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Du Yun IMPECCABLE QUAKE (version with bass flute)

Page 1

IMPECCABLE QUAKE (2004)

CHAMBER ORCHESTRA


DURATION: ca. 10 minutes First Performance: International Contemporary Ensemble July 2004, Darmstadt, Germany

Instrumentation Flutes (doubles piccolo) 1 Bass Flute (doubles alto flute) Oboes Bass Clarinet in Bb Contrabassoon Horn in F Trumpet in C Percussion brake drums (2) anvil sus cymbal garbage can tam-tam temple blocks bongo conga tomtoms Bass drum flextone Whip Timpani Glockenspiel

Piano Strings (1.1.1.1.1)

Score in C


Impeccable Quake ICE version Du Yun

  A

Flute

 

Intenso

 

q≈ ca.120

(2+3)

Score in C.

Bass Flute

Oboe

Bass Clarinet



sf

Contrabassoon

 



psub

 sf

Horn

   

ff



psub

     

sf psub

   





sf

ff

mp



psub

  

Very loud and harsh noise

ff

  

ff

psub

* All percussion instruments to be played as let ring, unles a stop signed indicated otherwise

Percussion

 

    

Sus Cymb

p

Cluster      

Toms

ff

mf

    

   

      

 

  

f

mp

( f)

 

 3 3 3 3         ff

mf

 

3

3

             

mf

3

ff

3

 

mfsub

A

     

    

 

   

with compression

sf mfsub

ff

    f

      

    

    

sff sf mfsub

   

Viola

Contrabass

fff

 

   

      

f

Violin II

Violoncello

5

ff

mf

distortion

with compression

sf

 

sf

 Electric Guitar  

Violin I

3 3             ff

 

Piano

ff

with piccolo trumpet with loud throat noise!

Trumpet in C

ff

     sff


 

2

 

B. Fl.

Ob.

5

Fl.

Cbsn

B. Cl.

   sf



  



 

Blow Air



Pno.

Blow Air

 

  f

 

 

 

 

 

  f

 

 

 

  

 

  

pp

( f)

Anvil

(Toms)

(bongos)

(Toms)

            3 3 ff psub f

.

5

3

(Toms/BD)

3

      

 



sf

mfsub

   

        

6

p

     

    f

      

6

p

   

5

quassi vibr.

    

5

quassi vibr.

 

E. Gtr.

  

 

pp

f

 Perc. 1  

 

sf

f



sf

( mf )

p

 Hn 

Tpt



     

     

 

f

sff

3

 

Garbage Can

f

p

quassi vibr.  5 6                 

f

mp

   



 

p sf p

3

 

Vln II

Vla

Vc.

   sf

Cb.

 sf

p

p

sf

 sf

 

3



         3

ff

psub

 

            quassi vibr.

quassi gliss

 3   3  p

vibr

quassi gliss

6

6

f

 

quassi gliss  6       

 

(BD)

Vln I

sff

sff

3



    

 

p

f

p


 Meno Mosso   8

Fl.

 

 

q≈ ca.100

( e≈ ca.200) 

 

3

B. Fl.

Ob.

Cbsn

Hn

 

B. Cl.

mp

mf

 

Perc. 1



 

 

Pno.

 

E. Gtr.

 

 

ord.

 

Vln II

Vla

f

 

 

mp

mf

 

 

mp

mf

 

mp

 

mp

mf

mf

 

 

f

mp

 

 

mf

f

 

mp

 

 

 

f

 

f

p

                                           (Br.Dr.)

(Anvil)

3

  

 

ff

 

 

 

 

 

 

   ff

   

   



   

 

 ff

f

mf

ff

sempre

 

p

f

 

 

f

 

palm mute (same as pizz with vibr.

ff

3

 

f

3

   

  



 

3



3

  

 

 

 

p

 

 

f

 

mp

 

Vc.

with much noise, as if eating sound

Bongo/Tom

 

Vln I

Cb.

 mf

mp

Tpt

 

mp







 



 

 



  

f

 

f


4

 

18

Fl.

B. Fl.

 

quasi gliss

 

5

 

sf

Ob.

B. Cl.

Hn

      

mp

 

 

 mf

mp

 

 

 

 mf

p



        

Pno.

E. Gtr.

                         p

(bongos. conga)

Perc.

quasi gliss

        

Tam

G. Can

pp

 

 

 

 

 

 

 

 

 

Growl !

Tpt

pp

sf

  

pp

sf

Cbsn

 

mf

ff

ff

(bongo/tom)

3 3               5

ff

 

 

    delay pedal

 





  



 

   

 

Vln I

 

Vln II

Vla

Vc.

Cb.


  26

Fl.

 

B. Fl.

        f

B. Cl.

Hn

Tpt

Perc.

Pno.

E. Gtr.

      

f



   

pp

 

pp



  





                   5

 

ord.

 

   

pp

f

         

 

  



   

f

 

pedal down, muddy sound

mf

  

mf

Vln II

Vla

 

    

 

  

        anvil /br.dr.



 ff

  

 

 

Brake Drums

hold bend

gliss.

pp



Vln I

Cb.

 

mp

 

Vc.







 



3

 

pp

 

pp

       

f

Cbsn

 

 

5

q≈ ca.112

pp

Ob.

 

 mp

 

 

 


6

  33

Fl.

 

B. Fl.



3

mp

Hn

Tpt



3



 

3

ord.

f

  

3

 

ff

ff

mp

3

mf



      

f

       

 

l

1.

l

4.

1.

   

    

pp

3

 



f

mp

improvise on any low sounds each staff indicate a group of sounds

 

f

pp

3

     

     



loud wail

f

mf

mf

   

3

mp



3

3



3

( mp )



B. Cl.

Cbsn

3

Ob.

l



1.

4.

l



l

4. 

l



 

Perc. 1 improvise on any low sounds



Pno.

E. Gtr.

1.

sf

 



 



mp

l

l

4.

  

 

 

sf

  mp

 

Vln II

Vla

Vc.

Cb.

l

l

    

 

4.



1.



l

l

    

  

4.



p

   

mf

 

Vln I

1.



 

3

      sf

3

p

mf

quasi gliss

     sf

pp

         f

pp


7

  36

Fl.

A1

   

B. Fl.

5



sf

 



 



sf

Hn

Tpt

f

sf



 

 



3

f

pp

f

3

      5

ff

 

pp

1.

 

3



l



(Anvil)

 

5

3





 

  

   3

   

3

f

(Tom/B.D.l)

3

3

3



3

 3

ff

ff

pp

mp

(Br, Dr,)

pp

   



pp

 

  

B. Cl.

pp

Ob.

Cbsn

 

   

        

   

    

3

3

psub

ff

ff

 3  

Perc. 1



 

Pno.

 

 E. Gtr.  

l

1.

4. 4. 4. 4.

l





 



 



sf

sf

  sf

 

    

pp

 

 

 

pp



f

pp

f

3

5

      

pp

3



   f



f

p

  

pp

      

 

f

        3

     

   

     

3                     

ff

delay pedal

A1

Vln I

 

Vln II

Strings Static!

flaut.--> con sord

Vla

Vc.

Cb.

con sord

con sord.

 





 

 

 

ppp sempre

flaut.-->

ppp

sempre

flaut.-->

 

ppp sempre


8

Fl.

 

 

B. Fl.

 

40

 3

mf

 3

B. Cl.

Cbsn

 

 

 

 

p

3

Ob.

  

--> vibr.

--> vibr.

  

  

mf

--> vibr.

mf

fpsub

Hn

Tpt

Perc. 1

Pno.

E. Gtr.





  

(B.D.)

 

soft mallet

f

 

 

 

with guitar picks

         

  

 

5

  submp

 

 

Sus.cymb))

mf

 

ff

 

(delay pedal fades)

 

Vln II

 

  

5

p

Vln I

          

 

flaut.-->

flaut.-->

 

                       3

           3

con sord

 

ppp

con sord

 

  

  

  

 

 

 

sff

 

-->ord

 





 

 

f

subpp

f

subpp

-->ord

ppp

mf

  

Vla

Vc.

Cb.



 

 

-->ord





 ( ppp )

 

  

 

 





 f

subpp

f

subpp

mf

-->ord

 

 

 

( ppp )

mf

-->ord

( ppp )

mf

f

subpp

         3

 


  46

Fl.

 

q ≈ ca.56

 

B. Fl.

 

Molto Elusivo Grainier sound

B

 

pp

pp

Ob.

B. Cl.

   sf

 



3

gliss.



Perc. 1

 

 

 

 

 

 

pp

 

 

      

(c.s.)

 1.

Vc. 2.

 

pp







pp

 

 

 

 

 

 

 



  

p

              mf 3

mp

 

 

 



gliss.

sul III

(c.s.)



 

gliss.

gliss. 

 



(c.s.)

pp

 



to m.vibr.



p

 

 

pp



 

gliss.



Cb.







pp

 



  

to m.vibr.



  



7

   

 

mp

--> no vibr.

 

 

sul III





 

  



psub

to m.vibr.

3

mf



p

--> no vibr.

to m.vibr.

p

      



pp

Vla

f

pp

Vln II

3

 

B

Vln I

f

 

mp

 

 

to slow vibr.

mp

 

E. Gtr.



  

Pno.

