John Harbison
DOUBLE CONCERTO for Violin, Violoncello, and Orchestra
From the G. Schirmer Rental Library date of printing _________________
Associated Music Publishers, Inc. New York, NY
John Harbison
DOUBLE CONCERTO for Violin, Violoncello, and Orchestra
Commissioned by the Friends of Dresden Music Foundation for the Boston Symphony Orchestra, James Levine, Music Director, Mira Wang, Violin and Jan Vogler, Violoncello in honor of Roman Totenberg
Associated Music Publishers, Inc. New York, NY
Instrumentation 2 Flutes (2nd doubling Piccolo) 2 Oboes 2 Clarinets in B-flat (2nd doubling Bass Clarinet) 2 Bassoons (2nd doubling Contrabassoon) 4 Horns in F 2 Trumpets in C Timpani Percussion (1 player) Celesta Harp Strings
duration circa 25 minutes
Program Note Many years ago I wrote a double concerto (for oboe and clarinet) in which the soloists were pitted against each other, and against the orchestra, in a contentious, dramatic struggle. It was important to do something very different this time – to work with musical questions that don’t come up in that more traditional, public, concerto mode. Although some tunes and harmonies appear in all three movements of this double concerto I thought of the “subject” of each movement this way: I. Slight “misunderstandings,” known to music theorists as cross-relationships (unnecessarily pejorative in implication – they are often beautiful) are taken to a systemic level, perhaps standing for more telling misunderstandings. At issue is the interval of the third (is it major or minor?), an expressively determinant organism since music began. II. Looking toward a closer accord, the soloists begin to mirror each other, revealing how differently things can look in mirrors of a certain design. III. The soloists aspire to simply play a theme together in octaves, something the orchestra achieves near the outset of this movement. Their eventual realization of this objective signals the conclusion. Knowing in advance that this piece would be initially programmed with Mahler’s Symphony No. 7, the longest and in many ways the most diverse and expansive of the Mahler symphonies, I found pleasure in trying to make something contrasting, for such a space. A composer might be like a builder who on one occasion makes a twenty-room mansion for players to roam around in, and on another occasion makes a small modern house with irregular rooms, secret compartments and fake doors. Above all he might say let’s build this house not one like you’ve already done, that you are too sure will work out. – John Harbison
in honor of Roman Totenberg
DOUBLE CONCERTO Affetuoso, poco inquieto
= 96
I
John Harbison
1 Flute (Piccolo)
Oboe
2
1 2
1 Clarinet in B (Bass Clarinet)
2
1 Bassoon (Contrabassoon)
to Contrabassoon 2
1 3 Horn in F 2 4
Trumpet in C
1 2
Timpani
Percussion
Celesta
Harp
low string to B
Solo Violin
Solo Violoncello
Affetuoso, poco inquieto
= 96
I Violin II
Viola
Violoncello
Contrabass
corr. 01/10
Copyright Š 2010 by Associated Music Publishers, Inc. (BMI) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution
Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY
2 rit.
7 1 Fl. 2
Ob.
1 2
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Marimba Perc.
Cel.
Hp.
S. Vn.
cantabile
S. Vc.
cantabile
rit.
la mĂŠta I
accomp.
Vn. II
Va.
Vc.
Cb.
3 14
a tempo
rit.
1 Fl. 2
Ob.
1 2
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
(Mar.) Perc.
Cel.
Hp.
S. Vn.
cantabile
S. Vc.
cantabile
a tempo I Vn. II
Va.
Vc.
Cb.
(la mĂŠta)
rit.
4 20
a tempo
1 Fl. 2
Ob.
1 2
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
legato S. Vc.
legato
a tempo tutti, pizz. I
molto marcato Vn.
cresc.
pizz. II
molto marcato
cresc.
pizz. Va.
molto marcato
cresc.
pizz. Vc.
molto marcato
cresc.
pizz. Cb.
molto marcato
cresc.
5 27
soli
1 3
Fl.
3
3
soli
3
2 3
3
a2 Ob.
1 2
1 Cl. in B 2
Bn.
