IMPECCABLE QUAKE (2004)
CHAMBER ORCHESTRA
DURATION: ca. 10 minutes First Performance: International Contemporary Ensemble July 2004, Darmstadt, Germany
Instrumentation Flutes (doubles piccolo) 1 Bass Flute (doubles alto flute) Oboes Bass Clarinet in Bb Contrabassoon Horn in F Trumpet in C Percussion brake drums (2) anvil sus cymbal garbage can tam-tam temple blocks bongo conga tomtoms Bass drum flextone Whip Timpani Glockenspiel
Piano Strings (1.1.1.1.1)
Score in C
Impeccable Quake ICE version Du Yun
A
Flute
Intenso
q≈ ca.120
(2+3)
Score in C.
Bass Flute
Oboe
Bass Clarinet
sf
Contrabassoon
psub
sf
Horn
ff
psub
sf psub
sf
ff
mp
psub
Very loud and harsh noise
ff
ff
psub
* All percussion instruments to be played as let ring, unles a stop signed indicated otherwise
Percussion
Sus Cymb
p
Cluster
Toms
ff
mf
f
mp
( f)
3 3 3 3 ff
mf
3
3
mf
3
ff
3
mfsub
A
with compression
sf mfsub
ff
f
sff sf mfsub
Viola
Contrabass
fff
f
Violin II
Violoncello
5
ff
mf
distortion
with compression
sf
sf
Electric Guitar
Violin I
3 3 ff
Piano
ff
with piccolo trumpet with loud throat noise!
Trumpet in C
ff
sff
2
B. Fl.
Ob.
5
Fl.
Cbsn
B. Cl.
sf
Blow Air
Pno.
Blow Air
f
f
pp
( f)
Anvil
(Toms)
(bongos)
(Toms)
3 3 ff psub f
.
5
3
(Toms/BD)
3
sf
mfsub
6
p
f
6
p
5
quassi vibr.
5
quassi vibr.
E. Gtr.
pp
f
Perc. 1
sf
f
sf
( mf )
p
Hn
Tpt
f
sff
3
Garbage Can
f
p
quassi vibr. 5 6
f
mp
p sf p
3
Vln II
Vla
Vc.
sf
Cb.
sf
p
p
sf
sf
3
3
ff
psub
quassi vibr.
quassi gliss
3 3 p
vibr
quassi gliss
6
6
f
quassi gliss 6
(BD)
Vln I
sff
sff
3
p
f
p
Meno Mosso 8
Fl.
q≈ ca.100
( e≈ ca.200)
3
B. Fl.
Ob.
Cbsn
Hn
B. Cl.
mp
mf
Perc. 1
Pno.
E. Gtr.
ord.
Vln II
Vla
f
mp
mf
mp
mf
mp
mp
mf
mf
f
mp
mf
f
mp
f
f
p
(Br.Dr.)
(Anvil)
3
ff
ff
ff
f
mf
ff
sempre
p
f
f
palm mute (same as pizz with vibr.
ff
3
f
3
3
3
p
f
mp
Vc.
with much noise, as if eating sound
Bongo/Tom
Vln I
Cb.
mf
mp
Tpt
mp
f
f
4
18
Fl.
B. Fl.
quasi gliss
5
sf
Ob.
B. Cl.
Hn
mp
mf
mp
mf
p
Pno.
E. Gtr.
p
(bongos. conga)
Perc.
quasi gliss
Tam
G. Can
pp
Growl !
Tpt
pp
sf
pp
sf
Cbsn
mf
ff
ff
(bongo/tom)
3 3 5
ff
delay pedal
Vln I
Vln II
Vla
Vc.
Cb.
26
Fl.
B. Fl.
f
B. Cl.
Hn
Tpt
Perc.
Pno.
E. Gtr.
f
pp
pp
5
ord.
pp
f
f
pedal down, muddy sound
mf
mf
Vln II
Vla
anvil /br.dr.
ff
Brake Drums
hold bend
gliss.
pp
Vln I
Cb.
mp
Vc.
3
pp
pp
f
Cbsn
5
q≈ ca.112
pp
Ob.
mp
6
33
Fl.
B. Fl.
3
mp
Hn
Tpt
3
3
ord.
f
3
ff
ff
mp
3
mf
f
l
1.
l
4.
1.
pp
3
f
mp
improvise on any low sounds each staff indicate a group of sounds
f
pp
3
loud wail
f
mf
mf
3
mp
3
3
3
( mp )
B. Cl.
Cbsn
3
Ob.
l
1.
4.
l
l
4.
l
Perc. 1 improvise on any low sounds
Pno.
E. Gtr.
1.
sf
mp
l
l
4.
sf
mp
Vln II
Vla
Vc.
Cb.
l
l
4.
1.
l
l
4.
p
mf
Vln I
1.
3
sf
3
p
mf
quasi gliss
sf
pp
f
pp
7
36
Fl.
A1
B. Fl.
5
sf
sf
Hn
Tpt
f
sf
3
f
pp
f
3
5
ff
pp
1.
3
l
(Anvil)
5
3
3
3
f
(Tom/B.D.l)
3
3
3
3
3
ff
ff
pp
mp
(Br, Dr,)
pp
pp
B. Cl.
pp
Ob.
Cbsn
3
3
psub
ff
ff
3
Perc. 1
Pno.
E. Gtr.
l
1.
4. 4. 4. 4.
l
sf
sf
sf
pp
pp
f
pp
f
3
5
pp
3
f
f
p
pp
f
3
3
ff
delay pedal
A1
Vln I
Vln II
Strings Static!
flaut.--> con sord
Vla
Vc.
Cb.
con sord
con sord.
ppp sempre
flaut.-->
ppp
sempre
flaut.-->
ppp sempre
8
Fl.
B. Fl.
40
3
mf
3
B. Cl.
Cbsn
p
3
Ob.
--> vibr.
--> vibr.
mf
--> vibr.
mf
fpsub
Hn
Tpt
Perc. 1
Pno.
E. Gtr.
(B.D.)
soft mallet
f
with guitar picks
5
submp
Sus.cymb))
mf
ff
(delay pedal fades)
Vln II
5
p
Vln I
flaut.-->
flaut.-->
3
3
con sord
ppp
con sord
sff
-->ord
f
subpp
f
subpp
-->ord
ppp
mf
Vla
Vc.
Cb.
-->ord
( ppp )
f
subpp
f
subpp
mf
-->ord
( ppp )
mf
-->ord
( ppp )
mf
f
subpp
3
46
Fl.
q ≈ ca.56
B. Fl.
Molto Elusivo Grainier sound
B
pp
pp
Ob.
B. Cl.
sf
3
gliss.
Perc. 1
pp
(c.s.)
1.
Vc. 2.
pp
pp
p
mf 3
mp
gliss.
sul III
(c.s.)
gliss.
gliss.
