Carpenter FRED & GINGER

FRED & GINGER for Orchestra

Gary Carpenter The idea for this piece was initially an abstraction whereby two sets of similarly constructed chords travel loosely in parallel but according to different procedures; one based upon descending semitones, one according to cycles of fifths. The chords themselves would have been familiar to 1930s New York songwriters or any early Schoenbergian. Fred (Astaire) & Ginger (Rogers) enter the frame so: having started the piece, I was watching the main pas de deux in the film ‘Top Hat’ (Irving Berlin’s music abounds in the kind of chords I was interested in) and was struck (obviously) by the suavity and sophistication but particularly by Astaire’s choreographic technique of gliding through phrases against Berlin’s music. It’s perfection. But I remembered a quote: "Sure he was great, but don't forget that Ginger Rogers did everything he did, backwards... and in high heels." (Bob Thaves 1982)’ It struck me as an apt metaphor for the way my musical material was to progress. Further background reading also revealed that the Astaire/Rogers working relationship was far from amiable and was marked by storms and tears. So what we saw on the screen - the beauty, line, poise, ease, elegance - was a result of a serious clash of temperaments. ‘Fred & Ginger’ stops short of portraiture: it borrows from the dance phrasing (often the music suspends ‘in mid-air’ or is punctuated by silence), one passage is marked ‘soave’ whilst the device of running similar chords according to different procedural criteria means that harmonic sequences which are quite innocuous in their separate selves clash fiercely when they elide. If not programmatic in a descriptive sense, Fred & Ginger does nod towards a creative paradox and is certainly a homage. Programme note: © Gary Carpenter 2009

Commissioned by the London Symphony Orchestra as part of UBS Soundscapes Pioneers First performance: 17th February 2011 - Barbican Centre, London by the London Symphony Orchestra conducted by Daniel Harding

Instrumentation 2 flutes piccolo (+ flute 3) 2 oboes cor anglais 2 clarinets [A] bass clarinet [Bb] with 'C' extension (+ clarinet 3 [A]) 2 bassoons contra bassoon (+ bassoon 3) 4 horns 3 trumpets [Bb] 3 trombones tuba percussion 1: vibraphone, glockenspiel, triangle, tamtam, suspended cymbal, 5 tomtoms (inc. 1 very deep tom).

percussion 2: xylophone, crotales, 2 cowbells, bass drum, gong (tuned to Eb4 if poss), snare drum (with brushes)

timpani harp piano (+ celesta) violin 1 violin 2 viola violoncello contrabass

to Pamela

Fred & Ginger / ..% 0

risoluto q = 96

Flute 1:2

! "$#

'.

ff

$ "# -

Piccolo

Oboe 1:2

Cor Anglais

$ "# -

/..% 0

" $# -

5 4. ( ff '.

ff

$ "# -

Clarinet 3 (A) Bass Clarinet

Bassoon 1:2

Contrabassoon

Horn 1-4 (F)

"

.% 0

clt 3

.% 4. 0

)" #

ff

*" #

Percussion 1

"

1

1

1

1

1

1

ff

$ "#

&

$ "#

& 4 ..% 0

ff

*" # *" #

4 .% 0

ff

1

1

1

1

1

&

. . 0

" + "# !* " " #

1

ff

Percussion 2 Timpani

#

Piano

E§F#GbA§ B§C§D§

Violin I

& %'$ . . '.

'.

. 0

!

! "$#

risoluto q = 96 pizz

/'.. .0

Viola

Violoncello

Double Bass

"

pizz

) "# -

pizz

.'. .0 ff '. 4. 0

*" #

ff

.% 0

-

.% 4. 0

&

pp

6 -

con sord /'. & ff

4 .% . 0 .% 0

'. & .&

1

1

1

1

1

1

1

1

1

1 &

1

. 6 1 7

-

ff

&

4 .% 0

&

1

1

1

1 &

'5 .

1

1 &

'. & .&

'. & '. & .&

'. &

1

1

4'. . 0

-

1

1

5 '.

-

-

'. .. 0

-

&

4 .% .0

.'. .0

pizz

/'.. .0 '. 4. 0 4'. 0

&

-

1

.% 0

&

'. 0

-

1

-

1

-

1

. /.%

% 1 /.. 0 sfz ' /. & 1

.% 0

4 .% 4. 0

.

6 -

1

.% 0

-

1

'. . 0

.& .&

'5 .

-

&

'. . 0

&

.& .&

'. . 0

.&

' . 0 '. . 0 ' . 0

.& .& .&

1

1

4'. . 0

-

1

1

5 '.

-

-

1

%,$ '. 0

arco

' 1 /2... 0 4 '. 1 4 0. pizz

'. 0

1 &

.%

&

-

&

&

&

&

&

&

&

&

-

&

&

-

&

&

-

&

&

&

1 /.5 ( sfz ..% 1 0

-

&

&

&

1

-

&

&

&

&

&

1

sfz

.% 0

sfz

2 .% . 0

sfz

/.% 1 0

sfz

. /. ( &

&

& 3 3

. /. . 2. -

&

1

.% 0

sfz

'5 .

1

&

-

&

3

3 3

&

&

sfp

4 .% 0

-

&

1

&

4 ..% 0

&

-

&

&

&

&

&

&

/'. 0

-

&

&

1

&

-

&

6

&

3

sfz

pp

1

&

3

.% 0

ff

'. 1 .. 0 %,$ ' arco . 1 0

1

-

molto rall.

sfz to flute 3

sfz

% 1 /..0

. &&

/'. 0

'. 0

3

/ ..% 1 0

sfp

.% 0

'. 0 '. . 0

'. & .&

'. &

'. 0

-

.&

.% 0

4 .% . 0

&

sfp

5 . ( '. 0

'. . 0

'. &

%,$ '. 0

..% 0

pp

'. & .& -

.&

Gary Carpenter

/ ..% 1 0

ff

-

4 ..% 0

-

'. 0

'. &&

-

arco

.. 0

ff

pp con sord

&

'5 . '. & .&

1

&

1

© 2018 Cadenza Music Limited

5 4. ( '. &

.% 0

1

&

/..% 0

-

1

ff

) " - pizz 4'.0 #

-

1

ff

$ "# -

1

&

. . 0

ff

$ "# -

Violin II

4 .% .0

'. &

for% orchestra

ff

4 .% 0

. 0

%'$ . .

$ "# -

-

4 .% 0

. . 0

ff

$ "# -

#

! '5 . 1 ff

$ "# -

Harp

5 . ( '. &

.& 0

! '. ! " -motor ON . $# 2 cowbells

-

ff

1

/ ..% 0

ff

2..% 0

. 0

'.

con sord

Tuba

1

&

con sord

Trombone 3

1

con sord

)" #

Trombone 1:2

1

&

$ "# -

Trumpet 2:3 (Bb)

.% 0

ff

ff

! " $#

Trumpet 1 (Bb)

ff

ff

$ "# -

-

'. &

. 0

ff

$ "# Clarinet 1:2 (A)

1

2 ..% 1 0

&

2 .% 0

sfz

sfz

. /'. & . 0 1

& 3

'5 .

. /4 .'. .

-

4 '. . /.

. /'. & . 0 sfz & . /. 0 '

3 3 3

-

&

&

-

&

&

-

&

&

&

sfz

3

To B. D.

.

&

&

3

to celesta

.

3

.

-

molto rall.

/'. 1 / .0

-

&

&

&

/'. 1 / .0

-

&

&

&

1

-

&

&

&

1

-

&

&

&

&

&

&

pizz

sfz

sfz

'. . 0 sfz '. 0 sfz

&

2

' &

! $

lunga

9

Fl 1:2

$

' &

Bsn 1:2

)

' &

Cbsn.

*

Cl. 3

Perc 1: vibes

Perc 2 BD

Vln. I

"

' &

! $

"

)

' &

) *

1

..8

-

..8 0

&

1

5 .

1

&

-

1

&

&

-

-

5 1 /4 .. 8

&

5 1 *2+4 .. 8

-

1

&

1

5 4 .8

-

..8 0

5 2 .8 1

&

1

1.

..8 0

-

1

5 .8

pp

&

&

..

33

p

1

pp

1

& -

85 .

Bass Drum

1

-

&

/. / . . . pp ..8 //.. pp

&

-

-

' &

$

Vc.

Db.

' &

..8

a2 5 1 24 .. /. / . 8 . . pp

' &

"+

Vla.

pp

' &

! $

Vln. II

//..

' &

$

Cl. 1:2

pp

' &

$

C. A.

allegretto con anima q = 112

//.. )

' &

$

Ob 1:2

1

1

..8 0

. . )0

.8 .0 5 .8

. 4. 0 1 /.5

pp

-

3

pp

mp

to triangle

+

1

1

1

1

5 .. 88 . 0

(pizz)

-

(pizz)

1 1

5 ..

pp

&

sul IV

' &

&

sul III

' &

&

-

-

-

&

&

& &

&

&

&

&

-

1

& arco 9.,

&

&

-

1

&

-

1

-

p arco

9.,

p

3,

9., .

, 33

arco

$ (p

ppp

ppp

mp

5 9.

-

mp

.8 0

&

1

&

1

&

&

-

&

-

1

&

-

1

1&

2.

pp

p

ppp

.,

., 0

&

5 .

&

&

&

&

& -

-

1

ppp

1

'., 6 7

sfp

&

ppp

, ..

sf

&

ppp

.,

, .. 0

1

.% 6 /.7

1

5 .8

& 8< . 1

.. 0

5 .. ., 0

-

mp

1&

p

1.

&

mp

/. &

p

4. 7

sfp

&

pp

&

3,

9. 4. 0

-

1

. 4. . . -

&

.. 0

pp

mp

2.

1

allegretto con anima q = 112

-

9. . 0

-

&

.&

pp

-

-

to bass clarinet

5 4 .8

1

*

pizz

5 .

&

pp

,

,

Fl 1:2

9 17 ! 1 . $ . 9 mp

8 .5 . 80

flt 3

5 .8

$ 1 9.

Fl 3

mp

5 5 $ 1 ..8 1 /..8

Ob 1:2

C. A.

Cl. 1:2

-

1 .5

-

5 1 /.. 8

5 5 $ 1 /.8 1 .8

-

$

. . . /. -

*4+3

&

$

Cl. 3

5 1 .. 0

-

1 .85

8 . . . . 8 . .8 -

2 ..% 7 -

1

1&

.% 7 -

1

sf

sf

1&

8 1 /.. 0

4 ..% 7 .% 7

mp

.

sf

/. 6 1 /. /. 7 . . mp

&

$

&

&

&

-

&

&

&

-

! $

&

&

&

1

div

$

&

&

1

div

Vln. II

&

Vla.

)

Hp.

Vln. I

Vc.

"

#

$

"

)

&

&

1

&

., 7 6 1 -

-

'., 1 0

sfp

., 1 0 .,

sf

1 .&

pp

-

4 9. & 6 4 .0 &

-

9. && 6 4 .0 &

mp

&

-

& 6 2.. & 0

1. ' 6 .0 & sfp

p

/..8 1 6 /..8 1 0 7 pp

..8 0

-

..8 1 0

5 .

-

5 4. 1

. 0

.

3 .&

:5 . . /. /. . 1 .0 ;

&

-

&

-

&

-

/.

sf

& 8 /..8 42.. 0 1 6 7 1 pp

4 .. 1 0 5 4 .. 1 -

sf

-

p

5 6 4 .. && &

)

mp

, , , . . . 1 0 1

sf

'sfp 4 .5 1 . 0 ; sf : 1 .5 sf

:. 1 .0

&

&

&

&

&

&

&

&

&

sf

arco ., 1 0

mp

p

< 5 6 4 .. 1 . . f

mp

mp

mp

1 4 .. 0 p 1 4 .5 .

