Student Portfolio
ARCH 473/3522 - DIGITAL DESIGN STUDIO AND WORKSHOP Salma Ghanim Fall 2020
The American University in Cairo (AUC) School of Sciences and Engineering - Department of Architecture ARCH 473/3522 - Digital Design Studio and Workshop (Spring 2019) Student portfolio documenting samples of work submitted along the course, including research, experimentation, 3D modeling, digital fabrication, parametric design and modeling, physical model realisation and analysis. Student name: Salma Ghanim Student ID: 900172161
© The American University in Cairo (AUC), December 2020
Salma Ghanim Architecture Student
I am Salma Ghanim, and I go with Salma G. I’m an active student who like to always join clubs, assosiations, and events, while trying to maintain my acadamic life. I’m the co head of the External Affairs committe and I manage an initiative called ARCH-verse with my partner Abdelrahman Mohamed. I used to live in UAE for 18 years. I was born and raised there and came to Egypt to complete my studies in Architectural Engineering at AUC. I enjoy doing what I do but it cost me a lot like my athletic life. I used to play fencing and won multiple meddles doing so. I hope I can manage doing more with my life while still enjoying architercture.
Coral reeefs
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Location: Suez, Egypt
Concept: Adabtability Coral Reefs generate half of earth’s oxegyn and absorb onethird of the carbon dioxide generated from burning fossile fuels. They adapt their shaps and their growth based on external factors like wave direction and protection from predetors. Corals are colorless but they get their color because of the plants living in them, they always seek sunlight to keep the plants alive.
Coral patterns Design Logic: The Golden Ratio
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Initial Sketches and Experementation
Design Logic Skylihgt to light up the building Wind flow sculpturing
Initial conceptual Sketch of the building
Trial 1: Trying to create a repetitive unit to represent the growth of the coral reef
Welcoming entrance
Concavity for protection from the south sun
Progress
Trial 2: Using the golden ratio, proportions were created with different trials of skin and color based on the colors of the reefs
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Trial 3: Using the golden ratio, proportions were created this time it considered more architectural features and started to create more zones. Mobile Shelter for the Homeless
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Glass Top
Tiles
Steel Skeleton
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Residential A
B
Commercial Social
A
A
A
B
B
B Residential
Ground Floor Plan
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First Floor Plan
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Sections
Fabrication
Section AA
Slicer Interlock Fabrication
Section BB Portfolio
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17 Casting: Gypsum and water
02 Material Exploration Portfolio
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What is Casting?
Invesment Casting (Lost wax)
Casting is a manufacturing process in which a liquid material is usually poured into a mold, which contains a hollow cavity of the desired shape, and then allowed to solidify. The solidified part is also known as a casting, which is ejected or broken out of the mold to complete the process.
Creating a mold by covering a pattern of wax with a material then melting the wax using heat and losing it to get a one piece mold. Main Advantage is high geometrical accuracy.
Techniques: Sand Casting Most used in manufacturing due to the sand’s high resistance to heat which is ideal for metal casting.
Die Casting (Metal Casting Process) Molding materials under high pressure. The mold is reusable. Advantages: 1. Uniform design 2. A reduced need for post-casting machining.
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Centrifugal Casting Used to produce long, cylindrical parts such as cast iron pipe by relying on the g-forces developed in a spinning mold.
Cast steel nodes for a 220 kV tubular overhead line tower
Precedents and use:
Roof for the 1972 Olympics in Munich, cast steel nodes for cable coupling. a) Roof; b) Foam model; c) Final installation of cable coupling.
Royal College of Art graduate James Thompson cast the spaces between objects in the college cafe and used the resulting shapes to make furniture-like sculptures. Portfolio
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Experimentation Experiment 1: Model 1: Double texture
Shaped the mesh to desired shape
Cut wooden sticks and started sticking it to the mesh
Wood after the wood was placed to create texture
The model had a weak link which lead the thin part to break
Add plastic to be able to pour the gypsum on the mesh mold without it sticking to it.
Mixing the gypsum ration 1:1
Pour the gypsum in the mold
The wood created texture as the gypsum dried around it and created indents in the model
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The mesh was extremly thin and weak therefore it did not create a texture eventhough the gypsum was heavy. Mesh texture appeared in areas where the model was supported n the floor which means only when exposed to pressure from both sides. Salma Ghanim
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Experimentation Experiment 2: Model 2: Swirls
Shaped the mesh to desired shape
Mixing the gypsum ration 1:2 it was more watery
Pour the gypsum in the mold
Air voids appeared due to the watery gypsum and maybe also because of the placment of the plastic where is allowed for air bubbles
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Add plastic to be able to pour the gypsum on the mesh mold without it sticking to it.