(c.s.)
pp
to m.vibr.
p
pp
gliss.
Cb.
pp
to m.vibr.
7
mp
--> no vibr.
sul III
psub
to m.vibr.
3
mf
p
--> no vibr.
to m.vibr.
p
pp
Vla
f
pp
Vln II
3
B
Vln I
f
mp
to slow vibr.
mp
E. Gtr.
Pno.
mp
p
ppp
Tpt
3
p
con sord.
Hn 3.
(3+2)
mp
Cbsn
9
mp
mp
10
49
Fl.
B. Fl.
Ob.
Hn
-->to vibr.
--> no trem.
Perc. 1
1.
Pno.
3
Vln I
Vln II
Vla
3
3
sul IV 3
--> no trem.
gliss.
5
p
3
3
pp
p
III
one finger gliss
p
one finger gliss
2. 3
mp
Vc.
Cb.
gliss.
ord.
gliss.
gliss.
ord.
p
one finger gliss
gliss.
gliss.
--> no trem.
mf
p
3
E. Gtr.
pp
pp
-->to vibr.
p
Tpt
-->to vibr.
pp
B. Cl.
Cbsn
mf
mf
one finger gliss
3
3
53
Fl.
Ob.
B. Cl.
Hn
Tpt
Perc.
Vln I
Cb.
3
pp
mp
con sord. harmon, stem-out
pp
pp
bowed Sus. Cymbal
mp
ppp
3
f sempre
3
3
3
1.
f
3
4.
1.
3
mp
2.
3.
3
4.
3
one finger gliss
mp
3.
2.
sempre
non div. 3
3
l.v.
f
3
ord.
3
Vc.
pp
Vla
Vln II
E. Gtr.
11
Pno.
B. Fl.
Cbsn
3
3
mp
sul III
mp
3
12
56
Fl.
3
B. Fl.
mf
B. Cl.
Hn
pp
Ob.
Cbsn
p
sf
3
sf
3
pp
mp
3
mp
p
(mp)
(c.s.)
sf mp
Tpt
Perc.
mf
mf
mf
mp
mp
-->ord
gliss
7:8
p
mf
4
p
mp
mf
gliss
submp
mp
(Scratch out)
3
3
submp
lightly touch
3
6
mf
submp
mf
mf
1st stand. solo.
3.
2.
1.
ppp
Cb.
ppsub
Vc.
( bowed Tam-Tam) l.v.
Vla
3
Vln II
3
mf
Vln 1 SOlO
Vln I
(c.s.)
pp
E. Gtr.
Pno.
B. Fl.
B. Cl.
3
Perc.
Vln I
mp
3
p
p
5
3
p
f
3
Garbage Can
Cymbal
scrape
sf
sf
Br. Dr.
ff
Sus Cymb
p
sf
mfpsub
ord.
sf
3
5
roll on edge
mp
f
to fast and random gliss
5
6
senza sord
C
3
senza sord
senza sord
pizz.
sff
5
mf
mp sempre
f subp
f
sff
sfp
p
3
ppp
sul II,III,IV
sff
5
senza sord
sf
l.h. palm slap ppp on the upper register of the strings
Cb.
right arms very high cluster (fast!)
f subp
Vc.
sfp
mf
p sub.
mp
mf 5
mp
mf-
13
ppp
mp
l.v.
Vla
put reed back in
Cymbal
( bowed Tam-Tam)
Vln II
gliss. down
E. Gtr.
mp
5
sf
Pno.
q≈ ca. 72
p
5
sf
sf
Tpt
mp
sf
with reed
ff
mp
Hn
mp
Ob.
Cbsn
C
(2+3)
Jet Whistle
60
Fl.
p
arco
3
mp
14
Rubato (following C.B. solo)
65
Fl.
B. Fl.
3
f
To Ob.
3
3
mf
p
mf
3
p
Ob.
D Drammatico q≈64
p
f
to wide. vibr.
B. Cl.
p
Cbsn
Hn
3
3
3
f
p
3
p
f
p
mp
p
3
(mp )
mp
3
3
p
sf
sf
mf
sf (sub)
B.D.
E. Gtr.
Vla
3
3
mf
3
mf
scrape on wire strings
sff
espress.
3
f
vibr.
3
espress.
3
5
f
p
3
3
p
sf
mf
slide
mf+
f (p)
fade out
mp
mp
sf
p
3
wide vibr gliss sul IV
D
f
f
ord.
sfff
fade out mf p
wide smooth gliss sul C
ff rubato
(p)
3 3 3
ff
sul A
3
ff
3
wide gliss sul A
espress.
jete
sfff
p
aolo
Cb.
f
Vc.
Inside Piano
Vln II
Vln I
3
Pno.
Perc.
Tpt
excitingly 3 ff
ff
ord.
15
71
Fl.
mp
liss
3
B. Fl.
overblown (with noise)
to wide vibr.
ff
mp
mf
ff
ff
random multiphonic
Ob.
B. Cl.
Cbsn
Hn
mp sempre
Tpt
Perc.
cymbal
ff
Vln II
Vla
Vc.
5
ff
highest note screeching 3
ff
sff
sff submf
sfff
f
Cymb
to wide vibr.
M
M
coarse feel
3
5
sff
mf mf
fff
CInside pPno
z
very rapid small gliss (up and down)
6
Whammy Bar
ff
port.
sf
3
f
gliss 3
mf 3
gliss
non div.
mf
gliss.
3 ff
( sustain, to scratch tone) ( sustain, to scratch tone)
3
( sustain, to scratch tone)
( sustain, to scratch tone)
( sustain, to scratch tone)
3
(ff)
fff
submf
sff
ff sempre
f
( sustain, to scratch tone)
3
sff submp
sff submp
ff
ff
sff submp
3
mp
sff submp
mp
mp
*start the scratch sound approxmately to the position of the starting arrow; within the section, not necessarily alligned to each other
(aolo)
fff
sff
*start approx to the postion of the starting arrow; within the section, not necessarily alligned to each other
f
Cb.
E. Gtr.
Vln I
Pno.
.
sfff
E 16
76
Fl.
B. Cl.
Cbsn
Hn
(with noise) overblown
ff
Perc.
Pno.
E. Gtr.
ff
sff
ff
gliss.
f
gliss.
3
f
end abruptly pick up the extra reed
ff
sf p
ff
sf p
sf p
ff
ff
quick gliss
ff
f
quick gliss
ff
3
gliss.
3 (L) (R)
ff
3 3 3
f
sff
sff
mf
sf
sff mf (sub)
gliss. sff submf
sf
cresc.
3
3 ff
ff
sul III
sff mf (sub)
gliss. 3 3 3
)
(
gliss.
gliss.
sff mf (sub)
gliss.
sff mf (sub)
cresc.
cresc.
sff submf
gliss. mf
gliss.
