

AT A GLANCE
in 2 Bay Area LGBTQIA+ marches
community partners (organization)
teachers reached through SJMA’s education’s Sketchbook email newsletter
DIRECTOR'S LETTER
2024–25 WAS A SPECTACULAR YEAR AT THE MUSEUM, AND I’M PARTICULARLY PROUD OF WHAT WE ACCOMPLISHED AS A TEAM.
Experimentation, innovation, transformation, and metamorphosis are essential concepts connected both to the tech industry, and to the work of the visionary artists celebrated at SJMA. Our talented team explores and nurtures these concepts in our inclusive education programs, which serve over 20,000 youth per year, at the Museum and in schools throughout the South Bay. We are proud to be the primary art museum experience for many students across this region.
The fall 2024 exhibition season launched with the exhibition Calder: at home, among friends, displaying exquisite small works from the permanent collection along with a companion exhibition featuring four artists, who won the Calder Prize.
SJMA co-presented the fifth exhibition in the Visualizing Abolition series with UC Santa Cruz, Seeing through Stone, accompanied by a catalog and robust public programs and performances at SJMA and
UCSC Institute of Arts and Sciences, all emblematic of our borderless reach.
Transformation was a hallmark of Beta Space: Patty Chang and David Kelley, continuing SJMA’s long-standing series inviting artists to take a risk, explore a new idea, and connect to innovation and community. The exhibition was accompanied by a new public program offering observation-based, scientific inquiry presented by Studio Arts Educator Shelby Hendricks
Kambui Olujimi: North Star prompted us to imagine a universe without gravity in a new audiovisual installation along with site-specific murals and paintings.
SJMA’s Annual Gala and Auction brought hundreds of Silicon Valley’s leaders to the glittering Circle of Palms to celebrate the Museum and honor artist Chitra Ganesh, and Visionary Award winner Glenda Dorchak. Music by DJ Chale Brown and performances by breakdancer Vicki “La Vix” Chang and her dance crew, Elephant Graveyard, highlighted the creativity of San José. The dazzling Gala co-chairs Tammy Kiely and Nadia Ahmad led a lively program and successful night, yielding over $1.1 million to support SJMA’s exhibitions and arts education programs.
SJMA is a gathering space, not only for our local community but also for our colleagues on a national level. SJMA is an active partner with the City of San José Office of Cultural Affairs’ Climate Art Program and hosted the first day of the 2024 Climate Art Symposium at the Museum in October. In autumn we hosted the United States Presidential Committee on the Arts and Humanities and the convening of the Contemporary Art Museum Directors (CAMD), bringing new national attention to the work of our stellar team.
In March 2025, SJMA opened Tending and Dreaming: Stories from the Collection, offering the public unprecedented access to San José’s only Museum-based publicly held art collection. These landmark galleries celebrate ten years of ambitious acquisitions of the most transformative contemporary artists, side by side with favorite earlier works.
Connecting and serving the community leads to meeting our community outside of the Museum’s building. We participated in cultural and community festivals such as Lunar New Year, Dia de los Muertos, Mosaic Festival, and Viva Calle SJ, and tabled at Downtown San José’s Farmer’s Market, and participated in both the San Francisco and the Silicon Valley Pride Parades.

In June I concluded ten years with the Museum and left SJMA in the hands of our talented staff and Board of Trustees. None of the many accomplishments detailed in this report could have been achieved without the significant support of our members and donors, to whom we are forever grateful.
S. Sayre Batton, Oshman Executive Director Emerita (2017–2025)
↑ S. Sayre Batton, Oshman Executive Director with Ann Marie Mix, SJMA co-founder, in the Ann Marie and Averill Mix Sculpture Courtyard standing next to Kelly Akashi’s Cultivator.


CALDER: AT HOME, AMONG FRIENDS
September 6, 2024–August 3, 2025
DURING A PROLIFIC CAREER OF NEARLY SIX DECADES, FROM EARLY WIRE PORTRAITS TO GROUNDBREAKING MOBILES TO LATER MONUMENTAL PUBLIC SCULPTURES, CALDER’S ARTWORK EPITOMIZED THE OPTIMISTIC SPIRIT OF MODERN AMERICA.
His rigorous inventiveness was a state of mind and way of being in the world that contained equal parts dynamism and precision. That innovative spirit was echoed in his own home through the ingenious household objects and jewelry that he made throughout his life.
Drawing on the Museum collection, Calder: at home, among friends celebrates this art historical giant through his intimate objects and gestures, created abundantly and bestowed generously. These smaller works were just as vital to him as monumental public works, though they were often intended for personal use or close friends or relatives. The long-term installation features such works as Big Red (1957), a mobile which Calder gave to his sister to hang in her home while she recovered from an operation; unique jewelry pieces such as a “JG” brooch for Janet Gray Hayes, the artist’s niece and former mayor of San José; and a gouache that Calder gifted to the artist
Louise Nevelson. A consummate innovator, Calder’s small-scale objects in this installation speak to a more intimate side of the artist, as he existed at home and among friends.
SUPPORT
Calder: at home, among friends is made possible by the SJMA Exhibitions Fund, with major support from Doris and Alan Burgess, Elaine Cardinale, and Rick and Evelyn Neely; and additional support from the Farrington Historical Foundation.
RELATED PROGRAMMING
9.6.2024: First Friday + Opening Celebration
3.28.2025: Gallery Talk: Calder: at home, among friends

STILL IN MOTION
September 6, 2024–August 3, 2025
SINCE 2005, THE CALDER FOUNDATION HAS AWARDED THE CALDER PRIZE TO CONTEMPORARY ARTISTS WHOSE INNOVATIVE EARLY WORKS DEMONSTRATE THEIR POTENTIAL TO SHIFT HOW WE THINK OF ART TODAY.
Still in Motion features the work of several Calder Prize awardees —Tara Donovan, Jill Magid, Tomás Saraceno, and Aki Sasamoto— who are pushing the limits of sculpture through materials and references that speak uniquely to the contemporary moment. The exhibition is presented concurrently with Calder: at home, among friends and is staged fifteen years after the San José Museum of Art’s exhibition Calder: Color in Motion, which explored Alexander Calder’s masterful and innovative transformations of form. Still in Motion honors the artist’s legacy as it continues to inspire artistic practice today.
First Friday + Opening Celebration

KAMBUI OLUJIMI: NORTH STAR
November 1, 2024–June 1, 2025
WHAT DOES THE BLACK BODY LOOK LIKE WHEN IT IS FREED FROM THE GRAVITY OF WHITE SUPREMACY?
Kambui Olujimi: North Star is an immersive exhibition featuring Kambui Olujimi’s inquiry into the liberatory possibilities of weightlessness as an alternative to the structuring forces of anti-Black racism, a concept he has explored since 2019. Olujimi’s projects, which often use elements drawn from history and everyday life, implicate viewers by asking them to reconceive what is possible.
North Star brings together a selection of works that includes large-scale watercolor and ink paintings, a site-specific mural, a film, and a new audiovisual installation. Together these works collectively imagine the new relationships we might chart between our bodies, the self, the planet, and the universe once deeply entrenched forces are destabilized and replaced by boundless possibility.
SUPPORT
Kambui Olujimi: North Star is made possible by the SJMA Exhibitions Fund, with lead support from The Andy Warhol Foundation for the Visual Arts.
RELATED PROGRAMMING
11.1.2024: First Friday + Opening Celebration
2.28.2025: Gallery Talk: Kambui Olujimi
4.26.2025: Art 101: Rotoscoping Animation
5.16.2025: Creative Minds: Kambui Olujimi

BETA SPACE: PATTY CHANG AND DAVID KELLEY
November 1, 2024–June 1, 2025
BETA SPACE: PATTY CHANG AND DAVID KELLEY
PREMIERES A MULTIMEDIA EXPLORATION OF THE DYNAMIC ENTANGLEMENTS AMONG HUMANS, ANIMALS, MINERALS, AND MACHINES.
Using deep-sea mining as a point of departure, Patty Chang and David Kelley’s project encourages us to think expansively and critically about the loops—of scientific discovery, resource extraction, and technological development—that connect us with places uninhabited by humans. Chang and Kelley’s project holds together these loops
to facilitate a broad conversation about how we relate to such sites as we navigate multiple climate crises.
Drawing on the forms of shipwrecks and whale falls, the artists’ multimedia installation weaves together footage and objects related to the International Seabed Authority’s recent and ongoing convenings in Kingston, Jamaica; the HMS Challenger collections at natural history museums in London and Oxford; and scientific specimens from the Scripps Institution of Oceanography at UC San Diego.
This exhibition is the eighth iteration of the Museum’s “Beta Space” series, an ongoing program that
commissions artists to experiment with and share new ideas, materials, and modes of working.
SUPPORT
Beta Space: Patty Chang and David Kelley is made possible by the SJMA
Exhibitions Fund, with major support from Kimberly and Patrick Lin, and generous support from Wanda Kownacki.
RELATED PROGRAMMING
11.1.2024: First Friday + Opening Celebration 11.17 and 12.15.2024: Walk with a Naturalist
1.19, 2.16, 3.16, 4.10, and 5.18.2025: Walk with a Naturalist
4.25.2025: Gallery Talk: Beta Space