I, , /., / . . 6 -

f

8 1 .0 -

p

&

6 .. 1 /.. 7 0

&

$

5 /. 1 1

-

III II

-

. .8

.

pp

f

3,

.& p .8 1 /.0 -

-

. . /.8 6 4 .7 . .

)

Bsn 1:2

pp

8 //.. 1 1 0

.&

p

sf

85 (1.) . . 1 .. . . 80

&

.. 8

a2

p

sf

1&

1 /.5 8

mp pp bass clarinet

3

1&

unis

pizz ' 1 . 0 mp

&

'. 0 1 1 &

'. 0

-

pp /'. 1 0

&

3

! ..8 $ 1 0

-

$ 1 4 .0

-

25

Fl 1:2

Fl 3

$

Cl. 1:2

..8 0

&

1

... 0. -

&

5 . 1

1

5 .

&

1 4 .. 0

&

&

1

..8 0

-

&

-

1

/9. . 0

&

1

.8 0

-

&

-

1

9. 0

&

& $ */+.0 /.

C. A.

1

&

$

Ob 1:2

1

8 //.. 0

.&

*4+ 3

. 0

3

pp

to picc.

pp

pp

pp

. 4. . .

.

&

-

/9. 1 / ). 0

-

.. 22..8

&

a2

.8 /. 0

-

1

&

.8 1 2. 0 &

. 2.8 . 4.

-

.8 . 0

1

.8 1 4. 0

.8

-

4 .8 0

1

1

.

5 .8

&

&

&

&

-

1

&

&

1

5 1 .8 p

6 :< 4.

5 2 .8

&

1

5 1 .8 p

6 :< 4.

/. / . . 2.

&

mf

B. Cl.

Bsn 1:2

$

&

&

&

&

)

&

&

&

&

*

-

. . mf

1

/. . a2

5 / .8

mf

Cbsn.

Tbn 1:2

"

Perc 1 tri

Perc 2: B. D.

Hp.

Pno.

Vln. I

&

&

&

-

5 /.8

1

1

mf

44 ..

pp

[con sord]

&

-

/ 9. 1 .0

8 /.. 0

/ .8 1 .0

1

&

-

1

49. 0

2.8 0

1

4 .8 0

1

1

6

&

&

&

&

-

&

&

&

&

-

*

&

&

&

&

&

&

&

!+

&

&

mp

&

&

&

&

&

"+

&

&

&

&

&

5 . -

&

&

$

&

&

&

&

&

&

$

&

&

5 . %

&

&

$

&

&

&

&

$

&

&

&

! $

&

&

* "

#

#

$

Vln. II

Vc.

"

-

&

-

., 0

3,

3,

mp

' ) 1 /.0

Vla.

Db.

&

!)

Tbn 3

Tba.

*

-

'. 0

pp

4 '. 1 0

1

-

triangle

.

/. . 2. . /. . 2. . mp

&

Celesta

1

*

1

.. &&

4 .. &&

mp

mf

pp [con sord]

.

mf

pp

&

1

1

mp

*

p

&

&

&

&

5 ..8 mp 4 ..8 1 0 1

p

-

&

.5 .

1

&

&

&

&

&

. 1 4. 0

1

&

&

&

&

&

=arco ., 0 1

&

&

&

&

&

&

&

&

&

&

unis

p

pizz

p

p

)

&

&

&

&

&

*

&

&

&

&

&

1

(pizz)

5 .

mp

6

< . ' p

< 4. ' p

4

Fl 1:2

33 4 .: ! $ 1 2.0

..8 0

-

8 //.. 0

1

% 6 22.. 1 7

1

:. /. 0

-

9 1 /.. 0

&

1

-

&

.: /. 0

1

-

4 :.

:.

.:

.:

1

f

sfz

.: 0

&

-

p

a2

.

4. p

' 1 /.5 -

5 /.8 1

f

piccolo

&

$

Fl 3

$ 1

Ob 1:2

4 .: .0

& .8 . 0

-

:5 $ 1 /. -

C. A.

4 .8 0

&

$

&

$

.

4.&

.

mp

$

B. Cl.

Tbn 1:2

"

Perc 1vibes

Perc 2: B. D.

Hp.

Cel.

Vln. I

&

*

8 * 4 .0 "

*

!+

1 1

*4+ . 4 .8

1

% 6 /.< 1

-

.&

.8 4 .8

4. 0

mp

-

5 .8

&

5 .8

&

mf

1

f

1

' . 0

.

. . /. .

1

mf

1

:5 .. 0 ;

4'. 0

f

5 1 /'.

f

&

1

.: 0

&

1

mf

-

1

f

&

&

&

&

$

&

&

&

*

&

$

&

*

&

5 . 1 '. f 4'.. 0 1

4 '. & ! $ 1

gliss.

arco ' $ 1 2. &

gliss.

arco

sfp

sfz

sfp

arco

) 1

gliss.

sfp

1

-

1

-

gliss.

6

1

-

= 6 4 . &&

&

'. 0

f

4. . 4.

.8 0

1

-

-

. 4.

.8 0

1

-

.8 0

'.

.

$

-

-

5 ///... 1 '

-

-

-

4. p

f

'. 1 4.

'. . 0

&

&

&

&

9. ... 0

&

&

&

49.. 0 -

&

&

&

&

&

&

&

&

&

&

&

pp

1

4'. 0

&

pp

pp

! ..

-

1

&

3

mp

33

&

&

'. .

&

-

22'..

&

-

p

f

/...

.. /.0

1

-

/.

5 1 /.

-

5 . 1

-

&

&

&

&

&

5 . 4 ..

&

&

-

1

&

&

-

1 4 .5 4 '.

:. 0

1

:. 0

1

/:. 0

1

-

-

4 :. 0

1

-

-

f

pp

:. 0

f

&

= 6 . &&

-

/'. 0

&

pp

1

'.

1.

&

.= &&

= && 6 .

sfz

&

*

: 4. 0

sfz

sfp

"

: . 0

-

sfz

'. &

arco ' ) 1 /. &

*

:. 0

-

.

1

1

&

ff

#

Vc.

..8 0

-

-

"+

$

&

&

.% 0 &

&

-

p

1

f

-

&

&

&

-

&

Vla.

5 9.

% .. 0

&

&

&

&

p

-

&

'. .. 0

& &

&

-

&

#

9. 0

&

mf

/. 1

pp

1

&

p

1 /:.0

5 '.

-

f

-

. 1

1

f

-

2 .8 0

1

&

p

:. : 4.

mf

1

1

&. 80

-

-

f

sfz

& 2.. &

f

mf

-

-

-

sfz

5 2. 1 4 .8

mp

f

&

Vln. II

Db.

.&

&

8 !) 2.. 0

Tbn 3

Tba.

.8

*

Bsn 1:2

Cbsn.

.

.8 4 .8

2.% 6 2. 1 7

1

5 .8 1

1

mp

Cl. 1:2

/.8 /.0

1

4.&

&

-

1

f

pp

f

&

4.

.

&

p

-

1

f

pp

pizz

-

. .

p

&

$ (

-

5 . 4 .. p ., pizz

p

.,

., .,

, ..

arco

p

, ..

&

&

., 7 6 1

&

&

&

&

f

ppp

, .. 6 1 7

ppp

f

div

., 7 6 1

ppp

p

div /'.. 0

*

! */+3 $

. 1

41

Fl 1:2

$

Picc.

$

&

&

Cl. 1:2

Bsn 1:2

"

.

6 2. 1 5 / .8 '

8 /. 1 1 &

'5 2. .0 '

6

2. . . . 6 . 1 /.0 . /.

-

6 .< 1 8

< 2 . . .8 '

6 < 1 .8 6 .< 1 8 ..8 6 7 1

&

ff

1

4 '.

ff

-

-

-

1

-

1

-

.: 0

8 ' /. . / . 1 0 1

f

f

ff

1

ff

-

.: 1 0

-

. '. & 0

8 ' . . . 1 0

&

'

-

.

&

ff

' .

-

$

&

&

&

&

-

*..

&

&

&

-

$

&

&

&

-

)

&

&

&

-

(sord)

&

&

&

-

(sord)

&

&

&

* "

*

! $

&

"+ !* "

#

&

$ to piano

*

! $ 1 $ 1 )

Vla.

)

Vc.

"

*

-

&

&

-

&

&

&

-

& & &

-

1

1& 1& 1&

&

ff

-

& -

1

5 /.. ' arco >< .. 1 ' f > * 4' . 1 7 f > 2'. 7 1

1

f

4 :. 0

ff

EbFยงGbAยง BbCยงDยง

&

'. 4. 0

ff

5 /..8 2.8 0

/ .8 0

4'. 6 . 7 6 42..< '

< 6 ..8 1 pp

8 6 .7 1 pp

.8 6 7 1 pp

1

-

2

-

piano

!

ff

$

unis .'. 0

-

ff unis

'. 0

-

'. 0

pizz

ff

'. 44 .. 0 & &

ff

.: 1 . 0

-

4 :. 1 4 .0

-

1 4 :.0 . '. & . .& 0

'. .

%'$ . . 0 ff '. 0 %'$ . . 0

'

-

1 1 1 1 1 1

ff

'. 1 .0 ' 1 .0 '. 1 .0

*.

.. . '.% -

*

'. 1 . 0

' 1 .0 4 .5 1 4. 4'. -

. '.

sffz

' 1 .0

div

f

3 &

-

' .. . '

ff

. .

ff

&

.&

pp

. 0

pp

8 1 .0 mp

-

.8 1 0

-

.8 1 0

33 3 3

'. &

/..% 1 1 ..% 0 0 % 4 ..% 1 1 44 .. 0 0

) 3)

'. . 0

) 3) '. . 1 1 0 '. 0 1 1

'. . 0 '. 0

33 3

'. '. 0 1 1 0 ' .'. 1 1 .. 0 0 '. 4 .5 44 .. 1 1 44 .. 0 '

' /. . 1

-

' /. . 1

mp

mp

& &

.8 1 .0 -

5 1 . pp ' .8 .. . 1 -

3

5 1 .

mp

pp

.. 1 0

.&

.8 0

. 1 . 0

pp

pp

-

$

pp

3 3

8 1 //.. 0

$

& &

pp

.8 1 2.0

&

pp

&

p

'. & .&

mp

-

pp

33

'. 0

3

pp

mp

3

33 33

.8 0

3

3

) .) '

.&

&

pp

mp

. '

ff

-

5

..8 1 0

8 1 .0 -

&

4 .% 1 1 4 .% 0 0

') .)

1

f

'. 0

-

ff

-

&

&

1

1

&

&

-

4 .:. 0

ff

&

&

5 . .' ' //.. 0

1

&

&

&

/.:. 0

&

&

&

&

$

#

&

ff

(sord)

ff

. '. & 0

'.

'. &

.% .% 0 1 1 0

-

$

'. 0

.% .% 0 1 1 0

ff

(sord)

'. &

&

&

ff

&

&

..% ..% 0 1 1 0

f

ff

5 . . .8 1 ' ff ' 24 .. .. / .8 . 1 1 0

)

.: 1 0

&

Vln. II

Db.

1 /. /.

$ .& ' ' /. & * .& ' *

$

Vln. I

.

< 4 . . .8 '

:. 0

. '. & 0

&

Tbn 3

Cel.

f

-

ff

-

&

Tbn 1:2

Hp.

1&

8 /'. . . 7

'.

1

&

Tpt 2:3

Timp.

-

-

ff

.:. 1 0

! $

Tpt 1

Perc 2: B. D.

5 /.

-

&

f

.:. 0

' *..

