
p
ff
mf
f
p
f
f
ff
p
f
mp
mf
sfp
mf
p
4 4 Vln. II
4 4
Vla.
4 4
Vc.
4 4
Cb.
4 4
mf
p
ff
p
61
poco rit.
533
3 4
Picc. 1 mf
ff
4 4 mf
ff
mf
3 4 Fl. 1.2
ff
mf
mf
3 4 mf
mf
ff
mf
3 4 ff
ff
mf
3 4 ff
3 4
ff
mf
4 4
3 4
Bsn. 1.2
ff
pp
ff
mf
ff
pp
ff
mf
ff
mf
pp
ff
mf
ff
mf
pp
ff
sfp
ff
4 4 mf
B. Cl. (Cl. 3)
mf
4 4 mf
ff
ff
4 4
ff
mf
pp
4 4
3 4
Cl. 1.2
ff
ff
mf
ff
4 4
3 4 Ob. 1.2
ff
4 4 ff
ff
pp
ff
mf
ff
mf
ff
mf
ff
4 4
a2
sfp
Hn. 1-4
3 4
4 4
3 4
4 4
ff 1.
3
3
3
p
mp
3
3
mp
mf
3 4
Tpt. 1.2.3
3
3
n
mf
4 4 mp mf
3 4
4 4
mf
3 mp non cresc.
3 4
4 4
3 3
mp
n
p
mf
Tbn. 1.2
3 4
4 4 3
mp
mf
B. Tbn.
3 4
4 4
Glock.
3 4
4 4
moleskine sticks
pp
3 4
Vib.
very soft sticks
4 4
pp
3 4
Hp.
4 4 pp
3
Org.
3
3 4
4 4
3 4
4 4
3 4
4 4
3 3
3
3
3
3
3
mp
poco rit. 3 4 ff
4 4 p sub.
fff
mp
ff
p
f
ff
mf
f
p
f
ff
mf
p
f
mp
f
p
f
p
f
p
f
Vln. I
3 4
4 4
ff
mf
3 4
4 4 p
Vln. II
3 4 mf
p
ff
mf
p
4 4 ff
3 4
Vla.
p
mf
p
ff
4 4
ff
Vc. mf Cb.
3 4
4 4
3 4
4 4
f
p
ff
3
62
540 q = 78 - 82, Flexible 1. 3 4
Fl. 1.2
4 4
ppp
2 4
3 4
2 4
3 4
ppp
3 4
Cl. 1.2
4 4
1.
2 4
4 4
3 4
2 4
3 4
4 4
2 4
4 4
3 4
2 4
3 4
4 4
ppp
Glock.
3 4
4 4
2 4
3 4
2 4
4 4
3 4
2 4
3 4
4 4
3 4
4 4
2 4
3 4
2 4
4 4
3 4
2 4
3 4
4 4
3 4
4 4
2 4
3 4
2 4
4 4
3 4
2 4
3 4
4 4
3 4
4 4
2 4
3 4
2 4
4 4
3 4
2 4
3 4
4 4
3 4
4 4
2 4
3 4
2 4
4 4
3 4
2 4
3 4
4 4
3 16' 4
4 4
2 4
3 4
2 4
4 4
3 4
2 4
3 4
4 4
3 4
4 4
2 4
3 4
2 4
4 4
3 4
2 4
3 4
4 4
3 4
4 4
2 4
3 4
2 4
4 4
3 4
2 4
3 4
4 4
3 4
4 4
2 4
3 4
2 4
4 4
3 4
2 4
3 4
4 4
3 4
4 4
2 4
3 4
2 4
4 4
3 4
2 4
3 4
4 4
3 4
div., con sord.
2 4
3 4
pppp Vib. pppp Hp.
voix celestres, 8' Flute + octave pp sub.
Org.
540 q = 78 - 82, Flexible Vln. I
ppp
ppp
Vln. II
ppp
ppp Vla. ppp
pp
Vc. ppp Cb.
552
4 4
2 4
4 4
3 4
4 4
2 4 p
n
3 4
3 4
div., con sord.
pp
pp
unis., soli molto espress.
4 4
mp
3 4
mf
3
p
4 4 mp
3
3
2 4
3 4
2 4
4 4
3 4
2 4
3 4
4 4
2 4
3 4
2 4
4 4
3 4
2 4
3 4
4 4
Fl. 1.2
4 4
3 4
2 4
3 4
4 4
3 4
2 4
3 4
12 8
Cl. 1.2
4 4
3 4
2 4
3 4
4 4
3 4
2 4
3 4
12 8
Bsn. 1.2
4 4
3 4
2 4
3 4
4 4
3 4
2 4
3 4
1.
12 8
3 pp
3
3
4 4
3 4
2 4
3 4
4 4
3 4
2 4
3 4
12 8
4 4
3 4
2 4
3 4
4 4
3 4
2 4
3 4
12 8
4 4
3 4
2 4
3 4
4 4
3 4
2 4
3 4
12 8
Vln. I
4 4
3 4
2 4
3 4
4 4
3 4
2 4
3 4
12 8
Vln. II
4 4
3 4
2 4
3 4
4 4
3 4
2 4
3 4
12 8
Vla.
4 4
3 4
2 4
3 4
4 4
3 4
2 4
3 4
12 8
Org.
pp Vc.
4 4
mp
3
3
p
4′ only
mp
3 4
p
2 4
mp
3 4
p
mp
4 4
p
mp
3 4
ppp Cb.
