Rental Library
PHILIPS Maxamorphosis for Solo Viola & Ensemble
Full score
EP 72297a
JULIAN PHILIPS
Maxamorphosis for solo viola & ensemble
Full Score
EIGENTUM DES VERLEGERS · ALLE RECHTE VORBEHALTEN ALL RIGHTS RESERVED
PETERS EDITION LTD A member of the Edition Peters Group FRANKFURT/M. · LEIPZIG · LONDON · NEW YORK
Instrumentation Solo Viola Piccolo Marimba Harp 6 Violins Viola 2 Cellos Double Bass
Duration: 22 minutes approx.
Commissioned by Aurora Orchestra. First performance on 13 July 2012 at LSO St Luke’s as part of the City of London Festival, by Aurora Orchestra conducted by Nicholas Collon.
This score reflects the state of editorial work and correction as at June 2012
Maxamorphosis Chapter I: Cacoon the birth of Max 1 Piccolo
Julian Philips
2
C, D, E, F#, G, A, B h = c.30
pp
1 Max
(very slow spreads, varying direction)
Harp
Marimba
Senza misura (Conductor's note: individual tempi as marked below. Each bar is roughly equivalent to 8-10 seconds, but precise duration should shaped intuitively. The conductor should signal the figures for orientation. Players with the same mm do not need to synchronise precisely)
2
Senza misura
q = c.75
repeat freely
ppp sotto voce (light bow pressure)
b
Violin I
q = c.90
q = c.60
Violin II
ppp sotto voce (light bow pressure)
q = c.105
Viola
repeat freely
repeat freely
ppp sotto voce (light bow pressure)
q = c.90
ppp sotto voce (light bow pressure) q = c.105
repeat freely
ppp sotto voce (light bow pressure)
ppp sotto voce (light bow pressure)
q = c.105
repeat freely
repeat freely
repeat freely
ppp sotto voce (light bow pressure)
q = c.75
ppp sotto voce (light bow pressure)
repeat freely
change to:
pp (slightly heavier bow pressure)
Violoncello
Double Bass
q = c.75
h = c.30
repeat freely
ppp sotto voce (light bow pressure)
repeat freely
ppp sotto voce (light bow pressure)
Edition Peters No. 72297 Copyright © 2012 by Hinrichsen Edition, Peters Edition Limited, London
Picc. 3
Mar.
4
D#
repeat freely
change to:
p
Max
3
Hp.
3
2
4
change to:
repeat freely
pp (slightly heavier bow pressure)
change to:
Vln. I
change to:
pp (slightly heavier bow pressure)
change to:
pp (slightly heavier bow pressure)
repeat freely
repeat freely
pp (slightly heavier bow pressure)
change to:
Vln. II
change to:
repeat freely
pp (slightly heavier bow pressure)
repeat freely
pp (slightly heavier bow pressure)
change to:
Vla.
pp (slightly heavier bow pressure)
repeat freely
repeat freely
Vc.
Db.
repeat freely
pp (slightly heavier bow pressure)
Picc. 5
Mar.
Max
3
6
Hp.
5
poco a poco accelerando
D§, Eb
5
6
II poco a poco accelerando pp
14
poco a poco accelerando
Vln. I
poco a poco accelerando
poco a poco accelerando
poco a poco accelerando
Vln. II
poco a poco accelerando
Vla.
I repeat ad lib. poco a poco accel pp
repeat ad lib. poco a poco accel
II
pp Vc.
14
repeat ad lib. poco a poco accel
III
pp
Db.
14
14
4
7
Picc. Mar.
Hp.
8
7
p
f
mp
7 Max
mp
B#
8
repeat ad lib. poco a poco accel
now:
Vln. I
cresc molto
now:
f
f
cresc molto
now:
f
cresc molto
Vln. II
now:
f
cresc molto
now:
f
Vla.
Vc.
Db.
f
Chapter II: Dialogue in which Max makes his first sound
5
(Senza misura)
9 9 silence Expectant Picc.
10
sfz
ff
Mar.
mp (solo)
Pres de la table
(Senza misura)
Expectant silence
sul tasto (III) (halfway up the fingerboard) (lightly touch strings) glis glis s. s.
10
II
11
mp tentative
ff
pizz
ff
ff
pizz
imitating Max: (III)
pizz
Vla.
ff
imitating Max:
imitating Max: (III)
gliss.
gliss .
mf (lightly touch strings)
sul tasto (halfway up the fingerboard) imitating Max:
(III)
p (lightly touch strings)
imitating Max:
glis glisss..
ff
gliss. gliss.
sul tasto (halfway up the fingerboard)
Vc. pizz
(III)
sul tasto (halfway up the fingerboard)
mf (lightly touch strings)
ppp
IV
gliss. glis s.
mp (lightly touch strings)
sul tasto (halfway up the fingerboard)
ff
gliss. gliss.
mp (lightly touch strings)
pizz
(III)
imitating Max:
ppp
sul tasto (halfway up the fingerboard)
IV/III
Vln. II
pizz
Vln. I
ppp
9
pp
Max
Hp.
e = c. 120
11
sul tasto (halfway up the fingerboard) (III)
ggliss. liss.
p (lightly touch strings)
pizz
Db.
ff
6
12 Very Fast (q = c.135) Picc. 12
Mar.
