José Luis Greco
La fascinación fue mutua concerto for bass clarinet and orchestra
UNIÓN MUSICAL EDICIONES, S.L. C/ Marqués de la Ensenada, 4 28004 Madrid (Spain) www.musicsales.com unionmusicalediciones@musicsales.co.uk
© 2016 José Luis Greco © 2016 Unión Musical Ediciones, S.L. Edición Autorizada para todos los países a: / All Right Reserved worlwide to: UNIÓN MUSICAL EDICIONES, S.L. C/ Marqués de la Ensenada, 4 - 3º, 28004 Madrid (Spain) Tel: +34 91 308 4040 www.musicsalesclassical.com unionmusicalediciones@musicsales.co.uk
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Depósito legal número: M -7141-2016
a Eduardo Raimundo Beltrรกn
Orchestra Flute/Piccolo Oboe Bb Clarinet Bassoon Horn I in Fa Horn II in Fa Trumpet Trombone Percussion I Vibraphone Snare Drum Flamenco Cajรณn 3 Tom-toms (small, medium, large) Large Bass Drum Medium Suspended Cymbal Medium Gong Water Gong Medium Bell plate Triangle Flexatone Cabasa Sand Block Guiro Timpani (1 - 23") Percussion II Marimba Crotales (sounds 2 octaves higher than written) Glockenspiel (sounds 2 octaves higher than written) Snare Drum 3 Tom-toms (small, medium, large) Medium Gong Medium Suspended Cymbal Large Tamtam Large Bass Drum Tambourine Maraca Sleigh Bells Timpani (1 - 26") Piano Strings
All parts sound as written except for the usual octave transpositions.
a Eduardo Raimundo Beltrán
La fascinación fue mutua José Luis Greco
All glissandi last the full metric duration of the notes to which they correspond.
q = 40 Flute
Vibraphone soft mallets (motor medium speed)
pp
p
Sus.Cym. soft mallets
p
p
q = 40
Crotales
ppp
Perc. II
p
Perc. I
Piano
3
p
sord./non vibr.
Violin I div.
ppp
p
sord./non vibr.
ppp
p
sord./non vibr.
Violin II div.
ppp
p
sord./non vibr.
ppp
Viola
p
pizz.
p
© Copyright 2015 by José Luis Greco - Unión Musical Ediciones S.L. Madrid (España) All rights reserved. International conpyright secured. Depósito legal noº: M-7141-2016
2
4 Fl.
Perc. I
Perc. II
Vln. I
Vln. II div.
3
3
3
div.
Pn.
Vla.
3
Fl. 7
Hn. II
Perc. I
pp
mf
3 6
Sus.Cym. soft mallets
pp
mp
mf
solo/freely
A
arco
p
p
p
mf
mf
mf
smorzato
mf
Cb.
(smooth transition)
staccato
p
Vln. I
Vlc.
Vla.
mp
B.Cl.
mf
Vln. II
Perc. II
Pn.
A
4
9
B.Cl.
solo quasi libero
p
3
14
Perc. I
Cabasa
pp Sus.Cym. sticks
Perc. II pp
3
mp
mp
pp unis.
mp
3
pp
mp
3
3
mp 3
B
pp
mp
mp
pp
Cb.
B
Vlc.
unis. Vln. I
Vla.
freely
in tempo
B.Cl.
Vln. II
pp
mp
17
B.Cl.
3
3
3
3
5
20 Fl.
Ob.
pp
mp
pp
pp
Bsn.
Hn. I
Trpt.
pp
mp
pp
mp
pp
Tamtam medium mallet
pp
in tempo B.Cl.
mp
pp
Vibraphone medium mallets
p
mp
pp
mp
Bell plate medium mallet
pp
pp
mp
Perc. I
Perc. II
pp
mp 12
Cl.
C
mp
p
mf
C Vln. I
p
mp
ord.
ord.
p
mp
Vln. II
Vla.
Vlc.
sord.
p
sord.
p
Cb.
mp
mp
pizz.
mp
6
22
Fl.
Ob.
Hn. II
Perc. I
3
p
3
Cl.
Bsn.
mp
p
p
3
B.Cl.
mp
mp 3
p
3
p
mp
mp
3
3
Vln. I
3
3 3
Vlc.
Cb.
Vln. II
Vla.
25
Hn. I
Perc. II
Vln. I
mp
Vlc.
Cb.
fl.t. pp
Sus.Cym. sticks
6
3
Vla.
pp
3 3 3
Vln. II
3
straight mute
Trbn.
B.Cl.
mp
3
Bsn.
6
3
3
7
D
27
Fl.
Ob.
Cl.
Bsn.
Hn. I
mp
p
p
p
p
p
B.Cl.
p
mp
mp
mp
p
Water gong
mp 3
mp
Glock.
mp
D
mp
mallets hard Perc. I
Perc. II
mp
p
p
mp
straight mute
Trbn.
Trpt.
f
3
6
mp
6
Vlc.
Cb.
Vln. I
Vln. II
Vla.
3
8
30
Fl.
Cl.
Bsn.
Vln. I
3
mp
Vlc.
Cb.
mp
3
3
3
p
p
p
p
p
p
p
p
3
mp
Vla.
3
mp
3
Vln. II
Hn. I B.Cl.
