Robert Xavier Rodríguez
Agnus Dei for Mozart’s Mass in C-Minor, K.427 Soloists, Double Chorus and Orchestra Full Score
Duration: 8½ minutes
Composer’s Note Agnus Dei (2005) for Mozart’s unfinished Mass in C-Minor, K.427 was commissioned by the Dayton Philharmonic Orchestra with the assistance of the National Endowment for the Arts. The premiere performances were conducted by Neal Gittleman on May 19 and 20, 2006 as part of the orchestra’s celebration of the 250th anniversary of Mozart’s birth. The work is scored for the same forces as Mozart’s mass, including flute, which Mozart uses only in the Et incarnatus est, with additional optional chimes, crotales and handbell choir. Scholars have long debated why Mozart never completed this masterpiece. We know that the work was not commissioned, but was, instead, Mozart’s gift of thanks to God on the occasion of his marriage to the soprano Konstanze Weber. It is possible, however, that Mozart’s gift was actually designed more to appease his earthly father, Leopold, who opposed the marriage. Once Mozart had begun the mass and had married Konstanze, Mozart could well have assumed that he had sufficiently proved his point to Leopold concerning the seriousness of his intentions. Also, since there was no pressing financial need to finish the mass, it was logical for Mozart to have set it aside in order to devote his time to more revenueproducing projects as he began married life. Another explanation often cited is that soon after the wedding came the birth and death of the Mozarts’ first child. For me, the most fascinating part of the story was the fact that Mozart’s marriage to Konstanze was on the rebound from his rejection by Konstanze’s sister, Aloysia Weber, also a soprano. It seemed to me more than a coincidence that the mass should be scored, not for the traditional soprano and mezzo-soprano, but, instead, for two sopranos, along with tenor and bass soloists. I was especially struck by the dueling nature of the two high and equallydemanding soprano parts, particularly in the Domine Deus. I, therefore, decided early on to feature the two soprano soloists in my Agnus Dei in a similarly dramatic and competitive trade-off of musical material. Another lingering question about Mozart’s mass concerns what provisions were made for its missing portions (parts of the Credo and the entire Agnus Dei) at the Salzburg premiere, at which Konstanze performed. We can surmise either that Mozart interpolated movements from his earlier masses or that he used Gregorian chant or that he assembled a combination of the two. The idea of Gregorian chant I found appealing, since Mozart employed chant in other works, particularly in his later Masonic Funeral Music, K.477 and the Requiem, K.626. My Agnus Dei begins with a Gregorian Agnus Dei that Mozart might have used, and my choice of the handbells was inspired by the Medieval atmosphere of the chant. Rather than attempt to write in the style of Mozart, I decided to compose in my own voice, with Mozart’s music as inspiration. I used as a visual model the skyscraper Hilton Hotel in Budapest which sits in the city’s main square opposite the Gothic Coronation Church and the neo-Gothic Fisherman’s Bastion. The two radically different styles are reconciled as the ornate stone monuments are reflected in the sleek steel/glass structure beside them. A similar architectural juxtaposition of the old reflected in the new may be seen in the Trinity Church beside the Hancock Building in Boston’s Copley Square and in the post-modern Pyramid which sits in the 17th-Century courtyard of the Louvre facing the ancient Egyptian obelisk in the Place de la Concorde in Paris. In tribute to Mozart, I have cast the Agnus Dei in a modified sonata form, using quasi-tonal melodies and harmonies and Mozartian accompaniment textures. Instead of devoting long sections either to soloists or chorus, one group at a time, as Mozart does, I have chosen to bring in the quartet for shorter and more frequent appearances, in which the soloists constantly alternate with the two choruses in dramatic, antiphonal style. In addition to the Gregorian Agnus Dei, I have used three of Mozart’s own melodies from the mass: the orchestral introduction to the opening Kyrie and two themes from the closing Benedictus/Osanna (the soloists’ florid Benedictus qui venit and a fragment of violin figuration used in the closing bars of both the Sanctus and Benedictus). These “alpha and omega” references to Mozart’s original mass are heard first in their original melodic shapes. The themes are then superimposed over contrasting material and are gradually transformed as they merge with the chant into a synthesis of three stylistic worlds: Medieval, Classical and Contemporary. All themes, styles and performing forces join at the end in a tranquil, extended canonic setting of words which continue to be appropriate for our own troubled times: Dona nobis pacem.
MASS K. 427 Benedictus (ending)
4 119
1 Oboe 2
1 Bassoon 2
(Allegro comodo)
f
4
W. A. Mozart
f
Horn 1 in F 2
4 f
4
Trumpet 1 in C 2
Tenor Trombone
Soprano Alto
5
4 /
1
Soprano Alto
4
4
f 4
san
f
4
san
-
-
f
4
f
-
-
na
na
ex
-
cel
na
ex
-
-
cel
-
-
-
na
in
ex
-
-
sis,
sis,
cel
cel
Violoncello
Contrabass
-
in
ex
-
-
in
-
sis,
in
cel
-
sis,
cel
-
sis,
in
-
-
-
sis,
ex - cel
ff
in
sis.
sis.
ex - cel
-
sis,
in
ex - cel
in
ex - cel
-
sis,
in
ex - cel
-
-
ex - cel
sis,
ex - cel
-
sis,
in
-
ex - cel
f
4
-
sis.
sis.