1
Contrabassoon Cbn.
1 3 Hn. in F
a2 2 4
Tpt. in C
1 2
Timp.
Mar.
Vibraphone, solo
3
Perc. 3
solo
3
Cel.
Hp.
S. Vn.
3
3 3
S. Vc. 3
(pizz.)
unis., arco
div.
I
cresc. Vn.
(pizz.)
unis., arco
div.
II
cresc. (pizz.)
arco
Va.
cresc. (pizz.)
arco
Vc.
cresc. (pizz.) Cb.
cresc.
arco
3 3
3
6 33 1 3
Fl.
3
3
3 3
3
3
3 3
3 3
3
2
(a2) Ob.
1.
1 2
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F
(a2) 2 4
Tpt. in C
1 2
Timp.
(Vib.) 3
3
3
3
3
3
3
3
3
3
3
Perc.
3
Cel.
Hp.
S. Vn.
S. Vc.
I Vn. II
Va.
Vc.
Cb.
7 38 1 Fl. 2
a2
(1.) Ob.
1 2 3 3
1 Cl. in B 3
2
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Large Tamtam Perc.
Cel.
Hp.
S. Vn.
S. Vc. 8va
div. I Vn. II 3
Va. 3
Vc.
Cb.
8 43 1
lustro
3
3
lustro
3
3
3
3
3
3
Fl. 2
(a2) Ob.
2.
1.
1 2
3 3
3 3
3
3
3
lustro 3
3
3
3
3
3
3
lustro
3
3
3
3
3
3
1 Cl. in B
3 3
3
3
lustro
3
3
3
3
3
3
2
lustro Bn.
1
to Bassoon Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Small Tamtam Perc.
accomp.
Cel.
Hp.
S. Vn.
S. Vc. 8
unis.
I 3
lustro
Vn. II
3 3
3
3
3
3
3
lustro
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Va. 3
3
lustro
3
3
3
3 3
Vc.
lustro Cb.
3
3
3 3
3
9 47
3
3
3
3
3
3
3
3
3
3
1 3
3
3
3
Fl. 2 3
(2.) Ob.
3
3
1.
3
3
3
3
3
3
3
1 2 3
3
3
3
3 3
3
3
3
1 Cl. in B
3
3
3
2
1
3
3
Bn.
3
3
Bassoon
3
3 3
3
3 3
3 3
3
2 3
3
3
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
F
S. Vn.
S. Vc.
3
3
3
3
3
3
3
3
3
3
3
I 3
Vn.
3
3
3
3
3
3
3
3
3
3
II 3
3
3
3
3
3
3 3
3
3
Va. 3
3
3 3
3
3 3
Vc. 3
Cb.
3
3
3
3
3
3
3
3
3
3
10 51
3
1
3
Fl. 3
2 3
Ob.
1 2
1 Cl. in B 2
1 3 3
Bn. 2
1 3 Hn. in F
3
3
2 4
Tpt. in C
1 2 3
3
Timp.
Perc.
3
3
Cel.
Hp.
S. Vn.
espr.
S. Vc.
espr.
3
1 solo
I Vn.
3
II
3
Va.
3
Vc.
Cb.
1 sola
11 58 1 Fl. 2
Ob.
1 2
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Mar. Perc.
Cel.
Hp.
S. Vn.
S. Vc.
(solo) I 3
3
Vn. II
(sola) Va. 3 3
Vc.
Cb.
12 64 1 Fl. 2 3
3
3
3
1 Ob.
3
3
3
3
3
2 3
3
3
3
3
3
1 Cl. in B
3
2
1 Bn. 2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
(Mar.) Perc.
Cel.
Hp.
S. Vn.
S. Vc.
I Vn. II
Va.
Vc.
Cb.
3
3
3
3
3
13 68 1 3
3
3
3
Fl. 2
3
3
1 Ob.
3
3
3
3
3
2
1 Cl. in B 2
3
3
1 Bn. 2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn. 3
con bravura
3
3
3 3 3
3
S. Vc. 3
I Vn. II
Va.
Vc.
