DAVID OSMOND THE 2026 STAR AWARD
David Osmond was born into show business as part of the world-renowned Osmond family, and he has carried forward that iconic legacy with remarkable success, resilience, and heart.
He began performing at just four years old and was discovered by Bob Hope as the lead singer of The Osmonds 2nd Generation, a group comprised of Alan Osmond’s sons. David went on to tour sold-out arenas across the United States, Europe, and Asia, secured recording contracts with Curb Records and Epic/Sony, and earned four Top 40 hits in the United Kingdom. As a featured performer at the Osmond Family Theater in Branson, Missouri, he received multiple honors for his work on stage.
In one of Broadway’s most beloved musical theater roles, David starred as Joseph in Joseph and the Amazing Technicolor Dreamcoat, proudly continuing a family legacy by stepping into the role made famous by his uncle, Donny Osmond, and continued bringing the role to life for years to come. David gained national recognition as a featured contestant on FOX’s American Idol, further solidifying his place in the entertainment industry.
“If there ever were anyone who could carry on the legacy of the performing Osmond family, it would be my nephew, David Osmond. Not only does he have an incredible voice, but his personality can light up a room — let alone a stage. I’ve seen that firsthand when he was my understudy during my run of Joseph and the Amazing Technicolor Dreamcoat. My gratitude goes out to those who made this award possible for David. He is certainly deserving of it.”
Donny Osmond
David is also the frontman of The Osmond Chapman Orchestra (OCO), a dynamic big band collaboration with renowned bandleader Caleb Chapman. Their debut album, released through Sony and Universal, broke into the Top 5 on iTunes. From crooner classics to contemporary hits and originals, OCO performances celebrate what David calls the “New American Songbook.”
Throughout his career, David has performed at the Flamingo Hotel in Las Vegas, toured nationwide alongside his aunt Marie Osmond, and shared the stage with legendary artists including Stevie Wonder, The Eagles, Steven Tyler, and Earth, Wind & Fire. His performances have spanned iconic venues from London’s Wembley Arena to the Rose Bowl and Harpo Studios with Oprah.
An Emmy-nominated television host and co-executive producer, David leads the legendary show Wonderama, filmed in Times Square and syndicated nationally and internationally for over a decade. He also appears weekly as a host on Fresh Living on CBS KUTV Channel 2 in Utah.
Beyond entertainment, David serves as President of TribeHouse, an exclusive executive organization dedicated to building meaningful relationships among Utah’s top business leaders.
In 2006, David received a life-altering diagnosis of Multiple Sclerosis, temporarily halting his performing career. Through extraordinary determination and faith, he fought his way back to the stage, becoming a symbol of hope within the MS community. His inspiring anthem, “I Can Do This,” debuted on FUSE’s Top 20 Countdown and has uplifted millions.
Above all, David considers his greatest blessing to be his family — his wife, Valerie, and their three beautiful children, Saffron, Azalea, and Everest — whose love has sustained him through every triumph and every challenge.
“I’ve had the privilege of watching David up close - both as a colleague and a neighbor - and what moves me most isn’t just his extraordinary talent—it’s his heart. Yes, he’s an amazing singer and entertainer. But what defines him is that he never stops working to get better. What many people don’t see is the quiet strength it takes for him to do what he does. He wakes up every day with physical pain most of us will never understand. And yet, he never asks for sympathy. He never makes excuses. Instead, he shows up with courage, gratitude, a beaming smile, and a determination to lift everyone around him. David doesn’t just inspire through what he accomplishes. He inspires through how he lives.”
Caleb Chapman Bandleader and Saxophonist, Osmond Chapman Orchestra
“There are people who walk into a room and you notice the talent first. With David Osmond, you notice the man.
Yes, he has been blessed with gifts — a voice that can move you, a presence that draws people in — but those are not what make him extraordinary. What makes David extraordinary is his character. His kindness. His humility. His devotion to family, to faith, and to principles that don’t bend with the wind.
David has faced struggles that would have broken most people — burdens that might have convinced a lesser man to sit down and give up. And yet he stands. I’ve often thought that perhaps God allows him to literally stand because he chooses to stand for the things that matter most: family, faith, country, and the quiet dignity of doing what is right even when it’s hard.
I’ve told David this before, and I’ll say it again publicly: if I had a magic wand that could make a man’s dreams come true, I would wave it for him. I’ve met many people with bigger names, brighter lights, and louder applause — but I have never met a bigger or better man than David Osmond.
And knowing him reminds me that greatness isn’t measured by fame. It’s measured by who you are when the lights go out — and by that measure, David is truly one of the great and noble.”
Glenn Beck Friend
Host of The Glenn Beck Program
“David is one of those rare people who turns every challenge into a triumph and every performance into a celebration. He’s someone who has shown me and everyone around him what it means to persevere and to do it with a smile.
Performing with David over the years, I’ve watched him grow in ways that go far beyond just music. He’s faced enormous challenges with his health, and instead of letting them hold him back, he’s used them to become even stronger. He reminds me so much of how a true mentor touches lives. Not just by teaching skills, but by inspiring everyone to keep going, to embrace every aspect of life’s journey, and to find joy in it.