Chimes
ff
4
4
4
ex
f
Viola
(Allegro comodo)
f
0
in
Violin I 4 Violin II
ex
-
in
in
san
in
6
10 9 8 7
san
(4 drums 23", 25-26" 28-29", 30-32")
Organ
-
4 4
o
4
Percussion
Timpani
f
o
Chorus II Tenor Bas
4 3 2
Chorus I Tenor Bas
4
f
4
4 Handbells (10 players)
f
4
Alto Trombone
Bass Trombone
attacca
2
AGNUS DEI Robert Xavier Rodríguez (1.)
L’istesso tempo (q = 104)
1
Trumpet 1 in C 2
Handbells
Percussion
Violin I
f
f
mf
f
(Chimes)
pp
p
pp
pp
p
p
pp
p
pp
p
mp
p
mf
mp
div. Viola
L’istesso tempo (q = 104)
Violin II
p
p
div.
Violoncello
pp
unis. 6
S A
A
Chorus I Chorus II T B
ritard.
p
-
p
unis. A
-
De
-
i,
gnus
gnus
Perc.
De
-
i,
qui
qui
tol - lis
tol - lis
pec
-
pec
ca - ta
-
mun
ca - ta
quasi niente
mun
-
-
-
-
-
-
Org.
ritard.
div.
Vln. I
pp
Vln. II
Vla.
Vc.
unis.
p
p
p
p
p
p
p
Copyright © 2006 by G. Schirmer, Inc. (ASCAP), New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
Andante moderato q = 92
Fl. 10
Ob. 1
espressivo
Ob. 2
Bn. 1
espressivo
Bn. 2
mp
- di,
Org.
mi - se - re
-
Vla.
- di,
mi - se - re
Cb.
Fl. 15
1 Hn. 2 pp A. Tbn. Bn. 2
Tbn.
B. Tbn.
S II Solo
Vc.
p
p p
mf
Cb.
p
p
p
p p
mf
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unis.
p
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-
re
re
pp
p pp
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pp
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pp
pizz.
pp
Molto espressivo
se - re
p
p
mi - se - re
p
p
pp
unis.
Molto espressivo
p
pp
A tempo (q = 92)
div. a3
pp
div.
mi
div.
bis,
-
p
p
p
Vln. I
Vla.
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pp
p
p
Timp.
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div. a3
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p
p
-
div. a3
Bn. 1
1 2
p
Ob.
ritard.
p
p
p
no
re
no
-
Vc.
re
Vln. II
3
A tempo (q = 92)
mf
Andante moderato q = 92
Vln. I
mp
espressivo
Chorus I Chorus II
mp
mp
espressivo
mp
espressivo
ritard.
poco
no
-
no
-
sim.
bis,
sim.
bis,
poco
4
Fl. 20
Bn. 1
1 Hn. 2 SI Solo
Vc.
pp
Org.
De
-
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A pp
bis,
i,
div. a2
-
-
p
A
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De
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mi - se - re re no bis, -
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pp
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mi
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pp
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De
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pp
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pp
mi
mp
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pp
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pp
pp
T B
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no
S A
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re
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pp
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Bn. 2
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Bn. 1
S A
25
Ob. 2
pp
no
Fl.
B Solo
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poco
mi - se - re
Ob. 1
Vla.
SI Solo
Vln. II
1 Tpt. 2
A
Vln. I
Cb.
mi - se - re re
T Solo
B Solo
S II Solo
Bn. 2
1 2
Ob.
De
-
-
-
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ca - ta
ca - ta
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i,
mun -
di,
di,
qui tol - lis
pec
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Fl. 30
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3 3
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3 mi - se - re 3
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35
1 2
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Fl.
Hn.
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Vln. II
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f
A
Chorus II
mp
Chorus I
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3
6
Fl.
40
Ob.
1 2
3
3
1 Bn. 2 3
3
Hn.
1 2
A. Tbn.
SI Solo
B Solo
- bis,
3
3
3
3
3
3
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re
3
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Org.
3
3
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3
bis,
mi
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3
se
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se
re
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3
mp
re
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3 -
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3 -
3
3
3
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se
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3 mi
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3
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se
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no
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no
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3
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3
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3
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Timp.
mi
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bis,
3 3 mi - se - re -
-
-
3
3
3 mi - se - re
3
3
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p
S II Solo
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
7
Fl.
45
1 Ob. 2
1 Bn. 2
(a2)
1 Hn. 2
Tpt.
Tbn.
S II Solo
no
T Solo
no
no
f
3
3
Org.
3
3 -
-
-
-
3 -
-
-
-
3 -
-
3
-
-
3
-
se
-
se
-
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se
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3
-
3
re
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3
3
Vla.
