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Morricone FOR A FEW DOLLARS MORE: LA RESA DEI CONTI (Music Clock) full score

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Ennio Morricone

La Resa Dei Conti

(from: For a Few Dollars More)

(Ed. EMI MUSIC PUBLISHING)

ORCHESTRA

Trumpet soloist in Bb

3 Classical Guitars

Electric Bass

Drums

Timpani

2 Percussion

(Bass drum, Castanets)

Celeste Organ Choir

(6 Females - 6 Males)

Strings (Violins I & II - Violas - Cellos)

La Resa Dei Conti

                                                                         Trumpet in B Classical Guitar 1 Classical Guitar 2 Classical Guitar 3 Electric Bass Drum Set Timpani Bass Drum Castanets Female Voices Male Voices Violins I Violins II Violas Cellos C H O R U S Organ Celesta                                                                           Strike the strings over the sound hole                                                                                 63                                     Dmi     Brushes VI in C 5                                                            Dmi                
Ennio Morricone Score
                                   B Tpt. Cl. Gtr. 1 Cl. Gtr. 2 Cl. Gtr. 3 E.B. D. S. Timp. B. Dr. Cast. Fem. Males Vlns. I Vlns. II V.las Cellos C H O R U S Org. Cel.  7                                          G                                                   Dmi                      63                               B loco               33                               Ah           Ah                              A                            11                                                        4
                                   B Tpt. Cl. Gtr. 1 Cl. Gtr. 2 Cl. Gtr. 3 E.B. D. S. Timp. B. Dr. Cast. Fem. Males Vlns. I Vlns. II V.las Cellos C H O R U S Org. Cel. 13                                                                              5 2                        6 5                            5 5 6                         3 5 5 4 5
                                   B Tpt. Cl. Gtr. 1 Cl. Gtr. 2 Cl. Gtr. 3 E.B. D. S. Timp. B. Dr. Cast. Fem. Males Vlns. I Vlns. II V.las Cellos C H O R U S Org. Cel.                 3           3                3           Ah    Ah           3           3           3           3 Dmi Dmi Sticks 19               3           3                                 3           3          3                     3 Asus A Asus A                3           3                  Ah    Ah           3           3           3           3 Dmi Dmi                3           3                             3           3           3           3 C C             3         3                         Ah         Ah          3          3          3          3 Dmi E Dmi E                3           3                                        3            3            3           3 ADmi ADmi         6
                                   B Tpt. Cl. Gtr. 1 Cl. Gtr. 2 Cl. Gtr. 3 E.B. D. S. Timp. B. Dr. Cast. Fem. Males Vlns. I Vlns. II V.las Cellos C H O R U S Org. Cel.  25                    3           3                          Ah            3            3            3           3 FB FB               3           3                                          3          3          3          3 C C                3           3                3           Ah    Ah           3           3           3           3 Dmi Dmi 27                 3           3                                 3           3          3                     3 Asus A Asus A                3           3                 Ah    Ah           3           3           3           3 Dmi Dmi                 3           3                                 3           3           3           3 C C       7
                                                                         B Tpt. Cl. Gtr. 1 Cl. Gtr. 2 Cl. Gtr. 3 E.B. D. S. Timp. B. Dr. Cast. Fem. Males Vlns. I Vlns. II V.las Cellos C H O R U S Org. Cel.  31                3           3                         Ah         Ah            3            3          3           3 Dmi E Dmi E                3           3                                        3            3            3           3 ADmi ADmi                  3           3                    Ah       Ah            3            3            3           3 FB FB               3           3                           Ah           Ah            3            3            3            3 C C            3        3               3                                           A A     8
                                                                                                                                                     B Tpt. Cl. Gtr. 1 Cl. Gtr. 2 Cl. Gtr. 3 E.B. D. S. Timp. B. Dr. Cast. Fem. Males Vlns. I Vlns. II V.las Cellos C H O R U S Org. Cel.            3                             U 36                    3                rit.                                                                                                    Strike the strings over the sound hole  9

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Morricone FOR A FEW DOLLARS MORE: LA RESA DEI CONTI (Music Clock) full score by ScoresOnDemand - Issuu