John Harbison
THE GREAT GATSBY OPERA IN TWO ACTS Act I, Volume 1 Overture, Scenes 1 and 2
From the Rental Library of G. Schirmer, Inc. Date of printing:_______________
Associated Music Publishers, Inc. New York, NY
THE GREAT GATSBY OPERA IN TWO ACTS Act I, Volume 1 words and music by
John Harbison after the novel by
F. Scott Fitzgerald song lyrics by
Murray Horwitz tango lyrics by
F. Scott Fitzgerald
commissioned by the Metropolitan Opera to commemorate the 25th Anniversary of James Levine’s debut.
Associated Music Publishers, Inc. New York, NY
Characters:
Daisy Buchanan, a rich young socialite .......................................................................soprano Jay Gatsby, a wealthy man of mysterious background ....................................................tenor Tom Buchanan, Daisy’s husband, a former athlete .........................................................tenor Nick Carraway, her cousin, a young stock broker ......................................................baritone Jordan Baker, her friend, a golfer ....................................................................mezzonsoprano George Wilson, a garage mechanic ...................................................................................bass Myrtle Wilson, his wife ...................................................................................mezzonsoprano Radio Singer / Band Vocalist ...........................................................................................tenor Tango Singer .................................................................................................... mezzo-soprano Meyer Wolfshiem, a shady businessman ...........................................................................bass Henry Gatz, Gatby’s father..........................................................................................baritone Minister................................................................................................................bass-baritone Chorus of party-goers
Table of Contents Act I, Volume 1: Overture . . . . . . . . . . . . . . . . 1 Scene 1 . . . . . . . . . . . . . . . . 24 Scene 2 . . . . . . . . . . . . . . . 151 Act I, Volume 2: Scene 3 . . . . . . . . . . . . . . . 238 Scene 4 . . . . . . . . . . . . . . . 370 Act II, Volume 1: Scene 1 . . . . . . . . . . . . . . . Scene 2 . . . . . . . . . . . . . . . Scene 3 . . . . . . . . . . . . . . . Act II, Volume 2: Scene 4 . . . . . . . . . . . . . . . Scene 5 . . . . . . . . . . . . . . . Scene 6 . . . . . . . . . . . . . . .
474 571 641 731 766 821
Duration: approximately 2½ hours
Instrumentation Orchestra 3 Flutes ( 3rd doubling Piccolo) 2 Oboes English Horn 3 Clarinets in B= (2nd doubling Clarinet in E=, 3rd doubling Soprano Saxophone in B=) Bass Clarinet 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in C (3rd doubling Trumpet in B=) 3 Trombones Tuba Timpani Percussion (3 players) Perc. 1: Marimba, Glockenspiel, Flexatone, Bass Drum, Brake Drum, Cowbells, Triangle, Wood Drum, Tamtam, Auto Horn Perc. 2: Xylophone, Vibraphone, Steel Drums, Suspended Cymbals, Snare Drum, Castanets, Claves Perc. 3: Chimes, Crotales, Triangle (Telephone Bell), Siren, Crash Cymbals, Temple Blocks, Slapstick, Tamtam, Maracas Piano Harp Banjo Strings
Stage Band Clarinet in B=, doubling Soprano Saxophone in B= (Clarinet 3 from Orchestra) Trumpet in B= (Trumpet 3 from Orchestra) Trombone (Trombone 3 from Orchestra) Tuba (from Orchestra) Trap Set (Percussion 3 from Orchestra) Bass Drum, Tom–tom, Castanets, Cowbells, Wood Block, Snare Drum, Hi–hat, Ride Cymbal Piano (from Orchestra) Banjo (from Orchestra) Solo Violin
THE GREAT GATSBY Opera in Two Acts
Overture Cantabile
John Harbison
= 96
Piccolo sost. a2 Flute
1 2
Oboe
1 2
sost.
accomp. English Horn accomp. 1 Clarinet in B
accomp. 2 accomp.
Soprano Saxophone accomp. Bass Clarinet
Bassoon
1 2
sost. a2
sost. Contrabassoon sost. sost. 1 2 Horn in F
accomp. 3 4 accomp. 1 2
Trumpet in C
accomp. 3 accomp. 1 2
Trombone
accomp. 3 accomp.
Tuba sost. Timpani
Glockenspiel 1 4 Sus. Cyms. Percussion
2 Crash Cyms. 3 poco
Piano
sost.
8ba
Harp
sost.
8ba
Cantabile
= 96
I sost.
Violin II
sost. Viola sost. Violoncello sost.
div.
unis.
Contrabass sost.
Corrected 10/2001 Revised 08/2012
Copyright © 1999 by Associated Music Publishers, Inc. (BMI) New York, NY THE GREAT GATSBY © 1925 by Charles Scribner’s Sons, renewed 1953 by Frances Scott Fitzgerald Lanahan. All Rights Reserved. International Copyright Secured. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
2
HGG Overture 7
Picc. dim. (a2) Fl.
1 2 dim.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax.
Bs.Cl. dim. Bn.
1 2
(a2)
dim. Cbn. dim.
1 2 Hn. in F
Tpt. in C
dim.
3 4
1 2 dim. 3 dim. 1 2 dim.
Tbn. 3
dim. Tuba dim.
Timp.
(Glock.) 1 (Sus. Cyms.) Perc. 2 (non cresc.) 3
Piano
dim.
8
8ba
Harp
dim.
8
8ba
I dim. Vn. II dim. Va. dim. Vc. div.
dim.
Cb. dim.
3
HGG Overture 13
Rettorico
Picc. 5
(a2) Fl.
1 2
Ob.
1 2
5
non leg.
non leg. E.H. 5
non leg. 1 Cl. in B
5
non leg. 2
non leg.
Sop. Sax.
non leg. Bs.Cl.
Bn.
1 2
(a2), non leg.
non leg. Cbn.
1 2 Hn. in F
3 4 non leg.
1 2 Tpt. in C
non leg. 3
non leg. 1 2 Tbn.
non leg. 3 non leg.
Tuba
non leg. Timp.
1 (Sus. Cyms.) Perc. 2
3
Piano
trem.
ord.
trem.
8ba
Harp
ord.
8ba
trem.
ord.
Rettorico
trem.
ord.
non div.
I 3
Vn. pizz. II
div., pizz. Va. non leg. Vc. 3
(div.), non leg. Cb.
unis.
pizz.
4
HGG Overture 20
G.P.
=
G.P.
=
Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax.
Bs.Cl.
Bn.
1 2
a2
Cbn.
1 2 Hn. in F
Tpt. in C
3
3
3
3
3
3 4
1 2
3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
I
3
Vn.
(pizz.) II
(div., pizz.) Va. 3
Vc. 3
div., arco Cb.
3
unis., pizz.
5
HGG Overture 27
Allegro ( =
= 96)
Picc. (a2)
a2 Fl.
1 2
Ob.
1 2
a2
1.
a2 3
3
3
3
3
3
3
3
3
3
3
E.H. 3
3
3
3
3
1 3
Cl. in B 2
3
Sop. Sax. Bs.Cl. 3
1 3
3
3
3
3
Bn.
3
3
3
2
Cbn.
1 2 Hn. in F
3 4 1 2
Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
B.D. 1
Perc. 2
3
Piano
Harp
Allegro ( = pizz.
= 96) arco 3
3
3
pizz.
arco
pizz.
arco
pizz.
arco
I Vn.
3
(pizz.)
arco 3
3
unis. (pizz.)
arco
3
3
3
3 3
3
3 3
3
3
II 3 3
3
3
3 3
3
3
3
Va. 3
pizz. Vc. (pizz.) Cb.
3
6
HGG Overture 32
Picc. a2 Fl.
1 2
Ob.
1 2
a2
E.H. 3
3
1 3
Cl. in B
3
3 3
3
3
3
3
2 3
3
3
3
3
3
Sop. Sax. 3
3
3
3
3
Bs.Cl. 2. Bn.
a2
1 2
Cbn.
1 2 Hn. in F
3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
(B.D.) 1
Perc. 2
3
Piano
Harp
3
pizz.
3
I 3
Vn.
3
3
3 3
3
3
3
3
3 3
pizz.
II 3 3
3
3
3
pizz.
3
Va. (pizz.) Vc. (pizz.) Cb.
3
3
7
HGG Overture 37
*
Picc. (a2) Fl.
1 2
Ob.
1 2
(a2)
E.H. molto vib.
3
3
1 Cl. in B
molto vib.
3
2 solo
Sop. Sax.
Bs.Cl.
Bn.
1 2
(a2)
Cbn.
1 2 Hn. in F
3 4 cup mute, molto vib.
to cup mutes 1 2 Tpt. in C 3
cup mute, molto vib. to cup mutes 1 2 Tbn. 3
Tuba legg.
Timp.
(B.D.) 1
Perc. 2 0
Trap set
0
0
hi–hat
3 sm. B.D.
Piano
legg.
poco stacc.
Harp
(pizz.)
div., arco
gl.
*
I Vn.
(pizz.) II
(pizz.) Va.
(pizz.)
div., 1/2 arco
Vc. 1/2 pizz. (pizz.)
1 solo (pizz.)
Cb. marc.
*N.B.: members of the concertino (2 Cl., Sop. Sax., 2 Bn., 2 Tp., 2 Tb., Tuba, Perc., Pno., 4 Vn. I, and 1 Cb.) play but solo; firmly, with sentimental elegance.
8
HGG Overture 44
Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2
3
3
Sop. Sax.
Bs.Cl. molto vib. Bn.
1 2
Cbn.
1 2 Hn. in F
3 4 1. to plunger mute 1 2
Tpt. in C 3
1 2 Tbn. 3
3
Tuba
3
Timp.
1
Perc. 2 W.B.
cowbell
hi–hat
3
3
3
3
3
Piano
Harp
I Vn. II
Va.
Vc. (1 solo, pizz.) Cb.
0
9
HGG Overture 51 Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2
3
3
Sop. Sax.
Bs.Cl.
Bn.
1 2
Cbn.
Hn. in F
1 2 3 4
1., plunger mute 3
3
3
3
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2 choke
2 cowbells
3
Piano
Harp
I Vn. II
Va.
Vc. (1 solo, pizz.) Cb.
arco (1 solo)
3
3
10
HGG Overture 57
Picc.
Fl.
1 2
Ob.
1 2
E.H. stacc. 1 Cl. in B
stacc. 2
Sop. Sax.
Bs.Cl. stacc. Bn.
1 2
Cbn.
Hn. in F
1 2 3 4 3
3
3
3
3
3
3
3
3
3
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2 Cym.
+ Snare
3
Piano
legato
Harp
4 players div.
tutti
I Vn. II
Va. ½pizz. ½arco Vc. (1 solo) Cb.
11
HGG Overture 63 Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2 molto vib. Sop. Sax.
Bs.Cl.
Bn.
1 2
Cbn.
Hn. in F
1 2 3 4
1 2 Tpt. in C
non stacc. 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
solo
3
3
3
vib.
3
I 3
Vn. II
Va.
Vc. pizz. Cb.
3
12
HGG Overture 68
Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2 3
3
3
Sop. Sax.
3
3
3
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
3 4 1., plunger mute 1 2
Tpt. in C
3
3
3
3
3 mutes out
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2 wood block
cym.
(choke)
2 cowbells
3
Piano
Harp
(4 soli, unis.) 3
3
I Vn. II
Va.
Vc. arco (1 solo) Cb.
3
3
13
HGG Overture 73 Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2
3
Sop. Sax.
3
3
3
3
3
3
3
3
3
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
3 4 (1.) 1 2
Tpt. in C
3
3
3
3
3
3
3
3
3
3
3 open 1 2 dolce, legato
Tbn. 3
Tuba dolce, legato
Timp.
1
Perc. 2 hi–hat
+snare
W.B.
3
Piano
Harp
(4 soli) I gli altri, div.
Vn. II
Va. 1/2 arco Vc. (1 solo) Cb.
1/2 pizz. pizz.
14
HGG Overture 79
Picc.
Fl.
1 2
Ob.
1 2
E.H. molto vib. 1 Cl. in B
molto vib. 2
Sop. Sax. 3
3
3
3
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
3 4 molto vib.
mutes out
1 2 Tpt. in C 3 molto vib. 1 2 Tbn. 3
Tuba legg.
Timp.
1
Perc. 2 hi–hat 3
Piano
Harp
(4 soli)
1 solo
I sentimentale
Vn. II
Va.
Vc. (1 solo) Cb.
(pizz.)
15
HGG Overture 85 Picc. a2 Fl.
1 2
Ob.
1 2
1.
a2
3
3
3 3
3
3
3
3
3
3
3
3
E.H. 3
3
3
3
3
3
3
ord. 1 Cl. in B
ord. 2 3
Sop. Sax.
3
Bs.Cl.
1 3
Bn.
3
3
3
3
3
2 3
3
3
3
3
3
Cbn. 3
1 2 Hn. in F
3 4 open, ord.
Tpt. in C
1 2
3
ord. 1 2 Tbn. 3
Tuba
Timp. (B.D.) 1
Perc. 2 choke 3 S.D. B.D.
Piano
Harp
(1 solo)
tutti pizz.
arco
3
3
3
I 3
Vn.
3
(pizz.)
arco
(pizz.)
arco
3
3
3
3
3
3 3
3 3
3
3
3
3
II 3
3 3
3
3
Va. 3
3
unis., arco
3
Vc.
(1 solo, pizz.)
tutti arco
3
3
3
3
3
3
Cb. 3
3
16
HGG Overture 91
Picc. a2 Fl.
1 2
Ob.
1 2
a2
E.H. 3
3
1 3
Cl. in B
3
3
3
3
3
3 3
3
2 3
3
3
3
3
3
3
Sop. Sax. 3
3
3
3
3
Bs.Cl. 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1 Bn. 2 3
3
3
3
3
3
Cbn.
1 2 Hn. in F
3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
(B.D.) 1
Perc. 2
3
Piano
Harp
pizz.
arco
3
pizz.
3
I 3
Vn.
pizz.
arco
pizz.
arco
3
3
3
3 3
3
3
3
3
3
3
3 3
pizz.
II 3
3
3
pizz.
3
Va. 3
3
3
3
Vc. 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Cb.
HGG Overture
=
97
to Flute
Cantabile (Tempo primo)
Flute
Picc. sost. Fl.
1 2 sost.
Ob.
1 2 accomp.
E.H. accomp.
1 Cl. in B 2
Sop. Sax. Bs.Cl. sost. 3
3
1 sost.
Bn. 2 3
3
sost.
3
3
sost.
Cbn.
sost.
accomp.
1 2 accomp. Hn. in F
sost. 3 4 accomp.
Tpt. in C
1 2 accomp. 3 accomp. 1 2 accomp.
Tbn. 3
accomp. Tuba sost. Timp. Glock.
(B.D.) 1
sost.