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3
fp
f
fp
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fp
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no
mi
f
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no
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bis,
mi
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f
se - re
-
re
no
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bis,
3
3
3
3
f
f
f
f
3
3
qui tol - lis
qui tol - lis
pec - ca - ta,
-
mi
-
se - re
se - re
re
-
-
bis.
-
bis.
f
3
3
3
f
3
3
di,
no
no
di,
pec - ca - ta mun -
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3
-
3
pec - ca - ta mun -
pec - ca - ta,
mi
re
-
f
re
3
f
fp
bis.
unis. f
3
fp
f
fp
unis.
3
ff
f
fp
f
fp
3
3
gliss.
Vln. II
f
ff
f
3 -
bis,
-
3
fp
f
re
bis,
3 -
fp
fp
-
bis,
3
3
-
3
mf
3
bis,
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re
-
gliss.
fp
3
-
3 mi
se
3 mi
-
f
f
3
mi
Chorus II
Cb.
3
mi
Chorus I
Vln. I
Timp.
3
no
B Solo
3
A. Tbn.
SI Solo
1 2
B. Tbn.
3
f
3
3
8
Più mosso q = 96
Fl. 50
pp
1 Ob. 2
pp
Bn.
Hn.
1 2
1 2
1 Tpt. 2
SI Solo
A
S II Solo
B Solo
Chorus I
Perc.
Org.
De
-
i
se - re
-
re
no - bis,
-
mf
gnus
-
De
se - re
-
-
re
unis.mp
tol - lis
pec
-
ca
-
tol - lis
pec
-
ca
-
ta
ta
(Chimes)
Più mosso q = 96
div.
p
p
div.
mp
-
mun
-
mun
-
mun
-
-
-
-
-
-
-
-
-
unis.
mp
Vla. div. Vc.
mun
poco rit.
div.
p unis.
unis. p
pec - ca - ta
pp
no - bis,
unis.mp
pp
i
qui
con sord.
pec - ca - ta
qui
-
mi
Vln. I Vln. II
A
Chorus II
gnus
mf
-
mi T Solo
pp
poco rit.
unis.
mp
unis.
mp
unis.
mp
9
SI Solo
T Solo
Chorus I
A
S II Solo
B Solo
A tempo, più mosso q = 100
54
-
De
- di,
pp
-
mi
-
mp
gnus
De
i,
-
se - re
se - re
mi
-
re
-
-
-
p p
p
pizz.
p
mf
-
sim.
no
-
-
re
-
-
-
re
no
-
-
-
se - re
-
-
re
-
no - bis,
-
se - re
-
re
no - bis
pp
mp
poco accel.
p
mp
no - bis
-
-
gnus
-
pec
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se - re
-
ca - ta mun
-
De
-
re
di,
di,
i,
-
-
i,
mp
-
ca - ta mun
De
Più mosso q = 108
pec
3 tol - lis
mi
tol - lis
qui
3
pp
pp
A
Vln. I
re
pp
A
-
bis,
mf
se - re
qui
p
mi
mi
-
Più mosso q = 108
Più mosso q = 104
mi
- bis,
poco accel.
se - re
poco accel.
T Solo
Cb.
no - bis,
mi
Vc.
re
S II Solo
Vla.
-
no - bis,
Vln. II
se - re
59
Org.
-
A tempo, più mosso q = 100
Chorus II
i,
Vc.
Chorus I
- di,
Vla.
B Solo
-
Vln. II
SI Solo
gnus
Più mosso q = 104
poco accel.
A
Vln. I
Cb.
- di,
Org.
mi
Chorus - di, II Perc.
-
mp
10
Fl. Ob. 1
Bn.
1 2
SI Solo
Chorus I
-
se - re
-
re
no - bis
A
no - bis,
-
A
gnus
A
-
qui
qui
gnus
mf
De
-
-
tol - lis pec - ca - ta mun
-
pec - ca - ta mun
-
3
-
re
-
-
re
mi - se - re
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no - bis
qui
-
re
tol
-
lis
Vln. I
Vln. II
Vc.
Cb.
mi - se - re
pec - ca - ta
mun
-
re
-
di,
di,
mp
Più mosso q = 112
pochiss. rit.
Vla.
no - bis,
3
poco accel.
mf
no - bis,
i,
3
3 tol - lis
- se - re
i,
De
mi
mf
Org.
p
mf
mi - se - re
p
Chorus II
T Solo
mi
B Solo
pochiss. rit.
S II Solo
Più mosso q = 112
poco accel.
64
pizz.
11
Fl. 70
Ob. 1
Ob. 2
Bn. 1
Bn. 2
1 Hn. 2
Tpt.
1 2
A. Tbn.
Tbn.