Hn 3:4

Perc 1: vibes

-

1&

1 2.5 8 2'. . . /. /. 6 1 /.5 /.8 1 /. /. 2'. 8

$ -

B. Cl.

Tba.

1 /. /.

1&

5 .8

f

1

< . . 4 .8 '

f

-

f

2

a2

&

.8

1

. $ ' . /. /. $ -

Hn 1:2

p

1&

-

f

.

$

Cbsn.

p

*/+3

Ob 1:2

C. A.

8 . 4. 80

& 5 1 .

3

.& .& ) 3) )5 . 1 -

'. . 0

pp

pp

3 3

)5 . 1 -

pp

&

p

loco ' 1 .. 0 1 .5 '.

-

33 3

33 3

3 3

3 3

-

.. 0 mp 5 ..

&

&

&

&

5 1 *2+.. . pp 5 1 *2+.. . pp 4 .. 1 2. 0 pp

& & & 5 .. 1 .0

pp

5 . 1 .

pp

1 1

6

! 1 .& $ 49

Fl 1:2

pp Picc.

Ob 1:2

1

$ -

1

p

.% 0 /. . .

mp

Hn 1:2

4 .8 . 0

) "

*

5

p

1

..8 0 1 1

Perc 1: vibes

Perc 2: B. D.

Timp.

Pno.

Vln. I

&

1

&

&

1

-

1

/.8 0

1

'5 .

. /. 1 .8 . 4. 0 pp 4 .8 & 1 0 -

.

f

& 1

. . . . /.

mp

4. 4. 4. 2. 1 1.

mp

& -

fp

pp

&

.

*

8 1 4 .0 -

/'. sf 2.

/'.

6

2.8

8 1 /.0 -

-

6 2.8 -

sf

pp

&

)

&

&

&

&

&

&

&

&

8 $ 1 /..0 -

&

&

&

8 ) 1 4 ..0 -

&

&

&

9. . .8 1 0 1

&

&

&

&

-

&

8 * 1 4 .0 pp

3

!* "

#

$ -

#

&

&

&

&

4 .. 0

1

5 44 ..

1

*

&

*

&

! $ $ )

.. 1 1 44'.. 0 0

5 1 1 2.5 2 .. / '.

1 4/.... &&& & p

1

'. . 0

1 4/..5 '

..5 1 ..

&

pp

&

"+

Vla.

&

&

! . '. & $ .0

Vln. II

-

&

$ -

Hp.

.8 0

&

pp

"

.% 1 0

5 .8 pp &

pp

Tbn 3

&

&

5 .8

5 .8

&

&

mp

1

&

pp

Tbn 1:2

.8 0

&

&

/.8 $ 1 0 -

Tpt 2:3

4 .8 0

1

&

-

&

$

Tpt 1

.8 1 1 0

4 .8 0

5 4 .8

.% 4. 1 0

&

! $

Hn 3:4

1

.8 1 1 0

&

$

pp

/. /. 2.8 0 1 1

&

$

Bsn 1:2

1

p

Cl. 1:2

Cbsn.

.% 0

. . . 4. 1

5 1 .8 -

p

$ -

B. Cl.

mp

%5 .

$ . . p $

$ -

C. A.

.

a2

1

f

f

% 1 .0

&

&

&

&

&

-

&

-

-

. /. /.

4 . 2.% /. (

% /. /. 2.

1 . /. /. & f

1 /.0

.&

& &

% 1 /.0 -

2.%

f

4 ..% 1 0 f

.% 1 . 0 f

-

&

-

&

f

p

f

p

9.

.% 1 . 0

% 1 44 .. 0 .% 0

% 1 .0

-

-

5 1 /.. (

-

-

-

% 1 .0

-

&

f

&

-

1

f

f

/..% 0

1

.% 0

1

mp

mp

&

& &

mf

&

&

&

&

&

&

&

&

&

&

&

&

pp

EยงFยงGยงAยง BbC#Db

-

f

.

&

&

&

&

&

&

&

&

&

&

&

&

&

& &

& & &

&

'. &

& &

&

1

. 0 1 -

&

1 ..0

&

Vc.

&

&

&

&

&

Db.

*

&

&

&

&

&

f [pizz]

sf [pizz]

. 1 4 .0 sf

pizz . 1 4 .0

unis

sf

1

ppp arco

-

< 2. 1 $ 6 .7 mp sul I ,< arco div 2. 1 $ 6 /.7 ,

arco

div

sul II mp

&

1

. && . &&

'. &

4. .

solo

&

&

1

mp

f

< 6 /... 333 . 3

p

4 ..% 1 0 -

% 1 /.. 0 % 1 2.. 0

-

& -

&

9.

&

p

&

&

-

-

f

% 1 .0 4 9. -

2 ..% 1 0 -

-

/9.

-

&

. (

arco

&

&

f

.8 0 1

1 .5 -

.% 1 0 -

f

1

5 . 1 / .8

pp

.% 1 0 -

4. 4. . &

(sord) 5 1 4 .. .. 2. 1 .8 9 pp (sord) 1.

-

f

(sord) 9 1 .0 . .8 1 pp

-

.% 4. 1 0 -

4. 4. 4. .

% 1 44 .. 0 f .8 1 0

* "

f

.% . 1 0 -

.

'. & f

. 0 1 -

f

ppp

, .. &&&& , &

6 ,

&

6 ,

& &

)

Fl 1:2

.% 57 ! 6 4 .7 1 $

-

4 .% 4. 0

4 .% $ 6 7 1

-

4 .% 0

Picc.

Ob 1:2

C. A.

Cl. 1:2

"

Hp.

Pno.

Vln. I

Db.

1 1

&

&

&

. 4. & 0

Ab

4.

-

& . .& 0

&

/.9. &&

&

&

1

'. . 6 7

&

/.9. &&

..% -

& -

4 .. 1 1 2..8 0 0 ( p f

&

8 . 0 1 1 /.0 p

f

..8 1 0

.

p

1 .& p

-

p

.&

3

..8 1 0

-

p

&

.. && .&

3 *2+.8 0 1

&

&

&

&

&

&

1& 1&

sfp

sfz

.% -

sfz

1. . ..% 1 0 sfz

sfz

% 4 .. 7 sfz

4 .% 7 sfz

&

&

&

&

&

&

1

-

&

&

&

&

&

&

-

&

8 1 .0 -

&

-

&

5 1 .. 8

&

&

&

&

&

.8 1 0

8 1 .0 -

1 /.08

-

4 ..8 1 0

5 1 .. 8

5 1 //.. 8

& & 5 . 4. &

3

p

&

& 5 . 1 -

5 . .&

p

p

1 .&

[con sord]

1

1

p

-

' 6 .7 . sfzp

&

.&

3

.% 6 4 .7 sfz

sord 4 .% via -

'. 6 .7 sfz

&

.

1

&

&

&

&

&

&

&

&

&

&

&

&

&

&

&

&

&

4. . 4. . 4. 1 4.

&

&

.

4.

. ppp

/.

/.

/.

/.

-

/.

mf

. 0 1 -

&

-

&

&

-

ff

4. 4. 4. . mp

4. 4 . 4. .

'. 4. . . . sfz

&

&

&

&

&

&

&

&

*

&

&

&

&

&

&

&

&

-

&

&

&

-

&

&

-

-

4 . &&

$ 1 ) 1 *

f

)

f

ppp pizz

6 4 .7 sf

3

div

' solo (1 player) 6 4 .7 .

'., 0 1

-

p sul tasto - senza vib arco

33

ppp lontano

3

fp

&

&

.gliss.o .

', 1 .0 33 . 4. & 0 &

'., 1 0

pp

.. && 0

. 9. & 0

-

5 1 '.

pizz

f

6 -

& 9. 0 1 -

f

&

&

&

&

-

4 . . . '. -

*

' /3

pp

4. (

-

-

-

sfz

1

&

4.

ff

'5 6 .0 &&

&

&

f

$ 6

"

..% 0

6 < 4. . '

ppp

Vc.

-

&

! .7 6 1 $

Vla.

1

&

#

Vln. II

&

&

-

&

&

&

p

4. .

&

p

&

&

/..% 0

f

-

3

.8 0

!* "

sfp

8 ..% 1 1 4 .. 0 0

1

[1.]

5 ..8

"+

#

&

1

p

! 1 $

$

-

'5 6 /. & 0

-

sfp

-

*

$

1

&

-

) "

&

&

$ -

Tbn 1:2

Timp.

.8 0

*

-

1

p

$ -

Tpt 2:3

Perc 2: B. D.

$ -

..8 0

2.% $ 6 2 .7 1

Tpt 1

Perc 1: vibes

-

4 .% 0

! .% $ 6 4 .7 1

Hn 3:4

Tbn 3

.% $ 6 7 1

% ' p 2/ .. 6 ) 6 7 4. . ( 1 fp -

Bsn 1:2

Hn 1:2

-

% 44 .. 0

$ -

B. Cl.

Cbsn.

4 ..% $ 6 7 1

1

7

..%

.., 1 0

ppp arco

. 1 . 0 p

. 1 .0

-

unis

tutti

&

&

-

&

&

-

p

., 1 $ .0 ppp ., 1 0 p

8

! $ 65

Fl 1:2

$

Picc.

& 3

Ob 1:2

&

$

&

$

C. A.

$

Cl. 1:2

. &

$

..8 6 7

3

pp

.8

pp

8 6 .7

pp

-

-

1

-

-

1

-

-

6 .8< 1 pp

8 6 .7

pp

.

.

$

&

-

Bsn 1:2

)

&

4 .8 6 4 .7

Cbsn.

*

B. Cl.

1

1 . 4.

-

-

.

-

.

. 4.

1

&

4 .8 6 7

&

-

1

1

6 *

pp

Hn 1:2

"

! $

$ 3

Tpt 1

Tpt 2:3

Tbn 1:2

Tba.

Perc 1: vibes

Perc 2: B. D.

Timp.

Hp.

Pno.

Vln. I

"

ff

6 .< 4 '. ff

-

)

&

-

1

&

-

1

6 .< . ( ff 1. 4 .% *6 7 6

ff

< 4. ' ff

&

#

&

&

-

&

-

3

3

' 6 .)<

1 1

6

ff

< 4 .)

) 3) ) 3)

&

&

-

*

&

&

-

3 ) 3 $ *

'< 6 . 4 .. 4. 7 ' ff

3 $ 3

33, 3,

-

. . 0 . . 0 .., 0 ., 0

ff

.% 0

ff

' 4. . 0 (

ff

1 1 1

.% 0 .% 0 ' .. 0 (

1

&

..% 0 ' .

1

.% 0

1

.% 0

1 1

3

3 3

$

.., 0

.% 0

.% 0

3 3

$

33,

ff

1

3 3

-

! $

.% 0

3 3

&

#

ff

'.

3

&

&

'.

3

-

ff

*

"

1

1

*

< 4. ' ff < 6 . 4'.

1 .

< . ' ff 6 < 4 '.. 6

1

-

!* "

Vc.

pp

1

&

"+

Vla.

1

.

fff

ff

1

..% 0

.% 0 % ..5 0 (

1

.

1 1

1 .

-

/. 1

-

1

:. . 0 sffz to flute

.

'. 0

p

' . 0

ff

' . 0

ff

1

-

1

&

&

&

&

3

3

3

.

-

1

5 .

1

5 .

ppp

&

1

:. . 0

sffz

.: 0

sffz

3 3

3

.

pp

/.

.

3

ff

1

pp

-

1

-

1

a2 '5 /.

'. 0

mf

pp

3 3

mf

&

&

&

1

-

&

&

1

-

&

&

5 . .

1

-

&

&

.

.

/.

&

&

&

&

&

&

&

&

&

&

-

&

&

&

&

&

&

&

&

&

&

&

ff

$

! $

Vln. II

Db.