(Xyl.) Perc. 2
Cr. Cyms. 3 poco
Piano
poco
poco stacc.
8ba
Harp
= unis.
arco div.
Cantabile (Tempo primo)
unis. div.
I sost.
Vn.
arco II sost. arco
Va. sost. Vc. 3
3
sost.
3
3
sost.
Cb.
17
18
HGG Overture (a2)
105 1 2 più Fl. 3 più
Ob.
1 2 più
E.H. più
1 più
Cl. in B 2
più Sop. Sax. più Bs.Cl. più
(a2) Bn.
1 2 più
Cbn. più
1 2 Hn. in F
3 4 più
1 Tpt. 2 in C
più
3 più 1 2 più
Tbn. 3
più Tuba
più Timp. (Glock.) 1 (Xyl.)
Sus. Cyms.
Perc. 2
3
Piano
più
8
Harp
più
I più
Vn. II
più Va. più Vc. più Cb. più
19
HGG Overture 110
Eloquente
(a2)
1 2
5
meno Fl. 3 5
meno Ob.
non leg.
a2
1 2 meno non leg.
E.H. meno
1 Cl. in B
meno
5
meno
5
2
Sop. Sax. meno
5
non leg.
Bs.Cl.
Bn.
1 2
meno (a2)
non leg.
meno non leg. Cbn. meno 1 2 Hn. in F 3 4
Tpt. in C
1 2 meno 3 meno 1 2
Tbn.
meno 3 meno
Tuba meno Timp. (Glock.) 1
(Sus. Cyms.) Perc. 2 (non cresc.) 3
Piano
meno
Harp
meno
trem. trem.
ord.
trem.
ord.
trem.
Eloquente I Vn.
meno
div.
II meno Va. meno Vc. meno pizz. Cb. meno
20
HGG Overture 116 1 2
Fl.
to Piccolo 3
Ob.
1 2
E.H.
1 Cl. in B
6 6
2
Sop. Sax.
Bs.Cl. (a2) Bn.
1.
1 2
Cbn.
1 2 Hn. in F
3 4 to cup mutes 1 2
Tpt. in C 3 to cup mutes 1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
I 6
Vn. (div.)
pizz.
unis.
pizz.
div.
II
Va. 6
Vc. (pizz.) Cb.
div., arco
21
HGG Overture 122
=
Allegro (Tempo secundo)
Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax.
Bs.Cl.
Bn.
1.
1 2
Cbn.
1 2 Hn. in F
3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1 (Sus. Cyms.) hrd. stk., rim Perc. 2
3
Piano
Harp
=
Allegro (Tempo secundo) div.
I Vn.
arco II unis.
Va.
Vc. unis. Cb.
*N.B.: In bass clef horns sound a fifth below written.
22
HGG Overture 126
Picc.
Fl.
1 2
Ob.
1 2
E.H. 3
1 Cl. in B
3
2
Sop. Sax.
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
3 4 cup mutes
mutes out
1 2 Tpt. in C 3 cup mutes 1. mute out 1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2 Trap set 3
Piano
poco stacc.
Harp
Banjo in fuori unis. I espr.
Vn.
div. II
div. Va. marc. Vc. pizz. Cb.
marc.
23
HGG Overture 133
Piccolo
Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax.
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
3 4 1., open 1 2
Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp. High Trg.
B.D.
1 S.D.
Sus. Cym.
Claves
Perc. 2
(Trap set)
W.B.
3
Piano
ord.
Harp
secco
Banjo
unis., sul A I Vn.
3
3
unis., sul A
II cresc.
unis., sul C
Va. cresc.
Vc. (pizz.) Cb.
choke Hi–hat
24
Act I, Scene 1
Allegro moderato
= 96
1 2
Fl.
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2 non sost.
Cbn.
non sost. 1 2 Hn. in F
al sord. 3 4 1. al sord. “straight”, 2. al sord. “cup” 1 2
Tpt. in C
al sord. “Harmon”, stem in 3 1. al sord. “straight”, 2. al sord. “cup”
Tbn.
1 2 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
The Buchanans’, East Egg, Long Island. A large, rose–colored drawing room with oversized French windows and billowing curtains. Daisy and Jordan recline on enormous couches. Daisy
Jordan
Tom
[Nick enters]
8
Nick
Allegro moderato *solo Vn. I sempre, ma evidente
*solo Vn. I sempre, ma evidente pizz. Vn. I gli altri
*solo Vn. II sempre, ma evidente *solo Vn. II sempre, ma evidente pizz. Vn. II gli altri
Va.
pizz. Vc. pizz. Cb.
*Soli: back of section.
non sost.
= 96
25
HGG Act I, Scene 1 5 Fl.
1 2
Picc.
Ob.
1 2 cresc.
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 cresc.
Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Raising herself slightly, offering her hand to Nick. cresc. Daisy
I’m
par
ra
lyzed
with
Jordan
Tom 8
Nick
solo Vn. I
solo Vn. I
Vn. I gli altri
solo Vn. II
solo Vn. II
Vn. II gli altri
Va. cresc. Vc. 2 soli, unis. (pizz.) Cb.
26
HGG Act I, Scene 1 9
Fl.
1 2
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax Solo Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
3
Tbn.
1 2 3
Tuba Timp.
1
Perc. 2
3
Piano
Harp
Daisy
hap
pi
ness.
Jor
Jordan
Tom 8
Nick
solo Vn. I
solo Vn. I arco Vn. I gli altri dim.
solo Vn. II
solo Vn. II
Vn. II gli altri dim.
Va. dim. div., arco Vc. dim. 2 soli, div. (pizz.) Cb.
unis.
div.
dan
Ba
ker,
27
HGG Act I, Scene 1 13 Fl.
1 2
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
con sord., non sost. 3 4
1 2 Tpt. in C 3
Tbn.
1 2 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
here’s Jordan
Tom 8
Nick
solo Vn. I
solo Vn. I
Vn. I gli altri
solo Vn. II
solo Vn. II
Vn. II gli altri
Va.
Vc.
Cb.
my
cou
sin
much
re
moved.
Nick
28
HGG Act I, Scene 1 17
Fl.
1 2
Picc.
Ob.
1 2
E.H. dim. 1 Cl. in B 2
Sop. Sax solo Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
(con sord.)
via sord.
3 4
Tpt. in C
1 2
3
Tbn.
1 2 3
Tuba Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Jor
dan
Ba
ker.
Jordan
Charmed,
I’m
Tom 8
Nick
solo Vn. I
solo Vn. I
Vn. I gli altri dim.
solo Vn. II
solo Vn. II
Vn. II gli altri dim.
Va. dim.
Vc. dim. 2 soli, unis. (pizz.) Cb.
div.
unis.
sure.
29
HGG Act I, Scene 1 21 Fl.
1 2
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1. al sord. 1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Jordan
Just
ar
rived
in
East
Egg?
Tom 8
Nick
It’s
solo Vn. I
solo Vn. I
Vn. I gli altri
solo Vn. II
solo Vn. II
Vn. II gli altri Va.
Vc. div. Cb.
2 soli, unis. (pizz.)
30
HGG Act I, Scene 1 25
Fl.
1 2
Picc.
Ob.
1 2
E.H. dim. 1 Cl. in B 2
Sop. Sax solo Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Jordan
Tom 8
Nick
West
Egg
that
solo Vn. I
solo Vn. I
Vn. I gli altri dim.
solo Vn. II
solo Vn. II
Vn. II gli altri dim.
Va. dim.
Vc. dim. 2 soli, div. (pizz.) Cb.
unis.
I
in
ha
bit.
Less
fan
cy,
quite
a
31
HGG Act I, Scene 1 29 Fl.
1 2
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1. solo
1 2
Cbn.
1. con sord.
1. via sord.
1 2 Hn. in F 3 4
Tpt. in C
1 2
3 1., st. mute
1. via sord.
1 2 Tbn. 3 Tuba Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Jordan
Tom 8
Nick
bit
less.
Stopped
solo Vn. I
solo Vn. I
Vn. I gli altri
solo Vn. II
solo Vn. II
Vn. II gli altri div., pizz. Va. cresc. Vc.
Cb.
off
in
Chi
32
HGG Act I, Scene 1 33
Fl.
1 2
Picc.
Ob.
1 2
E.H.
1 Cl. in B
2
Sop. Sax
Bs.Cl.
1 2 Bn. Cbn.
3
2., (senza sord.) 1 2 Hn. in F 3 4
Tpt. in C
1 2
3
2., cup mute
2. via sord.
1 2 Tbn. 3 Tuba Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Do Jordan
Tom 8
Nick
ca
go
on
the
way
east,
Dai
sy.
solo Vn. I
solo Vn. I
Vn. I gli altri
solo Vn. II
solo Vn. II
Vn. II gli altri (pizz.) Va.
unis., pizz. Vc. cresc. Cb.
they
33
HGG Act I, Scene 1 37 Fl.
1 2
Picc.
Ob.
1 2 solo
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2 sub.
Cbn.
1 2 Hn. in F 3 4 1., st. mute 1 2 Tpt. in C 3
Tbn.
1 2 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
miss
me?
Jordan
Tom 8
Nick
They’re
solo Vn. I
solo Vn. I
Vn. I gli altri
solo Vn. II
solo Vn. II
Vn. II gli altri unis., arco Va.
(pizz.) Vc.
Cb.
des
o
late
in
mourn
ing
34
HGG Act I, Scene 1 41
Fl.
1 2
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax solo Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4 (1., st. mute)
2., cup mute
1 2 Tpt. in C 3
Tbn.
1 2 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Jordan
Tom 8
Nick
Black
solo Vn. I
solo Vn. I
Vn. I gli altri
solo Vn. II
solo Vn. II
Vn. II gli altri
Va.
Vc.
Cb.
cars,
a
per
sis
tent
wail
35
HGG Act I, Scene 1 45 Fl.
1 2
Picc.
Ob.
1 2
E.H. dim. 1 Cl. in B 2
Sop. Sax
Bs.Cl. 1. solo Bn.
1 2
Cbn.
1 2 Hn. in F 3 4 via sord. 1 2 Tpt. in C
harmon, stem in
via sord.
3
Tbn.
1 2 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
How
gor
geous.
Jordan
Tom 8
Nick
all
a
long
the
North
Shore.
solo Vn. I
solo Vn. I
Vn. I gli altri dim.
solo Vn. II solo Vn. II Vn. II gli altri dim.
Va. div., arco
dim.
Vc. dim. 2 soli, unis. (pizz.) Cb.
div.
36
HGG Act I, Scene 1 49
Fl.
1 2
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn. 1. senza sord. 1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Let’s
go
Jordan
Tom 8
Nick
solo Vn. I
solo Vn. I
Vn. I gli altri (dim.)
solo Vn. II
solo Vn. II
Vn. II gli altri (dim.) Va. (dim.)
Vc. (2 soli, div., pizz.) Cb.
back!
Tom,
Tom,
37
HGG Act I, Scene 1 53 Fl.
1 2
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
cresc. Daisy
let’s
go
back
to
Chi
ca
go!
Jordan
Tom 8
Nick
solo Vn. I
solo Vn. I
Vn. I gli altri
solo Vn. II
solo Vn. II
Vn. II gli altri
Va.
Vc.
2 soli, unis. (pizz.) Cb.
div.
unis.
38
HGG Act I, Scene 1 57
Fl.
1 2
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
Tbn.
1 2 3
Tuba
Timp. Glock. 1
Vib., motor off Perc. 2
3
Piano
cresc.
Harp
Tom enters, shuts the windows, the curtains are still. Daisy
Jordan
Tom 8
What
Nick
solo Vn. I
solo Vn. I Vn. I gli altri
al sord. solo Vn. II al sord. solo Vn. II al sord. Vn. II gli altri
Va. unis. Vc. div.
(2 soli, pizz.) Cb. cresc.
non
sense,
Dai
sy.
39
HGG Act I, Scene 1 61 Fl.
1 2
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
senza sord. 3 4
1 2 Tpt. in C 3 senza sord. 1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Jordan
Tom 8
Nick
Nick
I Vn. II
Va.
Vc.
tutti pizz. Cb.
good
to
40
HGG Act I, Scene 1 64
Fl.
1 2
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4 senza sord. 1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
cant. Daisy
Yes, Jordan
Tom 8
see
Nick
I Vn. II
Va.
Vc.
(pizz.) Cb.
you
a
gain.
is
n’t
he
41
HGG Act I, Scene 1 68 Fl.
1.
1 2
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2 accomp.
Cbn.
1 2 Hn. in F
accomp. 3 4 1 2
Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
love
ly?
He’s
a
rose,
an
Jordan
Tom 8
Nick
tutti div. (senza sord.) I Vn.
div., con sord. II div., pizz.
Va. accomp.
div., pizz.
Vc. accomp. Cb.
ab
so
lute
42
HGG Act I, Scene 1 72
Fl.
(1.)
1 2
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
[to Jordan] Daisy
rose! Jordan
Tom 8
Nick
(div.) I Vn.
(div.) II (div., pizz.)
Va. (div., pizz.) Vc.
Cb.
Nick
knew
my
great
big
hulk
ing
43
HGG Act I, Scene 1 76 Fl.
(1.)
1 2
Picc. 1. Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4 1. al sord. “straight” 1 2 2. al sord. “harmon” stem in
Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
hus
band
back
at
Yale.
Hul
Jordan
Tom 8
I
Nick
(div.) I Vn.
(div.) II
(div., pizz.) Va. cresc. (div., pizz.) Vc. (pizz.) Cb.
hate
that
word
hul king.
king!
44
HGG Act I, Scene 1 81
Fl.
1 2
Picc. (1.) Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
cresc.
cresc.
Daisy
Have
you
seen
the ba
by,
Nick?
She’s
Jordan
Tom 8
Nick
I’d (div.) I
Vn.
(div.) II
(div., pizz.) Va. (div., pizz.) Vc.
Cb.
like
to.
a
45
HGG Act I, Scene 1 86 Fl.
1 2
Picc. (1.) Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl. a2 Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp. (Glock.) 1
(Vib.) Perc. 2
3
Piano
Harp
Daisy
sleep.
She’s
four
years
old.
You
ought
to
see
her!
Jordan
Tom 8
Nick,
Nick
(div.) pizz. I
(div.)
Vn. II
(div., pizz.) Va.
(div., pizz.) Vc.
(pizz.) Cb.
div.
46
HGG Act I, Scene 1 91
Fl.
1.
1 2 Picc.
Picc. 1. Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp. Marim. 1
Perc. 2
3
Piano
Harp
Daisy
Jordan
Tom 8
tell
me
what
you’re
do
ing
in
New York.
Nick
Stock
bro
arco (div.) I Vn.
(div.) II (div., pizz.)
Va.
Vc.
Cb.
ker.
47
HGG Act I, Scene 1 96 Fl.
(1.)