( ff )
sff
gliss.
non div. III
IV
3
(sustain, to scrath tone)
ff
Garbage Can
cresc.
Brake Dr.
mp
whammy
3
ff
gliss.
3
sff
ff
f
- - endo
f
ff
end abruptly
cresc - -
sff
Improvising, in the given register, rapidly & dramatically
on the keyboard
f
- - endo
gliss.
ff
sff
Rip
Improvising, in the given register, rapidly & dramatically
ff
mf
ff
Cb.
mf
ff
cresc - -
mf
ord.
Vc.
ff
ord.
Vla
ff
3
Vln II
E Vln I
ord.
ff
wail
Tpt
(with noise) overblown
Ob.
sfff
B. Fl.
q≈126
IV
gliss.
III
sfz
3 3
ff
3
sff
82
Fl.
B. Fl.
B. Cl.
Hn
Perc.
ff
3
mp
fff
3
3
3
ord.
3
3
pick up Harmon mute
fff
ff
3
subp
blown air Voice: make shhh sound
3
blown air Voice: make shhh sound
mp
3
fff
W. Blk.
ff
fff 3
ff
f Inide Piano
3
3
Wild
E. Gtr.
small separated gliss
Vln I
On Keyboard
Pno.
fff
3
ff
3
3
staccato
p
Tpt
17
to wide vibr.
dynamic changes dramatically
wide trill with jaw vibration 1.
mp
with reed
make shhh sound
voice:
p
3
Ob.
Cbsn
3
fff
sus
3
slide and with disortion pedal
ff
3
sf
fff
dynamic well freely
sfz
3
small separated gliss
Vln II
small separated gliss 3
small separated gliss 3
sus,
3
(
wide gliss
3
con molto vibrato
)
fff
ff
3
3
3
3
3
3
3
3
fff
3
3
3
sff
3
3
3
3
mf cresc.
ff
sf
3
f
Cb.
(sul. II, III)
cresc.
Vc.
3
ff
Vla
3
3
3
3
3
18 ( 126
Fl.
q=e
q=e=(63) 63 )
F 86
change to piccolo
3
3
B. Fl.
3
Hn
B. Cl.
Cbsn
p
p
mp
3 3
3
mp
cumb l.v.
3
3
flautando
sf
poco a poco
3
mf
mf
3
poco a poco
ff
gliss.
ff (sub)
ff
mf
mp
ff (sub)
mp
3
ff
mf
con sord. Harmon, stem out
cresc.
lip bend
ff (sub)
gliss.
3
f
ff
Pno.
fingering: 4321, 4321... (R.H.) 3
B#
with more slide 3
p
F
(L.)
sfff
cresc.
Vln I
(R.)
sff
E. Gtr.
R.H. with on keyboard guitar pick
ff
3
mp
Vln II
Vla
mf
3 gliss.
mp
3 4
ff (sub)
poco a poco
ord.
-->sul pont.
-->sul pont.
mf
ff
mf
(loco)
mp
Vc.
Cb.
3
p
p
3
mf
mp
mp
mp
mp
ff
lip bend
mf
mp
p
(Buddha-head cmbal)
Perc.
cresc.
ord.
3
ff
p
Tpt
ord.
mp
p
Ob.
to PICCOLO
ff (sub)
sf
91
Fl.
3
B. Fl.
mp
Ob.
B. Cl.
Cbsn
Hn
mf
3
mf
mp
Tpt
Perc.
mp
5
3
gliss.
3
3
sf
3
gliss.
3
Vln I
3
Vla
f
mf
3
lip bend
mf
loco
to vibr.
3
mp
ff
6
5
3
subff 5
5
3 mf
3
(more dist)
ff
sul pont.
p
3
mp
mf
gliss.
( ) 3
3
gliss.
gliss.
gliss.
3
mf
3
mf
ord.
3
3
3
mf
con sord.
3
f
sul pont.
mf
f
q=84
mp
Cb.
gli3ss.
3
Vc.
ff
Vln II
ff
ord.
3
( mp ) cresc.
to blown air
distortion pedal
(1. Solo)
blown air
to vibr. 3
mp
with bridge pick-up
3
E. Gtr.
3
f
f
3
19
(2+3)
3
gliss.
3
sf
3
3
3
gliss.
Pno.
3
mf
3 3
mf
3
3
3
gliss.
f
gliss.
f
3
mp
3
q=84
3
f
p
3
3
( mf )
3
3
f
sf
95
Fl.
G (q=84)
20
ff
To A. Fl.
jet whistle
B. Fl.
Ob.
B. Cl.
Cbsn
Hn
ff
ff
ff
smack tone
sff
(a3)
Tpt
Perc.
Pno.
smack tone
sff
Anvil
Whip
blown air
p
fff
ff
(Timp.)
(Timp gliss)
mf
Vc.
Cb.
( fade out )
3
f
cresc. poco a poco
3
extremely high-notes; off fingerboard
6
7
5
subppp
(gli altri)
fade out
f
sf
con sord.
sul I
6
Unis
p
7
con sord.
5
p
7
extremely high-notes; off fingerboard
con sord.
Vla
( fade out )
G (q=84)
Vln II
blown air
pick up the handkerchief to muffle the oboe
(f)
(f)
Alto Flute
E. Gtr.
Vln I
to A.Fl.
ff
al tallone
pp
ord. with holding the mallet, if possible with circular bowing sul I
p
con sord.
sul IV
p
mp
99
Fl.
al tallone
pp
A. Fl.
21
smack
sff
B. Cl.
Cbsn
Hn
Tpt
Perc.
Pno.
E. Gtr.
Vln I
Ob.
p
fff
with reed noise
pp
mf
con sord Harmon Mute ( Stem Out)
-->to vibr.
(breathe as necessary) blown air
very fast, high, and indefinite pitches Double Buzz
take short breath as needed
ppp
MUFFLE
pp
(con sord)
sul I
6
7
p
very fast, high, and indefinite pitches
5
al tallone
pp
ppp
al tallone
Vln II
sul II
pp
al tallone Vla
al tallone Vc.
Cb.
change to sul III
p
dim. poco a poco
pizz.
sf
with a timpani mallet to slap the string
solo
sul I
f
22
103
Fl.
A. Fl.
Ob.
B. Cl.
Cbsn
Hn
Tpt
Perc.
ord.
3
pp
3
pp
Vln II
Vla
3
Glockenspiel
mp
Paper across the region
Solo
D# Eb G#
mf
con sord.
mp
pp
3
(c.s.)
pp
3
mf
pp
f
f 3
very slow bow
tast
mf
follow the motion
p
(1. solo) ( sul I )
Cb.
ff
put down the stick
with circular bowing
(very high pitch)
mp
neck pick up: (No compress)
gliss
f
tast
gliss
mf
tast
mf
f
Vc.