 

mp

p



  

ppp

Tpt

3

 

p

con sord.

Hn 3.

(3+2)

mp

Cbsn

9

 

 

 



 

mp

mp


10

  49

Fl.

B. Fl.

Ob.

Hn

-->to vibr.

   

 

 

--> no trem.

 

Perc. 1

1.

Pno.



3  

Vln I

Vln II

Vla

3  

3   

  

sul IV 3

  

--> no trem.

gliss.

 

 

 

  

     5

 

 

 

     

p



  



  

 

   3

3

 

    



pp

 

   

 

p

 

 

   

III

          one finger gliss



p

one finger gliss





      2.   3

    

mp

Vc.

Cb.

 



gliss.



 

ord.

gliss.

 

gliss.

 

ord.

 

p



one finger gliss

gliss.

 

gliss.

  



--> no trem.

 

   

mf

 

 

p

 

 

3   

    



 

 

 



 

E. Gtr.

 

 

pp

  

pp

-->to vibr.

  

p

Tpt

-->to vibr.



pp

B. Cl.

Cbsn

 

 

mf

mf





      



 

one finger gliss

 



3

  

 

     3


  53

Fl.

Ob.

B. Cl.

Hn

Tpt

Perc.

Vln I

Cb.



3

 

pp

 

  mp





con sord. harmon, stem-out

pp

pp

bowed Sus. Cymbal

     

      

    



mp

 

 

ppp

 3    

   

   





   

f sempre

      

 

3

3

3

1.

  

 f

     



       

3      

  



   

     

     

4.

1.

 

3

mp

 



2.

3.

      

  

    3

4.

3

   

one finger gliss

mp

 

  



 

3.

2.

sempre

non div. 3

 3  

    

l.v.

f

 

3

ord.

 

3

 

 

 

Vc.

pp



Vla

 



Vln II

 

E. Gtr.

  

11

Pno.

 

B. Fl.

Cbsn

 

    

 3    



 3  

  

mp

sul III

mp

  

  

   

     

 3    

   


12

  56

Fl.

 

3

B. Fl.

    



mf

B. Cl.

Hn

pp

Ob.

Cbsn

 

   

 

p

sf

 

 



   

3

  

sf

  

 

3

pp

   

mp

3

  

  

mp



 

p

    

     

(mp)



 

(c.s.)



 

sf mp

Tpt

Perc.



 

  

 

mf



 

mf



  

 

mf

   

 

mp

      

 





 

 





mp

-->ord





 

       gliss

 



 

                                

 

7:8



     

 p



mf

 

 



4

 

 

p

mp

   mf

gliss

 submp

 



   

   

                                              mp

(Scratch out)



   3

3

    

   

submp

 

lightly touch

  

3

 



 



6

mf

submp

mf

mf

 



1st stand. solo.

 

 

   

3.

2.

1.

ppp

Cb.

ppsub

 

Vc.

( bowed Tam-Tam) l.v.

  

Vla

       

3   

 

Vln II

3

mf

Vln 1 SOlO

Vln I

(c.s.)

pp

 

E. Gtr.

Pno.

 




 

B. Fl.



B. Cl.



   

3

    



Perc.



Vln I

 

      



    mp





 



 

 

3

 

 

p

p



5

   

 

3

      

p

f

3

Garbage Can

 

Cymbal

 

scrape

sf

sf

 

Br. Dr.

ff

Sus Cymb

      p

sf

  

  



mfpsub

ord.

   

sf

3

5





      

   

  

  

roll on edge

mp

f

 

 

 

to fast and random gliss

 

 

 

   5

6

senza sord

  

 

 

C





3

  



senza sord

senza sord

    

pizz.

sff

5

  





mf

mp sempre

f subp



f

sff

sfp

p

3



    ppp

    

  

sul II,III,IV

sff

5

            

senza sord

 sf

l.h. palm slap ppp on the upper register of the strings

Cb.

   

 

right arms very high cluster (fast!)

f subp

Vc.

   

sfp

mf

p sub.

mp

mf 5

   

mp

mf-



13

ppp

 

mp

l.v.

Vla

put reed back in

  

Cymbal

( bowed Tam-Tam)

   

Vln II



gliss. down



 

E. Gtr.

mp

   

5

      

sf

 

Pno.

 

 

q≈ ca. 72

p

 

5

sf





sf

Tpt

   



mp

sf

with reed

 

ff



mp

 Hn

 



mp

Ob.

Cbsn

  C

(2+3)

Jet Whistle

60

Fl.

 

p

arco

3

 

mp


14

 

Rubato (following C.B. solo)

65

Fl.

B. Fl.

  

 

3

  

f



To Ob.

 

3

3

     mf

p

mf

3    

  

p

 

Ob.

 

D Drammatico q≈64

p

f



to wide. vibr.

B. Cl.



p

Cbsn

Hn

3

  

3

3

    

f

p

3

 

p

f



 

   

p

   

   

  

   

mp

  

p

3



(mp )



 

mp

   3

3

  

p

  

 sf

  

sf

mf

sf (sub)

 



 

 

  

B.D.

 

 E. Gtr.  

Vla

 

 3     

3



   

 

 

 

 

mf

 

   

3

mf

scrape on wire strings

sff

espress.

    

3

    

 

f



  

vibr.



3

    

    

    

espress.

3   

   

5

 

  

  

 

  

  f

p

3

3

p

sf

mf

slide

mf+

 



     

 

   

                f  (p)

fade out

 

mp

    

mp

sf

p

3  

wide vibr gliss sul IV

   

D

  f

 

   

    f

ord.



  

sfff

    fade out                    mf p

wide smooth gliss sul C

ff rubato

(p)

   3       3 3     



  

ff

  

      

 

sul A

3

   ff

3

wide gliss sul A

   



espress.     

jete 

sfff



 

p

aolo

Cb.



 

f

Vc.

Inside Piano

 

Vln II

   



Vln I

 

3

 

Pno.

 

Perc.





Tpt

 excitingly  3           ff

ff



  

ord.


15

  71

Fl.

  



mp

 

  

liss

3

 

B. Fl.

  

overblown (with noise)

to wide vibr.

ff

 

mp

 

        

 

mf

 

 

ff

ff

 

random multiphonic

Ob.

B. Cl.

Cbsn

Hn

 

 

  

  

mp sempre

Tpt

Perc.



  

cymbal

  

ff

Vln II

Vla

Vc.

5



 

  

    

ff

highest note screeching 3

 

 

ff

sff

 

sff submf

sfff

 



f





Cymb

to wide vibr.

M

M

 



coarse feel 

 

  



      

3

 

5

sff

mf mf

    

 

fff

CInside pPno

z

  

very rapid small gliss (up and down)

6

 



Whammy Bar

     

 





  



  

ff

   



port.

 

     sf

3

  

f

gliss 3            

mf 3

gliss

non div.





mf

gliss. 

 3         ff

 

    

( sustain, to scratch tone) ( sustain, to scratch tone)



 

 



3    

( sustain, to scratch tone)

( sustain, to scratch tone)

( sustain, to scratch tone)

3

(ff)

fff

submf

sff

ff sempre

f

   

( sustain, to scratch tone)

   

 

3

  

sff submp

sff submp

ff

ff

          



sff submp

3

mp

sff submp

mp

mp

*start the scratch sound approxmately to the position of the starting arrow; within the section, not necessarily alligned to each other

 

(aolo)

 

 

fff

sff

 

*start approx to the postion of the starting arrow; within the section, not necessarily alligned to each other

 

f

Cb.



 

 E. Gtr.  

Vln I



  

Pno.



.

 sfff


E 16

  76

Fl.

B. Cl.

Cbsn

Hn

   (with noise) overblown

    ff

Perc.

Pno.

E. Gtr.

   ff

sff



 

 

  

ff

gliss.







 

f

gliss.

3

  

   f

  

end abruptly pick up the extra reed



   

ff

sf p



  

ff

sf p

  



sf p

ff

  

 ff



 

     

quick gliss

ff

 

f

quick gliss

ff

    3

gliss.

3       (L)  (R)   

ff

3 3            3

f

 

sff

sff

mf

sf

 

 

   

  

   

sff mf (sub)

 

    

gliss. sff submf

sf

 

cresc.

 

  

  

  

 

  

 

3

 3      ff

  

ff

 

 sul III    

sff mf (sub)

gliss. 3  3 3            

)

(

gliss.

  

gliss.

sff mf (sub)

 

 

 

gliss.

sff mf (sub)

cresc.

cresc.



sff submf

 

gliss. mf

  

gliss.

( ff )

sff

gliss.

non div. III

   IV 

 3     

(sustain, to scrath tone)

ff

  

Garbage Can        

cresc.

        

  

Brake Dr.

mp

whammy

 

3

ff

  

 

gliss.

      

3    

sff

 

ff

f

- - endo

        

f

ff

  

end abruptly

 

cresc - -

sff

Improvising, in the given register, rapidly & dramatically



on the keyboard

f

  



- - endo



gliss.

ff

  

sff

Rip     

 

Improvising, in the given register, rapidly & dramatically

ff

 



mf

ff

Cb.

mf

 



ff

 

cresc - -

mf

ord.      

 

Vc.

ff

 



ord.     