Hp.
(soft glissandi)
glis s
s. glis
glis
.
mp
s.
13 Senza misura
Pres de la table
p
13 Senza misura sul tasto (III) (halfway up the fingerboard)
12 Very Fast (q = c.135) Max
arco
Vln. I
Vln. II
pp
gliss. gliss.
mp
liss. g . gliss
I
p
p
7
7
7
7
IV/III
III 7
III 7
Vc.
arco
pp
7
IV imitating Max: 7 7
I
III 7 p I p
7
p
p
Db.
I
p
Vla.
II
(lightly touch strings)
7
pp
7 7
sul tasto (halfway up the fingerboard)
mp
gliss. gliss.
ss. liss. glis g ss. glisss.. ggliliss. gli
14
Picc. 14
Mar.
Hp.
Very fast (q = c.135)
gl is
. iss gl
s.
gli
gl iss .
ss.
. iss gl
mf
15 Senza misura
Pres de la table
7
mp
15 Senza misura
sul tasto (III) (halfway up the fingerboard)
14
Max
Very fast (q = c.135)
Vln. I
p
7
7
mp
7
7
7
7
p
mp 7 7
arco
mp
7
7
fff
7
7
III
mf (lightly touch strings)
sul tasto (halfway up the fingerboard) s. III glis s. glis
mp (lightly touch strings) III sul tasto (halfway up the fingerboard) s. glis s. s i l g
mp (lightly touch strings)
7
7
7
IV
p
mp 7 7 7 7 arco Db. 7
7
sul tasto (halfway up the fingerboard) III s. glis . s s i l g
III
sul tasto (halfway up the fingerboard) s. glisiss. gl
f (lightly touch strings)
Vc.
mp
sul tasto (halfway up the fingerboard) s. glis . s s gli mf (lightly touch strings)
arco 7 7 7
7
7
p Max overeaches himself
mp
Vla.
arco mp
Vln. II
(lightly touch strings)
7
7
III
sul tasto (halfway up the fingerboard) s. glisss. i l g
f (lightly touch strings)
8
16 Picc. 18
Mar.
e = c. 120
Senza misura
mf (solo)
Ab, B§ naturale
mp
mp (echo piccolo)
17
arco
q = c.60
repeat freely fading into silence
p
p
repeat freely fading into silence
p
p
arco
repeat freely fading into silence
q = c.105
arco
q = c.60
p
arco
q = c.105
repeat freely fading into silence
repeat freely fading into silence
repeat freely fading into silence
q = c.60
p
Vla.
mp
arco
q = c.60 arco
Vln. II
repeat freely fading into silence
Senza misura
q = c.60
Vln. I
(very slow spreads, varying direction)
16 Max
#
Hp.
17
mf (solo)
q = c.75
p
repeat freely fading into silence
Vc.
q = c.75
Db.
p
h = c.30
repeat freely fading into silence
repeat freely fading into silence
p
18
Picc. 20
Mar.
#
9
#
#
Hp.
18 Max
Vln. I
Vln. II
end with this chord:
Vla.
Vc.
Db.
Chapter III in which the infant Max is gently rocked to sleep
10
In tempo (e = c.120)
19
21
Picc.
Rubato (based on q = c.60)
C, D, Eb, F, G, A, Bb
19 Max
Rubato (based on q = c.60)
p
mp
Mar.
Hp.
20 poco rit.
#
p
Max: all the material in Chapter III should be played molto sul ponticello, moving the fingers lightly In tempo without touching the string. Heavy bow pressure.
(e = c.120)
Max: (gurgling)
20
Vln. I
Vln. II
Vla.
poco rit.
(sul III)
mp delicate, fragile sound
IV
pp
pp
pp
IV
(mf)
I
II
pp
Vc.
Db.
pp
III
pp
I
II
Picc. 27
Mar.
Hp.
Max
Vln. II
Vla.
Vc.
Db.
#
I
pp
11
#
(IV)
#
IV
(sul IV)
III
Max
Vla.
poco rit.
mp
mp
I
III
21 (e = c.120)
IV
II
(III)
(sul III)
(sul IV)
Db. Vc.
A tempo
Vln. II
poco piu f
(III)
(IV)
Hp.
Mar.
33
Picc.
21 A(etempo = c.120) # mp poco rit.
(IV)
pizz
p
12
39
Picc.
Mar.
Hp.
Max
22
f
p
22
p
p
Vln. I
p
p
Vln. II
p
Vla.