TENDING AND DREAMING: STORIES FROM THE COLLECTION
March 7–Ongoing
TENDING AND DREAMING: STORIES FROM THE COLLECTION LAUNCHES THE FIRST DEDICATED COLLECTION GALLERIES AT THE MUSEUM.
Providing unprecedented access to core works in San José’s only publicly held art collection, Tending and Dreaming invites a deeper sense of community pride in the collection.
Initiated in 1973 under the guidance of San José artists, SJMA’s collection has grown to reflect our international point of convergence, where dynamic cultural diversity and high-tech industries mix in California soil. SJMA’s collection galleries position artists as storytellers to imagine the Museum as a space where culture and meaning are actively made and always in process. Organized into thematic groupings, Tending and Dreaming offers poetic starting points for engaging with ideas woven through the works of almost fifty artists from the Bay Area and beyond, including Ruth Asawa, Martha Atienza, Shilpa Gupta, Yolanda López, and Elias Sime, among many others.
SUPPORT
Tending and Dreaming: Stories from the Collection is made possible by the SJMA Exhibitions Fund, with lead support from Toby and Barry Fernald; major support from Doris and Alan Burgess, the Lipman Family Foundation, and Evelyn and Rick Neely; generous support from the Farrington Historical Foundation, Geraldine and Marco Magarelli, Suzette Mahr, McManis Faulkner, Ann Marie Mix, Yvonne and Mike Nevens, C. Christine Nichols, Marge and Ken Nissly, Rita and Kent Norton, Dennis Rohan, and Elizabeth and Byron Ryono; additional support from Daniela Barone and Matt Reiferson, Elaine Cardinale, Glenda and Gary Dorchak, Diane Jonte-Pace, Cheryl and Bruce Kiddoo, and Marsha and Jon Witkin; and other support from donors to the Campaign for Collection.
RELATED PROGRAMMING
3.7.2025 First Friday + Opening Celebration

KORET GALLERY: ART LEARNING LAB
Ongoing
ART LEARNING LAB IS A DEDICATED EXHIBITION SPACE
INSPIRED BY SOWING CREATIVITY, THE MUSEUM’S AWARD-WINNING STEAM (SCIENCE, TECHNOLOGY, ENGINEERING, ART, AND MATH) EDUCATION PROGRAM.
Featuring a diverse selection of work from the permanent collection, the Art Learning Lab reveals how artists engage cross-disciplinary concepts in their approach to art-making. Through interactive play and experimentation, visitors are encouraged to draw their own connections between individual creative exploration and the ideas, tools, and techniques used in the artwork on display.
SUPPORT
Education programs at the San José Museum of Art are made possible by lead support from the William Randolph Hearst Foundation; major support from the Leo M. Shortino Family Foundation; generous support from Lucia Cha, Priscilla Chou, Koret Foundation, California Arts Council, KPMG, Worth and Andy Ludwick, and Daphne and Stuart Wells; and additional support from the City of San José and Rosemarie and Barry Mirkin.

Visualizing Abolition
SEEING THROUGH STONE
April 26, 2024–January 5, 2025
SEEING THROUGH STONE BRINGS TOGETHER ARTWORK BY CONTEMPORARY ARTISTS FROM AROUND THE GLOBE THAT ENGAGES PRISONS, JUSTICE, AND FREEDOM.
The exhibition highlights artists who provide a vision and model of abolition in practice. Working across prison borders throughout the initiative, in collaboration with current and formerly incarcerated people, as well as those without lived experience of incarceration, the project empowers artists to shift the narratives linking prisons to justice—and
contributes to the unfolding collective story and alternative imagining actively creating a future free of prisons. This multi-sited exhibition is co-organized with the Institute of the Arts and Sciences at the University of California, Santa Cruz, and is part of the ongoing Visualizing Abolition series.
SUPPORT
Seeing through Stone is made possible by the Mellon Foundation and the SJMA Exhibitions Fund, with lead support from the Myra Reinhard Family Foundation and additional support from the de Souza Bransten Family.

EXHIBITION CATALOG
The Seeing through Stone catalog was co-published by the San José Museum of Art and the Institute of the Arts and Sciences at UC Santa Cruz. It was edited by Gina Dent, professor of Feminist Studies, History of Consciousness, and Legal Studies at UC Santa Cruz; Lauren Schell Dickens, SJMA chief curator; and Rachel Nelson, director and chief curator of IAS. 244 pages, softback, color. Available in the Museum Store or online.

CHRISTINA FERNANDEZ: MULTIPLE EXPOSURES
June 7–September 22, 2024 THIS LANDMARK EXHIBITION PRESENTS THE WORK OF CHRISTINA FERNANDEZ, WHOSE PHOTOGRAPHS AND INSTALLATIONS EXPLORE MIGRATION, LABOR, GENDER, AND HER MEXICAN AMERICAN IDENTITY.
Christina Fernandez: Multiple Exposures surveys over three decades of the artist’s most important photographic series and installations. Combining aesthetic inquiry with political commitments, Fernandez’s conceptual practice invites us to reconsider history, borders, and the lives that cross and inhabit both.
Christina Fernandez: Multiple Exposures is organized by UCR ARTS and is curated by Joanna Szupinska, senior curator at the California Museum of Photography. The presentation of this exhibition at SJMA is organized by Juan Omar Rodriguez, assistant curator.
SUPPORT
The UCR ARTS presentation of Christina Fernandez: Multiple Exposures was made possible by grants from The Andy Warhol Foundation for the Visual Arts and the National Endowment for the Arts. Support for the publication was provided by AltaMed Health Services and Furthermore: a program of the J.M. Kaplan Fund. Chon Noriega, distinguished professor of film, television, and digital media at UCLA, was curatorial advisor. Exhibition design concepts were provided by HvADesign, New York. The UCR ARTS presentation was made possible by
grants from The Andy Warhol Foundation for the Visual Arts and the National Endowment for the Arts. Support for the publication was provided by AltaMed Health Services and Furthermore: a program of the J.M. Kaplan Fund.
The San José Museum of Art’s presentation of Christina Fernandez: Multiple Exposures is made possible in part by lead support from the National Endowment for the Arts and by the SJMA Exhibitions Fund, with generous support from Mr. Cole Harrell and Dr. Tai-Heng Cheng, Brook Hartzell and Tad Freese, and McManis Faulkner.
RELATED PROGRAMMING
8.30.2024: Creative Minds: Christina Fernandez and Rosanna Alvarez



COMMUNITY DAYS
SJMA'S COMMUNITY DAYS CELEBRATE THE CULTURAL DIVERSITY OF THE REGION, FOSTERING HUMAN CONNECTIONS AND NURTURING A SENSE OF BELONGING FOR ALL.
Held annually for Día de los Muertos and Lunar New Year, Community Days offer families a full day of free art activities, cultural demonstrations, and live performances.
For Día de los Muertos, families enjoyed a musical performance by Lincoln High Mariachi, decorated sugar skulls, created calavera portraits, and learned about ojos de Dios—weaving with traditional techniques.
Program partners included the San Jose Multicultural Artist Guild, the League of Women Voters, Teatro Vision, and Santa Clara County Children and Family Services.
For Lunar New Year, visitors celebrated the Year of the Snake by making firework skyline table toppers, felt dumplings, and finger puppets. Families enjoyed live performances including a poetry reading by Brandon Luu and a fashion show presented by the Ao Dai Festival. Partners included New Ballet, Open Space Authority, and Teatro Vision.
COMMUNITY DAY PROGRAMMING
11.2.2024: Día de los Muertos
1.25.2025: Lunar New Year ↖ Image caption
Image caption