Cb.
con bravura
3
3
14 73 1 Fl. 2
Ob.
1 2
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Vibraphone
3
3 3
3
Perc.
Pedal
Pedal
Pedal
Pedal
Pedal
Pedal 3
3
3
3
Cel.
C B F A
Hp.
A
A
3 3
C F
3
3 3
3
S. Vn. 3
3 3
3
I Vn. II
Va.
Vc.
Cb.
3 3
S. Vc.
Ped.
15 78 1 Fl. 2
Ob.
1 2 5
5
1 5
Cl. in B
5 5
5
2
1 Bn. 2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
(Vib.) Perc.
(Ped.)
Cel.
Hp.
C F
C F
S. Vn. 5
5 5
S. Vc.
I Vn. II
Va.
Vc.
Cb.
5 5
5
16 82 1 Fl. 2
Ob.
1 2 5
1 Cl. in B
3
2 3
1 3
Bn. 2 3
a2 1 3 3
Hn. in F
a2 2 4 3
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn. 5
5
5
5
5
5
5
S. Vc. 5
tutti I 5
Vn.
5 5
5 5
5
II
tutte Va. 3
Vc. 3
Cb.
17 86
3
1 Fl.
3
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3
2
a2 Ob.
3
1 2
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1 Cl. in B
3
2 3
1 Bn. 2
(a2) 1 3 Hn. in F
(a2) 2 4
a2 Tpt. in C
3
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
S. Vc.
3
I Vn.
3
II
Va. 3
3
3
3
3
3
3
3
Vc.
Cb.
18 91
3
rit.
6
rit.
6
1 5
Fl.
3
3
2
(a2) Ob.
5
3
3
1 2 5
3
1 Cl. in B 2
1
Bn. 2
(a2) 1 3 Hn. in F
(a2) 2 4
(a2) Tpt. in C
1 2 5
Timp.
Perc.
Cel.
Hp.
S. Vn.
S. Vc.
3
I 5
Vn.
3
3
II 5
Va.
Vc.
Cb.
3
19 94
Meno mosso
= 76
1 Fl. 2
Ob.
1 2
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
meditando
S. Vc.
meditando
Meno mosso I Vn. II
Va.
Vc.
Cb.
= 76
20 99
rit.
1 Fl. 2
Ob.
1 2
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
S. Vc.
rit. I Vn. II
Va.
Vc.
Cb.
21 103
Meno mosso
= 69
poco meno mosso
= 66
= 69
poco meno mosso
= 66
1 Fl. 2
Ob.
1 2
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
interno S. Vc.
interno
Meno mosso I Vn. II
Va.
Vc.
Cb.
22 108
animando
Pi첫 animato
= 84
1 Fl. 2
Ob.
1 2
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
3
3
S. Vn. 3
S. Vc. 3
non legato
animando
Pi첫 animato
= 84
I Vn. II
Va. 3
Vc.
Cb.
23 animando
113 1 Fl. 2
Ob.
1 2
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn. 3
S. Vc. 3
poco agitato
3
3
3
animando I Vn. II 3
Va.
Vc.
Cb.
24 118
Tempo I
= 96
1 Fl. 2
Ob.
1 2
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn. 3
3
3
S. Vc.
Tempo I
= 96
I
accomp.
Vn. II
accomp. Va.
accomp. Vc.
Cb.
25 animando
125 1 Fl. 2
Ob.
1 2
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Large Tam.
Medium Tam.
Perc.
Cel.
Hp.
3
3
3 3
S. Vn. 3
intenso
3 3
S. Vc. 3
3
intenso
3
3
animando
div. I
Vn.
div. II
Va.
Vc.
Cb.
3
26 130
Pi첫 mosso = 108 riten.
Subito mosso
Med. Tam.
Sm. Tam.
= 120
1 Fl. 2
Ob.
1 2
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Small Tam.
Large Tam.
Perc.
Cel.
Hp.
3
3
S. Vn. 3 3
sub.
3
3
3
3
3
3
3
3
3
3 3
3
3
S. Vc.
sub. (div.)