B. Tbn.
A tempo q = 112
T Solo
B Solo
mi
-
-
re
mf
3
tol - lis
pec - ca - ta mun
A Chorus II
qui
3 tol - lis
-
gnus
mp
A
-
gnus
-
De
-
A tempo q = 112
Cb.
arco
A
-
unis.
arco
mf
gnus
De
3
tol - lis
mf
3
3
mp
3
mp
3
p
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mi - se - re
re
-
re
-
i
-
-
i
-
3 tol - lis
di,
pec - ca - ta mun
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di,
3
mf
3 3
mf
mi - se - re
-
re
mi - se - re
-
re
mf
De
3
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gnus
3
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i,
-
bis
De
-
i,
mf
A
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gnus
De
-
i,
no
-
bis
-
i,
mf 3
re
3
3
A
-
gnus
3 3
3
3
mf
-
3
mi - se - re
3
A
re,
mi - se - re
no - bis,
no - bis,
A
p
pec - ca - ta mun
a2
p
p
- se - re
p
mf
De
qui
gnus
i,
no - bis,
-
Vln. I
re
mi
A
qui
di
p
mi - se - re
i,
-
-
mf
no - bis,
di
De
Vc.
-
pec - ca - ta mun
re
mp
Vla.
-
mf
p
se - re
-
mp
mi
mp
unis.
qui
Vln. II
mi - se - re
Chorus I
Org.
no - bis
se - re
no - bis,
di,
Timp.
SI Solo S II Solo
De
mf
mf
mp
3
mf
mf
12
Fl.
76
Ob. 1
mf
Ob. 2
Bn. 1
Bn. 2
p
p
3 3
(a2)
1 Hn. 2
mp
Tpt.
1 2
p
3
A. Tbn.
Tbn.
B. Tbn.
mp
3
p
mi - se - re
mi - se - re
T Solo
B Solo
no- bis,
-
re
A
-
-
re
3
3
A
re
gnus
-
A
-
mf
mf
no
mi - se - re 3
De
-
-
3
i,
-
bis,
-
Vla.
Vc.
mf
Cb.
mf
-
-
mf
f
f
fp
3
3
3
fp
3
fp
fp
fp
fp
f
f
f
3
3
f
3
3
f
3
3
fp
fp
3
3
fp
fp
f
f
fp
f
no - bis,
f
-
gnus De - i,
f
A
-
gnus De - i,
f
mi
-
se - re
-
re
no
f
-
i,
mi
-
se - re
-
re
-
Più ritenuto q = 108
f
f
f
f
f
-
-
se - re
se - re
-
re
-
-
no
-
no
se - re - re
no
no
-
-
bis,
-
bis,
bis,
bis,
re
se - re - re
-
mi
mi
bis,
mi
mi
mf
f
no
bis,
f
fp
A
mp
mf
fp
3
re
re
i,
-
i,
-
Vln. I mf
Vln. II (div.)
f
bis,
mf no
f
3
3
De
3
3
mf
3
gnus
mf
f
f
fp
f
fp
De
De
3
Chorus II
fp
-
mf
gnus
3
Org.
mi - se - re
fp
3 3 3
mi - se - re
3
re,
gnus
-
A
Timp.
no - bis,
3
mi - se - re
Chorus I
SI Solo S II Solo
f
fp
p
p
p
Più ritenuto q = 108
13
82 Fl.
f fp
Ob. 1
Ob. 2
Bn. 1
Bn. 2
f
a2
A. Tbn.
SI Solo
Perc.
Org.
Vln. I
Cb.
qui
tol
tol
mf
-
mf -
f
fp
fp
fp
mf
lis,
Chimes
f
fp
fp
mp
f
mp
p
mf
A
-
A
-
p
p
-
A
-
gnus
A
p
gnus
gnus
gnus
De
-
De
-
-
De
-
p
i,
i,
i,
i,
De
mp
fp p fp
p
p
p
p
mp
di
f
-
di
-
espressivo
lis,
mp
fp
espressivo
mp
Vc.
f
pec - ca - ta mun
unis.
Vla.
Vln. II
mf
fp
pec - ca - ta mun
qui
Chorus II
Chorus I
T Solo
S II Solo
B Solo
pp
Tbn.
B. Tbn.
fp
1 2
fp
Tpt.
(a2)
1 Hn. 2
mf
mp
div.
p
pizz.
p
14
Allargando q = 104
Fl.
88
Ob.
1 2
Bn. 1
Bn. 2
Tpt.
1 2
1 2
A. Tbn.
B. Tbn.
SI Solo
qui tol - lis
Chorus I
pec
-
ca - ta
-
ca - ta
qui tol - lis
pec
-
ca - ta
Timp.
-
ca - ta
Vln. I
mun
-
f
di,
3 mi - se - re
3 -
3
mp
re
ff
A
-
3
3
3
3
3
re
gnus
De
3
3
gnus
De
-
3
Vla.
3
3
3
A
-
re
A
-
re,
3
f
f
3
f
pp
gnus
De
-
gnus
De
-
3
i,
3
3
i,
mi - se - re
3 -
3 mi - se - re
i,
Do
i,
3
3
ff
3
3
3
Allargando q = 104
ff
Vc.
f
3 -
no 3 -
bis
re
no
bis
re
-
3
3
3
3
3
ritard.
ff
Vln. II
f
3 -
3
3 mi - se - re
-
f
f
3
-
-
mi - se - re
A
3
3
-
3
mi - se - re
ff
3
3
di,
3
ff
f
3
3
-
f
3
mun
f
3
di,
3
f
ritard.