Vla

ff



3        



Vln II

E Vln I

 

      

ord.

ff

wail

Tpt

    (with noise) overblown     

Ob.

sfff

B. Fl.

 

q≈126

IV

gliss.



III



    sfz

  3            3

ff

3

 

 sff


 

82

Fl.

B. Fl.

 

B. Cl.

Hn

Perc.

 

ff



3   

mp

  

fff

3

 

3

3



 

 

ord.

 

3

 

3

 



  

  

pick up Harmon mute

fff

  

ff

3

subp

blown air Voice: make shhh sound

3

 

blown air Voice: make shhh sound

mp

3

fff

 

W. Blk.



ff





fff 3

  

 





 

 

ff

f Inide Piano

3

 

        3

 

 

 

Wild

 E. Gtr.  

 

small separated gliss

Vln I

On Keyboard

Pno.

       

 

fff

  

3

ff

 

3

  

3

    

 

 

staccato

p

Tpt

17



to wide vibr.

dynamic changes dramatically                  

wide trill with jaw vibration 1.

mp

 

with reed

 

make shhh sound

voice:

p

 

3



Ob.

Cbsn

 

3

fff

 

 

 

sus

3

 

slide and with disortion pedal

      

ff

 

3

 

 

sf

  

  

 

  

 fff

dynamic well freely

sfz

3





small separated gliss

Vln II

 

small separated gliss 3

small separated gliss 3

sus,

  

3

(

  

wide gliss

3



 



  



con molto vibrato

)

fff

 ff

3





3



3



3

3

  

3    

3

3

 fff



3





3





3



  sff

 

 

 

3

3

 

 

3

3

 

mf cresc.

ff

sf

3

 



f

Cb.

(sul. II, III)

cresc.

  

Vc.

3

ff

  

Vla

3

3

3

 

 

  

3   

  

  

3


18 ( 126 

Fl.

q=e

q=e=(63)  63 )

F   86    

change to piccolo

3

3

B. Fl.

 

  

   

 

  

  

3

   

 

Hn

 

B. Cl.

Cbsn

p



p



   mp

3 3       

  

 3 

mp



 



 

cumb   l.v.    

   

3

    

  

 

3

 

flautando

 

sf

poco a poco

     

3

mf

  

mf

  

3

  

 

 

poco a poco

   ff

 

   gliss.   

   

ff (sub)

    

ff

mf

      

mp

 

ff (sub)

mp

3

      

ff

mf

con sord. Harmon, stem out

cresc.

lip bend

  

  

 

ff (sub)

 gliss. 

3

f

ff

Pno.

 

  

fingering: 4321, 4321...   (R.H.)     3

B#

 

with more slide 3

p

 

F  

 

(L.)

sfff

   cresc.

Vln I

(R.)

sff

    

E. Gtr.

R.H. with on keyboard guitar pick



ff

3

  

 

mp

Vln II

Vla



   

  

 

  

mf

3   gliss.  

mp

3 4   



ff (sub)

poco a poco

ord. 

-->sul pont.

   

 



-->sul pont.



mf

  

ff

mf

(loco)

  mp

Vc.

Cb.

 

3

 

  

p



p



 

3

  

mf

mp

  

 

 

 

mp

  mp

      

mp

 

   ff

    

 

  

lip bend

mf

mp

p

(Buddha-head cmbal)

Perc.

cresc.

ord.

3

 

ff



p

Tpt

ord.

    

mp

p

Ob.

to PICCOLO

   ff (sub)

 

sf


  91

Fl.

          3

B. Fl.

mp

 

Ob.

B. Cl.

Cbsn

Hn

 

mf

     

  3   

mf

mp

   

Tpt

Perc.



    mp

 

  

 



 

 

5

3

gliss.



3



3

sf



 

3

gliss.

3

 

Vln I

 

3

   

Vla

   f

 



mf

  

3

lip bend

 

mf

     

 

loco

 

to vibr.    

3

  

mp

   

ff

 

6

5

3

 

subff 5

 

 

 

5

     

  3        mf



3



  (more dist)     



  

ff

 

sul pont.

p

       3

  

mp

mf

  

gliss.

( )  3    

 

  

 

 

3

gliss.

gliss.

  

gliss.

 

3

mf

3

  

mf



ord.

       3

  

3

3

  

mf

 

con sord.

     3

f

sul pont.

mf

f

  

q=84



mp

Cb.

gli3ss.

3      

Vc.

ff

Vln II

 

 

ff

ord.

3 

( mp ) cresc.

to blown air

 

 

  

distortion pedal

(1. Solo)



 



blown air





 

to vibr.  3  

  



mp

   

with bridge pick-up

  3  

 E. Gtr.   

 

3

f

f

  

3



 

19

(2+3)

 3     



  

 

  

gliss.

3

 

sf

 

3

 

3

 

3

   

 

gliss.

    

Pno.

 3  

mf

 



3 3

mf

 

 

3

 

 3  

   

3

gliss.

f

 

gliss.

 

 

f

 3     

   mp

 3  

  

 

 q=84

3     

f

p

3    

3

( mf )

  3

 

    3

f



 

 sf

 


  95

Fl.

 

 

G (q=84)

20

  



ff

  To A. Fl.   

  

  

 



  

 

 

jet whistle

B. Fl.

Ob.

B. Cl.

Cbsn

Hn

ff



ff

ff

smack tone

   

sff



(a3)

Tpt

Perc.

Pno.

 

   

smack tone

sff

   Anvil  

Whip

blown air

p

fff

 

ff

(Timp.)

 

 

(Timp gliss)

mf

Vc.

Cb.

( fade out )

3

  

 

f

 

 

 

 

cresc. poco a poco

3



   

extremely high-notes; off fingerboard

 

6

   

 

          7

         

 

 

5

 

 

subppp

(gli altri)

fade out

 

 f



  



sf

con sord.

 

sul I

6

Unis

 

p

   7    

 

con sord.

5

p

    7           

 extremely high-notes;   off fingerboard      

con sord.

Vla

( fade out )

G (q=84)

Vln II

blown air

 

pick up the handkerchief to muffle the oboe

(f)

(f)

Alto Flute

 E. Gtr.  

Vln I

to A.Fl.

ff

 

 

        

al tallone

pp

ord. with holding the mallet, if possible with circular bowing sul I

 p

con sord.

    

sul IV

  

p

 mp


  99

Fl.

 

al tallone

pp

A. Fl.

21

     smack

sff

B. Cl.

Cbsn

Hn

Tpt

Perc.

Pno.

E. Gtr.

Vln I

Ob.

  

 

 

p

fff

   

   

with reed noise

pp

mf

con sord Harmon Mute ( Stem Out)

-->to vibr.



(breathe as necessary) blown air

   

very fast, high, and indefinite pitches Double Buzz

    

take short breath as needed

ppp

 

 

 

MUFFLE

    

 

pp

(con sord)

sul I

 

6

           7

p

very fast, high, and indefinite pitches

5

  

al tallone

    

 

pp

      

ppp

al tallone

Vln II

sul II

     pp

al tallone Vla

    

al tallone Vc.

Cb.

 

    



change to sul III

 p

 dim. poco a poco

pizz.

 

sf

with a timpani mallet to slap the string

 

solo





sul I

f


 

22

 

 

103

Fl.

 

A. Fl.

Ob.

B. Cl.

Cbsn

Hn

Tpt

Perc.

 

   

ord.

3

    

pp

3

 

  

      pp

Vln II

Vla

3

Glockenspiel

 

  mp

Paper across the region

 Solo

      

D# Eb G#

mf



 

con sord.

mp

 pp

3

 

(c.s.)

pp



 





  

3

      

mf

 

 

pp

f

 

f 3



 

 

 

very slow bow

 



tast

mf

  

follow the motion

p

(1. solo) ( sul I )

Cb.   

 ff



put down the stick

   

  

with circular bowing

(very high pitch)

mp

 

neck pick up: (No compress)

 

 gliss

f

tast

gliss

mf

tast

mf

 f

Vc.

 

( Ab )

Vln I

3



  



 

q= ca. 80

ppp

E. Gtr.

Pno.

tast

mf

 f

 f

(D)


23

           107

Fl.

breathy

mp

A. Fl.

Ob.

Hn

     

ord.

     

Perc.

Vln I

Vln II

Vla

  



5

5



 

   

   

--> molto vibr.

ord.

             

p

pp

  

 

 

3

  

ppp

     

  

 





 3 

Solo.

 

3





     

         

5



   

5

     

-->pont.

3

 

       3



 

            

3

 

 

mf

-->pont.



ord.

5

pp



3

3

3



 

mf

mp

 

-->ord

         

3

f

m.v.

5

5

   



3

3

   

ord.

f

 



5    ()     

lip gliss

  

 

ppp

3

 

mf

ppp

 



  



ppp

Cb.

3

  

ppp

Vc.

mp

vibr.

 

E. Gtr.

breathy

 

 

Pno.

(c.s.)

Tpt

 pp

5        

pp

 

B. Cl.

Cbsn

    





--> molto vibr.

 

3

  





-->ord

gliss

 

mp

mf

p

f





ppp


24

Fl.

113      

ord.



p

(c.s.)

 

A. Fl.

m.v. 5



( ppp )

   

 

 

ord.

