Aaron Jay Kernis
a Voice, a Messenger (2010-2012) a concerto for trumpet (also playing flugelhorn and piccolo trumpet) with an orchestra of Winds, Brass, Percussion, Double Basses, Harp and Piano
Revised edition – April 15, 2014 AJK Music (BMI) All rights administered by Associated Music Publishers, Inc. (BMI) throughout the World.
Written for Philip Smith, in celebration of his three decades with the New York Philharmonic; and in recognition of the generous and ongoing commitment to the creation of music of our time by that great orchestra and the distinguished Big Ten Band Association IN MEMORY OF MICHAEL KERNIS (1955-2009)
The commissioning of Aaron Jay Kernis's a Voice, a Messenger by the New York Philharmonic was made possible with a generous gift from Marie-JosĂŠe Kravis, and with major support provided by the Francis Goelet Fund. Co-commissioned by the Big Ten Band Directors Association whose member schools include the University of Illinois, Indiana University, the University of Iowa, the University of Michigan, Michigan State University, the University of Minnesota, Northwestern University, Penn State University, Purdue University, the Ohio State University, and the University of Wisconsin.
INSTRUMENTATION 4 Flutes (Fl. 3 and 4 doubling Piccolo) 3 Oboes (Ob. 3 doubling English Horn) 5 Clarinets in Bb (Cl. 2 doubling Eb Cl, Cl. 3 doubling Bass Cl., Cl. 4 doubling Bass Cl., Cl.5 doubling Contrabass Cl.) 3 Bassoons (Bsn. 3 doubling Contrabassoon) 4 Horns in F 3 Trumpets in C (parts for 2 additional trumpets for the final 3’ of the work are found in an appendix to the score) 2 Trombones 1 Bass Trombone 1 Euphonium 2 Tubas 3 Double Basses Harp Piano Timpani 5 Percussion Duration – I. Morning Prayer - circa 3:45” II. Timbrel Psalm – circa 4:00” III. Night Prayer – circa 7:00” IV. Monument – Tekiah, Teruah – circa 7:30” Total time circa 23”
Conductor’s Note: At the end of the 4th movement, at measure 96, Trumpets 1 and 2 cease playing within the orchestra and move gradually, as quietly as possible into position on the front of the stage on either side of trumpet soloist. It’s best if they could complete this move by m. 103, but if it takes longer, it’s important that they not be in motion during the quiet music in mm. 104-107 or during the cadenza at m. 123-4. Trumpet 1 should be to stage right of the soloist, Trumpet 2 to stage left. Their preferred position would allow room between the trumpets for both visual and sonic separation, creating a visual. They can be in one of three preferred positions, the first being near the outer edge in each side of the orchestra.: Trumpet 1
Soloist Trumpet 1
Trumpet 2
Soloist
Trumpet 1 Soloist
Trumpet 2 Trumpet 2
Percussion Scoring Perc. 1 Glockenspiel Low, Medium, High Suspended Cymbals Small, Medium Crash Cymbals 2 High Triangles 2 Tin Cans Conga Bongos Claves Tamborine Maraca Rasp Medium Woodblock Perc. 2 Crotales Medium Steel Drum Medium, High Suspended Cymbals High Triangle 7 Tom-Toms 2 Medium Woodblocks 2 Very High Wood Blocks Snare Drum Perc. 3 Vibraphone Xylophone Small, Medium Crash Cymbals High Triangle Piccolo Snare Drum Medium Lion’s Roar Pedal Bass Drum Medium Woodblock Bamboo Wind Chimes Dumbek Perc. 4 Marimba Chimes Large Suspended Cymbal Large (Low) Tam Tom; 2 (high, med, high) pieces of Metal Thunder Sheet 2 Triangles Tenor Drum Bongos Medium, High Woodblock Perc. 5 Xylophone Medium Tam-Tam Snare Drum High Woodblock Tambourine
Large Crash Cymbals High Triangle Bass Drum 5 Tom Toms Maraca
in memory of Michael Kernis (1955-2009) written for Philip Smith, in celebration of his three decades with the New York Philharmonic; and in recognition of the generous and ongoing committment to the creation of music of our time by that great orchestra and the distinguished Big Ten Band Association
a Voice, a Messenger Aaron Jay Kernis (2010-2012) Freely and expressively e = 72-84
I. Morning Prayer
a tempo
rit.
Flute 3 (Picc. 2)
Flute 4 (Picc. 1)
Clarinet 2 in Bb (Clarinet in Eb)
Clarinet 3 in Bb (Bass Cl. 2 in Bb)
Clarinet 4 in Bb (Bass Cl. 1 in Bb)
Clarinet 5 in Bb (Contrabass Cl. in Bb)
Flute 1
Flute 2
Oboe 1
Oboe 2
Oboe 3 (English Horn)
Clarinet 1 in Bb
Bassoon 1, 2
Bassoon 3 (Contrabassoon)
Freely and expressively e = 72-84 Solo Trumpet in C
Horn 1, 2 in F
Horn 3, 4 in F
Trumpet 1 in C
Trumpet 2 in C
Trumpet 3 in C
Trombone 1
Trombone 2
Bass Trombone
Euphonium
Tuba 1,2
Double Bass 1-3
pp
mp
,
pp
Timpani
Percussion 1
Percussion 2
Percussion 3
Percussion 4
Percussion 5
e = 72
mfp
p
mf
p
mf
p
mp
pp
p
pp
rit.
Harp
poco 5 5 7 , 6 poco
Freely and expressively e = 72-84
Piano
a tempo
rit.
* grace notes always before the beat
e = 72
a tempo e = 72
© 2013 by AJK Music Administered Exclusively by Associated Music Publishers, Inc. (BMI) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
2
6
Picc. 1
Picc. 2
Fl. 1
Fl. 2
Ob. 1
Ob. 2
E. H.
Cl. 1
Cl. 2
Cl. 3
Bsn. 1, 2
Bsn. 3
Hn. 2
Hn. 4
mp
3
mp
3
p
mp
fp
f
mp
pp
pp
p
p
C Tpt. 2
C Tpt. 3
Tbn. 1
B. Tbn.
Euph.
Db. 1-3
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
con sord.
p
mf
p
mp
pp
pp
p
p
con sord.
con sord., tongued
6
mf
Tbn. 2
p
C Tpt. 1
con sord.
pp
con sord.
pp
poco f
con sord., solo
mf, espr.
mf
3
6
mf
p
mp
6
3
mp
Solo
p
p
mp
Solo
3
fsf
Hn. 3
3
p
f
Hn. 1
3
Solo C Tpt.
6
mf
p
1, 2 pp
mf
mp
3. pizz. mp
Triangle
p
3 Poco meno e = 69
Freely 12
Picc. 1
Picc. 2
Fl. 1
Fl. 2
Ob. 1
Ob. 2
E. H.
Cl. 1
Cl. 2
Cl. 3
Bsn. 1, 2
Bsn. 3
mf, espr.
6
p
6
mf
mp
p
mp
p
mp
p
mp
p
mp
mp
p
p
mp solo
p
mp
p
p
mp
Picc. 1 to Fl. 4
p
Hn. 2
Hn. 3
Hn. 4
mp
rit.
Heavy, with urgency q = 66-69
3
C Tpt. 2
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Db. 1-3
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
senza sord.
f
mf
mf
f
fsf
fsf
fsf
fsf
senza sord.
fsf
fsf
3
fsf
f
mf
mf
f
fsf
fsf
mf
mf
f
f
mf
mf
sord.
senza sord.
pp
Freely
Hp.
f
mf
f
mf
f
C Tpt. 1
C Tpt. 3
mf
mf
6
p
Hn. 1
Poco meno e = 69
f
mf
p
6
mp
mf
Picc. 2 to Fl. 3
mf
mp
Heavy, with urgency q = 66-69
p
Freely
Solo C Tpt.
mfp
rit.
Poco meno e = 69
mf
rit.
f
mf
Heavy, with urgency q = 66-69
f
mf
f
mf
4
20
Fl. 2
Fl. 3
Fl. 4
Fl. 1
Ob. 1
Ob. 2
E. H.
3
sfp
3
sfp
3
sfp
f
f
E. H. to Ob. 3
f
mf
mf
Ob.
mf
Cl. 5
B. Cl.
Cl. 1
Cl. 2
Cl. 3
Bsn. 1, 2
Bsn. 3
6
Solo C Tpt.
Hn. 1
Hn. 2
Hn. 3
Hn. 4
sfp
sfp
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
fp
fp
3
f molto
f
pp
6
senza sord.
f
pp
pp
f
pp
f
f-mf
f
pp
B. Tbn.
Euph.
mp
1.
mf
mf-p
6
6
mf
3
mf
p
3
f
mf
f
f
f
Db. 1-3
Timp.
Perc. 2
Perc. 3
Perc. 4
Perc. 5
Perc. 1
f
f
3
6
6
f-mf
mf
mf
3
f
mf-p
mf
mf-p
f
f
6
3
f molto
mf
mf
Tbn. 2
Tuba 1, 2
pp
mf
f
6
mf
3
6
fp
3
solo, senza sord.
sfp
mf
5
25
Fl. 1
3
Fl. 3
Fl. 4
p
f
f
f
3
p
f
3 mf
f
3
Hn. 1
3
p
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
6
3
B. Tbn.
p
6
Perc. 1
3
3
3
3
6
6
3
f
6
3
f
p 3
mf
3
p
con sord.
3
3
p
Med. Sus. Cym.
f
pp
3
f 3
mf
p
p
f
con sord.
f
a3, pizz.
a2
mf
broadening slightly
3
3
3
3
mf
Timp.
6
3 3
3
3
broadening slightly
Tuba 1, 2
3 6 6
3
6
3
mf 6
più f
6
3
f
6 p 6
3
p
6
6
Euph.
Db. 1-3
1.
B. Cl.
f
f
Tbn. 2
mf
fp
p
3
6
f
f
mf
Bb Cl.
f p
6
p
p
p
f
6
3
mf
fmf
p
6
3
6
1.
6
Hn. 4
Hn. 3
Hn. 2
fp
fp
Solo C Tpt.
fp
fmf
Bsn. 3
Bsn. 1, 2
fp
3
mf
fp
f-mf
p
6
mf
p
p
mf
B. Cl.
mf
3
6
Cl. 5
3
fp
Cl. 3
Cl. 2
3
3 3
3
mf
fp
Cl. 1
p
Ob. 3
p
fp
Ob. 2
Ob. 1
f
broadening slightly
Fl. 2
3
mf
f
f
f
f
f
f
Perc. 2
Perc. 3
Perc. 4
Perc. 5
6
29
Fl. 1
Fl. 2
Meno - sostenuto q = 58
f
f-p
Fl. 4
Ob. 1
Ob. 2
Ob. 3
Cl. 1
Cl. 2
f-p
f-p
f
Cl. 5
B. Cl.
Bsn. 1, 2
Bsn. 3
f sfp
Hn. 2
Hn. 3
Hn. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tuba 1, 2
Db. 1-3
f
3
f sfp
con sord.
3
3
mf 3
3
mf
(sord.)
mf con sord.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
3
mf
f
3.pizz. sf
p
f
f
f
fp
f
f-mf
f-mf
fp
f
fp
p
ff
5
5
ff
ff
ff
ff
ff
ff
fp
f
sf
3
3
3
6
ff
p
5
p
f
5
5
f
ff
Vib.
f
Tri.
f
ff
5
f
mf
mf
ff
ff
ff
a3, arco
f 6
5
f
5
p
Ancora meno q = 56
f
Snare Drum
p
5
Bass Drum hard mallets
f
10
pp
ff
5
p
f
f
5
p
5
p
f
p
Ancora meno q = 56
sfp
ff
ff
f
sfp
mf
ff
5
p
ff
f
f f
f-mf
f
p
5
f-mf
f fp
5
3
p
5
f
f sfp
1.2. arco
5
3
Fl. 4 to Picc. 1
ff
5
f
6
f-mf
f sfp 2.
5
f
6
5
f
f molto
f
3
Meno - sostenuto q = 58
Timp.
5
5
p
5
Ancora meno q = 56
ff
f
3
f
mf
6
p
ff
5
ff
p
ff
f
mf
f
f
f
f
f molto
Hn. 1
Meno - sostenuto q = 58
Solo C Tpt.
f
sf
sf
f
f-p
f
sf
3
f
f
f-p
f
f-p
f
f-p
f
f-p
f
Cl. 3
f
f
f
f
f-p
f
f-p
f
f
f
Fl. 3
f
7
35
Picc. 1
Fl. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
Ob. 3
Cl. 1
Cl. 2
Cl. 3
Cl. 5
Bsn. 1, 2
Bsn. 3
Solo C Tpt.
Hn. 1
Hn. 2
Hn. 3
Hn. 4
C Tpt. 1-2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Db. 1-3
Pno.
Timp.
Perc. 1
ff
ff
ff
ff
ff
ff
ff
ff
fp
mf
f
f
fp
mf
f
mf
fp
mf
mf
fp
Cl. 2 to Eb Cl.
mf
fp
ff
ff
fp
mf
mf
fp
fp
f
ff
f
f
f
f
f
Bsn. 3 to Cbn.
poco allarg. A touch slower
ff
5
(sord.)
(sord.)
senza sord.
3 f
f
mf
p
f
p
p
f
f
f
3
f solo
ff 3
3
3
3
3
solo f
f
ff
Perc. 3
Xylo.
mf
Chimes
f
f
6
5
mf
f
3
f
poco allarg. A touch slower f
sf
mf
f
6 tongued
fp
3
3
3
5
f
f
f
fp
f
f
mf
ff
mf
ff
ff
f
fp
ff
mf
Perc. 2
Perc. 5
Perc. 4
ff
f
Glock.
ff
ff
ff
solo
ff
ff
ff
poco allarg. A touch slower ff
8
42
Picc. 1
Fl. 1
Fl. 2
Fl. 3
ff
3
mf
p
6
6
3
Bsn. 1, 2
Cbsn.
p
ff
Solo C Tpt.
Hn. 1
Hn. 2
Hn. 3
C Tpt. 1-2
C Tpt. 3
sfp
f
ffsf
ff
f
p
p
p
f
f
p
f
fltng.
mf-p fltng.
mf-p fltgn.
mf-p
ord.
ff ord.
ff ord.
Db. 1-3
Pno.
Timp.
Perc. 1
Perc. 2
Perc. 3
Med. Sus. Cym.
Perc. 4
Perc. 5
p med. mallets
ffsf
f
ffsf
ff
ffsf
p
ffsf
p
p
3
ffsf
snare sticks
ff
3
a2
p
ffsf
p
3
ffsf
3
3
legato
3
ff
3
3
3
3
f
ff
a2
sfp
sfp
via sord.
f
3
f
f
legato
3
legato
3
3
legato f
senza sord.
p senza sord.
3
p
3
ffsf
p
3
ffsf
p
3
ff
ff
legato
ff
3
3
3
3
ffsf
3
3
ff
3
ff
3
3
3
ffsf
3
p
3
p
fsf
p
3
sfp
ff
ff
f
ff
ffsf
sfp
ffsf
ffsf
f
f
ffsf
ffsf
f
3
p
5 f f ff f ff
3
ffsf
ffsf
Più mosso q = 80
ff
3
p
ffsf
3
3
3 p ffsf
ffsf
3
p
3 ff
ff
p
ff
ff
sfp
3
ff
Più mosso q = 80
f
ffsf
sfp
ff
3
ff
f
p
3
f
3
3
ff
f ff sfp f ff
ffsf
ffsf
legato
f
3
ff sfp
f
f
3
ffsf
ffsf
ffsf
p
fsf
p f ff Hg. Wd. Bl.
Sn. Dr.
p
p
Xylo.
ff sf
f
3
f
Picc. Sn. Dr.
p
p
p
ffsf
3
ffsf
ffsf
p
p
p
ffsf
ffsf
3
p
3
ffsf
f ff sfp f ff sfp f ff sfp Fl. 3 to Picc. 2 f ff
3
3
3
p
3
ff
pp
p
p
a3
pp
Low Tom Tom
ffsf
3
ffsf div.
f
p
ff
ffsf
p
ff
f
p
(non fltng.)
f
Tuba 1, 2
ffsf
f
Euph.
(fltng.)
B. Tbn.
ffsf
ffsf
Tbn. 2
Tbn. 1
Hn. 4
ff
f
3
ff
mf
B. Cl.
Cl. 5
ff
p
Cl. 3
ff
sfp
Cl. 1
Eb Cl.
3
sfp
ff
Più mosso q = 80
3
sfp
Ob. 3
6
f
Ob. 2
Ob. 1
p
p
3
sf
ff
Bongos
sf
ff
p
f
f
ff
9
47
Picc. 1
Picc. 2
Fl. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
Ob. 3
Tranquillo q = 48 f
sfp
6
sfp
ff
ff
sfp
ff
to E.H.
ff
sfp
ff
sfp
ff
5
Eb Cl.
f
Cl. 1
sfp
Cl. 2
ff
Cl. 3
ff
sfp
ff
sfp
Cl. 5
B. Cl.
Eb Cl. to Bb Cl. 2
Cl. 5 to Cb. Cl.
Cbsn.
Hn. 3
Hn. 4
C Tpt. 1-2
sfp
sfp sfp
Tbn. 1
Tbn. 2
Tranquillo q = 48
pp
mf
p, sotto voce, poco tenuto
f
6
ff
pp
p, sotto voce, poco tenuto
p, sotto voce, poco tenuto
p, sotto voce, poco tenuto
Medium Tam Tam
p
pp
ff Xylo.