Fl.
32
Cl.
Hn. I Bsn.
B.Cl. mp
Vln. I
mp
Vln. II
mp
Vla.
mp
Vlc.
Cb.
mp
mp
3
3
3
3
3
3
arco
9
34
Fl. Ob.
Cl.
Bsn.
E
p
f
p
f
p
f
p
Hn. I
f
p
Hn. II
f
p
Trpt.
f
senza sord.
p
Trbn.
f
senza sord.
p
f Vibraphone soft mallets
Perc. I
f
Pn.
B.Cl.
div.
Vln. I
secco mf
p cresc.
p
p
Sus.Cym. soft mallets
Perc. II
6
12
f
E
f
Vla.
f
f
div.
f
div.
Vlc.
Cb.
f
f
3
mp
div.
Vln. II
10
36
Fl.
Perc. I
p
B.Cl.
Vln. I div.
Vla.
Vlc.
Cb.
p
3
3
3
6
6
6
p
p
p
non vibr.
ppp
non vibr.
ppp
non vibr.
ppp
Vln. II div.
non vibr.
ppp
Crotales
p
p
poco
Pn.
p
pp
Perc. II
p
p
unis.
unis./senza sord./pizz.
pp
col legno battuto
p
mp
p
11
Fl. 38
Perc. I
Pn.
3
Perc. II
mp
Vln. I
2 1 mp pp
3
4
f
div.
Vln. II div.
Vla.
sul pont.
Vlc.
p
Cb.
niente
p
ord.
pp
sul pont.
mp
arco/sul pont.
mp
niente
ord.
mp
pp
mp
3
B.Cl.
niente
niente
12
41 Fl.
Ob.
Cl.
Hn. I
Hn. II
fl.t.
p
mf
mp
6 Perc. I mf Sus.Cym. soft mallets Perc. II 3
3
p
Pn.
B.Cl.
subito pp
mf
6
f
F
p
Cb.
arco
p senza sord./ord.
Vlc.
6
3
Vln. I div. Vln. II div. Vla.
mp
mf
p
mp
mp
fl.t.
mp
mp
straight mute
Trbn.
F
mf
mf
mf
13
43
Fl.
mf
6
3
mf
mp
3
mf
mf
6
Vlc.
Cb.
B.Cl.
Vla.
Hn. II
Trbn.
Cl.
Hn. I
Ob.
Bsn.
14
G e = q = 80
45 Fl.
Ob.
Cl.
Bsn.
Hn. I
p
p
p
Trbn.
Perc. I
p
Vibraphone soft mallets
Sus.Cym. stick Perc. II
B.Cl.
3
p
Hn. II
fl.t.
3
3
3
6
3
6
12
p
mp
mp
e = q = 80
unis./ord./senza sord.
ppp
G Vln. I
Vla.
Vlc.
p
p
Cb.
pp
ppp
p
p
mp
unis./ord./senza sord. Vln. II
Lg.Tom-tom hard mallets
p
ppp
p
pizz.
mp
15
49
Fl.
Cl.
Bsn.
Perc. I
Perc. II
Pn.
B.Cl.
Tamtam soft beater
mp
Sus.Cymbal Snare.Dr. Lg.Tom-tom
3
mf
mp
harmon mute
3
6
f
mf
mp
f
3
f
mf
mf
niente
mf
sticks
mp
Vln. II
fl.t.
p
6
mf
p
Vln. I
6
3
ppp
f
3
fl.t.
6
p
Trpt.
niente
Vla.
Vlc.
Cb.
mf
sul pont.
mf sul pont.
mf
16
H
54 take Picc. Fl.
Cl.
Hn. I
Trpt.
Perc. I
mf
p
f
3
mf
f
H
Vln. I
Cb.
mf
f
mf
niente
mf
mf
p
mf
mf
mf
f
mf
mf
f
mf
3 3
mf
niente
ord.
Glock.
distorted multiphonic gliss.
B.Cl.
Vlc.
Vla.
senza sord./"elephant roar"
Pn.
f
p
Perc. II
Hn. II
Trbn.
Ob.
p ord.
p
17
57
Perc. I
Pn.
B.Cl.
Cb.
Picc.
mf
mf straight mute
mf secco mf
mp
Vln. I
p div./sul pont. p
f
mf
p
f
mf
mf
mf
6
mf
f
mf
mf
3
I
mf mp
f
3
p
mf
f
3
mf
B.Cl.
Vlc.
3
3
Sleigh bells
Vla.
3
3
p
Vln. II
Perc. I
Pn.
Trpt.
Perc. II
59
Ob.
Fl.
Vla. Vlc.
I
f
3
mf
mf
18
61
Fl.
Ob.
Bsn.
Trpt.
Perc. I
mf
3
5
f
mf
f
mf
f
mf
3
5
f
3
mf
mf
mp
mf
3
f
5
f
mf
3
mp
f
3
f
mp
3
3
3
f
Vlc.
f
Cb.
mp
mf
f
Vla.
mp
mf
mf
mp
mp
mf
Sus.Cym. hard mallets
mf
3 B.Cl.
Vln. I
take Fl.
mf
5
Pn.
3
mp
Perc. II
arco f
3
19
63
Fl.
Bsn.