I
(div.)
Vn.
II
Va.
Vc.
Cb.
3
3 3
3
3
3
Pi첫 mosso = 108 riten.
3
Subito mosso
3
3
= 120
3
3
27
Calando
135 1 Fl. 2
Ob.
1 2
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
(Sm. Tam.)
Suspended Cymbal
Perc.
Cel.
DCB EF G A
Hp.
S. Vn.
3 3
3
3
3
3
3
3
3
3
S. Vc. 3
3
3
3
3
3
3
3
3
Calando I Vn. II
Va.
Vc.
Cb.
3
3
3
3
3
3
3 3
3
3
3
3
3
28
Scintillante
= 100
139 1
Fl. 2
Ob.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1 2
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
subito 6
6
6
6
6
6
6
6
Cel.
Hp.
bisbigliando
E
S. Vn.
S. Vc.
Scintillante
= 100
unis. I
Vn.
unis. II
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Va.
Vc.
pizz. Cb.
arco
29 141 1 Fl. 2
Ob.
3
3
3
3
3
3
3
3
3
1 2
1 Cl. in B 2 3
3
3
3
3
1 Bn. 2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
6
6
6
6
6
6
6
6
Cel.
E
Hp.
S. Vn.
S. Vc.
I Vn. II
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Va.
Vc.
Cb.
3
30
ritardando 143 1
Fl. 2 3
Ob.
3
3
3
1 2
1 Cl. in B
3
3
3
2 3
1 Bn. 2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Vibraphone Perc.
6
6
6
6
Cel.
6
6
6
l.v. gliss. 7
7
D F
Hp.
S. Vn.
S. Vc.
ritardando I
div.
3
Vn. II 3
3
3
3
div.
3
Va. 3
Vc.
Cb.
3
3
3
6
Notturno: Adagio
= 30,
31
II
= 90
1 Fl. 2
1. Ob.
1.
2.
1 2
1 Cl. in B 2
1
Bn.
2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Vib., solo Perc.
Pedal
Pedal solo
Cel.
solo
Hp.
cant.
l.v.
S. Vn.
S. Vc.
Notturno: Adagio
= 30,
= 90
I
legato cantabile
Vn. II
legato cantabile
half pizz., half arco
Va.
cantabile half pizz., half arco
half pizz., half arco
tutti pizz.
Vc.
cantabile half pizz., half arco Cb.
cantabile
32 7 1 Fl. 2
(1.) Ob.
2.
1 2
1 Cl. in B 2
1
Bn. 2
marc.
1 3 Hn. in F
a2 2 4
marc. Tpt. in C
1 2
marc. Timp.
(Vib.) Perc.
(Ped.) Ped.
Cel.
Hp.
S. Vn.
S. Vc.
0
I
Vn. 0
II
tutte arco Va.
(half pizz., half arco) tutti arco Vc.
marc. half pizz., half arco
tutti arco
Cb.
marc.
33 13 1 Fl. 2
a2 Ob.
1 2
1 Cl. in B
marc.
to Bass Clarinet in B
2
marc.
1 Bn.
to Contrabassoon 2
a2
take straight mute
1 3
2. take straight mute
Hn. in F
(a2) 2 4
4. take straight mute take straight mute Tpt. in C
1 2
Timp.
(Vib.) Perc.
(Ped.)
Cel.
Hp.
S. Vn.
S. Vc.
(solo) 0
0
0
0
0
0
I Vn.
(solo) 0
II
Va.
1 player sul G
gli altri Vc.
1 player gli altri Cb.
1 player
(1 player) (1 player)
34 17 1 Fl. 2
Ob.
1 2
Cl. in B
1
Bs. Cl.
Bn.
1
Cbn.
a2, with straight mute 1 3
marc.
Hn. in F
a2, with straight mute 2 4
marc. with straight mute Tpt. in C
take harmon mute
1 2
marc. Timp.
Perc.
Cel.
Hp.
S. Vn. 3
3
3
S. Vc.
I Vn.
1 player II
2 players, div. Va.