1 2
Picc. (1.) Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp. (Marim.) 1
Perc. 2
3
Piano
Harp
Daisy
Jordan
Tom 8
Ne
ver
heard
of them.
3
Nick
Pro
bi
ty
Trust.
You will
if
you
stay
(div.) I Vn.
(div.) II (div., pizz.)
Va. (div., pizz.) Vc.
Cb.
dim.
in
New
48
HGG Act I, Scene 1 101
Fl.
(1.)
1 2 cresc.
Picc. (1.) Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
cresc. 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Jordan
Tom 8
We’d
all
be
God
Damn
fools
Nick
York.
I cresc.
Vn. II (div., pizz.) Va.
cresc. (div., pizz.) Vc.
Cb.
to
live
a
ny
where
49
HGG Act I, Scene 1 106 Fl.
(1.)
1 2
Picc. (1.) Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Jordan
Ab
so
lute
ly.
The
Tom 8
else.
Nick
(div.) I Vn.
(div.) II
(div., pizz.) Va. (div., pizz.) Vc.
Cb.
cen
ter
of
the
un
i
verse.
50
HGG Act I, Scene 1 111
Fl.
(1.)
1 2
Picc. (1.) Ob.
1 2 cresc.
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2 cresc.
Cbn.
1 2
Hn. in F 3 4 1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Jordan
You
said
you
live
in
West
Egg.
You
Tom 8
Nick
(div.) I Vn.
(div.) II cresc.
(div., pizz.) Va.
(div., pizz.) Vc. (unis., pizz.)
cresc.
Cb. cresc.
must
know
51
HGG Act I, Scene 1 116 Fl.
1.
2.
1 2 to Flute
Picc. cresc. (1.) Ob.
1 2
E.H.
1 Cl. in B
cresc. 2 cresc.
Soprano Saxophone solo
Sop. Sax 3 3
3
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4 1. con sord. (straight) 1 2 2. con sord. (harmon, stem in)
Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1 Xyl. Perc. 2
3
Piano
Harp
Daisy
Gats
by‌
Jordan
Gats
by?
Tom 8
Nick
(div.) I cresc. Vn.
(div.)
via sord.
II arco (div.) Va.
(div., pizz.)
cresc.
unis. Vc. cresc. Cb.
sempre
52
HGG Act I, Scene 1
rit.
122
2.
Languido
= 48
a2
1 2 legato
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax 3
3
3
3
3
Bs.Cl. legato Bn.
1 2
Cbn.
1 2 Hn. in F 3 4 1. and 2. via sord. 1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1 (Xyl.) Perc. 2
3
Piano
Harp
Daisy
Soon Jordan
Tom 8
Nick
rit. I Vn. II (div.) Va.
Vc.
Cb.
1 solo
Languido
= 48
53
HGG Act I, Scene 1 128(a2) 1 2 Fl.
cresc. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl. cresc. Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
cresc.
cresc. Daisy
it
will
be
the
long
est
day
of
the
Jordan
Tom 8
Nick
I Vn. II (1 solo) 3
Va. cresc. Vc.
Cb.
3
54
HGG Act I, Scene 1 134(a2) 1 2
Fl. 3 a2 Ob.
1 2 dim.
E.H. dim. 1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
dim.
dim. Daisy
year.
What
Jordan
Tom 8
Nick
I Vn. II (1 solo) Va. dim. Vc.
Cb.
should
we
55
HGG Act I, Scene 1 140
(a2)
1 2 Fl.
dim. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl. dim. Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
dim.
dim. Daisy
plan? Jordan
Tom 8
Nick
I Vn. II
Va.
Vc.
Cb.
What
do
peo
ple
plan?
56
HGG Act I, Scene 1 146
(a2)
1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Soon
it
will
be
Jordan
Soon,
soon
Tom 8
Nick
I Vn.
senza sord. II tutti arco
Va. legato arco Vc. legato
Cb.
it
will
be
the
57
HGG Act I, Scene 1 152
cresc.
1 2 Fl.
cresc. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
cresc.
cresc. Daisy
the
long
est
cresc. Jordan
long
est
Tom 8
Nick
I Vn. II
Va. cresc. Vc. cresc. Cb.
day
of
the
year.
58
HGG Act I, Scene 1 157 1 2
Fl.
3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
dim.
dim. Daisy
day
of
the
year.
What dim.
Jordan
What Tom 8
Nick
I Vn. II
Va. dim. Vc. dim. Cb.
should
we
plan?
should
we
59
HGG Act I, Scene 1 162 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
cresc.
cresc. Daisy
plan?
What
do
peo
ple
plan? cresc.
Jordan
What
do
peo
ple
plan?
Tom 8
Nick
I Vn. II
Va. cresc. Vc. cresc. Cb.
60
HGG Act I, Scene 1 167 1 2
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
3 4
Tpt. in C
1 2 3
Tbn.
1 2 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
You
watch
for
it,
you
Jordan
You Tom 8
Nick
I Vn. II
Va.
Vc.
Cb.
watch
for
it,
61
HGG Act I, Scene 1 172 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
dim. 1 2 Hn. in F
dim. dim. 3 4
dim. Tpt. in C
1 2 3
Tbn.
1 2 3
Tuba
Timp.
1
Perc. 2
3
Piano
dim.
Harp
Daisy
watch
for
it,
then
you
miss
it,
Jordan
you Tom 8
Nick
I Vn. II
Va.
Vc.
Cb.
watch
for
it,
then
you
62
HGG Act I, Scene 1
rit.
177 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B
dim. 2 dim.
Sop. Sax
Bs.Cl. dim. Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
dim.
Harp
dim. Daisy
then
you
miss
it,
then
you
miss
it.
dim. Jordan
miss
it,
then
you
miss
it,
then
Tom 8
Nick
rit. I Vn. II
Va.
Vc.
Cb.
you
miss
it.
63
HGG Act I, Scene 1 182
a tempo (
= 48)
1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Soon
it
will
be
Jordan
Soon
it
Tom 8
Nick
a tempo ( I Vn. II
Va.
(arco) Vc.
pizz. Cb.
= 48)
will
be
the
64
HGG Act I, Scene 1 188 1 2
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
the
long
est
day
Jordan
long Tom 8
Nick
I Vn. II
Va.
Vc.
Cb.
est
day
of
the
year.
65
HGG Act I, Scene 1
rit.
194 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
dim.
dim. Daisy
of
the
year. dim.
Jordan
Tom 8
Nick
rit. I dim. Vn. II dim. Va. dim. Vc. dim. Cb. dim.
66
HGG Act I, Scene 1
Commodo
200
= 88
1 2 Fl. Flute 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Jordan
Tom 8
Nick
So
el
e
Commodo
gant,
the
two
of
you.
You
make me
feel
un
= 88
pizz. I Vn. pizz. II
pizz. Va.
div., pizz.
unis.
div., pizz.
unis.
Vc.
arco Cb.
67
HGG Act I, Scene 1
Maestoso
rit.
206
= 76
1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4 senza sord. 1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Un
ci
vi
lized?
Jordan
3
3
Tom 8
Ci vi li
za
tion
Nick
ci
vi
lized.
rit. (pizz.) I Vn.
(pizz.) II (pizz.)
Va.
(pizz.) Vc.
(pizz.) Cb.
Maestoso
= 76
is
go ing to piec
es.
68
HGG Act I, Scene 1 210 1 2
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Jordan
Tom 8
Ev ery thing we built,
ev ery thing we va
lue,
ta ken o
Nick
div. I Vn. II
Va.
Vc.
Cb.
ver by the low
life,
the
un der class,
HGG Act I, Scene 1
Pi첫 sostenuto
= 72
69
rit.
214 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
cresc. 3 4 cresc. 1 2
Tpt. in C
cresc. 3 cresc. 1 2
Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Jordan
cresc. Tom 8
the
com mon peo ple.
We
must
fight
back.
Nick
rit.
Pi첫 sostenuto
= 72
(pizz.) I cresc.
Vn. (pizz.)
arco
II cresc. (pizz.)
arco
Va. cresc. (pizz.)
arco
Vc. (pizz.) Cb.
cresc.
div., arco
70
HGG Act I, Scene 1 217 1 2
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
a2 Bn.
1 2 cresc.
cresc.
Cbn. cresc.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Jordan
3
Tom 8
We
must
fight back.
You
and
I
and the likes
Nick
unis., arco I cresc.
Vn. II
cresc.
Va. cresc. Vc. cresc. (div.)
unis.
Cb. cresc.
of us.
71
HGG Act I, Scene 1 220
A tempo
= 76
1 2 cresc.
Fl. 3
cresc.
Ob.
1 2 cresc.
E.H. cresc.
1 Cl. in B
cresc. 2 cresc.
Sop. Sax cresc. Bs.Cl.
Bn.
cresc.
1 2
cresc. Cbn. cresc.
1 2 Hn. in F
cresc. 3 4 cresc. 1 2
Tpt. in C
cresc. 3 cresc. 1 2 cresc.
Tbn. 3
cresc. Tuba
cresc. Timp. cresc. 1
Perc. 2
3
Piano
Harp
Daisy
Jordan
3
Tom 8
We
made
this
ci
vi
li
za
tion,
made
sci
ence,
made
art.
Nick
A tempo
= 76
pizz. I cresc. Vn.
pizz. II cresc. pizz.
Va. div., pizz.
cresc.
Vc.
pizz.
cresc.
Cb. cresc.
72
HGG Act I, Scene 1
animando
224
a2
1 2 Fl.
to Piccolo 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Jordan
Tom 8
It’s
ours,
we
must
de
fend
Nick
animando
(pizz.) arco I (pizz.)
Vn. II
(pizz.)
div., arco
Va. (pizz.) unis. Vc.
(pizz.) Cb.
arco
73
HGG Act I, Scene 1 227 Fl.
1 2
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2 cresc.
Cbn. cresc.
1 2 cresc.
Hn. in F 3 4
al sord. “straight” 1 2 Tpt. in C
al sord. “cup” al sord. “cup” 3
2. al sord. “bucket” 1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
gliss. E ,F ,G ,A B ,C ,D
Harp
Daisy
Jordan
Tom 8
it.
Nick
I cresc.
Vn.
arco II
Va. div. Vc. cresc. div. arco Cb. cresc.
74
HGG Act I, Scene 1 229
Fl.
Commodo
= 88
1 2
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
legato
3
cresc.
Daisy
Tom’s
get
Jordan
Tom 8
Nick
Commodo pizz. I Vn.
pizz. II
unis., pizz. Va. unis., pizz. Vc. unis., pizz. Cb.
= 88
ting
ve
ry
pro
found.
We
must
help
him
beat
back
75
HGG Act I, Scene 1 233 Fl.
Allegro
poco rit.
= 104
2.
1 2
Picc. 2. Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2 Triangle, solo 3
Piano
Harp
[The phone rings.] Daisy
the
rev
o
lu
tion.
Jordan
Tom 8
The
Nick
poco rit.
Allegro
(pizz.) I Vn. (pizz.) II
(pizz.)
div.
(pizz.)
div.
Va.
Vc.
(pizz.) Cb.
div.
= 104
76
HGG Act I, Scene 1 238
Fl.
(2.)
1 2
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2 (Trg.) 3
Piano
Harp
Daisy
The
te
le
phone!
The
te
le
phone!
Jordan
[exit] Tom 8
Nick
I Vn. II
Va.
Vc.
Cb.
te
le
phone!
The te
le
phone!
I’ll
an
swer that.
77
HGG Act I, Scene 1 242 Fl.
1 2 Piccolo
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2 (Trg.) 3
Piano
Harp
[exit] 3
Daisy
You Jordan
Tom 8
Nick
I Vn. II
Va.
Vc.
Cb.
must
ex
cuse
me.
78
HGG Act I, Scene 1 246
Fl.
1.
1 2
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1. aperto 1 2 Hn. in F 3 4 1. con sord. (straight)
1. senza sord.
1 2 Tpt. in C 3 1. 1 2 Tbn. 3
Tuba
Timp. Glock. 1
Perc. 2 (Trg.) 3 8va
Piano
Harp
Daisy
Jordan
Tom 8
Nick
What’s go ing
on?
Is
some
thing
happening?
arco I spiccato Vn.
arco II spiccato
unis., arco
Va. spiccato Vc.
Cb.
79
HGG Act I, Scene 1 249 Fl.
(1.)
1 2
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4 2. con sord. (cup)
2. senza sord.
con sord. (cup)
senza sord.
1 2 Tpt. in C 3
(1.)
Tbn.
1. al sord. “bucket”
1 2 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Jordan
I
thought
ev
ery
bo dy
knew.
Tom 8
Nick
I cresc. Vn. II
Va. unis., arco Vc. spiccato
Cb.
80
HGG Act I, Scene 1 252
Fl.
1 2
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp. Marim. 1 Xyl. Perc. 2
3
Piano
❋
Harp
Daisy
Jordan
Tom’s
got
some wo man
in
NewYork.
Tom’s
Tom 8
Nick
Got
I div., pizz.
Vn. II
div., pizz. Va.
pizz. Vc. unis. (pizz.) Cb.
some
wo man?
got
some wo man
81
HGG Act I, Scene 1 255 Fl.
1 2
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2 cresc.
Cbn.
1 2 aperto
Hn. in F 3 4
4. al sord.
Tpt. in C
1 2
3
Tbn.
1 2 3
Tuba
Timp. (Marim.) 1 (Xyl.) Perc. 2
3
Piano
❋
❋
Harp
[enter Daisy and Tom] Daisy
Jordan
in
NewYork.
Tom 8
Nick
I Vn. II div., arco Va. cresc. div., arco Vc.
arco Cb. cresc.
82
HGG Act I, Scene 1
rit.
258 Fl.
1 2
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp. Marim. 1
Perc. 2
3
Piano
❋
Harp
3
Daisy
The te
le
phone.
I
Jordan
Tom 8
The te
le
phone.
Nick
rit. I Vn.
unis., arco II unis.
Va.
unis. Vc.
Cb.
could n’t
be
helped.
HGG Act I, Scene 1
Grazioso, agitato
83
= 56
261 Fl.
1 2
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 accomp.
Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp. (Marim.) 1
Perc. 2 Temple Blocks 3
Piano
Harp
Daisy opens the window, the breeze resumes. Daisy
Look Jordan
Tom 8
Nick
Grazioso, agitato I Vn. II
div. Va. accomp. pizz., ben marc. Vc. pizz., ben marc. Cb.
= 56
out
doors
for
a
84
HGG Act I, Scene 1 266
Fl.
1 2
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
min Jordan
Tom 8
Nick
I Vn. II (div.) Va. (pizz.) Vc.
(pizz.) Cb.
ute,
it’s
ve
ry
ro
man
tic
out
85
HGG Act I, Scene 1 271 Fl.
1 2
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2 accomp.
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
doors. Jordan
Tom 8
Nick
I Vn. II (div.) Va.
