Issuu

Augusta Read Thomas

HELIOS CHOROS II (Sun God Dancers)

Full score

from the G. Schirmer Rental Library Date of Printing_________

G. Schirmer, Inc. New York, NY

Augusta Read Thomas

HELIOS CHOROS II (Sun God Dancers)

commissioned by the London Symphony Orchestra with generous support of Martin Mellish, and the Boston Symphony Orchestra, James Levine, Music Director with generous support from the Harriett Eckstein New Commissions Fund

World premiere took place on 14 December 2008 conducted by Daniel Harding at Barbican Hall, London

American premiere took place on 15 October 2009 by the Boston Symphony Orchestra conducted by Ludovic Morlot at Symphony Hall, Boston

G. Schirmer, Inc. New York, NY

Instrumentation Piccolo 2 Flutes (2nd doubling Alto Flute in G) 2 Oboes English Horn 3 Clarinets in B= (3rd doubling Bass Clarinet) 2 Bassoons 4 Horns in F 4 Trumpets in C (1st and 2nd optional doubling on Piccolo Trumpet in B=) 2 Trombones Bass Trombone Tuba Percussion (4 players) 1. Glockenspiel, Marimba (5 octave), 4 Graduated W oodblocks, 2 Bongos, Claves, Large Suspended Cymbal (bow needed) 2. Vibraphone (motor off; 2 bows needed), Crotales (2 complete octaves; bow needed), 2 Conga Drums, 2 Triangles (small and large) 3. Tubular Chimes (if a low A chime is available, please use it. Minor third below middle C), 3 Suspended Finger Cymbals played with a triangle beater (small, medium, large), Claves, Snare Drum, Extra-large Bass Drum, Medium Tam-tam (bow needed) 4. Xylophone, Crotales (2 complete octaves; bow needed), Sizzle Cymbal (bow needed), 3 Triangles (small, medium, large), 4 Tom-toms, Very-large Tam-tam

Piano (doubling Celesta) 2 Harps Strings (approximately 16-14-12-10-8 players)

duration ca. 20 minutes

Transposed Score Grace notes come before the beat; rolled chords start on the beat All tremolos should always be faster than the sixteenth notes. Piano/Celesta should be located at the back of the orchestra, with the percussion. If two keyboard players are available, they might want to share the Piano/Celesta part, one playing only Piano, the other playing only Celesta. As this work is quite loud and brassy in some places, it is advised that the maximum number of string players be used Two extra percussion players may be used as assistants as needed. Unless otherwise specified, use the most common beater or mallet.

with admiration and gratitude to the London Symphony, the Boston Symphony, and Martin Mellish

HELIOS CHOROS II "Sun God Dancers" Spirited

Augusta Read Thomas (2008)

= 88–92

Piccolo

1 Flute

C Flute

(Alto Fl. in G) 2

1 Oboe 2

English Horn

solo 1

Clarinet in B

solo

playful, whimsical 3

playful, whimsical

Bass Clarinet

Bass Clarinet (Cl. in B 3)

1 Bassoon 2

2. 1 2 Horn in F

4. 3 4 1 2

Trumpet in C 3 4

Trombone

1 2

Bass Trombone

Tuba 2 Bongos 1 Vibraphone - motor off 2 Percussion

secco; blend with pizz.

Claves 3 2 Triangles 4

Celesta

Celesta (Piano) secco

Harp 1

DC B/EF G A

Harp 2

DCB/E FGA

Spirited

= 88–92

pizz.

I playful

Violin

pizz.

II playful pizz.

4 sole div. a 4

arco

Viola pizz.

playful

Violoncello playful pizz. Contrabass

Corrected 4/2010

Copyright © 2008 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY

2 6 Picc. fltg.

a2 fltg. Fl.

1. solo

1 2 poss. sempre 1

Ob. 2

Eng. Hn. punchy 1 Cl. in B

2 solo

(solo)

Bass Cl. percussive 1. solo Bn.

(solo) 5

1 2 percussive 1 punchy 2

Hn. in F

punchy 3 punchy 4 punchy 1 3 3

Tpt. in C

2 3. 3 4 solo

(solo)

1 3

Tbn.

percussive 2 3

Tuba Bs.Tbn. Tba. 3

(2 Bongos) 1 (Vib.) 2 Perc.

(Claves)

Bass Drum

Sizzle Cymbal 4 in background to Piano

Cel.

P.D.L.T.

Hrp. 1

E F

E G A

P.D.L.T.

Hrp. 2

arco

half: pizz. gli alt.: arco

tutti pizz.

arco

half: pizz. gli alt.: arco

tutti pizz.

arco

Vn. I zing!

Vn. II

tutte, unis.

arco

pizz.

Va.

arco

pizz.

arco

pizz.

Vc. 5

arco Cb.

pizz.

arco

3 11 Picc.

1 Fl. 2

Ob.

1 2

Eng. Hn.

1 Cl. in B 2

Bass Cl. 1. Bn.

1 2

2 Hn. in F 3

1 2 Tpt. in C 3 4

1 Tbn. 2

Bs.Tbn.

Tba.

4 Wood Blocks 1

2 Congas 2

Perc. 3

Pno.

over the next 11 measures is a very gradual crescendo to

Piano

Hrp. 1

Hrp. 2

Vn. I cantabile Vn. II

Va.

arco Vc.

Cb.

4 14 Picc.

1 Fl. 2 3

1 Ob. 2 3

Eng. Hn.

1 Cl. in B 2

Bass Cl.

1 Bn. 2

Hn. in F

1 2 3 4 st. mute

via sord.

1 3

st. mute

via sord.

2 3

Tpt. in C

st. mute 3 3

st. mute 4

Tbn.

1 2

Bs.Tbn. Tba.

(4 Wood Blocks) 1 (2 Congas) 2 Perc.

Claves 3

4 Tom-toms

on rim (clicking)

sub.

Pno.

ord.

Hrp. 1

(DC B/EFGA )

ord.

Hrp. 2

(DC B/EFGA)

Vn. I

arco Vn. II cantabile Va.

Vc.

Cb.

arco

5 18 Picc.

1 3

Fl. 2

1 Ob. 2

Eng. Hn. 1. Cl. in B

1 2

Bass Cl.

1 Bn. 2

Hn. in F

1 2 3 4

2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn.

Tba.

2 Perc.

Snare Dr. (snares off, felt mallet) 3 ord. (on drumhead) 4 3

Pno.

Hrp. 1

Hrp. 2

Vn. I 3

Vn. II

Va.

Vc. sub. Cb.

6 22 Picc.

1 Fl. 2 5

1 Ob.

Eng. Hn. 1. Cl. in B

(1.)

1 2

Bass Cl.

1 Bn. 2 a2 1 2 Hn. in F

a2 3 4 senza sord.

solo

1 3

2 Tpt. in C

(st. mute) 3 (st. mute) 4

percussive Tbn.

1 2 st. mute

Bs.Tbn.

Tba. (Wood Blocks) Glock.

(2 Congas) 2 Perc.

Claves 3 (4 Tom-toms)

(on drumhead)

Pno.

Hrp. 1

Hrp. 2

Vn. I sempre

Vn. II sempre

Va. 3

pizz. Vc.

Cb.

7 26 Picc.

1 Fl. 2

Ob.

1 2

Eng. Hn.

1 Cl. in B 2

Bass Cl.

1 Bn. 2

1 2 Hn. in F 3 4

solo Tpt. in C

bell-like senza sord.

sub.

bell-like

sub.

3 4

Tbn.

1 2

Bs.Tbn.

Tba.

4 Wood Blocks 1 Vibraphone 2 secco; blend with Harps

Perc.

3 Finger Cym.

Bass Drum

3 (4 Tom-toms) 4

Pno.