High Tri.
3
ff
p, sotto voce, poco tenuto
con sord.
p, sotto voce, poco tenuto
pp
p, sotto voce, poco tenuto
p, sotto voce, poco tenuto
6
p, sotto voce, poco tenuto
p, sotto voce, poco tenuto
Crot.
p
p, sotto voce, poco tenuto
ff l.v.
hard mallets
High Sus. Cym.
p, sotto voce, poco tenuto
Perc. 5
Perc. 4
Perc. 3
Perc. 2
Perc. 1
Euph.
Timp.
Hp.
Pno.
legato
Db. 1-3
mp
p, sotto voce, poco tenuto
ff
3
ff
B. Tbn.
Tuba 1, 2
con sord.
ff
f 2. harmon mute - stem in
ff
Tranquillo q = 48
ff
Hn. 2
p, sotto voce, poco tenuto
Hn. 1
p, sotto voce, poco tenuto
E. H.
Bb Cl.
p, sotto voce, poco tenuto
p, sotto voce, poco tenuto
p, sotto voce, poco tenuto
p, sotto voce, poco tenuto
Solo C Tpt.
p, sotto voce, poco tenuto
Bsn. 1, 2
p, sotto voce, poco tenuto
ff
ffp
Picc. 2 to Fl. 3
sfp
ff
p
mf
Glock.
Vbr.
Chimes
p
p
mp
Crot.
coperto
mp
ppp
mp
mp
10
54
Picc. 1
Fl. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
Cl. 2
Cl. 3
Bsn. 1, 2
Hn. 1
C Tpt. 1-2
Perc. 2
Perc. 3
Perc. 4
Perc. 5
mf
p
ppp
pp
p
mp
mp
mp
mp
p
mp
rit.
mp
p
p
mp
p
mp
mp
mp
p
mp
p
mp
p
mp
mp
solo
poco mf
mp
rit.
mp
mp
mp
mp
mp
poco mf
rit.
loco
p, sotto voce, poco tenuto
Euph.
Perc. 1
3
B. Tbn.
Timp.
Hp.
3
Hn. 4
Pno.
Db. 1-3
p
fsf
Tuba 1, 2
Tbn. 2
Tbn. 1
Hn. 3
Hn. 2
Solo C Tpt.
Cb. Cl.
Cbsn.
B. Cl.
Cl. 1
Eng. Hn.
11
62
Picc. 1
Fl. 1
Fl. 2
p
p
Ob. 1
Ob. 2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
mf
B. Cl.
Cb. Cl.
Bsn. 1, 2
pp
mp
pp
p
pp
Hn. 2
Hn. 3
Hn. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
pp
pp
Poco meno
pp
mp
p
p
Euph.
p
p
pp
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
p
pp
3
3
3
3.
pp
5
pp
dim.
3
dim.
dim.
dim.
3
pp
dim.
1-2 p
ppp
pp
pp
pp
3
dim.
dim.
dim.
pp
dim.
pp
pp
dim.
3
dim.
attacca
p
con sord.
pp ma sentito
pp
3 poco rall.
3
pp
dim.
attacca
ord.
3. pizz. pp
pp
pp
pp
3
dim.
pp
mp
dim.
3
pp
Poco meno
p
pp dim.
pp
dim.
dim.
dim. poco rall. 6 5
p
pp
p
pp
pp
dim.
a2
3
senzs sord.
dim.
pp
p
pp
p
Pno.
pp
3
dim.
p
pp
p
Db. 1-3
3
pp
1.
Tuba 1, 2
3
p
pp
p
B. Tbn.
pp
3
p
Tbn. 2
p
pp
3
pp
p
mp
3
dim.
pp
3
p
pp
3
dim.
pp
pp
Hn. 1
dim.
pp
pp
pp
pp
dim.
attacca
poco rall.
p
Solo C Tpt.
pp
p
p
Cbsn.
pp
p
pp
pp
p
Fl. 3
Poco meno
II. Timbrel Psalm
12 Fast, rhythmic h = 76, q = 152
Flute 3 (Picc. 2)
Flute 4 (Picc. 1)
Clarinet 2 in Bb (Clarinet in Eb)
Clarinet 3 in Bb (Bass Cl. 2 in Bb)
Clarinet 4 in Bb (Bass Cl. 1 in Bb)
Clarinet 5 in Bb (Contrabass Cl. in Bb)
Bassoon 3 (Contrabassoon)
Solo Trumpet in C
Flute 1
Flute 2
Oboe 1
Oboe 2
Oboe 3 (E. H.)
Clarinet 1 in Bb
Bassoon 1, 2
pp
pp
Trumpet 1, 2 in C
Trumpet 3 in C
Trombone 1, 2
Bass Trombone
Euphonium
Tuba 1, 2
Double Bass 1
Double Bass 2
Double Bass 3
Harp
Timpani
Percussion 1
Percussion 2
Percussion 4
Percussion 5
straight mute 3
mp, legg.
con sord.
con sord.
mf
3
* harmonics are written at sounding pitch
* harmonics are written at sounding pitch
* harmonics are written at sounding pitch
3
hard. mallets
mf
pp, legato
mfp
mf III
mf
mf
mf
III
mf
p mp Mar. soft mallets p
mfp
mf II
p
mf
IV
mf III
mfp
III
II III IV
3
p
IV
mf
I
Crot.
III
II
hard. mallets
IV* arco
III
Glock.
f
p II*
prepare piano with sheets of paper placed under the dampers from D a seventh below middle C to C two leger lines up in treble clef
III*
Vib. med. mallets
Percussion 3
Fast, rhythmic h = 76, q = 152
Piano
pp
pp
Horn 3, 4 in F
Fast, rhythmic h = 76, q = 152
Horn 1, 2 in F
pp mf Tri. mf
prepare harp with sheets of paper from A a third below middle C to G four leger lines up in treble clef
fade out
Tamb. thumb roll
mp
p
13
11
Fl. 2
Fl. 3
Ob. 1
Ob. 2
Ob. 3
Cl. 1
Bb Cl.
Picc. 1
Fl. 1
Cl. 2
Cl. 3
pp
pp
p
pp
3 Solo C Tpt. 3 3
Tbn. 1, 2
B. Tbn.
C Tpt. 1
C Tpt. 2
C Tpt. 3
Hn. 3, 4
Euph.
Db. 1
Db. 2
Db. 3
Pno.
Hp.
Timp.
Perc. 1
III
IV
III
f
f
IV
III
f
II
3
3
IV
III
p, legato IV
p, legato
p, legato
II
I
3
f
f II 3
II
(sord.)3.
p
p
mf
I III II 3
3
mf
III
III
(sord.)
IV
IV
sf III
p
sf
p
sf
f
p
(prepared with paper)
mp
Perc. 2
Perc. 3
Perc. 4
Perc. 5
p
pp
3
Hn. 1, 2
3
pp
3
3
3
poco f
pp
Cl. 5
3
cresc.
pp
Cl. 4
Bsn. 3
p
p
Bb Cl.
pp
Bsn. 1, 2
Glock. hard mallets
p
pp
f poss.
D# C B E F G# A
14
19
Picc. 1
Fl. 1
(2+3+2)
mp
Fl. 2
Fl. 3
Ob. 1
Ob. 2
Ob. 3
Cl. 1
p
sfp
mp-p
mf
sfp
poco sfp
sfp
sfp
sfp
sfp
mp-pp
sfp
poco
poco sfp
sfp
poco sfp
sfp
sfp
sfp
mp-p
sfp
sfp sfp
mp
sfp
sfp
sfp
mp-pp
Cl. 3
mp-pp
Cl. 2
mp-p
sfp
mp-p
mf
mp
mf
mf
mf
Solo C Tpt.
sord. con
(2+3+2)
Cl. 4
Cl. 5
Bsn. 1, 2
Bsn. 3
Hn. 1, 2
Hn. 3, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1, 2
B. Tbn.
Euph.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
(2+3+2)
p
sfp
poco sfp
sfp
sfp
sfp
pp
con sord.
con sord. pp
mp
mf
sf-p
mf
p
p, marc.
p, marc.
p, marc.
(prepared with paper)
f secco, marc.
ff
sim.
f
mp
D# C Bb E F# G# A
Crot.
p
Vib.
p
mp
mf
p
Bb Cl.
mp
mp
1.
Med. Steel Drum f mp
15
30
Fl. 2
Fl. 3
Picc. 1
Fl. 1
Ob. 1
Ob. 2
Ob. 3
mp
p
Ob. 3
poco f, cant.
mp
p
mp
f
mf
f
marc.
f
Solo C Tpt.
p
p
f
Cl. 5
mp
mf
Bsn. 3
p
f
1.
Bb Cl.
p
mf
mp
p
Cl. 4
Bsn. 1, 2
f
Cl. 3
f
Cl. 2
f
Cl. 1
mf
1.
f
Hn. 3, 4
C Tpt. 1
Tbn. 1, 2
B. Tbn.
Hn. 1, 2
C Tpt. 2
C Tpt. 3
Euph.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
f
sf
f
Claves
f
Vib.
f hard mallets
Xyl.
mf Mar. medium hard mallets
f
harmon mute, stem extended pp
mp
p
mf pp harmon mute, stem extended
Med. Wd. Blk.
mf
mf
mf
p
mf
(sord.)
pp
mf
f
mf f
mf
16
39
Picc. 1
Fl. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
Ob. 3
Cl. 1
Cl. 2
Cl. 3
Cl. 5
Bsn. 1, 2
mp p
mp
mf
mf
p sf
mp
p
p
f
mf
f
mp
Solo C Tpt.
p
p
poco f
C Tpt. 1
C Tpt. 2
Hn. 1, 2
Hn. 3, 4
C Tpt. 3
1. f 3.
mf
f
p
p
p
3 3 3 3
p
open
open
mf, legg.
mp f 3. mf
sf
f
mf
f
f p sf
f
mp, stacc. f mp, stacc.
mp, stacc.
f
mp, stacc.
Bsn. 3
f
mp, stacc. f
mf
f
f
mf
mp
f
p sf
f
f
mp, stacc.
f
mf
mf
mf
mf
f
f
sf
f
Tbn. 1, 2
B. Tbn.
Euph.
Db. 1
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
f
Triangle p
2 High Tin Cans
Crot.
mf
p
Tamb.
2 very small Wd. Blks.
mf f
mp
f
p
mf f mf
pizz.
f
f
Tamb.
mp
17
48
Picc. 1
mp f mp f
Fl. 1
Fl. 2
Fl. 3
mp
mp
Ob. 3
Eb Cl.
Cl. 2
Solo C Tpt.
Hn. 3, 4
C Tpt. 1
Cl 2 to Eb Cl.
Cl. in Eb
mf
3
f
f
f
Bsn. 3
mute out
2. con sord.
f marc. senza sord.
Tbn. 1
Tbn. 2
B. Tbn.
Db. 2
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
f
Pno.
pizz.
f
f poss.
D C B Eb F G A
mf
mf
Ped. B.D.
fsf, secco
mf
f
fsf
sf
Bongos
mf
Med. Lions' Roar
mp
f
mp
3
5
f
Sm. Cr. Cym
f
remove paper from harp
Med. Wd. Blk.
f
mf f
3 3 3 ff
Steel Drums
f
f marc.
f
3
sf sfpp
3
f
f
Db. 1
f
senza sord.
Euph.
f
mf 3., 4. con sord. mf
f
C Tpt. 3
3
C Tpt. 2
3
mp f 4. senza sord. mf f
f
3 3 3 3 3 3 3 3 3 3 f
mp
f
f
f
f
f
3
Hn. 1, 2
f
mp
a2
Bsn. 1, 2
f
mp
Cl. 5
Cl. 4
f
mp
Cl. 3
f
mp f
Cl. 1
f
Ob. 2
f
Ob. 1
Bsn. 3
Fl. 3 to Picc. 2
plates brushed together
mf
Xylo.
f
18 (3+2)
55
Picc. 1
f sf sf sf sf
Picc. 2
Fl. 1
Fl. 2
Cl. 3
C Tpt. 2
st. mute
C Tpt. 3
con sord.
Tbn. 1
Tbn. 2
Euph.
Db. 1
Db. 2
f
mf
mf
mf
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 5
f
sf
sf
sf
f
sf
f
sf
f
sf
Bb Cl.
sf
sf
sf
sf
sf
fsf
sf
(3+2)
2.
fsf
fsf
3
f
p
3
p sub., legato
f
p sub., legato
3
p sub., legato
3
p
3
p
3
p
3
mf
f
1. sord.
3
p
f
3.
p
3
f
3
3
3
f
sf
p f
sf
f, energico
3
p f p
3
f
sf
1.
p f
sf
sf
f, energico
p f 3 sf mf p f
p f
sf
sf
f
sf
f
sf
sf
sf
sf
fsf
fsf
fsf
fsf
sf
sf
sf
3
p
f
f
ff
one Maraca
Rasp
f
f
High Tri.
f
Med. Wd. Blk.
Glock.
f
mf f rub the cym. plates together
p
f
Tin Cans
f
ff
Crot.
Mar.
Perc. 4
(3+2)
Pno.
sf
f
sf
f
mf
f
sf
sf
f
f
f
f
sf
f
sf
mf
mf
mf
mf
mf
f
sf
1. sf
2.
sf
sf
con sord.
con sord.
mf
B. Tbn.
1. senza sord. f
C Tpt. 1
Hn. 3, 4
Cl. 5
Hn. 1, 2
Cl. 4
Cl. 1
Eb Cl.
Ob. 3
Solo C Tpt.
Ob. 2
Bsn. 3
f
Ob. 1
Bsn. 1, 2
mf
f
one Maraca
mf
f
mp thin triangle
Mar.
f
Med., High Sus. Cyms. beaters (or hard beaters)
p
p
f
3
p
f
p
Xylo.
p
19
62
Picc. 1
Picc. 2
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Ob. 3
Eb Cl.
Cl. 1
Cl. 3
Cl. 4
Cl. 5
Bsn. 1, 2
Bsn. 3
sf
f
sf
sf
sf
sf
sf
sf
fsf
3
3
sf
6
ff
ff ff
sf
f
p
sf
3
sf
sf
3
sf
sf
3
3 3 3 p
sf
sf
Eb Cl. to Bb Cl. 2
p
3
sf
sf
f
p
sf
sf
sf
sf
3
sf
Picc. 1 to Fl. 4
sf
sf
3
ff
sf
ff
6
sf
ff
6
fsf
fsf
sf
sf
p
ff
3
3
6
Picc. 2 to Fl. 3
3
Poco meno mosso h = 72
ff
6
fsf
3
6 fsf ff
fsf
sf
sf
sf
3
3
p
sf sf
fsf
Bsn. 3 to Cbsn.
sf
3
fsf
Poco meno mosso h = 72
Solo C Tpt.
Hn. 1, 2
Hn. 3, 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
con sord.
con sord.
(sord.)
p , legato
p , legato
Euph.
Db. 1-3
Tbn. 1
Tbn. 2
B. Tbn.
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
senza sord.
. 3. con sord., 4. stopped
3
3
3
3
3
3
6
f
(fingered gliss., not lipped)
6
6
f
(fingered gliss., not lipped)
p 6
6
f
sfzp
D C Bb E F Gb A
Triangle
Drums Steel
f
f
to soft mallets 6 mp mf più f f 6
f
3
sfp
f
Poco meno mosso h = 72
sfp tutti pizz.
3
sfp
ff loco
poco f, legato, cantando
3
3
poco f, legato, cantando
p senza sord.
sfzp
senza sord.
p
6
(fingered gliss., not lipped)
senza sord.
senza sord.
mf
6
sf
6
6
5
p
Vib.
fsf
6
6
6
mp
20
66
Fl. 1
f
Fl. 4
Ob. 1
Cl. 1
3
3
3
Cl. 4
Cl. 5
3
3
mp
3
3
3
3
mp
3
legato
3
mp
3
mp
legato
3
p
5
5
5
6
5
5
5
5
3
6
mf
Bb Cl. 2
3
p
3
p
3
p
p
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
legato
B. Tbn.
Euph.
Db. 1-3
Pno.
3
mp
6
3
mp
legato
Hp.
mp
legato
6
f
6
6
6
6
6
6
mf
6
6
6
Perc. 2
Perc. 3
Perc. 4
Perc. 1
Perc. 5
6
6
6
6
6
6
6
6
6
mf
p
6
Timp.
3
3
C Tpt. 1
6
f
3
p
3
3
Solo C Tpt.
3
5
3
5
3
Cbsn.
Hn. 3, 4
3
Cl. 3
Hn. 1, 2
f
Bsn. 1, 2
f
Ob. 3
Cl. 2
f
Ob. 2
Fl. 3
5
f
Fl. 2
6 6
mp
f
6
21
70
Fl. 1
Fl. 2
Fl. 3
Fl. 4
Ob. 1
Ob. 2
p
p
p
Cl. 1
6
3
3 3
3
mp
3
3
Bsn. 1, 2
3
3
Solo C Tpt.
poco f
Hn. 3, 4
C Tpt. 1
C Tpt. 2
3
f
3
3
3
mf
p
mp
mp
mp
3
Tbn. 1
Tbn. 2
B. Tbn.
poco f
f
6
mp
mp
3
3
3
p
p
3
p
p
Tuba 1, 2
Db. 1
Db. 2
mp
Pno.
6
6
p
f
6
6
6
6
6
6
mp
6
6
6
Perc. 2
Perc. 3
Perc. 4
Timp.