CITYDANCE
PRESENTED ON THE CIRCLE OF PALMS BY THE CITY OF SAN JOSÉ OFFICE OF CULTURAL AFFAIRS, EL CAFECITO BY MEZCAL, SAN JOSÉ DOWNTOWN ASSOCIATION, AND VALLEY TRANSPORTATION AUTHORITY, CITYDANCE IS AN EVENING OF DANCING, LIVE MUSIC, SOCIALIZING, AND MORE.
The event and Museum galleries are open and free to the public. This year featured the dance styles of Bollywood, Waacking and Vogue, Line dancing, and African American dance. Over 1,000 people came together to dance with one another as well as visit the Museum as part of this four-evening partnership.
SUPPORT
CityDance is presented by City of San José Office of Cultural Affairs, San José Museum of Art, and el Cafecito by Mezcal in partnership with the San José Downtown Association.
CITYDANCE PROGRAMMING
7.18.2024: Bollywood
8.15.2024: Waacking and Vogue
9.19.2024: Country Line dancing
6.19.2025: Juneteenth—African American music and dance
↑ Visitors enjoy dance lessons with live music in the Circle of Palms.
FEEDBACK HIGHLIGHTS
PRESS HIGHLIGHTS
KELLY AKASHI VISITOR
In ‘Seeing Through Stone,’ artists imagine a world without prisons, SF Chronicle Datebook
July 15, 2024
"The Akashi exhibition was amazing. I love love how the Museum shows works from young, emerging artists who are local to California and also diverse."
MUSEUM EXPERIENCE REPRESENTATIVES
Your Guide to Visual Art in the Bay Area This Fall, KQED
August 29, 2024
“While I was in lobby, a family came into the Museum because their son had received a Family Pass, and they were passing by on a beautiful day. The son was very excited and kept telling his parents all about the Museum as he had been here before on a field trip, even asking if the studio/gallery teacher "lived in the Museum." It was sweet and cheered me up, and at the end of their visit, while I was eating lunch outside, I overheard the son say their trip was great!”
Museum Highlights: Still in Motion, SF/Arts
September 1, 2024
Motion in Art: Alexander Calder’s Art and Legacy Showcased, Metro Silicon Valley
September 11, 2024
In San José, Calder’s Twists on Everyday Objects Continue to Inspire, KQED
September 12, 2024
San José Museum of Art Introduces Dedicated Permanent Collection Galleries, Forbes
March 6, 2025
"A guest … was very moved by the rafa esparza piece. We talked about all the references to the artists’ culture that seemed to resonate with the guest, but we mainly focused on the image of the grandmother…they had been enjoying the other works in the gallery but was then immediately drawn in by the grandmother's smile....The guest said that the entire Museum visit was worth it just to see this painting, and I saw them go back to Evergreen multiple times before they left to see the painting."
Follow Kambui Olujimi’s ‘North Star’ into SJMA, Metro Silicon Valley
May 21, 2025
"A group of guests came in asking if we take EBT, and were excited when I checked them in. One woman was moved to tears, explaining that she was so happy to finally be able to see art again."
San José Museum of Art explores Alexander Calder with two new exhibits, Mercury News
September 6, 2024
FIRST FRIDAYS
SJMA’S FIRST FRIDAY PROGRAM OFFERS FREE ADMISSION, OPEN GALLERIES, AND LIVE PERFORMANCES BY LOCAL ARTISTS.
From 6–9pm on the First Friday of each month, SJMA is free and activated by a dynamic program of performances by local artists. The varied program is presented as part of SJMA’s commitment to be a community gathering space, to contribute to the activation of downtown San José, and to center artists.
Partners and artists in FY25 include Vincent Aire, Mark Arroyo, Auracle Ash, Robyn D. Banks, Sean Bass, Black Aurora, Phoebe C with William Bohrer and Jonathan Franaszek, Esperanza Cabrales, Julie Cardenas, Chopsticks Alley Art, Citizens Jazz led by Carol Chung, City Lights Theater Company, Jared Cruz, Pau D’Arco, Brian Fitzgerald, Francis Experience with Jonathan Francisco Borca, History San José, Jasper Redwood, Japanese American Citizens League Silicon Valley, José Jiménez, Kalypso, Joe Leonard, Miguel “Frunkyman” Levya, Lysn, Mosaic America, New Ballet, Thien An Nguyen, Poetry Corner with Zainab Hussain, Prof Eros, Jasper Redwood, San Jose Jazz, Silicon Valley Pride, SJMA's
Let's Look at Art docents, Society of Heart's Delight, Tori Tia, and Esther Young.
SUPPORT
San José Museum of Art First Fridays are made possible in part by major support from the Jay Paul Company.

FIRST FRIDAY PROGRAMMING
7.5.2024: First Friday
8.2.2024: Pau D’Arco: Canciones Nuevas y Viejas de America Latina
9.6.2024: Opening Celebration Calder and Still in Motion
10.4.2024: New Ballet Season Preview
11.1.2024: Opening Celebration Kambui Olujimi and Beta Space
12.6.2025: Celebrate the Holidays with Pride
1.3.2025: Community Game Night
2.7.2025: On the Shoulders of Giants: Celebrating Black History Month
3.7.2025: Opening Celebration of Tending and Dreaming
4.4.2025: Hip Hop(e) and Healing
5.2.2025: Fingerstyle Elegance: An evening with Thien An Nguyen
6.6.2025: First Friday with Phoebe C
↑ Lysn and Prof Eros perform at First Friday.

ART 101
ART 101 WORKSHOPS OFFER ADULT PARTICIPANTS GUIDED ART MAKING
INSTRUCTION IN SPECIFIC TECHNIQUES AND ARE OFTEN INSPIRED BY EXHIBITIONS ON VIEW.
In FY25, City of San José Creative Ambassador Deborah Kennedy led a broadside making and poetry writing class that tied into Earth Day. Artist and SJMA Educator Emma Brand led a rotoscoping animation class that drew inspiration from Kambui Olujimi: North Star.
ART 101 PROGRAMMING
10.13.2024: Earth Day Broadside and Poetry Project
4.26.2025: Rotoscoping Animation
↑ Participants learn the technique of rotoscope animation.

GALLERY TALKS
LEAD BY A CURATOR OR EDUCATOR, GALLERY TALKS OFFER VISITORS SPECIALIZED INSIGHTS INTO EXHIBITIONS ON VIEW.
In FY25, SJMA introduced a new gallery talk series, titled Walk with a Naturalist, which offered an observation-based, scientific inquiry into Beta Space: Patty Chang and David Kelly.
GALLERY TALK PROGRAMMING
11.17 and 12.15.2024: Walk with a Naturalist
1.19, 2.16, 3.16, 4.5, and 5.18.2025: Walk with a Naturalist
2.28.2025: Kambui Olujimi: North Star
3.28.2025: Calder: at home, among friends
4.25.2025: Beta Space: Patty Chang and David Kelly
↑ Visitors enjoy an observation-based, scientific inquiry into Beta Space: Patty Chang and David Kelley.
DOCENT COUNCIL VOLUNTEERS
ACTIVE
Daniel L Camarena
Lisa Dearborn
Lisa Gallo
Thu-An Hanley
Tricia Hill
Hilary Kim
ASSOCIATE
Daniela Barone
Francine Craven
Geraldine Martinez-Magarelli
Astrid Mazin
SUSTAINING
Michael Arellano
Lauren Buchholz
Sandra Churchill
Dolores Fajardo
Peter Fargo
Lorraine Fitch
Cathleen Fortune
Kim Harris
Karen Huitric
Michaela Landrok
ON LEAVE
Monica Rojano-Moguel
Carol Whelan
Sara Mintz
LT Nguyen
Amelie Pak
Sujata Tibrewala
Barbara Weiss
Miho Poelman
Ellen Tafeen
Jeanne Torre
Lisa Lubliner
Suzette Mahr
Shauna Mika
Ann Marie Mix
Evelyn Neely
Susanne Offensend
Leah Read
Elizabeth Ryono
Bob Strain

CREATIVE MINDS
CREATIVE MINDS—SJMA’S PREMIER ARTIST TALK SERIES—ALLOWS AUDIENCES A CHANCE TO HEAR DIRECTLY FROM ARTISTS ABOUT THEIR PROCESS AND PRACTICE.
SJMA hosted two Creative Minds programs in FY25. In conjunction with Christina Fernadez: Multiple Exposures, artist Christina Fernandez and writer, educator, and co-founder of Eastside Magazine Rosanna Alvarez, spoke with Assistant Curator Juan Omar Rodriguez about their approaches to storytelling from Los Angeles to the Bay Area.
In conjunction with Kambui Olujimi: North Star, artist Kambui Olujimi was in conversation with Chief Curator Lauren Schell Dickens about the many ways the exhibition asked audiences to imagine new relationships to our bodies, the self, the planet, and the universe.
CREATIVE MINDS PROGRAMMING
8.30.2024: Christina Fernandez and Rosanna Alvarez
5.16.2025: Kambui Olujimi
↑ Assistant Curator Juan Omar Rodriguez led a conversation with artist Christina Fernandez and Rosanna Alvarez.