(pizz.) Vc.
(pizz.) Cb.
There’s
a
bird
on
the
lawn,
a
86
HGG Act I, Scene 1 276
Fl.
1 2
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
night Jordan
Tom 8
Nick
I Vn. II (div.) Va.
(pizz.) Vc.
(pizz.) Cb.
in
gale.
Sing
87
HGG Act I, Scene 1 281 Fl.
1 2
Picc.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
ing Jordan
Tom 8
Nick
I Vn. II (div.) Va.
(pizz.) Vc.
(pizz.) Cb.
a
way.
Sing
88
HGG Act I, Scene 1 286
Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2 dim.
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
ing Jordan
Tom 8
Nick
I dim. Vn. II dim. (div.) Va.
(pizz.)
dim.
Vc. dim. (pizz.) Cb. dim.
a
way.
89
HGG Act I, Scene 1 291
rit.
Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Tom,
it’s
so
ro
man
tic,
Tom!
Jordan
Tom 8
Ro
Nick
rit. I dim.
Vn. II
dim. Va. 1/2 pizz., 1/2 arco Vc.
1/2 pizz., 1/2 arco Cb.
cresc.
dim.
90
HGG Act I, Scene 1 296
Allegro moderato
= 96
Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax solo Bs.Cl.
1., solo Bn.
1 2
Cbn.
1 2 Hn. in F 3 4 senza sord. 1 2 Tpt. in C
senza sord. 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Jordan
Tom 8
man
tic,
if
you say
so,
Dai
sy.
Jor
Nick
Allegro moderato
= 96
pizz.
I Vn.
pizz. II (div.)
unis., pizz.
Va. tutti arco, div. Vc.
tutti pizz. Cb.
dan,
91
HGG Act I, Scene 1 301 Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl. (1.) Bn.
1 2
Cbn.
1 2 Hn. in F 3 4 (1.)
1 2 Tpt. in C
al sord.
al sord. “straight” 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Jordan
Tom 8
we
Nick
(pizz.) I Vn. (pizz.) II (pizz.) Va. (div.) Vc.
(pizz.) Cb.
ath
letes
are
out
of
place
here.
92
HGG Act I, Scene 1 306
Picc.
Fl.
1 2
Ob.
1 2
cresc.
legato E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
(1.)
1 2
cresc. Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Jordan
That’s
fine,
but
Tom 8
Let’s
have a
look at
the
hor
ses.
Nick
(pizz.) I cresc.
Vn.
(pizz.) II cresc. (pizz.)
Va. (div.) Vc. cresc. (pizz.) Cb.
keep
in
mind,
I’m
93
HGG Act I, Scene 1 311 Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B
legato
dim.
legato
dim.
2
Sop. Sax
Bs.Cl.
Bn.
1 2 dim.
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
[exit Tom and Jordan] Daisy
Jordan
tee ing
off
at
eight.
Tom 8
Nick
Jor
(pizz.) I Vn.
(pizz.) II dim. (pizz.)
Va. dim. (div.) Vc.
(pizz.) Cb.
dim.
dan Bak
er?
94
HGG Act I, Scene 1 316
Picc.
Fl.
1 2
Ob.
1 2
1.
E.H.
1 Cl. in B
dim. 2 dim.
Sop. Sax
Bs.Cl. dim. Bn.
1 2
Cbn.
chiuso
aperto
3., chiuso
aperto, al sord.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp. dim. 1
Perc. 2
3
Piano
Harp
Daisy
Runs
a
round
too much,
but
you
Jordan
Tom 8
Nick
The
fa
mous
gol
fer?
(pizz.) I Vn.
div., arco
(pizz.) II dim. div., arco
(pizz.) Va. dim. (div.) Vc. dim. Cb.
unis., pizz.
95
HGG Act I, Scene 1 321
to Flute
Picc.
Fl.
1 2
Ob.
1 2
(1.)
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4 con sord. (straight) 1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
could calm
her down.
Jordan
Tom 8
Nick
Dai (pizz.)
sy,
please!
Tell
div., arco
I Vn.
legggiero
(div.)
pizz.
II (pizz.) Va.
Vc.
Cb.
div.
me a
bout
the ba
96
HGG Act I, Scene 1 326
Moderato, agitato = 96
rit.
(1.)
1 2 Fl. 3
Ob.
1.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Lis ten,
I’ll
Jordan
Tom 8
Nick
by.
I
sup pose
she talks,
and eats,
and ev
ery
Moderato, agitato = 96
rit.
unis.
thing?
gliss. I Vn.
(div.) II
unis., arco Va.
gliss
gliss.
. 1/2 pizz., 1/2 arco
unis. Vc.
gliss
gliss
.
.
1/2 pizz., 1/2 arco
arco Cb.
gliss
.
97
HGG Act I, Scene 1 331 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2 sub.
Cbn.
1 2 Hn. in F
con sord. 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
3
3
Daisy
tell Jordan
Tom 8
Nick
I Vn. II
Va.
Vc.
Cb.
you what I
said,
when she
was
born.
She was an
hour
old
and
Tom
98
HGG Act I, Scene 1 336 1 2
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl. a2 Bn.
1 2
Cbn. 3
3
1 2 Hn. in F
(con sord.) 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
3
Daisy
was God knows
where.
I
said, “al right,
I’m
glad
it
is
a
girl,
and I
hope
she’ll
Jordan
Tom 8
Nick
I Vn. II
Va. tutti pizz. Vc. 3
3
tutti pizz. Cb. 3
3
99
HGG Act I, Scene 1 341 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl. (a2) Bn.
1 2
Cbn.
1 2 Hn. in F
(con sord.)
via sord.
3 4 1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
3
3
3
Daisy
be Jordan
Tom 8
Nick
pizz. I Vn. unis., pizz. II pizz. Va. (pizz.) Vc. (pizz.) Cb.
a
fool;
the
best
thing
a
girl
can
be
in
this
world–
a
beau ti
ful
lit
tle
100
HGG Act I, Scene 1 346
1.
1 2
3
3
3
Fl. 3
Ob.
1 2
E.H.
3
3
3
1 Cl. in B 2
Sop. Sax
3
3
3
3
Bs.Cl. 1. Bn.
1 2 3
3
Cbn.
1 2 Hn. in F
4. senza sord. 3
3 4
3
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
3
3
3
Harp
3
3
3
3
3
3
3
3
3
Daisy
fool.”
Where is
the
old
warm
world?
I’ve been ev
ery where,
Jordan
Tom 8
Nick
arco
3
3
I 3
3
Vn.
3
3
II arco
3
3
3
3
3
Va.
arco Vc.
Cb.
div.
3
3
101
HGG Act I, Scene 1
rit.
351 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
3
3
3
3
3
3
3
3
3
3
3
3
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
(4.) 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp 3
3
3
3
3
3
3
3
3
Daisy
I’ve done ev
ery thing,
so
phis
ti
ca ted,
so so phis
ti
ca ted.
Jordan
Tom 8
Nick
rit. 3
3
3
3
3
I Vn.
dim.
arco 3
3
3
3
II dim. Va. 3
3
3
3
3
dim.
unis.
3
3
3
3
3
3
Vc. dim. (pizz.) div.
unis. 3
Cb. dim.
102
HGG Act I, Scene 1 356
Con moto
= 48
cedendo
a tempo a2
1 2 Fl.
Flute
, evidente
cresc.
frullato, evidente
cresc.
3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
cresc.
cresc.
Daisy
Where
is
the
old
warm
world
we
Jordan
Tom 8
Nick
Con moto
= 48
cedendo
a tempo
I Vn.
cresc.
sub.
cresc.
cresc.
sub.
cresc.
II
Va. cresc.
sub.
cresc.
div. Vc. cresc. (pizz.) Cb.
sub.
cresc.
re
call
from
103
HGG Act I, Scene 1 362
animando
(a2)
1 2 Fl.
dim. 3 dim.
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
long
a
go
and
where
are
the
soft
Jordan
Tom 8
Nick
animando I Vn.
dim. II dim.
Va. dim. (div.)
unis.
Vc.
dim. Cb.
and
104
HGG Act I, Scene 1
Pi첫 animato
368
= 56
1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
cresc. Daisy
balm
y
nights
when
we
danced
un
til
Jordan
Tom 8
Nick
Pi첫 animato
= 56
I cresc.
Vn. II
Va. cresc. Vc. (pizz.)
cresc.
Cb. delicato
cresc.
the
dawn
105
HGG Act I, Scene 1
A tempo
rit.
374
= 48
1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
soli 1 2 Hn. in F
accomp. 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
dim. Daisy
glowed
in
our
tired
eyes?
Now
the
world
Jordan
Tom 8
Nick
rit.
A tempo div.
I dim.
Vn. II
Va. dim. Vc. dim. div., arco Cb.
dim.
unis., pizz.
= 48
is
un
set
tled,
106
HGG Act I, Scene 1 380
Più animato
animando
= 56
1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
now
ther’s
a
feel
ing
we
are
blown,
we
Jordan
Tom 8
Nick
Più animato
animando unis. I Vn.
div. II
Va.
Vc. (pizz.) Cb.
= 56
are
tossed,
107
HGG Act I, Scene 1
rit.
386 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl. 1. Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
we
are
dri
ven
here
and
there.
Jordan
Tom 8
Nick
rit. I dim.
Vn.
unis.
(div.) II
dim.
Va. dim. Vc. (pizz.)
dim.
Cb. dim.
div., arco
108
HGG Act I, Scene 1 391
a tempo
1 2 Fl.
ord. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
(1.)
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Where
is
the
old
Jordan
Tom 8
Nick
a tempo
div., pizz.
I Vn.
cresc.
pizz.
cresc.
pizz.
II
Va.
Vc.
(div.) Cb.
warm
world
109
HGG Act I, Scene 1 397 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
that
we
knew
in
Jordan
Tom 8
Nick
(pizz.) I Vn.
(pizz.) II (pizz.)
Va.
Vc.
(div.) Cb.
unis.
the
south?
110
HGG Act I, Scene 1 403 1 2
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
(1.)
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Gone Jordan
Tom 8
Nick
(pizz.) I
(pizz.)
Vn. II
(pizz.) Va.
Vc.
Cb.
for
e
ver,
gone
111
HGG Act I, Scene 1 409
molto rit.
1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
[enter Tom and Jordan] Daisy
for Jordan
Tom 8
Nick
molto rit. I Vn. II
Va.
pizz. Vc.
pizz. Cb.
e
ver.
112
HGG Act I, Scene 1 415
Teso
= 96
1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
3. senza sord. 3 4 st. mute
via sord.
1 2 Tpt. in C
st. mute
via sord.
3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
3
Daisy
A Jordan
3
3
3
Tom 8
Hav
Nick
Teso I Vn. II
Va.
Vc.
Cb.
= 96
ing
a
lit
tle
heart
to
heart?
bout
the
end
of
113
HGG Act I, Scene 1 418 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
a2
3 4
1. and 2. al sord. “bucket”
senza sord.
1 2 Tpt. in C
senza sord. 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
3
Daisy
ci vi li za
tion.
Nick,
Jordan
(to Nick)
3
3
Tom 8
Don’t be
Nick
arco I arco Vn. II
Va.
(pizz.) Vc.
(pizz.) Cb.
lieve
ev
ery thing you
hear.
114
HGG Act I, Scene 1 422 1 2
Fl. 3
Ob.
1 2 legatiss.
E.H.
1 Cl. in B
legatiss. 2 legatiss.
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
3
3
Daisy
Jor Jordan
Tom 8
Nick
I Vn. II
Va.
Vc.
Cb.
dan
has
been
read
ing
to
us
from the
Sa
tur
day
Eve
ning
Post.
115
HGG Act I, Scene 1 425 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy and Tom group around Jordan, who sits on a couch, reading quietly. Daisy
Jordan
Tom 8
Nick comes forward to the windows, his voice dominates the following. Nick
That’s not
for
me,
I legatiss.
Vn. II
legatiss. div. Va. legatiss. Vc.
Cb.
but
go
a
head.
I’ll
en
joy
your
116
HGG Act I, Scene 1
Tranquillo (l’istesso tempo)
429 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
3
Jordan
We
were here:
Tom cant.
8
3
3
Nick
view.
So
Tranquillo (l’istesso tempo) I Vn. II (div.) Va.
div. (pizz.) Vc. div. (pizz.) Cb.
here
I
am
with
117
HGG Act I, Scene 1 433 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy parlando 5
5
5
5
Jordan
“My
name
is
Ju
dy
Jones
and
I
live
in
a
house
o
ver
there on
the
is
land,
Tom 8
3
Nick
two
old
I Vn. II (div.) Va.
(div., pizz.) Vc.
(div., pizz.) Cb.
friends
I
scarce
ly
know,
two
who
drift
here
118
HGG Act I, Scene 1 436 1 2
Fl. 3 1. Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
pensoso Daisy
“A 3
man
3
Jordan
and
in
that
house
is
a
man
wait ing
for
me.”
Tom 8
5
5
Nick
and
I Vn. II
(div.) Va.
(div., pizz.) Vc.
(div., pizz.) Cb.
there
un
rest
ful
ly
wher
ev
er
peo
ple
play
po
lo
and
are
119
HGG Act I, Scene 1 439 1 2 Fl. 3 (1.) Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
3
Daisy
wait
ing
5
for
me.
5
5
Jordan
“When he
drove up
at
the
door
I
dove
out
of
the
dock
be
cause he
says
I’m
Tom 8
3
Nick
rich
I Vn. II (div.)
Va.
(div., pizz.) Vc. (div., pizz.) Cb.
to
geth
er.
And
one
new
friend,
less
gen
tle
120
HGG Act I, Scene 1 442 1 2
Fl. 3 (1.) Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
cresc.
5
Daisy
“His
i
deal.”
Jordan
his
i
deal.”
“There was a
Tom 8
Nick
than
I Vn. II (div.) Va.
(div., pizz.) Vc.
(div., pizz.) Cb.
she
seems.
121
HGG Act I, Scene 1 445 1 2 Fl. 3 (1.) Ob.
1 2 dim.
E.H. dim. 1 Cl. in B
dim. 2
Sop. Sax
Bs.Cl. dim. Bn.
1 2
Cbn.
1 2 Hn. in F 3 4 bucket mute 1 2 Tpt. in C 3 bucket mute 1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Jordan
fish jump ing
and a
star shin ing
and the
lights
a round the lake
were gleam ing
then
she was in
the
Tom 8
3
Nick
When I
I Vn.
dim. II dim. (div.)
Va. dim. (div., pizz.) Vc.
(div., pizz.) Cb.
came back
rest
less
from the
122
HGG Act I, Scene 1 448 1 2
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl. 1. Bn.
1 2
Cbn.