Perc. 1
6
Perc. 5
Hp.
6
6
6
6
6
6
6
6
p mp mf mf 6
Db. 3
Euph.
3
p
3
6
3
3
3
p
3
mp
6
6
p
f
3
3
f
3
6
cup mute
C Tpt. 3
3 3
3
p
Cbsn.
Hn. 1, 2
3
Cl. 5
3
3
mp
Cl. 4
6 6
p
Cl. 3
p
p
Ob. 3
Cl. 2
6
6
6
f
22
74
Fl. 1
mf
Fl.
Ob. 1
f
p
mf
mp
p
Cl. 3
Cl. 5
Bsn. 1, 2
Cbsn.
Solo C Tpt.
Hn. 1, 2
6
pp senza sord.
pp senza sord.
Tbn. 1
Tbn. 2
B. Tbn.
pp
Perc. 1
6
mf
f
( mf )
3
6
mf
6
6
mf
3
6
mf
mf
3
p
mp
p via sord.
mp
p
6 6
6
mp
mp
p
mp
6
p
mp
p
mp
p
mp
p
6
6
6
6
6
(tremolo with two hands)
mf
3
p
f
p
con Ped.
6
6
6
6
Db C B Eb Fb G Ab
D# C Bb E F G A#
pp
mp
Perc. 3
Perc. 4
6
6
3
Med. Sus. Cym.
6
Perc. 5
f
arco
Perc. 2
3
mp
mf
p
mf
mf
Timp.
f molto
6
3
mf
p arco
mf
(pizz.)
Hp.
6
mp
p
Pno.
6
mf
6
6
p
Db. 3
3
sord. senza
Db. 2
mf
mf
6
mp
mf
pp
Db. 1
mf
pp
Tuba 1, 2
6
mf
6
mp
pp
Euph.
mf
C Tpt. 3
3
mf 3. senza sord.
6
f
3
mp
p
mf
6
3
6
6
6
f
6
6
3. via sord.
mf
f
C Tpt. 2
6
pp
C Tpt. 1
f
mf
Hn. 3, 4
pp
3
3
6
6
f
p
f
f
6
mp
f
mf
6
3
3
6
mf
mf
p
mf
3
Cl. 4
mf
6
3
mf
6
6
6
6
6
p
Cl. 2
6
p
Cl. 1
Ob. 3
Fl.
Ob. 2
f
f
6
mf
Fl. 4
f
6
Fl. 3
6
Fl. 2
p
Low Sus. Cym.
mf
mp
pp
Steel Drums
Vib.
p
mf
Mar.
mf
23
78
Fl. 1
p Fl. 3 to Picc. 2
Fl. 3
Fl. 4
Fl. 4 to Picc. 1
p
Ob. 1
Ob. 2
pp Ob. 3 to E. H.
Cl. 1
Bsn. 1, 2
1.
Solo C Tpt.
Hn. 1, 2
p
Tuba 1, 2
Db. 1
Db. 2
Db. 3
Pno.
mf
mf
p
p
p
p
mf
1. solo
mf
p
f
p
mf
mf
mp
p
p
p
p
p
p
p
mf
p
mf
mf
6
p
p
p
p
mf
p
f
p
p
f
mf
With urgency, q = 138
mf
p
p
Perc. 1
senza sord.
Timp.
Hp.
p
Euph.
B. Tbn.
6
mf
mf
mf
Tbn. 2
C Tpt. 2
Tbn. 1
Cl. 4 to B. Cl. 1
C Tpt. 1
C Tpt. 3
p
Hn. 3, 4
p
Cbsn.
mf
p
Cl. 5
p
mf
Cl. 4
6
p
p
p
Cl. 3
p
pp
6
mf
pp
Ob. 3
Cl. 2
f
With urgency, q = 138
f
p
Fl. 2
mp
With urgency, q = 138
Perc. 2
Perc. 3
Perc. 4
Perc. 5
B.D.
pp
24
sempre in tempo 3 3 3 3 3 3 3 3 3 3 f mf mf 3 mf f fsf f fp sf
85 Solo C Tpt.
Solo C Tpt.
fp
6 6 6 6 6 6 6 6 3 6 3 6 6 6 sfp 3 f ff 3
92
3
98
Picc. 1
Fl. 1
Ob. 1
accel.
3
3
mf
3
Ob. 2
f
fp
Cl. 2
B. Cl. 1
Bsn. 1, 2
Cbsn.
fp
mp
f
3
accel. 3 6 Solo C Tpt. 3
f
p
f
3
ff
3
ff
3
3
ff
3
mp
3
f
fp
Picc. 1
3
mf
mp
3
Hn. 1
Hn. 2
fp marc.
Hn. 4
C Tpt. 1, 2
Tbn. 1
Tbn. 2
Tuba 1, 2
Db. 1
Db. 2
Db. 3
3
fp marc.
Hp.
Timp.
Perc. 1
Perc. 2
mp
mf
f marc.
secco
f poss.
p.d.l.t.
Xyl.
mf
f
3
3
con sord.
f
f
3
sord. con f, marc.
sord. con f, marc.
con sord.
f
mf
mf
f, marc. pizz.
1. solo
f
3
3
ff
ff
pizz.
f
q = 144
remove paper from piano
coperto
3 ff 3 3 3 f ff Ped. B.D. 3 3 ff p Thunder Sheet
B.D.
ff
3
f marc.
3
con sord.
pizz. f
f
f
3
mf, marc.
f
3
mf, marc.
p
3
3
3
f molto
Crot.
3
f marc.
3
f molto
3 3 3 3
Glock.
3
3
mf
accel.
B. Cl.
f
D C# Bb
mf
p
mp
mf
Perc. 5
sf
arco
ff
Mar.
Perc. 4
to Eb Cl.
q = 144
mp
mf
Perc. 3
sf
ff
f
Pno.
f
con sord., cuivré
Hn. 3
3
mf, marc.
1.
f molto
con sord., cuivré
q = 144
p
p
25
103
Picc. 1
Picc. 2
Fl. 1
Fl. 2
Ob. 1
Ob. 2
E. H.
Eb Cl.
Cl. 1
Cl. 3
Cl. 5
Bsn. 1, 2
Solo C Tpt.
Hn. 1
Tbn. 2
B. Tbn.
Perc. 2
Perc. 3
Perc. 4
Perc. 5
Euph.
Perc. 1
f, marc.
f, marc.
f
cresc. poco a poco
ff, marc.
f f
accel.
f ff
via sord.
ff
f
ff
f
3
f
solo
f
solo
mf
f
1.
accel.
mp
cresc.
cresc.
mf
f
cresc.
ff, marc.
cresc.
f
ff, marc.
mf
ff
f mf f
ff ff a2
ff, marc.
ff, marc.
ff
ff
f
(con sord.)
3
(con sord.)
f
senza sord. ff più f f mf
Tbn. 1
Timp.
C Tpt. 3
Hp.
C Tpt. 2
Pno.
C Tpt. 1
Db. 3
Hn. 4
Db. 2
3
f
Hn. 3
Db. 1
Hn. 2
Tuba 1, 2
a2 mf, marc.
B. Cl. 1
Cbsn.
accel.
26
110
Picc. 1
Più mosso q = 160
Picc. 2
Fl. 1
Ob. 1
ff, marc.
Ob. 2
E. H.
Cl. 5
B. Cl. 1
f
fp
sfp
p
fp
a2 f
Bsn. 1, 2
Cbsn.
Hn. 2
f molto senza sord.
f
f
Euph.
Tuba 1, 2
Perc. 1 Perc. 2 Perc. 3
p
mfsf
p
p
mfsf
p
a2
ff
ff ff
Perc. 4
Perc. 5
f
mf
f
(sord.)
mfsf
mfsf
sf
sf
sf
mfsf
p
mfsf
mfsf
mfsf
p
p
B. Cl. 1 to Bb Cl. 4
mp
f
sf sf
con sord. mp
ff
1. f
(pizz ord.)
fsf
ff arco, senza vibr.
fsf
sf
sf
sf
f
f
Xyl.
mf
p
mf
p
High Sus. Cym.
mf
f
f
f
sf
mp
sf
fsf
con. sord.
mp
mp
fsf
mp
fsf
fsf
sf
mp
mp
fsf
mp
sf
sf
mp
fsf
fsf
mp
sf
sf
f
mp
mp
= p
sf
sf
mp
mp
fsf
fsf
mp
sf
on edge with light triangle beater
senza vibr. arco,
sf
sf
(3+2)
fsf
fsf con sord.
ff
mp
fsf
fsf
fsf
fsf
p
mp
fsf
mp
fsf
p
sf
mfsf
mfsf
f
fsf
(3+2)
mp
f
f
fsf
mp
p
fsf
mfsf
mp
p
mp mfsf mp mfsf f
mf
Più mosso q = 160
(sord.)
Picc. 2
ff ff
(con sord.) p
p
mfsf
Timp.
p
p
mfsf (sord.)
2.
mfsf
fsf
(con sord.) p
p
Hp.
p
mfsf
Pno.
p
mfsf
Più mosso q = 160
fsf
Db. 3
Db. 2
mfsf
ff
C Tpt. 1
Db. 1
mfsf
B. Tbn.
Tbn. 1, 2
Hn. 4
C Tpt. 3
mfsf
C Tpt. 2
Hn. 3
p
(3+2)
ff-mf
Solo C Tpt. Hn. 1
mp
mfsf
sf-mf
f
ff, marc. ff, marc.
Cl. 3
Cl. 1
Eb Cl.
fp
f marc.
Fl. 2
f
f
p
27
119
Picc. 1
fsf
Fl. 2
mp
Ob. 2
mp
Cl. 1
Cl. 3
Bsn. 1, 2
mf
f
sf
Hn. 4
C Tpt. 1
C Tpt. 3
Db. 1
sf
a2
f
pizz. ord.
mf senza sord.
mf
f
f
sf
6
3
sf
f
f
mf
mf f
f
High Wd. Blk.
non coperto mf
f
(3+2)
3
marc.
senza sord.
f molto,
ff
ff
(3+2)
f
f
3
ff
3
ff
ff
fff
ff
marc.
3
sfp
sfp senza sord. f molto,
sfp`
f molto
ff
Small Cr. Cym.
Triangle
Small Cr. Cym.
Triangle
Tamb.
sfp
ff
ord. sfp
senza sord.
fltg.
ffp
3
ffmp
3
f
ffp
mp
3
ffp
a2
ffmp
ff
ff
6
ffmp
sf ff mp ff mp Ob. 3 mp f ff mp
6
p
mf senza sord.
Maraca
f
mf
f
f
mf
mf
Tuba 1, 2
f
più f
p
6
mf
più f
mf
più f
più f
più f
f senza sord.
sf
sf
Db. 2
mf
sf
più f
sf
mp
sf
Euph.
Bb Cl. 4 mf
fsf
B. Tbn.
Tbn. 1, 2
fsf mp mf
C Tpt. 2
Hn. 3
f
Hn. 2
mf
mp
Solo C Tpt. Hn. 1
Perc. 5
mp
fsf
Perc. 4
mf
più f
fsf
Cl. 5
Perc. 3
f
fsf
Cl. 4
Perc. 2
mf
E. H. toOb. 3 fsf mp mf
Eb Cl.
Perc. 1
mf
E. H.
Timp.
fsf
Hp.
(3+2)
Ob. 1
Pno.
mf
fsf
mf
mp
Fl. 1
Db. 3
Picc. 2
Cbsn.
mf
mf
mf
mf
thumb roll mf
28
128
Picc. 1
Picc. 2
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Ob. 3
Eb Cl.
Cl. 1
Cl. 3
Cl. 4
Cl. 5
Bsn. 1, 2
Cbsn.
Solo C Tpt.
Hn. 1
Hn. 2
Hn. 3
Hn. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1, 2
B. Tbn.
Euph.
Tuba 1, 2
Db. 1
Db. 2
Db. 3
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
mf
mf
mf
mf
(2+2+3)
mf
mf
mf
mf
f
mf
p
p
p
mf
p mf
mf
ff
mf
p
p
sf
(2+2+3)
mf
p
sf
sf
sf
ff
p
mf
p
mf
p
mf
ff
(3+2)
p
p
p
p
mf
f
p
(2+2+3)
p
p
p
f
f
f
mf
p
f
p
f
mf
(3+2)
f
f
f
f
f
(3+2)
p
p
29
Picc. 1
Picc. 2
Fl. 1
Fl. 2
137
Ob. 1
Cl. 3
Cl. 4
Bsn. 1, 2
C Tpt. 2
f
f
sf
pp
f
sf
pp
pp
pp
pp
pp
sf
sf
pp
f
to English Horn
f
pp
mf
f
pp
f
sf sf sf sf
pp
sf to Bass Clarinet
mf
mp
mf
6
p
p
B. Tbn.
Euph.
Db. 2
Perc. 5
Tbn. 2
Perc. 4
Tbn. 1
Perc. 3
al sord.
Tbn. 1, 2
Perc. 2
f
sf
sf
C Tpt. 3
Perc. 1
con sord. mf
C Tpt. 1
Timp.
to Contrabass Clarinet f 1. f
Hn. 4
Hp.
sf sf sf sf ff ff to Bb Clarinet
Hn. 3
Pno.
Hn. 2
Db. 3
Cl. 5
Db. 1
f f f f
Cl. 1
Tuba 1, 2
f f f f
Eb Cl.
Hn. 1
Ob. 3
Solo C Tpt.
Ob. 2
Cbsn.
f
f
mf
mp
mf
f
mf
mp
f
Vib.
3 mf 6 3 Glock.
Crot.
mf
3
mp
3
mp
p
p
p
30
146
Picc. 1
Picc. 2
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Ob. 3
Eb Cl.
Cl. 1
Cl. 3
Cl. 4
Cl. 5
Bsn. 1, 2
Cbsn.
Hn. 3
Hn. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tuba 1, 2
Db. 1
6
solo
Hp.
Timp.
Perc. 1
Perc. 3
Perc. 4
solo f
p
p
6
p
fff
3
f
sf
ff
p.d.l.t.
Mar.
(tacet if out of tune with other instrs.)
pp
arco
to Flute
ff
p 3
6
6
solo
mf 3
3
3
3
3
3
3
3
3
3
3
3
3
pp
p
pp
Tri.
pp
mf
Perc. 5
Steel drums
Perc. 2
f
6
p
Pno.
to Flute
mf
Hn. 2
mf
con sord. Solo C Tpt.
Hn. 1
p
Xyl.
p
sf
31
III. Night Prayer
Flute 1, 2
Flute 3, 4
Oboe 1
Oboe 2
Oboe 3 (English Horn)
Clarinet 1 in Bb
Moderately slow q = 72
Clarinet 3 in Bb (Bass Clarinet 2 in Bb)
mp
Clarinet 4 in Bb (Bass Clarinet 1 in Bb)
Clarinet 5 in Bb (Contrabass Clarinet in Bb)
mp
Bassoon 1, 2
Bassoon 3 (Contrabassoon)
Flugelhorn Solo
Horn 1 in F
Horn 4 in F
Trumpet in C 1,2
Trumpet 3 in C
Trombone 1,2
solo
mf
legato
p, legato
Piano
Harp
Timpani
Percussion 1
Percussion 2
Percussion 3
Percussion 4
Percussion 5
Cbsn.
p
mp
mp
mf
mp
mf
p
Moderately slow q = 72
p
pp
pp
mf
mp
p
Cbsn. to Bsn. 3
mp
pp
pp
pp
pp
mp
p
pp
p
pp
pp
pp
mf
mf
mp
mf
mf
Bsn.
mp
poco f
p
mp
mp
mp
mp
mf
p
mf
p
p
mf
mf
mp
mp
mf
p
mp
mf
mp
mp
p
pp
mp
1.
mp
mp
legato
pp
pp
mp
2.
mp
p
Double Bass 1-3
Cb. Cl.
solo
Tuba 1,2
B. Cl.
p, legato
Euphonium
p
Moderately slow q = 72 Flugelhorn
mp
p, legato
Bass Trombone
p, legato
Horn 3 in F
p
Horn 2 in F
Clarinet 2 in Bb
mp
p
mf
mf p
mp
poco f
mp
arp. mp
Low. Cym.
pp
p
Lg. Tam Tam
pp
32
17
Fl. 1
Fl. 2
Fl. 3
Fl. 4
Ob. 1
Ob. 2
Cl. 2
Flug. Solo
Hn. 1
f
Hn. 3
Hn. 4
C Tpt. 1, 2
p
mp
p
soli p
mp
pp
mp
soli
E. H. soli
p
mp
p
p
mp
f
f
mp
p
f
f
pp
f
p
f
f
pp
con sord.
p f
moltopp
(col altri.)
f
f
f
molto
f
pp
f
p
p
p
pp
pp più p
più p
pp
pp
pp
a tempo cant., dolente
pp
pp
rit.
p
p
mp
p
p
p
p
a tempo
p
p
f a2
pp
p
p
f f
pp
p
p
f
pp
a tempo
p
p
mp
più p
f
pp
f
pp più p
p
1. solo
più p
f Tuba 1, 2
f
Euph.
rit.
solo
p
f
B. Tbn.
p
p
p
f
Tbn. 1, 2
sord.
C Tpt. 3
p
molto 2. con p
senza p sord.
p soli
f
Fl. 4 to Picc. 1
Hn. 2
Bsn. 3
Cl. 1
Bsn. 1, 2
p
Cb. Cl.
p
B. Cl. 1
p
E. H.
Cl. 3
Perc. 2
Perc. 3
Perc. 4
Perc. 5
Db. 1-3
Hp.
