Julian Philips_Four Characters_EP7991_Viola part_Extracts

Four Characters

Viola

FOR VIOLA & PIANO

No 1: The Marquise de Merteuil Slow and mysterious (Tempo 1) q = c.66

    6

 



p

 

mf

p

      

  

  

        mf 

mp



  



 





       

cresc

 

   mp

   

 20

  

rit.

3

16

mf

 

         

  



    

11

p

    

 



Julian Philips (2003)

mp

mf

3

 

        3

    

    

                  



 



mp

 

A With nervous movement (Tempo 2)

  

                 

q = c.88

piano RH





       piano LH

Viola

2 23

    



   





 

      piano RH

               

 

p leggiero

27

                                  



        cresc

                                             

29

mp

 31

  



piu marcato



       mf  f

 

q = c.132

cresc molto

      

mf marcato

  

                        

                           

f piu legato

           

45

      

     

B Fast and demonic (Tempo 1 but h = 66)

   

40

 

rit.

p

             

34

mp



         

  

11

No: 3 Madame de Tourvel Slow and serene

   

q = c.44

  

con sordino



 

pp

2

 

pp



             

 3   pp

 3           

3

pizz



3 3       arco                 p pp

arco3



 

pizz

3



4

                   3

5 arco

3

3

3

p

pp

3

rit.





3

pp



 3

 

pp

3  3  3  3 3                 3

p

    3

ppp

          pizz





 

 

pizz

3

pp



6

3

         

 

3

3

p

3

3





dark but playful

   

 

 

     

Julian Philips (2003)

3

ppp

 

senza sordino

 

Viola

12

A A tempo (q = c.44)

                            

8



2+3e

2+3+2e

sul C arco

pp dolce but tentative

A tempo

poco rit.

                      3

(q = 44)

12

             p

p

pp sempre dolce, but opening out



pp

3+4x

4+3x 3  3    3                                   

16



mp

mp

p ma cresc poco a poco

rit.

B A tempo (q = c.44)

                        3+4x  



20

mf submp



                    

3+3+2e  

23

 25

mf

3+4+4x

   

molto legato



poco accel.

    



 

3+2e

  

 

3+2e

        



C A tempo (q = c.44)

    f

       

        

mf dolce e legato

3

            

 

14

No 4: Le Vicomte de Valmont Julian Philips (2003)

Dashing q = c.132 (Tempo 1)

  

                            

       ff



earthy

3

3

      3                             

5

ff



     A  8                                  



mf

f

poco rit.   12       

 17









mf

 

f

A little slower & more thoughtful

                      mp teasing

B Fast and impatientq = c.150

                                

poco rit.

(Tempo 2)

mp

        

22

       





poco a poco cresc mf

         

mp

              f

   

    



pizz

mp



            

arco

mf

                  





  

  mf



 67         piu f

p

  









    

sul G

f

             

poco accel.



        

f

mp



arco

mp

pizz



64

       

arco  pizz arco                    

        

54

  



         

 

mf

58

  

pizz

E

51





arco

pizz



47



Viola

16

p

mp

       

  

mp



  f

rit. 







  

mf



         

 



   

   