1 2 Hn. in F 3 4 (bucket) 1 2 Tpt. in C 3 (bucket) 1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
“she was in
the wa
ter.” 3
Jordan
wa
ter,”
“swim ing
with
a
sin
u
ous
crawl,
Tom 8
“In
the
wa
ter!” 3
Nick
Great
I Vn. II
(div.)
Va.
(div., pizz.) Vc.
(div., pizz.) Cb.
War,
the
mid dle
west,
my
warm
cen
ter
of
the
123
HGG Act I, Scene 1 451 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl. (1.) Bn.
1 2
Cbn.
1 2 Hn. in F 3 4 (bucket) 1 2 Tpt. in C 3 (bucket) 1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
3
3
3
3
Jordan
her
arms
burnt
to
but
ter
nut
stab bing the
path
a
head.” 3
Tom 8
“A
sin
u
ous
crawl.”
3
Nick
world
I Vn. II (div.) Va.
(div., pizz.) Vc.
(div., pizz.) Cb.
sud
den
ly
seemed
the
rag ged
edge
of
the
124
HGG Act I, Scene 1 454 1 2
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl. (1.) Bn.
1 2
Cbn.
1 2 Hn. in F 3 4 (bucket)
via sord.
1 2 Tpt. in C
dim. 3 (bucket) via sord.
1 2 dim.
Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
dim.
3
Daisy
“A
sin
u
ous
crawl.”
Jordan
Watch ing
her
was
Tom 8
That’s good.
Nick
un
i
verse.
Will
I Vn.
dim. II dim.
Va. dim. (div., pizz.) Vc.
(div., pizz.) Cb.
I
stay
125
HGG Act I, Scene 1 457
dim.
1 2 dim.
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
, ma evidente
Piano
Harp
Daisy
3
3
3
Jordan
with out
ef
fort
to
the
eye,
watch ing
a
branch
wav
ing,
or
a
sea
Tom 8
Nick
here?
Fringe
I dim.
Vn. II
dim. (div.)
Va. dim. (div., pizz.) Vc.
(div., pizz.) Cb.
mem
ber
of
a
sec
ret
so
ci
e
ty
gull
126
HGG Act I, Scene 1 460 1 2
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
So
bold,
3
Jordan
fly
ing.
’What’s
your name’,
she
shout ed.
’Come
for din ner!’”
Tom 8
I
Nick
to
I Vn. II (div.) Va.
(div., pizz.) Vc.
(div., pizz.) Cb.
which
I
will ne
ver
be
long.
The te
le
phone.
127
HGG Act I, Scene 1 463 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
so
bold. 5
5
Jordan
“His
heart turned
o
ver
some
thing tells
like
the
fly
wheel
of
the
boat.”
Tom 8
like
this
Ju
dy
Jones.
Nick
Si
I Vn. II
(div.) Va.
(div., pizz.) Vc.
(div., pizz.) Cb.
lent
now.
But
me
to
te
le
phone
for
the
128
HGG Act I, Scene 1 466 1 2
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
solo
marc.
1 2 Hn. in F 3 4 senza sord. 1 2 senza sord.
Tpt. in C 3
senza sord.
1 2
senza sord.
Tbn. 3
Tuba
Timp.
1 Vib. Perc. 2
Ped.
Chimes, sempre l.v. 3
Piano
Harp
E ,F ,G ,A B ,C ,D
Jordan, Daisy, and Tom join Nick. Daisy
3
3
Jordan
“To Tom 8
Nick
police.
div. I Vn. II (div.) Va.
unis., arco Vc.
unis., arco Cb.
be
con tin
ued
in
our next
is
sue.”
It
must be
ten
o’
clock.
129
HGG Act I, Scene 1 470
Allegro moderato
= 96
1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl. non sost. Bn.
1 2
Cbn.
non sost. 1 2 Hn. in F
al sord. 3 4 1 2
Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Ten
o’
clock;
Ten
o’
clock;
Ten
o’
clock;
Ten
o’
clock;
Jordan
ten
o’
clock
Tom 8
ten
o’
clock
Nick
Allegro moderato (div.) I Vn.
div. II
(div.) Va.
div. Vc.
Cb.
unis., non sost.
= 96
ten
o’
clock
130
HGG Act I, Scene 1 474 1 2
Fl. 3
Ob.
1 2 cresc.
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
cresc. 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
in fuori Daisy
Nick
and
Jor
dan,
I
think
I
will
ar
range
a
Jordan
time
to
go.
It’s
Tom 8
It’s
Nick
I
should
be
go
ing.
I Vn. II
Va. cresc. Vc. pizz. Cb.
late.
131
HGG Act I, Scene 1 478 1 2 Fl. 3
Ob.
1 2
E.H. dim. 1 Cl. in B 2
Sop. Sax
Bs.Cl. 1., solo Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
8ba
Harp
Daisy
mar
riage.
I’ll
lock
you
up
in
the
li
nen
clo
sets,
Jordan
late
and
gol
fers
need
their
sleep.
Tom 8
What’s
Nick
You’re
in
train
unis. I dim. Vn.
unis. II dim.
Va. dim. (div.) Vc. dim. Cb.
div.
ing.
go
ing
132
HGG Act I, Scene 1 482
soli
1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
con sord., non sost. 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
I’ll
push
you
out
to
sea
in
a
Jordan
We’ll
meet
a
gain.
Tom 8
on?
Dai
sy
trys
to
Nick
I’m
sure
we’ll
meet
a
gain
at
I Vn. II
Va.
Vc. unis. (pizz.) Cb.
the
133
HGG Act I, Scene 1 486 1 2 Fl. 3
Ob.
1 2
E.H. dim. 1 Cl. in B 2
Sop. Sax solo Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
(con sord.) 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
8ba
Harp
Daisy
boat.
I’ll
fling
you
to
geth
er
Jordan
per
haps
at
your
neigh
bor
Tom 8
make a
match.
Some thing
es
capes
me!
Nick
par
ties
at
my
neigh
bor,
my
I dim. Vn. II dim. Va. dim.
Vc. dim. div. Cb.
134
HGG Act I, Scene 1 490 1 2
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
(con sord.) 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Did
some
one
men
tion
Jordan
your
neigh bor
Gats
by,
Tom 8
All
this
Nick
neigh bor
Gats
by,
I Vn. II
Va.
Vc. unis., (pizz.) Cb.
talk
of
135
HGG Act I, Scene 1 494 1 2 Fl. 3
Ob.
1 2
E.H. dim.
cresc.
1 Cl. in B 2
Sop. Sax solo Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
via sord.
3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Daisy
Gats
by,
Gats
by,
Gats
by,
Gats
by,
Gats
by,
Gats
by,
Gats
by,
Gats
by,
Jordan
Tom 8
Nick
I Vn. II
Va.
Vc. dim. Cb.
cresc.
136
HGG Act I, Scene 1 498
Interlude: from the Buchanans’ to the Valley of Ashes
1 2 Fl. 3 2. Ob.
1 2
E.H. solo 1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
3. senza sord. 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
Marim. 1
Perc. 2 Trg., solo 3
Piano
Harp
Telephone rings, scene fades. dim. Daisy
Gats
by! dim.
Jordan
Gats
by! dim.
Tom 8
Gats
by!
Gats
by!
dim.
Nick
Interlude: from the Buchanans’ to the Valley of Ashes I Vn. II
Va. pizz. Vc.
Cb.
2.
HGG Act I, Scene 1
137
poco animando
(2.)
502 1 2 Fl. 3 (2.) Ob.
a2
1 2
E.H.
1 Cl. in B
cresc.
2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
4.
3 4 4. senza sord.
cresc.
1 2 cresc.
Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp. (Marim.) 1 cresc. Perc. 2 (Trg.) 3
Piano
Harp
Daisy
Jordan
Tom 8
Nick
poco animando I cresc. Vn. II cresc. Va. (pizz.) Vc.
Cb.
cresc.
138
HGG Act I, Scene 1
= 112 507a2 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax.
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
(4.) 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp. (Mar.)
1
Xyl. Perc. 2
(Trg.) 3
Piano
Harp
= 112 I
Vn. II ben articolato div. Va. arco Vc. arco Cb.
non div.
139
HGG Act I, Scene 1
513
a2
1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax.
Bs. Cl. a2 Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1 Xyl. Perc. 2
3
Piano
Harp
I ben articolato
Vn. II
unis. Va.
Vc.
Cb.
140
HGG Act I, Scene 1
519
(a2)
1 2
cresc.
pi첫 legato
Fl.
3
cresc.
Ob.
legato
1 2
cresc. E.H.
1 Cl. in B 2
Sop. Sax.
Bs. Cl. (a2) Bn.
1 2 cresc.
Cbn.
1 2 Hn. in F
cresc. 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp. (Mar.) 1 (Xyl.) Perc. 2
3
cresc.
Piano
Harp
I
cresc.
pi첫 legato
Vn. II
cresc.
Va.
cresc.
cresc.
Vc.
cresc. Cb.
legato
141
HGGAct I, Scene 1
525 (a2) 1 2 Fl.
dim.
dim.
dim.
dim.
3
Ob.
1 2
E.H.
1 Cl. in B
dim.
dim.
dim.
dim.
dim.
dim.
2
Sop. Sax.
Bs. Cl.
a2 Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
div. I
dim.
Vn.
dim.
div. II
dim.
dim.
dim.
div. Va.
dim.
dim. div.
Vc.
Cb.
dim.
142
HGG Act I, Scene 1
532
a2
1 2 Fl. 3
Ob.
1 2 dim.
E.H. dim. 1 Cl. in B
sub. 2 sub.
Sop. Sax. sub. Bs. Cl.
Bn.
1 2
dim. (a2)
2.
1.
dim. Cbn. dim.
1 2 Hn. in F
3. 3 4
1 2 Tpt. in C 3 2. 1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
unis. I
Vn.
unis. II sub. unis.
Va. sub. unis. Vc. dim.
Cb.
1.
a2
143
HGG Act I, Scene 1
537
(a2)
1 2
cresc.
Fl.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
3
cresc. a2 Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax.
cresc. Bs. Cl.
cresc. cresc.
a2 Bn.
1 2
cresc.
cresc.
Cbn.
cresc.
cresc.
cresc.
1 2 Hn. in F
cresc.
non sost.
sim.
non sost.
sim.
3 4
cresc.
Tpt. in C
1 2
cresc.
cresc.
cresc.
cresc.
cresc.
3
cresc. (a2) 1 2
cresc.
Tbn. 3
cresc. cresc.
cresc.
Tuba
cresc.
cresc. cresc.
Timp.
Mar. 1
Perc. 2
3
Piano
Harp
I
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Vn. II
Va.
Vc.
cresc.
cresc. div.
Cb.
cresc.
cresc.
cresc.
144
HGG Act I, Scene 1 (a2)
542 1 2
dim.
Fl. 3
dim.
(a2) Ob.
1 2
dim. E.H.
dim. 1 Cl. in B
dim. 2
dim. Sop. Sax.
dim. Bs. Cl.
cresc. (a2) Bn.
1 2
cresc. Cbn.
dim.
1 2 Hn. in F 3 4
Tpt. in C
1 2
3
1 2 Tbn. 3
Tuba
Timp. Mar. 1
cresc. Xyl. Perc. 2 Crash Cym. 3
Piano
cresc.
Harp
div. unis. I
dim. div.
Vn.
unis. II
cresc. Va.
cresc.
cresc.
non div. Vc.
cresc. Cb.
dim.
HGG Act I, Scene 1
animando 547
a2
1 2
cresc.
Fl.
3
cresc. Ob.
1 2
cresc. E.H.
1
cresc.
Cl. in B 2
cresc.
Sop. Sax.
Bs. Cl.
a2 Bn.
1 2
Cbn.
Hn. in F
1 2 3 4 1 2
Tpt. in C
cresc. al sord. “straight” 3
1 2 Tbn.
al sord. “straight” 3
Tuba
Timp.
(Mar.) 1
cresc.
(Xyl.) Perc. 2
3
cresc. Piano
Harp
animando div. I
cresc. Vn. II
cresc.
div.
Va.
cresc. Vc.
Cb.
145
146
HGG Act I, Scene 1
Poco più mosso
= 120
551 1 Fl. (2.) 2 3
Ob.
1 2
E.H.
1 Cl. in B
to Clarinet in E 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
chiuso 1 2 Hn. in F
4. aperto 3 4
1 2 Tpt. in C
st. mute 3
1 2 Tbn.
st. mute 3
Tuba
Timp.
Glock.
Marim.
1 Xyl. Perc. 2 Trg. 3 sempre 8va
Piano
❋
Harp
Daisy
Jordan
Tom 8
Nick
Poco più mosso
= 120
unis.
div., pizz.
I div., pizz.
Vn. II
div., pizz. Va. div., pizz. Vc.
Cb.
147
HGG Act I, Scene 1 556
a2
1 2 Fl. 3
Ob.
1 2
E.H.
Cl. in B
Cl. in E
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
(chiuso) 1 2 Hn. in F 3 4
1 2 Tpt. in C
(st. mute) 3
1 2 Tbn.
(st. mute) 3
Tuba
Timp. (Marim.) 1 (Xyl.) Perc. 2 (Trg.) 3
Piano
Harp
Daisy
Jordan
Tom 8
Nick
(div., pizz.) I Vn.
(div., pizz.) II (div., pizz.)
Va.
(div., pizz.) Vc.
Cb.
148
HGG Act I, Scene 1 561
1 2 Fl. 3
Ob.
1 2
E.H.
Cl. in B Clarinet in E Cl. in E
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
(chiuso) 1 2 Hn. in F 3 4
1 2 Tpt. in C
(st. mute) 3
1 2 Tbn.
(st. mute) 3
Tuba
Timp. Brake Drums 1 (Xyl.) Perc. 2 (Trg.) 3
Piano
to Stage Band
Harp
Daisy
Jordan
Tom 8
Nick
unis. (pizz.)
I Vn.
unis. (pizz.) II (div., pizz.)
Va. unis. (pizz.) Vc. unis., pizz. Cb.
HGG Act I, Scene 1 566 1 2 Fl. 3
Ob.
1 2
E.H.
Cl. in B
Cl. in E
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
(chiuso) 1 2 Hn. in F 3 4
1 2 Tpt. in C
(st. mute) 3
1 2 Tbn.
(st. mute) 3
Tuba
Timp. (Br.Dr.) 1
Perc. 2
3
Piano
Harp
Daisy
Jordan
Tom 8
Nick
(pizz.) I Vn.
(pizz.) II (div., pizz.)
Va. (pizz.) Vc. (pizz.) Cb.
149
150
HGG Act I, Scene 1
571
a2
1 2 cresc.
Fl. 3
cresc. Ob.
1 2 cresc.
E.H. cresc. Cl. in B cresc. Cl. in E
Sop. Sax
Bs.Cl. cresc. Bn.
1 2 cresc.
Cbn.
aperto 1 2 cresc.
