Updated Portfolio

PORTFOLIO

Rui Zhang

SELECTED WORKS 2021 - 2025

Rui Zhang

ruii.zhang@mail.utoronto.ca/ruizhang@gsd.harvard.edu

136 Yorkminster Road, North York, Ontario, CA

+1 647 302 6966

Education

University of Toronto

John H. Daniels Faculty of Architecture, Landscape and Design

Honours Bachelor of Arts, Architectural Studies with specialist in the design of architecture, landscape, and urbanism.

University of Toronto

John H. Daniels Faculty of Architecture, Landscape and Design

Master of Architecture (Professional)

Harvard University

Graduate School of Design

Master of Architecture II (Post-Professional)

*Research Focuses on Sustainable Building Conservation and Adaptive Reuse and Real Estate Development

Awards and Activities

Recognition of Exceptional Academic Achievement

Dean’s List Scholar

Guided Distraction 2.0: Abstraction & Experimentation in Architecture

Collision Gallery, Toronto, Canada. Group Exhibition

Academic Merit Award

June 2020 and June 2023 Graduation

Toronto Affordable Housing Challenge 2021

Shortlisted

Rammed Earth Pavilion Idea Competition

Shortlisted

Daniels End of Year Show

Larry Wayne Richards Gallery, Toronto, Canada. Group Exhibition

Best Buy Canada Back-to-school Campaign: “See Your Future Take Flight” Canada. Model Feature

Percent for Art. Untold East Cambridge (Harvard GSD)

Middlesex South Registry of Deeds, Boston, United States, Group Exhibition

Building Adaptive Reuse as Housing: A Feasibility Study on Adaptive Reuse as a Development Strategy (Harvard GSD)

Real Estate Development Pilot Study Publication

Commencement Exhibition 2025 (Harvard GSD)

Harvard University, Boston, United States, Group Exhibition

Climate Positive Design Lab in partner with Envision Resilience (Harvard GSD)

Harvard University, Boston, United States, Group Exhibition

Skills

Site Analysis and Preliminary Estimation

Architecture Grafting

Physical Model Making and Coordinating

Concrete Molding and Casting

Public Speaking and Communication

Hobbies

Sketching

Cooking

Furniture Making

Driving

DJing

Work/Experience

MIX Architecture, Nanjing, China

Junior Architectural Designer

Participating in the schematic design and design developments of commercial, residential, educational projects during this internship. Providing digital supports via grasshopper and processing for the urban renewal proposal to the local government.

University of Toronto

John H. Daniels Faculty of Architecture, Landscape and Design, Toronto, Canada

Teaching Assistant for ARC201H1, ARC280H1, ARC361H1

ARC201H1- Assist undergraduate students with their studio projects and provide weekly feedback and guidance on their studio works during office hour. Helping the Professor with the marking of assignments.

ARC280H1- Hosting weekly tutorial sessions and giving back weekly assignment evaluation. Answering students’ questions and concerns regarding their coursework, and hosting monthly project review.

ARC361H1- Assist undergraduate students with their core studio projects and provide weekly feedback and guidance on their studio works during office hour.

PETROS BABASIKAS OFFICE, Athens, Greece/Toronto, Canada

Research Assistant and Architectural Designer

Exploring the potential of sustainable building materials and public space renewal through vernacular architectures and large-scale urban design experiments.

Leading and participating in numerous international design competition entries in Greece, Toronto, and Finland. In charge of coordinating team members and executing key decisions on digital renderings and physical model representation.

3XN/GXN, Toronto, Canada

Student Shadowing

Engaging in schematic design and design development of 3XN /GXN’s student centre project for Rotman School of Management. Participate in weekly meetings during the schematic design and design development stages.

Giannone Petricone Associates, Toronto, Canada

Architectural Assistant

During the four-month internship, the scope of works mainly focusing on residential and commercial projects. Contributed to design development, technical drafting, 3D modeling, and project documentation mainly in Revit and Rhino. Collaborated with architects and various consultants to support project coordination and adherence to design standards.

Harvard University

Graduate School of Design, Cambridge, United States

Graduate Student Mentor

Provide the mentees with both daily and academic supports to help transition into the GSD community. Frequently meet with mentees in order to follow up with their lives at school as well as recent experiences at school.

It appears to me that many of the architectures of our time-be they conceptual or physical-are often ways of addressing and responding to crises unique to our time. Following this school of thinking, documentation and countermeasures regarding crises have been a recurring theme in most of my academic and professional works. These studies seek to analyze, document and eventually understand our times’ social, political, and environmental crises. Furthermore, based on such understanding, they seek to generate potential architectural solutions.