( Ab )
Vln I
3
q= ca. 80
ppp
E. Gtr.
Pno.
tast
mf
f
f
(D)
23
107
Fl.
breathy
mp
A. Fl.
Ob.
Hn
ord.
Perc.
Vln I
Vln II
Vla
5
5
--> molto vibr.
ord.
p
pp
3
ppp
3
Solo.
3
5
5
-->pont.
3
3
3
mf
-->pont.
ord.
5
pp
3
3
3
mf
mp
-->ord
3
f
m.v.
5
5
3
3
ord.
f
5 ()
lip gliss
ppp
3
mf
ppp
ppp
Cb.
3
ppp
Vc.
mp
vibr.
E. Gtr.
breathy
Pno.
(c.s.)
Tpt
pp
5
pp
B. Cl.
Cbsn
--> molto vibr.
3
-->ord
gliss
mp
mf
p
f
ppp
24
Fl.
113
ord.
p
(c.s.)
A. Fl.
m.v. 5
( ppp )
ord.
Ob.
pp
Hn
Perc.
5
5
mp
5
5
ppp
5
Vla
Vc.
7
7
3
gliss
3
tast
with little lip shake
5
5
ppp
-->ord
mp
7
7
7
gliss.
7
sempre f
f
to trem.
-->ord
tutti
-->ord
Tutti
ord.
-->pont
p
-->pont vibr. gliss p
tast
m.v.
mp
pp
5
3 3
ord.
mp
mp
Vln II
3
to trem.
5
10 mp
mp
Cb.
pp
5
Vln I
E. Gtr.
3
Pno.
m.v.
(c.s.)
Tpt
B. Cl.
Cbsn
5
pp
f ppsub
non div.
( mp )
vibr. gliss
25
118
Fl.
(c.s.)
A. Fl.
3
3
( ppp )
Ob.
B. Cl.
Cbsn
Hn
con sord
con sord
5
5
p
ppp
p
ppp 5
5
7
7
5
5
mp
nail gliss
7
5
5
5
7
7
ff
to trem.
5
-->pont vibr. gliss
(p )
Vln II
-->ord
sempre
-->pont -->ord
(p )
sempre
-->pont
Vla
(p )
-->pont
Vc.
-->ord
-->ord
-->pont
sempre
-->m. pont.
mf
Cb.
ppp
-->ord
Vln I
5
5
ppp
E. Gtr.
ppp
Pno.
5
( ppp )
Perc.
5
(c.s.)
Tpt
gliss
-->ord
p
gliss
-->pont
-->m. pont.
mp
mf
mpsub
-->Wide Vibr.
H
26
122
Fl.
Piu Mosso q=92
3
ppp
A. Fl.
Ob.
B. Cl.
5
3
Hn
5
ppp
Tpt
Perc.
f
3
3
3
with more slid in between
3
mp
p
-->ord
5
p
-->ord
3
3) gliss.
(1
2
3
p
mf
3
div. non
gliss.
mp
2
(sul II)
3)
mp
mp
ppp
(1
Cb.
ppp
H
Vc.
p
3
pp
gliss
-->pont
Vla
fff
E. Gtr.
Vln II
5
Vln I
ppp
slower the vibr.
mf
Pno.
3
gliss
ppp
ppp (c.s.)
p
con sord.
ppp
p
-->vibr.
ppp
3
ppp
Cbsn
3
p
p
non div
gliss.
mp
27
126
Fl.
A. Fl.
B. Cl.
Cbsn
Tpt
Perc.
Pno.
E. Gtr.
Vln II
Vla
Vc.
3
gliss
3
p
3
ppp
to vibr,
pp
to vibr,
ppp
to Anvil
pp
3
3
p
mf
5
mf
3 3
(mp)
cresc.
poco a poco
with circular bowing
Cb.
mp
Vln I
3
(c.s.)
Hn
Ob.
II III
s.p.
mp
ord.
with circular bowing
p
28
129
Fl.
mp
Ob.
3
f
Tpt
Perc.
Vla
Vc.
p
3
f
5
f
3
5
3
sf
5
sff
( Harmon, Stem out) 3
sff
3
5
5
3
( pp )
On the keyboard
mumbling
pp
3
sff
5
3
loco
5
3
6 mf-
Inside piano
sf
6 5 7
1
2
( mf )
(ord.)
mp
gliss.
gliss.
6
3
mp
s.t.
gliss.
mf
gliss.
6
col legno battuto sul IV
sub ff
3
p
(c.s.)
f
(circular bowing)
Cb.
sf
Anvil/Br.Dr
E. Gtr.
Vln II
sff
ppp
Vln I
3
f
senza vibr.
Pno.
sff
6
5
pp
(c.s.)
Hn
3
pp
Cbsn
6
f
6 5
ppp
3
pp
B. Cl.
3
mf
(2+3)
A. Fl.
mf
ricoche
sul pont
non div.
3
ff
5
ff
3
ord.
gliss. con molto vibrato
pizz.
arco
29
132
Fl.
I
5
6
5
Rubato
f
B. Cl.
Hn
Ob.
Cbsn
6
mp
5
A. Fl.
submp
6
3
5
5
5
mf
5
5
5
sub mp
sub tone
sff mf
3
3
senza sord
sub mp
ppp+
p
f
sub mp
5
f
3
f
sff mf
Tpt
3
change to picc.
(con sord.)
fff
5
mp
pick up the bow
Perc.
B.D.
ff
mf
Pno.
on the Keyboard
w/ pick (guitar)
5
l.v.
fff
E. Gtr.
ppsub
sff mf
sf
fff
I
Vln I
sus.
5
ord.
p
f
fff
senza sord.
fast glliss up & down
Vln II
fade out
mp
(sf )
senza sord.
fast glliss up & down fade out
Vla
(sf )
mp
fast glliss up & down
Vc.
Cb.
mp
ff
mp
gliss. (with scratch tone)
mf
f
espress.
fff
3 3 3
rubato
solo
ff
mf
3 mf
3 3 sul II
f (f)
30
137
Picc.
Tpt
Perc.
Pno.
Vln I
3
3
mp
pp
mp
p
sf
3
3
J
(Fl doubling picc)
5
3
sf
put own the bow
sf
mp
5
3
3
3
3
3
mf
J
p
p
gliss
f
ff
sul III
IV
f+
3 3
3
f
3 3
bow ord. pont
( slap the fingerboard, with the palm, in the upper register)
(c.s.)
mp
& &
on high register
Inside Pno with the pick
sf
bowed
Cymb.
p
sf
Vc.
Vla
f
Vln II
Cb.
molto vibr.
mp
.
E. Gtr.
breathy
B. Cl.
Hn
Ob.
(Fl doubling picc)
A. Fl.
Cbsn
sff
142
Picc.
f
3
f
mf
mp
sub ff
A. Fl.
3
(2+3)
fff
fff
31
.
lip bending
Oboe
Hn
Tpt
Perc.
mp
p
mp
senza sord.