Hn. in F 3 4
1 2 Tpt. in C 3 cresc. 1 2 Tbn. 3 cresc. Tuba
Timp. (Br.Dr.) 1
Perc. 2 T.Blks. 3
Piano
Harp
Daisy
Jordan
Tom 8
Nick
(pizz.) I Vn.
(pizz.) II (div., pizz.)
Va. (pizz.) Vc. (pizz.) Cb.
attacca
Scene 2: Risoluto
151
= 96
(a2) 1 2 Fl. 3
Ob.
1 2
E.H. Cl. in B to Clarinet in B
Cl. in E dim.
to Stage Band Sop. Sax dim. Bs.Cl.
Bn.
1 2
Cbn.
1. al sord. Hn. in F
1 2 al sord. 3 4 dim.
al sord. (st. mute)
1 2 Tpt. in C
dim.
to Stage Band Trumpet in B 3
al sord. (st. mute)
a2 1 2 dim.
Tbn.
to Stage Band 3
Tuba dim. Timp. (Br.Dr.) 1 dim. Steel Drum Perc. 2 3
(T.Blk.)
3
3
3
dim.
3 5
Piano
Harp
Wilson’s garage. Through the window, a flashing billboard, “T.J. Eckleburg, Oculist”. Wilson, working. Myrtle
Tom 8
Nick
Wilson
Scene 2: Risoluto
= 96
(pizz.) I poco dim.
Vn. (pizz.) II
poco dim. (div., pizz.) Va. poco dim. (pizz.) Vc. poco dim. (pizz.) Cb. poco dim.
3
3
3
152
HGG Act I, Scene 2 5
1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
con sord. 1 2 Hn. in F
(chiuso) 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
Cowbells 1 dim.
Sus. Cyms., hard sticks
3
3
3
3
Perc. 2 Chime 3 poco
Piano
Harp
Myrtle
Tom 8
Nick
3
3
3
3
3
3
Wilson
Pump ing
gas,
fix
ing
cars
it’s
a
liv
(pizz.) I dim.
Vn.
(pizz.) II dim. (div., pizz.)
Va. dim. (pizz.) Vc. dim. (pizz.) Cb. dim.
ing
but
it
is
n’t
much.
153
HGG Act I, Scene 2 9 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp. (Cowbells) 1
Perc. 2
3
Piano
Harp
Myrtle
Tom 8
Nick sempre 3
3
3
3
Wilson
Just
so
much
I
can
do,
on
ly
so
much
(pizz.) I dim.
Vn.
(pizz.) II dim. (div., pizz.)
Va. (pizz.)
dim.
Vc. dim. (pizz.) Cb. dim.
I
can
154
HGG Act I, Scene 2 13
1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
via sord.
(con sord.) 1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
(Cowbells) 1 3
(Sus. Cym.)
3
3
Perc. 2 to Stage Band
(Chime) 3 poco
Piano
Harp
Myrtle
Tom 8
Nick
3
3
3
3
Wilson
do.
(pizz.) I Vn.
(pizz.) II
(div., pizz.) Va. (pizz.) Vc. (pizz.) Cb.
She
wants
to
tra
vel,
she
wants
to
go
pla
ces,
155
HGG Act I, Scene 2 17 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1., senza sord. 1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp. (Cowbells) 1 cresc. (Sus. Cym.) 3
3
3
3
3
3
3
Perc. 2
3
Piano
Harp
Myrtle
Tom 8
Nick cresc. 3
3
3
3
Wilson
wants to
get
there
fast,
needs to
(pizz.) I Vn.
(pizz.)
cresc.
II cresc. (div., pizz.) Va. cresc. (pizz.) Vc. cresc. (pizz.) Cb. cresc.
be
there
now.
Just
so
much
I
can
156
HGG Act I, Scene 2 21 1 2
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
(1.)
1. al sord.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
[Tom enters, Nick following] Myrtle
Tom 8
Nick
3
3
Wilson
do,
so
much
(pizz.) I dim.
Vn. (pizz.) II
dim. (div., pizz.) Va. dim. (pizz.) Vc. dim. (pizz.) Cb. dim.
I
can
do.
157
HGG Act I, Scene 2
Più mosso
25
= 100
1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
2.
2. al sord.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp. (Cowbells) 1
Perc. 2
3
Piano
Harp
Myrtle
3
3
Tom 8
How’s bus iness,
Wil son?
Nick
Wilson
Can’t com
Più mosso (pizz.)
arco, col legno battuto
(pizz.)
arco, col legno battuto
plain.
= 100
I cresc. Vn. II cresc. (div., pizz.)
unis., arco, col legno battuto (non div.)
Va. cresc. (pizz.)
arco, col legno battuto
(pizz.)
arco, col legno battuto
Vc. cresc.
Cb. cresc.
158
HGG Act I, Scene 2 29 1 2
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
con sord.
via sord.
con sord.
via sord.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Myrtle
Tom 8
May be next week.
Keep wait ing
Nick
3
Wilson
When will you sell me that car?
Been wait ing.
non div.
Ask you
ev’ ry time you come. non div.
I cresc. Vn.
non div.
non div. II cresc.
Va. cresc.
Vc. cresc. Cb. cresc.
then.
Or
159
HGG Act I, Scene 2 35 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl. a2 Bn.
1 2
Cbn.
1 2 Hn. in F 3 4 st. mute
via sord.
st. mute
via sord.
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Myrtle
3
5
Tom 8
may be I’ll sell
to
Nick here.
Needs some work.
Take it for a
spin.
We’ll talk a bout a deal.
Nick
5
Wilson
Prom ised it to
me.
Sounds good to
non div.
non div.
pizz.
non div.
pizz.
I cresc.
cresc.
Vn.
non div. II cresc.
cresc. pizz. (non div.)
Va. cresc.
cresc. pizz.
Vc. cresc.
cresc. pizz.
Cb. cresc.
cresc.
160
HGG Act I, Scene 2 41
Pi첫 mosso
= 104
rit.
1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl. (a2) Bn.
3
3
3
1 2 sub.
dim.
sub.
3
dim.
3
3
Cbn. sub.
dim.
sub.
dim.
senza sord.
3
1 2 dim.
Hn. in F
senza sord.
3
3 4 3
3
1. al sord. (straight)
dim.
1 2 Tpt. in C
2. al sord. (cup)
dim. 3
al sord. (harmon, stem in) 1 2 Tbn.
3
dim.
3
3
Tuba
Timp. Br.Dr. 1
Sus. Cym.
3
3
3
3
3
3
3
Perc. 2
3
Piano
Harp
[exit Wilson] Myrtle
Tom 8
Nick
Wilson
me.
Pi첫 mosso
= 104
rit.
(pizz.)
3
I sub.
Vn.
(pizz.)
sub. 3
II sub.
sub.
(pizz.) 3
Va. sub.
3
3
sub.
3
3
(pizz.)
sub.
Vc.
(pizz.)
sub. 3
3
3
Cb. sub.
3
sub.
div.
161
HGG Act I, Scene 2 45
a tempo ( = 96) rit.
a tempo
1 2 Fl. 3
Ob.
1 2
E.H. solo 1 Cl. in B
3
2
Sop. Sax
Bs.Cl. (a2) Bn.
1 2 sub.
Cbn. sub.
1 2 Hn. in F
sub. 3 4 sub. 1 2
Tpt. in C 3 harm., stem in
via sord.
1. con sord. (straight)
1 2
2. con sord. (cup)
Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Myrtle 3
3
Tom 8
That should hold him.
Now you can meet
my
girl. 3
Nick
Tom,
what
is
Wilson
a tempo ( = 96) rit.
a tempo div., metà arco, col legno battuto
(pizz.) I Vn.
metà pizz. div., metà arco, col legno battuto
(pizz.)
cresc.
II sub. (pizz.)
Va. div.
metà pizz. arco, col legno battuto non div.
sub. (pizz.)
cresc. non div., pizz.
sub. (pizz.)
cresc.
cresc. div., metà arco, col legno battuto
Vc. sub. (div., pizz.)
metà pizz. div., metà arco, col legno battuto
cresc.
Cb. sub.
metà pizz.
cresc.
this
place?
162
HGG Act I, Scene 2 49 1 2
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B
dim. Clarinet in B 2 dim.
Sop. Sax
Bs.Cl. dim. 1. solo Bn.
1 2
3
dim. Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Myrtle slowly enters, looking Tom in the eye. Myrtle
Tom 8
3
Nick
Val
ley
of
Ash
es
dust
and
stench,
Wilson
(div., sim.) I Vn.
(div., sim.)
cresc.
II
Va. div.
(div., sim.)
(arco, sim.)
cresc.
(pizz.)
cresc.
cresc.
Vc. dim.
cresc.
dim.
cresc.
dim.
(div., sim.) Cb. dim.
163
HGG Act I, Scene 2 53 1 2 Fl. 3
Ob.
1 2 solo
E.H. 3
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Myrtle
Tom 8
3
Nick
and
that flash ing
sign,
no
face
at
all.
Val
Wilson
(div., sim.) I cresc.
Vn.
(div., sim.) II cresc. (arco, sim.)
Va. div.
cresc. (pizz.)
(div., sim.)
cresc.
Vc. cresc. (div., sim.) Cb. cresc.
ley
of
164
HGG Act I, Scene 2
Meno mosso
rit.
57
= 88
1 2 Fl. 3
Ob.
1 2
E.H. dim.
solo
5
1 Cl. in B 2
Sop. Sax
Bs.Cl. 1. solo Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Myrtle
It’s
hell,
but it’s
home.
A
Tom 8
Nick
Ash
es.
Wilson
rit. I Vn. II
Va.
(div., sim.) Vc.
(div., sim.) Cb.
Meno mosso
= 88
165
HGG Act I, Scene 2 60 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl. dim. dim. 3
Bn.
3
3
3
3
1 2 3
dim.
3
3
3
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Myrtle
friend
of
yours? 3
3
Tom 8
Nick
Nick
Wilson
I Vn. II
Va.
tutti arco ord. Vc. dim. tutti arco ord. Cb. dim.
Car ra
way.
On
our
way
to
New
166
HGG Act I, Scene 2
rit.
63 1 2 Fl. 3
Ob.
1 2
E.H. solo 1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
E ,F ,G ,A B ,C ,D
Harp
Myrtle
Got Tom 8
York.
Thought
he shouldmeet
my girl.
Nick
Wilson
rit. I Vn. II
Va.
Vc.
Cb.
167
HGG Act I, Scene 2
a tempo ( = 88)
66
Più animato
= 96
1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
3
Myrtle
drinks
and a
ra
di
o,
that’s a boutit.
Tom 8
E
nough
for
us.
Nick
Wilson
tutti arco ord.
a tempo ( = 88)
Più animato pizz.
I Vn.
tutti arco ord.
pizz.
II
pizz.
tutte arco ord. Va.
glis
Vc.
glis
s.
pizz.
s. pizz.
Cb.
= 96
168
HGG Act I, Scene 2
rit.
69 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Sop. Sax solo Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
1 2 Tpt. in C 3
1 2 Tbn. 3
Tuba
Timp.
1
Perc. 2
3
Piano
Harp
Myrtle
Drinks,
then.
The
Tom 8
Nick,
keep
your eye
out
for
my
friend
Wil son.
Drinks,
Nick
Wilson
(pizz.)
rit.
arco, non div.
I
Vn.
(pizz.)
arco, non div.
(pizz.)
arco, non div.
II
Va.
(pizz.) Vc.
(pizz.) Cb.
arco, non div.
HGG Act I, Scene 2
Commodo
rit. molto
72
169
= 116
1 2 dim.
Fl. 3
Ob.
1 2 dim.
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2 dim.
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
Sop. Sax cresc. Trumpet in B Tpt. 3 in B non legato
cresc.
non legato
cresc.
non legato
cresc.
senza sord.
B a n d
Tbn. 3
Tuba (like static)
S t a g e
Trap Set, Snare Perc. 3
Piano
Banjo
Solo Vn.
Tom turns on the radio, finds a foxtrot, and dances with Myrtle. 3
Myrtle
ra
di
o. 3
Tom 8
the
ra
di
o.
Radio Singer 8
Nick
Commodo
rit. molto I dim. Vn. II dim.
Va. dim. D G Vc. dim. Cb.
= 116
170
HGG Act I, Scene 2 77 1 2
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
Sop. Sax
Tpt. 3 in B al sord. (plunger)
S t a g e
B a n d
Tbn. 3
Tuba cresc.
H.H.
Perc. 3 B.D.
Piano
Banjo
3
Solo Vn.
Myrtle
Tom 8
cant. Radio Singer 8
Nick
I Vn. II
Va.
Vc.
Cb.
Why
am
I
171
HGG Act I, Scene 2 83 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
Hn. in F
1 2 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
Sop. Sax
Tpt. 3 in B
S t a g e
B a n d
Tbn. 3
Tuba
Perc. 3
Piano
Banjo
Solo Vn.
Myrtle
Tom 8
Radio Singer 8
Nick
I Vn. II
Va.
Vc.
Cb.
kind
of
fly
ing
in
a
sky
kind
of
blue.
172
HGG Act I, Scene 2 89 1 2
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
Hn. in F
1 2 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
Sop. Sax
Tpt. 3 in B
B a n d
Tbn. 3
Tuba
S t a g e
Cowbells Perc. 3
Piano
Banjo
Solo Vn.
Myrtle
Tom 8
Radio Singer 8
Nick
I Vn. II
Va.
Vc.
Cb.
It’s
not
’cause my
head’s in
the
clouds,
dear.
It’s
just
’cause I’m
173
HGG Act I, Scene 2 95 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
Hn. in F
1 2 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
Sop. Sax
Tpt. 3 in B
S t a g e
B a n d
Tbn. 3
Tuba
Perc. 3
Piano
Banjo
Solo Vn.
Myrtle
Tom 8
Radio Singer 8
Nick
I Vn. II
Va.
Vc.
Cb.
think ing
of
you.
Why
are
your
arms
kind
of
hea
ven?
174
HGG Act I, Scene 2 101 1 2
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
Hn. in F
1 2 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
non sost. Sop. Sax
non sost. Tpt. 3 in B
S t a g e
B a n d
Tbn. 3
Tuba
Perc. 3
Piano
non sost.
non sost. Banjo non sost. Solo Vn.
Myrtle
Tom 8
Radio Singer 8
Nick
I Vn. II
Va.
Vc.
Cb.
And
my
heart
kind
of
true.
It
seems I’m
soar
ing
a
175
HGG Act I, Scene 2 107 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
Sop. Sax dim. al sord. Tpt. 3 in B dim. Tbn. 3
S t a g e
B a n d
Tuba
dim. Perc. 3
dim.
Piano
Banjo dim. Solo Vn. dim.
Myrtle
Tom 8
dim. Radio Singer 8
Nick
I Vn. II
Va.