Hrp. 1

(DC B/EFG A)

Hrp. 2

(DC B/EFG A)

Vn. I

Vn. II div.

unis. arco

pizz.

Va. arco Vc.

Cb.

8 31 Picc. fltg. 1 Fl.

fltg. 2

1 Ob. 2

Eng. Hn. cantabile

2. Cl. in B

1 2 5

Bass Cl.

2. Bn.

1 2 1. solo

(1.)

1 2 percussive

Hn. in F

3. 3 4 solo

solo

percussive

1 solo

solo

2 Tpt. in C

(st. mute)

solo

via sord.

solo senza sord.

(st. mute)

solo

via sord.

solo senza sord.

1 Tbn. 2

Bs.Tbn.

Tba.

(Wood Blocks) 1

2 Congas 2 Perc.

sub.

Chimes

3 (Tom-toms) on rim (clicking)

ord. (on drumhead)

Ped.

rim shot

4 5

Pno.

cantabile

Hrp. 1

Hrp. 2

pizz.

(pizz.)

Vn. I arco

Vn. II div. arco

Va. bell-like pizz. Vc. 5

Cb.

tremolo at tip

9 36 Picc.

1 sub. Fl. 2 sub. 1 3

Ob.

Eng. Hn. 1. Cl. in B

1 2

Bass Cl.

Bn.

1 2

1. 1 2 Hn. in F

3. 3 4

1 3 3

2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

Glock.

sempre Vib. 2 3

secco Perc.

(Tub. Ch.)

Ped.

Sus. Finger Cymbals

3 3

(Ped.) Xylophone 4 3

sempre blend with pizz.; not in foreground

Pno.

Hrp. 1

Hrp. 2

div. 0

unis. arco

pizz.

Vn. I

5 3 0

div.

unis., pizz.

Vn. II

unis. Va.

Vc.

pizz. Cb.

pizz.

10 41 Picc. 3

1 Fl. 2

1 Ob. 2

Eng. Hn. (1.) Cl. in B

1 2

Bass Cl. 1. Bn.

1 2

1 2 Hn. in F 3 4

2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba. (Glock.)

(Vib.)

Crotales

2 secco

(Finger Cym.)

Perc.

3 3

(Xylo.) 4 5

Pno.

8va

gliss

Hrp. 1

E A

Hrp. 2

(DC B/E FGA )

tutti, unis. arco

div. 0

Solo 1 arco

Vn. I lyrical

Solo 1 arco 0

tutti, div.

pizz.

unis. arco

Vn. II espr. arco Va. sub. Vc.

Cb.

arco

trill and fltg.

46 Picc. trill and fltg.

Fl.

1 2

1 Ob. 2

Eng. Hn.

Cl. in B

1 2

Bass Cl.

Bn.

1 2 solo 1 2 solo

Hn. in F 3 4

1. solo 1 2 2. solo solo Tpt. in C

3 st. mute 4

1 Tbn. 2

Bs.Tbn.

Tba.

1 Vibraphone 2 Chimes

Perc.

Ped.

3 3

Ped. Crotales 4

Pno.

Hrp. 1

E F A

Hrp. 2

Vn. I

Vn. II 3

Va.

Vc.

Cb.

Relentless and intense* 49

Picc.

1 Fl. 2

1 Ob. 2

Eng. Hn.

1 Cl. in B 2

Bass Cl.

1 Bn. 2

1 2 2. Hn. in F

4 1. 2. 1 2 Tpt. in C

3 4 Tbn 1. take st. mute 1. Tbn.

1 2 2.

Bass Tbn. (straight mute) Bs.Tbn. Tba. Tba. Marimba 1 l.v. molto

(Vib.)

Crotales

2 (Ped.)

sempre Snare Dr.

Perc.

snares on/wooden sticks

Bass Dr. optional tacet

3 (Crot.)

4 Tom-toms (on drum head)

l.v. molto

on rim

Pno.

secco

Hrp. 1

Hrp. 2

F A

Relentless and intense* div. Vn. I gritty div. Vn. II

(pont.)

pont. Va. gritty (arco) Vc. gritty sul D

pizz. ord.

Cb.

*Note: Each player should punch out the accented notes. The different lines have accents in different places.

unis.

13 56 Picc.

1 Fl. 2

1 Ob. 2

Eng. Hn.

1 Cl. in B 2

Bass Cl. 2. 2. Bn.

1 2

1 2 2. Hn. in F

1. 1 2 Tpt. in C

(4.)

4. (st. mute)

3. 3 4 st. mute

via sord.

senza sord.

1 Tbn. 2

(Bass Tbn.: st. mute)

Tuba

Bs.Tbn. Tba.

(Marimba) 1 3

2 3

Perc.

(Bass Dr.) 3 ord.

on rim

ord.

Pno.

Hrp. 1

Hrp. 2

(div.)

unis.

Vn. I unis. div. unis.

div.

Vn. II

ord. Va.

Vc. arco Cb.

pizz.

arco

sempre

14 63 Picc. poss.

1 Fl. 2 solo

1 solo Ob. 2

Eng. Hn.

1 Cl. in B 2 take B Cl. Bass Cl. 2. Bn.

1 2 a2

a2 1 2 Hn. in F

a2 3 4

1 play F 2nd time only*

Tpt. in C

solo

4.: via sord.

play A-flat 2nd time only*

4. senza sord.

3 4 solo 1 Tbn. 2 a2 Bs.Tbn. Tba. (Mar.) 1

Vibraphone 2 dampen Crotales

Perc.

secco Chimes

Ped.

l.v. molto

3 Ped. Ped.

Xylophone 4

Pno.

secco

Hrp. 1

Hrp. 2

secco

8va

Vn. I 8va

Vn. II gritty

play B 2nd time only*

div.

Va. sempre Vc.

Cb.

*Note to conductor: Trumpet 2 & 3 and Violas play the final note in measure 66 only on the second time.

div.

Spacious and timeless

= 50

70 Picc.

1 Fl. 2

Ob.

1 2

Eng. Hn. espr.

1 espr. Cl. in B

2 B Clarinet 3

Bn.

Hn. in F

1 2

1 2 3 4 2.

Tpt. in C

1 2 poss. 3 4 1.

Tbn.

1 2 poss.

Bs.Tbn. Tba. solo Glock. 1

(Vibraphone)

sempre

solo

2 Perc.

3 Sus. Finger Cym. Ped. (until measure 84) with Trg. beater 3 Crotales

Small Triangle

4 pizz. (inside piano)

to Celesta

Pno.

â?‰

Hrp. 1

(DC B/EF GA)

E G

Hrp. 2

(DC B/EFG A)

Spacious and timeless

= 50 con sord.

a div.

Vn. I

con sord. b con sord.

sul E

a Vn. II

div.

sul G

con sord.

b sub. espr.

a sub. Va. b sub. con sord. a Vc. sul A

con sord. b espr. Cb.

sub.

16 accel.

77 Picc. 3

solo

1 Fl.

espr. 2

Ob.

1 2 solo 3

Eng. Hn. espr. poss. 1

Cl. in B

Bn.

1 2 solo 1. con sord. 1 2

Hn. in F 3 4 solo

1. solo-tone mute Tpt. in C

1 2 3

espr.

3 4

Tbn.

1 2

Bs.Tbn. Tba.

(Glock.) 1

(Vib.)

bowed

2 (Ped.) Perc.

Optional tacet on A. Play the A in this octave only, if there is an A chime available. Do not transpose by moving it up an octave. solo

Tub. Chimes 3

Ped. 4

Cel.

solo

l.v. molto sempre

Hrp. 1

C G A

resonant and lyrical

Hrp. 2

accel. a Vn. I b

switch to practice mute a Vn. II

switch to practice mute b

con sord. a 3

Va.

sul tasto

echo-like

b espr. a

echo-like

Vc. b (senza sord.) 3

Cb. espr.