As an entertainer, he amazes me. Just like we say on stage, out of all the Osmonds, there are only two of us who can truly sing multiple genres of music. And tonight, you’re looking at both of us. But more importantly, you’re looking at someone I’m honored to call my family, my duet partner, and a true inspiration.”
Marie Osmond
“I will never forget the first time I heard David sing. It was actually on the phone after our first date, and I was speechless for a moment. He had such an angelic resonance, but also so much soul and control. What was remarkable to me as I continued to get to know him better, was his musical talent was just one facet of hundreds of attributes that made up this incredible man. David’s ability to be authentic and genuine and humble fascinates me still after being together for 21 years. I adore how he connects with his audiences onstage and with people offstage, truly caring to hear their stories. David has faced the debilitating disease MS with such resilience and positivity, he truly is my hero and the love of my life! I am so grateful to be by his side, experiencing parenthood and all the trials and joys of our beautiful life together.”
Valerie Osmond David’s wife
LIFETIME ACHIEVEMENT
UTAH YOUTH SYMPHONY
BARBARA SCOWCROFT, DIRECTOR
Utah Youth Symphony is Utah’s oldest youth symphony. In keeping with the invincible pioneer spirit of Utah, two years after Robert Lentz was hired by Maurice Abravanel to become the Utah Symphony’s Timpanist, Robert realized that there were impressive high school musicians who were hungry to play full-length classical repertoire.
He took action and in 1959, Utah Youth Orchestras & Ensembles (now Utah Youth Symphony) was born. For the last 67 years, high school students have been reveling in and performing classics from the same orchestral repertoire as professional symphonies.
Following Robert, in 1984, Jason Klein, director of orchestras at the University of Utah, assumed the role of Music Director. Under his leadership, the Utah Youth Symphony evolved from being a sightreading orchestra to a performing orchestra for audiences – and began performing in Utah’s best performance venues: Libby Gardner Hall in the School of Music at the University of Utah, the Salt Lake Tabernacle, and Abravanel Hall.
Jason left the University in 1986 and Barbara Scowcroft, a member of the violin section of the Utah Symphony, became Music Director and Conductor of the Utah Youth Symphony. In the ensuing years, the Utah Youth Symphony’s orchestras have had many great adventures. UYS was featured in the Cultural Olympiad during the 2002 Winter Olympics in Salt Lake City. UYS has commissioned and performed many new works and started a
Young Composer Project which is free to any student (not just those in UYS) who wants to learn to compose for a full orchestra. In 2008, due to a growing population and interest, Barbara launched the Utah Youth Philharmonic. The Friday Philharmonic and the Saturday Symphony perform individual concerts in January and then combine each spring in Abravanel Hall for a massive end of year spectacular! The Prelude Orchestra for younger players also participates in the end of year concert. This May, we will present Symphony Fantastique by Hector Berlioz.
“We are so proud of our dedicated music students. They are hard-working and wellrounded. They are kind and supportive of one another. UYS celebrates the whole orchestra, rather than individual students. We nurture an environment of inclusion, hard work, and fun. Our students build character through attending weekly rehearsals and working together.”
“In high school, I was a violinist in the Utah Youth Symphony. As the conductor, Barbara saw promise in me and invited me to be the Concertmaster of the orchestra, and also gave me an opportunity to perform as a soloist on one of the concerts. These experiences were pivotal to my musical education and gave me confidence to pursue a career in music.”
Oaks Baker
UYS Alum
World-renowned violinist
Jenny
“The Saturday morning Utah Youth Symphony rehearsals were the highlight of every week of my high school life. It was awesome in many ways. First to be involved in a real orchestra setting to experience the surround sound of the classical greats created by enthusiastic young people like myself, but also the drama, and entertaining theatrics of Maestro Lentz. God bless him forever for what he bestowed upon us young people that carried us forth to our musical careers. And of course, blessings to you Barbara for that which you do for the young musicians now. You will be remembered with just as much regard and perhaps even more style!”
Holly Gornik
UYS Alum who played oboe in the Utah Youth Symphony in the 1960’s and went on to join the Utah Symphony under the direction of Robert Lentz.
“Barb is perhaps the greatest mentor I have ever had. I met her at a very vulnerable time in my life and she was a great help in getting me out of a depression and the extremely hard transition between adolescence and adulthood. She is kind, courageous, and smart. I love her very much, and she loves each one of the kids in Utah Youth like her own. Barb creates an environment of acceptance and love that is most necessary for building an arts organization as amazing and long-lasting as UYS.”
Jack Clark
UYS Alum
“In Utah, if you happen to pursue music professionally odds are you did your time in the Utah Youth Symphony, and if it has happened in the last quarter century you were most likely under the baton of Barbara Scrowcroft. It has prepared hundreds if not thousands of players for college and eventually professional orchestras across the United States.
Her experience not only in music but in life generally has allowed for the orchestra and its players to become a family. The orchestra is run as close as possible to a full-time professional orchestra. This is especially important as it shows the players that this is not to be taken lightly, you were chosen in a competitive audition process to represent Utah’s young musicians.
Utah Youth is different, not only in the fact this orchestra has lasted a human lifetime, but also that it has cultivated a culture that promotes love, acceptance, and excellence. For a youth orchestra to succeed it has to begin with these goals in mind, to demonstrate professionalism, as well as excellence in their performance.”