NEW AUDIO GUIDE
THE MUSEUM NOW OFFERS A FREE DIGITAL GUIDE!
The guide is available on Bloomberg Connects, an arts and culture app that features additional content, including audio and video insights on exhibitions and artworks from artists, curators, and educators. It also includes accessibility features such as screen reader support and an interactive map.
↑ Museum visitor using her phone to learn more about an artwork through our free audio guide.
↗ Family participating in a hands-on activity at Vive Calle 2024.

OFF-SITE
SAN JOSÉ MUSEUM OF ART STRIVES TO BE A BORDERLESS MUSEUM—ESSENTIAL TO CREATIVE LIFE THROUGHOUT THE DIVERSE COMMUNITIES OF SAN JOSÉ AND SILICON VALLEY.
In FY25, SJMA offered hand-on art activities at Adobe Family Day, Robert Randal Elementary, Paleta Fiesta—Back to School, Mosaic Festival, Moon Festival, Viva Calle, and participated reguarly at the downtown San José Farmer's Market. Additionally, SJMA led the Museums with Pride contingency—comprised of local museums—in the San Francisco Pride Parade and the Silicon Valley Pride parade. This year, San Francisco Pride's theme was "Queer Joy is Resistance" and the Museums with Pride contingency won the title of Absolutely Joyful Marching Contingent.
Borderless Museum


EQUITY TASK FORCE
THE MUSEUM’S CROSS-DEPARTMENTAL EQUITY TASK FORCE (ETF) INTEGRATES AN EQUITY-FOCUSED AND VALUES-ALIGNED APPROACH ACROSS ALL ASPECTS OF THE MUSEUM’S OPERATIONS.
The ETF convenes regularly to oversee equity pilot initiatives—staff-driven experiments that generate new insights, ideas, and methods aimed at further embedding equity within the Museum’s work.
↗ Image caption
MEMBERS
Gemma Armas,
ETF Chair since December 2024
S. Sayre Batton
Daniel Becker
Tova Cheng
Nidhi Gandhi,
ETF Open Session Coordinator
Ara Garcia
Daniel Jimenez
Sam Joseph
Natalie Sánchez Lewin,
ETF Chair through December 2024
Frederick Liang,
ETF Communications Coordinator
EQUITY PILOTS
IN FY25, A NEW RESEARCH-BASED PILOT EXPLORED HOW SJMA CAN BETTER LEARN ABOUT AND IDENTIFY STAFF COMFORT LEVELS AND RESOURCE NEEDS AROUND ACKNOWLEDGING GENDER BEYOND THE BINARY.
It aimed to understand experiences with gender inclusivity, effective pronoun use, and support for non-binary colleagues.
The findings will help strengthen SJMA's internal culture and guide more inclusive practices across staff, visitors, artists, and partners. In November the pilot team organized a successful Friendsgiving event that brought staff from across the Institution together to share dishes from different cultural backgrounds.
Karen Rapp
EQUITY BOOK CLUB
Abolition. Feminism. Now. by Angela Y. Davis, Gina Dent,
Erica R. Meiners, and Beth E. Richie
The Wicked Years: Wicked by Gregory Maguire


ENVIRONMENTAL RESPONSIBILITY
SJMA IS COMMITTED TO CARING FOR THE PLANET AS IT CARES FOR ITS VISITORS, ITS COLLECTION, AND ITS COMMUNITY.
At the San José Museum of Art (SJMA) we recognize the urgency of the current climate crisis and are committed to minimizing our impact on climate change. We are taking steps at both the individual and the institutional level to continually reduce the environmental impact of our work. The Museum’s interdepartmental Green Team meets quarterly to review the Museum’s environmental commitments, share learnings, and implement new efforts. Key examples of these efforts in action include:
• SJMA is an active partner with the City of San José Office of Cultural Affairs’ Climate Art Program and hosted day 1 of the 2024 Climate Art Symposium at the Museum on October 11, 2024.
• Tending and Dreaming dedicates 50% of the Museum’s gallery space to permanent collection work, reducing the number of walls that get built each year, and reducing the carbon footprint of artwork traveling.
• Additionally, all of the text panels in the exhibition are on Falconboard—a 100% recyclable and biodegradable material and are printed with biodegradable ink.
• This year’s Kids Summer Art Camp
featured 2 weeks of teaching art with sustainable materials.
• We have relaxed temperature and humidity requirements in the galleries in alignment with the Bizot Green protocol, now adopted by the American Association of Museum Directors.
• SJMA has an established practice of recycling across the Institution and encourages our visitors to do the same.
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Image caption
SJMA has successfully qualified as a 2024 Active Member with @galleryclimatecoalition!
ACCESSIBILITY THROUGH ADMISSION
IN ALIGNMENT WITH SJMA’S CORE VALUE OF INCLUSION, THE MUSEUM PRIORITIZES MAKING ADMISSION ACCESSIBLE TO ALL REGARDLESS OF FINANCIAL ABILITY.
SJMA is always free for youth, students, and teachers.
Additional strategic partnerships supporting this commitment include:

Blue Star Museums
Active military personnel receive free admission— including up to 5 family members—from Memorial Day weekend through Labor Day.
Discover and Go
Library cardholders can check out up to four passes at many libraries throughout San José and the Bay Area.
Family
Pass
Every student that participates in SJMA's education programs receives a family pass that that grants free admission to up to 8 adult family members.
Museums for All
EBT (Electronic Benefit Transfer) cardholders receive free admission for up to four people.
Museums on Us
Visitors who present an active Bank of America®, Merrill® (formerly Merrill Lynch®) or Bank of America Private Bank® (formerly U.S. Trust®) branded debit or credit card—with an ID receive free admission to the Museum on the first full weekend of each month.
↑ Museum visitors immersed in the exhibition Tending and Dreaming.


LET’S LOOK AT ART
LET'S LOOK AT ART PRESENTATIONS ARE OFFERED DURING THE SCHOOL YEAR AND LEAD TO EXCITING PROCESSES OF DISCOVERY FOR STUDENTS IN SANTA CLARA COUNTY.
Using Visual Thinking Strategies (VTS) that support the Common Core State Standards, a trained docent leads free, in-classroom art presentations. Art selections are
carefully researched, presented with a specific set of curriculum objectives, and represent the cultural diversity of the Bay Area. During the 2024–25 school year, over 878 presentations were given.
Each student that participates receives a Family Pass to visit the Museum with up to 8 adult family members. Over 1,797 visitors came to the Museum using these family passes from LLAA in FY25.
LET'S LOOK AT ART DOCENTS
ACTIVE
Kathy Benedict
Elizabeth Bonnet
Eve Brasfield
Joseph Coha
Giada Conte
Linda Cortinas
Lisa Dearborn
Debbie Earl
Kristina Eng
Harriet Erbes
Toby Fernald
Cathy Fraser
Lisa Gallo
Suman Ganapathy
Muskaan Grewal
Beth Herner
Tricial Hill
SUSTAINING
Interested in learning more about how to join the LLAA team and bring art experiences to students in your community? Visit the Let’s Look at Art page to apply!
SUPPORT
Let’s Look at Art is made possible by major support from Sally Lucas, and generous support from Worth and Andy Ludwick.
↖ Let's Look at Art trainees holding art prints from the program curriculum.
Colleen Jansen
Linda Klein
Marcia Klein
Karen Lantz
Laurel Lee
Lisa Lewis
Jennifer MacGougan
Loyce Mandella
Amy Mears
Tony Misch
Char Nagayama
Barb Nelson
Lia Nguyen
Colleen Papalias
Mary Perry
Louise Persson
Sergei Posnov
Alka Pradhan
Pamela Ryalls-Boyd
Elizabeth Seiden
Liz Summerhayes
Sherry Tsai
Lotte Van de Walle
Debbie Watson
Kim Worrall
Carol Wynne
Liliya Yakymechko
Christina Zhao
Melinda Anderson
Marilyn August
Carol Bower
Christy Cali
Bing Chen
Susan Curtin
Char Devich
Nancy Dunne
Lorrie Fitch
Jody Foster
Linda Gallo
Linda Goldberg
Joan Gorham
Karen Harrington
Julia Hartman
Dave Himmelblau
Julia Jacobsen
Jean Kellett
Carole Kilik
Andrea Lee
Nancy Mathews
Rosemarie Mirkin
Linda Pfeiffer
Amy Rapport
Carrie Ross
Joan Sharrock
Diana Taylor
Emily Thaeler
Martha Weber