Vla
ord.
3
--> ord
ord.
3
( mf )
3
pedal accordingly until rehearsal "R"
ff
on the Keyboard
3
3
trem gliss
mf
p
tast
sff
ff
mp
Vln II
Cb.
mf
3
pp
Vln I
Vc.
f
mp
mf
p
mp
mp
3
mf
E,Gtr.
sub ff
Pno.
B. Cl.
Cbsn
sfz
ff
s.p.
f
ff
tutti
32
K
146
Picc.
Hn
f
ff
3
ff
mp
3
f
3
f
3
p
(mp)
3
Pno.
ff
f
E,Gtr.
Vln II
Vla
Vc.
Cb.
ff
Unis. col legno battuto
sub ff
mp
cresc. poco a poco
3
mp
mp
3
cresc.
5
cresc. poco a poco
poco a poco mp
fltr.
port.
3
sub mp
ord.
f
ff
non div.
II
f
3
rubato
3
3
mp
mp
3
cresc. poco a poco
cresc. poco a poco
3
3
3
f
sub p
cresc. poco a poco
mp
f
3
3
cresc. poco a poco
poco a poco
mp
sub p
f
cresc.
behind the bridge arco I
f
subpp
f
ff
f
gliss (with scratch) ff
sff
L q ≈76
ff
mf
Bongo
sub ff
ff
3
f
small gliss
3
K
Vln I
ff
Br. Dr.
legato
legato
fff
f
ff
fff
ff
ff
Perc.
f
5
ff
Tpt
5
f
f
B. Cl.
ff
L q ≈76 Più Mosso
ff
Oboe
Cbsn
A. Fl.
Lo stesso tempo, (q=72)
gliss.
mf
3
f
mp
151
Picc.
Oboe
6
Cbsn
Hn
sf
sfz
5
mf
f
f
f
Tpt
Perc. 1
Vln I
6
5
f
Cb.
3
5
5
Br. Dr.
fff
5
sff
6
sf
3
stacato
5
3
gliss
M
ff
Staccato
ff
ord.
s.t.
5
6
(ord.)
gliss with scratch
3
gliss with scratch
(to scratch tone)
fff
gliss.
gliss.
3
ff
gliss
3
ff 3
Vc.
5
ff
Vla
ff
sf
Vln II
f
mp
sf
wih hard mallet
Cymb
E,Gtr.
sf
Pno.
f
ff
5
ff
ff
sf
ff
sf
Staccato
mf
B. Cl.
33
M Allegro, q≈ca.135
5
A. Fl.
ff
3
3
3
34
155
Picc.
A. Fl.
Oboe
B. Cl.
Cbsn
Hn
Tpt
Perc.
Vln I
3
3
3
ord.
5 f
3
3
f
5
sf
sfz
f
fff
5
ff
fff
sf
3
3
sfz
fff
fff
3
3
ff
(R)
fff
f
f
f
sfz
3
sf
fff
Cb.
f
f
sff
3
f
f
f
sff
Vc.
Vla
Vln II
E,Gtr.
3
Pno.
3
(L)
6
3
sfz
sf
f
fff
ff
ff
ff
ff
sfz
35
163
Picc.
A. Fl.
B. Cl.
Cbsn
Hn
3
f
Oboe
3
f
3
f
3
3
f
f
Perc.
E,Gtr.
Vln I
Vla
Vc.
Cb.
Cymb
loco
3
3
3
simile
simile
simile
simile
simile
3
ff
ff
sff
sfz
choke
(f)
f
div.
ff
N
fff
fff
(div.)
( ff )
fff
simile
ff
fff
fff
fff
( ff )
fff
( ff )
( ff )
( ff )
(f)
f
Vln II
ff
f
Pno.
f
Tpt
f
3
f
3
sf
N
36
171
Picc.
ff
A. Fl.
ff
ff
B. Cl.
Cbsn
Hn
Tpt
Perc.
Vln I
Vln II
Vla
Vc.
O
change to flute
3
f
f
sff
3
Garbage Can/Tom
3
ff
ff
Cb.
ff
mf
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3
3
sul II, III
ff
ff
3 3 3 3 3 3
ff
3
3
3
3
3
3
ff
3
3
ff
3
3
with more distortion
O
3
3 3 3
fff
3
mf
E,Gtr.
Pno.
Oboe
3
3
3
3
3
3
37
178
Fl.
f
A. Fl.
Cbsn
Hn
f
B. Cl.
sff
Oboe
3
f
3
3
3
P
f
3
sff
3
3
5
f
3
sff
sf
ff
f
f
Tpt
Perc.
E,Gtr.
Vln I
3
3
3
3
3 3
Vla
Cb.
3
3
3
3
3
3
3
3
3
Vc.
3 3
3
Vln II
f
Pno.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
P
3
3
3 5
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
5
3
3
3
5
3
3
3
3
3 3
3
3
3
3
3
3
sul pont.
38
185
Fl.
A. Fl.
3
3
sfz
5
Cbsn
Hn
Tpt
Perc.
Vln I
Cb.
f
sf
f
3
sf
sf
f
f
(f)
sfz
sff
f
mp sub
sff
sff
sfz
3
f
3
3
3
3
Vc.
f
sf
sffz
sfz
sf
Vla
Vln II
f
E,Gtr.
3
3
Pno.
3
mf
mf
B. Cl.
sfz
5 5
Oboe
Q
3
3
3
3
3
3
3
ord.
3
3
3
3
3
3
3
3
3
Q
sus.
3
3
3
gliss.
3
3
sfz
3
C F
3
3
3
3
3
3
3
(very high, off fingerboard) non div. sus.
5
6
6
5
cresc.
3
3
3
3
3
3
3
3
3
3
3
3
cresc.
3
(f)
3
3
gliss.
3
3
gliss.
5
ff
Fl.
A. Fl.
Oboe
B. Cl.
Cbsn
Hn
Tpt
Cb.
3
f
sf
3
3
3
3
3
3
f
Br.Dr/Cymb. hard sticks
3
f
3
f
f
(relative positions)
3
ord.
ord.
sff
(sul pont.) (relative positions)
sff
6
3
ord.
3
f
sf
f
sff
f
sf
ff
submf
mf
sff p sub
(p)
f
sf p
f
mf
f
mf
f
mf
f
ff
f
submp
5
submf
submf
psub
submf
submf
ff
f
ff
mf
R
ff
ord.
( sf )
mf
sfff
ff
sf
5
sf
5
5 (up semitone)
3
( sf )
sul pont.
sf
ff
(up semitone)
(toms)
sf
sff
( sf )
5
mf
( sf )
(relative positions)
sfp
(f)
5
(up semitone)
3
sf
(up semitone)
sf
sul pont.