Jack A. Clark
UYS Alum
Viola, Brigham Young University-Idaho
NEAL JOHNSON THEATRE
Neal Johnson’s life in the theatre has never been about the spotlight alone. It has always been about people—about stories, responsibility, and the quiet, important work of helping young artists become capable, thoughtful adults.
There is a phrase many of his students hear early on, and they never forget it. “Quality has no finish line.” It is not a slogan. It is an expectation. A reminder that the work is never truly done—and that who you are becoming matters just as much as what you are producing.
Neal graduated from Brigham Young University with degrees in Music Dance Theatre, Theatre Arts Education, and a Master’s degree in Theatre and Media Arts. Over the past thirty years, he has built a career as a performer, director, choreographer, and teacher, contributing to an extraordinary range of productions across Utah and beyond. From The Secret Garden, Hello, Dolly!, Guys and Dolls, and Joseph and the Amazing Technicolor Dreamcoat, to
Sweeney Todd, Les Misérables, The Civil War, and Phantom of the Opera, his work reflects a deep respect for craft and a belief that excellence is a choice made every day.
As a performer, Neal’s career has taken him far beyond Utah. He has traveled the world performing with Norwegian Cruise Lines, Opryland U.S.A., BYU’s Young Ambassadors, and in the national premiere of The Drummings. His work has been showcased at the Utah Shakespearean Festival and the Utah Thespian Conference, and he has received national recognition for excellence in theatre education. These honors are meaningful—but they are not what define him.
What defines Neal is his work as a theater teacher.
In his rehearsal rooms, students quickly learn another truth—one that reaches far beyond the stage. Neal reminds them, often and without apology: “Remember… you are always auditioning.” Not just for roles, but for trust. For responsibility. For the chance to be someone others want to work with, rely on, and follow.
“Neal has had a huge impact on the arts by building a theatre program that doesn’t just teach students how to perform, but how to truly understand storytelling, discipline, and professionalism. He invests deeply in his students and pushes them to grow in ways that prepare them for opportunities beyond high school. Even now, as a sophomore in college, I still find myself using techniques and lessons he taught me years ago.
Beyond technical skills, Neal helped me grow personally by encouraging me to take risks and believe in my abilities. He created an environment where I felt supported while also being challenged to improve. That balance helped me develop confidence that carries over into other areas of my life, not just theatre.”
JORDAN MILLET Former Student
“Neal Johnson lets students take on real-world tasks, makes sure they have the help they need, and trusts them to figure things out. He’s great at getting to know his students, helping them connect with each other, and making the lessons really click for everyone. He has been doing this for a long time but still brings the energy. We are grateful to have him at AFHS.”
PETER GLAHN Principal, American Fork High School
“I have known Neal Johnson for 16 years, and he has made a tremendous impact on my life and the lives of others. I had the opportunity to know Neal Johnson first as one of his students and then as a colleague several years later. As colleagues, I got to see firsthand all the work, time, effort, and love he put into his productions and his work with students. Everyone in the community knows how amazing Neal’s productions are and are always impressed by the students’ talents and skills.”
SEVERINA (SEVEY)
LOY Friend & Colleague Counselor, AFHS
Most importantly, his students carry his influence far beyond any single stage. Students trained under Neal C. Johnson have gone on to perform on Broadway, paint and design sets for national tours and major regional theatres including Hale Theatre and SCERA, and create their own theatre companies across the country. They have become directors, choreographers, music directors, stunt doubles, educators, and leaders in the arts—each carrying forward the discipline, generosity, and passion he instilled in them.
To his students, Neal Johnson is more than a teacher—he is a mentor who teaches excellence, collaboration, courage, and empathy. Through their achievements, his work continues to ripple outward, shaping audiences and communities he may never personally meet. Neal Johnson’s legacy is not finished; it is alive, growing, and still taking the stage today.
“Professionally, the genius of Neal’s directing is his willingness to NOT micromanage. He plans with precision, yes, but he executes with flexibility. All his plays are a joy.
Dozens of former students return to Neal. They circle back after their missions or after college or after a death in the family to hear Neal’s words again--to have him once again speak truth to them, with love. In high school, these students didn’t know what they didn’t know until they did. Then they seek Neal’s counsel again when they are adults. He continues to listen with love and hear their stories of joy, heartache, pain, marriage, love, loss, and . . . drama. :-)”
SAM BEESON Friend & Colleague English Teacher, AFHS
CHRIS YOUNG VISUAL ARTS
Chris Young is an oil painter based in Orem, Utah, with work featured in galleries and private collections worldwide. Known for capturing the fleeting beauty of human experience, he draws inspiration from global travels, seeking to immortalize moments that transcend time. Currently teaching figure drawing and painting at Utah Valley University, Chris shares a passion for the craft with the next generation of artists. His work can be seen at chrisyoungfineart.com.
ARTIST’S STATEMENT
In my own work, I often return to the same motifs I painted decades ago. A bird’s nest, for instance, remains endlessly fascinating: twigs woven into shelter, yet echoing the spirals of galaxies. To be outdone by a smallbrained bird is humbling. From my loft studio above the kitchen, I overhear my children and their friends speaking about art. One said, “Your dad’s paintings make me chill.” Another replied, “Your dad sure wastes a lot of time painting.” Both are true. Art may appear wasteful, but in that “waste” lies renewal and vision. Ultimately, my work is about pattern—the deep structures cultures have named in their own ways: the Greek logos, the Persian asha, the Chinese tao, the Japanese shinto, or, in modern biology, DNA. Across centuries and continents, humans
share the intuition that the universe makes sense. Artists, scientists, and theologians alike join this search for order in chaos.