Elegant and graceful

= 60 (Not slower, please)

82 Picc.

1 Fl. 2

1. Ob.

1 2 espr.

Eng. Hn.

Cl. in B

Bn.

1 2 1.

Hn. in F

1 2

3 4

Tpt. in C

1 2 3 4

Tbn.

1 2

Bs.Tbn. Tba.

1 mallets (bowed) 2 (Ped.)

Perc.

Ped. 3 Ped. 4

Cel.

solo

Hrp. 1

solo

Hrp. 2

l.v. molto sempre

solo

resonant

Elegant and graceful

= 60 (Not slower, please)

rubato Solo 1 a 3

Vn. I

espr.

via sord. b practice mute

a Vn. II

practice mute b sul tasto a (senza sord., sul tasto)

Va. b

a Vc.

pizz.

l.v. molto

b pizz. Cb. resonant and elegant

no octave substitution

18 Resonant and lyrical

91 Picc.

echo-like 1 Fl.

take Alto Flute in G

Alto Flute

solo

2 (1.) Ob.

espr.

1 2

Eng. Hn.

1 3

echo-like Cl. in B

espr.

echo-like

3 1. Bn.

1 2 echo-like

Hn. in F

1 2 3 4 1.

(solo-tone mute)

1 2 Tpt. in C 3 4 1. Tbn.

1 2 cantabile echo-like

Bs.Tbn. Tba. Glock.

Marimba 1 resonant; blend with pizz.

(Vib.)

Vibraphone

Sm. Triangle

2 (Ped.)

Perc.

3 Sus. Finger Cymbals (triangle beater)

Ped. (stays down for 10 measures)

Medium Tam-tam

Sm. Triangle

Medium Triangle

(Ped.)

3 3

Very Large Tam-tam

l.v. molto

Xylophone

l.v.

Very Large Tam-tam 3

4 Celesta

resonant

Cel.

P.D.L.T.

Hrp. 1

Hrp. 2

l.v. molto sempre

Resonant and lyrical (Solo 1 ) senza sord.

via sord.

tutti, pizz. (senza sord.)

sul A

a espr. Vn. I

senza sord.

Solo 1

ping sul D

b espr. via practice mute

senza sord.

via practice mute

senza sord.

Solo 1

a espr.

Vn. II

pizz. (tutti)

b via sord. a Va.

patient and still b patient and still a sempre, until measure 108

Vc.

echo pizz. sul G (pizz.) l.v. molto

arco

pizz.

pizz. molto vibrato

arco

div.: half of section play the E; other half play the C

echo pizz. l.v. molto

Cb. espr. echo harp

sim.

19 100 Picc. sim.

echo-like 1 Fl. echo-like 2

1 Ob. 2 solo Eng. Hn. 3

espr.

Cl. in B

3 solo

1 3

Bn.

cantabile 2 echo-like 1

Hn. in F

3 4

Tpt. in C

3 4 1. solo Tbn.

1 2 Tuba

cantabile

Bs.Tbn. Tba. echo-like sim. 1 bowed

Crotale (mallet)

2 (Ped.)

Perc.

(Medium Tam-tam)

Tub. Chimes

Small and Medium Triangles

Ped. Very Large Tam-tam

4 Piano ord. (on keyboard)

to Piano

Cel.

â?‰

(Ped.)

(pedal stays down for 14 measures)

ord.

Hrp. 1

solo

Hrp. 2

arco Solo 1 Vn. I espr. echo

tutti, unis. (senza sord.)

pizz.

Solo 1 arco

Vn. II unis. (senza sord.)

ord. pizz.

echo

Va. tutti, unis. arco 3

Vc. ( Cb.

sempre) distant and gentle (tutti) unis.

20 107

Picc.

1 Fl. (Alto flute) 2 echo-like 1 Ob. 2 solo

Eng. Hn. espr.

lyrical

1 3

Cl. in B

3 solo

solo

1 espr.

Bn.

espr. 2

via sord. 1 echo-like Hn. in F

3 4

Tpt. in C

1 2 3 4 (1.)

Tbn.

1 2 sub.

espr.

Bs.Tbn.

Tba.

Marimba

(Mar.)

sim.

1 blend with pizz. Large Triangle

blend with pizz. Vib.

Crotale

mallet

2 Perc.

Med. Tam-tam bowed

Ped.

3 Sizzle Cymbal

Xylo.

Large & Med. Triangle

Very Large Tam-tam

Pno.

(Ped.) 3

Hrp. 1

Hrp. 2

tutti, unis. senza sord.

P.D.L.T.

pizz. 0

Solo 1 arco

l.v. molto

ord.

tutti, pizz.

Vn. I (Solo 1 ) tutti, pizz. Vn. II

arco, sul C 3

Va. sempre; distant and graceful 3

div., pizz.

via sord.

unis. senza sord.

Vc. arco Cb. espr.

21 115 Picc.

1 Fl.

(Alto flute) 2

1 Ob. 2

Eng. Hn.

Cl. in B

1 Bn. solo 2

1 2 Hn. in F 3 4

Tpt. in C

3 4 1. solo Tbn.

1 2 espr.

sub.

Bs.Tbn. solo

solo

Tba.

sempre espr.

cantabile

Large Sus. Cymbal

Glock.

1 Vib.

bowed

2 Large Bass Drum l.v.

Perc.

Sus. Finger Cym. (triangle beaters)

Ped.

Very Large Tam-tam

l.v. molto

pizz. (inside piano)

ord. (on keyboard)

Pno.

❉

Hrp. 1

❉

P.D.L.T.

Hrp. 2

(pizz.) Vn. I (pizz.) Vn. II pizz. Va. div.

unis.

l.v. molto

Vc.

pizz.

arco

Cb. 3

cantabile

sul G

Playful and majestic 121

= 66

solo

Picc.

5 5

espr.

playful, while majestic 1 Fl.

take C Flute 2

1 Ob. 2

Eng. Hn.

Cl. in B

1 Bn. 2

1 2 Hn. in F 3 4 via sord. 1

2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba.

2 Perc. 3

to Celesta

Cel.

Hrp. 1

(DCB/E F GA ) ord.

Hrp. 2

(DC B /EFG A)

Playful and majestic

= 66

Solo 1

arco Vn. I espr. arco, sul G Vn. II unis. div., arco Va. playful arco Vc.

Cb.

23 125 Picc.

sub.

1 Fl.

1 3

Ob. 2

Eng. Hn. solo 1

solo Cl. in B

2 take Bass Clarinet 3

1 Bn. 2

1. senza sord. Hn. in F

solo

1 2 3 4 senza sord. 1

2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba. Marimba 1 3

(Vib.) (mallets)

2 secco Perc.

Ped.

Tub. Ch.

secco

3 secco

Ped.

Crotale, bowed

with mallet

Ped. 3 Triangles

Celesta secco

Cel.

â?‰

secco

Hrp. 1

Hrp. 2

trill slow to fast, and back to slower (no trill) tutti, pizz.

Solo 1 arco

tutti, div. pizz.

Vn. I 3

espr. div., pizz.

unis., arco

Vn. II div., pizz. Va. arco 2 soli, div.

pizz.

tutti, unis.

Vc.

Solo 1 Cb.

pizz.

3 soli

24 129 Picc. 3

1 Fl. 2

1 Ob. 2

Eng. Hn.

1 3

Cl. in B

2 Bass Cl. Bass Cl.

echo-like 1 Bn. 2 1. 1 2 Hn. in F 3 4

2 Tpt. in C 3

4 1. Tbn.

1 2

Bs.Tbn. Tba. (Mar.) 1

(Vib.) 2 Perc.

(Tub. Ch.)

Ped.