(2 soli, div.)
tutti (unis.)
gli altri
Vc.
marc. tutti
1 player gli altri
Cb.
marc. (1 player)
1 player
1 player
35 animando (poco a poco)
21 1 Fl. 2
Ob.
1 2
Cl. in B
1
Bs. Cl.
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
S. Vc. 3
3
3
animando (poco a poco) I Vn. II
Va.
(1 player) Vc.
(2 players, div.)
Cb.
36 25
(animando)
1 Fl. 2
Ob.
1 2
Cl. in B
1
Bs. Cl.
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
S. Vc.
(animando) I Vn. II
Va.
Vc.
Cb.
37 30
Con moto
= 45 (Tempo II)
1 Fl. 2
Ob.
1 2
Cl. in B
1
Bass Clarinet Bs. Cl.
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
S. Vc.
Con moto I Vn. II
Va.
Vc.
Cb.
= 45 (Tempo II)
38 36
movendo
Fluendo
= 60
1 Fl. 2
Ob.
1 2
Cl. in B
1
to Clarinet in B Bs. Cl.
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
S. Vc.
movendo I Vn. II
Va.
Vc.
Cb.
Fluendo
= 60
39 42
Tempo II
ritardando
= 45
1 Fl. 2
Ob.
1 2
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
in fuori
Hp.
S. Vn.
misterioso S. Vc.
ritardando
tutti
Tempo II
= 45
I
Vn.
tutti, div. a3 II
tutte, div. a3 Va.
Vc.
Cb.
40 49 1 Fl. 2
Ob.
1 2
1 Cl. in B 2
Bn.
1
Contrabassoon Cbn.
1 3 Hn. in F
(with straight mute) 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
S. Vc.
misterioso
I
Vn.
(div. a3) II
(div. a3)
div. a2
Va.
tutti, div. a3
div. a2
Vc.
tutti, div. a3 Cb.
41 56 1
marc. Fl. 2
marc. a2 Ob.
1 2
marc.
1
marc.
Cl. in B
Clarinet in B 2
marc. Bn.
1
Cbn.
a2 (with straight mute) 1 3
marc. a2 (with straight mute)
Hn. in F 2 4
with harmon mute, stem in Tpt. in C
marc.
1 2
marc. Timp.
Vib. Perc.
Cel.
Hp.
S. Vn.
S. Vc.
I
marc. unis.
Vn. II
marc. unis.
(div. a2) Va.
marc. (div. a2) unis. Vc.
div. Cb.
unis.
42 63 1
Fl. 2
(a2) Ob.
1 2
1 Cl. in B 2
Bn.
1
Cbn.
(a2)
remove mute
(a2)
remove mute
1 3 Hn. in F 2 4
remove mute Tpt. in C
1 2
Timp.
Vib. Perc.
Cel.
Hp.
S. Vn.
teneramente S. Vc.
I Vn. II
Va.
Vc.
Cb.
43 70 1 Fl. 2
Ob.
1 2
1 Cl. in B 2
Bn.
1
Cbn.
1., open 1 3 Hn. in F
2., open 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
5
S. Vc.
espressivo
I Vn. II
Va.
Vc.
Cb.
5
5
44 76 1 Fl. 2
Ob.
1 2
1 Cl. in B 2
Bn.
1
Cbn.
(1.)
3., open
(2.)
4., open
1 3 Hn. in F 2 4
open Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
S. Vc.
I Vn. II
Va.
pizz. Vc.
pizz. Cb.
45 80 1
Fl. 2
a2 Ob.
1 2
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F
a2 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
solo
l.v.
cantabile
Hp.
S. Vn.
S. Vc.
pizz. I Vn.
pizz.
arco
II
cantabile, legato Va.
Vc.
half pizz., half arco Cb.
cantabile
46
Tempo I
=
= 90
85 1 Fl. 2
Ob.
1 2
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Vib., solo Perc.
Pedal solo, l.v.
Cel.
Hp.
S. Vn.
cantabile S. Vc.
in fuori
Tempo I
=
= 90
arco
I Vn.
cantabile, legato II
half pizz., half arco Va.
cantabile half pizz., half arco Vc.