Some works hold deeply personal meaning. I painted Sophie’s Rose after close friends lost a daughter. For me, it became a meditation on impermanence—Heraclitus’ river, where no moment is ever the same twice. Art, in such moments, becomes a way to stop the river briefly, to hold beauty in place, to remember. Some saw the rose rising, others saw it falling. Both were accurate.
Perhaps this is the true role of art: to preserve wonder, to resist the dulling of perception, to keep us alive to the fleeting beauty of life. In the end, art reminds us that life—like the rose, like the river—is precious precisely because it cannot last.
“Chris has been a guiding force in my life as both an artist and a mentor. His excellence as an artist, dedication as an educator, and generosity in sharing his knowledge consistently bring out the best in his students. He leads by example, inspiring confidence, discipline, and a genuine love for the visual arts.”
COLE EISENHOUR
Artist & Former Student
“I returned to school as a non-traditional student, very insecure about my place in the world and next steps in life. As a teacher, Chris saw potential in me long before I saw it in myself. During class one day, he pulled me aside and asked if I had considered pursuing a BFA—an academic option that would push me toward a career in art. Chris probably doesn’t remember that brief conversation, but that moment of outreach changed how I saw myself and my potential.
Chris offered not only professional guidance, but genuine friendship. He is tremendously kind, compassionate, humorous, and deeply concerned about the overall well-being of students. He frequently took time to listen to my struggles as I juggled family, art and the challenges of life.
I can never fully appreciate how much of his artistic career Chris gave up when he chose to teach. However, I will forever be grateful for the sacrifice he took to do so.”
ALISON SPENCER
Former Student
Art & Design Adjunct Instructor, UVU
“Chris has built a remarkable career, with his work represented in galleries from Palm Desert to Santa Fe, and commercial projects ranging from Nike to a stunning mural at Adobe’s Lehi campus. But what impresses me most is how he gives back. As an Associate Professor at UVU, he’s selfless with his time, often painting side by side with students in his rigorous figure drawing and painting classes, showing them what successful work looks like through his own example.
What sets Chris apart is his relentless curiosity and drive to improve. He’s currently studying sculpture with notable sculptors in Italy, always seeking to deepen his understanding of art and better serve his students. I’ve accompanied him to LA, New York, and Europe to study the works of great masters, and you can see in his meticulously crafted paintings that same aspiration—to hang alongside those painters.”
CHRISTOPHER THORNOCK
Artist,Thornock Studios Professor of Illustration, UVU
ALEX MELECIO MUSIC
Born in Los Mochis, Sinaloa, Mexico, Alex Melecio was raised on a soundtrack that crossed borders and generations. The heartfelt storytelling of Pedro Infante, the romance of Luis Miguel, and the warmth of Roberto Carlos filled his home, while The Beatles, Chicago, the Bee Gees, and Michael Jackson spun alongside them. Growing up between Spanish ballads, classic pop, soul, and rock shaped a cross-cultural musical instinct that would later define his sound.
Alex first stepped onto a stage at seven years old with a guitar nearly as big as he was. That early spark quickly became a calling. What began as childhood curiosity grew into a deep commitment to singing, performing, and connecting through music. Years of dedication led to a national audience in 2012 when Alex appeared on the U.S. television talent show Tengo Talento. His sincerity, charisma, and powerful vocals carried him to the final round and introduced his voice to viewers across the country.
More than a singer, Alex is a storyteller. Whether performing in Spanish or English, writing original songs, or interpreting beloved classics, he brings authenticity and warmth to every stage. His career as a singer-songwriter and performer has taken him across Mexico, the United States, Peru,
Costa Rica, and Spain. No matter the venue, his performances are rooted in connection— inviting listeners into stories that feel personal, honest, and deeply human.
A defining moment came in 2023 when Alex fulfilled a lifelong dream of performing at Mexico City’s iconic Auditorio Nacional. As a guest artist with the world-renowned Tabernacle Choir and Orchestra at Temple Square, he shared the stage with Grammywinning vocalist and Disney’s Encanto star Adassa before a sold-out audience. The experience marked a milestone in his journey and a moment he will always treasure. That collaboration continued in 2025 when Alex joined the Tabernacle Choir as a guest performer during their South American tour, appearing in Florida, Georgia, Lima, and Buenos Aires.
Every note Alex sings carries the heart of his heritage and the passion of his purpose. His music reflects where he comes from, the cultures that shaped him, and his desire to create genuine connection through song.
Alex lives in American Fork, Utah, with his wife, Melodi, and their five children, who are his greatest inspiration and source of joy.
“Alex also serves as a Spanish narrator for the Music & the Spoken Word broadcast, a globally syndicated program connected with the Tabernacle Choir. His role helps bring inspirational music and spoken word to Spanish-speaking listeners, expanding access and cultural inclusion in one of the longest-running radio/TV broadcasts.