S OWING CREATIVITY
SOWING CREATIVITY IS A CLASSROOM-BASED, CROSS-CURRICULAR ART PROGRAM FOR K–12 STUDENTS LED BY SJMA’S PROFESSIONAL TEACHING ARTISTS.
Through multi-week, hands-on experiences in drawing, painting, and sculpture, students build skills while exploring math, science, language arts, and more. Lessons integrate California Common Core and Next Generation Science Standards, emphasizing design thinking, creative problem-solving, and active discussions inspired
FIELD TRIPS
4,426 STUDENTS, TEACHERS, AND CHAPERONES VISITED
SJMA THROUGH OUR FIELD TRIP PROGRAM, INCLUDING 1,848 STUDENTS FROM TITLE I SCHOOLS.
The Museum is committed to reducing barriers to visit and offers free field trips to students in Title I schools. SJMA’s inquiry-driven tours support the Museum’s community pledge to
by the cross-disciplinary nature of contemporary art.
Sowing Creativity includes free group visits for participating classrooms. In FY25, SJMA reached over 1,800 students through 80 residency programs in 12 Santa Clara County schools, with 1,339 students from Title I schools.
SUPPORT
Sowing Creativity is made possible by lead support from the Leo M. Shortino Family Foundation; and by generous support from KPMG and Daphne and Stuart Wells.
↖ A student and his art that he created as part of the Sowing Creativity program.
inspire creativity, visionary inquiry, and critical thinking by centering on students’ unique perspectives.
Two-Part Art, SJMA’s premiere field trip program includes a hands-on art-making activity inspired by the work on view.
SUPPORT
Two-Part Art is made possible by major support from California Arts Council, a state agency.
← Students enter the Museum for a school field trip.

KIDS SUMMER ART CAMP
CAMPERS GAIN BEHIND-THE-SCENES ACCESS TO THE MUSEUM’S EXHIBITIONS, LEARN ABOUT EXHIBITION DESIGN, EXPERIMENT WITH ARTISTIC PROCESSES, AND PARTICIPATE IN A STUDENT EXHIBITION.
These weekly camps offer in-depth art experiences, led by SJMA’s teaching artists and inspired by current exhibitions. Campers learn how to look at, talk about, create, and display art. Each week-long camp is offered for kids ages 6–8, 9–11, and 12–14. Culminating at the end of every camp is an art exhibition and reception, in which families and caregivers are invited to celebrate the artistic achievements of each participant. 226 students participated in Kids Summer Art Camp in FY25. A limited number of scholarships cover full camp tuition, all art supplies, and camp t-shirts.
SUPPORT
Kids Summer Art Camp scholarships are made possible through a Safe Summer Initiatives Grant from the City of San José.

DR. JERRY HIURA AWARD
THE DR. JERRY HIURA NEXT GEN VISUAL ARTIST AWARD HONORS THE PASSIONS OF FORMER SJMA BOARD MEMBER AND ARTS ADVOCATE DR JERRY HIURA THROUGH A SCHOLARSHIP THAT CELEBRATES YOUNG VISIONARY ARTISTS AND SUPPORTS THEIR ARTISTIC PRACTICE AND GOALS AS THEY PURSUE HIGHER EDUCATION.
The scholarship is open to high school students in Santa Clara County. This year, 90 students reflected on the theme, Compassion in Action—how caring for their community, friends, and themselves has positively influenced their lives. Through visual art they explored the power of empathy and kindness, and how these qualities drive them forward. First place went to Amy with Blossom in the Crescent Moon (LOST), second place went to Quinn’s Eye Am Compassion, and the third-place winner was Sofia with Threads of Mine.
↖ Campers participate in guided in-gallery activities.
↗ Dr. Jerry Hiura Next Gen Visual Artist Award winners.
ART LEARNING LABS

Community Constellation
For Kambui Olujimi: North Star visitors were invited to engage in an interactive poetry space. This activity encouraged participants to create original poems inspired by the artworks on display. Using provided prompts or their own ideas, individuals reflected on personal emotions, thoughts, and interpretations connected to the themes of the exhibition. The poetry space served as a creative outlet for visitors to respond to the art and explore their own perspectives through writing.
↑ View of activity located in the North gallery.

Tending and Dreaming Story Board
The Tending and Dreaming Story Board invites visitors to contribute personal reflections and creative responses inspired by their experience in the collection galleries. Designed to highlight artists as storytellers and the Museum as a space of evolving culture and meaning, the digital message board provides a platform for participants to share stories, images, and ideas. Guided by prompts on themes such as connection to place, identity, belonging, and creativity, visitors reflect on their own lives and perspectives while engaging with the artworks around them.
↑ View of activity located in the Plaza gallery.

Block Garden
SJMA visitors explore the magic of Roy De Forest’s Off the Patagonian Coast using our fun 3D-printed block set available in Koret Gallery: Art Learning Lab exhibition.
Each block draws inspiration from the shapes in the original artwork.

Art Learning Lab Journals
The Art Learning Lab journal was developed to enrich visitor engagement and encourage student and family participation. Distributed both on-site and at outreach events, it is now in its fourth edition, with a fifth forthcoming.
Through interactive activities, the journal invites visitors to engage with current exhibitions and reflect on timely themes. It provides space for note-taking and personal reflection, helping visitors connect artworks to their own lives and broader social contexts. To date, over 7,000 copies have been distributed.
↑ Selection of Art Learning Lab Journals.
↑ View of activity located in the Koret gallery.


COLLECTION KIOSK
In conjunction with Tending and Dreaming: Stories from the Collection, the online collection page was redesigned and streamlined to encourage searchability and discovery by featuring new content, a "currently on view" section, and a "browse all" function.
Explore the Collection online!
FY25 ACQUISITIONS
THANKS TO THE GENEROSITY OF OUR DONORS, SJMA ACQUIRED 7 ARTWORKS BY 6 ARTISTS IN FY25, WHICH ENRICH THE MUSEUM'S COLLECTION BY ADDRESSING TIMELY CULTURAL, POLITICAL, AND SOCIAL ISSUES.
MOATH AL-ALWI
↓ Untitled (GIANT), 2017
Cardboard, rope, fabric, plastic, and acrylic paint
27 × 31 × 6 ½ inches
Museum purchase with funds provided by the Lipman Acquisitions Fund, 2025.02. © Moath Al-Alwi.
Moath al-Alwi’s artistic practice is indelibly shaped by his surroundings in Guantánamo Bay Naval Detention Center, where he was detained without charges from 2002 until January 2025. Untitled (GIANT) was permitted to leave Guantánamo before legal parameters shifted to treat all artworks and their descriptions as classified materials. Untitled (GIANT) was made during a period in Guantánamo’s administration when art classes were allowed. Some materials were provided by an instructor with al-Alwi finding additional materials. Carved eagle's wings stand proudly on the prow as the artist’s symbol of himself and an attestation of the emancipatory possibility of artmaking for the artist.

ALEXANDER CALDER
Acrobats, 1964
Five gouaches on paper
16 × 14 inches, each
Gift of Peter and Beverly Lipman, 2024.07.02a-e.
© 2025 Calder Foundation, New York / Artists Rights Society (ARS), New York.
↓ Alphabet (Children’s page), 1943
Ink on paper
22 ½ × 30 inches
Gift of Peter and Beverly Lipman, 2024.07.01.
© 2025 Calder Foundation, New York / Artists Rights Society (ARS), New York.
Best known for his mobiles and massive public sculptures, Calder also created numerous drawings that imitate the style of his sculptural forms, from the wiry lines of his acrobats to the flat planes of his mobiles. Calder drafted Alphabet (Children’s page) for a centerfold in the April 1943 issue of View Magazine, published by Charles Henri Ford to promote surrealist art in the United States. In 1963, as the editor of the magazine Art in America, Jean Lipman commissioned Calder’s drawings of acrobats.