3
-
3
3
mun
a2
ff
p
Cb.
di,
3
-
f
mun
Org.
qui tol - lis pec
f
ff
3
qui tol - lis pec
f
Chorus II
Tbn.
mp
espressivo
mp
Hn.
f
3
arco
3
ff
ff
3
3
3
3
94
Ob. 1
Ob. 2
H-bells. SI Solo
S II Solo
Chorus I Chorus II
Org.
A tempo (q = 104)
continuous random ringing
-
-
na
no
SI Solo
Chorus II
Org.
Vln. I
-
bis
pa
-
Do
-
-
Do
-
-
pp
pp
-
-
pp
p
pp
p
pp
p
pp
pp
unis.
p
pp
p
pp espressivo
p
pp espressivo
p
no
-
-
bis
na
no
-
-
bis
pp
-
-
pa
pa
-
-
pp
bis
pa
na
no
Do
-
-
cem,
-
-
-
cem,
-
-
-
-
cem,
pa
-
-
-
cem,
p
p
pp
pp
pp
bis
pa
na
-
-
Do
-
no
pp
-
-
-
pa
na
no
bis
-
-
pp
pp
-
-
cem,
bis
pa
Do
-
-
na
-
-
na
p
pp
-
pp
-
-
cem,
no no
pp
Do
-
cem,
pp
p
espressivo
-
p
pp
-
-
p
cem
pp
pa
-
-
-
-
pp
-
pp
pp
pp
pp
espressivo
pp
p
pp
espressivo
pp
pp
pp
pp
pp
pp
pp
p
p
pp
pp
pp
pp
pp
p
na
na
-
cem
A tempo (q = 104)
-
pp
Vc.
no
Vla.
na
-
Vln. II
Do
-
cem,
-
-
do
Chorus I
Do
-
no
B Solo
-
T Solo
pp
S II Solo
p
100
H-bells.
pp espressivo
pp
Bn. 2
p
pp
Bn. 1
pa
pp
Ob. 2
bis
unis.
Ob. 1
pp espressivo
15
pp
Vln. I
Vc.
-
Vla.
-
Vln. II
pp sempre delicato e tranquillo
Do
-
-
na
Do
-
-
na
-
-
bis
pa
-
-
-
-
-
bis
pa
-
-
-
pp
pp
pp pp pp pp pp pp p pp pp pp p pp
pp
p
pp
16
Bn. 1 106
Bn. 2
Hn.
1 2
H-bells.
Chorus I
Chorus II
Vln. I
no
no
-
-
-
-
pp dolce, religioso
pa
-
bis
pa
-
bis
-
-
pp
pp
p
p
div.
pp
-
-
cem,
cem,
Do
-
-
-
na
no
-
-
Do
-
-
-
na
no
-
-
pp
-
-
-
na
Do
-
-
-
na
-
bis
pa
-
-
-
-
-
bis
pa
-
-
-
-
p
pp
pp
pp
on the string
pp
Do
on the string
pp
Vc.
Vla.
pp dolce, religioso
cem,
pp dolce, religioso
a2
cem,
p dolce, religioso
Vln. II
Cb.
Perc.
Org.
mp
mp
Tbn.
B. Tbn.
espressivo
A. Tbn.
on the string
pp
on the string
pp
pp
unis. pizz.
pp
17
110 Bn. 1
Bn. 2
Hn.
1 2
(a2)
1 Tpt. 2
Tbn.
Chorus I
no
Chorus II
-
-
-
pa
-
bis
pa
-
bis
a niente
-
-
-
-
-
-
cem.
a2
Do
-
-
-
-
na
no
na
no
-
-
-
-
-
-
bis
-
-
Do
-
-
na
na
pa
bis
pa
-
-
-
-
-
-
-
p
-
Do
pp
cem
p dolce, religioso
cem,
Do
cem.
Perc.
Org.
no
-
H-bells.
pp
A. Tbn.
B. Tbn.
Vln. II Vla. Vln. I
Vc.
Cb.
pp
18
114
Ob. 1
Ob. 2
Bn. 2
Tpt.
Tbn.
B. Tbn.
Chorus I
no
-
-
-
-
cem,
Timp.
Org.
Vln. I
Vln. II
Vla.
Vc.
Cb.
-
-
-
-
pa
bis
pa
-
-
-
-
-
-
-
mp
cem,
cem,
-
-
na
no
-
-
-
-
-
-
-
na
no
-
-
-
-
bis
-
bis
mp
pp
Do
Do
-
-
-
bis
cem,
Perc.
no
Chorus II
A. Tbn.
p
p
(a2)
1 2
p
mp
mp
1 Hn. 2
p
Bn. 1
mp
div.
div.