Hn. I
J Fl.
mf
fl.t.
mp
Hn. II
Trbn.
Perc. I
3
Perc. II
3
Vln. I
Vln. II
Vla.
B.Cl.
Cb.
3
3
mf
3
mf
f
mp
unis./ord.
mp
fl.t.
mp
mp
Vlc.
Maraca with fingers
mf
fl.t.
p
3 f
f
fl.t.
mf
mf
3
3
mf
3
mf
mp
3
mf
mp
f
J
fl.t.
mp
mp
mf
f
mf
f
Pn.
20
66 Fl.
mf
Ob.
Hn. I
f
Trbn.
Perc. I
Perc. II
f
mf
B.Cl.
Vln. I
Vln. II
Vla.
mp
3
3
fl.t.
mp
f
senza sord.
mf
mf
3
f
3
p
f
mf
mp
mf
mp
mf
mp
3
Cb.
Vlc.
3
Pn.
mf
mf
f
Trpt.
mp
Hn. II
3
3
3
pizz.
f
col legno battuto
f
p
21
68
Fl.
Cl.
Hn. I
p
f
Perc. I
Vln. I
Vln. II
Vla.
p
3
Sleigh bells 3
p
3
f
3
arco
mf
arco
Cb. mf
3
f
p
f
mp
3
mf
mp
mf
3
Maraca with fingers
p
3
3
f
f
f
p
Vlc.
B.Cl.
Perc. II
Pn.
p
mp
f
p
Trpt.
p
Hn. II
Ob.
Bsn.
mp subito
mp subito
f
mp subito
3
3
22
K 70
Fl.
p
p
Cl.
Bsn.
Hn. I
p
Trbn.
p
Perc. I
Perc. II
mf 3
B.Cl.
3
Sleigh bells
p
f
mp
f
3
p
3
p
mf
f
3
p
Lg.Tom-tom soft mallets
pp
poco
mp
Water gong
p
mp
p
Sand block
Pn.
f
3 mp f mf
f
p
Trpt.
f
Hn. II
f
Ob.
h = q = 40
p
niente
K Vln. I
h = q = 40
Vln. II
Vla.
Cb.
Vlc.
3
3
1 solo
mp
pp
mp
pp 3
3
pp
pp
mp
pp
pp
p
gli altri/sord./non vibr.
p
sord./non vibr. p sord./non vibr.
pizz.
mp
p
23
L e = q = 80 75
Fl.
Ob.
Cl.
p
Perc. I
Perc. II
B.Cl.
3
3
mp
12
ord.
Vln. II
Sus.Cym. brushes "zing" l.v.
3
mp
Vlc.
1 solo (sord.)
gli altri
ord.
sord.
mp
3
3
pp
pp
Vla.
6
6
e = q = 80
ord.
p
L Vln. I
p
Vibraphone soft mallets
p
Hn. II
pp
sord./arco
p
pp
mp
24
77
Fl.
Ob.
Cl.
6
Perc. I
Perc. II
3
6 B.Cl. Vln. I
3
Vln. II
Vla.
Vlc.
3
3
3
6 3 3 6 12
3
25
79
Fl.
Ob.
Cl.
p
Perc. II
B.Cl.
Vln. II
6
12
Snare Dr. 3 Tom-toms brushes
Vla.
Vlc.
3
mp
3
3
3
12
3 3
Vln. I
3
Cb.
6
p
Perc. I
pizz.
mp
3
26
M 81
Fl.
Ob.
Cl.
Bsn.
Hn. II
Trbn.
mp
B.Cl.
fl.t.
mp fl.t.
mp
mf
mf
mp
hard mallets
3 3
tutti/senza sord.
tutti/senza sord.
3
3
p
mf
senza sord.
senza sord.
3
3
3
3
mp
3
mp
p
3
mf
mf
Cb.
mp
Vlc.
mf
mp
Vla.
mf
M Vln. I
Vln. II
mf
mp
mf
mp
mf
mp
Perc. I
mp
27
83
Ob.
mf
mp
Cl.
Hn. II
Trpt.
Perc. I
Perc. II
Pn.
B.Cl.
Vla.
mf
3
mf
fl.t.
mp
mp
3
p
mf
Vlc.
mf
mp
straight mute
28
85
Hn. II
Trbn.
mf
fl.t.
mp
mp
mf
mp
mf
mp
Perc. I
Perc. II
Pn.
B.Cl.
Vln. I
f
mp
Vla.
3
3
3
mp
Vln. II
arco
mp
3
mf
p
mf
3
mp
Cb.
p
mf
mp
Vlc.
p
mf
p
mf
29
N 87
Fl.
mf
Ob.
mf
Bsn.
mf
Hn. I
harmon mute
Perc. I
Perc. II
B.Cl.
mf
Pn.
Vla.
mf
p
mf
mf
N Vln. I
Vln. II
p
mf
6
3
Cb.
mp
mf
mp
p
p
Vlc.
ord.
mf Trbn.
p
Trpt.
3
Hn. II
6
mf
p
mf
mf
30
89
Fl.
Ob.
Cl.
Bsn.
12
B.Cl.
Vln. I
mp
3
f
12
3
3
3
3
mf
O
91
Fl.
3
Ob.
Cl.
Bsn.