Timp.
Perc. 1
a3 pizz. f
p
rit.
f
33
35
Fl. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
E. H.
Cl. 1
Cl. 2
Cl. 3
B. Cl. 1
Cb. Cl.
Bsn. 1, 2
Bsn. 3
Flug. Solo
Hn. 1
Tuba 1, 2
Db. 1-3
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
p
p
p
pp
p
mp
pp
mp
p
5
mf
5
f
5:6
mp
mp
mf
mp
p
mf
mf
mp
mf
con sord.
p
con sord.
p
mp
p
con sord.
mp
mp
pp
mp
p dolente
pp
p
pp
p
mp
pp
p
p, espr.
p
p
Euph.
p
B. Tbn.
Hn. 3
Tbn. 1, 2
C Tpt. 3
C Tpt. 1, 2
Hn. 2
Hn. 4
solo
34
48
Picc. 1
Fl. 1
Fl. 2
Fl. 3
Cl. 2
Cl. 3
B. Cl. 1
Cb. Cl.
Bsn. 1, 2
Bsn. 3
Flug. Solo
Hn. 1
p
p, legato
p
p
pp
p
p, legato
p, legato
Hn. 3
p
p
accel.
p, legato
p
mp
mp
mp
3
3
3
3
3 3
p
1. solo, senza sord,
p
p
mf
pp
Tbn. 1, 2
B. Tbn.
Euph.
Tuba 1, 2
Db. 1-3
poco rit.
Perc. 2
Perc. 3
Perc. 4
Perc. 5
Hp.
Timp.
Perc. 1
a3 (pizz.)
accel. q = 108 h = h = 54 non arp. mf Db C Bb Eb Fb G A
p
p
mp
q = 108 h = h = 54
mp
mp, espr
mf, cant.
p, legato
poco rit.
p
p
3
3
mf
3
5
p
pp
p
p
p
Hn. 2
C Tpt. 3
q = 108 h = h = 54 Picc. solo
accel.
p
C Tpt. 1, 2
mf
Hn. 4
Cl. 1
p
E. H.
mp
Ob. 2
p
solo
Ob. 1
poco rit.
mp
35
59
Picc. 1
Cl. 1
Hn. 1
p
p
p
mp
p
mf
poco mf legato
p
poco mf
poco mf
legato
poco mf
poco mf
p
mf
poco mf
p
p
p
p
mf
f
3
C Tpt. 1, 2
Tbn. 1, 2
1.
mp
3
3
mf
mp
mp
mp
Cl. 3 to B. Cl. 2
p
mf
p
3
mp
mf
p
f
poco f
poco f, cant.
p
mp
mf
mf
solo
mf
6
poco mf
mp
poco rit.
Hn. 4
mf
6
3
3
p
3 3
Hn. 3
3
3
3
mp
senza sord.
3
Cb. Cl. to Bb Cl. 5
3
mf
3
3
mf
6 6
3
3
3
3
p
Hn. 2
C Tpt. 3
3
p
3
3
3
Solo
p
3
p
Solo
poco rit.
p poco accel. 3 6 3 3 3 5 3 3 3 3
3
mf
mf
3
Bsn. 1, 2
poco mf
5
f
poco accel. 3 3
p
Cb. Cl.
B. Cl. 1
Flug. Solo
Cl. 3
p
5
3
Cl. 2
E. H.
3
Ob. 2
3
Ob. 1
5
Fl. 2
Bsn. 3
mf
Fl. 1
1. solo
poco f, cant.
Euph.
Db. 1-3
mf
Hp.
Perc. 2
Perc. 3
Perc. 4
Perc. 5
Timp.
Perc. 1
poco accel.
1.
p
B. Tbn.
Tuba 1, 2
3
poco rit.
3
f
3
36
65
A tempo, Poco meno mosso q = 96
f
p
B. Cl. 1
B. Cl. 2
Fl. 1
Fl. 2
Ob. 1
Ob. 2
3
3
E. H.
Cl. 1
Cl. 2
Cl. 5
3
Flug. Solo
Hn. 1
f
f
3
mf Bsn. 3
f
mp
Bsn. 1, 2
f
p
3
Hn. 1, 2
Hn. 3, 4
3
C Tpt. 1, 2
Tbn. 1, 2
B. Tbn.
Euph.
(1.)
3
f
mf, dinstinto
mf, dinstinto
p
legg., cant., misterioso
p
mp
mp
mp
p
poco f
p
poco f
p
poco f
p
mf
mf
mf
f
mp
p
2. (sord.)
mp
1., 2. con sord.
mp
mf
Db. 1
Db. 2
Tuba 1, 2
Db. 3
f
A tempo, Poco meno mosso q = 96
(pizz.)
mp
(pizz.)
mp
Perc. 4
Perc. 5
Perc. 2
Perc. 3
Hp.
Timp.
Perc. 1
A tempo, Poco meno mosso q = 96 dim.
p
mp, legg., non stacc.
C Tpt. 3
Bb Cl. 5 legg., cant., misterioso
p
legg., cant., misterioso
mf, dinstinto
37
71
Fl. 1
mp, smoothly Fl. 2
Ob. 1
mp, smoothly
3
mp, cant.
Ob. 2
3
mp, cant.
E. H.
mf
Cl. 2
mf
Cl. 5
mf
B. Cl. 1
B. Cl. 2
Bsn. 1, 2
a2
mf, leg., cant.
f
Hn. 3, 4
C Tpt. 1, 2
C Tpt. 3
Tbn. 1, 2
sf
p
mf
mf
Cl. 2 to Eb Cl.
Solo
mf, cant.
B. Tbn.
Euph.
mf
Db. 1
Db. 2
Db. 3
Perc. 2
Perc. 3
Perc. 4
(pizz.)
(pizz.)
mf
mf
Hp.
Timp.
Perc. 1
Perc. 5
Marimba
medium mallets mp, legato
3
3
5 6 5 poco mf
Flug. Solo
Tuba 1, 2
3
p
B. Cl.
f
f
Bsn. 3
Hn. 1, 2
mp, cant.
Cl. 1
38
76
Fl. 1
Fl. 2
Ob. 1
mf
Ob. 2
Eb Cl.
Cl. 1
Cl. 5
mf
E. H.
3
3
mp, cant.
3
Cb. Cl.
Bsn. 1, 2
3
3
a2
mp, cant.
C Tpt. 1, 2
C Tpt. 3
Tbn. 1, 2
1. solo, sord.
mf
f
f
3
3
3
Bsn. 3 to Cbsn.
p
mf to Cbs. Cl.
p
p
6 mf
1. sord.
f
3. sord.
3
mf
light accents
f
3
mf, cant.
mf, cant.
3
2. (senza sord.)
a2, senza sord.
3
mf, cant.
3
3
B. Tbn.
Euph.
Db. 1
Db. 2
Perc. 2
Perc. 3
Tuba 1, 2
Db. 3
Hp.
Timp.
Perc. 1
Perc. 4
Perc. 5
mf
mf
3
p
mf 4. (senza sord.)
mf
3
3
3
mf
mf
mf
3
mp, cant.
Hn. 3, 4
mp, cant.
Hn. 1, 2
3
light accents mf
B. Cl. 2
Flug. Solo
3
Bsn. 3
mf
mp, cant.
B. Cl. 1
3
mf
39
81
Fl. 1
Fl. 2
Ob. 1
Ob. 2
E. H.
Eb Cl.
Cl. 1
mf
f
f
f
B. Cl. 1
B. Cl. 2
Bsn. 1
Bsn. 2
Cbsn.
Flug. Solo
Hn. 1, 2
C Tpt. 1, 2
Tbn. 1, 2
mf, molto marc.
3
3
mf, molto marc.
6
3
3
3
f
f
B. Tbn.
Euph.
Tuba 1, 2
Db. 1
a2
mf
arco
3
3
1. senza sord.
3. senza sord.
mf
Db. 2
Db. 3
Pno.
Timp.
Perc. 1
arco
3
mf
3
3
3
3
f molto a2 cuivré
p
p
3
3
3
f
3
pizz.
pizz.
p, secco
pizz.
p, secco
p, marc.
cresc.
cresc.
mf, molto marc.
Perc. 4
3
Perc. 3
3
p, marc.
cresc.
3
fmp
p, secco
Tom Toms
Bongos
f
f
Perc. 2
Perc. 5
fmp
senza Ped.
fmp
3
3
marc.
3
mp, marc. p fmp con sord.
(con sord.)
marc.
a2 cuivré
f molto mp, marc. p
marc.
3
mf, molto marc.
mp, marc.
(con sord.)
f
3
3
Cbsn.
mp, marc. con sord.
5
3
C Tpt. 3
3
6 3 6 6 5
4.
Hn. 3, 4
3
6
2.
3
40
85
Fl. 1, 2
Ob. 1
E. H.
Eb Cl.
Cl. 1
Bsn. 2
f
f f
(a2)
(a2)
Cbs. Cl.
f
Db. 1
6
6
sf
Db. 3
Pno.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
f
arco
sf
sf
p fltng.
mp
ff
ff
cresc. arco
p
ff
ff
f
f
f
f
mp
ff
ff
ff
hard mallets
6
6
p
Low Cym.
p
1 Med., 2 Low Tom Toms
p
Pedal Bass Drum
mp
6
f
mf
f
f
mf
ff
ff
cresc.
p
f
ff ff
fltng.
ff
ffsmf
arco
f
sf
f
sf
3
f
ffmf
sfmf
3
Db. 2
p Tuba 1, 2
sf
f
Euph.
sfmf sf sf sfmf
B. Tbn.
sf
Tbn. 1, 2
sf sf
C Tpt. 3
sf
Bsn. 1
C Tpt. 1, 2
Hn. 3, 4
Cb. Cl.
Hn. 1, 2
sfmf
sfmf
Flug. Solo
sfmf
B. Cl. 2
f
Cbsn.
B. Cl. 1
Ob. 2
fsf
f
f
41
Picc. 1
Fl. 1, 2
89 Meno q = 72 3 3 3 p 6 6 p
Ob. 1
Ob. 2
p
p
p
3
3
3
p
3
p
Bb Cl.
3
3
3
3
3
p
p 3
3
6
p
mf
3
3
3
3
con sord.
3
6
6
3
6
p
6
p
3
Tbn. 1, 2
B. Tbn.
senza sord.
Euph.
6 3 3 p
6
6
3
6
3
3
Db. 2
Pno.
3
Timp.
Perc. 1
3
Marimba
3 3 p
6
med. mallets
p 3
6
3
3
3
3
3
3
3
6
3
6
3
3 3 3
3
3
6
6
3
3
6
3
3
3
p
3 3
H., M., L. Sus. Cym. w/Sizzles
p
3
3
3
3
medium-hard mallets
Perc. 5
6
3
D C B E F# G# A#
Vib.
Perc. 4
3 6
p 3
Perc. 3
let ring
6
6
3
3
3
f
hard mallets Crot. l.v.
Perc. 2
3
mf
Hp.
3
3
3
3
(p)
3 p 6
3
p
q = 72 Meno
3
p
3
Db. 1
6
3
p 3 p
p
Db. 3
3
pp p
Tuba 1, 2
6
p
3
p
6
p
p
3 3
pp
p
3
6
senza sord.
3
p
p
(sord.)
3
mf
(sord.)
p
6 3 (sord.) 3 3 p 3
p
p
3
p p
6
p con sord.
3
p
3
p
3
3
p
3
3
6
6
p
p
p
3
p 6
Eb Cl. to Bb Cl. 2
p
C Tpt. 3
p
3
6
6
6
3
3
3
p
p
3
p 6
3
3
3
3
3
p
3
a2
p
6
3
3
C Tpt. 1, 2
3
Fl. 3 to Picc. 2
p
3
6
Meno q = 72
Hn. 3, 4
B. Cl. 2 to Bb Cl. 3
p, cant.
Hn. 1, 2
6
p
6
Bsn. 2
Flug. Solo
3
3
p
6
p
6
3
6
6
p
3
p
3
B. Cl. 1
Bsn. 1
p
6
Cbsn.
3 3 3
3
6
p 3
p
3
6
Cl. 3
Cb. Cl.
6
p
p
p
Cl. 1
3
6
p
Eb Cl.
E. H.
p
Fl. 3
pp
p
Snare Drum
3
3
pp
pp
pp
mp
6 3
pp
pp
mp
pp
42
92
Fl. 1, 2
6 (a2)
rit. poco a poco
Ob. 1
3 6
Ob. 2
6 3 p
E. H.
Cl. 1
Cl. 2
p
3
6
p
6
mf
mf
mf
mf
p
p
p
E. H. to Ob. 3
6
p
Bsn. 2
6
6
3
p
Cbsn.
Flug. Solo
Hn. 1, 2
3
3
mf
3
mf
mf 3 3
p C Tpt. 1, 2
C Tpt. 3
mf
3
p
mf
mf pp
6
Db. 1
mf
1.
6
Pno.
mf
Timp.
Perc. 1
Perc. 2
Perc. 3
6
6
mf harmon mute, stem in
mp
p
3
mp
3
p
pp
mf
p
mp
mp
mf
Low Tom Tom
p, pesante
2.
f
pp
pp
Poco meno q = 66
pp
mf
p
pp
ord. pp
p
mf
ppp
p
pp
Poco meno q = 66
p
p
mp
pp
pp
mf
D C# B Eb F# G# A#
pp
p
pizz.
mf
mp
coperto
p
p, leg.
p
pp
pp
mp, leg.
mp
p
3
mp
p
pp
6
rit. poco a poco
mf
p, leg.
3
pp
p
mp
p, leg.
mf
p mf 3
mp
mf
3
Perc. 5
3
mp
Perc. 4
3
Hp.
mp, leg.
p
Db. 3
p
to C Tpt.
p, leg.
mp
Db. 2
mp
p, leg.
Tuba 1, 2
p
Euph.
mp
1.
p
6 3 p
B. Tbn.
Tbn. 1, 2
3
Cl. 2 to Eb Cl.
p, legato
mf pp
f
mp
p, legato
3
rit. poco a poco
Hn. 3, 4
mf
mp
3
mf
6
Bsn. 1
Cb. Cl.
mf
B. Cl. 1
pp
mf
Cl. 3
Poco meno q = 66
pp
Bass Drum
pp
mp
5
pp
p
mf
p
mp
43
98
Picc. 1, 2
Fl. 1, 2
Ob. 1
Ob. 2
Sostenuto q = 60 ff sf
Oboe
B. Cl. 1
Cb. Cl.
Cl. 3
Bsn. 1, 2
Cbsn.
Flug. Solo
Hn. 1, 2
senza sord.
senza sord.
senza sord.
senza sord.
C Tpt. 1, 2
C Tpt. 3
Tbn. 1, 2
B. Tbn.
Euph.
Tuba 1, 2
ff
sf
sf
Db. 1-3
Pno.
Timp.
pp
pp
mp
sf
sf
sf
ff
sf
sf
sf
ff
sf
sf
ff
sf
ff
sf
sf 3
3
ff
Perc. 2
Xylo.
Perc. 3
Perc. 4
Perc. 5
pp
pp
molto
molto
ff
sf
sf
sf
sf
accel.
sf
6 6
sf 3
3
6
sf
3
6
sf
3
6
sf
sf
sf
3 6
sf
3
sf
sf
sf
6
3 3
sf
3 3
sf
6
sf
6
6 6
sf sf sf
sf
3
sf
3
sf
6
sf
Sost., q = 60
ffsf
sf
2 high pieces of metal
pp
sf
ffsf
6
3
sf
sf
sf
sf
3
sf
6
sf
sf
3
6
sf
sf
3
ffsf
ffsf
ff
sf
sf
dead stroke
Low Toms
Bongos
arco
sf
ffsf
ff
sf
5
ffsf Wailing, soulful e = 84
Lg. Tam Tam
3
sf
sf
fmolto legato
sf
3
3
sf 3 3
sf
Sost., q = 60 sf sf sf
sf Sost., Wailing, soulful accel. e = 84 q = 60
3
p
Perc. 1
ff
molto
sf
sf
Sostenuto q = 60
pp
3
sf
ff
sf
sf
3
sf
ff
sf
ff
sf
sf
ff
3
ff
sf
ff
sf
ff
3
ff
sf
3
ff
ff
3
sf
3
sf
sf
Sostenuto q = 60
Hn. 3, 4
sf
Cl. 1
ff
Eb Cl.
sf
ff
Eb Cl.
sf
Ob. 3
ff
accel.
Wailing, soulful e = 84 3
ff
3
44
Picc. 1, 2
Fl. 1, 2
104 sf sf
Ob. 1
Ob. 2
Eb Cl.
Cl. 1
Cl. 3
B. Cl. 1
Cb. Cl.
Bsn. 1, 2
Cbsn.