Ob.

pp

Hn

Perc.

 

 

5

 

 

    

5

 mp

              

5

5

 



ppp

5

     

   

Vla

Vc.





 

 7



     7

3

gliss

 



3



  tast

with little lip shake

       5

5

ppp

 

-->ord









 

mp

 

 

7

7

          7

     



gliss.

7

sempre f

f

 

 

to trem.

   

-->ord

tutti



-->ord

Tutti

ord.

  



-->pont

p

-->pont vibr. gliss                 p

tast

    

m.v.



 

mp

pp



  

5

 

3  3        

ord.



mp

mp

  

Vln II

3

 

to trem.

5

                    

       10         mp

mp

Cb.

pp

          

5

Vln I



    

E. Gtr.



3

Pno.

m.v.

(c.s.)

Tpt

    

B. Cl.

Cbsn

   

5

      

pp

f ppsub

 

non div.

( mp )

vibr. gliss

   


 

25

118

Fl.

(c.s.)

A. Fl.

3

3

 

 

  

( ppp )

Ob.

B. Cl.

Cbsn

Hn

 

 

 

con sord

con sord

5

5

        

 

p

ppp

p

ppp 5

   



  

5

 

7

7







       

5

5

mp



        





 



 

nail gliss



7

  

5

5



5

     

 





7

   

  

 

 



   



    

 

7

    



 



ff

 

 

to trem.

5

       



-->pont vibr. gliss                 

(p )

Vln II

-->ord

sempre

-->pont -->ord         

(p )

sempre

-->pont

                               

Vla

(p )

  

-->pont

Vc.

-->ord

  

-->ord

-->pont

sempre

-->m. pont.

mf

Cb.



ppp

-->ord

Vln I

5

    

  

5

ppp

E. Gtr.

  

ppp

Pno.

 

5

 

( ppp )

Perc.

5

(c.s.)

Tpt

 

 

gliss

 

 

-->ord

p

 

gliss

  

-->pont

-->m. pont.





mp

         

mf

mpsub

 

-->Wide Vibr.


 

 

H

26

  122

Fl.

Piu Mosso q=92

3



   

ppp

A. Fl.

   

Ob.

 

B. Cl.

5

3

 

Hn

5

 

 

 

 

 

ppp

Tpt

 

 

Perc.

  

f

3 

 





 

 





 3

 

 

  

3

        

with more slid in between

    

3

mp

p

 

               -->ord

   

    

  

     

5

    

p



  

 

 

-->ord

3

3)   gliss.

 

(1

2

    

   

3         

p

mf

3





div. non 

gliss.

mp

2

(sul II)

 

3)

mp



 

mp

ppp

(1

Cb.

ppp

H

Vc.

p

3

pp

 gliss 

-->pont

Vla

 

fff

 E. Gtr.    

Vln II

5

Vln I

 

ppp

slower the vibr.

mf

 

Pno.

   

 

3

gliss

ppp

ppp (c.s.)

 

 

p

con sord.



ppp

p

-->vibr.

   

ppp

 

   

3

ppp

Cbsn

 

  

3

 

 p

p

non div



gliss.

mp


 

27

  

 

 

126

Fl.

A. Fl.

 

B. Cl.

Cbsn

Tpt

Perc.

Pno.

E. Gtr.



Vln II

Vla

Vc.

 

3

 



gliss



  

3

 

p

  

3

 

ppp



to vibr,

pp





 

to vibr,



 

ppp

to Anvil

pp

                        

3

           3

p

mf

 5

mf

3 3           

  

   



 

 

     

 

(mp)

cresc.

poco a poco

  

with circular bowing

Cb.

mp

Vln I

3

 

 

    

(c.s.)

Hn

Ob.

 



 

 

   

II III

s.p.

 

        

 

mp

ord.

with circular bowing

p


28

  129

Fl.

 

mp

Ob.

 

3

f



Tpt

Perc.

 

 





Vla

Vc.

 

 



p

3



f

 

 

5

f



3

   

5

3

    

sf



5

 

 

sff

( Harmon, Stem out) 3

 

sff

 

3

5

  

       

5

       3

( pp )

On the keyboard



  

mumbling

pp

3

     

     

sff

      5

    

 

3

loco



    5

 

 

3

   

 

   6           mf-

 



 

Inside piano

       

  sf

                 6     5        7

1



2

( mf )

(ord.)

 

 

mp

gliss.

  

 

gliss.

6



          3

mp

s.t.

gliss.



mf

 

  

gliss.

      

6

 



col legno battuto sul IV

sub ff



3     

p



(c.s.)

f

(circular bowing)

Cb.

  

sf

   

    

Anvil/Br.Dr

 E. Gtr.  

Vln II

 

sff

 

 

 

   

ppp

Vln I

    3

f

senza vibr.

Pno.

sff

6

  

 

5

pp

(c.s.)

Hn

         

3

pp

Cbsn

6

   f

6  5              

ppp

3

pp



B. Cl.

   3

mf



   

(2+3)

A. Fl.

mf

 

ricoche



  

 

sul pont

 

 

non div.

  

3

 

ff

     

 

 

5                

ff



 

3

 

ord.

gliss. con molto vibrato

   

pizz.

arco


29

  132

Fl.

 

  I

                5

6

5

Rubato

   

f

B. Cl.

Hn

Ob.

Cbsn

6

mp



5

            

A. Fl.



 

 submp

6             

3

5

5

5

    

mf

  

5

 

5

  

  

 

5



sub mp

sub tone



sff mf

3

 3    

senza sord

sub mp

  

   

ppp+

 

p

 f

sub mp

   



   

 

5

 

f

   

3

 

f

 

sff mf

Tpt

3

change to picc.

(con sord.)

fff

     5

mp

pick up the bow

Perc.

  

 

B.D.

ff

mf

Pno.

on the Keyboard

 w/ pick (guitar)

  

5

  

l.v.

   

  

fff

   

 E. Gtr.  

ppsub

  

sff mf

  

  

sf

   

fff

I

Vln I

 

 

  sus.

5

   

 

 

ord.

p

f

fff

senza sord.

  

fast glliss up & down

Vln II

 

fade out

mp

(sf )

senza sord.

fast glliss up & down fade out

Vla

(sf )

mp

fast glliss up & down

Vc.

Cb.

mp

   ff



mp

gliss. (with scratch tone)

  mf

f

espress.

  

fff

3 3 3                      

rubato

solo

ff

 

mf

 3   mf

3 3  sul II       

f (f)

 


30

  137

Picc.

Tpt

Perc.

Pno.

Vln I

   3

    3



mp

pp

 

  

mp

p

  

 

sf

 

     3

 

3

J

(Fl doubling picc)

  

 

 

5



3



        

 

 

sf

 

   

put own the bow

sf

     

 





mp

 

5     



3

   

 3

3

3        





3

mf

J



 



 

 

 

p





p



      

        

gliss

      

f

ff





 

sul III

IV

  

f+

  3                       3

3

   f

 

3 3     

bow ord. pont

( slap the fingerboard, with the palm, in the upper register)

(c.s.)

    

mp

& &

on high register

Inside Pno with the pick

sf

   

bowed

Cymb.

 

p

 

sf

 

Vc.

         

Vla

  

f



 

 

Vln II

Cb.

molto vibr.

mp

.

E. Gtr.

breathy

B. Cl.

Hn

Ob.

(Fl doubling picc)

         

A. Fl.

Cbsn

 

    sff


  142

Picc.

 

 

 

          

 



f

3

 

f

mf

mp

    

sub ff

A. Fl.

 

 

3

     

(2+3)

 

 

  

  

fff

fff

31

.

lip bending

Oboe

Hn

Tpt

Perc.

 

mp

 



  p

mp









senza sord.

 

 



Vla

ord.     



   3  

--> ord

    

ord.

 

  



 



3   

( mf )

  



 

3

pedal accordingly until rehearsal "R"

 

 

                 ff

on the Keyboard

3

3

trem gliss                  

  

 

 



mf



p

tast

sff





 

ff

      



  

mp

Vln II

Cb.

     

mf

3

 

 



pp

Vln I

Vc.

f

mp

 



mf

p

 

mp

mp

 

 3   

  



mf

          



          



E,Gtr.



sub ff

Pno.

 

B. Cl.

Cbsn

 

 







sfz

 ff

    

s.p.

     

f

ff

tutti


32

 

 

K

  146

Picc.

Hn

      

         

f

ff

3

ff



mp

3

f



 

3  

f

3

     

p

(mp)

     

          

  

3

Pno.

ff

f

E,Gtr.

 

 

Vln II

Vla

Vc.

Cb.



    

ff

        

Unis. col legno battuto

   sub ff

mp

cresc. poco a poco

3



mp

     

  



mp

3

cresc.

 5    

cresc. poco a poco

  

 

    

poco a poco mp

       fltr.       

   

 

   



 

port.

3



 

sub mp

ord.

                   f 

ff

non div.