4 4
3 4
2 4
p
2 4
mp
3 4
pp
3 4
4 4
3 4
p
12 8 n
2 4
3 4
12 8
63
561 Picc. 1
q. = 72(K e = e) New tempo, slightly slower each note x. in value
12 8
pp, but articulate
Fl. 1.2
12 8
Cl. 1.2
12 8
B. Cl. (Cl. 3)
12 8
Bsn. 1.2
12 8
pp (1.)
(1.)
pp
fade
8' + larigot
12 8
pp
mp delicate, ungridded and insect-like
Org.
12 8 12 8
12 8 Vln. I
q. = 72(K e = e) New tempo, slightly slower
ord.
pp
12 8
n
ord.
pp
n
12 8 Vln. II
pp
12 8
n
pp Vla.
12 8
Vc.
12 8
Cb.
12 8
mp
n
senza sord.
p
pp
rit.
568
4 4
Picc. 1 ppp poss. 1.
4 4
Fl. 1.2
Ob. 1.2
p
p
p
p (non cresc.)
mp
pp
4 4 4 4
p
mp
pp
1.
4 4
Cl. 1.2 p
mp
precise durations
pp
4 4
p
Hp.
4 4
8' Flute precise durations, in unison with harp
Flutes 8' 4' 2 2/3' with woodwinds
Org.
4 4
p voix celestres + octave
p
4 4
16′ and 32′ only precise durations
4 4
rit.
precise durations, in unison with harp
4 4
Vln. I ppp durations, precise in unison with harp
4 4
Vln. II ppp
Vla.
p
pp
senza sord.
pp
4 4 p
pp
pp
p
4 4
pp
p
pp
pp
3 soli, dolciss.
pp
pp
4 4
Vc. pp
p
p
pp
pizz.
Cb. pp
4 4
64
582 from Orlando Gibbons (1583 - 1625) Pavan No. 16
575 q = 82 (e=e), slightly faster 2.
4 4
Fl. 1.2
(2.)
2 4
4 4 pp sempre 5 1. pochiss. vib.
ppp
4 4
Cl. 1.2
2 4
Hp.
2 4 2 4
p
4 4 4 4
2 4
4 4
2 4 2 4
4 4 4 4
4 4 pp con sord.
4 4
2 4
4 4
2 4
4 4
4 4 4 4 4 4 Vc.
Cb.
5
5 5 5 pp primary line with larger noteheads; linger on these notes slightly
5
solo, senza vib., viola da gamba-like sound
pp
Vla.
primary line indicated with tenuti; linger on these notes slightly
582 from Orlando Gibbons (1583 - 1625) Pavan No. 16
con sord.
Vln. II
3
4 4
575 q = 82 (e=e), slightly faster Vln. I
3
3
pp
Gedackt 8' 4' to end “chamber organ� sound
4 4 Org.
4 4
(optional offstage)
4 4
Cel.
3
4 4
ppp
4 4
3
2 4 pp pochiss. vib. player by player, fade out until only the 1st stand inside player is playing
4 4 pp solo, senza vib., viola da gamba-like sound
2 4
pp pochiss. vib. player by player, fade out until only the 1st stand outside player is playing
4 4
pp solo, senza vib., viola da gamba-like sound
2 4
4 4
pp
pp
4 4
2 4
4 4
4 4
2 4
4 4
592 q = 96
587 Fl. 1.2
3 4
4 4
Chin. Cym.
3 4
4 4
Tam.-t.
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
solo, senza vib., viola da gamba-like sound pp
ppp barely perceptible
ppp barely perceptible
Hp.
pp
5
3
Cel.
p (non sost.)
Org.
4 4
3 4
4 4
592 q = 96 3 4
Vln. I
3 4
4 soli ord. vib.
Vla.
Vc.
Cb.
pp
3 4
4 4
4 4
3 4 p
senza sord., pochiss. vib.
4 4
3 4
Vln. II
quasi n
3 4
4 4 pp
4 4
3 4
4 4
3 4
4 4
3 4
4 4
ppp senza sord., pochiss. vib.
3
3
ppp senza sord., ½ the section, pochiss. vib.
3
3
ppp
3
3
65
600 q = 144 subito
599
603 q = 76 subito
non rit. wide vib.
Picc. 1 f
p 3
ff
sff
ppp poss. 1. wide vib.
Fl. 1.2 f
p 3
ff
sff
ppp poss.
a2 Ob. 1.2 p
3
sff
3
p
sff
3
f
Cl. 1.2
ff
p
p
sff
3
3
3
3
ppp
sf ppp
3
3
B. Cl. (Cl. 3) p
f
p
f
a2 Bsn. 1.2 3
p
sff 1. 2.
3
3
Hn. 1-4
p
p
f
pp poss.
f straight mutes
Tpt. 1.2.3 p
f
Tbn. 1.2 p
3
pp poss.
fff
3
B. Tbn. p
fff
pp poss.
3
Tba. p
fff
pp poss.
3
3
3
Timp. 3
mp
ppp
f
Crot. f Glock. f Vib. f Chin. Cym. mp Tam.-t. n B. D. ppp 3
3
3
Hp. f
ppp (optional offstage)
Cel. p
l.v. al fine 3
3
3
3
sim.
Org.
molto sost., pedal sustains lowest pitches very subtly
600 q = 144 subitoord. 3
Vln. I
ff
3
p
1 solo
gli altri
3
senza sord., tutti, div., ord.
non rit.
sffz tutta forza
ff non div.
ff
603 q = 76 subito
p
sff
Vln. II 3
ff
3
p
ff
p non div.
3
back half of the section only molto sul tasto 3
3
3
3
3
3
3
3
3
Vla. sff
tutti
Vc. p Cb. sffz
ppp
n