Hn. 1
6
6 sf
6
sf
6
sf
C Tpt. 1, 2
sf sf sf sf
Tbn. 1, 2
sf
sf sf sf
sf
6 6
sf
sf
f
sf
sf sf sf sf
Tuba 1, 2
3
sf
sf sf sf
sf
sf
sf
6 6
sf
sf
sf
6
3
f
6
sf sf
sf
sf
sf
sf sf
sf
sf
sf
sf
f
f
f
f
f
f
f
f
ffsf
ffsf
ffsf
sf
ffsf
ff
sf
ffsf
sf sf
ffsf
sf
ffsf ffsf
ffsf
f
f
f
f
f
f
f
f
f
f
f
f
ffsf
ffsf
sf
ffsf
ffsf
f
sf
f
sf
f
f
sf
f
ffsf
sf
ffsf
ffsf
ffsf
ffsf ffsf
sf
sf sf
sf
f
f
sf
sf
sf
f
sf
sostenuto
f
f
f
ffsf
ffsf
ffsf
ffsf
ff
sfp
ffsf
sfp
sfp
sfp
ffsf
sfp
ffsf
sfp
ffsf
ffsf
sfp
sfp
ffsf
ffsf
sfp
rubato sostenuto
3
mf
ffsf
sfp
6
f molto 6
sfp
ffsf
sfp
ffsf
sfp
ffsf
sfp
ffsf
ffsf
ffsf
sfp sfp
ffsf
sfp
ffsf
sfp
ffsf
sfp
sfp
sfp
ffsf
sfp
sf
rubato
sostenuto ffsf
sfp
rubato
sfp
ffsf
sf
ff
sf
sf
ffsf
sf
sf
sf
sf
Pesante q = 56
sf
ffsf
rit.
sf
f
sf
f
e = 84, wailing
sf
f
f
sf
f
Pesante rit. q = 56 3 3
sf
sf
f
sf
f
sf
6
f
6
sf
6
f
f
e = 84, wailing
p
f
sf sf
Perc. 5
Euph.
Perc. 4
f
f
Perc. 3
sf
B. Tbn.
C Tpt. 3
sf sf sf sf
sf
Perc. 2
sf sf sf
Hn. 4
Perc. 1
sf
sf
Hn. 3
Timp.
sf
sf
6
Pno.
sf
sf
Hn. 2
Db. 1-3
sf
Pesante q = 56 f ffsf
rit.
sf
sf sf 6 sf 6 sf sf sf 6 sf sf sf 6 sf
Ob. 3
Flug. Solo
e = 84, wailing
sfp
ff
ff
Lg. Tam Tam
pp Bass Drum
pp
45 q = 80
colla tpt. rit.
108
Picc. 1, 2
5
Fl. 1, 2
Ob. 1
Ob. 2
Ob. 3
Eb Cl.
Cl. 1
Cl. 3
B. Cl. 1
Cb. Cl.
Bsn. 1, 2
Cbsn.
Flug. Solo
5
Hn. 2
Hn. 3
Hn. 4
C Tpt. 1, 2
C Tpt. 3
Tbn. 1, 2
B. Tbn.
Euph.
5
5
5
5
5
5
5
5
ff
ff
ff
ff
q= 80 ff
Db. 1-3
ff
mf
p
p
pp
p
pp pp
p
q = 50
ff
ff
mf
p
ff
ff
ff
Perc. 4
Perc. 5
pp
p
con sord.
pp con sord.
mp-p
mp-p
p
p
p
p
mf
p
p
pp con sord. pp
p
pp
p
p
p
a3
mf
6
mf
p
pp
(arco) 1.pp
pizz. p
pp
q = 50
p
p
p, leg.
5
rall.
solo
p
p
2., 3.
p
Tempo 1 q = 72
rit.
pp
l.v.
pp
f
f
Picc. Snare Drum
ff
ff
ff
p
1.
ff
pp
p
ff
pp
p
Tempo 1 q = 72
rit.
pp
to English Horn
pp
pp
p
mf
Eb Cl. to Bb Cl. 2
mf
p
p To Eng. Hn.
pp
pp 1.
rall.
mf
ff
5
5
ff
p
q = 80
mf
colla tpt. rit. 5
5
6
5
p
p
ff
mf
5
5
ff
5
5
Perc. 3
ff
Tempo 1 q = 72
mf
Perc. 2
5
5
Perc. 1
5
Tuba 1, 2
Timp.
sempre tenuto
Pno.
ff
colla tpt. rit. 5 ff 6
Hn. 1
5
ff
rit.
5
ff
5
5
ff
q = 50
Picc. 1 to Fl. 4 Picc. 2 to Fl. 3
rall.
ppp
46 p
118
Fl. 1, 2
Fl. 3, 4
Eng. Hn.
Cl. 1
Cl. 2
pp
mp
Bb Cl.
mp
ssia
p English Horn
Tbn. 1, 2
B. Tbn.
Tuba 1, 2
Db. 1-3
mp
mp
pp
p
mp
mf
(sord.) mf
(sord.)
mf (sord.)
mf-mp
sord.
p
1. solo
p
p
mp cant., dolce
mf
mp
(alternate) p
mf
p
mf
1. solo
mp cant., dolce
mf
mf
p
,
,
pizz.
(1.)
mp
p
rit.
Perc. 2
Perc. 3
Perc. 4
Perc. 5
Pno.
Timp.
Perc. 1
pp
pp
pp
pp
rit.
pp
p
Euph.
mf
p
p
mf
pp
3.
p
Cl. 3 to B. Cl. 2
play only if Solo Tp plays lower notes)
p
C Tpt. 3
pp
mf
rit. 1.
mp
mf
mp
mf
p
pp
mp
pp
C Tpt. 1, 2
Flug.
Hn. 4
mp
mf
p
Hn. 3
p
Hn. 2
Hn. 1
B. Cl. 1
Cb. Cl.
Cl. 3
Bsn. 1, 2
Ob. 1, 2
mf 1. solo
mp
pp
pp
47 a tempo, sostenuto 130
Fl. 1, 2
Fl. 3, 4
Ob. 1, 2
Eng. Hn.
Cl. 1
a tempo
pp
to Ob.
pp
p
Cl. 2
B. Cl. 1
Bsn. 1, 2
p
Cb. Cl.
p
B. Cl. 2
rit.
1.
pp
dim.
pp
dim.
dim.
dim.
pp 2.
rit.
pp
Flug.
a tempo, sostenuto
p
rit.
a tempo
mf
molto
Solo
p
Hn. 2
Hn. 3
Hn. 4
p
C Tpt. 1, 2
C Tpt. 3
p
Tbn. 1, 2
pp 2. con sord. con sord. pp
p
pp Euph.
Tuba 1, 2
Db. 1-3
mp
solo p con sord.
p
p
(con sord.)
p (con sord.)
p
mp
pp
mp
p
pp
più p
sub. p
solo p
pp, distinto
pp
poco sf
pp
dim.
dim.
poco mf
(con sord.)
sub. p
con sord.
p
pp
dim.
1. solo
Perc. 2
Perc. 3
Perc. 4
rit.
a tempo
rit.
mp 1.
pp
mp
arp.
dim.
Lg. Tam Tam
mf
Low. Cym.
pp
p
pp
Perc. 5
Perc. 1
p
Timp.
sub. mp
to C Tpt.
p
Hp.
solo
pp
a tempo, sostenuto
Pno.
poco mp
pp
più p
con sord.
B. Tbn.
(senza sord.)
Hn. 1
rit.
B. D.
p, distinto, ma lontano
pp
48
Piccolo 1 (Flute 4)
IV. Monument - Tekiah, Teruah Vigorous and bold q = 69 Picc.
Flute 1
Flute 2
Flute 3 (Picc. 2)
Clarinet in Eb (Cl. 2 in Bb)
Clarinet 1 in Bb
Clarinet 3 in Bb (Bs. Cl. 2)
f, pesante molto harsh
sf
3
sf
sf
sf
Cbsn. Vigorous and bold q = 69
senza sord.
ff
ff
ff
ff
f senza sord. f senza sord. fltg., senza f sord. ord.
Trombone 1
pp ff fltg., senza sord. ord.
Trombone 2
pp ff fltg., senza sord. ord.
Bass Trombone
Euphonium
pp
ff
3
3
3
6
5
mf 3
5
f
mf 3
5
f
f
3
sf
6
3
sf mf
sf
sf
3
6
3
sf mf
sf
sf
sf mf
6
f
f
hard mallets
pp
f
f
ff
Med. Crash Cym.
Chimes
sf mf
6
sf mf
fsf mf
Med. Sus. Cym.
sf
6
sf
sf
6
mf
3 sf 3 6 sf
6
f sf
6
Vigorous and bold q = 69
3
open
sf
sf
sf
Trumpet 3 in C
Percussion 5
sf
sf
Trumpet 2 in C
Percussion 4
sf
3
Trumpet 1 in C
Percussion 3
pp
Percussion 2
sf
Horn 4 in F
Percussion 1
sf
sf
pp senza sord.
Timpani
sf
Bs. Cl.
Horn 3 in F
Harp
pp senza sord.
Piano
sf
Horn 2 in F
Double Bass 1-3
f, pesante molto, harsh
Eb Cl.
pp
Tuba 1-2
Cl.
Bassoon 1, 2
Horn 1 in F
3
Bass Clarinet 1 in Bb (Bb Cl. 4)
Solo Trumpet in C
English Horn f, pesante molto, harsh
Clarinet 5 in Bb (Contrabass Cl. in Bb)
Contrabassoon (Bsn. 3)
English Horn (Oboe 3)
Oboe 2
Oboe 1
ff
f
3 f molto, marc. sf sfp 3 3 3 sf sfp f molto, marc. sf 3 7
Picc. 1
Fl. 1
Fl. 2
f molto, marc. sf
sf
Fl. 3
Ob. 2
sf
sf
E. H.
sfp
Ob. 1
3
Fl. 3
f
f molto, marc. sf
Cl. 3
sf
3
3
3
sf
sf
3
sfp
sfp
sfp
3
sfp
Bsn. 1, 2
Cbsn.
sf
sf
f
sf
f
sf
3
sfp
f
sf
sf
3
3
sf
3
f
sf
ffsf
ff
6
ff
sf marc. 6
marc.
6
sf
sf
6
3
fsf marc.
6 sf sf
sf
6
6
sf
3
sf
3
ffsf
ffsf
sf
Contrabassoon
sf
Hn. 3
Hn. 4
fsf
sfmf
C Tpt. 2
C Tpt. 3
Tbn. 1
sf
sf
f
sf
f
sf sfmf
sf
Tbn. 2
B. Tbn.
Euph.
Tuba 1, 2
3
3
sf
mf
sf mf 3 sf
f
sfp
6
f
sf
fmf
p
Db. 1
3
3
3
fsfp
ff
ff
6
6 6
sf
sf
sf
ff
Db. 2
Db. 3
Pno.
Timp.
Perc. 1
3
3
f, marc. sf 3
3
Perc. 4
Perc. 5
3
sf
3
sf marc.
6
sf
6 6
pp 6
sf
sf
f
Mrmb.
fsf
3
High Sus. Cym.
molto
6
ffsf
ff
3 ffsf sf hard mallets 6
ff
ff
ff
3
ff
ff
3
ff
ff
ff
f, marc.
6
hard mallets
3
1, 2. senza sord.
Xylo.
Perc. 3
sf
ff ff ff ff
ff
6
ff
6 ff
ff a2
Hn. 2
C Tpt. 1
sf
6
fsf marc.
sf
3
ffsf
6
sf
3 ff sf
f
3 sfp 6 ffsf sf
f
sfp
ffsf
49
6
6 3 ff sf sf marc. 6 sf 6 sf marc. 6 ffsf sf
sf marc.
sf
3
3
sf
sf
sf
3
f
sf
f
Hn. 1
Solo C Tpt.
f molto, marc. sf
B. Cl. 1
f molto, marc. sf
Cl. 5
sf
3 f molto, marc. sf sf 3 3
Cl. 1
sf
sf
Eb Cl.
sfp
sf
ff
50 Picc. 1
Fl. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
E. H.
Eb Cl.
Cl. 1
Cl. 3
Cl. 5
B. Cl. 1
Bsn. 1, 2
Cbsn.
11 Pesante, poco meno q = 63-69
f
to Bs. Cl. 2
3
3
3
3
f
5
3
3
6
Hn. 2
Hn. 3
Hn. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Db. 1
Db. 2
Db. 3
3
3
f, ruvido
3
f, ruvido
f, ruvido
3
sf sf sf
Timp.
Perc. 1
Perc. 3
Perc. 4
Perc. 5
ff
3
6
6
p
f
6
f
3
f
f
3
f
3
3 3
f
3
f
f
5
5
5
3
3
sf
3
fp
3 3
3 3
f
3
3
mf
3
mf
f
p
f
p
f
p
f
mf
f
mf
a2
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
3
3
3
3
3
3
3
mf
3
mf
3
f
3
3
3
3
BD
3
mf
3
3
3
ff sf
ff
f
3
sub. mf
3
p
f
f
3
3
f
3
mf
fp
3
f
fp
mf
mf
3 5
f
5
3
mf
3
3
mf
mf
3
3 3
3
mf
6
3
6
3
mf
3
3
f
6
3
3
6
3
6
3
f
f
3
3
f
3
f
6
sf
ff
Pesante, poco meno q = 63-69
f
f
6
mf
3
6
3
3
3
sf
3
3
mf
sf
sf
Pno.
3
f
f
f, ruvido 3
sf
Tuba 1, 2
3
ff
ff
3
sf
ff
3
Pesante, poco meno q = 63-69 Solo C Tpt. Hn. 1
f
3
3
mf
3 ff
Picc. 1
Fl. 1
ff
Fl. 3
3
Cl. 1
ff
B. Cl. 1
3
Bsn. 1, 2
Cbsn.
ff
fp
C Tpt. 2
C Tpt. 3
3
3
fp
3
fp
Db. 1
Db. 2
Db. 3
Perc. 2
Perc. 3
fp
Perc. 5
ff
3
fp
3
3
f
f
3
f
Snare Drum
f
f
3
3
3
3
mf 3
mf
3
3
3
f
3
ffsf
6
3
6
ffsf
3
mf
3
fsf
sf
3
3
fp
ff
3
3
sf
3
sf
sf
sf
3
sf
sf
3
sf
3
sf
3
3
ffsf
3
3 f
3 f
ff ord. sf ffsf sf ord. ffsf sf ord.
fltg.
ffsf
ord.
ord.
3
3
mf 3
3
ffsf
3
ffsf
3
3
6
6
3
mf
sf
pizz. f pizz. f pizz. f
Vigoroso, con moto e = 138 3 3 3 3 3 3 sf-mf 3 ffsf 3 3 3 3 3 sf-mf
ffsf
senza ped.
5
3
sf
5
ffsf
f marc., legato
3
3
sf
ffsf
3
3
mf
ffsf
mf
3
mf ffsf f marc., legato mf f marc., legato ffsf
mf
3
ffsf
6
3
3
Vigoroso, con moto e = 138 mf f marc., legato mf f marc., legato
ff
f marc., legato
f marc., legato
3
mf
ffsf
3 Xylo. f 3
mf 3
5
sf
sf
3
3
sf
3
f-mf
3
sf
6
fsf
3
6
3
3
fltg.
f marc., legato
sf
sf
fltg.
f
fsf
3
3
fsf
3
3
sf
3 3 ffsf f 3 3 3 f ffsf 3 3 f
ffsf
sf
51
Vigoroso, con moto e = 138
3 ffsf f ffsf f, marc., non legato
6
fsf 3
3
ffsf
3
fp
p
3
5
3
3
fp fltg.
3
ffsf
3
3
3
fltg.
3
3
fp
3
3
3
f
3
snares on
sf
3
f
3
6
3
3
3
3
3
ff
sf
3
3
Tenor Drum
Perc. 4
3
3
Timp.
3
ffsf
fp
Pno.
3
sf
3
3
ff
ff
Tuba 1, 2
6
3
3
Euph.
mf
B. Tbn.
3
3
ff tenuto
Tbn. 2
ff tenuto
ffsf
3
ffp
3
3
3
3
3
3
f
Tbn. 1
3
3
3
sf
fp
C Tpt. 1
3
3
3
3
Hn. 4
f
3
3
3
3
3
3
3 fp
Hn. 3
3
Hn. 2
3
fp
Hn. 1
ff
3
p
p
fp
B. Cl. 2
3
3
p
3
3
ff
3
3
ff
3
ff
Cl. 5
3
ff
ff
3
3
ff
3
ff
f
Eb Cl.
3
p
f
E. H.
3
p
3
ff
f
Ob. 2
3
3
Ob. 1
p
3
3
ff
p
3
Fl. 2
15
ffsf
ffsf
ffsf
ffsf
f
52 Picc. 1
Fl. 1
Fl. 2
Fl. 3
f
E. H.
Eb Cl.
Cl. 1
3
B. Cl. 2
3
3
3
3 3
Solo C Tpt.
ff
Hn. 2
Hn. 3
Hn. 4
C Tpt. 1
ff
ff
mf
f
f
f
f
f
f
unis.
3
3
3
3
3
3
3
3
3 3
3 f
f f
3 f
f
3 f
f
f f
sf
sf
mf
mf
3
3
3
3
3
3
3 3
3
3
3
mf legato
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
mf
3
mf
3
3
mf
3
3
ff
3
mf
3
mf
f
mf marc., legato
3
3
mf
3
f f f
f
3
3
3
3
f
3
3
3
f 3
3
3
3
3
3
3
3
3
mf
Perc. 5
Perc. 4
Perc. 3
p
Perc. 2
ff
3
Perc. 1
ff
mf
Timp.
ff 3 3 3
Pno.
3
ff
C Tpt. 3
Db. 1-3
3
p
Tuba 1, 2
3
Euph.
3
3
B. Tbn.
3
3
ff
3
3
C Tpt. 2
Tbn. 2
3
p
Tbn. 1
3
f
3
Hn. 1
3
3
Bsn. 1, 2
3
3
B. Cl. 1
Cbsn.