    

II

 

          f



            

3

 

rubato

3

 

 

3

mp

 

 





mp

3

   

      

cresc. poco a poco

 

 

cresc. poco a poco

3

3



    

3

   

     f

 sub p

 

cresc. poco a poco



mp

f

3

 

   

3

cresc. poco a poco

poco a poco

mp

 

sub p

        f

  

cresc.

behind the bridge arco I

f

subpp

f

ff

         

   

f

        gliss (with scratch)                 ff

sff

L q ≈76

ff

 



             

   

        

  



mf

     Bongo  

sub ff

ff

3

f

        

small gliss

3

      

K

Vln I

             

ff

 



Br. Dr.

             

legato

legato

fff

f

ff

       

        

           

fff

ff

ff

 Perc.  

f

      



          5    

     

ff

Tpt

5

f

        

 

f

        

B. Cl.

ff

 

L q ≈76 Più Mosso

ff

Oboe

Cbsn

     

A. Fl.

Lo stesso tempo, (q=72)

 gliss. 

     mf

3

 

 f

 mp

 






  151

Picc.

 

Oboe



    6

Cbsn

Hn

   sf

sfz

 

 

5

     

mf

 

 

f

    

f

f

Tpt

Perc. 1



  

 

Vln I

 

 

 

   

        

6

5

  

 

f





    

   







Cb.

     

3

  

 

    

 

 



5

5



 



   

 

 

 

Br. Dr.

fff

   5  



  

  



   

 



sff

  

   

 

6

   

      sf

 





3

  

  

stacato



 

 



5



 

  

 

    



  

  

 

 

 

  

3

      

 

 

gliss

M

  



ff

Staccato

   

    

 

  

     

 

ff

      

ord.

s.t.

5



      6

(ord.)

 

gliss with scratch

3

gliss with scratch



(to scratch tone)

  

fff

   

    

 

  

     

 

 

 

gliss.

  

gliss.

    

    

 

 3

ff

gliss

3

ff 3

Vc.

5

ff

Vla



ff

sf

   

 

 

Vln II

 

f

 

 

 

 

mp

 

  

 

sf

wih hard mallet

Cymb

E,Gtr.

 sf

Pno.



f

 

ff

 

5

 

ff

     

  

 

ff

sf

 

ff

sf

      

Staccato

  

      

mf

B. Cl.

33

M Allegro, q≈ca.135

5

A. Fl.

 

  

ff



3

 

3



 

  

  

 

3

 


34

155    

Picc.

   

A. Fl.

 

Oboe

B. Cl.

Cbsn

Hn

Tpt

Perc.

Vln I



 



           



 

    

 

  

3

 



  

 

3

 

  

3

ord.

     

            5 f 

    

         

 

   

  

3







 

   

3

  

f

    

5 

     

   

   

  

   

    

 

sf

sfz



f

 

fff

   



     

  5   

 

ff

      

fff

 

   







  



sf

3

 

    

3

   

  

sfz

     

 

   



   

fff



fff

    

3

3    

 

ff

(R)





fff

     



f

   

f

f

  

sfz

 

3

 

sf

fff

Cb.

  

     

f

   

     

 

f

         

sff

3

      

f

f

       

        

f

sff

 

Vc.

  

 

Vla

      

  

  

Vln II

  

  

E,Gtr.



 

   

  

3

 

  



 

Pno.

 



3

 

          



(L)

6

3

 

   

  

 

  

 

  



 

 

 



 

 

sfz

   

sf

    

    

   





 

    

  





 

 

f

fff

ff

ff

ff

ff

    sfz


35

 

163

Picc.

A. Fl.

B. Cl.

Cbsn

Hn

 

 

3

f

Oboe

 

 

3

f

3

 f

 







3

3

  

  

 f

 f







Perc.



 

 

  

E,Gtr.

Vln I

 

Vla

Vc.

Cb.

   



Cymb

loco

3 

3

3



  

 

 

    

simile

 

 

 





simile

simile



simile



 

simile

 

 

 

 

 

 



     

 

3

  

 

ff



ff

 

sff

  

sfz

 

      



  

   

choke









        



    

  



(f)

f

 



  



div.

 

   

ff

 

   

  

 

N    



   



   

  

 

 

 

fff

 



fff



 

  

(div.)

 

( ff )

 

 

fff

simile

 ff

 



 



 

  

  

 

  

 

 

 

  

    

 

 



  



  

   

fff

  

fff



fff

  

  

  

( ff )

  

  

fff



  

  

  

( ff )



( ff )

 

( ff )

 

(f)

f

    

Vln II

ff

 

      

f

Pno.





 

       

f

Tpt

   

f

3

 

f

3

       

   

sf

  

N


36

   

   

171

Picc.

ff

  

A. Fl.

ff



ff

B. Cl.

Cbsn

Hn

Tpt

Perc.

  

Vln I

Vln II

Vla

Vc.

 

   

 

O

change to flute

   

    

3     

f

 

  

f

sff

  

3

  

 



  

Garbage Can/Tom

3



     

ff

ff

    

 



  

 

  Cb. 

ff



      

 

  

 

   



 

  

 



  

 

     

    mf

3



 

  3            

3

3

 

3



  3

 

   

 



 

3

3

   

3 

3   



  3

 3  

    

3

 3

     



   

3 

  3 

3

 

   

3 3 3 3                      

    

   

   

   

3

 



sul II, III

 

ff



ff

3 3 3 3 3                          3

ff

3









3





3 





3





3

3

ff

3

3

ff

3

3   

 

with more distortion

O

3

3   3                            3





 

 

fff

  

   

 

       

 

  

              

3

mf

     

E,Gtr.

         

Pno.

 

  

   

Oboe

 



3



3



 3

3





3

3


37

178

Fl.

f

   

A. Fl.

Cbsn

Hn

f

B. Cl.

 

sff

Oboe

  

  

 

3

  

 

  

   

 

f

3     

 

3

  

 

  

 

 

 

3

   

P

    

 



 

 

f

3    

     

 







sff

3    

3

      5

f

 

3

   

sff

  

  



  

 

sf

ff

 

  

f

  

   

     f

Tpt

Perc.



 

E,Gtr.

Vln I

 

 

3

3



            3

   3  

    3  3

Vla

Cb.

3

  



3

 3    

      

3      

3      

     

   

3

3

3

3

        

Vc.

  

3 3       

3

Vln II

 

 

  

       

f

    

Pno.

3

         3

3

3

     3

3   

 

    

3

3 

   

3

 

3

3

3

3

3

3

           3

3







3      

3

3

   

3



 



3   

  

3        

  

  



3     

 

3

3

3

    3

 

3



      

f



   



    

   

     

P

3

 

        

  

     

             

  

      3           



  

 



 3     5  

 3  

     

  

3  

   

             

        

3   

3   



 3 

   

 

3

3

3

 3  

3

3

 3  

3

3

3   

3

3  



3  

5

 

3

3         

3

5

3

      

   

3

3

   

  

3

 

 

  3     3

 3     

3      

3

   

     

3

         3

3

  



sul pont.




38

  185

Fl.

 

A. Fl.



3

 

  

3





       

  sfz

 





    

      

5         

Cbsn

Hn

Tpt

Perc.

    



    

     





  

   

Vln I

 

Cb.

 

 

   

 

f

sf

   

    



f

3

sf

     sf

 

 f

f



  

   

(f)

  

sfz

 

sff

f

mp sub

 



   

    

sff

sff

        

sfz

3

  

 

 f

3

         3

  

3     

  

3

 

 

 

  

Vc.

f

   sf

 

    

   

 

 

             

   

sffz

sfz

sf

 

Vla

Vln II

   

f

 

E,Gtr.

3

3

     

Pno.

3

mf

mf

B. Cl.

sfz

5 5

Oboe

Q

  

3



3     

3

    

3

 







3

  3

 

  

3



ord.

 

3

  

3

 

3

 



 

3

 



 

3

 







  

  



3



 3

 

3

3    

 

 

Q 

sus.

3

 

  

  

3    

3    

 

gliss.

3

 3        



sfz

3

   

      

C F

            

3     

3

     

3

3

   

3



3

3

 

 



(very high, off fingerboard) non div. sus.



5



6

6



5

cresc.

3

3

3

   

3

3

 

3

3

3

3

    

 

 

 

3

3



 

 

 

3   

cresc.

 

3

(f)



 

3

3

  

 

gliss.



 

 



3   

3

gliss.

5



  ff




 

 

Fl.

A. Fl.

Oboe

B. Cl.

Cbsn

Hn

Tpt

 



Cb.



3

   



       

f

sf

3



3

  

   

  

 

3





 

3

 

3

   

3

f

Br.Dr/Cymb. hard sticks

3

f

       



 

     3

f

      

 f

 

(relative positions)

 





3

  



 

  

     

 

 

   

      

 



  

ord.

 

 

 

   

      

   

 ord.  

   sff



  



   

   

(sul pont.) (relative positions)

sff

6

  

  3    



 



ord.

 

3





f

  sf

 f

   sff

  

  

f

sf

  



ff

submf

mf

   

sff p sub

  

 

(p)

f

 



 



sf p

f

mf



 



 





 

f

mf



 

f

mf



 

 

 

 

f



ff

 

f



submp

 

 

5

    

 

 

submf



 

submf



psub

submf

submf

ff

f



ff

 



mf

R

 

ff



 

   

 

ord.

( sf )

 

mf

   

sfff

 

ff

sf



5

sf

   

  



5

  

 5     (up semitone)   

       

3

( sf )

sul pont.       