JOSH KLINE
↓ Mid-Career Artist, 2024
Acrylic-based photopolymer resin, urethane foam with shellac-based color sealer, epoxy resin, UV protective coating, museum wax, and polyethylene bag 22 ½ × 22 × 53 ¼ inches
Josh Kline's Mid-Career Artist is a life-size 3D scan of the Philadelphia-born Filipino artist. Kline looks at how emergent technologies are being used to change human life. His sculptural, video, and installation-based work often utilizes the very technologies that he scrutinizes—digitization, image manipulation, 3D-printing, or productivity-enhancing substances—aiming them back at themselves, with frequently darkly humorous results. At its core, Kline’s prescient practice is focused on work and class, exploring how today’s most urgent social and political issues—climate change, automation, disease, and the weakening of democracy—impact the people who make up the labor force.


PAUL PFEIFFER
↗ Caryatid (Pacquiao), 2023
Single-channel digital video loop on transparent color television monitor
13 × 13 ½ × 15 inches
Museum purchase with funds provided by the Collection Committee, 2024.06.
© Paul Pfeiffer.
Since the 1990s, Paul Pfeiffer has made groundbreaking work in video, sculpture, and photography, using digital technologies and new media that dissect the role mass media plays in shaping consciousness. In Caryatid (Pacquaio), a small tabletop monitor shows a moving image of the Filipino boxer Manny Pacquaio being punched in slow motion. By removing the attacking boxer, the focus is on the lush and brutal sequences of the impact, as the body twists and recoils under invisible blows. This detailed study presents a counter to the heroic sports narratives focused on the triumphant victor.

LUCAS SAMARAS
Head #302, 1983
Ink wash
34 × 28 inches
Gift of Peter and Beverly Lipman, 2024.07.03.
© Lucas Samaras.
Lucas Samaras’ practice focuses on the body, self-representation, and autobiography. Head #302 is one of a series of over 300 black and white ink wash depictions of skulls Samaras made over the course of 1983, and part of a larger opus of works exploring the head as a foundational form, one that when abstracted can take on potent symbolism and expressive meanings.
PAE WHITE
← Animals for Sale, 2003 Snakeskin, paper and thread
36 × 12 inches
Gift of C. Christine Nichols in honor of Sayre Batton, Oshman Executive Director, San José Museum of Art, 2017-2025, with thanks for her guidance of SJMA, 2025.03.
Pae White looks to the natural world—flocks of birds, schools of fish, drifting clouds—to produce sculptures without volume and to find order in chaos, freeze-framing the elusive through geometry. She has experimented with different materials: paper, glass, mirror, stainless steel, and most recently electroplated steel cut and silkscreened at a factory that produces metal business cards. Animals for Sale (2003) is an early mobile by White, featuring paper and snakeskin.
Gift of the Lipman Family Foundation, 2025.01. © Josh Kline.
Photo by Glen Cheriton.

CONSERVATION
IN PREPARATION FOR CALDER: AT HOME, AMONG FRIENDS, A NECKLACE BY ALEXANDER CALDER IN SJMA’S COLLECTION UNDERWENT CONSERVATION FOLLOWING THE CALDER FOUNDATION’S RECOMMENDATION.
The Foundation’s records showed that the necklace was not originally gold and had been gilded at a later date, and that the components were in an incorrect order. A conservator manually removed the gold from the necklace, revealing the original metal—surprisingly nickel wire, making this a rare example of Calder’s use of this material. The necklace was also restrung in its correct order on a period-appropriate cord, replacing a more recent nylon cord.
COLLECTION COMMITTEE
Lorri Kershner, Chair
Daniela Barone
J. Michael Bewley*
Gina Dent
Ala Ebtekar
Lys House
ALEXANDER CALDER
← Necklace, 1930s
Nickel wire and string
8 × 7 ¼ × 1 /14 inches
Gift of Dr. Kenneth Hayes and Janet Gray Hayes in memory of Margaret Calder Hayes, 1992.02. © 2025 Calder Foundation, New York / Artists Rights Society (ARS), New York.

Wanda Kownacki
Kimberly Lin
Peter W. Lipman
Geraldine Magarelli
Suzette Mahr
Yvonne Nevens
Elizabeth Ryono
Marsha Witkin
Gayla Wood
*In Memoriam, 1945–2024.
Photo by Glen Cheriton.
↗ Artwork before conservation.


2024 GALA + AUCTION
September 21, 2024
IN HONOR OF ARTIST
CHITRA GANESH AND VISIONARY AWARD WINNER
GLENDA DORCHAK
SJMA’s 2024 Gala + Auction was a fantastic celebration in honor of artist Chitra Ganesh and Visionary Award Winner Glenda Dorchak and raised over 1 million dollars in critical funds for the Museum’s operations, award-winning exhibitions, and education programs. The Auction included works by internationally acclaimed artists including Kelly Akashi, Miya Ando, Squeak Carnwath,
BOARD OF TRUSTEES
OFFICERS
Tammy Kiely, Co-President
Wanda Kownacki, Co-President
Glenda Dorchak, Vice President
Robert S. Lindo, Secretary
Hildy Shandell, Treasurer
MEMBERS
Nadia Ahmad
Peter Cross
Anneke Dury
Bill Faulkner
Toby Fernald
Tad Freese
Richard A. Karp
Daniel Le
Peter W. Lipman
Yvonne Nevens
Sarah North
Rachana Rele
Chitra Ganesh, Christine Sun Kim, Hung Liu, Monica Lundy, Masako Miki, Hayal Pozanti, Muzae Sesay, and Xiaoze Xie. Special thanks to Gala Co-Chairs Nadia Ahmad and Tammy Kiely and Auction Co-Chairs Daniela Barone and Geraldine Magarelli for making this event such a success!
↑ 2024
Damon Richardson
Gayla Wood
Astrid Mazin, Delegate Trustee, Docent Council Co-Chair
Louise Persson, Delegate Trustee, Let's Look at Art
Shu Rosenthal,, Delegate Trustee, Store Guild Chair
Gala Award winners Chitra Ganesh and Glenda Dorchak at SJMA’s Gala + Auction.