&

$

Hn 3:4

-

..% 0

1 1 1

-

3 33 3 -

ff

1

' .

1

5 1 4*2+.. (

1

-

1

2.% 0

1

-

5 .

1

-

'. .

ppp

ff

) 3)

!

1 1

2'. 2. 0 ' 2. 0 '5 . . .0 ' 3 33 3

)5 .

1 1

'. . 0 5 . ' '5 . . .0 '

1

>5 '.

1

-

1

1

-

1

-

1

sfz

1

-

1

1

1

1

)

' div < . 6 4 .. 7 ' ff div < 6 4. 4 '. ff

33 3 3 3

> 4'. 0

sfz

33 3 3 3

:5 2.. :/ 4*2+ .. 1 0

2: via sord

'. . 0

) 3)

1

p

1

.& .&

) 3)

1

/.

&

'. .

'.> 0

sfz

ppp

5 4 .. ( 4 .% 0

'. .

%$' . . 0 ff '. 0 %$' .5 . $ .0 '

ppp

'.

'. 5 4 .. ( 4 .% 0

5 . .

ppp

)5 .

1

-

ppp

1

-

1

1

-

1

1

-

1

'.> 0

&

sfz

>5 /'. sfz '.> . 0 sfz

33 3 3 3

2'. 2. 0

2'. 0 '5 . . .0 '

sffz

sffz

3 33 3

1

ppp

to celesta

l.v.

1

&

1

&

1

..5 . 0

ppp

5 . .

ppp

>5 . 4. ' f >5 '. f

1

= 2.% 0

mp

1

= .% 0

mp

= .% 0

muta sord

&

muta sord

&

'.> 0

1

1

-

&

1

-

&

f

mp

&

$

*

3

! $

&

&

&

&

&

&

&

-

1

'. ) 6 7

$

&

&

&

&

&

&

&

-

1

'. 6 )7

1

'. 6 )7

72

Fl 1:2

$

Picc.

$ 1 Ob 1:2

$ 1 $ 1

C. A.

$ */+. / .

Cl. 1:2

pp

$

B. Cl.

Cbsn.

Hn 1:2

1

mp

. 0

1

mp

mp

. .

? ! $ /'3

Tpt 1

Timp.

Hp.

.8 1 1 5 0 49.

-

1

.

&

1

5 1 5 .8 / 9. mp

&

-

1

&

-

1 4 .5 9

-

&

mp

& ? ? 1 /.5 3 ' mp

$

&

&

$

&

&

. 2'. &

p

8 1 49. /.0 1 0

ff

p

6 4 .< 2. (

1

? . -

-

&

1

, aperto .& . .

pp

? .

pp

, /.

-

? .

pp

pp

4. 4. . .

. .&

p

/.

ff

p

ff

? 3 5 aperto . *2+. &

&

&

! $

&

&

&

&

gong (tuned if possible)

&

&

&

&

&

&

&

&

5 29.

.

&

5 4. 1 2'.

1

sf

-

1

sf

5 1 /'.

1 .5 /. & 8 ' sfp ? /3 ' p &

&

&

&

&

&

/. .

. 4.

6 2'. & 6 .& ' ' 6 /. &

-

1

*/+'.

ff

ff

/. ' ff 2'. ff

' 4 .. 6 7

ff

4 .8 2'. 8 4 .8 . . /. 4 . 0 4 .8 2.8 8 /.8 .8 p .8 .8 ff .'. & 1 )6 7 ff

to bsn 3

.8

& 5 .

1 1

,5 /.

-

1

? . 0

-

&

pp

pp

, . 0

pp

1

? . 0

pp

&

&

*2+.

aperto

. 3 . .&

aperto

/. &

.

1

/'. 6 7

1

' 6 /.. 7

3 -

&

-

mf

mf

" $ 43 ' mp !* "

$ /3 ' mf , * /'3

,

&

-

*' .

&

-

', /.

3

, . 0 , . 0

& 1 4. & ' mp /'. &

, 4'. &

1

'., &

', 1 /. &

&

&

&

&

&

&

&

&

&

&

&

&

&

&

&

&

! $

&

&

&

&

&

&

&

&

Vln. II

$

&

&

&

&

&

&

&

&

Vla.

)

&

&

&

&

&

&

&

&

&

&

&

Vln. I

ff

p

'. 0 1

sf

49. 0

5 4 .. 8

? ? ? 5 < . 1 1 6 /. . & '

p

ff

&

&

? 1 /. & '

ff

? 3

. 1 6 < . 1 1 49. . 8 49. 8 8 8 49. 4 . 1 6 49.7 . . 1 1

-

&

ff

.

1 /.5 8

1 .5 1 4 .5 8 8

5 29.

-

&

&

.8 1 6 < 2.8 1 1 49. . 49.

1 4 .5 .8

p

&

-

&

sfz

4. 4 .

&

p

< 6 . (

1

"$

#

.8 1 5 0 1 49.

sfz

5 4 9.

? 1 /.5 '

p

ff

-

/ .8 0 1

-

ff

. /'. &

.8 1 & . . 6 . 29. 0 9 8. 9 4 . . 6 /9. 0 1 4. &

5 1 5 44 ..8 2 9..

&

/'. &

mp

mp

Hn 3:4

Perc 2: gong

5 49.

5 1 .8

mp

$ -

Perc 1: vibes

5 49.

-

5 .8 mp 5 9.

&

.8 1 1 5 2.8 1 /. . 6 9 0 2. 49. 0 29. &

pp

* 1 "

&

8 1 49.5 4 .0 1 1 49. 0

/. 0

$

Tpt 2:3

&

. . 4. 4. -

* 1

Bsn 1:2

/. 0

&

Flute 3

ff

-

1

pizz

6 .< /.

sfz

)

Vc.

Db.

"

&

' * 44 @. 0

unis

mp

1

& ' 1 44 @. 0

-

4'@ 1 4 .0

-

&

-

' 22@. 1 0

1

4'@. 0

1 -

unis

6 2.7

sfz

pizz

4'@ 1 4 .0 -

' 4'@ 44 @. 1 1 6 4 .7 0

1

' 22@. 0

-

4'@. 0 f

1

9

10

. :. 80 ! ) $ . :. $ )

Fl 1:2

: . . $ )

Fl 3

C. A.

B. Cl.

Bsn 1:2

4.

pp

-

4 . .8 pp

Pno.

Vln. I

1

4. &

4 . . 6 /. 9

. 2.( 1

1

sf

sf

$

&

&

&

&

&

. /.: -

: *4+ .. 44 ..

5 4.

< 6 1 .

5 4.

< . 6 1 / .8 0 1

p

&

. 4 :.

2.8

1

6 < 1 4'.

4 . 4 .8 .8 1 0

1

6 4 .< 1 '

.8 0

4.

6 < 4. .

.8

6 4. . 7

/.8 0

1

8 1 /.0

1

-

1

.

4.&

&

&

&

&

to clt 3.

&

&

&

&

&

&

&

&

&

&

&

-

? /. '

&

? .

p

&

&

? 1 /. & '

-

, .&

p

&

aperto

. .

/.

pp

pp

? .

-

, /. &

aperto

pp

? .& '

-

. 0

1

-

. 0

1

1

. 0

1

-

&

&

-

mf

? 5 /. ' p

&

? .& '

1

1

? ? 6 /.< . '

:, $ . /. -

&

-

&

&

&

&

&

&

&

&

&

&

&

&

&

&

&

&

&

. . 6/...7 ...

&

4. ' pp /'.

&

&

&

&

&

&

&

&

&

&

&

&

&

&

&

&

$

*/+. :.

sffz

l.v.

pp

"$

&

pp

*/+. /:.. "$ . .. && . && ! $ 1 4.

&

? 3

mf

-

1

lontano

&

-

*

&

-

*

&

-

$

&

&

&

&

&

*

&

&

&

&

&

# #

pp

', /.

&

pp

1

1

1

1

, 4'. 0 '., 0

-

1

-

1

-

1

-

1

2. . 6 7

-

1

. 6 4 .7

con sord

pp

. .& . & $ 1 4 .0 . 2. con sord

div

pp

&

&

. / .8 . /. . .8 . . &

-

9. & & 6 /.0

. 2 .8 2. 6 6 /. 1

.8 . 0

-

9. & 6 .0 &

8 4. 4 . 6 6 2/.. 1

.8 4. 0

=5 444 .@@ 1 .0 = arco

div

$

-

&

/'. && 6 . && -

-

=5 444 .@@ 4. 1 0 = arco

Vc.

Db.

*

5 4. p

/'. 0 ', /. 0

' && 6 /.. &&

rfz

)

1

celesta

. .& . . . & /. ! div 1 0 $

)

.. 4 .. 0

& '., 0 ', /. 0

2.8

1

&

mf

*2+. 0

? /. ' p

. . 1

mf

? 3

&

? 1 /. & ' p

&

&

pp

.8 0

1

1

.&

.8 0

2.8

1

p

2 .8 0

6 4 .< .

1

-

-

1

6 4 .< 1 '

.8 0

p

4.& 6 0

2.8

4.

p

1.

sffz

"

< . 6 1

p

&

:., $ .

Vla.

. /.( 1

&

sffz

Vln. II

1

. . 6*2+. 9

&

sffz

Hp.

1 4 .5 .5 8

2. &

&

sffz

Perc 2: gong

5 5 1 4 . 4 .8

1

&

:. $ .

Perc 1: vibes

1

5 .5 4. 8

5 4. p

: $ */+. . -

sffz

Tpt 2:3

1

1

sf

&

:. ! $ .

Tpt 1

5 .8 1 4. 0

.&

/.% 1 .

&

: . 4 .. ) . "

Hn 3:4

1

1

/. . 6 9 2.

&

$

Hn 1:2

.8

-

-

.8 0

&

$

Cl. 1:2

-

pp

.8 1 0

-

$ Ob 1:2

*/+. .:

-

/ .8 1 0

&

&

&

44 @. 1 0

-

mp

& 1 44 @. 0

div

*

rfz

-

1 44 @. 0

& 22@. 0

1

1

4 @. 0

.5&

.&

&

1

. . . 6 87

&

1

8 6 /..7 -

6

rfz

1 4 .. 0 '5 1 4 .@@ 4 .0 '

'< @ 6 44 .@. 1 7 '

' *2+/.@@5 1/ . 0 '

'< 6 4 .@@ 11 4. 7 '

&

1

44 @. 0

'. & 6 2.0 & ' 6 /2.. && 0 -

rfz

&

rfz

rfz

-

. 1 4 .0

-

44 @. 1 0

1

-

6 44 @. 7

88 ! /'. & $ 1 2.5 .

Fl 1:2

Fl 3

/'. . 2'. &

$ 1 4 .5 . 4'. &

/'. & 2'. . ff '. '. :. / 2'. &

$ 1 2.5 . '. & 4'. & $ 1 4 .0 . *4+ . $ 0 1 -

C. A.

ff

ff

&

Bsn 1:2

$

&

&

)

&

&

" , ! $ 1 /. &

*2+. &

pp

? $ 1 .&

Hn 1:2

pp

? , aperto $ */+. . . . & pp

? $ 1 .&

Hn 3:4

pp

Tpt 1

Tpt 2:3

Tbn 1:2

Perc 1: vibes

Perc 2: gong

Hp.

Cel.

Vln. I

Vln. II

Vla.

Vc.

"

&

-

$

&

-

*

&

-

:. 0

, /:. 0

pp

&

*

&

&

6 2.8 1 7

&

&

&

&

&

&

&

&

&

9.

mp

4 .8 0 1

sim

2.

.8 1 0

via sord

.. &&&& . && 6 4 . &&

ff

2'.. && //..%

sffz

mf

&

-

*

&

-

)2.. &&

sffz

mf

sffz

-

2 .% /. /.% .