Vc.
Cb.
bove
with,
and
I’m
hand
in
glove
with,
and
kind
of
in
love
with
you.
176
HGG Act I, Scene 2 113 1 2
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
Sop. Sax
Tpt. 3 in B
B a n d
Tuba
S t a g e
Tbn. 3
Perc. 3
W.Blk.
H.H.
Piano
solo Banjo 3
3
3
Solo Vn.
Myrtle
Tom 8
Is
n’t she
some
thing?
Radio Singer 8
Nick
In
I Vn. II
Va.
Vc.
Cb.
deed.
177
HGG Act I, Scene 2 119 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
Sop. Sax
Tpt. 3 in B
B a n d
Tuba
S t a g e
Tbn. 3
Perc. 3
C.B.
H.H.
Piano
Banjo
Solo Vn.
Myrtle
Tom 8
A
wo man
you can’t ig
nore?
Radio Singer 8
Nick
No
I Vn. II
Va.
Vc.
Cb.
doubt.
178
HGG Act I, Scene 2 125 1 2
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
Sop. Sax
Tpt. 3 in B plunger
wah
wah
S t a g e
B a n d
Tbn. 3
Tuba W.Blk.
3
Perc. 3
Piano
Banjo 3
Solo Vn.
Myrtle
Tom 8
De
serves
bet ter than
this?
Radio Singer 8
Nick
Don’t
I Vn. II
Va.
Vc.
Cb.
em
bar rass
me.
wah
179
HGG Act I, Scene 2
Subito meno mosso
131
= 80
1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
Sop. Sax
solo, con sord. Tpt. 3 in B wah
wah
wah
wah
wah
via sord.
senza sord.
Tbn. 3
S t a g e
B a n d
Tuba
3
3
3
3
S.Dr.
sost.
sost.
Perc. 3
Piano
Banjo
Solo Vn.
Myrtle changes the radio station. Myrtle
Tom 8
Radio Singer 8
Nick
Subito meno mosso I Vn. II
Va.
Vc.
Cb.
= 80
180
HGG Act I, Scene 2
Frenetico
137
= 152
1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
Sop. Sax
via sord.
senza sord.
Tpt. 3 in B
Tbn. 3
S t a g e
B a n d
Tuba cresc. H.H. Perc. 3
Piano
Banjo
Solo Vn.
Myrtle finds a fast foxtrot, dances with Nick; Tom drinks. Myrtle
Tom 8
Radio Singer 8
Nick
Frenetico I Vn. II
Va.
Vc.
Cb.
= 152
181
HGG Act I, Scene 2 143 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
solo Sop. Sax
Tpt. 3 in B
Tbn. 3
S t a g e
B a n d
Tuba
Perc. 3
Piano
Banjo
Solo Vn.
Myrtle
Is
n’t
he
a
hand
some
foot
ball
play
er?
Tom 8
Radio Singer 8
Nick
I
I Vn. II
Va.
Vc.
Cb.
guess.
182
HGG Act I, Scene 2 149 1 2
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
Sop. Sax
Tpt. 3 in B
Tbn. 3
S t a g e
B a n d
Tuba
Perc. 3
Piano
Banjo
Solo Vn.
Myrtle
And
a
great
big
bus’
ness
man
be
sides.
Tom 8
Radio Singer 8
Nick
I’ve
I Vn. II
Va.
Vc.
Cb.
183
HGG Act I, Scene 2 155 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
Sop. Sax
Tpt. 3 in B
Tbn. 3
S t a g e
B a n d
Tuba
Perc. 3
Piano
Banjo
Solo Vn.
Myrtle
He Tom 8
Radio Singer 8
Nick
heard.
I Vn. II
Va.
Vc.
Cb.
says
we’d
be
to
geth
er
but
his
184
HGG Act I, Scene 2 161 1 2
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
Sop. Sax
Tpt. 3 in B
Tbn. 3
S t a g e
B a n d
Tuba W.Blk.
Perc. 3
Piano
Banjo
Solo Vn.
Myrtle
wife
is
Cath’
lic.
Tom 8
And
Radio Singer 8
Nick
News
I Vn. II
Va.
Vc.
Cb.
to
me.
she
says
185
HGG Act I, Scene 2 167 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
Sop. Sax
Tpt. 3 in B 3
Tbn. 3
S t a g e
B a n d
Tuba
3
3
Perc. 3
Piano
Banjo
Solo Vn.
Myrtle
I Tom 8
Radio Singer 8
Nick
I Vn. II
Va.
Vc.
Cb.
Wil
son
is
a
good
stea dy
man.
ne ver
said
that!
186 HGG Act I, Scene 2 173
Moderato
= 72
1 2 Fl. 3
Ob.
1 2
E.H.
solo 1 Cl. in B 2
Bs.Cl.
1. solo Bn.
1 2
6
3
3
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc.
2
Harp
Myrtle shuts off the radio.
3
3
3
Myrtle
George
mar ried
me
in
a
bor rowed suit.
Tom 8
Nick
Moderato
= 72
div., pizz. I
Vn. pizz.
div.
II
pizz. Va.
pizz. Vc.
div., (pizz.) Cb.
unis.
3
187 HGG Act I, Scene 2 177 1 2 Fl. 3
Ob.
1 2 solo
6 3
3
3
3
E.H. cresc. 3
1 Cl. in B 2
Bs.Cl. solo
3
3
3
(1.) Bn.
1 2 3
3
cresc. Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc.
2
Harp
Myrtle
When I
Tom 8
Nick
I
Vn.
II
Va.
(pizz.) Vc.
(pizz.) Cb.
found out
I
cried
all
af
ter noon.
3
2.
3
3
188 HGG Act I, Scene 2 181 1 2 Fl. 3
Ob.
1 2
E.H.
3
1 Cl. in B 3
2
Bs.Cl. 3
Bn.
1 2 3
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc.
2
Harp
Myrtle
But
Tom 8
Nick
I
Vn.
II
Va.
(pizz.) Vc.
(pizz.) Cb.
Tom,
Tom…
HGG Act I, Scene 2
189
Agitato, ma non troppo mosso = 108
185 1. 1 2
ma evidente
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1. 1 2 Hn. in F
3., chiuso 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
Marim. 1 sempre Perc. Vib. 2 sempre
Harp
8ba
8ba
8ba
intenso Myrtle
It Tom div., arco
8
Nick
Agitato, ma non troppo mosso = 108
sempre pizz. div., arco
I sempre pizz. div., arco
Vn.
II sempre pizz. div., arco
Va. sempre pizz. div., arco arco Vc. sempre pizz. div., arco arco Cb. sempre pizz.
was on
the
train,
190 HGG Act I, Scene 2 189
2.
1.
1 2 Fl.
ma evidente 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
(1.) 1 2 Hn. in F
(3.) 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
(Marim.) 1 Perc. (Vib.) 2
Harp a2
3
3
3
Myrtle
two
Tom 8
Nick
I
Vn.
II
Va.
Vc.
Cb.
seats
fac
ing
each
oth
er.
He
wore
a
dress
suit,
pa
tent
lea
ther shoes.
191 HGG Act I, Scene 2 194
(1.)
2.
1.
2.
1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
(3.) 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
(Marim.) 1 Perc. (Vib.) 2
Harp
cresc. Myrtle
I
Tom 8
Nick
I
Vn.
II
Va.
Vc.
Cb.
could
not
keep
my
eyes
off
him.
192 HGG Act I, Scene 2 199
sempre evidente
5
1 2
(1.)
5
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
(1.) 1 2 Hn. in F
4. 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
(Marim.)
1 5 5
Perc.
sempre
(Vib.) 2 5
sempre
Ped.
Harp
E ,F ,G ,A B ,C ,D
Myrtle
But
Tom 8
Nick
I
Vn.
II
Va.
Vc.
Cb.
ev’
ry
193 HGG Act I, Scene 2 202
(1.)
(2.)
1 2 Fl. sempre evidente 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
(1.) 1 2 Hn. in F
3. (chiuso)
aperto
3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
(Marim.) 1 Perc. (Vib.) 2
Harp
cresc.
3
Myrtle
time
Tom 8
Nick
I
Vn.
II
Va.
Vc.
Cb.
he
looked
at
me,
I
pre
tend
ed
to
look
a
194
HGG Act I, Scene 2 6
207
5
(2.)
1 2
6
5
5
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
(1.) 1 2 Hn. in F
4. 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
(Marim.) 1 5
5
6
5
6
Perc. (Vib.) 2 5
Ped.
5
Ped.
6
Harp
Myrtle
way.
Tom 8
Nick
I
Vn.
II
Va.
Vc.
Cb.
195 HGG Act I, Scene 2 210
(1.)
1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1. 1 2 Hn. in F
3. 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
(Marim.) 1 sempre Perc. (Vib.) 2 sempre (Ped.)
Harp
cresc. Myrtle
When we
Tom 8
Nick
I
Vn.
II
Va.
Vc.
Cb.
came
to
the sta tion
he
was
next
to
me,
his
white
196 HGG Act I, Scene 2 215
2.
1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
(1.) 1 2 Hn. in F
(3.) 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc.
2
Harp
Myrtle
shirt
Tom 8
Nick
I
Vn.
II
Va.
Vc.
Cb.
front
pressed
a
gainst
my
arm.
197
HGG Act I, Scene 2 6
219
6
5
1 2
6
5
5
5
5
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1. 1 2 Hn. in F
4. 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp. (Marim.)
1 5
5
6
5
Perc.
5
6
5
6
(Vib.) 2 5
Ped.
5
5
Ped.
Ped.
6
Harp
Myrtle
Tom 8
Nick
I
Vn.
II
Va.
Vc.
Cb.
6
198 HGG Act I, Scene 2 222
5 5
1 2
5
Fl.
5
3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
a2 1 2 Hn. in F
a2 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
(Marim.)
5 5
1 Perc. 5
(Vib.)
5
2
(Ped.)
Ped.
Ped.
Ped.
5
5
F ,A
Harp
Myrtle
I
Tom 8
Nick
I
Vn.
II
Va.
Vc.
Cb.
said
I’d
have
to call
the
police;
199 HGG Act I, Scene 2 226 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
(Marim.) 5
1 5
Perc. (Vib.) 2
Harp
Myrtle
he
Tom 8
Nick
I
Vn.
II
Va.
Vc.
Cb.
knew
I
lied.
5
200 HGG Act I, Scene 2 229 1 2 harmonics
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
1. Bn.
1 2
Cbn.
1. 1 2 Hn. in F
3., chiuso 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
(Marim.) 1 sempre
Perc.
(Vib.) 2 sempre
Harp
Myrtle
I
Tom 8
Nick
I
Vn.
II
Va.
Vc.
Cb.
was
so
ex
ci
ted,
I
was
so
ex
ci
ted,
I
lost
track,
I
201 HGG Act I, Scene 2 234
a2
1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
(1.) Bn.
1 2
Cbn.
(1.) 1 2 Hn. in F
(3., chiuso) 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. (Vib.) 2
E ,F ,G ,A B, C, D
Harp
cresc. Myrtle
lost
Tom 8
Nick
I
Vn.
II
Va.
Vc.
Cb.
track,
of
where
I
was:
l.v. sempre
202 HGG Act I, Scene 2 238
(a2)
1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
(Marim.) 1 Perc.
(Vib.) 2
Harp
Myrtle
kept
Tom 8
Nick
I
Vn.
II
Va.
Vc.
Cb.
think
ing
o
ver
and
o
ver:
203 HGG Act I, Scene 2 242
1.
1 2
5
Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2 sost.
Cbn.
1 2 Hn. in F
chiuso 3 4
con sord. (straight) Tpt. in C
1 2
Tbn.
1 2
con sord. (straight)
1.
1.
2. cup mute
2.
2. cup mute
2.
Timp.
1 Perc.
2
F ,G D
Harp
G
l.v.
intenso
cresc.
Myrtle
“You
Tom 8
Nick
I
Vn.
II
Va.
Vc.
Cb.
can’t
live
for
e
ver,”
“You
can’t
live
for
e
204 HGG Act I, Scene 2 246 1 2 Fl. 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2 cresc.
Cbn.
1 2 Hn. in F
aperto 3 4
via sord. Tpt. in C
1 2
Tbn.
1 2
via sord.
Timp.
1 Perc.
2
Harp
Myrtle
ver”
“You
can’t
live
for
Tom 8
via sord. Nick
unis., arco I
Vn. unis., arco II
unis., arco Va.
unis., arco Vc.
unis., arco Cb.
e
ver.”
205 HGG Act I, Scene 2 250 1 2 Fl. 3
Ob.
1 2 legato, sost.
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2 legato, sost.
Cbn.
1 2 Hn. in F 3 4
senza sord. Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc.
2
Harp
Tom and Myrtle embrace, Nick looks away. Myrtle
Tom 8
Nick
I
Vn.
II
Va.
Vc.
Cb.
206 HGG Act I, Scene 2 a2
254 1 2 Fl. 3
Ob.
1 2 cresc.
cresc.
cresc.
cresc.
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
cresc. 1 2 cresc.
Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc.
2
Harp
Myrtle
Tom 8
Nick
I
Vn.
II cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Va.
Vc.
Cb.
207 HGG Act I, Scene 2 (a2)
258 1 2 Fl.
3
Ob.
1 2 cresc.
cresc.
cresc.
cresc.
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 cresc.
Hn. in F
cresc.
3 4
al sord (st. mute) Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc.
2
Harp
Myrtle
Tom 8
Nick
I
Vn.
II cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Va.
Vc.
Cb.
208 HGG Act I, Scene 2 262 1 2 Fl. to Piccolo 3
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
a2 1 2 Hn. in F a2
3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc.
Xyl. 2
Harp
Myrtle
3
Tom 8
Come
Nick
I
Vn.
II
Va.
Vc.
pizz. Cb.
on
now,
we
were
209
HGG Act I, Scene 2
Tempo giusto
265
= 92
Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
solo Sop. Sax
Tpt. 3 in B
gliss.
Tbn. 3
B a n d S t a g e
poco stacc. Tuba
Perc. 3
Trap set
S.D.
W.Blk.
poco stacc.
Piano
Banjo
Solo Vn.
Tom turns on the radio, finds music, and urges a reluctant Myrtle to dance. Myrtle
Tom 8
danc
ing.
Nick
Tempo giusto I Vn. II
Va.
Vc.
Cb.
= 92
gliss.
210
HGG Act I, Scene 2 271
Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
Sop. Sax accomp. solo Tpt. 3 in B
Tbn. 3
B a n d
Tuba
S t a g e
accomp.
Perc. 3
marc.
Piano
Banjo marc. Solo Vn.
Myrtle
Tom 8
Nick
I Vn. II
Va.
Vc.
Cb.
211
HGG Act I, Scene 2 277 Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
solo Sop. Sax
Tpt. 3 in B
B a n d
Tuba
S t a g e
Tbn. 3
Perc. 3
gliss.