 

  

  

    

sf

ff



  (up semitone)  

(toms)

sf

sff

   

( sf )

 

5

mf

( sf )

(relative positions)

 

sfp

(f)



5

(up semitone)

3

  

 

sf

 



 



(up semitone)

  

sf

sul pont.

    

5

       

        5

   



sf

 

  3

3

mf

 

 

 (up semitone) 3    

5

( sf )

sul pont. (sul pont.) positions)    (relative          

sul III IV non div.

pizz.

sff sf

non div.

   

 

sul pont. (relative positions)

sff





 

sf

sff

 

 

sul pont.

3

sf



3



   mf

  

3    

ff

 

3

  

sf

(up semitone)

 

f

 

Tam-tam

       

 

ff

ff

3



3

f

Meno Mosso, q≈108 c.

(up semitone) 5     

f

 

f

3

f

ff

f

  

3

 

 

 

ff

sf staccato







Vc.

 

  



Vla

 

ff

sf staccato

  

Vln II

sf

   

 

staccato

Vln I

 

E,Gtr.

ff

 Perc.  

Pno.

    3

191

 

39

R

  

ff

   mf

  mf

 

 

 


40

  197

Fl.

 

Oboe

B. Cl.

mp

sf

sf

 3 (up semitone)       

 

 



  

mp

Hn

  

3



sf

 



Perc.

Pno.

E,Gtr.

Vln I

mpsub

Cb.

sf

5  3          

  

5

 

 

 



 3         5    

  

sff

   

sff

mf

mf

   

ff

   

3

 

(accel.) cresc. poco a poco

   

   

   

   

     

submf

              

      cresc.

poco a

poco

     

     

              

   

    

               

   

     

    

               

   

submf

sff

 3      

  

sff

 

 3  

  

sff

( sf )



*Slow to Fast, Accel the entire "S" section from

sff

poco a

f

submf

 

      f

cresc.

poco

cresc.

 

 

(follow trumpets) l.v.

B.D.

ff

p

   

poco a

cresc.

poco a

sf

5

mp

f sempre

 





 subf

 

 

 

 

 

 

 

 

subf

mf

    3   5     

 

 

  

 

f cresc.

 

 





 



   

mf

3

 

     



   

3

3

3

    sfz

 



 

3

3

 gliss.



3





 

 

ord.

 sf

 





  

 

 



 

   

   

sff



3

  

3

 

 sfz

   

( sf )

cresc. f

sff

   

sff

S q≈80 c.

 

   sff

 



sff

  

sff

 

cresc.

 

 

poco a

 

poco a

poco

 

sff

poco

           

    

poco

        

  

 

mf

   

sfz

f cresc.

s.p.

 

f cresc.



sfz

f cresc.



          

trill only the top notes

(up semitone)

      

 

poco

 

(up semitone)

Vc.

 

subsf

 

Vla

 

Vln II

 

 

 



 

 

Accel.

sff



 

 

subf

 

mf



  

( sf )

sf mp sub

Tpt

mf

subsf

5     

    

 

mp

Cbsn



5

mf sf

sf

 S q≈80 c.

   

(up semitone)

subf

(up semitone)     3    5   

A. Fl.

(up semitone) 3            5    

 

 


q≈ ca.144 q≈ca.80 cresc. poco a poco until rehearsal number "T"

  203

Fl.

 

  

 

 

 3   3         

Oboe

Hn

Tpt

 

 



 

     

 

      

3 3            

    

    

    

    

fff

f

3 3              

fff

f

               

           

               

           

                   

           

                

    

              

     

 3   3        

     

B. Cl.

Cbsn



    

fff

f

A. Fl.



                3 3

f

3  3        

3

41

T q≈ca. 144

fff

  

fff

3

fff

fff

Can/Cymbal.

Perc.

  

 

 

                     

Pno.

E,Gtr.

 

             

     

         solo

         

pp

ff

3               

   

3

     

fff

                           

               

                             3

    

                 

            

3              

     

3

f

        

sf

    

    

    

   

   

fff

3

fff

Vln I

Vln II

 

 

  T

pizz.

ff

pizz.

 ff

Vla

pizz.

 ff

Vc.

pizz.

ff

Cb.

pizz.

ff


 

42

  211

Fl.

   

 

sf

A. Fl.

Oboe



sf sub.p

Cbsn

 

Tpt

 

 

(p)

Pno.

E,Gtr.

f

 

  

  

    

ff

mp

mf

  

   

sf

    mf

 

    

   

   

gliss

     mf

gliss

      f

sf

arco

  

    

         

(f)

    

   

arco

unis.

sf p

arco



sul pont.

f

 



sf

 sf p

div.

   

 



  

mp



sf

mp

 

sf mp

sf

   

 

 

sf

sf p

      sff 

  

       

pizz.    

pizz.    

sf

 

      

      

f

          

 

      sf

sul III IV

  

mp

sf

   

        

ord

sf

   

f

sf

  

    

f

sf

   

f

  

 

      

   

s.p.



submp

sf p

sf

f

    

mf

sf

 

 



   

  

sf

f

Cb.

mp

 

 



sf

 

   

     

Vc.

sf

 

mp



submp

Vla

f

Vln II

sf

 

mp

Vln I

    

mp

mp

   

(p)

    

  

f



 

f

mp

Perc.

   

sf sub.p

Hn

    mp

sf

 

B. Cl.

       sf

pizz.

   sf

 

mp


  218

Fl.

A. Fl.

  

    

sf

Oboe

B. Cl.

  

 

 

ff

 

  U

  ff

 

43

mp



legato

ff



  

mp

f

sf

3

sf

Cbsn

Hn

  

fltr.      



  

sf

Tpt

Perc.

Pno.

E,Gtr.

Vln I

 

 

Vln II

Vla

 

Cb.

mp

            3    

mp

muffle gliss

    

f

pizz.

arco

 f

  

  

  

 

   

sf

l.h. palm hitting the strings on G

  sf

   

 



 

(D#)

  f





mp

sff

 

 

 

 

     mp

       f

  

     

       mp

          

      

 

     arco      f



 

 p

mf

                               5

5

5

 

 

 

 

 

 

  

        

 

5

    

 

mp

U

         

f

       

f

  

submp

   

  

sf

sf

submp

  



3

f

sf

 

 

sf

     

arco



        

(f)

      



  

 

f

   

(D#)

 

sf

f

 

mp

          subp

      

f

mp

sf

           mp 

 

mp

mf

(f)

mp

Vc.

staccato

staccato         

sf

          f mf



 

f

sf

sf

 

 

  

(f)

f

sff

mp

     mp

sff

  

      

   

sff

      

mp

     

          

mp

       mp

sff

     

           

     

        

         

  

          

   

 

submp

  f



  sf

  f



  sf


44

  223

Fl.

A. Fl.

    

 

Hn

 

 

    

 

5

mf

staccato    

simile

mf

f

 

5

  

5

 f

 

 

 



 

 sf

 

  

 

 

sf



5

  

 





3

 

Tam-Tam      L R      

3

 

3 

sf

      



sf

 3  

Tom-tom / B.D.

 

3

          f

semitone up       

sf

f

     



f

  

sf

3

3     

   

sf

mf

mp



f

    

f

      

f

     

              









 

 





sf

f

    

 mf

    



f

( mp )

mf

                         

                 

               

 (L)     



(R)

f

(

 

sul II

)

 

   sf

3   

3   

(extremely high note)

gliss.



3  

 

3

   



       

( mf )









 

  

( mf )



s.p.

   sff

 

3

3   





 



ff

sf

( mf )

mf

  

3

ff

mf

( mp )

3

(extremely high note)

gliss.

mf

mp

sf

 

 )

 

( mf )

mf

( mp )

 

(

 3 

(extremely high note)

  

                  gliss.

(small gliss at the end)    

Bongos W. Blks.

                   

Vc.

   

sf

sff

 

Vla

 

   



3



f

   

3

 

        

sf

  

simile

     

sf

mf

Vln II





   

( mp )

Cb.

             

 

Vln I



staccato

E,Gtr.

ff

cresc.

Tpt   

Pno.

f

    

 

ff

f

   

cresc.

Perc.

sf

cresc.

Cbsn

 

 

B. Cl.

     

sf

cresc.

Oboe

    

  

3 div.     

  

 



  

  

 

  

(f)

sf

   

ord.

mf

   

  

3

(f)

 

div.



3

3

3

3

3

3

3

3

non div.

       ff

3

3     

subff

3



3

 


227    

Fl.



 

 

Oboe

 

  sf

  

 

 staccato      

Perc.

 

staccato

      

ff

   

f

      

 

L



     sf

3

B.D.

    



 

sf

f

,  

    





,   

 

        sf

Vc.

    



 

    

   



   

fff



 ff

gliss.  





 

  



ff

 

  

sff

sub p

 

  



  

f







 

sf

 (p)

fff





 

  , 



,   



gliss.  

f

ff







  



sfff

       



    

 







      

    

sul pont.

     

(p)

sfff

   



                   subp 

  

mumbling

,    

     

  

  

sff

 

   

gliss.