(half pizz., half arco) Cb.
cantabile
47 animando (poco a poco)
89 1 Fl. 2
Ob.
1 2
1 Cl. in B
to Bass Clarinet 2
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Vib. Perc.
Cel.
Hp.
S. Vn.
ord. S. Vc.
animando (poco a poco) I Vn. II
tutte arco Va.
(half pizz., half arco) Vc.
(half pizz., half arco) Cb.
48 94
(animando)
1 Fl. 2
Ob.
1 2
Cl. in B
1
Bs. Cl.
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
S. Vc.
(animando) I Vn. II
Va.
Vc.
Cb.
49 100
Con moto
= 45 (Tempo II)
incalzando
= 45 (Tempo II)
incalzando
1 Fl. 2
Ob.
1 2
Cl. in B
1
Bass Clarinet Bs. Cl.
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
S. Vc.
Con moto I Vn. II
Va.
Vc.
Cb.
50 106
Pi첫 mosso
= 90
Pi첫 mosso
= 90
1 Fl. 2
Ob.
1 2
Cl. in B
1
Bs. Cl.
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
S. Vc.
I Vn. II
Va.
Vc.
Cb.
51 113
tenuto, calando
ritardando al fine
1 Fl. 2
Ob.
1 2
Cl. in B
1
solo Bs. Cl.
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
S. Vc.
tenuto, calando
ritardando al fine
I Vn. II
Va.
Vc.
1 player (arco) Cb.
legato
52 120
(sempre rit.)
= 45 (rit.)
(sempre rit.)
= 45 (rit.)
1 Fl. 2
Ob.
1 2
Cl. in B
1
Bs. Cl.
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
S. Vc.
I Vn. II
Va.
Vc.
(1 player) Cb.
53
Tempo giusto
III
= 100
1 Fl. 2
Ob.
1 2
1 Cl. in B
Clarinet in B 2
1
Bassoon
Bn.
2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
sechissimo
S. Vn.
molto marcato S. Vc.
Tempo giusto div., pizz.
= 100
molto marcato unis.
div.
I Vn.
secco II
Va.
pizz. Vc.
secco Cb.
div.
unis.
54 6 1 Fl. 2
Ob.
1 2
1 Cl. in B 2
1 Bn. 2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
sim.
S. Vn.
sim.
pi첫
S. Vc.
pi첫 div. (pizz.)
unis.
div.
unis.
I Vn. II
Va.
div. (pizz.) Vc.
Cb.
unis.
div.
unis.
div.
55 11 1 Fl. 2
Ob.
1 2
1 Cl. in B
to Bass Clarinet 2
1 Bn. 2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
0
S. Vn.
commodo S. Vc.
commodo
I Vn. II
Va.
Vc.
Cb.
56 15 1 Fl. 2
Ob.
1 2
Cl. in B
1
Bs. Cl.
1 Bn. 2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
(ord.) S. Vn.
poco staccato S. Vc.
leggiero
I Vn. II
Va.
Vc.
Cb.
57 19 1 Fl. 2
a2 Ob.
1 2
Cl. in B
1
Bass Clarinet Bs. Cl.
1 Bn. 2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Snare Drum Perc.
Cel.
Hp.
S. Vn.
S. Vc.
arco I Vn. II
Va.
unis., arco Vc.
Cb.
58 23 1
Fl.
2
(a2) Ob.
1 2
Cl. in B
1
Bs. Cl.
1 Bn. 2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
S.D. Perc.
Cel.
Hp.
S. Vn.
S. Vc.
I
Vn.
II
Va.
Vc.
Cb.
59 27 1 Fl. 2
Ob.
1 2
Cl. in B
1
Bs. Cl.
1 Bn. 2
3. 1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
DCBEFGA
5
S. Vn.
scherzando
5 5
S. Vc. 5
scherzando
I Vn. II
Va.
Vc.
Cb.
5
5
60 31 1 Fl. 2
Ob.
1 2
Cl. in B
1
Bs. Cl.