Vc.
pizz
23 Rubato
p
Db.
23 Rubato (based on q = c.60)
(based on q = c.60)
arco
mf (solo)
Picc. 44
24 A(etempo = c.120)
Mar.
Hp.
Max
13
mp
p
(I)
Vln. II
Vla.
IV
I
pp
pp
pp
pp
II
mp with slightly increased confidence, as if imitating the piccolo melody
IV
p
pp
pp
#
II
I
Vln. I
24 A(etempo = c.120)
Vc.
Db.
arco
pp
III
pp
I
II
Picc.
14
50
Mar.
Hp.
Vla.
#
Vln. II
Max
Vln. I
(II)
III
Db.
IV
IV
III
II
Vc.
#
I
#
Hp.
(II)
(I)
Vla.
(II)
mp getting more animated
(I)
25 A tempo (e = c.120)
IV Vln. II
mp
poco rit.
mp
#
Max
Vln. I
Mar.
15
mp dolcissimo
(I)
55
25
Picc.
A tempo (e = c.120)
poco rit.
(II)
pizz
p
pizz
p
Vc.
Db.
26
16
61
Picc.
Mar.
f
p
26 Max
Hp.
p
p
p
Vln. I
p
p
arco
Vln. II
p
Vla.
Vc.
pizz
Db.
Hp.
27 Max
pp legato e dolce
Vln. I
Mar.
#
mp
f
28
II
f
IV
IV
I
II
mf
f
f
pp legato e dolce
pp legato e dolce
mp IV
mp
arco
mp
p legato e dolce
IV
arco
mp
29 Rubato (based on q = c.60) 72
mp III
IV
III
rit.
29 Rubato (based on q = c.60) Max
rit.
f
f
f
f
f
IV
IV
f
f
f
Vln. II
Vla.
Vc.
Db.
mf (solo)
pizz
arco
pizz
arco
pp
pp
pp
pp
pp
pp
pp
arco
pp
Vln. I
pp
I
arco
Db.
arco
Vc.
Vla.
pp legato e dolce
Vln. II
17
28
27 Picc. Mar. 66
pp
Chapter IV: Dialogue in which Max starts to find a voice
18
30
Picc. 76
repeat freely repeat freely mp
h = c.30
30 Max
pp
q = c.60
3
pp
q = c.105
q = c.90
pp
repeat freely
repeat freely
repeat freely
repeat freely
pp
repeat freely
q = c.75
pp
3
3
repeat freely
pp
pp
q = c.60
Vla.
repeat freely fading into silence
Max attempts to play his first C
p (echoing piccolo)
q = c.60
Vln. II
p (echoing piccolo)
Senza misura
p
h = c.45
Vln. I
(very slow spreads, varying direction)
Hp.
e = c. 120
Mar.
Senza misura
coaxing Max into playing his 'C' correctly
p
repeat freely
Vc. q = c.75
Db.
pp
(sul III)
pp
h = c.30
repeat freely
repeat freely
Chapter V: in which Max grows up and flies the nest
19
tempo Variation on IV 31 In q = c.60 (sempre sul IV) Picc. 78
Mar.
Hp.
f
p
tempo 31 In q = c.60 Max
(gently vibrate string with left hand)
pizz
arco
3
p
Vln. II
ff
f
f
Vla.
(showing Max how it's done)
f
p
pizz
3
arco
mf
f
Vc.
Db.
81
Mar.
Hp.
pp gently mark each repetition
Max
5
5
Vla.
5
Db.
(upper half of bow) 3 3 ff
pp
f
3
arco
3 3 3
3
5
f
Vc.
3
Vln. II
3
pp
20
85
Mar.
Hp.
Db.
3
3
5
repeat freely, accel e cresc
5
6
(upper half of bow) (arco) pizz
3
f accel.
repeat ad lib, accelerando e crescendo
arco 3
f
3
5
f
ff
5
p
3
3
arco
pizz
f
(answer viola)
Vla.
Vc.
f
Max
accel.
3
88
Mar.
Hp.
Max
Vla.
#
pp
3
pp
p cresc.
3
3
3
Vc.
Db.
,
rit.
3
3
3
3
3
5
6
3
5 6
3
5
,
f
rit.
3
5
fff
5
f
f
f
f
21
32
91
Hp.
Faster q = c.90
3
32
Max
(III)
Faster q = c.90
p
3
5
Db.
LH pizz 3
f
3
5
arco
f
p
3
ff
p
Vc.
p
f
p
Vla.
mp
3
Mar.
Variation on III & IV (sempre sul III e IV)
5
p
94
Mar.
3
Db.
(III)
ff
(III)
3
5
3
Vla.
Vc.
f
Max
3
p
3
Hp.
(III)
3
3
pizz
3
5
arco
III
pizz
arco III
IV
5
3
5
97
Mar.