19
118 Fl.
Ob. 1
mf
mf
Ob. 2
mf
Bn. 1
Bn. 2
Hn.
Tpt.
1 2
mf
Tbn.
B. Tbn.
Chorus I
Do
-
-
-
pa
-
-
-
pa
Org.
Vln. I
Vla.
-
-
-
-
na
-
no
-
-
-
na
-
-
no
-
-
-
-
-
-
pa
mf
mf
-
-
-
-
-
-
-
-
-
-
cem,
cem,
bis
pa
bis
mf
cem,
-
-
-
-
mf
mf
Vln. II
mf
Timp.
mf
Do
Perc.
mf
Chorus II
mf
A. Tbn.
mf
a2
1 2
cem,
mf
mf
Vc.
mf
Cb.
mf
20
Fl.
121
Ob. 1
SI Solo
S II Solo
A
gnus
De
-
-
gnus
pp
De
-
pec - ca - ta
qui
tol - lis
qui
tol - lis
pec
pec
-
ca - ta
-
ca - ta
-
di,
mun
mun
-
-
di,
-
di,
mun
-
-
-
ritard.
pp
a tempo
unis.
di,
p
unis.
qui
-
qui
mun
pp
p
pp
unis.
mp
pp
Cb.
mp
Vc.
Vln. I
Vla.
Vln. II
i,
Org.
mp
pec - ca - ta
i,
unis. A
Timp.
-
unis. Chorus II
Chorus I
mf
mp
a tempo
Ob. 2
1 Bn. 2
ritard.
p
pizz.
p
21
Fl.
126
Ob. 1
Bn.
1 2
SI Solo
tol
S II Solo
tol
T Solo
B Solo
p
mf
-
mf
-
p
p
p
p
mp
p
Ob. 2
lis
mf
mf
pec - ca -ta mun - di
-
-
gnus
gnus
A
-
gnus
A
-
gnus
mp
De
De
De
p
mf
div.
mp
i,
qui tol - lis pec - ca - ta
-
i,
qui tol - lis pec - ca - ta
qui tol - lis pec - ca - ta
i,
qui tol - lis pec - ca - ta
di,
3
mun
-
mun
mf
di,
3
-
di,
3
mun
-
di,
molto
3
p
-
i,
-
mun
mf
mf
-
3
mp
-
mp
De
mf
mp
mf
3
mp
Vla.
mp
Vc.
Cb.
A
Vln. II
mp
p
Chorus II
Vln. I
mp
lis
Org.
A
Timp.
mp
p
Chorus I
pec - ca -ta mun - di
mp
p
div.
p
pizz.
p
22
133 Fl.
1 Ob. 2
f
f
Bn.
1 2
f
a2
Hn.
Tpt.
1 2
1 2
B. Tbn.
SI Solo
3
f
f
Meno mosso q = 92
3
3
3
3
3
f
f
f
3
f
pp
Do - na no S II Solo
Chorus I
ff
3
3 A - gnus De
3
ff
-
3
A - gnus De
ff Chorus II
A
A
Timp.
Org.
f
3
i,
i
gnus
ff
-
-
-
3
3
3
3 A - gnus
-
-
i,
De
-
ff
ff
arco
ff
3
3
A
-
3
3
3
gnus
gnus 3
3
A 3
-
-
gnus 3
3
A
-
3
-
De
-
gnus 3
3
-
-
3
3
3
-
bis
cem,
pa
-
cem,
unis.
pp
A
-
gnus
De
A
-
gnus
De
3
-
i,
Meno mosso q = 92
i,
unis.
-
pp
i,
na no
i,
unis.
f
-
i,
f div.
-
Do
De
pa
i,
-
3
bis
De
-
mf
De
3
-
i,
A
i,
unis.
div.
Cb.
3
Vln. I ff Vln. II ff Vla. Vc.
-
i,
3
3
3
De
De
De
gnus
3 A - gnus
p
p
3
f
3
3
3
3
3
f
3
f
f
Tbn.
3
A. Tbn.
3
unis.
div. a3
p
p
p
pizz.
pp
23
Fl. 139
Ob. 1
Ob. 2
Bn. 1
Bn. 2
Hn.
Tpt.
1 2
1 2
T Solo
B Solo
pp
mf
Do - na no - bis
Do - na no
-
pa
pp
-
De -
De -
De -
De -
p
p
A
i,
Chorus II
-
gnus
De
-
bis
-
pa
A
i,
do
Do - na no
gnus
De
-
-
na no
-
gnus
De
-
bis
-
bis
pa
div. a3
p
Cb.
-
gnus
gnus
De
-
bis
-
pa
-
cem,
cem,
-
gnus
-
De
mf
bis
pa
-
-
i,
cem,
mf
-
i,
pa
i,
bis
-
-
De
mf
-
A
unis.
mf
do - na no
Do - na no
cem,
A
p
i,
-
a
cem,
pa
i,
-
-
Do - na no
Vln. I
Vc.
Vla.
