the art and science of photography
Saturday 13 April 2019
The Lowry Salford Quays 1000 - 1600 in
PIER EIGHT A day of Talks, Discussions & Presentations by
Distinguished Guest Speakers combined with competitions and awards RPS Members £45 - Non-Members £50 Inc. refreshment & buffet lunch
20 Student places available at £20
Springboard 2019
Guest Speakers Lucy Dusgate produces and leads the digital art programme for The Lowry and the outdoor Quays Culture public realm art programme at Salford Quays. This includes new commissions and presentations across the galleries, theatres and public spaces in the building and outdoors. Local, national and international artists are invited to perform, exhibit and respond within the spaces of The Lowry. Artists have always used technology in their practice, and we see the inclusion of digital an acknowledgement of some of the best quality art being integrated into our artistic vision here at The Lowry. Examples in our programme include the exhibition ‘Right Here Right Now’, coming this autumn ‘humansbeingdigital’, the Lyric theatre Week53 commission ‘IRIS’ by Marshmallow Laser Feast, ’30 Days of the Smiths’ by author Jackie Kay, and performances in our theatres by artists such as Dasha Rush, Scanner, Herman Kolgen and Novi_Sad. In her role as Producer of Quays Culture, Lucy leads the outdoor arts and cultural events, combining the latest in digital technology with the vision of worldclass artists throughout the year. This ambitious programme of new commissions and presentations is managed by the Quays Partnership consortium, and based within The Lowry. Its work ranges from the intimate to the monumental, acting as a series of interventions and invitations to the public realm. As the Creative Producer at Quays Culture she creates a programme of large-scale inteventions and performances in the public space, reaching audiences exceeding 330,000 per annum.
Lucy Dusgate Digital Programmer, The Lowry
Additionally the commissions she produces go on to tour nationally and internationally to audiences at other events. Quays Culture projects include the large, animated sculptures of animals Unnatural Boarders in summer 2017, and the 2017 Lightwaves Festival, the UK’s biggest annual digital light festival. Lightwaves 2018 includes a co-commission with Canadian partners Quartier Des Spectacles. Lucy is responsible for securing and sourcing new artists and commissions with international partners for the events, which takes place around Salford Quays home to MediaCityUK. www.quaysculture.com . From the North West herself, Lucy has spoken about the inspiration the city provides her with, as it embraces both the old such as the historic docklands, and the new such as the ‘future city’ of MediaCityUK. This year, Lucy attended South by Southwest® (SXSW®) Conference & Festivals in Austin, Texas. The SXSW® Conference & Festivals celebrate the convergence of the interactive, film, and music industries. Lucy attended as part of a UK delegation funded by Arts Council England. She will also be travelling to Montreal and Istanbul to steer British Council digital art projects, and be visiting European light festivals as part of a North of England Light Festival consortia LUTN that represents UK culture.
Projected Images Competition Bring a Print Competition What is Digital art? It is an established art form at the cross section where ideas meet technology. Artists have always used technology in their work, whether it be in painting, print, sculpture or performance so it is only fitting that we keep pace with the new ways in which artists are creating. Digital art grew out of artists experimenting with different art forms such as photography, film, lighting, sound, projection, online media and now into digital technology. It can best be summarised as: an artwork where digital technology is an integral part of the making or showing of that artwork – it would not be the same artwork if you removed the digital element. Lucy Dusgate
He has created exhibitions and time lapse films that feature the Northern Lights, bioluminescence and of the patterns of movement in cities. He then presents this work in galleries and light festivals, using multi projector installations and screen arrays to create an enhanced and immersive experience for the viewer. As well as capturing the real world, Brooks also builds entirely imagined landscape. These are digitally composed of hundreds of his photographs from many locations. He creates cities in the oceans, floating islands and exploding mountain scapes. His real and imagined landscapes are inspired by Victorian paintings of the Romantic era, he uses small details and studies to create larger scale works that become his interpretation of a view.