4

9. & .& 6 0 2 9. & 6 4 .0 &

mp

4. -

.&

.

1 .5

.

. 1 .5

.

5 . 4 . 1 /.

2'. 0

.

/'.

? 1 *2+. 0

-

mp

, . 1 1 *2+. 0 0

mp

pp

&

mp

? 1 *2+. 0

-

? 4. &

pp

mp

, 4. 0

mp

.& 4. &

. 2. &

. 2'. & 0

4. &

2.

4. &

2.

mf

mf

.&

. mf

3 . . & /. &

.

. &&

. 7

2. &

.

. 7 6 1

4.

. 6 1 7

4.

/.

. 4.

. 6 1 /. . 7

/'. &

/'. 0

. 6 1 7

1 1

5 /. . 0

1

1

5 . .0

1

.

/.

. 6 1 7

? 4.

. 6 1 7

-

. 6 1 7

-

mf

mf

mf

.

1

&

&

-

&

&

&

&

&

-

&

&

&

&

&

-

&

&

&

-

, 4'.

-

-

&

-

-

&

-

&

-

&

.& .& .& .&

2. /. mp

. .

mp

1 6 ..7

mp

1 $ 6 4 ..<

-

2 .=8 . 1 6 7

-

.=8 1 6 4 .7

.&

f

33

', 1 .0 ', 1 /. 0

-

2'. 0 1 -

' 6 44 @. 1 7

' 22@. 1 0

2'. 0

33 .

9 /. /. 9

rf

9. .

rf

' /.

' /'. 1 1 .0 0

'@ ' //@. 1 1 .0 0

-

44 .. 0

&

', /.

&

-

. 2'. & 0

to glock

&

&

2 .& 1 6 2.0 &

6

&

5 1 4 .. 8 .& .5 2. 1 6 /. & 0 0 8

4 .. &&

6

4 .. && )0

4. ' /'.

-

.& )0

mp

.. 1 4 .. 0

-

pp

mf

&

&

4 .8 4. 0

? 4. &

&

mp

1 -

pp

-

&

'.,

-

/. &

&

&

1

3

-

mf

mp

/. 5 . 0

&

&

'& . 6 0

-

&

' 6 4 . &&

mf

2.

? *2+93

unis

pizz

.

&

mp

4'. & 6 0

-

. 1 0

mp

.% .

sim

. . -

&

6 4 . && mp /'. & 6 0 ', 6 /. & 0

4 .8

sim

mp

ff

)

4 @. 0 1

&

? 6 49. &&

.%

4 '. & .&

* 1 22@. " 0

&

&

sffz

sffz

'

mp

&

mp

4 '. & 2. &

' 1 6 4 .0 &

&

&

-

&

mf

mp

&

f

-

$

mf

11

mp

8 6 2.7 1 -

' && 6 4.

/.. && //.. ( pp ff 1. . & .%

, 4'. 1 0 '., 0 1

-

' 1 . )0

mp a2

pp

&

/.8 29. & 2.8 $ 4 .0 1 . & *4+ .

-

6 /.5& 9

.&

&

-

&

clt 3 [A]

sffz

"$

.8 4.

&

. . .:

&

8 4 9. & ! 4 .. 1 2. & $ 0

&

sffz

&

# #

.8 6 7 1 -

:., 0

! $

, * 1 '. 0 * 1 /'., 0

-

sffz

.&

$

sim

Db.

/. &

&

mp

.&

. )0

&

6 4 .5& 9

aperto

' . .& )7 6 1 6 0

mf

&

8 6 .7 1 mp .8 0 1 -

Cl. 1:2

Cl. 3

-

'. 1 )0

mp

'. /:.

&

&

' . 2. & )7 6 1 6 0

mp

ff

&

&

/'. 1 )0

2 .8 6 7 1 -

mp

'. :.

$

&

mp

.:

ff

/. '. & ' ' /'. & 2.

2 .8 6 7 1 mp

.:

/. . '. & '

$ 1 2.5 .

Ob 1:2

ff

$ 1 2.5 . '. &

/'. &

4

:.

2. . % /. . .. % /. . . 2 . . 4.

-

/'. &

/'. 0

.

mf

6 4 .5& 4 '. & .% 6 4 .7 1

-

2. & /. &

mf

to piano. 5 6 .. && '

2.% 64 . 1 7 /. 3

-

'. 0

1

-

1

/'. 0

-

' 24 @. 0

/'. 1 0

1

-

' //@. 1 0

1

' //@. 0

/.

12

! $ 96

.8

' 6 ).0 &

&

. & /.8 6 '. & $ )0 *4+. & .8 6 )5 & $ '.

Fl 1:2

Fl 3

$

Ob 1:2

$

C. A.

.&

.8

Bsn 1:2

"

*

-

&

&

! $

&

mf

Hn 3:4

Tpt 1

Tpt 2:3

&

$ *4+.

-

$ -

8 6 /.7 1

$ -

mf

6

.

? 3

? 3

/'.

:.

'.

:.

6 /.'.

4 .:.

/'3

-

bassoon 3

)

' '3

-

sfp

-

/'3 % 4 ..

. . /.

mf

, 4. &

. 0

mf

(

sfp

. .

/. /.

cuivrez

/:. 1 4'. 0

a2 ff

3

/.

/. '

/. /.

.:

/'.

' : 6 /.. /.. -

&

senza sord

&

&

senza sord

senza sord

&

&

&

&

*

&

&

&

&

! $

&

&

&

&

#

*

Hp.

Cel.

Vln. I

Vln. II

Vla.

Vc. Db.

&

&

& , 4'. 0 '., 0

'., &

, /'. &

-

*

&

$

&

&

&

$

&

&

&

#

! $

&

$

&

) -

. '

' ) 1 4 .0 * 1 44'@. " 0

-

-

senza . sord4 . & 1 4 .0 6 .0 & senza sord 2 . & . 1 /.0 6 .0 &

44 .. 0

.

/. 0

2'. 1 0 22'@. 1 0

/. 1 1

'. 0 ' 4 @. 0

4 .. 0

-

1&

1 1 div

1

div arco

1&

piano

8 4 '. & . & *4+ .. ' 2.. &&

8 4 ..

4 '. & 4*2+..8 .& ' .. &&

8 4 ..

' 1 44 @. 0

< 2'.

ff

$ *(+

-

< . ff '

/.

/.

3

ff

&

&

&

&

/. 0

. /.

/. 0

. /.

4 :. 1 .0 -

' 8 //.. .. 1 ff

ff

. .8 1 ' ff .8 1 /. ' ff " 5 1 44 .. ' 4 . + '.

ff

glis

s.

&

%$05 .

%5$

$

glis

& 4 '. & .&

22'.. &&

' 2/ .. && ' 2.. &&

', 1 6 .7 -

s.

.0

% .. 0 5 . ( 5 . (

/.

. 1

ff

4 '. 1 4 .0 ff ' 1 4 .0 4 '. 1 4 .0 -

/ .8 .

8 /2 ..

' 1 4 .0 ' . unis 4 . /.% 1 0 1 ff % *2+ . unis ' 1 .0 . 1

/..8 *

ff

unis

1

2'. . / .% 0 1 ff

' % 1 /.0 . . 1 > ff 5 1 /'. unis

ff

. .

3

1

/'. &

1 1 1

/'. &

&

.% 0 /.% 0

-

1 /.5 (

-

-

-

-

-

-

1 4 .% 0

1 4 .% 0

-

1 -

1 1 1 1 ' 4.&

5 /. (

1 4 '. 4. 0 ' 4. 0 ' 4. 4. 0 ' 4. 0

/'. & -

.% .%

-

-

-

-

-

-

-

-

-

-

-

1

> 5 /'.

.% 0

4 ..% 0

1 1 1 1 1

5 . (

4 .5 4'. '5 .

1 1

1 .0 -

-

2.% 4 .% *2+'. & '. &

-

5 /.

5 . (

4 .% 1 .0 1

p

4 '. 4. 0 ' 4. 0 4 '. 4. 0 ' 4. 0 '. div . 2 . .

/. 0 /. 0

/'. 0 &

% % 1 ..0 1 4 ..0 ' 8 //.. .. . .8 ' .8 /. ' 5 1 4. 1 4 '. '5 1 . 1

1

1

1

1

1

1

1

'. . 2.. 1 '. 0

1 /.5 1 .5 ( ( 4 .% .% 1 0 1 0

1

div

/. 0

1 .% 1 .% 0 0 % .% . 1 0 1 0

/.

1

1

&

.&

-

.% 1 .0

/. 0

.&

/'. &

1

5 /.

.&

-

-

.&

p

1 p

.& ))

-

% 1 ..0

.& ))

.&

/'. &

ff

1 p

.& )

1 2.% 0 % 1 .0

5 1 4. 4 '. '5 1 . . 0

' 1 /). & ) fff ' 1 /. & ) fff ' 1 /. &

fff

3

.% 1 0

ff

.8 4.

.& ))

1. ' 1 ). & )

&

ff 2 cowbells

&

1 $ 4 .5 ', ' 1 4. 0

.

ff

&

sf

/. 0

4 . .8 ' ff senza sord :. 1 0 -

&

&

.

ff

f

*

Timp.

3

' 8 4 . /. -

6 /..8 1 7

-

/.

ff

&

&

/. &

.

' 4 . .8 -

-

&

1

5 /.

ff

f

Tbn 3

"$ !* "

-

&

ff

cuivrez 1 6 .< .

1 4 .5 '

/. &

ff

6

f

&

/. &

&

f

&

' 8 4 . /. -

&

Perc 2: gong

.

ff

cuivrez .: 1 4'. 3 0 cuivrez :. 1 1 1 6 .< .

.&

&

ff

3

&

Perc 1: vibes

.& '

.

*

"

'

3

Tbn 1:2

Tba.

' 44 .. &&

6 2. . '

ff

3

:. -

.&

ff

' 1 /). & )

&

fff

ff

. 6 ( 2. . ' sfp

/.

3

.&

mf

/3

sfp

3

.

ff

sfp

: .. 4 .. 2 .. 1 /.0 ; ' : . 1 /.5 . . ' /. . /. /.

&

BBBBBBBBBBBBBBBBBBBB A 3

-

mf

.

3

sfp

: ' /. 6 . -

mf

/. &

:.

/'.

mf

/. & 2. .

, 2. &

$

6

4 .. .. . . && /.

mf

? $ 1 4. &

Hn 1:2

mf

& &

$ 1 /.5 . 4 .8 1 ' ' ) .

Cl. 3

6

&

&

8 '5 2.. 1 1 $ /.0 . 8 '

Cl. 1:2

Cbsn.

.&

. 4 '. 4. 0 ' 4. 0 ' 4. 4. 0 ' 4. 0

1 1 1 1 & &

1

&

1

&

> 5 1 /'.

4 '. 4. 0

'5 .

/'. /. 0 /'. 0 4 '. 4. 0 4 '. 0

13

! $

&

-

$

&

-

104

Fl 1:2

Fl 3

$ */+.0

C. A.

Cl. 1:2

Cl. 3

Hn 1:2

"

) */+.0

Tbn 1:2

*

Tbn 3

*

Hp.

Pno.

Vln. I

"

*

"+ !* "

#

/. & 1 .5 ( % . 1 0 1 /.5 ( 4 .% 1 0 4 .% 1 .0

*%+

& /'. 1 /.0 ' 1 /.0

$ *%+

4 '. 4. 1 0

$ -

4'. 1 0

$ -

' / .. 42 ..

'. . / .. 0 1

' /. 2. $ .4 . 4 '. & )

'. . /.. 1 0 '. . 0 1

)

/'. . 0 1

! $

Vla.