3
Cl. 5
3
3
f
3
f
3
Ob. 2
Ob. 1
3 ff 3 3 3 ff 3 3 ff 3 3 3 ff 3 3 3 ff 3 3 ff 3 3 3
19
3 3
3
3
3 3
3
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 ff 3 sf-mf 3 3 3 3 3 3 3 3 3 3 3
ff
53 23
Picc. 1
Fl. 2
3
3
Fl. 3
Ob. 1
3
Ob. 2
Eb Cl.
Cl. 1
Cl. 5
3
B. Cl. 2
6
6
3
3
6
Hn. 4
fp
f
C Tpt. 1
f
C Tpt. 2
f
f
fp
Tuba 1, 2
Db. 1-3
Pno.
Timp.
f 3 3 3 3
3
3
3
3
3
3
f
ff
f
3
3
3
3
3
3
mf
mf
mf
f
mf
mf
mf
mf
sf ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3
3
p
3
3
3
3
3 3
3
3
3
3
3 3 3
p
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
sf
3
3
ff
3
3
3
Perc. 2
Perc. 3
Perc. 4
Perc. 5
Perc. 1
f
3
3
3
f
3
3 3 3
p
f
mf
f
3
f
3
3
mf
3
f
3
to Cl.
3
f
3
3
3
f
f f f
f
f
3
3
3
3
3
mf legato, marc.
f
f
3
fp
Euph.
fp
B. Tbn.
mf legato, marc.
f
f
Tbn. 2
fp
f
3
fp
Tbn. 1
fp
f
C Tpt. 3
ff
ff
6
ff
mf legato, marc.
ff
f
Hn. 3
ff
3
3
3
3
ff
3
f
ff
3
ff
3
ff
ff
3
f
Hn. 2
3
3
3
3
3
3
Solo C Tpt. Hn. 1
3
3
Bsn. 1, 2
3
ff
3
3
3
3
3
3
3
B. Cl. 1
f
3
3
3
ff
3
3
3
3
3
3
E. H.
3
ff
3
3
Cbsn.
3 3 3 3 3 3
Fl. 1
3 3
3
54 27
Picc. 1
Fl. 1
Fl. 2
Fl. 3
sfp
sfp
Cl. 5
Cl. 3
Cl. 1
sfp
Cbsn.
ffsf
ffsf
ffsf
ffsf
mp
Bsn. 1, 2
sfp
sfp
Cl.
B. Cl. 1
fsfp
Eb Cl.
sfp
fsfp
E. H.
sfp
fsfp
Ob. 2
Ob. 1
f
ffsf
mp
ffsf
fsfp
fsfp
to Picc.
ffsf
Cl.
fsfp
fsfp
ffsf
ffsf
fsfp 2.
fsfp
fsfp
Hn. 1
Solo C Tpt.
f
f
Hn. 4
f
fltng. f
C Tpt. 1
p
fltng. f p f f
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
f
B. Tbn.
Db. 1-3
Pno.
Timp.
Perc. 1
ord.
ord.
f
mp
mp
3
3
mp
3
6
3
mf
mfsf
3
3
mpsf
3
3
mf
p
2 pieces of metal
fsf
3
p
3 3
3
1. arco
sfp con sord.
f
sfp
sfp
f
wood sticks
p
f
Med. Tam Tam with triangle beaters
f
con sord.
f secco
p, senza vibr.
ff-mf
fsf
f
f
mf
f
ff
p
f sf Sm. Crash Cym.
fsf
p
con sord.
f
sf-f
f
f
Triangle
Perc. 5
f
ff
p
Med. Wd. Bl.
Perc. 4
High Triangle
Perc. 3
f
f
High Wd. Bls.
Perc. 2
mp
f
Euph.
mp
fltng.
f
Hn. 3
fltng.
Hn. 2
p
f molto
32
Picc. 1
Picc. 2
Fl. 1
ff
sfp
sfp
Ob. 2
E. H.
Eb Cl.
Cl. 1
Cl. 5
B. Cl. 1
Bsn. 1, 2
pp
fsfp
f
Hn. 1
Hn. 2
Hn. 3
Hn. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tuba 1, 2
Db. 1-3
ff
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
f
fp
p
sf
to Bb Cl.
ff
f
mf
f
mf
p
f
(3.) p
f
fsf
p
mf
Tom Toms
fingers
pp
Bamboo Wind Chimes
ff l.v.
3
p
mf
mf
3
mp, lyrically
Meno, q = 58, urgent
div.
(1.2.)
mf
mf
mf
ff
fp
Meno, q = 58, urgent
mf
to Fl.
f
sfp
sfp
Pno.
p
f
f
p
6
f
3 6 sfmf f
mf
f
Solo C Tpt.
f
Picc.
55
f
sfp
fsfp
f
f
Cl. 3
Cbsn.
sfp
f
Ob. 1
Meno, q = 58, urgent 5
sfp
Fl. 2
Dumbek
Tom Toms fingers
fingers
fingers
pp
p 3
mp
6
pp
Tin Cans
mp
Bongos
6
mp
pp
pp light mallets
3
p
mp
6
p BD
p
Low, Med. Sus. Cym.
p
Tom Toms
pp
56 38
Fl. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
E. H.
Cl. 1
Cl. 2
Cl. 3
Cl. 5
B. Cl. 1
Picc. 1
Bsn. 1, 2
Cbsn.
6 Solo C Tpt.
5
3
mf
p
mf
3
f
f
3
mf
3
mf
Hn. 2
Hn. 3
Hn. 4
C Tpt. 1
Hn. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tuba 1, 2
Db. 1
Db. 2-3
Pno.
Timp.
Perc. 1
3
f
fp
6
f
pizz. mf arco
3
3
Bongos 6
Perc. 3
mf
Tamborine 6 3 p
mp
3
Lion’s Roar
6
p
Perc. 2
Perc. 5
mf
Perc. 4
p
3
3
p
Dumbek
Low Tam Tam
3
p
3
p
p, senza vibr., long bows
(two hands) 3
mp
p
3
p
3
3 6 6 Tin Cans
mp
pp
3
BD
pp
mp
Tenor Drum
3
p mp
6
6
6
6
6
6
mp
3
p
mp snare sticks
pp
3
p
SD snare sticks 6
BD
mp
6
soft beater 3
pp
6
6 3
3
mp
3
p
3
mp
6
p
6
6
3
44
57
e = e accel.
Fl. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
E. H.
Cl. 1
Cl. 2
Cl. 3
Cl. 5
B. Cl. 1
Picc. 1
Bsn. 1, 2
Cbsn.
Solo C Tpt.
Hn. 1
Hn. 3
Hn. 4
C Tpt. 1
3
f
3
f
3
mf
f
Tbn. 1
Tbn. 2
Euph.
e = e accel.
Db. 1-3
Pno.
Timp.
Perc. 1
mf
mf
mf
f
(wood sticks)
3
mp
3
pp
p
Wd. Bls
6
3
3
ppp
mp
pp
3
pp
mp
Tri.
Maraca
p
p
3
3
3
3
mp
3
3
p
3
p
p
mf
mf Tom Toms
p
6
6
3
3
3
f
3
f
6
3
3
f
3
3
Bongos
Tom Toms
f
6
pp
3
6
mp
Tin Cans
mf
p
p
pp
mf
3
6
Maraca
f
f
a3
1.
6
Perc. 5
mf
mf Perc. 4
mf
Perc. 3
p Perc. 2
p
p senza sord.
ff a2
f
B. Tbn.
Tuba 1, 2
ff
C Tpt. 3
ff
ff
ff
C Tpt. 2
ff
e = e accel.
mp
p
Hn. 2
Vib.
3
3
f
BD
3
3
58 49
Picc. 1
Fl. 1
Fl. 2
Con moto e = 120
Ob. 1
Cl. 1
Cl. 2
ff
f
ff
ff
Cl. 5
B. Cl. 1
Bsn. 1, 2
Cbsn.
Con moto e = 120 Solo C Tpt.
ff
ff
sf
mf
sf
f
mf
sf
sf
ff
sf
f
Cl.
sf
ff Cl. 3
f
sf
ff
f
f
E. H.
Fl. 3
Ob. 2
sf
sf
sf
f
f
Hn. 1
f
Hn. 2
f
Hn. 3
f
Hn. 4
f
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
mf
f
mf
f
mf
f
mf f f
B. Tbn.
Euph.
f
sf
Tuba 1, 2
Db. 1-3
mf
mf
f
mf
f
mf
f
mf
f
mf
f
sf
mf
mf
f
Pno.
Timp.
Perc. 1
Perc. 2
Perc. 3
mf
mf
Perc. 5
f
mf ff marc.
ff marc.
ff marc.
ff marc.
mf
f
f
mf
mf
f
mf
ff marc.
f
f
ff marc.
ff marc.
f Congas f
Perc. 4
ff marc.
Con moto e = 120
ff marc.
ff marc.
senza sord.
f
sf
f f senza sord.
ff marc.
mf
f
Tbn. 2
f
Mrmb.
3
ff
ff
Tom Toms hands
f
3
59 53
Picc. 1
Fl. 1
ff
ff
Fl. 2
Fl. 3
Ob. 1
Ob. 2
E. H.
f ff
Cl. 1
Flute ff
ff ff
Cl. 3
Cl. 5
B. Cl. 1
f ff
Bsn. 3
Cbsn.
Hn. 2
Hn. 3
Hn. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Euph.
Tuba 1, 2
Db. 1-3
Pno.
Timp.
Perc. 1
ff
f
f
sf
mf
mf
f
mf
mf
mf
mf
f
mf
mf
mf f mf f mf
f
f
f
f
mf
f
mf
f
mf
mf
mf
f
f
mf
mf
mf
f
mf
mf
f
sf
sf
f
f
f mf f
f mf
f
mf
f
f f 3 3 sf
f
mf
f
3
sf
f sf 1. sf
f sf mf
sf
3
mf
mf
ff mf sf sf f mf sf sf f sf sf
f
ff
f
Perc. 4
sf sf sf sf
Perc. 3
f ff mf
ff
ff
f
Perc. 2
ff
f
3
Perc. 5
f
B. Tbn.
ff
f
f
ff
f ff
Tbn. 2
f
a2
Solo C Tpt. Hn. 1
ff
Cl. 2
Bsn. 1, 2
f
mf
f
mf
60
57
Picc. 1
Fl. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
f
Cl. 1
Cl. 2
6
ff-f
3
3
B. Cl. 1
Bsn. 1, 2
Cbsn.
Hn. 2
f
Hn. 4
6
ff-f
C Tpt. 2
C Tpt. 3
3
Tbn. 1
f
f
f
f f f
6
f
Euph.
f 1.
Tuba 1, 2
Db. 1-3
Pno.
Timp.
Perc. 1
Perc. 3
ff-f
f
f-mf Perc. 5
cresc.
mf
6
mf
6
mf
cresc.
cresc.
cresc.
3
a2
6
6
ff
6
ff
ff
3
ff
3
ff
6
3
ffp
f
ff
ffp
ff
ffp
6
mf
6
6
3
6
to Cb. Cl.
ff
ff sf
sf
ff
ff
sf 3
sf
ff
f
3
ff
Xylo
ff
6
6
sf ff ff
ff
6
6
ffp
6
ff
6
6
ff
ffp
mf
ff ffp
ff
ff
ffp
ffp
ff
ff ff
ff
ff
cresc.
ff
ff
ff
6
6
ff
6
ff
ff-f
3
fp
mf
ff
6
6
6
cresc.
ff
6
ff
cresc.
6
mf
cresc.
6
6
6
6
6
6
ff
6
6
6
mf
Perc. 4
cresc.
6
6
6
mf
6
6
6
3
cresc.
f
B. Tbn.
f
Tbn. 2
ff
6
ff
6
6
mf
6
6
mf
ff
ff
6
f
ff
3
f
C Tpt. 1
6
3
6
6
mf
ff
f
Hn. 3
ff
3
Solo C Tpt. Hn. 1
ff
6
6
ff-f Cl. 5
mf
mf
ff
f
6
f
3
ff
Cl. 3
6
ff
3
ff-f
E. H.
6
3
(in 8ths) 60
Picc. 1
Fl. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
E. H.
Cl. 1
Cl. 2
Cl. 3
B. Cl. 1
Cb. Cl.
Bsn. 1, 2
Cbsn.
Hn. 2
Hn. 3
Hn. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tuba 1, 2
Db. 1-2
Db. 3
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
ff
ff
ff
p
mf
f non troppo espr.
f non troppo espr.
f non troppo espr.
marc.
(in 8ths)
3
mf
6
a2
mf
f sostenuto
f sostenuto
mf
3
f
rit.
3
3 3
a23
3
3
3
3
3
3 3 3 3
3
3
3
sord.
3
fp
f
mf
f
f
mf
3
3
3
3
3
3
mf
f
mf
3
3
3
3
poco f
3
3
f sostenuto
3
sord.
solo, senza sord.
p
6
3
f
6
3
3
f non troppo espr.
3 f
mf
6
mf
3
fp
3
3
f
3
3
3
3
3
f
poco f
3
f
3
3
3 f
3 f
3
3
3
3
Deliberato e = 104
rit.
hard felt
mf
f
mf
ff marc.
3
f
p
Deliberato e = 104
f
marc. ff marc. ff marc. ff marc.
3
marc.
3
mf
a2
(in 8ths)
p
p
ff
p
mf
p
ff
rit.
Pno.
Solo C Tpt. Hn. 1
61
e = 104 Deliberato ff p
sf
fmf
6
3
6
ff
Med. Crash Cyms.
f
62 Picc. 1
Fl. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
E. H.
Cl. 1
Cl. 2
Cl. 3
B. Cl. 1
Cb. Cl.
e = 96 Espressivo, poco a poco di più pesante (rall. poco a poco) 66
Cbsn.
f cantando
f cantando
mf cantando
mf cantando
mf
mf
più f
3
3
più f
f
Hn. 1
Hn. 2
Hn. 3
Hn. 4
con sord.
C Tpt. 2
C Tpt. 3
Tbn. 1
f molto
mf
f
f
Euph.
Tuba 1, 2
Db. 1-2
Db. 3
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
a2
mf
mf
p
mf
mf
6
più f
più f
più f
3
f
3
mf
3
mf
f
3
3
f
f
p 3
p
5
mf
p
6
mf f f
3
p
6
f
6
mf
mf
3
f
3
3
3
f
6
f 3
f
3
Mrmb.
senza sord.
mf
3
mf
p
f senza sord.
3
mf
3
f
f
f
f
3
Vib.
3
f
3
mf
unis.
f
6
6
3
f
3
3
6
3
3
3
più f
3
3
f
3
3
più f
e = 96 Espressivo, poco a poco di più pesante (rall. poco a poco)
3
f
ff
3
f
3
mf
3
p f 6 3 p f con sord.
mf
3
f
B. Tbn.
f
Tbn. 2
3
3
p
p
mf
6
3
mf
6
3 5
mf
3
3
con sord.
p
mp
f molto
f
3
6
f molto
C Tpt. 1
3
e = 96 Espressivo, poco a poco di più pesante (rall. poco a poco) Solo C Tpt.
f
3
3
6
più f
3
6
3
6
3
cresc.
6
3
6
più f
3
più f
cresc.
cresc.
mf
f
mf
3
3
3
mf cantando
f cantando
3
f
3
cresc.
3
mf cantando
Bb Cl.
f
f
3
3
mf cantando
f
f
Bsn. 1, 2
f cantando
Più adagio e = 72
72
Picc. 1
ff
ff
ff
ff
Cbsn.
f
f
f
Hn. 1
f sost.
f
mf
mf
mf
f
Hn. 3
Hn. 4
mf
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tuba 1, 2
mf
f
mf
f
mf
f
mf
f
mf
mf
f
mf
mf
f
f
mf
pp
f
mf
f
mf
mf
f
mf
mf
f
mf
mf
mf
ff
f
mf
mf
f
mf
p
ff
f
f
f
f
to Ob.
f
mf
ff
f
f
f
legato
f
f
senza sord.
mf, reinforce horns
mf
f-mf pesante
rfz
rfz
f-mf pesante
rfz
mf
f-mf
rfz
f
mf
rfz
f-mf
f
mf
f
mf
mf
Perc. 2
Perc. 3
Perc. 4
Perc. 5
Perc. 1
ff
legato
f
ff
Più di più pesante
senza sord.
mf
f
p
mf
mf
f
mf, reinforce horns
p
senza sord.
f-mf pesante mf f
f sempre
p
mf
f
f sempre
Più di più pesante
senza sord.
f-mf pesante
f
f-mf pesante
f-mf pesante
f-mf pesante
f mf a2 f
63
ff
f
f
f
Più adagio e = 72
f
mf
f
f
f a3
mf, reinforce horns
C Tpt. 3
C Tpt. 2
ff
f
mf
sost., pensoroso
sost., pensoroso C Tpt. 1
f
5
sost., pensoroso
f
sost., pensoroso
Timp.
f
Hn. 2
Db. 1-3
f
Più adagio e = 72 ff
mf
Solo C Tpt.
f
ff
f sost.
mf
f
Bsn. 1, 2
ff
Cb. Cl.
p
B. Cl. 1
Cl. 3
p
Cl. 2
ff
f
Cl. 1
ff
ff
E. H.
Più di più pesante
f
Ob. 2
ff
ff
Ob. 1
f
Fl. 3
ff
Fl. 2
f
Fl. 1
f
mf
64 allargando
78
Picc. 1
Fl. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Cl. 3
B. Cl. 1
Cb. Cl.
Cbsn.