A
cem,
-
i,
-
Vln. II
Do - na no
Org.
con sord.
qui tol - lis pec - ca - ta mun - di,
p
qui tol - lis pec - ca - ta mun - di,
a2
qui tol - lis pec - ca - ta mun - di,
p
qui tol - lis pec - ca - ta mun - di,
p
mp
i,
p
i,
pp
A - gnus
cem.
A - gnus
cem.
A - gnus
-
bis pa
A - gnus
pp
pp
Chorus I
24 146 Fl.
Poco più mosso q = 96
Bn. 2 Bn. 1
SI Solo
p
-
-
-
na
no
p
-
1 Hn. 2
p
p
-
-
-
-
-
na
no
p
mf
-
Do
-
-
-
-
-
-
na
cem,
no
-
-
-
p
p
-
-
-
-
-
-
-
na
Poco più mosso q = 100
p
bis
mp
pp
pa
-
p
-
-
-
-
cem,
Do
-
-
-
-
na
no
-
-
Do
-
-
-
-
na
no
-
-
p
pp
on the string
pp
pp on the string
on the string
pp
pa
Poco più mosso q = 104
Vc.
pa
bis
p
Vla.
Vln. I Vln. II
bis
-
a2
pp
-
-
-
Poco più mosso q = 104
p
p
-
no
T Solo
pp
-
cem,
cem,
Cb.
-
Do
S II Solo
Org.
pa
H-bells.
bis
Bn. 2
-
151
Bn. 1
-
Fl.
Perc.
Do
Chorus II
Vla.
B Solo
mf
pp
Poco più mosso q = 96
Vln. II
Vc.
S II Solo
Vln. I
Poco più mosso q = 100
pp
Do
T Solo
p
H-bells.
on the string
pp
pp
25
155 Bn. 1
Bn. 2 mp
1 Hn. 2
Tpt.
(a2)
B Solo
Chorus I
Chorus II
Vln. I
a2
p
p
p
Do
-
-
bis
bis
pa
pa
-
-
-
-
-
na
no
na
-
no
-
-
bis
-
bis
-
-
-
-
-
-
-
-
pa
pa
-
-
-
-
-
-
-
cem,
cem,
-
-
p
Do
p
cem,
cem,
Do
-
-
-
Do
-
-
-
na
no
-
na
no
-
pp
Vln. II
Vla.
Vc.
Cb.
mp
p
Perc.
Org.
Tbn.
H-bells.
p
A. Tbn.
B. Tbn.
1 2
mp
26
Ob. 1
159
Ob. 2
Bn. 1 mp Bn. 2 1 Hn. 2
(a2)
Tpt.
1 2
A. Tbn.
Tbn.
B. Tbn.
H-bells.
Chorus I
Chorus II
-
-
-
bis
pa
-
Org.
p
-
no
na
-
-
na
-
-
no
-
-
-
-
-
-
-
cem,
pa
-
-
-
-
-
-
-
-
Do
Do
-
-
-
no
-
na
no
-
na
mp
mp
pp
-
cem,
cem,
Vln. I Vln. II
a2
bis
pa
bis
niente
-
-
cem,
-
Timp.
Do
pa
Perc.
-
bis
Do
mp
div.
Vla.
mp
div.
Vc.
Cb.
mp
mp
27
Fl. 163
Ob. 1
Ob. 2
Bn. 1
Tpt.
1 2
A. Tbn.
B. Tbn.
SI Solo
Chorus II
Org.
Vln. I Vln. II
Vla.
-
-
bis
bis
mf
mf
mf
-
-
-
na
no
-
-
-
na
Do
-
-
-
na
Do
-
-
-
na
pa
-
-
-
pa
-
-
no
-
-
no
-
-
-
-
-
-
-
-
no
-
-
bis
pa
-
-
-
-
-
-
-
-
-
-
-
bis
pa
-
-
-
-
-
-
bis
pa
-
-
-
-
-
cem,
cem,
cem,
cem,
cem,
cem,
mf
bis
mf
pa
-
mf
Do
mf
mf
Do
mf
mf
mf
Perc.
Timp.
T Solo
B Solo
S II Solo
mf
mf
Tbn.
(a2)
1 2
Bn. 2 Hn.
mf
mf
mf
mf
Vc.
Cb.
mf
mf
28
pp 167
Chorus I
Do
pp
Do
unis.
Chorus II
Timp.
p
A
-
-
na
no
-
-
-
-
-
bis
pa
-
-
-
-
-
-
-
-
-
-
-
-
na
no
-
-
-
-
-
bis
pa
-
-
-
-
-
-
-
qui
tol
-
i,
-
pp
gnus
De
gnus
De
-
Vln. I
Vln. II
pp
Vla.
pp
Vc.
p
p
qui
i,
tol
-
-
lis
pec
lis
pec
-
-
ca
-
-
ca
Org.
-
-
A
-
-
unis. p
p
p
ta
-
ta
-
p
p
pp
H-bells. 170
SI Solo
S II Solo
pp
Chorus cem, I cem,
Chorus II
Org.
mun
Do
-
mun
-
-
-
-
-
-
-
div.
unis.