MEMBERS + SUPPORTERS EVENTS
SJMA is fortunate to have the steadfast and integral support of its members who not only provide critical operating resources each year but also contribute to the Museum’s ongoing community-building efforts through their participation and engagement with SJMA’s exhibitions and programs. Members experienced the exhibitions on view through in-depth virtual Curator’s Workshops during FY25 and joined in
celebration at the launch of new exhibitions through member receptions where they had the chance to meet SJMA’s curators and the exhibiting artists.
Additionally, patron level donors and members enjoyed not only the receptions and workshops, but also more intimate and private curated events, including the Council of 100’s Annual Dinner on Saturday, March 1, 2025. Bay Area artist Catherine Wagner, whose SJMA solo exhibition Paradox Observed was on view in 2019, was the guest speaker for the evening. Donor Circle members also had several opportunities to travel
with SJMA during FY25. These bespoke trips included a visit to the Djerassi Ranch’s Residency Program in Woodside; a trip to two remarkable private collections in the East Bay; and a C100 National Trip to Philadelphia in October 2025. Finally, members of the Director’s Council traveled to Provence France in April 2025 and experienced an expertly curated itinerary that included exclusive visits to private collections, museums, delicious meals, and more.
↖ Donor Circle members traveled to Philadelphia to visit museums, galleries, and private collections.
$500,000+
City of San José
Skyline Foundation
$200,000 – $499,999
Adobe
Institute of Museum and Library Services
Richard A. Karp Charitable Foundation
Lipman Family Foundation
The David and Lucile Packard Foundation
$100,000 – $199,999
Brook Hartzell + Tad Freese
The William Randolph Hearst Foundation
Tammy + Tom Kiely
Yvonne + Mike Nevens
Teiger Foundation
The Andy Warhol Foundation for the Visual Arts
$50,000 – $99,999
Applied Materials
Glenda + Gary Dorchak
Toby + Barry Fernald
Knight Foundation
Wanda Kownacki
Kimberly + Patrick Lin
Evelyn + Rick Neely
Leo M. Shortino Family Foundation
$25,000 – $49,999
Bank of America
Doris* + Alan Burgess
Elaine Cardinale
Casino M8trix
DONORS + MEMBERS
WE THANK OUR DONORS FOR THEIR GENEROUS SUPPORT
July 2024–June 2025
Lucia Cha
Priscilla Chou
Lorri Kershner KPMG
Geraldine + Marco Magarelli
McManis Faulkner
Barry + Rosemarie Mirkin
Marge + Ken Nissly
Jay Paul Company
Qatalyst Partners
Dennis Rohan
Elizabeth + Byron Ryono
Hildy Shandell + Jeffrey Pfeffer
Gayla + Walt Wood
$10,000 – $24,999
Anonymous Ansys
Daniela Barone + Matt Reiferson
S. Sayre Batton + Maja Thomas
Boydston Foundation
The de Souza Bransten Family
Laurie + Bill Brennan
Lorna Meyer Calas + Dennis Calas
California Arts Council
E. Rhodes + Leona B. Carpenter Foundation
Melanie* + Peter S. Cross
Peggy + Yogen Dalal
Deloitte
Anneke + David Dury
Julie + Steve Eckstrom
Elizabeth Economy + David Wah
Evercore
Farrington Historical Foundation
First American Bankcard, Inc. (FABICash)
Lys + Lee House
Diane Jonte-Pace
Cheryl + Bruce Kiddoo
Latham & Watkins
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Catherine Lego
Leslie + Will Littlejohn
Hung Liu Estate
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Worth + Andy Ludwick
Suzette Mahr
Dipti + Rakesh Mathur
Mary Mocas + Marv Tseu
Nicki + Pete Moffat
J.P. Morgan Wealth Management
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Gallery Wendi Norris
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Timi + John M. Sobrato
SV Creates
Synopsys
Babak Taheri
Daphne + Stuart Wells
Suzanne + Tom Werner
Sara Wigh + Jim McManis
Marsha + Jon Witkin
Heather + David Zinsner
$5,000 – $9,999
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Anonymous
Jo + Barry Ariko
Art Horizons International
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Benefactor Travel
Blackstone Gaming, LLC
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Janice Fox
Martin Fox + John Green
Regina Frenkel + Rene Haas
Cathy Grape
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Ann Hosein
Hummer Living Trust
D'Arcy + Jim Kirkland
Wendy + Mike Kirst
Jacqueline Whittier Kubicka +
Bruce Kubicka
Kathryn + Robert S. Lindo
Sharon Mandell
McKinsey & Company
Chris Mengarelli + Dale Elliott
Shauna Mika + Rick Callison
Newfront
Alyce + Mike Parsons
Eileen Silver
Jessica Silverman + Sarah Thornton
Holly + Stacy Smith
Lisa Stanziale + John Lee
Alexandra + Murphy Stein
Susan + Sanjay Vaswani
Julie Veitch
$2,500 – $4,999
Judy + Mike Bruner
Bryan Cooke
Comerica Bank
Eng-Caulfield Family Fund
Pamela + Marc Garibaldi
Raj-Ann Rekhi Gill + Pavan Singh Gill
Heritage Bank of Commerce
Hosfelt Gallery
Joelle + Michael Hurlston
Leah + Charles Read
Ann + Kanwal Rekhi
Rachana Rele
Republic Services
Barbara Scherer
Abigail W. Simons
SJMA Docent Council
Eileen Sandra Swirsky + Lyle Merithew
Sujata Tibrewala
MUSEUM STORE VOLUNTEERS
Kat Anderson
Marilyn August
Connie Bantillo
Nancy Beckman
Meghal Biswa
Lawrie Brown
Charlane Bueno
Alyssa Camarillo
Char Devich
Ami Dongchau
Jelani Finkely
Manav Jain
Michele Kelly-Jones
Bill Jones
Madelyn Lee
Chris Mengarelli
Jeannie Pedroza
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Mark Rotner
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1301PE
Anonymous
Marco Arrigoni
Amie + Dave Ashton
Alison Barr
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Betty Jane + Lawrence Bryan
Ami + Liam Byrne
Susan Casentini + Kyle Milligan
Elio + Cheresh Casinelli
Radhika Chopra + Rajan Anandan
City of San José District 3 Office
Libby + Paul Conrado
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Elizabeth Twaddell + Amardeep Misha
Lieke + Paul Vlasveld
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$300–999
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Carol + Terry Austen
Rebecca + David Ayer
Wendy Balam
Nancy Beckman
Joann Bergoffen + Jeff Ehrlich
Leslie Bixel + Donald Wright
Michelle Blair + Dennis Calloway
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Ami + Liam Byrne
Sandra + James Byrne
Laura Callahan + Joe Miller
Barbara Canup
Anne + Jim Cashman
M. Bernadette Castor + David Packard
Priya Chandrasekar + Chandra Gnanasambandam
Polly Chen
Ying Chen + Chris Mildebrandt
Francine Craven
Peggy Sue Crookston + Dan Herschlag
David Daggett
Jane Decker
Alison + Michael Dorchak
Anne Dougherty + David Dobrikin
Phyllis Eckhaus
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Sarah + Robert Erickson
Mary Falkar
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Sandra + Albert Franken
Sally + Tom Freese
Ken + Kyle Friedman
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Kim Harris + Bennet Marks
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Antje + Paul Newhagen
Hien Nguyen
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Clayton Okaly
Kent Owen + Bill Cooper
Christina Passoni + Travis Retherford
Karla Pfeil + Peter Fargo
Jean + Henry Richards
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Emily Ross
Katy Ross + John Bieda
Jose Ruiz
Yvette + David Sacarelos
Jeannette + Glenn Samuels
Francis + Ralph Sanders
Suzanne Sarro + Robert Kass
Dorothy Saxe
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Mara + Edward Schreiner
Joanne + Lee Shombert
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Signia by Hilton San Jose
Sridevi Srinivasan + Thangavelu Arumuam
Kim Steppe
William Sterling
Daniel + Derek Tam
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Katherina + Steve White
Leah + Marc Wiesner
Jenny Wirtschafter + Patrick Hornberger
Suzanne Wittrig + Alfonso Banuelos
Alayne + Don Yellum
Danell Zeavin + Ronald Stovitz
Marco Zecchin
Deborah Zimmer
Yikai Zou
DONORS TO COLLECTION
Collection Committee
Lipman Family Foundation
Yoshiaki Yokokawa
DONORS TO
CAMPAIGN FOR COLLECTION
Anonymous
Nadia + Faisal Ahmad
Daniela Barone + Matt Reiferson
Ellyn Bloomfield
Doris* + Alan Burgess
Elaine Cardinale
Kristen Clements
Melanie* + Peter Cross
Glenda + Gary Dorchak
Toby + Barry Fernald
Jelani Finkley
Barbara Fishman
Farrington Historical Foundation
Sally + Tom Freese
Brook Hartzell + Tad Freese
Charles D. Himmelblau
Cheryl + Bruce Kiddoo
Tammy + Tom Kiely
Robert S. Kieve
Elisa + David Koff-Ginsborg
Kathryn + Robert S. Lindo
Lipman Family Foundation
Geraldine + Marco Magarelli
Suzette Mahr
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Ann Marie Mix
Mary + Greg Mix
Evelyn + Rick Neely
Yvonne + Mike Nevens
C. Christine Nichols
Marge + Ken Nissly
Deborah D. + Henry F. Norberg
Sarah + Denny North
Rita + Kent Norton
Veronica Roberts
Rachana Rele
Dennis Rohan
Shu K. Rosenthal
Elizabeth + Byron Ryono
SJMA Docent Council
Marsha + Jon Witkin
Jessica Yee
IN-KIND
DONORS
Adobe
Kelly Akashi
Anglim/Trimble
Francois Ghebaly Gallery
Connie Huang
Tammy + Tom Kiely
Hung Liu Estate
Geraldine + Marco Magarelli
Memento Mori Winery
Gallery Wendi Norris
pt. 2 gallery
Round Pond Estate Winery
Jessica Silverman
Nancy Toomey Fine Art
Total Wine & More
Vice Versa Wines
Yoshiaki Yokokawa
FOUNDERS’
SOCIETY
Bequests and planned giving
Anonymous
Doris* + Alan Burgess
Ron Casentini
The Marion Sarah Cilker*
Administrative Trust
Rosa* + Werner Cohn*
Caroline Crummey*
Vivian G. Crummey*
Faith C.* + Paul L. Davies*
Glenda + Gary Dorchak
John Ettelson* in honor of Charlotte Wendel
Dixon* + Barbara Farley
Toby + Barry Fernald
Zelda Glaze*
Doris J. Groves*
Susan* + Philip Hammer*
Brook Hartzell + Tad Freese
Karita* + Paul Hummer*
Michele Kelly-Jones + William Jones
Beverly + Peter W. Lipman
Suzette Mahr
Chris Mengarelli + Dale Elliott
Ruth Mirassou*
Evelyn + Rick Neely
Yvonne + Mike Nevens
Deborah D. + Henry F. Norberg
Ena Weisskopf Passarini*
Frederick* and Marcella Sherman*
Living Trust
Carol Stanley*
Marcia* + Howard Summers*
Dr. Jan Newstrom Thompson + Paul Goldstein
Nathalie + Gaurav Verma
Larene Wambsganss*
Daphne + Stuart Wells
William Zoller*
*deceased