3 3

secco Xylo. 3

Cel.

â?‰

D E

Hrp. 1

Hrp. 2

unis.

Vn. I Solo 1

Vn. II 3

sub.

unis., arco

Va. Solo 1 (arco)

espr.

Vc. gli altri, pizz. tutti (pizz.)

arco, sul A

Cb. espr.

25 133 Picc. 3

1 Fl. 2

1 Ob. 2 3

Eng. Hn.

1 Cl. in B 2

Bass Cl.

solo 1 3

Bn.

espr. 2

1 2 Hn. in F 3 4

2 Tpt. in C 3

4 1. solo Tbn.

1 2

cantabile Bs.Tbn. Tba.

2 secco Perc.

secco

3 Ped.

Crotale

mallet

to Piano

Cel.

secco

â?‰

secco

3 3

Hrp. 1

solo

Hrp. 2

(pizz.)

Vn. I

Vn. II espr.

pizz.

Va. tutti, unis. arco Vc.

pizz. Cb.

26 (octave is optional) 8va

137 Picc.

3 3

1 Fl.

C Flute 2

1 Ob. 2

Eng. Hn.

1 Cl. in B 2

Bass Cl.

1 Bn. 2

1. 1 2 Hn. in F

3. 3 4 1. 1 2

Tpt. in C 3 4

1 Tbn. 2 (st. mute) Bs.Tbn.

Tba.

(Mar.) 1

(Vib.) 2

Perc.

(Tub. Ch.)

secco

3 secco

secco

Xylo.

Med. Triangle

Piano

secco

Pno.

secco

Hrp. 1

secco

(D CB/EF GA )

Hrp. 2

secco

(DC B /EFG A) (pizz.) Vn. I tutti, pizz.

Vn. II Sola 1 arco

tutte, pizz.

Va. pizz.

div.

unis.

Vc. (pizz.) Cb.

27 141 Picc.

solo 1

Fl. 2

1 Ob. 2

Eng. Hn.

1 Cl. in B 2 take B Clarinet Bass Cl.

1 Bn.

blend with pizz. 2 1. 1 2

Hn. in F

blend with pizz. 3 4 1. 1 2

Tpt. in C 3 4

1 Tbn. 2

Bs.Tbn.

Tba.

Glock. 1

2 (secco) Perc.

secco 3

Crotale

secco

l.v. molto

Pno.

secco

F A

Hrp. 1

Hrp. 2

Vn. I

Vn. II

Va.

Vc.

Cb.

Pizzicato escapade Quasi jig-like accel.

accel.

145 Picc.

1 3

Fl. 2 1. Ob.

1 2

Eng. Hn.

Cl. in B

2 B Clarinet 3

1 Bn. 2

1 Hn. in F

2 3. 3 4

Tpt. in C

st. mute 2

3 4

1 Tbn. 2

Bs.Tbn. Tba.

Marimba 1

(Vib.)

2 Triangles

2 secco

Perc.

(Tub. Ch.) 3 secco

Ped.

Xylo.

Crotale

Pno.

(secco)

secco

Hrp. 1

Hrp. 2

Pizzicato escapade Quasi jig-like accel.

accel. Vn. I

sempre div.

unis.

Vn. II sempre

div.

Va. arco

sempre pizz.

Vc. secco (pizz.)

sempre 3

Cb. sempre

unis.

(accel.)

= 80

149 Picc. 1. (1.) Fl.

1 2 espr. 1

Ob. 2 3

Eng. Hn. solo 1

sempre, but slightly in foreground Cl. in B

2 3 3

1 Bn. 2 1.

1 2 Hn. in F

4 1.

2.- via sord.

1 2 Tpt. in C

4 2. Tbn.

1 2 3

(st. mute)

Bs.Tbn.

Tba.

(2 Triangles) 2 3 Sus. Finger Cym. with triangle beater

Perc. 3

4 Tomtoms 4 blend with pizz.

Pno.

secco

Hrp. 1

Hrp. 2

(accel.)

= 80

Solo1 arco

Vn. I

Vn. II

Va.

Vc. 3

Cb. 3

30 Spirited

154 Picc.

1. Fl.

solo

1 2 3

1. Ob.

solo

sempre

slightly in foreground

1 2 slightly in foreground

Eng. Hn.

Cl. in B

2 3

1 Bn. 2 1.

1 2 Hn. in F

3 4 solo 1 senza sord.

solo

2 Tpt. in C

solo 3 solo 4 solo 1 3

Tbn.

solo

2 via sord.

senza sord.

solo

Bs.Tbn. solo Tba.

(Marimba)

Glock.

Vib. 2

Perc.

secco

(3 Finger Cym.)

Tub. Ch.

Ped.

3 3

(4 Tomtoms)

Ped.

Pno.

secco

Hrp. 1

Hrp. 2

tutti pizz.

Spirited

arco

Vn. I

arco

Vn. II

arco Va. cantabile 3

Vc.

Cb.

(arco)

31 Energized

159 Picc.

solo, in foreground 1 Fl. 2 solo, in foreground 1 Ob. 2 solo, in foreground Eng. Hn.

sub.

solo, in foreground

1 Cl. in B 2 3

1 Bn.

solo, in foreground 2

2 Hn. in F 3

Tpt. in C

2 4. 3 4

Tbn.

1 2

Bs.Tbn. Tba.

Sus. Cym. 1 Glock. (Vib.) 2 Perc.

Ped. 3 2 Triangles 4

Pno.

Hrp. 1

(D CB/EF GA )

Hrp. 2

(DC B /EFG A)

Energized pizz. Vn. I

pizz.

driving and intense

Vn. II 0

pizz. Va. driving and intense div., arco Vc.

Cb.

unis, pizz.

32 165 Picc. solo 1 poss.

Fl. 2

solo 1 Ob. 2

Eng. Hn. solo 1

Cl. in B

3 solo 1 poss.

Bn. 2

(1.)

1 2 Hn. in F

blend with pizz.

3. 3 4 1. 1 2

Tpt. in C 3 4

1 Tbn. 2

Bs.Tbn.

Tba.

4 Graduated Wood Blocks 1

2 Perc. 3

Pno.

secco

Hrp. 1

Hrp. 2

0 0

Vn. I driving and intense 0 0

Vn. II driving and intense

Va.

arco Vc. (pizz.) Cb.

33 170 Picc.

1 Fl. 2 1. Ob.

1 2

Eng. Hn.

Cl. in B

solo 1 cantabile Bn. 2 1. solo 1 2 Hn. in F

1 2 Tpt. in C

3. 3 4

1 Tbn.

solo 2

Bs.Tbn.

Tba.

Marimba 1

(Vib.) 2 secco

Perc.

(Tub. Ch.) 3 secco 4

Pno.

secco

Hrp. 1

Hrp. 2

Vn. I

arco

pizz.

arco

Vn. II sempre arco

pizz.

Va.

pizz. Vc. div. Cb.

arco

Majestic 175

Picc. (sneak breath) 1 Fl. 2

1 Ob. 2

Eng. Hn. solo 1 sempre brassy Cl. in B

1 Bn. 2 solo

solo, molto rubato 1

majestic

cantabile Hn. in F

3 4 solo, molto rubato (take plenty of time on all grace notes) 1 cantabile Tpt. in C

3 4

Tbn.

1 2

Bs.Tbn. Tba.

1 (Vib.) 2 Ped. Perc.

(Tub. Ch.) 3 Ped. 4

Pno.

â?‰

Hrp. 1

Hrp. 2

Majestic arco Vn. I espr. Vn. II

Va. espr. sub. arco Vc. espr. Cb.

35 Spirited

accel.

183

= 86–92

Picc.

1 Fl. 2

1 Ob. 2

Eng. Hn.