5
5
sf
3
3
mf
(up semitone) 3
5
( sf )
sul pont. (sul pont.) positions) (relative
sul III IV non div.
pizz.
sff sf
non div.
sul pont. (relative positions)
sff
sf
sff
sul pont.
3
sf
3
mf
3
ff
3
sf
(up semitone)
f
Tam-tam
ff
ff
3
3
f
Meno Mosso, q≈108 c.
(up semitone) 5
f
f
3
f
ff
f
3
ff
sf staccato
Vc.
Vla
ff
sf staccato
Vln II
sf
staccato
Vln I
E,Gtr.
ff
Perc.
Pno.
3
191
39
R
ff
mf
mf
40
197
Fl.
Oboe
B. Cl.
mp
sf
sf
3 (up semitone)
mp
Hn
3
sf
Perc.
Pno.
E,Gtr.
Vln I
mpsub
Cb.
sf
5 3
5
3 5
sff
sff
mf
mf
ff
3
(accel.) cresc. poco a poco
submf
cresc.
poco a
poco
submf
sff
3
sff
3
sff
( sf )
*Slow to Fast, Accel the entire "S" section from
sff
poco a
f
submf
f
cresc.
poco
cresc.
(follow trumpets) l.v.
B.D.
ff
p
poco a
cresc.
poco a
sf
5
mp
f sempre
subf
subf
mf
3 5
f cresc.
mf
3
3
3
3
sfz
3
3
gliss.
3
ord.
sf
sff
3
3
sfz
( sf )
cresc. f
sff
sff
S q≈80 c.
sff
sff
sff
cresc.
poco a
poco a
poco
sff
poco
poco
mf
sfz
f cresc.
s.p.
f cresc.
sfz
f cresc.
trill only the top notes
(up semitone)
poco
(up semitone)
Vc.
subsf
Vla
Vln II
Accel.
sff
subf
mf
( sf )
sf mp sub
Tpt
mf
subsf
5
mp
Cbsn
5
mf sf
sf
S q≈80 c.
(up semitone)
subf
(up semitone) 3 5
A. Fl.
(up semitone) 3 5
q≈ ca.144 q≈ca.80 cresc. poco a poco until rehearsal number "T"
203
Fl.
3 3
Oboe
Hn
Tpt
3 3
fff
f
3 3
fff
f
3 3
B. Cl.
Cbsn
fff
f
A. Fl.
3 3
f
3 3
3
41
T q≈ca. 144
fff
fff
3
fff
fff
Can/Cymbal.
Perc.
Pno.
E,Gtr.
solo
pp
ff
3
3
fff
3
3
3
f
sf
fff
3
fff
Vln I
Vln II
T
pizz.
ff
pizz.
ff
Vla
pizz.
ff
Vc.
pizz.
ff
Cb.
pizz.
ff
42
211
Fl.
sf
A. Fl.
Oboe
sf sub.p
Cbsn
Tpt
(p)
Pno.
E,Gtr.
f
ff
mp
mf
sf
mf
gliss
mf
gliss
f
sf
arco
(f)
arco
unis.
sf p
arco
sul pont.
f
sf
sf p
div.
mp
sf
mp
sf mp
sf
sf
sf p
sff
pizz.
pizz.
sf
f
sf
sul III IV
mp
sf
ord
sf
f
sf
f
sf
f
s.p.
submp
sf p
sf
f
mf
sf
sf
f
Cb.
mp
sf
Vc.
sf
mp
submp
Vla
f
Vln II
sf
mp
Vln I
mp
mp
(p)
f
f
mp
Perc.
sf sub.p
Hn
mp
sf
B. Cl.
sf
pizz.
sf
mp
218
Fl.
A. Fl.
sf
Oboe
B. Cl.
ff
U
ff
43
mp
legato
ff
mp
f
sf
3
sf
Cbsn
Hn
fltr.
sf
Tpt
Perc.
Pno.
E,Gtr.
Vln I
Vln II
Vla
Cb.
mp
3
mp
muffle gliss
f
pizz.
arco
f
sf
l.h. palm hitting the strings on G
sf
(D#)
f
mp
sff
mp
f
mp
arco f
p
mf
5
5
5
5
mp
U
f
f
submp
sf
sf
submp
3
f
sf
sf
arco
(f)
f
(D#)
sf
f
mp
subp
f
mp
sf
mp
mp
mf
(f)
mp
Vc.
staccato
staccato
sf
f mf
f
sf
sf
(f)
f
sff
mp
mp
sff
sff
mp
mp
mp
sff
submp
f
sf
f
sf
44
223
Fl.
A. Fl.
Hn
5
mf
staccato
simile
mf
f
5
5
f
sf
sf
5
3
Tam-Tam L R
3
3
sf
sf
3
Tom-tom / B.D.
3
f
semitone up
sf
f
f
sf
3
3
sf
mf
mp
f
f
f
sf
f
mf
f
( mp )
mf
(L)
(R)
f
(
sul II
)
sf
3
3
(extremely high note)
gliss.
3
3
( mf )
( mf )
s.p.
sff
3
3
ff
sf
( mf )
mf
3
ff
mf
( mp )
3
(extremely high note)
gliss.
mf
mp
sf
)
( mf )
mf
( mp )
(
3
(extremely high note)
gliss.
(small gliss at the end)
Bongos W. Blks.
Vc.
sf
sff
Vla
3
f
3
sf
simile
sf
mf
Vln II
( mp )
Cb.
Vln I
staccato
E,Gtr.
ff
cresc.
Tpt
Pno.
f
ff
f
cresc.
Perc.
sf
cresc.
Cbsn
B. Cl.
sf
cresc.
Oboe
3 div.
(f)
sf
ord.
mf
3
(f)
div.
3
3
3
3
3
3
3
3
non div.
ff
3
3
subff
3
3
227
Fl.
Oboe
sf
staccato
Perc.
staccato
ff
f
L
sf
3
B.D.
sf
f
,
,
sf
Vc.
fff
ff
gliss.
ff
sff
sub p
f
sf
(p)
fff
,
,
gliss.
f
ff
sfff
sul pont.
(p)
sfff
subp
mumbling
,
sff
gliss.
mf
f
5 sff
sff
f
f
sf
f
detaché
sf
(behind the bridge)
sff
(behind the bridge)
fff
(behind the bridge)
sf
(behind the bridge)
V
ff
sff
sf
Cb.
Bongo
mf
( ff )
Vla
sf
subp
gliss.
,
ff
sf
f
f
mp
( ff )
Vln II
5
f
sf
( ff )
Vln I
ff
E,Gtr.
3
R
sff
f
L B.D.
mf
5
3
45
sff
sff
sf
sf
mf
Pno.
V
sf
f
mf
Tpt
3
3
Hn
sf
f
Cbsn
sf
f
B. Cl.
sf
A. Fl.
(f)
(f)
(f)
f
mf
f
f
(f)
46
232
Fl.