Alex has now performed more times with the Tabernacle Choir than any other individual artist or collaborator. Having worked alongside Alex on many of these productions, I’ve seen him step in to help in any way he could. He’s open to doing heavy-lifting, long hours, extra rehearsals, additional unexpected projects, and just about anything you ask him to do, and he does each of these with a smile and a good attitude.”
LINDSEY M. PETERSEN Strategic
Product
Manager, The Tabernacle Choir at Temple Square
“I met Alex in the early 2000’s shortly after he moved to the United States from his native country of Mexico as a teenager. He immediately fit in the group of young men and young women who attended our congregation in the Church of Jesus Christ of Latter-day Saints. Even though sometimes it was hard for him to attend weekday activities because he had an evening job during his high-school years, he managed to be an active part of that group, with his contagious smile and cheerful demeanor. My son, Xavier, was part of that group of friends and was positively influenced by Alex’s values and example. During those years, Alex was a constant visitor in our house, always blessing our home with his bright personality.
Seeing Alex’s transformation from that delightful teenager to a faithful missionary, formidable husband and father, powerful Church leader and accomplished artist has been a remarkable experience for me.
Despite his amazing accomplishments, Alex has stayed grounded on his faith in God, his family, his humility, and his willingness to serve others. He is certainly a powerful role model for children and youth who dream of making a difference in the world.”
REYNA ABURTO
Friend | Former Counselor in the LDS General Relief Society Presidency
“Beyond his vocal talent, Alex’s greatest qualities are his authenticity, humility, and ability to connect with people. His music speaks to shared experiences of hope, sacrifice, love for family, and the immigrant journey—stories that resonate deeply within our community.
Alex represents Latino culture with dignity and pride, and his example continues to inspire others to pursue excellence while remaining grounded in their roots.”
ISRAEL GONZALEZ-NIERI Director, Luz de
las Naciones
ROCKY MOUNTAIN EXPRESS CLOGGERS GREG & MARIA TUCKER, DIRECTORS DANCE
Rocky Mountain Express Cloggers was founded in 1998, with newly-married Greg & Maria Tucker as directors. Greg & Maria are highly decorated dancers-- winning 7 National Clogging Duet Titles together, and over 20 Individual Titles collectively. They both grew up clogging in Orem since childhood, and it seemed natural to open a small studio to help get them through their college years.
Four years later, Greg graduated in mechanical engineering with an internship for NASA, and Maria graduated in Elementary Education with a job lined up. However, life threw them a curveball, and they decided to focus on their dance studio as their main employment. Within a year, the enrollment of the studio doubled, the following year it doubled again. Apparently, this is what they were meant to do!
In the 27 years since, thousands of dancers have passed through the doors of Rocky Mtn. Express. RME teaches the fundamentals of American clog-dancing, and carefully balances experiences between learning, performing, competing, and touring. The
studio has always focused on being a safe and positive place for its students, despite what is happening outside its doors.
“Clogging” sometimes carries some misconceptions with its name (there are NO wooden shoes involved)! What RME does in the competition world is referred to more as “Power Tap,” since it has developed immensely regarding complexity and influences since the traditional days of American clogging. However, at the same time, RME is dedicated to preserving this truly American-created dance style, creating a vast and varied repertoire for its dancers. Every year RME showcases traditional American clogging sets at international folk festivals, where they are the representatives of the USA. Last October they traveled all over China as featured guests of the China International Folk Arts Festival. RME has also performed in New York City, Branson, Las Vegas, Disneyland, Disneyworld, Seaworld, and hundreds of other venues across the US.
Competition has also always been a part of RME’s curriculum. RME takes pride in creating new and innovative choreographies
that push the boundaries of mainstream clogging dances. As a result, RME has won 38 US National Clogging Team Titles to date, and were awarded Overall Gold medalists at the Junior Olympic Games. Greg & Maria have been named National Platinum Directors of the Year 19 consecutive times.
Rocky Mtn. Express is truly a unique studio. If you haven’t tried clogging, you should, and you’ll see how addicting it can be! RME fosters a family environment where many of the dancers stay to dance through their adult
“I have worked with the Tucker duo for many years. They are a much respected and cherished part of the dance community. As cloggers, they are unmatched…not only do they continue to perform beautifully themselves with their amazing children, their company of dancers show incredible artistry and technique. RME have performed at the Dancing Under The Stars annual show at SCERA Shell Outdoor Theatre, where they receive wild applause. They also own America Onstage, a dance competition considered one of the best, as they bring all of Utah’s studios together to compete and support each other.”
KIM
DELGROSSO Friend & Colleague
lives. Dancers start young, and they tend to stay through their teenage years-- but surprisingly, RME currently has 60+ dancers over the age of thirty. RME believes that clogging is truly a social experience, and they make a point to foster positive relationships with surrounding clogging studios, so at competitions ALL dancers are friends!
“Legend has it that Greg, determined to dazzle Maria with his clogging chops, unleashed what he considered his secret weapon: the Kentucky Kick—a respectable intermediate step. Maria, who’d mastered that move years earlier, was decidedly underwhelmed. But Greg, blissfully confident in his romantic strategy, believed he’d swept her off her feet. Somehow, against all odds, it worked. Within a year, Maria and Greg became partners for life, launching both their family and Rocky Mountain Dance Studio in 1998—proof that sometimes love defies all logic, including old-fashioned footwork.