3
3
f
3
3 f
3
f
3
Pn.
B.Cl.
mp
1 solo
pp
8 = h.
Vln. I
f 3
Perc. II Perc. I
3
3
mp
mp
3
mp
3
mp
mp
Pn.
mp
Perc. I Perc. II
O
pp
mp
mp
mf
mp
3
mf
3
12
12
31
93
Bsn.
Hn. I
Hn. II
Trpt.
Trbn.
Perc. I
Perc. II
f
Vln. I
Vla.
Vlc.
3
p
mf
p
f
6
p
p
3
p
mf
6
B.Cl.
Pn.
f
3
tutti
mf
mf
mf
32
P
95 Bsn.
Hn. I
p
f
Hn. II
mf
Trbn.
Perc. I
p
Trpt.
mf
mf
p
mf
mp
Pn.
B.Cl.
Vln. I
p
mf
3
fp
f
P
p
mf
mf
sul pont.
p
p
p
p
mf
mf
sul pont.
p
Cb.
sul pont. p
Vlc.
mp
fp
mf
mf
p
mf
p
p
p
fp
mf
mf
mf
p
mf
mf
sul pont.
Vla.
fp
p subito
Vln. II
p
mf
mf
p
33
99
Perc. I
Perc. II
B.Cl.
p sord./ord. p sord./ord.
1 solo/pizz. mp
Q
p
niente
103 Hn. I
p
mp
mp
mp
Q Vln. I mp
Vln. II
mp
Vla.
mp
Vlc.
mp tutti
mp
3
3
3
3
mp
Cb.
mp
p
B.Cl.
Vlc.
Pn.
Vla.
Perc. I
Vln. II
Hn. II
3
3
p sord./ord.
mp
sord.
Cb.
mf
Vln. I
3
3
Pn.
3
34
105
Hn. I
Hn. II
Perc. I
Perc. II
Pn.
B.Cl.
Vln. I
3
mp
3
div.
div.
Vln. II
mp
mp
Cb.
3
poco
mp
poco
mp
poco
mp
Vla.
div.
poco
mp
poco
mp
poco
35
fl.t. Fl.
107
mp
fl.t.
Cl.
mp
Perc. I
Perc. II
Pn.
B.Cl.
Vln. I
3
senza sord./unis.
Vla.
arco
Cb.
mp
senza sord./unis.
mp
senza sord./unis.
mp
mp
Vln. II
36
110
Perc. II Perc. I
Pn.
B.Cl. Vln. I
Vlc.
Vla.
Cb.
Vln. II
mf
f
f
f
f
f
f
6
3
R 114
Perc. II
B.Cl.
Vla.
Vlc.
Vlc.
Cb.
f
Marimba medium mallets
p
mf
p
p
mf
Vln. I Vln. II
q = 50
Bass Dr. medium beater
Perc. I
R
q = 50
1 solo
gli altri
p
p
mf
p
mf
mf
pp
pp
pp
37
119
Ob.
Perc. II
p
Water gong
3
sord.
sord.
sord.
Cb.
ppp
p
ppp
p
ppp
p
p 3
Vlc.
Timpani soft mallets
Vlc.
pp
p
Vla.
3
ppp
Vln. I Vln. II
p
3
pp
Perc. I
tutti
pp
pp
p
p
p
S 124
Ob.
harmonics
B.Cl.
freely
senza sord./pizz.
Vln. II
p
div.
pp
p pizz.
Cb.
p
senza sord./col legno battuto
Vla.
p
S Vln. I
T
p
p
niente
T
38
132
Fl.
Cl.
Hn. II
Perc. I
Perc. II
B.Cl.
6
3
p 3
Bsn.
p
3
p
Vln. I
mp
Vla.
mp
mp
3
p
p
p
mp
mp
3
p
U
mp
3
p
3
mp
3
p
ppp subito
6
pp
U
3
p
mp
tutti/sord.
Cb.
mp
p 3 unis.
mp
p
mp
3
sord./arco
3
Vlc.
mp
3
mp
mp
p
mp
p
3
p
mp
p
mp
3
p
mp
p
mp
ppp
1 solo/sord.
Marimba medium mallets p
3
p
mp
B.Cl. 3
3
mp
p
mp
take Picc.
3
p
p
p
mp
straight mute
mp
3
Perc. II
p
3
mp
137
Vln. II
mp
3
3 p mp Gong medium beater
Ob.
Pn.
p
3
Trbn.
3
p
p sord.
mp
p 3
mp
arco/sord.
p
3
mp
39
141
Hn. I
mp Hn. II
mp
Trpt.
Trbn.
Pn.
B.Cl.
straight mute
pp
Gong medium beater
p pp
Guiro
p
pp
6 3
pp
mp
Vln. II
Vla.
3
3
Vlc.
3
3
p
pp
3 Vln. I
Cb.
mp
Perc. I
Perc. II
40
Trpt.
147
pp
mp
Perc. I Perc. II
mp
pp
pp
pp
mf
mp
6
3
6
pp
pp
p
mp
p
pp
B.Cl.
mp
p
mp
Pn.
V
pp
p
niente
3
p 3
V
Perc. II
B.Cl.
pp subito
3
pp
Vla.
senza sord./col legno lattuto
senza sord./pizz.