Tuba 1, 2
Db. 1
Db. 3
Pno.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
ff
ff
f
f
rfz
rfz
rfz
mf
f
mf
f
rfz
rfz
rfz
rfz
rfz
rfz
rfz
rfz
Tenor Drum
Xylo.
f
3
f
sf
5
f sf
to Cl.
5
6 6
6
f
ff
to Bn.
Tempo 1, sostenuto q = 63 f
ff
ff
3
3
3
3
f
f
f
3
3
3
p 3
p
f
5
5
ff Tempo 1, sostenuto q = 63
ff
mf
ff
ff
Bongos snare sticks
ff
Tom Tom
ff
Vibes
Marimba
ff
3
mf
ff
ff secco
3 3 f 3
ff
6
f
6 6
f
ff
ff
5
p
3
ff
f
ff
f sf
to Cl.
f
ff
Med. Sus. Cym.
3
ff
ff
ff
ff
ff
allargando molto
rfz
ff
ff
ff
ff
rfz
ff
p
mp
allargando molto
to Eb Cl.
f rfz
Tempo 1, sostenuto q = 63
f rfz
f rfz
rfz
rfz
allargando
mf
rfz
f
rfz
f
f
f
f
f
rfz
f
rfz
mf
f
ff
ff
ff
ff
ff
f
Db. 2
Euph.
f
B. Tbn.
ff
f
Tbn. 2
C Tpt. 1
Tbn. 1
C Tpt. 3
Hn. 4
C Tpt. 2
ff
allargando
Hn. 3
Hn. 2
f
Solo C Tpt. Hn. 1
f Bsn. 1, 2
Ob. 3
allargando molto
6
ffsf
3
3
3
3 3
3
3
84
Fl. 2
Fl. 3
Picc. 1
Fl. 1
Ob. 1
Ob. 3
Cl. 1
3
6
3
sf
3
3
3
sf
3
3
f-mf
f-mf
3
f-mf
3
6
f
Cl. 5
Hn. 1
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tuba 1, 2
Db. 1-3
Perc. 1
mf
6
Perc. 3
3
mf
6
f
3
3 6
f-mf
3
f
3
f-mf
f-mf
3
fp
con sord., cuivre
sfp
p
f
6
6
f
6
f
3
3
3
3
3 sf
sf
3
3
3
3
3
Tin Cans
sf
3
3
sf
3
sf
3
Wd. Bl.
mf
6
fsf
3
3
3
6
sf
3
3
6
6
6
6
6
6
sf sf sf sf 3
3
sf
6
3
sf
6
sf
6
3
sf
6
sf 3
6
sf
sf
6
6
sf
sf
3
3
3
sf
sf
3
3
sf
3
3
sf
3
sf
3
sf
3
sf
3
sf
sf
3
3
3
3
3
sf
6
6
sf
sf
6
3
6
6
6
6
6
sf
6
sf
f, l.v.
sf
3
3
3
sf
sf
sf
6
6
6
6
sf
sf
sf
ff
6
f
sf sf sf sf TomToms 3 sf
Med. Crash Cym.
3 sf
ff
3 f
fp
ff
6
6
Poco più, q = 72 6 6 3
3
f
3
6
6
3
Perc. 5
3
6
3
Perc. 4
f
f
Poco più, q = 72
3
Perc. 2
6 sf
Timp.
ff
f
6 sf
3
Pno.
ff
f
mf
ff
f
6 sf
3
f
C Tpt. 2
Hn. 3
6
cresc.
Hn. 2
C Tpt. 1
6
Hn. 4
3
Solo C Tpt.
f
f
6
Clarinet in Eb 6 3 f 3 6 3
ff
Bsn. 3
3
65
ff
f
Cl. 4
Bsn. 1, 2
ff
6 6 3 ff f
3
6
f
6 6
3
Cl. 3
3
3
sf
Eb Cl.
sf
Ob. 2
Poco più, q = 72 6
6
sf
66 88
Picc. 1
Fl. 2
Fl. 3
Ob. 2
Ob. 3
Cl. 3
Cl. 4
Cl. 5
3
p
p
p
3
3
Bsn.
p
Hn. 1
Hn. 2
Hn. 3
f
C Tpt. 1
C Tpt. 2
C Tpt. 3
6
fp
6
fp
B. Tbn.
Euph.
3
Db. 1-3
Pno.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
6
mf
fp
f
p
6
sf
fp
mf
fp
mf
3
p
3
p
3
p
5
p
3
3
f sf
f sf
f sf f sf
f sf
3
p
sf Med. Sus. Cym - hard stick
fsf, l.v.
3
6
f
p
3
Crot.
f
ff
q = 69
a tempo q = 72
Congas
SD
3
p
6
3
f
6
f
move to position on front of stage
5
mf
p
p
3
3
move to position on front of stage
fp
broaden
a tempo q = 72
3
p
ffsf
f
3
3
p
a tempo q = 72 fp
fp
3
6
p
pp
3
3
p
Bongos
ffsf
Congas
3
3
f
SD
fsf
ffsf 3
Pesante
3
p
3
p div. a 3
ffsf
p
ffsf
p
3
p
3
6
6
p
f
3
f
fp
p
f
3
3
f
f
fp
f
fsf
ffsf
3
p
pp
ffsf
fsf
q = 69
p
a tempo q = 72 broaden
mf
mf
p
Tuba 1, 2
fsf
mf
3
6
ffsf
3
3
f
ffsf
3
ffsf
f
fp
f
fp
a tempo q = 72 6
ffsf
p
Tbn. 2
f
f
Tbn. 1
Pesante
p
ffsf
3
p
Hn. 4
f pesante
ffsf
3
p
Solo C Tpt.
3
p
ffsf
3
p
Cl.
ffsf
ffsf
3
p
f
q = 69
broaden
pp
f ffsf
p
3
p
3
3
3
p
ffsf
Bsn. 1, 2
3
p
p
Cl. 1
Eb Cl.
p
Ob. 1
Bsn. 3
Fl. 1
a tempo q = 72 f ffsf pp
Pesante 3
3
6
p
f
p
p
TomToms
3
f
93
Picc. 1
Fl. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
ff
ff
ff
ff
p
ff
p
p
p
p
ff
p
Ob. 3
ff
Eb Cl.
Cl. 1
ff
ff
p
p
ff
ff
ff
ff
Declamato e = 110 to Fl.
ff
ff
Cl. 4
fff
ff
Bsn. 1, 2
ff
6
ffsf
6
To Flug.
3
6 ff
mf
3
sf
mf
mf
3
ff
ff
3
3
ff
p
Tbn. 1
ffsf
Tbn. 2
B. Tbn.
ffsf
ffsf
Euph.
ffsf a2
Tuba 1, 2
Db. 1-3
sf
sf
sf
sf
sf
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
sf
3
ff
ff
Med. Sus. Cym.
f
p
f
sf
ff
High Tri.
ff ff
ff
hard sticks
p
Xylo.
ff
3
3
3
Mrm.
BD
hard mallets
3
ff
3
3
3
3
3
3
3
3
3
3
3
ff
3
3
3
3
ff
3
3 3
3
3 3
3
ff
3
ff
3
3
p
3
p
3
3
f
3
fmolto High Wd. Bls.
3 3
3
3 3
High Sus. Cym.
3
f molto
3 3
3
3
ff
p
3
p
3
ff
Declamato e = 110
3
ff
1.
ffsf
3
metal st. mute
fsf
Pno.
3
ff
p
3
3
3
3
ff
3
6 ff metal st. mute 3 6
3
3
ff
3
ff
3
ff
3
a2
3
Declamato e = 110 al sord.
C Tpt. 2
3
3
C Tpt. 1
3
C Tpt. 3
3
sf
3
sf
ffsf
Hn. 4
3
3
fff
3 3 3 3
3
3 3 3 fff 3 3 3 3 3 3 3 3 3 3
6
3
3
3
ff
3
fff
ffsf
Hn. 3
3
3
6
fff
ff
Solo C Tpt.
Hn. 2
3
3
fff
3
3
3
fff
Cl. 5
3
6
ff
Hn. 1
3
3
67 Fl.
3
3 3
3
3
3
6
fff 6 ff p ff fff 6
Cl. 3
Bsn. 3
fff
ff
3
fff
ff
6
6
fff
ff
p
3
68
98
Fl. 1
Fl. 2
3
Fl. 3
3
Fl. 4
3
Ob. 1
Ob. 2
Eb Cl.
Cl. 4
Cl. 5
sf
3
3
sf
3
sf
3
3
3
3
3
3
3
sf
3
sf
3
sf
3
3
sf
sf
Lento, tranquillo q = 44 lunga lunga lunga lunga
sf
3
sf
ff
ffp
ff
sf
lunga
ffp
lunga
lunga
Hn. 1
Hn. 2
Hn. 3
Hn. 4
C Tpt. 1
sf
C Tpt. 2
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
ff
ff
3
3
ff
Db. 1-3
1.
2,3
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
ffp
p
ff
ff
ffp
ff
ff
ffp
pp
3
3
sf
pp
pp
to B. Cl.
pp
mp, dolce, gently singing, sotto voce but distinct
1.
6
3
p
6
ord. lunga
via sord.
f
ff
f
ff
ord. lunga
fltg.
ffp
lunga lunga
quietly move offstage to prepare for front-of-stage position
quietly move offstage to prepare for front-of-stage position
sff
ff
3
st. mute
lunga
lunga
lunga
lunga
lunga
Lento, tranquillo q = 44
mf
mp
lunga fff lunga
p
Vib.
Crot. with bow
n
5
pp
lunga
lunga
pp
Bb Cl.
lunga
sf
lunga
3
lunga
to Cl.
lunga
lunga
lunga
ff
to E. H.
Lento, tranquillo q = 44
ffp
pp
lunga
ff
ffp ff
ff
ffp
ff
lunga
ff
ffp 1.
Tuba 1, 2
sfp
to Picc.
lunga
sfp
fltg.
al sord.
lunga
fltg.
lunga
3
sf
C Tpt. 3
lunga
Solo C Tpt.
lunga
to Picc.
to Cbsn. lunga
pp
lunga
lunga lunga
pp
lunga lunga
3
Bsn. 1, 2
sf
3
Cl. 3
3
Cl. 1
3
3
Ob. 3
Bsn. 3
3
69 Picc. 1
106
p
Picc. 2
p
pp
Ob. 1
mp
Cl. 1
mp
mp
B. Cl. 1
pp
p
p
2. mp
mp
p
p
poco mf
9
3
6
3
6
9
mf tranquillo
p
mp
C Tpt. 1
C Tpt. 2
C Tpt. 3
mp
Tbn. 1
p
pp
p
6
pp
mp
5
pp
p
mp
Tbn. 2
B. Tbn.
Euph.
Tuba 1, 2
Db. 1-3
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
p
mf
mf
pp
9
p
3
pp
9
p
p
pp
p
3
pp
p
pp
Hn. 4
mp dolce
con sord.
3
mp
mp
pp
solo, senza sord.
con sord.
p
pp
(senza dim.)
(2.)
mp
con sord.
3 6 3 5
p
mp
p
pp mp
p
p
Solo C Tpt.
Hn. 3
mp
Hn. 2
p
Cl. 5
Hn. 1
mp
pp
p
p
Cbsn.
p
pp
p
mp
Bsn. 1, 2
to Fl.
3
E. H.
Cl. 3
p
Cl. 2
pp
Ob. 2
pp
Fl. 2
pp
Fl. 1
70 111
Picc. 1
Fl. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
E. H.
p
poco a poco rit.
Cl. 2
Cl. 3
mp
p
mp
B. Cl. 1
mp
mp
Bsn. 1, 2
mp
Cbsn.
p
3
Hn. 1
5
p
Hn. 2
Hn. 3
Hn. 4
C Tpt. 2
C Tpt. 3
3
pp
3
p
3 3 p
p
3
B. Tbn.
Euph.
Tuba 1, 2
Db. 1
Db. 2
Db. 3
pp
pp
pp
3
3
3 3
pp
3
pp
3
3
Perc. 2
Perc. 3
Perc. 4
mf
3
3
3 3
Low Sus. Cym.
mp
pp
3
3
pp
poco a poco rit.
pp
Perc. 5
Perc. 1
Timp.
p
Hp.
p
p 3
p
p
pp
Pno.
p mf
pp
p
p
solo
10
pp
pp
dim.
p
mp
p
p
6
6
p mf
dim. 5
pp
mf
più p 6
Tbn. 2
mf
C Tpt. 1
mp
p mf
3
6
mp
Tbn. 1
mf
mf
poco a poco rit. Solo C Tpt.
6
pp
p
p
p mf
f
Cl. 5
f
mf
to Eb Cl.
solo
mf
pp
3
mf
Cl. 1
p
rall.
116
Picc. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
mf
Cl. 5
B. Cl. 1
f
mf
mf
p
rall.
Hn. 3
Hn. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Db. 1
Db. 2
Db. 3
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
Freely and Expressively, e = 72-76
p
pp
pp
(con sord.)
con sord.
6
mp
pp
mute out
pp
rall.
p
sul pont.
pp
(con sord.)
pp
mf
p, sotto voce
Hp.
pp
Pno.
(1.)
Tuba 1, 2
p sotto voce
solo, con sord.
Euph.
solo, con sord.
con sord.
pp
pp
p
Hn. 2
p
Solo C Tpt.
Hn. 1
Bsn. 1, 2
Cl. 3
Cl. 1
Eb Cl.
p
E. H.
Cbsn.
Fl. 1
71
Freely and Expressively, e = 72-76
mp
sul pont.
pp
Freely and Expressively, e = 72-76
p
72 118
Picc. 1
Fl. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
E. H.
Eb Cl.
Cl. 1
Cl. 3
Cl. 5
B. Cl. 1
Bsn. 1, 2
Cbsn.
Hn. 3
Hn. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 2
B. Tbn.
Euph.
Tuba 1, 2
Db. 1
Db. 2
Db. 3
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
ff
ff
3
3
sf
mf
p
senza sord.
senza sord.
senza sord.
5
espr.
f
10
3
mf
mf
mf
f
f
sf
f sf f
sf
3
mf
fmolto
ff
mf
ff
mf
5
5
ff
ff-mf
f
f
sf
3
sf
f
sf-mf
3
f
ff-mf
f-mf
pp
flz.
ord.
3
f
f
3
sf-mf
f
sf
f
sf
pp flz.
f
pp
f-mf
3
Sost., e = 58
f
3
sf-mf
pizz.
sf
ord.
sf
3
sf
sf
f
sf-mf
3
3
pp
pp
mf
Sost., e = 58
sf
flz.
Tbn. 1
3
Hn. 2
Solo C Tpt. Hn. 1
Sost., e = 58
fsf
rall.
124
Picc. 1
Slowly
molto rall.
73
Sostenuto e = 58
rit.
a tempo
accel.
Fl. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
E. H.
Eb Cl.
Cl. 1
3
p
Cl. 3
pp 3
p
pp
Cl. 5
p
pp
p
p
B. Cl. 1
pp
pp
pp
mf
pp
mf, espr.
Bsn. 1, 2
Cbsn.
rit.
rall. Solo C Tpt. Hn. 1
molto
Hn. 2
Sostenuto e = 58 to Picc. Tpt in Bb mp p pp legg. mf ------- ,
Slowly
molto rall.
6
3
pp poco con sord. sf
p con sord.
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
Hn. 3
Hn. 4
C Tpt. 1
B. Tbn.
Euph.
Tuba 1, 2
Db. 1
Db. 2
Db. 3
p
pp
pp via sord.
via sord.
on front of stage
move into position
senza sord.
p
molto rall.
con sord.
pp
pp
pp
mute out
poco sf
p
pp
mf
mp
pp
arco
pp
pp
pp
(,)
mute out
arco
mp
(,)
mp
mp
mp
pp
pp
pp
pp
pp
a tempo accel.
pp
Perc. 2
Perc. 3
Perc. 4
pp
l.v.
p,
p
arp.
Low Sus. Cym
Med. Tam Tam soft mallets
move into position on front of stage
pp
p
con sord.
Perc. 5
Perc. 1
f
Timp.
Hp.
3
solo
f
via sord.
rit.
Pno.
3
Sostenuto e = 58
mp
pp
p
accel.
pp
mp
a tempo
pp
p
Slowly
rall.
mp
f
pp
pizz.
3
pp
mf, espr
3 3
p
mf
p
pp
-------
3
f
p
pp
poco sf
p
pp
p con sord.
pp
pp
-------
Soli
mf
pp
pp
soft mallets
p
l.v.
pp
p
Picc. SD
pp
molto
molto
ALTERNATE ENDING WITH ADDITIONAL TRUMPETS BEGINS ON PAGE 79
74
Maestoso, with movement q = 69 132
Picc. 1
Fl. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
E. H.
Eb Cl.
Cl. 1
Cl. 3
Cl. 5
B. Cl. 1
Bsn. 1, 2
Flute
f
f f f f f f f f
Hn. 2
Hn. 3
Hn. 4
C Tpt. 1
C Tpt. 2
sfp
f
f
sfp
f
f
f
sfp
f
sfp
f
sfp
sfp
sfp
sf-f
f senza sord.cuivré
mf senza sord, cuivré
mf senza sord, cuivré
mf senza sord, cuivré
in position in front of stage
mf
Tbn. 2
B. Tbn.
Tuba 1, 2
Db. 1
Db. 2
Db. 3
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
sfp
f
f
sfp
f
sfp
f
senza sord. mf
f
1.
mf
sf-f ord., pizz.
ord.
f
ff
sf-f
fp ff
ff
Med. Crash Cym.
fs Chimes
f
BD
fmf
ff
Glock.