Vla.
Vc.
-
na
no
-
-
bis
pa
-
-
-
cem,
Do
-
-
na
no
-
-
bis
di,
di,
Vln. I Vln. II
-
unis.
p
unis.
p
p
p
p
p
p
p
175
Ob. 1
H-bells.
S II Solo
T Solo
Chorus I
pa
Vln. I
-
p
-
gnus
De
unis. A
-
gnus
De
-
i,
p
-
-
Vln. I
-
-
-
-
Do
-
-
tol - lis
-
tol - lis
pec
bis
ca - ta
-
pa
-
-
-
bis
pa
-
-
pa
-
-
-
Do
-
-
-
na
no
-
-
-
bis
do
-
-
-
na
-
-
p
cem,
Do Do
-
-
-
-
-
-
no
na na
no
bis
pa
-
-
-
-
cem,
-
-
-
na
no
-
-
-
bis
pa
-
-
-
-
cem,
pp
pp
pp
p
pp
-
di
pp
pp
pp
pp
pp
div.
pp
p
-
-
-
bis
-
-
-
bis
pa
-
-
-
-
pa
-
-
-
-
pp
pp
p
p
p
pp
-
pp
-
-
no
pp
di
pp
pp
-
-
p
na
-
-
-
-
-
-
-
cem.
p
-
-
cem.
bis
mun
-
cem,
-
-
-
-
-
-
p
-
mun
no
ca - ta
-
na
pa
-
-
pa
p
-
bis
bis
pec
cem,
-
-
-
p
-
-
Vc.
-
Do
-
Vla.
-
p
Vln. II
qui
H-bells. S II Solo cem, T Solo pa B Solo no
qui
Bn. 1
-
i,
no
180
Cb.
-
na
-
no
-
-
na
Do
-
Do
-
p
no
-
na
-
-
cem,
Vc.
Chorus II
-
-
A
Vla.
Chorus I
-
unis. p
Vln. II
Bn. 2
-
29
Do
p
pp Chorus Do II pp Org.
p
SI Solo
p
Bn. 1
B Solo
Ob. 2
Bn. 2
pp
pp
pp
p
pp
30
185
1 Hn. 2
Tpt.
1 2
pp
Tbn.
B. Tbn.
H-bells.
SI Solo
Chorus I
pp
pp
cem,
B. Tbn.
S II Solo
Chorus I
Chorus II
Vla.
-
na
no
Do
-
-
-
na
no
-
-
Do
-
-
-
na
no
-
-
-
bis
pa
-
-
-
-
cem,
-
bis
pa
-
-
-
-
cem,
-
-
-
bis
pa
-
-
-
bis
pa
-
-
Do
p p
-
-
-
bis
pp
pa
-
do
-
-
-
-
-
na
-
no
-
-
cem,
-
bis
pp
pa
-
-
-
-
cem,
cem,
Vln. I Vln. II
H-bells. SI Solo
Tbn.
A. Tbn.
p
pp
1 2
cem,
188
Tpt.
1 Hn. 2
pp
Chorus Do na no II na no Do Vln. I pp Vln. II pp Vla. p Vc. Cb.
a2
A. Tbn.
Do Do
-
-
-
na
-
-
-
na
p
p p
Vc. Cb. div.
31
Fl.
191
Ob.
1 2
1 Bn. 2
Hn.
1 2
Chorus II
no
-
no
-
-
-
-
-
-
-
-
pa
-
-
-
-
-
-
-
pa
-
-
-
-
-
-
-
pa
-
-
-
-
-
-
-
pa
-
-
-
-
-
-
-
pa
-
-
-
-
-
-
-
-
bis
-
bis
Do
-
-
Do
-
-
-
na
no
-
-
-
na
no
-
-
-
pa
-
pa
-
-
-
-
-
-
-
bis
-
bis
cem,
cem,
unis.
Do - na
-
Do - na
-
unis.
no
no
4
bis
4
pa
-
pa
-
bis
ritard. molto
mf
unis.
Vc.
-
p
Vla.
-
Vln. I Vln. II
pa
cem,
mf
Perc.
Org.
pp
T Solo
Chorus I
p
S II Solo
B Solo
Tbn.
SI Solo
a2
A. Tbn.
H-bells.
1 Tpt. 2
B. Tbn.
ritard. molto
unis.
32
a tempo 194 Fl. Ob.
1 2
Bn.
1 2
Hn.
1 2
mp
1 Tpt. 2
Tbn.
mp
niente
pp
n
n
Timp.
Org.
n
cem.
- cem.
n
n
n
n
pp
a tempo
div.
p
p
div.
Vla.
Vln. I Vln. II
- cem.
n
cem.
Perc.
niente
cem.
cem.
Chorus II
niente
Chorus I
cem.
B Solo
niente
cem.
T Solo
SI Solo S II Solo
niente
niente
p
niente
H-bells.
niente
A. Tbn.
B. Tbn.
div.
div. a3 Vc. arco Cb. div.
p
p p