Max
Vln. II
mf
(upper half of bow)
LH pizz
repeat ad lib, accelerando e crescendo
f
fff
III IV
3
6
5
f
III
IV
5
arco
f
IV
III
5
III
III
5
5
arco
3
3
3
5
IV 5
Vc.
repeat freely, accel e cresc
3
Db.
3
7
Vla.
f
Hp.
22
3
5
Hp.
3
3
3
mf
Vc.
Db.
3
IV
repeat freely, accel e cresc
f
(upper half of bow) arco
repeat ad lib, accelerando e crescendo
pizz
f
III
III
Vla.
III3 IV Max 3 IV
#
mp
Mar.
100
mf
mf
mf
23
Mar.
Hp.
arco
f
f
3
6
ff
f
f
pizz
(sempre sul III/IV)
Vc.
Db.
b
Max
Vln. II
104
f
mf
pizz
pizz
mf
mf
,
107
Mar.
Hp.
Max
Vln. II
arco
(1.)
arco
arco
7
3
fff molto marcato
p
5
p
p
5
3
7
3
(stay on IV)
7
pp arco
Vc.
5
Vla.
6 repeat ad lib, accelerando e crescendo
p
pp
Db.
3
5
f
7
,
3
f
f
5
f
24
Variation on II, III & IV (sempre sul II, III e IV) Slightly faster
33 q = c.105
111
Mar.
Hp.
mf
33 Slightly faster LH pizz
pizz
5
pizz
pizz
arco
arco
ff pesante
3
5
mf
arco
pizz arco
mf
pizz
mp
mf
mp
mp
f
3
arco
q = c.105
Vla.
3
stay ff
Max
Db.
f
Vc.
pizz
mf
Picc.
114
Max
arco
Vla.
Vc.
Db.
3
6
f
II
5
III
IV
5
arco
pizz
3
3
3
3
accel.
mf
Hp.
pizz
arco
Mar.
accel.
pizz
arco
pizz
arco
117
Mar.
3
Max Vla.
Db.
mf
Vc.
3
Hp.
pizz
pizz
pizz
pizz
25
Picc.
Again faster q = c.120
Again faster
q = c.120 arco
arco
arco
Picc. 120
Vla.
Db.
Vc.
Max
3
II
mf
pizz
Hp.
f
Mar.
pizz
pizz
26
123
Mar.
Hp.
Max
repeat ad lib, accelerando e crescendo
7
arco
arco
3
Vc.
(4 quavers per bow)
Vla.
Db.
7
pp
3
pp arco
pizz
5
pp
arco
5
pp
Picc. 126
Mar.
Hp.
mp
5
6
mf
ppp
3 Max
5
Vln. II
3
(2)
p
C, D, E, F#, G, Ab, B
5 6 6 6
3
6
(3)
mp
Vla.
7
7
3
Vc.
mp
Db.
5
3
7
5
3
5
,
Picc. 129
3
3
gliss .
ff
5
fff
s.
3
glis
glis s.
. glis s
glis s.
s. glis
. gliss
s. glis
3
Max
.
3
pp
s. gl i s
ss gli
gli ss.
glis s.
.
ss. gli
iss gl
ss.
ff
ss. gli
ss. gli
Hp.
g li
Mar.
ff
ff
Vln. II
Vla.
7
3
7
7
3
3
ff
ff
Vc.
Db.
5
mp
5
5
ff
ff
,
27
28
Senza misura 132 34 Picc.
Mar.
Hp.
mp
34 Max
(imitate Max)
35
pizz
arco Max attempts to play his first A:
q = c.60
pp
fff
f
Senza misura
mp
ff
mp
repeat freely
ppp sotto voce (light bow pressure)
q = c.60
Vln. I
35
repeat freely
ppp sotto voce (light bow pressure)
q = c.60
repeat freely
ppp sotto voce (light bow pressure)
repeat freely
q = c.60
ppp sotto voce (light bow pressure)
q = c.105
Vln. II
repeat freely
ppp sotto voce (light bow pressure)
q = c.105
repeat freely
ppp sotto voce (light bow pressure)
Vla.
q = c.75
coaxing Max into playing his 'A' correctly
pp
mf
p
f
mp
repeat freely
ppp sotto voce (light bow pressure) Vc. q = c.75
(sul III)
repeat freely
ppp sotto voce (light bow pressure)
Db.
h = c.30
repeat freely
ppp sotto voce (light bow pressure)
29
Variation on I, II, III & IV
36 Now q = c.120
Picc.
134
Mar.
Hp.
3
f
36 Now q = c.120 arco Max Vla.
3
6
ff
3
3
mf
6
7
ff
3
7
7
3
7
I
I
Vc.
Db.
5
mf
5
mf
Picc.
137
mf
Mar.
Hp.
Max
Db.
mf
arco
5
pizz III
f
mf
pizz
arco
3
LH pizz 5 repeat ad lib, accelerando e crescendo arco I ff
pizz
3
(upper half of bow) arco
f
Vc.