Crot.
f
sf-f
Maestoso, with movement f q = 69
ff sf
f
sfp
f
f
f
sfp
fsfp
3
f
f molto
f
senza sord.
senza sord.
Euph.
3
ff fsfp f
f
sf-f
fsfp
f senza sord.
mf
Tbn. 1
sf-f
f molto
p
fsfp
senza sord.
C Tpt. 3
f
in position in front of stage
f
f
f
sfp
Cbsn. Maestoso, with movement Picc. Tpt in Bb q = 69 Picc. Tpt. Hn. 1
f
sfp
f
sfp
sfp
f
sf
ff
f
140
Picc. 1
Fl. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
E. H.
Eb Cl.
Cl. 1
Cl. 3
Cl. 5
B. Cl. 1
Bsn. 1, 2
Cbsn.
sfp
sfp
f
sfp
Hn. 3
Hn. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tuba 1, 2
Db. 1
Db. 2-3
Pno.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
sfp
f
f
sfp
f
f
sfp
sfp
f
sfp
f
sfp
sfp
f
f ff sf-mf
sfp
sfp
ff-f molto
sfp
f
f
f
div.
sf-f
fp
ff
f
ff
p
fmf
ten.
ten.
ten. ff ten.
ff
ten.
ff ten.
ff ten.
ten.
ff
ff
ritorno al
ten.
ff
ten.
ff
ten.
ten.
ten.
ff
ff
ff
ff
ten.
ff
ff
Broadening
ritorno al
f
ff
ten.
ten.
ff
ten.
ff
ff
ff
ten.
f
ff
75
Broadening
ff
f
a2
f
f
sf-f (pizz.)
f
ff
f
sfp
1.
f
sfp
sfp
sfp
ten.
f
ff-f molto
f
f
sfp
f
ten.
ritorno al
ff
sfp
ff
f
3
f
f
f
sfp
Picc. Tpt.
Hn. 2
sfp
Hn. 1
sfp
sfp
f
f
ten. ff ten.
Broadening
Sm Crash Cym.
hard sticks ten.
Sus. Cyms
ff
(non trem.)
ff
ffsf
sf ff
SD
p
76 145
Picc. 1
Fl. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
E. H.
Eb Cl.
Cl. 1
Cl. 3
ff
ff
mf
ff
ff
mf
ff
mf
mf
ff
ff
ff
Cl. 5
B. Cl. 1
Bsn. 1, 2
Cbsn.
Hn. 1
ff
Picc. Tpt.
ff
Hn. 3
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
Euph.
Tuba 1, 2
Db. 1
Db. 2-3
mf
mf
mf
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
f
mf
f
ff
ff
ff-mf
ff-mf
ff
fsf
ffsf-mf
ff-mf
ffsf-mf
ff-mf
ffsf-mf
ff-mf
ffsf-mf
ff-mf
ff-mf
f
sf
ff-f
ff-mf
ffsf-mf
ffsf-mf ffsf-mf
ffsf-mf
ff-mf
ff-mf
ff-mf
ff
ff-mf
ff
Più sost. q = 66
sf
ff
ff
sf
ff
ff
ff-mf
ff-mf
(arco)
ff-mf
ffsf-mf
ff
mf
ff-mf
ffsf-mf
mf
ffsf-mf
ff
f
ff-mf
ffsf-mf
mf
ffsf-mf
mf
Più sost. q = 66
Pno.
mf
ff
ff-mf
ff
ff
B. Tbn.
mf
mf
ff
C Tpt. 1
ffsf-mf
ff
ff
Hn. 4
alternate
ff
Hn. 2
mf
ff ff ff ffsf-mf ffsf-mf ffsf-mf
ffsf-mf
mf
ff
mf
Più sost. q = 66
ff-f Glock. ff Crot. ff 3 Piccolo SD f 3 f
f
147
Picc. 1
Fl. 1
Fl. 2
Fl. 3
Ob. 1
ff-mf
ff-mf
ff-mf
Cl. 3
Cl. 5
Cbsn.
Hn. 3
Tbn. 2
B. Tbn.
Euph.
Db. 1
Db. 2-3
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
ff-mf
sf
ff
3
ffp
q = 60
3
3
ff-mf
3
3
3
3 3 3 3 3 3 3
3
3
3
3
3
3
3
3
ff-mf
3
3
3
3
ff-mf
3
3
3
f
ff
ffp
ffp
ff-mf
f
ffp ffp ffp
p
ff
(molto rapido)
(molto rapido)
Tom Toms
no accents 6 p
Crash Cym. Lg.
ff
6
fff
fff
ff-f
f ffp allarg. Sostenuto, q = 60 ffsf ffsf p ff ff p mf
3
p
ff-mf
3
sf
ff
ff
ff
ff-mf
3
sf
Sostenuto,
6
ff-mf
ff
p
ff
ff-mf
sf
ffp ffp ffp ffp
ff-mf
p
6
3
3
Perc. 5
accel. molto, independently
Perc. 4
ff-mf
6
accel. molto, independently
Perc. 3
3
ff-mf
ff-mf
ff-mf
Tuba 1, 2
allarg.
ff-mf
ff
ffp
ffp
ff-mf
sf ff-mf ff-mf ff-mf ff-mf
Tbn. 1
sf
3
ffp
ff
f
sf
C Tpt. 3
ff-mf
C Tpt. 2
ff-mf
C Tpt. 1
ff-mf
sf ff-mf ff-mf
Hn. 4
ff-mf
Hn. 2
Hn. 1
3
ff
sf
ff-mf
Picc. Tpt.
ff-mf
ff-mf
ff
ff
ff-mf
ff
ff-mf
ff-mf
Bsn. 1, 2
B. Cl. 1
ff-mf
ff-mf
ff-mf
Cl. 1
ff-mf
Eb Cl.
77
Sostenuto, q = 60 ffp ffp ffp to Picc.
ff-mf
E. H.
Ob. 2
allarg.
78 149
Picc. 1
ffp
ffp ffp
Picc. 2
Fl. 1
Fl. 2
ffp
Ob. 1
Ob. 2
Cl. 1
Cl. 5
B. Cl. 1
Bsn. 1, 2
Cbsn.
sf
3
Hn. 1
ffp
3
sf
ff
p
sf 3
6
5
3 3 3 3 3
ff-mf
3
3
3
3
3
3
3
3
ff-mf
3
3
3
3
Tbn. 1
Tbn. 2
B. Tbn.
3
3
3
Hp.
Timp.
fsf
fsf
3
3
3
3
3
3
fff
fff
fsf
3 3
3 3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
fff
ff
3 3 3 3 3
cresc.
3
3
3
3
3
cresc.
3
3
3
3
3
ff
3
fsf
ff
fsf
ff
fsf
ff
ff ff
sf
p
Crash Cym. Med..
6
6
p
cresc.
hard mallets, no accents sim. 6
cresc.
6
6
f
sim. 6 6
6
ff
broaden
sf
ff
ff
cresc.
ffp
p
fff
3 3 3 3 3 3
fff
broaden
Bongo
Perc. 5
fff
ff-f
cresc.
Perc. 4
fff
3
3
Tri.
Perc. 3
fff
ff
Perc. 2
ffp
f
Perc. 1
fff
fsf
p
ffp ffp
fff
3
ffp
Pno.
fff
ff-f
ffp
3
3 3
3
fff
3
Db. 2-3
sf
3
fff
ffp
3
Db. 1
ffp
Tuba 1, 2
ffp
Euph.
C Tpt. 3
sf
ffp
C Tpt. 2
3
fff
fff
ffp
ffp
C Tpt. 1
fff
Hn. 4
sf
Hn. 3
3
sf
Hn. 2
fff
sf
ffp
Picc. Tpt.
Cl. 3
sf
Eb Cl.
sf
3
E. H.
broaden
ff
Bongos
ff ff
fff
ff
BD
p
ff Winter 2009 - Feb. 12, 2010
Appendix with additional Trumpets
79
Maestoso, with Movement q = 69 132
Picc. 1
Fl. 1
Fl. 2
Flute
Fl. 3
Ob. 1
Ob. 2
E. H.
Eb Cl.
Cl. 1
Cl. 3
Cl. 5
B. Cl. 1
Bsn. 1, 2
Cbsn.
f f
f f f f f f f f
f f
f
f
sfp
f
sfp
f
sfp
f
sfp
f
sfp
f
sfp
f
sfp
f
sfp
f
sfp
f
Hn. 2
Hn. 3
Hn. 4
C Tpt. 1
sf-f
sf-f
sf-f
C Tpt. 2
C Tpt. 3
C Tpt. 4
C Tpt 5.
Tbn. 1
Tbn. 2
B. Tbn.
in position in front of stage
mf senza sord, cuivré mf
in positionin front of stage
senza sord.
f
Tuba 1, 2
Db. 1
Db. 2
Db. 3
mf senza sord, cuivré
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
f
senza sord.
1.
f
f
sfp
f
f
sfp
f
sfp
f
sfp
f
sfp
f
f f
sf-f
ff
Glock.
fp ff
Crot.
ff
Med. Crash Cym.
fs
Chimes
f
fmf
(3+2+2)
sf ff
sf-f
(3+2+2)
sfp
f
f
ord.
sf ff
fsfp
f
sf-f ord., pizz.
fsfp
mf
f
sfp
mf
fsfp
f
mf
f
f
3
f
Maestoso, with Movement q = 69
Pno.
p
f senza sord. f senza sord.
f ff senza sord.cuivré fsfp f mf senza sord, cuivré
senza sord.
Euph.
3
sfp
sfp
Maestoso, with Movement Piccolo Trumpet in Bb q = 69 Picc. Tpt. Hn. 1
(3+2+2)
f
Appendix with additional Trumpets
140
Picc. 1
Fl. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
E. H.
Eb Cl.
Cl. 1
Cl. 3
Cl. 5
B. Cl. 1
Bsn. 1, 2
Cbsn.
Hn. 2
Hn. 3
Hn. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
C Tpt. 4
C Tpt 5.
Tbn. 1
Tbn. 2
B. Tbn.
Euph.
Tuba 1, 2
Db. 1
Db. 2-3
Pno.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Perc. 5
f
f
sfp
sfp
f
sfp
f
sfp
f
f
f
f
sfp
f
f
sfp
sfp
sfp
f
3
f ff sf-mf
f
sfp
f
Broadening
ff-f
sfp
f
p
f
div.
fp ff ff f
f
fmf
ten.
ff
Broadening
ritorno al
f
ff
ten.
ff
ten.
ff
ten. ff
ff
ff
f
f
ten.
f
sf-f
ten.
f
sfp
ff
sf-f (pizz.)
a2
f
ff
ten. ff
f
sfp
f
f
sfp
1.
f
f
sfp
sfp
ff
ten. ff ten.
f
sfp
ten.
f sfp ff-f
ritorno al
f
ten.
ff
sfp
ff
ff
ten.
f
ff
ten. ff ten. ff ten. ff ten.
ff ten.
ff ten.
sfp
ten. ff
ten.
ff
80
ff ten.
ff
ff
ritorno al
ten.
f
ten. ff ten.
Broadening
f
sfp
sfp
sfp
sfp
sfp sfp
Picc. Tpt. Hn. 1
sf ff hard sticks ten.
Sus. Cyms
(non trem.)
ff
Sm Crash Cym.
ffsf
ff
SD
p
Appendix with additional Trumpets
81 145
Picc. 1
Fl. 1
Fl. 2
Fl. 3
Ob. 1
Ob. 2
E. H.
Eb Cl.
Cl. 1
Cl. 3
Cl. 5
B. Cl. 1
Bsn. 1, 2
Cbsn.
ff
ff
mf
ff
ff ff
mf
Hn. 2
Hn. 3
Hn. 4
ff
C Tpt. 2
C Tpt. 3
C Tpt. 4
Tbn. 1
Tbn. 2
Euph.
ff ff ff
Db. 1
Db. 2-3
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
mf
mf
mf
mf
mf mf
f
ff-mf
ff-mf
ffsf-mf
ff-mf
ff
ff
ff-mf
ffsf-mf
ff-mf
ffsf-mf
ff-mf
ffsf-mf ffsf-mf
ff-mf
(arco)
ff-mf
ff
ff
Poco sost. q = 66
ff-mf
ff-mf
sf
ffsf-mf
sf
ff-mf
ff
sf
ff-mf
ff
sf
ff-mf
mf
ffsf-mf
ff-mf
mf
f
ff-mf
ff f
ff-f
mf
f
ff
ffsf-mf
ffsf-mf
ff-mf
mf
ffsf-mf
ff-mf
ff-mf
ffsf-mf
mf
ff-mf
ffsf-mf
ffsf-mf
fsf
ffsf-mf
mf
ffsf
mf
ff
ff
Poco sost. q = 66
ff-mf
ffsf-mf
ff ff
ffsf-mf
ff
Tuba 1, 2
mf
Alternate
ff
B. Tbn.
mf
mf
ff
C Tpt 5.
ff
ff
C Tpt. 1
mf
ff
mf
ff
Hn. 1
ff
Picc. Tpt.
ff
Poco sost. q = 66 ffsf-mf ff ff ff ffsf-mf ffsf-mf ffsf-mf
ff-f Glock. ff Crot. ff Piccolo SD 3 f 3 f
f
Appendix with additional Trumpets
147
Picc. 1
Fl. 2
Fl. 3
Ob. 1
ff-mf
ff-mf
E. H.
ff-mf
Cl. 3
Cl. 5
B. Cl. 1
ff-mf
C Tpt. 3
Tbn. 2
B. Tbn.
Db. 1
Db. 2-3
Pno.
Hp.
Timp.
Perc. 1
Perc. 2
3
Perc. 4
Perc. 5
3
p
ffp
q = 60
3
3
ff-mf
3
3
3 3 3 3 3 3 3
3
3
3
3
3
3
3
ff-mf
3
3
3
3
3
ff-mf
f
f
3
3
ff
ff
f
ff
ffp
ffp ffp ffp ffp
f
f ffp allarg. Sostenuto, q = 60 ffsf ffsf p ff ff p mf
p
ff
(molto rapido)
Tom Toms
Lg. Crash Cym.
ff
no accents 6 p
fff
fff
ff-f
(molto rapido)
3
accel. molto, independently
sf
ff-mf
3
ff
3
ff
ff
ff-mf
accel. molto, independently
Perc. 3
sf
3 3
ff-mf
sf
3
ff
p
ff
ff-mf
sf
Sostenuto,
6
ff-mf
p
ff
ff-mf
ff-mf
ff-mf
ff-mf
ff-mf
Tuba 1, 2
6
ff-mf
Euph.
3
ff-mf
ff-mf
Tbn. 1
ff-mf ff-mf ff-mf
ff
6 3 ffp ffp ffp ffp
ff-mf
C Tpt 5.
ff-mf
ff-mf
C Tpt. 4
sf
C Tpt. 2
allarg.
ff-mf
sf
3
ff
ffp
ffp
ff
ffp
ff-mf
ff-mf
sf
ff-mf
C Tpt. 1
ff
f
sf
ff-mf ff-mf
Hn. 4
Hn. 3
ff-mf
Hn. 2
ff-mf
ff-mf
Hn. 1
ff-mf
ff-mf
Bsn. 1, 2
ff-mf
ff-mf
ff
ff
ff-mf
ff-mf
Cl. 1
ff-mf
ff-mf
Eb Cl.
ff-mf
Ob. 2
Picc. Tpt.
82
Sostenuto, q = 60
ffp ffp ffp to Picc.
Fl. 1
Cbsn.
allarg.
6
Appendix with additional Trumpets
83 149
Picc. 1
ffp
ffp ffp
Picc. 2
Fl. 1
Fl. 2
ffp
Ob. 1
Ob. 2
E. H.
Cl. 3
3
ff
p
3
sf
6
5
3
3
3 3
3
3
3
3
3
3
3
ff-mf
3
ff-mf
3
3
3
fff
fff
fff
fff
fff
3 3
3
3
3
3
fff
fff
fsf
fsf
fsf
fff
broaden
3
ff-f
3
3
3 3
3
ff-f
3
3
3 3
3 3 3
3
3
3
3
3
fff
3
3
3
3
3
3
3
3
3
3
3
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3
3
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3 3 3 3 3 3
cresc.
3
3
3
3
cresc.
3
3
3
3
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3
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cresc.
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ff ff
ff broaden
f p Crash Cym. Med..
sf
6
6
sim. 6 6 cresc. Tri. p
hard mallets, no accents sim. cresc.
6
ff
sf
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ffp
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Perc. 5
sf
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3 3 3 3 3 3 3
3 3
p
Bongo
Perc. 4
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Perc. 3
3 3 3
Perc. 2
B. Tbn.
Perc. 1
Tbn. 2
Timp.
fff
sf
ffp
sf
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ffp
Hp.
C Tpt 5.
Pno.
sf
C Tpt. 4
Db. 2-3
Db. 1
sf 3
Tuba 1, 2
3
Euph.
ffp
3
Tbn. 1
sf
3
C Tpt. 3
broaden
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C Tpt. 2
ffp
Picc. Tpt. Hn. 1 ffp Hn. 2 ffp Hn. 3 ffp Hn. 4 C Tpt. 1
3
sf
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Bsn. 1, 2
B. Cl. 1
Cl. 5
Cl. 1
sf
Eb Cl.
Cbsn.
6
cresc.
6
6
f
Bongos
ff
ff ff
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BD
p
ff
ff Winter 2009 - Feb. 12, 2010