1 sub. Cl. in B

espr.

bell up (optional)

sub.

solo

take Bass Cl.

3 sub. 1 Bn. 2

Hn. in F

3 4

1 3

solo Tpt. in C

3 4

Tbn.

1 2 Bass Tbn.

Bs.Tbn. Tba. Sus. Cym. 1 Glock. (Vib.) 2 secco

Perc. 3 (2 Triangles) 4

solo

Pno.

secco

Hrp. 1

secco

D B E A

P.D.L.T.

Hrp. 2

B A

div.

accel.

Spirited

unis.

= 86–92 div., pizz.

Vn. I

Vn. II 3

div.

sub.

cantabile

unis., arco

div., pizz.

unis. Va.

cantabile div.

unis., pizz.

playful

arco

div., pizz.

Vc. unis (pizz.) Cb.

36 accel.

189 Picc.

8va

1 Fl. 2

1 Ob.

solo 2 solo

Eng. Hn. solo 1 Cl. in B

solo 2

Bass Cl. solo Bn.

1 2

Hn. in F

2 3.

(3.)

3 4 con sord. 1

2 Tpt. in C 3

Tbn.

1 2

Bs.Tbn. Tba. Marimba

Glock.

(Vib.) 2 Perc.

Ped. 3 Xylophone 4

to Celesta

Celesta

to Piano

secco

Pno.

solo

(DCB /E F GA)

Hrp. 1

poss.

ord.

Hrp. 2

accel. unis., arco

(D C B/EFG A )

sul E

sul A

pizz.

arco

Vn. I

Vn. II sub. sul C

pizz.

div.

unis. div.

unis.

unis. div.

arco

Va.

pizz.

unis., arco Vc. cantabile

Cb.

Dance-like

= 70

196

Picc.

1 Fl. 2

1 Ob. 2

Eng. Hn.

1 Cl. in B 2

Bass Cl. Bass Cl.

1 Bn. 2

Hn. in F

3 4 1. (con sord.) 1 2 Tpt. in C 3 4

1 sub. Tbn. 2 sub.

Bass Tbn. Bs.Tbn. Tba.

2 Bongos

solo

Marimba

1 secco (Vib.) 2 secco

Perc.

Claves

Ped.

Piano

blend with pizz.

Pno.

Hrp. 1

secco

Hrp. 2

secco

Dance-like

= 70

pizz.

Vn. I pizz. Vn. II pizz.

arco

pizz.

arco

pizz.

div.

unis.

Va.

Vc.

(pizz.) Cb.

*Note to conductor: The 4/8 measures are like momentary "interruptions."

arco

38 205 Picc.

1 Fl. 2 solo; bell-up optional

(bell ord.)

1 sempre, espr. Ob. 2 sub. Eng. Hn. sub. 1 Cl. in B 2

Bass Cl.

2. Bn.

(2.)

1 2

1 sempre; punchy Hn. in F

2 a2

sempre; punchy

3 4 via sord.

sempre; punchy

senza sord.

1 st. mute 2 Tpt. in C 3 st. mute 4 a2

2. Tbn.

1 2 Bass Tbn.

Bs.Tbn. Tba. (Mar.)

2 Bongos

solo

sub. 2 Triangles

(Vib.)

solo

2 2 Sus. Finger Cym. with triangle beaters

Perc. 3 Crotale 4

Pno.

secco

Hrp. 1

secco

Hrp. 2

secco

arco

pizz.

sul G

Vn. I

arco

pizz.

sul G

Vn. II div., arco unis., pizz. Va. pizz. Vc.

Cb.

punchy

39 213 Picc. 2.: take Alto Flute in G Fl.

1 2

1 Ob. 2

Eng. Hn. solo 1 Cl. in B

extrovert, playful 2

Bass Cl.

1 Bn. 2

1 cantabile Hn. in F

2 3. 3 4 1.

solo

1 2 Tpt. in C

cantabile

4. (st. mute)

3 4 solo 1 cantabile

Tbn. 2

Bs.Tbn. solo Tba.

1 solo 2 Perc. 3

Pno.

8ba

Hrp. 1

secco (for next 8 bars)

Hrp. 2

secco (for next 6 bars)

solo

arco Vn. I cantabile arco Vn. II cantabile

div.

unis.

Va.

div.

unis., arco

pizz.

Vc.

cantabile Cb.

div.

40 221 Picc.

Fl.

1 solo Alto Flute

Alto Fl. solo

sempre

1 Ob.

espr. 2

Eng. Hn.

1 Cl. in B

sub. 2

Bass Cl.

1 Bn. 2

solo 1

extrovert, playful Hn. in F

3 4

Tpt. in C

3 4

Tbn.

1 2

Bs.Tbn. 2 Tba.

Marimba 1

Large Triangle

solo

2 Med. Sus. Finger Cym. with triangle beater

Perc. 3

Xylo.

Large Triangle

Pno.

solo

P.D.L.T.

ord.

Hrp. 1

secco

P.D.L.T.

Hrp. 2

ord.

pizz.

Vn. I pizz. Vn. II

Va.

(pizz.) Vc. unis. Cb.

41 228 Picc.

Fl.

Alto Fl. extrovert, playful 1 Ob. 2

Eng. Hn.

1 Cl. in B 2

Bass Cl.

1 Bn. 2

solo 1 poss. Hn. in F

3 4 solo, molto rubato 3

1 3

(st. mute) Tpt. in C

extrovert, playful

3 4

Tbn.

1 2

Bs.Tbn. Tba.

(Mar.) 1

2 Perc. 3

Pno.

solo

Hrp. 1

solo

Hrp. 2

secco

Vn. I

Vn. II sul G Va. arco Vc. resonant Cb.

pizz.

42 235 Picc. solo Fl.

1 sempre

solo Alto Fl. bell up solo 1 Ob.

brassy 2

Eng. Hn.

1 Cl. in B 2 take B Clarinet Bass Cl.

1 Bn. 2 (solo)

solo 1 fanfare-like Hn. in F

3 4

Tpt. in C

3 4 1. Tbn.

solo

1 2

Bs.Tbn. Tba.

(Mar.) 1

2 Perc.

Very Large Bass Drum 3

Pno.

secco

Hrp. 1

secco

Hrp. 2

secco

Vn. I

Vn. II arco Va.

lyrical

Vc.

div.

unis.

div. unis.

Cb. sub.

43 243

Picc.

Fl.

1 3

6 3

poss.

take C Flute Alto Fl.

1 Ob. 2

Eng. Hn.

Cl. in B

1 Bn. 2

Hn. in F

3 4

1 (st. mute) Tpt. in C

3 4

Tbn.

1 2

Bs.Tbn. Tba.

Vibraphone 2 secco

Perc. 3

to Celesta

Pno.

secco (for next 5 bars)

secco

Hrp. 1

secco

secco (for next 6 bars)

secco

Hrp. 2

arco

pizz.

Vn. I

arco

pizz.

Vn. II pizz. 0

Va.

Vc.

Cb.

*Note: This 4/8 can also be thought of as 2/4 meter. There can be a slight lift before measure 250 so that the A in Flute 1 can be heard.

44 254 Picc.

8va

Fl.

C Flute

1 Ob. 2

Eng. Hn. 3

Cl. in B

2 Clarinet in B 3

1 Bn. 2

Hn. in F

3 4

Tpt. in C

2 take Harmon mute

solo 4. (st. mute)

3 4 sempre Tbn.

1 2

Bs.Tbn. Tba. Large bowed Sus. Cym.

(Marimba)

l.v.

1 (Vib.) 2 secco Perc.

Ped.

Tub. Ch. 3 secco

Ped. Crotales

(Large Triangle) 4

Piano

Celesta

Cel.

to Piano

secco

â?‰ 3

D E A

Hrp. 1

Hrp. 2

D B G A

div.

unis., arco

Vn. I poss. 0

arco

div.

unis.