Greg and Maria built Rocky Mountain Dance and America On Stage into powerhouses, winning decades of championships, mentoring tens of thousands of dancers—all while raising four incredibly talented children AND managing a professional bluegrass/country band, Bluegrass Thunder, for over a quarter century.”
BRYAN STEELE
Steele Family Clogger
Founder of America on Stage Dance Competitions
“We’ve known Greg and Maria Tucker for 25 years, and nine of our ten children have danced with Rocky Mountain Express Cloggers. Greg and Maria are not only outstanding teachers— they are remarkable mentors who create a fun, welcoming, and professional environment where dancers gain confidence and grow. Their studio has given our children opportunities to travel, experience new cultures, and become better people. Greg’s gift for making everyone feel valued, combined with Maria’s incredible creative talent, makes them an extraordinary team.”
GRACE AND ALAN REX
ADVOCATE OF THE ARTS
THE HIVE COLLABORATIVE KEN AGLE, MANAGING OWNER & CO-FOUNDER
Kenneth Price Agle has spent decades quietly building spaces where creativity and community can flourish. Known to most as “just Ken,” he is a writer, director, producer, designer, and—at heart—a champion of artists and storytellers.
Ken’s creative work spans stage and screen and reflects his belief that theatre should be welcoming, engaging, and meaningful. He has written and produced original theatrical works such as The Fork, The Actors, Bookbinder’s Tale, and Lost Works, and created interactive, community-focused game shows including The Ten Show, SpinProv, and Enter the Hex. He also produced the Liken the Scriptures film series, helping bring thoughtful, values-driven stories to audiences far beyond the theatre.
One of Ken’s most lasting contributions is The Hive Collaborative in Provo, a theatre and production space he built by transforming an industrial building into a creative home. What began as a vision became a place where ideas could grow, artists could experiment, and collaboration could thrive.
The Hive Collaborative reflects Ken’s practical creativity and his commitment to making the arts accessible and sustainable.
More than any single production, Ken is known for the way he supports others. He has consistently provided affordable space, guidance, and hands-on help to artists looking to produce their own work. Whether offering technical expertise, problem-solving behind the scenes, or encouragement, Ken has helped many individuals take meaningful steps toward realizing their creative goals.
Those who work with Ken describe him as passionate, generous, and deeply invested in the process rather than the spotlight. He leads by doing — building sets, solving challenges, and showing up wherever he is needed. His approach fosters trust, collaboration, and a sense of shared ownership in the work being created.
Ken Agle’s impact on the theatrical arts is found not only in what he has made, but in the opportunities he has created for others. Through his dedication to community, craftsmanship, and storytelling, he has helped shape a creative environment where artists feel supported, capable, and inspired. His work stands as a quiet but enduring contribution to the arts and the many people who bring them to life.
“I knew Ken well enough to understand that when he dreams something, he does everything he can to make it happen. And he did—transforming an amazing historic building into what is now the Hive Collaborative, a vibrant, multipurpose space where events are hosted, performances staged, classes taught, podcasts recorded, and art of every kind finds a home. Even its name the Hive Collaborative speaks to Ken’s vision: ideally and literally, it is a place where dreams of making art and bringing people together come to life.”
JANNA LARSEN Friend
“After a conversation with Ken, you’ll have no doubt how passionate he is about giving the community a space for the arts. It’s clear through his generosity and talent that artistic expression is pivotal for him. We’ve been fortunate enough to collaborate with him and everyone at the Hive a number of different times and I’m always left impressed. This is a sacred place that truly puts art before profits and you can feel that in every interaction and production.”
CAMERON JACKSON
Editor | Producer, Angel Studios
“My dad’s love for theatre is contagious. He believes deeply in storytelling and in the people who tell those stories, and he’s spent his life helping others turn their ideas into something real. Whether he’s building a space or helping someone else’s vision come to life, he gives his whole heart to the work and the community around him.”
ARIA SAMIA
Ken’s daughter
“Through his work developing and building The Hive Collaborative (both figuratively and literally) Ken has created a space for our community to breathe life into our creative endeavors. I’ve seen so many incredible projects brought to life through Ken’s mentorship. Projects that had been trying to get in front of an audience for years, projects that sounded so out there they were hard to imagine, projects from artists that had never dipped their toe in the performing arts before. The one thing they all had in common is that they needed one person, the right person, to believe in them. For me and so many others that person has been Ken.”
WHITNEY FURNESS Friend
CENTRAL BANK FRIEND OF THE ARTS
Central Bank: Trusted Bankers and Loyal Friends
Central Bank has been serving Utah County for 135 years and we are proud of our history of sustained growth and security. Since the economy began to falter in 2008, we have relied on our own reserves by not taking any “bailout” or TARP money—evidence that we have remained strong, safe, and secure since 1891. We believe our continuing progress is a direct result of our dedication to caring for the individual needs of the people and communities we serve.
Central Bank is consistently voted “Best Bank in Utah Valley.” We average 4.9 out of 5 stars on Google Reviews. This means we are recognized for our commitment to customer service and community. We aim to provide the personalized service that only a small-town community bank can provide, coupled with the technology and products of a big-city bank.