1 Bn.
to Contrabassoon 2
3. 1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
5
5 5
S. Vn.
sub.
5 5
S. Vc.
5
5
sub. 5
I Vn. II
Va.
pizz. Vc.
pizz. Cb.
sub.
61 35 1 Fl. 2
Ob.
1 2
Cl. in B
1
Bs. Cl.
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
S. Vc.
I Vn. II
Va.
(pizz.) Vc.
(pizz.) Cb.
62 39 1 Fl. 2
Ob.
1 2
Cl. in B
1
Bs. Cl.
Bn.
1
Contrabassoon
to Bassoon
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
S. Vc.
div.
non div. I
non div.
Vn.
non div.
II
non div.
non div.
Va.
div.
arco
unis.
Vc.
arco Cb.
div.
unis.
div.
non div.
div.
63 43 1
Fl. 2
Ob.
1 2
Cl. in B
1
Bs. Cl.
1 Bn.
Bassoon 2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
l.v.
Hp.
l.v.
5
S. Vn.
5
5
5
con bravura
5
5 5
S. Vc. 5 5
5
5
con bravura (div.)
unis., pizz.
(div.)
unis., pizz.
I Vn. II
pizz. Va.
pizz. Vc.
pizz. Cb.
64 46 1 Fl. 2
a2 Ob.
1 2
Cl. in B
1
Bs. Cl.
1 Bn. 2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
S. Vc.
(pizz.)
arco
I
Vn.
(pizz.)
arco
II
div. (pizz.)
unis., arco
(pizz.)
arco
Va.
Vc.
(pizz.) Cb.
arco
65 50 1 Fl. 2
(a2) Ob.
1 2
Cl. in B
1
Bs. Cl.
1 Bn. 2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
S. Vc.
I Vn. II
Va.
Vc.
Cb.
66 54 1
Fl.
2
(a2) Ob.
1 2
Cl. in B
1
to Clarinet in B Bs. Cl.
1 Bn.
to Contrabassoon 2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
S.D.
Mar., solo
Perc.
Cel.
solo
Hp.
S. Vn.
leggerissimo S. Vc.
leggerissimo
I
Vn. II
Va.
Vc.
Cb.
67 58 1 Fl. 2
Ob.
1 2
1 Cl. in B
Clarinet in B 2
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
(Mar.) Perc.
solo
Cel.
Hp.
S. Vn.
S. Vc.
I Vn. II
Va.
Vc.
Cb.
68 62 1 Fl. 2
Ob.
1 2
1 Cl. in B 2
Bn.
1
Contrabassoon Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
S. Vc.
I Vn.
pizz. II
ben marcato pizz. Va.
ben marcato pizz. Vc.
ben marcato pizz. Cb.
ben marcato
69 66 1 Fl. 2
1., solo Ob.
1 2
6
in fuori
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Vib. Perc.
Cel.
Hp.
S. Vn.
S. Vc.
I Vn.
arco II
arco Va.
arco Vc.
Cb.
70 69
soli
1
in fuori
6
Fl.
soli 2
in fuori
(1.)
Ob.
1 2
6
3
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F
a2 2 4
1. Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
S. Vc.
I Vn. II
Va.
Vc.
Cb.
6
71 72 1
marcato Fl.
2
marcato a2 Ob.
1 2
1 Cl. in B 2
Bn.
1
marcato Cbn.
marcato 3. take straight mute
1.
4. take straight mute
2.
1 3 Hn. in F
3., with straight mute
2 4
4., with straight mute Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
S. Vc.
I Vn. II
Va.
Vc.
marcato arco Cb.
marcato
72 77 1
meno
Fl.
to Piccolo 2
meno Ob.
1 2
1 Cl. in B 2
Bn.
1
meno Cbn.
meno meno
1.
a2
meno
2.
a2
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
molto
S. Vc.
molto
I Vn. II
Va.
Vc.
meno div. Cb.
meno
73 Piccolo
81 Picc.
Fl.
1
Ob.
1 2
a2
1 Cl. in B 2
Bn.