Several crisis-related projects are featured in this portfolio and address ongoing emergencies such as climate change and sea level rise, the worsening housing shortage, along with the failures to capture the already sequestered carbon, as well as the reconciliation/conciliation with indigenous civilizations. These projects, which use architecture and architectural thinking as their primary vehicles, combined with a deep understanding of real estate development and the importance of sustainability and carbon sequestration, seek to identify potential solutions to these emergencies.

Journey of the Indigenous Civilization

CONVERGE

Joint Space between Two Existing Building NEW YORK CITY, NEW YORK, USA

GRAFTING THE AQUARIUM

Brutalist

CLIMATORIUM AS URBAN OASIS

Urban Flooding Adaptation

NEW YORK CITY, NEW YORK, USA

UNIVERSITY OF TORONTO

Academic- Comprehensive Studio-2022 Instructor: Maria Denegri

Located in the heart of Lower Manhattan area, this mass timber Climatorium for the Climate Change Committee (CCC) seeks to explores the potential of water-resistant buildings in dense urban areas. Here, instead of fighting the water, the complex welcomes and embraces the presence of water as a spectacle. In addition to mass timber construction, on-site water filtration and power generation and carbon sinks were also used to address the ongoing global climate crisis further.

The site of this Climatorium project is located on the southeast side of the Lower Manhattan area, one of the most severely impacted areas in the city during Hurricane Sandy in 2013 which resulted in the deaths of 44 City residents, causing an estimated 32 billion dollars in damages across New York City. A direct measurement of 4.7 ft above ground level was made at One World Trade Center in the Financial District, which is at a similar elevation as the project site.

In this project, flood water is celebrated instead of being fought against. When it is dry, the courtyard functions as a multi-purpose gathering space and circulation space in the city’s heart with various programs/activities in different seasons and weather. When severe weather events such as storm and hurricane occur, it is collected and recycled onsite via the central courtyard and the corresponding filtration system in order to reuse these water.

The form of the building complex is also a direct response to such coexistence with water. The complex’s column grid imitate the form of the tree trunks, and the tree canopy transforms into lifted building volumes supported by the trunks. Afterwards, vertical circulations are inserted into the volumes to act as anchoring points for access during severe flooding events and enhance urban connectivity by freeing up the ground floor.

10-12m Floor Depth

Geo-Exchange for Heating and Cooling Systems

The building volumes are lifted off the ground to prevent potential water damage, and the anchor points are inserted into the building as a series of egress staircases and elevator cores. By elevating the volumes off the ground, excavation work is also significantly reduced, while the amount of concrete needed for foundations decreases drastically.

Storm, rain, flood, and wastewater is collected and stored when immediately coming in contact with the site in the courtyard. The stored water is then filtered and used for daily building operations like irrigation, toilet flushing and courtyard water features.

Solar energy and geo-exchange help to activate the buildings’ active heating and cooling systems. Additionally, shading devices and narrow depth of the building floor plate allows passive heating and cooling to take place.

gettyimages.ca

The façade system is tied to the image of tree trunks and canopies in a forest. The tree trunks function similarly to the louver system on a building’s façade, which filters the sunlight dynamically. The material of the façade louver is set to be wood as well to better meet the carbon neutral goal and potentially make the building a carbon sink. The density and coverage of these louvers responses to the varying needs for natural light throughout the building.

Section Model 1:250

ROUGHNESS

Journey of the Indigenous Civilization BRANTFORD, ONTARIO, CANADA

UNIVERSITY OF TORONTO Academic- Core II Studio-2021

Instructor: Mauricio Quiros Pacheco

The Woodland Cultural Centre (WCC) is established after the closure of the Mohawk Institute Residential School. As one of only a handful of residential school buildings left still standing in Canada, the Mohawk Institute Indian Residential School is a physical reminder of the assimilation and deindividualization imposed upon Indigenous children in Canada. Hence, this project seeks to achieve reconciliation or conciliation with the indigenous civilization in the form of a public museum that is dedicated to the display of indigenous arts and history.

Haudenosaunee Centre of Excellence is a museum dedicated to the education and preservation of indigenous art and language. This museum complex seeks to bring together people of all ages and backgrounds for better awareness of the history of indigenous communities in Canada. Simultaneously, the project’s site is situated adjacent to a former residential school; the site inevitably carries the burden of the dark and disturbing history of unjustified treatments towards the indigenous civilization in Canada.

As a reflection of the value of the centre and the history of residential schools in Canada, the museum embeds the often-overlooked history of indigenous civilization in Canada into its architecture. The museum offers a series of carefully curated exhibition spaces, each represents a period in history that is significant to the indigenous people.

All the exhibition rooms are interconnected with each other in chronological order as a coherent journey, a journey that travels through the history of the indigenous civilization. Each significant period within this journey is parallelled to a series of unique spatial experiences within each display room. The visitors of the museum are encouraged to follow along this trek for a better understanding of the museum and the historical significance of its artifacts.