Invested in Your Success
Central Bank is committed to offering all modern banking services and conveniences— mobile banking, online bill pay, advanced technology ATM’s, and online financial management through Money Management— without letting go of the personal, friendly touch that got us where we are today. Aside from providing exceptional banking services, Central Bank makes valuable contributions that strengthen our communities. Our
employees spend many hours each year participating in local programs and the bank donates to many educational and civic organizations throughout Utah County.
At Our Prime for Over a Century
On October 17, 1891, Milan Packard (great-greatgrandfather of our president, Mark Packard) helped establish the Springville Banking Company. The bank expanded gradually until 1924, when the community-focused officers and directors were instrumental in attracting the Columbia Steel Mill to the site between Provo and Springville. From this point, the bank enjoyed steady and substantial growth, and it was one of few banks that did not require Government Debenture Capital during the Great Depression. Progressive and ably managed, Springville Banking Company was the first bank in Utah to qualify for FDIC insurance on deposits.
The State Bank of Provo was organized in 1902 by 16 men of incredibly diverse backgrounds—sheep farmer, plumber, attorney, you name it—who all wanted to find a safe, stable place to save and borrow money. From its founding, the State Bank of
Provo grew steadily and the officers and board members were proud to be part of the bank that knew every customer as a friend.
On July 1, 1966, the Springville Banking Company and the State Bank of Provo merged under the new name of Central Bank and Trust. This was not simply a union of the two oldest banks in Utah County, but a consolidation of strength that would provide greater lending power, more financial stability, and superior services. Central Bank opened its doors in Spanish Fork in 1969, followed shortly by offices in the Provo Riverside Plaza in 1971 and Mapleton in 1972. Continued expansion brought offices to Payson in 1980, Orem in 1982, American Fork in 1996, Lehi in 2003, Pleasant Grove in 2008, and Traverse Mountain in 2018. These new facilities demonstrate Central Bank’s commitment to serving Utah County and the people who call it “home.”
2006 STAR AWARDS
The Star Award: Jerry Elison
Lifetime Achievement: Syd Riggs
Theatre: Jayne Luke
Visual Arts: Max Weaver
Music: Ray Smith
Dance: Rick Robinson
Friends of the Arts: The Daily Herald, Dick & JoAnn Losee
Advocate of the Arts: Hale Center
Theatre Orem
Volunteer: Gareth Seastrand
Special Recognition: Lesa Pulham
2007 STAR AWARDS
The Star Award: The Osmond Brothers
Lifetime Achievement: Keith & Jody
Renstrom
Theatre: Eric Fielding
Visual Arts: James Christensen
Music: Clayne Robison
Dance: Derryl Yeager
Friends of the Arts: KBYU Television, Ray & Tye Noorda
Advocate of the Arts: Sharon Swindle
Volunteer: 8 charter members of Utah Valley Symphony
Special Recognition: Timpanogos Storytelling Festival
2008 STAR AWARDS
The Star Award: The 5 Browns
Lifetime Achievement: Norm Nielsen
Theatre: James Arrington
Visual Arts: Tom Holdman
Music: Mack Wilberg
Dance: Kim Delgrosso
Friends of the Arts: Rocky Mountain Power, Stephen & Sandra Covey
Advocate of the Arts: Marc & Sharon Haddock
Volunteer: Laura Folkman
Special Recognition: Laurel Barham
2009 STAR AWARDS
The Star Award: Kurt Bestor
Lifetime Achievement: Arnold Friberg
Theatre: Marvin Payne
Visual Arts: Gary Price
Music: Michael Ballam
Dance: Lee & Linda Wakefield
Friends of the Arts: Alan & Karen Ashton, Bassett Furniture
Advocate of the Arts: Thomas S. Monson
Volunteer: Verdalee Barron
2010 STAR AWARDS
The Star Award: Michael McLean
Lifetime Achievement: Utah Symphony
Theatre: Nathan Criman
Visual Arts: Liz Lemon Swindle
Music: Choir of the Madelaine
Dance: Louis Van Amstel
Friends of the Arts: Ron & Terri Lindorf, XanGo
Advocate of the Arts: Robert & Cumorah Holdaway
Volunteer: George Stokes
Special Recognition: American Fork High School Marching Band
2011 STAR AWARDS
The Star Award: Mormon Tabernacle
Choir
Lifetime Achievement: Lex de Azevedo
Theatre: Rodger Sorensen
Visual Arts: Springville Museum of Art
Music: Sam Cardon
Dance: Bonnie Story
Friend of the Arts: Zions Bank
Advocate of the Arts: Ivan Lincoln
Volunteer: Bob & Darlene Nave
Special Recognition: Col. Jack Tueller
2012 STAR AWARDS
The Star Award: BYU’s Vocal Point
Lifetime Achievement: Janie Thompson