A. Fl.
mp
sempre
3
f
Oboe
fff
3
f
3
sff
sff
mp
with reed
sff
fff
B. Cl.
Cbsn
Hn
3
Perc.
Vln I
Vla
Vc.
Cb.
sf
f
3 sf submf
ff
sf
f
ff
*Vln I, Vln II, Vla & Cb to be played behind the bridge; all with downbow
f
3
mf
3
mf
sff
mf
ff
ff
fff
mf
3
3
3
sfff
3
sf
sf
sfff
ff
sff
3
sf
ff
mf
B.D.
3
sf
submf
ff
3
sff
sf
mf
( sf )
sf
(B.D.)
sf submf
ff
mf
sf
sf
sff
Br. Dr.
3
f
sf
sf
3 3
sff
submp
f
fff
Vln II
pick up reed
f
ff
gliss.
mpsub.
E,Gtr.
3
Pno.
fff
Br. Dr. solo
mp
sf
mf
f
mp
f
Tpt
sff
sff
sff
sff
sff
W
237
Fl.
Oboe
Perc.
Pno.
E,Gtr.
ff
ff
cresc.
ord.
sff
cresc.
(randomly)
gliss.
∞
∞
sf
sf
4)
3
within wire strings
∞
sfff
ff
∞
2
ff
(div.)
∞
∞
∞
∞
( fff )
(ord.)
∞
f
fff
(1
Wild ( relative pitch)
ord.
f
sf
sf
sff
f
fff
cresc.
f
closer to the bridge; yet not sul. pont.
∞
f
gliss.
ff
ff
cresc.
gliss.
∞
f
sfff
f
sf
∞
( staccato) ( lip gliss)
3
cresc.
submf
fff
ff
Wild
sff f
sff f
Inside Pno
gliss.
sf
f
fff
sf
f
gliss. w/ reed
Wild
fff
,
ff
ff
sf
f
f
Wild ( relative pitch)
( staccato)
ff
gliss.
3
sfff
ff
sff f
f
ff
Cb.
gliss. w/ reed
Vc.
Wild
ff
sf
f
sf
ff
sf
f
f
Vla
3
sf
Vln II
f
f
47
W
Vln I
Hn
Tpt
f
B. Cl.
Cbsn
A. Fl.
ord.
f
()
ff
f
48
f
ff
f
Hn
Tpt
ff
f
Perc.
E,Gtr.
Vln II
Vla
ff
6 5 3
ff
With Abandon
fff
ff
(high)
ff
f
Cb.
gliss
3
mp
ff
∞
3
(L)
(semitone)
∞
(any interval)
_> to tremelo gliss
sff
mp
(any interval)
relative register
mf
mf
sff
mf
mf
_> to tremelo gliss
( sff )
∞ sf
(to any interval)
sff
mf
sfff
sff
∞
sff
sff
tremelo gliss
(R)
5
3
f
(R)
wide trill with jaw vibration
f
sf
(highest)
Br. Dr.
ff
simile
With Abandon
f
∞
∞
ff
∞
(L) fast glissando
sf
mp
∞
(end on downwards)
∞
∞
∞
z
(semitone)
∞
f
∞
∞
∞
6
3
f
gliss
Vc.
∞
5
ff
simile
Vln I
ff
f
3
6
3
f
Pno.
f
3
simile
simile
simile
B. Cl.
Cbsn
Oboe
A. Fl.
ff
Fl.
242
(end on downwards) With Abandon
f
ff
sfz
sf
sfz
sf
sfz
sf
sfz
sf
sfz
sf
,
to very high register
sff
,
to very high register
sff
,
to very high register
sff
to very high register
,
sff
to very high register
,
sff
X
245
Fl.
A. Fl.
Oboe
B. Cl.
Coarse
mf
mf
mf
sfff
sf
mp
f
submf
sff
ff subp
f
sf
on the Keyboard
mf
submf
3
3
ff sub.p
(p)
Br. Dr.
3
mf
pedaling accordingly until Rehearsal "Z"
5
ff
fff
subsff
Y ( q≈ca.132 )
3
f
fff
3
gliss at the end
submf
rapid gliss.
f
submf
5
submf
sul D detaché
f
submf
sul pont
sul pont
ff
subsff
submp
3
f
cymbal gliss. (on edge)
3
poco a poco
submp
mf
ff
Cb.
3 3
cresc.
poco a poco
ff
X
Vc.
mp legato
fff
f
cresc.
staccato
legato
mp
Vla
3 3 3
Vln II
Perc.
Vln I
49
( q≈ca.132 )
mf
E,Gtr.
Y Meno Mosso
Hn
Pno.
submf
Tpt
submf
Cbsn
ord.
mf
sf
ord.
s.p.
mf
50
253
Fl.
A. Fl.
3
3
3
3
3
3
3
3
3
5
3
Cbsn
3
3
3
3
mf
mf
cresc.
poco
3
Perc.
5
Vla
3
Cb.
3
sf
f
sf
mp
sf
6
f
3
3
mf
mf
mf
mf
B.D.
( mf )
5
sfz
5
ff
gliss. up
ff
(wider)
f
submf
rapid gliss.
ord.
sf
f
(detaché)
mf
mf
sf
sf
f
submf
f
submf
f
subsff
submf
mf
(f)
rapid gliss.
3
5
f
3
f
sf
ff
mf
sff
f
Vc.
3
.
Vln II
f
Vln I
3
f
poco
mf
E,Gtr.
f
sf
(f)
3
Pno.
a
mf
Hn
Tpt
3
(cresc.)
B. Cl.
sf
(cresc.)
subsff
Oboe
3
sf
sf
sf
sff
sf
f
sff
ff
sul III
sff
sf
gliss. up
gliss. up
scratch gliss
51 256 freely) ( dynamic
Fl.
,
,
,
ff
( dynamic freely)
A. Fl.
ff
( dynamic freely) ,
Oboe
,
,
,
,
ff
B. Cl.
3
3
f
3
mp
f
mp
3
,
subp
sf
Cbsn
f
sff
f
sub.p
Hn
sff
Tpt
sff
Perc.
Pno.
sfff
mp
mf
3
3
Vc.
sfff
sfff
sf
mp
subf
p
sff
3
3
sub.p
fff
sff
Improv. on Toms, with abandon
,
sff
,
5
6
f
sff
detaché
sfff
sff
5
5
subsff
sub.f
5
sff
sff
gliss.
gliss.
5
5
5
5
f
sff
f
sff
f
sff
f
sff
sff
tremolo gliss. down, sul II
(mf )
detaché
gliss.
sff
sff
sfff
Cb.
(mf )
Vla
ff
Vln II
mf
( dynamic freely)
sfff
Vln I
mp
mp
subp
sub.p
E,Gtr.
sul IV
sff
subff
52
258
Fl.