Cb.
p
p
col legno battuto
sord./arco
pp
mp
pp
mp
sord./arco
mp
pp
poco
mp
p
Vlc.
p
niente
3
p
div.
senza sord./pizz. Vln. I
Vln. II
Sus.Cym. soft mallets
151
Perc. I
mp
mp
pp
pp
pp
pp
41
W
155
Perc. II
niente
B.Cl.
freely
W
X
Picc. p
Ob.
p
Cl.
f
f
Hn. I
p
p
Hn. II
Trbn. Perc. I
Perc. II
p
f
senza sord.
Vla.
p
p
f
Cb.
f
f
p
p
f
unis./senza sord.
p
senza sord.
senza sord.
senza sord.
p
p
p
p
f
p
f
f
mf
Cajón treble stroke bass stroke
Sus.Cym. hard mallets
p f secco
p
f
f
f
f
f
p
p
p
f
fp
f
f
f
f
f
f
p
p
f
p
pp
f
p
senza sord.
ppp
p
f
p
f
p
f
p
p
Vlc.
f
f
pp
p
p
f
X q = 120 Vln. I
B.Cl.
p
p
f
Vln. II
f
senza sord.
Trpt.
f
p
Bsn.
pp
q = 120
161
Fl.
div./arco/sord.
Vln. II
p
Vln. I
harmonics
f
42
165
Fl.
Cl.
Bsn.
Hn. I
Perc. I
Trpt.
Trbn.
Hn. II
p
f
p
p
f
B.Cl.
Vla.
Cb.
p
p
f
p
p
f
p
f
p
p
f
p
f
p
p
f
p
p
p
f
p
Marimba hard mallets
ff
p
ff
p
ff
p
p
f
f
p
ff
p
ff
p
ff
p
ff
p
f
ff
p
ff
ff
f
take Fl.
p
f
f
f
f
f
f
p
f
p
f
p
harmon mute
f
p
f
f
p
p
f p
p
f
harmon mute p
p
f
ff
f
f
f
secco
Vlc.
p
f
Vln. I Vln. II
f
secco Perc. II
Pn.
p
Ob.
Y
Y
p sul pont.
p
unis.
p
f
p
ff
p
f
f
sul pont.
p
p
f
sul pont.
f
sul pont.
ff
ord.
p
f
p
p
f
f
ord.
p
ord.
p
ord.
p
ff
ff
ff
43
170
Bsn.
Perc. I
Perc. II
Pn.
Sus.Cym. stick secco
Vlc.
mf
B.Cl.
mf
3
3
mf
3
mf
mf
3
3
3
p
secco
hard mallets
3
mf
3
3
3
mf
175
Bsn.
Perc. I
Perc. II
B.Cl.
3
3
3
3
secco
mf
3
3
mf
Cb.
3
3
mf
secco
p
3
3
f
3
p
3 3
div.
Vlc.
Vln. I
Vln. II div.
Pn.
3
p
p
p
p
3
3
3
3
3 3
44
Z 179
Cl.
Bsn.
Hn. I
Hn. II
mf 6
3
6
3
3
Pn.
B.Cl.
3
6
mf
Vln. II div.
Vla. div.
3
mf
3
3
6
6
3
6
mf
3
mf
3
3
6
mf
mf
mf
mf
3
mf
6
mf
Z Vln. I div.
mf
Perc. I
mf
mf
mf
Vlc.
Cb.
3
3
3
3
45
Fl.
Bsn.
Hn. I
Trbn.
Perc. I
Perc. II
Pn.
B.Cl.
Vln. I
p
mf
f
3
Tambourine
p
senza sord.
mf
p
unis./sul pont.
3
f
f mf A1 unis./sul pont.
f
Vlc.
Vla. div.
Fl.
A1
f
Vln. II div.
Cb.
Hn. II
fl.t.
183
mf
p
mf
f
f
46
188
Fl.
Ob.
f
f
Cl.
f
Bsn.
Trbn.
Perc. I
B.Cl.
Vlc.
Cb.
Pn.
3
3
6
6
3
3
47
191
Fl.
Ob.
Cl.
Bsn.
Perc. I
B.Cl.
3
3
Cb.
3
6
ord.
mp
f
mp
3
mp
ord.
unis.
6
Vlc.
Vla.
Vln. I
Vln. II
Trbn.
Pn.
f
48
193
Fl. Ob.
Cl.
Trbn. Perc. I
Perc. II
Pn.
Vlc.
3
Gong hard beater
Sus.Cym. hard mallets
Vlc.
p
196 secco
mf
secco
p
mf
p
p
mf
p
secco
mf
secco
mf
p
(non dim.)
(non dim.)
p
secco
mf
niente
mf
p
Marimba medium mallets
3
Vla.
B1
(non dim.) (non dim.)
Sus.Cym. hard mallets secco
B.Cl.
p
Perc. II
Vla.
f
f
Vln. II
Perc. I
Vln. I
B.Cl.
Cb.
Bsn.
B1
3
mp
3
mp
sul pont. p
sul pont. p
mp
mp
49
201
Fl.
Cl.
Hn. I
Hn. II
Trbn.
Perc. I
Perc. II
mp
mp
Triangle
p
Glock.
mp
mf
3
mf
mp
mp
mp
Vlc.