6
II
Vla.
7
3
5
7
3
5
30
Picc. 140
Mar.
Hp.
Db.
3
arco
pizz
pizz
6
arco
arco
3
II
I
3
III
IV
pizz
pizz
arco
III
6
mf
3
II
Vc.
Max Vla.
pizz
arco
arco
pizz
pizz
pizz
pizz
arco
Picc. 144
Mar.
Hp.
Max
Vc.
mf
Vla.
Db.
arco
mf
5
pizz
6 5
5
5
pizz
5
pizz
5
pizz
arco
pizz
5
5
5
5
5
5
148
Picc.
3
Mar.
Hp.
7
7
31
poco accel.
f
f
7 Max
poco accel.
6
Vla.
3
Vc.
Db.
3
7
7
7
7
7
7
3
7
3
7
7
f
f
f
f
3
Broad q = c.90
154
Mar.
mf
mf
Hp.
37
Broad
37 q = c.90 Max
Vln. I
mf
6
1-3
1-3
Vln. II
mf arco
Vla.
mf arco
Vc.
1.
mf
mf
6
6
6
mf
arco
6
mf
Db.
6
6
6
3
6
6
6
6
6
6
3
158
Hp.
32
f
Max 6 6 6 Vln. I
Vln. II
piu f
f
f
f
3
f
6
6
f
6
6
3
Vc.
6
6
Vla.
Db.
6
6
f
f
f
3
mf cresc.
Max 6
Vln. I
Vln. II
6
6
6
6
6
sub mp poco a poco cresc.
6
sub mp poco a poco cresc.
sub mp poco a poco cresc.
pizz
3
6
sub mp poco a poco cresc.
sub mp poco a poco cresc.
sub mp poco a poco cresc.
sub mp poco a poco cresc.
6
sub mp poco a poco cresc. pizz
6
6 6
sub mp poco a poco cresc.
Vc.
3
Db.
6
6
Vla.
6
Hp.
161
Vln. I Vla.
Db.
6
6
6
Vc.
ff
3
6
6
arco
f cresc.
3
cresc. 6
arco
f
mf cresc.
Max
Vln. II
Hp.
Mar.
3
3
f cresc.
38
3
3
6
165
Picc.
33
38
3
6
3
6
f cresc.
f cresc.
f cresc.
f cresc.
f cresc.
f cresc.
34
168
f
3
Vln. II
b
6
3
b
6
6
Vc.
Db.
b
6
Vla.
3
6
3
6
Max
Vln. I
Hp.
b
Mar.
6 Picc.
Picc. 170
Max
Vln. I
Hp.
Vln. II
Vla.
Vc.
ff
<x = x>
39 Now q = c.135 6
6
35
39 6 b 6 6 b 6
Mar.
<x = x> Now q = c.135
6
6
sempre ff
ff
ff
Db.
Picc.
174
Mar.
Hp.
Max Vln. I
Vln. II
Vla.
Vc.
Db.
arco
pp
arco
pp
36
Picc. 178
Max
Mar.
Hp.
Vln. I
mf
mp
mf
Vla.
Vln. II
(3)
p
p
mp
Vc.
Db.
37
Max gets up on to his feet rit. Mar.
Molto ritenuto
182
fff
cresc molto
Pres de la table
Hp.
Molto ritenuto
Max
5
rit.
3
3
fff wild
5
Vln. I
Vla.
fff
fff
Vln. II
fff
fff
fff
fff
Vc.
Db.
fff
fff
Max leaves the Aurora
40 Senza misura 186 Picc.
38
repeat freely, gradually fading
f
Mar.
fff
f
D#, E, F, G, A, Bb, C#
q = c.75
. iss
fff
q = c.75
gl
q = c.75
Vln. I
repeat freely, gradually fading
40 Senza misura Max
. iss gl
fff
ss. gli
Hp.
repeat freely, gradually fading
s.
gl is
naturale
fff
pizz
arco
repeat freely
repeat freely
fff
repeat freely
q = c.150
repeat freely
fff
repeat freely q = c.135
Vln. II
fff
q = c.120
repeat freely
fff
q = c.105
Vla.
repeat freely
fff
q = c.90
fff 3
fff 3
Db.
h = c.30
repeat freely
3
Vc. q = c.90
3
repeat freely
repeat freely
fff
41
39
Picc.
187
Hp.
(very slow spreads, varying direction)
f
Mar.
rit.
41 Max
rit.
Vln. I
Vln. II
Vla.
Vc.
Db.
Chapter VI: in which, for a moment, Max looks back
40
188
Vln. I
mf
42 Senza Misura
q = c.60 gliss.
f
Max
Hp.
43
Mar.
42 Senza Misura
p
43 f
p
,
f
Vln. II
q = c.90
3
mp
q = c.75
Vla.
mp
Db.
mp
mp
q = c.45
mp
q = c.60
q = c.60
Vc.