A. Fl.
Z
f
B. Cl.
Cbsn
3
f
3
3
f
ff
Pno.
Anvil
Vln I
Vln II
Vc.
f
f
3
(1.
Improv. on Br.Dr. and Toms, with abandon
3
f
Cb.
sf
3
3
3
3
3
(f)
(f)
sul IV
f
3
3
3
3
gliss. con molto vibrato
Z
3
sff
sul II
cresc.
cresc.
3
sf
sf
(following the shape)
gliss.
3
cresc.
sul III
cresc.
ff
ff
3
sf
sf
3
sul III
∞
sul III
3
∞
4.)
sf
gliss.
f
ff
3
INside Pno
ff
sfz
3.
ff
3
∞
2.
cresc.
sfff
(f)
(f)
cresc.
(f)
Br.Dr./Tom
f
Vla
gliss.
(f)
ff
f
3
sfz
E,Gtr.
(f)
cresc.
f
f
fff
p
Perc.
mf
Tpt
cresc.
ff
f
Hn
f
3
3
cresc.
f
Oboe
3
cresc.
ff
3
cresc.
( 2+3 )
261
Fl.
Cbsn
Hn
3
Perc.
3
( cresc.)
3
3
( cresc.)
∞
5
5
5
5
5
3
( cresc.)
ff
ffff
E,Gtr.
Vln I
∞
∞
ffff
( cresc.)
Improvise on Tom-toms, with abandon
gliss.
Br. Dr.
ff
3
( cresc.)
3
3
5
5
5
3
( cresc.)
3
3
ffff
( cresc.)
3
5
3
5
ffff
3
gliss.
3
ffff
ffff
5
( cresc.)
ffff
( cresc.)
ffff
cresc.
wide trill with jaw vibration
(highest possible)
( cresc.)
Cb.
53
sfff
ss. gli
Vc.
(quick gliss on beat 5)
Vla
f
Vln II
(straight gliss up to the highest)
Pno.
ffff
5
∞
∞
ffff
cuivré
ffff
( cresc.)
Tpt
ffff
5
( cresc.)
B. Cl.
( cresc.)
Oboe
ff
3
A. Fl.
5
gliss.
ffff
3
submf
sffff
54
.265
Fl.
( voice)
Alt. Fl.
( voice)
Ob.
Cbsn
( voice)
( voice)
( voice)
Tpt
Perc.
Z1
sub.p whispering A
sff .
gradually higher and louder
ch
A
gradually higher and louder
mf
sub.p whispering
mf
sff
A
( voice)
sff
A
ch
gradually higher and louder
sff
B.D.
sub. p
fff SHOUT
f
fff SHOUT
f
mf
fff SHOUT
loud speaking
cresc.
mf
3
Pno.
E. Gtr.
.
sff .
A
ch
gradually higher and louder
Z1
A
ch
sfz
f
fff
f
fff
3
5
sul I II
gradually higher and louder
whispering
SHOUT
mf
loud speaking
whispering
(Inside Pno)
mf
sub.p
sub.p sff gliss. on two strings .
p
fff
f
whispering
SHOUT
loud speaking
sub.p
Br. Dr.
f
ch
fff
loud speaking
gradually higher and louder
fff
loud speaking
ch
p
SHOUT
mf
gradually higher and louder
SHOUT
sub.p whispering
A
loud speaking
sub.p A ch whispering
sff
f
mf
ch
sff
f
loud speaking
gradually higher and louder
mf
sub.p whispering
sff
B. Cl.
Hn
loud speaking
SHOUT
( voice)
sub.p sff gliss. on two strings; non div.
Vln I
sul III IV
mf
f
sul I II
fff
3
5
( voice)
A
whispering
gradually higher and louder
loud speaking
ch
SHOUT
( voice)
sub.p sff gliss. on two strings; non div.
Vln II
sul III IV
mf
f
sul I II
fff
3
5
( voice)
A
whispering
gradually higher and louder
loud speaking
ch
SHOUT
( voice) Vla
sub.p sff gliss. on two strings; non div.
sul III IV
mf
f
sul I II
fff
3
5
( voice)
A
whispering
gradually higher and louder
SHOUT
loud speaking
ch
( voice) Vc.
sub.p sff gliss. on two strings; non div.
sul III IV
mf
f
sul I II
fff
3
5
( voice)
A
gradually higher and louder
whispering
sff sub.p gliss. on two strings; non div.
Cb.
sul III IV
SHOUT
loud speaking
ch
mf
f
sul I II
fff
5 3
Senza Missura
Fl.
Ad libitum, ca. 5"
Z2 269
(change breathing as much inaudibly as possible)
p
(voice)
Alt. Fl.
sffff
(voice)
Ob.
sffff
( ) p
diminuendo a la niente
stop <ROAR>
diminuendo a la niente
( )
.
(voice)
sffff
Hn
(voice) <ROAR>stop
<ROAR>stop
(voice)
<ROAR>
(voice)
sffff
sffff
E,Gtr.
Vln I
sffff
Vln II
sffff
circa at Alt Flute's fading
scrape moving back and forth at far, in slow motion, with the pick
p sempre
.
diminuendo a la niente
( pp )
pp
swipe once quickly, let the strings buzz against each other
sfff
(guitar fades)
( ppp )
( pppp )
( Voilin I fades)
diminuendo a la niente
( ppp )
( pppp )
stop
( Voilin II fades)
( ppp ) diminuendo a la niente
<ROAR>
( pppp )
stop
Vla
mf
ppp
diminuendo a la niente
sub.pp
(voice)
(continuous bowing)
stop
<ROAR>
with occassional longer stroke cresc.
sub.pp
(voice)
ca. 3 sec. after the flextone
<ROAR>
( )
( ppp )
sub.pp Senza Missura
sffff
()
( pp )
mp
Z2
( ) diminuendo a la niente
VVVVVVVVVVVVVV (Inside Piano)
(voice)
p
(continuous bowing)
if possible, place a glockendspiel on top of the strings to glide along the strings
Strike on Flextone
sffff
(change breathing as much inaudibly as possible)
Flextone
pick up bow l.v.
sfff
stop
/
Pno.
( )
( ppp )
( pp )
( )
Sus. Cymbal
Perc. 2
( ppp )
( )
sffff
Tpt
( pp )
()
<ROAR>stop
( )
<ROAR>stop
p
Cbsn
( )
(change breathing as much inaudibly as possible)
diminuendo a la niente
B. Cl.
55
ca. 25" sec.
(one bow) push hard to stop
sffff
(voice)
sffff
sffff
Cb.
(one bow) push hard to stop
sffff
(voice)
stop
Vc.
<ROAR>
<ROAR>
submp
stop
with circular bowing
( solo Contra Bass fades)
FIN.