   

 

mf

f



  5   sff

sff

f



f

sf

  

f

 

detaché

sf

    

 

 

 

  

  

   

(behind the bridge)



       

sff

  

 

 

(behind the bridge)

fff

(behind the bridge)

  

sf

 

    

(behind the bridge)

 

V

ff



                       

sff

    

sf

   Cb.  

  

Bongo

   

mf

 

   



        

( ff )

Vla

sf

subp

 

  

gliss.

,    

ff

   

sf

f

f



   

mp

( ff )

Vln II

 

 5        

 

      

f

sf

 

( ff )

Vln I

      

 

ff

 

E,Gtr.

3

R

sff

 

f

L  B.D.          

mf

      

  

5

3

45

sff

     

  

 

sff

 

sf

sf

mf

Pno.

 

  V

       

     

 

 

sf

f

 

 

mf

Tpt

   3

 

3

Hn

sf

f

Cbsn



sf

f

  

 

B. Cl.



sf

 

A. Fl.

           

 







  

 

 

 



(f)

 

(f)

 



(f)

f



  



mf







 

f

f

    

 



 



(f)

 










 

46

    

   232

Fl.

 

A. Fl.

  

mp

sempre

 

 

                

3    

f

    

 

Oboe

fff

 

 

3

f

3

     



 

  

sff

     

sff

mp

with reed

   sff

fff

  

B. Cl.

Cbsn

Hn

 

3

  

 Perc.  

Vln I

 

Vla

 

Vc.

Cb.

 

sf

f

  

 3            sf submf

 



 

 



ff

 

 

 









  

    

    



       

     

sf

  

 



 

 

 

 





  

 



 



  



  f

  

   





    

 

 

 



ff

 

 



  



   

*Vln I, Vln II, Vla & Cb to be played behind the bridge; all with downbow

f

 



3



 

       





mf



3

        

mf



    

   

sff

   

mf





 ff

   ff

fff



mf

3      

 

             

            

   

  



3

  3    

sfff



3

        

 

 

sf

sf

sfff

    

 

   

ff

  

sff

 



   



 





       

 



 



 





       

  

 

 

 





       

   

       

 

3

       

  

sf

ff

mf

 

B.D.

          3

sf

submf

       

ff

 



 

3



sff

sf

mf

( sf )

sf

     

 



 

(B.D.)

sf submf

   ff 

   

 

    

mf

                             sf

     

 

sf

sff

Br. Dr.

  

     

 

3

f

sf



 

sf

 3   3            



  

sff

submp

 

f

fff

  

Vln II

pick up reed

f

ff

  

   

gliss.

mpsub.

E,Gtr.

    

     3  

 

Pno.

fff

Br. Dr. solo

mp

    



 

sf

      

 

 

   

mf

  

 

f

mp

f

Tpt

 

     

 

 



   







sff

sff

sff

sff

        

sff

 


W

  237

Fl.

Oboe



Perc.

Pno.

E,Gtr.

      ff

  

 

   





 

    

ff

  

 

  

 

cresc.

  

ord.

  

sff

  

  

  



cresc.

 

(randomly)



gliss.

  





∞

∞

   sf

sf

4)

3

    





  



within wire strings

∞

  

    



sfff

  

   

ff

  

∞

 

2

  

ff

(div.)

∞



 ∞

∞



∞

 



( fff )

(ord.)

 ∞

 

f

fff

(1

Wild ( relative pitch)

 ord.   

 

f

 

 

      

sf

        

sf



sff

f

fff

    cresc.

f

     

        

  

closer to the bridge; yet not sul. pont.      

 

       

∞

f

  

gliss.

 

ff

ff

 

cresc.



 

 



 

gliss.

 

∞

 

f

sfff

 





 

f

sf

∞

( staccato) ( lip gliss)

 

 



  

 3  

cresc.

  

   

 

submf

    

   

fff

ff

    

Wild

sff f



sff f



Inside Pno

     

 

  

gliss.

sf

f

 

      

 

fff

 

   

sf

f

    

gliss. w/ reed

Wild

fff

 ,  

ff

ff

sf

f



f



    

Wild ( relative pitch)

( staccato)

ff

 

gliss.



 3 

sfff

ff

  

sff f

f

ff

Cb.

gliss. w/ reed

   



         

 

Vc.

Wild

ff

      

sf

f

sf

   

ff

    

sf



f

f

 

Vla

3

  

sf



Vln II

f

f

47

        



W

Vln I

 

     



  

 Hn 

Tpt

 

f

B. Cl.

Cbsn

A. Fl.



    

 



 

ord.

 



f

 

  

        

  ()  

ff

  

f



    


48

     

f

ff

f

Hn

Tpt

ff

f



 Perc.  

E,Gtr.

Vln II

    

Vla

    

     

 

 

 

 



 

ff

6   5 3                     

ff

With Abandon     



fff

ff

  

  (high)





  ff



f

     

    Cb.  

gliss



  

3

mp

 

     

 ff

∞

3            

(L)

(semitone) 

 ∞

 



 

 





 







(any interval)

_> to tremelo gliss

sff

  

mp



 (any interval)



relative register

mf

mf

sff

 

mf

mf

_> to tremelo gliss

( sff )

∞ sf

(to any interval)

sff

 

 

 mf



sfff



sff

∞

sff





 

sff

 tremelo gliss



(R)



    5  

3

f

(R)

 

  

wide trill with jaw vibration

f

sf

 

   

        

(highest)

Br. Dr.



ff

simile

  

With Abandon

f

∞

∞

 

ff

      



∞

       

 

      



(L) fast glissando

 

 

       

 

sf

mp

∞

(end on downwards)

∞

∞

∞

               

z

(semitone)

∞

f



∞

 ∞

∞

   

6

3                 

f

   

gliss

Vc.

   

∞

5

ff

simile

Vln I

ff

f

3    

 



    

6       

3      

f

Pno.

f

   

 

3

simile

   

simile

simile

   

B. Cl.

Cbsn

   

  

Oboe

 



   



A. Fl.

ff

   



Fl.

    242   

(end on downwards) With Abandon

f

ff



 sfz

sf



 sfz



sf



 sfz





sf









sfz

sf

 sfz

sf

,

to very high register





sff

,

to very high register



sff

,

to very high register







sff

to very high register

,

sff

to very high register

,

sff

 


  X

  245

Fl.

A. Fl.

Oboe

B. Cl.

 

Coarse



 

 

   

      mf

 

mf

  



 

 

     



mf



 

sfff

 

sf

mp

f

submf

sff

ff subp

 

     

f

sf

on the Keyboard

 

   

mf

   

    

submf

 

   

 



     

 

  

3

3

  



  

 

ff sub.p

(p)





Br. Dr.





3

mf

 

pedaling accordingly until Rehearsal "Z"

      5

 

ff

  

fff

  

        subsff

  

Y ( q≈ca.132 )    

3

f

  

fff



3

 

 

gliss at the end

submf

 

rapid gliss.

f

submf

5

  

submf

sul D detaché

 

f

 submf

  

 

   

  

sul pont

     

 

 

sul pont



    ff

subsff

  

 



 

  

submp

 3  

 

 

f

cymbal gliss. (on edge)

 

  

3

poco a poco

    submp

mf



ff

Cb.

 

  

3  3      

cresc.



poco a poco

ff

X

Vc.



   



     

mp legato

fff

 

  

f

cresc.

staccato

 

    

    

  

legato

mp

Vla

3 3        3       

Vln II

 Perc.  

Vln I

49

( q≈ca.132 )

mf

E,Gtr.

Y Meno Mosso

 Hn

Pno.

 

submf

Tpt

 

submf

Cbsn

 

  

ord.

      

mf

   

sf

ord.

 

s.p.

mf


50

  253

Fl.

A. Fl.

  



 

3

3

3



3



 

3

 

3

3     

  3  



 3



 

      

  5

   

 

3

 

   

   

  

Cbsn

3

 3

3

3



  

mf

 

 mf



cresc.

poco

3

Perc.

   

 

 

5



Vla



    3  



Cb.



 

 

3

    

  

sf

 





f

sf

 

 

 

mp

sf

6

f

3

 

3   

mf



  

mf



  

 

    

  



mf



  

mf

 

B.D.

( mf )





      

5



sfz

5

ff

         

     



 

 

 

 

  



gliss. up

ff

(wider)





 

f

submf

 

rapid gliss.

  

  

ord.

  

 



sf

f



 

 

 



  

  

  

(detaché)



 

mf

 



mf

  sf

  

sf

 f

submf

f

    



submf

f

subsff







submf



   

mf

  

    

     

   

(f)

  

rapid gliss.

3

5

f

 



3

 



f

sf

ff

mf

 

 

sff

f

 

Vc.

3



 

.

   

Vln II



f

Vln I

3

f

poco

mf

 

E,Gtr.

 

f

   

  

sf

(f)

3

 

Pno.

 

a



mf

 

      Hn

Tpt

   3  

(cresc.)

 

B. Cl.

 

 sf

(cresc.)

subsff

Oboe

  3

   



 

sf

 

sf



 

 

sf

 sff



 

sf

f

 

sff

ff

 

 

sul III

sff

sf



gliss. up



gliss. up

   

scratch gliss




 

51 256  freely)   ( dynamic      

Fl.