Vc.

"

*

'. ) 2.

fff

-

1 .% 0 .% 1 0

-

1 .5 ( 4 .% 0 1

-

'. &

&

-

. 1 . 0 ' /. /. 1 0 /'. 1 0

-

. . . .

.

.& )

1

p

&

1 /.5 (

. 4. 4.

a2

ff

. 4. 4.

ff

. . . . . . . .

.

. . . .

.

1 .5 ( % . 1 0

1 1

.

.

ff

. . . .

.

/. /. 23

/. /. 4 3,

&

/.

-

&

-

-

&

' 3

&

&

' .

&

& ' . 1 .0

5 1 4. '

-

1

5 4 '.

& & 1 .0

-

8 .. 4 ..8 1 ..0 5 . .8 1 /.8 1

5 1 .5 8 /'.

1 .. && '5 1 . 1

'. 1 .0 1 .5 ' '. 1 .0 ' 1 .0 -

& & & ' .. 44 ..

3 3

/. /.

3

1

1 1 1 1

'= '> 22 .. 44 .. / .. 4 ..

3

.

/.

3

/.

.8

. ' 1 /.0

1

. .

.& .& '5 . -

. . 2'. 2. 0 5 2. ' '. . 0 '. 0 -

&

' 1 .. 44 .. -

&

4 '. 1 0

-

-

-

'= '> 1 22.. 44 .. /.. 4 .. 1 ' 2. . /. 1 0 1 -

&

'. 1 0

-

-

' /. 1 0

1

> 5 /'.

-

. )) 3 3

. .

1 -

1 '> 1 . 0

/. )0

1 -

&

. )

/. )0

1 -

&

.

/.

.

/.

3

2.

.

2.

3

to bass clt

. 0

1 -

. .

.

-

/. 3

/.

2 .% 2. 0 1 5 2. 1 ( 2 .% 2. 0 1 2.% 0 1 . 1 0

unis

unis

1 /.0

3

3

-

&

.

.

& *

. 2.

' 4.

.

/.

3

/.

&

.

*2+'. &

/.

/.

to contrabassoon

&

3

/.

3

/.

-

/.

-

/.

. /'. . . & ' . *2+. & 0 . ' 4.& 4. .

.8 1 /.5 0 ' 8 1 /.5 4 .. ' 0 .. ..

' 4. 1 /. & ..8 -

' 8 //.. .. -

4.

.

.8 -

.

.

. .8 ' . ' 4 .8

. 1 0

1 2. & '

-

.. '. . 24 .. &&

&

&

+

&

&

$

. 0

1

..

/.

. -

-

&

&

-

&

&

-

&

&

*

-

&

&

*

' 1 .0 ' 2. 1 0

1 /.0

' . 1 0

1 . 0

' 1 4. 0 = .,

-

-

.

/.

.8 to tamtam+sus cym . 1 0 '5 to xylophone . 1 -

.

1 -

/.

' 1 . 0

-

3

4 ., 0

-

.

3

gliss.

.

. 1 0

/. 1 -

gliss.

3

.

. 0

3

2.

3

gliss.

.

. 1 0 8 2 5 . /. 0 1 ' 5 .8 /. .0 1 ' /.. -

/. 2.

-

3

? 3

gliss.

-

&

2.

.

1

. 2.

.

/3

..

-

2.

gliss.

-

.

. )

. ))

2. )

/3

/.

3

2. )

gliss.

&

> 5 1 /'.

1

. )

/. ))

8 /2.. 1

loco

&

3

' /.

1

5 1 .0 /.

. )

/. ))

23

-

-

4 '. 4. 1 0 4 '. 1 0

-

/. )

&

p

% 1 4 ..0

-

ff

1

.

.

/. )

&

p

.

'. /'.

1

.& ))

.

-

/.

.& ))

'.

'. 8 . .. 1 ..% 0 5 & 4 . .8 1 . ( ' & 1 5 .8 . ( /. ' 4 '. 4'. 1 4. 1 4. 0 0 '5 '5 1 . 1 .

$ -

#

/'.

&

! $ -

Vln. II

Db.

-

$ -

' .

&

/. &

$ -

$ -

-

-

$ -

Tpt 2:3

Timp.

-

&

$ -

perc 2 CB

/. &

$

Tpt 1

perc 1 glock

-

&

! */+. $ 0

Hn 3:4

Tba.

/. &

/. &

' . ))

fff

$

) */+.0

Bsn 1:2

Bsn.

fff

$ */+.5

Ob 1:2

' . ))

a2

.

. . .

1 -

-

div

4. 1 -

-

div

4. 1 -

-

1

1 -

-

1

1 -

1 4 .5 '

. , .% 0 sffz

.

1 1

' . . 0 ' . . 0 /. . 0 '., 0

14

! $ -

'. ))

112

Fl 1:2

Fl 3

$ -

Ob 1:2

$ */+.

3

'. ))

$ */+.

C. A.

$ -

Cl. 1:2

Cl. 3

Bsn 1:2

'. )

3

3

.

.

/.

'. ))

'. ))

. )

$

&

)

&

. )) ' '. ) .

/.

.

3

) 3)3 ))

to picc

.

2.

/.

/. )

&

' . . '

-

0 . /.

ff

3

2.

.3

&

'3 ))

3

.

3

1.

') 4 3). ) ' ' 4. )

'. )

a2

3

.

4.

.

2. )

2. /. ))

&

& -

3

-

3

-

2a2.

.

.

4.

3

ff

.

3

-

.

. 3

4.

.

.

4.

&

.

'. /. 0 1 .

.

. 0 1 -

3

&

&

0 /. . . /.

' 1 22..

3

. /'. 0

.: 2. 1 0

&

*

1 :5 .

"

*

&

! */+. $ $ */+.

Hn 1:2

$ 1

Hn 3:4

$ 1

Tpt 1

Tpt 2:3

Tbn 1:2

Tbn 3

Tba.

pc 2 xyl

Timp.

Pno.

Vln. I

3

.

.

/'3

4. & '

* 1 * 1

5 /. (

! $ $

3

1 1

3

2. 0

. /. . /.

) ., ) 0 * 1

5 2.

.8

1

. . .8 '

1

5 . ' 5 . '

-

4 .8 1 0

1 2.85

5 1 / .8

1

. 1 0

-

1

'. . . .

5 .8

1

-

3

5 /.

1

/. 1 /.0 '., 1 0

'. /. .8 0

' 8 1 . /. .0 1

1

.

4.

3

5 4. 1 1 '

.

5 4'. 1 1

3

.

/'. .

' .

/.

.

.

1

.

' .

.

'.

/.

. 4.

.&

. .

5 . '

. . 1 -

'. . 0

-

sffz

-

4'. 0

-

5 4'.

sffz

'. & 6 0 ' 6 4 .. && 0

. . 4. 1 1 1 1

/.. &&

1

..8 0

1

4 .8 0

1

5 4 .8

-

1

-

..5 2 .. ' pizz ..5 . '. ., $ ). )

)) 44 .@

sfp

-

sfp

-

..8 0

mf

-

5 4 .8

mf

1

. 0

. 0

1 1 1

44 @. )

sfp

div

div

/ '. .. /. 1

3, 3 ))

)) 3@

-

ff

ff

@3 )

4 .8 1

. '

1

ff

. . 1

-

5 5 2.8 1 .8 1

& '.

1 1

fff

p

.% . 0 .% . 0

% 2.. 0 % 2.. 0

-

sfz

sfp

5 /. (

sfz

. 0

4 .8 1 2.8 1 0 0 . /. 0

. 0

2. 0

. /. 0

5 .

.8 /. 0

4 '. .8 1 2.0 1 4 .0

.8 0

' 1 /.85 1 2.0

5 /.8

1 .5 1 5 8 '.

4'. &

. . 0

5 . ( sfz .% 0

5 . .

.% 0

sfp

sfp

sfp

.& .&

..% 0

.&

/.% 0

sfz

sfz

&

5 /.

)5 . /.))

)5 )) . 4.

)5 .

1 .0 1 ). )0

3 ))

sfp

-

)5 .

% % / .% 1 6 4 .< . 4 . . '

martellato

ff

-

unis

unis

..5 1 . '. pizz ..5 1 . '. ' 1 )//.. 0 unis ' 1 2.0 pizz

ff

1

.% 0

sfp

. /. 0

' . 0

&

fff

@. )0

5 . '

)5 .

ff

2 .% 2. 0

p

2'. &

-

sf

# ) 4 .)&

div ., 44 ..% . 6 1 ) p ff 4 .% div .. 6 4 . 1 )

fff

a2 2'. &

' 4 . 4 .8 1

-

1

1

arco

2.8 1 4 .8 1 0 0

ff

.% . 0

. /.( ( ' .% / .

' 4. 0

. 0

&

arco

-

'. &

ff

-

mf

/ '. . /. . 1

'. 0 1 1

fff

& -

fff

'. 0

1 6 < . . .( ' % 1 : 4. . 4. ' . % 4'. . 4 . 1 .:

3

' 8 44 .. .. 1

mf

1

'3

ff

..% 0

2 .% 2. 0

fff

5

&

pizz

.

4 .. .. 2/.. 4 .. /.. /2..

-

sffz

1

/. . / .

& '. 0

-

3

5

4 .8 0

sffz

1

'. 0

.

.

3

4.

'. &

1

1

.

.

&

1

-

2.

3

&

' .8 unis . / . 0 1

5 /. 1 '

3

-

: 1 .5

&

. 2'. &

&

1

3

&

' 1 4. 0

&

*/+'. . unis ' . .8 1 */+. 1 2. /. 0

5 2'.

/3

.8 1 /.0

& 1

2.

..8 1 0

-

5 2. (

. '

&

3

&

. . . .

.

3

3

$ ..% 0

&

.&

/..% 0

* #

"

-

$ -

!* 1 "

Vc.

.

4. & '

! "$

Vla.

.

.% 0

* 1 "

Vln. II

Db.

3

&

.% 0

4 '. 1 4.

sfz

-

&

ff

:. . 1 0

ff

Cbsn.

1

sfz

ff

.

ff

&

.

.0 /. ./ .

ff

'3

3

4.

&

4. ' 0 1 2..

.

'.

piccolo

sfz

&

3

4.

.

.

bass clt

&

&

:5 . 4. 0 1 ;

&

2. /.0 1 /.5 1

2. &

sfp

sfz

.5 1 5 1 . .

/. &

5 .. (

arco

arco

unis .8 5 2.0 1 4 . 1

/.8 1 1 * 0 5 '. > > 1 .5 1 .5 ' '

pizz

..% 0

sfp

sfz

5 /.. (

.&

sfp

sfz

& &

! $ 120

Fl 1:2

Picc.

Ob 1:2

1

$

1

$

1

$

C. A.

$

/ .% . 0

/'. &

sffz

/.% . 0 /.%

.

sffz

1

2 .% 0

1

.% 0

sffz

$

B. Cl.

*

Bsn 1:2

sffz

Cbsn.

Hn 1:2

"

! $ $

Hn 3:4

$

Tpt 1

$

Tpt 2:3

*

Tbn 1:2

. 2'. & 0 sim

-

/ .% 1 0

-

/ .% 1 0

-

3 '

sim

-

sim

-

sim

*

Tba.

perc 1 tam/sc

pc 2 xyl

Timp.

Hp.

Pno.

Vln. I

"

*

!* " #$

#

! $ $

Vln. II

)

Vla.

Vc.

*

Db.

*

'. 0

. 0 1

1

/.% 0

% 1 2/.. 0 1

1

1

.% 0

1

.% 0

3 '

3

3

fff

1

. 1 '.