Mobile Shelter for the Homeless
The plastic folding created fabric like effect
Attempted to create a swirl shape with the mesh to create texture
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The mesh was extremly thin and weak therefore it did not create a texture eventhough the gypsum was heavy. Mesh texture appeared in areas where the model was supported on the floor which means only when exposed to pressure from both sides. Salma Ghanim
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Experimentation Experiment 3: Model 3: Perforation
Experiment 3: Model 4: Perforation
First trial to create a perforation with the mesh and plastic
The link at one side is very thin and weak it needs more thickness to be stronger
Mixing the gypsum ration 2:1 it was very think
Gypsum was hard to pour because of the thick texture
The plastic made it smooth with some folding texture
The gypsum poured was thin so the mesh texture barely appeared on the surface
Mediam distances between perforations the links between are strong and didn’t break
Air voids appeared due to the thick gypsum and maybe also because of the placment of the plastic where is allowed for air bubbles
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The texture is smooth because of the plastic but with so many folds because of the thick gypsum
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Experimentation
Conclusion
Experiment 3: Model 5: Perforation
Bigger distance between opening and a deeper mold
The spacings between the perforations are bigger and the model is thicker making it the strongest model out of the three
Best result out of all is model 5. It had the most interesting mesh texture, perforations and links were all strong enough and didn’t break. Air voids and plastic texture because of the thick gypsum mixture
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The mesh used for this model was stronger and thicker therefore when I used a fair amout of mixture the texture of the mesh started appearing
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Conclusion Experiment
Gypsum :water ratio
Drying time (short, medium long)
Mesh type
1:1
Medium
1:2
Long
1:1
2:1
1:1
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Medium
Short
Medium
Texture
Volume (m3)
Air Voids (some, a lot)
Weak
At pressure points
3136
Weak
At pressure points
2550
Strong
Slight texture
Weak
At pressure points
Strong
Yes
1950
1377
3450
Perforated?
Radius (cm)
Distance between openings (cm)
Strength of link of perforations
Grasshopper Parameters
Some
No
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-
-
diminsions Boolean Difference
A lot
No
-
-
-
diminsions twist
Weak
diminsions/ Trim/ random/ scale /center distance
Medium strength
diminsions/ Trim/ random/ scale /center distance
Strong
diminsions/ Trim/ random/ scale /center distance
Some
A lot
Some
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Yes
Yes
Yes
3.5
2.5
1.5
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4-5
9-10
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33 Responsive parametric facade
03 The Parametric Facelift Portfolio
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Sun Shading
Site Conditions and Environmental Analysis
June 21st
9am
12pm
3pm
6pm
12pm
3pm
6pm
December 21st
9am Sun angles in summer
Sun angles in winter
Averge winde speed (3.7m/s)
Facade issues 1. Facade facing south leading to solar heat gain and unwanted direct sun rays 2. Capturing wind for ventelation 3. Control of sun penetration based on needs
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Responsive Parametric design Building skin systems that adapt to the dynamic environmental conditions to regulate the internal conditions in a habitable space over different periods of time by exhibiting a state of motion and dynamism.
Precedence KAFD Men’s and Women’s Portal Spas Proposal / WORKSBUREAU
The Screen is powered by small motors. The middle layers move back and forth creating both shades. The design is protected by glass on both sides of the metal parts. This design is created to ensure privacy of the users, to control sunlight and create a relaxing environment from within.
Method
Source: http://papers.cumincad.org/data/works/att/ecaade2013r_013.content.pdf Portfolio
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Derived Parameters
Design Strategy Attempt1 Stratey and Goals: 1. Control of sun penetration 2. Passive ventelation 3. Privacy Creating a double skin/ texture facade to be able to maximize sun penetration control based on season and time of day
Skin 1
Skin 1 First Attempt
Skin 2
Combined Tools Used Grasshopper: 1. Set curve 2. Surface 3. Population 4. Voronoi Rhino: 1. Pipe 2. Render
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Attempt 2 Skin1 (Static): Voronoi texture extruded using weavebird plugin
Skin2 (Dynamic): Transparent and responds to the position of the sun
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Facade on Building Attempts
Attempt 3
Attempt 2 The use of curved surface from phase1 that would help with self shading in addtion to the static and dynamic skin of the building
The use of a dynamic surface that responds to the sun position also the use of different extrusion hieghts for self shading
Extrusions are higher at the top and gets shorter at the bottom. They are also higher at the south and lower at the west. Opennings are smaller at the west to prevent the direct rays perpindicular to the facade. Portfolio
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Reidentifying Derived Parameters and Design Strategy
Veronoi Pattern
Stratey and Goals: 1. Control of sun penetration 2. Passive ventelation 3. Privacy 4. Self Sahding Grasshopper Parameters 1. Control points 2. Veronoi 3. Extrusion
Due to the use of plastic during modeling creasing happened and created veronoi like patters on almost all experiments.
4. Seed
Logic of Veronoi patterns Portfolio
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Final Grasshopper Definition
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Final Design Grasshopper Definition
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Final Design Grasshopper Definition
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Facade on Building The use of a dynamic surface that responds to the sun position also the use of different extrusion hieghts for self shading
Extruded pyramids for self shading at the west to eliminate direct sunlight
Concaved part of the skin for self shading on the south facade. Becasue of the concavity there is no need to extrude the veronoi pattern as
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Elevations
Section
Concave and convex of the skin to allow self shading as a result it also creates dymacis interior experiences
Slab ending with the skin Terrace overlooking social space
Social space
Social space
Slab ending with the skin
West Elevation
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South Elevation
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Floor Plans
Ground Floor
Third Floor
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First Floor
Second Floor
Fourth Floor
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