190
Mar.
molto rit.
Max Vla.
molto rit. II
I
p
ppp
pp
Db.
pp
Vc.
Hp.
pp
Chapter Seven in which Max loses his bow 191
Mar.
Hp.
44 Serene ( q = c.75)
Vln. II
Vla.
pp
44 Serene
( q = c.75)
3
gliss.
p
Poco rubato (colla parte)
ppp
ppp
ppp
ppp
pp
ppp
Db.
ppp
Vc.
Max Vln. I
Poco rubato (colla parte)
41
p dolcissimo
poco cresc.
poco cresc.
poco cresc.
poco cresc.
poco cresc.
45 A( qtempo = c.75)
Poco rubato (colla parte)
197
Mar.
Hp.
Vln. II
Vla.
Vc.
Db.
A tempo
45 ( q = c.75) 3 Max Vln. I
3
pp
pp
pp
pp
Poco rubato (colla parte)
p
gliss.
pp
pp poco cresc.
mp dolcissimo
poco cresc.
poco cresc.
poco cresc.
poco cresc.
poco cresc.
p
46
42
A tempo
203
Mar.
46 A tempo3 Max gliss.
3
Vln. I
Vln. II
Vla.
Vc.
Db.
p
p
p
p
p
#
mp
p
mp
mf dolcissimo
47
poco rit.
209
Picc.
Mar.
47 Max
Vln. I
Vln. II
Vla.
Vc.
Db.
gliss.
repeat ad lib., poco a poco accel e diminuendo
mp
mp
mp
mp
mf
f
mp
mp
mp
mp
mf
f
poco rit.
3
b #
A tempo
48 ( q = c.75) 215 Picc.
f
Mar.
poco rit.
43
A tempo
48 ( q = c.75) Max f Vln. I
f
f
f
f
Vln. II
f
poco rit.
49 Rubato (quasi cadenza) 221 Picc. Mar.
Hp.
mp
3
5
3
3
Vln. II
f (solo)
49 Rubato (quasi cadenza) Max
Vln. I
50 A(q tempo = c.75)
Picc.
44
222
Hp.
f
A tempo
Vln. I
Vln. II
50 (q = c.75)
f
f
f
f
poco rit.
poco rit.
f
f
f
Vla.
51 Rubato (quasi cadenza) Picc. 229
Mar.
Hp.
mp
f (solo)
51 Rubato (quasi cadenza) Vln. I
Vln. II
Vla.
5
6
5
3
Hp.
Vln. I
mf
mf
mf
mf
mf
poco rit.
poco rit.
C#, D#, E, F#, G#, A#, B
mf
mf
mf
Vla.
A tempo
52 (q = c.75)
Vln. II
45
230
Picc.
52 A(q tempo = c.75)
53
Rubato (quasi cadenza)
238
Picc.
Mar.
p
Hp.
mf (solo)
5
6 7
3
#
Vla.
5
Vln. II
6
53 Rubato (quasi cadenza) Vln. I
46
239
Mar.
Hp.
54 A(q tempo = c.75)
mf
mf
Vln. II
mf
Vc.
Vla.
Db.
mf
mf
mf
mf
A tempo
54 (q = c.75)
Vln. I
mf
mp
mf
mf
247
Mar.
poco rit.
Rubato (quasi cadenza)
p
Hp.
55
7 6
mf (solo)
Vln. II
poco rit.
Vla.
7 6
5
3
55 Rubato (quasi cadenza)
Vc.
Db.
47
Chapter IIX: Monologue in which Max works out a plan 56 Senza misura
Picc.
e = c.120
250
(answering piccolo)
56 Senza misura Max q = c.60
q = c.105
rit.
mf marcato
playful
arco
ppp
q = c.75
p
mp
ppp sotto voce (light bow pressure)
q = c.105
Vla.
#
ppp sotto voce (light bow pressure)
q = c.90
#
rit.
pizz
q = c.60 arco
ppp sotto voce (light bow pressure)
q = c.60
Vln. II
ppp sotto voce (light bow pressure)
q = c.60 Vln. I
Hp.
f
Mar.
arco
ppp sotto voce (light bow pressure)
ppp sotto voce (light bow pressure)
ppp sotto voce (light bow pressure)
Vc. q = c.75
h = c.30
Db.
ppp sotto voce (light bow pressure)
ppp sotto voce (light bow pressure)
48
Chapter IX in which Max makes good without the bow Crisp and rhythmic ( q = c.120)
57
Picc. 253
Mar.
Hp.
Max
57
Vln. I
(hard stick)
sempre f
Crisp and rhythmic ( q = c.120) pizz
(tutti)
f
pizz
pizz
Vln. II
Vla.
Vc.
Db.
pizz
pizz
f
f
(tutti)
Picc.
259
Mar.
Hp.
Max
Vln. I
Vln. II
Vla.