Wagner Götterdämmerung - Twilight of the Gods
Created in collaboration with the BBC Philharmonic Orchestra
Andrew Brooks is a UK based photographer, artist and film maker. He specialises in using photography, video and digital technology as a prism to view, experiences and present the world in vivid detail. ARTIST PHOTOGRAPHER FILM MAKER
In 2014 Brooks worked as artist in residence at the Art and Algorithms Digital Arts Festival, on the Space Coast, Florida. His composite landscape Odin’s Gully won the 2016 Greater Manchester Emerging Contemporary Artist Prize. He has created new photographic and video work for the Spectra Light Festival, Aberdeen in 2016 and 2017 and has recently created a new film commission for Bruntwood called ‘Sightlines’ which charts a day in the light of Manchester from the rooftops of the city. His photographic clients include Manchester Museum of Science and Industry, the University of Manchester science departments, the BBC Philharmonic Orchestra and the British Council.
Twitter/Instagram: AndrewPBrooks Website: www.andrewbrooksartist.com”
The Great Debate Can Travel Photography ever be considered as Art? What is the role of Technology in Travel Photography? Should distortion of any form be used? How far from the truth should we venture?
Put your views across by taking an active role in exploring this topic.
Nanjing Road, Shanghai, China - Andrew Brooks
The Quays is Salford’s unique waterfront destination, situated just 15 minutes by tram from Manchester city centre. It is home to The Lowry, Imperial War Museum North, MediaCityUK studios & BBC. Manchester United and Lancashire County Cricket Club are just across the waters of the historic Manchester Ship Canal. Manchester from the City Tower
www.andrewbrooksartist.com
“You don’t need brains to be a painter, just feelings.” Although best known for his mill scenes and industrial landscapes, Lowry's work covers a wide range of themes and subjects, from landscapes and seascapes to portraits and surreal imaginings. He studied painting and drawing in the evenings at the Municipal College of Art (1905–15), and at Salford School of Art (1915–25), while working as a rent collector during the day. His initial drawings were made outdoors, on the spot, often rough sketches on the back of an envelope or whatever scrap of paper was to hand.
LS Lowry As a child he had enjoyed drawing, and he used part of his income to pay for private painting lessons with the artists William Fitz and Reginald Barber. In 1905 he began attending evening classes at Manchester Municipal College of Art. His tutor in the life drawing class there was the Frenchman Adolphe Valette, who brought first-hand knowledge of the Impressionists, such as Claude Monet and Camille Pissarro to his classes. ‘I cannot over-estimate the effect on me at that time of the coming into this drab city of Adolphe Valette… He had a freshness and a breadth of experience that exhilarated his students.’ By 1915 Lowry had begun attending evening classes at Salford School of Art, based in the Royal Technical College on the edges of Peel Park. One of his tutors there, Bernard Taylor (art critic for the Manchester Guardian) advised Lowry that his paintings were too dark. In response, Lowry tried painting on a pure white background, a technique he was to retain for the rest of his career.
More finished drawings were made later and, after about 1910, he only ever painted at home in what he referred to as his workroom, rather than his studio. His palette was very restricted and he used only five colours – flake white, ivory black, vermilion (red), Prussian blue and yellow ochre. After years of painting and exhibiting in and around Manchester and Salford, Lowry received his first one-man exhibition in London in 1939 and went on to national fame. He died aged 88 in 1976 just months before a retrospective exhibition opened at the Royal Academy. Why not make a weekend of it? Special rates for attendees Friday 12 April - Room rate inc Breakfast Single £69.00 Double £79.00 Saturday 13 April - Room rate inc Breakfast Single £109.00 Double £119.00 guests will need to guarantee the booking with a credit or debit card over the phone at the time of booking then they can pay upon arrival at the hotel. Cancellation policy on the individuals booking the rooms is 7 days prior to arrival.
Clippers Quay Salford Quays M50 3SN
editortravel@rps.org
Reservations
0161 873 7321
Quote: The Royal Photographic Society