Theatre: David Tinney
Visual Arts: Greg Olsen
Music: Peter Breinholt
Dance: Jacqueline Colledge
Friend of the Arts: Diamond Rental
Advocate of the Arts: Newell Dayley
Volunteer: Sandy McDade
Special Recognition: Barbara Elison
2013 STAR AWARDS
The Star Award: Jenny Oaks Baker
Lifetime Achievement: Dean Hughes
Theatre: Neal Barth
Visual Arts: Frank Magleby
Music: Janice Kapp Perry
Dance: Mary B. Jensen
Friend of the Arts: Daynes Music
Advocate of the Arts: Thanksgiving
Point
Volunteer: Debi Richan
Special Recognition: Janet Swenson
2014 STAR AWARDS
The Star Award: Utah Shakespeare
Festival
Lifetime Achievement: Gerald Lund
Theatre: Randy Boothe
Visual Arts: Rick Nye
Music: Caleb Chapman
Dance: Paul Winkelman
Friend of the Arts: Gaylen Rust
Advocate of the Arts: Buddy Youngreen
Volunteer: Hahne Family
Special Recognition: America’s Freedom Festival
2015 STAR AWARDS
The Star Award: Neon Trees
Lifetime Achievement: Ballet West
Theatre: Kathryn Laycock Little
Visual Arts: Christian Vuissa
Music: Darrell Babidge
Dance: Pat & Kathie Debenham
Friend of the Arts: Lynnette Loveland
Advocate of the Arts: John Curtis
Volunteer: Pat Schow
Special Recognition: Sterling Poulson
2016 STAR AWARDS
The Star Award: Jason Hewlett
Lifetime Achievement: Sundance Resort
Theatre: Barta Heiner
Visual Arts: Eric Dowdle
Music: Velour / Corey Fox
Dance: Alan Salazar
Friend of the Arts: Barbara Barrington Jones
Advocate of the Arts: Utah COPA
Volunteer: Utah Valley Handbell Ringers
2017 STAR AWARDS
The Star Award: Alex Boyé
Lifetime Achievement: Sara Lee Gibb
Theatre: Chris Clark
Visual Arts: Mark Philbrick
Music: Marden Pond
Dance: BYU Cougarettes
Friend of the Arts: Nu Skin
Advocate of the Arts: Heritage School
Volunteer: Shari Woodward
2018 STAR AWARDS
The Star Award: Lindsey Stirling
Lifetime Achievement: Bill & Marilyn
Brown
Theatre: Grassroots Shakespeare
Visual Arts: Angela Johnson
Music: Ryan Shupe
Dance: Utah Hispanic Dance Alliance
Friend of the Arts: James & Andrea
Clarke
Advocate of the Arts: Heber Valley
Western Music & Cowboy Poetry
Volunteer: Bonnie Busco
2019 STAR AWARDS
The Star Award: Chelsie Hightower
Lifetime Achievement: Clay Christiansen
Theatre: Agnes Broberg
Visual Arts: Joseph Brickey
Music: Dallyn Vail Bayles
Dance: Shelley School Of Irish Dance
Friend of the Arts: Douglas & Marian Smoot
Advocate of the Arts: Miss Utah Organization
2020 STAR AWARDS
The Star Award: Governor Gary Herbert
Lifetime Achievement: T.C. Christensen
Theatre: Andrew & Jan Hunsaker
Visual Arts: Willie Holdman
Music: One Voice Children’s Choir
Dance: Jason Celaya
Friend of the Arts: doTERRA
Advocate of the Arts: Utah Cultural Alliance
2022 STAR AWARDS
The Star Award: Gentri
Lifetime Achievement: David Glen Hatch
Theatre: Chris Brower
Visual Arts: Glen Ricks
Music: Dr. J. Arden Hopkin
Dance: Sheryl Dowling
Friend of the Arts: Utah Valley Magazine
Advocate of the Arts: World Folkfest
2023 STAR AWARDS
The Star Award: David Archuleta
Lifetime Achievement: Bonner Family
Theatre: Hale Centre Theatre
Visual Arts: UVU Museum of Art
Music: Timpanogos Symphony
Orchestra
Dance: Jean’s Golden Girls
Friend of the Arts: Karen Spencer
Advocate of the Arts: Covey Center for the Arts
2024 STAR AWARDS
The Star Award: Jon Schmidt
Lifetime Achievement: Karen Baird
Theatre: Robinne Booth
Visual Arts: BYU Center for Animation
Music: Kenneth Cope
Dance: Jennifer Hill Barlow
Friend of the Arts: Minky Couture
Advocate of the Arts: PBS Utah
2025 STAR AWARDS
The Star Award: Richard Paul Evans
Lifetime Achievement: John Bowman
Theatre: Hopebox Theatre
Visual Arts: Brittany Scott
Music: Ryan Innes
Dance: BYU Living Legends
Friend of the Arts: Phaedra Johnson
Advocate of the Arts: Linda Campbell
THANKS FOR MAKING TONIGHT’S EVENT POSSIBLE:
SPECIAL THANKS
Kirby Heyborne Star Awards
Committee
SCERA Staff, Board & Volunteers
All of you…for your attendance and support
REGISTER TO BID IN TONIGHT’S AUCTIONS!
To participate in this year’s silent and live auctions, register as a bidder by scanning this QR code and adding your information and credit card. All the silent auctions displayed in the lobby are available for online bidding only. For the live auction, If you wish to bid on any item(s), the cover of the live auction booklet you received at check-in is your bidding number. Just hold it up for the auctioneer to see when you want to bid. If you win the bid, a staff member will finalize the transaction and the card you registered will be charged for the item(s) you won. You can pick up your items at the end of the evening.