Vla.
ord.
3
pizz.
mp
3
3 mf 3
sul pont. 3 3
f
mf
sul pont. 3
mf
mp
p
p
mf
mp
Vln. II
mf
3 3 6 3 3 3 mf C1 Vln. I
B.Cl.
3
3
mp
mp
mp
Pn.
C1
3
3
arco
3
3
pizz.
50
205 Hn. I
Hn. II
Trbn.
Flexatone
Perc. I p
B.Cl.
mf
p
p
Vln. I div.
Vln. II div.
ord.
mp
3 3
ord.
3 3
ord.
arco
3 3
mp
mp
Vlc.
ord.
mp
Vla.
3
3 3
3
3 3
3
3
3
3
51
210
Fl.
Ob.
mp
Cl.
Bsn.
mp
mp
Perc. I
f
f
f
f
f
mp
Cajón
mp
f
Marimba medium mallets
Perc. II
Pn.
B.Cl.
mp
p
mf
mf Sus.Cym. hard mallets secco
f
3 pp D1 mp 3 subito unis./sul pont.
mp
f
f
f
f Cb.
mp 3
3
mp
3
f
p
mf
f
Vlc.
Vla.
f
Vln. II div.
div.
Vln. I
mp 3
f
mp
fl.t.
f
mp
harmon mute
f
mp (harmon mute)
Trbn.
mp
Trpt.
f
mp
Hn. I Hn. II
D1
p
mf
mf
ord.
3
p
mf
unis.
mf
p
p
mf
52
E1 217
Ob.
Hn. I
Cl.
Bsn.
Hn. II
p
Trpt.
Perc. I
mf
secco
p
B.Cl.
Vln. I
mf
Vln. II
Vla.
p
Vlc.
p
sord.
mp
E1
pizz.
3
mf
straight mute
mf
3
mp
poco
mp
sticks
mf
p
p
poco
mf
mf
mf
p
mf
mf
p
Cb.
mp
3
Perc. II
p
p
p
mf
mf
poco
53
222
Fl.
Ob.
senza sord.
p
Perc. I
B.Cl.
Vln. I
Vln. II
harmon mute
3
mf
mf
p
3
Perc. II
sul pont.
sul pont.
mf
p
Cb.
mf
p
Vlc.
p
3
sul pont. Vla.
mf
p
Trpt.
mf
Hn. I
Hn. II
mf
54
F1
227
Fl. Ob.
Cl.
Perc. I
Perc. II
Pn.
mf
3
B.Cl. F1 Cb.
mf
mf
3
3
Fl.
232
Ob.
Cl.
Perc. I
Perc. II
Pn.
B.Cl. Cb.
3
f
f
3
f
3
3
3
f
3
55
G1 Fl.
Cl.
236
Ob.
Hn. I
Hn. II
Trpt.
Trbn.
Perc. I
Perc. II
mp
f
senza sord.
mp
ord.
ord.
mp
mp
mf
ord.
6
mp
Cb.
f
f
mp
Vlc.
senza sord.
G1 Vln. I
Vla.
B.Cl.
Vln. II
f
f
mp
Pn.
f
f
f
f
arco
f
56
239
Fl.
Ob.
Cl.
Bsn.
Hn. I
Trbn.
Perc. II
cuivré
p
p
6
poco
poco
poco
p
poco
poco
p
B.Cl.
3
p
poco
Vln. II
Vla.
Vlc.
Cb.
poco
Vln. I
p
p
Pn.
f
6
cuivré
Trpt.
f
p
Hn. II
57
H1 take Picc.
Fl. 243
Ob.
Cl.
Bsn.
Trpt.
Trbn.
B.Cl.
p
249
Bsn.
Hn. I
Perc. I
Perc. II
I1
pp
pp
pp
mp
pp
mp
pp
pp
mp
mp
Vla.
Vlc.
I1
mp
pp
pp
pp
mp
mp
pp
mp
pp
pp
sul pont.
pp
sul pont.
pp
mp
p
pp
mf p
mp
bisbigliando
mf
p
p
J1
pp
mp
pp
mp
mf
p
pp
pp
mp
pp
p sul pont.
mf
p
mp
fl.t.
p
p
sul pont.
pp
fl.t.
pp
p
pp
mp
pp
mp pp mp Marimba medium mallets
pp
mp
pp
mf
J1
pp
pp
mp
bisbigliando p
pp
mp
fl.t.
pp
pp
molto vibrato
pp
pp
fl.t.
pp
pp
Tamtam soft beater
mp
pp
pp
mp
fl.t.
Lg.Tom-tom Bass Dr. soft beaters
mp
niente
Cb.
(smooth transition)
staccato
sord./fl.t.
sord./fl.t.
smorzato
Vln. II
molto vibrato
pp
Hn. II
B.Cl.
H1
Trbn.
p
p
58
261
Fl.
Ob.
Bsn.
ord.
p
mf
Trbn.
p
mf
ord. p
mf
p
p mf
ord.
senza sord.
senza sord./fl.t.
mf
p
p
mf
mf
ord.
pp
ord.
fl.t.
pp
mf
mf pp
pp
harmon mute
mp
p
mf
pp
pp
p
mf
p
p
pp
p
p
mf
pp
mf
mf
p
mf
mf p
mf
mf p
p
mf
mf p
Trpt.
p
mf
p
mf p
Hn. I
Hn. II
p
Cl.