1
sub. Cbn.
sub. (a2)
3. remove mute
3. open
(a2)
4. remove mute
4. open
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
S. Vc.
I Vn. II
Va.
Vc.
(div.) Cb.
unis.
div.
74 85 Picc.
Fl.
1
Ob.
1 2
(a2)
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
S. Vc.
I Vn. II
Va.
div.
unis.
(div.)
unis.
Vc.
Cb.
75 88 Picc.
Fl.
1
Ob.
1 2
(a2)
1 Cl. in B 2
Bn.
1
Cbn.
a2 1 3 Hn. in F
a2 2 4
Tpt. in C
1 2
Timp.
S.D. Perc.
Hp.
S. Vn.
S. Vc.
I
Vn.
II
Va.
div.
unis.
Vc.
div. Cb.
unis.
76 91
corta
Poco meno mosso
= 92
Picc.
Fl.
1
Ob.
1 2
(a2)
1 Cl. in B 2
Bn.
1
Cbn.
(a2) 1 3 Hn. in F
(a2) 2 4
Tpt. in C
1 2
Timp.
Bass Drum Perc.
Cel.
Hp.
S. Vn.
poco staccato S. Vc.
poco staccato
rilassato 8va
corta I Vn. II
Va.
Vc.
Cb.
Poco meno mosso
= 92
77 95 Picc.
solo Fl.
1
Ob.
1 2
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
solo
Cel.
Hp.
S. Vn.
poco staccato S. Vc.
I Vn. II
Va.
Vc.
Cb.
78 99 Picc.
Fl.
1
Ob.
1 2
1., solo
3
solo
3
3
3
3
1 Cl. in B
3
3
2
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Vib. Perc.
3
Cel.
Hp.
S. Vn.
S. Vc.
I Vn. II
Va.
Vc.
Cb.
3
3
3
79 102 Picc.
Fl.
1
Ob.
1 2
(1.)
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Vib.
Small Triangle
Perc.
Cel.
Hp.
S. Vn.
sub., dolce
S. Vc.
sub., dolce
I Vn. II
Va.
Vc.
Cb.
80 105 Picc.
Fl.
1
Ob.
1 2
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
(Sm. Trg.) Perc.
Cel.
Hp.
S. Vn.
S. Vc.
I Vn. II
Va.
Vc.
Cb.
81 109
cedendo
a tempo
Picc.
Fl.
1
Ob.
1 2
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
dolcissimo
3
dolcissimo
3
S. Vc.
cedendo
a tempo 1 player
I
marcato Vn.
1 player II
1 player 0
0
Va.
marcato 1 player Vc.
Cb.
0
sim.
82 113 Picc.
Fl.
1
Ob.
1 2
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Perc.
Cel.
Hp.
S. Vn.
3 3
3
3
3
3
3
3
3
S. Vc. 3
3
(loco)
(1 player)
0
3
0
I
(1 player)
Vn.
0
0
0
II
marcato (1 player) Va.
(1 player) 0
0
Vc.
marcato Cb.
0
sim.
0
0
0
0
0
0
83 117 Picc.
Fl.
1
Ob.
1 2
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Five Cowbells (or Concert Sanza), solo* Perc.
Cel.
Hp.
S. Vn.
secco
sost.
secco
sost.
S. Vc.
secco
I
(1 player)
Vn.
0
II
Va.
(1 player) Vc.
Cb.
*See title page.
sost.
secco
sost.
84 122 Picc.
Fl.
1
Ob.
1 2
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Metal Plate
(Cowbells) Perc.
Cel.
Hp.
S. Vn.
S. Vc.
I Vn. II
Va.
Vc.
Cb.
85 127 Picc.
Fl.
1
Ob.
1 2
1 Cl. in B 2
Bn.
1
Cbn.
1 3 Hn. in F 2 4
Tpt. in C
1 2
Timp.
Metal Plate (Cowbells) Perc.
Low Tamtam
Cel.
Hp.
col legno battuto
S. Vn.
col legno battuto S. Vc.
I Vn. II
Va.
Vc.
Cb.