Vc.
Db.
Picc.
265
Mar.
Hp.
Vln. I
Vla.
58
Vln. II
Max
Picc.
Db.
mf
pizz
f
Vc.
49
58
mf
mf
mf
Hp.
Max
Vln. I
Vln. II
Vla.
Vc.
Db.
Mar.
271
f
50
Max
Vln. I
Vln. II
Vla.
Vc.
Db.
mp
Hp.
Mar.
277
Picc.
59
Vla.
Vc.
Db.
f
Vln. I
59 Max
Vln. II
Hp.
Mar.
Picc. 283
Max Vln. I
Vln. II
Vla.
ff
Mar.
Hp.
ff
ff
ff
ff
ff
ff
ff
ff
ff
Db.
ff
60
f
51
60
pizz
pizz
pizz
ff
Vc.
Picc. 289
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
Picc.
52
295
Mar.
Hp.
Vln. I
Vln. II
f
f
f
Vc.
pizz
f
f
Vla.
mf
f
f
Db.
f
f
300
Picc.
61
mf
Mar.
Hp.
Db.
Vc.
mp
Vla.
Vln. II
stay f
Vln. I
53
61
mf
mf
mf
mf
mf
mp
Picc. 306
Mar.
Vln. I
Vln. II
Vla.
Db.
p
mp
Vc.
mp
mp
mp
p
p
pp
62
54
311
Picc.
Mar.
Vla.
(f)
62 Vln. I Vln. II
pp
pp
pp
Vc.
Db.
pp
pp
63
Chapter X: Monologue Max remembering
Senza misura
Picc. 315
e = c.120
mp
55
#
Mar.
(answering piccolo)
q = c.60
Hp.
arco q = c.60
q = c.60 arco
q = c.60 arco
q = c.105
Vla.
mp
ppp sotto voce (light bow pressure)
ppp sotto voce (light bow pressure)
arco
ppp sotto voce (light bow pressure) arco
ppp sotto voce (light bow pressure)
q = c.75
Db.
mp lontano
ppp sotto voce (light bow pressure)
q = c.75
Vc.
arco
Vln. II
p
ppp sotto voce (light bow pressure)
q = c.60
q = c.105
#
Senza misura
63
Vln. I
arco
ppp sotto voce (light bow pressure)
arco
ppp sotto voce (light bow pressure)
h = c.30 arco
ppp sotto voce (light bow pressure)
64 Rubato (based on q = c.60) Picc. 318
rit.
Mar.
Hp.
64 Rubato (based on q = c.60)
Vla.
arco
mp dolcissimo
rit.
56
mf
Flowing ( e = c.105)
Vln. II
pizz
p
arco
Vla.
mf
Vc.
Hp.
Vln. II
mf
Vla.
Vc.
Db.
mf
arco
arco pizz
mp
mp
326
pizz
mf
Db.
Mar.
mp
Hp.
Flowing ( e = c.105)
321
Mar.
Chapter XI: in which Max comes to accept his new life
Hp.
Vln. II
Vla.
Vc.
IV
II
p
mf
mf
p
arco
mp dolce
Db.
mf
mf
pizz
mf
Mar.
331
Picc. 337
Mar.
Hp.
Vln. II
Vla.
Vc.
Db.
arco
57
Poco piu mosso (e = c.135)
p
mp
Vln. II
arco
p
Vc.
(a 2) pizz
Db.
p
III
p
mf
Vla.
mp
piu f
mp
mp
Poco piu mosso (e = c.135)
65 Vln. I
Hp.
mp
Mar.
342
Picc.
65
66
Picc.
58
349
Mar.
Hp.
mp
f
66
arco
p dolce e legato arco
p dolce e legato
pizz
mp
f
(III/II)
p dolce e legato
p dolce e legato
Db.
arco
Vc.
p dolce e legato
Vla.
arco
Vln. II
mf
p dolce e legato
Vln. I
f
f
f
f
f
arco
f
arco
f arco
f
mf cresc.
67 poco accel. Max
p
p
Db.
pizz
f
p
Vc.
p
p
p
Vla.
p
Vln. II
p
Vln. I
59
mp cresc.
Hp.
Mar.
mp
354
Picc. poco accel.
67
p
A tempo primo (e = c.120)
molto rit.
60
Picc. 360
Hp.
Vln. I
Vln. II
molto rit.
f
f
f
f
f
f
pizz
f
pizz
68
f
Vla.
f marcato
A tempo primo (e = c.120)
Mar.
68
I
Vc.
Db.
f
arco
f
61
Picc. 365
Mar.
Hp.
Max
Vln. I
Vln. II
Vla.
ff
arco
ff
f
f
arco
f
ff
f
arco
f
Vc.
Db.
f
62
Picc. 368
Hp.
Db.
Vc.
f
Vla.
Vln. II
Vln. I
Mar.
63
371
Mar.