Picc.
p
mf
pp
pp
mf
pp
p
Perc. I
p
mf
Perc. II
mf
Vln. I
Vln. II
Vlc.
p
mf p
mf
p
p
mf
p
mf p
p
p
p
p
mf
mf
p
pp
pp
ord.
pp
mf
mf
Cb.
mf
Vla.
mf
mf
mf
mf
p
p
pp
p
pp
p
ord.
ord.
pp
ord.
mf
pp
59
K1
6
269
Fl.
Ob.
Cl.
Bsn.
Hn. I
ff
ff
ff
ff
cuivré
cuivré
Hn. II
3
ff
ff
Trpt.
Trbn.
Perc. I
Perc. II
3
B.Cl.
3
ff 3 Tom-toms hard mallets
Pn.
ff
ff
ff
Vln. I
K1
Vla.
Vlc.
Cb.
ff
Vln. II
ff 3 Tom-toms hard mallets
mf
mf
3
f
3
ff
ff
ff
ff
ff
60
272 Fl.
Ob.
Cl.
Bsn.
Hn. I
Trbn.
Perc. I
Perc. II
B.Cl.
ff
Vln. II
Vla.
Vlc.
Cb.
3
ff
Vln. I
ff
mf
mf
mf
p
p
p
p
p
ff
3 3
ff
3
ff
3
p
p
p
mf
p
ff
p
6
3 3
mf
ff
Pn.
senza sord. Trpt.
mf
Hn. II
p
p
p
61
L1
take Fl. Fl. ff Ob. ff Cl. 276
ff
Bsn.
ff
Hn. I ff
Hn. II
ff
Trpt.
f
Perc. I
Pn.
B.Cl.
Vln. I
p
f
mf
Vla.
Vlc.
f
Cb. f
Sus.Cym. medium mallets
p
mp
mf
mf
mf L1 col legno battuto
3
3
p
f
Vln. II
3
3
Marimba medium mallets
mp
3
mf
3
p
f
3
mp Sus.Cym. soft mallets
Perc. II
p
Trbn. ff
col legno battuto
f col legno battuto
f
p
p
p
p
3
p
mf
p
mf
p
mf
62
280 Fl. Fl.
f
Ob.
f
f
Trpt.
f
f
secco
secco
f
p
"elephant roar"
mf
f
arco
Vln. II
f
arco
Vla.
f
Vlc.
distorted multiphonic
ff
f
ff
f
mf
f
Cb.
Cajón
f
Sm.Tom-tom brushes
3 gliss. 3 B.Cl.
Vln. I
mf
6
arco
ff
mf
mf
Sus.Cym. hard mallets
p
Pn.
f
Perc. II
Hn. II
Perc. I
f
Trbn.
f
Hn. I
Cl.
Bsn.
sul pont.
sul pont.
f
f
63
M1 284
Fl.
Ob.
Cl.
Bsn.
Hn. I
Hn. II
Trpt.
Trbn.
Perc. I
f
f
f
"elephant roar"
f
f
f
f
f
3 Tom-toms hards mallets Perc. II
Pn.
B.Cl.
f
Vln. I
sul pont.
ff
f
M1
ord.
ord.
f
f
Vlc.
Cb.
3
mp
f
ff
f
Vla.
sul pont.
Vln. II
f
ord.
f
f
f
ord.
f
64
Fl.
Ob.
Cl.
289
Bsn.
Hn. I
Hn. II
Trpt.
Trbn.
Perc. I
Perc. II
Pn.
B.Cl.
3
mp
f
mp
Vlc.
Cb.
3
mp
3
f
Vln. I
Vla.
3 Tom-toms sticks
Vln. II
f
f
ff
3
mp
3
mp
f
65
294
Fl.
Ob.
Cl.
Bsn.
Hn. I
Hn. II
Trpt.
Trbn.
Perc. I
ff
ff
ff
ff
ff
ff
ff
ff
ff
Perc. II
Pn.
N1
Sus.Cym. soft mallets
ppp
ff
B.Cl.
3
3
f
Vln. I Vln. II
Vla.
Vlc.
Cb.
N1
3
3
3
3
f
ff
f
f
ff
3
f
ff
ff
ff
3
66
O1
Timpani hard mallet
298
Fl. Ob.
Cl.
Bsn.
Hn. I
Hn. II
Trpt.
Trbn.
Perc. I
Perc. II
Pn.
B.Cl.
3
Vln. I
Vln. II
Vla.
Vlc.
Cb.
ff
ff
ff
ff
3
mp
f
O1
6
ff
ff
ff
3 6 6 ff 3
ff
ff
ff
ff
ff
ff
ff
67
301
Fl.
Ob.
Cl.
Hn. II
Trpt.
Bsn.
Hn. I
Trbn. Perc. I
3
Pn.
3
mp
mp
f Timpani hard mallet
Perc. II
mp
Vln. I
Vln. II
Vla.
Vlc.
Cb.
3
mp
f
f
B.Cl.
3
f
68
Fl.
Ob.
Cl.
Hn. II
Trpt.
Bsn.
Hn. I
Trbn.