Joint Space for Two Departments

Academic- Core I Studio-2021

This project reimagines the possibility of an insertion of space between two linked landmarked buildings housing the Art and Architecture school in an urban academic campus. This new student commons will house a public performance centre and at the same time, serve as a series of collective social and studio spaces for students from both departments.

Converge, suggests both the convergence of circulation and light. Both convergences are made possible by the insertion of the hourglass geometry into the center of the massing. The system of circulation within the building is attached to the hourglass geometry. More accurately , they surround the geometry and spiral around it like a continuous ribbon. The series of staircases and ramps are connected to different spaces. Eventually, all the circulations converge into one point, and it leads to the roof garden.

In response to the west and east facing conditions, the facade adapts gradient system of transparency. By using different facade materials in response to needs for natural lighting, the front facade forms a mosaic facade that is tiled with different glazing materials.

The centre of the facade are mostly transparent glazing units that frame the hourglass in the center of the building, and at the same time, provides sufficient amount of daylighting for the common area at the bottom of the building. However, studio and activity spaces are covered with translucent materials according to the allocated programs to each room. In this case, computer rooms and dining areas that require little direct sunlight is covered with channel glasses that diffuse direct sunlight.

HARVARD UNIVERSITY

Academic- STU 1312

GRAFTING THE AQUARIUM

Brutalist Icon Retrofitted for Future Sea Level Rise

GRAFTING THE AQUARIUM-2025

Instructor: Jeanne Gang, Eric Zuckerman

Oceans are heavily impacted by climate change. Rising temperatures, acidification, and deoxygenation caused by greenhouse gas emissions are damaging marine ecosystems at an alarming scale and rate. As these ecosystems are significantly threatened, human health and economic stability also grow more precarious. To test these questions, the New England Aquarium will serve as the project site that strategize for climate adaptation while researching Peter Chermayeff’s original Brutalist building from 1969 and its additions.

NEW ENGLAND AQUARIUM ORIGINAL AND FUTURE GOALS

ADVANCE ANIMAL AND OCEAN HEALTH

PARTNER UP TO BUILD RESILIENT COMMUNITY

INSPIRE AND DEVELOP SPACE FOR PUBLIC MARINE EDUCATION AND ADVOCACY

FLOODABLE GROUND FLOOR AND TIDAL SYSTEM

PROJECTED 2070 FLOOD PLAIN OVERLAPPED WITH SECTION

GRAFTED ANIMAL SANCTUARY

GRAFTED ANIMAL SANCTUARY

FUTURE

Infrastructural and Ecological Timeline

1:1000 Model

KAZANKA.CITY

Professional Competition Entry

KAZAN, REPUBLIC OF TATARSTAN, RUSSIA

PETROS BABASIKAS OFFICE- Professional-2021

Design Principal: Petros Babasikas

Design Associate: Irina Rouby-Apelbaum

Designers: Rui Zhang, Jim Kurt Ereno, Pearl Cao, Bahia Marks

KAZANKA.CITY proposes a sustainable architecture, infrastructures and program for the development of five urban blocks on Kazanka River in Russia. These blocks are integrated with a regenerated linear coastal park. The meeting of the two systems – blocks & park – forms a unique public domain and a gateway to a new waterscape. KAZANKA.CITY defines the regeneration of the Kazanka riverfront cultural landscape with a new civic identity. It transforms this unique body of water into a single, visible urban space.

PROFESSIONAL

Architecture, Landscape

Professional-Ongoing

Design Principal: Petros Babasikas

Design Associate: Rui Zhang

This project documents a complex cliffside terrain for minimum impact. It combines a nine square grid house with a tower, both integrated into the cliffside via minimum digging, dry stone retaining walls and water cisterns. The base is a patchwork, growing around a series of massive boulders, a courtyard, the cisterns, terraces of cultivation, dry stone walls and ancient trees. 3 glass pavilions and 3 tower levels frame sea views, axial and curving downhill paths. A series of massive stone walls sourced from the cliff curve around the boulders; these, together with a column grid with found capitols hold a cantilevering green roof with exposed beams. The building collects water, sun, and shade.

PRIVATE HOUSE

Architecture

Professional-Ongoing

Design Principal: Petros Babasikas

Design Associate: Rui Zhang

Interior Rendering 1

Interior Rendering 2

OULU VESSEL

Professional Proposal Entry

OULU, NORTH OSTROBOTHNIA, FINLAND

PETROS BABASIKAS OFFICE- Professional-2021

Design Principal: Petros Babasikas Designers: Rui Zhang, Ideh Khadjevand , Yi Zhou, Jia Mi

DESIGN FOR REAL ESTATE: CONTEMPORARY TOPICS

Publication at Harvard GSD CAMBRIDGE, MASSACHUSETTS, UNITED STATES

HARVARD UNIVERSITY

Pilot Study Publication Instructor: Tim Love