% /.. 0 sffz % /. . 0 ( sffz / . / .% -

' . /. /.% ' 233

.% 1 2.0

-

1

/.% 1 4. 0

-

1

sim

sim

-

3 '

3

sffz

sffz

) 3) '

sffz

) 3)

&

1

2 .% 1 0

1

4 .% . 0

/..% 0

2.% 1 4. 0

'. & .& '. &

sfzp

'. &

sfzp

C #

'. &

sfzp

sfzp to clt 3

1 1 1

) 33) 3 ))

arco div

) 3) 33 ))

fff

%$ /'. & /'. & fff

/'. & fff

fff

1 1

'.. &&

sfzp

sfzp

/'. &

*2+'.. &&

sfzp

4 .'. &&

sfzp

2'. &

sfzp

sfzp

) D)& ppp

&

-

&

&

&

3 C #3

) 3) 33 ))

" #

&

-

" #

&

p

.&

5 .

/.

5 . .&

p

C # C #

&

C 1) # C# C #

. 0

'., & '., &

sfzp

. 0 . 0

'. &

sfzp

)5 unis , .. '. & )).0 $ ppp sfzp )5 . 1 .. )0 sfzp

ppp

C # C # C #

&

.. 0

1

" #

&

&

&

. 0

1

&

&

&

.. 0

" #

1

&

&

&

.. 0

" #

1

&

&

&

. 0

" #

1

" #

&

&

&

&

&

&

fff

' 1BD .5

fff

sffz

&

C #

EยงFยงGยงA# BยงCยงD#

& .. . 0

3, 3

fff

., 0 . 0

fff

, C3 #

., 0

" 1& #

5 tom-toms (tom 1 as deep as poss)

"# " #

.& " .& # p

1

'

sffz with fist

fff

" #

to celesta

. .. ! %,. 0 1

3,

&

.

.

cowbell

.

. . 7

p

.

p

&

. . 1

. . 0

.&

.

.

. . . . 1

& -

" #

&

&

" #

&

&

5

. 0

"#

loco pizz

1

"#

pizz

. 0

1

1

"#

/. 0

1

1

"#

).

1

fff

C #

&

&

8 D5 1

-

-

&

fff

3

.. /.. 1

&

" #

fff

C 33 #

&

1

fff

C 33 #

C #3 33

) 3) 33 ))

1

/.

. . 0

fff

C3 #

3 33

) 33) 3 ))

-

p

fff

C3 #3

3 33

) 33) 3 ))

&

&

1

'. 0

" #

1

p

&

3 33

. /'. 0

1

5 8 1 4 . 4 .0

/.8

&

'. & /. &

ppp

C3 # 33

. 2'. & 0

4.

" #

&

'. 0

-

&

33 3

. /'. 0

&

C #

-

33 3

. 2'. & 0

" #

-

to bsn 3

-

'. 0

1

1

p

1

pp

. /'. 0

-

. 2 .8 . 0

5 .

33 3

. 2'. & 0

&

.

& " 4 .. & /.. 1 /.. # 0

sffz

3 3 '3

" #

5 . / ..8 1 0 p

&

1

pp

1

#

-

)5 . 1

fff

-

)C

5 . 1

&

. 0

1

&

&

-

1)

&

3

fff

. 0

" #

-

p

.. 0

1

-

&

3

fff

. 0

1

.. .. 1

.. 1

5 ..

1

&

C #

3

fff

" .. && #

&

1

&

C #

. . 0

1

15

C #

&

5 1 .

C 33 #

fff

. 0

5

-

&

pp

3

fff

C #

ppp

1

. . 0

1

1

.. 0

'. &

ppp

.% . 0

3 3

C #

sfzp

5 .

&

pp

3

2 .% 1 0

&

33

3 '

/.% 0

'. & .&

sfzp

/.% 1 . 0

33

fff

"

. /'. 0

33

* *2+*2+'333 *

1

3 '3

fff

'5 1 D 3 fff ' tamtam to BD & cowbell . 2. /. + "$ !+

/ .% 2. 1 0

3

sffz Tbn 3

/ .% . 1 0

3

fff

*

-

% 1 //.. 0 sim 2.% 1 0 -

sffz

Cl. 1:2

$

-

/ .% /. 1 0

p

p

pizz

p pizz

0

1

.

.

/.

/.

.

4.

.

.

p

" #

&

1

$ *(+

p

'., &

.

.

' .

. '5 ... 1 0 '

. . . . & 5 1 ///... 0 & &

-

5 .. 1 ..

dolce

5 .. 1 2 .. dolce

2dolce . .. 1 0 ., &

. 0

1

,

1

16

! $ 128

Fl 1:2

$ .&

Picc.

Ob 1:2

C. A.

. .

. &&

&

8 6 .. 1 7

8 8 8 .. 6 6 .. 1 .. 0

1. 8 6 ..7 1 /.

.&

4. 1 5 . 2. . 8 1

.8 6 6 /.8 1 .8 0

6 /.78 1 4 .

. 4. & 0

.8 1 1 6 2.7 -

$ .&

. 1 4. 0

/.8 0

1 4. &

$ .

/. & 5 /. &

Vln. I

Vln. II

Vla.

Vc.

Db.

5 .

. /. &

. . 0 1 1 6 7

/.

.&

4. 0

.

.&

.

.

&

&

&

&

&

6

&

&

&

&

&

&

&

&

&

-

4 .. &&

/..

. 1 /.0

5 1 .. /.. 1 4. -

1 4 .0 1.

4. 0

$

4. 1 6 7

1 4 .0

-

. 1 0

&

&

&

&

&

! $

&

&

&

&

&

&

&

&

$

&

&

&

&

&

&

&

&

&

&

$ "

) -

!

9. & mute.8 /CUP p

/9.. &&

8 4 ..

9. &

4 .8

CUP mute

p

+ . .

"+ .

#

*

! $ $ ) ) "$ *(+

/.8 1 /.08 0

.8 1 0 1

1

8 2.. 1 /..8 0 0

8 1 ..0 1 //..8 0

&

&

.8 1 0 1

&

&

1

. . .

.

.

1

'. 0 1

, 1 6 .< ' $

&

$

&

& '., &

mf

&

/. /.

.,

1

.8 0 .

.

. 1 0 1

< . .

, 5 2. '

. . 1

&

& -

&

., 1 $0 1

II ., 1 /.0, 0

&

. 0

1

&

p

1

. 0

p

arco

p

-

1 &

.&

. .

.

.

, 2'. 0

. 1 /. /. 1 0 1

&

&

arco

.

. &&

mp

/.8 0

. . . .

celesta

&

$

4 .8 2 .8 0 1 0

' . . . .&

.. 1 .0

$ -

#

1

CUP mute

p

p

)

/. 0

pizz

., 0

.& .& 1 1 1 1 -

'

8 6 /.7 1

. 1 0

'. /. 0 1

-

1

/..8 0 p

8 6 4 .. 1 7

2.. 1 0

' 2/.. 1 /.. 0

-

1

.8 0

/.8 6 7 1

/. 0 1

2. ' 0 1 .

. . .

. . .&

p

p

mf

mf

mf

. . . . .

.

.

.

.

.

&

1

'. . 0

-

'.

&

1

. 1 .0

. . 1 -

&

&

&

5 . 1 .

. . 1 -

&

&

&

/. 0

/. 1 0

. 0

4. 0 1

pizz

. 1 0

p

/.8 0

. . . . .

.

. 0 1

0

1

-

' .&

. 0

).

1

p

&

$ -

.

clarinet 3 [A]

&

&

*

Pno.

&

. 6 7 -

. 6 7

. / . .5&

.

1

&

$ -

Hp.

.

. /. 0

.8

. 4. /. 1 1 6 . 0 7

*

"

Tpt 2:3

perc 2 CB

. 0

.

2'.

. . 6 7 -

&

Tpt 1

perc 1 toms

5 .

-

1

..8

&

Hn 3:4

Tbn 1:2

.

.. 1 .. 0

&

Bsn 1:2

Hn 1:2

-

. . 1

$ /. &

Cbsn.

/ .8 1 0

< . .

p

8 /.. 0

)

-

'. 4.

-

a2

..8 $ 1 6 7 -

$

.8 .. .. 1 1 .0

&

Cl. 1:2

B. Cl.

.. &&

4. . 2.8 1 1 0 -

'., p

1 1 1

8 //.. 1 1 0

5 . '

5 /.8 1 1

..5 1 .0 arco . . .

dolce

..5 1 .0 2 .. dolce

arco

.

2dolce . .. 0

-

.8 0

,

..8 0

5 .8

, 6 .5& '

-

. /'. /'.

. //'.. mf

. '.

4 '. 2.

pizz [non div]

1

&

-

mf

4 .8 0

pizz [non div]

1

&

= '., 1 $0

1

= '.,

' )6 @ . @. 7

1

)6

arco

mp

. 0 1 1

& 3,

.

.

&

arco

$0

mp

' @. @. 7 &

@. &&&&

4. 2'.

mf

@.8 7

@. &&&&

8 44 @. 7 &

! $ 136

Fl 1:2

$

Picc.

& .

$ .&

Ob 1:2

. 0

.8 p

Cl. 1:2

4 .8

$ $

Cl. 3

Hn 1:2

*4+ .

Cel.

4 .8 mf

6 2.7 6 .

% .

f

1

4'. 0

1

5 4. '

. 4 .8 1

f

. .8 1

f

-

&

&

&

&

&

&

&

&

&

&

&

.8 0

9. &

&

&

&

$

&

$

p

9. & $ /. & "

9 ) .& p

!

' + . .

.8

1

..8 1

..8 0

.8 1

4 .8 0

.8 1

/.8 0

' 6 2..8 1 /.. && 7

42..8 1 2.8 1

f

f

8 ' 6 .7 1 /. & f

.

$ $

&

-

1

2. 0

. . 1

$

&

-

1

2. 0

. .

$

& &

-

arco

/.

. .

f

f

2. 0

1

1

. . 1

. .& . . 0

$

gli altri

&

-

$

Vln. II

&

-

1

)

Vla.

&

&

6 < /. /. . . 1

.

. p

.

.&

.

.&

6 6

arco

f

p

p

"

)

&

&

' 1 .

1

. &&

&

. '. & 0

'. 8 2..5 80

p /.5 1 1 .&

p

&

mp

&

. 0

&

/. 9 1 6 7 1 .0

.. 1 1 /..8 0 0

to contra

-

mp

-

/9.. &&

-

8 2.9. && 44 ..

9. & .&

//..

via sord

&

&

&

&

.8 0

1

/9. &

.

via sord

&

&

&

&

.

.

.

. . . . .

. . . . .

' .&

. . .

.

.

.

.

.

.

.

-

1

-

1

6 /.< '.

-

1

' 6 .. 7

6 -

. .& . . &

&

mp

1

.& 0

6

9. 0

9 . 1 .0

5 22..8

6

p

&

. 6 7 1

.&

mp

&

.& 0

.& 0

&

9. 1 0

-

1 .5 . . 1 -

mp

&

/. 4. . 4.

.8 /. 6 7 1 1 0

1 .5 9

&

-

. /.

. 1 . .

mp

.

&

1 /'.

-

.&

. .

.

.

' 6 .. 7

mp

to piano

mp Pno.

6 /.< '.

' .

1

2. /. .

.

p

1

$6

., 7

mp

., &

.

.

&

&

&

&

&

&

&

&

&

&

&

&

&

&

&

. /'. & 0 -

p

&

. 2'. &

f

. . 4 . 2 . .5 p

f

Vc.

9. &

5 .

-

p

.

p

. . .0 & /. . arco

f

4'. 0

.&

f

Vln. I

p

.&

6 6

1

.8 1 0

1

& 4 .8

9 1 /.. 0

-

1

.

2. 0

.

&

. 1 .5 . 1 /. &

&

mp

via sord

.