Perc. I
3
f
Perc. II
mp
3
mp
Pn.
P1
305
B.Cl. Vln. I
slap tongue
f
3
f
s.t. P1
3
mp
Cb.
Vln. II
Vla.
Vlc.
f
s.t.
mp
mp
3
f
69
310
Fl.
Ob.
Cl.
Hn. II
Trpt.
Bsn.
Hn. I
Trbn.
Perc. I
f
Perc. II
Pn.
B.Cl.
Vln. I
f
Vlc.
Vla.
Vln. II
Cb.
s.t.
s.t.
70
Q1
315
Fl. Ob.
Cl.
Bsn.
Hn. I
Hn. II
Trpt.
Perc. II
Pn.
B.Cl.
Vla.
Vlc.
fff
Q1
Cb.
3
3
ff
Vln. I Vln. II
Trbn. Perc. I
71
Ob.
Cl.
Bsn.
Hn. I
Hn. II
Perc. I
Trpt.
Trbn.
321
Fl.
Pn.
B.Cl.
3
Vln. I
Vla.
3
f
3
mp
ff
s.t.
fff
ff
f
ff
ff
ff
p
ff
f
3
ff
mp
mp
fl.t.
f
Vlc.
Cb.
Picc.
Vln. II
take Picc.
p
mp
Perc. II
sul pont.
ff
mp
ord.
mp
ff
ff
ff
72
R1 q = 90 Fl. 327
Cl.
pp
pp
Hn. II
take Fl.
p
Perc. I
Perc. II
Pn.
R1 q = 90 Vln. I div.
Vln. II
Vlc.
Cb.
sord.
p
sord.
p
Vla.
pp
pp
330
Cl.
pp
Vln. I div.
Vla.
Vlc.
Cb.
sord. p
Vln. II
pp
3
pp
pp
3
pp
3
3
3
3
p
sord.
73
S1 333
Cl.
Bsn.
p
pp
6
pp
B.Cl.
mp
S1
Vlc.
pp
Vln. I div.
Vla.
3
3
3
3
3
3
3
336
Ob.
mp
Cl.
p
pp
Bsn.
p
Vln. I div.
Vla.
Vlc.
3
3
3
pp
p
B.Cl.
3
3
3
3
74
339
Cl.
Bsn.
Vlc.
Cb.
3
p
pp
3
p
3
3
p
sord.
sord.
3
6
sord.
p
T1
Cl.
3
342
Fl.
Vla.
Vln. II div.
B.Cl. Vln. I div.
pp
p
pp
Bsn.
pp
p B.Cl.
3
mp
T1
Vln. I div.
Vln. II div.
Vlc.
Cb.
Vla.
3
3
3
3
3
3
3
75
Fl. 345
pp
Ob.
pp
p
Bsn.
Cl.
6
Vln. I div.
Cb.
pp
3
3
Vlc.
pp
Vla.
Vln. II div.
mp
pp
Hn. I B.Cl.
5
3
5
3
3
3
3
76
U1
348 Fl. p
mp
Ob.
Cl.
pp
p
pp
mp
Bsn.
mp
Hn. I
Hn. II
Perc. I
Trpt.
mp
p
pp
3
Glock.
mp
p
3
3
mp
mp
Cb.
mp
pp
3
sul pont. pp
sul pont.
unis./sul pont.
pp
pp
mp
pp
p
mp
niente
p
mp
pp
U1
Vlc.
3
p
Vln. I div.
Vla.
mf
Vibraphone medium mallets
B.Cl.
Vln. II div.
pp
mp
Perc. II
mf
mf
pp
pp
mf
mf
senza sord.
pp
mp
pp
77
V1
p 354
B.Cl.
Vln. I div.
Vln. II div.
Vla.
3
3
p
pp
ord.
pp
ord.
pp ord.
3
3
pp
3 3
3
3
W1 361
3 3
3
Fl.
Hn. I
harmon mute
Ob.
Cl.
Trbn.
B.Cl.
3
W1 Vln. I
div.
Vlc.
3 3
Vla.
mp
3
3
3
3
p
p
p
p
mf
mf
mp
p
pp
Vln. II div.
pp
3
3
3
3
3
3
senza sord./pizz.
mf
78
367
Fl.
Ob.
X1
p
p
mf
mf
Bsn.
Hn. I
p
mf
mf
Hn. II
p
mf
harmon mute
Trpt.
Perc. I
p
mf
mf
Perc. II
mf
Pn.
B.Cl.
mf
div.
Vln. II div.
Vln. I
mf
Vla.
mf
3 sul pont. Cb. p
mf
p
p
p
X1
niente
niente
niente
niente
mf
Vlc.
Bass Dr. medium beater
niente
mf
niente
mf
pizz.
p
79
Y1
375
Perc. I Perc. II
Pn.
B.Cl.
Vln. I
soft mallets
Perc. I
Perc. II p
ppp div.
p
(p)
ppp
(smooth transition) staccato smorzato
pp
p
sord./arco
niente
perdendosi
p
Vlc.
Vln. I p Vln. II Vla.
(p)
Crotales
Y1 div.
pp
p
384
Fl.
Cb.
B.Cl.
Vlc.
Pn.
Vln. II
Cb.
senza sord./pizz. p
perdendosi
niente
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