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Chou YU KO

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Contemporary

CHOU Yü Ko for Violin, Wind Instruments, Piano and Percussion

Full Score

EP 66098


CHOU WEN-CHUNG

Yü Ko for Violin, Wind Instruments, Piano and Percussion

Full Score

ALLE RECHTE VORBEHALTEN

· ALL RIGHTS RESERVED

EDITION PETERS L E I P Z I G · L O N D O N · NEW YORK

P R I N T E D A N D D I S T R I B U T E D B Y FA B E R M U S I C


Adapted from “Yü Ko” for Ch’in by Mao Min-Chung (c. 1280)

INSTRUMENTATION Violin Alto Flute English Horn Bass Clarinet Trombone Bass Trombone Piano Percussion (2 Players)

PROGRAM NOTE

The ch’in, a fretted long zither, has been the favorite instrument of Chinese scholars and artists ever since the time of Confucius. The music of this instrument has thus enjoyed a unique position and an uninterrupted tradition. It is also the most characteristic of Chinese music. Over one hundred symbols (chien-tzǔ ) are used in its finger technique for achieving the essential yet elusive qualities of this music: subtle inflections in the production and control of its tones as means of expression. They indicate the articulation and timbre of either a single tone or series of tones. They specify the occurance of variable microtones between fixed scale tones; and, they control the rhythmic and dynamic organization within each tonal aggregate. In this adaptation, I have magnified, as closest to the original as possible, these inflections in pitch, articulation, timbre, dynamics and rhythm to a more perceptible level by expanding the articulation and timbres possible on each instrument used and by controlling the microtonal modifications in pitch according to the nature of each instrument. The suble fluctuations in tempo are a feature in this type of music, in accordance with the tradition of ta ch’ü of the T’ang Dynasty. “Yü Ko” means “Song of The Fisherman.” The fisherman here is a symbol of the man who is in harmony with nature.


Edition Peters 66098

© 1968 by C. F. Peters Corporation, New York


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Edition Peters For more than 200 years, Edition Peters has been synonymous with excellence in classical music publishing. Established in 1800 with the keyboard works of J. S. Bach, by 1802 the company had acquired Beethoven’s First Symphony. In the years following, an active publishing policy enabled the company to expand its catalogue with new works by composers such as Brahms, Grieg and Liszt, followed in the 20th century by Richard Strauss, Arnold Schoenberg and John Cage. Today, with its offices in Leipzig, London and New York publishing the work of living composers from around the world, Edition Peters maintains its role as a champion of new music. At the same time, the company’s historic and educational catalogues continue to be developed with award-winning critical and pedagogical editions. Seit über 200 Jahren steht die Edition Peters für höchste Qualität im Bereich klassischer Notenausgaben. Gegründet im Jahr 1800, begann der Verlag seine Tätigkeit mit der Herausgabe von Bachs Musik für Tasteninstrumente. Schon 1802 kamen die Rechte an Beethovens erster Sinfonie hinzu. In der Folgezeit wuchs der Katalog um neue Werke von Komponisten wie Brahms, Grieg und Liszt sowie – im 20. Jahrhundert – Richard Strauss, Arnold Schönberg und John Cage. Als Verleger zahlreicher zeitgenössischer Komponisten aus aller Welt ist die Edition Peters mit ihren Standorten Leipzig, London und New York auch weiterhin Anwalt neuer Musik. Zugleich wird das Verlagsprogramm im klassischen wie im pädagogischen Bereich kontinuierlich durch vielfach preisgekrönte Ausgaben erweitert.

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