1

1 .

-

/.

' .&

1

4 .8

1

&

9. &

.

.8

.. 1 0

pizz

.

5 /. 1 /. pizz

pizz

. 1 0

. pizz

1) .

.

. /. &

.&

2.

/arco . . 1 0

. /. &

.&

2. -

. /. .

mp

17

9. 1 /.0

9. &

. . .

-

solo (1 player)

p

1 /.5

.

&

&

1

&

! $

.

.

&

.8 0

.

1

bsn 3

1

1 //..5 ' p

.

-

.8 0

-

5 ..8

.

#

p

.8 0

.

#

p

' /. 0

. . .

"+ .

1

5 4 .8 2. 0

&

8 '& 6 .7 1 /.

.

p

1

.8

&

&

f

&

.8 0

.8

& 4 . 2.%

. 0

.8 p

! $

9. &

1

9. &

&

"

. /.

&

&

p

Hp.

6

' 2. .

&

&

Tpt 2:3

perc 2 CB

.8

&

*

Tpt 1

perc 1 toms

' 6 2. .

&

f

/. . &

/.8

.8 */+. p

1

Hn 3:4

Tbn 1:2

.8

1

% 2.

/'. &

'. .

p

f

2 9. & .&

) 1 /. 0

Bsn 1:2

Cbsn.

. .& '

6

. .8 . /.

& /. 6 a25 '. &

.&

$ -

1

1

. . .

$ . 4.

C. A.

-

' . . 0

/. -

..5 1 1 4 . 4 .0 2 ..

4.

-

2. . 1 1 .0

. -

&

4. . 0

-

8 4 ..

-

2..5 1 . 2. ., &

.,

'., &

'.,

arco IV

arco

$

18

Fl 1:2

& 9.

$ . 4 .8 1

C. A.

$ Cl. 1:2

$ $

Cl. 3

. .8 .

.8

1

"

' 4. 2 1 .0

*/+. */+.8

1

.8

1

/ 9. &

2 .8

/9. &

2 .8

1

/9. &

. .8 1

)

Bsn 1:2

Hn 1:2

2. & /9. &

. $ */+. //.. 1 8

Ob 1:2

*/+ .8 */+.

&

$

Picc.

Bsn.

2 9. & /. &

. / .8 144 ! */+. /. 1 $

5 4.

/. 1 0 1

.8

. 0

1 /. 0 ' 4. . 1 0

&

*

' 4. 2.0

smf

&

. 2 .8 . 2. 1

4 '. & .&

.8 2. 1

&

-

1

. 2. 1 . 2.8

4. & .& '

. 1 2.8

. . 1 8 . / .8 .

/ .8

1 1

. .8 1 . .8 . 2. 1

/. &

.8 1

2. &

/ .8

.&

/ .8

2. &

4 '. & .&

-

.&

'. 0

sffz

ff

.% . 0

/.8 1

.% 0

sffz

sffz

.8 2. 1 *44 ..% 0

sffz

1

.. 0

1

5 /..

1

.5 /.

$ 1

6 4 .. .. /2.. 7

1

5 ..

1

5 /..

1

5 4. .

Tpt 2:3

Tbn 1:2

&

$

&

)

&

.& .& 0

5 4. & .&

1

.. ..8 1

49.. 0

smf

&

.. ..8 1

9. & .&

&

-

senza sord

perc 1 toms

perc 2 CB

Timp.

Cel.

Vln. I

Vln. II

Vla.

Vc.

Db.

"

*

!

&

+ .

.&

.

"+ . !* "

.

.

.

' .

.

&

#

.

ff

6

-

.

-

-

..8 1 44 ..% 0 .% 0

sffz

1

. . &

$

&

&

-

1

$

&

&

-

1

$ 1

2. 0

1

4. 0

/.

1

/. 0

1

. 0

4. .

1

. 0

1

. 0

6 4 . . /. 7

1

. 0

1

.

1

4. 0

1

. 0

arco

4. . 6 7

., &

'., -

"$ *(+

. 0

. 0

) 1 $

1

.

1

6 ..7 .. /..

&

*

1

&

. 0

0

.

2.% 0 .%

1

-

1

-

1

-

1 1

.% 0

-

1

.% 0

1

4 .% 0

-

2.% 1 2 .0

-

4 .% 1 4 .0

1

% 2.. 0

-

sim

sim

&

/. 1 /. 0 ' ff '5 1 2. 2.

ff

'. 0

& 1

.% .0

1

2.% 2.0

5 4. 4. (

1

5 2. 2. (

1

5 . /. (

1

5 .. 1 (

/'. 0

. /.%

-

.% .0

1

1

2..% 0

1

'& 1 /.

-

% 1 22..0

-

% 1 44 ..0

1

-

-

% 1 /.0

% 1 //.. 0

-

-

1

.% 0

2..% 0

1

.% 0

-

1

-

-

1

.

'.

/'.

2'.

sim

sim

5 . '

to vibes.

&

.& .&

&

/'.

&

$

-

! '. & !

&

&

&

&

&

&

-

'. . 0 '. 0

-

1

-

1

-

1

.% 0

bass drum

.&

-

sffz

1

-

sim

> 4'. 1 *4 .0 '> 1 * .0

ff

5 //.. (

-

'.

contra

.5 . (

1

-

% 1 /.. 0

-

sffz

.% 4 .0

-

'.> 2..

sffz

)

..% 0

sffz

sffz

-

1

' .

2'. .

.% 0

% 1 /.. 0

'D

sffz

-

-

sus cym

%'$ . . 0 ff '. 0 %,$ '.

-

5 /. ( '. &

-

/.% 1 /. 0

.&

.% . 0

& 1

2.% 2.0

-

'. &

to bass clt

sffz

piano

! $ 1

.&

4 .% 0 '.

.% . 0

.% . 0

% 1 //.. 0

sffz

&

unis

1

1

1

-

.% 0

sim

.&

8 .. 1 /..% 0

.

-

.% . 0

-

4 .% 0

-

-

&

. . .

1

. / .%

1

1

1

ff

&

-

'. 0

-

.% 0

-

sffz Tba.

.&

1

..% 0

1

1

6

' 1 /.0

9. & .&

1

.% . 0

-

-

ff

-

senza sord

smf

*

Tbn 3

1

9. . 0

&

2.% 0 '. 0

sim

-

&

senza sord

$

1

&

2. . 6 . . /.. 7

Tpt 1

-

sim

sffz

2 .% 0

&

'. 0

sim

/.% 1 /. 0

.&

0

% // .. 1 0

-

sffz

4 .% 0 sffz '.

1

! $ 1

Hn 3:4

1

.% . 0

ff

'. . 0

5 . ff ' >% 1 .. 0 ff

> 2.% 1 2 .0 ff

>% 1 /.0 ff

.& .&

'. . 0 '. 0

.&

. /'. . /. . /'.

4. 0

1

% 2... 0

1

% 4 ... 0

1

4. 4 .0

% 1 22... 0

1

% 4 ... 0

1

-

>% 1 44 .. 0

1

>% 2.. 0

1

-

1

5 4 .. . (

/.% 2. 0

-

) .)

ppp

-

5 4 .. . (

2'.

1 1

5 //.. (

'. & .&

'.

'. &

! 1 1

>5 1 44 .. (

.% 4. .0 .% 4. .0 -

-

> 4 .% 1 4. 0

1

> 2..% 0

-

-

-

1

1

> .% 0

> 4 .% 1 4. 0

-

1

-

> 2.% 0

> .% 0

1 1

.% /. 0

! $ 151

Fl 1:2

/'. &

$

Picc.

.% $ /.0

Ob 1:2

$ .5 '.( &

C. A.

1

1

1

1

1

1

$

.% $ 0

Cl. 1:2

$

Cl. 3

)

Bsn 1:2

Cbsn.

Hn 1:2

Hn 3:4

Tpt 1

"

/ .%

2.0 * '.

! /.% $ /. 0 4 .% $ 4 .0 /'. & $

1

1 &

1

1 '.

1 1

2.% 2.0

2..% 0

2 .% . 0

'. 0

2 .% . 0

5 /. (' . 0 4 .% 0 .%

4 .0

1 1

/'. 0

Tpt 2:3

% $//..0

1

1

2..% 0

Tbn 1:2

) ..% 0

1

1

% //.. 0

1

1

* /.% 0

Tbn 3

Tba.

perc 1 vibes

perc 2 BD

Timp.

Hp.

Pno.

Vln. I

Vln. II

Vla.

Vc.

Db.

"

*

! $ "+

'. /'. &

'.

) 3)

!* '. "

#

&

$

&

#

$

*%+ ' /. & /. &

$ 4 .5 ( >% 2. ) 2 .0

>% * 22.. 0 > * /.% 0 "

5 2. (

1

.% 4. 0

1

1

1

1

1

.% /. 0

C # C # C #

1

1 1 >5 44 .. ( >% 4. 4. 0 > 2.% 0

1

.% 0

C # C #

/ .%

C # -

1

1

. '

1 1

C . #

.% . 0

1

4 ..% 0

1

'.

1

C # -

% 22.. 0

1

/.% 0

/'. . C . #

.% 4. 0 5 /. ( 4 '. 4 .% 0

1

: " .. # 0

1

" :5 # . :. " 0 # :. " 0 #

1

1

4 .% 4 .0

/.% /.0 ..% 0

1

2'. '. .

2..% 0

% 44 .. 0 2.% 0

" :5 # 4. : " .. # 0

1

" 2.:. # 0

1

1

" :.0 # : " ..5 #

1

" 44 :.. # 0 " 4 :.0 #

1

" :5 # 4. .: " . # 0

'. '. .

: " .5 # . '

" :5 # 4.

'.

&

&

&

1

-

to fl 3.

&

&

&

1

-

&

&

&

1

-

&

&

&

1

-

&

&

&

1

-

&

&

&

'. .

C . #

'.

% C 2. # 2.0

4 .% 2. 0

1 1

..5 . >( ..% 0

> ..% 0 > /.% 0

'.

1 1 1 1 1

.% . 0

5 4/.. . ( >5 / . /. ( >% 4. 4. 0 > 2.% 0

p

/.8

&

1

-

&

&

&

1

-

&

&

&

1

-

&

&

&

to CUP mute

1

-

&

&

&

1

-

&

&

&

1

-

&

&

&

1

-

&

&

&

1

-

&

&

&

1

-

&

&

1

-

&

&

&

1

-

&

&

&

to triangle

&

1

:5 " .. # *2+ . . : " .5 # *2+ . .

1

&

&

-

-

&

&

leggiero

1

-

&

&

1

1

1 1

prés de la table sf

%8$ .. 0

*1

5 . '

-

ppp

5 4 ..8

-

1

-

&

&

&

1

-

&

&

&

4 '. & " 4. & #

div

sfp soave - amabile

" :5 # 4.

E§F§G§A# B§C§D§

p

sfp soave - amabile

)

5 2 .8

-

p

&

1

div ' " 4 .. && #

1

..8 0

leggiero

&

6 1

1

/ . /.

&

&

" .: # 0

.8 0

&

&

.: " . # 0

'. .

1

-

" #

&

-

&

solo bass clt

1

" #

&

. C . #

C # -

-

sffz

C #

C # -

1

&

: " . # 4. 0

1

C )) # 3&

5 C 4. # . . ( C #

19

" #

'.

//..% 0

C #

'.

:. " .0 # :. " 0 #

6

'.

C # -

C # -

.% 4. 0

&

2.0

C # 4'.

C 2..% # 0

1

5 2. (' 4.

.

4 .% C # 4 .0

1

'.

C # 4'.

'. . 0 '. 0 1

C # . C #

C #

/'. &

! 44 ..% $ 0

'. . 0

'.

$