,

     

,

 

  

  

,

ff

( dynamic freely)

  

A. Fl.

ff

( dynamic freely)  ,         

Oboe

    

,

 

,

   

     

,

 

,

  

ff

B. Cl.

3

3



f



3



mp

f



 



mp

 

    

3

,  

 

subp

  

sf

Cbsn

 

 f

sff

f

sub.p

Hn

  

sff

Tpt

   

sff

Perc.

 

Pno.

  



   

sfff

 

mp

mf

3

3

Vc.

 

sfff

 sfff

 sf

 

 

mp

subf

  







 





p

 

 

sff

3

3

 

sub.p

fff





sff

Improv. on Toms, with abandon

 

,

  

    



 

 

sff

   

,

  

 

5



 



   

 

6

 

 

    

f

sff

 



detaché



  

sfff

  

  



sff

 

 

 5



 



 

 5  

subsff

 sub.f

  

  

 

 

5

  sff

  

   sff

 

gliss.

 

gliss.

 

  5

    

5



   

5

 

5

  

 

 f

  

  



sff

f

 



sff

f

 

sff

f

sff

sff

tremolo gliss. down, sul II

 (mf )

detaché

gliss.

    

sff

sff

   sfff

Cb.

(mf )

Vla

ff

   

Vln II

 

mf

( dynamic freely)

sfff

Vln I

 

mp

mp

subp

sub.p

 

E,Gtr.





 

sul IV

sff



   subff

 

 


52

  258

Fl.

 

 

 

A. Fl.

 

Z  

f

  

B. Cl.

Cbsn

 

3



f



 



 

 



3

 



 



 

 

 

3

f

ff

 



Pno.

  Anvil

 



  

Vln I

 

Vln II

 

 

     

Vc.

 

    f

    f





   

3

(1.

Improv. on Br.Dr. and Toms, with abandon



3

   f

       



 

  

 



Cb.

sf

3

 3

3



   

3



 

3

(f)

(f)

sul IV



 

   f

3

   

 



   

3

  

 



   

3

 3



 

 

  

 



gliss. con molto vibrato

Z 

3

sff

sul II

   

cresc.

cresc.

3



sf

 sf

(following the shape)

gliss.

3

cresc.

sul III

 

cresc.

ff

ff



 

3

  

sf

 

  

sf



3

sul III

∞

sul III

3

∞

4.)

sf

gliss.



f

ff

3

INside Pno

ff





sfz

3.

ff



3



∞

2.

cresc.

sfff

(f)

(f)

  

cresc.

(f)

       

 

Br.Dr./Tom

f

Vla

gliss.

(f)

ff

f

3

sfz

E,Gtr.

 

(f)

 



cresc.

     

 

f

 

f

fff

p

 Perc.  

 

  





mf

Tpt

 

cresc.

 

ff

f

 Hn

f

3

3

 



cresc.

f

Oboe



 3

cresc.

 ff

3

cresc.

 


 

( 2+3 )

  261

Fl.

Cbsn

Hn



3

Perc.

3

( cresc.)

3

    

  

   

3

( cresc.)

∞

5



  



5

  



5

    

5

   

        

5



3

 

   



( cresc.)

ff

 

ffff

E,Gtr.

Vln I

∞

∞

ffff

( cresc.)

   

Improvise on Tom-toms, with abandon

gliss.

       

Br. Dr.

ff

 

 



 



 

3

( cresc.)

 

3

 



 

3

  

5  

5

  

 

     

5  

 

3

( cresc.)

 

 

3

 

 

3

 

 

ffff

( cresc.)

3

 

5

  

3



5

 





 

 

 

ffff

 

 





3







gliss.

3

 

 







 

 



ffff

 

ffff





5     

( cresc.)

 



   

  

ffff

( cresc.)

 ffff

cresc.

wide trill with jaw vibration        

(highest possible)

( cresc.)

Cb.

53

sfff

ss. gli

Vc.

 

(quick gliss on beat 5)

 

Vla

f

 

Vln II



(straight gliss up to the highest)

Pno.



 

ffff

5



  

∞

∞

  

 

ffff

cuivré





ffff







( cresc.)

Tpt





 

ffff



5

( cresc.)

B. Cl.



( cresc.)

Oboe

 

ff

3

A. Fl.

5         

 

 

 

gliss.





ffff







3



submf

   

sffff


54

  .265

Fl.

( voice)

Alt. Fl.

( voice)

Ob.

Cbsn



( voice)



( voice)



( voice)

Tpt



Perc.

Z1

  sub.p  whispering A

sff .

gradually higher and louder

ch

A

 

gradually higher and louder

mf

  sub.p whispering

mf

sff

A

( voice)

sff

A



 

ch

gradually higher and louder

sff

B.D.

  sub. p

fff SHOUT

f

fff SHOUT

f

mf

fff SHOUT

loud speaking

 

cresc.

 

 

 

mf

  3

Pno.

E. Gtr.





.

sff .

A

 

ch

gradually higher and louder

Z1   

A

ch

sfz

 

 

f

fff

f

 

 

fff

               

 3 

         5

sul I II

 

gradually higher and louder

whispering

SHOUT

mf

       

loud speaking

whispering

             

 

(Inside Pno)

mf

sub.p

sub.p sff gliss. on two strings .

p

fff

f

whispering

SHOUT

loud speaking

sub.p

Br. Dr.

f

ch

fff

loud speaking

gradually higher and louder

fff

loud speaking

ch

p

SHOUT

mf

gradually higher and louder



SHOUT

  sub.p  whispering

A

loud speaking

sub.p A ch whispering

sff

f

mf

ch

sff

f

loud speaking

gradually higher and louder

 

mf

  sub.p  whispering

sff

B. Cl.

Hn

 

loud speaking

SHOUT

( voice)

sub.p sff gliss. on two strings; non div.

Vln I

              

sul III IV

 

mf

       

 

f

  

   

         

sul I II

fff

   

3   

         5

( voice)

A

  whispering

gradually higher and louder

loud speaking

ch

SHOUT

( voice)

sub.p sff gliss. on two strings; non div.

Vln II

              

sul III IV

 

mf

       

 

f

  

   

         

sul I II

fff

   

3   

         5

( voice)

A

  whispering

gradually higher and louder

loud speaking

ch

SHOUT

( voice) Vla

sub.p sff gliss. on two strings; non div.

              

sul III IV

 

mf

       

 

f

  

   

         

sul I II

fff

   

3   

         5

( voice)

A

  whispering

gradually higher and louder

SHOUT

loud speaking

ch

( voice) Vc.

sub.p sff gliss. on two strings; non div.

               

sul III IV

 

mf

       

 

f

  

   

         

sul I II

fff

   

3   

         5

( voice)

 

A

gradually higher and louder

whispering

sff sub.p gliss. on two strings; non div.

Cb.



              

sul III IV

SHOUT

loud speaking

ch

mf

             

f

 

   

sul I II

      

fff

   

5  3             


Senza Missura

Fl.

Ad libitum, ca. 5"

Z2 269    

(change breathing as much inaudibly as possible)

p

(voice)

Alt. Fl.

sffff

(voice)

Ob.

sffff

( ) p

diminuendo a la niente

 stop  <ROAR>

diminuendo a la niente

( )

.

(voice)

sffff

Hn

(voice)   <ROAR>stop 

 <ROAR>stop

(voice) 

 <ROAR>

(voice)

sffff

sffff

E,Gtr.

Vln I

sffff

Vln II

sffff

circa at Alt Flute's fading

 

scrape moving back and forth at far, in slow motion, with the pick

p sempre

.

diminuendo a la niente

( pp )

pp

swipe once quickly, let the strings buzz against each other

sfff

 

(guitar fades)

( ppp )

( pppp )

 

( Voilin I fades)

diminuendo a la niente

( ppp )

( pppp )

stop

( Voilin II fades)

( ppp ) diminuendo a la niente

 <ROAR>

( pppp )

  

stop

 

Vla

mf

ppp

diminuendo a la niente

sub.pp

(voice)

(continuous bowing)

stop

 <ROAR>

with occassional longer stroke cresc.

sub.pp

(voice)

ca. 3 sec. after the flextone

 <ROAR>

( )

( ppp )

sub.pp Senza Missura

sffff

()

( pp )

mp

Z2

( ) diminuendo a la niente

VVVVVVVVVVVVVV (Inside Piano)

(voice) 

p

(continuous bowing)

if possible, place a glockendspiel on top of the strings to glide along the strings

 

Strike on Flextone

sffff

 

(change breathing as much inaudibly as possible)

Flextone

pick up bow l.v.

sfff

stop

/    

Pno.

( )

( ppp )

( pp )

 

( )

Sus. Cymbal

Perc. 2

( ppp )

( )

sffff

Tpt

( pp )

()

 <ROAR>stop



( )

 <ROAR>stop

p

Cbsn

( )

(change breathing as much inaudibly as possible)

diminuendo a la niente

 

B. Cl.

55

ca. 25" sec.

(one bow) push hard to stop

sffff

(voice)

sffff

sffff

Cb.



(one bow) push hard to stop

sffff

(voice)

stop

 

Vc.

 <ROAR>

  <ROAR>

 submp

stop

with circular bowing

( solo Contra Bass fades)

  

FIN.


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Du Yun IMPECCABLE QUAKE (version with bass flute) by ScoresOnDemand - Issuu