Vn. II

div. arco

unis. pont.

Va. 3

arco pont. Vc.

Cb.

Jazzy; edgy

= 86–92*

265 Picc.

8va

1 majestic and broad

Fl. 2 1 5

sub.

1 5

Ob.

sub. 5

2 sub. Eng. Hn.

1 5

Cl. in B

sub.

(2.)

2 3

sub. 1 Bn. 2

Hn. in F

3 4

1 sub. Tpt. in C

(st. mute) 2 3. Harmon mute (stem in) 3 4

Tbn.

1 2

Bs.Tbn. Tba. Glock.

l.v.

1 3

l.v. 2

Perc.

secco

Ped.

secco

Ped. 3 5

Ped.

sub. Xylo.

l.v.

Pno.

l.v.

secco

❉

sub.

❉

Hrp. 1

rubato (D CB/EF GA )

Hrp. 2

secco

(DC B /E FGA)

Jazzy; edgy

= 86–92*

full downbow 5

Vn. I sub.

majestic and broad full downbow

(non div.)

sul A

Vn. II sub. ord.

(non trem.)

majestic and broad

(non div.)

Va. 5

sub.

ord.

div.

unis.

Vc. sub. Cb.

*Note to conductor: From here to the end, the general tempo stays the same, but feel free to enhance the many different "characters of music" which exist here by pushing and pulling the tempo at times. But, please, no slower than 86 ever!

46 270 Picc.

1 3

espr.

Fl.

poss.

2 3

bell up (optional)

(ord. trill)

1 sub. (ord. trill)

brassy bell up (optional)

Ob. 2

brassy

sub.

(ord. trill)

Eng. Hn. bell up solo

brassy

1 3

Cl. in B

(2.)

2 3 3

1 Bn. 2 solo 1.

(2.) 1 2

Hn. in F

4. 3 4 2. (st. mute)

(2.)

1 2

Tpt. in C

3. (Harmon mute) 3 Harmon mute (stem in) 4 1.

Tbn.

1 2

Bs.Tbn. Tba. Claves 1 l.v.

(Vib.) 2 Perc.

(Tub. Ch.)

Ped.

secco

3 secco

(Xylo.)

Ped. 4

Pno.

secco

â?‰

secco

â?‰

Hrp. 1

l.v.

Hrp. 2

solo

full upbow

5 3

Vn. I 3

sub.

espr.

dramatic

full upbow

5 3

Vn. II sub., brassy

dramatic

Va. 3

sub., brassy

* Vc. (pizz.)

l.v. molto

Cb. poss.

*Frenetic, uneven, sporadic trill. Each player trills freely, independent of others.

47 275 Picc. synchronize rhythm with Bassoon 1 solo 1 brassy

Fl.

sub. reaching upward lyrically

sub.

2 solo 1 6

espr.

Ob. 2 3

Eng. Hn.

Cl. in B

3 synchronize rhythm with Flute 1 solo 1 3

Bn.

sub.

1 poss. Hn. in F

2 3 4 solo 1 majestic

Tpt. in C

3 4 Tbn.

1 2

Bs.Tbn. Tba.

2 Perc. 3

secco

Pno.

l.v. solo

Hrp. 1

l.v.

glis

Hrp. 2

(DC B /E FGA)

Solo 1 sul G 3

con sord.

very slow, uneven, sporadic tremolo

tutti

Vn. I 3 6

Solo 1

tutti

Vn. II 3

(non trem.) Va. 3

pizz. Vc. sul A (pizz.) Cb.

48 282 Picc. rubato

1 5

Fl.

sub.

2 solo 1

resolute

Ob.

playful

reaching upward lyrically 2

Eng. Hn.

Cl. in B

1 5

Bn.

con sord. optional 1 echo Hn. in F

3 4

Tpt. in C

3 4

Tbn.

1 2

Bs.Tbn. Tba.

2 Perc.

(Tub. Ch.) 3 secco 4

Pno.

Hrp. 1

Hrp. 2

speed up tremolo with cresc.

non trem. via sord.

senza sord.

Vn. I pizz.

Vn. II arco sul D

pizz. Va. resonant

espr. arco, sul A

Vc.

Cb.

pizz. 0

49 289 Picc.

1 Fl. 2 5

1 Ob.

majestic

playful

broad and lyrical

sub.

espr.

Eng. Hn.

Cl. in B

1 Bn. 2

(via sord.) 1

Hn. in F

3 4

Tpt. in C

3 4

Tbn.

1 2

Bs.Tbn. Tba.

(Vib.)

bowed

2 Perc.

Ped. 3

Pno.

solo

Hrp. 1

Hrp. 2

sul D

Solo 1

arco 3

Vn. I

playful Vn. II

Va.

Vc.

Cb.

50 296

lunga*

Picc. solo 1 Fl.

solo 2

1 Ob.

playful 2

Eng. Hn. bell up

1 6

Cl. in B

1 Bn. 2 lunga* 1. (senza sord.) 1 2 Hn. in F 3 4

Tpt. in C

1 2 3 4

1 Tbn. 2

Bs.Tbn.

Tba.

lunga* 1 Small and Large Triangles 2 Perc.

(Tub. Ch.) 3

Crotales

Ped. l.v. molto

4 secco

Pno.

Hrp. 1

D C

(D C B/EF GA)

Hrp. 2

lunga* tutti (arco)

(Solo 1 ) Vn. I 3

playful

tutti (arco) Solo 1

arco

Vn. II espr.

playful Sola 1

Va. pizz. Vc.

Cb.

*Note to conductor: The fermata at the end of measure 300 should be very long.

tutti

301

Pizzicato rollick Quasi jig-like

Picc.

1 quasi pizz.-like

Fl. 2 solo

quasi pizz.-like

1 3

Ob.

sub.

cantabile

2 quasi pizz.-like Eng. Hn. quasi pizz.-like 1 quasi pizz.-like Cl. in B

2 quasi pizz.-like 3

1 quasi pizz.-like

Bn. 2

quasi pizz.-like 1 2 Hn. in F

3. 3 4 1 2

Tpt. in C 3 4

1 Tbn. 2

Bs.Tbn.

Tba.

Marimba 1 sempre 2 Perc.

Medium Tam-tam

Claves 3

Xylo.

Crotales

Pno.

sempre

â?‰

Hrp. 1

blend with pizz.

Hrp. 2

(DC B /E FG A)

blend with pizz.

Pizzicato rollick Quasi jig-like Vn. I

pizz. Vn. II pizz. Va. (pizz.) Vc. sempre (pizz.) Cb. sempre

div.

unis.

div.

52 Energized

306 Picc.

1 Fl. 2 sempre 1. Ob.

1 2 sempre

Eng. Hn.

Cl. in B

3 3

1 Bn. 2

Hn. in F

2 4. 3 4 1.

(1.)

1 2 Tpt. in C 3 4

1 Tbn. 2

Bs.Tbn.

Tba.

(Mar.) 1

Vib.â€“mallets 2 secco

Perc.

Tub. Ch.

Ped. 4 secco; blend with pizz.

Pno.

secco

(

sempre)

Hrp. 1

Hrp. 2

div.

non div.

sempre

Energized unis., pizz.

Vn. I

pizz.

arco

Vn. II sempre unis.

Va. sempre

non div.

Vc.

Cb.

sub.

53 312 Picc. 3

1 3

sub.

Fl. 2

1 3

Ob.

sub. 2

Eng. Hn.

Cl. in B

2 3

1. Bn.

1 2 3

sempre Hn. in F

1 2 3 4 st. mute

via sord.

senza sord.

1 3

(st. mute) Tpt. in C

3 4

1 Tbn. 2

Bs.Tbn.