Vln. I
Hp.
Picc.
ff
Vln. II
Vla.
Vc.
Db.
64
69
374
Picc.
Mar.
f
Vln. I
Vla.
ff
ff
ff
3
Db.
3
Vc.
ff
ff
ff
3
ff
69
Vln. II
Hp.
Picc. 377
f
65
Mar.
Max
Hp.
Vln. I
Vln. II
Vla.
3
Vc.
Db.
66
Picc. 380
Mar.
Hp.
Max
Vln. I
Vln. II
Vla.
Vc.
Db.
Chapter XII: Following Max's footsteps 70 Senza misura Picc.
71
382
67
repeat stricly in tempo, fading to nothing
Mar.
Hp.
70 Senza misura
71
repeat freely, rit e dim
repeat freely, rit e dim
Vln. I
repeat freely, rit e dim
change to: repeat freely, rit e dim
p
repeat freely, rit e dim
Vln. II
change to:
p
repeat freely, rit e dim
change to: repeat freely, rit e dim
Vla.
p
repeat freely, rit e dim
change to:
p
Vc. repeat freely, rit e dim
change to:
Db.
p
p
68
384
72
Mar.
72
(with Vln 1.2)
p
p
q = c.60
q = c.90
pp
repeat freely, rit and dim.
repeat freely, rit and dim.
pp
pp
q = c.105
q = c.75
q = c.60
q = c.90
pp
repeat freely, rit and dim.
repeat freely, rit and dim.
mp (solo)
pp
Vla.
73
Vln. II
h = c.30 (very slow spreads, varying direction)
Vln. I
Hp.
73
Picc.
repeat freely, rit and dim.
repeat freely, rit and dim.
Vc.
Db.
h = c.30
pp
q = c.90
pp
repeat freely, rit and dim.
repeat freely, rit and dim.
69
Picc. 386
Mar.
Hp.
74
repeat freely, rit and dim.
74
sul tasto (halfway up the fingerboard) (III)
gliss. gliss.
75
75
mp
(lightly touch strings)
Vln. I
sul tasto (halfway up the fingerboard)
gliss. gliss.
p
(lightly touch strings)
Vln. II
Vla.
Vc.
Db.
70
76
Picc.
76 Max
388
Mar.
Hp.
Vln. II
Vla.
Vln. I
rit.
rit.
end with:
p
(III)
sul tasto (halfway up the fingerboard)
gliss glis . s
pp (lightly touch strings)
Db.
end with:
ppp
.
Vc.
Edition Peters Rental Library For more than 200 years, Edition Peters has been synonymous with excellence in classical music publishing. Established in 1800 with the keyboard works of J. S. Bach, Edition Peters had by 1802 acquired Beethoven’s First Symphony as well as several solo piano and chamber works. In the second half of the nineteenth century, an active publishing policy enabled the company to develop the catalogue through the promotion of contemporary composers such as Brahms, Grieg and Liszt. This policy continues today: as the publishers of composers such as John Cage, James Dillon, Jonathan Dove, Brian Ferneyhough, Bernd Franke, Anders Hillborg, Mauricio Kagel, Rebecca Saunders, Richard Strauss and Erkki-Sven Tüür, Peters continues its historical role as a champion of new music. This is accomplished in conjunction with the continuing development of the traditional catalogue.
The offices of Edition Peters in Talstraße, Leipzig Geschäftssitz der Edition Peters in der Leipziger Talstraße
Seit über 200 Jahren steht die Edition Peters für höchste Qualität im Bereich klassischer Notenausgaben. Gegründet im Jahr 1800, begann der Verlag seine Tätigkeit mit der Herausgabe von Bachs Klavierwerken. Schon zwei Jahre später waren die Rechte an Beethovens erster Sinfonie sowie an diversen Klavier- und Kammermusikwerken hinzugekommen. Durch enge Zusammenarbeit mit zeitgenössischen Komponisten wie Brahms, Grieg und Liszt gelang es in der zweiten Hälfte des 19. Jahrhunderts, den Katalog beständig zu erweitern. Dieser Tradition ist das Unternehmen bis heute verpflichtet: Als Verleger von Komponisten wie John Cage, James Dillon, Jonathan Dove, Brian Ferneyhough, Bernd Franke, Anders Hillborg, Mauricio Kagel, Rebecca Saunders, Richard Strauss und Erkki-Sven Tüür ist die Edition Peters weiterhin Anwalt neuer Musik, während zugleich das angestammte Verlagsprogramm kontinuierlich ausgebaut wird.
THIS IS RENTAL MATERIAL AND MUST BE RETURNED AFTER USE PETERS EDITION LIMITED Rental Library Tel: +44 (0)20 7553 4020 · Fax: 020 7490 4921 e-mail: rentals.uk@editionpeters.com · newmusic@editionpeters.com · www.editionpeters.com
w w w. e d i t i o n p e t e r s . c o m