REMEBERING DORIS BURGESS
THE SAN JOSÉ MUSEUM OF ART REMEMBERS
LONGTIME VOLUNTEER, ARTIST, AND WEAVER DORIS BURGESS, ONE OF THE MUSEUM’S EARLIEST DOCENTS AND LONGEST-SERVING VOLUNTEERS.
Doris joined the Museum’s first docent training class in the fall of 1970, helping shape the foundation of SJMA’s education and volunteer programs.
Over more than five decades, Doris shared her love of art, creativity, and generosity with countless visitors. She helped develop new initiatives such as the Touch Tour for blind and visually impaired visitors.
In 2009, Doris received the Local Hero Award from Bank of America, which honored her 40 years of volunteer service and included a $5,000 gift to SJMA in her name. At the 2018 Gala, the Museum presented Doris and her husband Alan with a framed photograph of the historic wing and a piece of sandstone,
the same stone used to build our beloved Museum, as a symbol of her lasting connection to this place.
Doris' warmth, artistry, and commitment left a lasting impression on everyone who knew her. SJMA is deeply grateful for her many years of service and the joy she brought to our community.
↖ Doris Burgess at an exhibition opening.

SAN JOSE MUSEUM OF ART ASSOCIATION
STAFF
Mahder Aklilu, museum experience representative
Viridiana Alcaraz Alvarez, lead museum experience representative
Anamarie Alongi, registrar
Gemma Armas, director of retail operations
Bailey Baeza, museum experience representative [through July 2024]
Emilio Banuelos, senior studio art educator
S. Sayre Batton, Oshman Executive Director [through May 2025]
Daniel Becker, associate exhibition designer
Jayann Bella, museum store associate
Jazelle Blanco-Rios, museum store associate [through August 2024]
Tessa Blumenberg, development officer
Jeff Bordona, director of museum experience and education
Emma Brand, gallery teacher
Randy Bricco, facilities manager
Leah Campbell, studio art educator
Mae Cariaga, lead museum experience representative
Tovah Cheng, art installation crew member
Justin Huy Minh Van Dang, museum experience representative
Briana Davalos, museum experience representative
Aquiles de la Torre, graphic design and website manager
Lauren Schell Dickens, chief curator + co-interim Executive Director as of June 2025
Catherine Do, gallery teacher
Patricia Duany, collection manager and database administrator
Ricardo Espinoza Padilla, museum experience representative
Franchesca Flores, studio art educator
Linda Franklin, senior gallery teacher
Jared Gacusan, lead museum experience representative
Nidhi Gandhi, curatorial and program associate [through February 2025]
Ara Garcia, executive assistant and board liaison [through June 2025]
Nestor Gutierrez, development and finance assistant
Shelby Hendricks, group tour and family programs manager
Claire Hill, museum experience representative
Daniel Jimenez, manager of museum experience
Sam Joseph, studio art educator
Karishma Kansal, museum experience representative
Richard James Karson, director of design and operations
Leslie Kim, studio art educator
Rebekah Kim, studio art educator
Jessica Kwong, membership manager [through September 2024]
Catherine Le, art installation crew member
Aaron Lee, preparator
Natalie Sánchez Lewin, development and grant manager
Frederick Liang, marketing and communications coordinator
Valentino Loyola, art installation crew member
Alma Luna, human resources manager and executive assistant + board liaison" [as of February 2025]
Kevin MacDonald, director of events
Madison Manzo, lead museum experience representative
Jordan Medina, lead museum experience representative + art installation crew member
Ruby Morales-Rodriguez, studio art educator [through October 2024]
Galen Oback, museum experience representative
Micah Ong, lead museum experience representative
Nia Pommerenke, chief people and culture office [through February 2025]
Karen Rapp, deputy director + co-interim Executive Director as of June 2025
Cheryl Rediger, museum store associate (on-call) [through April 2025]
David Reisine, lead museum experience representative
Bjorn Remo, chief financial officer
Alieh Rezaei, studio art educator [through July 2024]
Kelsey Rieger Olsen, manager of K–12 curriculum and instruction
Juan Omar Rodriguez, assistant curator
Abel Romero, museum experience representative
Leslie Romo, museum experience representative [through September 2024]
Melanie Samay, director of marketing and communications
Ronit Shalem, art installation crew member
Jennifer Sime, chief philanthropy officer [through September 2024]
Sofia Skavdahl, development associate
Kayt Smith, gallery teacher specialist
Brian Spang, chief financial officer [through November 2024]
Shannon Stearns, education program coordinator [through January 2025]
Jack Stinson, art installation crew member [though February 2025] + events and rentals associate
Jai Tanju, events and rentals assistant
Robin Treen, manager of special projects and community partnerships
Thuy Vo, accountant
Lydia Marie Watson, gallery teacher
Jeri Yasukawa, art installation crew member
Julian Zamora, studio art educator specialist

S. Sayre Batton, SJMA’s Oshman Executive Director, stepped down from her position on May 31, 2025. Sayre provided over nine years of dedicated service to the Museum, including eight years as the Oshman Executive Director. During Sayre’s tenure the Museum presented over 50 exhibitions which helped expand SJMA’s reputation both in the Bay Area and beyond.
Sayre played a pivotal role in refocusing SJMA’s commitment to acquisitions. This vision was fully realized in March 2025, when SJMA unveiled its newly renovated main floor galleries dedicated to showcasing the Museum’s collection—a milestone in its 55-year history. Tending and Dreaming: Stories from the Collection features iconic works such as Louise Nevelson’s Sky Cathedral (1957) and Hung Liu’s Resident Alien (1988), alongside recent acquisitions of significant artworks by Tishan Hsu, Yolanda López, and Sarah Sze.
Under Sayre’s leadership, SJMA experienced remarkable institutional growth. The Museum deepened relationships with donors, community partners, universities, and visitors, while securing increased support from corporations, prominent national foundations, and federal government agencies. Notably, SJMA received substantial investments to ensure free admission for youth, students, and educators. Sayre also led strategic and long-term planning initiatives including a substantial investment in staff professional development and digital collaboration and was instrumental in securing SJMA’s re-accreditation with the American Alliance of Museums.
↑ S. Sayre Batton at SJMA's 2024 Gala + Auction, photo by Natalie Schrik for Drew Altizer Photography. FAREWELL, SAYRE!
OPERATING SUPPORT
OPERATIONS AND PROGRAMS AT THE SAN JOSÉ MUSEUM OF ART ARE MADE POSSIBLE BY PRINCIPAL SUPPORT FROM SJMA’s Board of Trustees, a Cultural Affairs Grant from the City of San José, and the Lipman Family Foundation; BY LEAD SUPPORT FROM THE Adobe Foundation, the California Arts Council, Toby and Barry Fernald, Brook Hartzell and Tad Freese, the Institute of Museum and Library Services, the Richard A. Karp Charitable Foundation, Tammy and Tom Kiely, the Knight Foundation, Evelyn and Rick Neely, Yvonne and Mike Nevens, the David and Lucile Packard Foundation, the Skyline Foundation, the Andy Warhol Foundation for the Visual Arts, and the SJMA Director's Council and Council of 100; AND WITH SIGNIFICANT ENDOWMENT SUPPORT FROM THE William Randolph Hearst Foundation and the San José Museum of Art Endowment Fund established by the Knight Foundation at the Silicon Valley Community Foundation.
MISSION STATEMENT
The San José Museum of Art nurtures empathy and connection by engaging communities with socially relevant contemporary art.
FY2025 Annual Report July 1, 2024–June 30, 2025 Image Credits
110 South Market Street, San José, CA 95113
SanJoseMuseumofArt.org