Tba.

(Mar.) 1 3

2 secco

Perc.

secco

3 secco

(Crotales)

secco

Pno.

Hrp. 1

Hrp. 2

sub.

secco

arco

pizz.

Vn. I 3

sub.

Vn. II 3

sub.

Va.

Vc. 3 3

Cb.

54 318 Picc. 3

solo

1 3

Fl.

2 solo 1 3

Ob.

espr. 2 3

Eng. Hn. 3

1 3

Cl. in B

2 take Bass Cl. 3

1 Bn. 2

Hn. in F

2 3. 3 4

Tpt. in C

3 4 1 2

Tbn.

Bs.Tbn. Tba.

1 (Vib.) 2 Perc.

(Tub. Ch.) 3 (Crot.)

Ped.

Pno.

Hrp. 1

Hrp. 2

B F G

arco Solo 1 espr.

Vn. I

non trem. arco

gli altri 3

Vn. II 3

arco Va. 3

arco Vc. 3

sempre 0

Cb.

Majestic 324 Picc.

1 Fl. 2

1 Ob. 2

Eng. Hn.

1 Cl. in B 2

Bass Cl.

1 Bn. 2

1 2 Hn. in F 3 4

1 2 Tpt. in C 3 4 solo

rubato

1 brash; Mahler-like Tbn.

intense

solo

2 solo

Mahler-like

Bs.Tbn. brash; Mahler-like

solo

Tba. Mahler-like

2 Perc.

Bass Drum 3

Pno.

Hrp. 1

Hrp. 2

Majestic Solo 1 Vn. I gli altri

Vn. II

Va.

Vc. (no decresc.) Cb.

56 Florid

332 Picc.

5 5

Fl. 2

5 3

1. Ob.

1 2

Eng. Hn.

1 Cl. in B 2

Bass Cl. 1. Bn.

1 2 3

2 Hn. in F 3

optional tacet on high D

(1.)

1 2 Tpt. in C

3 4

1 3

Tbn. 2 3

Bs.Tbn.

Tba.

Glock. 1 (Vib.) 2 5 5

Perc.

(Bass Dr.)

2 Sus. Finger Cym.

secco

3 in background

Xylo.

4 5 3

secco Pno.

to Celesta

sub.

Hrp. 1

Hrp. 2

Florid tutti, unis.

Vn. I 5 5

arco Vn. II

5 5

pizz.

sul G 3

Va. pizz.

arco

Vc. 3

3 0

Cb. 3

arco

Pizzicato boogie Quasi jig-like

337 Picc. 5

solo 1

Fl.

(1.) Ob.

1 2

Eng. Hn.

1 Cl. in B 2 Bass Cl. Bass Cl.

1 Bn. 2

1 Hn. in F

2 4. 3 4 2. (st. mute)

Tpt. in C

solo

1 2 3. (Harmon mute) 3 4 st. mute 1

Tbn.

st. mute 2 cup mute

via sord.

Bs.Tbn.

Tba.

l.v.

Crotales 2 5

Perc.

Ped. 3 Sus. Finger Cym.

3 5

3 Triangles 4 5

blend with pizz.

Celesta

secco

Cel.

Hrp. 1

Hrp. 2

(D C B/EFGA)

sempre

(DCB /E F G A)

sempre

8ba

Pizzicato boogie Quasi jig-like

Solo 1

Vn. I 5

gradually slow down tremolo freely Vn. II

pizz.

sub. arco

pizz.

Va. div.

pizz.

unis.

Vc. (pizz.) Cb.

div.

unis.

58 342 Picc.

1 3

Fl.

poss.

2 2. Ob.

1 2

Eng. Hn.

1 Cl. in B 2

Bass Cl. 3

2. Bn.

1 2 poss. 1 3

Hn. in F

2 4.

3 4

1 (st. mute) 2 Tpt. in C

(Harmon mute)

via sord.

3 (Harmon mute)

via sord.

4 via sord. 1 Tbn. 2 Tuba Bs.Tbn. Tba.

Marimba 1

(Crot.)

2 Perc.

(3 Sus. Finger Cym.) 3 3

(3 Triangles) 4 5

to Piano

Cel.

Hrp. 1

Hrp. 2

(Solo 1 ) tutti (arco) Vn. I 3

div. Vn. II

Va. 3

Vc. div. 3

3 5

unis.

Cb. 3 5

unis.

div.

59 Nimble, spry and energized*

347 Picc.

solo 1 Fl. 2 solo 1 Ob. 2

Eng. Hn.

1 Cl. in B

sempre 2

Bass Cl. solo 1 Bn. 2

1 2 Hn. in F

4. 3 4 1.

solo

1. solo

1 2 Tpt. in C

4. senza sord. 3 4

1 Tbn.

solo

via sord.

2 senza sord.

solo

Bs.Tbn. sempre solo

solo

Tba.

sempre 2 Bongos 1 stop crotales

2 Triangles

2 Perc.

Sus. Finger Cym. 3

4 Piano

solo funky and jazzy

secco for next 11 measures

Pno.

Hrp. 1

D B

Hrp. 2

(DC B/EFGA)

secco

(D CB/E F G A)

secco

Nimble, spry and energized* unis. Vn. I div.

div.

unis., arco

Vn. II unis.

div.

arco

Va. arco

pizz.

Vc.

div.

unis.

arco

pizz.

Cb.

*Note to conductor: Measures 349-363: Please keep this as crisp, staccato and dry as possible. Everyone should punch out the accents when they occur.

60 353 Picc. 1. Fl.

solo

1 2 solo 1

Ob. 2 solo Eng. Hn.

1 Cl. in B 2 solo Bass Cl. solo 1 Bn.

solo 2

1. solo

2. solo

(2.)

1 2 Hn. in F

4. solo

3 4

1 2 senza sord. Tpt. in C

3 3

4 senza sord.

solo

1 Tbn.

senza sord. 2

Bs.Tbn. 3 3

Tba.

(2 Bongos) 1 2 Congas 2 Perc. 3 4 Tom-toms 4

sempre

Pno.

Hrp. 1

Hrp. 2

pizz.

Vn. I

unis., pizz.

arco

pizz.

Vn. II

pizz.

arco

pizz.

arco

pizz.

arco

pizz.

arco

pizz.

Va.

arco

pizz.

arco

pizz.

Vc.

arco Cb.

pizz.

div.

unis. arco

pizz.

61 358 Picc.

1 Fl.

solo 2 cantabile

Ob.

1 2

Eng. Hn.

1 Cl. in B

cantabile 2

Bass Cl.

1 Bn. 2

solo 1 solo

cantabile 2 Hn. in F

solo 3 solo 4 2.

solo (st. mute)

1 2 Tpt. in C 3 4 solo

solo

1 Tbn. 2 Bass Tbn. Bs.Tbn. Tba.

Glock. 1

2 Perc.

Med. Tamtam 3

to Celesta

Pno.

secco

Hrp. 1

Hrp. 2

arco Vn. I arco

cantabile

espr.

pizz.

Vn. II

arco

pizz.

Va. div.

arco

unis.

Vc.

div. Cb.

unis., arco

div.

pizz.

unis., arco

sub.

pizz.

arco

62 363 Picc.

1 6

Fl.

sub.

1 Ob. 2

Eng. Hn.

1 Cl. in B

Bass Cl.

Bn.

1 2

Hn. in F

3 4

1 via sord.

senza sord.

2 Tpt. in C 3 st. mute 4

Tbn.

1 2

Bs.Tbn. Tba. (Glock.) 1 5

Vib. 2 5

Perc.

secco

Tub. Ch.

Ped.

Sizzle Cym.

Ped.

Celesta

Cel.

secco

Hrp. 1

Hrp. 2

(DC B/EFGA)

(DCB/E F G A)

Vn. I 6

sempre

unis. div.

div., pizz.