Piano
Banjo
Solo Vn.
3
3
3
Myrtle
Nei
ther
of
us
can
stand
the
per
son
we’re mar ried
to.
Tom 8
Nick
I Vn. II
Va.
Vc.
Cb.
I
would
not
212
HGG Act I, Scene 2 282
Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
Sop. Sax
Tpt. 3 in B
gliss.
B a n d
Tuba
S t a g e
Tbn. 3
Perc. 3
S.D.
Piano
Banjo
Solo Vn.
Myrtle
Pre
Tom 8
Nick
I Vn. II
Va.
Vc.
Cb.
say
that.
cious
lit
tle
Dai
sy!
213
HGG Act I, Scene 2 287 Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
Sop. Sax
Tpt. 3 in B
B a n d
Tuba
S t a g e
Tbn. 3
Perc. 3
W.Blk.
Piano
Banjo solo Solo Vn.
3
3
3
Myrtle
Don’t
Tom 8
Nick
I Vn. II
Va.
Vc.
Cb.
tell
me
you’re hap
py
with
her,
when
you
can
have
me.
214
HGG Act I, Scene 2 292
Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
Sop. Sax
solo Tpt. 3 in B
B a n d
Tuba
S t a g e
Tbn. 3
Perc. 3
Piano
Banjo
Solo Vn.
Myrtle
Dai
Tom 8
Don’t you
dare
to
men tion her
name
like
that.
Nick
I Vn. II
Va. pizz. Vc.
(pizz.) Cb.
215
HGG Act I, Scene 2 297 Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
Sop. Sax accomp. Tpt. 3 in B
B a n d
Tuba
S t a g e
Tbn. 3
Perc. 3
gliss.
Piano
solo Banjo
Solo Vn.
Myrtle
sy,
Dai
sy,
I’ll
say
Tom 8
Nick
I
gliss.
gliss.
gliss.
II
gliss.
gliss.
gliss.
gliss.
gliss.
Vn.
Va.
(pizz.) Vc. (pizz.) Cb.
gliss.
it
when
I
want.
216
HGG Act I, Scene 2 303
Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
Sop. Sax
Tpt. 3 in B
Tbn. 3
S t a g e
B a n d
Tuba
Perc. 3 Ton–tom solo
Piano
Banjo
Solo Vn.
Myrtle
Dai
sy,
Dai
sy,
Dai
sy!
3
Tom 8
I’m
warn
ing
you.
Don’t
go
Nick
gl.
gl.
gl.
gl.
gl.
gl.
gl.
gl.
gl.
gl.
gl.
gl.
I Vn. II
Va.
(pizz.) Vc. (pizz.) Cb.
too
far.
217
HGG Act I, Scene 2 308 Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
Sop. Sax
Tpt. 3 in B
Tbn. 3
B a n d
Tuba
S t a g e
Perc. 3
Piano
Banjo
Solo Vn.
Myrtle
Dai
sy,
Dai
sy,
Dai
sy,
Dai
sy,
Tom 8
Nick
Ea
I
sy,
Tom.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
Vn. II
Va.
gliss. (pizz.)
Vc. (pizz.) Cb.
gliss.
Dai
sy…
I’ll
218
HGG Act I, Scene 2 313
Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc. 2
Harp
Sop. Sax
Tpt. 3 in B
S t a g e
B a n d
Tbn. 3
Tuba
C.B. Perc. 3
Piano
Banjo
Solo Vn.
3
3
Myrtle
say
it
when e
ver
I
want
to.
Dai
sy,
Dai
sy,
Dai
sy,
Dai
Tom 8
Nick
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
I cresc. Vn. II cresc.
Va. (pizz.)
cresc.
Vc. cresc. (pizz.) Cb. cresc.
219 HGG Act I, Scene 2 318
Più mosso
Piccolo
= 104
Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
3. 3 4
st. mute Tpt. in C
1 2
Tbn.
1 2
Timp. Flexatone
1 Perc.
2
Harp
Tom hits Myrtle, bloodies her nose. Nick shuts off the radio. Myrtle
You
brute,
I’m
bleed
ing,
you’ve
Tom 8
Nick
Più mosso I
Vn.
II
Va.
(pizz.) Vc.
(pizz.) Cb.
= 104
8va
hurt
220 HGG Act I, Scene 2 323 Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
1 2 Hn. in F
3. 3 4
(st. mute) Tpt. in C
1 2
Tbn.
1 2
via sord.
Timp.
(Flexatone) 1 Perc.
2
Harp
Myrtle
me.
You’ve
hurt
I’m
not
me,
I’m
bleed
Tom 8
Nick
8
I
Vn.
II
Va.
(pizz.) Vc.
(pizz.) Cb.
a
brute.
You
crossed
the line.
ing,
you
brute,
221 HGG Act I, Scene 2 328 Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2 marc.
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc.
2
Harp
Myrtle
Tom
ah 3
3
Tom 8
Get
Nick
8va
I
Vn.
II
Va.
(pizz.) Vc.
(pizz.) Cb.
her
some
towels
and
let’s get
out
of
here.
222 HGG Act I, Scene 2 333 Picc.
a2
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B
cresc.
cresc.
cresc.
cresc.
2
Bs.Cl.
Bn.
1 2 cresc.
cresc.
Cbn.
1 2 Hn. in F 3 4
senza sord. Tpt. in C
1 2
Tbn.
1 2
senza sord.
Timp.
1 Perc.
2
Harp
Myrtle
ah
ah
Tom 8
I
Nick
Tom,
you’ve
hurt
her.
pizz. I
Vn.
pizz. II
pizz. Va.
(pizz.) Vc.
(pizz.) Cb.
hate
the
sight
of
blood;
let’s
223 HGG Act I, Scene 2 338 Picc.
(a2) Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
cuivrĂŠ 1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc.
2
Harp
Myrtle
ah
Tom 8
go.
She
dares
to
men
tion
Dai
Nick
8va
(pizz.)
arco
I
arco
Vn.
(pizz.) II
arco
(pizz.) Va.
(pizz.) Vc.
(pizz.) Cb.
sy!
224 HGG Act I, Scene 2 343 Picc.
Fl.
1 2
Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
cuivrĂŠ 1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc.
2
Harp
Myrtle
ah
Tom 8
Should
not
have
men
tioned
Dai
Nick
8va 8
I
Vn.
II
Va.
(pizz.) Vc.
(pizz.) Cb.
sy!
225
HGG Act I, Scene 2 348
Interlude: From the Valley of Ashes to Gatsby’s Lawn
Picc.
Fl.
1 2
Ob.
1 2
a2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
(a2) ord. 1 2 Hn. in F
a2, chiuso 3 4
Tpt. in C
1 2
Tbn.
1 2
2. al sord.
1.
2., con sord.
2. al sord.
1.
2., con sord.
Timp.
Marim. 1 Perc. Vib. 2
Harp
Myrtle
ah
Tom 8
Nick
Interlude: From the Valley of Ashes to Gatsby’s Lawn I
gliss. Vn.
II
gliss.
Va.
arco Vc.
Cb.
226 HGG Act I, Scene 2
Animando
354 Picc. 5 5
(a2) Fl.
1 2
5 5
(a2) Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl. cresc.
Bn.
1 2 cresc.
Cbn.
a2 1 2 Hn. in F
(chiuso) 3 4
Tpt. in C
1 2
Tbn.
1 2
(2.)
1.
(2.)
1.
Timp.
(Marim.) 1 5 5
Perc. (Vib.) 2 5
Ped.
E , F, G , A
Harp
B, C, D
Myrtle
Tom 8
Nick
Animando I sost.
gliss.
gliss.
gliss.
gliss.
Vn.
II sost.
Va.
Vc.
Cb.
227 HGG Act I, Scene 2 360 Picc. 5
6
5 5
(a2) Fl.
1 2
5
6
5 5
(a2) Ob.
1 2
E.H.
1 Cl. in B 2
Bs.Cl.
Bn.
1 2
Cbn.
a2 1 2 Hn. in F
(a2)
(chiuso)
3 4
(2.) Tpt. in C
1 2
Tbn.
1 2
(2.)
Timp.
(Marim.) 1 5
6
5 5
Perc. (Vib.) 2 5
5
Ped.
6
Harp
Myrtle
Tom 8
Nick
I
gliss.
II
gliss.
Vn.
Va.
Vc.
Cb.
228
HGG Act I, Scene 2
Più mosso
366
= 116+ to Flute
Picc.
6 6
(a2) Fl.
1 2
6 6
Ob.
(a2)
1 2
E.H.
1 Cl. in B to Clarinet in E 2
Bs.Cl.
Bn.
1 2
Cbn.
(a2) 1 2 Hn. in F
aperto (a2) 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp. (Marim.)
1
6 6
Perc.
(Vib.)
2
6
Harp
Wilson’s garage, the T. J. Eckleburg sign dissolves. Myrtle
Tom 8
Nick
Più mosso I
gliss.
II
gliss.
= 116+ gliss.
Vn.
gliss.
Va. legato e sost.
Vc. legato e sost. arco Cb.
229 HGG Act I, Scene 2 370 1 2 Fl. 3
Ob.
a2
1 2
sost.
E.H.
Cl. in B sost.
Cl. in E
Bs.Cl.
Bn.
1 2 marc.
Cbn. marc.
a2 (aperto) 1 2 Hn. in F
a2, chiuso 3 4 marc.
Tpt. in C
1 2 marc (2. con sord.) a2 (2. con sord.)
Tbn.
1 2
Timp.
1 Perc.
2
Harp
Myrtle
Tom 8
Nick
I
gliss.
II
gliss.
Vn.
Va.
gliss.
Vc. marc.
Cb. marc.
230 HGG Act I, Scene 2 375
a2
1 2 sost. Fl. Flute 3 sost. (a2) Ob.
1 2
E.H.
Cl. in B
Cl. in E
Bs.Cl.
Bn.
(a2)
1 2
Cbn.
a2 1 2 Hn. in F
a2 (chiuso) 3 4
Tpt. in C
1 2
Tbn.
1 2
(a2)
Timp.
1 Perc.
2
Harp
Myrtle
Tom 8
Nick
I
gliss.
gliss.
Vn.
II
Va.
Vc.
Cb.
gliss.
gliss.
gliss.
gliss.
231 HGG Act I, Scene 2 381
(a2)
1 2 Fl. 3 (a2)
Ob.
1 2
E.H.
Cl. in B
Cl. in E sost.
Bs.Cl.
Bn.
(a2)
1 2
Cbn.
(a2) 1 2 Hn. in F
a2 (chiuso)
(chiuso)
3 4
Tpt. in C
1 2
Tbn.
1 2
(a2)
Timp.
1 Perc.
2
Harp
Myrtle
Tom 8
Nick
gliss.
gliss.
gliss.
gliss.
I
Vn.
II
Va.
Vc.
Cb.
232
Lento
stacc.
= 76
HGG Act I, Scene 2
387 1 2 Fl. 3 stacc.
Ob.
1 2
E.H.
Cl. in B stacc. Cl. in E stacc. Bs.Cl.
Bn.
1 2
Cbn.
(a2) 1 2 Hn. in F
(a2)
aperto
a2
2. via sord.
(a2)
2. via sord.
3 4
Tpt. in C
1 2
Tbn.
1 2
Timp. Glock. sempre l.v. 1 sonoro
Tam. Perc. Vib. 2
sonoro Ped., tenuto
Harp
The green light on Daisy’s dock becomes distantly visible. Myrtle
Tom 8
Nick
Lento
= 76
I
appass.
Vn.
II
appass.
Va. appass.
Vc.
appass. Cb.
a tempo
cedendo
HGG Act I, Scene 2
233
390 1 2 Fl. 3
Ob.
1 2
E.H.
Cl. in B
Cl. in E
Bs.Cl.
Bn.
1 2
Cbn.
soli 1 2 cresc.
Hn. in F
aperto
soli
3 4 cresc. Tpt. in C
1 2
Tbn.
1 2
Timp.
Glock. sempre l.v. 1 Tam. Perc.
sonoro (Vib.) ten.
2
sonoro Ped.
Harp
Myrtle
Tom 8
Nick
cedendo
a tempo pizz.
arco
I
Vn. pizz.
arco
II
pizz.
arco
pizz.
arco
Va.
Vc.
pizz. Cb.
234
HGG Act I, Scene 2 393
rit. poco
a tempo a2
1 2 sost.
Fl. 3
sost. a2 Ob.
1 2 sost.
E.H. sost.
Cl. in B sost.
Cl. in E sost.
Bs.Cl. sost. a2 Bn.
1 2 sost.
Cbn.
1 2 cresc.
Hn. in F 3 4
cresc. 2. senza sord. Tpt. in C
1 2
Tbn.
1 2
2. senza sord.
sost.
Timp.
1 Perc.
2
Harp
Gatsby’s house and lawn become visible. Gatsby is seen looking across the bay at the green light on Daisy’s dock. Myrtle
Tom 8
Nick
rit. poco
a tempo
I sost. Vn.
II sost.
Va. sost.
Vc. sost.
Cb.
235
HGG Act I, Scene 2
poco rubato, non trascinando 396
(a2)
1 2 Fl. 3
(a2) Ob.
1 2
E.H.
Cl. in B
Cl. in E
Bs.Cl.
(a2) Bn.
a2
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc.
2
Harp
Myrtle
Tom 8
Nick
poco rubato, non trascinando I non legato
legato
Vn.
div. II non legato
legato
Va. non legato
legato
Vc. non legato
legato arco
Cb.
236 HGG Act I, Scene 2 400 1 2 Fl. 3
Ob.
1 2
E.H.
Cl. in B
Cl. in E
Bs.Cl.
Bn.
(a2)
1 2
Cbn.
1 2 Hn. in F 3 4
Tpt. in C
1 2
Tbn.
1 2
Timp.
1 Perc.
2
Harp
Myrtle
Tom 8
Nick
5
I 5 6
Vn.
6
(div.)
unis.
5
II 5 5
Va. 5 6 5
Vc.
Cb.
237 HGG Act I, Scene 2 404
a2
1 2 Fl. 3
Ob.
1 2 cresc.
dim.
E.H.
Cl. in B dim.
Cl. in E dim.
Bs.Cl.
a2 Bn.
1 2 dim.
Cbn.
1 2 dim.
Hn. in F 3 4
dim.
Tpt. in C
1 2 dim.
Tbn.
1 2 dim.
Timp.
1 Perc.
2
Harp
Myrtle
Tom 8
Nick
6 3
I 3
3
3
3
3
3
3
cresc.
6
3
3
3
dim.
3
3
3
dim.
3
3
3
dim.
Vn. 6 3
II 3
cresc.
6 6
3
Va. 3
cresc.
6 3
3
3
3
3
3
Vc. 3
pizz. Cb.
6
cresc.
dim.