Vn. II 5

arco Va. 5

pizz.

arco

Vc. sub. Cb.

63 368 Picc. rubato

solo 1 5

Fl.

cantabile

sub. 5

7:3

sub.

1 Ob. 2

Eng. Hn.

1 Cl. in B 2

Bass Cl.

1 Bn. 2

Hn. in F

3 4 st. mute 1

Tpt. in C

3 4

Tbn.

1 2

Bs.Tbn. Tba. Sus. Cym. (mallet) 1 secco

2 5

secco

Ped. 3 Sus. Finger Cym.

Perc. 3

3 Triangles 4

to Piano

Cel.

secco

â?‰

Hrp. 1

secco

Hrp. 2

secco

G A

pizz.

non div.

Vn. I

unis.

3 soli

tutti, pizz.

arco

Vn. II sul D

3 sole

tutte, pizz.

Va.

pizz. Vc.

Cb.

sul D

3 soli, arco

Two pizzicato crescendos Quasi jig-like

374 Picc.

1 sempre

Fl. 2

1 Ob. 2

Eng. Hn.

1 Cl. in B 2

Bass Cl.

1 Bn. 2

Hn. in F

2 3. 3 4

1 st. mute Tpt. in C

2 3. st. mute

(3.)

3 4 1. Tbn.

1 2 Tuba

Bs.Tbn. Tba.

1 (Vib.) 2 secco

Perc.

Claves

Piano

Pno.

to Celesta

secco

Hrp. 1

secco

Hrp. 2

secco

Two pizzicato crescendos Quasi jig-like

tutti Solo 1 arco

pizz.

Vn. I espr. sub. arco

Vn. II arco

pizz.

Va.

tutti, pizz. Vc.

(pizz.) Cb.

65 381 Picc.

solo 1 Fl. 2 solo

solo 1 Ob.

sub. 2 solo

Eng. Hn. solo 1 Cl. in B 2

Bass Cl.

1 Bn. 2

(1.)

1 2 Hn. in F

(4.)

3 4 via sord. 1 3

2 Tpt. in C 3 (st. mute) 4 2. Tbn.

st. mute

(2.)

1 2 Tuba

(Tuba)

Bs.Tbn. Tba.

4 Graduated Wood Blocks

1 3

2 Perc. 3 Very Large Tamtam 4 in background Celesta

secco; blend with pizz.

Cel.

Hrp. 1

Hrp. 2

div. 0

Solo 1 arco

unis.

Vn. I unis.

pizz.

div. unis. div.

Vn. II 3

div. 0

unis.

div. unis.

Va. sub. arco Vc.

arco Cb.

pizz.

66 386

Picc. 1. Fl.

(1.)

1 2 (solo) solo 1 sempre

Ob. 2

Eng. Hn.

1 Cl. in B 2 take B Clarinet Bass Cl.

1 3

Bn. 2

1. 1 2 Hn. in F

3. 3 4 senza sord. 1 (st. mute) 2

Tpt. in C

(st. mute) 3 (st. mute) 4 1.

Tbn.

1 2

Bs.Tbn.

Tba.

(4 Wood Blocks)

2 Perc. 3

to Piano

Cel.

Hrp. 1

Hrp. 2

(Solo 1 )

arco

tutti, pizz.

pizz. 0

Vn. I

Vn. II arco

Va.

Vc.

arco Cb.

*Note to conductor: Measure 389 is like an "after-thought".

pizz.

67 391

Energized and florid

Picc. 5

Fl. 2

5 5

1 Ob. 2

Eng. Hn.

Cl. in B

2 3

Bn.

1 2 1. 1 2

Hn. in F

3. 3 4

1 5 5

2 Tpt. in C

(st. mute) 3 (st. mute) 4 1.

Tbn.

1 2

Bs.Tbn.

Tba.

Glock.

l.v.

1 5

(Vib.) 2 5

secco

Tub. Chimes

Perc.

Ped.

3 secco Xylo. 4 5 5

Piano 5

5 5

secco

Pno.

Hrp. 1

(DC B/EFGA )

Hrp. 2

(DCB/E F G A)

Energized and florid arco

Solo 1

Vn. I sempre arco

1/2 - detached*

Solo 1 0

Vn. II sempre

1/2 - detached*

arco

pizz.

arco

gradually slow down tremolo

Va. arco

pizz.

Vc. (pizz.) Cb.

*Measures 392, 393, 397 & 398: The inside violin players (and viola players in m. 397 & 398) play detached. The outside players play the slurs as marked.

68 396 Picc. 8va

1 Fl. 2

1 Ob.

Eng. Hn.

solo

1 5

Cl. in B

5 5

playful solo

2 5

playful

1 5

Bn.

Hn. in F

1 2 3 4 5

1 5

(st. mute)

via sord.

(st. mute)

via sord.

senza sord.

2 Tpt. in C 3 (st. mute) 4 2. Tbn.

1 2

Bs.Tbn. Tba. (Glock.) 1 (Vib.) 2 Perc.

(Tub. Ch.)

secco l.v.

secco

3 secco

Crotales

Ped.

4 8va

Pno.

secco

(loco)

â?‰ 15ma

Hrp. 1

Hrp. 2

tutti 5

Vn. I 5

1/2 - detached tutti 5

Vn. II 5

tutte 1/2 - detached Sola 1 Va. 5

1/2 - detached

5 5

arco

5 5

Vc.

arco Cb.

69 401 Picc.

1 Fl. 2

1 Ob. 2

Eng. Hn.

Cl. in B

2 B Clarinet 3

Bn.

1 2

2 Hn. in F 3

Tpt. in C

3 4 1. Tbn.

1 2

Bs.Tbn. Tba. (Glock.) 1

(Vib.) 2 secco

Perc.

secco

3 Xylo. 4

Pno.

Hrp. 1

secco

8va

secco

Hrp. 2

full down-bow

Vn. I sub.

full down-bow

Vn. II sub. div.

full down-bow unis.

Va.

div. Vc.

Cb.

unis.

full down-bow sul A 0

pizz.

70 405

solo

Picc.

1 Fl. 2 6

1 Ob. 2 sempre

bold

Eng. Hn. solo 1 6

Cl. in B

2 bold

3 6

Bn.

1 2 1. 1 2

Hn. in F

3. 3 4

1 5

solo 2 Tpt. in C 3 (st. mute - metal) 4 1. 1 Tbn. 2

Bs.Tbn. Tba.

(Glock.) 1

Crotales 2 Perc.

(Tub. Ch.) 3

(Xylo.)

Ped.

Pno.

secco

Hrp. 1

Hrp. 2

Solo 1 Vn. I 5

detached

Solo 1

Vn. II 5

detached arco

div.

unis.

Va. 5

detached

3 soli

tutti

Vc. bold Cb.

71 409 Picc. 6

(B ossia) 1 5

Fl. 2

1 Ob. 2

Eng. Hn.

Cl. in B

2 sempre 3

Bn.

Hn. in F

1 2

1 2 3 4 optional tacet on C solo 1 3

solo 2 Tpt. in C

senza sord. 3

Tbn.

1 2

Bs.Tbn. Tba. (Glock.) 1

Vib. 2 secco

Perc.

2 Sus. Finger Cym. 3

(Xylo.) 4

8va

Pno.

secco

8va

Hrp. 1

Hrp. 2

8va

sul E

tutti Vn. I 5

sempre

div.

tutti Vn. II 5

sempre

unis.

div. Va.

Vc. sempre Cb.

NOTE: When HELIOS CHOROS complete (meaning Helios Choros I, Helios Choros II and Helios Choros III) is performed as one large composition, please omit measure 412 (the final measure) of Helios Choros II, and go directly into Helios Choros III.